Network Notebook Fall Quarter October – December 2014

Transcription

Network Notebook
Fall Quarter
October – December 2014
1
FALL 2014
Series
Program
Hours
Beethoven Network with Peter van de Graaff
9
Caramoor Opera (New)
2+
The Chamber Music Society of Lincoln Center
1
Chicago Symphony Orchestra Radio Broadcasts
2
Chicago Symphony Orchestra: Macbeth (New)
2+
Civic Orchestra of Chicago
1
Collectors’ Corner with Henry Fogel
2
Deutsche Welle Festival Concerts (New)
2
Exploring Music with Bill McGlaughlin
1
Fiesta! with Elbio Barilari
1
Gilmore International Keyboard Festival (New)
1
Jazz Network with Bob Parlocha
9
Living American Composers: New Music from Bowling Green
1
Los Angeles Philharmonic
2
Mad About Music with Gilbert Kaplan
1
Michigan Opera Theater: Cyrano (New)
3
The Midnight Special with Rich Warren
2
Millennium of Music
1
Milwaukee Symphony Orchestra
2
The New York Philharmonic This Week
2
Relevant Tones with Seth Boustead
1
San Francisco Opera
2+
San Francisco Symphony
2
Santa Fe Chamber Music Festival
1
Spoleto Chamber Music Festival
1
Weeks
-1
52
52
1
13
52
26
52
52
13
-13
13
52
1
52
52
13
52
52
10
26
13
13
Code
BN
CAR
CMS
CSO
COO
CVC
CCF
DWF
EXP
FST
GIL
JN
MBG
LAP
MAD
MOT
MS
MOM
MSO
NYP
RLT
SFO
SFS
SFE
SCM
Start Date
Continuous
11/8/2014
10/1/2013
1/1/2014
11/22/2014
10/1/2013
1/1/2014
9/23/2013
9/30/2013
4/1/2014
10/1/2014
Continuous
10/1/2013
4/1/2014
4/1/2014
11/1/2014
12/31/13
12/31/13
7/1/2013
9/26/2013
1/1/2014
8/23/2014
3/24/2014
4/1/2014
7/1/2014
End Date
--9/30/2014
12/31/2014
-12/31/2014
12/31/2014
3/16/2015
9/29/2014
3/31/2015
9/30/2015
-9/30/2014
3/31/2015
3/31/2015
-12/30/2014
12/30/2014
6/30/2014
9/25/2014
12/31/2014
10/25/2014
3/31/2015
3/31/2015
3/31/2015
Specials
Program
Aspen Music Festival: Harris Hall 20th Anniversary
Borusan Istanbul Philharmonic Orchestra (New)
Carlos Kleiber: A Conductor Unlike Any Other
Music Academy of the West
Renata Scotto: A Legend Looks Back
Richard Strauss: Lion of Opera
Russian Music and Literature: Voices for the People
Weeks
1
1
1
1
1
1
2
Code
AMF
BIP
KLB
MAW
REN
STR
RML
Start Date
5/1/2014
9/1/2014
7/1/2014
1/1/2014
2/1/2014
7/1/2014
8/1/2014
End Date
12/31/2014
6/30/2015
12/31/2014
12/31/2014
12/31/2014
6/30/2015
7/31/2015
Hours
1
1
2
2
2
2
2
2
CARRIAGE AGREEMENT
If you are interested in broadcasting any of the WFMT Radio Network programs, please sign and return this
form.
For latest program information and updates, please check our web site at http://www.wfmt.com/network
SERIES:
PROGRAM
DATE
DAY
CD
PRX
American Opera Series


