Pop Culture Resources for Educators and

Transcription

Pop Culture Resources for Educators and
Popular Culture Resources for Educators, Librarians, Parents, and Fans
3d Edition
Edited by J. Holder Bennett and James Bales
Suggested citation: J. Holder Bennett and James Bales, eds. Popular Culture Resources for
Educators, Librarians, Parents, and Fans. 3d ed. Denton, TX: Fandom and Neomedia
Studies (FANS) Association, 2014.
Contributors: Elizabeth Martin, Jazmine Vondran, Andrew Tague, Kyle Wood, Trey Hilton,
Andrew Dossman, and Leslie Trotter.
The FANS Association takes no position on the accuracy or content of the individual documents
cited within this bibliography; accordingly, all views expressed therein should be
understood to be those of the individual authors.
This document is an open access publication free for all to use under the terms of Creative
Commons Attribution Non-Commercial No Derivatives 4.0 International License.
© Fandom and Neomedia Studies (FANS) Association, 2014. All rights reserved.
Fandom and Neomedia Studies Association
Phoenix Entertainment Group, LLC
PO Box 298
Denton, Texas 76202
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Contents
Foreword ......................................................................................................................................... 3
Books… .......................................................................................................................................... 5
Book Chapters ............................................................................................................................... 88
Articles .......................................................................................................................................... 94
Dissertations and Theses ............................................................................................................. 167
Court Decisions ........................................................................................................................... 174
2|Page
Foreword
Gentle Readers,
The pages below represent the ongoing efforts of the Fandom and Neomedia Studies
(FANS) Association to promote and assist studies in fandom and media fields. Fandom for us
includes all aspects of being a fan, ranging from being a passive audience member to producing
one‘s own parafictive or interfictive creations. Neomedia includes both new media as it is
customarily defined as well as new ways of using and conceptualizing traditional media. Part of
our mission statement is to assist and advocate for these studies. The first edition of this listing
was merely our first publication effort in that direction and this compendium is an ongoing
project in all respects. We think this new, third edition is even better.
Such an endeavor is presumptuous specifically because, by definition, it cannot ever be
finished in any meaningful sense, not least because most of the entries are in English. We are not
obligated to complete the work, but neither are we free to desist from it. Our position, both as
fans and as FANS, gives us a distinct place in the academic community to make this type of
study and compilation possible. It combines our own abilities as an organizing force with the
ideas and energy of other fan-scholars and scholar-fans (indeed, the distinction between the two
is itself the result of an ongoing theoretical dispute) in a way almost entirely without precedent.
Our intrepid interns, in addition to all the other contributors, have made an excellent start
on this project. This is an ongoing work and will be updated from time to time because these
interrelated fields are vast, evolving, and always growing. If you have any suggestions for
inclusion, improvement, or a correction, please send us a note. The initial imbalances of the first
edition, with their focus on anime and manga cultures, have been largely corrected in this
edition. Through the helpful suggestions sent in by readers of the previous editions and our
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interns‘ continued excellent work, we have expanded and vastly improved upon the original.
Indeed, we had over a score of suggested additions within the first twenty-four hours of
publication edition and almost one hundred for the second. Given that the first run was a proof of
concept experiment, we are cautiously calling this project a success.
For the current edition, we have added not only new books and articles, but have
expanded to include book chapters for your consideration. Sometimes an edited volume has only
one or two chapters relevant to our topic field so we chose to include those rather than the book
as a whole. In other instances, when the whole volume is relevant, we have sometimes included
it in the books section with individual chapters given their own listing if they are representative
of groundbreaking or seminal work. In either case, the intent is to be as inclusive and wide
ranging as possible. We have also made a start on listing dissertations and theses on fandom and
neomedia topics with a hope for still more items as we go forward. We hope to add fandom
documentaries in short order.
This work is intended for educators, librarians, and scholars of fandom and media
phenomena. Most importantly, this collection is intended for fans. Subsequent editions will range
still further afield as we expand our listings and resource access. Because this is intended for
everyone, we encourage sharing this out with anyone and everyone who might be interested.
So, ladies, gentlemen, and otherwise, welcome back to FANS.
– J. Holder Bennett
FANS Association Chairman
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Popular Culture Resources for Educators,
Librarians, Parents, and Fans
Books
Abel, Jessica, and Matt Madden. Drawing Words and Writing Pictures: Making Comics; Manga,
Graphic Novels, and Beyond. New York: First Second, 2008.
Abercrombie, Nicholas, and Brian Longhurst. Audiences: A Sociological Theory of Performance
and Imagination. London: Sage, 1998.
Abramson, Jeffrey B., F. Christopher Arterton, and Gary R. Orren. The Electronic
Commonwealth: The Impact of New Media Technologies on Democratic Politics. New
York: Basic Books, 1988.
Adam, Thomas R. The Museum and Popular Culture. New York: American Association for
Adult Education, 1939.
Adams, Bluford. E Pluribus Barnum: The Great Showman and the Making of US Popular
Culture. Minneapolis: University of Minnesota Press, 1997.
Adams, Michael C. C. Echoes of War: A Thousand Years of Military History in Popular Culture.
Lexington: University Press of Kentucky, 2002.
Aden, Roger C. Popular Stories and Promised Lands: Fan Cultures and Symbolic Pilgrimages.
Tuscaloosa, AL: University of Alabama Press, 1999.
Adorno, Theodor W., and J. M. Bernstein. The Culture Industry: Selected Essays on Mass
Culture. London: Routledge, 2001.
Aitchison, Jean, and Diana M. Lewis. New Media Language. London: Routledge, 2006.
5|Page
Albergotti, Reed, and Vanessa O'Connell. Wheelmen: Lance Armstrong, the Tour De France,
and the Greatest Sports Conspiracy Ever. New York: Penguin, 2013.
Albright, Brian. Regional Horror Films, 1958 – 1990: A State-by-State Guide with Interviews.
Jefferson, NC: McFarland Books, 2012.
