Audioengine Audiophile AE2 and AE5 PC Speakers Review

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Audioengine Audiophile AE2 and AE5 PC Speakers Review
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Audioengine Audiophile AE2 and AE5 PC Speakers Review
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Author Keith Suppe
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Today we introduce the first in a series of Audiophile articles/reviews.
Its fitting we begin with the company Audioengine, their AE2 and AE5
powered speakers represent a relatively recent development in the
Audiophile industry, the merger between High End Audio and PC´s...
Date 2008-06-12
Discuss 3 comment(s)
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5 - AE2 Specifications / design
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A udio Engine is a relative newcomer to the Audio market, however; they are not new to the industry. The design
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team behind the AE2 and AE5 systems have combined 36-years experience working for companies such as Harmon
Kardon, Gibson Guitar, and Apple Computer. Much of this experience has been in professional recording studios. As
previously mentioned there is lengthy history involving companies such as B&W whom model their speakers on the
"Studio Monitor" concept. For the Audiophile this specific sound is all about neutrality. The goal is to eliminate any
influence electronics themselves may have on the audio signal. Only then can the music come through
unadulterated. There is one universal law governing the quality of all powered speakers, they can only sound as
good as the electronics within. Neutral designs present a dichotomy as they communicate both high and low quality
recordings without prejudice, or as the expression goes; garbage in / garbage out. The question then, can a $200
pair of powered speakers 6" in height be musical? Below the AE2's came packed as well as any Audio or PC product
with cables galore and cloth drawstring bags for all the ancillaries. Thumbnails below (from left) opening the box
reveals two grey pouches, one containing the DC-power supply another contains all required cables. Right
thumbnail; top foam brace removed revealing the speakers in their drawstring pouches.
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Audioengine 2 Specifications
powered (active) multimedia desktop speaker system
Power output: 60W peak power total (15W RMS / 30W peak per channel), AES
Inputs: Dual 1/8" stereo mini-jack and RCA jacks
Voltage: 100-240V, 50/60Hz auto-switching
Amplifier type: Dual Class AB monolithic
Drivers: 2.75" Kevlar woofers, 20mm silk dome tweeters
Signal-to-noise: >95dB (typical A-weighted)
THD: <0.05% at all power settings
Crosstalk: <50db
Frequency response: 65Hz-22kHz +/-2.0dB
Input impedance: 10K ohms unbalanced
Protection: Output current limiting, thermal over-temperature, power on/off transient protection
Dimensions: 6”(H) x 4”(W) x 5.25”(D)
Weight (LEFT speaker): 1.6Kg/3.55lbs
Weight (RIGHT speaker): 1.4Kg/3.15lbs
Shipping weight: 4.6kg/10lbs per pair
Shipping box dims: 11.5” (W) x 14.5” (H) x 21.75” (L) 10.5” (H) x 15” (L) x 7” (W)
A2 speakers use a front firing design with a small slit at the base to port back pressure and increase base. The
edges of the speakers are rounded to reduce "diffraction" a critical topic in speaker design. The following Stereophile
article, "Cutting Corners" is a must-read on the subject and will have you scratching your head as to why most
speakers are found in a box-like enclosure. Appearance is always important when something shares your living
space. In the case of the AE2 speakers, not only are they ergonomically cozy, you barely notice them until they
produce sound. Cabinets are constructed primarily from natural materials such as 18mm thick MDF. The enclosures
are rock solid, internally braced (per Audio Engine literature) and finished with a black piano finish so smooth its
reflective. I have yet to find a PC-Audio speaker of this size and cost made from MDF (at least the "satellites") let
alone include a furniture finish. The construction behind these is just the same as Audiophile speakers costing many
times the price, albeit on a miniature scale.
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Looking at the rear of the speakers there are two inputs including 1/8" stereo mini-jack commonly found on PC
motherboard connectors or a sound-card, and RCA jacks. The volume on/off switch is also located on the rear of the
Left speaker and is my only real complaint, however, considering these are designed to be used with your PC
volume can be adjusted otherwise and their probably going to be within reach. Thumbnails below provide a close-up
of the rear of each speaker, which features gold-plated 5-way binding posts.
Insofar as the AE2's amplifier, Audio Engine describes a solid-state design incorporating a Torroidial transformer.
What I found interesting about this amplifier is the external power supply. There is no doubt distancing the power
supply from the more sensitive electronics improves sound. Given the propensity of marketing to exploit so many
superfluous details, I was shocked (pardon the pun) Audio Engine failed to expound the benefits of isolated power.
Amplifiers such as the ARS Emitter 1 takes similar technology to the Audiophile extreme. I decided to try to open
the power supply, after unplugging it the LED remained on for almost 30-seconds (below).
I attempted to open the speakers and get a look inside however Audio Engine sealed things up pretty tight. This is
actually very good news since screws alone do not the best seal make. The amplifier is rated between 15W ~ 30W
(peak) per channel, given the enclosure size which is put into perspective below the amplifier itself is quite small.
