MODERN ART - Bruun Rasmussen

Transcription

International auction 857
BRUUN RASMUSSEN MODERN ART
MODERN ART
A U C T I O N 8 5 7 • J U N E 2 01 5
MODERN ART
International auction 857
AUCTION
9 - 10 June 2015
PREVIEW
Thursday
28 May
3 pm - 6 pm
Friday
29 May
11 am - 5 pm
Saturday
30 May
11 am - 4 pm
Sunday
31 May
11 am - 4 pm
Monday
1 June
11 am - 5 pm
or by appointment
Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112
[email protected] · bruun-rasmussen.com
Lot 822
DAYS OF SALE
________________________________________________________
FINE ART + ANTIQUES
Tuesday
2 June
4 pm
Paintings and drawings
1 - 134
________________________________________________________
ORIENTAL ART
Wednesday 3 June
2 pm
Oriental sale
140 - 296
________________________________________________________
FINE ART + ANTIQUES
Thursday 4 June
2 pm
Russian sale
Furniture, clocks and bronzes
Silver and ceramics
Oriental carpets
297
358
477
514
Monday
8 June
2 pm
Jewellery, Hermès and Chanel handbags Wristwatches
556 - 740
741 - 789
Modern paintings and sculptures
790 - 921
Modern paintings and sculptures
Prints
Photographs
922 - 1024
1025 - 1073
1074 - 1124
-
357
476
513
555
________________________________________________________
MODERN ART
Tuesday
9 June
4 pm
Wednesday 10 June
2 pm
________________________________________________________
NORDIC DESIGN
Wednesday 10 June
after 4 pm
Silver
Decorative art
1125 - 1155
1156 - 1186
Thursday
Furniture and lamps
1187 - 1363
11 June
4 pm
________________________________________________________
DEADLINE FOR CLAIMING ITEMS: 24 JUNE
Items bought at Auction 857 must be paid no later than eight days from the date of the invoice and claimed
on Bredgade 33 by Wednesday 24 June at the latest. Otherwise, they will be moved to Bruun Rasmussen’s
storage facility at Baltikavej 10 in Copenhagen at the buyer’s expense and risk. This transportation will cost
DKK 100 per item VAT included, and storage will cost DKK 100 per item per week VAT included.
Lot 861
MODERNE KUNST
International auktion 857
AUKTION
9. - 10. juni 2015
EFTERSYN
Torsdag
28. maj
kl. 15 - 18
Fredag
29. maj
kl. 11 - 17
Lørdag
30. maj
kl. 11 - 16
Søndag
31. maj
kl. 11 - 16
Mandag
1. juni
kl. 11 - 17
Danske katalogtekster kan ses på bruun-rasmussen.dk
Bredgade 33 · 1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112
[email protected] · bruun-rasmussen.dk
Lot 892
AUKTIONSKALENDER
________________________________________________________
FINE ART + ANTIQUES
Tirsdag
2. juni
kl. 16
Malerier og tegninger
1 - 134
________________________________________________________
ORIENTAL ART
Onsdag
3. juni
kl. 14
Orientalsk auktion
140 - 296
________________________________________________________
FINE ART + ANTIQUES
Torsdag
4. juni
kl. 14
Russisk auktion
Møbler, ure og bronzer
Sølv og keramik
Orientalske tæpper
297
358
477
514
Mandag
8. juni
kl. 14
Smykker, Hermès- og Chanel-tasker Armbåndsure
556 - 740
741 - 789
-
357
476
513
555
________________________________________________________
MODERN ART
Tirsdag
9. juni
kl. 16
Onsdag
10. juni
kl. 14
Moderne malerier og skulpturer
790 - 921
Moderne malerier og skulpturer
Grafik
Fotografier
922 - 1024
1025 - 1073
1074 - 1124
________________________________________________________
NORDIC DESIGN
Onsdag
10. juni
efter kl. 16 Sølv
Kunsthåndværk
1125 - 1155
1156 - 1186
Torsdag
1187 - 1363
11. juni
kl. 16
Møbler og belysning
________________________________________________________
SIDSTE FRIST FOR AFHENTNING: ONSDAG DEN 24. JUNI
Effekter købt på auktion 857 skal være betalt senest 8 dage efter fakturadatoen og afhentet i Bredgade 33
senest onsdag den 24. juni. I modsat fald bliver de transporteret til Bruun Rasmussens lager på Baltikavej
10 i Københavns Nordhavn for købers regning og risiko. Transporten koster 100 kr. pr. effekt inkl. moms, og
opbevaringen koster 100 kr. pr. effekt pr. påbegyndt uge inkl. moms.
SPECIALISTS IN MODERN ART AND DESIGN
Paintings, sculptures and prints
Niels Raben
+45 8818 1181
[email protected]
Design
Peter Kjelgaard
+45 8818 1191
[email protected]
Niels Boe Hauggaard
+45 8818 1182
[email protected]
Design
Ole Ravn
+45 8818 1192
[email protected]
Paintings and design
Peter Beck – Aarhus
+45 8818 1186
[email protected]
Design
Amalie Hansen
+45 8818 1194
[email protected]
Kathrine Eriksen
+45 8818 1184
[email protected]
Design
Anna B. Widenborg
+45 8818 1187
[email protected]
Annemette Müller Fokdal
+45 8818 1196
[email protected]
Design
Peter Tholstrup – Aarhus
+45 8818 1195
[email protected]
Photographs
Christine Almlund
+45 8818 1216
[email protected]
Silver and branding
Alexa Bruun Rasmussen
+45 8818 1091
[email protected]
Paintings and design
Frederik Bruun Rasmussen
+45 8818 1003
[email protected]
Program for åbningen af eftersynet
Torsdag 28. maj kl. 15-18
Auktionssalen, Bredgade 33 i København
Kl. 16.00
Frederik Bruun Rasmussen byder velkommen
Kl. 16.15
´
”Inspiration, Vision, Architecture”
Foredrag ved den prisbelønnede engelske arkitekt og professor Richard Weston, forfatter til monografien ”Utzon – Inspiration, Vision, Architecture”
Foredraget bliver afholdt på engelsk
Program for the opening of the preview
Thursday 28 May at 3 pm – 6 pm
The Saleroom, Bredgade 33, Copenhagen
4 pm
Welcome – Frederik Bruun Rasmussen
4.15 pm “Inspiration, Vision, Architecture”
Lecture by the award-winning British architect and Professor Richard Weston,
author of the monograph “Utzon – Inspiration, Vision, Architecture”
The lecture will be held in English
Fra Utzons private kunstsamling
til fotografiets skæve eksistenser
Et af de helt store trækplastre på denne auktion er en række værker fra den danske arkitekt
Jørn Utzons private kunstsamling. Udbuddet vidner om hans særlige blik for sin samtids allerstørste navne og rummer bl.a. værker af Pablo Picasso, Georges Braque og Fernand Léger.
I 1957 vandt Utzon den internationale arkitektkonkurrence, der førte til Operahuset i Sydney.
Han samarbejdede med den franske arkitekt og kunstner Le Corbusier omkring indretningen,
og et af auktionens højdepunkter er Le Corbusiers gobelin ”Les dés sont jetés” (Terningerne er
kastet) fra 1960 (kat.nr. 849). Læs mere om Utzons samling s. 76.
En anden af kunsthistoriens sværvægtere står bag skulpturen ”Conjunction XV”. Den er udført af den engelske billedhugger Lynn Chadwick i 1970. Årstallet hører til kunstnerens mest
frugtbare periode, hvor han med inspiration hentet fra Påskeøernes oprindelige kunsthåndværk
arbejdede med disse særegne abstrakte skulpturer. Det udbudte værk har været ejet af et dansk
ægtepar, der i forbindelse med erhvervelsen fik besøg af kunstneren, som blev begejstret over
placeringen af skulpturen i deres have i Charlottenlund. Chadwicks karriere blev for alvor skudt
i gang, da han i 1956 tog alle med storm på Venedig Biennalen og som den yngste nogensinde
vandt udstillingens eftertragtede skulpturpris. I dag er han repræsenteret på førende museer
som MoMA, Tate Gallery og Centre Georges Pompidou (kat.nr. 866).
Den danske kunst er rigt repræsenteret på auktionen – heriblandt med værker af Peter LouisJensen, Poul Gernes og Per Kirkeby. I begyndelsen af 1960’erne stiftede de sammen Eks-skolen,
som markerede et nybrud i dansk kunst. Den var tænkt som et radikalt opgør med den etablerede danske modernisme, og målet var at bringe kunsten ned i øjenhøjde med det bredere
samfund. Det er bl.a. to af Louis-Jensens collagelignende “Strukturtavler” fra 1964 (kat.nr. 887
og 888), en karakteristisk komposition af Gernes fra 1961 (kat.nr. 884) og værket “Leoparden”
af Kirkeby (kat.nr. 889), der tegner Eks-skolens bidrag til auktionen. Blandt de danske kunstnere finder man også Erik Thommesen med fem skulpturer og et par tegninger (f.eks. kat. nr.
842) samt Jens Adolf Jerichau med en skitse til hovedværket ”Havguder” fra 1916 (kat.nr. 810).
Afsnittet med kunstfotografier anføres af en række værker fra Paris af den berømte fotograf
Brassaï. I begyndelsen af 1930’erne satte han sig for at skildre den franske hovedstads natteliv
– uden for i de mørke gader og inden for på byens forlystelsesetablissementer. Han fotograferede forbrydere, prostituerede, alfonser og transvestitter, og værkerne blev til de banebrydende
fotobøger ”Paris de Nuit” fra 1933 og ”The Secret Paris of the Thirties” fra 1976 (f.eks. kat.
nr. 1075 og 1076). De skæve og fremmedgjorte eksistenser var også det kunstneriske omdrejningspunkt for den lidt yngre fotograf Diane Arbus, der er repræsenteret med et portræt af to
transseksuelle (kat. nr. 1107) samt en portfolio med 12 af hendes bedste værker
(kat.nr. 1108). Fredag den 29. maj kl. 15 er der foredrag om Brassaï i Bredgade 33
ved leder af vores fotoafdeling, Christine Almlund.
Jesper Bruun Rasmussen
From Utzon’s Private Collection
to Quirky Characters in Photography
One of this auction’s major attractions is a series of pieces from the Danish architect Jørn Utzon’s private art collection. The collection reflects the Danish architect’s exquisite eye for the
greatest artists of his time, including Pablo Picasso, Georges Braque and Fernand Léger. In
1957 Utzon won the international architectural competition for the construction of the Sydney
Opera House. He collaborated on the interior of the opera house with the French architect and
artist Le Corbusier, and one of the auction’s undisputed highlights is a tapestry by Le Corbusier
from 1960 entitled ”Les dés sont jetés” (The dice are cast) (cat. no. 849). Read more about
Utzon’s collection on p. 76.