Alburger, James R. The Art of Voice Acting: The Craft and Business of Performing for VoiceOver. Amsterdam and Boston: Focal Press, 2007.
Alexander, Bryan. The New Digital Storytelling: Creating Narratives with New Media. Santa
Barbara, CA: Praeger, 2011.
Alia, Valerie. The New Media Nation: Indigenous Peoples and Global Communication. New
York: Berghahn Books, 2010.
Allen, Steve. Vulgarians at the Gate: Trash TV and Raunch Radio; Raising the Standards of
Popular Culture. Amherst, NY: Prometheus Books, 2001.
Allison, Anne. Millennial Monsters: Japanese Toys and the Global Imagination. Berkeley:
University of California Press, 2006.
———. Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan. Boulder,
CO: Westview Press, 1996.
Altmann, Rick. Film/Genre. London: British Film Institute, 1999.
Amin, Camron Michael. The Making of the Modern Iranian Woman: Gender, State Policy, and
Popular Culture, 1865-1946. Gainesville: University Press of Florida, 2002.
Anderegg, David. Nerds: Who They Are and Why We Need More of Them. New York: Penguin,
2007.
Anderegg, Michael A. Orson Welles, Shakespeare, and Popular Culture. New York: Columbia
University Press, 1999.
6|Page
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of
Nationalism. Rev. ed. New York: Verso, 1991.
Anderson, Joseph L., and Donald Richie. The Japanese Film: Art and Industry. Princeton:
Princeton University Press, 1982.
Antler, Joyce. Talking Back: Images of Jewish Women in American Popular Culture. Hanover,
NH: Brandeis University Press Published by University Press of New England, 1998.
Anderson, Patricia. The Printed Image and the Transformation of Popular Culture: 1790-1860.
Oxford: Clarendon Press, 1994.
Appelbaum, Peter Michael. Popular Culture, Educational Discourse, and Mathematics. Albany:
State University of New York Press, 1995.
Armbrust, Walter. Mass Mediations: New Approaches to Popular Culture in the Middle East
and Beyond. Berkeley: University of California Press, 2000.
Ashby, LeRoy. With Amusement for All: A History of American Popular Culture since 1830.
Lexington: University Press of Kentucky, 2006.
Ashley, Leonard R. N. Elizabethan Popular Culture. Bowling Green, Ohio: Bowling Green State
University Popular Press, 1988.
Asma, Stephen T. On Monsters: An Unnatural History of Our Worst Fears. Oxford and New
York: Oxford University Press, 2009.
Astarita, Tommaso. Village Justice: Community, Family, and Popular Culture in Early Modern
Italy. Baltimore: Johns Hopkins University Press, 1999.
Aquila, Richard. Wanted Dead or Alive: The American West in Popular Culture. Urbana, IL:
University of Illinois Press, 1996.
Attfield, Judy. Wild Things: The Material Culture of Everyday Life. Oxford: Berg, 2000.
7|Page
Auger, Emily E. Tech-Noir Film: A Theory of the Development of Popular Genres. Bristol, UK:
Intellect Press, 2011.
Austin, Tricia, and Richard Doust. New Media Design. London: Laurence King Pub., 2007.
Avella, Natalie. Graphic Japan: From Woodblock and Zen to Manga and Kawaii. Mies,
Switzerland: RotoVision, 2004.
Avila, Eric. Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los
Angeles. Berkeley: University of California Press, 2004.
Azuma, Eiichiro. Between Two Empires: Race, History, and Transnationalism in Japanese
America. Oxford and New York: Oxford University Press, 2005.
Azuma, Hiroki. Otaku: Japan's Database Animals. Trans. Jonathan E. Abel and Shion Kono.
Minneapolis: University of Minnesota Press, 2009.
Backer, Ron. Mystery Movie Series of 1930s Hollywood. Jefferson, NC: McFarland Books, 2012.
Bacon, John U. Fourth and Long: The Fight for the Soul of College Football. New York: Simon
and Schuster, 2013.
Badley, Linda. Film, Horror, and the Body Fantastic. Westport, CT: Greenwood Press, 1995.
Baetens, Jan, ed. The Graphic Novel. Leuven, Belgium: Leuven University Press, 2001.
Bagdikian, Ben H. The New Media Monopoly. Boston: Beacon Press, 2004.
Bailey, Peter. Popular Culture and Performance in the Victorian City. Cambridge: Cambridge
University Press, 1998.
Bailey, Steve. Media Audiences and Identity: Self-Construction in the Fan Experience. New
York: Palgrave MacMillan, 2005.
Balmain, Colette. Introduction to Japanese Horror Film. Edinburgh: Edinburgh University
Press, 2009.
8|Page
Barański, Zygmunt G., and Robert Lumley. Culture and Conflict in Postwar Italy: Essays on
Mass and Popular Culture. New York: St. Martin Press, 1990.
Barber, Karin. Readings in African Popular Culture. Bloomington, IN: Indiana University Press,
2007.
Barker, Adele Marie. Consuming Russia: Popular Culture, Sex, and Society since Gorbachev.
Durham, NC: Duke University Press, 1999.
Basu, Dipannita, and Sidney J. Lemelle. The Vinyl Ain’t Final: Hip Hop and the Globalization of
Black Popular Culture. London: Pluto, 2006.
Beal, Timothy K., and Tod Linafelt. Mel Gibson’s Bible: Religion, Popular Culture, and The
Passion of the Christ. Chicago: University of Chicago Press, 2006.
Beaty, Bart H., and Stephen Weiner, eds. Critical Survey of Graphic Novels: Heroes and
Superheroes. 2 vols. Ipswich, MA: Salem Press, 2012.
Beauroy, Jacques, Marc Bertrand, and Edward T. Gargan. Popular Culture in France: The Wolf
and the Lamb, from the Old Regime to the Twentieth Century. Saratoga, CA: Anma Libri,
1977.
