HOMAGE TO A TRANQUIL USONIAN RETREAT In 1912, Frank

HOMAGE TO A TRANQUIL USONIAN RETREAT
In 1912, Frank Lloyd Wright stated:
“A thing to be simple needs only to be true to itself in organic sense”.
While remaining true to Wright’s original prescription for a well-­‐organized and
tranquil home space, our design re-­‐imagines this historic Usonian home for the
“modern” American family. This design accomplishes this through the use of complimentary materials, shared volumes, reinforcement of the home’s inherent
geometry, and a strengthened connection between indoor and outdoor spaces.
This home will offer respite from a demanding lifestyle while providing active
spaces for communal family activities.
Student Team Bios:
Pamela A. Miller
Interior Design Master Candidate
Class of 2014
I have an intense interest in architectural and interior design elements of the Asian design aesthetic and therefore, have studied Wright’s application of such over his long career. During my course work at the Corcoran, I have studied abroad three semesters through the Smithsonian, researching the application of this particular design aesthetic in the work of Charles Rennie Mackintosh, a Scottish Architect, designer, and artist that Wright greatly admired. My research in this area has suggested new discovery on this subject matter and may be the premise for further research at the doctorate level. It is my desire to foster research in the field of interior design. In my humble opinion, Wright’s Pope-­‐ Leighey house demonstrates many elements of this aesthetic. Working with Ann, we have intended to remain “true” to Wright’s vision while enhancing aspects of this aesthetic. Ann Travers Fortune
Interior Design Master Candidate
Class of 2014
I am currently a graduate student of interior design at the Corcoran with an educational and professional background in fine arts and high end design. My research into the prolific works of Frank Lloyd Wright has greatly supported my interest in the creation and, in my opinion, the communal and individual need for meditative and spiritual spaces. Wright’s mastering of light, proportion and shared volumes will surely inspire how I approach my own design aesthetic as I move forward in my studies and career. AN HOMAGE TO A TRANQUIL USONIAN RETREAT
LIVING / DINING / KITCHEN
BEDROOMS
BATHROOM
MEDITATION SPACE
OUTDOOR LIVING
Floor Plan
N
NTS
AA
C
PERSPECTIVE: Meditation
Space
B
D
E
F
G
SECTION:
Dining Room/Kitchen
NTS
PERSPECTIVE: Dining
PERSPECTIVE: Master
“A thing to be simple needs only to be true to itself in organic sense”. - F.L.W.
While remaining true to Wright’s original prescription for a well-organized and
tranquil home space, our design re-imagines this historic Usonian home for the
“modern” American family. This design accomplishes this through the use of
complimentary materials, shared volumes, reinforcement of the home’s inherent
geometry, and a strengthened connection between indoor and outdoor spaces.
This home will offer respite from a demanding lifestyle while providing active
spaces for communal family activities.
H
I
J
K
L
M
N
O
Room/Kitchen
Bathroom
Furniture, Fixtures, Finishes, and Materials Key
A. “Brazil Grey” Slate, Daltile
B. “Brooks” Right Armed Chaise in Sable (2802-48), Hickory Chair
C.
Jilin Bunching Dresser in Cloud and Fern (699-23-2), Century Furniture
D. Pattern: 32425 Color: 451/Papaya, Duralee
E.
Custom colored concrete countertop
F.
Pattern: 21045 Color: 15/Grey, Duralee
G. “Tribeca” Queen Bed in Melange Finished Maple (339-156), Century Furniture
H. “Dabney Chair” in Dark Walnut (2252-02), Thomas O’Brien for Hickory Chair
I.
Fabric Pattern 32502 Color: 160/Mushroom, Duralee
J.
FSC certified teak, Brookside Veneers
K.
Pattern: 15395/Maestro Color: 652/Clementine, Duralee
L.
“Mercury” Steel & Glass Side Table in Bronze Finish (7783-10), Mariette Himes Gomez for Hickory Chair
M. “Kyoto” Outdoor Chair in Raku Finish (D18-18CNR-1), Century Furniture
N. “Thomson” Chest in Dark & Light Walnut with Bronze Finish Legs (2268-70), Thomas O’Brien for Hickory Chair
O. “Cuddington” Quartz Solid Surface, Cambria
Image from Ron Blunt/The National Trust for Historic Preservation
C R E AT E D B Y:
Pamela Miller + Ann Fortune
SELECTED TOPICS:
Re-imagining Frank Lloyd Wright’s Pope Leighey House
CORCORAN COLLEGE OF ART + DESIGN:
MA Interior Design