Chamber Music Society/Lincoln Center


Chicago Symphony Orchestra


Civic Orchestra of Chicago


Collectors’ Corner with Henry Fogel


DW Festival Concerts


Exploring Music with Bill McGlaughlin


Fiesta! with Elbio Barilari


Living American Composers/Bowling Green


Los Angeles Philharmonic


Mad About Music with Gilbert Kaplan


The Midnight Special with Rich Warren


Millennium of Music


Milwaukee Symphony Orchestra


The New York Philharmonic






Santa Fe Chamber Music Festival


Spoleto Chamber Music Festival


3
TIME
CARRIAGE AGREEMENT (Continued)
SPECIALS:
PROGRAM
DATE
DAY
TIME
CD PRX
Aspen Music Festival


Borusan Istanbul Philharmonic Orchestra


Carlos Kleiber: A Conductor Unlike Any Other


Music Academy of the West


Renata Scotto-A Legend Looks Back


Richard Strauss: Lion of Opera


Russian Music and Literature: Voices for the People


CALL LETTERS
 COMMERCIAL
MARKET________________________________________
AM
Khz
Power
Kw
 NON-COMMERCIAL
FM
MHz ERP
Kw HAAT
ft
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - OTHER TRANSMITTERS/TRANSLATORS: (Please list call letters, market and frequency)
---------- ---------------------------------------------------------WFMT Radio Network, a division of
Window To The World Communications, Inc
Broadcaster:
Signature
Signature_____________________________________
Title
Title_________________________________________
Date
Date_________________________________________
FAX: 773-279-2199 Phone: 773-279-2112/2114
4
WFMT Radio Network 2014 Opera Series
Lyric Opera of Chicago
May 17
OTELLO / Verdi
May 24
MADAMA BUTTERFLY / Puccini
May 31
PARSIFAL / Wagner
June 7
LA TRAVIATA / Verdi
June 14
DIE FLEDERMAUS / Johann Strauss, Jr.
June 21
THE BARBER OF SEVILLE / Rossini
June 28
RUSALKA / Dvořák
July 5
LA CLEMENZA DI TITO / Mozart
LA Opera
July 12
FALSTAFF / Verdi
July 19
CARMEN / Bizet
July 26
MAGIC FLUTE / Mozart
August 2
BILLY BUDD / Britten
August 9
LUCIA DI LAMMERMOOR / Donizetti
August 16
THAIS / Massenet
San Francisco Opera
August 23
MEPHISTOPHOLES / Boito
August 30
TOSCA / Puccini
September 6
THE FLYING DUTCHMAN / Wagner
September 13
PETER GRIMES / Britten
5
September 20
THE BARBER OF SEVILLE / Rossini
September 27
FRAU OHNE SCHATTEN / Strauss
October 4
LA TRAVIATA / Verdi
October 11
DOLORES CLAIBORNE / Picker
October 18
FALSTAFF / Verdi
October 25
SHOWBOAT / Kern
Additional Operas
November 1
CYRANO / Di Chiera / Michigan Opera Theater
November 8
LUCREZIA BORGIA / Donizetti / Caramoor Opera
November 15
AN AMERICAN TRAGEDY / Picker / Glimmerglass
November 22
MACBETH / Verdi / Chicago Symphony Orchestra
November 29
ARMIDA / Rossini / Rossini Opera Festival
6
PROGRAM:
BEETHOVEN NETWORK with Peter van de Graaff
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
BN14
Music, Classical, Overnight
9 one-hour modules daily
9 hours /7 days
PRX
Please consult the BN clock
Continuous
Program Director/Host:
Peter van de Graaff
Contact Information:
Estlin Usher: 773-279-2112, [email protected]
Tony Macaluso: 773-279-2114, [email protected]
Broadcast fees apply for the Beethoven Network. However, you pay only for the hours you
use. Beethoven Network listings are posted on the WFMT Radio Network website at
wfmt.com/network. Click on Beethoven Network playlists.
The highly successful classical music radio format service of the WFMT Radio Network, the
Beethoven Network, celebrates over three decades of service and continues to grow.
Beethoven Network provides one-hour modules of classical music, culled from WFMT’s
extensive library of more than 85,000 recordings. The service was originally designed to help
public radio stations expand their local operation and improve the quality of late night
programming.
Designed for you and your listeners, all Beethoven Network hours can be fully customized as
your local program product. The service features flexibility in each hourly module, permitting
network or local break opportunities, top-of-the-hour news, underwriting credits or commercials
and local program promotions.
Here are some comments about Beethoven Network (all quotes are from letters on file):
“Radio is a companion to people and Peter van de Graaff is an excellent one. I like his
style and format approach. It’s very intelligent programming.”
“We are overwhelmed (but not surprised) by the positive response of our listeners to
[BN’s] return to our airwaves. We have a steady stream of comments, and many of them
have backed them up with hefty financial contributions.”
7
Beethoven Network (BN)
PROGRAMMING PHILOSOPHY
At the Beethoven Network, we go far beyond just playing random pieces of music. Our
philosophy and goal is to take the listeners on a musical journey, so we tie pieces of music
together in interesting and novel ways. Whether it is to illuminate what has just been heard or to
start down a completely different path, the music selected is always played for a purpose. We
take great time and care in putting every hour together in thoughtful ways.
We never fade in or out of music. Generally speaking, we don’t play single movements of
compositions. Exceptions to this may include a ballet, opera or orchestral suite.
We believe in playing the “core repertoire” in abundance, but we also delve into the lesser
known works and composers, drawing on our extensive collection of more than 85,000
recordings.
We limit vocal music primarily to the occasional 2:00 or 6:00 breaks, but if there is a compelling
reason to play something vocal that ties in with a theme we are developing, we won’t hesitate to
play it. That would be an exception, however, as instrumental compositions by far dominate.
Avant-garde music is avoided, as is, with rare exception, organ music.
In announcing the selections, the focus is on the music—not on the host. Our goal is to be
welcoming and congenial without drawing attention away from the music. Talk is kept to a
minimum, but if there is something interesting or illuminating to say, we won’t hesitate to say it.
At the Beethoven Network, we maintain time-tested standards of quality to bring you
distinguished programming and a consistently engaging listening experience.
8
HOURLY CLOCK
ALL HOURS ARE HOSTED BY PETER VAN DE GRAAFF
PLEASE NOTE: THE CLOCK IS IDENTICAL FOR ALL HOURS
0000:00-0059:40
0000:00-0006:00
Varies with program
0057:40-0059:40
0059:40-0100:00
Programming
Optional Break
Optional Break
Optional Break
Mandatory ID Break
06:00 avail
02:00 avail
02:00 avail
00:20
Network programming is provided during all optional breaks; silence during
mandatory breaks.
If you have any questions, please call Peter van de Graaff at 773-279-2066.
9
PETER VAN DE GRAAFF
Program Director and Music Host
Peter van de Graaff is recognized nationwide as a leader in classical music broadcasting. After
beginning his radio career in 1984 at KBYU, he came to 98.7 WFMT as a staff announcer in
1988. For the past 25+ years he has been the host of the Beethoven Network, a nationallysyndicated daily program carried on over 200 stations. Since 1996 he has been the program
director of the service as well. He has also hosted such nationwide broadcast series as Vienna
Philharmonic Orchestra, the Van Cliburn Piano Series, operas from the European Broadcasting
Union, the Lyric Opera of Chicago, Music of the Baroque, and the Vermeer Quartet.
In addition to his distinguished career in media, Peter has sung to great acclaim throughout the
world. He performed and recorded a Mass by Jan Vorisek with the Czech State Symphony
under Paul Freeman and has also sung Beethoven's Missa Solemnis throughout the Czech
Republic and Poland with the Czech Philharmonic. He appeared in Berlin with the Chicago
Symphony Orchestra in Schoenberg's Moses und Aaron. In Budapest he sang with the Budapest
Concert Orchestra in Verdi's Requiem, in Tel Aviv, the Israeli Chamber Orchestra joined him in
a Mozart Mass, and he has appeared in Tokyo as a recitalist.
His singing has also taken him throughout the United States, where his appearances include
engagements with the Houston Symphony, Chicago Symphony, Utah Symphony, San Antonio
Symphony, Syracuse Symphony, Louisiana Philharmonic, Omaha Symphony, Wichita
Symphony, Colorado Springs Symphony, Richmond Symphony and many others.
Peter has a great interest in languages and speaks Dutch, German and French, with additional
study in Italian, Spanish and Russian.
In 2010, Peter van de Graaff was the sixth recipient of the Karl Haas Prize for Music Education,
joining fellow recipients Michael Tilson Thomas, Peter Schickele, Martin Bookspan, Howard
Goodall, and Christopher O’Riley.
10
COMMENTS
Station Manager: “Thank you for the wonderful programs. We receive compliments all the time on your
programming. At least we’re smart enough to carry you.”
Listener: “I just wanted to register what a huge asset this man is to my daily life. His knowledge is
amazing and his enthusiasm is, too. His professionalism combined with his very pleasant voice is
tremendous.”
Affiliate station GM: “The listeners just really like Peter. They like his presentation. He’s extremely
knowledgeable. He’s just a very friendly voice. We have many people who are very happy when they
come into the area and hear that we have him on because they’ve been listening to him in other parts of
the country. He’s a friend.”
Listener: “I have enjoyed listening to you for a few years now. In fact, you’re one of the main reasons I
recently became a member. I just wanted to thank you for giving me hours of listening pleasure.”
Listener: “Peter makes a most valuable contribution to the station. He has such a pleasant way of giving
listeners information that we never feel he is lecturing, yet we acquire so much good information from
him. He’s a treasure for us all.”
BBC Producer: “A presenter who can actually pronounce a foreign language, doesn’t tell the story of his
life and doesn’t drop his voice at the crucial point in his intro!”
Listener: “It’s always a pleasure to hear his pleasant voice and well-crafted, erudite, pithy and brief
comments on the music he’s playing. I always find I’ve learned something new about the composer or the
music. That’s why I always enjoy listening.”
Listener: “Peter is the best ‘friend’ to a listener like myself. I depend on his calm and interesting talk, and
the music selections.”
Listener: “I have loved your broadcasts for many years now. Your musical knowledge is broad and your
voice is comforting. What a joy it is for those of us up at all hours of the night and morning to listen to
you. Thank you.”
Listener: “I love your voice—the low, rich, smooth sound of it, the relaxed, clear, intelligent pace of it—
and I like the music you play. How can I hear more of you?”
Listener: “Your nightly music is a big joy in my life. Thank you so very much. Your comments are just
right and the choice of music is wonderful.”
Listener: “I listen to your music regularly and must say it is superb. As a radio announcer, you have what
others don’t: great elocution (English and foreign) and superb taste in music.”
Listener: “Your programs are like going night after night to a varied and wonderful concert with a
charming companion.”
11
PROGRAM:
WQXR Presents Lucrezia Borgia from Caramoor
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
CAR14
Music, Classical, Opera
3 hours (approximate)
Special
PRX and CD
Two
November 8, 2014
Host:
Producer:
Elaine Warner
Martha Bonta, Elaine Warner
Contact Information: Estlin Usher: 773-279-2112, [email protected]
David Sims: 773-279-2027, [email protected]
This special is available free of charge to all affiliate stations for one broadcast in the week of
November 8.
WQXR is pleased to present Donizetti’s bel canto masterpiece, Lucrezia Borgia, recorded live in
July 2014 at The Caramoor Summer Music Festival, a performing arts center located on a unique
90-acre setting about 50 miles north of New York City. Director of Opera Will Crutchfield
leads the Orchestra of St. Luke’s and a stellar cast including acclaimed soprano Angela Meade
in her highly anticipated debut in the title role, Tamara Mumford as Maffio Orsini, Michele
Angelini as Gennaro, and Christophoros Stamboglis as Duke Alfonso.
Reviewing Ms. Meade’s breakout role debut as Norma at Caramoor in 2010, the New York
Times exclaimed “From the first lines of Norma’s entrance…Ms. Meade sounded in complete
control of the role.” She has gone on to display that control in acclaimed Norma performances at
the Metropolitan Opera, the Washington National Opera, and elsewhere. Now she returns to
Caramoor to introduce her interpretation of another iconic bel canto heroine.
12
WQXR Presents Lucrezia Borgia from Caramoor
Broadcast Schedule — Fall 2014
PROGRAM #:
RELEASE:
CAR 14-01
November 8, 2014
OPERA:
COMPOSER:
LIBRETTO:
LUCREZIA BORGIA
Gaetano Donizetti
Felice Romani
CAST:
Lucrezia Borgia
Maffio Orsini
Gennaro
Alfonso D'Este
Jeppo Liverotto
Don Apostolo Gazella
Ascanio Petrucci
Oloferno Vitellozzo
Rustighello
Gubetta
Astolfo
Angela Meade
Tamara Mumford
Michele Angelini
Christophoros Stamboglis
Sungwook Kim
Hans Tashjian
Kyle Oliver
William Hearn
Cameron Schutza
Joseph Beutel
Zachary Altman
CONDUCTOR:
ORCHESTRA:
CHORUS:
CHORUS MASTER:
Will Crutchfield
Orchestra of St. Luke’s
Bel Canto Young Artists and Apprentices
Rachelle Jonck
Approx. Length:
3 hours
13
PROGRAM:
THE CHAMBER MUSIC SOCIETY OF LINCOLN CENTER
Code:
Genre:
Length:
Frequency:
Delivery Type::
Optional Breaks:
Air Window:
CMS14
Music, Classical
59 minutes
52 weeks
PRX and CD
One
October 1, 2014 – September 30, 2015
Host:
Producer:
Commentary:
Elliott Forrest
Forrest Productions
David Finckel, Co-Artistic Director of The Chamber Music
Society of Lincoln Center, and the performing artists
This series is available free of charge to all affiliate stations one broadcast through September
30, 2015.
The Chamber Music Society of Lincoln Center is proud to announce details of its 2014-2015
radio series season. The 52 one-hour programs, hosted by Elliott Forrest, feature live recorded
performances by leading chamber music players from around the world. Programs feature
enlightening commentary from CMS Co-Artistic Director David Finckel, and the performers.
The Chamber Music Society of Lincoln Center (CMS) is one of eleven constituents of Lincoln
Center for the Performing Arts, the largest performing arts complex in the world. Along with
other constituents such as the New York Philharmonic, New York City Ballet, Lincoln Center
Theater, and The Metropolitan Opera, the Chamber Music Society has its home at Lincoln
Center, in Alice Tully Hall. Through its performance, education, and recording/broadcast
activities, it draws more people to chamber music than any other organization of its kind.
CMS presents annual series of concerts and educational events for listeners ranging from
connoisseurs to chamber music newcomers of all ages. Performing repertoire from over three
centuries, and numerous premieres by living composers, CMS offers programs curated to
provide listeners a comprehensive perspective on the art of chamber music.
The performing artists of CMS, a multi-generational selection of expert chamber musicians,
constitute an evolving repertory company capable of presenting chamber music of every
instrumentation, style, and historical period. Its annual activities include a full season of concerts
and events, national and international tours, nationally televised broadcasts on Live From
14
Lincoln Center, a radio show broadcast internationally, and regular appearances on American
Public Media’s Performance Today. In 2004, CMS appointed cellist David Finckel and pianist
Wu Han artistic directors. They succeed founding director Charles Wadsworth (1969-89), Fred
Sherry (1989-93), and David Shifrin (1993-2004). More information is available at
www.ChamberMusicSociety.org
15
CHAMBER MUSIC SOCIETY OF LINCOLN CENTER
Broadcast Schedule — Fall 2014 to Summer 2015
Please note: these programs are subject to change.
PROGRAM #:
RELEASE:
CMS 14-01
September 30, 2014
Hungary I
Kodály:
Suk:
Duo for Violin and Cello, Op. 7
(Benjamin Beilman, violin; Torleif Thedéen, cello)
Quartet in A minor for Piano, Violin, Viola, and Cello, Op. 1
(Gloria Chien, piano; Benjamin Beilman, violin; Paul Neubauer, viola;
Mihai Marica, cello)
PROGRAM #:
RELEASE:
CMS 14-02
October 7, 2014
Debussy and Mendelssohn
Debussy:
Mendelssohn:
PROGRAM #:
RELEASE:
Quartet in G minor, Op. 10
Parisii Quartet (Jean-Michel Berrette, Arnaud Vallin, violins; Dominique
Lobet, viola; Jean-Philippe Martignoni, cello)
Trio No. 2 in C minor for Piano, Violin, and Cello, Op. 66
(Jeremy Denk, piano; Ani Kavafian, violin; Gary Hoffman, cello)
CMS 14-03
October 14, 2014
Schubert – The Great C Major Quintet
Schubert:
Quintet in C major for Two Violins, Viola, and Two Cellos, D. 956, Op.
163
Miro Quartet (Daniel Ching, violin; William Fedkenheuer, violin; John
Largess, viola; Joshua Gindele, cello); Paul Watkins, cello
PROGRAM #:
RELEASE:
CMS 14-04
October 21, 2014
Britten and Prokofiev
Britten:
Quartet No. 1 in D major for Strings, Op. 25
16
Prokofiev:
Belcea Quartet (Corina Belcea, Laura Samuel, violins; Krzysztof
Chorzelski, viola; Antoine Lederlin, cello)
Quartet No. 1 in B minor for Strings, Op. 50
Belcea Quartet (Corina Belcea, Laura Samuel, violins; Krzysztof
Chorzelski, viola; Antoine Lederlin, cello)
PROGRAM #:
RELEASE:
CMS 14-05
October 28, 2014
1920s France
Jongen:
Ravel:
Roussel:
PROGRAM #:
RELEASE:
Deux pièces en trio for Flute, Cello, and Harp, Op. 80
Sooyun Kim, flute; Nicholas Canellakis, cello; Bridget Kibbey, harp
Sonata for Violin and Cello
Alexander Sitkovetsky, violin; Colin Carr, cello
Serenade for Flute, Violin, Viola, Cello, and Harp, Op. 30
Sooyun Kim, flute; Kristin Lee, violin; Paul Neubauer, viola; Nicholas
Canellakis, cello; Bridget Kibbey, harp
CMS 14-06
November 4, 2014
Mozart and Family
Mozart:
Mozart:
PROGRAM #:
RELEASE:
Selected Songs by the Mozart Family
Barbara Bonney, Shannon Mercer, sopranos; Isabel Leonard, mezzosoprano; Colin Balzer, tenor; Joshua Hopkins, baritone; Margo Garrett,
piano
Viola Quintet, in G minor, K.516
Orion String Quartet (Daniel Phillips, Todd Phillips, violins; Steven
Tenenbom, viola; Timothy Eddy, cello); Michael Tree, viola
CMS 14-07
November 11, 2014
Russian I
Rachmaninov:
Rachmaninov:
Mussorgsky:
Tchaikovsky:
Prelude Op. 32, No. 5
Alessio Bax, piano
Two Movements for String Quartet
Escher String Quartet (Adam Barnett-Hart, violin; Aaron Boyd, violin;
Pierre Lapointe, viola; Dane Johansen, cello)
Hopak, tr. Rachmaninov
Alessio Bax, Piano
Serenade in C major for Strings, Op. 48
17
Large ensemble of CMS string players, led by violinist Cho-Liang Lin
PROGRAM #:
RELEASE:
CMS 14-08
November 18, 2014
American Diversity
Davidovsky:
Smith:
PROGRAM #:
RELEASE:
Septet for Piano, Flute, Clarinet, Violin, Viola, Cello and Double Bass
Gilbert Kalish, piano; Yoon Kwon, violin; David Kim, viola; Fred Sherry,
cello; DaXun Zhang, double bass; Tara Helen O'Connor, flute; David
Shifrin, clarinet: Jeffrey Milarsky, conductor
Vignettes - Ellis Island (Tr. 2 – 24)
Stephanie Blythe, mezzo-soprano; Warren Jones, piano
CMS 14-09
November 25, 2014
Bach
Bach:
Bach:
Bach:
PROGRAM #:
RELEASE:
Ricercar in Six Voices from Musical Offering, BWV 1079
Jupiter String Quartet (Nelson Lee, Meg Freivogel, violins; Liz Freivogel,
viola; Daniel McDonough, cello); Mark Holloway, viola; Andreas
Brantelid, cello
Fifteen Sinfonias for Violin, Viola, and Cello, BWV 787-801 (arr. Dmitry
Sitkovetsky)
Dmitry Sitkovetsky, violin; Yura Lee, viola; Dane Johansen, cello
Concerto in C minor for Oboe, Violin, Strings, and Continuo, BWV
1060R
Stephen Taylor, oboe; Erin Keefe, violin solo; Ani Kavafian, violin; Sean
Lee, violin; Mark Holloway, viola; Colin Carr, cello; Anthony Manzo,
double bass; Kenneth Weiss, harpsichord
CMS 14-10
December 2, 2014
Strings & Winds
Rossini:
Webern:
Poulenc:
Duetto in D major for Cello and Bass
Efe Baltacigil, cello; DaXun Zhang, double bass
Langsamer Satz for String Quartet
Daedalus Quartet
(Kyu-Young Kim, Min-Young Kim, violins; Jessica Thompson, viola;
Raman Ramakrishnan, cello)
Trio for Piano, Oboe, and Bassoon
Stephen Taylor, oboe; Peter Kolkay, bassoon; Inon Barnatan, piano
18
Hindemith:
Kleine Kammermusik for Woodwind Quintet, Op. 24, No. 2
Ransom Wilson, flute; Stephen Taylor, oboe; David Shifrin, clarinet;
Milan Turkovic, bassoon; William Purvis, horn
PROGRAM #:
RELEASE:
CMS 14-11
December 9, 2014
All Mozart
Mozart:
Mozart:
PROGRAM #:
RELEASE:
Sonata in C major for Piano, Four Hands, K. 521
Juho Pohjonen, piano; Wu Han, piano
Divertimento in D major for Oboe, Two Horns, and Strings, K. 251
Stephen Taylor, oboe; Julie Landsman, horn; Michelle Baker, horn;
Nelson Lee, violin; Meg Freivogel, violin; Liz Freivogel, viola; Daniel
McDonough, cello; Kurt Muroki, double bass
CMS 14-12
December 16, 2014
French Masters
Debussy:
Poulenc:
Ravel:
PROGRAM #:
RELEASE:
Danse sacree et Danse profane for Strings and Harp
Orion Quartet (Daniel Phillips, Todd Phillips, violins; Steven Tenenbom,
viola, Timothy Eddy, cello) Kurt Muroki, double bass: June Han, harp
Banalities for Voice and Piano
Measha Breuggergosman, soprano; Jean-Yves Thibaudet, piano
Quartet in F Major
Parisii Quartet (Arnaud Vallin, Jean-Michel Berrette, violins; Dominique
Lobet, viola; Jean-Philippe Martignoni, cello)
CMS 14-13
December 23, 2014
Czech / Hungary
Dvorák:
Bartók:
Bartók:
Bartók:
Bartók:
Terzetto in C major for Two Violins and Viola, Op. 74
Kristin Lee, violin; Arnaud Sussmann, violin; Paul Neubauer, viola
“Fekete fod” for Voice and Piano
Dawn Upshaw, soprano; Gilbert Kalish, piano
“Annyi bánat” for Voice and Piano
“Régi keserves” for Voice and Piano
“Eddig való” for Voice and Piano
19
Bartók:
Divertimento for Strings, BB 118
Large ensemble of CMS string players, led by violinist Ida Kavafian
PROGRAM #:
RELEASE:
CMS 14-14
December 30, 2014
Baroque Collection
Biber:
Telemann:
Muffat:
Handel:
Handel:
Vivaldi:
PROGRAM #:
RELEASE:
Battalia for Strings and Continuo (1673)
Ian Swensen, Yoon Kwon, Arnaud Sussmann, violin; Paul Neubauer,
David Kim, Lily Francis, Erin Keefe, viola; DaXun Zhang, Kurt Muroki,
double bass; Kenneth Weiss, harpsichord; Paul O'Dette, lute
Concerto in A minor for Recorder, Two Violins, and Continuo, TWV
43:a3
Matthias Maute, recorder; Erin Keefe, Lily Francis, violin; Kenneth
Weiss, harpsichord; Milan Turkovic, bassoon
Passacaglia in G major for String Quintet (1682)
Erin Keefe, Arnaud Sussmann, violin; Paul Neubauer, David Kim, viola;
Paul O'Dette, lute; Fred Sherry, cello; Kenneth Weiss, harpsichord
"Süsse Stille, sanfter, Quelle" from Nine Arias for Soprano and Continuo,
HWV 205 (1724-27)
Julianne Baird, soprano; Erin Keefe, violin; Kenneth Weiss, harpsichord;
Paul O’Dette, lute; Fred Sherry, cello
"Die ihr aus dunkeln Grüften" from Nine Arias for Soprano and Continuo,
HWV 208 (1724-27)
Julianne Baird, soprano; Erin Keefe, violin; Kenneth Weiss, harpsichord;
Paul O’Dette, lute; Fred Sherry, cello
Sonata in D minor for Two Violins and Continuo, RV 63 "La Follia"
(1705)
Arnaud Sussmann, Yoon Kwon, violin; Paul O'Dette, lute; Efe Baltacigil,
cello; Kenneth Weiss, harpsichord
CMS 14-15
January 6, 2015
Brahms
Brahms:
Quartet No. 2 in A major for Piano, Violin, Viola, and Cello, Op. 26
Gilbert Kalish, piano; Nicolas Dautricourt, violin; Yura Lee, Viola; Keith
Robinson, Cello
PROGRAM #:
RELEASE:
CMS 14-16
January 13, 2015
Osvaldo Golijov
20
Golijov:
Golijov:
PROGRAM #:
RELEASE:
Yiddishbuk: Inscriptions for String Quartet
St. Lawrence String Quartet (Geoff Nuttall, Barry Shiffman, violins;
Lesley Robertson, viola; Christpher Costanza, cello)
The Dreams and Prayers of Isaac the Blind for Clarinet and String Quartet
Todd Palmer, clarinet; St. Lawrence String Quartet (Geoff Nuttall, Barry
Shiffman, violins; Lesley Robertson, viola; Christpher Costanza, cello)
CMS 14-17
January 20, 2015
Russian II
Prokofiev:
Rachmaninov:
PROGRAM #:
RELEASE:
Sonata in D major for Violin and Piano, Op. 94a
Daniel Hope, violin; Wu Han, piano
Suite No. 2 in C minor for Two Pianos, Op. 17
Wu Han, piano; Juho Pohjonen, piano
CMS 14-18
January 27, 2015
Ligeti
Ligeti:
Ligeti:
Ligeti:
Ligeti:
Ligeti:
PROGRAM #:
RELEASE:
Etude for Piano, No. 4 “Fanfares”
Pierre-Laurent Aimard, piano
Etude for Piano, No. 1, “Desordre”
Etude for Piano, No. 6, “Automne à Varsovie”
Trio for Violin, Horn, and Piano (Hommage à Brahms)
Marie-Luise Neunecker, horn; Mark Steinberg, violin; Pierre-Laurent
Aimard, piano
Hamburg Concerto for Horn and Strings
William Purvis horn solo; Reinbert de Leeuw, conductor
CMS 14-19
February 3, 2015
Baroque Celebration
Gallo:
Handel:
Sonata No. 1 in G major for Two Violins and Continuo
Erin Keefe, violin; Sean Lee, violin; Colin Carr, cello; Anthony Manzo,
double bass; Kenneth Weiss, harpsichord
Trio Sonata in G minor for Oboe, Violin, and Continuo, Op. 2, No. 8
21
Gallo:
Bach:
Vivaldi:
PROGRAM #:
RELEASE:
James Austin Smith, oboe; Sean Lee, violin; Colin Carr, cello; Anthony
Manzo, double bass; Kenneth Weiss, harpsichord
La Follia in G minor for Two Violins, Viola, and Continuo
Sean Lee, violin; Ani Kavafian, violin; Mark Holloway, viola; Colin Carr,
cello; Anthony Manzo, double bass; Kenneth Weiss, harpsichord
Brandenburg Concerto No. 1 in F major, BWV 1046
Daniel Phillips, violin solo; Jorja Fleezanis, violin; Alexander Sitkovetsky,
violin; Cynthia Phelps, viola; Dmitri Atapine, cello; Kurt Muroki, double
bass; Pedja Muzijevic, harpsichord; Stephen Taylor, oboe; Randall Ellis,
oboe; James Austin Smith, oboe; Peter Kolkay, bassoon; Stewart Rose,
horn; Julia Pilant, horn
Concerto in E-flat major for Violin, Strings, and Continuo, RV 253, “La
tempesta di mare”
Ani Kavafian, violin solo; Erin Keefe, violin; Sean Lee, violin; Mark
Holloway, viola; Colin Carr, cello; Anthony Manzo, double bass; Kenneth
Weiss, harpsichord
CMS 14-20
February 10, 2015
Rachmaninov – Tchaikovsky
Rachmaninov:
Rachmaninov:
Rachmaninov:
Rachmaninov:
Tchaikovsky:
PROGRAM #:
RELEASE:
From Six Songs, Op. 38, No. 3 Margaritki (Daisies)
Heidi Grant Murphy soprano; Kevin Murphy, piano
From Six Songs, Op. 38, No. 4 Krïsolov (The Rat-Catcher)
Heidi Grant Murphy, soprano; Kevin Murphy, piano
From Six Songs, Op. 38, No. 5 Son (A Dream)
From Six Songs, Op. 38, No. 6 A-u!
Quartet No. 2
Artemis String Quartet (Natalia Prischepenko, Gregor Sigl, violins;
Friedemann Weigle, viola; Eckart Runge, cello)
CMS 14-21
February 17, 2015
Op. 132
Mozart:
Beethoven:
Fantasia in D minor for Piano, K. 397
Soyeon Kate Lee, Piano
Quartet in A minor for Strings, Op. 132
Danish String Quartet (Rune Tonsgaard Sørensen, violin; Frederik Oland,
violin; Asbjørn Norgaard, viola; Fredrik Sjolin, cello)
22
PROGRAM #:
RELEASE:
CMS 14-22
February 24, 2015
Berio, Prokofiev, & Mozart
Berio:
Prokofiev:
Mozart:
PROGRAM #:
RELEASE:
Duets for Two Violins
Ani Kavafian, Ida Kavafian, Bella Hristova, Melvin Chen, Jessica Lee,
Kati Hyun, Miki-Sophia Cloud, Nicholas DiEugenio, Rebecca Anderson,
David Southorn, violin
Five Poems for Voice and Piano, Op. 27 (1916)
Dina Kuznetsova, soprano; Gilbert Kalish, piano
Quintet for Two Violins, Two Violas and Cello in D Major, K. 593
Susise Park, Shmuel Ashkenasi, violin; Teng Li, Beth Guterman, viola;
Efe Baltacigil, cello
CMS 14-23
March 3, 2015
French II
Debussy:
Debussy:
Françaix:
Poulenc:
Jolivet:
PROGRAM #:
RELEASE:
Première rapsodie for Clarinet and Piano
Anthony McGill, clarinet; Gloria Chien, piano
Sonata for Flute, Viola, and Harp
Sooyun Kim, flute; Paul Neubauer, viola; Bridget Kibbey, harp
Quintet No. 1 for Flute, Violin, Viola, Cello, and Harp (1934)
Sooyun Kim, flute; Kristin Lee, violin; Paul Neubauer, viola; Nicholas
Canellakis, cello; Bridget Kibbey, harp
Sonata for Clarinet and Piano
Anthony McGill, clarinet; Gloria Chien, piano
Sonatine for Oboe and Bassoon
James Austin Smith, oboe; Bram van Sambeek, bassoon
CMS 14-24
March 10, 2015
Courageous Women
Crawford Seeger:
Smith:
PROGRAM #:
String Quartet
Jupiter String Quartet (Nelson Lee, Meg Freivogel, violins; Liz Freivogel,
viola; Daniel McDonough, cello)
Vignettes - Covered Wagon Woman
Stephanie Blythe, mezzo-soprano; Warren Jones, piano; Ani Kavafian,
violin; Priscilla Lee, cello
CMS 14-25
23
RELEASE:
March 17, 2015
Mendelssohn
Mendelssohn:
Mendelssohn:
Mendelssohn:
Mendelssohn:
Mendelssohn:
Mendelssohn:
PROGRAM #:
RELEASE:
Concertpiece No. 1 in F minor for Clarinet, Basset Horn, and Piano, Op.
113
David Shifrin, Clarinet; Romie de Guise-Langlois, Basset Horn; AnneMarie McDermott, Piano
Lied ohne Worte in G minor for Piano, Op. 19b, No. 6, “Venetianisches
Gondellied”
Gilbert Kalish, Piano
Lied ohne Worte in F-sharp minor for Piano, Op. 30, No. 6
“Venetianisches Gondellied”
Lied ohne Worte in F-sharp minor for Piano, Op. 67, No. 2
Lied ohne Worte in C major for Piano, Op. 67, No. 4 “Spinnerlied”
Quartet No. 2 in A minor for Strings, Op. 13
Danish String Quartet (Frederik Oland, violin; Rune Tonsgaard Sørensen,
CMS 14-26
March 24, 2015
Baroque Collection
Telemann:
Corelli:
Telemann:
Vivaldi:
PROGRAM #:
RELEASE:
Gulliver Suite in D Major
Sussmann, Kavafian
Concerto Grosso in G minor
Francis, Sussmann, Albers, Kavafian, Keefe, Neubauer, Sherry, Meyer,
Newman
Trauer-musik eines kunsterfahrenen Canarienvogels
Monica Groop, mezzo-soprano; Ida Kavafian, Lily Francis, violins; David
Kim, viola; Fred Sherry, cello; Edgar Meyer, double-bass; Anthony
Newman, harpsichord
Concerto in B minor for Four Violins Cello, Strings, and Continuo, Op. 3,
No. 10, RV 580
Ida Kavafian, Erin Keefe, Lily Francis, Arnaud Sussmann, violins; David
Kim, Paul Neubauer, violas; Fred Sherry, cello; Edgar Meyer, double
bass; Anthony Newman, harpsichord
CMS 14-27
March 31, 2015
Russian III
24
Scriabin:
Taneyev:
Five Preludes for Piano, Op. 16
Wu Han, piano
Quintet in G minor for Piano, Two Violins, Viola, and Cello, Op. 30
Wu Han, piano; Escher String Quartet (Adam Barnett-Hart, violin; Aaron
Boyd, violin; Pierre Lapointe, viola; Dane Johansen, cello)
PROGRAM #:
RELEASE:
CMS 14-28
April 7, 2015
Arriaga & Mozart
Arriaga:
Mozart:
Quartet No. 3 in E-flat major for Strings
Miró Quartet (Daniel Ching, Sandy Yamamoto, violins; John Largess,
viola; Joshua Gindele, cello)
Quintet in E-flat major for Piano, Oboe, Clarinet, Bassoon, and Horn, K.
452
Stephen Taylor, oboe; David Shifrin, clarinet; Milan Turkovic, bassoon;
William Purvis, horn; Anne-Marie McDermott, piano
PROGRAM #:
RELEASE:
CMS 14-29
April 14, 2015
Celebration
Mendelssohn:
Dvorák:
PROGRAM #:
RELEASE:
Sinfonia No. 13 in C minor for Strings
Large group of CMS string players, led by violinist Nicolas Dautricourt
Quintet in A major for Piano, Two Violins, Viola, and Cello, B. 155, Op.
81
Menahem Pressler, piano; Emerson String Quartet (Philip Setzer, violin;
Eugene Drucker, violin; Lawrence Dutton, viola; Paul Watkins, cello)
CMS 14-30
April 21, 2015
Kirchner & Korngold
Kirchner:
Korngold:
Quartet No. 1 for Strings
Tenenbom, viola; Timothy Eddy, cello)
Suite for Piano, Two Violins, and Cello, Op. 23
Ida Kavafian, Erin Keefe, violins; Andrés Diaz, cello; Gary Graffman,
piano
25
PROGRAM #:
RELEASE:
CMS 14-31
April 28, 2015
Shostakovich & Beethoven
Shostakovich:
Beethoven:
PROGRAM #:
RELEASE:
Prelude and Scherzo for String Octet, Op. 11
Alexander Sitkovetsky, violin; Soovin Kim, violin; Areta Zhulla, violin;
Bella Hristova, violin; Yura Lee, viola; Paul Neubauer, viola; Dmitri
Atapine, cello; Nicholas Canellakis, cello
Septet in E-flat major for Winds and Strings, Op. 20
Romie de Guise-Langlois, clarinet; Peter Kolkay, bassoon; Radovan
Vlatkovic, horn; Elmar Oliveira, violin; Cynthia Phelps, viola; Nicholas
Canellakis, cello; Kurt Muroki, double bass
CMS 14-32
May 5, 2015
Art of the Fugue – Part I
Bach:
The Art of Fugue, Contrapunctus I-XI
Tenenbom, viola; Timothy Eddy, cello), Windscape (Tara Helen
O’Connor, flute; Randall Ellis, oboe; Alan Kay, clarinet; Frank Morelli,
bassoon, David Jolley, horn)
PROGRAM #:
RELEASE:
CMS 14-33
May 12, 2015
Art of the Fugue – Part II
Bach:
Telemann:
PROGRAM #:
RELEASE:
The Art of Fugue, Contrapunctus XII-Chorale Prelude
Tenenbom, viola; Timothy Eddy, cello), Windscape (Tara Helen
O’Connor, flute; Randall Ellis, oboe; Alan Kay, clarinet; Frank Morelli,
bassoon, David Jolley, horn)
Concerto in D Major
David Washburn, trumpet; Stephen Taylor, Elizabeth Koch, oboe; Julie
Albers, cello; Anthony Newman, harpsichord
CMS 14-34
May 19, 2015
Czech Masters
Janácek:
Mladi, Suite for Flute, Oboe, Clarinet, Bass Clarinet, Bassoon, and Horn
26
Dvorak:
PROGRAM #:
RELEASE:
Ransom Wilson, flute; James Austin Smith, oboe; Romie de GuiseLanglois, clarinet; Jose Franch-Ballester, bass clarinet; Bram van
Sambeek, bassoon; Radovan Vlatkovic, horn
Trio in E minor for Piano, Violin, and Cello, Op. 90, “Dumky”
Menahem Pressler, piano; Daniel Hope, violin; David Finckel, cello
CMS 14-35
May 26, 2015
Distinctive Voices
Ades:
Faure:
PROGRAM #:
RELEASE:
Arcadiana
Jupiter String Quartet (Nelson Lee, Meg Freivogel, violins, Liz Freivogel,
viola, Daniel McDonough, cello)
Violin Sonata No. 1 in A Major
Elman Oliveira, violin; Inon Barnatan, piano
CMS 14-36
June 2, 2015
In the Key of G minor
Haydn:
Schumann:
PROGRAM #:
RELEASE:
Quartet in G minor for Strings, Op. 20, No. 3, Hob. III:33
Orion String Quartet (Todd Phillips, violin; Daniel Phillips, violin; Steven
Tenenbom, viola; Timothy Eddy, cello)
Trio No. 3 in G minor for Piano, Violin, and Cello, Op. 110
Inon Barnatan, piano; Benjamin Beilman, violin; Torleif Thedéen, cello
CMS 14-37
June 9, 2015