Beezley, William H., Cheryl English Martin, and William E. French. Rituals of Rule, Rituals of
Resistance: Public Celebrations and Popular Culture in Mexico. Wilmington, DE: SR
Books, 1994.
Beezley, William H., and Linda Ann Curcio. Latin American Popular Culture: An Introduction.
Wilmington, DE: SR Books, 2000.
Behen, Linda D. Using Pop Culture to Teach Information Literacy: Methods to Engage a New
Generation. Westport, CT: Libraries Unlimited, 2006.
9|Page
Bell, Christopher E., ed. Hermione Granger Saves the World: Essays on the Feminist Hermione
of Hogwarts. Jefferson, NC: McFarland Books, 2012.
van Belle, Douglas A., and Kenneth M. Mash. A Novel Approach to Politics: Introducing
Political Science through Books, Movies, and Popular Culture. Washington, D.C.: CQ
Press, 2010.
Belson, Ken, and Brian Bremner. Hello Kitty: The Remarkable Story of Sanrio and the Billion
Dollar Feline Phenomenon. Singapore: Wiley, 2003.
Belton, John. Movies and Mass Culture. New Brunswick, NJ: Rutgers University Press, 1996.
Bendazzi, Giannalberto. Cartoons: One Hundred Years of Cinema Animation. Trans. Anna
Taraboletti-Segre. Bloomington, IN: Indiana University Press, 1994.
Benedict, Jeff, and Armen Keteyian. The System: The Glory and Scandal of Big-time College
Football. New York: Doubleday, 2013.
Bennett, Tony, Colin Mercer, and Janet Woollacott. Popular Culture and Social Relations.
Buckingham, UK: Open University Press, 1995.
Berger, Arthur Asa. Manufacturing Desire: Media, Popular Culture, and Everyday Life. New
Brunswick, NJ: Transaction Publishers, 1996.
———. Narratives in Popular Culture, Media, and Everyday Life. Thousand Oaks, CA: Sage
Publications, 1997.
———. Television As an Instrument of Terror: Essays on Media, Popular Culture, and
Everyday Life. New Brunswick, NJ: Transaction Books, 1980.
———. Video Games: A Popular Culture Phenomenon. New Brunswick, NJ: Transaction, 2002.
Berger, Glen. Song of Spider-Man: The Inside Story of the Most Controversial Musical in
Broadway History. New York: Simon and Schuster, 2013.
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Berger, Harris M., and Giovanna Del Negro. Identity and Everyday Life: Essays in the Study of
Folklore, Music, and Popular Culture. Middletown, CT: Wesleyan University Press,
2004.
Berlatsky, Noah. Popular Culture. Detroit: Greenhaven Press, 2011.
Berrong, Richard M. Rabelais and Bakhtin: Popular Culture in Gargantua and Pantagruel.
Lincoln, NE: University of Nebraska Press, 1986.
Bertelsen, Lance. The Nonsense Club: Literature and Popular Culture, 1749-1764. Oxford:
Clarendon Press, 1986.
Best, Amy L. Prom Night: Youth, Schools, and Popular Culture. New York: Routledge, 2000.
Best, Gary Dean. The Nickel and Dime Decade: American Popular Culture during the 1930s.
Westport, CT: Praeger, 1993.
Betts, Raymond F. A History of Popular Culture: More of Everything, Faster, and Brighter.
New York: Routledge, 2004.
Betz, Phyllis M. The Lesbian Fantastic: A Critical Study of Science Fiction, Fantasy,
Paranormal, and Gothic Writings. Jefferson, NC: McFarland Books, 2011.
Bhabha, Homi K. The Location of Culture. New York: Routledge, 1994.
Bielby, Denise D., and C. Lee Harrington. Global TV: Exporting Television and Culture in the
World Market. New York: New York University Press, 2008.
Bigsby, C. W. E. Superculture: American Popular Culture and Europe. London: Paul Elek,
1975.
Bird, S. Elizabeth. Dressing in Feathers: The Construction of the Indian in American Popular
Culture. Boulder, CO: Westview Press, 1996.
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Bissinger, H. G. Friday Night Lights: A Town, a Team, and a Dream. Cambridge, MA: Da Capo,
2003.
Bitz, Michael. Manga High: Literacy, Identity, and Coming of Age in an Urban High School.
Fwd. Francoise Mouly. Cambridge, MA: Harvard Education Press, 2009.
Black, Rebecca W. Adolescents and Online Fan Fiction. New York: Peter Lang, 2008.
Blaikie, Andrew. Ageing and Popular Culture. Cambridge: Cambridge University Press, 2005.
Blanchard, Kendall. The Anthropology of Sport: An Introduction (A Revised Edition). Westport,
CT: Bergin and Garvey, 1995.
Bleiman, Barbara, and Jenny Grahame. The Beautiful Game: Non-Fiction, Language and Media
Units on Football. London: English and Media Centre, 2000.
Bliss, John. Art that Moves: Animation around the World. Chicago: Raintree, 2011.
Bobby, Susan Redington. Beyond His Dark Angels: Innocence and Experience in the Fiction of
Philip Pullman. Jefferson, NC: McFarland Books, 2012.
Boddy, William. New Media and Popular Imagination: Launching Radio, Television, and
Digital Media in the United States. Oxford: Oxford University Press, 2004.
Boggs, Carl, and Tom Pollard. The Hollywood War Machine: U.S. Militarism and Popular
Culture. Boulder, CO: Paradigm Pub, 2007.
Bognon, Pierre D. The Anatomy of Sports Fans: Reflections on Fans and Fanatics. Charleston,
SC: BookSurge, 2008.
Bogstad, Janice M., and Philip E. Kaveny. Picturing Tolkein: Essays on Peter Jackson’s The
Lord of the Rings Trilogy. Jefferson, NC: McFarland Books, 2011.
Bolter, Jay David, and Richard Grusin. Remediation: Understanding New Media. Cambridge,
MA: MIT Press, 2003.
