Winter Concert - Stow

Transcription

Winter Concert - Stow
CONCERT BAND
FLUTE
Kristen Stroble
Katie Pittinger
Carey Reynolds
Tamaira Gless
Emily Smith
Megan Kemmerline
Erica Summers
Megan Hadley
Kim Hannan
Mandy Rajesak
Jana justen
CLARINET
Angela Patankar
Patrice Sears
Brian Dolson
Lauren Bass
Jenni Rhodes
Allison Stem
Jamie Eisenberger
Amy Dorton
Allison Kohut
Lauren Morgan
Mikenna Stephenson
BASSOON
James Hilovsky
BASS CLARINET
Kristin Lamm
Erica Pillar
ALTO SAX
Adam Ritterbeck
Mike Kinnan
Alex Wong
Matt Bohnert
Kyle Schramer
Bryan Ahonen
Bobby Kennedy
TRUMPET
Anna Lloyd
Krista Jones, 2
Kim Duncan
Josh Bengston
Melissa Presti
Jonathan Osborne
Myra Bulls
Matt Trudgen
Katie Lynch
Jenna Smith
Phillip Clark
Jim Logsdon
Alisha West
Brian Dickerson
TENOR SAX
Brian Bachtel
Josh DeMuth
Brian Valenti
Jamie Harper
BARI SAX
Amber Walden
TROMBONE
Sarah Shonk, 2
Andy Young
Jeff Allshouse, 1
Rodney Armstrong
Rob Skinner
EUPHONIUM
Noel McDevitt
Aaron Durieux
TUBA
Andy Schueneman
Jeremy Oberdove
Adam Oliver
PERCUSSION
Jennifer Frankino
Amanda Badgley
C. J. Paciotti
James Branchik
Rachel Adams
Steve Hill
Rachel Kimble
Sarah McCalman, 5
Nick Bohnert
Matt Schilling
Michael Morehead
F. HORN
Gina Eleo
Lesa Mueller
Katie Maroni
SYMPHONIC BAND
FLUTES
Emily Jones
Jennifer Butler
Jennifer Shy
Ashley Frantz
Erin McCauley
Rachel Ryland
Rachel Tarian
Shannon King
Rachel Swansinger
Hilary Blakemore
Jennifer Selzer
OBOE
Jason Lutz
Melissa Robinson
BASSOON
Mike Daugherty, 2
Evan Kenepp
CLARINET
Jennifer Spansky
Nicole Wallin
Tommy Louie
Emily Battista
Kim Dobos
Crystal Mueller
Erin Meffley
Becky Bulen
BASS CLARINET
Shari Faber
Melissa Levenger
CB Clarinet
Jennifer Duecker
BARI SAX
Mere Guziak
ALTO SAX
Maria Johannson, 2
L.J. Matteo, 2
Katie Kirkland
Brittany Siroki
Kevin Sisak
Nathan Lockhart
TRUMPET
Tony Dipane
Scott Loresch
Renee Edwards
Ed Zgonc
Dan Brown, 2
Jennifer Morgan
Tim Basom, 2
Andy Ritterbeck, 2
Adrianne Scott, 2
Scott Basom
Amy Myers
Debra Wilson, 1
TENOR SAX
Gary Baddorf, 2
Tom Hickey
Nick Scaife, 2
F. HORN
Amy Gellner
Kim Eppley
Megan Fetter, 2
Craig St. Jean
TROMBONE
Craig Rich, 1
Mark Calabro, 2
Liz Obendorf, 2
Matt Trayers
BASS TROMBONE
Trevor Paciotti, 2
TUBA
Amanda Wismer
Geo Jensen
PERCUSSION
Erickson McCleary
Rachel Crowe, 5
Brian Ody, 5
Leslie Drew, 5
Maria Eleo, 5
Michael Forbes, 5
Elizabeth Morris
Zach Zents, 5
Peter Young
OBOE
Lisa Sutter, 2
Kelly Walden
BASSOON
James Carlson
Chris Scaife
CLARINET
Nathaniel Shall, 1
Kim Radack
Mike Zgonc
Emily Misch
Tiffany Sabin
Maura Spencer
Michelle Miller
Stephanie Dolson
ALTO SAX
Tony Chae
Tom Forbes
Nick Darrow, 1
Nick Wolff
TENOR SAX
Matt Robishaw, 1
Bryan Combs, 1
TRUMPET
Eric O'Donnell, 1
Kenny Piatt, 1
Andy Dolson, 1
Dan Barbuto
Valerie Okonieski
Erin Garner, 1
Eric St. Jean, 1
Pat Baker
Jon Hill
HAPPY HOLIDAYS!!!