Another giant of art history is the creator of the sculpture ”Conjunction XV”. The sculpture was
made in 1970 by the British sculptor Lynn Chadwick during his most productive period, where
he, inspired by the Easter Island’s original craftwork, worked with a series of unique abstract
sculptures. A Danish couple has owned the sculpture up for auction. In connection with their
acquisition of the sculpture Chadwick visited the couple and was thrilled with the location of
his sculpture in their garden in Charlottenlund. Chadwick’s career truly took off, when he in
1956 took the Venice Biennale by storm and became the youngest artist ever to win the coveted
International Sculpture Prize. Today he is exhibited at leading museums such as MOMA, Tate
Gallery and Centre Georges Pompidou (cat. no. 866).
Danish art is richly represented at the auction as well - including works by Peter Louis-Jensen,
Poul Gernes and Per Kirkeby. In the early 1960s they established the Ex-school, which marked a
new direction in Danish art. It was conceived as a radical departure from the established Danish
modernism, and the goal was to bring art down to the level of a wider public. At this auction
the Ex-school’s contribution consists of two of Louis-Jensen’s collage-like ”Structure Panels”
from 1964 (cat. no. 887 and 888), a characteristic composition by Gernes from 1961 (cat. no.
884) and ”The Leopard” by Kirkeby (cat. no. 889). Among the Danish artists you can also find
Erik Thommesen with five sculptures and a couple of drawings (e.g. cat. no. 842) as well as Jens
Adolf Jerichau with a sketch of his major piece ”Sea Gods” from 1916 (cat. no. 810).
The section with art photographs is led by a number of images from Paris by the famous
photographer Brassaï. In the early 1930s he set out to portray the French capital’s nightlife outside on the dark streets and inside in the city’s entertainment venues. He photographed
criminals, prostitutes, pimps and transvestites, and the photographs were collected in the
ground-breaking photography books ”Paris de Nuit” from 1933 and ”The Secret Paris of the
Thirties” from 1976 (e.g. cat. no. 1075 and 1076). The quirky and alienated characters were
also the artistic epicentre for the younger photographer Diane Arbus, who is represented by a
portrait of two transgender people (cat. no. 1107) and a portfolio of 12 of her best photographs
(cat. no. 1108). On Friday 29 May at 3 pm in Bredgade 33 our Head of Photography, Christine
Almlund, will give a lecture on Brassaï.
Jesper Bruun Rasmussen
MODERN PAINTINGS
AND SCULPTURES
Tuesday 9 June 4 pm
Lot 790 - 921
Lot 877
790 JAN VERKADE
CD
b. Zaandam 1868, d. 1946
"Maria de Kervo", 1892. Signed Jan Verkade.
Pencil on paper. Sheet size 22 x 17 cm.
Exhibited: "Symbolismen i dansk kunst" (Symbolism in Danish Art), Nivaagaard, Denmark,
1993, cat. no. 137.
Provenance: The collection of Johan Rohde.
Hence by descent in the family.
DKK 15,000-20,000 / € 2,000-2,700
790
791 JAN VERKADE
CD
b. Zaandam 1868, d. 1946
A resting monk. Unsigned. Drawing charcoal
on paper. Visible size 20,5 x 16 cm.
Exhibited: "Symbolismen i dansk kunst" (Symbolism in Danish Art), Nivaagaard, Denmark,
1993, cat. no. 139.
Provenance: The collection of Johan Rohde.
Hence by descent in the family.
DKK 8,000-10,000 / € 1,050-1,350
791
14
BRUUN RASMUSSEN BREDGADE AUCTION 854
792
792 OLAF RUDE
CD
b. Rakvere, Estland 1886, d. Frederiksberg 1957
Landscape with oak trees, Skejten, Lolland, c. 1909.
Signed Olaf Rude. Oil on canvas. 77 x 92 cm.
DKK 50,000 / € 6,700
15
793
793 KARL ISAKSON
b. Stockholm 1878, d. Copenhagen 1922
Landscape with rocks and green trees, Christiansø c. 1920. Attested on the reverse "Malet
af K. Isakson. Attesteres Viggo Madsen - Aage Roose". Oil on canvas. 70 x 86 cm.
Exhibited: "Vor Tids Kunst i Privat Eje", Charlottenborg, Copenhagen, 1953, cat. no. 148.
Provenance: The collection of director F.C. Boldsen, Denmark.
Provenance: Kunsthallen, Kunstauktioner, Copenhagen , 1991, auction 408, cat. no. 22, ill.
DKK 60,000-80,000 / € 8,050-10,500
16
794
794 VILHELM LUNDSTRØM
CD
b. Copenhagen 1893, d. s.p. 1950
Still life with an orange, 1938. Signed and dated on the reverse.
Oil on canvas. 55 x 46 cm.
Provenance: Alf. Andersen Kunsthandel, Copenhagen and Aarhus.
DKK 80,000-100,000 / € 10,500-13,500
17
795
795 OLUF HØST
796 OLUF HØST
b. Svaneke 1884, d. Gudhjem 1966
Bognemark, Bornholm, 1947. Signed OH,
15-3-47. Oil on masonite. 30 x 46 cm.
DKK 50,000 / € 6,700
"Badende kvinder, Suserenden", Bornholm, 1923. (Bathing
women at Suserenden), Bornholm. Signed OH 23. Oil on canvas. 62 x 72 cm.
Provenance: Printer Jørgen Nielsen, Frederiksberg.
Provenance: Private collection, Denmark. DKK 50,000 / € 6,700
CD
CD
796
18
797
797 JENS SØNDERGAARD
CD
b. Øster Assels 1895, d. Skovshoved 1957
Fishing boats and figures at the beach. Signed Jens
Søndergaard. Oil on canvas. 85 x 100 cm.
DKK 50,000-75,000 / € 6,700-10,000
19
798 OLUF HØST
CD
Bognemark, Winter, Bornholm. Double signed OH 58. Oil on canvas. 61 x 116 cm.
"Bognemark" has been the inspiration for many of Oluf Høst's paintings, and the open gate
in one of the wings of the farm must be one of the most well depicted gates in history. The
artist's return to the farm, however, signifies anything but an unconscious repetition. On the
contrary it is the place where the painter's registration of the light and the vibration of colour
reaches masterful heights. All in all more than 200 images were painted from the courtyard,
all leaving their own impression. The many images testify to Høst's lifelong exploration of the
basic element, which the painting grew out of.
DKK 200,000-250,000 / € 27,000-33,500
20
798
21
799
799 JAIS NIELSEN
CD
b. Copenhagen 1885, d. Hellerup 1961
Atelier painting with the artist's mother and the artist in the background,
Paris. Signed Jais 1915; signed, titled and dated on the reverse. Oil on canvas.
118 x 89 cm.
Provenance: Painted during the mother's visit with the young artist in Paris 1915.
Hence by descent in the artist's family and not previously offered for sale.
DKK 200,000 / € 27,000
22
800
CD
Still life with brown jar, large jug and two bottles, 1926. Unsigned. Oil on canvas. 100 x 81 cm.
Literature: Preben Wilmann & Marianne Brøns: "Lundstrøm", Copenhagen 1987 (1977), no. 150.
Provenance: Architect Thorkild Henningsen.
Provenance: Grete Henningsen.
Provenance: Journalist Nan Henningsen.
Provenance: Arne Bruun Rasmussen Kunstauktioner, auction 122, 1960, cat. no. 243.
DKK 250,000 / € 33,500
23
801
CD
"Venus' fødsel" (The Birth of Venus), 1916. Signed VL. Oil on cardboard. Visible size 37 x 37 cm.
Literature: Preben Wilmann & Marianne Brøns: "Lundstrøm", Copenhagen, 1987 (1977), no. 15, ill. p. 34.
Literature: Carl V. Petersen: in "Tilskueren", 1916, p. 560.
Literature: Niels Th. Mortensen: "Dansk Billedkunst gennem en Menneskealder", Copenhagen 1939, ill. p. 312.
Literature: Niels Th. Mortensen: "Ny dansk billedkunst", Copenhagen, 1957, p. 256, ill. p. 253.
Literature: Christian Kampmann: "Optegnelser efter 1940 og rejsedagbøger", Copenhagen 1962, mentioned
p. 32, Christian Kampmann ill. holding the painting.
Exhibited: Kunstnernes Efterårsudstilling, Charlottenborg, Copenhagen, 1916, cat. no. 264.
Exhibited: "Journalistforbundets retrospektive Udstilling af moderne dansk Kunst", Charlottenborg, Copenhagen, 1936.
Exhibited: "Vilhelm Lundstrøms Mindeudstilling", Charlottenborg, Copenhagen; Rådhushallen, Aarhus and
Kunstnernes Hus, Oslo, 1951, cat. no. 8.
Exhibited :"Vilhelm Lundstrøm", Kunstforeningen, Copenhagen, 1963, cat. no. 10.
Exhibited: "Vilhelm Lundstrøm 100 år", Charlottenborg Udstillingsbygning, Copenhagen; Fyens Kunstmuseum, Odense and Randers Kunstmuseum, 1993 - 1994, cat. no. 3.
Provenance: Merchant Chr. Kampmann / Mrs. Warla Kampmann, Aarhus. Acquired directly from the artist
and hence by descent in family. Not previously offered for sale.
Christian Kampmann writes about the painting in his journal: "I own the first painting Lundstrøm exhibited.
It was at the autumn exhibition of 1916. The Birth of Venus. A cheerful motif with the naked fisherman ready
to jump into the water from his boat to save the foam-born. It was [the painter Albert] Naur who suggested
that I buy it. The next year I bought one with collage, newspaper clippings, cigarette box cover etc. Two tiny
images. Lundstrøm himself I did not know, maybe it was the year he was abroad".
DKK 50,000-60,000 / € 6,700-8,050
24
802
802 JENS ADOLF JERICHAU
b. Roskilde 1890, d. Paris 1916
"Amalies dans" (Amalie's dance), 1914-15. Unsigned. Oil
on canvas. 66 x 81 cm.
Literature: Troels Andersen: "Jens Adolf Jerichau (1890-1916).
En biografi og en fortegnelse over hans værker", Copenhagen,
1983, no. 108, ill. p. 190.
Exhibited: "Maleren Jens Adolf Jerichau 1890-1916", Kunst
foreningen, Copenhagen, 1918, cat. no. 21.
Exhibited: "Jens Adolf Jerichau 1890-1916", Kunstforeningen,
Copenhagen, 1966, cat. no. 49.
DKK 100,000-125,000 / € 13,500-16,500
25
803
803 SAMUEL JOENSEN-MIKINES
b. Mykines 1906, d. Copenhagen 1979
Landscape with mountains in the distance, the
Faroe Islands, 1964. Signed S.J-Mikines 64
Færøerne. Oil on canvas. 80 x 100 cm.
DKK 50,000-60,000 / € 6,700-8,050
View from Bøur towards Risin and Kellingin, the
Faroe Islands. Signed S. Joensen 1932. Oil on
canvas. 59 x 78 cm.
DKK 40,000-50,000 / € 5,350-6,700
CD
CD
804
26
805
CD
Figures by the sea, sunset. Signed S-J Mikines 61.
DKK 75,000 / € 10,000
27
806 ADAM FISCHER
CD
b. Frederiksberg 1888, d. Ordrup 1968
"Fransk soldat" (A French Soldier), 1918. Signed A.F. Wood. H. 39 cm.
