Amache, Colorado

another language
Another Language is a 501(c)(3) non-profit organization, donations are tax deductable.
Another place that I seek out on each visit is the barbed wire fence with a crude gate at the very eastern edge of camp. I stood
there often looking toward Kansas and envisioning the small towns “way out there” where I might be free---without the guard
towers and barbed wire fence.
Today only the foundations outlining the barracks, mess hall, and laundry room are visible. Even these are being reclaimed
by the cacti, sagebrush, and rabbitbrush. On the first visit in 1998 I stood in our doorway of barrack 9; on subsequent visits it
became harder to locate even the foundations and a huge cactus had claimed residence in the doorway. My first impulse was
to hack it down, but on second thought, it seemed more appropriate to allow it to grow there.
I was surprised on the visit in 2014 to find that although it was an extremely windy day, there was virtually no dust. One of my
more vivid memories of Amache was of the terrible dust storms that raged through the area. But then I realized that to build
the camp, the plants that held down the soil had all been sheared to make room for the barracks. Then the wind had its way,
relentlessly blowing sand and dirt into every nook and cranny.
My ghost project for Amache consists of photographs of the camp today and some watercolors of the camp. I see ghosts prowling the foundations and the cemetery headstones. I wish them peace.
By Lily Havey
L
Lily Havey
ily Havey’s interest in ghost towns spans decades. When her son Michael
was 9 or 10 they began searching for ghost towns to photograph; the
earliest ones are captured on Kodachrome slides. In the ensuing years as time
permitted she alone, or with Michael, located towns in Utah, Colorado, Idaho,
Nevada, California, Mexico, Hawaii, and Japan. When she learned that the
Amache Relocation Camp in Granada, a World War II concentration camp, was
officially a ghost town, she inquired whether she might include this site in the
current ghost town project offered by Another Language. Her interest in the
place is highly personal: she was incarcerated there as a ten-year old and lived
there until the end of the war. She has made a number of trips there beginning
in 1998, the latest being a pilgrimage in the spring of 2014 to photograph the
reconstructed guard tower and water tower.
Photo: Michael Havey
She has a book recently published by the University of Utah Press, “Gasa Gasa Girl Goes to Camp: A Nisei Youth Behind a World War II
Fence,” depicting her four year incarceration at the Santa Anita Assembly Center and at Amache. Some photographs and watercolors accompany the text. Further information is available on Facebook. In the ghost town project she hopes to combine old and new photographs
with new paintings waiting to find expression.
A
Participate in the Ghost Town Project:
nother Language is encouraging investigations of Utah ghost towns. Original photographs, movies, animations, visual art,
music soundscapes, poetry and text compositions submitted by participating artists will be uploaded to anotherlanguage.
org. Correlations between historical ghost towns and modern conceptual ghost towns are encouraged. What is your personal
ghost town? What do you see, think, and feel when experiencing a place that was once thriving? Go to www.anotherlanguage.
org for further information. Make sure to register to reserve your site! If you have questions please email [email protected] or call (801) 707-9930.
performing
Season XXX
Volume 12
Information
compa ny
Issue 2
April-June 2015
Spotlight
30 years of creative expression
1985-2015
1985-2015
Support the
Ghost Town
Project!
Amache Map
by Lily Havey
ww.anotherlanguage.org/
sponsors/pledgeform.html
Presentations are available!
For further information go to
www.anotherlanguage.org/education/papers
Contact Another Language
to have a representative talk with
your organization about scheduling
a presentation.
For Information Call: (801) 707-9930
Supported by the Utah Division of Arts and Museums, with funding from the State of Utah and the National Endowment for the Arts.
Another Language thanks the voters of Salt Lake County for their support of the Zoo, Arts & Parks program.
a rts
e-mail: [email protected]
www.anotherlanguage.org
Amache Sign
Photo: Lily Havey
Amache, Colorado
A
nother Language Performing Arts Company’s Ghost Town is underway
and there are some really creative and fascinating sites in development. Be a part of the 30th Anniversary celebration by adding your creative
voice to the Ghost Town project, which takes place completely online and
is crowd sourced! Go to www.anotherlanguage.org for further information.