BASS CLARINET
Jennifer Blystone
Danielle Dever
CB CLARINET
Ian Ross, 1
BARI SAX
Mick Crawford, 1
F. HORN
Stephanie Spivack, 4
Katie Putka, 3
Colleen Woodward, 4
Angie Combs
Sean McClure
Instrumental Music Department
presents:
A Winter
Concert
Brian Monroe, Greg Newman & Linda Kellam: directors
Chad Guess, student teacher, The University of Akron
Tuesday, December 19, 2000
7:30 P.M. Stow-Munroe Falls H.S. Auditorium
EUPHONIUM
Steve Taylor
Josh Opperud
WIND ENSEMBLE
FLUTES
Jessica Sabin
Amy VandenBulke
Jenny Jones
Mary Farkas
Heather Griffith
Annie Engle
Sarah Spring
Denise Luc
Stow-Munroe Falls
High School
TROMBONE
Tim Haluga, 1
Mike Wyscarver, 1
Brian Putka, 1
Katie Radack, 1
BASS TROMBONE
Michael Jenks, 2
EUPHONIUM
Dan Paul
Jonathan Adams
1
2
3
4
5
TUBA
Aaron Luscre
Bryan Cox, 2
PERCUSSION
Sarah Pike, 5
David Frasure, 5
Tim Horak, 5
Dan Phillips, 1,5
Ming Jay Shiao
Kristy Cliffe, 5
Kevin Scheutzow, 5
Matthew Shall, 5
Richard Patterson, 2,3,5
Erin Wiggins, 5
Maroon Jazz Band
Gold Jazz Band
Member OBDC All Star Band
Member KSU Honors Brass Ensemble
Percussion Ensemble
Concert Band
Miss Linda Kellam: Director
Freedom City.......................................................................................Karl L. King
Karl L. King was born in Paintersville, Ohio, in 1891. He spent his childhood in Canton where he began his
musical studies on cornet and later euphonium. An accomplished performer at only nineteen, King joined
Robinson's Famous Circus as a baritone soloist. The circus gave him the opportunity of performing a wide
variety of styles. His experience as a performer helped make him a master of writing music to match the circus
acts. He quickly rose to leadership positions in some of the most famous circus bands in the country including the
Barnum and Bailey Circus. When he finally put down his pen after 50 years, he had published over 300 musical
compositions - not counting the ones he had given away or not bothered to publish. Many of his works were
written in tents by the light of a flashlight or kerosene lantern. He was at his best when music was needed at a
moment's notice. Freedom City was written in 1956 for inclusion in his march book The Liberty March Folio.
Concert Band Continued
Freedom, Justice, Honor...........................................Robert Longfield
Freedom, Justice, Honor is an overture for concert band in three-part (ABA) form. The piece opens with a
dramatic stately fanfare that foreshadows the principal theme which returns at various points in the composition.
Maroon Jazz Ensemble
Mr. Greg Newman: Director
Bells of Christmas.............................................................................Traditional
Things Ainʼt the way they used to be.........Ellington/Mercer
“Jingle Bells,” “Carol of the Bells,” “& “Silver Bells”
arranged by John Higgins
Sidewinder........................................................Morgan/Taylor
Percussion Ensemble
Gold Jazz Ensemble
Mr. Brian Monroe: Director
Mr. Brian Monroe: Director
God Rest Ye Merry Gentlemen......................................................Chip Davis
arranged by Brian Monroe
Wrap it Up...................................................Lenny Neihaus
The First Noel.....................................traditional/Blair
Wind Ensemble
Mr. Brian Monroe: Director
Symphonic Band
Mr. Greg Newman: Director
Cenotaph......................................................................................................Jack Stamp
A Cenotaph is a monument or tomb honoring a dead person whose body is buried somewhere else. The
Washington and Lincoln Memorials are both examples of these structures. This work emphasizes the strength &
honor found inside of these monuments and the power to endure through the ages.
Godspeed
(The Millennium).........................................................Stephen
Melillo
Within its time compressed boundaries of 5:55, much happens. There is youthful exhilaration, the flight of an
inviolable spirit, hectic confusion and innocent zeal. Amidst the flurry and flash, comes a reverent prayer and an
ode to that which is forever quiet and most still. There is the confident assertion of ideals and an ever-present vow
to take on Life’s challenges. There is hope and daring, introspection and sorrow. Fun is married to courage.
Darkness is overwhelmed by light. And in the final hours of our century we courageously look towards the new
millennium.
notes by Stephen Melillo.
Variations on a Shaker Melody........................................Aaron Copland
Sheep May Safely Graze from Cantata no. 208................................... J. S. Bach
arranged by Alfred Reed
With a background which boasted approximately 200 musical ancestors, it is not surprising that Johann
Sebastian Bach (1685 - 1750) developed a keen interest in music at an early age. He mastered the violin and clavier
and devoted himself to the study and mastery of the organ. As court organist in the town of Arnstadt at the age of
eighteen, Bach became interested in composition, devoting every leisure moment to improving his skills. A devout
Lutheran, Bach, like his fellow baroque composers, felt that everything a man does and believes is religious. He
believed that music and art helped protect people against the advance of doubt bred by Renaissance ideas of scientific,
rational inquiry. During his lifetime Bach was more famous as an organist and court musician than as a composer. The
people of his time considered his baroque compositions too elaborate. His works were largely unknown until
rediscovered some eighty years after his death. We are fortunate to enjoy them now as his legacy.
Christmas Music for Winds........................................................John Cacavas
conducted by Mr. Chad Guess, Student Teacher, The University of Akron
This set of variations on the Shaker melody ‘Tis the Gift to Be Simple was derived by Aaron Copland from his
1944 ballet “Appalachian Spring” which was composed in collaboration with choreographer Martha Graham. The
Shaker melody provided the sense of youth, optimism, hope and the American spirit. This year would have been
Aaron Copland’s 100th birthday.
Stille Nacht.............................................................................................Chip Davis
arranged by Robert
Longfield
On December 24, 1818, Joseph Moore, the curator of a parish in Oberdorf, Austria, gave a poem that he had
written to a friend of his, Franz Gruber, who was also the choirmaster of the church. He asked Mr. Gruber if he would
write music for his poem; and that he might write it for two voices and guitar accompaniment. The organ was
broken and he desperately wanted some music to be part of the Christmas Eve Service. Mr. Gruber wrote the melody
to a song which has become the most beloved of all Christmas carols, Stille Nacht, or in English, Silent Night.
Although this version, modeled after a Mannheim Steamroller arrangement uses the symphonic band with
additional synthesizer, piano and vocal effects, the beauty and simplicity of the original carol is readily apparent.