Here - Olympics

Transcription

Here - Olympics
Reference Document
Olympic Summer Games Medals
From Athens 1896 to Beijing 2008
© 2010 – INTERNATIONAL OLYMPIC COMMITTEE – IMAGES © CIO
Olympic Studies Center, email: [email protected]
Reference Document
TABLE OF CONTENTS
Introduction.................................................................................................................. 3
1. The Summer Games medals ................................................................................ 3
2. From Athens to Beijing ......................................................................................... 4
2.1
Athens 1896 ................................................................................................................................ 4
2.2
Paris 1990 ................................................................................................................................... 5
2.3
Saint-Louis 1904 ......................................................................................................................... 6
2.4
Londres 1908 .............................................................................................................................. 7
2.5
Stockholm 1912 .......................................................................................................................... 8
2.6
Anvers 1920 ................................................................................................................................ 9
2.7
Paris 1924 ................................................................................................................................. 10
2.8
Amsterdam 1928 ....................................................................................................................... 11
2.9
Los Angeles 1932 ..................................................................................................................... 12
2.10 Berlin 1936 ................................................................................................................................ 13
2.11 London 1948 ............................................................................................................................. 14
2.12 Helsinki 1952 ............................................................................................................................. 15
2.13 Melbourne 1956 ........................................................................................................................ 16
2.14 Rome 1960 ................................................................................................................................ 17
2.15 Tokyo 1964 ............................................................................................................................... 18
2.16 Mexico 1968 .............................................................................................................................. 19
2.17 Munich 1972 .............................................................................................................................. 20
2.18 Montreal 1976 ........................................................................................................................... 21
2.19 Moscow 1980 ............................................................................................................................ 22
2.20 Los Angeles 1984 ..................................................................................................................... 23
2.21 Seoul 1988 ................................................................................................................................ 24
2.22 Barcelona 1992 ......................................................................................................................... 25
2.23 Atlanta 1996 .............................................................................................................................. 26
2.24 Sydney 2000 ............................................................................................................................. 27
2.25 Athens 2004 .............................................................................................................................. 28
2.26 Beijing 2008 .............................................................................................................................. 29
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 2/29
Reference Document
Introduction
This document looks at the evolution of the Olympic Summer Games medals, from the first Games in Athens
in 1896 to those in Beijing in 2008. Each medal is presented with a photo of its obverse and reverse, with a
description of the design and the technical details available.
The design of the medals is left to the creativity of the Organising Committee for the Olympic Games
(OCOG), with the International Olympic Committee (IOC) having the final approval. Designing these medals
is an opportunity for the country hosting the Games to express its cultural identity through the choice of style
or materials, as with the use of jade for the medals in Beijing.
st
Taking a journey from the first modern Games to the start of the 21 century using the emblematic Olympic
medals is a fascinating artistic and cultural experience.
1. The Summer Games medals
At the first Olympic Games of the modern era in Athens, in 1896, the winner was crowned with an olive
wreath and received a silver medal. James B. Connolly of Massachusetts was the first modern Olympic
champion to be rewarded thus. At the 1904 Olympic Games in St Louis, the first gold medals were given to
the winners. These featured effigies of Zeus, Nike and a champion with a laurel wreath crown. For the first
time, the medal was attached to a coloured ribbon with a pin to fix it to the chest.
As of 1928, the medals for the Games of the Olympiad became standard. On the obverse, there was always
the traditional representation of the goddess of Victory, holding a palm in her left hand and a winner’s crown
in her right hand. On the reverse, an Olympic champion was carried triumphantly by the crowd, with an
Olympic stadium in the background.
The Organising Committee for the 1972 Games in Munich started a new trend, with a reverse designed by an
artist from the Bauhaus school, Gerhard Marcks. Since then, for the Summer Games, the representation of
victory has featured on the obverse of the medal, while the design of the reverse is left up to each OCOG. It
was not until 1960, in Rome, that the medals were placed around the winners’ necks. On this occasion, a
laurel leaf chain was designed for the purpose. Today, a coloured ribbon is often used to hold the precious
medal. In Atlanta, in 1996, to mark the 100th anniversary of the revival of the Games, the medals featured the
wording “Centennial Olympic Games”, the torch emblem of the Games and a stylised olive branch.