Make sure to register to reserve your site! If you have questions please email
[email protected] or call (801) 707-9930.
Memberships
Another Language
Board of Directors
aaaaaaa
FRIENDS
National Advisory Board
Executive Director
Other Minds Festival
San Francisco, CA
Jeff Carpenter
Multimedia Specialist, NCSA
Urbana Champaign, IL
Kent Christensen
Artist
New York, NY
Karly Rothenberg
Faculty Member and
Industry Event Coordinator
AMDA College & Conservatory
Sun Valley, CA
Utah Advisory Board
Pauline Blanchard
The Pauline Blanchard Trust
Wayne Bradford
Systems Administrator
University of Utah
Harold Carr
Software Architect
Oracle Corporation
Victoria Rasmussen
Broad Band Computer Professional
Board of Directors
Kathy Valburg
Another Language President
Ice Skating Director
Sylvia Ring
Registered OR Nurse
Jan Abramson
University of Utah
Health Sciences
Staff
Jimmy Miklavcic
Founding Co-Director
Elizabeth Miklavcic
Founding Co-Director
aaaaaaa
Water Tower Landscape
Photo: Lily Havey
Ghost Town-Amache, Granada, Colorado
A Brief Story About My Stay At Amache, Colorado by Lily Havey
Before World War II my family lived in Los Angeles, California, and I had never been camping. Camping meant sleeping in tents with Girl Scouts on a mountain with a lively brook
bubbling down nearby where we would catch fish for dinner. We would sit around a campfire, our faces ruddy with the warmth of the crackling flames, and toast marshmallows until
they oozed and turned golden. We would grow sleepy telling ghost stories until the camp
leader yawned and led us to our tents.
Benefits
Charles Amirkhanian
I was shocked and dismayed, then, to find that the camping trip promised by my mother
was not in tents and mountains, but in a tarpaper barrack on the asphalted grounds of a
racetrack at Santa Anita. It turned out to be a six month camping trip after which we were
transferred to Amache in southeastern Colorado. The camps were designated as “assembly
centers” and “relocation centers” by the government. 120,000 Japanese Americans, citizens
and legal resident aliens, were herded there to live out the war years. We were characterized as the yellow-bellied, buck-toothed enemy capable of sabotaging the West Coast of
the United States. President Roosevelt signed Executive Order 9066 on February 19, 1942,
ordering this mass evacuation.
I have written my experiences in these camps as a 10-to-13 year old in a creative memoir,
“Gasa Gasa Girl Goes to Camp: A Nisei Youth Behind a World War II Fence.” Amache and
the other nine American concentration camps are now transformed into historical sites as
well as ghost towns.
I have returned to Amache a number of times as an adult and each trip has revealed a different aspect of the site. Because all the barracks have long been dismantled or reused by
citizens of nearby towns, the fields look nothing like the Amache I remember. The Amache
Preservation Society (students at the Granada High School) has kept up the grounds around
the cemetery. Each year in the spring some former evacuees gather there and conduct a
memorial service, officiated by a Buddhist priest. My most recent visit was in the spring of
2014. The government had given a grant to build replicas of a guard tower and the water
tower and I wanted to see them. They were as I remembered them although the guard tower
was built without the search light on its roof because an original one could not be found.
One of the sharpest memories I have of both Santa Anita and Amache is of search lights
sweeping across the barracks. It intruded relentlessly into our lives, our souls. The reconstructed water tower was much bigger and taller than I remembered. In my memory it was
only a bit taller than the barracks as seen from a distance.
– Continued –
“May 17, 2013”
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“May 24, 2013”
“May 25, 2013”
“June 4, 2013”
“June 17, 2013”
Name:
Address 1:
Address 2:
City:
State:
Phone:
Zip/PostalCode:
E-mail:
Pledge amount:
Thank you for your support!
Choice of Company DVDs available on Another Language Website.
Another Language is a 501(c)(3) non-profit organization, donations are tax deductable.