Literature: Poul Uttenreiter: "Adam Fischer", Vor tids kunst no. 20, stylictic variant ill. on the cover.
Literature: "København/Paris/Retur: Omkring Ellen og Adam Fischer", ill. p. 30-31.
Provenance: Editor Møller Nielsen, Århus Stiftstidende.
It was not a given that Adam Fischer (1888-1968) as a sculptor was to occupy a central position in recent Danish art history. The first years of his schooling took place at the Royal Danish Academy’s School of
Painting in the period 1908-1913. Yet his attempts with painting were, according to his own opinion, not
tremendously successful. That this was the case also had a natural explanation. At the age of 25 Fischer
discovered that he was colour blind. This was undeniably an unfortunate diagnosis for a young man who had
decided to dedicate himself to painting. Something had to be done and rather than give up on his artistic
ambitions Fischer focused on sculptures instead.
A defining moment came during his stay in Paris, which he first visited during a study tour in 1913. It was
soon clear to Fischer that living in the city of cities for a longer period of time could be a catalyst for his
artistic development, and around the time of World War I you could hardly have found a better place.
The artistic counter reaction to the horrors of war and the fractured worldview that followed were during
these years truly expressed through cubism and the movement away from the naturalistic representation
of the shape of things. Fischer worked his way into the new idiom, and he threw himself into the work with
the sculptural moulding with an almost scientific approach. Sketches illustrate his preoccupation with the
forms’ geometric and proportional conditions. Like his painter colleague, Vilhelm Lundstrøm, Fischer sought
perfection and the completed construction of the artwork composed around the golden ratio. “French
Soldier” is an exquisite example of this, not only in its simplification of the forms’ natural appearance, but
also in the mastering of the sparse use of effects, which add an emotional expression to the sculpture. The
sculpture from 1918 is reminiscent of both African mask art, the mythological figures on Easter Island and
Modigliani’s almost childlike depiction of his subject: Childlike is here understood as an immediate and pure
perception of the subject’s inherent character and its spirit. Besides the sculpture up for auction Fischer
created a second copy in limestone, which provides a unique basis for comparison for the different materials’
character: The warm glow of the wood sculpture against the cruder expressions of the stone.
Fischer shared his preoccupation with the dynamics of form with the Mexican artist Diego Rivera (18861957), with whom Fischer established a close friendship. The theoretical conversations about the legality
of modernist art and the development of Cubism were a catalyst for Fischer’s showdown with the stylistic
neatness of neoclassicism. Fischer spent a total of 20 years at the centre of the Parisian art scene, which also
birthed a collegial friendship with world-renowned French artist Artistide Maillol (1861-1944).
As Fischer settled permanently in Paris in 1915, he also married. Ellen and Adam Fischer’s artistic fellowship
and life-long journey was celebrated in 1982 with the exhibition “Copenhagen/Paris/Round-trip” at both
the National Gallery of Denmark and Randers Art Museum.
“French Soldier” is a major work of art within Danish modernism, both in its cubist perfection, as well as in
its reference to the historic realities and the capsized world-view, which World War I triggered.
DKK 100,000 / € 13,500
28
Drawing from "København/Paris/Retur:
Omkring Ellen og Adam Fischer", page 30.
806
29
807 HANS SCHERFIG
CD
b. Copenhagen 1905, d. Fredensborg 1979
Elephant on the Savannah.
Signed Scherfig 1947. Tempera
on masonite. 33 x 34 cm.
DKK 40,000 / € 5,350
807
808 HANS SCHERFIG
b. Copenhagen 1905, d. Fredensborg 1979
"Paris (luderkarl)" (Paris - pimp). Signed Scherfig
1931. Tempera on canvas. 95 x 70 cm.
Literature: Lena Lamberth (ed): "Scherfig Katalog.
Samlet fortegnelse over Hans Scherfigs billedkunst
1905-1979", Espergærde, 2006, no. 89, ill. p. 37.
Provenance: By descent in the artist's family.
DKK 50,000 / € 6,700
808
30
809
809 ROBERT STORM PETERSEN
CD
b. Valby 1882, d. Frederiksberg 1949
"Montmartre", Paris. Signed Storm P. [indistinctly]
1910. Oil on canvas. 36 x 30 cm.
The work has been wrongly dated 1910 at a later occasion. The work is likely painted after 1920.
Provenance: The collection Bjarne Saxhof, Copenhagen.
DKK 40,000-50,000 / € 5,350-6,700
31
Composition, sketch for "Havguder" (Sea Gods), 1916. Unsigned. Oil on canvas. 116 x 138,5 cm.
A composition with two figures on the reverse related to the painting "Elskov" (Love) (1915)
in the collection of ARoS Aarhus Kunstmuseum. The last variant of the motif "Havguder" (Sea
Gods) in the collection of Museum Jorn, Silkeborg (T.A. no. 177).
Literature: Troels Andersen: "Jens Adolf Jerichau (1890-1916). En biografi og en fortegnelse over hans
værker", Copenhagen, 1983, no. 165, ill. p. 193.
Exhibited: "Jens Adolf Jerichau 1890-1916", Kunstforeningen, Copenhagen, 1966, cat. no. 51.
Provenance: Probably acquired directly from the artist's sister, Elisabeth, by the present owners family.
In his biography of Jens Adolf Jerichau, art historian Troels Andersen describes how the artist in his
very short life of only 26 years underwent quite an extraordinary, artistic development with the fullness of a long life lived. In opposition to contemporary ideals, artistic standards and any wider recognition. Jens Adolf Jerichau’s large figure images evolve - with art historian William Wanscher as
a mentor - within a quite peculiar intersection between the Renaissance and the ‘grand style’ of the
classical period and the contemporary French modernism represented by such different names as Paul
Cézanne, Paul Gauguin, Henri Matisse and Pablo Picasso. During a very short period of only 3-4 years
up to his death, Jerichau creates an expressive, spontaneous method of painting, where the starting
point may be classical, figurative and motivic, but where the painting itself, the strokes and the colourism eventually become the true foundation.
Jerichau already works with the subject matter of “Sea Gods” in 1915, but in the year of his death
- 1916 - he returns to the subject in paintings, including the painting offered here. The figures in
the foreground form a wave motion, and a rearing figure of a sea monster is centrally placed in a
picturesquely released, compositional and coloristic, superbly balanced composition that represents
the culmination of an intense artistic development. Jens Adolf Jerichau was ahead of his time, and
Troels Andersen describes how the artist was hesitant to consider consummate paintings as finished:
“These ‘unfinished’ images show perhaps the strongest aspect of Jerichau as a painter. In the paintings, the subjects are submitted, with an almost complete ruthlessness, to the colour’s development
in dramatic, expressive action. Such a spontaneous work method could not be accepted, not even by
those who knew him best“ (TA p. 86) .
DKK 1,000,000 / € 135,000
32
810
33
CD
Whale killing scene, the Faroe Islands, 1970. Signed
S. J-Mikines 70. Oil on canvas. 65 x 80 cm.
DKK 50,000 / € 6,700
811
34
812
CD
Begravelsesoptog (Funeral procession), the Faroe
Islands. Signed S.J. Mikines 1958. Oil on canvas.
110 x 189 cm.
DKK 75,000-100,000 / € 10,000-13,500
35
CD
"Dameportræt. Brystbillede, trekvartprofil mod venstre, hvid bluse med lysegrøn kant. Blå
baggrund" (Ladies portrait. Half-length portrait, three-quarter profile to the left, white
blouse with light green edge. Blue background), 1932. Signed and dated on the reverse.
Literature: Preben Wilmann & Marianne Brøns: "Lundstrøm", Copenhagen 1987 (1977), no. 243.
Exhibited: "Vilhelm Lundstrøms Mindeudstilling", Charlottenborg, Copenhagen; Rådhushallen,
Aarhus and Kunstnernes Hus, Oslo, 1951, cat. no. 109
Exhibited: "Vandreudstilling af dansk kunst i Jugoslavien", 1961; Poland, May 1961, cat. no. 92.
Provenance: Mrs. Lis Bernhard Hansen, Copenhagen. Acquired directly from the artist and hence
by descent in the family. Not previously offered for sale.
‘Light’, ‘surface’, ‘equilibrium’, ‘harmony’ and ‘monumentality’ are some of the words that are
often mentioned when Vilhelm Lundstrøm’s most iconic, classic and increasingly rare works
from the 1930s are described. The emphasis on clarity can also be found in the artist’s own
statements: “There has to be order between the image’s various elements, and this order reveals
itself, when all the lines and surfaces of colour are aligned in a specific and shared harmony ...
I for my part have the pronounced impression that there ARE things in nature - people, animals,
etc. - that are so complex that they, through the eyes, are experienced as something unreasonable and unsightly. Something smooth, firm and round is, I think, direct and immediately
beautiful. The eyes enjoy it in the same way as the ears appreciate pure notes”(Quote from Otto
Gelsted’s “Words by Vilhelm Lundstrøm,” in cat. for the memorial exhibition 1951).
The work offered here is an excellent example of how Lundstrøm, with Preben Wilmann’s words,
finds a way into the “essence of a human being without departing from the principles on which
his contemporary still lifes are based”. Preben Wilmann quotes the painter Ejler Bille for an accurate characterization of Lundstrøm’s portraits, which are not portraits that depict, but idols,
archetypes or even Goddesses: “When he paints a woman, he actually paints her in the same
way as he would have painted a water jug. But since he also paints a water jug, as he would
have painted a woman, this absurdity is removed”. (P. P. 236-38).
DKK 500,000-600,000 / € 67,000-80,500
36
813
37
814
814 JENS SØNDERGAARD
CD
b. Øster Assels 1895, d. Skovshoved 1957
"Skrænt og skibe" (Cliff and ships), 1947. Signed, titled
and dated on the reverse. Oil on canvas. 80 x 86 cm.
DKK 30,000-40,000 / € 4,000-5,350
38
815
CD
Still life with orange and two green fruits, c. 1935.
Signed on the reverse. Oil on canvas. 46 x 55 cm.
Provenance: Arne Bruun Rasmussen, auction 195, Copenhagen, 1966, cat. no. 388, ill. p. 59.
DKK 125,000-150,000 / € 16,500-20,000
39
816
Detail
816 AXEL POULSEN
CD
b. København 1887, d. 1972
"Den første kærlighed" (The First Love). Signed Axel Poulsen 1913. White marble.
H. 170 cm.
The sculpture "The First Love" is Axel Poulsen's breakthrough piece, and it was a large
part of the reason why Poulsen was awarded the Royal Danish Academy of Fine Arts'
Eckersberg Medal in 1914. The work was created in Rome and the figures' slender limbs
are clearly inspired by the early Italian renaissance and especially Donatello (13861466), whom Axel Poulsen felt artistically akin to. Axel Poulsen shared his interest for
the early renaissance with his contemporary colleague Einar Utzon-Frank (1888-1955),
who, however, to a greater degree was focused on the formal inspiration, while Axel
Poulsen was interested in the universal human themes.