Russian IV
Nadarejshvili:
Tchaikovsky:
PROGRAM #:
RELEASE:
Quartet No. 2
St. Petersburg Quartet (Alla Aranovskaya, Alla Krolevich, violins; Boris
Vayner, viola; Leonid Shukayev, cello)
Quartet No.1
St. Petersburg Quartet (Alla Aranovskaya, Alla Krolevich, violins; Boris
Vayner, viola; Leonid Shukayev, cello)
CMS 14-38
June 16, 2015
Beethoven Early and Late
27
Beethoven:
Beethoven:
Trio in D major for Violin, Viola, and Cello, Op. 9, No. 2
Kristin Lee, violin; Mark Holloway, viola; Nicholas Canellakis, cello
Quartet in F major for Strings, Op. 135
Miro Quartet (Daniel Ching, violin; William Fedkenheuer, violin; John
Largess, viola; Joshua Gindele, cello)
PROGRAM #:
RELEASE:
CMS 14-39
June 23, 2015
Ravel & Brahms
Ravel:
Brahms:
Rapsodie espagnole for Two Pianos
McDermott, Vonsattel
Quartet in C minor for Piano, Violin, Viola, and Cello, Op. 60
Opus One Piano Quartet (Anne-Marie McDermott, piano; Ida Kavafian,
violin; Steven Tenenbom, viola; Peter Wiley, cello)
PROGRAM #:
RELEASE:
CMS 14-40
June 30, 2015
Tchaikovsky Trio
Stravinsky:
Tchaikovsky:
PROGRAM #:
RELEASE:
Pastorale for Violin, Oboe, English Horn, Clarinet, and Bassoon
Yura Lee, violin; Stephen Taylor, oboe; Randall Ellis, English horn;
Alexander Fiterstein, clarinet; Peter Kolkay, bassoon
Trio in A minor for Piano, Violin, and Cello, Op. 50
Alessio Bax, piano; Elmar Oliveira, violin; Julie Albers, cello
CMS 14-41
July 7, 2015
Piano, Four Hands
Mozart:
Mendelssohn:
Stravinsky:
PROGRAM #:
RELEASE:
Andante and Five Variations in G major for Piano, four Hands, K. 501
Gilles Vonsattel, Andre-Michel Schub, piano
Allegro brilliant for Piano, Four Hands, Op. 92
Anne-Marie McDermott, Wu Han, piano
The Rite of Spring, for Piano, Four-hands
Gilbert Kalish, Wu Han, piano
CMS 14-42
July 14, 2015
28
Brandenburgs & More
Boccherini:
J.C. Bach:
Bach:
Bach:
PROGRAM #:
RELEASE:
Quintet in C major for Two Violins, Viola, and Two Cellos, G. 324, “La
musica notturna delle strade di Madrid”
Jupiter Quartet (Nelson Lee, violin; Meg Freivogel, violin; Liz Freivogel,
viola; Daniel McDonough, cello) Andreas Brantelid, cello
Quintet in G major for Flute, Oboe, Violin, Viola, and Continuo, Op. 11,
No. 2
Sooyun Kim, flute; Stephen Taylor, oboe; Meg Freivogel, violin; Liz
Freivogel, viola; Daniel McDonough, cello; Gabriel Shuford, harpsichord
Brandenburg Concerto No. 6 in B-flat major, BWV 1051
Paul Neubauer, viola; Cynthia Phelps, viola; Daniel McDonough, Dmitri
Atapine, Li-Wei Qin, cellos; Kurt Muroki, double bass; Pedja Muzijevic,
harpsichord
Brandenburg Concerto No. 4 in G major, BWV 1049
Alexander Sitkovetsky, violin solo; Ransom Wilson, flute; Tara Helen
O'Connor, flute; Joseph Lin, violin; Jorja Fleezanis, violin; Cynthia
Phelps, viola; Li-Wei Qin, cello; Kurt Muroki, double bass; Pedja
Muzijevic, harpsichord
CMS 14-43
July 21, 2015
American Spirit
Sierra:
Beach:
PROGRAM #:
RELEASE:
Songs from the Diaspora
Heidi Grant Murphy, soprano; Kevin Murphy, piano; St. Lawrence String
Quartet (Geoff Nuttall, Scott St. John, violins, Lesley Robertson, viola;
Christopher Costanza, cello)
Quintet in F-sharp minor
Anne-Marie McDermott, piano; Escher String Quartet (Adam BarnettHart, Wu Jie, violins; Pierre Lapointe, viola; Andrew Janss, cello)
CMS 14-44
July 28, 2015
Hungarian Flair
Bartók:
Bartók:
Dohnányi:
Contrasts for Violin, Clarinet, and Piano, Sz. 111, BB 116
Daniel Hope, violin; Romie de Guise-Langlois, clarinet; Gloria Chien,
piano
“Hatforintos' nóta” for Voice and Piano
Quintet No. 1 in C minor for Piano, Two Violins, Viola, and Cello, Op. 1
Juho Pohjonen, piano; Arnaud Sussmann, violin; Kristin Lee, violin; Paul
Neubauer, viola; David Finckel, cello
29
PROGRAM #:
RELEASE:
CMS 14-45
August 4, 2015
Mozart Serenades
Mozart:
Mozart:
PROGRAM #:
RELEASE:
Serenade in E-flat Major
Allan Vogel, Stephen Taylor, David Shifrin, Jose Franch-Ballester,
clarinet; Peter Kolkay, Milan Turkovic, bassoon; David Jolley, WIllian
Purvis, horn
Serenade in C minor
Allan Vogel, Stephen Taylor, oboe; Jose Franch-Ballester, Davod Shifrin,
clarinet; Milan Turkovic, Peter Kolkay, bassoon; David Jolley, William
Purvis, horn; Edgar Meyer, double bass
CMS 14-46
August 11, 2015
Beethoven & Schumann
Beethoven:
Schumann:
PROGRAM #:
RELEASE:
Quartet in F minor for Strings, Op. 95, “Serioso”
Danish String Quartet (Rune Tonsgaard Sørensen, violin; Frederik Oland,
Trio No. 2 in F major for Piano, Violin, and Cello, Op. 80
Juho Pohjonen, piano; Arnaud Sussmann, violin; David Finckel, cello
CMS 14-47
August 18, 2015
Bach to Haydn
Bach:
Handel:
Handel:
Handel:
Haydn:
Sonata in G minor for Viola da gamba and Piano, BWV 1029
David Muller-Schott, cello; Angela Hewitt, piano
"Das zitternde Glänzen der spielenden Wellen" HWV 203
Julianne Baird, soprano; Arnaud Sussmann, violin; Kenneth Weiss,
harpsichord; Paul O'Dette, lute; Fred Sherry, cello
"Singe, Seele, Gott zum Preise" HWV 206
"Meine Seele hört im Sehen" HWV 207
Quartet in F minor for Strings, Op. 20, No. 5
Escher Quartet (Adam Barnett-Hart, Wu Jie, violins; Pierre Lapointe,
viola; Andrew Janss, cello)
30
PROGRAM #:
RELEASE:
CMS 14-48
August 25, 2015
Voices from Poland & Russia
Szymanowski:
Penderecki:
Arensky:
PROGRAM #:
RELEASE:
Nocturne and Tarantella for Violin and Piano. Op. 28
Benjamin Beilman, violin; Gloria Chien, piano
Trio for Violin, Viola, and Cello
Bella Hristova, violin; Mark Holloway, viola; Nicholas Canellakis, cello
Quartet No. 2 in A minor for Violin, Viola, and Two Cellos, Op. 35
Adam Barnett-Hart, violin; Pierre Lapointe, viola; Dane Johansen, cello;
David Finckel, cello
CMS 14-49
September 1, 2015
Haydn/Brahms
Haydn:
Brahms:
PROGRAM #:
RELEASE:
Quartet in C major for Strings, Op. 33, No. 3 "The Bird"
Jerusalem Quartet (Sergei Bresler, Alexander Pavlovsky, violins; Amichai
Grosz, viola; Kyril Zlotnikov, cello)
Trio No. 1 in B major for Violin, Cello, and Piano, Op. 8
Inon Barnatan, piano; Erin Keefe, violin; Julie Albers, cello
CMS 14-50
September 8, 2015
Berg & Brahms for Strings
Berg:
Brahms:
PROGRAM #:
RELEASE:
Quartet for Strings, Op. 3
Amphion String Quartet (David Southorn, violin; Katie Hyun, violin;
Andy Lin, viola; Mihai Marica, cello)
Quintet in G major for Two Violins, Two Violas, and Cello, Op. 111
Philip Setzer, violin; Shmuel Ashkenasi, violin; Richard O'Neill, viola;
Arnaud Sussmann, viola; Paul Watkins, cello
CMS 14-51
September 15, 2015
Bartok/Borodin
Bartok:
Quartet No. 4 for Strings, Sz. 91, BB 93
31
Borodin:
Quartet No. 2 in D major for Strings
PROGRAM #:
RELEASE:
CMS 14-52
September 22, 2015
End of Time
Messiaen:
Quatuor pour la fin du temps (Quartet for the End of Time) for Clarinet,
Violin, Cello, and Piano
Jörg Widmann, clarinet; Nicolas Dautricourt, violin; Nicolas Altstaedt,
cello; Gilles Vonsattel, piano
32
PROGRAM:
CHICAGO SYMPHONY ORCHESTRA
RADIO BROADCASTS
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
CSO14
Music, Classical
1 hour 58 minutes
Ongoing
PRX, File Transfer and CD
Four
January 1, 2014 – December 31, 2014
Host:
Commentator:
Producer:
Underwriter:
Lisa Simeone
Gerard McBurney
Marty Ronish
Bank of America
This series is available free of charge to all affiliate stations for one broadcast through
December 31, 2014.
Hailed as the number one U.S. Orchestra by the venerable British publication Gramophone, the
Chicago Symphony Orchestra continues this quarter with more concerts from Symphony
Center, the home of the Chicago Symphony Orchestra.
Produced by Marty Ronish and hosted by Lisa Simeone, this weekly, two-hour series offers a
unique format of engaging and lively content, including produced segments created to provide
deeper insight into the music and programmatic themes found within the CSO’s concert season;
interviews with CSO musicians, guest artists, and composers; and an exploration of the stories
found within the CSO’s rich heritage of recordings and the Orchestra’s illustrious history in
Chicago.
Each radio broadcast highlights the many programs and events at Symphony Center,
encouraging listeners to visit the CSO’s website, www.cso.org for additional content, including
full-length interviews and the Orchestra’s weekly program notes. These broadcasts also support
the CSO’s new record label, CSO Resound, with programs timed to coincide with the release of
each new recording.
In 2011, the Chicago Symphony Orchestra was awarded two more Grammys for Best Classical
Album and Best Choral Performance for Verdi’s Requiem, Chicago Symphony Orchestra,
Chorus and Soloists, Riccardo Muti, Conductor; David Frost, Tom Lazarus and Chistopher
33
Willis, Engineers. These are the first Grammys for Maestro Muti. The CSO has earned 62
Grammys over the years.
34
CHICAGO SYMPHONY ORCHESTRA RADIO BROADCASTS
Broadcast Schedule – Fall 2014
PROGRAM #:
RELEASE DATE:
CSO 14-40
October 3, 2014
Riccardo Muti conducts Schubert and Morricone
Schubert:
Morricone:
Schubert:
Mozart:
Vivaldi:
Overture in the Italian Style
Voices from the Silence (Ora Jones, narrator; Rosa Feola, soprano)
Mass in A-flat Major (Rosa Feola, soprano; Michaela Selinger, mezzosoprano; Antonio Poli, tenor; Riccardo Zanellato, bass)
Ave verum corpus
Magnificat (Alisa Kolosova, mezzo-soprano)
PROGRAM #:
RELEASE DATE:
CSO 14-41
October 10, 2014
Edo de Waart conducts Brahms 4
Mozart:
Brahms:
Mozart:
Haydn:
Symphony No. 41 in C major, K. 551 (Jupiter)
Symphony No. 4
Adagio and Fugue in C Minor, K. 546
Cello Concerto in D (Yo-Yo-Ma, cello; Ton Koopman, conductor)
PROGRAM #:
RELEASE DATE:
CSO 14-42
October 17, 2014
Sir Mark Elder and Richard Goode: Ives and Mozart
Ives:
Mozart:
Strauss:
Mozart:
Symphony No. 2
Piano Concerto No. 23 in A major, K. 488 (Richard Goode, piano)
Till Eulenspiegel’s Merry Pranks
Concerto for Two Pianos (Emanuel Ax, Benjamin Hochman, Orli
Shaham, and Orion Weiss, pianos; David Robertson, conductor)
PROGRAM #:
RELEASE DATE:
CSO 14-43
October 24, 2014
Juanjo Mena conducts the Pastoral
Smetana:
The Moldau, No. 2 from Ma vlast
35
Takemitsu:
Villa-Lobos:
Beethoven:
Schmitt:
riverrun
Amazonas
Symphony No. 6 (Pastoral)
La tragédie de Salomé (Alain Altinoglu, conductor)
PROGRAM #:
RELEASE DATE:
CSO 14-44
October 30, 2014
Jaap van Zweden and Alisa Weilerstein: Shostakovich and Prokofiev
Prokofiev:
Britten:
Shostakovich:
Britten:
Symphony-Concerto for Cello and Orchestra (Alisa Weilerstein, cello)
Suite on English Folk Tunes: A time there was…
Symphony No. 9
Four Sea Interludes and Passacaglia from Peter Grimes
PROGRAM #:
RELEASE DATE:
CSO 14-45
November 7, 2014
Riccardo Muti conducts Brahms
J. Strauss, Jr.:
Verdi:
Brahms:
Franck:
Overture to Indigo and the 40 Thieves
Ballet Music from Macbeth
Symphony No. 2
Symphony in D Minor
PROGRAM #:
RELEASE DATE:
CSO 14-46
November 14, 2014
Bernard Haitink conducts Bruckner 4
Mozart:
Bruckner:
Delius:
Piano Concerto No. 27 (Emanuel Ax, piano)
Symphony No. 4 (Romantic)
The Walk to the Paradise Garden (Sir Mark Elder, conductor)
PROGRAM #:
RELEASE DATE:
CSO 14-47
November 21, 2014
Mitsuko Uchida plays Mozart and Schubert
Mozart:
Mozart:
Adagio in B Minor, K. 540 (Mitsuko Uchida, solo piano [no orchestra])
Piano Concerto No. 19 (Uchida, piano and conductor)
36
Schubert:
Mozart:
Williams:
Piano Quintet in A major, D. 667 (Trout) (Robert Chen, violin; Charles
Pikler, viola; John Sharp, cello; Alexander Hanna; Bass; Mitsuko Uchida,
piano)
Eine kleine Nachtmusik
Excerpt from Lincoln soundtrack (John Williams, conductor)
PROGRAM #:
RELEASE DATE:
CSO 14-48
November 28, 2014
Michael Tilson Thomas conducts Mahler 9
Stravinsky:
Mahler:
Mahler:
Gabrieli:
Elegy for JFK (Kelley O’Connor, mezzo-soprano)
Symphony No. 9
Blumine
Canzonae (from CSO Brass Live)
PROGRAM #:
RELEASE DATE:
CSO 14-49
December 5, 2014
Bernard Labadie and Marc André Hamelin play Haydn and Beethoven
Rigel:
Haydn:
Kraus:
Beethoven:
Brahms:
Symphony in C Minor
Piano Concerto in D major (Marc-André Hamelin, piano)
Symphony in E Minor
Symphony No. 1 in C major
Symphony No. 1 (Osmo Vänskä, conductor)
PROGRAM #:
RELEASE DATE:
CSO 14-50
December 12, 2014
Charles Dutoit and Mathieu Dufour
Dukas:
Connesson:
Saint-Saens:
Williams:
Poulenc:
La Peri, Fanfare and poemedansé
pour sortir au jour (Mathieu Dufour, flute [CSO commission])
Symphony No. 3 (Organ) (Paul Jacobs, organ)
Violin Concerto (Gil Shaham, violin; John Williams, conductor)
Gloria (Bernard Haitink, conductor) from CSO Resound recording
PROGRAM #:
RELEASE DATE:
CSO 14-51
December 20, 2014
TBD
37
PROGRAM #:
RELEASE DATE:
CSO 14-52
December 26, 2014
William Walton’s First Symphony
Prokofiev:
Walton:
Poulenc:
Williams:
Piano Concerto No 2 (Kirill Gerstein, piano)
Symphony No. 1
Concerto for Two Pianos in D minor (Katia and MarielleLabèque, pianos)
Excerpt from Lincoln soundtrack (John Williams, conductor)
38
PROGRAM:
The Chicago Symphony Orchestra presents Verdi’s Macbeth
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
COO 14-01
3 ½ hours (approximate)
Special
PRX and CD
[TBD]
November 22
Host:
Producer:
TBD
TBD
November 22.
WFMT and the Chicago Symphony Orchestra are excited to share this performance of Verdi’s
Macbeth, recorded in Chicago in 2013 to celebrate the 200th anniversary of Verdi’s birth. Music
Director Riccardo Muti, one of the finest living Verdi interpreters, led the dynamic and moving
concert with a cast featuring Luca Salsi (Macbeth), Tatiana Serjan (Lady Macbeth), Dmitriy
Belosselskiy (Banco), and Francesco Meli (Macduff). The combined forces of the CSO, the
Chicago Symphony Chorus (Duain Wolfe, director), and Riccardo Muti make this a program
not to be missed.
Critics were unanimous in praising the all performers, with the Chicago Sun-Times declaring,
“From her first aria, thrilled by news of Macbeth’s victory in battle, Serjan’s lady was a woman
possessed. Combining hellish fire and deadly ice, she soared fearlessly through Verdi’s
punishing coloratura flights but also brought subtle color to his long, singing lines.” The Chicago
Tribune stated, “Together with the splendid Chicago Symphony Chorus and a virtuoso orchestra
that made up in power and precision what it lacks in operatic playing experience, Muti led a
finely detailed, dramatically gripping account that kept one focused on the inexorable unfolding
of a great Shakespearean tragedy, retold through Verdi's great music. The audience leapt to its
feet at the end of the nearly 31/2-hour performance (including two intermissions), applauding
and cheering into the night.”
The CSO’s music director position is endowed in perpetuity by a generous gift from the Zell Family
Foundation.
39
The Chicago Symphony Orchestra presents Verdi’s Macbeth
PROGRAM #:
RELEASE:
COO 14-01
November 22, 2014
OPERA:
COMPOSER:
LIBRETTO:
MACBETH
Giuseppe Verdi
Francesco Maria Piave
CAST:
Macbeth
Lady Macbeth
Banquo
Macduff
Malcolm
Lady-in-Waiting
Assassin/Doctor
Servant/Herald
Three Apparitions
Luca Salsi
Tatiana Serjan
Dmitriy Belosselskiy
Francesco Meli
Antonello Ceron
Simge Büyükedes
Gianluca Buratto
Daniel Eifert
David Govertsen
Katelyn Casey
Lily Shorney
CONDUCTOR:
ORCHESTRA:
CHORUS:
CHORUS MASTER:
Riccardo Muti
Chicago Symphony Orchestra
Chicago Symphony Chorus
Duain Wolfe
Approx. Length:
3 ½ hours
40
PROGRAM:
CIVIC ORCHESTRA OF CHICAGO
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
CVC13
Music, Classical
59 minutes
13 weeks
One
October 1, 2013 – December 31, 2014
Host:
Producers:
Underwriter:
Dennis Moore
Chris Willis, Mary Mazurek
Elizabeth F. Cheney Foundation
December 30, 2014.
Welcome to a broadcast by the Civic Orchestra of Chicago: a pre-professional training orchestra
of the Chicago Symphony Orchestra founded in 1919 by Frederick Stock, then music director of
the CSO.
A signature initiative of the CSO’s Institute for Learning, Access and Training, the Civic
Orchestra provides promising career-bound musicians a unique access to the musical resources
of the Chicago Symphony Orchestra and hands-on training experiences with the musicians of the
CSO and some of today’s most sought-after conductors including CSO Music Director Riccardo
Muti.
Under the leadership of Civic Principal Conductor Cliff Colnot and CSO Judson and Joyce
Green Creative Consultant Yo-Yo Ma, the Civic Orchestra musicians develop as exceptional
orchestral players and engaged citizen musicians, and cultivate their ability to succeed in the
rapidly evolving world of music in the 21st century.
The Civic gives critically acclaimed performances in Orchestra Hall at Symphony Center, and in
other parts of the metropolitan area; its members also give chamber concerts, and all these
performances are free of charge to the greater Chicago community.
Over the years, many Civic members have gone on to distinguished careers in the Chicago
Symphony Orchestra as well as all the major orchestras of the United States and throughout the
41
world.
Nationwide broadcasts by the Civic Orchestra of Chicago are underwritten with a grant from the
Elizabeth F. Cheney Foundation.
42
CIVIC ORCHESTRA OF CHICAGO
Revised 02/03/2014
These programs are subject to change
PROGRAM #:
RELEASE:
CVC 13-01
October 1, 2013
CONDUCTOR:
Cliff Colnot
Respighi:
Beethoven:
Fountains of Rome
Symphony No. 7 in A Major, Op. 92
PROGRAM #:
RELEASE:
CVC 13-02
October 8, 2013
CONDUCTOR:
SOLOISTS:
Harry Bicket
Xiomara Mass, oboe; Sang Kyun Kim, violin
Handel:
Bach:
Haydn:
Encore:
Beethoven:
Overture from Music for the Royal Fireworks
Concerto for Violin and Oboe
Symphony No. 104
PROGRAM #:
RELEASE:
CVC 13-03
October 15, 2013
CONDUCTOR:
Carlos Miguel Prieto
Strauss:
Strauss:
Ein Heldenleben
Tico Tico
PROGRAM #:
RELEASE:
CVC 13-04
October 22, 2013
CONDUCTOR:
Cliff Colnot
Liadov:
Rimsky-Korsakov:
The Enchanted Lake
Sheherazade
Excerpt from Symphony No. 6, Allegro III
43
PROGRAM #:
RELEASE:
CVC 13-05
October 29, 2013
Haydn:
Haydn:
Cello Concerto No. 1 in C Major (Yo-Yo Ma, cello)
Symphony No. 94 in G Major, The Surprise Symphony (Cliff Colnot,
conductor)
Lemminkainen’s Return from Legends, Op. 22 (Esa Pekka-Salonen,
conductor)
Sibelius:
PROGRAM #:
RELEASE:
CVC 13-06
November 5, 2013
CONDUCTOR:
Jaap van Zweden
Prokofiev:
Mahler:
Symphony No. 5
Songs of a Wayfarer (Sir Mark Elder, conductor)
PROGRAM #:
RELEASE:
CVC 13-07
November 12, 2013
CONDUCTOR:
SOLOISTS:
Sir Andrew Davis
Members of the Patrick G. and Shirley W. Ryan Opera Center
Mozart:
The Marriage of Figaro, Act II
PROGRAM #:
RELEASE:
CVC 13-08
November 19, 2013
CONDUCTOR:
Hindemith:
Cliff Colnot
Symphonic Metamorphosis on Themes of Carl Maria von Weber
CONDUCTOR:
Mahler:
Berlioz:
David Robertson
Adagio from Symphony No. 10 in F-Sharp Major
Overture to Beatrice and Benedict
PROGRAM #:
RELEASE:
CVC 13-09
November 26, 2013
CONDUCTOR:
SOLOIST:
Cliff Colnot
Julia Bentley, mezzo-soprano
Centeloube:
Stravinsky:
Berlioz:
Chant d’Auvergne
Song of the Nightingale
The Corsair’s Overture
44
PROGRAM #:
RELEASE:
CVC 13-10
December 3, 2013
Please note: This program contains several speakers, including Emanuel Ax and Gerard
McBurney
CONDUCTOR:
SOLOIST:
Mei-Ann Chang
Emanuel Ax, piano
Chang:
Evolution of the Piano Concerto
PROGRAM #:
RELEASE:
CVC 13-11
December 10, 2013
CONDUCTOR:
Xian Zhang
Beethoven:
Bartok:
Verdi:
Symphony No. 2
Suite from The Miraculous Mandarin
Overture from La Forza del Destino (Myung-Whun Chung, conductor)
PROGRAM #:
RELEASE:
CVC 13-12
December 17, 2013
CONDUCTOR:
Cliff Colnot
Wagner:
Ravel:
Webern:
Prelude and Liebestode from Tristan und Isolde
Gaspard de la nuit
Un ob die Wolke
Wie nachte mir der Schummer
PROGRAM #:
RELEASE:
CVC 13-13
December 24, 2013
CONDUCTOR:
Esa-Pekka Salonen
Scriabin:
Sibelius:
Sibelius:
Strauss:
The Poem of Ecstasy, Op. 54
Lemminkäinen and the Maidens of the Island, No. 1 from Legends, Op. 22
Lemminkäinen’s Return, No. 4 from Legends, Op. 22
Dance of the Seven Veils from Solome
45
PROGRAM:
COLLECTORS’ CORNER with Henry Fogel
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
CCF14
Music, Classical
1 hour 58 minutes
52 weeks
Four
Producer/ Host:
Henry Fogel
This series is available free of charge to all affiliate stations for two broadcasts through
September 29, 2014.
After the huge success of The Callas Legacy and The Art of Wilhelm Furtwängler, Henry Fogel
returned with Collectors’ Corner. Mr. Fogel had the following thoughts: “The series will
present a wide range of recordings that I feel are true classics of the industry. Recordings to be
included will feature either unusual repertoire that I feel deserves a wider public, or
performances unique in their interpretive profile, sense of commitment, and intensity. Many of
these recordings will be long out-of-print, or hard to locate in the United States.”
The series includes a broad range of orchestral, vocal, chamber and solo-instrumental music.
On Collectors’ Corner this quarter, highlights include four programs on the music of Charles
Munch, two programs on the music of Croatian composer Dora Pejacevic, an exquisite archival
recording of Vladimir Sofronitzky performing at Moscow Conservatory, the first recording of
the authentic arrangement of Joplin’s Treemonisha, the stunning beauty of Maria Callas’ Norma,
and more!
46
COLLECTORS’ CORNER with HENRY FOGEL
PROGRAM #:
RELEASE:
CCF 14-27
September 29, 2014
Title:
Music of Charles Villiers Stanford – Program 2 of 2
Stanford:
Irish Rhapsody No. 4, Fisherman of Loch Neagh (Handley; Ulster
Symphony) Chandos CHAN 8581
Violin Concerto (Marwood; Brabbins; BBC Symphony Orchestra)
Hyperion CDA 67208
Intermezzi for Clarinet and Piano (Johnson; Martineau) ASV 787
Symphony No. 5 (Handley; Ulster Symphony) Chandos CHAN 8581
PROGRAM #:
RELEASE:
CCF 14-28
October 6, 2014
Title:
The Art of Charles Munch – Program 1 of 4
Berlioz:
Les nuits d’ete (De los Angeles; Boston Symphony)
Japan RCA BVCC 7916-7
Requiem (Simoneau; New England Conservatory Choir; Boston
Symphony) Japanese RCA BVCC 7916-7
Berlioz:
PROGRAM #:
RELEASE:
CCF 14-29
October 13, 2014
Title:
Mendelssohn:
Wagner:
Brahms:
Rameau:
Symphony No. 3, Scottish (Boston Symphony) RCA 60483-2
Prelude and Liebestod from Tristan und Isolde (Farrell, Boston Symphony
Orchestra) Japanese RCA BVCC 7911
Symphony No. 1 (Boston Symphony, Live) O O O Classics THO 66
Dardanus Suite (Chicago Symphony) CSO 00-10
PROGRAM #:
RELEASE:
CCF 14-30
October 20, 2014
Title:
Saint-Saens:
Symphony No. 3, Organ (Zamkochian; Boston Symphony Orchestra)
RCA 5750-2
47
Saint-Saens:
Berlioz:
Tchaikovsky:
Rouet d’Omphale (Boston Symphony Orchestra)
Japanese RCA BVCC 7923
Symphonie fantastique (BSO) Japanese RCA BVCC 7914
Francesca da Rimini (Royal Philharmonic) Chesky CD-7
PROGRAM #:
RELEASE:
CCF 14-31
October 27, 2014
Title:
Schubert:
Brahms:
Berlioz:
Symphony No. 9 in C Major (Boston Symphony)
Immolation from Götterdämmerung (Farrell; Boston Symphony)
Symphony No. 4 (Boston Symphony) Japanese RCA BVCC 7910
Corsair Overture (Boston Symphony) Japanese RCA BVCC 7915
PROGRAM #:
RELEASE:
CCF 14-32
November 3, 2014
Title:
THE Callas Norma
Bellini:
Norma (Maria Callas;del Monaco; Simionato; Serafin; La Scala)
Pristine Audio PACO 083
PROGRAM #:
RELEASE:
CCF 14-33
November 10, 2014
Title:
Vladimir Sofronitzky Recital at the Moscow Conservatory,
June 11, 1954
Wagner:
Music by Borodin; Kiadov; Rachmaninoff; Scriabin; Prokofiev;
Kabalevsky; Holz; Mendelssohn; Debussy and Chopin.
Vista Vera VVCD 00218
PROGRAM #:
RELEASE:
CCF 14-34
November 17, 2014
Title:
Music of Dora Pejacevic – Croatian Composer (1885-1923)
– Program 1 of 2
Dora Pejacevic:
Symphony in F-Sharp Minor (Radilainen; Rheinland-Pfalz State
Orchestra) cpo 777 418-2
Liebeslied (Danz; Garben) cpo 777 422-2
48
Dora Pejacevic:
Cello Sonata (Polter; Triendl) cpo 777419-2
String Quartet in C Major (Quatour Sine Nomine) cpo 777 421-2
PROGRAM #:
RELEASE:
CCF 14-35
November 24, 2014
Title:
Music of Dora Pejacevic – Croatian Composer (1885-1923)
– Program 2 of 2
Dora Pejacevic:
Dora Pejacevic:
Dora Pejacevic:
Dora Pejacevic:
Dora Pejacevic:
Dora Pejacevic:
Piano Quintet in B Minor (Triendl; Quatour Sine Nomine) cpo 777 421-2
Fantasie Concertante for Piano and Orch. (Banfield, Rasilainen,
Rheinland-Pfalz State Orchestra) cpo 777 418-2
Impromptu, Op. 9 (Triendl) cpo 777 421-2
Piano Quartet in D Minor (Triendl; Quatour Sine Nomine) cpo 777 421-2
Drei Gesänge, Op. 53 (Danz; Garben) cpo 777 422-2
Piano Trio (Bielow, Poltera, Triendl) cpo 777 419-2
PROGRAM #:
RELEASE:
CCF 14-36
December 1, 2014
Title:
The First Recording of Authentic Orchestration of the Ragtime Opera
Joplin:
Treemonisha (Johnson; Sandy; Pleasant; Ward; Packer; Benjamin, cond.;
Paragon Ragtime Orchestra and Singers) New World 80720-2
PROGRAM #:
RELEASE:
CCF 14-37
December 8, 2014
Title:
Frank Shipway Conducts
Strauss:
Tchaikovsky:
Alpine Symphony (Sao Paulo Symphony) BIS-1950
Symphony No. 5 (Royal Philharmonic) Royal Phil RPM 29220
PROGRAM #:
RELEASE:
CCF 14-38
December 15, 2014
Title:
Grigory Ginzburg Plays Russian Music
Rubinstein:
Piano concerto No. 4 in D Minor (Ginzburg; Shereshevsky, State
Academy Orchestra) Melodiya MEL CD 10 02067
Etude No. 2 in F Major (Ginzburg) Melodiya MEL CD 10 020567
Islamey (Ginzburg) Appian APR 5667
Piano Sonata No. 3 (Ginzburg) Vox Aeterna VA CD 00106
Gran Sonate in G Major (Ginzburg) Philips 456 802-2
Rubinstein:
Balakirev:
Prokofiev:
Tchaikovsky:
49
Myaskovsky:
Medtner:
Song and Rhapsody (Ginzburg) Philips 456 802-2
Sonata Reminiscenza in A Minor (Ginzburg) Philips 456 802-2
PROGRAM #:
RELEASE:
CCF 14-39
December 22, 2014
Title:
Richter Plays Liszt
Liszt:
Various: Sviatoslav Richter in a program of the music of Franz Liszt, all
recorded in live performance.
PROGRAM #:
RELEASE:
CCF 14-40
December 29, 2014
Title:
The Authentic French Vocal Style
Gounod:
Faust: Highlights (Vanzo; Doria; Massard; Legros; Etcheverry) Classical
Quarterly Editions CRQ CD025 [recordings by Alain Vanzo, Renee
Doria, Geori Boue, and other great French singers]
PROGRAM #:
RELEASE:
CCF 14-41
December 29, 2014
Title:
Kodály conducts Kodály
Kodály:
Kodály:
Kodály:
Peacock Variations (Philadelphia Orchestra) Philadelphia Orch. POA 100
Summer Evening (Budapest Philharmonic) Hungaroton HCD 32677-78
Budavári Te Deum (Soloists, Budapest Chorus, Hungarian State
Orchestra) Hungaroton HCD 32677-78
Concerto for Orchestra (Budapest Philharmonic) Hungaroton HCD 3267778
Psalmus Hungaricus (Endre Rösler; Budapest Chorus; Hungarian State
Orchestra) Hungaroton HCD 32677-78
Kodály:
Kodály:
50
PROGRAM:
DEUTSCHE WELLE FESTIVAL CONCERTS
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
DWF14
Music, Classical
1 hour 58 minutes
26 weeks
Three
September 22, 2014 – March 16, 2015
Producer/Host:
Rick Fulker
This series is available free of charge to all affiliate stations for one broadcast within one year
of the first release date of each program.
We bring it to you from the source: arguably the world’s densest infrastructure for classical
music with an incomparable year of festivals.
Germany is not only the world’s third-largest music market. It also has some 500 (yes, five
hundred) music festivals in all genres, a good portion of them classical. Besides the meat and
potatoes of the repertory, these events serve a fare from delicate to spicy, with some rare treats.
In castles and sheds, churches and halls both historic and sleek-modern, they’re performed for
relaxed audiences in a festive mood. Ambience and feeling are shared by the musicians, who
contribute their own insights and give edge-of-your-seat performances.
The recordings are made by Germany’s public broadcasting system and Deutsche Welle itself, so
count on solid technical quality.
Host Rick Fulker, a long-time observer of the scene, visits the events and interviews soloists and
conductors. He loves nothing more than sharing the music with users on radio and online.
It’s an “ExStraussaganza” of a year as Richard Strauss, born on June 11, 1864, is being feted in
his 150th anniversary year in events from the Baltic Sea to the Alps. We bring you three, with the
star lineup of conductors including veteran Daniel Barenboim, young maestro Andris Nelsons
and – need we say more? – Christian Thielemann. Expect the sparks to fly as the two orchestras
Strauss himself most intensively worked with – the Staatskapelle Berlin and the Staatskapelle
Dresden – continue to battle it out for the privilege of being called the Strauss orchestra. Two of
51
the events come from Dresden’s glittering Semper Opera, where the composer premiered no
fewer than nine of his operas.
Then, as you’ve doubtless gathered, there’s another birthday boy this year: Carl Philipp Emanuel
Bach, born three hundred years ago, on March 8, 1714. In his age, he was called “the great
Bach,” his fame outshining that of his father, Johann Sebastian. But hearing our two programs of
“Bach and Sons,” you might find yourself feeling, as we do, that the one momentarily being
played is definitely the great one. The events span a stretch of territory from Schwetzingen
Palace, in the West of Germany, to St. Thomas’ Church in Leipzig, in the East. The latter, of
course, is where the “old man” spent 27 years of his very productive life and raised his talented
progeny, including C.P.E. Among other things, these shows illustrate the incredible development
in music in the decades marked by Bach and his sons.
Who’s afraid of contemporary music? Not Berlin-based American conductor Jonathan
Stockhammer, who assembled a roller coaster of a program with Reich, Adams, Ligeti,
Abrahamsen and Zappa at Cologne’s Eight Bridges Festival. And Stockhammer too enjoys
spilling the secrets and guiding the listener through a program both thought-provoking and fun.
“Vertical” seems like too gentle a description for the career trajectory of twenty-three year old
Russian pianist Daniil Trifonov: Carnegie Hall recital in 2013, contract with Deutsche
Grammophon, his greatest admirers including fellow pianists Alfred Brendel and Marta
Argerich, Trifonov has now hit the festival circuit. We catch up with him in Schwetzingen for a
recital with sounds from delicate to demonic.
One of Germany’s most hailed living composers has a conducting sideline, and you can hear the
result when Jörg Widmann teams up with the Irish Chamber Orchestra in Heidelberg.
Not a historical connection perhaps, but a perfect blend of setting and sound is what the Mozart
Festival in Würzburg is about - in the opulent setting of the local palace.
Lest we forget, Beethoven’s home town – Bonn, Germany – is also the home of Deutsche Welle
and of likely the world’s premiere Beethovenfest. Just around the time he takes the helm with the
Boston Symphony, Andris Nelsons jets back to Germany to lead his energetic City of
Birmingham Symphony Orchestra in the complete cycle of Ludwig van’s symphonies.
The programs, each lasting one hour and fifty-eight minutes, can be combined with the second
part of the series in Winter 2015 for half a year of music made in Germany. Or the modular miniseries (Strauss, the Bachs and Beethoven) can be scheduled to fit. Promos provided, custom
made promos if requested.
It’s a strong season you won’t want to miss!
52
DEUTSCHE WELLE FESTIVAL CONCERTS
Broadcast Schedule — Fall 2014/Winter 2015
PROGRAM #:
RELEASE:
DWF 14-01
September 22, 2014
Strauss and Thielemann at the Anniversary Gala in Dresden
Conductor:
Orchestra:
Soloists:
Christian Thielemann
Saxon Staatskapelle Dresden
Christine Goerke, soprano
Camilla Nylund, soprano
Anja Harteros, mezzo-soprano
R. Strauss:
First set of waltzes from Der Rosenkavalier
Elektra’s opening monologue from Elektra
Love scene (orchestral interlude) from Feuersnot
Salome’s final song from Salome
Second set of waltzes from Der Rosenkavalier
Act One, final scene from Arabella
Daydreaming at the fireplace: second symphonic interlude from Intermezzo
Second Wedding Night: Helen’s aria from Act Two of Die ägyptische
Helena (The Egyptian Helen)
Potpourri Overture from Die schweigsame Frau (The Silent Woman)
Final scene and Daphne’s transformation from Daphne
Recorded by Central German Radio, Halle (MDR) in the Semper Oper, Dresden on June 11, 2014
Conductor:
Orchestra:
Soloist:
Munich Phiharmonic Orchestra
Renee Fleming, soprano
R. Strauss:
ImAbendrot (At Sunset) from the Four Last Songs
Decca 0028947810742
PROGRAM #:
RELEASE:
DWF 14-02
September 29, 2014
Strauss and Barenboim at the Dresden Music Festival
Conductor:
Orchestra:
Daniel Barenboim
Staatskapelle Berlin
Wagner:
Overture to Die Meistersinger von Nürnberg (The Mastersingers of
Nuremberg)
53
Wagner:
R. Strauss:
Overture and Liebestod (Love-Death) from Tristan and Isolde
EinHeldenleben (A Hero’s Life)
Recorded by DeutschlandRadio Kultur, Berlin (DLR) in the Semper Oper, Dresden on May 23, 2014
Conductor:
Orchestra:
Andris Nelsons
West German Radio Symphony Orchestra
R. Strauss:
Symphonic Fantasy on Die Frau ohne Schatten (The Woman Without a
Shadow)
Recorded by West German Radio, Cologne (WDR) in the Cologne Philharmonie on June 6, 2014
Conductor:
Orchestra:
Soloist:
Munich Philharmonic Orchestra
Renee Fleming, soprano
R. Strauss:
Frühling (Springtime) from the Four Last Songs
Decca 0028947810742
PROGRAM #:
RELEASE:
DWF 14-03
October 6, 2014
Strauss and Nelsons in the Cologne Philharmonie
Conductor:
Orchestra:
Soloist:
Andris Nelsons
West German Radio Symphony Orchestra, Cologne
BaibaSkride, violin
R. Strauss:
R. Strauss:
R. Strauss:
Violin concerto in D Minor, op.
Also sprach Zarathustra (Thus Spake Zarathustra)
Sinfonia Domestica(Domestic Symphony)
Recorded by West German Radio, Cologne (WDR) in the Cologne Philharmonie on June 6 and 7, 2014
PROGRAM #:
RELEASE:
DWF 14-04
October 13, 2014
Composer Wields the Baton at Heidelberg Spring
Conductor:
Orchestra:
Soloists:
Jörg Widmann
Irish Chamber Orchestra
Igor Levit, piano
Ning Feng, violin
Alexey Stadler, cello
54
Mendelssohn:
Jörg Widmann:
Beethoven:
Mendelssohn:
Hebrides Overture, op.26
180 beats per minute for string sextet
Triple Concerto in C Major, op. 56
Symphony No. 3 in A Minor, op. 56 (Scottish)
Recorded by DeutschlandRadio Kultur (DLR) in the Heidelberg City Hall on April 6, 2014
Performers:
Jörg Widmann, clarinet
Lars Vogt, piano
Schumann:
Three Fantasies for clarinet and piano, op. 73
Cavi Music 15080
PROGRAM #:
RELEASE:
DWF 14-05
October 20, 2014
Young Russian at the Schwetzingen Festival
Performer:
Daniil Trifonov, piano
Debussy:
Chopin:
Chopin:
Schumann:
Rachmaninov:
Daniil Trifonov:
Refletsdansl’eau, from Images, vol. 1
24 Preludes for piano, op. 28
Waltz, op. 69, No. 1
Symphonic Etudes for piano, op.13
Gavotte
Rakhmaniana
Recorded by Southwest German Radio Stuttgart (SWR) in the Rococo Theater of Schwetzingen Palace on May 18,
2014
Performer:
Daniil Trifonov, piano
Scriabin:
Sonata No. 2 in G-sharp Minor op. 19 (Sonata-Fantasy)
Deutsche Grammophon
PROGRAM #:
RELEASE:
DWF 14-06
October 27, 2014
Bach and Sons (I) at the Schwetzingen Festival
Orchestra:
Soloists:
AkademiefüralteMusik Berlin (Academy of Ancient Music Berlin)
Raphael Alpermann, harpsichord
Xenia Löffler, oboe
55
J.S. Bach:
W.F. Bach:
C.P.E. Bach:
C.P.E. Bach:
J.C. Bach:
Haydn:
Brandenburg Concerto No. 1 in F Major, BWV 1046a (first version)
Concerto in E Minor for harpsichord, strings and continuo
Symphony in B Minor for strings and continuo, Wq 182, No. 5
Concerto in E-flat Major for oboe, strings und continuo, Wq 165
Symphony in G Minor for two oboes, two horns, strings and continuo, op.
6, No. 6
Sinfonie Nr. 3, finale
Recorded by Southwest German Radio Stuttgart (SWR) in the Rococo Theater of Schwetzingen Palace on May 23,
2014
Orchestra:
AkademiefüralteMusik Berlin
J.S. Bach:
Selections from The Art of the Fugue
Harmonia Mundi France
PROGRAM #:
RELEASE:
DWF 14-07
November 3, 2014
Bach and Sons (II) at the Bachfest, Leipzig
Conductor:
Orchestra:
Soloists:
Gotthold Schwarz
Tafelmusik Baroque Orchestra
Ullrich Böhme, organ
Julia Sophie Wagner, soprano
Susanne Krumbiegel, mezzo-soprano
Benno Schachtner, male alto
Martin Petzold, tenor
Andreas Scheibner, bass
St. Thomas’ Choir, Leipzig
Members of the Leipzig Baroque Orchestra
J. S. Bach:
MeineSeeleerhebt den Herren (My Soul Glorifies the Lord), Fugue on the
Magnificat, BWV 733
J. S. Bach:
Magnificat in D Major, BWV 243
C. P. E. Bach:
C. P. E. Bach:
Magnificat, Wq 215
Heilig (Holy), Wq 217
Recorded by Central German Radio, Halle (MDR) in St. Thomas’ Church, Leipzig on June 13, 2014
Performer:
Ullrich Böhme, organ
J. S. Bach
Kyrie, GottVater in Ewigkeit (God the Father in Eternity), BWV 669
Christe, aller Welt Trost (Consulation to the entire world), BWV 670
56
Kyrie, Gottheiliger Geist (God, holy spirit), BWV 671
Rheinberger:
Fantasy from the Sonata in A Major, op. 188
Recorded by Deutsche Welle (DW) in St. Thomas’ Church, Leipzig on June 16, 2014
PROGRAM #:
RELEASE:
DWF 14-08
November 10, 2014
Mozart in Würzburg
Conductor:
Orchestra:
Soloist:
Reinhard Goebel
West German Radio Symphony Orchestra, Cologne
Alina Pogostkina, violin
L. Mozart:
W. A. Mozart:
W. A. Mozart:
Serenade in D Major
Violin Concerto No. 7 in D Major, K. 271a
Serenade No. 9 in D Major, K. 320 (Post Horn)
Recorded by Radio Bavaria, Nuremberg(BR) in the Emperor Hall of Würzburg Palaceon June 28, 2014
PROGRAM #:
RELEASE:
DWF 14-09
November 17, 2014
Eight Bridges, Festival for New Music in Cologne
Conductor:
Orchestra:
Soloist:
Jonathan Stockhammer
West German Radio Symphony Orchestra Cologne
Thorsten Johannsen, clarinet
Andreas Langenbuch, clarinet
Eight music academy students, clarinets
Tamara Stefanovich, piano
John Adams:
Gander:
Reich:
Abrahamsen:
Zappa:
Short Ride in a Fast Machine (1986)
Orchannibal corpse (2013), world premiere
New York Counterpoint (1985) for eleven clarinets
Concerto for piano and orchestra (2000)
Four pieces for Solo Drummer and Orchestra (arr. Andrew Digby)
Aerobics in Bondage
Navanax
Naval Aviation in Art?
Put a Motor in Yourself
San Francisco Polyphony (1974)
Ligeti:
Recorded by West German Radio, Cologne (WDR) in the Cologne Philharmonie on May 4, 2014
Conductor:
Reinbert de Leeuw
57
Orchestra:
Asko / Schönberg Ensemble
Tarnopolski:
Foucault's Pendulum (2004)
Recorded by West German Radio, Cologne (WDR) in the Cologne Philharmonie on May 1, 2014
PROGRAM #:
RELEASE:
DWF 14-10
November 24, 2014
Beethoven Symphonies I at the Beethovenfest, Bonn
Conductor:
Orchestra:
Andris Nelsons
City of Birmingham Symphony Orchestra
Beethoven:
Symphony No. 1 in C Major, op. 21
Symphony No. 2 D Major, op. 36
Symphony No. 3 E-flat Major, op. 55 (Eroica)
Recorded by West German Radio, Cologne (WDR) in the Beethoven Hall, Bonn on September 7, 2014
PROGRAM #:
RELEASE:
DWF 14-11
December 1, 2014
Beethoven Symphonies II at the Beethovenfest, Bonn
Conductor:
Orchestra:
Andris Nelsons
Beethoven:
Symphony No. 4 in B-flat Major, op. 60
Symphony No. 5 in C Minor, op. 67
PROGRAM #:
RELEASE:
DWF 14-12
December 8, 2014
Beethoven Symphonies III at the Beethovenfest, Bonn
Conductor:
Orchestra:
Andris Nelsons
Beethoven :
Symphony No. 6 in F Major, op. 68 (Pastoral)
Symphony No. 7 in A Major, op. 92
58
PROGRAM #:
RELEASE:
DWF 14-13
December 15, 2014
Beethoven Symphonies IV at the Beethovenfest, Bonn
Conductor:
Orchestra:
Soloist:
Andris Nelsons
City of Birmingham Symphony Orchestra Chorus
Annette Dasch, soprano
Lioba Braun, alto
Toby Spence, tenor
Vuyani Mlinde, bass
Beethoven
Symphony No. 8 in F Major, op. 93
Symphony No. 9 in D Minor, op. 125
59
PROGRAM:
EXPLORING MUSIC with Bill McGlaughlin
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
EXP14
Classical
59 minutes
Weekdays, 52 weeks
One
September 30, 2013 – September 29, 2014
Host:
Producers:
Executive Producer:
Major Underwriter:
Bill McGlaughlin
Jesse McQuarters, Cydne Gillard, Noel Morris
Steve Robinson
National Endowment for the Arts
A broadcast fee is required for this series. Listings are sent out monthly. Please check with
Estlin Usher for the most recent listings.
Now in its 10th year, Exploring Music with Bill McGlaughlin is a creative exploration of
classical music and other genres. Each week’s programs are unified by compositions that share a
central theme, which might be a composer, a period of history, or a musical form.
Peabody Award-winning broadcaster Bill McGlaughlin is a broadly experienced musician,
conductor, and composer. Bill draws on his background, his love of jazz, and his unmatched
musical knowledge to connect recorded examples with engaging commentary. McGlaughlin is
an affable, yet erudite musical story teller, whose insights speak to both novice and expert
classical music fans.
Listeners and program directors have enthusiastically responded to Bill McGlaughlin’s anecdotes
and illustrations at the piano, and recently, The Association of Music Personnel in Public Radio
(AMPPR) honored Bill McGlaughlin with its Lifetime Achievement Award during the 2011
Public Radio Music Conference. The series is also syndicated internationally, and its universal
appeal was recently recognized by listeners in Canberra, Australia, who chose Exploring Music
as the recipient of the 2010 Artsound Award for Best Overseas Program.
“We MADE our fundraising goal for the first time in about four years! Your funders really
helped to make the difference as did a flurry of new listeners, the best online pledging we've
seen, concert tickets from area presenters and donated original artwork for our final day. Our
60
listeners really LOVE Exploring Music, and Bill McGlaughlin's remarkable breadth of
knowledge and topics presented in a highly passionate yet personal style."
-- Kimberly Powell, KCSC, Edmond, OK
Draw your listeners more fully into the world of classical music and develop new audience
members by adding Exploring Music with Bill McGlaughlin to your program schedule.
61
EXPLORING MUSIC with Bill McLaughlin
Please note: these programs are subject to change. TBA weeks will be announced closer to their
release date.
PROGRAM #:
RELEASE:
EXP 15-02
Week of October 6, 2014
España
Exploring the world of Spanish music, both familiar and unfamiliar!
PROGRAM #:
RELEASE:
EXP 15-03
From This Mighty River: Music of the Children of J.S. Bach
Music flowed from the Bach family in a seemingly never-ending torrent for generations, and the three
sons of Johann Sebastian are no exception. This week we’ll listen to the music of Wilhelm Friedemann,
Carl Philipp Emanuel, and Johann Christian Bach as they continue their father’s legacy into the Classical
era.
PROGRAM #:
RELEASE:
EXP 15-04
The Big Five, Part II: The New York Philharmonic (Week 1 of 2)
It’s the oldest orchestra in the United States! This week, we’ll explore the history, the conductors, the
premieres and the great players of the New York Philharmonic.
PROGRAM #:
RELEASE:
EXP 15-05
The Big Five, Part II: The New York Philharmonic (Week 2 of 2)
A continuation of our look at the history of the New York Philharmonic, including musician interviews
and some of the orchestra’s most memorable performances.
PROGRAM #:
RELEASE:
EXP 15-06
Week of November 3, 2014
Don’t Shoot the Piano Player
We’ll hear some of the most beloved works of chamber music, first enjoyed through intimate gatherings
around the piano. Featured composers include Mozart, Beethoven, Dvorák and Brahms.
PROGRAM #:
RELEASE:
EXP 15-07
TBA
62
PROGRAM #:
RELEASE:
EXP 15-08
TBA
PROGRAM #:
RELEASE:
EXP 15-09
TBA
PROGRAM #:
RELEASE:
EXP 15-10
Week of December 1, 2014
Incidentally Speaking
For as long as art forms such as theatre, ballet, and other entertainments have graced the stage, composers
have been there to enhance the dramatic action through music. This week Bill explores some of the notso-incidental music that has resulted.
PROGRAM #:
RELEASE:
EXP 15-11
The Viola
We’ll celebrate some of the exquisite music written for the violin’s darker cousin, including music by
Hindemith and Walton.
PROGRAM #:
RELEASE:
EXP 15-12
Beethoven Quartets
An exploration of this rarified body of works. We’ll take a tour through all 16 quartets, plus the Grosse
Fuga.
PROGRAM #:
RELEASE:
EXP 15-13
TBA
PROGRAM #:
RELEASE:
EXP 15-14
Tchaikovsky, Part I
This week we’ll explore the world and music of the great Russian Romantic, including his symphonies,
ballets and life at the Moscow Conservatory.
PROGRAM #:
EXP 15-15
63
RELEASE:
Week of January 5, 2015
Tchaikovsky, Part II
This week we’ll explore the world and music of the great Russian Romantic, including his symphonies,
ballets and life at the Moscow Conservatory.
64
Bill McGlaughlin
Host
Exploring Music
Bill McGlaughlin’s introduction to music came late; he was fourteen before he took his first
piano lessons. “Happily, I understood immediately what a wonderful thing I’d stumbled into. I can
remember thinking as I walked away from my second piano lesson – ‘Well, that’s it. I’ll be a musician.’
Of course, I had no idea what that decision meant exactly.”
Over the years, McGlaughlin was to discover that ‘being a musician’ could embrace a great many
paths. He has served as an educator, a performer, a trombonist with the Philadelphia Orchestra and
Pittsburgh symphony, and as a conductor – seven years as Associate Conductor with the St. Paul
Chamber Orchestra, followed by periods as Music Director of orchestras in Eugene, OR, Tucson, AZ, and
San Francisco, CA, and most recently, a twelve year engagement as Music Director of the Kansas City
Symphony. He has also been active as a guest conductor, leading the Baltimore Symphony, Denver
Symphony, Houston Symphony, Los Angeles Chamber Orchestra, Minnesota Orchestra, National
Symphony, New Orleans Symphony, Oregon Symphony, Pacific Symphony, Pittsburgh Symphony, St.
Louis Symphony, Opera Theatre St. Louis, American Music Theater Festival and San Antonio Festival.
Bill McGlaughlin has also been active in broadcasting, serving as host of the popular public radio
program St. Paul Sunday since its inception in 1980. In 1996 the program received the highest honor in
broadcasting, the George Foster Peabody Award. McGlaughlin has also been active with PBS, the BBC
and is now in his ninth season as co-host of the chamber music program Center Stage From Wolftrap.
It was not until 1997 that McGlaughlin made a public debut in the role that he considers his most
challenging – that of composer. His Three Dreams and a Question: Choral Songs on E.E. Cummings – a
work dedicated to the memory of the young composer and pianist Kevin Oldham – was enthusiastically
received by audiences, performers and press at its premiere with the Kansas City Symphony, and was
quickly followed by five more premieres within a ten month span. Aaron’s Horizons, a work dedicated to
the spirit of Aaron Copland, (with whom McGlaughlin worked in the 1970s), has been heard nationwide
in a broadcast with members of the St. Paul Chamber Orchestra.
In the summer of 1998, Bill McGlaughlin signed a contract with Subito Music, which now
publishes all of his work. His recent works include Walt Whitman’s Dream, for large chorus and
orchestra, a work commissioned by Continental Harmony, a Millennium project sponsored by the
National Endowment for the Arts and the American Composers Forum. He has also composed a piece in
collaboration with Garrison Keillor, Surveying Lake Wobegon, which has its premiere at the Ravinia
Festival in Chicago on September 3, 2000, and has since been played by orchestras from coast to coast.
In addition, he contributed a piece for a ‘quartet of neglected instruments’ for the December 23, 2000
Prairie Home Companion broadcast from Town Hall in New York. He composed a work in celebration
of the 50th anniversary of the Minneapolis Civic Orchestra, which was premiered on March 17, 2002.
Three Pieces for Wind Trio was given its first performance at the Kemper Museum in Kansas City on
June 1, 2002.
Among Bill’s many awards, he received the Lifetime Achievement Award from Fine Arts Radio
International in 2004, the 2008 Dushkin Award from the Music Institute of Chicago for Exploring Music,
which was also voted “Best Overseas Program” in the 2010 ArtSound FM Awards in Australia. And
recently, The Association of Music Personnel in Public Radio (AMPPR) honored Bill with its Lifetime
Achievement Award during the 2011 Public Radio Music Conference. The award was presented by
AMPPR President David Duff, during a brief ceremony in the Jerome L. Greene Performance Space at
New York radio station WQXR.
65
PROGRAM:
FIESTA! with Elbio Barilari
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
FST14
Music, Classical, Latin
59 minutes
52 weeks
One
April 1, 2014 – March 31, 2015
Host:
Producer:
Underwriter:
Elbio Barilari
Daniel Goldberg
Joyce Saxon
This series is available free of charge to all affiliate stations for one broadcast through March
31, 2015.
Fiesta! is an original production devoted to Latino concert music, and brings artistically
significant compositions from Latin America, Spain and Portugal to your listeners.
The acclaimed composer, musician, performer, and professor Elbio Barilari is the host and
creative force behind this series. He invites listeners to enjoy and learn about the lively and
compelling sounds of Latin American classical music.
Fiesta! provides a valuable platform for the sound, culture, and history of classical music in
Latin America. Barilari enriches our listeners by introducing them to a genre that does not
typically receive much exposure. Fiesta! fosters an appreciation for Latin American classical
music and creates a meeting place for listeners of diverse backgrounds.
“Fiesta!” says the Uruguayan-born composer Elbio Barilari, “features the hottest LatinAmerican music from the 16th to the 21st centuries.” Mr. Barilari, a faculty member of the
University of Illinois at Chicago, is at the helm for this trip through the hidden pleasures of
Latino concert music, including the magical rhythms of Silvestre Revueltas and Heitor VillaLobos and the power of symphonic tango. Plus, the series shares little-known treasures from the
Latin-American Baroque, and celebrates classical guitar through the music of Agustin Barrios,
Antonio Lauro, and Leo Brouwer.
66
FIESTA! with Elbio Barilari
PROGRAM #:
RELEASE:
FST 14-27
October 5, 2014
The Sound of the Pampas
The Pampas, the huge plains that extend throughout the southern part of Brazil, Uruguay and
central Argentina, are (or were) the domains of the gauchos, the southern cowboys. Since the last
decades of the 19th century, composers from Rio de la Plata have been reflecting that sonic world
with the tools of the symphonic music. These program features music by Alberto Ginastera,
Julián Aguirre and Eduardo Fabini among others.
PROGRAM #:
RELEASE:
FST 14-29
October 12, 2014
TBA
PROGRAM #:
RELEASE:
FST 14-30
October 19, 2014
The Music of Gustavo Leone
With works commissioned by ensembles including the Grant Park Festival Orchestra and the
Symphonic Orchestra of Michoacán, Argentinean composer Gustavo Leone now teaches at the
Department of Fine and Performing Arts at Loyola University Chicago. This program features
his selected solo, chamber and orchestral works.
Gustavo Leone:
Leone:
Leone:
Leone:
Leone:
PROGRAM #:
RELEASE:
Preludes for Harp (Benjamin Melsky, harp)
Mvts. 1 & 2 from The Red Quintet (Cuarteto Arte Latino
Americano; Marta Lilian Bonilla, harp) (University National de
Colombia Colección 6)
Mobiles for Four Wind Instruments (Pro Musica - private
collection)
Sextet for Six Instruments (Rembrandt Chamber Players-private
collection)
Mundo (Birch Creek Festival Orchestra; Cynthia Stiehl, soprano
and conductor; Brian Gronet) (private collection)
FST 14-31
October 26, 2014
TBA
67
PROGRAM #:
RELEASE:
FST 14-32
November 2, 2014
TBA
PROGRAM #:
RELEASE:
FST 14-33
November 9, 2014
TBA
PROGRAM #:
RELEASE:
FST 14-34
November 16, 2014
Four Great Uruguayan Composers
“Many of my pieces were premiered at the Teatro Solis. I played there many times, as well as
All of our 4 Uruguayan composers….Eduardo Fabini, Hector Tosar, Leon Biriotti and Lamarque
Pons. The Teatro Solis is Italian, built in the 1850s. The inside looks like La Scala”
– Elbio Barilari, host
Eduardo Fabini:
Hector Tosar:
Leon Biriotti:
Lamarque Pons:
Fernandez:
PROGRAM #:
RELEASE:
Campo (Orquesta Filarmonica de Montevideo, Montevideo,
Uruguay, Federico Garcia Vigil, conductor) OFM CD
Toccata for Orchestra, Orquesta Filarmonica de Montevideo) OFM
CD
Sinfonietta (Orquesta Sinfonica de Venezuela, Manuel de Elias,
conductor)
Ritimica de Tango: Tangos 1, 2 & 3 (Elida Gencarelli, piano)
Uruguayan CD
Batuque (Simon Bolivar Symphony Orchestra, Keri-Lynn Wilson,
conductor) Dorian 90254
FST 14-35
November 23, 2014
TBA
PROGRAM #:
RELEASE:
FST 14-36
November 30, 2014
TBA
68
PROGRAM #:
RELEASE:
FST 14-37
December 7, 2014
TBA
PROGRAM #:
RELEASE:
FST 14-38
December 14, 2014
Venezuelan Composer Ricardo Lorenz
Guest Host Ricardo Lorenz introduces us to his music in a lively conversation with fellow
composer Elbio. In just one hour Ricardo, Associate Professor of Composition at Michigan state
University, East Lansing, leads us through thirty years of his life in music – from his Caribbean
roots in Venezuela to his current home in Michigan his music is as colorful as his life!
Ricardo Lorenz:
Bachango (Marta Aznavourian, piano)
En tren, va chango (Moravian Philharmonic, Czech Republic;
Rafael Jimenez, conductor)
Rochela (Raw Cello) Para 9 Cellos (Herman Marcano, cello)
Compass Points (Puntos En La Brujula) (Verder Trio)
El Muro (Michigan State University Wind Symphony, Kevin
Sedato, conductor)
PROGRAM #:
RELEASE:
FST 14-39
December 21, 2014
TBA
PROGRAM #:
RELEASE:
FST 14-40
December 28, 2014
TBA
PROGRAM #:
RELEASE:
FST 14-41
January 4, 2014
TBA
PROGRAM #:
RELEASE:
FST 14-42
January 11, 2015
69
Three Brazilian Composers Who Are Not Villa Lobos!
When you have a giant like Heitor Villa Lobos, we all bow to him and his creative genius.
Brazil has many other wonderful composers. Here are three: one from Manaus, on the banks of
the Amazon River and two from Sao Paulo.
Claudio Santoro:
Francisco Mignone:
Camargo Guarnieri:
Fernandez:
Sonata No. 4, Fantasia (Evan Mitchell, piano) LAMC 2009
First Essay for String Quartet (Cuarteto Latinoamericano) Sono
Luminus 92147
Sinfonia No. 5 (Osesp, John Neschling, conductor) Osesp 2000
Batuque (Simon Bolivar Symphony Orchestra, Keri-Lynn Wilson,
conductor) Dorian 90254
70
ELBIO BARILARI
Host
Fiesta!
Elbio Rodríguez Barilari was born in 1953 in Montevideo, Uruguay, where he studied at the
Conservatório Universitario and with Coriún Aharonián, Graciela Paraskevaídis and Héctor
Tosar before continuing his education in Brazil with Eduardo Bertola, Hans-Joachim
Koellreutter, Gilberto Mendes, Joaquín Orellana and Conrado Silva at the Cursos
Latinoamericanos de Música Contemporáne. He subsequently studied in Germany on an
invitation from the Deutscher Musikrat, with Milko Kelemen, Helmut Lachenmann and Dieter
Schnebel; he was also mentored while in Europe by Luciano Berio, Konrad Boehmer, Otto
Donner and Misha Mengelberg. As a clarinetist and saxophonist, from 1994 to 1997 Barilari led
the Barilari Quinteto and organized Planeta Blues, the first Uruguayan blues band to tour Europe
and to record a compact disc; during the 1990s, he also led the fourteen-piece La Banda Oriental.
Since settling in the United States in 1998, Barilari has lectured at the University of Chicago
and the Instituto Cervantes and given workshops in Chile and Paraguay; he is currently on the
faculty of the University of Illinois at Chicago. He has collaborated annually with the Grant
Park Music Festival since helping to organize a tribute concert to Astor Piazzolla in 2002, for
which he was also commissioned to write his Bandoneón Concerto. In June 2006, the Grant
Park Orchestra, conducted by Carlos Kalmar, premiered his Canyengue at Millennium Park;
that same season at Grant Park he also recruited and prepared the orchestra of native South
American instruments for the performance of Ariel Ramírez’s Misa Criolla. Barilari is also the
founder of “Global Warming,” a Chicago ensemble devoted to the exploration of various
cultural traditions.
Elbio Barilari has been closely involved with educational and community affairs, having served
as an advisor to the Ministry of Education and Culture in Uruguay, Uruguayan delegate to the
cultural section of MERCOSUR, and Deputy Commissioner of the Committee for the Reform
of the State of Illinois Code of Education. He has also been a member of the Community
Advisory Board of the Chicago Symphony Orchestra since 2001, and was appointed to the
CSO Programming Committee in 2006.
As a composer, Barilari has received commissions from the Grant Park Music Festival,
Concertante di Chicago, Chicago Park District, Chicago Composer Forums, Orquesta
Filarmonica de Montevideo, pianists Maria João Pires and Marcel Worms and guitarist
Eduardo Fernandez, and a grant from the Sara Lee Foundation. In addition to works for
orchestra, chamber ensembles and solo instruments, he has provided scores for more than forty
plays in the United States, Argentina, Brazil, Paraguay and Uruguay. In 2007, his Los Cantos
for Soprano, Choir and Orchestra was premiered at Lyric Opera of Chicago to celebrate the
fiftieth anniversary of the Chicago Children’s Choir. His Lincolniana, incorporating texts by
Carl Sandburg and Walt Whitman and featuring jazz trumpeter Orbert Davis, Goodman
Theatre actor-director Henry Godinez and the Ondas Ensemble, was first heard at the Ravinia
Festival in September 2008.
Barilari has published a novel (Lugares Comunes, 1987), four collections of short stories
(Posibles Versiones [1985], Fuera de la Nada [1986], Alarmas y Excursiones [1990] and La
Mitad del Infinito [1994]), and a book on Uruguayan folk and popular music (Aquí se canta,
71
1982, co-authored with Juan Capagorry). He has also served as music critic and columnist for
the newspaper El País as well as editor-in-chief for La Raza, the leading American-Hispanic
weekly, and director of its monthly publication Arena Cultural.
72
PROGRAM:
GILMORE INTERNATIONAL KEYBOARD FESTIVAL
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
GIL14
Music, Classical, Festival
59 minutes
13 weeks
PRX and CD
One
Host:
Producer:
Joan Kjaer
Jesse McQuarters
September 30, 2015.
Presented every two years and based in Kalamazoo, Michigan, the Irving S. Gilmore
International Keyboard Festival is internationally recognized as North America’s finest piano
music festival. Now in its 25th year, nearly 100 events showcase some of the most notable and
accomplished pianists and keyboardists in the world alongside artists just emerging on the
international stage. From classical to jazz, orchestra concerts to solo recitals, and chamber music
to musical theater, the Festival continually achieves acclaim for presenting performances of the
highest artistic caliber.
This 13-part radio series focuses on classical music at the 2014 Gilmore Festival, featuring artists
such as Daniil Trifonov, Gilbert Kalish, Kirill Gerstein, as well as rising stars. The series also
includes exclusive interviews, at-the-piano demonstrations, and on-site recordings to give a
behind-the-scenes look at the artists' approach to their craft as well as exactly what it takes to put
on one of the world's most magnificent music festivals.
The first Gilmore International Keyboard Festival took place in 1991. The Festival spanned nine
days and encompassed 46 musical events, including a Music Critics Institute. The Gilmore
Keyboard Festival is set throughout West Michigan, with the main stage Festival events
occurring in Kalamazoo, a city just inland from Michigan’s beautiful west coast.
Now, every two years, The Gilmore presents two-plus weeks of superb piano performances –
nearly100 events. The Gilmore Keyboard Festival has become a leading American festival
known the world over for celebrating the joy and power of keyboard music in concerts, lectures,
master classes and films.
73
GILMORE INTERNATIONAL KEYBOARD FESTIVAL
Repertoire List — Fall 2014
Please note: the following pieces are a sampling of the repertoire that will be featured in the 2014 season.
Complete broadcast schedule with program release dates forthcoming.
Schumann:
Symphonic Etudes (DaniilTrifonov, p.)
George Perle:
Serenade No. 3 for Piano and Chamber Orchestra (Gilmore Festival
Chamber Orchestra; Gilbert Kalish, p.)
Michael Jackson:
Billie Jean (arr. for two pianos, Anderson and Rowe piano duet)
Beethoven:
Sonata for Piano, Op. 53, Waldstein (Llyr Williams, p.)
Busoni:
Fantasia Contrapuntistica for Two Pianos (Kirill Gerstein &
Katherine Chi, pianos)
Schumann:
Excerpts from Dichterliebe, Op. 48 (Gilbert Kalish, p.; Randall
Scarlata, baritone)
Rachmaninoff:
Excerpts from Thirteen Preludes for Piano, Op. 32 (Nikolai
Lugansky, p).
Scarlatti:
Sonata in A Major (André Watts, p.)
Beethoven:
Concerto for Piano and Orchestra No. 3 Op. 37 (Kalamazoo
Symphony Orchestra/RafałBlechacz, p.)
Cowell:
Aeolian Harp (Barbara Lieurance, p.)
Rameau:
Excerpts from Pièces de clavecin (Jory Vinikour, harpsichord)
Beethoven:
Concerto for Piano and Orchestra No. 1 in C Major (Grand Rapids
Symphony Orchestra/Lockington; Ingrid Fliter, p.)
Mozart:
Piano Concerto No. 3 in C Minor, Op. 37 (Kalamazoo Symphony
Orchestra; RafałBlechacz, p.)
Reich:
Excerpt fr. Six Pianos (Grand Band, pianos)
Chopin:
Etude No. 9 in F minor (André Watts, p.)
Prokofiev:
Sonata No. 4 in C minor (Nikolai Lugansky, p.)
Gordon:
Ode to La Bruja, Hanon, Czerny, Van Cliburn and little gold
stars…(or, To Everyone Who Made My Life Miserable, Thank
You.) (Grand Band, pianos)
Beethoven:
Sonata No. 8 in C Minor, Op. 13, “Pathétique” (RafałBlechacz, p.)
74
Cheap Trick:
I Want You to Want Me (Storm Large, voc.; Kirill Gerstein, p.)
Gershwin:
Summertime (Storm Large, voc.; Kirill Gerstein, p.)
Feldman:
Triadic Memories (excerpt) (Blair McMillen, p.)
Ravel:
Alborada del Gracioso fr. Miroirs (Llewellyn Sanchez-Werner, p.)
Mozart:
Piano Sonata No. 15 in F Major (Andrew Hsu, p.)
Schubert:
Songs (Eric Owens & Susanna Phillips, voc. with musicians from
the Chicago Symphony Orchestra)
Grieg:
Concerto for Piano and Orchestra (excerpt) (Kalamazoo Junior
Symphony Orchestra; Alon Goldstein, p.)
Ellington/Strayhorn: Take the “A” Train (Jeremy Siskind, p.)
J.P. Johnson:
Caprice Rag (Stephanie Trick, p.)
Bach:
Overture in the French Style (Piotr Anderszewski, p.)
Liszt:
La Lugubre Gondola (André Watts, p.)
75
PROGRAM:
JAZZ NETWORK with Bob Parlocha
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
JN14
Music, Jazz, Overnight
9 one-hour modules
9 hours / 7 days a week
PRX
Please consult the JN Clock
Continuous
Producer/Host:
Bob Parlocha
Broadcast fees apply for the Jazz Network. However, you pay only for the hours you use.
Jazz Network listings are posted on the WFMT Radio Network website at wfmt.com/network.
Click on Jazz Network playlists.
Following the enormous success of the Beethoven Network classical music format service and in
response to radio station requests for low-cost, highly-quality hosted jazz hours, WFMT created the Jazz
Network, now 9 hours nightly of mainstream jazz programming, selected and hosted by the legendary
jazz expert Bob Parlocha.
Modeled after the BN service, the Jazz Network debuted in April 1997 with a strong and rapidly growing
base of affiliates. The qualities and features that have worked so well with Bach, Mozart and Beethoven
now apply to Evans, Coltrane and Parker through the Jazz Network.
Designed for you and your listeners, all Jazz Network hours can be fully customized as your local
program product. The service includes flexible hourly modules, with optional internal covered breaks
which allow for news, IDs, local promotion, funding credits or commercials, and customized continuity
with a local sound which will have your listeners convinced that Bob is sitting in your studio.
JazzTimes magazine listeners voted and Jazz Network with Bob Parlocha was declared the No. 1 best
syndicated jazz network (Jan-Feb 2003 issue).
Here are some comments about the Jazz Network (all quotes are from letters on file):
“...Parlocha is a pro and to pay attention to him and the music he selects is to be a part of a first
rate jazz educational experience...”
“The WFMT Jazz Network is the perfect cultural programming service for public radio. It’s both
listener-friendly and station-friendly, qualities which make it ideal for these lean and mean
times.”
76
JAZZ NETWORK HOURLY CLOCK
All Times Given as Eastern Time
The Jazz Network is available 9 hours a day/7 days a week via PRX from 0000ET to 0900ET.
All hours are hosted by Bob Parlocha, and formatted identically.
Programming
22:00:00-22:59:40
Each hour will begin with a 06:00 window to allow for NPR news. Programming continues
during optional breaks.
Break (optional)
22:00:00-22:06:00
06:00 available for NPR news
(Option to join program at 06:00)
Floating Break (optional)
Varies with program 02:00 available
Fixed Break (optional)
00:57:40-00:59:40
02:00 available
ID Break (mandatory)
00:59:40-00:00:00
00:20
CONTACT CLOSURES:
Contact 1 – start of each hour
Contact 2 – indicates optional break with 25Hz tone on RIGHT channel
Contact 3 – indicates mandatory break with 25 Hz tone on LEFT channel
04/16/14
DM/eu
77
BOB PARLOCHA
Program Director and Music Host
Jazz Network
Nationally known jazz expert and former program director/ host of KJAZ of San Francisco, Bob
Parlocha's rich, elegant voice is familiar to jazz audiences as host of the highly rated "Dinner Jazz Show"
at the former KJAZ.
Born and reared in Vallejo, California, Bob learned about jazz from his mother's Count Basie and Duke
Ellington records. He grew up listening to former KJAZ owner Pat Henry, broadcasting at that time on
KROW, and to Jerry Dean, who used to do a weekly KJAZ show from Vallejo. In high school Bob
played tenor and soprano saxophones, the flute, and sang in road bands.
For 10 years jazz remained a hobby while he worked in psychiatric nursing at UCSF, developing
interpersonal skills that would serve him well in the music business. After one routine day at the hospital,
he heard Pat Henry inviting prospective deejays to submit audition tapes to KJAZ. Bob sent in his tape
and Henry ultimately hired him to program Saturday evenings, which eventually led to the Dinner Jazz
shift.
A sensitive programmer, articulate spokesman for Jazz, and astute analyst of the music scene, Bob's
master of ceremonies style has enhanced many jazz concerts and fund-raises. His credits include the Gil
Evans Orchestra's concert at the Pacific Coast Collegiate Jazz Festival, the UC Berkeley Jazz Festival,
Oakland Arts Explosion, Jazz at the Palace, Bay Area Jazz Awards, the San Francisco International KJAZ
Festival, and KJAZ host on the SS Norway Jazz Cruises.
Bob's gourmet cooking hobby has also benefited KJAZ audiences. His "Cooking With Bob" column
appeared in the bimonthly KJAZ newsletters, and he has done several live remotes from Bay Area
restaurants on Dinner Jazz. When he's not recording segments for broadcast, he can be found in the
kitchen improvising dishes to satisfy his gourmet-cooking hobby. Besides his on-air duties at KJAZ, Bob
was music director, auditioning new releases and determining which albums and cuts fit the KJAZ mold.
