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MC 808 PA
MC-808_Slist_e.book 1 ページ ２００６年２月１３日 月曜日 午前９時４６分 Sound & Parameter List Thank you, and congratulations on your choice of the Roland MC-808 Sampling Groovebox. Waveform list ............................................................. 2 Patch list..................................................................... 3 Rhythm Set list .......................................................... 7 Pattern list (for US).................................................. 15 Pattern list (for International) ................................. 17 RPS Pattern list........................................................ 19 RPS Set list .............................................................. 21 Pattern Set list (for US) ........................................... 23 Pattern Set list (for International)........................... 24 Song list ................................................................... 25 Arpeggio Style list ................................................... 26 Chord Form list........................................................ 27 Effects editing parameters ..................................... 28 Patch editing parameters........................................ 44 Rhythm editing parameters .................................... 57 Sample editing parameters..................................... 62 MIDI Implementation chart...................................... 64 Profiles of the pattern creators .............................. 66 202 Copyright © 2006 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. MC-808_Slist_e.book 2 ページ ２００６年２月１３日 月曜日 午前９時４６分 Waveform list No. 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 2 Name MC SuperSawA MC SuperSawB MC SuperSawC SuperSawSlwA SuperSawSlwB SuperSawSlwC Trance Saw A Trance Saw B Trance Saw C Alpha Rave JUNO Rave Blaster Sync Sweep TB Natural TB303Saw HD 106 Saw HD CustomSawAHD JP8000 Saw MG Reso Saw MGSaw HD Synth Saw JP-8 Saw P5Saw HD P5 Saw OB2Saw HD OB Saw Digital Saw OSC Saw OSC Reso Saw Air Wave DistTB Sqr DistTBSqr Lp TB Dst Sqr TB303Sqr HD TB Square 1 TB Square 2 JP-6 Square MGSqr HD MG Square P5Sqr HD P5 Square OB2Sqr HD CustomSquAHD PureSqr1kHz PureSqr440Hz 106 SubOscHD JP8PLS25 HD JP-8 Pulse MG Pulse 260 Pulse Frog Wave FM Pulse JP8000 PWM JP8000 FBK 260 Sub OSC MGTri HD MG Triangle ARPSin HD Sine PureSine1kHz PureSin440Hz 700SynthBass Mini Bs 1A Mini Bs 1B Mini Bs 1C Syn Bass 1 Syn Bass 2 Syn Bass 3 Mini Bs 2 Mini Bs 2 Lp MG Big Bass Garage Bass Delta Bass Jungle Bass SH-101 Bass MC-202 Bass Poly Bass Organ Bass Reso Bass 1A Reso Bass 1B Saw DistBass FM Pluck Bs HouseBass ff Solid Bass Fingered Bs Stick Bass P.Bass Slap Bass Bass Slide FretlessSoft Fretless Bs AcBass2 f A AcBass2 f B AcBass2 f C UprightBs Piano EQ Fat EP mp Fat EP mf Rhd Chd Menu Rhd Maj 9th No. 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 Name Rhd Maj 11th Rhd Min 11th 80’s E.Piano EP MkI mf Stage p A Stage f A Lo-Fi Wurly Clavi E.Organ 1 E.Organ 2 Full Stop FM Club Org Old Organ Old Hous Org Church Org Tubular Glockenspiel Vibraphone FantabellSub DIGI Bell Steel Dr FM Mallet mf Marimba Balaphone Kalimba Soft NylonGt Hard NylonGt Clean TC Funk Gt Funk Gt Mute D.MuteGt mp DistGtrChord CleanGtrCut Gtr Trill Gtr Cut DistGtrRiff1 DistGtrRiff2 Wah Gtr Riff GtrShtSlide JV Strings Tron Strings JP Strings OB Str 1A OB Str 1B OB Str 1C Tremolo sfz STR Attack StrChord Maj StrChord Min VlnPizzicato FemChoirOosA FemChoirOosB FemChoirOosC Brass Sect A Brass Sect B Brass Sect C BrsShortFall PopBrsAtk A PopBrsAtk B PopBrsAtk C Solo Trumpet Mute Trumpet Soft AltoSax Blow Tnr Sax Wild Tnr Sax Sax Fx 1 Sax Fx 2 Afro Flute Pure Flute Tron Flute Pan Flute Flute Gliss Flute FX Shamisen Sitar Neat Hit1 Neat Hit2 Neat Hit3 Neat Hit4 Neat Hit5 Neat Hit6 Ambient Hit Trance Hit HeavyDistHit Distorted 1 Distorted 2 Factory 1 Factory 2 Techno Chord Soft Chord Voco Chord 1 Voco Chord 2 Philly Hit OrchPrc Hit Machine 1 Machine 2 Scratch 1 Scratch 2 Scratch 3 Scratch 4 No. 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 Name AliasScratch V.Vinyl 1 V.Vinyl 2 Sliced Sitar Gliss One M Two M Three M Four M One F Two F Three F Four F Aha-Haha Chi Yeah Put YourHand Say What What Aah Formant Eeh Formant Iih Formant Ooh Formant Uuh Formant MetalVoiceL1 MetalVoiceL2 MetalVoiceL3 Vox Kick 1 Vox Kick 2 VoxKickSweep Vox Snare 1 Vox Snare 2 Vox Hihat 1 Vox Hihat 2 Vox Hihat 3 Vox Cymbal AahVoice Maj AahVoice Min Auh Voice Breath Feedbackwave Atmosphere MG White Nz MG Pink Nz DigiAtkNoise P5 Noise 106 Noise Noise AGG Noise TMBR Noise GIS ThroatWind Metal Wind FxDrum BD 1 FxDrum BD 2 FxDrum Snr 1 FxDrum Snr 2 FxDrum CHH 1 FxDrumCowBel FxDrumNoize1 FxDrumNoize2 FxDrum Tom FxDrum OHH 1 FxDrum OHH 2 MC808 FX 1 MC808 FX 2 MC808 FX 3 MC808 FX 4 MC808 FX 5 MC808 FX 6 MC808 FX 7 MC808 FX 8 Interfering1 Interfering2 Interfering3 Beep SH2 S Zap 1 SH2 S Zap 2 SH2 S Zap 3 SH2 S Zap 4 SH2 S Zap 5 MG S Zap 1 MG S Zap 2 MG S Zap 3 SH2 U Zap 1 SH2 U Zap 2 SH2 U Zap 3 SH2 U Zap 4 SH2 U Zap 5 SH2 U Zap 6 OSC Perc 1 OSC Perc 2 MG U Zap 1 MG U Zap 2 MG U Zap 3 MG U Zap 4 MG Blip Beam HiQ MG Attack MG Sweep Space FX Swp No. 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 Name Water Drip Explosion Bomb Noise Sea Brush Noise Space Noise Scream Jet Plane Emergency Buzzer Insect Tonality Ring OSC Reso FX Construct. Turbine Applause Thunderbolt Dolphin Md Disc Clap Dist Clap PD Clap Old Clap R8 Clap TR909 Clap 1 TR909 Clap 2 TR808 Clap TR707 Clap Cheap Clap Real Clap Hip Clap Group Clap Clap Tail 1 Clap Tail 2 Funk Clap Club Clap R8 Cowbell TR808Cowbell CR78 Cowbell R8 Hi Agogo R8 LowAgogo R8 HiCongaMt R8 HiCongaOp R8 LoCongaOp Reg HiCng Mt Reg HiCng Op Reg LoCng Op Reg HiBng Mt Reg HiBng Op Reg LoBng Op TablaBayam 1 TablaBayam 2 TablaBayam 3 TablaBayam 4 TablaBayam 5 TablaBayam 6 TablaBayam 7 Udo Udu Pot1 Hi Udu Pot1 Slp Cajon 1 Cajon 2 Cajon 3 Atwan Dom Atwan Sak Atwan Tac Duff Sacduf Hawen Tac Magribi Dom Twesat Hc1 Twesat Hc2 Twesat O AfroDrum Rat Chenchen Op Pandeiro Mt Pandeiro Timpani Tambourine1 Tambourine2 Tambourine3 Tambourine4 CR78 Tamb CR78 Beat Timbale Hi Timbale Lo 808 Maracas Maracas R8 Shaker A R8 Shaker B R8 Cabasa Triangle 1 Triangle 2 CR78 Guiro Reg Guiro A Reg Guiro B Reg Guiro C Whistle Shrt Whistle TR727Quijada TR808 Claves No. 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 Name R8 ClavesCmp Club FinSnap Single Snap Snap MC808 Kick 1 MC808 Kick 2 MC808 Kick 3 MC808 Kick 4 MC808 Kick 5 MC808 Kick 6 MC808 Kick 7 MC808 Kick 8 MC808 Kick 9 MC808 Kick10 MC808 Kick11 MC808 Kick12 MC808 Kick13 MC808 Kick14 MC808 Kick15 MC808 Kick16 MC808 Kick17 MC808 Kick18 MC808 Kick19 MC808 Kick20 MC808 Kick21 MC808 Kick22 MC808 Kick23 MC808 Kick24 MC808 Kick25 MC808 Kick26 MC808 Kick27 MC808 Kick28 R&B Kick LoBit Kick 1 LoBit Kick 2 PlasticKick1 PlasticKick2 TR909 Kick 1 TR909 Kick 2 TR909 Kick 3 TR909 Kick 4 AnalogKick 3 AnalogKick 4 AnalogKick 5 AnalogKick 6 AnalogKick 7 AnalogKick 8 AnalogKick 9 AnalogKick10 AnalogKick11 TR606 Dst BD TR808 Kick TR606 Kick TR909 Kick 5 TR909 Kick 6 TR909 Kick 7 TR707 Kick 1 106 Kick 1 106 Kick 2 MC808Snare 1 MC808Snare 2 MC808Snare 3 MC808Snare 4 MC808Snare 5 MC808Snare 6 MC808Snare 7 MC808Snare 8 MC808Snare 9 MC808Snare10 MC808Snare11 MC808Snare12 MC808Snare13 MC808Snare14 MC808Snare15 MC808Snare16 MC808Snare17 MC808Snare18 MC808Snare19 MC808Snare20 MC808Snare21 MC808Snare22 MC808Snare23 MC808Snare24 MC808Snare25 MC808Snare26 MC808Snare27 MC808Snare28 Jngl Tiny SD Tiny Snr 1 Phat Snare HipHop SD Analog Snr 1 Analog Snr 2 Analog Snr 3 Antigua Snr Real Snare TR909 SD 1 TR909 SD 2 TR909 SD 3 TR909 SD 4 No. 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 Name TR909 SD 5 TR909 SD 6 TR909 DstSD TR808 SD 1 TR808 SD 2 TR808 SD 3 TR808 SD 4 TR808 SD 5 TR808 SD 6 TR808 SD 7 TR606 SD 1 TR606 SD 2 106 SD1 106 SD2 Lite Snare DanceHall SD CR78 Snare Sim Snare Jngl Rim 1 Jngl Rim 2 R8 Snr R8 Snr cmp RegularSnrMP RegularSnrMF RegularSnr F RegularSnrR1 RegularSnrR2 RegularSnrG2 RegularSnrG3 R&B RegSnr 1 R&B RegSnr 2 R&B RegSnrG1 Funk Snr Picc. Hrd Sn Picc. Rol Sn R8 Brush Tap R8 BrshSwill R8 BrushRoll SnareWithCym TR909 Rim TR808 Rim R&B Rim 1 R&B Rim 2 Regular Rim R8 Comp Rim MC808 Tom 1 MC808 Tom 2 TR808 Tom TR909 Tom MC808 CHH 1 MC808 CHH 2 MC808 CHH 3 MC808 CHH 4 MC808 CHH 5 MC808 CHH 6 MC808 CHH 7 Regular CHH1 Regular CHH2 Bristol CHH R8 Brush CHH HipHop CHH Comp CHH 1 Comp CHH 2 Lo-Fi CHH 1 Lo-Fi CHH 2 TR909 CHH 1 TR909 CHH 2 TR808 CHH 1 TR808 CHH 2 TR606 CHH 1 TR606 CHH 2 TR606 DstCHH Lite CHH CR78 CHH DR55 CHH 1 Fx CHH 1 Fx CHH 2 Fx CHH 3 Fx CHH 4 Fx CHH 5 Fx CHH 6 MC808 PHH Hip PHH Pedal Hat TR909 PHH 1 TR909 PHH 2 TR808 PHH 1 TR606 PHH 1 TR606 PHH 2 MC808 OHH 1 MC808 OHH 2 MC808 OHH 3 MC808 OHH 4 Regular OHH HipHop OHH Comp OHH Lo-Fi OHH TR909 OHH 1 TR909 OHH 2 TR808 OHH 1 No. 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 Name TR808 OHH 2 TR606 OHH Lite OHH CR78 OHH Fx OHH 1 Fx OHH 2 Fx OHH 3 Fx OHH 4 MC808 Clash1 MC808 Clash2 MC808 Clash3 MC808 Clash4 TR909 Crash Asian Gong RAMA Cymbal Analog Cym TR606 Cym MC808 Ride 1 MC808 Ride 2 MC808 Ride 3 TR909 Ride TR707 Ride MC-808_Slist_e.book 3 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch list User A User B No. Name Category No. Name Category No. Name Category No. Name Category 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 Buzz8000 SunFreesia Moss Buzz MTownWhistle Introduction HauntedHouse Velo FXM Cyber Lead MultiDance02 Ring Lord c1 Ring Lord c2 Float < Back Sync Aggress Sawed Flute Bugger Off! Flying Sync Critters JustDreaming GiraGira The Noise Gary Synth D Saw TrancE Detuned Saw Ultimate Mod Xtremity Saw SoftSoloBoo Trance Pad Trance Chord UltimateEuro JP OctAttack Detune Saw Pressyn BooSoloBoo JUNO Rave SuperSawSlow Trance Wave SuperSawFast Powerline Detune Saws Bustranza Noisey RAVtune Detuned Pad Clean? DelayStrings BF Lead DOC Stack Syn Stack Saw Stack Trancy Synth World Anthem Houze Clav PlayLow Dark Digitaless You know? Innercross Brand X House Sweep Sweep Lead SweepPad w/D Def Filter Freedom Fast Detune DenMrk Lead SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Squeepy SaturnHolida Anna Harp Hyperactiver Syn Lead Turbo Five Old Jam Retro Rave HouseParty02 BPF Sweeper Alpha Time Alphat Electricity Grinder Bend Rave Alpha Rave Club Classic Rubbery Polychords Atmorave SftFatPolyOB SftPolyPfive Poly Key FM Buzz KSqr Leed3 Mini Pulse Pulse Komp Nu-NRG Synth Humanoyd Syn Pulse HiPass Cult Organ FunkY Player Stylez Carbon Blast Seq.Synth 3 808 Chords Synth EP Cellar Cells Orb Jumper KSqr Lead1 KSqr Lead2 BlipToFly Sub Signal Metal Buzz Flickout Jazz File Soaked Saw ZequenZaw Sid Bleep YaaazSeq CutSeq+Delay Velcro Synth BoxBell Rel. Velo Filt SAWS Galore Sqr SEQ Seq.Synth 1 Seq.Synth 2 Saw SEQ 1 Saw SEQ 2 PortaSqr SEQ 8Bit Kung-Fu JX Lead SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 KeyRand Saw RndClaviator PKG Key forSequence Shrtpin SMILE :-) OB Raindrops 5th Saw Harmony Bazz PlasmaFields Synth Clav FM Harp Syn Harp 12th Planet NoisePeaker Cave Tone Machina Lead FullyCharged MachineBoy Charged Phsr Enemy Craft Infected MeteorCrater Terminal Phs HARD GroundGT Detuned TB DstTBSQR Atk DistTB SQR Phaze Baze KSaw Lead1 KSaw Lead2 CutoffDeluxe Syn Saw Lead Kiss My Grts W-Side Saw Basic Mg Legato Saw LPassRzSawMg The Prpht TB Q DualSaws BandSawMg1 Slow Mg The Brothers Digital BPF Saws Lead Destroyed Ld BandSawMg2 HPF Sweep ArtifFrog Pulse Line RetroSynLead LateFlapSqr QuackyPSqr Some Squares Zooba Dooba Voyage Mg Jupiter6 Sqr Griggley DualRateSqr PortaSynLead Uranus BandSqrMg DCOs4ever SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN SYN HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Dist Lead SonicVampire Buzz Sucker E.Voice Solo Electrovox Beep Mod MosquitoLead Blob Crosser Crush Solo Synkronizor Sync Dink Da Sync Elect Shock HC Solo Lead Nasty Blade Similar Lead Syncing Sand IRobot Vibrato Saw GumbyBot Sister Lead Trance MS Ld Zzzolo c1 Zzzolo c2 Old Synth Basic 1 Mew Lead Basic 2 Black Hole PeakArpSine PekingTriMg TubbyTriangl TB-303 Sign Warm LeadG Square Lead Sine Mallet Classy Pulse Child Flute Dark Lead Eat Skip The Blip AirWave Solo TronFlt Solo TronStr Solo Trumpet Solo Bone Solo SuperSawSolo JP8 Saw Solo MTLVoiceSolo Air Wave TranceGate Trancegater Trance LFO ARMSBEAT JP Pulsing LFO Bass 1 LFO Bass 2 LFO Bass 3 BaZeLiNe Blue Notes Cascade Escapade SlicedBreath Maze HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD HLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD BS SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD SLD PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS 3 MC-808_Slist_e.book 4 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch list User C User D No. Name Category No. Name Category No. Name Category No. Name Category 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 ControlFreak ComeTogether Yellow Syn Wobbler ABSawLFO Jazz Fly Sync Star Pop 9th ASleep LFO Seq Don`t Eat Me Line S&H Strobe 909 Comptron Dot16LFO Mg Galaxy Mars Blurp Bottle Clown Slice Choir Sync’ed Pass MetroPoly Sands of LFO PanningFrmnt Bells of Q TempoLFO OB SlicedBread2 Bass Engine OB M6 x2 Plus3 4 Bob Twang Woo Mission time Doink Arp Saws Carbon Saw 1 Carbon Saw 2 Carbon Saw 3 Carbon Saw 4 Sidechn Saw Alphatier Tops Bee Unisyn Mr. Looney K Tech Sweep Saws Rave Party Horror Chord Ravelite Hardstyle DheliDreamz Buzzy Jb`s Hit MonstaTrick Hush Hush Elecstars Bassin I Bass You Poison Bass DancehalBass DstSaw Bass DstSaw Bs PB AfterSkoolBs Wide Bass Quirky Bass PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS PLS TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK TEK SBS SBS SBS SBS SBS SBS SBS SBS SBS 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Cyber Bass Hollow Bass Monstah! K Bass 1 8th WxBass Club Saw04 Carbon Bass Outside Bass UK Bass K Bass 2 Mental Bass Tweeky Bass Raid Bass Round Detune Bass1 Bad Bed Dust Saw JunoWotImean Dust Bass TechnoTribal Pop JunkBass New Acid Grv WoodenGroove RubberBass FuzzBlockHed TB Legato Gloomy Bass Loco Voco Now Bass Goldon Bass Seq Bass StabSaw Bass Poly Bass Basstrap Foundation K Bass 3 K Bass 4 Dome Bass Thick Bass XL Too Atk Syn Bass Minimal Bass MC Solid Bs Detune Bass2 TB Tra Bass Electro Rubb Smoothbass MC-404 Bass MC-202 Bass R&B Bass 1 R&B Bass 2 Enorjizor MG Bass MC-TB Bass ArpeggioBass HipHop Bass1 MG Big Bass SH-101 Bass JP-6 Bass Sky Bass Big Bass Mini Bass MiniMoe Bass AnalogueBass SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 So Bass Kickin’Bass Phat bass 700 Bass Pong R&B Bass 3 R&B Bass 4 R&B Bass 5 Monster TB TB Clone Slomo Bass Wide TB NU-NRG Bass R&B Bass 6 Carpet Bass Inside Bass hmnicLFO Bs Acdg Bass RingerBass SQ Pan AcidMoon Jungle Bass Sine Bass R&B Bass 7 PitchBassSqr LFO Sqr Bass Rough Bass SQR+Sub Bass FallDown Bs Dub Bass TR-808 Bass Organ Bass Org Atk Bass Sqr Atk Bass FM PluckBass FM Hus Bass Buum Bass Solid Bass 1 Goa Bandpass Goa TB-303 en Mogue Plastic Bass Solid Bass 2 Super-G Saw Killer Bass Solid Goa Solid Bottom HipHop Bass2 HipHop Bass3 HipHop Bass4 AfterHoursMx ShortSeqBass AcidousticBs Hoola Bass NY83 Bass Fat FM Bass Delta Bass 1 Delta Bass 2 AcidPower Bau Bass Tabla Bass Destroyed Bs Kylie Bass Metalic Bass SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS SBS 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 7up Bass Bubbles All Round Heavy Bass Fretless Bs1 Fretless Bs2 FretlessBs P Bass Slide MeanNoHarmBs Upright Pizz Velo fingers P.Bass 1 P.Bass 2 Nice P / Stick Bass 1 Stick Bass 2 NiceStick / NewOldGBass Phunk Bass Upright Bs 1 Stick Chopz Upright Bs 2 Slap Bass Slappin Bass Super Pad The Organist Sidechn Pad2 FloorSweeper Chilled Egg Sidechn Pad1 Temple Pad AIRGear OB PadOfMystery Tremble Analogic Pad Star Truck 70sMovieSyn AirSweepEFX Partymonster AmberPad TrncPowerPad LFO Pad Mod LFOcean BreathingPad Tempest Sweep Pad 1 Sweep Pad 2 Juno Sweep BPF Syn Pad SmoothChange Morphed Silk Hy Synstring OB Rezo Pad Rev Sweep Phat Pad DCO Stack Rise Pad Penta Pad Juno Waves Mod Pad HPF Ensemble Steamed Sawz AiRye BreadUnstable BLS SBS SBS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BS BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD BPD SPD 4 MC-808_Slist_e.book 5 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch list User E User F No. Name Category No. Name Category No. Name Category No. Name Category 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 Flutter ComeBkSeq PD Breathy Pad MysticSineSt Cyber Pad Sneaky Pad Keenalogue Keens` Pad Grace Pad Viz Cool Chaotic Tape Dive Bomber Cine EP Min Cine EP Maj PlutoPad Dark Pad Mad Pad Pizz Pad The Pad Saw Pad Palm Pad 909 Sweep Undulate Pad Cosmosis Warm Pad Phaedra Soft Pad 1 Soft Pad 2 Sine Pad Heavenly Pad Analogscape OB Soft Pad Classic OB Sawed String Ahh Rave Right&Left Floor Choir I see More Heavens Lonely Heart Female Oos Windy Vox Digi Voices Auh Luv Rave AahVoiceMaj Sample Age CalifnSunset AahVoiceMin Aah Formant Eeh Formant Iih Formant Ooh Formant Uuh Formant MetalVoice1L MetalVoice2L MetalVoice3L Puwa Dance Grand 128voice Pf Epic House Piano Trance Honktonkhous Suitcase wTr Suitcase EP SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD SPD VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX VOX PNO PNO PNO PNO PNO EP EP 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 EP Chd Menu EP Maj 9th EP Maj 11th EP Min 11th Suitable EP Rez Keys Clean E.Pno Sine EP+ Talkin EP Psychic Rds Wah EP Noir StageEP w/Tr Back2the60s Creep Old EPX ChicagoWurly Gentle Wurly Wirle EeePee Dist Wurly FM E.Piano FM Detune EP Clavi Funky D Pulse Clav Analog Clavi Harpsichord Digi Key Cold Key E.Organ 1 E.Organ 2 Organic Percs Organ Fake Organ Vade Retro Club Organ Continential Bright Organ Hippy Organ Old Hus Org Clubless Org Plastic Church Org Rave Organ PositiveVibe Vibe Sync Attack Vibe Vibraphone FM Mallet Seq Fodder Mu Island Islanalaphon Glockenspiel Xylophone MusicBox Marimba Balaphone Steel Drums Pope Lil’ Bell FantabellSub Small Bell Synth Bell Kalimbells EP EP EP EP EP EP EP EP EP EP EP EP EP EP EP EP EP EP EP EP EP EP KEY KEY KEY KEY KEY KEY KEY ORG ORG ORG ORG ORG ORG ORG ORG ORG ORG ORG ORG ORG ORG ORG MLT MLT MLT MLT MLT MLT MLT MLT MLT MLT MLT MLT MLT MLT BEL BEL BEL BEL BEL BEL 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 Tubular-Bell Ring Sine Nylon Gt Guitar Pick PureAcoustic Bright Nylon Clean TC CleanEG w/Tr BPF Guitar Funk Gtr FnkDittyMute Gut Feelin CleanGtrCut VeloWahDMute ReTrigDsMute AutoWahMute LFO Wah Riff Air Guitar Lo-Fi Gtr Wah Gtr Riff Dub Tales Clean Slide MuteFall / Power Riff DistGtrChord Gtr Cut DistGtrRiff1 DistGtrRiff2 Gtr Trill String Ensem VinylHousStr K Strings Mack Low Str Quick Str STR Attack Hybrid Str 1 Hybrid Str 2 JV Strings Vinyl Strngs Melo Tapes Tricky Tape Tremolo SFZ Finale ScaryStringz Sad Strings SadOrchestra Hero dies Radio 30’s Queasy Golem StrChord Maj StrChord Min SynStrings Super SynStr TranceString OB Slow Str OB Strings Cyber String VlnPizzicato Lo Pizz Sect Wide Satin Flute Pipe Pan Flute AfricanFlute BEL BEL AGT AGT AGT AGT EGT EGT EGT EGT EGT EGT EGT EGT EGT EGT EGT EGT EGT EGT EGT EGT EGT DGT DGT DGT DGT DGT DGT STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR STR FLT FLT FLT FLT 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Jazzy Flute McFlute Atk Faked Flute TronM Flute TronFlute5th Flute FX Flute Gliss FluteSoloist Pan Duo Whistle Nu Skl SynBr Wide SynBrs Silky JP Special Saw Detuned DCOs Silk Pad Cheap SynBrs Synth Brass Spit Brass Big OctBrass Brs wAtk So Horny Pop Brs Atk Brass Stack Cres Brass 30’s Tpt Stereo Brass ThunderBrass Soft Brass Solo Tpt Learn Trumpt Grit Brassh MuteTrumpet Yo mileage Brass Fall Brs Atk/Fall Mercury Fall AltoSoftSax Breathy Sax Slow BlowSax LatinTnr Sax Sax FX 1 Sax FX 2 Strong Harp HPF Kalimba Fluttack!! Steel Pan Symbiotech Bombay Real Sitar Sitar LFO Maharagna FarOutSGliss TribalRitual Tsugaru Road It Began in Duel Ethno Ethno Keys NoiseBubbles Repair Man Old Arcade A Message Hitting Proppellers FLT FLT FLT FLT FLT FLT FLT FLT WND WND SBR SBR SBR SBR SBR SBR SBR SBR SBR BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS BRS SAX SAX SAX SAX SAX SAX PLK PLK ETH ETH ETH ETH ETH ETH ETH ETH ETH ETH ETH ETH ETH FX FX FX FX FX FX 5 MC-808_Slist_e.book 6 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch list User G No. Name Category No. Name Category 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 Alarm Ghostbird RacingRotors Bigbird Eject? Lifeform Swarm D2R2 Mothership RollingUDEFX Warning Sign NoAirDownEFX Accident JETJETDOWN X MovingLights BikeMenGT OnOffWorld Speaker Kill Squeak Door Uplifter >>> OCTKickBass WaitnOutside Back to Jazz Ambivalenz Dub VoxChord Non Smoker Pacifica Autumn Wind Console Ants Moon Shine GK Riff Breath Hit Smooth Jet Lazer Points Mod Hit DownThePitch DnB Fall Let it beep Touch EF MagneticStrm Take Effect Random LFO S&H Voc Nasty Filt 2Matt Colors Sync Tone Down The Hit Boost Tom Perk Breath Transport GK Ready to the stars Destructo 3D Flanger Sub Atmosphe Liquid Air Rev Cord Autovox Randooom Mad Mod Q Jet FX 01 Abduction Flipper Talk FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX SFX 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Falling Coin Car Start Bomb Firework Helicopter Spring 1 Spring 2 Wind Bad Dog Scary Vibes Turn on! Broken Heart Mount Doom Wolfmen 808 Hit 1 808 Hit 2 808 Hit 3 808 Hit 4 808 Hit 5 808 Hit 6 808 Hit 7 808 Hit 8 808 Hit 9 808 Hit 10 808 Hit 11 808 Hit 12 808 Hit 13 Massive Hit Nu OrchBlast Why? BigApple Hit Tough Hit Studio 54 Minorities BruselSprout Voxbox Our Chord K Stab Hit Funk Chunk 1 UltraBNoizSD Chill Hit Bell End Pit Hit Ruff Neck Sitar Hits Tekno ChdHit Orch Hit Happy Hit Funk Chunk 2 Cheezy Movie Mojo Man Philly Hit Neo Hit HardHitnHous Disminished Tablabaya Hip Pluck Udu/Udo Asian Gong Timpani TR808 Kick NY83 SD TR909 Snare Blip SD SFX SFX SFX SFX SFX SFX SFX SFX SFX SFX SFX SFX SFX SFX HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT HIT PRC PRC PRC PRC PRC DRM DRM DRM DRM 6 s Bank Select and Program Change Correspondence Chart Group Number USER A USER B USER C USER D USER E USER F USER G USER H CARD A CARD B CARD C CARD D CARD E CARD F CARD G CARD H 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 001–128 Bank Select MSB LSB 81 00 81 01 81 02 81 03 81 04 81 05 81 06 81 07 81 32 81 33 81 34 81 35 81 36 81 37 81 38 81 39 Program Number 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 1–128 MC-808_Slist_e.book 7 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm Set list UserA Note No. 001 TR-909 Kit 1 59 PlasticKick1 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 74 73 004 TR-909 Kit 4 007 ClubKids 010 Keens` Kit 013 Carbon Kit 3 016 Euro Kit 2 TR909 Kick 1 TR909 Kick 7 TR909 SD 1 TR909 SD 2 TR909 SD 3 TR909 Rim TR909 Clap 1 TR909 Tom TR909 Tom TR909 Tom TR909 CHH 1 TR909 PHH 2 TR909 OHH 2 TR909 Crash TR909 Ride TR909 Kick 4 TR909 Kick 5 TR909 Kick 6 TR909 SD 4 TR909 SD 5 TR909 SD 6 TR909 Rim TR909 Clap 2 TR909 Tom TR909 Tom TR909 DstSD TR909 CHH 2 TR909 PHH 2 TR909 OHH 2 TR909 Crash TR909 Ride TR909 Kick 4 AnalogKick10 MC808 Kick14 TR909 SD 1 TR909 SD 3 MC808Snare11 TR808 Rim Cheap Clap* Sim Snare 808 Maracas Maracas DR55 CHH 1 TR808 PHH 1 TR808 OHH 2* Analog Cym Analog Cym PlasticKick1 TR909 Kick 2 TR909 Kick 2 Old Clap MC808Snare24 TR909 SD 3 TR808 Rim Old Clap Vox Hihat 1 Vox Hihat 2 TR909 Tom Regular CHH1 Regular CHH2 Regular OHH TR909 Crash TR909 Ride PlasticKik2* AnalogKik11* AnalogKik11* Analog Snr 2 TR909 SD 2 TR808 SD 2 Club Clap * R8 Clap Cajon 1 Cajon 1 R8 Comp Rim MC808 OHH 4 TR808 PHH 1 MC808 OHH 4 HipHop OHH MC808 Ride 3 AnalogKick10 AnalogKick9* AnalogKick11 TR909 SD 1 TR909 SD 3 TR808 SD 5 Cajon 2 * TR808 Clap Tambourine1 Maracas R8 Shaker A TR909 OHH 2 TR909 PHH 2 TR909 OHH 2 TR808 OHH 1* TR707 Ride * 002 TR-909 Kit 2 005 TR-808 Kit 1 008 Floor Kit 011 Carbon Kit 1 014 Carbon Kit 4 017 Euro Kit 3 AnalogKick 6 AnalogKick 7 AnalogKick 8 Analog Snr 1 Analog Snr 2 Analog Snr 3 TR909 Rim TR909 Clap 2 TR909 Tom TR909 Tom TR909 Tom TR909 CHH 1 TR909 PHH 1 TR909 OHH 1 TR909 Crash TR909 Ride TR808 Kick TR808 Kick TR808 Kick TR808 SD 2 TR808 SD 4 TR808 SD 5 TR808 Rim TR808 Clap TR808 Tom TR808 Tom TR808 Tom TR808 CHH 1 TR808 CHH 2 TR808 OHH 1 TR606 Cym TR606 Cym MC808 Kick 8 AnalogKick * PlasticKick2 MC808Snare25 MC808Snare27 MC808Snar28* TR909 Rim Clap Tail 1 R8 Shaker A Scream Jet Plane TR909 CHH 1 TR909 PHH 1 TR909 OHH 2 TR909 Crash TR909 Ride AnalogKick10 AnalogKick 9 AnalogKick11 TR909 SD 1 TR909 SD 3 TR808 SD 5 R&B Rim 1 * TR808 Clap R&B Rim 2 R&B Rim 1 Regular Rim TR909 OHH 2 TR909 PHH 2 TR909 OHH 2 TR808 OHH 1 TR707 Ride MC808Kick17* PlasticKik2* AnalogKik11* Analog Snr 2 TR909 SD 2 TR808 SD 2 * Club Clap * Disc Clap Tambourine1 Maracas R8 Shaker A TR909 CHH 1 TR909 PHH 2 TR909 OHH 2 HipHop OHH TR909 Crash TR909 Kick 1 TR909 Kick 4 TR909 Kick 7 MC808Snare 6 Clap Tail 1 TR909 SD 3 TR808 Rim Hip Clap TR909 Tom TR909 Tom TR909 Tom TR909 CHH 1 TR909 PHH 2 TR909 OHH 2 TR909 Crash TR909 Ride 003 TR-909 Kit 3 006 TR-808 Kit 2 009 GermanDance 012 Carbon Kit 2 015 Euro Kit 1 018 Euro Kit 4 TR909 Kick 1 TR909 Kick 2 TR909 Kick 3 TR909 SD 1 TR909 SD 2 TR909 SD 3 TR909 Rim TR909 Clap 2 TR909 Tom TR909 Tom TR909 Tom TR909 CHH 1 TR909 PHH 1 TR909 OHH 1 TR909 Crash TR909 Ride TR808 Kick TR808 Kick TR808 Kick TR808 SD 1 TR808 SD 2 TR808 SD 3 TR808 Rim TR808 Clap TR808 Tom TR808 Tom TR808Cowbell TR808 CHH 1 TR808 PHH 1 TR808 OHH 1 TR606 Cym TR808 OHH 2 MC808Kick13* MC808Kick17* TR909 Kick 5 TR909 SD 1 * TR808 SD 3 * Club Clap * R8ClavesCmp* TR909 Clap 1 TR808 Tom TR808 Tom TR808 Tom TR909 CHH 1* TR909 PHH 1* TR909 OHH 1* TR909 Crash* TR707 Ride * AnalogKik10* AnalogKick9* AnalogKik11* TR909 SD 1 TR909 SD 3 TR808 SD 5 SnareWithCy* TR909 Clap 1 Tiny Snr 1 Tiny Snr 1 Regular Rim TR909 OHH 2 TR909 PHH 2 TR909 OHH 2 TR808 OHH 1 TR707 Ride AnalogKick 8 AnalogKick 6 AnalogKick 7 Analog Snr 2 Analog Snr 3 Analog Snr 1 