Final programme - Department of Communication and Psychology
Transcription
Final programme - Department of Communication and Psychology
Nordic Musicological Congress 2015 August 11th-14th 2015 Programme Tuesday 11th August 09:00-09:30 Registration: ground floor, Rendsburggade 14, Aalborg 9000 09:30-09:40 Welcome 09:40-10:30 (Aud. 3.107) Keynote #1: Norm Hirschy (Oxford University Press, senior commissioning editor for music & dance). Publishing Scholarship Successfully in the 21st Century: Writing About Music That Can't Be Ignored 10:30-11:00 Coffee break 11:00-12:00 Papers Stream A (Aud. 3.107) Chair: Morten Michelsen Per Dahl. Noen tekst-musikk relasjoner i Stravinskijs Salmesymfoni Justin Christensen. Finding a place for the inclusion of listener phenomenological study within musical analysis 12:00-13:00 Lunch Rendsburggade Stream B (Sem. 4.105) Chair: Peder Kaj Pedersen Thomas Solomon. The Play of Colors: Staging Multiculturalism in Norway Ulrik Volgsten. Between Critic and Public. Listening to the Musical Work in Stockholm during the 19th Century 13:00-14:30 PANEL #1 (Aud. 3.107) Mikkel Vad, Thomas Hilder, Antti-Ville Kärjä and Mads Walther-Hansen. Popular Music in the Nordic Region/the "Nordic" in Popular Music 14:30-15:30 Papers Stream A (Aud. 3.107) Chair: Mark Grimshaw Stream B (Sem. 4.105) Chair: Martin Knakkergaard Erik Wallrup. From Mood to Tone: Erik Steinskog. Analog Girl in a Digital Schoenberg’s Attunemental Shift World: Erykah Badu, Soul, and Afrofuturism Jacob Derkert. The neo-formalist mo(ve)ment Marit Johanne Høye. Sequence Melodies in in American Art music revisited: A reflection Icelandic and Norwegian Manuscripts on/of Meta-Variations at 40 years distance - Cultural Relationship and Melodic Identity in Medieval Nidaros 15:30-16:00 Coffee Break 16:00-17:30 PANEL #2 (Aud. 3.107) Peter Edwards, Arnulf C. Mattes, Tanja Orning and Astrid Kvalbein. Listening to the Twentieth Century and Beyond 17:45-18:45 Tour of the concert hall (provisional) 19.00 Welcome Reception (Rendsburggade: light snacks and drinks) Wednesday 12th August 09:00-10:00 (Aud. 3.107) Keynote #2: Timo Leisiö (Tampere University, emeritus professor). Seeker tone theory and the biological basis of human musicality 10:00-10:30 Coffee break 10.30-12:00 Papers Stream A (Aud. 3.107) Chair: Arnulf Mattes Tobias Lund. The Erotic Charge of Hugo Alfvén’s Oratorio “Herrens bön” (The Lord’s Prayer) Per-Henning Olsson. Beyond or between tonal and non-tonal? On the idea of contrasting tonality with non-tonality in the symphonies of Allan Pettersson Margareta Rörby. Franz Berwald's Operas and Operettas Stream B (Sem. 4.105) Chair: Per Dahl Mads Walther-Hansen. Examining the Changing Discourse of Recorded Popular Music using a Corpus-Based Approach Mårten Nehrfors. Johann Friedrich Reichardt and the formation/emergence of an expressive community in the German lands at the end of the 18th century Kirsten Santos Rutschman. “And So I Decided to Write a Song for You, Too”: Aspects of the Lindblad-Mendelssohn Correspondence 12:00-13:00 Lunch Rendsburggade 13:00-14:00 (Aud. 3.107) Keynote #3: Tore Simonsen (Norwegian Academy of Music, emeritus professor). The Sound of Music 14:00-15:30 PANEL #3 (Aud. 3.107) Morten Michelsen, Mads Krogh, Kristine Ringsager and Steen Kaargaard Nielsen. Radio Genre Studies 15:30-16:00 Coffee 16:00-17:00 Papers Stream A (Aud. 3.107) Chair: Erik Steinskog Martin Knust. Musical and Theatrical Declamation in Richard Wagner’s Works Nora Engebretsen. Close to... Infinity 19.00 Beer Walk Stream B (Sem. 4.105) Chair: Gunnar Ternhag Morten Søndergaard. The Phantasmagoria of Recorded Listenings