12 | P a g e
Bolton, Christopher, Istvan Csicsery-Ronay, and Takayuki Tatsumi, eds. Robot Ghosts and
Wired Dreams: Japanese Science Fiction from Origins to Anime. Minneapolis:
University of Minnesota, 2007.
Bondanella, Peter E. Umberto Eco and the Open Text: Semiotics, Fiction, Popular Culture.
Cambridge: Cambridge University Press, 1997.
Boon, Marcus. In Praise of Copying. Cambridge, MA: Harvard University Press, 2010.
Booth, Paul. Digital Fandom: New Media Studies. New York: Peter Lang, 2010.
———, ed. Fan Phenomena: Doctor Who. Bristol, UK: Intellect Press, 2013.
Bordwell, David. Making Meanings. Boston: Harvard University Press, 1989.
———. Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985.
Bordwell, David, Janet Steiger, and Kristin Thompson, eds. The Classical Hollywood Cinema:
Film Style and Mode of Production to 1960. New York: Columbia University Press,
1985.
Bourdaghs, Michael K. Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of JPop. New York: Columbia University Press, 2012.
Boyd, Todd. Am I Black Enough for You?: Popular Culture from the 'Hood and Beyond.
Bloomington, IN: Indiana University Press, 1997.
Boyle, Raymond, and Richard Haynes. Football in the New Media Age. London: Routledge,
2004.
———. Power Play: Sport, the Media, and Popular Culture. Harlow, UK Longman, 2000.
Bramlett, Frank, ed. Linguistics and the Study of Comics. New York: Palgrave MacMillan, 2012.
Brantlinger, Patrick. Bread and Circuses: Theories of Mass Culture As Social Decay. Ithaca:
Cornell University Press, 1983.
13 | P a g e
Braudy, Leo. Native Informant: Essays on Film, Fiction, and Popular Culture. New York:
Oxford University Press, 1991.
Brennan, Thomas Edward. Public Drinking and Popular Culture in Eighteenth-Century Paris.
Princeton, NJ: Princeton University Press, 1988.
Brenner, Robin E. Understanding Manga and Anime. Westport, CT: Libraries Unlimited, 2007.
Brody, E. W. Communication Tomorrow: New Audiences, New Technologies, New Media. New
York: Praeger, 1990.
Brooker, Will. Alice's Adventures: Lewis Carroll in Popular Culture. New York: Continuum,
2004.
———. Batman Unmasked: Analyzing a Cultural Icon. New York: Continuum, 2001.
———. Hunting the Dark Knight: Twenty-First Century Batman. London: I. B. Tauris, 2012.
———. Using the Force: Creativity, Community, and Star Wars Fans. New York: Continuum,
2002.
Brookover, Sophie. Pop Goes the Library: Using Pop Culture to Connect with Your Whole
Community. Medford, NJ: Information Today, Inc., 2008.
Brophy, James M. Popular Culture and the Public Sphere in the Rhineland, 1800 – 1850.
Cambridge: Cambridge University Press, 2007.
Brophy, Philip. 100 Anime. London: BFI Publishing, 2005.
———, ed. Tezuka: The Marvel of Manga. Victoria, NSW, Australia: The National Gallery of
Victoria, 2006.
Brosman, Catharine Savage, and Tom Conley. French Culture, 1900 – 1975. Detroit: Gale
Research, 1995.
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Brown, Jeffrey, A. Dangerous Curves: Action Heroines, Gender, Fetishism, and Popular
Culture. Jackson: University Press of Mississippi, 2001.
Brown, Kendall H., and Sharon Minichiello. Taisho Chic: Japanese Modernity, Nostalgia, and
Deco. Seattle, Wash: University of Washington Press, 2005.
Brown, Kendall H., and Takanami Machiko. Deco Japan: Shaping Art and Culture, 1920-1945.
Alexandria, VA: Art Services International, 2012.
Brown, Nathan Robert. The Mythology of Grimm: The Fairy Tale and Folklore Roots of the
Popular TV Show. Berkeley: Berkeley Trade, 2014.
———. The Mythology of Supernatural: The Signs and Symbols behind the Popular TV Show.
Berkeley: Berkeley Trade, 2011.
Brown, Stephen T., ed. Cinema Anime: Critical Engagements with Japanese Animation. New
York: Palgrave-MacMillan, 2006.
———. Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture. New York: Palgrave
Macmillian, 2010.
Browne, Ray B. Against Academia: The History of the Popular Culture Association/American
Culture Association and the Popular Culture Movement, 1967 - 1988. Bowling Green,
OH: Bowling Green University Popular Press, 1989.
———. Rituals and Ceremonies in Popular Culture. Bowling Green, OH: Bowling Green
University Popular Press, 1980.
———. Popular Culture and the Expanding Consciousness. New York: Wiley, 1973.
———. Popular Culture Studies across the Curriculum: Essays for Educators. Jefferson, NC:
McFarland, 2005.
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Browne, Ray B., and David Madden. The Popular Culture Explosion. Dubuque, IA: W. C.
Brown Co., 1972.
Browne, Ray B., and Pat Browne. Digging into Popular Culture: Theories and Methodologies in
Archeology, Anthropology, and Other Fields. Bowling Green, OH: Bowling Green State
University Popular Press, 1991.
Bruce, Grenville, and Tim Johnson. KRAZY!: The Delirious World of Anime + Comics + Video
Games + Art. Berkeley: University of California Press, 2008.
Brummett, Barry. Rhetoric in Popular Culture. Thousand Oaks, CA: Sage Publications, 2006.
———. Rhetorical Dimensions of Popular Culture. Tuscaloosa: University of Alabama Press,
1991.
Brundage, W. Fitzhugh. Beyond Blackface: African Americans and the Creation of American
Popular Culture, 1890 – 1930. Chapel Hill: University of North Carolina Press, 2011.
Buchanan, Donna Anne. Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and
Regional Political Discourse. Lanham, MD: Scarecrow Press, 2007.