Picc. RolSn* Dist Clap R8 Shaker A Factory 1 Neat Hit3 TR909 CHH 2 TR909 PHH 2 TR909 OHH 2 TR909 Crash* TR909 Ride * AnalogKick 5 AnalogKick 6 TR909 Kick 7 MC808Snare28 Disc Clap TR909 SD 3 TR909 Rim Hip Clap TR909 Tom TR909 Tom TR909 Tom Regular CHH1 TR909 PHH 2 TR909 OHH 2 TR909 Crash TR909 Ride 7 MC-808_Slist_e.book 8 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm Set list Note No. 019 Euro Kit 5 59 AnalogKick3* C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 74 8 73 022 ClubhouseKit 025 UK ClubKit 2 028 UK ClubKit 5 031 JB ClubKit 3 034 RUFF Kit LoBit Kick1* MC808Kick18* TR909 Kick4* 106 SD2 * TR909 SD 2 * MC808Snar17* MG Blip * R8 Clap * R8HiCongaOp* RegHiBng Op* Cajon 1 * MC808 CHH 1* MC808 OHH 1* TR909 OHH 2* MC808 Clash2 TR909 Ride LoBit Kick1* TR909 Kick4* 106 Kick 1 * TR808 SD 1 * Lite Snare * R8 Snr * Regular Rim* TR909 Clap1* MC808 Tom 1* Timbale Hi * ClubFinSnap* TR909 PHH 1* TR909 PHH 1* 106 Noise * TR909 Crash* TR909 Ride * TR909 Kick5* PlasticKik2* TR707 Kick1* Analog Snr2* TR808 SD 6 * TR909 SD 1 * R8ClavesCmp* Clap Tail 1* CR78 Cowbel* SH2 U Zap 4* Tambourine1* Chi * Chi : TR909 OHH 1: MC808Clash2* TR909 Ride * TR808 Kick * TR808 Kick * TR808 Kick TR808 SD 6 TR606 SD 2 * CR78 Snare * TR808 Rim TR808 Clap CR78 Cowbell OSC Perc 1 CR78 Cowbell TR808 CHH 1 TR808 PHH 1 TR808 OHH 1 TR606 Cym TR808 OHH 2 TR909 Kick 3 MC808 Kick26 AnalogKick 4 MC808Snare15 106 SD2 MC808Snare17 Regular Rim Dist Clap Tambourine1 TablaBayam 6 Atwan Dom Comp CHH 1 TR909 PHH 1 TR909 OHH 2 TR909 Crash Analog Cym 020 Nordic Dance 023 Spanking Kit 026 UK ClubKit 3 029 JB ClubKit 1 032 JB ClubKit 4 035 ShotVoiceKit TR909 Kick 5 AnalogKick10 PlasticKick2 TR909 SD 3 TR909 SD 3 TR909 SD 6 R&B Rim 2 TR909 Clap1* R8 Shaker A R8 Shaker B Clap Tail 1 MC808 CHH 6 Hip PHH TR909 OHH 2 TR909 Crash TR909 Ride MG Attack * MC808 Kick2* PlasticKik2* MC808Snar13* MC808Snar11* MC808Snar27* R&B Rim 2 Funk Clap TR808 Tom 808 Maracas TR808Cowbell CR78 CHH MC808 CHH 5 Fx OHH 1 MC808 Ride 2 MC808Clash1* MC808 Kick1* R&B Kick * MC808Kick13* MC808Snar26* Phat Snare * Tiny Snr 1 * R&B Rim 1 * TR707 Clap * R8 Shaker A* TR808 Claves WhistleShrt* R8 Brush CHH R8 Brush CHH Regular OHH* MC808Clash4* TR606 Cym * PlasticKik1* PlasticKik2* TR909 Kick2* TR808 SD 2 * Lite Snare * TR909 DstSD* R&B Rim 1 * Dist Clap * MC808 Tom 2* TR808Claves* R8 Cabasa * TR808 CHH 2 Hip PHH * Fx OHH 3 Asian Gong * TR909 Ride MC808Kick12* TR808 Kick * TR606 Kick TR909 SD 5 TR808 SD 6 TR808 SD 1 * TR909 Rim * R8 Clap * Timbale Lo * Timbale Hi * Funk Clap * TR909 CHH 2 Lite OHH TR909 OHH 2 TR707 Ride Analog Cym One M Two M Three M Four M One F Two F Three F Four F Aha-Haha Chi Yeah Put YourHand Say What What Aah Formant Eeh Formant 021 Sonic Kit 024 UK ClubKit 1 027 UK ClubKit 4 030 JB ClubKit 2 033 JB ClubKit 5 036 HPF Cym&Ride AnalogKick11 MC808 Kick17 TR909 Kick 1 TR909 SD 3 TR808 Tom * Disc Clap TR808 Rim * TR909 Clap 1 Disc Clap Clap Tail 1 Factory 1 TR909 CHH 2 TR606 PHH 2 TR909 OHH 2 TR909 Crash TR707 Ride MC808Kick 1* TR909Kick 7* TR707Kick 1* TR909 SD 2 * Tiny Snr 1 * TR909 DstSD* R&B Rim 1 * TR909 Clap1* MC808 Tom 1* Fx CHH 6 * TR808Claves* TR808 CHH 2 TR808 CHH 2 Fx OHH 4 MC808Clash2* TR909 Ride * TR909 Kick5* MC808Snare5* MC808Kick27* TR606 SD 2 * TR808 SD 3 * Lite Snare * R&B Rim 1 * Cheap Clap * Timbale Lo MC808 Tom 2* TR808Claves* TR909 PHH 2 TR909 PHH 2 TR808 OHH 2* MC808Ride 2* TR707 Ride * TR808 Kick TR808 Kick * MC808Kick16* R8BrushRoll* R8BrshSwill* RegularSnrR2 TR808 Rim Club Clap * Udu Pot1 Hi Beam HiQ MC808 FX 2 * MC808 CHH 7 MC808 PHH MC808 OHH 4 MC808 Clash4 MC808 Ride 2 MC808Kick17* PlasticKik2* AnalogKick 7 Lite Snare * Sim Snare * RegularSnrG* R&B Rim 1 * Dist Clap * TR909 Tom * Fx CHH 6 * MC808 Tom 2* RegularCHH1* TR606 CHH 1 Fx OHH 2 * TR909 Crash TR707 Ride * TR707 Ride TR909 Ride TR909 Ride TR707 Ride MC808 Clash1 TR909 Ride TR909 Ride TR909 Ride MC808 Ride 2 MC808 Ride 3 TR909 Ride TR707 Ride MC808 OHH 2 MC808 Clash2 TR606 Cym TR909 Crash AnalogKick9* AnalogKick6* TR909 SD 2 * TR909 SD 4 TR808 SD 6 Cajon 2 * TR909 Clap 1 Tambourine1 Explosion R8 Shaker A TR909 OHH 2 TR909 PHH 2 TR909 OHH 2 TR909 Crash TR707 Ride * MC-808_Slist_e.book 9 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm Set list Note No. 037 HPF Hit&Noiz 59 TR808 Kick C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 74 73 040 Nu Tekhouse 043 Tribe Kit 046 Electrc Kit 049 Machine Kit2 052 80’s Kit 2 MC808Kick 7* MC808Kick11* MC808Kick13* Hip Clap * TR909 SD 5 * MC808Snae23* SH2 U Zap 6* TR909 Clap1* MC808Snar10* MC808Snare7* Maracas * TR909 CHH 1* Fx CHH 1 * TR909 OHH 2* TR909 Crash* TR707 Ride * MC808 Kick 9 MC808 Kick 2 MC808 Kick 1 MC808Snare21 106 SD1 TR909 SD 3 TR909 Rim Clap Tail 2 Reg HiCng Mt Reg LoCng Op Tambourine4 TR909 CHH 1 TR909 PHH 1 TR909 OHH 2 TR909 Crash TR909 Ride TR909 Kick 3 AnalogKick10 AnalogKick 3 TR909 SD 4 Analog Snr 1 TR909 SD 6 R&B Rim 1 TR909 Clap1* R8 ShakerA R8 Shaker B Old Clap CR78 CHH TR909 PHH 1 CR78 OHH * Analog Cym TR606 Cym AnalogKik10* TR909 Kick7* MC808 Kick2* MC808Snare9* Analog Snr1* MC808Snare7* R8 Comp Rim TR909 Clap 2 TR808 Tom TR808 Tom TR808 Tom MC808 CHH 4 MC808 OHH 1 MC808 OHH 2 TR909 Crash* TR707 Ride PlasticKick2 AnalogKick10 PlasticKick1 TR808 SD 5 * TR808 SD 3 * TR808 SD 7 * TR808 Rim TR808 Clap TR808Cowbell MG U Zap 2 Beam HiQ TR808 CHH 1 CR78 CHH TR606 OHH TR606 OHH TR909 Ride 038 HPF BDAttack 041 Tek Kit 1 044 House Kit 047 Yellow Kit 050 Machine Kit3 053 80’s Kit 3 MC808 Kick19 MC808 Kick20 MC808 Kick21 MC808 Kick22 Group Clap MC808 Kick24 MC808 Kick25 TR707 Kick 1 MC808 Kick28 SnareWithCym LoBit Kick 2 Twesat Hc2 PlasticKick2 TR909 Kick 4 TR909 Kick 2 TR909 Kick 3 TR808 Kick * TR606 Ds BD* TR808 Kick * TR808 SD 1 * TR808 SD 2 * TR808 SD 3 * TR808 Rim * TR808 Clap * TR808 Tom TR808 Tom TR808 Claves TR606 CHH 1 TR606 PHH 1 TR606 OHH TR606 Cym TR909 Ride MC808 Kick 5 AnalogKick10 TR808 Kick TR606 SD 1 HipHop SD RegularSnr * TR909 Rim TR909 Clap 1 MC808 Tom 1 MC808 Tom 1 MC808 Tom 1 Pedal Hat Fx OHH 1 Fx OHH 4 MC808 Clash3 Analog Cym TR808 Kick AnalogKick 3 TR606 Kick 106 SD1 TR606 SD 1 TR808 SD 1 MG S Zap 3 * Real Clap VoxKickSweep VoxKickSweep FxDrum Snr 2 TR808 OHH 1 TR808 PHH 1 TR808 OHH 2 TR606 Cym Analog Cym LoBit Kic 1* TR707 Kick 1 MC808 Kick17 MC808Snare 9 MC808Snare11 MC808Snare17 Emergency TR707 Clap MG S Zap 1 MG S Zap 2 MG S Zap 3 Lo-Fi CHH 1 Lo-Fi CHH 2 Lo-Fi OHH Space FX Swp Bomb Noise 106 Kick 1 106 Kick 2 LoBit Kick 1 106 SD1 106 SD2 TR909 SD 5 TR808 Rim TR808 Clap TR808Cowbell MG U Zap 2 MG Attack TR808 CHH 1 CR78 CHH TR606 OHH TR606 OHH TR909 Ride 039 HPF RY Kit 042 Tek Kit 2 045 Retro Kit 2 048 Machine Kit1 051 80’s Kit 1 054 Retro Kit 1 MC808 Kick20 LoBit Kick 1 MC808 Kick19 TR909 SD 6 TR808 SD 2 DanceHall SD TR909 Rim Old Clap TR909 Tom TR909 Tom R8 Cowbell TR808 CHH 1 TR808 PHH 1 TR808 OHH 1 TR909 Ride MC808 Clash4 TR808 Kick TR909 Kick 1 AnalogKick10 TR909 SD 1 TR808 SD 4 TR909 SD 3 Snap * TR909 Clap 1 Disc Clap Clap Tail 1 CR78 Tamb TR909 OHH 2 TR909 PHH 1 TR909 OHH 2 TR909 Crash TR909 Ride TR707 Kick 1 MC808 Kick17 MC808 Kick22 R8 Snr * RegularSnr * Sim Snare TR808 Rim TR909 Clap 1 SH2 U Zap 6 MG S Zap 3 SH2 U Zap 3 Bristol CHH Pedal Hat MC808 OHH 4 MC808 Clash1 MG White Nz MC808Kick13* MC808Kick17* TR707Kick 1* 106 SD2 * 106 SD1 * DanceHallSD* TR808 Rim Old Clap MC808 Tom 1 MC808 Tom 1 MC808 Tom 1 Lite CHH TR808 PHH 1 TR808 OHH 1 MC808 Clash1 TR707 Ride PlasticKick1 PlasticKick2 AnalogKick 5 MC808Snare 4 Analog Snr 3 Analog Snr 1 R&B Rim 2 Disc Clap TR808 Tom FxDrum Tom Sim Snare TR606 CHH 1 TR606 PHH 1 TR808 OHH 2 TR606 Cym TR707 Ride MC808Kick17* PlasticKick2 AnalogKik10* DanceHallSD* Lite Snare * RegularSnr * TR808 Rim Dist Clap * TR808 Tom TR808 Tom TR808 Tom TR909 CHH 2 TR606 CHH 1 TR606 OHH TR909 Crash TR707 Ride TR606 Kick Reg Guiro C Uuh Formant Interfering1 Neat Hit1 Neat Hit2 Neat Hit2 Neat Hit2 R8 ClavesCmp Club FinSnap MC808 CHH 7 Pedal Hat Triangle 1 MG U Zap 4 DistGtrRiff2 9 MC-808_Slist_e.book 10 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm Set list Note No. 055 Filter Kit 59 AnalogKick 9 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 74 10 73 058 Attitude Kit 061 Hard Kit 064 Drive Kit 067 Solid Kit 070 Real Kit 1 SH2 U Zap 6* FxDrum BD 1: TR808 Kick * MC808Snare8* MC808Snar10* MC808Snar24* R&B Rim 2 * Club Clap * MC808 Tom 2 MC808 Tom 2 MC808 Tom 2 CR78 CHH Bristol CHH Regular OHH TR707 Ride MC808 Clash4 MC808Kick16* AnalogKick3* TR707 Kick1* Sim Snare * 106 SD2 * MC808Snar28* MG S Zap 1 TR909 Clap1* MC808 Tom 1* MC808 Tom 1* MC808 Tom 1* Fx OHH 1 Fx CHH 2 Fx OHH 4 TR909 Crash TR606 Cym MGTri HD * TB Dst Sqr * OrchPrc Hit* 106 Noise * MC808Snare9* 106 Noise * Jngl TinySD* TR909 Clap1* 106 Noise * 106 Noise * 106 Noise * TR909 OHH 2* TR808 CHH 1* TR808 OHH 1* TR808 OHH 1* MC808Clash1* MC808 Kick 6 AnalogKick11 PlasticKick1 MC808Snare2* MC808Snare12 MC808Snare18 R&B Rim 2 Cheap Clap R8 Shaker A R8 LoCongaOp Reg HiCng Op TR808 CHH 1 TR606 PHH 2 TR606 OHH MC808 Clash2 TR606 Cym MC808 Kick20 MC808 Kick25 MC808 Kick 4 MC808Snare25 MC808Snare21 MC808Snare22 R&B Rim 1 Real Clap MC808 Tom 2 MC808 Tom 2 MC808 Tom 2 MC808 CHH 1 MC808 PHH MC808 OHH 2 MC808 Clash2 MC808 Ride 1 056 ElectrcClick 059 Impact Kit 062 Boom Kit 065 Chill Out 1 068 K-Jungle 071 Real Kit 2 AnalogKick 3 AnalogKick10 MC808 Kick12 TR909 SD 2 TR909 SD 2 MC808Snare15 R8 Comp Rim TR707 Clap * Fx CHH 1 808 Maracas Single Snap CR78 CHH TR808 PHH 1 Lite OHH * TR909 Crash Analog Cym AnalogKick11 TR909 Kick5* TR909 Kick2 MC808Snar18* Phat Snare RegularSnrR* R&B Rim 1 TR909 Clap 1 MC808 Tom 1 MC808 Tom 1 Machine 1 Hip PHH * TR909 PHH 1 TR909 OHH 2 TR909 Crash MC808 Ride1* Sine * Sine * Sine * MC808Snare 9 MC808Snar11* MC808Snar17* Emergency TR707 Clap * MG S Zap 1 MG S Zap 2 MG S Zap 3 Lo-Fi CHH 1 MC SuperSawC Lo-Fi OHH Bomb Noise Brush Noise* TR808 Kick TR808 Kick TR808 Kick TR606 SD 2 TR808 Tom MC808 CHH 3 808 Maracas Hip Clap TR909 CHH 1 TR909 CHH 2 TR808 Tom TR808 CHH 1 TR909 PHH 1 TR606 OHH TR606 Cym Fx OHH 2 MC808Kick17* MC808Kick18* MC808Kick17* Jngl Rim 1 R8 Snr * R8 Snr * Regular Rim Old Clap MC808 Kick24 MC808 Kick24 MC808 Kick24 Hip PHH Hip PHH Fx OHH 3 Construct. Analog Cym LoBit Kick 1 MC808 Kick20 MC808 Kick23 R&B RegSnr 1 R&B RegSnr 2 R&B RegSnrG1 Regular Rim Real Clap MC808 Tom 2 MC808 Tom 2 MC808 Tom 2 MC808 CHH 2 MC808 PHH MC808 OHH 3 MC808 Clash1 MC808 Ride 3 057 Analogue 060 Party Kit 063 ROFF Kit 066 Chill Out 2 069 RiddiM 072 Cool Kit MC808 Kick12 MC808 Kick15 AnalogKick 9 MG White Nz MG White Nz TR808 SD 1 TR808 Rim TR909 Clap 1 TR909 Tom TR909 Tom TR909 Tom TR808 CHH 1 TR808 OHH 1 Lite OHH TR606 Cym TR909 Ride MC808 Kick18 AnalogKick6* AnalogKick11 MC808Snare17 MC808Snare24 MC808Snare24 TR808 Rim Club Clap * Tambourine4* Cajon 3 Timbale Lo R8 Brush CHH HipHop CHH TR909 OHH 2 TR909 Crash TR909 Ride AnalogKick 4 AnalogKick 4 MC808 Kick17 MC808Snare17 Jngl Rim 1 Antigua Snr R&B Rim 1 TR909 Clap 1 Atwan Tac SH2 U Zap 6 MG Attack TR909 CHH 2 MC808 OHH 4 Fx OHH 1 MC808 Clash2 TR909 Ride TR808 Kick TR909 Kick 5 TR808 Kick Jngl TinySD* TR808 SD 4 TR808 SD 5 R&B Rim 2 TR808 Clap MC808 CHH 3 TR909 CHH 2 TR808 Rim TR909 CHH 2 TR909 PHH 1 TR909 OHH 2 TR606 Cym TR606 Cym MC808Kick18* MC808Kick18* MC808Kick18* MC808Snar22* MC808Snar22* MC808Snar22* TR909 Tom * Noise GIS * Factory 1 * Factory 1 * Factory 1 * Bristol CHH Regular CHH1 MC808 OHH 4 MC808 Ride 1 MC808 Clash4 R&B Kick MC808 Kick25 MC808 Kick16 MC808Snare14 R&B Rim 2 Club FinSnap R&B Rim 1 Club Clap R8 Cabasa Triangle 2 Triangle 2 TR808 CHH 1 TR808 PHH 1 TR808 OHH 1 TR606 Cym Analog Cym TR808 Kick TR808 Kick MC808Snar22* R8 Snr * TR606 SD 1 * Scratch 1 Group Clap Snap TablaBayam3* Udu Pot1 Hi* CR78 CHH CR78 OHH CR78 OHH Analog Cym MC808 Ride 2 MC-808_Slist_e.book 11 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm Set list Note No. 073 Cheap Kit 59 MC808 Kick16 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 74 73 076 Fusion Kit 079 Deep Kit 082 Sick 085 MTran Kit 1 088 Urban HipHop MC808Snare11 TR606 Kick Lite Snare CR78 Snare TR808 SD 1 TR808 Rim PD Clap CR78 Tamb CR78 Beat CR78 Guiro Lite CHH Lite OHH Lite OHH TR606 Cym Analog Cym MC808 Kick23 MC808 Kick25 MC808Kick20* Jngl TinySD* Phat Snare * RegularSnr * R&B Rim 2 * Dist Clap * Tambourine2* Tambourine3* R8 Shaker B* MC808 CHH 1* MC808 OHH 1* MC808 OHH 2* MC808Clash1* MC808 Ride1* MC808Kick18* MC808Kick 2* MC808Kick18* Jngl Rim 1 * Jngl Rim 1 * Jngl Rim 1 * Regular Rim Clap Tail 2 MC808 Tom 2 MC808 Tom 2 MC808 Tom 2 MC808 CHH 4* Comp CHH 1 * MC808 OHH 2 MC808 Clash2 MC808 Ride 1 MC808Kick26* MC808Kick10* MC808Kick 8* HipHop CHH * HipHop CHH * HipHop CHH * HipHop CHH * Club FinSnap ThroatWind ThroatWind ThroatWind MC808 CHH 4 MC808 CHH 5 Lite OHH MC808 Ride 1 TR707 Ride MC808Kick17* AnalogKick7* AnalogKik10* DanceHallSD* R8BrushRoll* R&B Rim 1 * TR808 Rim * Dist Clap * TR808 Tom TR808 Tom TR808 Tom TR909 CHH 2* TR606 CHH 1 TR606 OHH TR909 Crash TR707 Ride MC808Kick25* LoBit Kick1* MC808Kick22* 106 SD1 Jngl Tiny SD DanceHallSD* R&B Rim 1 * Clap Tail 1* Scratch 1 * Aha-Haha * Machine 2 * TR909 CHH 1* Hip PHH * TR808 OHH 1* TR909 Crash* MC808 Ride2* 074 Bump Kit 077 Urban Kit 080 Aaron Bee 083 OldskoolKit1 086 MTran Kit 2 089 Cenzo Kit TR909 Kick7* TR909 Kick 6 MC808 Kick27 DanceHall SD TR909 SD 5 TR808 SD 3 * TR808 Claves Hip Clap Udo Udu Pot1 Hi Udu Pot1 Slp TR606 CHH 2 Hip PHH TR909 OHH 2 MC808 Clash1 TR707 Ride V.Vinyl 1 * MC808 Kick7* MC808 Kick18 Vox Snare 1* MC808Snar15* MC808Snar24* TR909 Tom * Real Clap * TR909 Tom * Fx CHH 6 TR909 Tom * HipHop CHH Fx CHH 1 Fx OHH 3 MC808 Ride 3 Asian Gong * MC808 Kick18 R&B Kick TR808 Kick Old Clap * R8 Comp Rim TR909 SD 3 TR808 Rim Old Clap Timbale Lo Timbale Lo TR909 Tom HipHop CHH Pedal Hat TR808 OHH 1 TR606 Cym TR909 Ride TR808 Kick AnalogKick10 PlasticKick2 TR808 SD 5 * Lite Snare * CR78 Snare * TR808 Rim Real Clap CR78 Cowbell SH2 S Zap 5 Beam HiQ TR606 CHH 1 Lite CHH TR606 OHH Fx CHH 1 MC808 Ride 1 MC808Kick21* TR606 DstBD* MC808Kick26* Lite Snare * R8BrushRoll* SnareWithCy* R&B Rim 1 * PD Clap * TR808 Tom * TR808 Tom * TR808 Tom * TR909 CHH 2* Lite CHH TR606 OHH TR909 Crash TR707 Ride MC808 Kick9* MC808 Kick9* MC808 Kick9* MC808Snare25 Real Snare TR808 SD 3 R&B Rim 1 PD Clap VoxKickSweep Vox Snare 1 Vox Hihat 2 MC808 CHH 3 MC808 OHH 1 MC808 OHH 2 MC808 Clash2 MC808 Ride 2 075 Brush Kit 078 BillytheKit 081 Phat Kit 084 Nu Hip-Hop 087 MTran Kit 3 090 Hope Kit TR707 Kick 1 TR606 Kick MC808 Kick23 R8 BrushRoll R8 BrshSwill RegularSnrMP Regular Rim Real Clap MC808 Tom 2 MC808 Tom 2 MC808 Tom 2 MC808 CHH 7 MC808 PHH MC808 OHH 2 MC808 Clash4 MC808 Ride 3 MC808Kick17* MC808 Kick8* TR707 Kick1* FxDrum Snr1* TR808 SD 1 * MC808Snar25* MC808 Tom 1* Hip Clap * MC808 Tom 1* Reg Guiro B MC808 Tom 2* TR606 CHH 2 Hip PHH TR808 OHH 2 MC808 Ride 1 TR606 Cym * TR808 Kick TR707 Kick 1 MC808 Kick21 TR808 SD 1 DanceHall SD MC808Snare 6 R&B Rim 1 TR808 Clap TR808Cowbell Triangle 2 Triangle 2 TR808 CHH 1 TR808 PHH 1 TR808 OHH 1 TR606 Cym Analog Cym MC808 Kick 3 MC808Kick17* TR909 Kick 1 MC808Snar27* MC808Snare16 Tiny Snr 1 Regular Rim* PD Clap R8 Shaker A V.Vinyl 1 V.Vinyl 2 Fx OHH 1 Comp OHH Fx OHH 1 MC808 Clash2 MC808 Ride 3 Sine * TR909 Kick2* AnalogKik11* TR909 SD 1 TR909 SD 2 TR909 SD 3 TR909 Rim TR909 Clap 1 TR909 Tom TR909 Tom TR909 Tom TR909 CHH 1 TR909 PHH 2 TR909 OHH 2 TR909 Crash TR909 Ride MC808 Kick17 TR606 Kick TR808 Kick RegularSnrMF R8 BrushRoll Real Snare R&B Rim 2 Dist Clap TablaBayam 6 R8 HiCongaOp R8 HiCongaOp Fx CHH 1 TR606 PHH 1 Fx OHH 1 MC808 Clash2 MC808 Ride 3 11 MC-808_Slist_e.book 12 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm Set list Note No. 091 OldskoolKit2 59 PlasticKick1 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 74 12 73 094 Live Kit 097 Human Kit 2 100 Noise 103 Kick Menu 1 106 Snare Menu 1 TR909 Kick 5 106 Kick 1 HipHop SD RegularSnrG2 Jngl Tiny SD TR909 Rim TR909 Clap 1 Atwan Dom Reg HiCng Op Reg HiCng Op Hip PHH TR909 PHH 1 TR909 OHH 2 TR909 Crash MC808 Clash3 MC808 Kick20 MC808 Kick27 LoBit Kick 1 MC808Snare18 Real Snare RegularSnrR1 Regular Rim Real Clap Timbale Lo Timbale Lo Timbale Lo MC808 CHH 5 MC808 CHH 4 MC808 OHH 2 MC808 Clash1 MC808 Clash2 Vox Kick 1 * Vox Kick 2 * VoxKickSwep* Vox Snare 1* Vox Snare 2* Vox Snare 1* Aha-Haha Put YourHand Chi Yeah What Vox Hihat 2 Vox Hihat 1 Vox Hihat 3 Vox Cymbal Vox Hihat 3 MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MG White Nz MC808 Kick 1 MC808 Kick 2 MC808 Kick 3 MC808 Kick 4 MC808 Kick 7 MC808 Kick 8 MC808 Kick10 MC808 Kick11 MC808 Kick12 MC808 Kick13 MC808 Kick14 MC808 Kick15 MC808 Kick16 MC808 Kick17 FxDrum BD 1 MC808 Kick18 MC808Snare16 MC808Snare17 MC808Snare18 MC808Snare19 MC808Snare20 MC808Snare21 MC808Snare22 MC808Snare23 MC808Snare24 MC808Snare25 MC808Snare26 MC808Snare27 MC808Snare28 Jngl Tiny SD Tiny Snr 1 Phat Snare 092 Slowdub Kit 095 Keens Perc 098 Beatbox 101 FX Drum Kit 104 Kick Menu 2 107 Snare Menu 2 TR909 Kick 1 TR909 Kick 7 AnalogKick 9 HipHop SD RegularSnr F MC808Snare21 R8 BrshSwill R8 Clap Cajon 3 Reg HiBng Op TablaBayam 3 MC808 PHH TR909 PHH 2 Fx OHH 3 MC808 Clash2 MC808 Ride 2 Udo Udu Pot1 Hi Twesat Hc1 Twesat Hc2 Twesat O Tambourine1 Tambourine2 Tambourine3 Tambourine4 R8 Cabasa Single Snap Club Clap SH2 U Zap 1 TR808 OHH 1 TR606 Cym TR909 Ride MC808 Kick9* MC808 Kick4* MC808Kick15* Vox Hihat 1* Vox Snare 2* Chi * Four M * Snap * VoxKickSweep Aha-Haha Put YourHand Vox Hihat 1 Vox Hihat 2 Vox Hihat 3 Vox Cymbal Breath FxDrum BD 1 FxDrum BD 2 Explosion FxDrum Snr1* FxDrum Snr 2 DigiAtkNois* FxDrumCowBel FxDrumNoize1 FxDrum Tom FxDrum Tom FxDrum Tom FxDrum CHH 1 FxDrum OHH 2 FxDrum OHH 2 FxDrum OHH 1 FxDrumNoize2 MC808 Kick19 MC808 Kick20 MC808 Kick21 MC808 Kick22 MC808 Kick23 MC808 Kick24 MC808 Kick25 MC808 Kick26 MC808 Kick28 R&B Kick LoBit Kick 2 PlasticKick1 PlasticKick2 TR909 Kick 1 TR909 Kick 2 TR909 Kick 3 FxDrum Snr 1 Analog Snr 1 Analog Snr 2 Analog Snr 3 TR909 SD 1 TR909 SD 2 TR909 SD 3 TR909 SD 4 TR909 SD 5 TR909 SD 6 TR909 DstSD TR808 SD 1 TR808 SD 2 TR808 SD 3 TR808 SD 4 TR808 SD 5 093 Dancehall 096 Human Kit 1 099 Warpedvoices 102 Carbon FX 105 Kick Menu 3 108 Snare Menu 3 MC808 Kick20 TR909 Kick 4 106 Kick 1 Cheap Clap * MC808Snare15 TR606 SD 1 Regular Rim TR808 Clap Timbale Lo Timbale Lo TR909 Tom TR808 CHH 1 TR808 OHH 1 Lite OHH TR606 Cym TR909 Ride Vox Kick 1 Vox Kick 2 VoxKickSweep Vox Snare 1 Vox Snare 2 Vox Hihat 1 Vox Hihat 2 Vox Hihat 3 Vox Cymbal Chi Vox Kick 1 Vox Kick 2 Vox Cymbal Club FinSnap Single Snap Snap One M Two M Three M Four M One F Two F Three F Four F Aha-Haha Chi Yeah Put YourHand Say What What MetalVoiceL1 MetalVoiceL2 PlasticKik2* MC808Kick18* AnalogKik11* Analog Snr2* TR909 SD 1 * TR808 SD 2 * Metal Wind * R8 Clap * ThroatWind Metal Wind TR606 Cym TR909 OHH 2* TR909 PHH 2* TR909 OHH 2* TR808 OHH 1* TR707 Ride * TR909 Kick 4 AnalogKick 3 AnalogKick 4 AnalogKick 5 AnalogKick 6 AnalogKick 7 106 Kick 2 AnalogKick 8 AnalogKick 9 AnalogKick10 AnalogKick11 TR808 Kick TR909 Kick 5 TR909 Kick 6 TR909 Kick 7 TR707 Kick 1 TR808 SD 6 TR808 SD 7 TR606 SD 1 TR606 SD 2 106 SD1 106 SD2 Lite Snare DanceHall SD CR78 Snare Sim Snare Jngl Rim 1 Jngl Rim 2 R8 Brush Tap R8 BrshSwill R8 BrushRoll SnareWithCym MC-808_Slist_e.book 13 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm Set list Note No. 109 Snare Menu 4 59 R8 Snr C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 59 C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 74 73 112 HH Menu 2 115 Clap Menu 118 Cym & Rim 121 FX Menu 2 124 Hit&Stab 2 R8 Snr cmp Real Snare RegularSnrMP RegularSnrMF RegularSnr F RegularSnrR1 RegularSnrR2 RegularSnrG2 RegularSnrG3 R&B RegSnr 1 R&B RegSnr 2 R&B RegSnrG1 Funk Snr Picc. Hrd Sn Picc. Rol Sn TR909 CHH 1 TR909 CHH 2 TR808 CHH 1 TR808 CHH 2 TR606 CHH 1 TR606 CHH 2 TR606 DstCHH Lite CHH CR78 CHH DR55 CHH 1 Fx CHH 1 FxDrum CHH 1 Fx CHH 2 Fx CHH 3 Fx CHH 4 Fx CHH 5 TR808 Clap TR909 Clap 2 Dist Clap Hip Clap PD Clap Cheap Clap Old Clap Real Clap Group Clap TR707 Clap Funk Clap Club Clap R8 Clap TR909 Clap 1 Disc Clap Clap Tail 1 MC808 Clash1 MC808 Clash2 MC808 Clash3 MC808 Clash4 TR909 Crash Analog Cym TR606 Cym MC808 Ride 1 MC808 Ride 2 MC808 Ride 3 TR909 Ride TR707 Ride TR909 Rim TR808 Rim R&B Rim 1 R&B Rim 2 SH2 S Zap 1 MG S Zap 1 SH2 S Zap 2 MG S Zap 2 SH2 S Zap 5 MG S Zap 3 SH2 S Zap 3 SH2 S Zap 4 SH2 U Zap 1 SH2 U Zap 2 SH2 U Zap 3 SH2 U Zap 4 SH2 U Zap 5 SH2 U Zap 6 MG U Zap 1 MG U Zap 2 Bass Slide D.MuteGt mp DistGtrChord CleanGtrCut Gtr Trill Gtr Cut DistGtrRiff1 DistGtrRiff2 Wah Gtr Riff GtrShtSlide BrsShortFall PopBrsAtk A Flute Gliss Flute FX Sax Fx 1 Sax Fx 2 110 Snare Menu 5 113 HH Menu 3 116 Perc Menu 1 119 SFX Menu 122 FX Menu 3 125 Voice Menu FxDrum Snr 2 MC808Snare 1 MC808Snare 2 MC808Snare 3 MC808Snare 4 MC808Snare 5 MC808Snare 6 MC808Snare 7 MC808Snare 8 MC808Snare 9 MC808Snare10 MC808Snare11 MC808Snare12 MC808Snare13 MC808Snare14 MC808Snare15 Regular CHH1 Regular CHH2 R8 Brush CHH MC808 PHH Hip PHH Pedal Hat TR909 PHH 1 TR909 PHH 2 TR808 PHH 1 TR606 PHH 1 TR606 PHH 2 MC808 OHH 1 MC808 OHH 2 MC808 OHH 3 MC808 OHH 4 Regular OHH R8 Cowbell R8 Hi Agogo R8 LowAgogo R8 HiCongaMt R8 HiCongaOp R8 LoCongaOp Reg HiCng Mt Reg HiCng Op Reg LoCng Op Reg HiBng Mt Reg HiBng Op Reg LoBng Op Tambourine1 Tambourine2 Tambourine3 Tambourine4 Scratch 1 Scratch 2 Scratch 3 Scratch 4 V.Vinyl 1 V.Vinyl 2 Water Drip Sea Dolphin Md Emergency Buzzer Construct. Turbine Applause Bomb Noise Thunderbolt MG U Zap 3 MG Blip Beam HiQ MG Attack MC808 FX 1 MC808 FX 2 MC808 FX 3 MC808 FX 4 MC808 FX 5 MC808 FX 7 MC808 FX 8 Beep MG U Zap 4 MG Sweep Space FX Swp Reso FX One M Two M Three M Four M One F Two F Three F Four F Aha-Haha Chi Yeah Put YourHand Say What What Aah Formant Eeh Formant 111 HH Menu 1 114 HH Menu 4 117 Perc Menu 2 120 FX Menu 1 123 Hit&Stab 1 126 World Menu 1 MC808 CHH 1 MC808 CHH 2 MC808 CHH 3 MC808 CHH 4 MC808 CHH 5 MC808 CHH 6 MC808 CHH 7 Regular CHH1 Regular CHH2 Bristol CHH R8 Brush CHH HipHop CHH Comp CHH 1 Comp CHH 2 Lo-Fi CHH 1 Lo-Fi CHH 2 HipHop OHH Comp OHH Lo-Fi OHH Fx OHH 1 Fx OHH 2 Fx OHH 3 Fx OHH 4 FxDrum OHH 2 FxDrum OHH 1 TR909 OHH 1 TR909 OHH 2 TR808 OHH 1 TR808 OHH 2 TR606 OHH Lite OHH CR78 OHH Timbale Hi Timbale Lo 808 Maracas Maracas R8 Shaker A R8 Cabasa Triangle 1 Triangle 2 Reg Guiro A Reg Guiro B Reg Guiro C Whistle Shrt Whistle TR727Quijada TR808 Claves R8 ClavesCmp FxDrum BD 2 Distorted 2 Factory 1 Factory 2 Machine 1 Machine 2 AliasScratch Sliced FxDrumNoize1 FxDrumNoize2 Interfering1 Interfering2 Interfering3 MC808 FX 6 OSC Perc 1 OSC Perc 2 Neat Hit1 Neat Hit2 Neat Hit3 Neat Hit4 Neat Hit5 Neat Hit6 Ambient Hit Trance Hit HeavyDistHit Distorted 1 Techno Chord Soft Chord Voco Chord 1 Voco Chord 2 Philly Hit OrchPrc Hit TablaBayam 1 TablaBayam 2 TablaBayam 3 TablaBayam 4 TablaBayam 5 TablaBayam 6 TablaBayam 7 Sitar Gliss Udo Udu Pot1 Hi Udu Pot1 Slp Cajon 1 Cajon 2 Cajon 3 Atwan Dom Atwan Sak 13 MC-808_Slist_e.book 14 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm Set list Note No. 127 World Menu 2 59 Atwan Tac C4 60 61 62 63 64 65 66 67 68 69 70 71 C5 72 73 74 Duff Sacduf Hawen Tac Magribi Dom Twesat Hc1 Twesat Hc2 Twesat O AfroDrum Rat Chenchen Op Pandeiro Mt Pandeiro Asian Gong Asian Gong RAMA Cymbal RAMA Cymbal RAMA Cymbal 128 Vocal Sample 59 C4 60 61 62 63 64 65 66 67 68 69 SampleRap 1* SampleRap 2* SampleRap 3* Wah Wo 1 * Wah * Baby * Wah Wo 2 * Baby Boy Fall This is Anh Yeah 70 71 C5 72 73 74 “*” indicates tones that use two or more waves. Bank Select and Program Change Correspondence Chart 14 Group Number USER A USER B CARD A CARD B 001–128 001–128 001–128 001–128 Bank Select MSB LSB 82 00 82 01 81 32 81 33 Program Number 1–128 1–128 1–128 1–128 MC-808_Slist_e.book 15 ページ ２００６年２月１３日 月曜日 午前９時４６分 Pattern list (for US) No. Pattern Name BPM Meas. Creator 001 SuperGrime! 