Because KJAZ was one of only a handful of jazz stations nationally reporting air play to the prestigious
"Radio and Records" publication, which influences programming at hundreds of smaller stations and,
ultimately, record sales, he performed an extremely important function.
A highly creative producer, he has developed many interesting specialty shows. His catalog includes the
"Black Masters" series, "Latin Jazz," "On The Scene," spotlighting Bay Area musicians in live
performance, and "What's New," reviewing album releases with a Bay Area panel of experts. Parlocha
has also produced a number of albums for artists. His first was singer Laurie Antonioli's "Soul Eyes" on
Catero Records. He engineered the late Martha Young's "Live at Bajone's" album on the Carnelian label
and an album for pianist Steve Cohn.
Bob generously donates his time to jazz causes, especially those aiding Bay Area musicians. He also
delights in identifying and developing younger air talent. Bob still enjoys playing the saxophone and
sharing his talents with Bay Area audiences.
78
PROGRAM:
LIVING AMERICAN COMPOSERS:
NEW MUSIC FROM BOWLING GREEN
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
MBG13
Music, Classical
59 minutes
13 weeks
One
October 1, 2013 – December 31, 2014
Host/Producer:
Underwriters:
Brad Cresswell and WGTE Public Media
Dottie and DeWayne Hansen, and Bowling Green State University
September 30, 2014.
"Believe it or not, a little town in Northwest Ohio is one of the liveliest spots for new music in
the whole United States." – Stephen Stucky, winner of the 2005 Pulitzer Prize in Music
New Music from Bowling Green is a radio series devoted to living American composers and
their works. The program originates from the MidAmerican Center for Contemporary Music
(MACCM), part of the College of Musical Arts at Bowling Green State University in Northwest
Ohio. Since 1980, MACCM has been hosting some of the biggest names in modern music at the
annual New Music Festival. It also sponsors a multi-venue concert series called Music at the
Forefront, which shines a spotlight on new and exciting young performers of contemporary
music.
Produced by WGTE Public Media and hosted by Brad Cresswell, New Music from Bowling
Green draws on live concert recordings from the New Music Festival and Music at the Forefront,
as well as commercial recordings featuring the Bowling Green Philharmonia and the BGSU
Wind Symphony. Designed with the mainstream classical music listener in mind, the program
features audience-friendly modern works that are introduced by their composers. We also hear
from the performers who bring those works to life – in some cases, for the very first time.
The list of composers featured on New Music from Bowling Green reads like a "Who's Who of
Modern Music:" David Lang; Kevin Puts; John Luther Adams, Shulamit Ran; Christopher
Theofanides, and Michael Daugherty (among many others). We also focus heavily on the music
79
of Pulitzer Prize-winner Jennifer Higdon, who is one of the world's most-performed living
composers. Jennifer is an alumna of BGSU, having graduated from the College of Musical Arts
in the mid 1980's. While she entered the school as a flutist, Jennifer left as a budding composer.
In a special three-episode arc, she takes us on a tour of her works that relate directly to her
experiences at Bowling Green. Acclaimed conductor Robert Spano also makes an appearance,
to lend some insight into those formative years (he was on BGSU's faculty at the time). Other
highlights of the series include a program of award-winning works by student composers (some
of them still in high school), and a concert recorded live at New York City's celebrated new
music cabaret, (Le) Poisson Rouge.
About Brad Cresswell
Award-winning producer; programmer, and music host Brad Cresswell is Radio Program
Manager and Music Director for WGTE Public Media in Toledo, Ohio. For several years Brad
was a host and producer for WNYC Radio in New York, where he oversaw the creation of that
station's 24/7 classical music service on the Internet and HD Radio, WNYC2 (now WQXR's
popular Q2 channel). In 2007, Brad was a co-recipient of the first ASCAP Deems Taylor
Multimedia Award for his work on 24 Hours and 33 Minutes: The Playful and Playable John
Cage, an online contemporary music festival. During his time in New York, Brad also worked
behind the scenes at Metropolitan Opera Radio, where he wrote dozens of radio scripts for their
SirusXM channel. In front of the microphone, he can still be heard as a regular host of the
popular Metropolitan Opera Quiz, which is heard on over 300 radio stations world-wide. Before
entering public radio, Brad enjoyed an 18-year career as an operatic tenor, and performed leading
roles with the New York City Opera; Lyric Opera of Chicago; San Francisco Opera; Washington
Opera, and the Teatro Colón in Buenos Aires, among many others. His singing voice can be
heard on commercial classical recordings issued by the London, Philips, New World, Innova,
and Carlton Classics record labels.
80
LIVING AMERICAN COMPOSERS:
NEW MUSIC FROM BOWLING GREEN
All performances feature the Bowling Green Philharmonia under Emily Freeman Brown unless
otherwise noted.
PROGRAM #:
RELEASE:
MBG 13-01
October 1, 2013
Adler:
Joi, Amor, Cortezia: Seven Dances of Joy, Love, and Courtliness Albany
Troy743
Blue Cathedral Troy633
Inspiring Beethoven Albany Troy743
Cheating, Lying, Stealing (Bowling Green State University Wind
Symphony, Bruce Moss, conductor)
Higdon:
Puts:
Lang:
PROGRAM #:
RELEASE:
MGB 13-02
October 8, 2013
Carter:
Daugherty:
Luther Adams:
Theofanides:
Pastoral for English horn and strings (Jacqueline Leclair, English horn)
Albany Troy1214
Raise the Roof (Roger Schupp, timpani) Albany Troy1020
Dark Waves (Robert Satterlee & Laura Melton, pianos)
On the Edge of the Infinite (Movses Pogossian, violin) Albany Troy321
PROGRAM #:
RELEASE:
MGB 13-03
October 15, 2013
Marshall:
Ross:
Huang Ruo:
Bright Kingdoms
After a Line by Theodore Roetke (Jane Schoonmaker Rodgers, soprano)
Albany Troy1020
Leaving Sao (Huang Ruo, vocalist) Albany Troy1020
PROGRAM #:
RELEASE:
MGB 13-04
October 22, 2013
Part 1 of a 3-part Jennifer Higdon special, curated by the composer
Higdon:
Higdon:
Autumn Reflection (Jennifer Higdon, flute; Hugh Sung, piano) IVR 501
Autumn Music (Musical Arts Woodwind Quintet) Albany Troy1369
81
Higdon:
Higdon:
PROGRAM #:
RELEASE:
Piano Trio (Anne Akiko Meyers, violin; Alisa Weilerstein, cello; Adam
Neiman, piano) Naxos 8.559298
Summer Shimmers across the Glass of Green Ponds (Gary Graffman,
piano; Lark Quartet) Bridge 9379
MBG 13-05
October 29, 2013
Higdon:
Higdon:
Concerto 4-3 (Time for Three; Fort Worth Symphony Orchestra, Miguel
Harth-Bedoya, conductor) Fwso Live 844667029154
Soprano Saxophone Concerto (Carrie Koffman, Soprano Saxophone; The
Hartt School Wind Ensemble, Glen Adsit, conductor) Naxos 8.572889
Dash (Verdehr Trio) Crystal 946
PROGRAM #:
RELEASE:
MBG 13-06
November 5, 2013
Higdon:
Higdon:
Higdon:
On a Wire (Eighth Blackbird; Atlanta Symphony Orchestra, Robert
Spano, conductor) ASO Media 1001
Percussion Concerto (Colin Currie, percussion; London Philharmonic
Orchestra, Marin Alsop, conductor) LPO 0035
PROGRAM #:
RELEASE:
MBG 13-07
November 12, 2013
J. Williams:
Shrude:
Godfrey:
Tuba Concerto (Velvet Brown, tuba) Albany Troy633
A Virtual Reality
Lightscape Albany Troy633
PROGRAM #:
RELEASE:
MBG 13-08
November 19, 2013
Osborne:
Prangcharoen:
Rindfleisch:
arr. Stewart:
And the waves sing because they are moving (Thomas Rosenkranz, piano)
Mantras (John Sampen, soprano saxophone; Bowling Green State
University Wind Symphony, Bruce Moss, conductor) Albany Troy1322
In the Zone (Meridian Arts Ensemble)
Brazentina Suite (Meridian Arts Ensemble) Channel Classics 25508
PROGRAM #:
RELEASE:
MBG 13-09
November 26, 2013
82
The Music of Samuel Adler
Adler:
Adler:
Adler:
Adler:
I Think Continually of Those & A Prophecy of Peace (Gloria Dei
Cantores, Elizabeth C. Patterson, conductor) GDCD 36
Pygmalion Overture (Bowling Green State University Wind Symphony,
Bruce Moss, conductor)
Canto XIV (Franklin Cohen, clarinet) Albany Troy306
Piano Concerto No. 3 (Laura Melton, piano)
The Fixed Desire of the Human Heart
PROGRAM #:
RELEASE:
MBG 13-10
December 3, 2013
Adler:
Live at (Le) Poisson Rouge
Currier:
Leroux:
Higdon:
Dietz:
Scarlatti Cadences & Brainstorm (Laura Melton, piano)
SPP (Jeffrey Heisler, soprano saxophone; I-Chen Yeh, piano)
Dark Wood (Susan Nelson, bassoon; Penny Thompson Kruse, violin; Alan
Smith, cello; Thomas Rosenkranz, piano)
They Wash Their Ambassadors in Citrus and Fennel (Elizabeth Pearse,
soprano)
Until the End, My Dear (Thomas Rosenkranz, piano)
PROGRAM #:
RELEASE:
MBG 13-11
December 10, 2013
Nelson:
A program of works by young composers, all recent graduates of Bowling Green State
University
Christopher Chandler:
Timothy Stulman:
Evan Williams:
Timothy Stulman:
Corey Keating:
deep in liquid indigo (Ensemble Interface)
Spring from SiJiTu (Bowling Green Philharmonia/Octavio MásArocas)
GRIME (Andrew Williams, violin; Rachael Eid-Ries, viola; Gage
Ehmann, cello; Andrew O’Connor, double bass)
Ekaggata (Jeff Heisler, soprano sax; I Chen Yeh, piano)
As the Night Blooms (Colleen O'Shea Jones, flute; Spencer Prewitt,
clarinet; Kai-wei Chen, violin; Brendan Jacklin, cello; Katie
Brown, vibraphone; Jeff Manchur, piano)
PROGRAM #:
RELEASE:
MBG 13-12
December 17, 2013
Stuckey:
American Muse (Jesse Blumberg, baritone; Bowling Green
Philharmonia/Emily Freeman Brown)
83
Burhans:
Johanson:
Contritus (JACK Quartet)
Dynamo (Garth Simmons, trombone)
PROGRAM #:
RELEASE:
MBG 13-13
December 24, 2013
Heuser:
Cauldron (Bowling Green Philharmonia/Emily Freeman Brown) Albany
Troy490
Ophélie (Myra Merritt, soprano; assisting sopranos Traci Cotterman, Irina
Yurkovskaya, Jennifer Wesco; Bowling Green Philharmonia/Emily
Freeman Brown) Albany Troy321
Vessels of Courage and Hope (Bowling Green Philharmonia/Emily
Freeman Brown) Albany Troy1020
Serenity Meditation (BGSU New Music Ensemble/J.J. Pearse)
Ryan:
Ran:
Gann:
84
PROGRAM:
LOS ANGELES PHILHARMONIC
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
LAP14
Music, Classical
1 hour 58 minutes
13 weeks
One
April 1, 2014 – March 31, 2015
Producer/Host:
Underwriter:
Brian Lauritzen
The Office of Los Angeles County Supervisor Zev Yaroslavsky
31, 2015.
Each year since its founding in 1919, the Los Angeles Philharmonic has been hailed as
Southern California’s leading performing arts institution. Today, under the dynamic leadership
of 33-year-old Venezuelan Gustavo Dudamel, who in 2009 became the orchestra’s eleventh
music director, the Philharmonic is still recognized as one of the world’s outstanding orchestras.
When he inaugurated his Philharmonic tenure at the Hollywood Bowl, a crowd of eighteen
thousand people greeted him with a hollering and stamping pop-star ovation.
There are three main elements behind Gustavo Dudamel’s appeal. The first is his astonishing
natural command of the art of conducting. Advance notice of his talent spread not through public
relations departments but in awestruck reports from such illustrious colleagues as Claudio
Abbado and Sir Simon Rattle, who encountered him on visits to Venezuela. Second, Maestro
Dudamel has an infectious emotional energy that tends to win over jaded souls in audiences and
orchestras alike. He does not have the stone-faced mask of seriousness; his bright eyes and
wriggling features suggest that he revels in what he does. Finally, his Latino background puts a
new face on an art that is widely viewed as an all-white affair. He is a product of El Sistema,
Venezuela’s legendary network of youth orchestras, which draws talent from the poorest sections
of the country, and his perspective is bracingly different from that of the staid conservatory
graduate.
The Orchestra’s involvement with Los Angeles extends far beyond regular symphony concerts in
a concert hall. It embraces the schools, churches, and neighborhood centers of a huge and vastly
85
diverse community. In fact, the Los Angeles Philharmonic devotes much of its energy and
resources to ensuring that its presence is felt in every corner of Los Angeles. Each year, there is
a 30-week winter subscription season at the extraordinary Walt Disney Concert Hall, and a 12week summer festival at the world-famous Hollywood Bowl, where “Music Under the Stars” has
been a popular tradition since 1922.
The Philharmonic owes its birth to William Andrews Clark, Jr., a multi-millionaire and amateur
musician, who established the city’s first permanent symphony orchestra in 1919. The 94
musicians of the new ensemble met for their first rehearsal Monday morning, October 13 of that
year, under the direction of Walter Henry Rothwell, whom Clark had brought from the St. Paul
(Minnesota) Symphony Orchestra. Eleven days later, Rothwell conducted the Orchestra’s
premiere performance before a capacity audience of 2,400 at Trinity Auditorium in downtown
Los Angeles. Following its opening season in 1919-1920, the Orchestra made Philharmonic
Auditorium, on the northeast corner of Fifth and Olive, its home for the next 44 years. Mr.
Rothwell remained the Orchestra’s music director until his death in 1927. Since then, ten
renowned conductors have served in that capacity:
George Schnéevoigt (1927-1929)
Artur Rodzinski (1929-1933)
Otto Klemperer (1933-1939)
Alfred Wallenstein (1943-1956)
Eduard van Beinum (1956-1959)
Zubin Mehta (1962-1978)
Carlo Maria Giulini (1978-1984)
André Previn (1985-1989)
Esa-Pekka Salonen (1992-2009)
Gustavo Dudamel (2009-present)
Since its first season, the Philharmonic has made downtown Los Angeles its winter home. It was
in December 1964 that it began its residency at the Dorothy Chandler Pavilion of the Music
Center of Los Angeles County, and in the fall of 2003, the Philharmonic took up residence in the
acoustically superb, stunning Frank Gehry-designed Walt Disney Concert Hall – the fourth
performing venue in the Music Center complex. At the same time, the Los Angeles
Philharmonic Association vastly increased the number of concerts it presents during the winter
season, which now includes jazz, world music, organ recitals, Baroque concerts, holiday
programs and much more.
86
LA PHILHARMONIC
Broadcast Schedule — Spring 2014
PROGRAM #:
RELEASE:
LAP 14-01
April 1, 2014
CONDUCTOR:
SOLOISTS:
Gustavo Dudamel
Yefim Bronfman, piano; Pedro Carneiro, percussion
Lieberson/Knussen:
Schubert:
Tchaikovsky:
Shing Kham
Symphony No. 4
Piano Concerto No. 1
PROGRAM #:
RELEASE:
LAP 14-02
April 8, 2014
CONDUCTOR:
SOLOIST:
Esa-Pekka Salonen
Anssi Karttunen, cello;
Debussy:
Lindberg:
Bartók:
Nocturnes
Cello Concerto No. 2
Music for Strings, Percussion, and Celesta
PROGRAM #:
RELEASE:
LAP 14-03
April 15, 2014
CONDUCTOR:
SOLOIST:
Esa-Pekka Salonen
Leila Josefowicz, violin
Ives:
Salonen:
Sibelius:
The Unanswered Question
Violin Concerto
Symphony No. 5
PROGRAM #:
RELEASE:
LAP 14-04
April 22, 2014
CONDUCTOR:
SOLOIST:
Gustavo Dudamel
Yuja Wang, piano
Bjarnason:
Rachmaninoff:
Stravinsky:
Blow bright
Petrushka
PROGRAM #:
LAP 14-05
87
RELEASE:
April 29, 2014
CONDUCTOR:
SOLOIST:
Lionel Bringuier
Camilla Tilling, soprano
Brahms:
Berg:
Beethoven:
Variations on a Theme by Haydn
Seven Early Songs
Symphony No. 4
PROGRAM #:
RELEASE:
LAP 14-06
May 6, 2014
CONDUCTOR:
Gustavo Dudamel
Tchaikovsky:
Tchaikovsky:
Symphony No. 1, Winter Daydreams
Symphony No. 6, Pathétique
PROGRAM #:
RELEASE:
LAP 14-07
May 13, 2014
CONDUCTOR:
Gustavo Dudamel
Corigliano:
Brahms:
Symphony No. 1
Symphony No. 2
PROGRAM #:
RELEASE:
LAP 14-08
May 20, 2014
CONDUCTOR:
SOLOIST:
Charles Dutoit
Jean-Yves Thibaudet, piano
Beethoven:
Ravel:
Daphnis and Chloé
PROGRAM #:
RELEASE:
LAP 14-09
May 27, 2014
CONDUCTOR:
SOLOIST:
James Conlon
Garrick Ohlsson, piano
Schulhoff:
Mozart:
Brahms:
PROGRAM #:
Scherzo from Symphony No. 5
Symphony No. 1
LAP 14-10
88
RELEASE:
June 3, 2014
CONDUCTOR:
SOLOIST:
John Adams
Cameron Carpenter, organ
Gordon:
Riley:
Adams:
Sunshine of Your Love
At the Royal Majestic
Naïve and Sentimental Music
PROGRAM #:
RELEASE:
LAP 14-11
June 10, 2014
CONDUCTOR:
SOLOIST:
Gustavo Dudamel
Emanuel Ax, piano
Brahms:
Norman:
Brahms:
Academic Festival Overture
new work
PROGRAM #:
RELEASE:
LAP 14-12
June 17, 2014
CONDUCTOR:
SOLOIST:
Gustavo Dudamel
Lang Lang, piano
Ravel:
Prokofiev:
Desenne:
Ravel:
Valses nobles et sentimentales
Sinfonía Burocratica ed’ Amazzonica
La valse
PROGRAM #:
RELEASE:
LAP 14-13
June 24, 2014
CONDUCTOR:
SOLOIST:
Gustavo Dudamel
Hélène Grimaud, piano
Mozart:
Ravel:
Mozart:
Serenata Notturna
Piano Concerto in G
Symphony No. 36, Linz
89
LOS ANGELES PHILHARMONIC
Biography
GUSTAVO DUDAMEL – Conductor and Music Director
Walt and Lilly Disney Chair
Conductor Gustavo Dudamel’s passionate music-making continues to inspire audiences of all
ages worldwide. Currently serving as music director of both the Simón Bolívar Symphony
Orchestra of Venezuela and the Los Angeles Philharmonic, the impact of his musical leadership
is felt on four continents. While his commitment to these posts accounts for the major portion of
his yearly schedule, Dudamel also guest conducts with some of the world’s greatest musical
institutions. This season he returns to the Vienna and Berlin Philharmonics, and tours with La
Scala in opera and concert to Japan. Additional guest appearances include the New York
Philharmonic, Munich Philharmonic, Philharmonia Orchestra London, Bamberg Symphony,
Bavarian Radio Symphony Orchestra, and Gothenburg Symphony, where he is Honorary
Conductor.
Gustavo Dudamel is in his fifth season as Music Director of the Los Angeles Philharmonic,
where his contract has already been extended through 2018-19, the orchestra’s 100th season. An
exclusive Deutsche Grammophon artist since 2005, Grammy winner Gustavo Dudamel has
numerous recordings on the label, as well as many video/DVD releases which capture the
excitement of significant moments in his musical life.
Gustavo Dudamel is one of the most decorated conductors of his generation, examples of which
include Musical America’s 2013 Musician of the Year, 2013 Gramophone Hall of Fame, 2010
Eugene McDermott Award in the Arts at MIT, 2009 l’Ordre des Arts et des Lettres as a
Chevalier and one of Time Magazine’s 100 most influential people, 2008 “Q Prize” from
Harvard, along with several honorary doctorates.
Gustavo Dudamel was born in 1981 in Barquisimeto, Venezuela, with his early musical and
mentoring experiences molding his commitment to music as an engine for social change – a
lifelong passion. In 2012, Gustavo and Eloísa Dudamel launched The Dudamel Foundation,
which is dedicated to furthering music education and social justice around the world.
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PROGRAM:
MAD ABOUT MUSIC with Gilbert Kaplan
Code:
Genre:
Length:
Frequency:
Delivery Type:
Air Window:
MAD14
Music, Classical, Talk, Interview
58:30 minutes
52 weeks
April 1, 2014 – March 31, 2015
Executive Producer/Host:
Producers:
Gilbert Kaplan
Heidi Bryson and Marcela Silva
31, 2015.
The WFMT Radio Network is pleased to announce our offering of the one-hour series, Mad
About Music with host Gilbert Kaplan.
For more than 10 years Mad About Music has delved into the musical heart of some of the
world’s most celebrated and influential personalities. Originally airing in New York on WNYC
and WQXR, Mad About Music is now syndicated for broadcast.
Created and hosted by Gilbert Kaplan, Mad About Music’s format is part interview, part
musical performance. Internationally famous guests select five key musical works and discuss
why those pieces are important to them. The interviews are always personal–and often
humorous—as some of the world’s most famous people reveal aspects of their personalities
largely unknown to the public.
“Gilbert Kaplan is an ideal host for Mad About Music combining considerable interviewing
skills with a grand passion for music,” said WNYC/WQXR radio president and CEO Laura
Walker.
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MAD ABOUT MUSIC
Please note: In addition to their classical selections, each guest picks one piece of music
that is neither classical nor operatic, i.e., jazz, rock, etc.
PROGRAM #:
RELEASE:
MAD 14-27
September 30, 2014
Conductor FRANZ WELSER-MÖST on conducting without a rehearsal
The first time I conducted here [Vienna State Opera] was in ’87. I was the assistant to
Claudio Abbado for one season when he was music director here. Then there was this
long gap. And then I conducted again: I stepped in, without any rehearsal, doing Tristan.
And, you know, of course with rehearsals I would have done certain things differently.
But the excitement of that night, I will never forget – and also it seems that the audience
and the orchestra has not forgotten that.
Wagner:
Schubert:
Verdi:
J. Frankel:
Messiaen:
Mozart:
Parsifal [excerpt from the Prelude to Act I]. Berlin Philharmonic. Daniel
Barenboim. Teldec 4509-97910-2.
Mass in G-major, “Gloria”. Chamber Orchestra of Europe. Vienna State
Opera Chorus. Claudio Abbado. Barbara Bonney. Andreas Schmidt. DG
435 486-2.
Don Carlo. Berlin Philharmonic. Herbert von Karajan. José Carreras. Piero
Cappuccilli. EMI Classics B000TDDHQW.
“Yiddish Blues”. Klezmer Conservatory Band. Vanguard
Records VCD 79450.
Turangalîla Symphony “Joie du sang des étoiles". Royal Concertgebouw
Orchestra. Riccardo Chailly. Jean-Yves Thibaudet, piano. Takashi Harada,
ondes martenot. Decca 436 626-2.
Così fan tutte [excerpt from Act I]. Philharmonia Orchestra. Herbert von
Karajan. Elisabeth Schwarzkopf, Nan Merriman, Rolando Panerai, Leopold
Simoneau, Sesto Bruscantini. EMI 72435671382.
PROGRAM #:
RELEASE:
MAD 14-28
October 7, 2014
Former President of Major League Baseball ROBERT DUPUY on the impression
Copland’s Rodeo made on him
One Sunday night my wife, who was pregnant with our first child at the time, and I went
for a concert and it was a beautiful night and Aaron Copland was there conducting his
own music with the Grant Park Symphony. He did Rodeo and that concert, now in 1972,
92
remains vivid in both of our memories. We talk about it often. It really made an indelible
impression.
Jack Norworth & Albert Von Tilzer: “Take Me Out to the Ballgame” [excerpt]. Boston
Pops Orchestra. Tanglewood Festival Chorus. Keith Lockhart.
Arrangement by David Chase. Boston Pops BP0005.
Copland:
Rodeo “Hoedown.” London Symphony Orchestra. Aaron Copland. Sony
SK 90403.
Bach:
Goldberg Variations [excerpt]. Glenn Gould. CBS MYK 38479.
Beethoven: Piano Sonata no. 21 “Waldstein Sonata.” First movement [excerpt].
Richard Goode. Nonesuch 79391-2.
Rachmaninoff: Rhapsody on a Theme of Paganini [excerpt]. The New York
Philharmonic. Leonard Bernstein. Gary Graffman, piano. CBS
Masterworks MYK 36722.
Bill Evans: “Waltz for Debby” [excerpt]. Bill Evans Trio: Bill Evans, piano; Scott
LaFaro, bass; Paul Motian, drums. Original Jazz Classics 32326.
Schubert:
String Quintet in C [excerpt]. Bernard Greenhouse, cello. Guarneri
Quartet: Arnold Steinhardt, violin; John Dalley, violin; Michael Tree, viola;
David Soyer, cello. Philips 432 108-2.
PROGRAM #:
RELEASE:
MAD 14-29
October 14, 2014
Playwright JOHN GUARE on why Arthur Schnabel is such a great pianist
I picked Schnabel which is an old recording and it is not considered the finest. Schnabel
is criticized for being too rough, and maybe too personal. But you really feel that
Schnabel is climbing some kind of mountain, and doing battle, and having a great time
with it and so that’s why I love this.
Schoenberg: Verklärte Nacht (“Transfigured Night”), Op. 4 for string sextet. The
Hollywood String Quartet: Felix Slatkin and Paul Shure, violin. Paul
Robyn, viola. Eleanor Aller, cello with Alvin Dinkin, viola and Kurt
Reher, cello. Testament SBT 1031.
Beethoven: 33 Variations on a Waltz by Anton Diabelli, Op. 120 [excerpts]. Artur
Schnabel, piano. BMG Classics 456 961-2.
Poulenc:
Stabat Mater [excerpt]. Boston Symphony Orchestra and Tanglewood
Festival Chorus. Seiji Ozawa. Kathleen Battle, soprano. Deutsche
Grammophon 427 304-2.
Cole Porter: “Dream Dancing”. Tony Bennett and Bill Evans. Rhino R275837.
Strauss:
Der Rosenkavalier. [Final trio from Act III]. Philharmonia Orchestra.
Herbert von Karajan. Christa Ludwig, Elisabeth Schwarzkopf, Teresa
Stich-Randall. EMI Classics 5 67609 2.
93
Foss:
Time Cycle (orchestral version) [excerpt]. Columbia Symphony Orchestra.
Leonard Bernstein. Lukas Foss, piano. Howard D. Colf, cello. Richard
Dufallo, clarinet. Charles DeLancey, vibes. Adele Addison, soprano.
Sony SMK 63164.
PROGRAM #:
RELEASE:
MAD 14-30
October 21, 2014
Conductor MARISS JANSONS on how to avoid problems with orchestras
First, I think, you should know what you really want, how this piece should sound. You
should have an interpretation model and you should know the sound model. You must
come prepared completely 100%, and know what you want from your musicians. When
you start too much improvisation, people feel, oh, he’s not sure, you immediately lose
your authority.
Beethoven:
Sibelius:
Strauss:
Stravinsky:
Shostakovich:
Ella Fitzgerald:
Mahler:
PROGRAM #:
RELEASE:
Symphony No. 7 in A major, OP. 92 [excerpt]. Berliner
Philharmoniker. Herbert von Karajan. Deutsche Grammophon 439
003-2.
Symphony No. 1 in E major, OP. 39 [excerpt]. Symphonieorchester
des Bayerischen Rundfunks. Mariss Jansons. Sony 93538.
Ein Heldenleben, OP. 40 [excerpt]. Royal Concertgebouw
Orchestra. Mariss Jansons. RCO Live 04005.
The Firebird Suite. London Symphony Orchestra. Leopold
Stokowski. Decca 475 150-2
Lady Macbeth of Mtsensk [excerpt]. London Philharmonic
Orchestra. Ambrosian Opera Chorus. Mstislav Rostropovich. EMI
Classics 5 67779 2.
“Stairway to the Stars” Verve B0002690-02.
Symphony No. 1 in D major [excerpt]. Royal Concertgebouw
Orchestra. Leonard Bernstein. Deutsche Grammophon 427 303-2.
MAD 14-31
October 28, 2014
Former Chief Executive of Sony SIR HOWARD STRINGER on his trumpet solo
mistake
By the time I was seventeen, I was first trumpet in the school orchestra and we were
going to be recorded playing the Messiah and obviously the trumpet part in the Messiah
is quite tricky. I played the solo, “The trumpet shall sound,” and I had played it in
rehearsal that morning and I got it perfectly. And then [in the concert] came the
94
moment when I stood up to play the solo for “The trumpet shall sound” and I got half
way through it and I blew up. My lip went. I just sagged. And it was heartbreaking.
Handel:
Messiah. “The trumpet shall sound” Royal Philharmonic Orchestra. Sir
Thomas Beecham. Jon Vickers. BMG 9026-61266.
Britten:
A Ceremony of Carols, Op. 28 [excerpt]. Cambridge King’s College Choir.
Sir David Willcocks. James Clark and Julian Godlee, trebles. EMI 62797.
Puccini:
Tosca. “Vissi d’arte” La Scala Orchestra. Victor de Sabata. Maria
Callas. EMI Classics 56304.
Scarlatti:
Sonata in E major, K.380 (L.23) Vladimir Horowitz. Deutsche
Grammophon 419499.
Freddie Mercury: “Bohemian Rhapsody” Freddie Mercury and Queen. Hollywood
Records 61311.
Berlioz:
Symphonie fantastique, Op. 14 [Conclusion]. Cincinnati Symphony
Orchestra. Paavo Järvi. Telarc 80578.
PROGRAM #:
RELEASE:
MAD 14-32
November 4, 2014
Actor ALEC BALDWIN on why he doesn’t connect to Mozart
This is going to sound blasphemous in a way, I would imagine some people are going to
cringe, but I think the person who I listen to the least is Mozart. For some reason, I just
don’t respond as much to Mozart’s music. Again, I don’t hate it, but I would much rather
have a dark, brooding piece from Mahler or Beethoven than the gaiety of some of
Mozart’s music.
Berlioz :
Symphonie fantastique, Op. 14. "March to the Scaffold". Cincinnati
Symphony Orchestra. Paavo Järvi. Telarc 80578.
Mahler:
Symphony No. 6. [Excerpt from Movement 1]. London Philharmonic
Orchestra. Klaus Tennstedt. EMI Classics 5 72941 2.
Mahler:
Symphony No. 4. [Excerpt from Movement 4]. The Cleveland Orchestra.
George Szell. Judith Raskin, Soprano. Sony Classical 46535.
C.Coleman/C.Leigh: "Firefly". Tony Bennett At Carnegie Hall [Live] June 9, 1962.
Columbia C2K 64609.
Chopin:
Impromptu for Piano No. 4, Op. 66 "Fantaisie-Impromptu". Murray
Perahia, Piano. CBS Masterworks 42448.
Mahler:
Symphony No. 9. Excerpts from Movements 3 & 4. Chicago Symphony
Orchestra. Sir Georg Solti. London 430 804-2.
Copland:
Rodeo. "Hoe-Down". St. Louis Symphony Orchestra. Leonard Slatkin.
EMI Classics 73653.
95
PROGRAM #:
RELEASE:
MAD 14-33
November 11, 2014
Former West German Chancellor HELMUT SCHMIDT compares conductors
Leonard Bernstein and Herbert von Karajan
Bernstein was a man interested in politics. He wanted to know about the world. He
had a philosophical mind. Karajan had a knack for high technology and he flew his
own airplane, he sailed his own yacht. A man of unbelievable self-discipline. Lenny
Bernstein had no discipline, except when the concert had begun.
Bach:
Brandenburg Concerto No. 5 in D, BWV 1050. First Movement.
Academy of St. Martin in the Fields. Sir Neville Marriner. Philips 426
0892.
Bach:
Goldberg Variations [excerpt]. Glenn Gould, piano. CBS Records /
Masterworks MK 37779.
Verdi:
Nabucco. "Va pensiero" (Chorus of the Hebrew Slaves). Atlantic
Symphony Orchestra & Chorus. Robert Shaw. Telarc CD-80152.
Handel:
Water Music, HWV 348-350 [excerpt]. Chamber Soloists of Washington.
Edward Carroll. SONY SB2K 63269.
Beethoven: Symphony No. 9 in D minor, op. 125 [excerpt]. Berlin Philharmonic.
Herbert von Karajan. Janet Perry, Soprano; Agnes Baltsa, Mezzo-soprano;
Vinson Cole, Tenor; José van Dam, Baritone. Deutsche Grammophon
439 006-2.
Bach:
Concerto for 4 Pianos and Strings in A minor, BWV 1065. Third
Movement. Hamburg Philharmonic, Christoph Eschenbach, Justus Frantz,
Gerhard Oppitz and Helmut Schmidt. Deutsche Grammophon 415 655-2.
John Lennon and Paul McCartney: Yesterday. The Beatles. EMI Records Ltd. /
Capitol CDP 7243 5 29325 2 8.
PROGRAM #:
RELEASE:
MAD 14-34
November 18, 2014
Conductor ZUBIN MEHTA on being ready to conduct Bruckner
Karajan once told me that you cannot conduct a Bruckner symphony unless you’re at
least 80 years old, and I told him, yes, but you didn’t say that when you were 40, did
you!
Wagner:
Beethoven:
Tristan und Isolde. “Liebestod” Berlin Philharmonic Orchestra. Wilhelm
Furtwängler. Allegro 1014.
Concerto for Violin in D major, Op. 61 [excerpt]. NBC Symphony Orchestra.
Arturo Toscanini. Jascha Heifetz, violin. Classica D’oro 2002.
96
Elgar:
Cello Concerto in E minor, Op. 85 [excerpt]. Philadelphia Orchestra. Daniel
Barenboim. Jacqueline du Pré, cello. Sony 78737.
“Raga Mishra Piloo” adapted by Ravi Shankar [excerpt]. Ravi Shankar, sitar. Alla Rakha,
tabla. Kamala Chakvravarty, tamboura. Angel 5172834.
Brahms:
Symphony No. 4 in E minor, Op. 98 [excerpt]. Israel Philharmonic Orchestra.
Zubin Mehta. Sony SX4K 53279.
Mahler:
Symphony No. 5 [excerpt]. New York Philharmonic. Zubin Mehta. Ultima
28170.
PROGRAM #:
RELEASE:
MAD 14-35
November 25, 2014
Former FBI Agent ROBERT WITTMAN on how Chopin influenced his decision
to become an art sleuth
I was playing the Fantaisie Impromptu and while I was playing, I thought there’s a
couple of cases I had worked on earlier in my career; and the ones that were most
important to me where I got the most self-satisfaction were the cases where I was able
to recover artwork, cultural property, that belongs to all of us throughout the world, not
just to museums or collectors but to humanity, and all generations past and to come. As
I was playing, the music really swept me away at the moment and made a decision for
me.
Chopin:
Fantaisie-Impromptu. Van Cliburn. RCA Victor 9026-60973-2.
Beethoven: Piano Concerto No. 5 “Emperor”. Second movement [excerpt]. The
Cleveland Orchestra. Vladimir Ashkenazy (soloist and conductor). London
421 718-2.
Mozart:
Piano Sonata No. 11 "Alla Turca". Mitsuko Uchida. Philips 412 123-2.
A. Young and M. Young: "Thunderstruck" [excerpt]. AC/DC. Columbia Records 969980213-2.
Liszt:
Hungarian Rhapsody for piano No. 2 [excerpt]. Alfred Brendel. Brilliant
028421 992759.
Mussorgsky: Pictures at an Exhibition. Vladimir Horowitz. RCA Victor 9026-60526-2.
PROGRAM #:
RELEASE:
MAD 14-36
December 2, 2014
Former President and Chairman of the Chicago Bears MICHAEL MCCASKEY
on how Beethoven helped his son to walk
My wife Nancy had been working very hard with my son John to get him to take his
first steps and she was encouraging him, but he was not quite ready. And then one
97
evening, Nancy went out and for some reason, it just occurred to me that the Eroica
Symphony might be some good music to put on. So I put it on, cranked up the volume,
and John not only took his first step, he walked across the room.
Beethoven:
Symphony No. 3, “Eroica”. First movement [excerpt]. Vienna
Philharmonic. Sir Simon Rattle. EMI 24355 74452.
Bernstein: Symphonic Dances from West Side Story, “Cool” Fugue. New York
Philharmonic. Leonard Bernstein. SMK 63085.
Mozart:
String Quartet No. 14. First movement. Guarneri Quartet. Arnold
Steinhardt, John Dalley, violin; Michael Tree, viola; David Soyer, cello.
RCA 82876 60390.
John Lennon and Paul McCartney: “In My Life”. Marian McPartland (from “In My
Life”) CCD-4561.
Cesar Camargo Mariano: “Cristal”. Yo-Yo Ma. Cesar Camargo Mariano (from
“Obrigado Brazil”). SK 89935.
Bach:
St. Matthew Passion. Conclusion. Chicago Symphony Orchestra and
Chorus. Sir Georg Solti. Hans Peter Blochwitz, Anthony Rolfe Johnson,
Kiri Te Kanawa, Tom Krause, Anne Sofie von Otter. London 425 691-2.