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 3/29
Reference Document
2. From Athens to Beijing
2.1
Athens 1896
Obverse
Reverse
First place winners were awarded a silver medal, an olive branch and a diploma. Those in second place were
given a copper medal, a branch of laurel and a diploma.
The obverse side of the Athens medal has Zeus' face along with his hand holding a globe with the winged
victory on it, with the caption in Greek "Olympia". The reverse side had the Acropolis site with the caption in
Greek "International Olympic Games in Athens in 1896."
-
Designer : Jules Clément Chaplain
-
Composition: Silver
-
Diameter: 48 mm
-
Thickness: 3.8 mm
-
Weights: 47 g
-
Edge: Argent
-
Shape: Round
-
Quantity: 100
-
Mint: Paris Mint
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 4/29
Reference Document
2.2
Paris 1990
Obverse
Reverse
On the obverse, a winged goddess holding laurel branches in both hands, arms raised. In the background,
underneath, a view of the city of Paris and the monuments of the Universal Exhibition.
On the reverse, a victorious athlete standing on a podium, holding a laurel branch in his right hand, arm
raised. In the background, a stadium and the Acropolis of Athens.
-
Designer: Frédérique Vernon
-
Length: 59 mm
-
Width: 41 mm
-
Thickness: 3.2 mm
-
Weights: 53 g
-
Edge: Argent
-
Shape: Rectangular
-
Mint: Paris Mint
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 5/29
Reference Document
2.3
Saint-Louis 1904
Obverse
Reverse
On the obverse, an athlete standing on some steps, holding in his right hand a laurel crown, symbol of
victory, and raising his left arm. In the background, a bas relief illustrating the sports disciplines from
Antiquity. Behind, a Greek temple. Above the figure of the athlete, the inscription "OLYMPIAD" and on the
rock bottom right "1904".
On the reverse, the goddess Nike, goddess of victory, standing on a globe. She is holding a laurel crown in
her left hand and a palm leaf in her right hand. In front of her, a great crown, with in the centre a space for
putting the name of the sports discipline. Behind Nike, the bust of Zeus on a plinth. The inscription
"UNIVERSAL EXPOSITION ST.-LOUIS U.S.A".
The design of these two sides was inspired by the medal of the 1896 Athens Games and 1900 Paris Games.
-
Designer: Dieges and Clust Staff
-
Diameter: 37.8 mm
-
Thickness: 3.5 mm
-
Weights: 21 g
-
Edge: Plain
-
Shape: Round
-
Mint: Dieges and Clust
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 6/29
Reference Document
2.4
Londres 1908
Obverse
Reverse
On the obverse, two female figures placing a laurel crown on the head of a young victorious athlete, with, in
the bottom half, the inscription "OLYMPIC GAMES LONDON 1908".
On the reverse, the figure of St George, patron saint of England. Legend says that he was a fighting saint
who slew a dragon to free a princess.
-
Designer: Bertram Mackennal
-
Diameter: 33 mm
-
Thickness: 4.4 mm
-
Weights: 21 g
-
Edge: Vaughton / Event Name / Winner
-
Shape: Round
-
Quantity: 250
-
Mint: Vaughton & Sons
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 7/29
Reference Document
2.5
Stockholm 1912
Obverse
Reverse
On the obverse, two female figures placing a laurel crown on the head of young victorious athlete.
On the reverse, a herald proclaiming the opening of the Games with, on the left, the statue of Ling, the
founder of the institutions and the Swedish gym system. All around, the inscription "OLYMPISKA SPELEN
STOCKHOLM 1912".