Clicking the thumbnail below reveals a photo of the front firing port (barely noticeable on the speakers) this allows
placement close to a wall if the speaker were placed on either side of a monitor on a desktop.
Onto the listening tests...
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5 - AE2 Specifications / design
More reviews in this category can be found below:
Audioengine Audiophile AE2 and AE5 PC Speakers Review
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Audioengine Audiophile AE2 and AE5 PC Speakers Review
HWFaq
Contests
Author Keith Suppe
Editor jmke
Search
Today we introduce the first in a series of Audiophile articles/reviews.
Its fitting we begin with the company Audioengine, their AE2 and AE5
powered speakers represent a relatively recent development in the
Audiophile industry, the merger between High End Audio and PC´s...
Links
Sponsors
Date 2008-06-12
Discuss 3 comment(s)
Print this Article
Send News
6 - AE2 Listening / Conclusion
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S ound:
Audioengine describes their driver technology as follows:
Audioengine uses audiophile quality, ferro fluid cooled, silk dome tweeters with Neodymium magnets. Silk tweeters
hold up well under high power and the edge-driven design gives very smooth response. The woofers are Kevlar
woven glass aramid composite with rubber surrounds. Kevlar is obviously very strong, which means that the woofer
retains its shape when being driven at high levels...
Long before the A2's showed up at my door, I purchased the A5 for my personal sound system. The A5s replaced
my aging Monsoon MM1000 2.1 planar satellite, cone-subwoofer system (reviewed at Anandtech) manufactured from
now defunct Sonigistix. I purchased the MM100 for 200USD in 1999 and they gave me 8-years of decent sound for
my PC and DVD player. With the arrival of the A5 system I passed the Monsoon torch to my Nephew. In my
experience anything that can last 8-years can be, "passed" celebratory fan-fare included. The day he came to get a
PSU I offered up the Monsoon system and as I began to explain planar speaker technology and my old Magnepans,
his eyes rolled back in his head and he asked what time it was. He just spent $300 on a Logitech Z something or
other which to him was HiFi. A few months later he called, both elated and confused he could not believe this old
system with a short in volume remote sounded ten times better then his surround sound investment. Next thing I
knew he had looked up and was going to purchase Magnepans. I told him I had owned Magnepan MMGs (reviewed
here) and connected my MMG's to pair of prototype NYAL/Futterman OTL tube monoblocs I lost him again. He then
said something about running Magnepan with an Onkyo Receiver. At that point, my eyes rolled in my head as I
asked what time it was. Below from left Monsoon MM1000 2.1 system, individual Monsoon Planar satellite (a
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miniature version of Magnepan technology) and Magnepan MMG panels on right (photos from Geartest.com).
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The Monsoon planar / Sub-woofer PC audio systems offered a small portal to Audiophile sound. In fact they licensed
the planar technology in part from Eminent Technology. I guess all things do come full-circle in the Audiophile world.
Reminiscing aside Audioengine AE5 nor AE2 sound nothing like a planar system and in this application it’s
appropriate they do not. Their neutrality is perhaps one of their greatest attributes. While system like the Monsoon
did some things well, they were finicky, not necessarily good for a "PC-Audio" product because few were able to
extract their full potential. Where Audioengine differs from most PC-Audio speaker systems is in the natural sound
which transcends poor placement. Building a "Monitor" speaker using classic speaker cabinetry construction was a
sobering choice, but I imagine it was not a simple one based on the photo below.
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Whatever our source in this review the signal will pass through the Gigabyte G-X48T-DQ6 motherboard which
features a Realtek ALC899A (7.1+2ch DAC/6ch ADC High Definition) Audio Codec. Of course the sound we hear is
not determined by DAC chip itself but the totality of the signal path, in this case a great deal will be affected by the
motherboard topology. To simplify, all you need to do is think about the term which describes just about every
aspect of your PC, both material and functional; semi-conductor. Besides non-conductive what could be more
detrimental to an audio-signal? Well how about EMI or any electronic noise? The PC environment is infamous for
this and until recently most motherboard BIOS would offer a setting known as Spread Spectrum. You can view
Spread Spectrum among other valuable BIOS information can be found in TechARP BIOS Optimization Guide 9.9.
When enabled Spread Spectrum modulates signal frequencies minimizing "spikes" which cause interference with
other devices. We don't see Spread Spectrum BIOS options as often in today's "overclocked" world since modulating
frequencies when they are most vulnerable (during high overclock’s) can compromise stability. Spread Spectrum has
been augmented with "Smart Clock" features, these shut down unused signal sources such as VGA, or PCI slots
when not in use. Think of it as a "Green Sleep Mode" saving power in a greener world.