Buckingham, David. Teaching Popular Culture: Beyond Radical Pedagogy. London: UCL
Press, 1998.
Buehrer, Beverley Bare. Japanese Films: A Filmography and Commentary, 1921 – 1989.
Jefferson, NC: McFarland Books, 1990
Bueno, Eva Paulino, and Terry Caesar. Imagination Beyond Nation: Latin American Popular
Culture. Pittsburgh, PA: University of Pittsburgh Press, 1998.
Buhle, Paul. From the Lower East Side to Hollywood: Jews in American Popular Culture.
London: Verso, 2004.
16 | P a g e
Burger, Alissa. The Wizard of Oz as American Myth: A Critical Study of Six Versions of the
Story, 1900 – 2007. Jefferson, NC: McFarland Books, 2012.
Burgess, Jacquelin A., and John Robert Gold. Geography, the Media and Popular Culture. New
York: St. Martin's Press, 1985.
Burgess, Jean, Joshua Green, Henry Jenkins, and John Hartley. YouTube: Online Video and
Participatory Culture. Cambridge: Polity, 2009.
Burk, Robert Fredrick. Much More than a Game: Players, Owners, and American Baseball since
1921. Chapel Hill: University of North Carolina, 2001.
Burke, Liam, ed. Fan Phenomena: Batman. Bristol, UK: Intellect Press, 2013.
Burner, David, Robert D. Marcus, and Jorj Tilson. America through the Looking Glass: A
Historical Reader in Popular Culture. Englewood Cliffs, NJ: Prentice-Hall, 1974.
Burston, Paul, and Colin Richardson. A Queer Romance: Lesbians, Gay Men, and Popular
Culture. London: Routledge, 1995.
Burt, Richard. Shakespeares after Shakespeare: An Encyclopedia of the Bard in Mass Media and
Popular Culture. Westport, CT: Greenwood Press, 2007.
Bury, Rhiannon. Cyberspaces of Their Own: Female Fandoms Online. New York: Peter Lang,
2005.
Buszek, Maria Elena. Pin-Up Grrrls: Feminism, Sexuality, Popular Culture. Durham, NC: Duke
University Press, 2006.
Butler, Jeremy G., ed. Star Texts: Image and Performance, Film and Television. Detroit: Wayne
State University Press, 1991.
Camp, Brian, and Julie Davis. Anime Classics Zettai!: 100 Must-See Japanese Animation
Masterpieces. Berkeley: Stone Bridge Press, 2007.
17 | P a g e
Campbell, Heidi. When Religion Meets New Media. London: Routledge, 2010.
Campbell, Josie P. Popular Culture in the Middle Ages. Bowling Green, OH: Bowling Green
State University Popular Press, 1986.
Cantor, Paul A. Gilligan Unbound: Popular Culture in the Age of Globalization. Lanham, MD:
Rowman and Littlefield, 2001.
Cappo, Joe. The Future of Advertising: New Media, New Clients, New Consumers in the PostTelevision Age. Chicago: McGraw-Hill, 2003.
Caputi, Jane. Goddesses and Monsters: Women, Myth, Power, and Popular Culture. Madison:
University of Wisconsin Press/Popular Press, 2004.
Carey, John, and M. C. J. Elton. When Media Are New: Understanding the Dynamics of New
Media Adoption and Use. Ann Arbor, MI: Digital Culture Books, 2010.
Carey, Peter. Wrong about Japan: A Father's Journey with His Son. New York: Vintage
International, 2005.
Carlin, John. Playing the Enemy: Nelson Mandela and the Game That Made a Nation. New
York: Penguin, 2008.
Carrington, Ben. 'Race', Representation, and the Sporting Body. London: Centre for Urban and
Community Research, Goldsmiths University of London, 2002.
Carter, James Bucky. Building Literacy Connections with Graphic Novels: Page by Page, Panel
by Panel. Urbana, IL: National Council of Teachers of English, 2007.
Cassell, Justine, and Henry Jenkins. From Barbie to Mortal Kombat: Gender and Computer
Games. Cambridge, MA: MIT Press, 2000.
Cavallaro, Dani. Clamp in Context: A Critical Study of Manga and Anime. Jefferson, NC:
MacFarland, 2012.
18 | P a g e
———. Anime and Memory: Aesthetic, Culture, and Thematic Perspectives. Jefferson, NC:
McFarland and Co., 2009.
———. Anime and the Art of Adaptation: Eight Famous Works from Page to Screen. Jefferson,
NC: McFarland, 2010.
———. Anime and the Visual Novel: Narrative Structure, Design, and Play at the Crossroads of
Animation and Computer Games. Jefferson, NC: McFarland and Co., 2010.
———. The Cinema of Mamoru Oshii: Fantasy, Technology, and Politics. Jefferson, NC:
McFarland and Co., 2006.
———. The Fairy Tale and Anime: Traditional Themes, Images, and Symbols at Play on
Screen. Jefferson, NC: McFarland and Co., Inc., Publishers, 2011.
———. Kyoto Animation: A Critical Study and Filmography. Jefferson, NC: McFarland Books,
2012.
Cawelti, John G. Adventure, Mystery and Romance: Formula Stories as Art and Popular
Culture. Chicago, Ill: The University of Chicago Press, 1997.
Chalaby, Jean K. Transnational Television Worldwide. London: I. B. Tauris, 2005.
Chambers, Iain. Urban Rhythms: Pop Music and Popular Culture. London: Macmillan, 1990.
Chatrian, Carlo, and Grazia Paganelli. Manga Impact!: The World of Japanese Animation.
London and New York: Phaidon, 2010.
Chester, Jeff. Digital Destiny: New Media and the Future of Democracy. New York: New Press,
2007.
Chidester, David. Authentic Fakes: Religion and American Popular Culture. Berkeley:
University of California Press, 2005.
19 | P a g e
Childs, Erica Chito. Fade to Black and White: Interracial Images in Popular Culture. Lanham,
MD: Rowman and Littlefield Publishers, 2009.