Memberships can be renewed on line at
www.anotherlanguage.org/sponsors/pledgeform.html
or
Mail:
Another Language Performing Arts Company
991 Windsor Street
Salt Lake City, UT 84105-1335
another language
Another Language is a 501(c)(3) non-profit organization, donations are tax deductable.
Another place that I seek out on each visit is the barbed wire fence with a crude gate at the very eastern edge of camp. I stood
there often looking toward Kansas and envisioning the small towns “way out there” where I might be free---without the guard
towers and barbed wire fence.
Today only the foundations outlining the barracks, mess hall, and laundry room are visible. Even these are being reclaimed
by the cacti, sagebrush, and rabbitbrush. On the first visit in 1998 I stood in our doorway of barrack 9; on subsequent visits it
became harder to locate even the foundations and a huge cactus had claimed residence in the doorway. My first impulse was
to hack it down, but on second thought, it seemed more appropriate to allow it to grow there.
I was surprised on the visit in 2014 to find that although it was an extremely windy day, there was virtually no dust. One of my
more vivid memories of Amache was of the terrible dust storms that raged through the area. But then I realized that to build
the camp, the plants that held down the soil had all been sheared to make room for the barracks. Then the wind had its way,
relentlessly blowing sand and dirt into every nook and cranny.
My ghost project for Amache consists of photographs of the camp today and some watercolors of the camp. I see ghosts prowling the foundations and the cemetery headstones. I wish them peace.
By Lily Havey
L
Lily Havey
ily Havey’s interest in ghost towns spans decades. When her son Michael
was 9 or 10 they began searching for ghost towns to photograph; the
earliest ones are captured on Kodachrome slides. In the ensuing years as time
permitted she alone, or with Michael, located towns in Utah, Colorado, Idaho,
Nevada, California, Mexico, Hawaii, and Japan. When she learned that the
Amache Relocation Camp in Granada, a World War II concentration camp, was
officially a ghost town, she inquired whether she might include this site in the
current ghost town project offered by Another Language. Her interest in the
place is highly personal: she was incarcerated there as a ten-year old and lived
there until the end of the war. She has made a number of trips there beginning
in 1998, the latest being a pilgrimage in the spring of 2014 to photograph the
reconstructed guard tower and water tower.
Photo: Michael Havey
She has a book recently published by the University of Utah Press, “Gasa Gasa Girl Goes to Camp: A Nisei Youth Behind a World War II
Fence,” depicting her four year incarceration at the Santa Anita Assembly Center and at Amache. Some photographs and watercolors accompany the text. Further information is available on Facebook. In the ghost town project she hopes to combine old and new photographs
with new paintings waiting to find expression.
A
Participate in the Ghost Town Project:
nother Language is encouraging investigations of Utah ghost towns. Original photographs, movies, animations, visual art,
music soundscapes, poetry and text compositions submitted by participating artists will be uploaded to anotherlanguage.
org. Correlations between historical ghost towns and modern conceptual ghost towns are encouraged. What is your personal
ghost town? What do you see, think, and feel when experiencing a place that was once thriving? Go to www.anotherlanguage.
org for further information. Make sure to register to reserve your site! If you have questions please email [email protected] or call (801) 707-9930.
performing
Season XXX
Volume 12
Information
compa ny
Issue 2
April-June 2015
Spotlight
30 years of creative expression
1985-2015
1985-2015
Support the
Ghost Town
Project!
Amache Map
by Lily Havey
ww.anotherlanguage.org/
sponsors/pledgeform.html
Presentations are available!
For further information go to
www.anotherlanguage.org/education/papers
Contact Another Language
to have a representative talk with
your organization about scheduling
a presentation.
For Information Call: (801) 707-9930
Supported by the Utah Division of Arts and Museums, with funding from the State of Utah and the National Endowment for the Arts.
Another Language thanks the voters of Salt Lake County for their support of the Zoo, Arts & Parks program.
a rts
e-mail: [email protected]
www.anotherlanguage.org
Amache Sign
Photo: Lily Havey
Amache, Colorado
A
nother Language Performing Arts Company’s Ghost Town is underway
and there are some really creative and fascinating sites in development. Be a part of the 30th Anniversary celebration by adding your creative
voice to the Ghost Town project, which takes place completely online and
is crowd sourced! Go to www.anotherlanguage.org for further information.