122 8 David “Tweeky” Ahlund 002 Lover’s Way 60 8 Shinichiro Murayama 003 004 005 006 007 008 009 010 011 My Only Tap How U See It Dis Makes 4 Kwizmer H2 How U See It Tone E Hook HU-South Iz Over U Trip It Up4 95 115 96 110 111 92 72 81 94 8 8 8 8 8 8 4 8 4 Huston Singletary 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 Sista-Matic Huston Kntrl Cold2Smooth Trill Out Pedro Is U Unkle M Wear It Well Summer Set Uuder Tow To The Left Fascination Syn-Huey HU-Smooth Star Jam Make It Low 85 70 69 76 74 76 82 72 115 60 75 73 64 65 85 4 4 4 2 2 4 4 2 4 2 2 2 2 4 4 027 028 029 030 031 032 033 034 035 Get It In Da Mood Groove Floor Mellow Style Keep It Goin’ Sweet’n’ Sound Touch of Strings Urban Love The Edge 97 89 100 97 89 100 88 94 100 8 8 8 8 8 8 8 8 8 Shinichiro Murayama 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 da Bells OB’s treat Pizz4U Rockin’ Bump Geeeeezzz Crazy Drunk My My Step Off Beat Street Lil Boy Over There Muffin Dirty Dirty Zippy Mini Truck Sugar Daddy Dollar Short Cubby Oral Exam 92 89 97 93 92 100 70 70 132 101 90 125 97 106 123 92 98 89 99 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Roland Corporation U.S. 055 056 057 058 059 060 061 062 063 064 065 066 067 068 L Is 4 Love! WatcHa WatcHa I Cant BreAf Stinky Toes! Call Me SheeN! ReGGaeToN 1 ReGGaeToN 2 ReGGaeToN 3 DaNzhall 1 DaNzhall 2 Nothing Tha Bumpz Rocky Breakz MaaCeo 2006 100 105 75 100 95 105 94 94 105 105 125 125 135 128 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Roland Corporation U.S. 069 070 071 072 073 074 075 076 077 078 Gasper Vitamin Z Dirty Boyz Tower The KH Dubly Life Get up! Common Session Mood ForTheLife Take Over CTU 99 119 130 100 146 97 100 123 93 95 4 4 4 4 4 4 8 4 8 4 Roland Corporation No. Pattern Name BPM Meas. Creator 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 Slippery Wed Slammer Jammer Lay Downed Jiggy Bigup Layed Out Deep Angles Triptonite Distortonation Roundabout Clackajam Easy Money Party Time! Street Sounds Sliding Moves Feeling House 140 138 142 140 138 138 141 142 134 142 138 143 136 142 142 4 4 8 4 4 8 4 8 4 8 4 4 4 4 8 Sterling Moss 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 Melodic Trance 2 Tektrance 1 Back to 94 Melodic Trance 1 Monoelectrique Funky House PoP-Fusion TekTrance 2 Chillin`House El Rithmo Chicken & Curry Powerpop Beatz Hands Up! Dream Dance Monoelectrique 2 140 142 130 128 128 128 100 140 128 128 130 130 142 140 128 8 8 8 8 8 8 4 8 8 8 8 4 8 8 8 Manuel Schleis 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 DEVGRU Strider SiGlocKimber CQB LargeSmallWorld TheGreenLine GOLD V12 HexagonMemory Wall54321!!Zero PKTN DubDream PASSION!! RobotLove FullMetalRose FutureTrain 132 130 135 140 125 127 130 115 135 127 120 132 132 125 110 4 8 4 4 4 8 4 8 8 4 4 4 4 4 4 Heigo Tani 124 125 126 127 128 129 130 131 132 133 134 135 136 137 Lab Beats Hybrid Hop Vampire Dance The Meadow Contrast Beats Electric Boogie Wildlife Airee! Secret Spot Submarine Trip Full-On Beats! You’re Toast! Strobe Shock Party Trance 115 105 150 116 110 113 170 110 140 80 130 105 140 143 8 4 8 4 4 8 8 4 8 4 4 4 4 8 David “Tweeky” Ahlund 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 Industritech Deep End Get You Acid Thunda Cool Girl Karmer Lushus Nurture Purge The hood Into You Houses Berksville Scenic Blast 135 128 134 134 128 132 132 132 100 100 100 125 125 130 140 4 8 8 4 4 4 4 8 8 4 4 4 4 4 4 Justin Berkovi 15 MC-808_Slist_e.book 16 ページ ２００６年２月１３日 月曜日 午前９時４６分 Pattern list (for US) No. Pattern Name 153 154 155 156 157 158 Para Para Fire Memory Brass Euro Heart Beat G-psy Cold Game Machinist 150 129 155 145 145 145 8 8 8 4 8 8 Remo-con 159 160 161 162 163 164 Bang The Floor TranceIsParadise Psych Baster Dimension 808 Mystery Paranoia Escape Code 148 148 145 150 150 170 8 8 8 8 8 8 Roland Corporation 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 All My Bass DnB Silk Spring E-Ska Old Man 007 Middle Ages Lounge Fun N Chase My Chamber Take Chill Off! Easter Bunny NDW Xperience A Raver’s Film 180 170 95 65 205 82 94 110 77 85 100 124 140 180 120 85 8 8 4 2 8 4 4 8 8 4 4 8 8 8 8 8 Kilian Schweer 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 Spicy Massala [email protected] Aaron Bee DanceInDaHall Nitty Gritty Maryland, US Undagrounde Altern8tive SteamyAreEnBee French Butter Cool&Collected LaidBackBounce BackyardBoogie MadProgression Aggression Dapht Dunque 130 140 90 100 125 126 100 150 140 180 130 134 128 136 140 127 8 8 4 4 8 8 4 8 4 8 8 8 8 8 4 8 Steven Keen 197 198 199 200 201 202 203 204 205 206 207 208 Loungebreak Human Kind Cat Walk Dance&Trendal Doggy Chill Put yo Hans up eyePop Shuffle Funk Jood Swampthing Opposite Sax Endolphin Dance Trance A.M. 111 80 126 132 80 120 122 135 114 180 138 134 4 4 4 8 4 4 4 8 8 8 8 8 Hans-Joerg Scheffler 209 210 211 212 213 214 215 216 217 218 Seq GROOVE Revive B-Who? Calculate Classic Trance 1 Classic Trance 2 Test 5 Silly Pimp Sick 303 Electro Rave 127 128 128 138 135 138 109 105 128 138 4 8 4 8 8 8 4 4 8 8 Roland Corporation U.S. 219 220 221 222 223 224 225 226 227 228 229 230 JungleFevah! Spacefunk! Ibiza Love Fast Lane! Lao’s Dance Mellow Groove Sinister Rays of the sun LadiesEverywhere So sorry now SoundScape Tha bus is late! 178 108 137 154 138 125 135 144 124 99 50 125 4 8 4 8 8 8 4 4 4 8 8 4 Tim Hüfken 16 BPM Meas. Creator No. Pattern Name BPM Meas. Creator 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 Speedz’UP Houz’Till’Dawn MatterOFFat ObStructIONIST OffCirclet PetSoundZA Q’and’Not’U QuirkyBreakz RndmAcsMemory R’u’Electric TanzTeeHouz TeuTonicBeat ThePingPanther trOika beAt WalkTheWalk 139 141 136 126 126 129 143 129 143 126 141 132 143 132 126 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 Markus Schneider 246 247 248 249 250 251 252 253 254 255 256 Crazy Melo Dreams of LFO Delayed Bandpass Reborn Groove Harpsichord Nasty Saw Oxygo Trance Sequence A Sidechain Trance Let’s Move Sick’n Silly 142 142 142 142 142 142 142 142 142 142 142 8 8 8 8 8 8 8 8 8 8 8 Michel Pougin No.: Pattern Number / Meas.: Measure Length The sounds, phrases and patterns contained in this product are sound recordings protected by copyright. Roland hereby grants to purchasers of this product the permission to utilize the sound recordings contained in this product for the creation and recording of original musical works; provided however, the sound recordings contained in this product may not be sampled, downloaded or otherwise re-recorded, in whole or in part, for any other purpose, including but not limited to the transmission of all or any part of the sound recordings via the internet or other digital or analog means of transmission, and/ or the manufacture, for sale or otherwise, of any collection of sampled sounds, phrases or patterns, on CD-ROM or equivalent means. The sound recordings contained in this product are the original works of Roland Corporation. Roland is not responsible for the use of the sound recordings contained in this product, and assumes no liability for any infringement of any copyright of any third party arising out of use of the sounds, phrases and patterns in this product. MC-808_Slist_e.book 17 ページ ２００６年２月１３日 月曜日 午前９時４６分 Pattern list (for International) No. Pattern Name BPM Meas. Creator 001 SuperGrime! 122 8 David “Tweeky” Ahlund 002 Lover’s Way 60 8 Shinichiro Murayama 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 Melodic Trance 2 Tektrance 1 Back to 94 Melodic Trance 1 Monoelectrique Funky House PoP-Fusion TekTrance 2 Chillin`House El Rithmo Chicken & Curry Powerpop Beatz Hands Up! Dream Dance Monoelectrique 2 140 142 130 128 128 128 100 140 128 128 130 130 142 140 128 8 8 8 8 8 8 4 8 8 8 8 4 8 8 8 Manuel Schleis 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 Slippery Wed Slammer Jammer Lay Downed Jiggy Bigup Layed Out Deep Angles Triptonite Distortonation Roundabout Clackajam Easy Money Party Time! Street Sounds Sliding Moves Feeling House 140 138 142 140 138 138 141 142 134 142 138 143 136 142 142 4 4 8 4 4 8 4 8 4 8 4 4 4 4 8 Sterling Moss 033 034 035 036 037 038 039 040 041 042 043 044 045 046 Lab Beats Hybrid Hop Vampire Dance The Meadow Contrast Beats Electric Boogie Wildlife Airee! Secret Spot Submarine Trip Full-On Beats! You’re Toast! Strobe Shock Party Trance 115 105 150 116 110 113 170 110 140 80 130 105 140 143 8 4 8 4 4 8 8 4 8 4 4 4 4 8 David “Tweeky” Ahlund 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 Industritech Deep End Get You Acid Thunda Cool Girl Karmer Lushus Nurture Purge The hood Into You Houses Berksville Scenic Blast 135 128 134 134 128 132 132 132 100 100 100 125 125 130 140 4 8 8 4 4 4 4 8 8 4 4 4 4 4 4 Justin Berkovi 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 DEVGRU Strider SiGlocKimber CQB LargeSmallWorld TheGreenLine GOLD V12 HexagonMemory Wall54321!!Zero PKTN DubDream PASSION!! RobotLove FullMetalRose FutureTrain 132 130 135 140 125 127 130 115 135 127 120 132 132 125 110 4 8 4 4 4 8 4 8 8 4 4 4 4 4 4 Heigo Tani No. Pattern Name BPM Meas. Creator 077 078 079 080 081 082 Para Para Fire Memory Brass Euro Heart Beat G-psy Cold Game Machinist 150 129 155 145 145 145 8 8 8 4 8 8 Remo-con 083 084 085 086 087 088 Bang The Floor TranceIsParadise Psych Baster Dimension 808 Mystery Paranoia Escape Code 148 148 145 150 150 170 8 8 8 8 8 8 Roland Corporation 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 All My Bass DnB Silk Spring E-Ska Old Man 007 Middle Ages Lounge Fun N Chase My Chamber Take Chill Off! Easter Bunny NDW Xperience A Raver’s Film 180 170 95 65 205 82 94 110 77 85 100 124 140 180 120 85 8 8 4 2 8 4 4 8 8 4 4 8 8 8 8 8 Kilian Schweer 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 Spicy Massala [email protected] Aaron Bee DanceInDaHall Nitty Gritty Maryland, US Undagrounde Altern8tive SteamyAreEnBee French Butter Cool&Collected LaidBackBounce BackyardBoogie MadProgression Aggression Dapht Dunque 130 140 90 100 125 126 100 150 140 180 130 134 128 136 140 127 8 8 4 4 8 8 4 8 4 8 8 8 8 8 4 8 Steven Keen 121 122 123 124 125 126 127 128 129 130 131 132 Loungebreak Human Kind Cat Walk Dance&Trendal Doggy Chill Put yo Hans up eyePop Shuffle Funk Jood Swampthing Opposite Sax Endolphin Dance Trance A.M. 111 80 126 132 80 120 122 135 114 180 138 134 4 4 4 8 4 4 4 8 8 8 8 8 Hans-Joerg Scheffler 133 134 135 136 137 138 139 140 141 142 143 Crazy Melo Dreams of LFO Delayed Bandpass Reborn Groove Harpsichord Nasty Saw Oxygo Trance Sequence A Sidechain Trance Let’s Move Sick’n Silly 142 142 142 142 142 142 142 142 142 142 142 8 8 8 8 8 8 8 8 8 8 8 Michel Pougin 144 145 146 147 148 149 150 151 152 153 154 155 JungleFevah! Spacefunk! Ibiza Love Fast Lane! Lao’s Dance Mellow Groove Sinister Rays of the sun LadiesEverywhere So sorry now SoundScape Tha bus is late! 178 108 137 154 138 125 135 144 124 99 50 125 4 8 4 8 8 8 4 4 4 8 8 4 Tim Hüfken 17 MC-808_Slist_e.book 18 ページ ２００６年２月１３日 月曜日 午前９時４６分 Pattern list (for International) No. Pattern Name 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 Speedz’UP Houz’Till’Dawn MatterOFFat ObStructIONIST OffCirclet PetSoundZA Q’and’Not’U QuirkyBreakz RndmAcsMemory R’u’Electric TanzTeeHouz TeuTonicBeat ThePingPanther trOika beAt WalkTheWalk 139 141 136 126 126 129 143 129 143 126 141 132 143 132 126 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 Markus Schneider 171 172 173 174 175 176 177 178 179 180 Seq GROOVE Revive B-Who? Calculate Classic Trance 1 Classic Trance 2 Test 5 Silly Pimp Sick 303 Electro Rave 127 128 128 138 135 138 109 105 128 138 4 8 4 8 8 8 4 4 8 8 Roland Corporation U.S. 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 My Only Tap How U See It Dis Makes 4 Kwizmer H2 How U See It Tone E Hook HU-South Iz Over U Trip It Up4 Sista-Matic Huston Kntrl Cold2Smooth Trill Out Pedro Is U Unkle M Wear It Well Summer Set Uuder Tow To The Left Fascination Syn-Huey HU-Smooth Star Jam Make It Low 95 115 96 110 111 92 72 81 94 85 70 69 76 74 76 82 72 115 60 75 73 64 65 85 8 8 8 8 8 8 4 8 4 4 4 4 2 2 4 4 2 4 2 2 2 2 4 4 Huston Singletary 205 206 207 208 209 210 211 212 213 Get It In Da Mood Groove Floor Mellow Style Keep It Goin’ Sweet’n’ Sound Touch of Strings Urban Love The Edge 97 89 100 97 89 100 88 94 100 8 8 8 8 8 8 8 8 8 Shinichiro Murayama 18 BPM Meas. Creator No. Pattern Name BPM Meas. Creator 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 da Bells OB’s treat Pizz4U Rockin’ Bump Geeeeezzz Crazy Drunk My My Step Off Beat Street Lil Boy Over There Muffin Dirty Dirty Zippy Mini Truck Sugar Daddy Dollar Short Cubby Oral Exam L Is 4 Love! WatcHa WatcHa I Cant BreAf Stinky Toes! Call Me SheeN! ReGGaeToN 1 ReGGaeToN 2 ReGGaeToN 3 DaNzhall 1 DaNzhall 2 Nothing Tha Bumpz Rocky Breakz MaaCeo 2006 92 89 97 93 92 100 70 70 132 101 90 125 97 106 123 92 98 89 99 100 105 75 100 95 105 94 94 105 105 125 125 135 128 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Roland Corporation U.S. 247 248 249 250 251 252 253 254 255 256 Gasper Vitamin Z Dirty Boyz Tower The KH Dubly Life Get up! Common Session Mood ForTheLife Take Over CTU 99 119 130 100 146 97 100 123 93 95 4 4 4 4 4 4 8 4 8 4 Roland Corporation No.: Pattern Number / Meas.: Measure Length The sounds, phrases and patterns contained in this product are sound recordings protected by copyright. Roland hereby grants to purchasers of this product the permission to utilize the sound recordings contained in this product for the creation and recording of original musical works; provided however, the sound recordings contained in this product may not be sampled, downloaded or otherwise re-recorded, in whole or in part, for any other purpose, including but not limited to the transmission of all or any part of the sound recordings via the internet or other digital or analog means of transmission, and/ or the manufacture, for sale or otherwise, of any collection of sampled sounds, phrases or patterns, on CD-ROM or equivalent means. The sound recordings contained in this product are the original works of Roland Corporation. Roland is not responsible for the use of the sound recordings contained in this product, and assumes no liability for any infringement of any copyright of any third party arising out of use of the sounds, phrases and patterns in this product. MC-808_Slist_e.book 19 ページ ２００６年２月１３日 月曜日 午前９時４６分 RPS Pattern list No. Pattern Name No. Pattern Name No. Pattern Name No. Pattern Name 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 Trance Drum 1 Trance Drum 2 Trance Drum 3 Trance Drum 4 Trance Drum 5 Trance Drum 6 Trance Drum 7 Trance Drum 8 Trance Drum 9 Trance Drum 10 Techno Drum 1 Techno Drum 2 Techno Drum 3 Techno Drum 4 Techno Drum 5 Techno Drum 6 Electro Drum 1 Electro Drum 2 Electro Drum 3 Electro Drum 4 Hard House Drum1 Hard House Drum2 Pop House Drum 1 Pop House Drum 2 House Drum 1 House Drum 2 House Drum 3 House Drum 4 BreakBeats Drum1 BreakBeats Drum2 BreakBeats Drum3 BreakBeats Drum4 BreakBeats Drum5 BreakBeats Drum6 DrumnBass Drum 1 DrumnBass Drum 2 DrumnBass Drum 3 DrumnBass Drum 4 Hip Hop Drum 1 Hip Hop Drum 2 Hip Hop Drum 3 Hip Hop Drum 4 Chill Out Drum 1 Chill Out Drum 2 R&B Drum 1 R&B Drum 2 R&B Drum 3 R&B Drum 4 DanceHall Drum 1 DanceHall Drum 2 Reggae Drum 1 Reggae Drum 2 Voice Drum 1 Voice Drum 2 Vox Drum 3 Trance Bass 1 Trance Bass 2 Trance Bass 3 Trance Bass 4 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 Trance Bass 5 Trance Bass 6 Trance Bass 7 Trance Bass 8 Trance Bass 9 Trance Bass 10 Techno Bass 1 Techno Bass 2 Techno Bass 3 Techno Bass 4 Techno Bass 5 Techno Bass 6 Electro Bass 1 Electro Bass 2 Electro Bass 3 Electro Bass 4 Hard House Bass1 Hard House Bass2 Hard House Bass3 Pop House Bass 1 Pop House Bass 2 House Bass 1 House Bass 2 House Bass 3 House Bass 4 BreakBeats Bass1 BreakBeats Bass2 BreakBeats Bass3 BreakBeats Bass4 BreakBeats Bass5 BreakBeats Bass6 Drumn Bass Bass1 Drumn Bass Bass2 Hip Hop Bass 1 Hip Hop Bass 2 Hip Hop Bass 3 Hip Hop Bass 4 Chill Out Bass 1 Chill Out Bass 2 R&B Bass 1 R&B Bass 2 R&B Bass 3 R&B Bass 4 DanceHall Bass 1 DanceHall Bass 2 Reggae Bass 1 Reggae Bass 2 Kick Fill 1 Kick Fill 2 Kick Fill 3 Kick Fill 4 Kick Fill 5 Kick Fill 6 Kick Fill 7 Snare Fill 1 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 Snare Fill 2 Snare Fill 3 Snare Fill 4 Snare Fill 5 Snare Fill 6 Snare Fill 7 Snare Fill 8 Snare Fill 9 Hi-hat Fill 1 Hi-hat Fill 2 Hi-hat Fill 3 Hi-hat Fill 4 Hi-hat Fill 5 Hi-hat Fill 6 Hi-hat Fill 7 Hi-hat Fill 8 Hi-hat Fill 9 Hi-hat Fill 10 Hi-hat Fill 11 Hi-hat Fill 12 Hi-hat Fill 13 Hi-hat Fill 14 Hi-hat Fill 15 Hi-hat Fill 16 Hi-hat Fill 17 Hi-hat Fill 18 Cymbal Fill 1 Cymbal Fill 2 Cymbal Fill 3 Cymbal 1 Cymbal 2 Cymbal 3 Cymbal 4 Clap Fill 1 Clap Fill 2 Clap Fill 3 Clap Fill 4 Clap Fill 5 Clap Fill 6 Clap Fill 7 Tom Fill 1 Tom Fill 2 Perc. Fill 1 Perc. Fill 2 Perc. Fill 3 Perc. Fill 4 Perc. Fill 5 Perc. Fill 6 Perc. Fill 7 Perc. Fill 8 Perc. Fill 9 Perc. Fill 10 Perc. Fill 11 Perc. Fill 12 Perc. Fill 13 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 Perc. Fill 14 Perc. Fill 15 Perc. Fill 16 Perc. Fill 17 Perc. Fill 18 Perc. Fill 19 Perc. Fill 20 Perc. Fill 21 Perc. Fill 22 Perc. Fill 23 Perc. Fill 24 Perc. Fill 25 Perc. Fill 26 Perc. Fill 27 Perc. Fill 28 Perc. Fill 29 Perc. Fill 30 Tambourine 1 Tambourine 2 Tambourine 3 Tambourine 4 Tambourine 5 Tambourine 6 Triangle Scratch 1 Scratch 2 Scratch 3 Scratch 4 Scratch 5 Scratch 6 Piano 1 Piano 2 Piano 3 Piano 4 Piano 5 E.Piano 1 E.Piano 2 E.Piano 3 E.Piano 4 E.Piano 5 E.Piano 6 E.Piano 7 E.Piano 8 E.Piano 9 E.Piano 10 E.Piano 11 E.Piano 12 E.Piano 13 Organ 1 Organ 2 Guitar Riff 1 Guitar Riff 2 Guitar Riff 3 Guitar Riff 4 Guitar Riff 5 19 MC-808_Slist_e.book 20 ページ ２００６年２月１３日 月曜日 午前９時４６分 RPS Pattern list No. Pattern Name No. Pattern Name No. Pattern Name No. Pattern Name 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 Guitar Riff 6 Guitar Riff 7 Guitar Riff 8 Guitrar Riff 9 Guitar Riff 10 Guitar Riff 11 Guitar Riff 12 Guitar Riff 13 Guitar Riff 14 Guitar Riff 15 Strings 1 Strings 2 Strings 3 Strings 4 Strings 5 Strings 6 Strings 7 Strings 8 Strings 9 Strings 10 Strings 11 Vox 1 Vox 2 Brass 1 Brass 2 Flute 1 Flute 2 Bell 1 Bell 2 Bell 3 Mallet Vibraphone 1 Vibraphone 2 Vibraphone 3 Xylophone Synth Lead 1 Synth Lead 2 Synth Lead 3 Synth Lead 4 Synth Lead 5 Synth Lead 6 Synth Pad 1 Synth Pad 2 Synth Pad 3 Synth Pad 4 Synth Pad 5 Synth Pad 6 Synth Pad 7 Synth Pad 8 Synth Pad 9 Synth Pad 10 Synth Pad 11 Synth Pad 12 Synth Pad 13 Synth Pad 14 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 Synth Pad 15 Synth Pad 16 Synth Pad 17 Synth Pad 18 Synth Pad 19 Synth Pad 20 Synth Pad 21 Synth Pad 22 Synth Riff 1 Synth Riff 2 Synth Riff 3 Synth Riff 4 Synth Riff 5 Synth Riff 6 Synth Riff 7 Synth Riff 8 Synth Riff 9 Synth Riff 10 Synth Riff 11 Synth Riff 12 Synth Riff 13 Synth Riff 14 Synth Riff 15 Synth Riff 16 Synth Riff 17 Synth Riff 18 Synth Riff 19 Synth Riff 20 Synth Riff 21 Synth Riff 22 Synth Riff 23 Synth Riff 24 Synth Riff 25 Synth Riff 26 Synth Riff 27 Synth Riff 28 Synth Riff 29 Synth Riff 30 Synth Riff 31 Synth Riff 32 Synth Riff 33 Synth Riff 34 Synth Riff 35 Synth Riff 36 Synth Riff 37 Synth Riff 38 Synth Riff 39 Synth Riff 40 Synth Riff 41 Synth Riff 42 Synth Riff 43 Synth Riff 44 Synth Riff 45 Synth Riff 46 Synth Riff 47 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 Synth Riff 48 Synth Riff 49 Synth Riff 50 Synth Riff 51 Synth Riff 52 Synth Riff 53 Synth Riff 54 Synth Riff 55 Synth Riff 56 Synth Riff 57 Synth Riff 58 Synth Seq 1 Synth Seq 2 Synth Seq 3 Synth Seq 4 Synth Seq 5 Synth Seq 6 Synth Seq 7 Synth Seq 8 Synth Seq 9 Synth Seq 10 Synth Seq 11 Synth Seq 12 Synth Seq 13 Synth Seq 14 Synth Seq 15 Synth Seq 16 Synth Seq 17 Synth Seq 18 Synth Seq 19 Synth Seq 20 Synth Seq 21 Synth Seq 22 Synth Seq 23 Synth Seq 24 Synth Seq 25 Synth Seq 26 Synth Seq 27 Synth Seq 28 Synth Seq 29 Synth Seq 30 Synth Seq 31 Synth Seq 32 Synth Seq 33 Synth Seq 34 Synth Seq 35 Synth Seq 36 Synth Seq 37 Synth Seq 38 Synth Seq 39 Synth Seq 40 Synth Seq 41 Synth Seq 42 Synth Seq 43 Voice 1 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 Voice 2 Voice 3 Voice 4 Voice 5 Voice 6 Voice 7 Voice 8 Voice 9 Voice 10 Voice 11 Voice 12 Voice 13 FX 1 FX 2 FX 3 FX 4 FX 5 FX 6 FX 7 FX 8 FX 9 FX 10 FX 11 FX 12 FX 13 FX 14 FX 15 FX 16 FX 17 FX 18 FX 19 FX 20 FX 21 FX 22 FX 23 FX 24 FX 25 FX 26 20 MC-808_Slist_e.book 21 ページ ２００６年２月１３日 月曜日 午前９時４６分 RPS Set list Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name 01. Trance 05. ClassicTrance 09. Electro1 13. House1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 257 258 312 313 386 461 476 522 544 545 546 602 603 604 491 658 Trance Drum 1 Trance Drum 2 Trance Bass 1 Trance Bass 2 Hi-hat Fill 8 E.Piano 1 Guitar Riff 1 Synth Pad 1 Synth Riff 1 Synth Riff 2 Synth Riff 3 Synth Seq 1 Synth Seq 2 Synth Seq 3 Strings 1 FX 1 265 266 320 321 387 416 417 474 529 556 557 558 559 560 613 614 Trance Drum 9 Trance Drum 10 Trance Bass 9 Trance Bass 10 Hi-hat Fill 9 Perc. Fill 4 Perc. Fill 5 Organ 1 Synth Pad 8 Synth Riff 13 Synth Riff 14 Synth Riff 15 Synth Riff 16 Synth Riff 17 Synth Seq 12 Synth Seq 13 273 274 328 329 384 422 444 569 570 625 626 627 453 374 397 403 Electro Drum 1 Electro Drum 2 Electro Bass 1 Electro Bass 2 Hi-hat Fill 6 Perc. Fill 10 Tambourine 2 Synth Riff 26 Synth Riff 27 Synth Seq 24 Synth Seq 25 Synth Seq 26 Scratch 4 Snare Fill 5 Cymbal Fill 1 Cymbal 4 281 282 337 338 426 412 463 475 478 517 580 493 445 512 506 670 House Drum 1 House Drum 2 House Bass 1 House Bass 2 Perc. Fill 14 Tom Fill 2 E.Piano 3 Organ 2 Guitar Riff 3 Synth Lead 2 Synth Riff 37 Strings 3 Tambourine 3 Vibraphone 1 Flute 1 FX 13 02. Hard Trance 06. Techno1 10. Electro2 14. House2 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 259 260 314 315 413 523 524 547 548 549 605 606 607 659 660 661 Trance Drum 3 Trance Drum 4 Trance Bass 3 Trance Bass 4 Perc. Fill 1 Synth Pad 2 Synth Pad 3 Synth Riff 4 Synth Riff 5 Synth Riff 6 Synth Seq 4 Synth Seq 5 Synth Seq 6 FX 2 FX 3 FX 4 267 268 322 323 388 418 419 516 530 561 562 615 616 617 664 665 Techno Drum 1 Techno Drum 2 Techno Bass 1 Techno Bass 2 Hi-hat Fill 10 Perc. Fill 6 Perc. Fill 7 Synth Lead 1 Synth Pad 9 Synth Riff 18 Synth Riff 19 Synth Seq 14 Synth Seq 15 Synth Seq 16 FX 7 FX 8 275 276 330 331 381 423 477 534 571 572 573 628 629 375 398 403 Electro Drum 3 Electro Drum 4 Electro Bass 3 Electro Bass 4 Hi-hat Fill 3 Perc. Fill 11 Guitar Riff 2 Synth Pad 13 Synth Riff 28 Synth Riff 29 Synth Riff 30 Synth Seq 27 Synth Seq 28 Snare Fill 6 Cymbal Fill 2 Cymbal 4 283 284 339 340 427 464 459 479 581 582 494 446 513 655 671 672 House Drum 3 House Drum 4 House Bass 3 House Bass 4 Perc. Fill 15 E.Piano 4 Piano 4 Guitar Riff 4 Synth Riff 38 Synth Riff 39 Strings 4 Tambourine 4 Vibraphone 2 Voice 11 FX 14 FX 15 03. Pop Trance 07. Techno2 11. HardHouse 15. BreakBeats1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 261 262 316 317 414 456 525 550 551 552 553 608 609 610 379 402 Trance Drum 5 Trance Drum 6 Trance Bass 5 Trance Bass 6 Perc. Fill 2 Piano 1 Synth Pad 4 Synth Riff 7 Synth Riff 8 Synth Riff 9 Synth Riff 10 Synth Seq 7 Synth Seq 8 Synth Seq 9 Hi-hat Fill 1 Cymbal 3 269 270 324 325 389 420 421 531 532 618 619 620 621 666 667 402 Techno Drum 3 Techno Drum 4 Techno Bass 3 Techno Bass 4 Hi-hat Fill 11 Perc. Fill 8 Perc. Fill 9 Synth Pad 10 Synth Pad 11 Synth Seq 17 Synth Seq 18 Synth Seq 19 Synth Seq 20 FX 9 FX 10 Cymbal 3 277 278 332 333 334 390 457 458 574 575 576 630 631 632 382 402 Hard House Drum1 Hard House Drum2 Hard House Bass1 Hard House Bass2 Hard House Bass3 Hi-hat Fill 12 Piano 2 Piano 3 Synth Riff 31 Synth Riff 32 Synth Riff 33 Synth Seq 29 Synth Seq 30 Synth Seq 31 Hi-hat Fill 4 Cymbal 3 285 286 341 342 391 428 429 480 465 537 583 584 635 447 514 673 BreakBeats Drum1 BreakBeats Drum2 BreakBeats Bass1 BreakBeats Bass2 Hi-hat Fill 13 Perc. Fill 16 Perc. Fill 17 Guitar Riff 5 E.Piano 5 Synth Pad 16 Synth Riff 40 Synth Riff 41 Synth Seq 34 Tambourine 5 Vibraphone 3 FX 16 04. TechTrance 08. Techno3 12. PopHouse 16. BreakBeats2 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 263 264 318 319 415 526 527 528 554 555 611 612 443 662 663 403 Trance Drum 7 Trance Drum 8 Trance Bass 7 Trance Bass 8 Perc. Fill 3 Synth Pad 5 Synth Pad 6 Synth Pad 7 Synth Riff 11 Synth Riff 12 Synth Seq 10 Synth Seq 11 Tambourine 1 FX 5 FX 6 Cymbal 4 271 272 326 327 533 563 564 565 566 567 568 622 623 624 668 402 Techno Drum 5 Techno Drum 6 Techno Bass 5 Techno Bass 6 Synth Pad 12 Synth Riff 20 Synth Riff 21 Synth Riff 22 Synth Riff 23 Synth Riff 24 Synth Riff 25 Synth Seq 21 Synth Seq 22 Synth Seq 23 FX 11 Cymbal 3 279 280 335 336 424 425 462 535 536 577 578 579 633 634 492 669 Pop House Drum 1 Pop House Drum 2 Pop House Bass 1 Pop House Bass 2 Perc. Fill 12 Perc. Fill 13 E.Piano 2 Synth Pad 14 Synth Pad 15 Synth Riff 34 Synth Riff 35 Synth Riff 36 Synth Seq 32 Synth Seq 33 Strings 2 FX 12 287 288 343 344 430 431 432 481 466 518 585 586 636 495 656 674 BreakBeats Drum3 BreakBeats Drum4 BreakBeats Bass3 BreakBeats Bass4 Perc. Fill 18 Perc. Fill 19 Perc. Fill 20 Guitar Riff 6 E.Piano 6 Synth Lead 3 Synth Riff 42 Synth Riff 43 Synth Seq 35 Strings 5 Voice 12 FX 17 21 MC-808_Slist_e.book 22 ページ ２００６年２月１３日 月曜日 午前９時４６分 RPS Set list Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name 17. BreakBeats3 21. ChillOut 25. Reggae 29. Scratch & Clap 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 289 290 345 346 433 482 587 588 637 638 448 454 449 657 675 400 BreakBeats Drum5 BreakBeats Drum6 BreakBeats Bass5 BreakBeats Bass6 Perc. Fill 21 Guitar Riff 7 Synth Riff 44 Synth Riff 45 Synth Seq 36 Synth Seq 37 Tambourine 6 Scratch 5 Triangle Voice 13 FX 18 Cymbal 1 299 300 353 354 434 435 470 485 542 596 597 499 455 502 515 681 Chill Out Drum 1 Chill Out Drum 2 Chill Out Bass 1 Chill Out Bass 2 Perc. Fill 22 Perc. Fill 23 E.Piano 10 Guitar Riff 10 Synth Pad 21 Synth Riff 53 Synth Riff 54 Strings 9 Scratch 6 Vox 1 Xylophone FX 24 307 308 361 362 396 384 440 441 460 490 521 601 644 501 507 400 Reggae Drum 1 Reggae Drum 2 Reggae Bass 1 Reggae Bass 2 Hi-hat Fill 18 Hi-hat Fill 6 Perc. Fill 28 Perc. Fill 29 Piano 5 Guitar Riff 15 Synth Lead 6 Synth Riff 58 Synth Seq 43 Strings 11 Flute 2 Cymbal 1 450 451 452 453 454 455 675 676 411 404 405 406 407 408 409 410 Scratch 1 Scratch 2 Scratch 3 Scratch 4 Scratch 5 Scratch 6 FX 18 FX 19 Tom Fill 1 Clap Fill 1 Clap Fill 2 Clap Fill 3 Clap Fill 4 Clap Fill 5 Clap Fill 6 Clap Fill 7 18. DrumnBass 22. R&B1 26. Kick&Snare Fill 30. Perc. Set 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 291 292 293 294 347 348 392 467 468 519 538 539 639 676 677 678 DrumnBass Drum 1 DrumnBass Drum 2 DrumnBass Drum 3 DrumnBass Drum 4 Drumn Bass Bass1 Drumn Bass Bass2 Hi-hat Fill 14 E.Piano 7 E.Piano 8 Synth Lead 4 Synth Pad 17 Synth Pad 18 Synth Seq 38 FX 19 FX 20 FX 21 301 302 355 356 436 471 472 486 520 598 641 500 508 682 399 400 R&B Drum 1 R&B Drum 2 R&B Bass 1 R&B Bass 2 Perc. Fill 24 E.Piano 11 E.Piano 12 Guitar Riff 11 Synth Lead 5 Synth Riff 55 Synth Seq 40 Strings 10 Bell 1 FX 25 Cymbal Fill 3 Cymbal 1 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 Kick Fill 1 Kick Fill 2 Kick Fill 3 Kick Fill 4 Kick Fill 5 Kick Fill 6 Kick Fill 7 Snare Fill 1 Snare Fill 2 Snare Fill 3 Snare Fill 4 Snare Fill 5 Snare Fill 6 Snare Fill 7 Snare Fill 8 Snare Fill 9 19. HipHop1 23. R&B2 27. FX Set 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 295 296 349 350 393 483 540 589 590 591 640 496 497 309 310 679 Hip Hop Drum 1 Hip Hop Drum 2 Hip Hop Bass 1 Hip Hop Bass 2 Hi-hat Fill 15 Guitar Riff 8 Synth Pad 19 Synth Riff 46 Synth Riff 47 Synth Riff 48 Synth Seq 39 Strings 6 Strings 7 Voice Drum 1 Voice Drum 2 FX 22 303 304 357 358 394 385 437 473 487 599 642 503 509 683 410 401 R&B Drum 3 R&B Drum 4 R&B Bass 3 R&B Bass 4 Hi-hat Fill 16 Hi-hat Fill 7 Perc. Fill 25 E.Piano 13 Guitar Riff 12 Synth Riff 56 Synth Seq 41 Vox 2 Bell 2 FX 26 Clap Fill 7 Cymbal 2 659 661 663 664 665 666 670 671 672 677 678 679 680 681 682 683 FX 2 FX 4 FX 6 FX 7 FX 8 FX 9 FX 13 FX 14 FX 15 FX 20 FX 21 FX 22 FX 23 FX 24 FX 25 FX 26 20. HipHop2 24. DanceHall 28. Voice Set 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 22 297 298 351 352 410 469 484 541 592 593 594 595 498 311 680 401 Hip Hop Drum 3 Hip Hop Drum 4 Hip Hop Bass 3 Hip Hop Bass 4 Clap Fill 7 E.Piano 9 Guitar Riff 9 Synth Pad 20 Synth Riff 49 Synth Riff 50 Synth Riff 51 Synth Riff 52 Strings 8 Voice Drum 3 FX 23 Cymbal 2 305 306 359 360 395 438 439 488 489 543 600 643 510 504 505 511 DanceHall Drum 1 DanceHall Drum 2 DanceHall Bass 1 DanceHall Bass 2 Hi-hat Fill 17 Perc. Fill 26 Perc. Fill 27 Guitar Riff 13 Guitar Riff 14 Synth Pad 22 Synth Riff 57 Synth Seq 42 Bell 3 Brass 1 Brass 2 Mallet 309 310 311 645 646 647 648 649 650 651 652 653 654 655 656 657 Voice Drum 1 Voice Drum 2 Voice Drum 3 Voice 1 Voice 2 Voice 3 Voice 4 Voice 5 Voice 6 Voice 7 Voice 8 Voice 9 Voice 10 Voice 11 Voice 12 Voice 13 413 416 417 419 424 425 427 429 432 433 434 438 439 441 442 445 Perc. Fill 1 Perc. Fill 4 Perc. Fill 5 Perc. Fill 7 Perc. Fill 12 Perc. Fill 13 Perc. Fill 15 Perc. Fill 17 Perc. Fill 20 Perc. Fill 21 Perc. Fill 22 Perc. Fill 26 Perc. Fill 27 Perc. Fill 29 Perc. Fill 30 Tambourine 3 No.: RPS Pattern Number * All of this data is the factoryset data. For details on how to perform a factory reset, refer to the owner’s manual (p. 25). * With the factory settings, RPS sets 31–50 contain the same sets as RPS sets 01–20. MC-808_Slist_e.book 23 ページ ２００６年２月１３日 月曜日 午前９時４６分 Pattern Set list (for US) Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name 01. S.Murayama 05. Manuel Schleis 09. Steven Keen 13. Michel Pougin 17. Roland US2 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 002 027 028 029 030 031 032 033 034 035 002 027 028 029 030 031 Lover’s Way Get It In Da Mood Groove Floor Mellow Style Keep It Goin’ Sweet’n’ Sound Touch of Strings Urban Love The Edge Lover’s Way Get It In Da Mood Groove Floor Mellow Style Keep It Goin’ 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 094 Melodic Trance 2 Tektrance 1 Back to 94 Melodic Trance 1 Monoelectrique Funky House PoP-Fusion TekTrance 2 Chillin`House El Rithmo Chicken & Curry Powerpop Beatz Hands Up! Dream Dance Monoelectrique 2 Melodic Trance 2 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 Spicy Massala [email protected] Aaron Bee DanceInDaHall Nitty Gritty Maryland, US Undagrounde Altern8tive SteamyAreEnBee French Butter Cool&Collected LaidBackBounce BackyardBoogie MadProgression Aggression Dapht Dunque 246 Crazy Melo 247 Dreams of LFO 248 Delayed Bandpass 249 Reborn Groove 250 Harpsichord 251 Nasty Saw 252 Oxygo Trance 253 Sequence A 254 Sidechain Trance 255 Let’s Move 256 Sick’n Silly 246 Crazy Melo 247 Dreams of LFO 248 Delayed Bandpass 249 Reborn Groove 250 Harpsichord 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 My My Step Off Beat Street Lil Boy Over There Muffin Dirty Dirty Zippy Mini Truck Sugar Daddy Dollar Short Cubby Oral Exam L Is 4 Love! WatcHa WatcHa I Cant BreAf 02. Heigo Tani 06. Tweeky 10. Hans Scheffle 14. H.Singletar 1 18. Roland US3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 109 DEVGRU Strider SiGlocKimber CQB LargeSmallWorld TheGreenLine GOLD V12 HexagonMemory Wall54321!!Zero PKTN DubDream PASSION!! RobotLove FullMetalRose FutureTrain DEVGRU 001 124 125 126 127 128 129 130 131 132 133 134 135 136 137 001 SuperGrime! Lab Beats Hybrid Hop Vampire Dance The Meadow Contrast Beats Electric Boogie Wildlife Airee! Secret Spot Submarine Trip Full-On Beats! You’re Toast! Strobe Shock Party Trance SuperGrime! 