-
Designer: Bertram Mackennal / Erik Lindberg
-
Composition: Gold
-
Diameter: 33.4 mm
-
Thickness: 1.5 mm
-
Weights: 24 g
-
Edge: Plain
-
Shape: Round
-
Quantity: 90
-
Mint: C.C. Sporrong & Co.
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 8/29
Reference Document
2.6
Anvers 1920
Obverse
Reverse
On the obverse, a tall, naked athlete, holding in his left hand a palm leaf and a laurel crown, symbols of
victory. Behind him, the figure of the Renommée playing the trumpet. In the background, a frieze with a
Greek motif with the inscription "VII OLYMPIADE" underneath.
On the reverse, the Antwerp monument, commemorating the legend of Brabo throwing into the Scheldt the
hand of the giant Druoon Antigoon, who had been terrorising the river. In the background, the cathedral and
port of Antwerp. In the top half, the inscription "ANVERS MCMXX".
The legend say that in Antiquity, this cruel giant forced all vessels on the river to pay a toll. If the captain
refused to pay, he cut off his hand. The giant spread terror amongst the sailors for many long years, until the
day he met Silvius Brabo. This courageous Roman soldier dared to take on the giant and succeeded in killing
him. As revenge for his victims, he cut off the giant's hand and threw it into the river. This is where the name
of the city comes from- "Antwerp" means "thrown hand". A total of 1250 copies were made- 450 gold medals,
400 silver medals and the same number in bronze.
-
Designer: Josué Dupon
-
Diameter: 59 mm
-
Thickness: 4.4 mm
-
Weights: 79 g
-
Edge: Name, event, team, ANTWERP, date
-
Shape: Round
-
Quantity: 450
-
Mint: Coosmans
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 9/29
Reference Document
2.7
Paris 1924
Obverse
Reverse
On the obverse, a naked victorious athlete, taking the hand of his rival, seated on the ground, to help him to
get up. Underneath, the Olympic rings.
On the reverse, a harp as a symbol of the cultural programme of the Games and the different sports
equipment, winter as well as summer, forming an arch. In the centre, the inscription "VIIIe OLYMPIADE
PARIS 1924".
A total of 912 copies were made- 304 gold medals and the same number of silver medals, as well as 306
bronze medals.
-
Designer: André Rivaud
-
Diameter: 55 mm
-
Thickness: 4.8 mm
-
Weights: 79 g
-
Edge: Argent
-
Shape: Round
-
Quantity: 304
-
Mint: Paris Mint
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 10/29
Reference Document
2.8
Amsterdam 1928
Obverse
Reverse
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee.
For these Games, the picture of victory is accompanied by the specific inscription: "IXe OLYMPIADE
AMSTERDAM 1928".
On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B: From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Giuseppe Cassioli
-
Diameter: 55 mm
-
Thickness: 3 mm
-
Weights: 66 g
-
Edge: Plain
-
Shape: Round
-
Quantity: 254
-
Mint: Dutch State Mint
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 11/29
Reference Document
2.9
Los Angeles 1932
Obverse
Reverse
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee in 1921.
For these Games, the picture of victory is accompanied by the specific inscription: "Xth OLYMPIAD LOS
ANGELES 1932".
On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B: From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Giuseppe Cassioli
-
Diameter: 55.3 mm
-
Thickness: 5.7 mm
-
Weights: 96 g
-
Edge: Lisse
-
Shape: Round
-
Mint: Whitehead - hoag
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 12/29
Reference Document
2.10 Berlin 1936
Obverse
Reverse
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee in 1921.
For these Games, the picture of victory is accompanied by the specific inscription: "XI. OLYMPIADE BERLIN
1936".
On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B: From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Giuseppe Cassioli
-
Diameter: 55 mm
-
Thickness: 5. mm
-
Weights: 71. g
-
Edge: B.H MAYER PFORZHEIM 990
-
Shape: Round
-
Quantity: 320
-
Mint: B.H.Mayer
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 13/29
Reference Document
2.11 London 1948
Obverse
Reverse
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee.