Make sure to register to reserve your site! If you have questions please email
[email protected] or call (801) 707-9930.
Memberships
Another Language
Board of Directors
aaaaaaa
FRIENDS
National Advisory Board
Executive Director
Other Minds Festival
San Francisco, CA
Jeff Carpenter
Multimedia Specialist, NCSA
Urbana Champaign, IL
Kent Christensen
Artist
New York, NY
Karly Rothenberg
Faculty Member and
Industry Event Coordinator
AMDA College & Conservatory
Sun Valley, CA
Utah Advisory Board
Pauline Blanchard
The Pauline Blanchard Trust
Wayne Bradford
Systems Administrator
University of Utah
Harold Carr
Software Architect
Oracle Corporation
Victoria Rasmussen
Broad Band Computer Professional
Board of Directors
Kathy Valburg
Another Language President
Ice Skating Director
Sylvia Ring
Registered OR Nurse
Jan Abramson
University of Utah
Health Sciences
Staff
Jimmy Miklavcic
Founding Co-Director
Elizabeth Miklavcic
Founding Co-Director
aaaaaaa
Eliza Wren
Haun’s Mill Movie
Ghost Town-Mount Pleasant, Sanpete County, Utah
By Haun's Mil
My parents bought a cabin in Mount Pleasant. I loved going down there as sort
of a retreat from modern life, some place that was quiet, where you could think,
walk in the woods, roast marshmallows and play guitar by the campfire.
I wanted to write a song in the murder-ballad storytelling style that I loved so
much from my favorite songwriters (i.e. Johnny Cash, Bob Dylan, LeadBelly,
Woody Guthrie). For some reason, I thought this quiet little town in the middle
of central nowhere would be a perfect setting for this type of song. I also liked
the idea of titling it Mount Pleasant because it is such a generic name for a city
(I think nearly every state has a town/city with the same name). This way, people
across the country could connect with the place name and imagine this tragic
story happening somewhere near them.
Jackson is the lead character who in an act of rage, murders his cheating lover,
April, and her man. He then goes on the run, creates a disguise and moves across
the country dodging the police, all the while being tormented by what he has
done and the place where it happened. The police eventually track him down,
shoot him, and his last thoughts are about how peaceful the town was before this
giant mistake he made.
Exactly three years after I wrote the song a double homicide was committed in
Mount Pleasant and Fairview, Utah. The female victim, Annette Young, was a
former girlfriend of Donald Richardson, the murderer. Young’s boyfriend, Martin
Cannon, was murdered by Richardson shortly thereafter. Richardson was on the
run for a couple of days but eventually ran out of gas and turned himself in to local authorities in Oregon. He is now serving life without parole.
By Nord Anderson
Benefits
Charles Amirkhanian
“May 17, 2013”
under $25.00
Membership access to website.
MEMBER
$25.00-$49.00
Membership access to website. Newsletter. Choice of one 11x14 original print or one DVD.
CONTRIBUTOR
$50.00-$149.00
Membership access to website. Newsletter. Choice of two 11x14 original prints or two DVDs or mix and match.
SPONSOR
$150.00-$499.00
Membership access to website. Newsletter. Choice of three 11x14 original prints and one DVD.
PATRON
$500.00-$999.00
Membership access to website. Newsletter. Choice of four 11x14 original prints and two DVDs.
BENEFACTOR
$1,000 or more
Membership access to website. Newsletter. Full set of five 11x14 original prints and all company DVDs.
“May 24, 2013”
“May 25, 2013”
“June 4, 2013”
“June 17, 2013”
Name:
Address 1:
Address 2:
City:
State:
Phone:
Zip/PostalCode:
E-mail:
Pledge amount:
Thank you for your support!
Choice of Company DVDs available on Another Language Website.
Another Language is a 501(c)(3) non-profit organization, donations are tax deductable.
Memberships can be renewed on line at
www.anotherlanguage.org/sponsors/pledgeform.html
or
Mail:
Another Language Performing Arts Company
991 Windsor Street
Salt Lake City, UT 84105-1335