197 198 199 200 201 202 203 204 205 206 207 208 197 198 199 200 Loungebreak Human Kind Cat Walk Dance&Trendal Doggy Chill Put yo Hans up eyePop Shuffle Funk Jood Swampthing Opposite Sax Endorphin Dance Trance A.M. Loungebreak Human Kind Cat Walk Dance&Trendal 003 004 005 006 007 008 009 010 011 012 013 003 004 005 006 007 My Only Tap How U See It 1 Dis Makes 4 Kwizmer H2 How U See It 2 Tone E Hook HU-South Iz Over U Trip It Up4 Sista-Matic Huston Kntrl My Only Tap How U See It 1 Dis Makes 4 Kwizmer H2 How U See It 2 058 059 060 061 062 063 064 065 066 067 068 058 059 060 061 062 Stinky Toes! Call Me SheeN! ReGGaeToN 1 ReGGaeToN 2 ReGGaeToN 3 DaNzhall 1 DaNzhall 2 Nothing Tha Bumpz Rocky Breakz MaaCeo 2006 Stinky Toes! Call Me SheeN! ReGGaeToN 1 ReGGaeToN 2 ReGGaeToN 3 03. Remo-con 07. Justin Berkovi 11. Tim Hufken 15. H.Singletar 2 19. Roland 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 153 Para Para Fire 154 Memory Brass 155 Euro Heart Beat 156 G-psy 157 Cold Game 158 Machinist 159 Bang The Floor 160 TranceIsParadise 161 Psych Buster 162 Dimension 808 163 Mystery Paranoia 164 Escape Code 153 Para Para Fire 154 Memory Brass 155 Euro Heart Beat 156 G-psy 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 138 Industritech Deep End Get You Acid Thunda Cool Girl Karmer Lushus Nurture Purge The hood Into You Houses Berksville Scenic Blast Industritech 219 220 221 222 223 224 225 226 227 228 229 230 219 220 221 222 JungleFevah! Spacefunk! Ibiza Love Fast Lane! Lao’s Dance Mellow Groove Sinister Rays of the sun LadiesEverywhere So sorry now SoundScape Tha bus is late! JungleFevah! Spacefunk! Ibiza Love Fast Lane! 014 015 016 017 018 019 020 021 022 023 024 025 026 014 015 016 Cold2Smooth Trill Out Pedro Is U Unkle M Wear It Well Summer Set Uuder Tow To The Left Fascination Syn-Huey HU-Smooth Star Jam Make It Low Cold2Smooth Trill Out Pedro Is U 04. Sterling Moss 08. Kilian Schweer 12. Markus Schneide 16. Roland US1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 079 Slippery Wed Slammer Jammer Lay Downed Jiggy Bigup Layed Out Deep Angles Triptonite Distortonation Roundabout Clackajam Easy Money Party Time! Street Sounds Sliding Moves Feeling House Slippery Wed 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 All My Bass DnB Silk Spring E-Ska Old Man 007 Middle Ages Lounge Fun N Chase My Chamber Take Chill Off! Easter Bunny NDW Xperience A Raver’s Film 231 Speedz’UP 232 Houz’Till’Dawn 233 MatterOFFat 234 ObStructIONIST 235 OffCirclet 236 PetSoundZA 237 Q’and’Not’U 238 QuirkyBreakz 239 RndmAcsMemory 240 R’u’Electric 241 TanzTeeHouz 242 TeuTonicBeat 243 ThePingPanther 244 trOika beAt 245 WalkTheWalk 231 Speedz’UP 209 210 211 212 213 214 215 216 217 218 036 037 038 039 040 041 Seq GROOVE Revive B-Who? Calculate Classic Trance 1 Classic Trance 2 Test 5 Silly Pimp Sick 303 Electro Rave da Bells OB’s treat Pizz4U Rockin’ Bump Geeeeezzz Crazy Drunk 069 070 071 072 073 074 075 076 077 078 069 070 071 072 073 074 Gasper Vitamin Z Dirty Boyz Tower The KH Dubly Life Get up! Common Session Mood ForTheLife Take Over CTU Gasper Vitamin Z Dirty Boyz Tower The KH Dubly Life Get up! No.: Pattern Number * All of this data is the factory-set data. For details on how to perform a factory reset, refer to the owner’s manual (p. 25). * With the factory settings, pattern sets 20–38 contain the same sets as pattern sets 01–19, and pattern sets 39–50 contain the same sets as pattern sets 01–12. 23 MC-808_Slist_e.book 24 ページ ２００６年２月１３日 月曜日 午前９時４６分 Pattern Set list (for International) Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name Pad No. Pattern Name 01. S.Murayama 05. Manuel Schleis 09. Steven Keen 13. Michel Pougin 17. Roland US2 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 002 205 206 207 208 209 210 211 212 213 002 205 206 207 208 209 Lover’s Way Get It In Da Mood Groove Floor Mellow Style Keep It Goin’ Sweet’n’ Sound Touch of Strings Urban Love The Edge Lover’s Way Get It In Da Mood Groove Floor Mellow Style Keep It Goin’ 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 003 Melodic Trance 2 Tektrance 1 Back to 94 Melodic Trance 1 Monoelectrique Funky House PoP-Fusion TekTrance 2 Chillin`House El Rithmo Chicken & Curry Powerpop Beatz Hands Up! Dream Dance Monoelectrique 2 Melodic Trance 2 105 Spicy Massala 106 [email protected] 107 Aaron Bee 108 DanceInDaHall 109 Nitty Gritty 110 Maryland, US 111 Undagrounde 112 Altern8tive 113 SteamyAreEnBee 114 French Butter 115 Cool&Collected 116 LaidBackBounce 117 BackyardBoogie 118 MadProgression 119 Aggression 120 Dapht Dunque 133 Crazy Melo 134 Dreams of LFO 135 Delayed Bandpass 136 Reborn Groove 137 Harpsichord 138 Nasty Saw 139 Oxygo Trance 140 Sequence A 141 Sidechain Trance 142 Let’s Move 143 Sick’n Silly 133 Crazy Melo 134 Dreams of LFO 135 Delayed Bandpass 136 Reborn Groove 137 Harpsichord 220 My My 221 Step Off 222 Beat Street 223 Lil Boy 224 Over There 225 Muffin 226 Dirty Dirty 227 Zippy 228 Mini Truck 229 Sugar Daddy 230 Dollar Short 231 Cubby 232 Oral Exam 233 L Is 4 Love! 234 WatcHa WatcHa 235 I Cant BreAf 02. Heigo Tani 06. Tweeky 10. Hans Scheffle 14. H.Singletar 1 18. Roland US3 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 062 063 064 065 066 067 068 069 070 071 072 073 074 075 076 062 DEVGRU Strider SiGlocKimber CQB LargeSmallWorld TheGreenLine GOLD V12 HexagonMemory Wall54321!!Zero PKTN DubDream PASSION!! RobotLove FullMetalRose FutureTrain DEVGRU 001 033 034 035 036 037 038 039 040 041 042 043 044 045 046 001 SuperGrime! Lab Beats Hybrid Hop Vampire Dance The Meadow Contrast Beats Electric Boogie Wildlife Airee! Secret Spot Submarine Trip Full-On Beats! You’re Toast! Strobe Shock Party Trance SuperGrime! 121 122 123 124 125 126 127 128 129 130 131 132 121 122 123 124 Loungebreak Human Kind Cat Walk Dance&Trendal Doggy Chill Put yo Hans up eyePop Shuffle Funk Jood Swampthing Opposite Sax Endorphin Dance Trance A.M. Loungebreak Human Kind Cat Walk Dance&Trendal 181 182 183 184 185 186 187 188 189 190 191 181 182 183 184 185 My Only Tap How U See It 1 Dis Makes 4 Kwizmer H2 How U See It 2 Tone E Hook HU-South Iz Over U Trip It Up4 Sista-Matic Huston Kntrl My Only Tap How U See It 1 Dis Makes 4 Kwizmer H2 How U See It 2 236 237 238 239 240 241 242 243 244 245 246 236 237 238 239 240 Stinky Toes! Call Me SheeN! ReGGaeToN 1 ReGGaeToN 2 ReGGaeToN 3 DaNzhall 1 DaNzhall 2 Nothing Tha Bumpz Rocky Breakz MaaCeo 2006 Stinky Toes! Call Me SheeN! ReGGaeToN 1 ReGGaeToN 2 ReGGaeToN 3 03. Remo-con 07. Justin Berkovi 11. Tim Hufken 15. H.Singletar 2 19. Roland 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 077 Para Para Fire 078 Memory Brass 079 Euro Heart Beat 080 G-psy 081 Cold Game 082 Machinist 083 Bang The Floor 084 TranceIsParadise 085 Psych Buster 086 Dimension 808 087 Mystery Paranoia 088 Escape Code 077 Para Para Fire 078 Memory Brass 079 Euro Heart Beat 080 G-psy 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 047 Industritech Deep End Get You Acid Thunda Cool Girl Karmer Lushus Nurture Purge The hood Into You Houses Berksville Scenic Blast Industritech 144 145 146 147 148 149 150 151 152 153 154 155 144 145 146 147 JungleFevah! Spacefunk! Ibiza Love Fast Lane! Lao’s Dance Mellow Groove Sinister Rays of the sun LadiesEverywhere So sorry now SoundScape Tha bus is late! JungleFevah! Spacefunk! Ibiza Love Fast Lane! 192 193 194 195 196 197 198 199 200 201 202 203 204 192 193 194 Cold2Smooth Trill Out Pedro Is U Unkle M Wear It Well Summer Set Uuder Tow To The Left Fascination Syn-Huey HU-Smooth Star Jam Make It Low Cold2Smooth Trill Out Pedro Is U 04. Sterling Moss 08. Kilian Schweer 12. Markus Schneide 16. Roland US1 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 24 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 018 Slippery Wed Slammer Jammer Lay Downed Jiggy Bigup Layed Out Deep Angles Triptonite Distortonation Roundabout Clackajam Easy Money Party Time! Street Sounds Sliding Moves Feeling House Slippery Wed 089 All My Bass 090 DnB 091 Silk 092 Spring 093 E-Ska 094 Old Man 095 007 096 Middle Ages 097 Lounge 098 Fun N Chase 099 My Chamber 100 Take Chill Off! 101 Easter Bunny 102 NDW 103 Xperience 104 A Raver’s Film 156 Speedz’UP 157 Houz’Till’Dawn 158 MatterOFFat 159 ObStructIONIST 160 OffCirclet 161 PetSoundZA 162 Q’and’Not’U 163 QuirkyBreakz 164 RndmAcsMemory 165 R’u’Electric 166 TanzTeeHouz 167 TeuTonicBeat 168 ThePingPanther 169 trOika beAt 170 WalkTheWalk 156 Speedz’UP 171 172 173 174 175 176 177 178 179 180 214 215 216 217 218 219 Seq GROOVE Revive B-Who? Calculate Classic Trance 1 Classic Trance 2 Test 5 Silly Pimp Sick 303 Electro Rave da Bells OB’s treat Pizz4U Rockin’ Bump Geeeeezzz Crazy Drunk 247 248 249 250 251 252 253 254 255 256 247 248 249 250 251 252 Gasper Vitamin Z Dirty Boyz Tower The KH Dubly Life Get up! Common Session Mood ForTheLife Take Over CTU Gasper Vitamin Z Dirty Boyz Tower The KH Dubly Life Get up! No.: Pattern Number * All of this data is the factory-set data. For details on how to perform a factory reset, refer to the owner’s manual (p. 25). * With the factory settings, pattern sets 20–38 contain the same sets as pattern sets 01–19, and pattern sets 39–50 contain the same sets as pattern sets 01–12. MC-808_Slist_e.book 25 ページ ２００６年２月１３日 月曜日 午前９時４６分 Song list Song No. Song Name (Pattern Name) Patterm No. (for US) Pattern No. (for International) 01 SiGlocKimber 111 064 02 Para Para Fire 153 077 03 Bang The Floor 159 083 04 Deep Angles 084 023 05 Tektrance 095 004 06 Full-On Beats! 134 043 07 Acid Thunda 141 050 08 007 171 095 09 DanceInDaHall 184 108 10 Cat Walk 199 123 11 Revive 210 172 12 So sorry now 228 153 13 WalkTheWalk 245 170 14 Dreams of LFO 247 134 15 Pedro Is U 016 194 16 da Bells 036 214 17 ReGGaeToN 060 238 18 Mood ForTheLife 076 254 19 Mellow Style 030 208 20 Sweet’n’ Sound 032 210 No.: Pattern Number * All data is that programmed at the factory. For instructions on carrying out Factory Reset, refer to p.refer to Owner’s Manual (p. 25). 25 MC-808_Slist_e.book 26 ページ ２００６年２月１３日 月曜日 午前９時４６分 Arpeggio Style list No. 001 002 003 004 005 006 007 008 009 010 011 012 013 014 015 016 017 018 019 020 021 022 023 024 025 026 027 028 029 030 031 032 033 034 035 036 037 038 039 040 041 042 043 044 045 046 047 048 049 050 051 052 053 054 055 056 057 058 059 060 061 062 063 064 26 Number of Notes 2 3 4 2 3 4 4 3 3 4 5 12 3 3 3 3 4 4 6 4 4 5 3 1 2 3 3 3 3 3 3 3 3 4 4 4 3 2 4 4 3 2 2 2 3 4 4 3 4 4 4 4 3 7 9 9 6 7 9 12 5 8 7 5 Number of Steps 2 3 4 2 3 4 6 8 6 4 8 16 4 6 8 4 4 8 6 8 8 8 16 16 16 16 16 16 16 16 16 32 16 16 16 16 8 16 16 16 8 8 8 4 4 16 16 16 16 16 16 16 16 8 16 16 32 16 16 32 16 16 24 16 Effective Chord Forms P029 P030 P031 P032 P033 P034 P035 P036 P037 No. 065 066 067 068 069 070 071 072 073 074 075 076 077 078 079 080 081 082 083 084 085 086 087 088 089 090 091 092 093 094 095 096 097 098 099 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Number of Notes 5 5 5 6 5 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 2 2 2 4 4 4 4 5 10 10 10 4 10 10 10 4 4 5 5 5 6 5 6 6 6 7 5 7 4 6 9 6 7 9 8 7 10 6 Number of Steps 16 16 16 8 8 8 8 8 8 8 16 8 8 16 8 8 16 16 16 8 8 16 8 8 8 8 4 16 16 16 16 16 32 16 16 8 16 32 8 16 16 16 8 16 12 4 16 23 32 32 32 16 16 32 32 32 32 16 16 16 16 16 32 16 Effective Chord Forms P038 P039 P040 P041 P041 P042 P041 P043 P044 P045 P046 P047 P048 P049 P050 P051 P052 P053 P054 P055 P056 P057 P058 P059 P060 P061 P062 P063 P064 MC-808_Slist_e.book 27 ページ ２００６年２月１３日 月曜日 午前９時４６分 Chord Form list No. P001 P002 P003 P004 P005 P006 P007 P008 P009 P010 P011 P012 P013 P014 P015 P016 P017 P018 P019 P020 P021 P022 P023 P024 P025 P026 P027 P028 P029 P030 P031 P032 P033 P034 P035 P036 P037 P038 P039 P040 P041 P042 P043 P044 P045 P046 P047 P048 P049 P050 P051 P052 P053 P054 P055 P056 P057 P058 P059 P060 P061 P062 P063 P064 Chord Name C Maj C Maj7 C7 C min C min7 C dim C min7 b5 C Aug C sus4 C 7sus4 C add9 C #11 C min7 b9 C min add9 C6 C69 C Maj9 C min6 C min9 C min Maj7 C 7 b5 C 7 b9 C9 C 7 #9 C 7 #11 C Aug7 C 7 b13 C 7 13 A min add9 A min add11 G Maj add9 A min9 11 A 7 b9 A min7 11 C Maj9 #11 13 A min6 9 11 C min7 11 G Maj add9 B Maj7 D sus4 A min C sus4 A min G sus4 A F Maj A G Maj C min9 11 A min9 11 A min9 11 E 7 #11 13 A min9 A min9 A min9 A min9 11 F Maj9 #11 A min9 11 A min9 11 G min9 C Maj9 F Maj9 F Maj9 13 F Maj9 #11 Constituent Notes of Chord Form (when C4 is pressed) C4, E4, G4 C4, E4, G4, B4 C4, E4, G4, Bb4 C4, Eb4, G4 C4, Eb4, G4, Bb4 C4, Eb4, Gb4, A4 C4, Eb4, Gb4, Ab4 C4, E4, G#4 C4, F4, G4 C4, F4, G4, Bb4 C4, E4, G4, D5 C4, E4, F#4 C4, Eb4, G4, Bb4, Db5 C4, Eb4, G4, D5 C4, E4, G4, A4 C4, E4, G4, A4, D5 C4, E4, G4, B4, D5 C4, Eb4, G4, A4 C4, Eb4, G4, Bb4, D5 C4, Eb4, G4, B4 C4, E4, Gb4, Bb4 C4, E4, G4, Bb4, Db5 C4, E4, G4, Bb4, D5 C4, E4, G4, Bb4, D#5 C4, E4, G4, Bb4, F#5 C4, E4, G#4, Bb4 C4, G4, Bb4, E5, Ab5 C4, G4, Bb4, E5, A5 E4, A4, B4, C5 A3, C4, D4, E4 A3, G4, A4, B4 A3, B3, C4, D4 A3, G4, A4, Bb4 G3, A3, C4, D4, E4, G4, A4, C5, D5 A1, C2, D2, E2, D4, E4, F#4, G4, A4, B4, C5, D5 A4, B4, C5, D5, E5, F5, G#5, B5 Bb1, C2, Eb2, F2, Gb2, G2, Bb2 G1, G4, A4, B4, D5 B2, F#3, A#3, D#4 D2, D3, A3, G4 A2, A3, C4, E4 F2, F3, C4, G4 A2, E3, A3, C4 C3, G3, D4, G4 A2, A3, E4, A4 F2, F3, A3, C4 A2, E3, A3, E4 C2, C3, E3, G3 G3, C4, D4, Eb4, F4 E5, G5, A5, B5, C6, D6 E3, A3, B3, C4, D4, E4 G#2, A#2, B3, C#4, D4, E4 A2, C3, A3, B3, C4, E4, G4 A3, G4, A4, B4, C5 A3, C4, E4, G4, A4, B4, C5 A4, B4, C5, D5 A3, F4, G4, A4, B4, C5 A2, A3, B3, C4, D4, A4, B4, C5, D5 C2, G3, G4, A4, B4, D5 G2, A2, Bb2, A4, Bb4, E5, F5 G2, B2, C3, D3, G3, B3, C4, D4, E4 C1, C2, C3, G3, A3, C4, E4, F4 E1, F2, G3, A3, C4, D4, E4 E1, G2, B2, F4, G4, A4, B4, C5, E5, F5 * P001–P028 are basic chords * P029–P064 are chords effective for arpeggio styles 27 MC-808_Slist_e.book 28 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters Compressor Parameter Comp Reverb Send Level Range 0–127 Comp Output Assign DRY, MFX1, MFX2 Attack Time 0.05–50 ms Release Time 0.05–2000 ms Threshold 0–127 Ratio 1:1–inf:1 Output Gain Low Freq 0– +24 dB 200, 400 Hz Low Gain -15– +15 High Freq 2k, 4k, 8kHz High Gain -15– +15 Level 0–127 Reverb Explanation Depth of reverb applied to the sound processed through the compressor Set this to 0 if you don’t want to apply reverb. Output destination of the sound processed through the compressor DRY: MIX OUTPUT jacks MFX1 (2): Multi-effects 1 (or 2) Time from when the volume goes up the threshold level until the compressor effect applies Time from when the volume falls below the threshold level until the compressor effect no longer applies Volume level at which compression begins Compression ratio (inf: infinity) Level of the output sound Reference frequency of the low range Amount of low-range boost/ cut Reference frequency of the high range Amount of high-range boost/ cut Output volume of the compressor Multi-effects Parameter MFX Type Range 0–47 MFX1 (2) Reverb Send Level 0–127 MFX1 Output Assign DRY, MFX2 28 Explanation Effect used by multi-effect 1/2 * For details on each effect, refer to “Multi-Effects Parameters (p. 29)”. Depth of reverb applied to the sound processed through multi-effect 1 (2) Set this to 0 if you don’t want to apply reverb. Output destination of the sound processed through multi-effects 1 DRY: MIX OUTPUT jacks MFX2: Multi-effects 2 (multi-effects 1 and 2 will be connected in series) * This parameter exists only for MFX 1. Parameter Reverb Type 1 (REVERB) Type Range OFF, 1–4 ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DELAY Explanation Type of reverb OFF: Reverb not used 1 (REVERB): Basic reverb 2 (SRV ROOM): A more detailed simulation of room reverberation 3 (SRV HALL): A more detailed simulation of hall reverberation 4 (SRV PLATE): A simulation of a plate echo (a reverb device using a metal plate) Type of reverb/delay ROOM1: Short, high-density reverberation ROOM2: Short, low-density reverberation STAGE1: A greater amount of late reverberation STAGE2: Emphasis on early reflections HALL1: Clear reverberation HALL2: Rich reverberation DELAY: A conventional delay PAN-DELAY: A delay in which the reflected sound moves between left and right Time 0–127 Length of reverberation (Type: ROOM1–HALL2) Delay time (Type: DELAY, PAN-DELAY) HF Damp 200–8000 Frequency at which the high-freHz, BYquency portion of the reverberaPASS tion will be cut (BYPASS: no cut) Delay Feed0–127 Number of delay repetitions (valid back only if Type is DELAY or PANDELAY) Level 0–127 Volume of the reverb sound/delay sound 2 (SRV ROOM) / 3 (SRV HALL) / 4 (SRV PLATE) Pre Delay 0.0–100.0 Delay time from original sound ms until reverb is heard Time 0–127 Length of reverb Size 1–8 Size of room/hall High Cut 160–12500 Frequency at which the high-freHz, BYquency portion of the final output PASS sound will be cut (BYPASS: no cut) Density 0–127 Density of reverb Diffusion 0–127 Change in reverb density over time Higher settings will cause density to increase as time passes. (This is more noticeable with longer Time settings.) LF Damp 50–4000 Hz Frequency at which the low-freFreq quency portion of the reverb will be cut LF Damp -36–0 dB Amount of attenuation for LF Gain Damp (0: no attenuation) HF Damp 4000–12500 Frequency at which the high-freFreq Hz quency portion of the reverb will be cut HF Damp -36–0 dB Amount of attenuation for HF Gain Damp (0: no attenuation) Level 0–127 Volume of the reverb sound MC-808_Slist_e.book 29 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters Multi-Effects Types Multi-Effects Parameters There are 47 types of multi-effect. Parameters with the designators “#1” and “#2” can be controlled using the [MFX 1/2 C1] [MFX 1/2 C2] faders. FILTER (9 types) 01 02 03 04 05 06 07 08 09 STEREO EQ SPECTRUM ENHANCER ISOLATOR LOW BOOST SUPER FILTER STEP FILTER AUTO WAH HUMANIZER p. 29 p. 29 p. 30 p. 30 p. 30 p. 30 p. 31 p. 31 p. 31 01: STEREO EQ (Stereo Equalizer) This is a four-band stereo equalizer (low, mid x 2, high). fig.MFX01 L in 4-Band EQ L out R in 4-Band EQ R out MODULATION (7 types) 10 11 12 13 14 15 16 PHASER STEREO PHASER STEP PHASER RING MODULATOR TREMOLO AUTO PAN ROTARY p. 31 p. 32 p. 32 p. 32 p. 32 p. 33 p. 33 CHORUS (6 types) 17 18 19 20 21 22 HEXA-CHORUS TREMOLO CHORUS SPACE-D STEREO CHORUS STEREO FLANGER STEP FLANGER p. 33 p. 33 p. 34 p. 34 p. 34 p. 34 DYNAMICS (7 types) 23 24 25 26 27 28 29 OVERDRIVE DISTORTION GUITAR AMP SIMULATOR STEREO COMPRESSOR STEREO LIMITER SLICER GATE p. 35 p. 35 p. 35 p. 36 p. 36 p. 36 p. 37 LOFI (6 types) 30 31 32 33 34 35 LOFI NOISE LOFI COMPRESS LOFI RADIO TELEPHONE PHONOGRAPH TAPE ECHO p. 37 p. 37 p. 38 p. 38 p. 38 p. 38 PITCH (2 types) 36 37 FBK PITCH SHIFTER 2Vo PITCH SHIFTER Parameter Low Freq Low Gain #1 High Freq High Gain #2 Mid1 Freq Mid1 Q GATED REVERB STEREO DELAY MODULATION DELAY TRIPLE TAP DELAY QUADRUPLE TAP DELAY MULTI TAP DELAY REVERSE DELAY SHUFFLE DELAY TIME CONTROL DELAY TIME SKIP DELAY 200–8000 Hz 0.5, 1.0, 2.0, 4.0, 8.0 -15– +15 dB 200–8000 Hz 0.5, 1.0, 2.0, 4.0, 8.0 Mid2 Gain Level -15– +15 dB 0–127 Description Frequency of the low range Gain of the low frequency range Frequency of the high range Gain of the high frequency range Frequency of Middle Range 1 Width of Middle Range 1 Select a higher Q value to narrow Middle Range 1. Gain of Middle Range 1 Frequency of Middle Range 2 Width of Middle Range 2 Select a higher Q value to narrow Middle Range 2. Gain of Middle Range 2 Output level 02: SPECTRUM This is a type of filter that modifies the timbre by boosting or cutting the level of specific frequencies. It is similar to an equalizer, but has eight frequency points fixed at locations most useful for adding character to the sound. fig.MFX02 p. 39 p. 39 L in L out Pan L Spectrum p. 39 DELAY (9 types) 39 40 41 42 43 44 45 46 47 2000, 4000, 8000 Hz -15– +15 dB Mid1 Gain Mid2 Freq Mid2 Q REVERB (1 type) 38 Value 200, 400 Hz -15– +15 dB p. 40 p. 40 p. 41 p. 41 p. 41 p. 41 p. 42 p. 42 p. 43 Pan R R in R out Parameter Q Value 0.5, 1.0, 2.0, 4.0, 8.0 Pan #1 L64–63R Level #2 Band 1 (250Hz) Band 2 (500Hz) Band 3 (1kHz) Band 4 (1.25Hz) Band 5 (2kHz) Band 6 (3.15Hz) Band 7 (4kHz) Band 8 (8kHz) 0–127 -15– +15 dB Description Simultaneously adjusts the width of the adjusted ranges for all of the frequency bands. Stereo location of the SPECTRUM output Output level Gain of each frequency band 29 MC-808_Slist_e.book 30 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 03: ENHANCER 05: LOW BOOST Controls the overtone structure of the high frequencies, adding sparkle and brightness to the sound. Boosts the volume of the lower range, creating powerful lows. fig.MFX03 L in 2-Band EQ L out Mix 2-Band EQ R out Mix Enhancer R in Enhancer Parameter Sens #1 Mixl #2 Value 0–127 0–127 Low Gain High Gain Level -15– +15 dB -15– +15 dB 0–127 Description Sensitivity of the enhancer Level of the overtones generated by the enhancer Gain of the low frequency range Gain of the high frequency range Output level fig.MFX05 L in Low Boost 2-Band EQ L out R in Low Boost 2-Band EQ R out Parameter Boost Frequency #1 Boost Gain #2 Value 50–125 Hz Boost Width WIDE, MID, NARROW -15– +15 dB -15– +15 dB 0–127 Low Gain High Gain Level 0–12 dB Description Center frequency at which the lower range will be boosted Amount by which the lower range will be boosted Width of the lower range that will be boosted Gain of the low frequency range Gain of the high frequency range Output level 06: SUPER FILTER 04: ISOLATOR This is an equalizer that radically cuts the volume of selected frequencies, allowing you to create special effects cutting the volume in various ranges. This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. fig.MFX06 L in Super Filter L out R in Super Filter R out fig.MFX04 L in Isolator Low Boost L out R in Isolator Low Boost R out Parameter Boost/Cut High Boost/Cut Middle #1 Boost/Cut Low #2 AntiPhase Middle Sw AntiPhase Middle Level Value -60– +4 dB OFF, ON 0–127 Anti Phase Low Sw Anti Phase Low Level Low Boost Sw OFF, ON Low Boost Level 0–127 Level 30 0–127 OFF, ON 0–127 Description These boost and cut each of the High, Middle, and Low frequency ranges. At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound. Settings of the Anti-Phase function for the Middle frequency ranges. When turned on, a stereo copy of the sound is phase-inverted and added to the signal. Adjusts the level settings for the Middle frequency ranges. Adjusting this level for certain frequencies allows you to lend emphasis to specific elements within a sound. (This is effective only for stereo source.) Settings of the Anti-Phase function for the Low frequency ranges The parameters are the same as for the Middle frequency ranges. Turns Low Booster on/off. This emphasizes the bottom frequencies to create a heavy bass sound. Increasing this value gives you a heavier low end. * Depending on the Isolator and filter settings, this effect may be hard to hear. Output level Parameter Filter Type Value LPF, BPF, HPF, NOTCH Filter Slope -12, -24, -36 dB Filter Cutoff #1 0–127 Filter Resonance #2 0–127 Filter Gain Modulation Sw Modulation Wave 0–+12 dB OFF,ON Rate Depth Attack 0.05–10.0 Hz, note 0–127 0–127 Level 0–127 TRI, SQR, SIN, SAW1, SAW2 Description Filter type Frequency range that will pass through each filter LPF: frequencies below the cutoff BPF: frequencies in the region of the cutoff HPF: frequencies above the cutoff NOTCH: frequencies other than the region of the cutoff Amount of attenuation per octave -36 dB: extremely steep -24 dB: steep -12 dB: gentle Cutoff frequency of the filter Increasing this value will raise the cutoff frequency. Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. Amount of boost for the filter output On/off switch for cyclic change How the cutoff frequency will be modulated TRI: triangle wave SQR: square wave SIN: sine wave SAW1: sawtooth wave (upward) SAW2: sawtooth wave (downward) Rate of modulation Depth of modulation Speed at which the cutoff frequency will change This is effective if Modulation Wave is SQR, SAW1, or SAW2. Output level MC-808_Slist_e.book 31 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 07: STEP FILTER 09: HUMANIZER This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change. Adds a vowel character to the sound, making it similar to a human voice. fig.MFX07 L in Step Filter L out R in Step Filter R out fig.MFX09 L in L out Overdrive Parameter Rate Attack #1 Filter Type Filter Slope Value 0.05–10.00 Hz, note 0–127 LPF, BPF, HPF, NOTCH -12, -24, -36 dB Filter Resonance #2 0–127 Filter Gain Level Beat 1-1–4-4 0– +12 dB 0– 127 0–127 Description Rate of modulation Rate at which the cutoff frequency will change between beats Filter type Frequency range that will pass through each filter LPF: frequencies below the cutoff BPF: frequencies in the region of the cutoff HPF: frequencies above the cutoff NOTCH: frequencies other than the region of the cutoff Amount of attenuation per octave -12 dB: gentle -24 dB: steep -36 dB: extremely steep Filter resonance level Increasing this value will emphasize the region near the cutoff frequency. Amount of boost for the filter output Output level Cutoff frequency for each 16th note of a 4/4 measure 2-Band EQ Formant Pan L Pan R R in R out Parameter Drive Sw Drive Value OFF, ON 0–127 Vowel1 #1 Vowel2 #2 Rate a, e, i, o, u a, e, i, o, u 0.05–10.00 Hz, note 0–127 OFF, ON Depth Input Sync Sw Input Sync Threshold Manual 0–127 Low Gain High Gain Pan Level -15– +15 dB -15– +15 dB L64–63R 0–127 0–100 Description Turns overdrive on/off. Degree of distortion Also changes the volume. Selects the vowel. Frequency at which the two vowels switch Effect depth Determines whether the LFO for switching the vowels is reset by the input signal (ON) or not (OFF). Volume level at which reset is applied Point at which Vowel 1/2 switch 49 or less: Vowel 1 will have a longer duration. 50: Vowel 1 and 2 will be of equal duration. 51 or more: Vowel 2 will have a longer duration. Gain of the low frequency range Gain of the high frequency range Stereo location of the output Output level 08: AUTO WAH This effect creates a wah effect (cyclic change in tone) by cyclically modulating the filter. fig.MFX08 L in L out 10: PHASER Adds a phase-shifted sound to the original sound, producing a swirling modulation that creates spaciousness and depth. fig.MFX10 L in Auto Wah L out Pan L R in Parameter Filter Type Rate #2 Phaser R out Value LPF, BPF Depth Sens 0.05– 10.00 Hz, note 0–127 0–127 Manual #1 0–127 Peak 0–127 Level 0–127 Description Type of filter LPF: The wah effect is applied over a wide frequency range. BPF: The wah effect is applied over a narrow frequency range Frequency of modulation Depth of modulation Adjusts the sensitivity with which the filter is controlled. Adjusts the center frequency at which the effect is applied. Adjusts the amount of the wah effect that occurs in the range of the center frequency. Set a higher value for Q to narrow the range to be affected. Output level Mix R in Resonance Parameter Manual #1 Value 0–127 Rate #2 Depth Resonance Mix Pan 0.05–10.00 Hz 0–127 0–127 0–127 L64–63R Level 0–127 Pan R R out Description Adjusts the basic frequency at which the sound will be modulated. Frequency of modulation Depth of modulation Amount of feedback Level of the phase-shifted sound Stereo location of the PHASER output Output Level 31 MC-808_Slist_e.book 32 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 11:STEREO PHASER Parameter Rate This is a stereo phaser. Depth Manual #1 fig.MFX11 L in Phaser Mix Mix R in Parameter Mode Polarity Rate #2 Depth Manual #1 Phaser Value 4, 8 stage INVERSE, SYNCHRO Description Frequency of modulation 2-Band EQ L out Resonance Cross Feedback 0–127 -98– +98 % 2-Band EQ R out Step Rate #2 Mix Low Gain High Gain Level 0.1–20.0 Hz, note 0–127 -15– +15 dB -15– +15 dB 0–127 Description Number of stages in the phaser Selects whether the left and right phase of the modulation are the same or opposite each other. INVERSE: The left and right phase are opposite. When using a mono source, this spreads the sound in stereo. SYNCHRO: The left and right phase are the same. Select this when working with a stereo source. Frequency of modulation 0.05–10.00 Hz, note 0–127 0–127 Value 0.05–10.00 Hz, note 0–127 0–127 Depth of modulation Adjusts the basic frequency from which the sound is modulated. Amount of feedback Adjusts the amount of the phaser sound that’s fed back into the effect. Negative (-) settings invert the phase. Level of the phase-shifted sound Gain of the low frequency range Gain of the high frequency range Output level This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. fig.MFX13 L in Ring Mod 2-Band EQ L out R in Ring Mod 2-Band EQ R out Value 0–127 Polarity UP, DOWN 12:STEP PHASER Low Gain High Gain Balance #2 With the Step effects, you can also make stepped changes in the pitch of sounds to which the Phaser effect is applied. Level -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 0–127 -98– +98 % Mix Low Gain High Gain Level 0–127 -15– +15 dB -15– +15 dB 0–127 Level of the phase-shifted sound Gain of the low frequency range Gain of the high frequency range Output level 13: RING MODULATOR Parameter Frequency #1 Sens Resonance Cross Feedback Depth of modulation Adjusts the basic frequency from which the sound is modulated. Amount of feedback Adjusts the amount of the phaser sound that’s fed back into the effect. Negative (-) settings invert the phase. Rate of pitch change 0–127 Description Adjusts the frequency at which modulation is applied. Adjusts the amount of frequency modulation applied. Determines whether the frequency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN). Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output level fig.MFX12 L in Step Phaser Mix 2-Band EQ 14: TREMOLO L out Cyclically modulates the volume to add tremolo to the sound. fig.MFX14 Mix R in Parameter Mode Polarity 32 Step Phaser Value 4, 8 stage INVERSE, SYNCHRO 2-Band EQ L in Tremolo 2-Band EQ L out R in Tremolo 2-Band EQ R out R out Description Number of stages in the phaser Selects whether the left and right phase of the modulation are the same or opposite each other. INVERSE: The left and right phase are opposite. When using a mono source, this spreads the sound in stereo. SYNCHRO: The left and right phase are the same. Select this when working with a stereo source. Parameter Modulation Wave Value TRI, SQR, SIN, SAW1, SAW2 Rate #1 0.05–10.00 Hz, note 0–127 -15– +15 dB -15– +15 dB 0–127 Depth #2 Low Gain High Gain Level Description Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1: sawtooth wave (upward) SAW2: sawtooth wave (downward) Frequency of modulation Depth of modulation Gain of the low frequency range Gain of the high frequency range Output level MC-808_Slist_e.book 33 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 15: AUTO PAN 17: HEXA-CHORUS Cyclically modulates the stereo location of the sound. Uses a six-phase chorus (six layers of chorused sound) to give richness and spaciousness to the sound. fig.MFX15 L in 2-Band EQ Auto Pan L out fig.MFX17 L in R in Auto Pan 2-Band EQ L out Balance D R out Balance W Hexa Chorus Balance W Parameter Modulation Wave Rate #1 Depth # Low Gain High Gain Level Value TRI, SQR, SIN, SAW1, SAW2 0.05–10.00 Hz, note 0–127 -15– +15 dB -15– +15 dB 0–127 Description Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1: sawtooth wave (upward) SAW2: sawtooth wave (downward) Frequency of modulation Depth of modulation Gain of the low frequency range Gain of the high frequency range Output level 16: ROTARY The Rotary effect simulates the sound of the rotary speakers often used with the classic electric organs. Since the movement of the highrange and low-range rotors can be set independently, the unique characteristics of these speakers can be simulated quite accurately. This effect is most suitable for electric organ Patches. R in R out Balance D Parameter Pre Delay Value 0.0–100.0 ms Rate #1 0.05–10.00 Hz 0–127 0–20 Depth Pre Delay Deviation Depth Deviation -20– +20 Pan Deviation 0–20 Balance #2 D100:0W– D0:100W Level 0–127 fig.MFX16 L in L out Rotary R in Parameter Tweeter Slow Rate Woofer Slow Rate Tweeter Fast Rate Woofer Fast Rate Speed #1 Tweeter Acceleration Woofer Acceleration Tweeter Level Woofer Level Separation Level #2 R out 0–127 Description Slow speed (SLOW) of the high-frequency rotor Slow speed (SLOW) of the low-frequency rotor Fast speed (FAST) of the high-frequency rotor Fast speed (FAST) of the low-frequency rotor Simultaneously switches the rotational speed of the low frequency rotor and high frequency rotor. SLOW: Slows down the speed to the Slow Rate. FAST: Speeds up the speed to the Fast Rate. Adjusts the time it takes the high frequency rotor to reach the newly selected speed when switching between fast and slow speeds. Adjusts the time it takes the low frequency rotor to reach the newly selected speed when switching between fast and slow speeds. Volume of the high frequency rotor 0–127 Volume of the low frequency rotor 0–127 0–127 Stereo width of the sound Output level Value 0.05– 10.00 Hz 0.05– 10.00 Hz 0.05– 10.00 Hz 0.05– 10.00 Hz SLOW, FAST 0–15 0–15 Description Adjusts the time until chorusing is heard. Frequency of modulation Depth of modulation Adjusts the differences in Pre Delay between each chorus layer. Adjusts the difference in modulation depth between each chorus layer. Adjusts the difference in stereo location between each chorus layer. 0: All chorus layers are in the center. 20: The chorus layers are spaced at 60-degree intervals relative to the center. Volume balance between the direct sound (D) and the chorus sound (W) Output level 18: TREMOLO CHORUS This is a chorus effect with added Tremolo (cyclic modulation of volume). fig.MFX18 L in L out Balance D Balance W Tremolo Chorus Balance W R in R out Balance D Parameter Pre Delay Value 0.0–100.0 ms Chorus Rate Chorus Depth Tremolo Rate #1 Tremolo Separation Tremolo Phase Balance #2 0.05–10.00 Hz 0–127 Level 0–127 0.05–10.00 Hz 0–127 Description Adjusts the time until the chorus sound is heard. Modulation frequency of the chorus effect Modulation depth of the chorus effect Modulation frequency of the tremolo effect Spread of the tremolo effect 0–180 deg Depth of the tremolo effect D100:0W– D0:100W Volume balance between the direct sound (D) and the tremolo chorus sound (W) Output level 33 MC-808_Slist_e.book 34 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 19: SPACE-D 21: STEREO FLANGER This is a multiple chorus that applies two-phase modulation in stereo. It creates no audible modulation, yet produces a transparent chorus effect. This is a stereo flanger. It produces a metallic resonance that rises and falls somewhat like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound. fig.MFX19 fig.MFX21 Balance D 2-Band EQ L in Balance D L out L in Space D Balance W Flanger Space D Balance W Feedback Feedback 2-Band EQ R in Balance D Rate #1 Depth Phase Low Gain High Gain Balance #2 Level Value 0.0–100.0 ms 0.05–10.00 Hz 0–127 0–180 deg -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 R out Flanger Description Adjusts the time until the chorus sound is heard. Frequency of modulation Depth of modulation Spatial spread of the sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the chorus sound (W) Output level Balance W Balance D Parameter Filter Type Value OFF, LPF, HPF Cutoff Freq 200–8000 Hz 0.0–100.0 ms 0.05-10.00 Hz, note 0–127 0–180 deg -98– +98 % Pre Delay Rate #1 20: STEREO CHORUS This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorused sound. fig.MFX20 Balance D L in Chorus Balance W Chorus Balance W R in Balance D Parameter Filter Type Cutoff Freq Pre Delay Rate #1 Depth Phase Low Gain High Gain Balance #2 Level 2-Band EQ Value OFF, LPF, HPF 200–8000 Hz 0.0–100.0 ms 0.05–10.00 Hz 0–127 0–180 deg -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 2-Band EQ L out R out Description Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq Basic frequency of the filter Depth Phase Feedback #2 Low Gain High Gain Balance -15– +15 dB -15– +15 dB D100:0W– D0:100W Level 0–127 2-Band EQ R out Description Type of filter OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the time until the flanger sound is heard. Frequency of modulation Depth of modulation Spatial spread of the sound Adjusts the amount of the flanger sound that’s fed back into the effect. Negative (-) settings invert the phase. Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the flanger sound (W) Output level 22: STEP FLANGER This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note value based on a specified tempo. fig.MFX22 Balance D L in Adjusts the time until the chorus sound is heard. Frequency of modulation Step Flanger Depth of modulation Spatial spread of the sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the chorus sound (W) Output level Step Flanger 2-Band EQ L out Balance W Feedback Feedback Balance W R in Balance D Parameter Pre Delay Rate 34 L out Balance W R in Parameter Pre Delay 2-Band EQ Value 0.0–100.0 ms 0.05–10.00 Hz, note 2-Band EQ R out Description Adjusts the time until the flanger sound is heard. Frequency of modulation MC-808_Slist_e.book 35 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters Parameter Depth Feedback #2 Step Rate #1 Phase Low Gain High Gain Balance Value 0–127 -98– +98 % 0.10–20.00 Hz, note 0–180 deg -15– +15 dB -15– +15 dB D100:0W– D0:100W Level 0–127 Description Depth of modulation Adjusts the amount of the flanger sound that’s fed back into the effect. Negative (-) settings invert the phase. Rate (period) of pitch change 25: GUITAR AMP SIM (Guitar Amp Simulator) This is an effect that simulates the sound of a guitar amplifier. fig.MFX25 L in Spatial spread of the sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the flanger sound (W) Output level 23: OVERDRIVE Pre Amp Pan R Parameter Pre Amp Sw Pre Amp Type fig.MFX23 L in L out Amp Simulator 2-Band EQ R in Parameter Drive #1 Value 0–127 Tone #2 Pan 0–127 L64–63R Amp Sw Amp Type OFF, ON SMALL, BUILT-IN, 2-STACK, 3-STACK Low Gain High Gain Level Pan L Pan R R out -15– +15 dB -15– +15 dB 0–127 Description Amount of distortion Also changes the volume. Sound Quality Stereo location of the OVERDRIVE output Amp simulator on/off Type of guitar amp SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double-stack amp 3-STACK: large triple-stack amp Gain of the low frequency range Gain of the high frequency range Output level Pre Amp Volume #1 Pre Amp Master #2 Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Presence Pre Amp Bright R out Value OFF, ON JC-120, Clean Twin, Match Drive, BG Lead, MS1959I, MS1959II, MS1959I+II, SLDN Lead, Metal 5150, Metal Lead, OD-1, OD-2 TURBO, Distortion, Fuzz 0–127 0–127 Low, Mid, High 0–127 0–127 (MATCH DRIVE: -127 - 0) OFF, ON 24: DISTORTION Produces a more intense distortion than Overdrive. The parameters are the same as for “23: OVERDRIVE.” Speaker Sw OFF, ON Speaker Type Mic Setting (See the following table.) 1, 2, 3 Mic Level Direct Level Pan 0–127 0–127 Level 0–127 fig.MFX24 L in L out Distortion R in Amp Simulator 2-Band EQ Pan L Pan R R out Speaker R in Creates a soft distortion similar to that produced by vacuum tube amplifiers. Over drive L out Pan L L64–63R Description Turns the amp switch on/ off. Type of guitar amp Volume and amount of distortion of the amp Volume of the entire preamp Amount of pre-amp distortion Tone of the bass/mid/treble frequency range * Middle cannot be set if “Match Drive” is selected as the Pre Amp Type. Tone for the ultra-high frequency range Turning this “On” produces a sharper and brighter sound. * This parameter applies to the “JC-120,” “Clean Twin,” and “BG Lead” Pre Amp Types. Determines whether the signal passes through the speaker (ON), or not (OFF). Type of speaker Adjusts the location of the mic that’s capturing the sound of the speaker. This can be adjusted in three steps, from 1 to 3, with the mic becoming more distant as the value increases. Volume of the microphone Volume of the direct sound Stereo location of the output Output level 35 MC-808_Slist_e.book 36 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters Specifications for each Speaker Type The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Parameter Ratio Post Gain Type Cabinet Small1 Small2 Middle JC-120 Built In 1 Built In 2 Built In 3 Built In 4 Built In 5 BG Stack 1 BG Stack 2 MS Stack1 MS Stack 2 Metal Stack 2 Stack 3 Stack small open-back enclosure small open-back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure open back enclosure sealed enclosure large sealed enclosure large sealed enclosure large sealed enclosure large double stack large double stack large triple stack Spea ker 10 10 12 x 1 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 4 12 x 4 12 x 4 12 x 4 12 x 4 Microphone dynamic dynamic dynamic dynamic dynamic condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser condenser 26: COMPRESSOR Flattens out high levels and boosts low levels, smoothing out fluctuations in volume. fig.MFX26 L in R in Low Gain High Gain Level Compressor Parameter Attack #1 Value 0–127 Threshold #2 Post Gain 0–127 Low Gain High Gain Level 2-Band EQ 2-Band EQ 0, +6, +12, +18 dB -15– +15 dB -15– +15 dB 0–127 Description Time from when the volume goes up the threshold level until the compressor effect applies Adjusts the volume at which compression begins Adjusts the output gain. L in Slicer L out R in Slicer R out Parameter Rate #1 Value 0.05– 10.00 Hz, note 0–127 Input Sync Sw OFF, ON Input Sync Threshold Mode 0–127 Shuffle 0–127 Level Beat 1-1–4-4 0–127 0–127 LEGATO, SLASH 27: LIMITER fig.MFX27 L in R in Limiter Limiter Parameter Release #1 Value 0–127 Threshold #2 0–127 36 2-Band EQ 2-Band EQ L out R out Description Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied. Adjusts the volume at which compression begins Gain of the low frequency range Gain of the high frequency range Output level fig.MFX28 Gain of the low frequency range Gain of the high frequency range Output level Compresses signals that exceed a specified volume level, preventing distortion from occurring. Adjusts the output gain. By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustaintype sounds. L out R out Description Compression ratio 28: SLICER Attack #2 Compressor Value 1.5:1, 2:1, 4:1, 100:1 0, +6, +12, +18 dB -15– +15 dB -15– +15 dB 0–127 Description Cycle for one measure Speed at which the volume changes between beats Determines whether the pattern for one measure is reset by the input signal (ON) or not (OFF). Volume level at which the reset begins Sets the manner in which the volume changes as one beat progresses to the next. LEGATO: The change in volume from one beat’s level to the next remains unaltered. If the level of a following beat is the same as the one preceding it, there is no change in volume. SLASH: The level is momentarily set to 0 before progressing to the level of the next beat. This change in volume occurs even if the level of the following beat is the same as the preceding beat. Timing of volume changes in levels for even-numbered Beats (Beat 1-2/ Beat 1-4/Beat 2-2/...). The higher the value, the later the beat progresses. Output level For a single measure containing four quarter notes, this sets the level of each sixteenth note when the measure is divided into sixteenth notes. MC-808_Slist_e.book 37 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 29: GATE Cuts the output level according to the volume of the sound sent into the effect. Use this when you want to create an artificial-sounding decrease in the reverb’s decay. fig.MFX29 L in Gate L out R in Gate R out Parameter Threshold #1 Mode Balance #2 Attack Time Hold Time Release Time Level Value 0–127 GATE, DUCK D100:0W– D0:100W 0–127 0–127 0–127 0–127 Description Volume level at which the gate begins to close Type of gate GATE: The gate will close when the volume of the original sound decreases, cutting the original sound. DUCK (Ducking): The gate will close when the volume of the original sound increases, cutting the original sound. Volume balance between the direct sound (D) and the effect sound (W) Adjusts the time it takes for the gate to fully open after being triggered. Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold. Adjusts the time it takes for the gate to fully close after the hold time. Output level 30: LOFI NOISE (Lo-Fi Noise) In addition to a lo-fi effect, this adds various types of noise such as white noise and disc noise. fig.MFX30 L in L out Lo-Fi Parameter W/P Noise LPF W/P Noise Level Disc Noise Type Value 200–8000 Hz, BYPASS 0–127 Description Cutoff frequency of the low pass filter applied to the white/pink noise (BYPASS: no cut) Volume of the white/pink noise LP, EP, SP, RND Disc Noise LPF 200–8000 Hz, BYPASS Disc Noise Level Hum Noise Type Hum Noise LPF 0–127 Type of record noise The frequency at which the noise is heard depends on the selected type. Adjusts the cutoff frequency of the low pass filter applied to the record noise. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. Volume of the record noise 50Hz, 60Hz Frequency of the hum noise 200–8000 Hz, BYPASS 0–127 Cutoff frequency of the low pass filter applied to the hum noise (BYPASS: no cut) Volume of the hum noise D100:0W– D0:100W 0–127 Volume balance between the direct sound (D) and the effect sound (W) Output level Hum Noise Level Balance #1 Level #2 31: LOFI COMPRESS (Lo-Fi Compress) This is an effect that intentionally degrades the sound quality for creative purposes. fig.MFX31 L in Compressor Lo-Fi L out R in Compressor Lo-Fi R out Parameter Pre Filter Type Value 1–6 LoFi Type 1–9 Post Filter Type OFF, LPF, HPF Post Filter Cutoff Balance #1 200– 8000 Hz D100:0W– D0:100W 0–127 Noise Gen. Lo-Fi R in Parameter LoFi Type Post Filter Type Post Filter Cutoff W/P Noise Type R out Value 1–9 OFF, LPF, HPF 200–8000 Hz WHITE, PINK Description Degrades the sound quality. The sound quality grows poorer as this value is increased. Selects the type of filter applied to the sound after it passes through the Lo-Fi effect. OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Cutoff frequency of the Post Filter Level #2 Description Selects the type of filter applied to the sound before it passes through the Lo-Fi effect. Degrades the sound quality. The sound quality grows poorer as this value is increased. Selects the type of filter applied to the sound after it passes through the Lo-Fi effect. OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Cutoff frequency of the Post Filter Volume balance between the direct sound (D) and the effect sound (W) Output level Switch between white noise and pink noise. 37 MC-808_Slist_e.book 38 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 32: LOFI RADIO (Lo-Fi Radio) 34: PHONOGRAPH In addition to a Lo-Fi effect, this effect also generates radio noise. Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable. fig.MFX32 L in L out Lo-Fi fig.MFX34 Balance D Radio L in Lo-Fi R in R out L out Phonograph Balance W Phonograph Balance W R in Parameter LoFi Type Value 1–9 Description Degrades the sound quality. The sound quality grows poorer as this value is increased. Selects the type of filter applied to the sound after it passes through the Lo-Fi effect. OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Cutoff frequency of the Post Filter Post Flter Type OFF, LPF, HPF Post Filter Cutoff Radio Detune #1 200–8000 Hz 0–127 Radio Noise Level Balance #2 0–127 Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further. Volume of the radio noise D100:0W– D0:100W 0–127 Volume balance between the direct sound (D) and the effect sound (W) Output level Level 33: TELEPHONE R out Balance D Parameter Signal Distortion Frequency Range Value 0–127 Description Depth of distortion 0–127 Disc Type LP, EP, SP Scratch Noise Level Dust Noise Level Hiss Noise Level Total Noise Level #1 Wow 0–127 0–127 Frequency response of the playback system Decreasing this value will produce the impression of an old system with a poor frequency response. Rotational speed of the turntable This will affect the frequency of the scratch noise. Amount of noise due to scratches on the record Volume of noise due to dust on the record Volume of continuous “hiss” 0–127 Volume of overall noise 0–127 Flutter 0–127 Random 0–127 Total Wow/ Flutter #2 Balance 0–127 Depth of long-cycle rotational irregularity Depth of short-cycle rotational irregularity Depth of indefinite-cycle rotational irregularity Depth of overall rotational irregularity Volume balance between the direct sound (D) and the effect sound (W) Output level 0–127 fig.MFX33 L in Telephone L out R in Telephone R out Parameter Voice Quality #1 Treble Balance #2 Level Value 0–15 -15– +15 dB D100:0– D0:100W 0–127 Description Audio quality of the telephone voice Upper range of the telephone voice Volume balance between the direct sound (D) and the effect sound (W) Output level Level D100:0W– D0:100W 0–127 35: TAPE ECHO A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo. fig.MFX35 L in L out Direct Level Echo Level Tape Echo Echo Level R in R out Direct Level Parameter Mode 38 Value S, M, L, S+M, S+L, M+L, S+M+L Description Combination of playback heads to use Select from three different heads with different delay times. S: short M: middle L: long MC-808_Slist_e.book 39 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters Parameter Repeat Rate #1 Value 0–127 Intensity #2 Bass 0–127 -15– +15 Treble -15– +15 Head S Pan Head M Pan Head L Pan Tape Distortion L64–63R 0–5 Description Tape speed Increasing this value will shorten the spacing of the delayed sounds. Amount of delay repeats Boost/cut for the lower range of the echo sound Boost/cut for the upper range of the echo sound Independent panning for the short, middle, and long playback heads 37: 2Vo PITCH SHIFTER (2-Voice Pitch Shifter) 2Voice Pitch Shifter Wow/Flutter Rate 0–127 Wow/Flutter Depth Echo Level Direct Level Level 0–127 Amount of tape-dependent distortion to be added This simulates the slight tonal changes that can be detected by signal-analysis equipment. Increasing this value will increase the distortion. Speed of wow/flutter (complex variation in pitch caused by tape wear and rotational irregularity) Depth of wow/flutter 0–127 0–127 0–127 Volume of the echo sound Volume of the original sound Output level 36: FBK PITCH SHIFTER (Feedback Pitch Shifter) This allows the pitch-shifted sound to be fed back into the effect. fig.MFX36 L in Balance D 2-Band EQ L out Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch-shifted versions of the original sound. fig.MFX37 Balance D L in L out Level Balance A PanA L Balance W PanA R PanB L PanB R Level Balance B R in Balance W R out Balance D Parameter Mode Value 1, 2, 3, 4, 5 Coarse A #1 Coarse B #2 Fine A Fine B Pre Delay A Pre Delay B Pan A Pan B Level Balance Balance -24– +12 semi -100– +100 cent 0.0–500 ms L64–63R Level 0–127 A100:0B– A0:100B D100:0W– D0:100W Description Setting a higher value for this parameter results in a slower response, but steadier pitch. Adjusts the pitch of Pitch Shift A/B in semitone steps. Adjusts the pitch of Pitch Shift A/B in 2-cent steps. Adjusts the time until Pitch Shift A/ B is heard. Stereo location of Pitch Shift A/B Volume balance between Pitch Shift A and Pitch Shift B Volume balance between the direct sound (D) and the pitch shifted sounds (W) Output level Balance W Pitch Shifter 38: GATED REVERB Balance W Feedback R in Balance D Parameter Mode Coarse #1 Fine Pre Delay Value 1, 2, 3, 4, 5 -24– +12 semi -100– +100 cent 0.0–500 ms Feedback #2 -98– +98 % Pan L64–63R Low Gain High Gain Balance -15– +15 dB -15– +15 dB D100:0W– D0:100W Level 0–127 2-Band EQ R out Description Setting a higher value for this parameter results in a slower response, but steadier pitch. Adjusts the pitch of the pitch-shifted sound in semitone steps. Adjusts the pitch of the pitch-shifted sound in 2-cent steps. Adjusts the time until the pitch shifted sound is heard. Adjusts the amount of the pitchshifted sound that’s fed back into the effect. Negative (-) settings invert the phase. Stereo location of the pitch-shifted sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the pitch-shifted sound (W) Output level This is a special type of reverb in which the reverb is cut off without being allowed to decay naturally. fig.MFX38 L in Balance D 2-Band EQ L out Balance W Gated Reverb Balance W R in Balance D Parameter Type Value NORMAL, REVERSE Pre Delay 0.0–100.0 ms 5–500 ms Time Pan #1 Low Gain High Gain Balance #2 Level L64–63R -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 2-Band EQ R out Description Type of reverb NORMAL: conventional gated reverb REVERSE: backwards reverb Adjusts the time until the reverb sound is heard. Adjusts the time from when the reverb is first heard until it disappears. Stereo location of the reverb sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the reverb sound (W) Output level 39 MC-808_Slist_e.book 40 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 39: STEREO DELAY 40: MODULATION DELAY When Feedback Mode is NORMAL: Adds modulation to the delayed sound. fig.MFX39a When Feedback Mode is NORMAL: Balance D L in Delay 2-Band EQ fig.MFX40a L out Balance D L in Balance W Delay Feedback Feedback R in Balance D 2-Band EQ Modulation Balance W Modulation Balance W Delay R out R in When Feedback Mode is CROSS: Balance D fig.MFX39b L in Delay 2-Band EQ R out 2-Band EQ L out fig.MFX40b L out Balance D L in Balance W Delay Feedback Feedback R in Balance D 2-Band EQ Modulation Balance W Modulation Balance W Feedback Feedback Balance W Delay Delay R out R in Balance D Parameter Feedback Mode Value NORMAL, CROSS Delay Left Delay Right Phase Left Phase Right Feedback #1 0–2000 ms, note NORMAL, INVERT -98– +98 % HF Damp 200–8000 Hz, BYPASS Low Gain High Gain Balance #2 -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 Description Selects the way in which delay sound is fed back into the effect. (See the figures above.) Adjusts the time until the delay sound is heard. Phase of the delay sound Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level Parameter Feedback Mode Value NORMAL, CROSS Delay Left Delay Right Feedback 0–2000 ms, note -98– +98 % HF Damp 200–8000 Hz, BYPASS Rate 0.05–10.00 Hz 0–127 0-180 deg -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 Depth Phase Low Gain High Gain Balance # Level 40 2-Band EQ When Feedback Mode is CROSS: Balance D Level L out Feedback Feedback Balance W Delay 2-Band EQ 2-Band EQ R out Description Selects the way in which delay sound is fed back into the effect (See the figures above.) Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. Frequency of modulation Depth of modulation Spatial spread of the sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level MC-808_Slist_e.book 41 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 41: TRIPLE TAP DELAY 43: MULTI TAP DELAY Produces three delay sounds; center, left and right. This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. fig.MFX41 Balance D L in 2-Band EQ L out fig.MFX43 Balance W Left Tap Balance D L in Triple Tap Delay Feed back Center Tap Delay 1 Balance W Right Tap R in Balance D 2-Band EQ Multi Tap Delay R out Balance W Delay 4 Delay 2 Parameter Delay Left/ Right/Center Feedback #1 Value 0–4000 ms, note -98– +98 % HF Damp 200–8000 Hz, BYPASS Left/Right/ Center Level Low Gain High Gain Balance #2 0–127 Description Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Volume of each delay -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level Level 42: QUADRUPLE TAP DELAY R in Balance D Parameter Delay 1–4 Pan 1–4 Level 1–4 Feedback #1 This effect has four delays. Value 0–4000 ms, note L64–63R 0–127 -98– +98 % HF Damp 200–8000 Hz, BYPASS Low Gain High Gain Balance #2 -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 Level 2-Band EQ R out Description Adjusts the time until Delays 1–4 are heard. Stereo location of Delays 1–4 Output level of Delays 1–4 Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out the high frequencies, set this parameter to BYPASS. Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output level 44: REVERSE DELAY fig.MFX42a Balance D L in L out Balance W Delay 3 Feedback 2-Band EQ L out Adds the reverse of the input sound as a delay. fig.MFX44 Delay 1 Balance W Feedback Delay 2 L in 1 D1 Quadruple Tap Delay D2 Rev. Delay Delay 3 Balance W Delay 4 R in R out Balance D R in Feedback 1 Delay D4 Feedback 4 2-Band EQ L out 2-Band EQ R out 2 D3 3 fig.MFX42b 2 1 L Parameter Delay 1–4 Level 1–4 Feedback #1 HF Damp Balance #2 Level Stereo location of each delay 3 4 R Value 0–4000 ms, note 0–127 -98– +98 % 200–8000 Hz, BYPASS D100:0W– D0:100W 0–127 Description Adjusts the time until the delay sound is heard. Volume of each delay Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Volume balance between the direct sound (D) and the delay sound (W) Output level Parameter Threshold Value 0–127 Delay 1–4 0-2000 ms, note -98– +98 % Feedback 1 #1 Feedback 4 HF Damp 1 HF Damp 4 Pan 1–3 Level 1–3 Balance #2 Low Gain High Gain Level 200–8000 Hz, BYPASS L64–63R 0–127 D100:0W– D0:100W -15– +15 dB -15– +15 dB 0–127 Description Volume level at which the reverse delay begins Adjusts the time until Delays 1–4 are heard. Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Stereo location of Delays 1–3 sound Output level of Delays 1–3 sound Volume balance between the direct sound (D) and the effect sound (W) Gain of the low frequency range Gain of the high frequency range Output level 41 MC-808_Slist_e.book 42 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 45: SHUFFLE DELAY 46: TIME CONTROL DELAY Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. This lets you smoothly vary the delay time. As the delay time is varied, the pitch will change correspondingly; lengthening the delay time will lower the pitch, and shortening it will raise the pitch. fig.MFX45 2-Band EQ L in Feedback Delay A L out fig.MFX46 L in A Balance D Delay Time Control Delay B 2-Band EQ R in Balance W R out Feedback R in Balance D Shuffle Rate Value 0–4000 ms, note 0–100 % Pan A/B Level Balance Feedback #2 L64–63R A100:0B– A0:100B -98– +98 % Acceleration 0–15 HF Damp 200–8000 Hz, BYPASS Low Gain High Gain Balance # -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 Level 42 L out Balance W Delay B Parameter Delay #1 2-Band EQ Description Adjusts the time until the delay sound is heard. Adjusts the ratio (as a percentage) of the time that elapses before Delay B sounds relative to the time that elapses before the Delay A sounds. When set to 100%, the delay times are the same. Stereo location of Delay A/B Volume balance between Delay A and Delay B Adjusts the amount of the delay that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the time over which the Delay Time changes from the current setting to its specified new setting. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output level Parameter Delay #1 Feedback #2 Value 0–4000 ms, note -98– +98 % Acceleration 0–15 HF Damp 200–8000 Hz, BYPASS Pan Low Gain High Gain Balance L64–63R -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 Level 2-Band EQ R out Description Adjusts the time until the delay is heard. Adjusts the amount of the delay that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the time over which the Delay Time changes from the current setting to a specified new setting. The rate of change for the Delay Time directly affects the rate of pitch change. Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS. Stereo location of the delay Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level MC-808_Slist_e.book 43 ページ ２００６年２月１３日 月曜日 午前９時４６分 Effects editing parameters 47: TIME SKIP DELAY Mastering effect A delay that changes the delay time in stair-step fashion. fig.MFX47 L in 2-Band EQ Balance D L out Parameter ATTACK Range 0–100 ms RELEASE 50–5000 ms THRESHOLD -36–0 dB RATIO 1.00:1– INF:1 0–24 dB 2000–8000 Hz Balance W Time Skip Delay Balance W 2-Band EQ R in Balance D Parameter Delay #1 Skip Rate Feedback #2 Value 0–4000 ms, note 0.05–10.0 Hz, note -98– +98 % Acceleration 0–15 HF Damp 200–8000 Hz, BYPASS Pan Low Gain High Gain Balance Level L64–63R -15– +15 dB -15– +15 dB D100:0W– D0:100W 0–127 R out Description Adjusts the time until the delay is heard. Frequency at which the delay time will change Adjusts the amount of the delay sound that’s fed back into the effect. Negative (-) settings invert the phase. Adjusts the time over which the Delay Time changes from the current setting to its specified new setting. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don’t want to filter out any high frequencies, set this parameter to BYPASS. Stereo location of the delay Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level note: LEVEL Split Frequency High Split Frequency Low 200–800 Hz About THRESHOLD and RATIO As shown in the diagram below, these parameters determine how the volume is to be compressed. fig.Comp.e 1:1 RATIO Output Level Feedback Explanation Time from when the volume goes up THRESHOLD until the compressor effect applies Time from when the volume falls below THRESHOLD until the compressor effect no longer applies Volume level at which compression begins Compression ratio (INF: infinity) Output volume Frequency at which the highfrequency (HI) and mid-frequency (MID) bands are split Frequency at which the lowfrequency (LO) and mid-frequency (MID) bands are split 2:1 4:1 INF:1 fig.notelist2.e (Sixty-fourth-note triplet), (Thirty-second note), (Sixty-fourth note), (Sixteenth-note triplet), (Eighth-note triplet), (Sixteenth note), (Eighth note), (Quarter-note triplet), (Quarter note), (Half-note triplet), (Whole-note triplet), (Double-note triplet), (Thirty-second-note triplet), (Dotted thirty-second note), (Dotted sixteenth note), (Dotted eighth note), (Dotted quarter note), (Dotted half note), (Dotted whole note), THRESHOLD (Half note), Input Level (Whole note), (Double note) 43 MC-808_Slist_e.book 44 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Wave These parameters select the PCM waveform that is to form the basis of the tone, and apply effects to the waveform. Parameter Wave Group Range INT, USER, CARD Wave No. L/MONO Wave No. R 0 (OFF)–**** * Depends on the wave group. -6, 0, +6, +12 dB Wave Gain Explanation Group of the waveform upon which the tone is to be based INT: Waveforms stored in internal memory USER: User sample waveforms CARD: Card sample waveforms Waveform upon which the tone is to be based On the MC-808 you can specify a separate waveform for the L and R channels. * If you want to use the same waveform for the L and R channels, set the R channel to 0 (OFF). Waveform gain (amplitude) The value will change in steps of 6 dB (decibels). An increase of 6 dB will double the gain. If you want to use the booster to distort the sound, it is effective to set this to the maximum. FXM (Frequency Cross Modulation) FXM creates a complex overtone structure by using a specific waveform to frequency-modulate the selected waveform. This is suitable for creating extreme sounds or sound effects. FXM SW OFF, ON Selects whether FXM will be used (ON) or not (OFF). (Wave FXM Switch) FXM Color 1–4 Selects how FXM will apply frequency modulation. (Wave FXM Color) Increasing this value will produce a rougher sound. Decreasing this value will produce a more metallic sound. FXM Depth 0–16 Depth of frequency modulation applied by FXM (Wave FXM Depth) Pitch These parameters specify the pitch of the waveform, and how your MIDI keyboard playing dynamics will affect the pitch envelope (change in pitch over time). Parameter Patch Coarse Tune Value -48– +48 Patch Fine Tune -50– +50 Tone Coarse Tune -48– +48 Tone Fine Tune -50– +50 Rnd Pitch Depth (Tone Random Pitch Depth) 0–1200 Pitch Keyfollow (Wave Pitch Keyfollow) -200– +200 Description Pitch of the entire patch Specifies the pitch in semitone steps over a range of +/-4 octaves. Pitch of the entire patch Adjusts the pitch in one-cent steps (1/100th of a semitone) over a range of 1/2 semitone upward or downward. Pitch of the tone Adjusts the pitch in semitone steps over a range of +/-4 octaves. Pitch of the tone Adjusts the pitch in one-cent steps (1/100th of a semitone) over a range of 1/2 semitone upward or downward. Range of random pitch change that occurs each time a pad is pressed Set this to 0 if you do not want the pitch to change randomly. This value is set in units of one cent (1/100th of a semitone). Amount of pitch change that occurs when you play upward one octave (12 notes) Set this to +100 if you want the pitch to rise one octave as you play 12 notes upward (as on a conventional keyboard). Set this to +200 if you want the pitch to rise two octaves as you play 12 notes upward. Conversely, set this to a negative value if you want the pitch to fall as you play upward on the keyboard. Set this to 0 if you want the same pitch to be sounded regardless of the note you play. Pitch +200 +100 +50 0 -50 C1 44 C2 C3 C4 C5 -200 C6 -100 C7 Key MC-808_Slist_e.book 45 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Parameter P-Env V-Sens (Pitch Envelope Velocity Sensitivity) P-Env T1 V-Sens (Pitch Envelope Time 1 Velocity Sensitivity) P-Env T4 V-Sens (Pitch Envelope Time 4 Velocity Sensitivity) P-Env Time KF (Pitch Envelope Time Keyfollow) Value -63– +63 Description Amount by which velocity will affect the depth of the pitch envelope -63– +63 Amount by which velocity will affect T1 (time) of the pitch envelope Set this to a positive (+) value if you want to speed up the T1 time, or to a negative (-) value to slow it down. Amount by which the key-off velocity will affect T4 (time) of the pitch envelope Set this to a positive (+) value if you want to speed up the T4 time, or to a negative (-) value to slow it down. Amount by which the pad you play will affect times (T2–T4) of the pitch envelope Relative to middle C (C4), higher settings for this parameter will produce greater change. Positive (+) values will cause the times to become shorter as you play toward the right on the pad. Conversely, negative (-) values will cause the times to become longer. -63– +63 -100– +100 Time -100 -50 0 +50 C1 C2 C3 C4 C5 C6 +100 C7 Key Pitch Env (Pitch Envelope) These parameters specify the depth of the pitch envelope (the way in which pitch will change over time) and the shape of the envelope itself. T1 T2 T3 T4 L1 L0 L3 Pitch Time key is pressed key is released L2 Parameter P-Env Depth Value -12– +12 P-Env Time1–4 0–127 P-Env Level0–4 -63– +63 L4 Description Pitch envelope depth Increasing this value will produce greater change. Negative (-) values will invert the change produced by the envelope. Pitch envelope times (T1–T4) Increasing this value will lengthen the time until the next pitch level is reached (for example, T2 is the time over which the pitch will change from L1 to L2). Pitch envelope levels (L0–L4) These parameters specify the amount by which the pitch will change from the basic pitch (specified by Coarse Tune and Fine Tune) at each point of the envelope. Positive (+) values will raise the pitch above the basic pitch, and negative (-) values will lower it. 45 MC-808_Slist_e.book 46 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Filter These parameters are settings for the TVF (Time Variant Filter). They modify the timbral character of the tone by adjusting the brightness and fatness of the sound. Parameter Filter Type Value OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 Cutoff Frequency 0–127 Cutoff Keyfollow -200– +200 Description Type of filter A filter cuts a specific frequency region of the sound to modify the brightness or thickness of the sound. OFF: A filter will not be used. LPF: Low Pass Filter. Cuts the region that lies above the cutoff frequency. The sound will become more mellow as the high frequency region is cut. This is the most commonly used type of filter. BPF: Band Pass Filter. Leaves only the region in the vicinity of the cutoff frequency, and cuts the rest. Suitable for creating sounds with a distinctive character. HPF: High Pass Filter. Cuts the region that lies below the cutoff frequency. Suitable for creating percussion instrument sounds that have a distinctive high range. PKG: Peaking filter. Emphasizes the region in the vicinity of the cutoff frequency. You can create a wah effect by using an LFO to cyclically modulate the cutoff frequency. LPF2: Low Pass Filter 2. Cuts the region that lies above the cutoff frequency. This lets you leave the cutoff frequency fixed, and use the TVF envelope settings to vary the depth of the cutoff. Since this does not impair the feeling of energy of the sound, it is effective for acoustic-type sounds. * The resonance setting is ignored. LPF3: Low Pass Filter 3. Cuts the region that lies above the cutoff frequency. This filter cuts the high frequency region more gently than LPF2. Since this does not impair the feeling of energy of the sound, it is effective for acoustic-type sounds. * The resonance setting is ignored. Frequency (cutoff frequency) at which the filter will begin affecting the frequency content of the waveform If the Filter Type is LPF/LPF2/LPF3, reducing the cutoff frequency will diminish the higher overtones, producing a more mellow sound. Raising the cutoff frequency will brighten the sound. If the Filter Type is BPF, the cutoff frequency value will change the harmonic content that will be sounded. This is suitable for creating sounds with a distinctive character. If the Filter Type is HPF, raising the cutoff frequency will diminish the lower overtones, emphasizing only the bright portion of the sound. If the Filter Type is PKG, the cutoff frequency value will change the harmonic content that will be boosted. Specifies how the pad position will affect the cutoff frequency Relative to the cutoff frequency of the C4 key, positive (+) values will raise the cutoff frequency as you play above C4, and negative (-) values will lower the cutoff frequency as you play above C4. Increasing this value will produce a correspondingly greater change. Cutoff frequency (Octave) +200 +100 +2 +50 +1 0 o -1 -50 -2 C1 C2 C3 C4 C5 -200 C6 -100 C7 Key Cutoff Velo Curve (Cutoff Frequency Velocity Curve) FIX, 1–7 Curve by which velocity will affect the cutoff frequency If this is “FIX,” the cutoff frequency will stay the same regardless of how the velocity varies. Cutoff Velo Sens (Cutoff Frequency Velocity Sensitivity) -63– +63 Amount by which velocity will affect the cutoff frequency 1 46 2 3 4 5 6 7 MC-808_Slist_e.book 47 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Parameter Resonance Value 0–127 Description Amount by which the sound in the region of the cutoff frequency will be emphasized Increasing this value will produce a more strongly distinctive character. Raising this excessively will cause oscillation and distortion. LPF BPF HPF PKG Level High parameter value Frequency Cutoff frequency Low Reso Velo Sens (Resonance Velocity Sensitivity) F-Env V-Curve (Filter envelope velocity curve) -63– +63 Amount by which velocity will affect the resonance FIX, 1–7 Curve by which velocity will affect the filter envelope If this is “FIX,” the filter envelope will stay the same regardless of how the velocity varies. F-Env V-Sens (Filter envelope velocity sensitivity) F-Env T1 V-Sens (Filter Envelope Time 1 Velocity Sensitivity) F-Env T4 V-Sens (Filter Envelope Time 4 Velocity Sensitivity) -63– +63 Amount by which velocity will affect the depth of the filter envelope -63– +63 Amount by which velocity will affect T1 (time) of the filter envelope Specify a positive (+) value if you want to speed up the T1 time, or a negative (-) value to slow it down. -63– +63 Amount by which the key-off velocity will affect T4 (time) of the filter envelope Specify a positive (+) value if you want to speed up the T4 time, or a negative (-) value to slow it down. 1 2 3 4 5 6 7 47 MC-808_Slist_e.book 48 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Filter Env (Filter Envelope) These parameters specify the depth of the filter envelope (time-variant change in cutoff frequency), and specify the shape of the envelope itself. T1 T2 T3 T4 L1 L0 L2 L3 Cutoff Frequency L4 key is pressed Parameter F-Env Depth (Filter envelope depth) F-Env Time KF (Filter Envelope Time Keyfollow) key is released Time Value -63– +63 Description Depth of the filter envelope Increasing this value will produce a greater effect. Negative (-) values will invert the envelope. -100– +100 Amount by which the note you play (relative to C4) will affect the filter envelope times (T2–T4) Increasing this value will cause greater change to occur. Positive (+) values will cause the times to become shorter as you play toward the right of the keyboard. Conversely, negative (-) values will cause the times to become longer. Time -100 -50 0 +50 C1 F-Env Time1–4 (Filter Envelope Time 1–4) F-Env Level0–4 (Filter Envelope Level 0–4) 48 0–127 0–127 C2 C3 C4 C5 C6 +100 C7 Key Filter envelope times (T1–T4) Higher settings of these values will lengthen the time over which the next cutoff frequency level of the envelope is reached. (For example, T2 is the time over which the level changes from L1 to L2.) Filter envelope levels (L0–L4) Specifies the change in cutoff frequency at each point, relative to the reference level. MC-808_Slist_e.book 49 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Amp These TVA (Time Variant Amplifier) parameters specify how the volume and pan of the sound will change. Parameter Patch Level Tone Level Value 0–127 0–127 Description Volume of the entire patch Volume of each tone This parameter is used mainly to adjust the volume balance between tones. BIAS Use the Bias parameter when you want the position of pads to affect the TVA level. LOWER + Level UPPER Level 0 0 0 – – C-1 LOWER&UPPER + Level + Key Bias Point G9 Bias Level -100– +100 Bias Position Bias Direction 0–127 LWR, UPR, L&U, ALL Tone Pan L64–63R Pan Keyfollow (Tone Pan Keyfollow) -100– +100 G9 Bias Point – + 0 0 + – Key Bias Point C-1 ALL Level 0 – Key C-1 + G9 C-1 – Bias Point Key G9 Angle at which the volume will change relative to the bias direction Increasing this value will produce a greater change. Negative (-) values will invert the direction of the change. Selects the note number relative to which the volume will change. Direction of change relative to the bias point LWR (LOWER): Notes below the bias point UPR (UPPER): Notes above the bias point L&U (LOWER & UPPER): Notes to the left and right of the bias point ALL: Bias level varies the angle relative to the bias point Pan of each tone L64 is far left, 0 is center, and 63R is far right. Set this parameter if you want the pan to be affected by the note you play. Increasing this value will produce a greater change relative to middle C (C4). Positive (+) values will cause the pan to move toward the right as you play toward the right. Conversely, negative (-) values will adjust pan toward the right. Pan +100 R +50 0 o -50 L C1 Random Pan Depth (Tone Random Pan Depth) Alter Pan Depth (Tone Alternate Pan Depth) C2 C3 C4 C5 C6 -100 C7 Key 0–63 Amount by which the pan will be varied randomly each time you press a pad Increasing this value will produce a greater amount of random change. L63–63R Amount by which the pan will be moved alternately between left and right each time you press a pad Increasing this value will produce a greater amount of change. This value can be adjusted in the L or R direction, and these will invert the order in which the tone is panned to left and right. If you want two tones to alternate between left and right, set each tone to opposite L and R values. 