PROGRAM #:
RELEASE:
MAD 14-37
December 9, 2014
Former Australian Prime Minister PAUL KEATING on how Chopin restored him
after political battles
When I was seeking a seat in Parliament, I would take a terrible hiding almost every
week. I would sometimes think I was amongst savages. And I’d come back and the
first thing I would put on would be the Barcarolle by Chopin. Next thing I’m in the
world, the wonderful world of music.
Addinsell:
Chopin:
Mahler:
Weatherly:
Korngold:
Warsaw Concerto [excerpt]. BBC Symphony Orchestra. Hugh Wolff. JeanYves Thibaudet, piano. Decca 289 470 777-2.
Barcarolle for Piano in F sharp major, Op. 60 [conclusion]. Claudio Arrau,
piano. Philips 464 694-2.
Das Lied von der Erde (“The Song of the Earth”) [excerpt]. Vienna
Philharmonic Orchestra. Bruno Walter. Kerstin Thorborg, mezzo-soprano.
CDBP 9722.
“Midnight Train to Georgia” [excerpt]. Gladys Knight & The Pips. Music
Club MCDLX061.
Lieder Des Abschieds (“Songs of Farewell“) Op. 14, “Mond, so gehst du
wieder auf” (“Moon You Rise Again”). BBC Philharmonic. Sir Edward
Downes. Linda Finnie, mezzo-soprano. CHAN 10431.
98
Bruckner:
Symphony No. 8 in C minor. Final movement [excerpt]. Vienna
Philharmonic. Herbert von Karajan. Deutsche Grammophon 427 611-2.
PROGRAM #:
RELEASE:
MAD 14-38
December 16, 2014
Supreme Court Justice RUTH BADER GINSBURG on a chance meeting with
Maria Callas in an elevator
I stepped into the elevator and there was Callas in white mink with her poodle with the
same color as her coat. She looked every inch the diva that she was and I mumbled
something about how much joy she had given me through her recordings and then I felt
as if I had been touched by magic.
Porter:
"Tale of the Oyster". Live from the United States Supreme Court, May 26, 1994, and
aired on NPR "Performance Today". Samuel Ramey
Tchaikovsky: String Quartet No. 2 in F Major, Op. 22. First Movement. Vermeer Quartet. Cedille
Records CDR 90000 017.
Menotti:
The Medium, "Monica's Waltz". Chicago Opera Theater, Patrice Michaels Bedi
Lawrence Rapchak. Cedille Records CDR 90000 034.
Puccini:
Tosca [excerpt]. Orchestra e Coro del Teatro Alla Scala. Maria Callas, Giuseppe di
Stefano. Victor de Sabata. Musical Heritage Society 524973H.
Ravel:
Violin Sonata [Second Movement] Live from the United States Supreme Court, May
11, 1999, and aired on NPR "Performance Today". Cho-Liang Lin. Ken Noda, pianist.
PROGRAM #:
RELEASE:
MAD 14-39
December 23, 2014
Former President of the World Bank JAMES WOLFENSOHN on being a groupie
of Leonard Bernstein.
I have two remarkable photographs of Lenny, which are inscribed to me as “leader of his
groupies.” I had the great good fortune to get to know him as an admirer and
subsequently as a friend. My history with Leonard Bernstein really goes back to Australia
where I was born. I applied to come to study at University in the United States and I
remember the very first night that I got here I went to West Side Story, which subsequently
I saw 13 times. As you can see, I get these crazy passions.
Schumann:
Bernstein:
Cello Concerto in A Minor, Op. 129. Third Movement. London Philharmonic
Orchestra, Daniel Barenboim, Piano; Jacqueline du Pré, Cello. EMI CDM 7
64626 2.
Candide Overture. New York Philharmonic. Leonard Bernstein. Sony Classical
SMK 63085.
99
Mahler:
Lieder eines fahrenden Gesellen [Songs of a Wayfarer] (First 2 songs: Wenn mein
Schatz Hochzeit macht and Ging heut' morgen übers Feld). Vienna Philharmonic.
Leonard Bernstein. Thomas Hampson, Baritone. Deutsche Grammophon 431
682-2.
Bach:
Goldberg Variations (Variations 28, 29, 30 and Aria). Vladimir Feltsman.
MusicMasters Classics 01612-67093-2.
Tchaikovsky: Trio, Op. 50 in A Minor (Variation Finale and Coda: Allegro risoluto e con
fuoco). Artur Rubinstein, Piano; Jascha Heifetz, Violin; Gregor Piatigorsky,
Cello. RCA Victor Gold Seal 7768-2-RG.
100
PROGRAM:
Michigan Opera Theater Presents Cyrano
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
MOT14
3 hours (approximate)
Special
PRX and CD
Please see cue sheet
November 1
Host:
Producer:
Suzanne Nance
WFMT Radio Network
November 1.
This three-act opera is based on Edmond Rostand’s celebrated stage drama of 1897, Cyrano de
Bergerac, a romantic tragedy.
Cyrano de Bergerac, Rostand’s most popular play, blends nostalgia for 17th century French life
with swashbuckling heroism, romance, and lyrical verse. Cyrano, a nobleman with a larger-thanlife personality, skilled in both the sword and the pen, is physically plain with a rather large nose.
Despite his overwhelming love for the beautiful Roxane, Cyrano agrees to help his younger rival,
the handsome Christian, to win her heart. From the renowned balcony scene to the moving
climax, the triumph of the spiritual over the corporeal is ultimately achieved. Cyrano, similar to
Don Quixote and Don Juan, has become one of the world’s most enduring and popular literary
figures.
Composer Dr. David DiChiera is the founding general director of Michigan Opera Theatre in
Detroit, Michigan, and founding general director (1986-1996) of Opera Pacific in Orange
County, California. Both are among the top professional opera companies in the United States.
He is the only general director in the nation to have founded and led two important companies in
what was a unique and precedent-setting arts collaboration. As a composer, David DiChiera’s
music continues to receive critical acclaim. His Four Sonnets, with verses by Edna St. Vincent
Millay composed for soprano and piano, premiered at the Kennedy Center in Washington, the
work “beautifully crafted and warmly expressive of the poetry.” Paul Hume of the Washington
Post called DiChiera “a composer with great sensitivity and keen awareness of the beauties for
101
the voice.” A children’s opera, Rumpelstiltskin, written in collaboration with Karen VanderKloot
DiChiera, has been performed nationally. In 2007, DiChiera realized yet another dream as his
new opera, Cyrano, received its highly anticipated world premiere at the Detroit Opera
House. Cyrano, composed by DiChiera, to a libretto by Bernard Uzan, will also be presented by
Florida Grand Opera and Opera Company of Philadelphia.
102
Michigan Opera Theater Presents Cyrano
PROGRAM #:
RELEASE:
MOT 14-01
November 1, 2014
OPERA:
COMPOSER:
LIBRETTO:
Cyrano
David DiChiera
Bernard Uzan
CAST:
Cyrano
Roxane
Christian
De Guiche
Lignière
Le Bret
Carbon
The Duenna
Ragueneau
Capucin
Marquis de Cuigy
Marquis de Brisaille
An Informer
Montefleury
Marian Pop
Leah Partridge
Jose Luis Sola
Peter Volpe
Alain Coulombe
Gaetan Laperriere
Daniel Okulitch
Gloria Parker
Eric Johnston
Torrance Blaisdell
Torrance Blaisdell
Matthew Hayward
Daniel Okulitch
Jason Budd
CONDUCTOR:
ORCHESTRA:
CHORUS:
CHORUS MASTER:
Mark Flint
Michigan Opera Theater Orchestra
Michigan Opera Theater Chorus
Suzanne Mallare Acton
Approx. Length:
3 hours
103
PROGRAM:
THE MIDNIGHT SPECIAL with Rich Warren
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
MS14
Music, Folk, Bluegrass, Comedy
1 hour 58 minutes 30 seconds
52 weeks
One
December 31, 2013 – December 30, 2014
Producer/Host:
Underwriter:
Rich Warren
Bose
December 30, 2014.
Welcome to The Midnight Special, one of the most enduring of syndicated folk music radio
programs, available through the WFMT Radio Network. The Midnight Special was established
in Chicago on 98.7 WFMT-FM in 1953, and went national in 1971. It has stayed current through
decades of change, rich in tradition and history while retaining its timeliness, delighting listeners
throughout the world with gentle irreverence or touching them with candid observation.
In 1953, Mike Nichols, (then a WFMT announcer and now one of the most respected stage and
film directors), developed The Midnight Special as a showcase for recorded folk music. Over
the years, The Midnight Special has evolved into an eclectic mixture of song and story that
attracts not only a loyal following, but also new, younger listeners with each broadcast. They
hear an incredibly diverse selection of artists, from the traditional to the contemporary: Pete
Seeger and The Weavers, the New Lost City Ramblers, Joan Baez, Tom Paxton, Arlo Guthrie,
Mike Cross, Ani DiFranco, Greg Brown, Alison Krauss and Anais Mitchell, to name a few,
along with comedy from the likes of Bill Cosby, Bob Newhart and Mitchell & Webb. Material
comes from an unrivaled library of over 13,000 CDs, 5,000 LPs and 55 years of live concert and
studio recordings that began with Pete Seeger and Big Bill Broonzy in a concert that became a
Folkways album.
Thousands of traditional and contemporary folk performers and comedians fill this two-hour
spontaneous entertainment program that we call The Midnight Special. Original, offbeat, and
always entertaining, The Midnight Special offers listeners a program of music, madness and
mayhem – a lively potpourri of folk, Celtic and bluegrass, show and novelty tunes, and hilarious
104
comedy routines.
The Midnight Special often airs live performances recorded by WFMT over the past 60 years
that are not available commercially, including well-known artists appearing at Chicago-area
clubs, the University of Chicago Folk Festivals, and the comedy revues of Chicago’s famed
Second City troupe. Tomorrow’s folk stars are on The Midnight Special this week!
Rich Warren has hosted folk programs for over 40 years, including 35 years with The Midnight
Special, while remaining committed to seeking out new music. He attends the international and
regional Folk Alliance conferences as well as other folk music events in search of tomorrow’s
songwriters and performers. He studied folk music in college with an acknowledged authority,
the late Archie Green. Warren also wrote for Sing Out, the national folk music magazine, for 20
years. He was named “Broadcaster of the Year” by the International Folk Alliance Conference
in 2008.
A photograph of Rich Warren is available upon request, and a yearly fund-raising program is
also available.
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PROGRAM:
MILLENNIUM OF MUSIC
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
MOM14
Classical, Music, Early Music
59 minutes
52 weeks
Two
December 31, 2013 – December 30, 2014
Producer/Host:
Underwriter:
Robert Aubry Davis
Radio Netherlands
December 30, 2014.
Millennium of Music is the world’s longest running program featuring early music. Host and
producer Robert Aubry Davis regularly presents music from major European music festivals
which can be heard weekly on radio stations throughout the United States.
What began as a local Sunday morning program on WJCT-FM in Jacksonville, Florida, moved
to WETA in 1978, when Davis returned to his home town of Washington, DC. At that time,
Program Director Martin Goldsmith suggested that the idea of a genuine early music program,
with much emphasis on Gregorian chant, would be appropriate for Easter. The program began as
a regular part of the schedule on Easter Sunday in 1980. The next visionary to touch the program
was Mary Beth Kirchner, a producer brought on board to help create national programming, who
believed in the inevitability of taking the program to a wider audience.
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MILLENNIUM OF MUSIC
Broadcast Schedule — 2014
Notes by Robert Aubry Davis.
Full playlist information can be found at www.millenniumofmusic.com.
PROGRAM #:
RELEASE:
MOM 14-08
February 17, 2014
The Sublime Port—Voices of Istanbul 1430-1750
Yet another journey to the resonance point of eastern and western musical cultures—a Jordi
Savall specialty.
PROGRAM #:
RELEASE:
MOM 14-09
February 24, 2014
Erasmus of Rotterdam—In Praise of Folly
Renaissance and the rise of humanism, once again with a three-CD, 650-page volume with Jordi
Savall and Hesperion XXI.
PROGRAM #:
RELEASE:
MOM 14-10
March 3, 2014
Spirit of Armenia and Spirit of the Balkans
Two more projects examining cultural currents and countercurrents (Volumes 15 & 18 for the
“Place and Memory” series).
PROGRAM #:
RLEASE:
MOM 14-11
March 10, 2014
Erasmus of Rotterdam—In Praise of Folly, Part 2
Continuing our examination of the rise of humanism, once again in this huge production with
Jordi Savall and Hesperion XXI.
PROGRAM #:
RELEASE:
MOM 14-12
March 17, 2014
Orient-Occident II—Homage to Syria
Spanish and Italian traders on the medieval trade routes in ancient Damascus (Volume 19 of the
“Place and Memory” series).
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PROGRAM #:
RELEASE:
MOM 14-13
March 24, 2014
BAL-KAN —Honey and Blood, the Cycles of Life, Part 1
The seasons reflected in music from the land where east met west (Volume 20 of the “Place and
Memory” series).
PROGRAM #:
RELEASE:
MOM 14-14
March 31, 2014
BAL-KAN —Honey and Blood, the Cycles of Life, Part 2
Continuing the newest release by the tireless Jordi Savall.
PROGRAM #:
RELEASE:
MOM 14-15
April 7, 2014
Millennium Lent
The recently released latest from the Benedictines of Mary, “Lent at Ephesus,” and more from the
Finnish women Vox Silenti.
PROGRAM #:
RELEASE:
MOM 14-16
April 14, 2014
Millennium Holy Week
Recent releases of pieces for Passiontide including works by Lassus, Victoria, Gesualdo, and
Jacques Arcadelt.
PROGRAM #:
RELEASE:
MOM 14-17
April 21, 2014
Millennium Easter
On this, the 35th anniversary of our first program, we continue with recent recordings of music
for the season, including works by Guerrero, Mouton, and Hieronymous Praetorius.
PROGRAM #:
RELEASE:
MOM 14-18
April 28, 2014
Marie et Marion
As with every Anonymous 4 recording from the beginning we celebrate the ladies’ latest, a return
to 13th century France and the Montpelier Codex.
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PROGRAM #:
RELEASE:
MOM 14-19
May 5, 2014
Three from Delphian
The excellent Edinburgh-based label features recent recordings of English music from the late middle
ages and Jacobean era, and dances by “Red Rob” Macintosh.
PROGRAM #:
RELEASE:
MOM 14-20
May 12, 2014
Three from Accent
Late Renaissance and early Baroque music from Austria and Italy in these
Dutch/German collaborations.
PROGRAM #:
RELEASE:
MOM 14-21
May 19, 2014
The Voice of the Turtle Dove
The latest from The Sixteen takes the ensemble back to the beautiful English
early Renaissance repertoire.
PROGRAM #:
RELEASE:
MOM 14-22
May 26, 2014
Tu es Petrus
The rediscovery of the music of Jean Mouton continues with the latest by the Brabant Ensemble
directed by Stephen R.
PROGRAM #:
RELEASE:
MOM 14-23
June 2, 2014
Remember me my deir
The Fires of Love Ensemble traces the musicians who followed Scotland’s King James VI as he
became King of England after the death of Elizabeth.
PROGRAM #:
RELEASE:
MOM 14-24
June 9, 2014
Three More from Accent
More late Renaissance and early Baroque music from Austria and Italy in these
Dutch/German collaborations.
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PROGRAM #:
RELEASE:
MOM 14-25
June 16, 2014
I Dodici Giradini
A recent recording by the ensemble La Reverdie looks at the songs of St. Catherine of Bologna.
(1413-1463).
PROGRAM #:
RELEASE:
MOM 14-26
June 23, 2014
Italy, c. 1600, Part 1
Recent releases of Monteverdi, Luigi Rossi, and the amazing “Mantovano Hebreo” Salamone
Rossi.
PROGRAM #:
RELEASE:
MOM 14-27
June 30, 2014
Italy, c. 1600, Part 2
Three recent releases of dances and instrumental music from the cusp of the Baroque.
PROGRAM #:
RELEASE:
MOM 14-28
July 7, 2014
John Dowland, Part 1
Many recent recordings celebrate the great lute song master—this week, Paul O’Dette, Iestyn
Davies with Thomas Dunford, and the Shadows project.
PROGRAM #:
RELEASE:
MOM 14-29
July 14, 2014
Amorosi pensieri
The latest from Cinquecento looks at songs for the Hapsburg Court, including rarely-recorded
composers like Jean Guyot and Jacobus Vaet.
PROGRAM #:
RELEASE:
MOM 14-30
July 21, 2014
John Dowland, Part 2
Continuing our look at new releases (plus a great re-release) dedicated to John Dowland; this
week, John Holloway, La Nef, and Alfred Deller!
PROGRAM #:
MOM 14-31
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RELEASE:
July 28, 2014
Three from Naxos
We traverse the centuries with this label from the middle ages (with music for the Holy Grail),
the early Renaissance (the Glogauer Songbook), and the late 16th century with Gesualdo.
PROGRAM #:
RELEASE:
MOM 14-32
August 4, 2014
Cantiones Duarum Vocum
We have dedicated more hours to music by Lassus than any other composer—this first complete
recording of the 1577 teaching publication of the 24 two-part vocal and instrumental works is a
signal achievement.
PROGRAM #:
RELEASE:
MOM 14-33
August 11, 2014
From Spain to Eternity
The 2012 Gramophone-award winning ensemble Ne Plus Ultra is back with a recording marking the
400th anniversary of the data of El Greco.
PROGRAM #:
RELEASE:
MOM 14-34
August 18, 2014
Palestrina & the Sixteen, Part 5
Harry Christophers and his ensemble are back with their latest dedicated to the Palestrina, including
the mass Iam Christus astra ascenderat ("Now Christ is Ascending”).
PROGRAM #:
RELEASE:
MOM 14-35
August 25, 2014
From the Imperial Court
The new recording by the wonderful young English ensemble Stile Antico celebrates sacred music
for the House of Hapsburg.
PROGRAM #:
RELEASE:
MOM 14-36
September 1, 2014
The City of Ladies
The Spanish ensemble Capella de Ministrers has made more than 40 recordings; its latest 2-CD set
and book is dedicated to women in the middle ages.
PROGRAM #:
MOM 14-37
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RELEASE:
September 8, 2014
French Baroque Splendor
Three new recordings take us from the court of Louis XIII into the court of his successors, with
music by Moulinie, Charpentier, and even Jean-Jacques Rousseau.
PROGRAM #:
RELEASE:
MOM 14-38
September 15, 2014
Three New Takes on Early Music
Continuing our occasional “Old Wine, New Skins” feature, we hear recordings that give us a
contemporary take on Sephardic music, a jazz ensemble in the middle ages, and sacred Sicilian
folklore.
PROGRAM #:
RELEASE:
MOM 14-39
September 22, 2014
Bulgaria, Portugal, and the New World
Three new releases take us on a journey from the Old World to the New.
PROGRAM #:
RELEASE:
MOM 14-40
September 29, 2014
Courts of Heaven
The latest by Stephen Darlington features rarely-heard music from the Eton Choirbook—Part 3 of a
series—including works by Hampton, Turges, and Fawkyner.
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PROGRAM:
MILWAUKEE SYMPHONY ORCHESTRA
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
MSO14
Music, Classical
1 hour 58 minutes
13 weeks
One
July 1, 2014 – June 30, 2015
`
Hosts:
Producer:
Advisory Producer:
Engineers:
Executive Producer:
Edo de Waart and Suzanne Nance
Sylvester Vicic
Jesse McQuarters
SoundMirror
Steve Robinson
Estlin Usher at 773-279-2112, [email protected]
David Sims at 773-279-2027, [email protected]
Tony Macaluso at 773-279-2114, [email protected]
This series is available free of charge to all affiliate stations for one broadcast through June 30,
2015.
Among the finest orchestras in the country, the Milwaukee Symphony Orchestra is the largest
cultural organization in Wisconsin. Since its inception in 1959, the Milwaukee Symphony
Orchestra has consistently received critical acclaim for artistic excellence. Today, the MSO
continues to reach new heights under the baton of its sixth music director, Edo de Waart. In
addition to his present position as Milwaukee Symphony Orchestra’s Music Director, Maestro de
Waart is also Chief Conductor and Artistic Director of the Hong Kong Philharmonic; Chief
Conductor and Artistic Advisor of The Santa Fe Opera; Conductor Laureate of the Netherlands
Radio Philharmonic Orchestra; and Artistic Partner of the St. Paul Chamber Orchestra since the
2010/2011 season. He has also held posts with the Sydney Symphony, San Francisco
Symphony, Minnesota and Rotterdam Philharmonic orchestras.
The symphony’s 88 full-time professional musicians perform more than 140 concerts each
season. Each of the MSO’s resident musicians is a gifted virtuoso. In addition to performing
with the MSO, these musicians provide a strong professional core within Milwaukee’s thriving
arts community. Orchestra players make frequent appearances with other local ensembles,
perform as soloists internationally, and serve as teachers and mentors to music students and area
youth. A cornerstone organization in Milwaukee’s art community, the MSO provides
enrichment and education activities for audiences of every age, economic status, and
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background. The MSO’s education and outreach programs are among the most highly regarded
of any American symphony. Through initiatives such as Youth & Teen Concerts, MSO Stars of
Tomorrow, and the nationally-acclaimed Arts in Community Education (ACE) program. The
most comprehensive education initiative ever undertaken by an American orchestra, the MSO
has become a national leader in arts education programming.
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MILWAUKEE SYMPHONY ORCHESTRA
Broadcast Schedule — Summer 2014
PROGRAM #:
RELEASE:
MSO 14-01
July 1, 2014
CONDUCTOR:
SOLOIST:
Roberto Abbado
Augustin Hadelich, violin; Milwaukee Symphony Chorus;
Lee Erickson, director
Stravinsky:
Ravel:
Concerto in D major for Violin and Orchestra
Daphnis et Chloé
PROGRAM #:
RELEASE:
MSO 14-02
July 8, 2014
CONDUCTOR:
SOLOISTS:
Asher Fisch
Todd Levy, clarinet
Wagner:
Mozart:
Bartók:
Overture to Der fliegende Holländer [The Flying Dutchman]
Concerto in A major for Clarinet and Orchestra, K. 622
Concerto for Orchestra
PROGRAM #:
RELEASE:
MSO 14-03
July 15, 2014
CONDUCTOR:
SOLOIST:
Edo de Waart
Ingrid Fliter, piano
Ippolito:
Chopin:
Brahms:
Nocturne, for Orchestra
Concerto No. 2 in F minor for Piano and Orchestra, Op. 21
Symphony No. 2 in D major, Op. 73
PROGRAM #:
RELEASE:
MSO 14-04
July 22, 2014
CONDUCTOR:
SOLOIST:
Bach:
Berg:
Brahms:
Edo de Waart
Jennifer Koh, violin
Ricercare No. 2 from Musical Offering, BWV 1079 (orch. Webern)
Concerto for Violin and Orchestra
Piano Quartet No. 1 in G minor, Op. 25 (orch. Schoenberg)
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PROGRAM #:
RELEASE:
MSO 14-05
July 29, 2014
CONDUCTOR:
SOLOIST:
Edo de Waart
Inon Barnatan, piano
Schumann:
Macmillan:
Brahms:
Overture to Manfred, Op. 115
The Confession of Isobel Gowdie
Concerto No. 1 in D Minor for Piano, Op. 15
PROGRAM #:
RELEASE:
MSO 14-06
August 5, 2014
CONDUCTOR:
SOLOIST:
Francesco Lecce-Chong
Georgia Jarman, soprano
Bernstein:
Foss:
Barber:
Bernstein:
Three Dance Episodes from On the Town
Time Cycle, Four Songs for Soprano and Orchestra
Knoxville: Summer of 1915, Op. 24
Symphonic Suite from On the Waterfront
PROGRAM #:
RELEASE:
MSO 14-07
August 12, 2014
CONDUCTOR:
SOLOISTS:
Edo de Waart
Orion Weiss, piano
Fauré:
Ravel:
Stravinsky:
Suite from Pelléas et Mélisande, Op. 80
Concerto in G major for Piano and Orchestra
Pétrouchka (1947 revision)
PROGRAM #:
RELEASE:
MSO 14-08
August 19, 2014
CONDUCTOR:
SOLOISTS:
Edo de Waart
Susanna Phillips, soprano; Kelley O'Connor, mezzo soprano; Thomas
Cooley, tenor; Christopher Maltman, baritone; Milwaukee Symphony
Chorus; Lee Erickson, director
Adams:
Beethoven:
The Wound-Dresser
Symphony No. 9 in D minor, Op. 125, Choral
PROGRAM #:
RELEASE:
MSO 14-09
August 26, 2014
CONDUCTOR:
Edo de Waart
116
SOLOIST:
Timothy McAllister, saxophone
Stravinsky:
Adams:
Beethoven:
Concerto in D major for String Orchestra (1961 revision)
Saxophone Concerto
Symphony No. 3 in E-flat major, Op. 55, Eroica
PROGRAM #:
RELEASE:
MSO 14-10
September 2, 2014
CONDUCTOR:
SOLOISTS:
Edo de Waart
Leila Josefowicz, violin
Stravinsky:
Adams:
Beethoven:
Symphonies of Wind Instruments (1947 revision)
Concerto for Violin and Orchestra
Symphony No. 7 in A Major, Op. 92
PROGRAM #:
RELEASE:
MSO 14-11
September 9, 2014
CONDUCTOR:
SOLOIST:
Edo de Waart
Joyce Yang, piano
Rachmaninoff:
Rachmaninoff:
Rachmaninoff:
Prince Rostislav
Concerto No. 4 in G minor for Piano and Orchestra, Op. 40
Symphony No. 3 in A minor, Op. 44
PROGRAM #:
RELEASE:
MSO 14-12
September 16, 2014
CONDUCTOR:
Edo de Waart
Wagner:
Mozart:
Elgar:
Siegfried Idyll
Symphony No. 38 in D major, K. 504, Prague
Variations on an Original Theme, Op. 36, Enigma Variations
PROGRAM #:
RELEASE:
MSO 14-13
September 23, 2014
CONDUCTOR:
SOLOISTS:
Gilbert Varga
Susan Babini, cello
Elgar:
Schumann:
Dvorák:
Serenade in E minor for String Orchestra, Op. 20
Concerto in A minor for Cello, Op. 129
Slavonic Dances, Op. 46
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PROGRAM:
THE NEW YORK PHILHARMONIC THIS WEEK
Code:
Genre:
Length:
Frequency:
Delivery type:
Optional Breaks:
Air Window:
NYP15
Music, Classical
2 hours
52 weeks
One
Host:
Producer:
Recording Engineer:
Underwriters:
Alec Baldwin
Mark Travis
Larry Rock
The Kaplen Foundation; the Audrey Love Charitable
Foundation; MetLife Foundation; and the National Endowment
for the Arts
This series is available free of charge to all affiliate stations for one broadcast within a twoweek window from the first release date.
Music Director Alan Gilbert and the New York Philharmonic welcome you to the 2014-15
syndicated radio broadcasts by one of the world’s longest-running and most celebrated
orchestras.
Of the 52 weekly two-hour broadcasts that make up this series, many will make use of material
from the orchestra’s 2013-2014 subscription season. Interspersed throughout the year are
programs taken from the Philharmonic’s tours, Summertime Classics, and the orchestra’s
residency at the Bravo! Vail Valley Music Festival in Colorado. There will also be a handful of
thematic programs and encore presentations that explore the breadth and depth of the
Philharmonic’s extensive library of commercial and archival recordings.
The New York Philharmonic’s first live national radio broadcast took place on October 5, 1930,
over the CBS radio network. On that Sunday, Erich Kleiber was on the podium leading the
Orchestra at Carnegie Hall. Since that historic broadcast, the Philharmonic has enjoyed an almost
continuous presence on national radio. Advancing its role as a media pioneer, the Philharmonic,
since 2002, has shared its radio broadcasts with a worldwide audience through its website,
nyphil.org. In 2004 the New York Philharmonic was the first major American orchestra to offer
downloadable concerts, recorded live. Following on this innovation, in 2009 the Orchestra
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announced the first-ever subscription download series, Alan Gilbert: The Inaugural Season,
available exclusively on iTunes, produced and distributed by the New York Philharmonic, and
comprised of more than 50 works performed during the 2009-10 season. The self-produced
iTunes Pass Series has continued each and every year since then. Since 1917 the Philharmonic
has made nearly 2,000 recordings, with more than 500 currently available — including two
recent releases on Da Capo featuring music of Carl Nielsen and Magnus Lindberg.
The New York Philharmonic This Week, which began in 2004 and is syndicated nationally by
the WFMT Radio Network, has been the recipient of numerous awards, including a Gold World
Medal in the category of Best Sound, and its second Bronze World Medal in the category of Best
Regularly Scheduled Music Program at the 2013 New York Festivals Radio Programs and
Promotions Awards. The program has also won awards for Best Classical Format and Best
Announcer Presentation.
Broadcasts are available on the Philharmonic’s website, nyphil.org, for two weeks following the
original uplink. Emmy and Golden-Globe Award-winning actor Alec Baldwin is the host of the
program, New York Philharmonic Audio Producer Mark Travis is the writer and producer, and
New York Philharmonic Audio Director Lawrence Rock is the engineer for the series.
On June 18, 2010, The New York Philharmonic was honored with two 2009-10 ASCAP Awards
for Adventurous Programming at the League of American Orchestras’ Annual Meeting at its
65th National Conference in Atlanta, Georgia. The Philharmonic received the Award for
American Programming on Foreign Tours, and a First Place Award for Programming of
Contemporary Music. The following year, the Philharmonic received the 2010-11 ASCAP
Award for Adventurous Programming, winning first place in the Awards for Programming
Contemporary Music. For 2012-13, the orchestra was again awarded the ASCAP Award for
Adventurous Programming and the Leonard Bernstein Award for Educational Programming.
This exciting broadcast venture is made possible with the generous support of The Kaplen
Foundation and the Audrey Love Charitable Foundation, the Philharmonic’s corporate partner,
MetLife Foundation and the National Endowment for the Arts.
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THE NEW YORK PHILHARMONIC THIS WEEK
These programs are subject to change. Changes are marked with the following: ***
Last revision: 7/15/14
Stations have a 14-day broadcast window from the first release date.
PROGRAM#:
TYPE:
RELEASE:
NYP 15-01
Encore 01
October 1, 2014
CONDUCTOR:
SOLOISTS:
Jeffrey Kahane, conductor/piano
Sheryl Staples, violin; Liang Wang, oboe
J.S. BACH:
MOZART:
BEETHOVEN:
Concerto for Violin and Oboe
Symphony No. 33
PROGRAM#:
TYPE:
RELEASE:
NYP 15-02
Encore 02
October 8, 2014
CONDUCTOR:
SOLOIST:
Alan Gilbert
Gil Shaham, violin
Steven STUCKY:
BARBER:
RACHMANINOFF:
Symphony
Violin Concerto, Op. 14
Symphonic Dances
PROGRAM#:
TYPE:
RELEASE:
NYP 15-03
Encore 03
October 15, 2014
CONDUCTOR:
SOLOIST:
Alan Gilbert
Carter Brey, cello
DVORAK:
TCHAIKOVKSY:
J.S. BACH:
Cello Concerto
Symphony No. 5
Suite No. 1 for Unaccompanied Cello
PROGRAM#:
TYPE:
RELEASE:
NYP 15-04
Encore 04
October 22, 2014
CONDUCTOR:
Zubin Mehta
BRUCKNER:
Symphony No. 8
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PROGRAM#:
TYPE:
RELEASE:
NYP 15-05
Encore 05
October 29, 2014
CONDUCTOR:
SOLOIST:
Alan Gilbert, conductor
Anne Sofie von Otter, mezzo-soprano
HAYDN:
SCHUBERT:
RAVEL:
RAVEL:
Symphony No. 88
Selected Songs for Mezzo Soprano and Orchestra
Mother Goose (Complete ballet)
La Valse
PROGRAM#:
TYPE:
RELEASE:
NYP 15-06
Live 01
November 5, 2014
CONDUCTOR:
SOLOIST:
Alan Gilbert
Kari Kriikku, clarinet
Unsuk CHIN:
Clarinet Concerto (U.S. Premiere–New York Philharmonic Co-Commission
with the Gothenburg Symphony Orchestra, Philharmonia Orchestra,
and the Barcelona Symphony Orchestra)
MAHLER:
Symphony No. 1
PROGRAM#:
TYPE:
RELEASE:
NYP 15-07
Live 02
November 12, 2014
CONDUCTOR:
Alan Gilbert
NIELSEN:
NIELSEN:
NIELSEN:
Maskerade Overture
Symphony No. 5
Symphony No. 6, Sinfonia semplice
PROGRAM#:
TYPE:
RELEASE:
NYP 15-08
Live 03
November 19, 2014
CONDUCTOR:
SOLOIST:
Alan Gilbert
Lisa Batiashvili, violin
Christopher ROUSE:
HAYDN:
BRAHMS:
Thunderstuck (World Premiere–New York Philharmonic Commission)
Symphony No. 103, Drumroll
Violin Concerto
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PROGRAM#:
TYPE:
RELEASE:
NYP 15-09
Live 04
November 26, 2014
CONDUCTOR:
SOLOIST:
Leonard Slatkin, conductor
Robert Langevin, flute
COPLAND:
RAVEL:
Christopher ROUSE:
RAVEL:
El Salón México
Gaspard de la nuit (Orch. Constant)
Flute Concerto (New York Premiere)
Boléro
PROGRAM#:
TYPE:
RELEASE:
NYP 15-10
Encore 06
December 3, 2014
CONDUCTOR:
Alan Gilbert
“A Dancer’s Dream”
STRAVINSKY:
STRAVINSKY:
The Fairy’s Kiss
Petrushka
PROGRAM#:
TYPE:
RELEASE:
NYP 15-11
Encore 07
December 10, 2014
CONDUCTOR:
SOLOISTS:
Alan Gilbert
Julianna Di Giacomo, soprano; Kelley O’Connor, mezzo-soprano; Russell
Thomas, tenor; Shenyang, bass; Manhattan School of Music Symphonic Chorus
Kent Tritle, director
Mark-Anthony
TURNAGE:
BEETHOVEN:
Frieze
Symphony No. 9
PROGRAM#:
TYPE:
RELEASE:
NYP 15-12
Encore 08
December 17, 2014
CONDUCTOR:
SOLOIST:
Alan Gilbert
Liang Wang, oboe
R. STRAUSS
Christopher ROUSE
R. STRAUSS
Don Juan
Oboe Concerto
Also sprach Zarathustra
122
PROGRAM#:
TYPE:
RELEASE:
NYP 15-13
Encore 09
December 24, 2014
CONDUCTOR:
SOLOISTS:
Gary Thor Wedow
Layla Claire, soprano
Tim Mead, countertenor
Kenneth Tarver, tenor
Alastair Miles, bass
New York Choral Artists
Joseph Flummerfelt, director
HANDEL:
Messiah
PROGRAM#:
TYPE:
RELEASE:
NYP 15-14
Encore 10
December 31, 2014
WINTER HOLIDAY PROGRAM
MOZART:
German Dance in C, K. 605, “Sleigh Ride”
Leonard Bernstein, conductor
From SMK 64076
TCHAIKOVKSY:
Symphony No. 1, “Winter Dreams”
Leonard Bernstein, conductor
From SMK 47631
ARR: HENDERSON: Selections From WINTER HOLDIDAY, 1961-62
Skitch Henderson, piano and conductor
Columbia MS 6381 and Sony Promotional SSK 6381
PROKOFIEV:
Peter and the Wolf, Op. 67
Leonard Bernstein, narrator/conductor
From SMK 60175
STRAUSS, II:
Overture to Die Fledermaus
Danny Kaye, conductor
From Bel Canto Paramount 12704
(From An EVENING WITH DANNY KAYE)
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PROGRAM:
RELEVANT TONES with Seth Boustead
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
RLT14
Music, Classical, Contemporary
59 minutes
52 weeks
One
Host:
Producer:
Seth Boustead
Jesse McQuarters
December 31, 2014.
We continue Relevant Tones, a weekly exploration of the most fascinating time in classical
music history: right now. From up-and-coming firebrands to established artists, this series
features music and in-person interviews from the hottest festivals around the world, celebrates
the major figures shaping classical music today, spots emerging trends, shines a light on lesser
known but fascinating composers, and features music recorded in dynamic live broadcasts.
