Inside Out Program - Hubbard Street Dance Chicago

Hubbard Street Dance Chicago
Inside/Out Choreographic Workshop
Artistic Director Glenn Edgerton
Executive Director Jason D. Palmquist
General Manager Kristen Brogdon
Rehearsal Director Lucas Crandall
Resident Choreographer Alejandro Cerrudo
Artistic Associate + Coordinator, Pre-Professional Programs Meredith Dincolo
Founder Lou Conte
Production Manager Joseph Futral
Company Manager Ishanee DeVas
Lighting + Technical Director Jason Brown
Head of Wardrobe Rebecca M. Shouse
Audio Engineer Kilroy G. Kundalini
Properties Master + Stage Operations Stephan Panek
Master Electrician Sam Begich
Stage Manager + Head Carpenter Lisa Smeltzer
Touring Coordinator + HS2 Company Manager Marisa C. Santiago
Chief Marketing + Development Officer Bill Melamed
Hubbard Street Dancers
Garrett Patrick Anderson, Jesse Bechard, Jacqueline Burnett, Alejandro Cerrudo, Meredith Dincolo,
Kellie Epperheimer, Jonathan Fredrickson, Jason Hortin, Alice Klock, Emilie Leriche, Ana Lopez, Johnny McMillan,
Andrew Murdock, Bryna Pascoe, David Schultz, Kevin J. Shannon, Jessica Tong, Quinn B Wharton
Hubbard Street 2
Director Terence Marling
HS2 Production Stage Manager Julie Ballard
HS2 Dancers
Jules Joseph, Katie Kozul, Lissa Smith, Andrea Thompson, Richard Walters
HS2 Apprentices
Odbayar Batsuuri, Adrienne Lipson
Hubbard Street Dance Chicago
1147 West Jackson Boulevard
Chicago, Illinois 60607 • 312-850-9744 hubbardstreetdance.com
Facebook.com/HubbardStreetDance • Twitter.com/HubbardStreet
Pinterest.com/HubbardStDance • Instagram.com/HubbardStreet
YouTube.com/HubbardStreetDance • play.Spotify.com/user/HubbardStDance
•••
Another Story
Kevin J. Shannon, Choreography
Ludwig van Beethoven, Pendulum, Michael Brook, Bon Iver, Music
Jacqueline Burnett, Emilie Leriche, Text
Jesse Bechard, Jacqueline Burnett, Emilie Leriche,
Bryna Pascoe, David Schultz, Kevin J. Shannon
Music by Ludwig van Beethoven: Excerpt from Piano Trio in B-flat Major, Op. 97 “Archduke,” Andante cantabile ma pero
con moto, as recorded by Arthur Rubinstein, Jascha Heifetz and Emanuel Feuermann for RCA Red Seal, 1999. Music by
Pendulum: Excerpt from “Salt in the Wounds” from the album Immersion as recorded for Warner Music UK Limited, 2010.
Music by Michael Brook: Excerpt from “Carte Noir” from the album An Inconvenient Truth: Original Score as recorded for
Colosseum Records, 2008. Music by Bon Iver: Excerpt from “Beach Baby” from the album Blood Bank as recorded for
Jagjaguwar, 2009.
girl, girl. girl!
Adrienne Lipson, Choreography
Man Man, Soda Fountain Rag, Music
Andrea Thompson Katie Kozul, Lissa Smith
Music by Man Man: “Feathers” from the album Six Demon Bag as recorded for Ace Fu Records, 2006; and “Doo Right”
from the album Rabbit Habits as recorded for Anti / Epitaph Records, 2008. Music by Soda Fountain Rag: “Angry Girl” from
the album It’s Rag Time as recorded for Soda Fountain Rag, 2011.
Bustle
Bryna Pascoe, Choreography
Thai traditional, Music
Alice Klock, Jason Hortin
Music by various artists: “Phlengchoi” and “Pamahei” from Music of Thailand as recorded and produced by Howard Keva
Kaufman for Folkways Records, 1959.
We’re here because
We’re here because
We’re here because
We’re here
Alice Klock, Choreography
Fitzrovia Chorus and John Mealing, Music
Kellie Epperheimer, Jesse Bechard, Kevin J. Shannon,
Jonathan Fredrickson, David Schultz
Four fight songs from World War I and the 1939 military adventure film Gunga Din,
starring Cary Grant and based on an 1892 poem by Rudyard Kipling, inspired Alice
Klock’s vignettes for an unstable cartographer, an overly emotional soldier, and a
shaky aviator. A couple in bookend scenes nod to advertisements for “Victory Girls”
and Liberty Bonds.
Music by the Fitzrovia Chorus and John Mealing: “Pack Up Your Troubles,” “No We’ll Never Tell Them” and “It’s a Long Way
to Tipperary” from Songs from the Great War as recorded for Crocodile Records International, 2009.
Instance
Jules Joseph, Choreography
The Kuumba Singers of Harvard College, Music
Katie Kozul
Music by the Kuumba Singers of Harvard College: “Hold On,” composer unknown, as recorded live at the 44th Annual Dean
Archie C. Epps Spring Concert, at the Sanders Theatre, Cambridge MA, 2014.