Choi, Jinhee, and Mitsuyo Wada-Marciano, eds. Horror to the Extreme: Changing Boundaries in
Asian Cinema. Hong Kong: Hong Kong University Press, 2009.
Chris, D. Outlaw Masters of Japanese Film. London: I.B. Tauris, 2005.
Christopher, David. British Culture: An Introduction. London: Routledge, 1999.
Chu, Godwin C., ed. Popular Media in China: Shaping New Cultural Patterns. Fwd. A. Doak
Barnett. Honolulu: University of Hawai‘i Press, 1978.
Chun, Wendy Hui Kyong, and Thomas Keenan. New Media, Old Media: A History and Theory
Reader. New York: Routledge, 2006.
Ciecko, Anne Tereska. Contemporary Asian Cinema: Popular Culture in a Global Frame.
Oxford: Berg, 2006.
Clements, Jonathan, and Helen McCarthy. The Anime Encyclopedia: A Guide to Japanese
Animation since 1917. Berkley, CA: Stone Bridge, 2006.
Cleveland, Les. Dark Laughter: War in Song and Popular Culture. Westport, CT: Praeger, 1994.
Cobb, Kelton. The Blackwell Guide to Theology and Popular Culture. Malden, MA: Blackwell
Pub., 2005.
Cogan, Brian, and Tony Kelso. Encyclopedia of Politics, the Media, and Popular Culture. Santa
Barbara, CA: Greenwood Press, 2009.
Cohen, Sara. Rock Culture in Liverpool: Popular Music in the Making. Oxford: Clarendon Press,
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166 | P a g e
Dissertations and Theses
Annett, Sandra. ―Animating Transcultural Communities: Animation Fandom in North America
and East Asia from 1906 – 2010.‖ PhD diss., University of Winnipeg, 2011.
Arango, Diego. "Colombian Piano Music for Four Hands: A Historical Context and Performance
Catalog." PhD diss., University of Iowa, 2013.
Bach, Ulrich. ―Englische Flugtexte im 17. Jahrhundert: Historisch-pragmatische Untersuchungen
zur frühen Massenkommunikation.‖ PhD diss., Universität Düsseldorf, 1990.
Baird, Shannon M. "Who Do You Think You Are? Constructing Self/Identity in Women's
Rugby Through Aggression, Control and Unacceptable Behavior." PhD diss., University
of Iowa, 2010.
Bargmann, Monika. ―Deutschspraghige Star Trek-Fan Fiction: Genre, Motiv, Kanäle.‖ MPhil,
Universität Wien, 2013.
Biggers, Samuel Carter Jr. "On Iowa! A History of The University of Iowa Marching Band,
1881-2012." PhD diss., University of Iowa, 2013.
Bogert, Nathan Bancroft. "Transcribing String Music for Saxophone: A Presentation of Claude
Debussy's Cello Sonata for Baritone Saxophone." PhD diss., University of Iowa, 2013.
Booth, Paul J. ―Fandom Studies: Fan Studies Re-Written, Re-Read, Re-Produced.‖ PhD diss.,
Rensselaer Polytechnic Institute, 2009.
Boyst, Jordan P. ―An Examination of Sport Commitment in Collegiate Athletes.‖ MS thesis,
University of North Carolina at Greensboro, 2009.
Brewer, Abbie Corrine. "A Performance Guide to Selected Character Pieces of Edward
MacDowell." PhD diss., University of Iowa, 2013.
167 | P a g e
Burkett, Morgan Elizabeth. ―Pop-Diplomacy: Anime and Manga as Vehicles of Cultural
Context, Identity Formation and Hybridity.‖ MA thesis, American University, 2010.
Busanich, Rebecca Lee Verkerke. "Changing the Lens: Looking Beyond Disordered Eating and
Into the Meanings of the Body, Food and Exercise Relationship in Distance
Runners." PhD diss., University of Iowa, 2011.
Clerc, Susan. ―Who Owns Our Culture? The Battle over the Internet, Copyright, Media Fandom,
and Everyday Uses of the Cultural Commons.‖ PhD diss., Bowling Green State
University, 2002.
Clippard, Kristin. "A Director's Mash-up of ‗She Stoops to Conquer‘ or ‗The Mistakes of a
Night‘ by Oliver Goldsmith." MFA thesis, University of Iowa, 2013.
Coakley, Stephany Cassandra. ―A Phenomenological Exploration of the Sport-Career Transition
Experiences That Affect Subjective Well-Being of Former National Football League
Players.‖ PhD diss., University of North Carolina at Greensboro, 2006.
Cochran, Tanya R. ―Toward a Rhetoric of Scholar-Fandom.‖ PhD diss., Georgia State
University, 2009.
Costello, Victor. ―Interactivity and the ‗Cyber-Fan‘: An Exploration of Audience Involvement
within the Electronic Fan Culture of the Internet.‖ PhD diss., University of Tennessee,
1999.
Crawford, Jack Edward. ―Using Sport as a Tool for Development.‖ MCP thesis, University of
Cincinnati, 2010.
Damian, Raeleen V. ―Fanonymity: An Investigation of Motivations for Being Anonymous in
Online Fandom.‖ MA thesis, California State University at Fullerton, 2007.
168 | P a g e
De Luca, Eugene Joseph. "The Genre of American Cabaret with an Original Cabaret Show by
Gino De Luca." PhD diss., University of Iowa, 2013.
Dickerson, Nikolas. "Don't Fear the Reefer: Producing the Unproductive Body in Sport, Film
and Advertisement." PhD diss., University of Iowa, 2012.
Emery, Patrick. ―The Potential of Fan Fiction as an Industry of Its Own.‖ Honors thesis, Eastern
Kentucky University, 2012.
Eng, Lawrence. ―Otaku Engagements: Subcultural Appropriation of Science and Technology.‖
PhD diss., Rensselaer Polytechnic Institute, July 2006.