Host, composer and Executive Director of Access Contemporary Music, Seth Boustead brings an
informative but engagingly down-to-earth presentation that provides a context for the music and
connects with listeners of all ages to present classical music as a diverse art form with a storied
history that is alive and thriving in the 21st century.
With its informative, yet engagingly down-to-earth presentation, Relevant Tones seeks to make
contemporary music accessible to diehard classical music fans while attracting new and younger
listeners. Seth Boustead draws from the entire classical music canon to put modern-day
compositions in context, exploring the social and musical influences on their creation. Guest
appearances by composers and performers are a vital part of the program, offering a first-person
perspective that gives insight and depth to their art form and its creation.
Since launching in July 2011 on 98.7 WFMT in Chicago, Relevant Tones has garnered
significant praise from critics and listeners alike. Examiner.com named it one of the best shows
in the world for new classical music, and ChicagoMusic.org says that it is “changing the way
audiences experience modern music.” Listener response has been equally positive, with fans
124
praising Boustead’s “invigorating selections,” “enlightening commentary” and hailing the show
as a “long-overdue addition” of new music to the station’s programming. Relevant Tones is
broadcast on more than 196 markets in the US and worldwide.
125
PROGRAM #:
RELEASE:
RLT 14-39
September 24, 2014
The Arvo Pärt Foundation
Mystical Minimalist Arvo Pärt is one of the most significant composers in the 20th and 21st
centuries, and in this program we’ll travel across the Baltic to Estonia to visit his musical
homeland and talk with the people curating his music.
PROGRAM #:
RELEASE:
RLT 14-40
October 4, 2014
Into the Forbidden City and Beyond
In a barrier-busting intercultural collaboration, the Forbidden City Chamber Orchestra partnered
with the New Zealand String Quartet to tour commissioned pieces by composers from both
countries. In a Relevant Tones exclusive, we’ll feature the music from this historic project.
PROGRAM #:
RELEASE:
RLT 14-41
October 11, 2014
What is Wandelweiser?
Originally a German musical creation, Wandelweiser is a kind of extreme minimalism that is fast
becoming popular with composers around the world. We talk with two of its creators, Jürg Frey
and Eva-Maria Houben, about the phenomenal growth of this movement.
PROGRAM #:
RELEASE:
RLT 14-42
October 18, 2014
The Art of Spoken Word
It takes fine craftsmanship to achieve a perfect partnership between text and music in which
neither element overshadows the other. This week, we’ll listen to a fascinating array of spoken
word and music by composers striving to achieve this symmetry.
PROGRAM #:
RELEASE:
RLT 14-43
October 25, 2014
Haunted Landscapes: Music of George Crumb
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Legendary composer George Crumb created a unique, haunting sound world that leaves an
indelible impression upon anyone who hears it. The master turns 85 in October and we’ll
celebrate with an entire show dedicated to his outlandish music.
PROGRAM #:
RELEASE:
RLT 14-44
November 1, 2014
Through the Grapevine
We’re having a ball trying to keep up with our ever-expanding musical collection as composers
and performers around the world joyously overwhelm us with their creations. We’re consistently
amazed by their level of talent and artistry, and are thrilled this week to share it with our
listeners.
PROGRAM #:
RELEASE:
RLT 14-45
November 8, 2014
In the Field: Mizzou Part I
Fast becoming the go-to summer music festival in the Midwest, the concerts and workshops at
the University of Missouri’s International Composers Festival are a sure-fire place to hear
imaginative new music from emerging composers.
PROGRAM #:
RELEASE:
RLT 14-46
November 15, 2014
In the Field: Mizzou Part II
More music from the vibrant inferno of creative energy that is the Mizzou International
Composers Festival, featuring Alarm Will Sound, exciting works by faculty composers and a
bundle of premieres, concerts and workshops.
PROGRAM #:
RELEASE:
RLT 14-47
November 22, 2014
The Polish Legacy
As part of Polish American Heritage Month, we put together a live concert of works by a wide
range of composers from one of the great music-loving countries of the world. We’ll hear music
from this concert and talk about the incredible legacy of classical music in Poland.
PROGRAM #:
RELEASE:
RLT 14-48
November 29, 2014
Composer Spotlight: Zhou Long
One of the first composers to graduate from the Beijing Conservatory upon its reopening after
the Cultural Revolution and the winner of the 2011 Pulitzer Prize for his opera Madame White
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Snake, Zhou Long creates thoughtful, spiritually infused music that has resonated with audiences
across the globe.
.
PROGRAM #:
RELEASE:
RLT 14-49
December 6, 2014
Composer Spotlight: Nico Muhly
He’s worked with, and written and arranged for, performers as diverse as the Chicago Symphony
Orchestra, Beyoncé, the American Ballet Theater and Björk, just to name a few. We sit down to
talk to this wide-ranging and highly successful composer about life on the cutting edge of 21stcentury music.
PROGRAM #:
RELEASE:
RLT 14-50
December 13, 2014
Payton MacDonald: Super Marimba
Percussionist Payton MacDonald calls Super Marimba the nexus point of all of his artistic
activities. Featuring influences from jazz and classical to Hindustani and improvisational music,
this is the marimba as you’ve never heard it before.
PROGRAM #:
RELEASE:
RLT 14-51
December 20, 2014
Journey into the Sacred: Modern Oratorios
Large-scale sacred works might not be the first thing that comes to mind when you think of
contemporary music, but a number of important composers are creating expansive works
inspired by their concept of a higher power.
PROGRAM #:
RELEASE:
RLT 14-52
December 27, 2014
Composers Among Us: Laura Schwendinger
Our popular series profiling emerging composers continues with Laura Schwendinger, an artist
whose strongly personal style of music is filled with kinetic energy and slow-burning intensity.
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PROGRAM:
SAN FRANCISCO OPERA
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
SFO14
Varies (see cue sheets)
10 weeks
Varies
August 23, 2014 – October 25, 2014
Hosts:
Elaine Warner, Dianne Nicolini
This series is available free of charge to all affiliate stations for one broadcast through October
25, 2014.
The WFMT Radio Network continues our 2014 American Opera Series with San Francisco
Opera – eight operas from their past season and two operas from the San Francisco Opera
archives. Performed in the War Memorial Opera House, San Francisco Opera’s home since
October 1932, these operas will enhance the Network’s opera offerings during the hiatus of the
Metropolitan Opera. This year’s series will include Wagner’s The Flying Dutchman, Rossini’s
The Barber of Seville, Puccini’s Tosca, and many more!
The second largest opera company in North America, San Francisco Opera was founded by
Gaetano Merola in 1923. The company’s first performance (La Bohème) took place on
September 26, 1923 in the city’s Civic Auditorium, with Queena Mario and Giovanni Martinelli
and conducted by Gaetano Merola himself. Nine years later, the company moved into its
permanent home, inaugurating the newly built War Memorial Opera House with a performance
of Tosca on October 15, 1932 with Claudia Muzio, Dino Borgioli, Alfredo Gandolfi, and
conducted by Merola.
Following Gaetano Merola’s death in 1953, San Francisco Opera was led by Kurt Herbert Adler
until 1981; by Terence A. McEwen until 1988; by Lotfi Mansouri until 2001; and by Pamela
Rosenberg until 2006. For the past seven years, the company has been under the exciting
direction of David Gockley.
San Francisco Opera has presented the United States debut performances of numerous artists,
including Inge Borkh, Boris Christoff, Marie Collier, Sir Geraint Evans, Mafalda Favero, Tito
129
Gobbi, Sena Jurinac, Mario del Monaco, Birgit Nilsson, Leontyne Price, Margaret Price, Leonie
Rysanek, Elisabeth Schwarzkopf, Giulietta Simionato, Renata Tebaldi, and Ingvar Wixell;
conductors Gerd Albrecht, Valery Gergiev, Sir Georg Solti, and Silvio Varviso; and directors
Francis Ford Coppola, Harry Kupfer, and Jean-Pierre Ponnelle.
130
SAN FRANCISCO OPERA
Broadcast Schedule — Summer/Fall 2014
PROGRAM #:
RELEASE:
SFO 14-01
August 23, 2014
OPERA:
COMPOSER:
Mefistofele (in Italian)
Arrigo Boito
CAST:
Mefistofele
Faust
Wagner
Adam
Eve
Margherita
Marta
Elena
Pantalis
Nereo
Ildar Abdrazakov
Ramon Vargas
Chuanyue Wang
Luke Lazzaro
Brook Broughton
Patricia Racette
Erin Johnson
Patricia Racette
Renee Rapier
Chuanyue Wang
CONDUCTOR:
STAGE DIRECTOR:
Nicola Luisotti
Laurie Feldman
San Francisco Opera Orchestra and Chorus
CHORUS DIRECTOR:
Ian Robertson
Approx Length:
2 hours 30 minutes
PROGRAM #:
RELEASE:
SFO 14-02
August 30, 2014
OPERA:
COMPOSER:
Tosca (in Italian)
Giacomo Puccini
CAST:
Cesare Angelotti
Sacristan
Mario Cavaradossi
Floria Tosca
Baron Scarpia
Spoletta
Sciarrone
Shepherd boy
Jailer
Christian Van Horn
Dale Travis
Brian Jagde
Patricia Racette
Mark Delavan
Joel Sorensen
Ao Li
Ryan Nelson-Flack
Ryan Kuster
131
CONDUCTOR:
STAGE DIRECTOR:
Nicola Luisotti
Jose Maria Condemi
CHORUS DIRECTOR:
Ian Robertson
Approx Length:
2 hours 15 minutes
PROGRAM #:
RELEASE:
SFO 14-03
September 6, 2014
OPERA:
COMPOSER:
Der Fliegende Holländer (in German)
Richard Wagner
CAST:
Senta
Mary
Erik
The Steersman
Daland
The Dutchman
Lise Lindstrom
Erin Johnson
Ian Storey
A.J. Glueckert
Kristinn Sigmundsson
Greer Grimsley
CONDUCTOR:
STAGE DIRECTOR:
Patrick Summers
Petrika Ionseco
CHORUS DIRECTOR:
Ian Robertson
Approx Length:
2 hours 30 minutes
PROGRAM #:
RELEASE:
SFO 14-04
September 13, 2014
OPERA:
COMPOSER:
Peter Grimes (in English)
Benjamin Britten
CAST:
Hobson
Swallow
Peter Grimes
Mrs. Sedley
Ellen Orford
A Fisherman
Auntie
Bob Boles
Captain Balstrode
Paul Geiger
Alexander Malta
Jon Vickers
Donna Petersen
Heather Harper
John Del Carlo
Sheila Nadler
Paul Crook
Geraint Evans
132
Rev. Horace Adams
First Niece
Second Niece
Ned Keene
Boy
A Lawyer
Dr. Thorpe
Offstage Voice
Joseph Frank
Claudia Cummings
Pamela South
Wayne Turnage
Steven Cohen
John Duykers
Janusz
Luana De Vol
Janice Aaland
CONDUCTOR:
STAGE DIRECTOR:
John Pritchard
Geraint Evans
CHORUS DIRECTOR:
Robert Jones
Approx Length:
2 hours 45 minutes
PROGRAM #:
RELEASE:
SFO 14-05
September 20, 2014
OPERA:
COMPOSER:
Il Barbiere di Siviglia (in Italian)
Gioachino Rossini
CAST:
Fiorello
Count Almaviva
Doctor Bartolo
Figaro
Rosina
Don Basilio
Berta
Ambrogio
Notary
An Officer
Ao Li
Javier Camarena
Alessandro Corbelli
Lucas Meachem
Isabel Leonard
Andrea Silvestrelli
Catherine Cook
A.J. Glueckert
Andrew Truett
Hadleigh Adams
CONDUCTOR:
STAGE DIRECTOR:
Giuseppe Finzi
Emilio Sagi
CHORUS DIRECTOR:
Ian Robertson
Approx Length:
2 hours 45 minutes
PROGRAM #:
RELEASE:
SFO 14-06
September 27, 2014
133
OPERA:
COMPOSER:
CAST:
The Empress's Nurse
Spirit Messenger
The Emperor
The Empress
Voice of the Falcon
One-Armed man
One-Eyed man
Hunchback
Barak's wife
Barak
First Servant
Second Servant
Third Servant
Apparition of a Youth
First Watchman
Second Watchman
Third Watchman
Children's Voice
Alto Voice
Guardian of the
Temple Gates
Solo Voice
CONDUCTOR:
STAGE DIRECTOR:
Die Frau ohne Schatten (in German)
Richard Strauss
Ruth Hesse
James Johnson
Matti Kastu
Leonie Rysanek
Linda Roark
Lorenzo Alvary
Joshua Hecht
John Duykers
Ursula Schröder-Feinen
Walter Berry
Claudia Cummings
Pamela South
Shirley Lee Harned
James Hoback
Paul Geiger
Samuel Byrd
Wayne Turnage
Claudia Cummings
Pamela South
Linda Roark
Gwendolyn Jones
Donna Petersen
Gwendolyn Jones
Claudia Cummings
Gwendolyn Jones
Claudia Cummings
Pamela South
Linda Roark
Shirley Lee Harned
Donna Petersen
Karl Böhm
Nikolaus Lehnhoff
CHORUS DIRECTOR:
Robert Jones
Approx Length:
3 hours
PROGRAM #:
RELEASE:
SFO 14-07
October 4, 2014
134
OPERA:
COMPOSER:
La Traviata (in Italian)
Giuseppe Verdi
CAST:
Violetta Valéry
Alfredo Germont
Giorgio Germont
Flora Bervoix
Baron Douphol
Marquis D'Obigny
Doctor Grenvil
Annina
Nicole Cabell
Stephen Costello
Vladimir Stoyanov
Zanda Svede
Dale Travis
Hadleigh Adams
Andrew Craig Brown
Erin Johnson
CONDUCTOR:
STAGE DIRECTOR:
Nicola Luisotti
Laure Feldman
CHORUS DIRECTOR:
Ian Robertson
Approx Length:
2 hours 15 minutes
PROGRAM #:
RELEASE:
SFO 14-08
October 11, 2014
OPERA:
COMPOSER:
Dolores Claiborne (in English)
Tobias Picker
CAST:
Dolores Claiborne
Selena St. George
Detective Thibodeau
Vera Donovan
Maids
Joe St. George
Teenage Boy
Teenage Girl
Mr. Pease, a bank manager
Mr. Cox
Mr. Knox
Mr. Fox
Patricia Racette
Susannah Biller
Greg Fedderly
Elizabeth Futral
Nikki Einfeld
Jacqueline Piccolino
Marina Harris
Laura Krumm
Renée Rapier
Wayne Tigges
Hadleigh Adams
Nikki Einfeld
Joel Sorensen
Robert Watson
A.J. Glueckert
Hadleigh Adams
CONDUCTOR:
George Manahan
135
STAGE DIRECTOR:
James Robinson
CHORUS DIRECTOR:
Ian Robertson
Approx Length:
2 hours 15 minutes
PROGRAM #:
RELEASE:
SFO 14-09
October 18, 2014
OPERA:
COMPOSER:
LIBRETTO:
Falstaff (In Italian)
Giuseppe Verdi
Arrigo Boito
CAST:
Robin, page to Falstaff
Dr. Caius
Sir John Falstaff
Bardolfo
Pistola
Host of the Garter Inn
Nannetta
Fenton
Meg Page
Alice Ford
Dame Quickly
Ford
Ivan Kiryakin
Joel Sorensen
Bryn Terfel
Greg Fedderly
Andrea Silvestrelli
Larry Severino
Heidi Stober (10/11 Acts I & II)
Francesco Demuro
Renée Rapier
Ainhoa Arteta
Meredith Arwady
Fabio Capitanucci
CONDUCTOR:
DIRECTOR:
Nicola Luisotti
Olivier Tambosi
CHORUS DIRECTOR:
Ian Robertson
Approx Length:
2 hours 15 minutes
PROGRAM #:
RELEASE:
SFO 14-10
October 25, 2014
OPERA:
COMPOSER:
LIBRETTO:
Show Boat (in English)
Jerome Kern
Oscar Hammerstein II
CAST:
Magnolia Hawks
Gaylord Ravenal
Heidi Stober
Michael Todd Simpson
136
Cap'n Andy Hawks
Julie La Verne
Queenie
Parthy Ann Hawks
Ellie Mae Chipley
Joe
Frank Schultz
Bill Irwin
Patricia Racette
Angela Renée Simpson
Harriet Harris
Kirsten Wyatt
Morris Robinson
John Bolton
CONDUCTOR:
DIRECTOR:
John Demain
Francesca Zambello
CHORUS DIRECTOR:
Ian Robertson
Approx Length:
2 hours 30 minutes
137
PROGRAM:
SAN FRANCISCO SYMPHONY
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
SFS14
Music, Classical
2 hours
26 weeks
Three
March 24, 2014 – March 31, 2015
Host:
Recording Engineer:
Producer:
Underwriter:
Rik Malone
Jack Vad
Koret Foundation Funds
March 31, 2015.
Since its beginning in 1911, the San Francisco Symphony has been known for innovative
programs that offer a spectrum of traditional repertory and new music. Today, the
Orchestra’s artistic vitality, recordings, and groundbreaking multimedia educational
projects carry its impact throughout American musical life.
“At a time when America’s major orchestras are struggling to define their
missions and maintain audiences, the San Francisco Symphony under Michael
Tilson Thomas is an exception.”
— The New York Times
The San Francisco Symphony has grown in stature and acclaim under such distinguished
music directors as Henry Hadley, Alfred Hertz, the legendary Pierre Monteux, Josef
Krips, Seiji Ozawa, Edo de Waart and Herbert Blomstedt. Current Music Director
Michael Tilson Thomas assumed the post in 1995. Together, he and the San Francisco
Symphony have formed a musical partnership hailed as “one of the most inspiring and
adventurous in the country.” Maestro Tilson Thomas and the Orchestra have also been
praised by the critics for their musicianship, for their innovative programming, for
bringing the works of American composers to the fore, and for bringing new audiences
into Davies Symphony Hall.
138
“In most places, and certainly in London, the presence of many of the (American
Mavericks Festival) composers – from Charles Ives to John Adams to Steve Reich
– would have emptied halls. But the audiences in San Francisco have been large,
varied, attentive, and enthusiastic. Something quite special, perhaps even
revolutionary, is going on.”
— The Times (London)
The San Francisco Symphony has toured extensively to Europe, Asia and throughout the
United States. It has won some of the world’s most prestigious recording awards,
including eleven Grammy Awards, Japan’s Record Academy Award, France’s Grand
Prix du Disque, and Britain’s Gramophone Award.
“The San Francisco Symphony, led since 1995 by the brilliant and musically
restless Michael Tilson Thomas, gave the kind of performance that proves yet
again that the best is the enemy of the better.”
— The Washington Post
With the launch of the San Francisco Symphony’s own SFS Media label in 2001,
Michael Tilson Thomas and the Orchestra embarked on a project to record all of
Mahler’s symphonies and song cycles. The label’s first offering, Symphony No. 6, was
released to international acclaim and received the 2003 Grammy Award for Best
Orchestral Performance. The recordings of seven more Mahler symphonies have been
released since, and the project has received three more Grammy Awards – Best Classical
Album for Symphony No. 3 and Kindertotenlieder, with mezzo-soprano Michelle
DeYoung, and both Best Classical Album and Best Orchestral Performance for
Symphony No. 7.
The SFS is also delivering multimedia content designed to make classical music
accessible to people of all ages and backgrounds – Keeping Score can be experienced on
PBS-TV, DVD, the Internet (keepingscore.org), and radio (The MTT Files), also
available from The WFMT Radio Network. Call Tony at (773) 279-2114.
“Can every conductor be Michael Tilson Thomas? Obviously not! But every
conductor can learn from him the value of bringing a sense of adventure back to
the concert hall.”
— The Toronto Star
139
SAN FRANCISCO SYMPHONY
Broadcast Schedule — Spring/Summer 2014
PROGRAM #:
RELEASE:
SFS 14-01
March 24, 2014
CONDUCTOR:
SOLOIST:
Semyon Bychkov
Pinchas Zukerman, violin
Wagner
Bruch
Tchaikovsky
Encore:
Kissine:
Overture to Tannhäuser (Dresden version)
Violin Concerto No. 1 in G Minor, Op. 26
Symphony No. 5 in E Minor, Op. 64
Post-scriptum (Michael Tilson Thomas, conductor)
PROGRAM #:
RELEASE:
SFS 14-02
March 31, 2014
CONDUCTOR:
Semyon Bychkov
Schubert:
Shostakovich:
Encore:
Stravinsky:
Symphony in B Minor, D.759, Unfinished
Symphony No. 11 in G Minor, Op. 105, The Year 1905
PROGRAM #:
RELEASE:
SFS 14-03
April 7, 2014
CONDUCTOR:
SOLOIST:
Michael Tilson Thomas
Samuel Carl Adams, electronica
Symphony in Three Movements (Michael Tilson Thomas, conductor)
Samuel Carl Adams: Drift and Providence
Mahler:
Symphony No. 5 in C-Sharp Minor
Encore:
Copland:
Music from the film, Our Town (Michael Tilson Thomas, conductor)
PROGRAM #:
RELEASE:
SFS 14-04
April 14, 2014
CONDUCTOR:
SOLOIST:
Vasily Petrenko
Jean-Efflam Bavouzet, piano
Arvo Pärt:
Bartók:
Fratres
Piano Concerto No. 3 in E Major
140
Respighi:
Respighi:
Encore:
Shostakovich:
Fountains of Rome (Fontane di Roma)
Pines of Rome (Pini di Roma)
PROGRAM #:
RELEASE:
SFS 14-05
April 21, 2014
CONDUCTOR:
SOLOIST:
András Schiff
András Schiff, piano
Mendelssohn:
Bach:
Bach:
Mendelssohn:
Encore:
Mozart:
Fingal’s Cave Overture, Op. 26
Keyboard Concerto No. 2 in E Major, BWV 1053
Keyboard Concerto No. 1 in D Minor, BWV 1052
Symphony No. 4 in A Major, Op. 90, Italian
Symphony No. 34 in C Major, K.338 (Michael Tilson Thomas, conductor)
PROGRAM #:
RELEASE:
SFS 14-06
April 28, 2014
CONDUCTOR:
SOLOIST:
Asher Fisch
David Fray, piano
Wagner:
Mozart:
Brahms:
Encore:
Haydn:
Prelude to Act I of Lohengrin
Piano Concerto No. 22 in E-Flat Major, K.482
Symphony No. 9 in E-Flat Major, Op. 70 (Michael Tilson Thomas,
conductor)
Symphony No. 60 in C Major, Il distratto (Michael Tilson Thomas,
conductor)
PROGRAM #:
RELEASE:
SFS 14-07
May 5, 2014
CONDUCTOR:
SOLOIST:
Lang Lang, piano
Cowell:
Prokofiev:
Rachmaninoff:
Encore:
Brahms:
Music 1957
Piano Concerto No. 3 in C Major, Op. 26
PROGRAM #:
SFS 14-08
Academic Festival Overture, Op. 80 (Michael Tilson Thomas, conductor)
141
RELEASE:
May 12, 2014
CONDUCTOR:
SOLOIST:
Yefim Bronfman, piano
R. Strauss:
Mark Volkert:
Beethoven:
Encore:
Mozart:
Till Eulenspiegel’s Merry Pranks, Op. 28
Pandora (World Premiere)
Piano Concerto No. 5 in E-Flat Major, Op. 73, Emperor
Symphony No. 38 in D Major, K.504, Prague (Michael Tilson Thomas,
conductor)
PROGRAM #:
RELEASE:
SFS 14-09
May 19, 2014
LEADER:
SOLOISTS:
Alexander Barantschik, leader and violinist
Alexander Barantschik, violinist; Catherine Payne, piccolo;
Jonathan D. Fischer, oboe
Vivaldi:
Bach:
Mozart:
Bach:
Mozart:
Encore:
Mozart:
Piccolo Concerto in C Major, RV 443
Violin Concerto in A Minor, BWV 1041
Divertimento in D Major for Strings, K.136 (125a)
Concerto in D Minor for Violin and Oboe, BWV 1060
Serenade No. 6 in D Major, K.239, Serenata notturna
PROGRAM #:
RELEASE:
SFS 14-10
May 26, 2014
CONDUCTOR:
SOLOIST:
Charles Dutoit
James Ehnes, violin
Ravel:
Lalo:
Elgar:
Encore:
Bates:
Rapsodie espagnole
Symphonie espagnole, Op. 21
Enigma Variations, Op. 36
PROGRAM #:
RELEASE:
SFS 14-11
June 2, 2014
CONDUCTOR:
SOLOIST:
Gil Shaham, violin
Symphony No. 36 in C Major, K. 425, Linz (Michael Tilson Thomas,
conductor)
The B-Sides (Michael Tilson Thomas, conductor)
142
Stravinsky
Stravinsky
Stravinsky
Encore:
Stravinsky:
Agon
Violin Concerto in D Major
The Rite of Spring (1947 revision)
PROGRAM #:
RELEASE:
SFS 14-12
June 9, 2014
CONDUCTOR:
SOLOIST:
Pablo Heras-Casado
Stephen Hough, piano
Magnus Lindberg:
Liszt:
Prokofiev:
Encore:
Mozart:
EXPO (West Coast Premiere)
Piano Concerto No. 2 in A Major
Symphony No. 5 in B-Flat Major, Op. 100
Divertimento in D Major, K.251 (Michael Tilson Thomas, conductor)
PROGRAM #:
RELEASE:
SFS 14-13
June 16, 2014
CONDUCTOR:
SOLOIST:
Yan Pascal Tortelier
William Bennett, oboe
Debussy-Büsser:
R. Strauss:
Mendelssohn:
Encore:
Tchaikovsky:
Petite Suite
Oboe Concerto
Symphony No. 1in C Minor, Op. 11
PROGRAM #:
RELEASE:
SFS 14-14
June 23, 2014
CONDUCTOR:
SOLOIST:
Nadine Sierra, soprano
Mozart:
Mozart:
Mozart:
Bruckner:
Encore:
Schumann:
Ruhe sanft mein ganzes Leben from Zaïde, K.344
Trostlos schluchzet Philomel from Zaïde, K.344
Tiger! Wetze nur die Klauen from Zaïde, K.344
Symphony No. 7 in E Minor
Apollo (Michael Tilson Thomas, conductor)
Serenade for Strings, Op. 48 (Michael Tilson Thomas, conductor)
Symphony No. 3 in E-Flat Major, Rhenish (Michael Tilson Thomas,
conductor)
143
PROGRAM #:
RELEASE:
SFS 14-15
June 30, 2014
CONDUCTOR:
SOLOIST:
Yuja Wang, piano
Beethoven
Brahms
Encore:
Sibelius:
Piano Concerto No. 4 in G Major, Op. 58
Symphony No. 1 in C Minor, Op. 68
PROGRAM #:
RELEASE:
SFS 14-16
July 7, 2014
CONDUCTOR:
Herbert Blomstedt
Wagner:
Ingvar Lidholm:
Beethoven:
Encore:
Sibelius:
Prelude and Liebestod from Tristan und Isolde
Poesis
Symphony No. 3 in E-Flat Major, Op. 55, Eroica
PROGRAM #:
RELEASE:
SFS 14-17
July 14, 2014
CONDUCTOR:
SOLOIST:
Herbert Blomstedt
Augustin Hadelich, violin
Beethoven:
Nielsen:
Encore:
Brahms:
Violin Concerto in D Major, Op. 61
Symphony No. 5, Op. 50
Serenade No. 2 in A Major, Op. 16 (Michael Tilson Thomas, conductor)
PROGRAM #:
RELEASE:
SFS 14-18
July 21, 2014
CONDUCTOR:
SOLOIST:
Christoph Eschenbach
Matthias Goerne, baritone
Wagner:
Wagner:
Dvořák:
Die Frist ist um from Der fliegende Holländer
Wotan’s Farewell from Die Walküre
Symphony No. 9 in E Minor, Op. 95, From the New World
Symphony No. 5 in E-Flat Major, Op. 82 (Michael Tilson Thomas,
conductor)
Symphony No. 7 in C Major, Op. 105 (Michael Tilson Thomas,
conductor)
144
Encore:
Debussy:
Nocturnes (Michael Tilson Thomas, conductor)
PROGRAM #:
RELEASE:
SFS 14-19
July 28, 2014
CONDUCTOR:
SOLOIST:
David Robertson
Marc-André Hamelin, piano
Elliott Carter:
Ravel:
Gershwin:
Ravel:
Encore:
Dutilleux:
Variations for Orchestra
Piano Concerto in D Major for the Left Hand
Rhapsody in Blue
La Valse
PROGRAM #:
RELEASE:
SFS 14-20
August 4, 2014
CONDUCTOR:
SOLOIST:
Juraj Valčuha
Gautier Capuçon, cello
Dvořák:
Kodály:
Bartók:
Encore:
Varese:
Cello Concerto in B Minor, Op. 104
Dances of Galánta
Suite from The Wooden Prince, Op. 13
Ameriques (Michael Tilson Thomas, conductor)
PROGRAM #:
RELEASE:
SFS 14-21
August 11, 2014
CONDUCTOR:
SOLOISTS:
Kirill Karabits
Alexander Barantschik, violin; Jonathan Vinocour, viola
Honegger:
Britten:
Sibelius:
Encore:
Tchaikovsky:
Pacific 231
Double Concerto in B Minor for Violin and Viola
Symphony No. 2 in D Major, Op. 43
PROGRAM #:
RELEASE:
Symphony No. 2, Le Double (Semyon Bychkov, conductor)
Symphony No. 2 in C Minor, Op. 17, Little Russian (Michael Tilson
Thomas, conductor)
SFS 14-22
August 18, 2014
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CONDUCTOR:
SOLOIST:
Roberto Abbado
Jonathan Biss, piano
Schumann:
Schumann:
Ivan Fedele:
Schubert:
Encore:
Liszt:
Genoveva Overture, Op. 81
Piano Concerto in A Minor, Op. 54
Scena
Symphony No. 3 in D Major, D.200
PROGRAM #:
RELEASE:
SFS 14-23
August 25, 2014
CONDUCTOR:
SOLOIST:
Vladimir Jurowski
Khatia Buniatishvili, piano
Scriabin:
Rachmaninoff:
Reverie, Op. 24
Piano Concerto No. 2 in C Minor, Op. 18
CONDUCTOR:
Debussy:
Debussy:
Encore:
Prokofiev:
Jeux
La Mer
PROGRAM #:
RELEASE:
SFS 14-24
September 1, 2014
CONDUCTOR:
Beethoven:
Beethoven:
John Adams:
Beethoven:
Encore:
Beethoven:
Three Equali for Four Trombones, WoO 30
Symphony No. 2 in D Major, Op. 36
Absolute Jest
Symphony No. 4 in B-Flat Major, Op. 60
PROGRAM #:
RELEASE:
SFS 14-25
September 8, 2014
CONDUCTOR:
Traditional:
Stravinsky:
Russian Folk Songs
Les Noces
Lamento e Trionfo from Tasso (Michael Tilson Thomas, conductor)
Symphony No. 3 in C Minor, Op. 44 (Michael Tilson Thomas, conductor)
King Stephen Overture, Op. 117 (Michael Tilson Thomas, conductor)
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Stravinsky:
Stravinsky:
Encore:
Stravinsky:
Petrushka
Scherzo à la russe
PROGRAM #:
RELEASE:
SFS 14-26
September 15, 2014
CONDUCTOR:
SOLOIST:
Yuja Wang, piano
Fauré:
Sibelius:
Rachmaninoff:
Encore:
Sibelius:
Pavane, Op. 50
Symphony No. 3 in C Major, Op. 52
Piano Concerto No. 3 in D Minor, Op. 30
Divertimento from The Fairy's Kiss (Michael Tilson Thomas, conductor)
Symphony No. 4, Op. 63 (Michael Tilson Thomas, conductor)
147
PROGRAM:
SANTA FE CHAMBER MUSIC FESTIVAL
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
SFE14
Music, Classical, Chamber Music
59 minutes
13 weeks
One
April 1, 2014 – March 31, 2015
Host:
Commentary:
Producer:
Recording Engineer:
Underwriter:
Kerry Frumkin
Marc Neikrug
Louise Frank
Matt Snyder
National Endowment for the Arts
This series is available free of charge to all affiliate stations for two broadcasts through March
31, 2015.
Full program listings and sound samples, along with artist biographies and photos, are available
at www.wfmt.com/santafe
The WFMT Radio Network invites your listeners to travel to Santa Fe, New Mexico through the
sounds of thirteen new one-hour radio concerts from the Santa Fe Chamber Music Festival.
Now in its ninth season, the program has been broadcast across the United States and around the
world.
One of the world’s leading performing arts festivals, the Santa Fe Chamber Music Festival is
known for its enduring commitment to tradition, artistic excellence, innovation, and vision. Our
weekly radio series reflects the Festival’s high standards and varied repertoire by presenting
superbly recorded concerts and recitals by some of today’s greatest musical artists.
The 2014 Santa Fe Chamber Music Festival radio series features performances recorded in 2013
in Santa Fe, New Mexico during this celebrated music festival's 41th summer season. Each
broadcast hour typically contains two full-length works representing chamber music's core
repertoire. The Festival also remains dedicated to lesser known composers and compositions, and
to commissioning new works.
148
Veteran WFMT announcer Kerry Frumkin hosts the series along with Santa Fe Chamber Music
Festival artistic director, Marc Neikrug. Many of the performers provide additional commentary
as they describe their experiences at the Festival and the music they've played here.
Here are some highlights from the 2014 Santa Fe Chamber Music Festival radio series:
•
Pianist Garrick Ohlsson, the Santa Fe Chamber Music Festival 2013 Artist-in-Residence,
plays Chopin’s Barcarolle in F sharp Major, Op. 60 in Week 4, a program in which he
also collaborates with violinist William Preucil and the Orion String Quartet to perform
the Concerto for Violin, Piano & String Quartet in D Major, Op. 21 by Ernest Chausson.
In Week 5, Mr. Ohlsson joins a Festival ensemble for the Sextet for Piano and Winds in
B-flat Major, Op. 6 by Ludwig Thuille.
•
Internationally celebrated conductor Lawrence Foster leads a chamber orchestra of
Festival musicians in two vocal works. Baritone Matthew Worth sings the Arnold
Schoenberg arrangement of Gustav Mahler’s Songs of a Wayfarer. Later in the series,
soprano Lucy Shelton delivers her signature performance of Schoenberg’s Pierrot
lunaire, Op. 21, Part 2.
•
Some of the many gems from the chamber repertoire include Mozart’s Piano Trio No. 3
in B-flat Major, K. 502 as performed by long-time collaborators, violinist Ida Kavafian,
cellist Peter Wiley, and pianist Anne-Marie McDermott. Baritone Matthew Worth sings
Robert Schumann’s Dichterliebe, Op. 48 with pianist Shai Wosner. J.S Bach’s
Orchestral Suite No. 2 in B Minor, BWV 1067 comes brilliantly to life performed by
flutist Tara Helen O’Connor and the Orion Quartet, with bassist Kristen Bruya and
Kathleen McIntosh at the harpsichord. Robert Ingliss is the featured soloist in the Oboe
Concerto on Themes of Cimarosa by Arthur Benjamin.
•
These Santa Fe Chamber Music Festival concerts also include three pieces composed
within the last 40 years. Violinist Lily Francis, violist Teng Li, cellist Nicholas
Canellakis, and pianist Inon Barnatan perform Marc-André Dalbavie’s new Piano
Quartet, a Santa Fe Chamber Music Festival and La Jolla Music Society commission. In
Week 7, the Johannes String Quartet honors the late Henri Dutilleux by playing his Ainsi
la nuit for String Quartet, and in Week 9, the FLUX Quartet performs the String Quartet
No. 4 by the Festival’s artistic director, Marc Neikrug.
•
Week 11 begins with Beethoven’s Quintet for Piano and Winds in E-flat Major, Op. 16,
and ends with Erwin Schulhoff’s Sextet for Strings. Violinist Soovin Kim, cellist Peter
Stumpf, and pianist Jeremy Denk bring the 13-part season to a close with the Piano Trio
No. 1 in B Major, Op. 8 by Johannes Brahms.
Other repertoire comes from composers Alfredo Piatti, Anton Arensky, Antonín Dvořák, Felix
Mendelssohn, Ernst von Dohnányi, Josef Suk, Arthur Benjamin, Igor Stravinsky and others.
Some of the many outstanding performers heard in this series are violinists Harvey de Souza,
Jennifer Gilbert, Benjamin Beilman, and Jessica Lee; violists Cynthia Phelps, L. P. How, and
Carla Maria Rodrigues; bassoon player Theodore Soluri; cellists Eric Kim, Joseph Johnson,
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Keith Robinson, Felix Fan and Peter Stumpf; clarinetists Patrick Messina. Carol McGonnell and
Todd Levy; horn players Gabrielle Finck and Julie Landsman; pianists Haochen Zhang and
Soyeon Kate Lee; percussionist David Tolen; and the Miami String Quartet.
Music production for the Santa Fe Chamber Music Festival radio series is by Grammy awardwinning recording engineer, Matt Snyder. Louise Frank is the series producer.
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SANTA FE CHAMBER MUSIC FESTIVAL
Broadcast Schedule — Spring 2014
PROGRAM #:
RELEASE:
SFE 14-01
April 1, 2014
Alfredo Piatti:
Performers:
Serenade for Two Cellos and Piano
Nicholas Canellakis and Joseph Johnson, cellos; Inon Barnatan, piano
Anton Arensky:
Performers:
Piano Quintet in D Major, Op. 51
Lily Francis and Benjamin Beilman, violins; Teng Li, viola; Ronald
Thomas, cello; Inon Barnatan, piano
Gustav Mahler:
Performers:
Songs of a Wayfarer (arr. Schoenberg)
Matthew Worth, baritone; Joshua Smith, flute; Carol McGonnell, clarinet;
Johannes String Quartet: Soovin Kim and Jessica Lee, violins; Choong-Jin
Chang, viola; Peter Stumpf, cello; Kristen Bruya, bass; Shai Wosner,
piano; Kathleen McIntosh, harmonium; David Tolen, percussion;
Lawrence Foster, conductor
PROGRAM #:
RELEASE:
SFE 14-02
April 8, 2014
Arnold Schoenberg: Pierrot lunaire, Op. 21, Part 2
Performers:
Lucy Shelton, soprano; Joshua Smith, flute/piccolo; Carol McGonnell,
clarinet/bass clarinet; Soovin Kim, violin/viola; Peter Stumpf, cello; Shai
Wosner, piano; Lawrence Foster, conductor
Antonín Dvořák:
Performers:
Piano Quartet No. 2 in E-Flat Major, Op. 87
William Preucil, violin; Cynthia Phelps, viola; Eric Kim, cello; Haochen
Zhang, piano
PROGRAM #:
RELEASE:
SFE 14-03
April 15, 2014
Felix Mendelssohn:
Performers:
String Quartet No. 6 in F Minor, Op. 80
Miami String Quartet: Benny Kim and Cathy Meng Robinson, violins;
Scott Lee, viola; Keith Robinson, cello; Soyeon Kate Lee, piano
Ernst von Dohnányi: Serenade, Op. 10
Performers:
William Preucil, violin; Cynthia Phelps, viola; Eric Kim, cello
151
PROGRAM #:
RELEASE:
SFE 14-04
April 22, 2014
Frédéric Chopin:
Performer:
Bacarolle in F-Sharp Major, Op. 60
Garrick Ohlsson, piano
Ernest Chausson:
Performers:
Concerto for Violin, Piano and String Quartet in D Major, Op. 21
William Preucil, violin (solo); Garrick Ohlsson, piano; Orion String
Quartet: Daniel Phillips and Todd Phillips, violins; Steven Tenenbom,
viola; Timothy Eddy, cello
PROGRAM #:
RELEASE:
SFE 14-05
April 29, 2014