49 MC-808_Slist_e.book 50 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Amp Env (Amp Envelope) These parameters specify the depth of the amp envelope (change in volume over time) and the shape of the envelope itself. Level T1 T2 T3 T4 L1 L2 L3 Time key is released key is pressed Parameter A-Env V-Curve (Amp Envelope Velocity Curve) Value FIX, 1–7 Description Curve by which velocity will affect the volume of the tone If this is “FIX,” the volume of the tone will stay the same regardless of how the velocity varies. A-Env V-Sens (Amp Envelope Velocity Sensitivity) A-Env T1 V-Sens (Amp Envelope Time 1 Velocity Sensitivity) A-Env T4 V-Sens (Amp Envelope Time 4 Velocity Sensitivity) A-Env Time KF (Amp Envelope Time Keyfollow) -63– +63 Amount by which velocity will affect the volume of the tone Set a positive (+) value if you want to increase the tone’s volume change, or a negative (-) value if you want to decrease the tone’s volume change. Amount by which velocity will affect T1 (time) of the Amp envelope Specify a positive (+) value if you want the T1 time to speed up, or a negative (-) value if you want it to slow down. 1 -63– +63 2 3 4 5 6 7 -63– +63 Amount by which the key-off velocity will affect T4 (time) of the Amp envelope Specify a positive (+) value if you want the T4 time to speed up, or a negative (-) value if you want it to slow down. -100– +100 Amount by which Amp envelope times (T2–T4) will be affected by the pad you play Higher settings for this value will produce a greater change relative to the C4 key. Positive (+) values will cause the times to become shorter as you play toward the right. Conversely, negative (-) values will cause the times to become longer. Time -100 -50 0 +50 C1 A-Env Time1–4 (Amp Envelope Time 1–4) A-Env Level1–3 (Amp Envelope Level 1–3) 50 0–127 0–127 C2 C3 C4 C5 C6 +100 C7 Key Amp envelope times (T1–T4) Higher settings of these values will lengthen the time over which the next volume level of the envelope is reached. (For example, T2 is the time over which the level changes from L1 to L2.) Amp envelope levels (L1–L3) Specifies the change in volume at each point, relative to the reference level. MC-808_Slist_e.book 51 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters LFO LFO (Low Frequency Oscillator) creates cyclic changes. Each tone has two LFOs, and these can be used to apply change to pitch, filter cutoff frequency, amp level, and pan. Using the LFOs An LFO applied to pitch creates vibrato, applied to filter cutoff frequency creates a wah effect, and applied to amp level creates tremolo. When LFO is applied to pan, a distinctive auto-pan effect is produced. LFO settings can also be used to do things such as cyclically exchanging two tones. For example, to cyclically exchange tones 1 and 2, specify the same LFO effect for each, and set the LFO depth to opposite polarities (+/-) for the amp level. * The parameters of LFO 1 and 2 are the same. Parameter LFO1(2) Waveform Value SIN, TRI, SAWU, SAWD, SQR, RND, BD-U, BD-D, TRP, S&H, CHS, XSIN, TWM, STRS, VSIN, M001–M113 LFO1(2) Rate 0–127, note Offset (LFO Offset) Rate Detune (LFO Rate Detune) Delay Time (LFO Delay Time) Delay Time KF (LFO Delay Keyfollow) -100– +100 0–127 Description LFO waveform SIN: sine wave TRI: triangle wave SAWU: sawtooth wave SAW-D: sawtooth wave (inverted) SQR: square wave RND: random wave BD-U: a waveform that lets the LFO output waveform rise to the reference level and holds it there BD-D: a waveform that lets the LFO output waveform fall to the reference level and holds it there TRP: trapezoidal wave S&H: sample and hold wave (LFO value will change once each period) CHS: chaos wave XSIN: sine wave that reverses between positive and negative at an extremely short interval TWM: modified triangle wave STRS: stair-step wave VSIN: modified sine wave suitable for vibrato M001–M113: the waveform will change continuously from a sine wave to sample & hold * If you select “BD-U” or “BD-D,” set the Key Trigger (p. 51) parameter to “ON.” There will be no effect if you set it to “OFF.” Speed of the LFO cycle * The chaos waveform has no cycle. If you select the chaos waveform, the rate setting will be ignored. Offset level of the LFO waveform Adjusts the waveform upward or downward. Amount by which the LFO rate will be changed 0–127 Time from when you press (or release) a pad until the LFO amplitude begins to change -100– +100 Amount by which the Delay Time will be affected by the pad you press Modifies the Delay Time parameter according to the pad you press, relative to C4 (middle C). Specify a positive (+) value if you want the LFO effect to be applied more quickly as you press higher notes, or specify a negative (-) value if you want a greater delay to occur before the effect is applied. Higher settings will produce a correspondingly greater change. Time -100 -50 0 +50 C1 Fade Mode (LFO Fade Mode) On<, On>, Off<, Off> Fade Time (LFO Fade Time) Key Trigger (LFO Key Trigger) 0–127 OFF, ON C2 C3 C4 C5 C6 +100 C7 Key How the LFO effect is applied On< (ON-IN): The effect will be applied gradually after you press the pad. On> (ON-OUT): The effect will be applied when you press the pad, and will gradually disappear. Off< (OFF-IN): The effect will be applied gradually after you release the pad. Off> (OFF-OUT): The effect will be applied as long as you hold down the pad, and will gradually disappear when you release the pad. Rise (or decay) time for the LFO effect Selection for whether the beginning of the LFO cycle will be aligned to the timing at which you press a pad (ON), or will not be aligned (OFF) 51 MC-808_Slist_e.book 52 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Parameter Pitch Depth (LFO Pitch Depth) Filter Depth (LFO Filter Depth) Amp Depth (LFO Amp Depth) Pan Depth (LFO Pan Depth) Value -63– +63 Description Depth to which the LFO will affect the WG pitch -63– +63 Depth to which the LFO will affect the filter cutoff frequency -63– +63 Depth to which the LFO will affect the amp level -63– +63 Depth to which the LFO will affect the amp pan * If the Waveform is “XSIN,” it may be difficult to notice the effect. note: fig. (Sixty-fourth-note triplet), (Sixteenth note), (Sixty-fourth note), (Eighth-note triplet), (Dotted quarter note), (Half note), (Thirty-second-note triplet), (Dotted sixteenth note), (Whole-note triplet), (Thirty-second note), (Eighth note), (Dotted half note), (Sixteenth-note triplet), (Quarter-note triplet), (Whole note), (Dotted eighth note), (Double-note triplet), (Dotted thirty-second note), (Quarter note), (Dotted whole note), (Half-note triplet), (Double note) Solo/Porta (Portamento) These settings specify how the sound is to respond to your playing technique. Parameter Mono/Poly Value MONO, POLY Legato Switch OFF, ON Legato Retrigger OFF, ON Description Specifies how notes will be produced MONO: Only one note at a time will sound. POLY: More than one note can be played simultaneously. It is effective to use the MONO setting when playing a patch of a single-note instrument such as sax or flute. Specifies whether legato will be used (ON) or not (OFF) Legato is a function that is available when the Mono/Poly parameter is set to MONO. When Legato is turned ON, pressing another pad while the previously played pad is still held down will cause the pitch to change to the newly played pad, while the note continues to sound. This can be used to simulate the hammering-on/pulling-off performance techniques used by a guitarist. Selects whether the note will be retriggered when using Legato. Normally, you will leave this “ON.” If this parameter is turned “OFF,” pressing another pad while the previously played pad is still held down will cause only the pitch to change, which may cause an unnatural-sounding result for some waveforms. It is best to turn this “OFF” when playing wind or bowed-string instrument sounds, or when simulating a monophonic synthesizer. * This setting is ignored if the Legato Switch is “OFF.” PORTAMENTO Portamento is a function that causes the pitch to change smoothly from one note to the next note played. When the Mono/Poly is set to MONO, this can be effective in simulating performance techniques such as a violinist’s glissando. Portamento Switch OFF, ON Portamento on/off Porta Mode NORMAL, Method of play for which the portamento effect will be applied (Portamento Mode) LEGATO NORMAL: Portamento will always be applied. LEGATO: Portamento will be applied only when you play legato (i.e., press the next pad before releasing the previous pad). Portamento Type RATE, How the difference in pitch between the notes you play will affect the time over which the pitch change TIME occurs RATE: The time over which the pitch changes will be proportionate to the difference in pitch between the two notes. TIME: The pitch change will occur over a fixed time, regardless of the difference in pitch between the two notes. 52 MC-808_Slist_e.book 53 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Parameter Portamento Start Value PITCH, NOTE Description Portamento begins anew if you press another key during a pitch movement. This setting specifies how the new portamento starts. PITCH: The pitch begins changing immediately to the new note’s pitch when its key is pressed. Pitch C5 D4 C4 Time press D4 key press C5 key press C4 key NOTE: The pitch begins changing to the new note’s pitch only after it has first reached its original pitch destination. Pitch C5 D4 C4 Time press D4 key press C5 key press C4 key Portamento Time Unison Switch 0–127 OFF, ON Unison Fat Level 0–127 Time over which the next pitch is reached Switches the detune effect on/off If this is “ON,” the sound of the selected patch will be layered (three notes), producing a fatter sound. * If this is turned “ON,” the Mono/Poly parameter will also be set to “MONO,” and the selected patch automatically uses single notes. Strength of the detune effect Increasing this value will cause the pitch of the layered notes to be raised and lowered farther away from each other (maximum one octave up and down). TMT (Tone Mix Table) These parameters specify how the tones will be combined, and how they will be played. Parameter Structure Type 1&2 (3&4) Value 1–10 Description How tones 1 and 2, or 3 and 4, will be combined B indicates Booster, and R indicates Ring Modulator. * If you select Type 2–10 and turn off one of the tones, the other tone will use the conventional configuration of WG/TVF/TVA. Depth of the booster effect when “Type” is set to 3 or 4 Booster 1&2 (3&4) 0, +6, +12, (Booster Gain) +18 dB TMT (Tone Mix Table) Specifies how each tone will be played according to the velocity. These settings are collectively referred to as the TMT (Tone Mix Table). Level 1 Lower L.Fade value Velocity Control (TMT Velocity Control) Upper Velocity U.Fade value OFF, ON, RANDOM Specifies whether velocity data will be used (ON) or ignored (OFF) If you specify RANDOM, the tones will sound randomly, regardless of velocity data. 53 MC-808_Slist_e.book 54 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Parameter Velo Fade Lower (TMT Velocity Fade Width Lower) Value 0–127 Velo Range Lower (TMT Velocity Range Lower) Velo Range Upper (TMT Velocity Range Upper) 1–Upper Velo Fade Upper (TMT Velocity Fade Width Upper) 0–127 TMT Control Switch OFF, ON Bend Range Down -48–0 Bend Range Up 0–48 Lower–127 Description Specifies the volume change that occurs when you play a key on an external instrument, such as a MIDI keyboard, with a force that is less than the lower limit of the velocity range specified below Increasing this value will cause the volume to decrease more smoothly. Set this to 0 if you don’t want any sound to be heard when you play a key with a force that’s outside the specified range of velocities. Lower limit of the velocities that will sound the tone Set this parameter if you want to use velocity to switch between tones. Upper limit of the velocities that will sound the tone Set this parameter if you want to use velocity to switch between tones. * It is not possible to set Lower to a greater value than Upper, nor Upper to a lesser value than Lower. Specifies the volume change that occurs when you play a key on an external instrument, such as a MIDI keyboard, with a force that is greater than the upper limit of the specified velocity range Increasing this value will cause the volume to decrease more smoothly. Set this to 0 if you don’t want any sound to be heard when you play a key with a force that’s outside the specified range of velocities. Specifies whether the controller of the matrix control will control TMT (ON) or not (OFF) By turning Velocity Control (TMT Velocity Control) OFF and turning this parameter on/off, you can easily switch between sounding all tones and using the matrix control. This is convenient when checking the sound. Specifies the amount of pitch change (in semitone steps) that occurs when you move the pitch bend lever on an external instrument, such as a MIDI keyboard, all the way to the left Specifies the amount of pitch change (in semitone steps) that occurs when you move the pitch bend lever on an external instrument, such as a MIDI keyboard, all the way to the right What is a Booster? A Booster amplifies the incoming signal, causing it to distort. This creates an effect similar to the distortion often used on an electric guitar. What is a Ring Modulator? fig. A Ring Modulator mathematically multiplies two Tones, creating a new sound that includes inharmonic overtones that were not present in either of the two original Tones. Since the difference in pitch between the two Tones changes the overtone structure, an un-pitched “metallic” sound often results. Ring modulation is therefore especially suitable for creating bells and other metallic sounds. CTRL1 These parameters let you specify the operation and result of various controllers. Value Description Parameter MATRIX CTRL Make these settings when you want to use the [MATRIX CONTROL] fader to control specific tone parameters. CTRL1 Destination 1–4 OFF, PCH, CUT, RES, LEV, PAN, Parameter to be controlled (Matrix Control 1 DRY, CHO, REV, PIT-LFO1(2), Destination 1–4) TVF-LFO1(2), TVA-LFO1(2), PAN-LFO1(2), LFO1(2)-RATE, PIT-ATK, PIT-DCY, PIT-REL, TVF-ATK, TVF-DCY, TVF-REL, TVA-ATK, TVA-DCY, TVA-REL, TMT, FXM, TIME CTRL1 Sens 1–4 -63– +63 Range of change obtained through operating the controller (Matrix Control 1 Sens Negative (-) values will invert the change. If you set LFO depth to a negative 1–4) value, the phase will be inverted. Setting LFO rate to a negative value will lengthen the cycle, and setting it to a positive value will shorten the cycle. CTRL1 Switch 1–4 OFF, ON, REVS Tones to which the preceding two parameter settings will apply (Matrix Control 1 Tone The settings will apply to tones for which this is turned “ON.” The effect Control Switch 1–4) will be inverted for tones that are set to “REVS.” 54 MC-808_Slist_e.book 55 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters General Various other parameters are provided here. Parameter Patch Priority Value LAST, LOUDEST Tone Env Mode (Tone Envelope Mode) NSUS, SUST Description Specifies what will happen if the maximum polyphony (128 voices) is exceeded LAST: Voices played most recently will be given priority, while currently sounding voices will be successively turned off, beginning with the oldest one. LOUDEST: Voices of the loudest volume will be given priority, while currently sounding voices will be successively turned off, beginning with the one with the lowest volume. Specifies how notes will continue to sound while you hold down the pad NSUS (NO-SUSTAIN): The sound will decay naturally even if you continue to hold down the pad. SUST (SUSTAIN): The sound will be sustained as long as you hold down the pad. * If you have selected a one-shot waveform, the sound will not be sustained even if you select “SUST.” Tone Delay This produces a time delay between the moment a pad is pressed (or released) and the moment the Tone actually begins to sound. Since you can adjust the timing of each Tone in a Patch, you can create effects in which pressing a single pad produces two or more sounds occurring at different times. If you don’t wish to use Tone Delay, set Tone Delay Mode to NORMAL and Tone Delay Time to 0. Tone Delay Mode NORM, Specifies how the tone will be sounded HOLD, * If you have selected a decay-type waveform (in which the sound disappears naturally even if you do OFFN, not release the pad), the sound may not be heard if you set this parameter to OFFN or OFFD. OFFD NORM (NORMAL): The Tone sounds after the specified Delay Time. Delay Time press key release key HOLD: The Tone will only sound if the pad is held for longer than the specified Delay Time. If the pad is released before the Delay Time has elapsed, the Tone will not sound. Delay Time Delay Time press key release key press key Tone does not sound release key OFFN (KEY-OFF-NORMAL): The Tone doesn’t sound while the pad is being pressed, but sounds after the specified Delay Time when the pad is released. Delay Time press key release key OFFD (KEY-OFF-DECAY): The Tone doesn’t sound while the pad is being pressed, but sounds after the specified Delay Time when the pad is released. However, for this setting the TVA envelope of the Tone begins when the pad is first pressed, and as a result, in most cases, only the decay portion of the sound is heard. Delay Time press key release key 55 MC-808_Slist_e.book 56 ページ ２００６年２月１３日 月曜日 午前９時４６分 Patch editing parameters Parameter Tone Delay Time Value 0–127, note Description Time by which each tone will be delayed when using tone delay If you’ve selected a Structure Type of 2–10, the output of tone 1 (3) and 2 (4) will be combined into tone 2 (4). Thus, the setting of tone 1 (3) will have no effect. note: fig. (Sixty-fourth-note triplet), (Sixteenth note), (Sixty-fourth note), (Eighth-note triplet), (Dotted quarter note), (Half note), (Thirty-second-note triplet), (Dotted sixteenth note), (Whole-note triplet), (Thirty-second note), (Eighth note), (Dotted half note), (Sixteenth-note triplet), (Quarter-note triplet), (Whole note), (Dotted eighth note), (Double-note triplet), (Dotted thirty-second note), (Quarter note), (Dotted whole note), Special editing RANDOM MODIFY FAT 56 This controls the sound generator parameters of the current part. It is a convenient way to use randomness to create sounds you like. This is valid if “UNISON” is on. It produces a detune effect or a harmonize effect. (Half-note triplet), (Double note) MC-808_Slist_e.book 57 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm editing parameters Wave These parameters select the PCM waveform that is to form the basis of the rhythm tone, and apply effects to the waveform. Parameter Wave Group Value INT, USER, CARD Wave No. L/MONO Wave No. R 0 (OFF)–**** * Depends on the wave group. -6, 0, +6, +12 dB Wave Gain Description Group of the waveform upon which the rhythm tone is to be based INT: Waveforms stored in internal memory USER: User sample waveforms CARD: Card sample waveforms Waveform upon which the tone is to be based On the MC-808 you can specify a separate waveform for the L and R channels. * If you want to use the same waveform for the L and R channels, set the R channel to 0 (OFF). Waveform gain (amplitude) The value will change in steps of 6 dB (decibels). An increase of 6 dB will double the gain. If you want to use the booster to distort the sound, it is effective to set this to the maximum. FXM (Frequency Cross Modulation) FXM creates a complex overtone structure by using a specific waveform to frequency-modulate the selected waveform. This is suitable for creating extreme sounds or sound effects. Wave FXM SW OFF, ON Selects whether FXM will be used (ON) or not (OFF) (Wave FXM Switch) Wave FXM Color 1–4 Selects how FXM will apply frequency modulation. (Wave FXM Color) Increasing this value will produce a rougher sound. Decreasing this value will produce a more metallic sound. Wave FXM Depth 0–16 Depth of frequency modulation applied by FXM (Wave FXM Depth) Pitch These parameters specify the pitch of the waveform. Parameter Coarse Tune (Rhythm Tone Coarse Tune) Fine Tune (Rhythm Tone Fine Tune) Random Pitch (Random pitch depth) Wave Coarse Tune Value 0 (C-1)–127 (G9) Description Basic pitch at which the Rhythm tone will play -50– +50 Wave Fine Tune -50– +50 Pitch of the Rhythm tone Adjusts the pitch in one-cent steps (1/100th of a semitone) over a range of 1/2 semitone upward or downward. This specifies the width of random pitch deviation that will occur each time a pad is pressed. If you don’t want random pitch changes, set it to 0. The parameter can be adjusted in units of 1 cent (1/100th of a semitone). Pitch of the Wave Adjusts the pitch in semitone steps over a range of +/-4 octaves. Pitch of the Wave Adjusts the pitch in one-cent steps (1/100th of a semitone) over a range of 1/2 semitone upward or downward. 0–1200 -48– +48 Pitch Env (Pitch Envelope) These parameters specify the depth of the pitch envelope (the way in which pitch will change over time) and the shape of the envelope itself. T1 T2 T3 T4 L1 L0 L3 Pitch Time key is pressed L2 key is released L4 57 MC-808_Slist_e.book 58 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm editing parameters Parameter P-Env Depth Value -12– +12 P-Env V-Sens (Pitch Envelope Velocity Sensitivity) P-Env T1 V-Sens (Pitch Envelope Time 1 Velocity Sensitivity) -63– +63 -63– +63 Amount by which velocity will affect T1 (time) of the pitch envelope Set a positive (+) value if you want to speed up the T1 time, or a negative (-) value if you want to slow it down. P-Env T4 V-Sens (Pitch Envelope Time 4 Velocity Sensitivity) P-Env Time1–4 -63– +63 P-Env Level0–4 -63– +63 Amount by which the key-off velocity will affect T4 (time) of the pitch envelope Set this to a positive (+) value if you want to speed up the T4 time, or to a negative (-) value to slow it down. Pitch envelope times (T1–T4) Increasing this value will lengthen the time until the next pitch level is reached (for example, T2 is the time over which the pitch will change from L1 to L2). Pitch envelope levels (L0–L4) These parameters specify the amount by which the pitch will change from the basic pitch (specified by Coarse Tune and Fine Tune) at each point of the envelope. Positive (+) values will raise the pitch above the basic pitch, and negative (-) values will lower it. 0–127 Description Pitch envelope depth Increasing this value will produce greater change. Negative (-) values will invert the change produced by the envelope. Amount by which velocity will affect the depth of the pitch envelope Filter These parameters are settings for the TVF (Time Variant Filter). They modify the timbral character of the tone by adjusting the brightness and fatness of the sound. Parameter Filter Type Value OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 Cutoff Frequency 0–127 Cutoff Velo Curve (Cutoff Frequency Velocity Curve) FIX, 1–7 Cutoff Velo Sens (Cutoff Frequency Velocity Sensitivity) -63– +63 Description Type of filter A filter cuts a specific frequency region of the sound to modify the brightness or thickness of the sound. OFF: A filter will not be used. LPF: Low Pass Filter. Cuts the region that lies above the cutoff frequency. The sound will become more mellow as the high frequency region is cut. This is the most commonly used type of filter. BPF: Band Pass Filter. Leaves only the region in the vicinity of the cutoff frequency, and cuts the rest. Suitable for creating sounds with a distinctive character. HPF: High Pass Filter. Cuts the region that lies below the cutoff frequency. Suitable for creating percussion instrument sounds that have a distinctive high range. PKG: Peaking filter. Emphasizes the region in the vicinity of the cutoff frequency. You can create a wah effect by using an LFO to cyclically modulate the cutoff frequency. LPF2: Low Pass Filter 2. Cuts the region that lies above the cutoff frequency. This lets you leave the cutoff frequency fixed, and use the TVF envelope settings to vary the depth of the cutoff. Since this does not impair the feeling of energy of the sound, it is effective for acoustic-type sounds. * The resonance setting is ignored. LPF3: Low Pass Filter 3. Cuts the region that lies above the cutoff frequency. This filter cuts the high frequency region more gently than LPF2. Since this does not impair the feeling of energy of the sound, it is effective for acoustic-type sounds. * The resonance setting is ignored. Frequency (cutoff frequency) at which the filter will begin affecting the frequency content of the waveform If the Filter Type is LPF/LPF2/LPF3, reducing the cutoff frequency will diminish the higher overtones, producing a more mellow sound. Raising the cutoff frequency will brighten the sound. If the Filter Type is BPF, the cutoff frequency value will change the harmonic content that will be sounded. This is suitable for creating sounds with a distinctive character. If the Filter Type is HPF, raising the cutoff frequency will diminish the lower overtones, emphasizing only the bright portion of the sound. If the Filter Type is PKG, the cutoff frequency value will change the harmonic content that will be boosted. Curve by which velocity will affect the cutoff frequency If this is “FIX,” the cutoff frequency will stay the same regardless of how the velocity varies. 