For these Games, the picture of victory is accompanied by the specific inscription: "XVIII OLYMPIAD
LONDON 1948".
On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B: From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Giuseppe Cassioli
-
Diameter: 51.4 mm
-
Thickness: 5,1 mm
-
Weights: 60 g
-
Edge: Plain
-
Shape: Round
-
Quantity: 300
-
Mint: John Pinches Ltd.
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 14/29
Reference Document
2.12 Helsinki 1952
Obverse
Reverse
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee.
For these Games, the picture of victory is accompanied by the specific inscription: "XV OLYMPIA HELSINKI
1952".
On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B: From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Giuseppe Cassioli / Aukusti Tuhka
-
Diameter: 51 mm
-
Thickness: 4.8 mm
-
Weights: 46.5 g
-
Edge: 916 M / Y6 (Factory Stamp)
-
Shape: Round
-
Quantity: 320
-
Mint: Kultakeskus Oy
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 15/29
Reference Document
2.13 Melbourne 1956
Obverse
Reverse
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee.
For these Games, the picture of victory is accompanied by the specific inscription: "XVIth OLYMPIAD
MELBOURNE 1956".
On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B: From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Giuseppe Cassioli
-
Diameter: 51 mm
-
Thickness: 4.8 mm
-
Weights: 68 g
-
Edge: Plain
-
Shape: Round
-
Quantity: 280
-
Mint: K.G. Luke
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 16/29
Reference Document
2.14 Rome 1960
Obverse
Reverse*
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee in 1921.
For these Games, the picture of victory is accompanied by the specific inscription: "GIOCCHI DELLA XVII
OLIMPIADE ROMA MCMLX".
Something new: the medals in Rome were set in a circle of bronze featuring a laurel wreath matched with a
chain also designed like a sequence of bronze laurel leaves.
On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B : From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Giuseppe Cassioli
-
Diameter: 68 mm
-
Thickness: 6.5 mm
-
Weights: 211 g
-
Edge: Plain
-
Shape: Round
-
Mint: Artistice Fiorentini
* Due to conflicting information some scholars debate which is the obverse and reverse of this medal
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 17/29
Reference Document
2.15 Tokyo 1964
Obverse
Reverse
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee in 1921.
For these Games, the picture of victory is accompanied by the specific inscription: "XVIII OLYMPIAD TOKYO
1964".
On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B: From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Toshikaka koshiba
-
Diameter: 60 mm
-
Thickness: 7.5 g
-
Weights: 62g
-
Edge: Plain
-
Shape: Round
-
Quantity: 314
-
Mint: Japanese Mint
* Due to conflicting information some scholars debate which is the obverse and reverse of this medal
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 18/29
Reference Document
2.16 Mexico 1968
Obverse
Reverse
On the obverse, the traditional goddess of victory, holding a palm in her left hand and a winner’s crown in her
right. A design used since the 1928 Games in Amsterdam, created by Florentine artist Giuseppe Cassioli
(ITA -1865-1942) and chosen after a competition organised by the International Olympic Committee in 1921.
For these Games, the picture of victory is accompanied by the specific inscription: “XIX OLIMPIADA MEXICO
1968”. On the reverse, an Olympic champion carried in triumph by the crowd, with the Olympic stadium in the
background.
N.B: From 1928 to 1968, the medals for the Summer Games were identical.
The Organising Committee for the Games in Munich in 1972 broke new ground by having a different reverse
which was designed by a Bauhaus representative, Gerhard Marcks.
-
Designer: Giuseppe Cassioli
-
Diameter: 60 mm
-
Thickness: 6 mm
-
Weights: 130 g
-
Edge: Plain
-
Shape: Round
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 19/29
Reference Document
2.17 Munich 1972
Obverse
Reverse
On the obverse, the traditional goddess of victory, a design used since the 1928 Games in Amsterdam,
accompanied by the specific inscription "XX Olympiade München 1972".