A version of the motif - created in 1916 - can be found in Copenhagen in the collection
at the National Gallery of Denmark, and a version in plaster can be found in the collection at BRANDTS - Museum for Art and Visual Culture in Odense.
DKK 400,000 / € 53,500
40
816
41
817
Verso
"Loke and Sigyn", 1913-14. Unsigned. Verso: "Den Hellige Georg og Drageløven" (Opus III) (The Holy
George and the Dragon Lion), 1914-15. Oil on canvas. 112 x 138 cm.
Troels Andersen: "The Academy of Fine Arts had as its theme for the Small Gold Medal in 1914,
"Loki and Sigyn". Jerichau worked with the theme, but did not take part in the competition. He later
painted on the back of the painting "The Holy George and the Dragon Lion (Opus III)", which he
considered to be the most important of the two"".
Literature: Klingen I, no. 1, 1917, ill.
Literature: "Fortegnelse over skulptur, maleri og grafik i Erling Koefoeds samling" (Sculpture, painting and
graphics in the collection of Erling Koefoed), Copenhagen, 1961, ill. p. 67.
Literature: Troels Andersen: "Jens Adolf Jerichau", Copenhagen, 1983, no. 89 and 106, ill. p. 57 and p. 190.
42
817
Recto
Exhibited: Separate Exhibition, Den Frie, Copenhagen, 1916, cat. no. 44.
Exhibited: Jens Adolf Jerichau's auction, Den Frie, Copenhagen, 1916, cat. no. 76.
Exhibited: Kunstforeningen, Cope, 1919, cat. no. 45.
Exhibited: Moderne Dansk Malerkunst, 1925, cat. no. 170.
Exhibited: Kunststævnet in Forum, Copenhagen, 1929, cat. no. 211.
Exhibited: "Et udvalg af skulptur, maleri og grafik fra Erling Koefoeds samling" (Sculpture, painting
and graphics in the collection of Erling Koefoed), Kunstforeningen, Copenhagen, 1966, cat. no. 55.
Exhibited: "Et udvalg af skulptur, maleri og grafik fra Erling Koefoeds samling" (Sculpture, painting
and graphics in the collection of Erling Koefoed), Esbjerg Kunstforening, 1966, cat. no. 55.
Provenance: Arne Bruun Rasmussen Kunstauktioner, auction no. 5, Copenhagen, 1949, cat. no. 70.
DKK 150,000 / € 20,000
43
818
818 CARL LARSSON
b. Stockholm 1853, d. Falun 1919
"Ingrid och röda Liljan" (Ingrid and the red lily). Signed with monogram and dated 1908. Watercolour
on paper. 70 x 50 cm.
Literature: Ulwa Neergaard, A Catalogue Raisonné of the Works of Carl Larsson no. 1284.
Literature: Carl Larsson, "Andras barn". 32 målninger med text af Carl Larsson", 1913 (Other people's children.
32 drawings with text by Carl Larsson). The portrait of Ingrid is ill. on one of the plates and titled "Ingrid E".
Literature: Ulwa Neergaard, "Carl Larsson-Signeret med pensel og penna", 1999, vol. I, ill. in colours p. 418.
Exhibited: Dresden, 1909, according to Ulwa Neergaard.
Exhibited: "Exhibition of the work of modern Swedish artists at Public Art Galleries in Brighton", Brighton,
April-July 1911, cat. no. 110.
Exhibited: Helsingfors, 1913, cat. no. 15.
Exhibited: "Carl Larsson. Det gode liv", Ordrupgaard, Copenhagen, 2014, not in the catalogue.
Ingrid was the daughter of Augusta Eriksson, the Larsson family's housekeeper and a close friend of the family.
The young girl is standing in the parlour in Larssongården "Lilla Hyttnäs" in Sundborn. It was the family's
favorite room, where they spend most of the time. It was the place where Carl Larsson worked. He called the
room "lättjans tempel" the temple of relaxation.
Ingrid is standing barefooted in her light summer dress and a smart hat with a blue ribbon on her head. She
is standing next to a typical Swedish Gustavian piece of furniture. Carl Larsson has placed a crayfish on the
table - a humorous detail.
DKK 800,000-1,000,000 / € 105,000-135,000
45
819
819 EGILL JACOBSEN
CD
Mask in yellow, 1976. Signed and dated on
the reverse. Oil on canvas. 70 x 56 cm.
DKK 125,000 / € 16,500
46
820
820 CARL-HENNING PEDERSEN
CD
"Den røde Frier" (The Red Proposer), Molesmes
1990. Signed, titled and dated on the reverse. Oil
DKK 150,000-200,000 / € 20,000-27,000
47
821
821 SVAVAR GUDNASON
CD
b. Hornafjord 1909, d. Reykjavik 1988
Composition, c. 1946. Signed on the stretcher
Svavar Gudnason. Oil on canvas. 73 x 60 cm.
DKK 50,000 / € 6,700
48
822
822 ERIK ORTVAD
CD
b. Frederiksberg 1917, d. Kvänjarp, Sweden 2008
Composition, 1947. Signed and dated on the reverse. Oil
Exhibited: Høstudstillingen, Copenhagen, 1947, cat. no. 117.
DKK 50,000 / € 6,700
49
823
823 KAREL APPEL
CD
b. Amsterdam 1921, d. Zürich 2006
Figure composition, 1959. Signed Appel '59. Mixed media on Arches paper.
Sheet size 76 x 56 cm.
Exhibited: "Fremmed Kunst i Dansk Eje" (Foreign Art in Danish Private Collections), Louisiana Museum of Modern Art, Humlebæk, Denmark, 1964.
Exhibited: "Karel Appel-udstillingen", Charlottenborg, Copenhagen, 1965.
Provenance: Private collection, Denmark.
DKK 75,000-100,000 / € 10,000-13,500
50
824
824 ASGER JORN
CD
b. Vejrum 1914, d. Århus 1973
"Juleglæde" (Christmas Joy), 1971. Signed Jorn.
Acrylic on folio. 61 x 43 cm.
Provenance: Galerie Birch, Copenhagen.
DKK 175,000 / € 23,500
51
825
825 HENRY HEERUP
CD
"Mariehønen" (Ladybird). Signed Heerup 1976; titled
on the reverse. Oil on plywood. 78 x 168 cm.
DKK 75,000 / € 10,000
52
826
826 EGILL JACOBSEN
CD
"De firkantede" (The Square Ones), 1973. Unsigned. Oil on canvas.
100 x 73 cm.
Literature: Per Hovdenakk: "Egill Jacobsen 2. Malerier 1965-80", Copenhagen, 1985, no. 1973/14.
Exhibited: "Danske Facetter", arranged by Københavns Kommunes Kulturfond and Billedkunstnernes Forbund, Nikolaj Kirke, Copenhagen, 1973.
Provenance: Steen Bjarnhof, Copenhagen.
DKK 150,000 / € 20,000
53
827
827 JEAN-MICHEL ATLAN
828 EJLER BILLE
b. Constantine 1913, d. Paris 1960
b. Odder 1910, d. 2004
Fuglevæsen (Bird), 1948. Signed Atlan. Pastel and crayon
on paper. 53 x 40 cm.
Exhibited: Corner, Charlottenborg, Copenhagen, 1948, cat.
no. 14 c.
Provenance: Kunsthallen Kunstauktioner, auction no. 176,
Copenhagen, 1951, cat. no. 290.
DKK 50,000 / € 6,700
Composition, Haut de Cagnes 1947.
Signed and dated on the reverse. Oil on
canvas. 84 x 60 cm.
Exhibited: Kunstforeningen, Copenhagen,
1952, cat. no. 76.
DKK 250,000 / € 33,500
CD
54
CD
828
55
829
829 EGILL JACOBSEN
Mask composition, 1973. Signed and dated
on the reverse. Oil on canvas. 42 x 65 cm.
DKK 60,000-75,000 / € 8,050-10,000
"Gyldent landskab med tårn" (Golden landscape with a tower),
Ræveskiftet 1956. Signed, titled and dated on the reverse.
Oil on masonite. 45 x 61 cm.
DKK 60,000 / € 8,050
CD
CD
830
56
831
831 ERIK ORTVAD
CD
b. Frederiksberg 1917, d. Kvänjarp, Sweden 2008
Composition, Helsjön 1945. Signed and dated on the
reverse. Oil on canvas. 78 x 94 cm.
Exhibited: "Erik Ortvad", exhibition at K.F.U.M. (YMCM
building), Copenhagen, 1947, cat. no. 7.
DKK 75,000 / € 10,000
57
832 ASGER JORN
CD
"Damen fra Vrads" (The Lady from Vrads), 1951. Signed Jorn 51. Oil on
masonite. 46 x 60 cm.
Literature: Guy Atkins: "Jorn in Scandinavia 1930-1953", London, 1968, no.
697, ill.
Provenance: Mrs. Kamma Madsen and Mr. and Mrs. Eduard and Ellen Jørgensen, Hotel Dania, Silkeborg. Acquired directly from the artist and not
previously offered in public sale.
Letter from the hotel owner Ellen Jorgensen is included: "In Asger Jorn's later
years, he often stayed at Hotel Dania, Silkeborg. In connection with one of
these stays he offers my husband, Eduard Jørgensen, the chance to purchase
one of his paintings. My husband buys it while he is employed as a director.
My husband buys the hotel from Mrs. Kamma Madsen in 1960, when the
picture still hangs in our restaurant. Asger Jorn often comes for a visit in
Silkeborg, and on one occasion he offers to buy back the picture at twice the
purchasing price! But by then the picture was not for sale".
The painting was created in connection with - and in its motif related to - the
two earlier masterpieces and monumental series "Årstiderne" (The Seasons)
(1948-1953) and the series "Af den stumme myte" (On the Silent Myth) at
Silkeborg Public Library. It was painted during and around the artist's stay at
Silkeborg Sanatorium. Paintings from this period, often populated with the
so-called 'Aganakker' - threatening or smiling animal creatures - are often
described as a highlight of Jorn's Nordic painting, before he left Denmark.
DKK 600,000 / € 80,500
58
832
59
833
833 EGILL JACOBSEN
CD
"Drager" (Kites), 1977. Signed and dated on the
Exhibited: Esbjerg Kunstforening, 1981, cat. no. 50.
Provenance: Galerie Moderne, Silkeborg, Denmark.
DKK 60,000 / € 8,050
60
834
834 JEAN-MICHEL ATLAN
CD
b. Constantine 1913, d. Paris 1960
Petite Cocotte. Signed Atlan 55. Oil on cardboard laid down on masonite. 46 x 38 cm.
Provenance: Galerie Ariel, Paris.
DKK 50,000 / € 6,700
61
835
835 ASGER JORN
CD
Composition. Signed Jorn 71. Acrylic on paper. 49 x 40 cm.
Exhibited: "De skjulte Cobraer", Randers Kunstmuseum, Denmark, cat. no. 123.
DKK 100,000 / € 13,500
62
836
836 ASGER JORN
CD
"Drømmebillede No. 6 - Flyvende tallerken" (Dream paintingFlying saucer), 1955. Signed Jorn; signed, titled and dated on
Literature: Guy Atkins: "Asger Jorn: The crucial years: 1954-1964",
London, 1977, no. 890, ill.