1 58 2 3 4 5 6 Amount by which velocity will affect the cutoff frequency 7 MC-808_Slist_e.book 59 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm editing parameters Parameter Resonance Value 0–127 Description Amount by which the sound in the region of the cutoff frequency will be emphasized Increasing this value will produce a more strongly distinctive character. Raising this excessively will cause oscillation and distortion. LPF BPF HPF PKG Level High parameter value Frequency Cutoff frequency Low Reso Velo Sens (Resonance Velocity Sensitivity) -63– +63 Amount by which velocity will affect the resonance Filter Env (Filter Envelope) These parameters specify the depth of the filter envelope (time-variant change in cutoff frequency), and specify the shape of the envelope itself. T1 T2 T3 T4 L1 L0 L2 L3 Cutoff Frequency L4 key is pressed Time key is released Parameter F-Env Depth (Filter envelope depth) F-Env V-Curve (Filter envelope velocity curve) Value -63– +63 Description Depth of the filter envelope Increasing this value will produce a greater effect. Negative (-) values will invert the envelope. FIX, 1–7 Curve by which velocity will affect the cutoff frequency If this is “FIX,” the cutoff frequency will stay the same regardless of how the velocity varies. F-Env V-Sens (Filter envelope velocity sensitivity) F-Env T1 V-Sens (Filter Envelope Time 1 Velocity Sensitivity) F-Env T4 V-Sens (Filter Envelope Time 4 Velocity Sensitivity) F-Env Time1–4 (Filter Envelope Time 1–4) F-Env Level0–4 (Filter Envelope Level 0–4) -63– +63 Amount by which velocity will affect the depth of the filter envelope -63– +63 Amount by which velocity will affect T1 (time) of the filter envelope Specify a positive (+) value if you want to speed up the T1 time, or a negative (-) value to slow it down. -63– +63 Amount by which the key-off velocity will affect T4 (time) of the filter envelope Increasing this value will cause a correspondingly greater difference between slowly released and quickly released notes. Specify a positive (+) value if you want to speed up the T4 time, or a negative (-) value to slow it down. Filter envelope times (T1–T4) Higher settings of these values will lengthen the time over which the next cutoff frequency level of the envelope is reached. (For example, T2 is the time over which the level changes from L1 to L2.) Filter envelope levels (L0–L4) Specifies the change in cutoff frequency at each point, relative to the reference level. 1 0–127 0–127 2 3 4 5 6 7 59 MC-808_Slist_e.book 60 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm editing parameters Amp These TVA (Time Variant Amplifier) parameters specify how the volume and pan of the sound will change. Parameter Tone Level (Rhythm Tone Level) Wave Level Value 0–127 Tone Pan (Rhythm Tone Pan) Random Pan Depth L64–63R Alternate Pan Depth L63–63R Wave Pan L64–63R Wave Rnd Pan Sw (Wave Random Pan Switch) Wave Alt Pan Sw (Wave Alternate Pan Switch) OFF, ON 0–127 0–63 OFF, ON, REVS Description Volume of each Rhythm Tone This parameter is used mainly to adjust the volume balance between Rhythm Tones. Volume of each wave This parameter is used mainly to adjust the volume balance between waves. Pan of each Rhythm Tone L64 is far left, 0 is center, and 63R is far right. Amount by which the pan will be varied randomly each time you press a pad Increasing this value will produce a greater amount of random change. Amount by which the pan will be moved alternately between left and right each time you press a pad Increasing this value will produce a greater amount of change. This value can be adjusted in the L or R direction, and these will invert the order in which the tone is panned to left and right. If you want two tones to alternate between left and right, set each tone to opposite L and R values. Pan of each wave L64 is far left, 0 is center, and 63R is far right. Use this setting to cause the waveform’s panning to change randomly each time a pad is pressed (ON) or not (OFF). The range of the panning change is set by the Random Pan Depth setting. Set this to ON to pan the Wave according to the Alternate Pan Depth settings, or to REVS when you want the panning reversed. If you do not want the panning to change each time a pad is pressed, set this to OFF. Amp Env (Amp Envelope) These parameters specify the depth of the amp envelope (change in volume over time) and the shape of the envelope itself. Level T1 T2 T3 T4 L1 L2 L3 Time key is released key is pressed Parameter A-Env V-Curve (Amp Envelope Velocity Curve) Value FIX, 1–7 Description Curve by which velocity will affect the volume of the tone If this is “FIX,” the volume of the tone will stay the same regardless of how the velocity varies. A-Env V-Sens (Amp Envelope Velocity Sensitivity) A-Env T1 V-Sens (Amp Envelope Time 1 Velocity Sensitivity) A-Env T4 V-Sens (Amp Envelope Time 4 Velocity Sensitivity) A-Env Time1–4 (Amp Envelope Time 1–4) A-Env Level1–3 (Amp Envelope Level 1–3) -63– +63 Amount by which velocity will affect the volume of the tone Set a positive (+) value if you want to increase the tone’s volume change, or a negative (-) value if you want to decrease the tone’s volume change. Amount by which velocity will affect T1 (time) of the Amp envelope Specify a positive (+) value if you want the T1 time to speed up, or a negative (-) value if you want it to slow down. 1 60 -63– +63 2 3 4 5 6 7 -63– +63 Amount by which T4 (time) of the Amp envelope will change in response to the key-off velocity Specify a positive (+) value if you want the T4 time to speed up, or a negative (-) value if you want it to slow down. 0–127 Amp envelope times (T1–T4) Higher settings of these values will lengthen the time over which the next volume level of the envelope is reached. (For example, T2 is the time over which the level changes from L1 to L2.) Amp envelope levels (L1–L3) Specifies the change in volume at each point, relative to the reference level. 0–127 MC-808_Slist_e.book 61 ページ ２００６年２月１３日 月曜日 午前９時４６分 Rhythm editing parameters WMT (Wave Mix Table) On the MC-808, you can assign four stereo waves to a rhythm tone. This allows you to create highly expressive rhythm tones that will change their sound in response to the dynamics of your keyboard playing, when using an external MIDI keyboard. This functionality is referred to as the WMT (Wave Mix Table). Level 1 Lower L.Fade value Upper Velocity U.Fade value Parameter Velocity Control (WMT Velocity Control) Velo Fade Lower (WMT Velocity Fade Width Lower) Value OFF, ON, RANDOM 0–127 Velo Range Lower (WMT Velocity Range Lower) Velo Range Upper (WMT Velocity Range Upper) Velo Fade Upper (WMT Velocity Fade Width Upper) 1–Upper Lower–127 0–127 Description Specifies whether velocity data will be used (ON) or ignored (OFF) If you specify RANDOM, the waves will sound randomly, regardless of velocity data. Specifies the volume change that occurs when you play a key on an external instrument, such as a MIDI keyboard, with a force that is less than the lower limit of the velocity range specified below Increasing this value will cause the volume to decrease more smoothly. Set this to 0 if you don’t want any sound to be heard when you play a key with a force that’s outside the specified range of velocities. Lower limit of the velocities that will sound the wave Set this parameter if you want to use velocity to switch between waves. Upper limit of the velocities that will sound the wave Set this parameter if you want to use velocity to switch between waves. * It is not possible to set Lower to a greater value than Upper, nor Upper to a lesser value than Lower. Specifies the volume change that occurs when you play a key on an external instrument, such as a MIDI keyboard, with a force that is greater than the upper limit of the specified velocity range Increasing this value will cause the volume to decrease more smoothly. Set this to 0 if you don’t want any sound to be heard when you play a key with a force that’s outside the specified range of velocities. General Various other parameters are provided here. Parameter Rhythm Level (Rhythm Set Level) Assign Type Mute Group Tone Env Mode (Rhythm Tone Envelope Mode) Tone Pitch Bend Range (Rhythm Tone Pitch Bend Range) Tone Reverb Send Level (Rhythm Tone Reverb Send Level) Tone Output Asgn (Rhythm Tone Output Assign) Value 0–127 Description Overall volume of the Rhythm Set MULTI, SINGLE OFF, 1–31 This setting determines whether a Rhythm Tone note that is playing is stopped when the same note is played again (SINGLE), or whether it will continue to play, layered with the new note (MULTI). The Mute Group function allows you to designate two or more Rhythm Tones that are not allowed to sound simultaneously. For example, in a real-world acoustic drum set, an open hi-hat and a closed hi-hat sound will never occur simultaneously, since they’re produced by the same instrument. To simulate this behavior on the MC-808, you can set the open and closed hi-hat Rhythm Tones to the same Mute Group. You can have up to 31 Mute Groups per Rhythm Set. If you do not want a Rhythm Tone to use a Mute Group, turn the feature off. When a loop-type waveform is selected, it will normally continue to sound as long as a pad is pressed. If you want a note to decay naturally even when the pad remains pressed, set this to “NSUS.” * If a one-shot type Wave is selected, it will not sustain even if this parameter is set to “SUST.” Amount of pitch change (in semitone steps) that will occur when you move the pitch bend lever of an external MIDI keyboard or other device NSUS, SUST 0–48 0–127 Specifies the depth of reverb applied to each Rhythm Tone Set this to 0 if you don’t want to apply reverb. DRY, MFX1, MFX2, COMP, DIR1 Specifies the original sound of each Rhythm Tone will be output DRY: Output to MIX OUTPUT jacks without passing through effects MFX1 (2): Output through multi-effects 1 (or 2) COMP: Output through the compressor DIR: Output to the DIRECT OUTPUT jacks without passing through effects Special editing RANDOM MODIFY This controls the sound generator parameters of the current part. It is a convenient way to use randomness to create sounds you like. 61 MC-808_Slist_e.book 62 ページ ２００６年２月１３日 月曜日 午前９時４６分 Sample editing parameters About the Loop Mode Sample editing operations (e.g., chop, normalize) apply to the entire sample. Even if you specify a start point or end point, they will be ignored. If you want to apply the operation only to the region between the start point and end point, use Truncate to remove the unwanted portion of the sample before you execute the sample editing operation. FWD (Forward) After the Sample played back from the Start point to the End point, it will then be repeatedly played back in the forward direction, from the Loop Start point to the End point. Start Loop Start P. End P. Sample Parameters Parameter Loop Mode Loop Tune Values FWD, ONE-SHOT, REV, REV-ONE -50– +50 Original Key 0 (C-1)– 127 (G9) BPM 5–300 Time Stretch Type TYPE01– TYPE10 Start Fine 0–255 Loop Start Fine Loop End Fine Sample Gain 0–255 Sample Fine Tune -50–+50 Sample Level 1–127 0–255 0, +6, +12 [dB] Explanation How the sample will be played Refer to About the Loop Mode (p. 62). Pitch of the loop region Make fine adjustments in one-cent (1/100 semitone) steps. Note number that will play the sample at the pitch at which it was sampled Original BPM of the sample * You will need to edit this value when using Auto Sync. Auto sync method Decreasing this value will optimize the sound for more rapid phrases, and increasing this value will optimize the sound for slower phrases. Fine adjustment of the Start point Fine adjustment of the Loop Start point Fine adjustment of the End point Gain of the sample This will boost the volume of the sample. Pitch of the sample Make adjustments in onecent (1/100 of a semitone) steps. Volume of the sample ONE-SHOT The sample will be played back only once, from the Start point to the End point. Start End P. REV (Reverse) When the sample has been played back from the End point to the Start point, it will be repeatedly played back in the reverse direction, from the Loop Start point to the Start point. Start Loop Start P. End P. REV-ONE (Reverse One-shot) The sample will be played back only once from the End point to the Start point in the reverse direction. Start 62 Loop Start P. Loop Start P. End P. MC-808_Slist_e.book 63 ページ ２００６年２月１３日 月曜日 午前９時４６分 Sample editing parameters Truncate Edit Time Stretch This operation cuts the portions of the sample that are earlier than the Start Point and later than the End Point. This operation stretches or shrinks the sample to modify the length or tempo. You can stretch or shrink the sample by a factor of one half to double the original length. Chop This operation divides the sample into two or more samples (a maximum of 16 samples). Parameter Auto Chop Explanation How the sample is to be divided Level: Divide according to volume. Beat: Divide at beats based on the BPM (p. 62) of the sample. Divide x: Divide into ‘x’ number of equal lengths. Type Quality Adjust Emphasis In some cases, the audio quality will be improved if you boost the high-frequency range of an imported sample. Also, the highfrequency range of the sample may be emphasized when you use a sampler made by another manufacturer. In this case, you can minimize the change in tonal character by attenuating the highfrequency range. Parameter Emphasis Type Edit Time Stretch Explanation PreEmphasis: Emphasizes the high-frequency range. DeEmphasis: Attenuates the high-frequency range. BPM: Changes the BPM (p. 62) of the sample to the BPM you specify. Time: Specifies the length of the sample as a time value. Rate: Specifies the length relative to the current length of the sample. Range: 50.0–200.0% TYPE01– Lower settings of this value will make TYPE10 the sound more suitable for faster phrases, and higher settings will make the sound more suitable for slower phrases. 1–10 Make fine adjustments to the tonal quality of the Time Stretch. Normalize This operation raises the level of the entire sample as much as possible without exceeding the maximum level. Amp This operation applies an envelope (time-variant change) to the volume of the sample. Address 1–4 Rate 1–4 Location of each point Amplification ratio of each point Specifies how the volume of each point is to be boosted relative to the current value. Range: 0–400% 63 MC-808_Slist_e.book 64 ページ ２００６年２月１３日 月曜日 午前９時４６分 sampling groovebox (Sound Generator Section) Model MC-808 MIDI Implementation Chart Transmitted Function... Default Changed X X 1–16 1–16 Mode Default Messages Altered X X Mode 3 Mode 3, 4 (M = 1) Remarks *2 ************** Note Number : True Voice 0–127 0–127 0–127 ************** Velocity Note On Note Off O O After Touch Key's Channel's X O O O *1 *1 O O *1 O O O O O O O O O O O O O O O O O O O O O O O O O (Reverb) O X O *1 O 0–127 *1 ************** System Exclusive O O *1 : Song Position System : Song Select Common : Tune Request : Clock System Real Time : Commands X X X X X X X X O X : All Sound Off : Reset All Controllers Aux : Local On/Off Messages : All Notes Off : Active Sensing : System Reset X O X O O X Pitch Bend Program Change 0, 32 1 5 6, 38 7 10 11 16 18 19 64 65 66 68 71 72 73 74 75 80 81 82 83 84 91 1–3, 33–95 *3 98, 99 100, 101 : True Number Notes Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY MIDI Implementation chart 64 Recognized Basic Channel Control Change Date : January 15, 2006 Version : 1.00 *5 O O X X O O X O O O O X X X O O O O O O O O O X O O X X *1 O *1 *1 *2 *3 *4 *4 *4 *1 O O NRPN LSB, MSB RPN LSB, MSB Program No. 1–128 O O X O (123–127) O X O X is selectable. Recognized as M=1 even if M≠1. The settings are changeable. Transmitted only when V-LINK is ON. Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO Bank select Modulation Portamento time Data entry Volume Panpot Expression General Purpose Controller 1 General Purpose Controller 3 General Purpose Controller 4 Hold 1 Portamento Sostenuto Legato Foot Switch Resonance Release Time Attack Time Cutoff Decay Time General Purpose Controller 5 General Purpose Controller 6 General Purpose Controller 7 General Purpose Controller 8 Portamento control General Purpose Effect 1 * 5 Fixed at 64 O : Yes X : No MC-808_Slist_e.book 65 ページ ２００６年２月１３日 月曜日 午前９時４６分 sampling groovebox (Sequencer Section) Model MC-808 MIDI Implementation Chart Transmitted Function... Recognized Basic Channel Default Changed 1–16 X 1–16 X Mode Default Messages Altered X X X X 0–127 ************** 0–127 0–127 Note Number : True Voice Remarks There is no basic channel. Velocity Note On Note Off O O O O After Touch Key's Channel's O O O O O O O O O ************** O 0–127 System Exclusive O O : Song Position System : Song Select Common : Tune Request O X X *1 O X X *2 System : Clock Real Time : Commands O O *1 *1 O O *3 *2 : All Sound Off : Reset All Controllers Aux : Local On/Off Messages : All Notes Off : Active Sensing : System Reset O O X O O X *4 O O X O (123–127) O X *4 Pitch Bend 0–119 Date : January 15, 2006 Version : 1.00 Control Change Program Change : True Number Notes Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY *1 Transmitted only when Sync Out is ON. *2 Recognized only when Sync Mode is SLAVE or REMOTE. *3 Recognized only when Sync Mode is SLAVE. *4 Mode messages (123–127) are stored/transmitted after All Notes Off processing is performed. The All Notes Off message itself is not stored/transmitted. Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO O : Yes X : No 65 MC-808_Slist_e.book 66 ページ ２００６年２月１３日 月曜日 午前９時４６分 Profiles of the pattern creators David “Tweeky” Ahlund David started out as a young winner in two Roland music competitions, ranging all the way back to 1998 and 2000. Today he designs music and sounds for several Roland products and tours around the world with his trademark breakbeat-mix sound, to show everybody how the products are supposed to be used. He has extensive experience in most musical styles (everything from hard electronica to hip-hop and Rn’B), and is also a lead singer/rapper in several bands. Hans-Joerg Scheffler Born and raised in the Ruhrvalley which used to be the biggest industrial area of germany Hans interest in noise and rhythm came quite naturally. Today he runs his own company Digital Audio Design and creates samples, patches as well as patterns and demo songs for Roland and other companies. He also works as a consultant and productspecialist for Roland and as a freelance writer for the german KEYBOARD magazine and lives in a little house with his wife, two cats and a dog named Gaku. You can visit him online at www.digitalaudiodesign.de Heigo Tani (Co-Fusion, Wall5) Heigo Tani started DJ work in 1985, and has released numerous works inside Japan and abroad as a member of the Co-Fusion unit with DJ WADA. Recently he has been active in composing, arranging, and remixing J-pop artists. He has also released a cover of Crystal Waters’ classic “Gypsy Woman” from Reel Musiq under the name of his own unit Wall5, and an analog version of “HOTHOT” under the name Co-Fusion from the Fatboy Slim or Norman Cook label “Southern Fried Records.” For details, visit the website. http://www.sublimerecords.net/ Huston Singletary Huston Singletary is a music producer, programmer, sound designer & film composer based in Atlanta, USA. His programming and producing skills have taken him into recording studios all over the globe and his sound design and work as a demo content provider have him busy around the clock with countless new product and music releases. Huston has worked with a diverse list of artist’s from Jeff Lorber to the late jazz legend George Howard. His client roster includes work with Babyface, Barry Gordy, Whitney Houston, Aslyn, Virgin Records, Capitol Records and more. His websites are: hustonmusic.net & smithandhuston.net 66 MC-808_Slist_e.book 67 ページ ２００６年２月１３日 月曜日 午前９時４６分 Profiles of the pattern creators Justin Berkovi Justin Berkovi - music producer, remixer, live artist and art director / designer. Justin has released five solo albums, played live sets all over the world and has run two independent record labels. He intends to pursue his love of cinema by creating music for film in the future and continues to liaise with manufacturers working on sound design and other projects. For more information please check www.justinberkovi.com Kilian Schweer Kilian Schweer is a musician from Germany working in the experimental electronic music field. He’s been programming patterns and sounds for the Roland MC-505 and Roland MC-909. Kilian also worked for several TV productions and multimedia projects and is heavily engaged in live performances. Currently he is studying communication design, exploring new ways of combining sound synthesis with computer generated and animated pictures. Manuel Schleis Born in 1979, he early began to take piano lessons when he was 6 years old. Today he is a well known Techno / House producer in germany with tons of releases (in many electronic genres). But actually he started his career with sound designing. Beside he designs special soundsets for big synth manufactures like Roland, he has his own online portal with many available sample cd’s and sounds for many different synthesizers. Manuel Schleis @ Web: www.vengeance-music.de (Releases & Remixes) www.vengeance-sound.com (Online Soundportal) www.vengeance-mastering.com (mastering services) www.vengeance-forum.de (Growing Music-Community) Markus Schneider RISC (Risclab) - Berlin Producing electronic music from minimal techno to composition work he hosted music events in his gallery (Lukas&Hoffmann) - e.g. projects with OceanClub/Fehlmann/Gut and Betke(Pole). Various collaborative works including Video/Media Installations (Sanguineti) and Realtime Generative Processes (Riekoff) were presented in galleries, museums and festivals like CTM, Berlin or SONAR, Barcelona. Dedicated to ClubCulture MS actively performs as Musician and VJ. http://www.risclab.org http://www.texone.org Michel Pougin Michel Pougin was born in 76 and is a real chemical brother in the truest sense of the word. He is a chemistrystudent and a producer of authentic trancemusic. Michel runs his own studio where he tries to find the formula for the perfect groove and works for Roland as a sound designer and is Roland´s first call guy when it comes to demonstrate groove gear products in germany. Website: www.carbon-music.de. 67 MC-808_Slist_e.book 68 ページ ２００６年２月１３日 月曜日 午前９時４６分 Shinichiro Murayama Shinichiro Murayama is a musical creator involved in a broad range of activities that include composition, arranging, producing, chorus, and engineering for numerous top artists, regardless of generation. He is particularly strong in creating R&B sounds and is known for his powerful rhythm arrangements. He has been using Roland products for a long time, and has built up a collection of historic models over the course of his own development. He has provided demo songs for the Fantom-S series and patterns for the MC-909. He will be releasing his first solo album in the spring of 2006. Stefan Kengen aka Steven Keen Born and raised in Copenhagen, Denmark in 1972, Steven Keen joined the Tivoli Guard at age 11 and took piano lessons. Already at age 6 he developed an interest in electronic music and instruments, and has written and produced music mainly with computers and synthesizers since the late 1980’s. He has co-written and produced for numerous local dance- and pop-acts such as Sound Of Seduction, SOAP and Blaa Oejne, as well as vocal coaching and remixing. Sterling Moss Sterling Moss is a unique DJ from the UK, considered as an innovator in his highly technical style using 3 decks, fx and a 909 which comes together in an explosive mix. As well as being globally recognized for these skills, Sterling also runs his own record label ‘Racetrax’, as well as producing and remixing for a number of other labels, which has seen his work feature in the UK top 40 charts. Tetsuya Tamura (Remo-con) Tetsuya Tamura started DJing in ’93. As the producer of the production group “Yokota Shoukai,” he has been responsible for numerous compositions, arrangements, programming, and engineering for both Japanese and Western artists. Since 2001 he has been active as an artist under the name “Remo-con.” He has released singles on the “HELLHOUSE RECORDINGS” label run by “Yoji Biomehanika” as well as from the German label “TRACID TRAXXX.” Tim Hüfken Tim Hüfken 28 years old and born in the Netherlands. Now residing in Belgium he is the dance gear and Cakewalk / Edirol demonstrator for Roland Central Europe. He is a dj and producer too and has a company in advertising graphics and AV postproduction. His musical preferences are very diverse and go from lounge to hardstyle. He has made records and remixes for various artists and is still active as a dj and producer in the Benelux area. * 0 4 2 3 3 8 8 9 - 0 1 * 04233889 ’06-2-1N
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