Listening:
Music: I began listening to streaming data off the Internet at favorite website Soma FM. Offering 14-stations
variations on underground/alternative, sounds include: "underground electronica, chillout, ambient groove, down
tempo, lounge, space music, indie rock and alt.country/Americana." SOMAFM is based out of San Francisco available
24/7 and they offer several music file options, MP3 128k, 32k, Windows Media 128k. My favorite channel is Lush
which is a relaxing, hypnotic blend with many female artists. I'm sure avid Audiophiles are dismissing any and all
electronic music as a poor marker by which to judge anything, however; upcoming evaluations will cover a wide
spectrum, of genres from classical to rock. The diminutive AE2's did well with vocals as any transducer should and
even carried some bass notes of the electronic variety. You cannot expect these speakers to reproduce a base drum
with the literal "kick" involved, however; what base does come through is "natural" as Audio-Engine does not
employ any artificial "base boost" found on many systems. It's all about the advantages of using what is essentially
a natural material in MDF. Speakers constructed of exotic wood literally carve the horn themselves out of a single
block, one reason for the exorbitant price tag.
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The ability to reproduce sound "naturally" is attributable to the A2's materials. I found it quite amazing given their
size lower frequencies seemed to belie their 65Hz specification. At one point I placed my in front of the speaker and
felt some pretty dynamic air-movement! Below 60Hz base rolls off subtly so that you’re never reminded of what is
"not there."
When I first saw the movie Holy Smoke I became a Neil Diamond fan after enjoying the first audio track in that
movie; Holly Holy. I now have The Essential Neil Diamond (Columbia / Sony CD 696998568129) as I played Holly
Holy the little A2's were remarkably life like and were not bogged down by the number of instruments and
complexity of the track. On the live track Play Me, audience voices can be heard clearly in the background and
sounded quite real. Where I felt the speakers truly excelled was during DVD movie playback.
DVD / Movies: Eventually I moved the pair into the living room and set them up for my mother's DVD player.
There they were housed in a large wood entertainment center and many speakers would have resonated creating a
box effect. The AE2's because of their front firing port did very well in this environment and I was shocked to hear
some of the movie effects coming from the living room. From a pair of speakers this small they produce an
enormous amount of sound. These are not near-field monitors, although you can sit as close as you like. To
appreciate their openness listening to music or movies sitting about two meters back is recommended.
As far as a sound-stage I cannot say these speakers will throw a convincing soundstage in which 3D-images appear
fixed in space. They do convey music with speed and relative accuracy and in the case of a single vocalist, if setup
properly (in this case I simply made sure there was no object (i.e. the monitor) between them) and there was an
image. The issue with this, no one is going to place these speakers on stands nor would I even bother for this
review since I don't think they even make stands that small. Nevertheless, you will get much more from these
speakers then anything I've seen at twice their size and that is a huge plus. If, however; the sound becomes too
complicated or layered the little boxes can only do so much. In other words, don't expect to hear the layers of a full
orchestral movement to sound realistic. Of course if you’re asking your 6" high monitors to play music on that scale
you've probably been taking Jonathan Swift novels a "little" too seriously.
Gaming: The A2 system did particularly well given their size reproducing battlefield effects and the usual FPS
weaponry. Voices are clear and detailed. Once again if your expecting your windows to shake when a 1,000lb Bomb
drops in a WWII Sim well your better off getting the AE5's and AS8 Powered Subwoofer. While a surround sound
system might be optimal for such effects as well as movie playback, the cost for a quality system is high. I have yet
to see anyone set up their surround sound system properly and not for lack of trying. That issue aside the AE2's do
just about everything a PC-owner would need them to do and more. Sitting on either side of your monitor these are
sure to sound better then any typical PC-Audio product with low cost drivers enclosed in plastic. Although intended
for "desktop placement" and near-filed listening their sound transcends this with a realism found in products costing
much more. They worked very well in my living room on either side of the TV playing DVDs and because their
Shielded EMI should be at a minimum. They connect in seconds, and the external DC power-supply includes a very
lengthy cable.
Conclusion:
I was at a disadvantage having lived with the A5 and then having to evaluate the A2, I was perhaps more critical.
My experience with the A5 system left me to judge the A2's based on what they lacked compared to the AE5's. So
any accolades I ascribe these speakers were not easily won. With that said, the Audio Engine AE2 Desktop
Speakers are a true piece of Audiophile engineering in the smallest physical enclosure I've ever seen or heard.
Designed and constructed as if they should cost more or would be a larger speaker in another life, they are quite
natural sounding. The cabinet craftsmanship built into every pair manifests itself just where it should, tight bass
(what's there) and a solid sound. The neutrality of these powered speakers result from a simple solid state amplifier
incorporating a Torriodial transformer, external DC-power supply, no artificial boosting, and classic MDF construction
with internal bracing. These details are rarely found in PC-speakers and even rarer still in a speaker this size. This
is a winning design and the only specification better then the price is the sound.
PRO
Excellent value
Highly versatile
Musical
High quality finish and 5-way binding posts
CON
Unable to image
Anemic base
rear volume control
Onto the AE5....