On the reverse, Castor and Pollux, the twin sons of Zeus and Léda, the patrons of sports competitions and
friendship, represented by two naked youths. This design was created by Gerhard Marcks, one of the last
representatives of the Bauhaus.
-
Designer: Gerhard Marcks
-
Diameter: 66 mm
-
Thickness: 6.5 mm
-
Weights: 102 g
-
Edge: Winner's full name and sport
-
Shape: Round
-
Quantity: 364
-
Mint: Bavarian Mint
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 20/29
Reference Document
2.18 Montreal 1976
Obverse
Reverse
On the obverse, the design of Guiseppe Cassioli, created for the 1928 Games in Amsterdam. The principal
symbols are Victory, Fraternity and Universality.
The reverse was designed as intentionally bare. It comprises a stylized laurel crown, symbol of victory since
the Games of Antiquity, and the emblem of the Montreal Games.
-
Designer: Giuseppe Cassioli
-
Diameter: 60 mm
-
Thickness: 5.8 mm
-
Weights: 154 mm
-
Edge: Name of coressponding sport
-
Shape: Round
-
Quantity: 420
-
Mint: Royal Canadian Mint
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 21/29
Reference Document
2.19 Moscow 1980
Obverse
Reverse
On the obverse, the traditional Olympic symbol of victory: the goddess Nike holding a laurel wreath; in the
lower right-hand corner, a fragment of the colosseum, above it, the inscription in Cyrillic Igry XXII Olimpiady
Moskva 1980 (Games of the XXII Olympiad Moscow 1980).
On the reverse, a stylised Olympic Bowl with a burning flame (not burning a burning flame) against the
background of a stadium arena. The upper right-hand segment, carries the insignia of the Moscow Olympics.
The name of the sport appears on the rim.
-
Designer: Giuseppe Cassioli / Ilya Postol
-
Diameter: 60 mm
-
Thickness: 6.8 mm
-
Weights: 125 g
-
Edge: Name of coressponding sport
-
Shape: Round
-
Mint: Moscow Mint
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 22/29
Reference Document
2.20 Los Angeles 1984
Obverse
Reverse
The medals for 1984 Games in Los Angeles were an adaptation of the original design by Florentine artist
Giuseppe Cassioli created for the 1928 Games in Amsterdam,
The obverse of the medal features the ancient coliseum and the goddess of victory holding a winner's crown.
The reverse of the medal features a victorious athlete, a palm branch carried by jubilant athletes, and a
stadium in the background.
-
Designer: Giuseppe Cassioli
-
Diameter: 60 mm
-
Thickness: 7.9 mm
-
Weights: 141 g
-
Edge: Plain
-
Shape: Round
-
Mint: Jostens, Inc.
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 23/29
Reference Document
2.21 Seoul 1988
Obverse
Reverse
On the obverse, the ancient coliseum and the goddess of victory holding the laurel crowns and the caption:
"XXIV Olympiad Seoul 1988".
On the reverse , a dove, the symbol of peace, soaring up, holding a laurel branch in its mouth, and the Seoul
Olympic sash composed of three Taeguk patterns from the Korean national flag and the five Olympic rings.
-
Designer: Giuseppe Cassioli
-
Diameter: 60 mm
-
Thickness: 7 mm
-
Weights: 152 g
-
Edge: Plain
-
Shape: Round
-
Quantity: 525
-
Mint: Korea Security Printing and Minting Corporation
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 24/29
Reference Document
2.22 Barcelona 1992
Obverse
Reverse
On the obverse, a medallion 56mm in diameter, superimposed on the medal and slightly off-centre, on which
the image of the goddess of victory appeared, drawn in a Modernist style, together with the words "XXV
Olimpíada Barcelona 1992".
On the reverse the official emblem of the Barcelona Games.
The medal was designed by the sculptor Xavier Corberó.