DKK 250,000-300,000 / € 33,500-40,000
63
837
837 CORNEILLE
CD
b. Liège 1922, d. 2010
"Visages d'Afrique". Signed Corneille 78; signed, titled
and dated on the reverse. Acrylic on canvas. 80 x 80 cm.
Exhibited: Musée d'Arras, France.
DKK 60,000-75,000 / € 8,050-10,000
64
838
CD
"Stigen" (The Ladder), Molesmes 1990. Signed, titled
DKK 150,000-200,000 / € 20,000-27,000
65
839 ASGER JORN
CD
"Uden titel" (Untitled), 1946. Unsigned. Oil on canvas. 100 x 69 cm.
Literature: Guy Atkins: "Jorn in Scandinavia 1930-1953", London, 1968, no. 450, ill.
Provenance: The collection of Ole Reimer, Copenhagen.
In the summer of 1944, Asger Jorn lives with art collector Elna Fonnesbech-Sandberg
in Tibirke. Elna Fonnesbech-Sandberg's nickname is "Dida", and during this period
Asger Jorn signs a series of watercolours with the signature "ASKA". This leads to the
term "Didaska Images", describing a number of paintings created primarily in 19441945. But variations on the theme can also be found in works from 1946, where the
painting in question is from. The Didaska images typically show two bird-figures in an
intimate relationship or interwoven, and the motif has obviously been interpreted as
a symbol of the erotic attraction between Asger Jorn and Elna Fonnesbech-Sandberg.
In this strongly lit and highly picturesque composition, two upright bird creatures
materialize in the impetuous brushstrokes - especially when the gaze is focused on
faces and eyes at the top of the image. Virtus Schade describes the years 1945-46
as 'The time of the Didaskas': "(...) Typical for the Didaska images in the large format
was that the strong colours gathered in the centre of the image around figures, one
or more, and that the background which limited them was billowing, coloured lines,
broad strokes that went all the way around the figures. They were not in the strictest
sense background, but an extra frame for the figures. The room had disappeared. 1946
also meant a return to the pattern. The image became a kaleidoscope of small, coloured
bits of painting in a larger, complete form (...) "(Virtus Schade:" Asger Jorn - A world
renown Danish artist", Copenhagen, 1965, p. 46).
DKK 600,000-800,000 / € 80,500-105,000
66
839
67
840
840 KAREL APPEL
CD
b. Amsterdam 1921, d. Zürich 2006
Figure composition. Signed Appel. Acrylic on
canvas. 65 x 50 cm.
DKK 100,000 / € 13,500
68
841
CD
"Stående fugl" (Standing Bird), Molesmes 1991. Signed, titled
DKK 150,000 / € 20,000
69
Erik Thommesen
A collection of works by Erik Thommesen
Lot. no. 842-848
842
842 ERIK THOMMESEN
CD
b. Copenhagen 1916, d. 2008
"Mand og kvinde" (Man and Woman). Signed Erik 1955. Bog oak.
H. 16 cm.
Literature: Henning Jørgensen: "Værkfortegnelse" (List of works) in
"Billedhuggeren Erik Thommesen" (The sculptor Erik Thommesen),
Holstebro Kunstmuseum, Kunsthallen Brandts Klædefabrik & Bornholms Kunstmuseum, 2001, cat. no. 176, ill. p. 142.
DKK 75,000 / € 10,000
71
844
844 ERIK THOMMESEN
CD
Self portrait. Signed Erik 1939. Pencil on paper.
Visible size 34 x 27 cm.
Illustrated on an invitation from Art dealer Thorkild
Hansen, April 7, 1945 (together with Else Alfelt).
Provenance: Art dealer Gerda Thorkild Hansen.
DKK 10,000 / € 1,350
843
843 ERIK THOMMESEN
CD
"Kvinde" (Woman). Signed Erik 1951. Oak wood. H. 23 cm.
Literature: Henning Jørgensen: "Værkfortegnelse" (List of Works) in
Holstebro Kunstmuseum, Kunsthallen Brandts Klædefabrik, Odense, &
Bornholms Kunstmuseum, 2001, cat. 138.
DKK 75,000 / € 10,000
72
845
845 ERIK THOMMESEN
CD
"Kvinde med fletninger" (Woman with braids). Signed Erik 1948. Oak
wood. H. 40,5 cm.
Literature: Poul Vad: "Erik Thommesen", Copenhagen, 1964, pl. 18, ill.
Literature: Henning Jørgensen: "Værkfortegnelse" (List of works) in
"Billedhuggeren Erik Thommesen" (The sculptor Erik Thommesen), Holste
bro Kunstmuseum, Kunsthallen Brandts Klædefabrik & Bornholms Kunst
museum, 2001, cat. no. 89a, ill. p. 134.
Provenance: Merchant P. T. Nielsen. Acquired directly from the artist 1949.
DKK 100,000 / € 13,500
73
847
847 ERIK THOMMESEN
CD
Composition. Sketch for a sculpture. Signed Erik
1947. Pencil on paper. Sheet size 24 x 19 cm.
DKK 10,000 / € 1,350
846
846 ERIK THOMMESEN
CD
"Mand" (Man). Signed Erik 1948. Bog oak. H. 17 cm.
Literature: Poul Vad: "Erik Thommesen", Copenhagen, 1964, Pl. 15, ill.
Holstebro Kunstmuseum, Kunsthallen Brandts Klædefabrik, Odense &
Bornholms Kunstmuseum, 2001, cat. 96, ill. p. 134.
DKK 60,000 / € 8,050
74
848
848 ERIK THOMMESEN
CD
"Kvinde" (Woman). Signed Erik 1949. Oak wood. H. 52,5 cm.
Literature: Poul Vad: "Erik Thommesen", Copenhagen, 1964, pl. 25.
Holstebro Kunstmuseum, Kunsthallen Brandts Klædefabrik, Odense
& Bornholms Kunstmuseum, 2001, cat. 108, ill. fig. 22 p. 46.
DKK 100,000 / € 13,500
75
Jørn Utzon’s Collection
Lot. no. 849-859
At this auction we present works from Jørn Utzon’s private art collection from his home in Hellebæk north of
Copenhagen. The collection reflects the world-famous Danish architect’s special eye for the greatest artists of
his time, including Le Corbusier, Georges Braque, Fernand Léger, Henri Laurens, Pablo Picasso and Asger Jorn.
Le Corbusier’s Tapestry
One of the collection’s highlights is a tapestry by Le Corbusier from 1960 entitled “Les dés sont jetés” (The dice
are cast). It was made while Utzon and Corbusier collaborated on the interior of the Sydney Opera House. In
a letter from 4 October 1960 the Utzon couple wrote a heartfelt greeting to Corbusier: ”For quite some time
we have intended to write to you again in order to tell you how extremely happy we are for your wonderful
tapestry. It is a daily source of delight and beauty not only for ourselves and our children but for all our friends
and guests, too. It has endowed our home with a beauty so exquisite that I am at a loss for the proper words
to describe our feelings about it. (…)
From Great French Artists to Asger Jorn
Utzon was greatly inspired by French art, and he purchased works by Georges Braque and Fernand Léger for
his private collection. Among the items up for auction you can also find a clay figure by Henri Laurens, which
the Utzon couple was given by the artist himself.
Pablo Picasso was also a source of great fascination for the Danish architect, and there are several Picasso-works in the collection, including graphic works and a beautiful ceramic pitcher, “Pichet gothique aux
oiseaux”, from 1953.
Utzon’s collection also contains Danish art. Asger Jorn, for instance, gave Utzon 16 lithographs from his
“Anniversary Series” (1963), because Utzon had designed an extension of the art museum in Silkeborg, which
was to house the works of Jorn. All of the lithographs are up for auction.
The Architect Jørn Utzon
Jørn Utzon (1918-2008) graduated as an architect in 1942. His career gathered momentum, when he in 1957
won the international architectural competition for the Sydney Opera House. The next several years he worked
on the century’s most famous building, and everything went according to plan until the change of government
in Australia in 1965.
The opera house’s exterior was finished, and Jørn Utzon was about to begin work on the interior. He had
plans to decorate the opera with tapestries by Le Corbusier. But the new governing party in the Australian
parliament wanted the building finished quickly and cheaply. Therefore, they suspended the payments to Jørn
Utzon, who withdrew from the construction in 1966. Australian architects completed the construction, and
the Sydney Opera House was completed in 1973 without Utzon’s stamp on the interior design and the planned
decorations by Le Corbusier.
In 2003 Jørn Utzon received, as the first Dane, the Nobel Prize for architecture, the Pritzker Architecture
Prize. In the statement accompanying the award the president of the jury, Lord Rothschild, referenced Utzon’s
talent in general and the Sydney Opera House in particular. The building was included on the UNESCO World
Heritage list in 2007 - the year before Utzon died at the age of 90.
76
849 LE CORBUSIER
CD
b. Chaux-de-Fonds 1887, d. Roquebrune-Cap-Martin 1965
"Les dés sont jetés", d'apres le carton de le Corbusier, 1960 (The dice are cast).
Woven signature by Le Corbusier - 60. Edition 1/5. Woven tapestry. Made by
Tapisserie d'Aubusson, Ateliers Pinton Frères. H. 218 cm. L. 355 cm.
The tapestry was made under the leadership of Pierre Baudouin. He contacted
Le Corbusier back in 1948 to collaborate on the tapestries. A close collaboration
lasted between the two until Le Corbusier's death. Pierre Baudouin had taught
art history in Aubusson, and he was also an artist himself.
Provenance: Architect Jørn Utzon, hence by descent in the family.
DKK 700,000-800,000 / € 94,000-105,000
78
JØRN UTZON’S COLLECTION
849
Label on the reverse
79
Photos: Flemming Bo Andersen
80
81
850
850 GEORGES BRAQUE
CD
b. Argenteuil 1882, d. Paris 1963
"Grand oiseau bleu", c. 1950. Signed G. Braque, 22/95. Lithograph in colours. Sheet size 55 x 112 cm.
Literature: Valier, Maeght no. 1016, ill. p. 293.
DKK 40,000 / € 5,350
82
851
851 LE CORBUSIER
CD
"L'Iliade. Allons. Couchons-nous et goûtons le plaisir d'amour",
1959. Signed L-C avril 53 juin 59; signed on the reverse Le
Corbusier. Enamel on metal. 55 x 65 cm.
DKK 350,000-400,000 / € 47,000-53,500
83
852
852 PABLO PICASSO
CD
b. Malaga 1881, d. Mougins 1973
"Femme vue de Dos", 1956. Signed Picasso, 61/125. Etching.
Sheet size 57 x 38 cm.
Literature: Baer no. 962; Bloch no. 822.
DKK 20,000 / € 2,700
84
853
853 LE CORBUSIER
CD
Figure composition, 1959. Signed L-C 10. mai 59. Enamel on
metal. 55 x 65 cm.