22
Johnny McMillan, Choreography
Ryuichi Sakamoto, Music
Jesse Bechard, Meredith Dincolo, Jonathan Fredrickson, Alice Klock, Ana Lopez
Music by Ryuichi Sakamoto: “Little Buddha” from the album Cinemage as recorded for Sony, 2000.
• Intermission •
jig.exe
Emilie Leriche, Choreography
Andrew Bird, Music
Adrienne Lipson, Richard Walters
Music by Andrew Bird: “Ethio Invention No. 1” from I Want to See Pulaski at Night as recorded for Grimsey Records, 2013.
Happy Birthday to Me
Johnny McMillan, Choreography
Homelife, Music
Meredith Dincolo
Music by Homelife: “Exotic Interlude” from the album Exotic Interlude as recorded for Republic of Music, 2009.
sturm und drang (little g)
Terence Marling, Choreography
Wolfgang Amadeus Mozart, Music
Adrienne Lipson, Odbayar Batsuuri
Sturm und Drang is the name — taken from the title of a 1777 play by Friedrich
Maximilian Klinger — for a late-18th-century movement in German music and literature.
Its embrace of emotional extremes was in part a response to Enlightenment
philosophies, perceived by Sturm und Drang artists as confining.
Music by Wolfgang Amadeus Mozart: Second movement Andante from Symphony No. 25 “Little G” in G Minor, K 183 as
recorded by the Wiener Philharmoniker, Leonard Bernstein conducting, for Deutsche Grammophon, 1990.
These Are People
Jonathan Fredrickson, Choreography
Melina Ausikaitis, Vocals
Meredith Dincolo, Emilie Leriche, Jesse Bechard, David Schultz
Vocals by Melina Ausikaitis: Performance of “The Adulterous Woman” from L’Exil et le royaume (Exile and the Kingdom)
by Albert Camus, published 1957.
The Charade
Richard Walters, Choreography
Alexandre Desplat, Music
Katie Kozul, Jules Joseph
Music by Alexandre Desplat: “The Lutz Police Militia,” and “Canto at Gabelmeister’s Peak” from the album The Grand
Budapest Hotel: Original Soundtrack as recorded for Abkco, 2014.
Goblin City
Jacqueline Burnett, Choreography
Astor Piazzolla, Music
Jason Hortin, Alice Klock, Johnny McMillan, David Schultz, Jessica Tong
Music by Astor Piazzolla: Excerpt from “Tanguedia III” from the album Tango: Zero Hour as recorded for Nonesuch, 2005.
•••
About the Choreographic Development Initiative
Hubbard Street Dance Chicago continually expands its exuberant and athletic repertoire
with original creations and masterworks by field-leading choreographers. Also at the heart of
Hubbard Street’s vision is an ambition to advance contemporary dance, requiring experimentation
and innovation.
The three programming components of Hubbard Street’s Choreographic Development Initiative
are the Inside/Out Choreographic Workshop, the International Commissioning Project, and
Hubbard Street at the MCA Stage. Hubbard Street believes this three-pronged model of selecting
works for its repertoire can be a national model for artistic development, while proactively
diversifying contemporary concert dance.
Hubbard Street launched its Inside/Out Choreographic Workshop in 2001, to provide a yearly
opportunity for its company dancers and artistic team members to develop their choreographic
skills and their understanding of all elements of dance production, including rehearsal
management, marketing, creative rights, and costume and lighting design.
Hubbard Street 2 initiated the National Choreographic Competition in 1999, as part of its mission
to identify and nurture young choreographers. Renamed the International Commissioning Project
for its 15th anniversary, the program continues to provide residencies to choreographers, offering
them the opportunity to create original works for HS2’s dancers and to conduct master classes.
The IC Project has produced 40 original works to date.
Works and choreographers identified through both programs above are eligible for inclusion in
each Hubbard Street at the MCA Stage engagement, which opportunity provides artists with still
more production support and rehearsal time. From these programs in the Museum of
Contemporary Art Chicago’s Edlis Neeson Theater, selected works are brought into active
repertoire for the main company and/or Hubbard Street 2, and performed during domestic and
international touring engagements. Hubbard Street at the MCA Stage was launched with
danc(e)volve: New Works Festival in January 2012, where it returned and nearly sold out its twoweek run of eight performances in June 2013. Hubbard Street returns to the MCA Stage in
December 2014 with a diverse triple bill of world premieres by ascendant, award-winning
choreographers Kyle Abraham, Victor Quijada and Robyn Mineko Williams.
Since the 2005–06 season, Hubbard Street’s first Resident Choreographer Alejandro Cerrudo,
has developed thirteen new works for the organization including its first evening-length
production, One Thousand Pieces. Cerrudo’s choreography has also been commissioned by
Nederlands Dans Theater in the Hague, West Australian Ballet, Pacific Northwest Ballet and
Aspen Santa Fe Ballet. Visit hubbardstreetdance.com for dancer profiles, staff biographies and
much more.
This page: Hubbard Street Dancer Jonathan Fredrickson
in One by Hubbard Street 2 alumnus Andrew Wright,
Inside/Out Choreographic Workshop 2013.
Photo by Quinn B Wharton.
Cover: Hubbard Street Dancer Alice Klock in Annunciation
by Jonathan Fredrickson, Inside/Out Choreographic
Workshop 2012. Photo by Todd Rosenberg.