-
Designer: Xavier Corbero
-
Diameter: 70 mm
-
Thickness: 9.8 g
-
Weights: 231 g
-
Edge: Plain
-
Shape: Round
-
Mint: Fabrica Nacional de Moneda y Timbre
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 25/29
Reference Document
2.23 Atlanta 1996
Obverse
Reverse
On the obverse, a drawing that has been in use since the 1928 Games in Amsterdam, representing Nike, the
goddess of victory, holding palms in her left hand, and, in her right hand, held over her head, a winner's
crown.
On the reverse, the logo of the 1996 Games and a stylized olive branch.
In all, 633 gold medals, 635 silver, and 661 bronze medals were cast for the 1996 Atlanta Games.
-
Designer: Malcolm Grear Designers
-
Diameter: 70 mm
-
Thickness: 5 mm
-
Weights: 181 g
-
Edge: Atlanta Commitee for the Olympic Games
-
Shape: Round
-
Quantity: 637
-
Mint: Reed and Barton
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 26/29
Reference Document
2.24 Sydney 2000
Obverse
Reverse
The customary symbols, including the Victory Goddess holding a winner's crown, are engraved on the
obverse face.
The Sydney Opera House, the Olympic torch and the Olympic rings are represented on the reverse.
The 2000 Sydney Olympic Games designers are Australian: Woljciech Pietranik and Brian Thompson.
-
Designer: Pietranik Wojciech
-
Composition: Gold
-
Diameter: 68 mm
-
Thickness: 5 mm
-
Weights: 180 g
-
Shape: Round
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 27/29
Reference Document
2.25 Athens 2004
Obverse
Reverse
The main feature of the medals is the Greek character shown on both sides, since their basic side has been
changed for the first time since the 1928 Games in Amsterdam, This is of particular importance, as from now
on all Olympic medals will reflect the Greek character of the Games as regards both their origin and their
revival.
On the medals awarded to Olympic athletes from 1928 until the Sydney Games, goddess Nike was seated,
holding an ear of corn in one hand and a wreath in the other. Here, she flies into the stadium bringing victory
to the best athlete. The Organising Committee has chosen to show the Panathenic stadium, where the
Games were first renewed in 1896. On the obverse, the athlete’s discipline is also engraved.
The reverse side of the medal is composed of three elements:
The eternal flame that was lit in Olympia and travelled through the five continents by way of the 2004 Torch
Relay; the opening lines of Pindar's Eighth Olympic Ode composed in 460 BC to honour the victory of
Alkimedon of Aegina in wrestling and the Athens 2004 Olympic Games emblem.
The design of the Medal was created by Elena Votsi.
-
Designer: Elena Votsi
-
Diameter: 6 cm
-
Thickness: 0,5 cm
-
Weights: 135 g
-
Edge: Plain
-
Shape: Round
-
Quantity: 1130
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 28/29
Reference Document
2.26 Beijing 2008
Obverse
Reverse
©Getty
For the first time jade is used for the Beijing Olympic medals. The medals have been designed with
inspiration coming from "bi", China's ancient jade piece inscribed with a dragon pattern. The medals
symbolise nobility and virtue and are the embodiment of traditional Chinese values of ethics and honour,
emitting a strong Chinese flavour. The winners’ medal is made of gold weighing not less than six grammes
each. The medal for the runner-up is made of pure silver.
Noble and elegant, the medals are a blending of traditional Chinese culture and Olympism. On their obverse
side, the medals reflect the Greek character of the Olympic Games: the goddess of victory Nike pictured in
the Panathinaikos Stadium. While on their reverse side, the medals are inlaid with jade with the Beijing
Games emblem engraved in the metal centrepiece. The design inspiration of the medal hook derives from
jade "huang", a ceremonial jade piece decorated with a double dragon pattern and "Pu", the reed mat
pattern.
- Diameter: 70 mm
- Weight: 200 g (with minor variations depending on the metal)
- Edge: Smooth
- Thickness: 6 mm
- Shape: Round
- Mint: China Banknote Printing and Minting Corporation
Olympic Summer Games Medals
Olympic Studies Centre / update April 2010
Page 29/29