DKK 350,000-400,000 / € 47,000-53,500
85
854
854 PABLO PICASSO
CD
"Tête de femme", 1945, 2.11.45. Signed Picasso (in red), 11/50.
Lithograph. Sheet size 44,5 x 32 cm.
Literature: Bloch no. 384.
DKK 50,000-60,000 / € 6,700-8,050
86
855
855 PABLO PICASSO
CD
"Pichet gothique aux oiseaux", 1953. Pitcher. Stamped Edition
Picasso, 87/100. Stamped Madoura plein feu. White faience
decorated in colours. H. 28 cm.
Literature: Ramié no. 187.
DKK 75,000 / € 10,000
87
856
Verso
88
856
856 HENRI LAURENS
CD
b. Paris 1885, d. s.p. 1954
"Métamorphose", 1940. Signed HL, 6/6. Terracotta.
H. 9 cm. L. 22 cm. W. 7 cm.
Provenance: Acquired by architect Jørn Utzon directly
from the artist in Paris in the beginning of the 1950s,
hence by descent in the family.
DKK 150,000-200,000 / € 20,000-27,000
89
857
90
857
857 FERNAND LÉGER
CD
b. Argentan 1881, d. Gif-sur-Yvette 1955
"Cirque", 1950. Complete portfolio with 63 lithographs; 34 in colours and 29 in B/W. Signed in
ink F. Léger on the colophon. Exemplaire numéro 187. Edition 300.
Léger realized "Cirque" in collaboration with the editor Tériade and his associate Marguerite
Lang, referring to the complicated editorial process required to produce this extensive work.
Printed by Mourlot Frères, Paris, October 5th, 1950 on Velin d'Arches. Contained in the original
paper wrappers with lithographs printed on the front and back, and in the beige paper-covered
boards and slipcase. Sheet size 42,2 x 32 cm.
"Cirque" is Léger's master graphic work. The text in the portfolio is Léger's own and his themes
are the circus and the countryside; from these touchstones of his inspiration Léger extracts the
principles of his art and life. There can be no doubt that "Cirque" stands as his testament.
Literature: Saphire no. 44-106.
DKK 100,000 / € 13,500
91
858
92
858
858 LE CORBUSIER
CD
"Le poeme de l'angle droit", 1955. Complete portfolio with 19 lithographs
in colours. Signed Le Corbusier on the colophon. Exemplaire numéro 41.
Edition 250. Tériade éditeur, Paris. Printed by Mourlot Frères, Paris, September 9th, 1955. In the original paper wrappers with lithograph printed on the
front and in the original board and slipcase. Sheet size 42,5 x 32,5 cm. (19)
Provenance: Architect Jørn Utzon. His son Jan got it as a present, when he gra
duated as an architect in 1970.
DKK 75,000-100,000 / € 10,000-13,500
93
859
94
859
859 FERNAND LÉGER
CD
b. Argentan 1881, d. Gif-sur-Yvette 1955
"La Ville", (1954). Portfolio with 29 lithographs in colours. All sheets print
signed F. Leger, 53/180. Published by Tériade, Paris. Sheet sizes 66 x 50 cm.
In 1954, Léger began La Ville, a monumental work which would perhaps
have been comparable in scope to "Cirque". Léger made many studies for the
lithographs, and recorded black proofs of two lithographs had been pulled at
the time of his death.
Literature: Saphire pp. 238-239, 286-287.
DKK 80,000-100,000 / € 10,500-13,500
95
860
860 ANDY WARHOL
b. Philadelphia 1930, d. New York 1987
"Queen Margrethe II" from the series "Reigning
Queens", 1985. Signed Andy Warhol, AP 9/10. Published
by George C. P. Mulder, Amsterdam. Printed by Rupert
Jasen Smith, New York. Screenprint in colors on Lenox
Museum Board. Sheet size 100 x 80 cm.
Literature: Feldman & Schellmann no. II.343.
DKK 100,000 / € 13,500
96
861
861 HENRI MATISSE
CD
b. Cateau-Cambrésis 1869, d. Nice 1954
"Petit Interieur bleu", 1947. Signed Matisse, 130/200.
Aquatint in colours. Visible size 56 x 46 cm.
Literature: Duthuit no. IV.
DKK 125,000-150,000 / € 16,500-20,000
97
862
862 GÜNTHER FÖRG
CD
b. Füssen 1952, d. 2013
Composition, 2003. Signed Förg 03.
Mixed media on veneer laid down on
painted board. Painting 30 x 40 cm. Board
47 x 57 cm.
DKK 30,000-40,000 / € 4,000-5,350
863 GÜNTHER FÖRG
CD
b. Füssen 1952, d. 2013
Composition, 1993. Signed Förg 93/5.
Gouache on paper. Sheet size 56 x 38 cm.
DKK 20,000-25,000 / € 2,700-3,350
863
98
864 GÜNTHER FÖRG
CD
b. Füssen 1952, d. 2013
Composition, 2003. Signed and dated on the
reverse. Executed in an edition of ten hand
painted specimens. Painted lead laid down
on board. 40 x 30 cm.
Provenance: Galerie Mikael Andersen, Copenhagen.
DKK 80,000 / € 10,500
864
865 GÜNTHER FÖRG
CD
b. Füssen 1952, d. 2013
reverse. Executed in an edition of ten hand
painted specimens. Painted lead laid down
on board. 40 x 30 cm.
DKK 80,000 / € 10,500
865
99
100
866
866 LYNN CHADWICK
CD
b. London 1914, d. 2003
"Conjunction XV". Stamped Chadwick 1970, 602, 4/6. Bronze. H. 138 cm.
Literature: Dennis Farr & Eva Chadwick: "Lynn Chadwick Sculptor. With a Complete Illustrated Catalogue
1947-1988", Oxford, 1990, no. 602.
Provenance: Court Gallery, Copenhagen.
Provenance: Private collection, Charlottenlund, Denmark. Acquired from the above. Lynn Chadwick visited
the present owner in connection with the acquisition and saw the sculpture's placement in their garden.
Likewise the present owner visited the artist at his workshop in Lypiatt Park, Gloucestershire, England.
In 1952, Lynn Chadwick along with seven other young sculptors, including Reg Butler, Bernard Meadows
and Eduardo Paolozzi, were selected to represent Britain at the Venice Biennale. Although they each only
exhibited few artworks, the international art world soon recognised that a new style of sculpture had
been born. Only four years after the exhibition, Lynn Chadwick received his first major accolade when in
1956 he received the Venice Biennale Sculptor’s Award in front of legends such as Alberto Giacometti.
Lynn Chadwick’s first sculptures were mobiles that were inspired by Alexander Calder’s famous metal
mobiles and which paid tribute to his own masterly craftsmanship. Through the 1960s, 1970s and right
up until the 1990s, Chadwick continued to innovate and develop his art, from the mobile to the ‘stabile’,
to establish an idiom that reflects the shapes of nature - with humans and animals taking centre stage.
Apart from the technical aspect of his work, Chadwick found it important to reflect the fundamentals
of life, such as representing animal images in various attack situations or in states of repression. In his
representation of human form, Chadwick explores the relationship between individuals, their movement,
interaction and sexuality.
This sculpture from 1970 entitled “Conjunction XV” shows the interaction between male and female: “This
more naturalistic treatment of parts of the female body appears in the early ‘Elektras’ and ‘Two Sitting
Figures’, where the breasts and abdomen are tenderly modelled, and sharply emphasize the femininity
of these figures when seen in consort with their male counterparts” (Farr & Chadwick p. 13). The title
“Conjunction XV” emphasises the interaction and synergy between the two figures that face each other
closely with their arms stretched out.
DKK 1,200,000-1,500,000 / € 160,000-200,000
101
867
867 WALASSE TING
CD
b. Shanghai 1929, d. New York 2010
A horse and two women with flowers. Signed with the artist's red
stamp. Mixed media on paper laid down on canvas. 37 x 48 cm.
DKK 50,000 / € 6,700
102
868
868 WALASSE TING
CD
b. Shanghai 1929, d. New York 2010
"I have melancholy itch in eyes", 1974. Signed, titled
and dated on the reverse. Acrylic on canvas. 61 x 81 cm.
DKK 400,000 / € 53,500
103
869
869 KURT TRAMPEDACH
870 KURT TRAMPEDACH
b. Hillerød 1943, d. Sare, France 2013
b. Hillerød 1943, d. Sare, France 2013
Standing little boy. Unsigned. Painted
plaster and fabric. H. 125 cm.
DKK 75,000 / € 10,000
Self portrait. Signed Trampe, NYC 84. Oil on canvas. 362 x 253 cm.
Provenance: Acquired directly from the artist by the present owner.
DKK 150,000 / € 20,000
CD
104
CD
870
105
871
871 SELIM TURAN
CD
b. Istanbul 1915, d. Paris 1994
Composition, No. 111. Signed Selim; signed on the reverse Selim
No. 111. Oil on canvas. 72 x 50 cm.
Provenance: Galerie Craven, Paris. The artist had a solo exhibition in
the gallery in 1958.
Provenance: Mr. Knud Pedersen, Kunstbiblioteket (The Art Library),
Nikolaj Plads, Copenhagen. Acquired from the above in the late 1950s.
DKK 50,000 / € 6,700
106
872
872 SELIM TURAN
CD
b. Istanbul 1915, d. Paris 1994
Composition, 1956. Signed Selim 56; signed on the reverse Selim
and numbered 23. Oil on canvas. 81 x 116 cm.
Provenance: Presumably Galerie Europe, Brussels (remains of gallery
label on the reverse). The artist exhibited in the gallery in 1956.
Provenance: Mr. Knud Pedersen, The Art Library, Nikolaj Plads, Copenhagen. Presumably acquired at Galerie Craven, Paris, end 1950s.
DKK 100,000-150,000 / € 13,500-20,000
107
873 SAM FRANCIS
b. San Mateo, Californien 1923, d. Santa Monica 1994
Composition. Signed with stamp from "The
Sam Francis Estate", SFP94-5. Acrylic on
paper laid down on canvas. 64 x 53 cm.
Provenance: Acquired directly from "The Sam
Francis Estate" by the present owner.
DKK 400,000-500,000 / € 53,500-67,000
108
873
109
874
874 ACHILLE PERILLI
CD
b. Rome 1927
"Noto e ignoto" (Known and unknown), 1960.
Signed Perilli 60; signed, titled and dated on the
reverse. Mixed media on canvas. 45 x 31 cm.
DKK 30,000-40,000 / € 4,000-5,350
110
875
875 CÉSAR ANDRADE
b. Guarico 1939
"Puntigrama 41", Paris 1979. Signed, titled and
dated on the reverse. Relief of painted nails on
board. 80 x 80 cm.
DKK 50,000-75,000 / € 6,700-10,000
111
876 PABLO PICASSO
CD
"Visage brun/bleu", 1947. Stamped Madoura plein
feu, Edition Picasso. I 109, 76/200. White faience
decorated in brown and blue. H. 32 cm. W. 38,5 cm.
Literature: Ramié no. 2.