Hans-Peter Gasselseder. The Spaces Within Us: Sonic Dramaturgy and the Mirroring of Expression in Sound Perception Thursday 13th August 09:00-10:00 (Aud. 3.107) Keynote #4: Derek Scott (Leeds University, professor of music). Cosmopolitan Musicology 10:00-10:30 Coffee break 10:30-12:00 Papers Stream A (Aud. 3.107) Chair: Mads Krogh Gregory Decker. Stylistic Tension, Structural Conflict, and the Anxiety of Influence in Grieg’s First Violin Sonata Mats Arvidson. Word and Music Studies: Types of Word and Music Relations – A Few Case Studies Susanna Leijonhufvud. The Musical Cyborg – an Offspring between Music Consumers and Smart Algorithms 12:00-13:00 Lunch Rendsburggade 13:00-15:00 Papers Stream A (Aud. 3.107) Chair: Jacob Derkert Tobias Pontara. A World With and Without Music: Models of Musical Underscoring and the Construction of the Cinematic Diegesis Tor Halmrast. How Musicians Adapt to the Room. Timbre and Strength in Music Rehearsal Martin Knakkergaard. Beacons of Sound Arnulf Mattes. German Tradition and Stylistic Emancipation: On Conceptions of Form in Fartein Valen's Violin sonata Op. 3 Stream B (Sem. 4.105) Chair: Jens Henrik Koudal Owe Ander. Traces of a performance – A presentation and critical examination of the sources regarding the Rienzi premiere in Stockholm 1865 Lise Karin Meling. Élisabeth-Claude Jacquet de La Guerre: the miracle performer Robin Rolfhamre. Embellishing La Guitarre Royalle: On Experimenting With the Italian Passagi Practice in Francisco Corbetta’s Music Stream B (Sem. 4.105) Chair: Mads WaltherHansen Heli Reimann. ‘Jazz-talk’ in the Soviet Estonian cultural newspaper Sirp ja Vasar and the Late-Stalinist ideological campaigns Karin Hallgren. Music theatre at Kungl. Dramatiska Teatern in Stockholm in the 1960s Per Broman. Ingmar Bergman’s musicians: Identity, Memory, and Escape Elif Balkir. A Comparative Study of the Research Proceedings at GRM and EMS based on Pierre Schaeffer’s and Knut Wiggen’s Musical Concepts 15:00-15:30 Coffee 15:30-16:30 PANEL #4 (Aud. 3.107) Gunnar Ternhag, Erik Wallrup, Elin Hermansson, Maria Schildt and Karin Hallgren. Writing composer biographies in the project Swedish Musical Heritage 19:00 Congress Dinner (Søgaards Bryghus, C.W. Obels Plads, Aalborg http://soegaardsbryghus.dk/) Friday 14th August 10:00-11:00 (Aud. 3.107) Keynote #5: Peter Vuust (Århus University, professor and head of the Danish National Research Foundation’s Center of Excellence for Music in the Brain). I've got rhythm, or do I? -what musical training does to the brain and its processing of challenging rhythms 11.00-11:30 Coffee break 11:30-13:00 Papers Stream A (Aud. 3.107) Chair: Steen K. Nielsen Stream B (Sem. 4.105) Chair: Ursula Geisler Guro Skår. Music on a Brainy Day - Evaluating Guy Dammann. The ontology of music psychological methodologies for studies in criticism music performance Anne Reese Willén. The Capital – the core of Elin Hermansson. The Ontology of Musicmusical life in Sweden: The structural Body-Dance in 20th Century Swedish Ballets: transformation of the public musical life in Establishing a Philosophical and Aesthetic Stockholm 1840–1890 Framework with Gilles Deleuze Áurea Dominguez Moreno. Manuel Garcia’s Anette Vandsø. "Mediets" rolle i det aktuelle, Influence in Nineteenth-century Instrumental blandede felt af lydkunst og ny Music: Bassoon Playing in France as a Case kompositionsmusik – nye dagsordner for en Study bred musikvidenskab 13:00-14:00 Lunch Rendsburggade (packed lunch provided) 14:00-15:00 (Aud. 3.107) PLENARY + CLOSE Chair Peder Kaj Pedersen (Inc. Nordic Branch of IMS, establishment of: c.15 mins. chair: Per Dahl)