Marc-André
Dalbavie:
Piano Quartet
(Co-commissioned by the Santa Fe Chamber Music Festival and La Jolla
Music Society for Summerfest, New Mexico premiere)
Lily Francis, violin; Teng Li, viola; Nicholas Canellakis, cello; Inon
Barnatan, piano
Performers:
Ludwig Thuille:
Performers:
Sextet for Piano and Winds in B-Flat Major, Op. 6
Tara Helen O’Connor, flute; Robert Ingliss, oboe; Patrick Messina,
clarinet; Theodore Soluri, bassoon; Julie Landsman, horn; Garrick
Ohlsson, piano (Santa Fe Chamber Music Festival 2013 Artist-inResidence)
PROGRAM #:
RELEASE:
SFE 14-06
May 6, 2014
Mozart:
Performers:
Piano Trio No. 3 in B-Flat Major, K. 502
Ida Kavafian, violin; Peter Wiley, cello; Anne-Marie McDermott, piano
Josef Suk:
Performers:
Serenade for Strings in E-Flat Major, Op. 6
Jennifer Gilbert, Daniel Hope, Kathleen Brauer, Benjamin Beilman,
Harvey de Souza, and L.P. How, violins; Carla Maria Rodrigues and Lily
Francis, violas; Joseph Johnson and Nicholas Canellakis, cellos; Kristen
Bruya and Mark Tatum, bass
PROGRAM #:
RELEASE:
SFE 14-07
May 13, 2014
Henri Dutilleux:
Performers:
Ainsi la nuit (Thus the Night) for String Quartet
Johannes String Quartet: Soovin Kim and Jessica Lee, violin; Choong-Jin
Chang, viola; Peter Stumpf, cello
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Robert Schumann:
Performers:
Dichterliebe, Op. 48
Matthew Worth, baritone; Shai Wosner, piano
PROGRAM #:
RELEASE:
SFE 14-08
May 20, 2014
J.S. Bach:
Performers:
Orchestral Suite No. 2 in B Minor, BWV 1067
Tara Helen O’Connor, flute; Orion String Quartet: Daniel Phillips and
Todd Phillips, violins; Steven Tenenbom, viola; Timothy Eddy, cello;
Kristen Bruya, bass; Kathleen McIntosh, harpsichord
Beethoven:
Performers:
String Quintet in C Major, Op. 29
William Preucil and Benny Kim, violins; Steven Tenenbom and Daniel
Phillips, violas; Eric Kim, cello
PROGRAM #:
RELEASE:
SFE 14-09
May 27, 2014
Marc Neikrug:
Performers:
String Quartet No. 4
FLUX Quartet: Tom Chiu, violin and Conrad Harris, violins; Max
Mandel, viola; Felix Fan, cello
Robert Schumann:
Performers:
Piano Quartet in E-Flat Major, Op. 47
William Preucil, violin; Steven Tenenbom, viola; Eric Kim, cello; AnneMarie McDermott, piano
PROGRAM #:
RELEASE:
SFE14-10
June 3, 2014
Arthur Benjamin:
Performers:
Oboe Concerto on Themes of Cimarosa
Robert Ingliss, oboe; Orion String Quartet: Daniel Phillips and Todd
Phillips, violins; Steven Tenenbom, viola; Timothy Eddy, cello; Kristen
Bruya, bass
Tchaikovsky:
Performers:
Souvenir de Florence, Op. 70
Benjamin Beilman and Lily Francis, violins; Teng Li and Carla Maria
Rodrigues, violas; Ronald Thomas and Nicholas Canellakis, cellos
PROGRAM #:
RELEASE:
SFE 14-11
June 10, 2014
Beethoven:
Performers:
Quintet for Piano and Winds in E-Flat Major, Op. 16
Robert Ingliss, oboe; Todd Levy, clarinet; Gabrielle Finck, horn; Theodore
Soluri, bassoon; Jeremy Denk, piano
153
Erwin Schulhoff:
Performers:
Sextet for Strings
Jennifer Gilbert and Harvey de Souza, violins; Scott Lee and Max Mandel,
violas; Keith Robinson and Felix Fan, cellos
PROGRAM #:
RELEASE:
SFE 14-12
June 17, 2014
Robert Schumann:
Performers:
Märchenerzählungen (Fairy Tales), Op. 132
Patrick Messina, clarinet; Cynthia Phelps, viola; Haochen Zhang, piano
Johannes Brahms:
Performers:
String Quartet No. 3 in B-Flat Major, Op. 67
Johannes String Quartet: Soovin Kim and Jessica Lee, violins; Choong-Jin
Chang, viola; Peter Stumpf, cello
PROGRAM #:
RELEASE:
SFE 14-13
June 24, 2014
Igor Stravinsky:
Performer:
Three Movements from Petrouchka
Haochen Zhang, piano
Johannes Brahms:
Performers:
Piano Trio No. 1 in B Major, Op. 8
Soovin Kim, violin; Peter Stumpf, cello; Jeremy Denk, piano
154
PROGRAM:
SPOLETO CHAMBER MUSIC FESTIVAL
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
SCM14
Music, Classical, Chamber Music
59 minutes
13 weeks
One
July 1, 2014 – March 31, 2015
Host:
Producer:
Recording Engineer:
Underwriters:
Miles Hoffman
Grant Jackson
Skip Beach
Bank of America; ETV Endowment of South Carolina
31, 2015.
Information including program listings, performer biographies, and audio samples can be found
at www.wfmt.com/network.
The WFMT Radio Network is very pleased to announce the syndication of the Spoleto
Chamber Music Festival in conjunction with South Carolina ETV Radio. For over 30 years
this 13-week series of 1-hour concerts has showcased world-class musicians from the Spoleto
Festival USA.
Hosted by NPR commentator Miles Hoffman, these concerts will feature performances recorded
live from the historic Dock Street Theatre in Charleston, South Carolina, during the 2012 Spoleto
Festival USA.
Vibrant young musicians featured on the series include cellist Alisa Weilerstein and pianist Inon
Barnatan, paired with veteran performers such as flutist Tara Helen O’Connor, clarinetist Todd
Palmer, and the members of the St. Lawrence String Quartet. The series includes celebrated
master works from J.S. Bach, Haydn, Mozart, Schubert, and Debussy, as well as 21st century
music from composers Osvaldo Golijov and Hooshyar Khayam.
155
Highlights of the series include:
• Claude Debussy’s Prelude to The Afternoon of a Faun as envisioned for chamber
ensemble by Arnold Schoenberg
• Clarinetist Todd Palmer, cellist Alisa Weilerstein, and pianist Inon Barnatan perform one
of Brahms’ late masterpieces for the clarinet, the “Trio for Clarinet, Cello, and Piano in A
Minor, Op. 114”
• New music includes the “World Premiere Piece for Clarinet and Piano” by Iranian born
composer Hooshyar Khayam (b. 1978) performed by clarinetist Todd Palmer and pianist
Stephen Prutsman, and the “String Quartet” (2011) by Osvaldo Golijov, performed by the
St. Lawrence String Quartet
• The St. Lawrence String Quartet performs masterworks of their signature form: Haydn’s
Quinten String Quartet, Op.76 No. 2, and Mozart’s String Quartet in D Minor, K 421
• Tara Helen O’Connor performs an invigorating piece for solo flute, Great Train Race by
Ian Clarke (b. 1964)
For 17 days and nights each spring, Spoleto Festival USA fills Charleston, South Carolina’s
historic theaters, churches and outdoor spaces with performances by renowned artists, as well as
emerging performers in opera, theater, dance, chamber, symphonic, choral and jazz music. Now
approaching its 37th season, Spoleto Festival USA is internationally recognized as America’s
premier performing arts festival. And for over 30 years, South Carolina ETV Radio has brought
the Spoleto Chamber Music Series, recorded at the annual Festival, to the national radio
audience.
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SPOLETO CHAMBER MUSIC SERIES
Broadcast Schedule — Summer 2014
PROGRAM #:
RELEASE:
SCM 14-01
July 1, 2014
SOLOISTS:
Livia Sohn, violin; James Austin Smith, oboe; Geoff Nuttall, violin; Mark
Steinberg, violin; Misha Amory, viola; Nina Lee, cello; Anthony Manzo,
double bass; Pedja Muzijevic, harpsichord
Concerto for Oboe and Violin in D Minor, FaWV L:d4
Fasch:
SOLOISTS:
Brahms:
Pavel Kalesnikov, piano; Brentano String Quartet: (Mark Steinberg,
violin; Serena Canin, violin; Misha Amory, viola; Nina Lee, cello)
Piano Quintet in F Minor, Op. 34
PROGRAM #:
RELEASE:
SCM 14-02
July 8, 2014
SOLOISTS:
Debussy:
Christopher Costanza, cello; Pedja Muzijevic, piano
Sonata for Cello and Piano
SOLOISTS:
Beethoven:
St. Lawrence String Quartet: (Geoff Nuttall, violin; Scott St. John, violin;
Lesley Robertson, viola; Christopher Costanza, cello)
String Quartet in F Major, Op. 59, No. 1
PROGRAM #:
RELEASE:
SCM 14-03
July 15, 2014
SOLOISTS:
Vivaldi:
Livia Sohn, violin; Anthony Manzo, double bass; Pedja Muzijevic,
harpsichord; St. Lawrence String Quartet: (Geoff Nuttall, violin; Scott St.
John, violin; Lesley Robertson, viola; Christopher Costanza, cello)
Concerto No. 1 in E Major, Op. 8, RV269, Spring
SOLOISTS:
Bax:
Hsin-Yun Huang, viola; Pedja Muzijevic, piano
Sonata for Viola in G Major
SOLOISTS:
von Weber:
Todd Palmer, clarinet; Pavel Koleskinov, piano
Grand Duo Concertant, Op. 48
PROGRAM #:
RELEASE:
SCM 14-04
July 22, 2014
157
SOLOISTS:
Ravel:
Pedja Muzijevic and Pavel Kaleskinov, piano
La Valse
SOLOISTS:
Bartok:
Geoff Nuttall and Livia Sohn, violin
Selections from Duo, Op. 44
SOLOIST:
J. S. Bach:
Chris Costanza, cello
Suite No. 1 in G Major, BWV 1007, for Solo Cello
SOLOISTS:
James Austin Smith, oboe; Todd Palmer, clarinet; Livia Sohn, violin;
Hsin-Yun Huang, viola; Anthony Manzo, double bass; Pedja Muzijevic,
piano
Guillame Connesson: Sextet (1998)
PROGRAM #:
RELEASE:
SCM 14-05
July 29, 2014
SOLOISTS:
Daniel Phillips and Livia Sohn, violin
Jean-Marie Le Clair: Sonata for Two Violins in A Major, Op. 3, No. 2
SOLOISTS:
Couperin:
SOLOISTS:
Tara Helen O’Connor, flute; Daniel Phillips, violin; Hsin-Yun Huang,
viola; James Austin Smith, oboe; Peter Kolkay, bassoon
Concerts Royaux in D Major, No. 2
Haydn:
Quartet in F Minor, Op. 20, No. 5
SOLOISTS:
Villa-Lobos:
Tara Helen O’Connor, flute; Peter Kolkay, bassoon
Bachianas Brasileiras No. 6 for Flute and Bassoon
PROGRAM #:
RELEASE:
SCM 14-06
August 5, 2014
SOLOISTS:
Daniel Phillips, violin; Hsin-Yun Huang, viola; Chris Costanza, cello;
Pavel Kaleskinov, piano
Piano Quartet in E Flat Op. 47
Schumann:
SOLOISTS:
Bruch:
Scott St. John, Daniel Phillips, Geoff Nuttall, Livia Sohn, violins;HsinYun Huang and Lesley Robertson, violas; Chris Costanza, cello; Anthony
Manzon, double bass
String Octet in B Flat Major
158
PROGRAM #:
RELEASE:
SCM 14-07
August 12, 2014
SOLOISTS:
String Quartet in E Minor, Op. 44, No. 2
Mendelssohn:
SOLOISTS:
Haydn:
Tara Helen O’ Connor, flute; Anthony Manzo, d. bass, Pedja Muzijevic,
piano; St. Lawrence String Quartet: (Geoff Nuttall, violin; Scott St. John,
violin; Lesley Robertson, viola; Christopher Costanza, cello)
Symphony in G Major, No. 94, Surprise Symphony
PROGRAM #:
RELEASE:
SCM 14-08
August 19, 2014
SOLOISTS:
Pedja Muzijevic, piano; Brentano String Quartet: (Mark Steinberg, violin;
Serena Canin, violin; Misha Amory, viola; Nina Lee, cello)
Piano Quintet in A Major, Op. 81
Dvorak:
SOLOISTS:
Britten:
James Austin Smith, oboe; Geoff Nuttall, violin; Lesley Robertson, viola;
Chris Costanza, cello
Phantasy Quartet for Oboe and Strings, Op. 2
PROGRAM #:
RELEASE:
SCM 14-09
August 26, 2014
SOLOISTS:
Schubert:
Alisa Weilerstein, cello; Brentano String Quartet: (Mark Steinberg, violin;
Serena Canin, violin; Misha Amory, viola; Nina Lee, cello)
String Quintet in C Major, D. 956
SOLOISTS:
Schubert:
Tyler Duncan, baritone; Inon Barnatan, piano
Die Forelle (The Trout), D. 550
PROGRAM #:
RELEASE:
SCM 14-10
September 2, 2014
SOLOISTS:
Bottessini:
Livia Sohn, violin; Anthony Manzo, double bass, Pedja Muzijevic, piano
Grand Duo Concertante
SOLOISTS:
Chausson:
Geoff Nuttall, violin; Alisa Weilerstein, cello; Pavel Kaleskinov, piano
Piano Trio in G Minor, Op. 3
159
PROGRAM #:
RELEASE:
SCM 14-11
September 9, 2014
SOLOISTS:
Tara Helen O’ Connor, flute; James Austin Smith, oboe; Peter Kolkay,
bassoon; Daniel Phillips, violin; Chris Costanza, cello; Pedja Muzijevic,
harpsichord
Chamber Concerto for Flute, Oboe, Bassoon, and Violin in G Minor, RV
107
Vivaldi:
SOLOISTS:
Osvaldo Golijov:
Alisa Weilerstein, cello; Steven Schick, percussion
Mariel for Cello and Marimba
SOLOISTS:
Geoff Nuttall, violin; Livia Sohn, violin; Misha Amory, viola; Anthony
Manzo, double bass
Die Romantiker waltz, Op. 167
Lanner:
SOLOISTS:
Prokofiev:
Todd Palmer, clarinet; James Austin Smith, oboe; Livia Sohn, violin;
Daniel Phillips, viola; Anthony Manzo, double bass
Quintet in G Minor (from the ballet Trapeze), Op. 39
PROGRAM #:
RELEASE:
SCM 14-12
September 16, 2014
SOLOISTS:
Milhaud:
James Austin Smith, oboe; Peter Kolkay, bassoon; Todd Palmer, clarinet
Suite d’apres Corrette, Op. 161
SOLOISTS:
Ginastera:
Tara Helen O’ Connor, flute; James Austin Smith, oboe
Duo for Flute and Oboe, Op. 13
SOLOISTS:
Lesley Robertson, viola; Christopher Costanza, cello); Tara Helen O’
Connor, flute; James Austin Smith, oboe; Todd Palmer, clarinet; Anthony
Manzo, double bass, Pedja Muzijevic, piano
Theme and Variations, Tzigane from Les Deux Pigeons
Messager:
SOLOISTS:
Mozart:
Pedja Muzijevic, piano; Geoff Nuttall, violin; Hsin-Yun Huang, viola;
Alisa Weilerstein, cello
Piano Quartet No.1 in G Minor, K. 478
PROGRAM #:
RELEASE:
SCM 14-13
September 23, 2014
SOLOISTS:
Livia Sohn, violin; Pedja Muzijevic, piano
160
Schubert:
Fantasy in C Major, D. 934
SOLOISTS:
Anne-Marie McDermott, piano; Geoff Nuttall, violin; Mark Fewer, violin;
Lesley Roberston, viola; Chris Costanza, cello
Piano Quintet in G Minor, Op. 57
Shostakovich:
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PROGRAM:
ASPEN MUSIC FESTIVAL – HARRIS HALL 20th ANNIVERSARY
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
AMF14
Music, Classical, Documentary
59 minutes
Special
One
May 1, 2014 – December 31, 2014
Host:
Producer:
Kerry Frumkin
Louise Frank
This special is available free of charge to all affiliate stations for two broadcasts between May
1, 2014 and December 31, 2014.
The Aspen Music Festival and School recently celebrated the 20th anniversary of its intimate
recital venue, the Joan and Irving Harris Concert Hall. In this one-hour musical profile, the
WFMT Radio Network presents selections from their gala concert recorded in August 2013.
In 1949, Elizabeth and Walter Paepcke produced the Goethe Bicentennial Convocation and
Music Festival in Aspen, Colorado, planting the seeds for a musical life that still flourishes
today. Since its earliest days, one of the signature experiences at the Aspen Music Festival has
been to attend concerts at the big music tent, sitting outdoors listening to sublime music while
also hearing the rustling of aspen trees and the calls of magpies, as well as the occasional barking
dog, passing airplane or thunderstorm. As the Festival matured into its fourth decade, it became
clear that the time had come for a more intimate, acoustically superior home where audiences
and musicians could enjoy chamber music and more.
Since opening its doors in 1993, the Joan and Irving Harris Concert Hall has provided the AMFS
with a state-of-the-art, 500-seat jewel box facility for year-round concerts, master classes and
recording projects. Aspen architect Harry Teague provided the design, and twenty years on,
Harris Hall is poised to continue as a premier venue for decades to come. The Aspen Music
Festival and School is an international destination for classical musicians, music students, and
music lovers, presenting over 300 musical events during its eight-week summer season, and
drawing top classical musicians from around the world for an unparalleled combination of
performances and music education.
162
In August 2013, the Festival celebrated the 20th anniversary of Harris Hall with a special concert
featuring AMFS students, alumni and artist faculty, including violinist Robert McDuffie,
guitarist Sharon Isbin, and conductor Joshua Weilerstein. This one-hour profile is filled with
great music from that event, sounds which echo the repertoire of the 1993 inaugural gala concert
and reflect the composers’ and performers’ experiences at the Aspen Music Festival and School.
Joan Tower – The Fifth Fanfare for the Uncommon Woman (1993)
Conrad Jones, Scott Batchelder, Alec Blazek, John Parker, trumpets;
Joshua Weilerstein, conductor
Joan Tower wrote the Fifth Fanfare for the Uncommon Woman in 1993 on a commission from
the Aspen Music Festival for the opening of the Joan and Irving Harris Concert Hall, and
dedicated it to Joan Harris.
John Corigliano – Troubadours, Variations for Guitar And Chamber Orchestra (1993)
Sharon Isbin, guitar; Festival Ensemble ; Joshua Weilerstein, conductor
2013 marked the 20th anniversary of Troubadours, which John Corigliano composed especially
for guitarist Sharon Isbin, both of whom have spent alpine summers at the AMFS. Sharon Isbin
performs with an ensemble of Festival musicians, under the direction of alum Joshua
Weilerstein.
Vivaldi – Movement III from Concerto For Three Violins In F Major, Rv 551 (1711)
Robert McDuffie, Jessica Fellows, and Jecoliah Wang, violins; Festival Ensemble.
When alumnus and longtime artist-faculty member Robert McDuffie organized Harris Concert
Hall's 20th anniversary concert, he did so with a "tip of the hat" to the Hall's gala opening back in
1993, and by reprising a Vivaldi triple concerto heard that night. He also tapped into the Aspen
Music Festival experience by sharing the stage with some talented young Festival players,
Jessica Fellows and Jecoliah Wang, who also study with him at the Robert McDuffie Center for
Strings at Mercer University.
Philip Glass – Movement IV from Violin Concerto No. 2, 'American Four Seasons' (2009)
Robert McDuffie, violin; Festival Ensemble
Violinist Robert McDuffie and composer Philip Glass both studied at Aspen, although some
years apart. When McDuffie envisioned a violin concerto that would serve as a companion piece
to the Vivaldi “Four Seasons” concertos, he turned to Glass, encouraging the composer to stay
true to his own musical language. Robert McDuffie premiered American Four Seasons in 2009,
with the Music Festival participating in the co-commission, and is the soloist in this energetic
performance.
WFMT's Kerry Frumkin hosts the program with commentary by many of the principals
involved, including composer Joan Tower, guitarist Sharon Isbin, violinist Robert McDuffie,
AMFS president Alan Fletcher, Joan Harris, and others.
163
PROGRAM:
THE BORUSAN ISTANBUL PHILHARMONIC
ORCHESTRA: SCHEHERAZADE AND OTHER MUSICAL
TALES
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
BIP14
Music, Classical, Orchestral, Documentary
59 minutes
Special
One
September 1, 2014 – August 31, 2015
Host:
Producer:
Lisa Flynn
Louise Frank
Tony Macaluso: 773-279-2114,[email protected]
This special is available free of charge to all affiliate stations for one broadcast through June 30,
2015.
The WFMT Radio Network invites your listeners to Turkey and the shores of the Bosphorus for
Scheherazade and Other Musical Tales from the Borusan Istanbul Philharmonic
Orchestra. This one-hour, music-based profile includes selections from the Borusan Istanbul
Philharmonic Orchestra's latest CD, their third collaboration with the bespoke classical label
ONYX Classics, along with commentary from many of the principals involved.
"We're coming together here to create an orchestra from Turkey with an
international voice. Being in Istanbul we can say it's like building a bridge, not
over the Bosphorus but musically, building it to Western Europe, the U.S. and
abroad."
— Sascha Goertzel, Music and Artistic Director, Borusan Istanbul Philharmonic
Orchestra
"What Sascha Goetzel was keen to do is to bring out of these incredibly talented
musicians the music from Turkey and its region, and to bring some of that color
and passion to their playing of western classical music. So there is a unique sound
here, and they're on a fascinating journey through the area, through legends, and
with some regional instruments as well adding a bit of color."
— Matthew Cosgrove, General Manager, ONYX Classics
164
"When you think of classical music you never think about Turkey! We are new, but we
have something to say and we have something to show. This is another culture combining
with ours and the end result is something magical!”
— Zeynep Hamedi, Chairperson, Borusan Culture and Arts
Since its founding in 1999, the Borusan Istanbul Philharmonic Orchestra has established itself as
a world-class symphony orchestra with a unique voice. The new album finds the ensemble
exploring the eastern musical roots of late 19th and early 20th-century Europe, as well as
elements from the eastern side of the Bosphorus which influenced the western cultural
background of many composers.
Musical selections from this special include:
Nikolai Rimsky-Korsakov
Mily Alexeyevich Balakirev
Mikhail Ippolitov-Ivonov
Ulvi Cemal Erkin
Scheherazade
Islamey
Caucasian Sketches
Köçekçe, Dance Rhapsody for Orchestra
A stunning tour de force of the sort now expected from this remarkable orchestra under their
charismatic music director, Sascha Goetzel, the new album includes Nikolai Rimsky-Korsakov's
masterpiece Scheherazade and Mikhail Ippolitov-Ivanov's atmospheric Caucasian Sketches.
Both composers had intimate knowledge of the Arabic instruments of the Caucasus, Turkey and
the Middle East, and successfully emulated those instruments and sounds in their music. By
using original instruments from those regions, Sascha Goetzel and the Borusan Istanbul
Philharmonic Orchestra have created musical imagery which is closer to that which the
composers had in mind when creating music for western-style orchestras. Throughout
Scheherazade you will hear different traditional Turkish and Arabian percussion instruments: the
Oud, Ney, Darbuka, Def, Bendir, Kudüm as well as oriental triangles and cymbals supporting
Rimsky-Korsakov's “kaleidoscope of fairy-tale images. “Sergei Lyapunov's lively orchestration
of Mily Alexeyevich Balakirev's Oriental fantasy Islamey, and the sparkling Köçekçe by Turkish
composer Ulvi Cemal Erkin, complete an exotic journey through the countryside, folklore and
sound world of Turkey and her neighboring regions.
About the Borusan Istanbul Philharmonic Orchestra
The Borusan Istanbul Philharmonic Orchestra (BIPO) began as the Borusan Chamber Orchestra,
one of the first ventures in the field of culture and the arts by Borusan Holding, a leading
industrial conglomerate in Turkey. In 1999 it was transformed into one of the leading Turkish
philharmonic ensembles under its former artistic director and principal conductor Gürer Aykal.
Conductor Sascha Goetzel has been the Artistic Director and Principal Conductor of the Borusan
Istanbul Philharmonic Orchestra since 2008.
About Sascha Goetzel
Vienna-born Sascha Goetzel’s trademarks are fascinating conviction, exceptional musicality and
dedication, as audiences and the international press have unanimously confirmed. Sascha
Goetzel is Artistic Director and Principal Conductor of the Borusan Istanbul Philharmonic
Orchestra, and Principal Conductor of the Kuopio Symphony Orchestra, Finland, and has
achieved supreme artistic standards as well as international recognition for both. Since the 2012-
165
2013 season he has also been appointed Principal Guest Conductor of the Orchestre
Symphonique de Bretagne and the Kanagawa Philharmonic Orchestra in Japan.
About ONYX Classics
ONYX Classics is a premium quality artist-lead label with a primary aim to record the world's
best classical musicians who wish to take more control of their recording careers.
Veteran WFMT announcer Kerry Frumkin hosts the program with commentary from Sascha
Goetzel and others. The producer is Louise Frank.
166
PROGRAM:
CARLOS KLEIBER: A CONDUCTOR UNLIKE ANY OTHER
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
KLB14
2 hours
Special
One
July 1, 2014 – December 31, 2014
Producer/Host:
Jon Tolansky
Executive Producers: Steve Robinson, Olga Buckley
Underwriters:
Co-produced by the WFMT Radio Network and RTE Lyric FM
This special will be available free of charge to all affiliate stations for one broadcast July 1
through December 31, 2014.
To commemorate the 10th anniversary of the death of the inspirational and elusive conductor
Carlos Kleiber, the WFMT Radio Network in collaboration with RTE Lyric FM, presents a
two-hour memoir of his rehearsals and performances, hosted by Jon Tolansky, who played under
the Maestro, with specially recorded recollections from many opera singers, orchestral players
and others who knew him professionally and personally.
This program include contributions from singers Ileana Cotrubas, Thomas Hampson, Dame
Felicity Lott, the late Dame Margaret Price and Jonathan Summers, members of the Chicago
Symphony, Royal Opera House, London Symphony and Vienna Philharmonic Orchestras,
conductor and pen friend Charles Barber, administrators Sir Peter Jonas and Sir John Tooley, and
recording executive Costa Pilavachi.
Music includes:
Beethoven – Symphony No. 5
Beethoven – Symphony No. 7
Nicolai – The Merry Wives of Windsor Overture
Puccini – La Boheme extract
Schubert – Symphony No. 3
Johann Strauss II – Die Fledermaus extracts
Johann Strauss II – Czardas from Ritter Pasman
Josef Strauss – Jockey Polka
167
Josef Strauss – Die Libelle
Richard Strauss – Der Rosenkavalier
Telemann – Suite in B-Flat Major
Verdi – La Traviata extracts
Weber – Der Freischutz extracts
168
MUSIC ACADEMY OF THE WEST
Broadcast Schedule — Winter 2014
PROGRAM #:
RELEASE:
MAW 14-01
January 15, 2014
Rameau:
Excerpts from Platée (Nicolas McGegan, conductor; Academy Festival
Orchestra)
Der Hölle Rache kocht in meinem Herzen (Queen of the Night), aria from
The Magic Flute (Claire de Sévigné, soprano; Warren Jones, conductor;
Academy Opera Orchestra)
Wo di schönen Trompeten bläsen from Des Knaben Wunderhorn (John
Brancy, baritone; James Gaffigan, conductor; Academy Festival
Orchestra)
Turn-Key Hotel (Ted Atkatz, Michael Werner, percussion)
Buddy’s Blues, excerpt from Follies (John Kapusta, tenor; Gerald
Sternbach, piano)
Concerto in G Minor for Violin, Two Flutes, Two Oboes, Two Bassoons
and Strings, RV 577 (Nicolas McGegan, conductor; Academy Festival
Orchestra)
Symphony No. 5 in D Minor, Op. 47, Finale (Leonard Slatkin, conductor;
Academy Festival Orchestra)
Excerpts from Pulcinella (Matthias Pintscher, conductor; Academy
Festival Orchestra)
Piano Quintet No. 1 in C Minor, Op. 1: IV (Glenn Dicterow, Kathleen
Winkler, violins; Karen Dreyfus, viola; David Geber, cello; Jonathan
Feldman, piano)
Mozart:
Mahler:
Atkatz:
Sondheim:
Vivaldi:
Shostakovich:
Stravinsky:
Dohnanyi:
169
PROGRAM:
MUSIC ACADEMY OF THE WEST
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
MAW14
Music, Classical
2 hours
Special
One
Host:
Producer:
Executive Producer:
Carol Burnett
Marty Ronish
Steve Robinson
This special is available free of charge to all affiliate stations for one broadcast through
December 31, 2014
From the Music Academy of the West in Santa Barbara, California, Carol Burnett hosts this
sparkling two-hour broadcast special featuring young artists destined for the top of their field.
Some 1,700 musicians apply to the Music Academy of the West each year, and only 135 are
chosen; all attend on full scholarships. Over eight intensive weeks each summer the faculty and
Fellows give more than 200 performances, including a full opera. Fellows also get training in
aspects that go along with a career in music, including fitness, performance anxiety and business
skills.
The Academy was founded in 1947 by a group of visionary musicians that included celebrated
soprano Lotte Lehmann and conductor Otto Klemperer. Many great artists contributed during
the Academy’s formative years – people like Yehudi Menuhin, Artur Rubinstein, Robert Shaw,
Darius Milhaud and Igor Stravinsky.
Carol Burnett, who teaches a masterclass in the art of musical comedy at the Music Academy, is
the delightful host of this special two-hour broadcast, which is produced by Marty Ronish.
Music includes Nicolas McGegan conducting “storm music” by Rameau, Leonard Slatkin
conducting the rousing Finale of Shostakovich Symphony No. 5, Mozart’s Queen of the Night,
and a super-fun percussion premiere by Ted Atkatz.
170
RENATA SCOTTO – A LEGEND LOOKS BACK
Broadcast Schedule — Winter 2014
All music selections are excerpts
PROGRAM #:
RELEASE:
REN 14-01
February 1, 2014
Bellini:
La Sonnambula (Renata Scotto, Alfredo Kraus, La Fenice Orchestra and
Chorus, conductor Nello Santi Opera) D’Oro 1305
La Wally (Renata Scotto, La Scala Orchestra, conductor Carlo Maria
Giulini) Idi 6401/2
Lucia di Lammermoor (Renata Scotto, Italian Radio Symphony Orchestra,
conductor Francesco Molinari-Pradelli) Opera D'Oro 1137
Cavalleria Rusticana (Renata Scotto, National Philharmonic Orchestra,
conductor James Levine) RCA 74321395002
La Gioconda: (Renata Scotto, San Francisco Opera Orchestra, conductor
Bruno Bartoletti) Gala 100550
Madam Butterfly (Renata Scotto, Carlo Bergonzi, Rolando Panerai, Anna
di Stasio, Silvana Padoan, Rome Opera House Orchestra, conductor Sir
John Barbirolli) EMI 69654
Suor Angelica (Renata Scotto, New Philharmonia Orchestra, conductor
Lorin Maazel) Sony 7527292
Nabucco (Renata Scotto, Philharmonia Orchestra and Chorus, conductor
Riccardo Muti) EMI 47488
Otello (Renata Scotto, Placido Domingo, National Philharmonic
Orchestra, conductor James Levine) BMG/RCA 39501
Otello (Renata Scotto, Jon Vickers, Metropolitan Opera Orchestra,
conductor James Levine) Sony 88697910129
Rigoletto (Tito Gobbi, La Scala Orchestra, conductor Tullio Serafin)
EMI 56454
La traviata (Renata Scotto, Philharmonia Orchestra, conductor Riccardo
Muti) EMI 65573
Catalani:
Donizetti:
Mascagni:
Ponchielli:
Puccini:
Puccini:
Verdi:
Verdi:
Verdi:
Verdi
Verdi:
171
PROGRAM:
RENATA SCOTTO – A LEGEND LOOKS BACK
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
REN14
2 hours
Special
One
February 1, 2014 – December 31, 2014
Host:
Producer:
Executive Producers:
Underwriter:
Thomas Hampson
Jon Tolansky
Steve Robinson, Kate Mead
A Co-Production with Radio New Zealand Concert
This special is available free of charge to all affiliate stations for one broadcast through
December 31, 2014.
Legendary soprano Renata Scotto recalls her life and career in a special two hour feature coproduced by the WFMT Radio Network and Radio New Zealand Concert, and hosted by
celebrated baritone Thomas Hampson.
In an exclusively recorded new interview, Renata Scotto looks back on her life, from her earliest
memories as a young girl falling in love with opera, through her thriving career singing some of
her most famously acclaimed roles, up to her present day triumphs directing opera productions
and teaching young singers in her greatly sought-after masterclasses.
Music includes excerpts from:
Bellini – Norma
Catalani – La Wally
Donizetti – L’elisir d’amore
Donizetti – Lucia di Lammermoor
Mascagni – Cavalleria Rusticana
Massenet – Manon
Ponchielli – La gioconda
Puccini – Manon Lescaut
Puccini – Madama Butterfly
Puccini – Suor Angelica
172
Verdi - Nabucco
Verdi – Rigoletto
Verdi – La traviata
Verdi – Otello
173
PROGRAM:
RICHARD STRAUSS: LION OF OPERA
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
STR14
1 hour 57 minutes
Special
Three
July 1, 2014 – June 30, 2015
Host:
Producer:
Executive Producer:
Underwriter:
Jon Tolansky
Jon Tolansky
Steve Robinson, Kate Mead
A Co-Production with Radio New Zealand Concert
This special is available free of charge to all affiliate stations for one broadcast through June 30,
2015.
In this 150th anniversary year of Richard Strauss’s birth, the WFMT Radio Network and Radio
New Zealand Concert co-produce an appreciation of his genius in opera, hosted by the
distinguished baritone Thomas Hampson, with contributions from other acclaimed singers and
conductors, including archival contributions with personal memories of the composer.
Taking part in Richard Strauss: Lion of Opera are singers Montserrat Caballe, Martha
Eggerth, Maria Ewing, Dietrich Fischer-Dieskau, Renee Fleming, Dame Kiri te Kanawa, Lotte
Lehmann, Dame Felicity Lott, Nadja Michael and Deborah Polaski, and conductors Sir Mark
Elder and Bernard Keeffe.
174
PROGRAM:
RUSSIAN MUSIC AND LITERATURE:
VOICES FOR THE PEOPLE
Code:
Genre:
Length:
Frequency:
Delivery Type:
Optional Breaks:
Air Window:
RML14
2 hours
2 weeks
PRX, File Transfer, and CD
One
August 1, 2014 – July 31, 2015
Narrator:
Producer:
Executive Producer:
Underwriter:
Suzanne Nance
Jon Tolansky, Cydne Gillard
Steve Robinson
Northwestern University
This special is available free of charge to all affiliate stations for 1 broadcast before June 30,
2015.
The story of how Russian literature and music in the Tsarist and Soviet eras affected a large
sector of people in Russia is vibrantly related by Northwestern University’s Professor of Slavic
Languages and Literature Irwin Weil, who since 1966 has been captivating students with his
presentations as well as anecdotes from his own vast experience of Russia, where he has been a
regular guest speaker, lecturer and researcher for the last 54 years. In this documentary he
illustrates how the Russian people, Russian composers such as Mussorgsky, Tchaikovsky and
Stravinsky, and also Jewish settlers in Russia were strongly motivated by Russian folktales and
folksongs, and he discusses how the poetic and historical writings of dramatists such as
Alexander Pushkin, Leo Tolstoy, Nikolai Leskov and Yevgeny Yevtushenko inspired composers
such as Mussorgsky, Tchaikovsky, Prokofiev and Shostakovich to write operas and other works
on deeply Russian themes. The documentary also looks at how authorities both in Imperial and
Soviet Russia reacted to the communicative power of music and literature for the people, and
additionally it examines the public role of music and literature in post Soviet Russia.
Commenting on the latter is the Mariinsky Theatre’s Artistic Director Valery Gergiev, for whom
Rodion Schedrin has written his new opera Levsha (The Left-Hander), a satirical picture of the
Russian soul based on the folk-style novel by Nikolai Leskov. Maestro Gergiev and Professor
Weil are also heard in the context of the Mariinsky Theatre’s Easter Festival railway tour of
2013.
175
This documentary has been made with the generous financial assistance of Northwestern
University.
176

Network Notebook Fall Quarter October – December 2014

Transcription

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