DKK 80,000 / € 10,500
876
877 MAURICE ESTÈVE
CD
b. Culan, Cher 1904, d. 2001
"La maison haute" (The high house), 1944. Signed Estève. Oil on canvas. 61 x 50 cm.
Literature: Dagens Nyheter, 12/5-1956, ill.
Literature: Pierre Francastel: "Estève", mentioned p. 165.
Exhibited: Statens Museum for Kunst (The National Gallery of Denmark), Copenhagen, 1956,
cat. no. 14.
Exhibited: Statens Museum for Kunst (The National Gallery of Denmark), Copenhagen, 1961,
cat. no. 80.
Exhibited: "Fremmed Kunst i Dansk Eje" (Foreign Art in Danish Collections), Louisiana Museum
of Modern Art, Humlebæk, Denmark, 1964, cat. no. 102.
Provenance: Galerie Louis Carré, Paris.
Provenance: Kunsthallen Kunstauktioner, auction no. 424, Copenhagen, 1993, cat. no. 46, ill.
DKK 200,000-300,000 / € 27,000-40,000
112
877
113
878 ROBERT JACOBSEN
CD
b. Copenhagen 1912, d. Egtved 1993
"Happiness", 1984. Signed RJ. Black painted wood. H. 203 cm. W. 182 cm. D. 180 cm.
1986 became a high point in Robert Jacobsen's Asian adventure with the unveiling of the monumental iron sculpture "Venskab" (Friendship) in the People's Republic of China, "I, who do not write,
I looked at the Chinese writing ... I saw them sculpturally," says Robert Jacobsen. From his studio
near Egtved the artist worked with Chinese calligraphy in his later career. The simple beauty of
the characters appealed to Jacobsen and resulted in a range of sculptural abstractions related to
China, whereof none, however, have the format to match the magnificent "Venskab".
The story begins many years earlier, all the way back to Egtved-pigen (the Egtved girl) and her
burial place in the undulating countryside around Vejle. Here Jacobsen constructs, in the years
1986-1991, a series of landscape sculptures in a dialogue with the area's history, materials and
the sun's movement across the sky. While the day moves from light towards darkness, and the year
moves from winter to summer, the appearance of the sculptures change.
"Happiness" from 1981 is a small wooden model of "Venskab". The sculpture gazes both ahead and
back into history, timeless yet subject to the present, as a primordial form preceding both Jacobsen's work with the nature of Jutland and the Chinese culture.
The sculpture exists in several different versions. A bronze version of the sculpture is situated in
Kongens Have, while the large iron sculpture has been resold to the Sammlung Würth, Künzelsau,
Germany.
Literature: Different versions of the figure are mentioned in Descargues: "Robert Jacobsen: Conversations 1971-1991" p. 132, and the Gothenburg Museum of Art: "Theme Chinois" cat. no. 2.
Exhibited: The Black Diamond Library, Copenhagen, c. 1995.
Provenance: "Jydebrødrene" (the Petersen Brothers).
Provenance: Galerie Edeling, Copenhagen.
DKK 200,000-250,000 / € 27,000-33,500
114
878
115
879
879 JENS BIRKEMOSE
CD
b. Copenhagen 1943
Composition, Toulouse/Copenhagen. Signed monogram;
signed and dated on the reverse. 140 x 180 cm. Unframed.
DKK 50,000 / € 6,700
116
880
880 A. R. PENCK
CD
b. Dresden 1939
"Behaupten und ..... 2". Signed AR. Penck; titled on
the stretcher. Oil on canvas. 60 x 50 cm.
Provenance: Acquired by the present owner from Edition
Copenhagen in the mid 1990s.
DKK 80,000-100,000 / € 10,500-13,500
117
881
881 JOHN CHRISTOFOROU
CD
b. London 1921
Composition, 1960s. Signed Christoforou. Oil on canvas. 97 x 130 cm.
Provenance: Galerie Birch, Copenhagen.
DKK 25,000 / € 3,350
882 JOHN CHRISTOFOROU
CD
b. London 1921
"Le Comedien". Signed J.C.; signed
and titled on the reverse. Oil on canvas.
73 x 60 cm.
DKK 20,000 / € 2,700
882
118
883
883 ARNE HAUGEN SØRENSEN
CD
b. Copenhagen 1932
"Opstilling m/kælne minder" (Still life with affectionate memories).
Signed Arne Sørensen 65; titled and dated on the reverse. Oil on canvas. 130 x 89 cm.
Literature: Rolf Læssøe: "Arne Haugen Sørensen. Malerier 1962-2006",
Copenhagen, 2007, ill. fig. 6 p. 44. The book is published in connection with
the exhibitions mentioned below.
Exhibited: "Arne Haugen Sørensen retrospektiv. Malerier 1962-2006",
Skive Kunstmuseum, Denmark, 2007.
Kastrupgårdsamlingen, Denmark, 2007.
Vejle Kunstmuseum, 2007.
DKK 35,000-40,000 / € 4,700-5,350
119
884
884 POUL GERNES
CD
b. Frederiksberg 1925, d. Ängelholm 1996
DKK 20,000 / € 2,700
885 PETER LOUIS-JENSEN
CD
b. 1941, d. 1999
"Kontur" (Contour), 1961. Signed, titled and
dated on the reverse. Relief of cardboard and
painted wooden lists on masonite. 73 x 49 cm.
Literature: "Peter Louis-Jensen Retrospektiv",
Vestsjællands Kunstmuseum, Sorø, 2003, similar
work in the collection of Silkeborg Kunstmuseum
ill. p. 46.
DKK 15,000-20,000 / € 2,000-2,700
885
120
886
886 PER KIRKEBY
CD
b. Copenhagen 1938
"Dette er en tavle/Klirrende aftenbøn" (This is a board/clinking
evening prayer), 1976-1977. Signed, titled and dated on the reverse. Oil on masonite. 122 x 122 cm.
Literature: Ane Hejlskov Larsen: "Per Kirkeby. Malerier 1957-1977",
Copenhagen, 2002, no. M. 343, ill. p. 296.
Exhibited: Decembristerne, Den Frie Udstillings Bygning, Copenhagen,
1977, cat. no. 49.
Exhibited: "Danskernes Billeder", Randers Kunstmuseum, Denmark,
1995.
DKK 200,000-250,000 / € 27,000-33,500
121
Peter Louis-Jensen
At this auction we can for the first time present two monumental works by Peter LouisJensen (1941-1999). The works of art are from the Ex-School period in the 1960s, where
Peter Louis-Jensen, together with artists such as Poul Gernes and Per Kirkeby, delivered a
radical new departure from the established modernism of the Danish art scene - or from
the modernist idea itself of the isolated, self-reliant work of art. In 1963 Peter Louis-Jensen
wrote to art historian Troels Andersen, who was also part of the Ex-School’s inner circle: “It
is not true that you can hang a good painting anywhere, and not risk the painting loosing
its own ‘inner power’ because of this placement. A painting, as any other thing, exists only
and because of the exterior forces acting upon it. A colour for instance, exists only because
of the colour that lies next to it.” Peter Louis-Jensen and the other artists of the Ex-School
wanted to move art, the materials of art and not least the experience of art to an understandable level for a wider public.
Art historian Christine Buhl Andersen points out, as she quotes the artist in a radio
interview from 1965 that Peter Louis-Jensen’s work from 1960-65 can be “(...) seen as one
long dismantling of the image as the closed unit with an ‘inner strength’ (...) A process of
destruction that more precisely resulted in a series of structural panels, violently perforated
with a drill and scorched by open fire. Why? Because the painter surely could ‘continue to
develop his structural challenges at home, and he could probably achieve much more in
terms of developing the abstract painting, but that is not relevant anymore, because it has
dried out in its use as avant-garde ... that which we have lost over the last 50 years in the
form of contact with a wider public. We have to win this back ... it is necessary if art is to
avoid isolation.’”(CB-A p. 11-12)
CD
b. 1941, d. 1999
"Strukturtavle" (Structure board), January 1964. Signed and dated on the reverse. Oil
on newspaper, boards, lists, soft masonite etc. on masonite. 122 x 122 cm.
Exhibited: "Den eksperimenterende Kunstskoles udstilling", Admiralgade 20, Copenhagen,
October, 1964.
Literature: Troels Andersen (ed.): "Ex-Skolen, Eksperiment Kunst Skole 1961-1969", Museum Jorn, Silkeborg, 2010, ill. in the cat. p. 46 (Photo from the Admiralgade exhibition in
1964, the two offered works displayed on both sides of a composition in the collection of
Museum Jorn, Silkeborg).
Literature: Lars Morell: "Broderskabet. Den eksperimenterende Kunstskole 1961-69", Copenhagen, 2009, the work ill. p. 100 in the above mentioned photo from 1964.
DKK 150,000 / € 20,000
122
887
123
Photo: Museum Jorn, Silkeborg
CD
b. 1941, d. 1999
"Strukturtavle" (Structure board), 1964. Signed and dated on the reverse. Oil on newspaper, boards, lists, soft masonite etc. laid down on masonite. 122 x 122 cm.
Exhibited: "Den eksperimenterende Kunstskoles udstilling", Admiralgade 20, Copenhagen,
October, 1964.
Literature: Christine Buhl-Andersen (ed.): "Peter Louis-Jensen Retrospektiv", Vestsjællands
Kunstmuseum, Sorø, 2003, ill. in the catalogue full page in colours p. 44.
Literature: Troels Andersen (ed.): "Ex-Skolen, Eksperiment Kunst Skole 1961-1969", Museum Jorn, Silkeborg, 2010, ill. in the catalogue p. 46 (Photo from the Admiralgade exhibition
in 1964, the two offered works displayed on both sides of a composition in the collection
of Museum Jorn, Silkeborg).
Literature: Lars Morell: "Broderskabet. Den eksperimenterende Kunstskole 1961-69", Copenhagen, 2009, the work ill. p. 100 in the above mentioned photo from 1964.
DKK 150,000 / € 20,000
124
888
125
889
889 PER KIRKEBY
890 PER KIRKEBY
b. Copenhagen 1938
b. Copenhagen 1938
"Leoparden" (The leopard), July 1965. Signed,
titled and dated on the reverse. Synthetic
paint on masonite. 34 x 40 cm.
Literature: The work will be included in the appendix of the forthcoming vol. III of Ane Hejl
skov Larsen's catalogue raisonné of Per Kirkeby's
work.
DKK 75,000 / € 10,000
"Tavle" (Blackboard), 1977. Signed, titled and dated
on the reverse. Blackboard enamel and chalk on masonite. 122 x 122 cm.
Literature: Ane Hejlskov Larsen: "Per Kirkeby. Malerier
1957-1977", Copenhagen, 2002, no. T 25, ill. p. 299.
Exhibited: "Per Kirkeby. Bilder. Backsteinskulpturen.
Bücher", Museum Folkvang, Essen, 1977.
Exhibited: "Per Kirkeby. Tavler", Sophienholm, Lyngby,
Denmark, 1988, cat. nr. 20, ill. p. 48.
Exhibited: "Værker af Per Kirkeby" (Works by Per Kirkeby), Galerie Mikael Andersen, Copenhagen, 1989, cat.
no. 1, ill. in colours in the catalogue p. 3.