Fleming, Katherine. ―Participatory Fandom in American Culture: A Qualitative Case Study of
DragonCon Attendees.‖ MA thesis, University of South Florida, 2007.
Gelb, Gregg. ―1959 Jazz: A Historical Study and Analysis of Jazz and Its Artists and Recordings
in 1959.‖ DMA diss., University of North Carolina at Greensboro, 2008.
Gibbs, Christie. ―Breaking Binaries: Transgressing Sexualities in Japanese Animation.‖ PhD
thesis, University of Waikato, 2012.
Grindhammer, Lucille Wrubel. ―Art and the Public: The Democratization of the Fine Arts in the
United States, 1830 – 1860.‖ MA Thesis, Case Western Reserve University, 1975.
Gore, Erin E. ―Symphony Audience Development: Analysis of Organizational Culture in the
Performing Arts.‖ MS thesis, University of Oregon, 2009.
Hansen, Marc. ―Das Phänomen Densha Otoko: Das Bild der Otaku im Medienmix.‖ MA thesis,
Universität Trier, 2008.
Harris, Cheryl D. ―Social Identity, Class, and Empowerment: Television Fandom and
Advocacy.‖ PhD diss., University of Massachusetts, 1992.
169 | P a g e
Haschemi Yekani, Elahe. ―The Privilege of Crisis: Narratives of Masculinities in Colonial and
Postcolonial Literature, Photography, and Film.‖ PhD diss., Humboldt-Universität zu
Berlin, 2009.
Herzig, Melissa Jean. ―The Internet World of Fan Fiction.‖ MA thesis, Virginia Commonwealth
University, 2005.
Hope, Donna P. ―Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica.‖
MPhil thesis, University of the West Indies, 2001.
Howell, Dana Prescott. ―The Development of Soviet Folklorists.‖ PhD diss., University of
Pennsylvania, 1984.
Kotrba, Nicole R. "Constructing Privacy: The Negotiation of Disclosure Management on a
Women's Basketball Team." PhD diss., University of Iowa, 2009.
Lane, Brigitte Marie. ―Franco-American Folk Traditions and Popular Culture in a Former
Milltown: Aspects of Ethnic Urban Folklore and the Dynamics of Folklore Change in
Lowell, Massachusetts.‖ PhD diss., Harvard University, 1983.
Li, Y. ―Japanese Boy-Love Manga and the Global Fandom: A Case Study of Chinese Female
Readers.‖ MA thesis, Indiana University, 2009.
Lotecki, Ashley. ―Cosplay Culture: The Development of Interactive and Living Art through
Play.‖ MA thesis, Ryerson University, 2012.
Macor, Alison Grace. ―The Visible Audience: Participation, Community, and Media Fandom.‖
PhD diss., University of Texas at Austin, 2000.
Martin, Gerald M., ―A Comparison of African-American Athletes‘ Nurturing Experiences at
Historically Black and Historically White Colleges/Universities.‖ EdD diss., University
of North Carolina at Greensboro, 2009.
170 | P a g e
Meier, Andreas. ―Politischer Wertewandel und populäre Musik.‖ PhD diss., Westfälische
Wilhelms-Universität Munster, 2000.
Moffett, Joe. ―The Search for Origins in the Twentieth-Century Long Poem: Sumerian, Homeric,
Anglo-Saxon.‖ PhD diss., West Virginia University, 2007.
Novik, Naomi. ―Fandom: The Stolen Metatext.‖ MA thesis, Brown University, 1995.
Palm, Paul Werner. ―Baroque Solo Homogeneous Ensemble Trombone Repertoire: A LectureRecital Supporting and Demonstrating Performance at a Pitch Standard Derived from
Primary Sources and Extant Instruments.‖ DMA diss., University of North Carolina at
Greensboro, 2010.
Payne, Sara M. ―A Phenomenological Inquiry of Media Literacy of Middle School Students
Enrolled in a North Texas Middle School.‖ PhD diss., University of North Texas, 2008.
Peters, Ian Michael. ―Fanfilms, Fandom, and the Re-Appropriation of Re-Appropriated Texts.‖
MA thesis, University of Texas at Austin, 2007.
Petty, John E. ―Stage and Scream: The Influence of Traditional Japanese Theater, Culture, and
Aesthetics on Japan‘s Cinema of the Fantastic.‖ MA thesis, University of North Texas,
2011.
Potkanski, Monika. ―Das österreichische Manga- und Anime-Fandom: Analyse des Weiner
Animexx Stammtisches anhand des Gruppendiskussionsverfahrens.‖ MA thesis,
Universität Wien, 2009.
Quay, Daniel J. ―The Effects of Fandom.‖ MA thesis, University of Oklahoma, 2011.
Samanci, Ozge. ―Embodying Comics: Reinventing Comics and Animation for a Digital
Performance.‖ PhD diss., Georgia Institute of Technology, 2009.
171 | P a g e
Scott, Suzanne. ―Revenge of the Fanboy: Convergence Culture and the Politics of
Incorporation.‖ PhD diss., University of Southern California, 2011.
Scrogum, Jeanine E., ―Binaries and Bridging: A Feminist Analysis of Women‘s Rugby
Participation.‖ MS thesis, University of North Carolina at Greensboro, 2005.
Seabrook, Chris. ―‘It Gives Me Thunder‘: Reflections on ‗Becoming Fur.‘‖ MA thesis, Carleton
University, 2010.
Smith, Scott. ―Fanatic Consumption? Reconsidering Fanaticism and Fandom in Consumer
Research.‖ PhD diss., University of Arkansas, 2004.
Spivey, Brenton N. ―Furry as Genre.‖ MA thesis, Radford University, 2012.
Spjuth, Oskar. ―In Quest for the Lost Gamers: An Investigation in Board Gaming in Scania,
during the Iron and Middle Ages.‖ MA thesis, Lund University, 2004.
