programme définitif-2

Transcription

programme définitif-2
P ROGRAM M E
9.15 – Opening of the seminar
9.30 - 10.45 Intercultural detours and deviations
Chair: Mathilde Caër, “A call for detours in Édouard Glissant's conception of
intercultural encounters.”
Camille Pedel, “The lifting of the Embargo in Cuba: redefining Cuban arts.”
Edward Thistlethwaite, “Digital detours in counter-discourse; indigenous self-representation
through the Internet.”
Questions
Anne-Aubance Sébert, “Scouting and cultural detours to solve British Imperialistic issues.”
Cécile Beaudouin, “Louis Hémon: a detour via England.”
Yann-Patrick Gauger, “A comparative approach to French and German humour as a detour to
discuss political issues: Coluche and Urban Priol.”
Questions
10.40-10.55 – coffee break
§
10.55- 12.00 - Word, Picture and Sound: Intermedial and Intertextual Detours
Chair: Lise Delmas, “From the textual to the pictorial: the necessary versatility of
research.”
Nacer Hammoumi, “Rap music as a means of discussing social issues.”
Manon Toularhoat, “Linguistic detours in Southern Appalachian ballads: a diversity of
influences among the linguistic system.”
Questions
Virginie Podvin, “Music in Mrs Dalloway and Le Ravissement de Lol V. Stein: a required artistic
detour to suggest madness.”
Anne-Aël Ropars, “Symbols as detours to express the passage of time in Proust and Vanitas.”
Questions
12.00 – 13.30 lunch break
§
13.30 – 14.30 Generic detours 1, of signs and tones
§ Chair: Fabrice Lecorguille
Carina Leone, “Towards a rhetoric of the detour: the suggestion and the unspoken as a form of
denunciation in RBS's Diente Por Diente.”
Alan Sevellec, “New practices of collective writing and reading in the digital sphere.”
Questions
André-Philippe Gauger, “Re-imagining history as a detour to question historic figures: The
explorer Alexander von Humboldt in Measuring the world by Daniel Kehlmann.”
Fabienne Turner, “Irony as detour in Flannery O’Connor’s short stories.”
Questions
14h30- 14h45 coffee break
14.45 – 15.20 Generic detours 2, science fiction and the fantastic
Chair: Gwenthalyn Engélibert, “Hesitation, connections and cognitive
estrangement: fantasy and science fiction as generic detours.”
Charlène Lesigne, “The end of the world as a detour to express social issues.”
Zainab Naciri, “The figure of the superhero in film as a means of understanding idealism and
addressing contemporary issues.”
Questions
§
15.20 – 16.00 Table ronde