Springall, Dana. ―Popular Music Meets Japanese Cartoons: A History of the Evolution of Anime
Music Videos.‖ MA thesis, Samford University, 2004.
Stilwell, Jessica. ―Fans without Pity: Television, Online Communities, and Popular Criticism.‖
MA thesis, Georgetown University, 2003.
Tan, Bee Kee. ―Unauthorized Romances: Female Fans and Weiss Kreuz Internet Yaoi
Fanfiction.‖ MA thesis, National University of Singapore, 2008.
Thomas, Jennifer A., ―Achievement Goal Profiles Among Elite Baseball Players.‖ MS thesis,
University of North Carolina at Greensboro, 2005.
Wilkens, Christa. ―Bildung und Freizeit für Arbeiter während des Kaiserreichs: Der
Bildungsverein für Arbeiter Lüneburg und seine bürgerlichen Förderer.‖ PhD diss.,
Universität Hamburg, 199.
172 | P a g e
Williams, Kara Lenore. ―The Impact of Popular Culture Fandom on Perceptions of Japanese
Language and Culture Learning: The Case of Student Anime Fans.‖ PhD diss.,
University of Texas at Austin, 2006.
Wilson, Amy Sue. "A Saga of Power, Money, and Sex in Women's Athletics: A Presidents'
History of the Association for Intercollegiate Athletics for Women (AIAW)." PhD diss.,
University of Iowa, 2013.
Wright, Susan. ―The Discourse of Fan Fiction‖ PhD diss., University of Louisville, 2008.
173 | P a g e
Court Decisions
AandM Records, Inc., v. Napster, Inc., 239 F. 3d 1004 (2001).
Abrams v. United States, 250 US 616 (1919).
American Booksellers v. Hudnut, 475 US 1001 (1986).
Baker v. Selden, 101 US 99 (1879).
Bauer and Cie v. O’Donnell, 229 US 1 (1913).
Bleistein v. Donaldson Lithographic Co., 188 US 239 (1903).
Board of Education, Island Trees Union Free School District No. 26 v. Pico, 457 US 853 (1982).
Bobbs-Merrill Co. v. Strauss, 210 US 405 (1908).
Brockett v. Spokane Arcades, Inc., 472 US 491 (1985).
Brown v. Entertainment Merchants Association, 564 US 08-1448 (2011).
Burrow-Giles Lithographic Co. v. Sarony, 111 US 53 (1884).
Campbell v. Acuff-Rose Music, 510 US 569 (1994).
Castillo v. Texas, 79 SW 3d 817 (Tex. 2002).
CCH Canadian Limited v. Law Society of Upper Canada, Canada, 1 SCR 339 (2004).
Dowling v. United States, 473 US 207 (1985).
Eldred v. Ashcroft, 537 US 186 (2003).
Erznoznik v. City of Jacksonville, 422 US 205 (1975).
Federal Communications Commission v. Pacifica Foundation, 438 US 726 (1978).
Feist Publications, Inc., v. Rural Telephone Service Co., 499 US 340 (1991).
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Gibbons v. Ogden, 22 US 1 (1824).
174 | P a g e
Ginsberg v. New York, 390 US 629 (1968).
Gitlow v. New York, 268 US 652 (1925).
Grosjean v. American Press Co., 297 US 233 (1936).
Harper and Row v. Nation Enterprises, 471 US 539 (1985).
Hazelwood v. Kuhlmeier, 438 US 726 (1988).
Hustler Magazine, Inc., v. Falwell, 485 US 46 (1988).
Jacobellis v. Ohio, 378 US (1964).
Jenkins v. Georgia, 418 US 153 (1974).
Joseph Burstyn, Inc., v. Wilson, 343 US 495 (1952).
Kois v. Wisconsin, 408 US 229 (1972).
MANual Enterprises v. Day, 370 US 478 (1962).
Marcus v. Search Warrant of Property at 104 East Tenth Street, Kansas City, Missouri, 367 US
717 (1961).
Memoirs v. United States, 383 US 413 (1966).
MGM Studios, Inc., v. Grokster, Ltd., 545 US 913 (2005).
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175 | P a g e
Quality King Distributors, Inc., v. L’Anza Research International, Inc., 523 US 135 (1998).
Quantity of Books v. Kansas, 378 US 205 (1964).
R. v. Butler, Canada, 1 SCR 452 (1992).
R. v. Jorgensen, Canada, 4 SCR 55 (1995).
Red Lion Broadcasting Co. v. Federal Communications Commission, 395 US 367 (1969).
Redrup v. New York, 386 US 767 (1967).
Reno v. American Civil Liberties Union, 521 US 844 (1997).
Renton v. Playtime Theatres, Inc., 475 US 41 (1986).
Roth v. United States, 354 US 476 (1957).
Schenck v. United States, 249 US 47 (1919).
Smith v. California, 361 US 147 (1959).
Sony Corp. of America v. Universal City Studios, Inc., 464 US 417 (1984).
Stanley v. Georgia, 394 US 557 (1969).
Stewart v. Abend, 495 US 207 (1990).
Stromberg v. California, 283 US 359 (1931).
Sund v. City of Wichita Falls, Texas, 121 F. Supp. 2d 530 (N.D. Tex. 2000).
Superior Films v. Dept. of Education, 346 US 587 (1954).
Théberge v. Galerie d’Art du Petit Champlain, Inc., Canada, 2 SCR 336 (2002).
Trade-Mark Cases, 100 US 82 (1879).
Turner Broadcasting v. Federal Communications Commission, 512 US 622 (1994). Turner I.
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United States v. Playboy Entertainment Group, 529 US 803 (2000).
United States v. Thirty-Seven Photographs, 402 US 363 (1971).
176 | P a g e
United States v. Twelve 200-ft. Reels of Film, 413 US 123 (1973).
Wheaton v. Peters, 33 US 591 (1834).
White-Smith Music Publishing Company v. Apollo Company, 209 US 1 (1908).
Winters v. New York, 333 US 507 (1948).
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