Provenance: Kunsthallen Kunstauktioner, auction 374,
Copenhagen, 1988, cat. no. 111, ill. in colours in the
catalogue p. 25.
DKK 200,000 / € 27,000
CD
126
CD
890
127
CD
b. Copenhagen 1932
"Opstilling med dukker og damer" (Still life with dolls and ladies).
Signed A. Haugen Sørensen 70. Oil on canvas. 130 x 185 cm.
Literature: Rolf Læssøe: "Arne Haugen Sørensen. Malerier 1962-2006",
Copenhagen, 2007, ill. fig. 11, mentioned and ill. 52-53. The book is published in connection with the exhibitions mentioned below.
Exhibited: Grønningen, Copenhagen, 1969.
Exhibited: "Arne Haugen Sørensen", Charlottenborg, Copenhagen, 1987.
Skive Kunstmuseum, Denmark, 2007.
Kastrupgårdsamlingen, Denmark, 2007.
Vejle Kunstmuseum, Denmark, 2007.
Provenance: Ove Højgaard Andersen, Copenhagen.
Rolf Læssøe (ed): ..."This beautiful painting is a central piece among the
paintings, which the painter calls his "doll images". Although the pain
ting, at some level, ironically describes the characters' ridiculousness
and lacking ability to communicate among themselves, it also contains
other layers of great and tender beauty, not only in its colouristic harmonies, but also in the vulnerability that these doll-like figures seem to
possess. They are a kind of toy, placed on a tabletop as in a traditional
nature morte, but they have their own biological life as pupae with intrinsic potential for evolution and life. Their nature as animated objects
is emphasized here, as in many of the painter's images, as well as in his
later works, by the blue tones that endow them with an almost electric
luminous aura".
DKK 100,000-125,000 / € 13,500-16,500
128
891
129
892
892 NIELS STRØBEK
CD
b. Frederiksberg 1944
"Det fede og Det magre" (The Fat and the Lean), 1970 no. I and no II. Signed
NS 1970 on painting no. II. Oil on board, two-parts. Each 100 x 75 cm. (2)
Exhibited: Kunstforeningen, Copenhagen, 1977, cat. no. 17.
Exhibited: Sophienholm, Lyngby, Denmark, 1997, cat. no. 9.
Niels Strøbek's artistic starting point came from his training with the spontaneous-abstract painter Egill Jacobsen. Yet the earliest paintings show a realism that
borders on the surreal. Strøbek has painted numerous portraits, which through
their objects describe the portrayed person, but he catches one's interest in particular in the works, where he blows up the naturalistic reality. He has painted
many still life paintings, which show his technical ability in the same way as can
130
892
be seen in the 1600s Dutch paintings. Lunch reproduces a plate with open-faced
sandwiches, an egg in an egg-cup with a matching spoon, knife, fork and a water
glass, all placed on a table. Here Strøbek uses different perspectives, for instance
the water glass and egg-cup are seen obliquely from the side, while the plate and
the cutlery are shown almost vertically from above. There is a cubic influence,
which has not been seen since in his work. Strøbek's later super realism is already
evident in this painting, for instance in the traces of the knife on the buttered
piece of bread. An example of Strøbek's early acquired technical skills includes
the five part work "The Closet", where the nature of the different materials, from
the texture of the dishcloths, the force of the potato sprouts, the dead hen's wax
pale smoothness, the slimy surface of the fish and the background's wood marbling stand out. Strøbek is most exciting in the work where a degree of ambiguity
can be perceived.
DKK 300,000 / € 40,000
131
893
132
894
894 MINOS ARGYRAKIS
CD
b. Smyrna, Turkey 1920, d. Athens 1998
Figure composition. Signed Minos Argyrakis.
Oil on sacking canvas. 115 x 340 cm.
Provenance: Acquired directly from the artist by
the present owner in relation to the artist's stay in
Denmark in the 1970s.
DKK 50,000-75,000 / € 6,700-10,000
893 SALVADOR DALI
CD
b. Figueras, Spain 1904, d. s.p. 1989
"Surrealist Piano". First cast 1984 based
on a drawing from 1954. Embossed signature Dali; stamped 329/350, I.A.R. (Inter
Art Resources Ltd.) and with foundry mark
Mendrisio. Bronze. H. 56,5 cm.
Literature: Robert & Nicolas Descharnes.
"Dalí. The Hard and The Soft. Spells for the
Magic of Form. Sculptures & Objects", 2004,
cat. 643, ill. p. 250. DKK 75,000 / € 10,000
133
895
895 ROBERT JACOBSEN
CD
Construction, 1980s. Signed RJ. Black and red
painted iron. H. 77 cm. W. 81 cm. D. 54 cm.
DKK 75,000 / € 10,000
134
896
896 MOGENS ANDERSEN
CD
Composition, 1971. Signed Mogens Andersen 71; signed
DKK 60,000-75,000 / € 8,050-10,000
135
897 WILHELM FREDDIE
CD
"Ung dame i hesteinteriør" (Young lady in a horse's interior). Signed
Freddie marts 1947. Oil on masonite. 59 x 73 cm.
Literature: Edouard Jaguer: Wilhelm Freddie", Copenhagen, 1969, ill. p. 59.
DKK 100,000 / € 13,500
897
898 VILHELM BJERKE-PETERSEN
CD
b. Frederiksberg 1909, d. Halmstad, Sweden 1957
"Den gyldne fugl. Et familiebillede" (The Golden Bird. A Family Painting), 1939.
Signed v.b.-p. 39. Oil on canvas. 97 x 130 cm.
It is a painting with transparent figures as pioneered and used by the Belgian artist
René Magritte. The time for its execution is interesting, 1939, the year World War
II broke out. If one looks carefully at the painting there are elements in it showing
the fear many people had in 1939.
...Sigurd Schultz's review of the picture in 1943 does not mention threats, it
describes it as a family picture tending to be of a symbolic nature with references
back to the artists Johannes Holbek and Jens Ferdinand Willumsen. This is understandable considering the German occupation of Denmark at the time when the
picture was exhibited and the review was written. He does not point out either the
possible inspiration from triptych altar pieces featuring the Holy Family.
136
898
Literature: Sigurd Schultz: " Maleri og Digt", Nationaltidende, Copenhagen, August 28th. 1943.
Literature: Troels Andersen (ed): "Vilhelm Bjerke Petersen. En retrospektiv udstilling", Silkeborg
Kunstmuseum, 1986.
Literature: Mette Højsgaard and Helle Behrndt (eds): "Kunst Arkitektur Design 30erne", Kunst
foreningen, Copenhagen, 2004.
Literature: Karen Friis Hansen and Dorte Kirkeby Andersen (eds): "Vilhelm Bjerke Petersen",
Silkeborg Kunstmuseum, 2006.
Literature: Christian Gether, Dorthe Rugaard Jørgensen Maria Lauerberg: "Triumph of Desire:
Danish and International Surrealism", Arken Museum of Modern Art, Ishøj, Denmark, 2008.
Exhibited: "Surrealistic demonstrations with Erik Olson, Harry Carlsson and Wilhelm Freddie",
Rådhuspladsens Udstillingslokale, Copenhagen, 1940.
Exhibited: The Art Hall (Kunsthallen) in Copenhagen, Denmark, 1943.
Exhibited: "Kunst Arkitektur Design 30erne", Kunstforeningen, Copenhagen, 2004. Exhibited:
"Vilhelm Bjerke-Petersen -Retrospective exhibition", Silkeborg Kunstmuseum, 2006.
Exhibited: "Triumph of Desire - Danish and International Surrealism", Arken Museum of Modern
Art, Ishøj, Denmark, 2008.
DKK 40,000-60,000 / € 5,350-8,050
137
899
899 RICHARD MORTENSEN
CD
b. Copenhagen 1910, d. Kirke Hyllinge 1993
"Eventyrlandskab" (Fairytale landscape), Klitmøller, July 1941.
Signed and dated on the reverse. Oil on canvas. 49 x 62 cm.
Literature: Jan Würtz Frandsen: "Richard Mortensen. Afklaringens
år 1940-1958. Besættelse og rekonstruktion", Copenhagen, 1992,
fig. 113, ill. p. 92.
DKK 50,000-60,000 / € 6,700-8,050
138
900 ROBERT JACOBSEN
CD
Construction, 1951. Signed R.J. 178. Black painted iron. H. 30 cm.
The sculpture is a striking example of Robert Jacobsen's earliest, rotatable sculptures. In 1955,
Jacobsen's colleague Victor Vasarely arranged an exhibition of kinetic (movable) art at Galerie
Denise René, which led to a discussion on movement in art between the two friends - and a clarification of Robert Jacobsen's position on the subject. Robert Jacobsen: "[...] I thought about the
idea of kinetism and found that it did not create a movement more interesting than that of a
watch, as it always ended up where it started (...). I said to Vasarely: for me, movement is the
shock you get when you see something. Otherwise it becomes a pendulum. It is just illusionism,
if a picture vibrates as you walk past it. I don't want illusions. I want a concrete feeling. Since we
have to have an expression which ends in 'ism', I call my idea 'ideo-motorism', the motorism that
comes from the shock of seeing the things. Vasarely replied: I can't exhibit something that doesn't
move. I replied: it moves more than you think". (Pierre Descargues: "Robert Jacobsen: Conversations 1947-1991", Copenhagen ,1996, p. 49).
DKK 75,000 / € 10,000
900
901 ROBERT JACOBSEN
CD
"Magic Figure", 1990. Sign. R.J. Black and blue
painted iron. H. 113 cm. W. 45 cm. D. 35 cm.
Exhibited: Tokyo Art Expo 1991.
DKK 80,000-100,000 / € 10,500-13,500
901
CD
"Gruzzini". 21 dåbsattester nr. 21 (Ajaccio), (21 Birth Certificates), 1962.
Signed, titled and dated on the reverse. Oil on canvas. 100 x 81 cm.
Literature: Jan Würtz Frandsen: "Richard Mortensen. Erindringens år 19581993. Ting og tegn. II: Billeddel", Copenhagen, 2001, fig. 137, ill. p. 98.
Exhibited: "21 dåbsattester", Galerie Hybler, Copenhagen, 1962, cat. no. 21.
Provenance: Galerie Denise René, Paris.
DKK 150,000-200,000 / € 20,000-27,000
140
902
141
903
903 JEAN MIOTTE
CD
b. Paris 1926
Composition. Signed Miotte. Acrylic
and oil on canvas. 100 x 81 cm.
DKK 30,000 / € 4,000
142
904
CD
b. Copenhagen 1932
"Blå time" (Blue Hour). Signed A. H. Sørensen 94-02. Acrylic on canvas. 200 x 200 cm.
Literature: Ole Lindboe: "Skønheden & Udyret. 12 historier om Arne Haugen Sørensen" (The
Beauty and the Beast. 12 stories about Arne Haugen Sørensen), Copenhagen, 2002, a variant
of smaller size ill. p. 132.
DKK 125,000 / € 16,500
143
905
905 GINA PELLON
b. Cienfuegos, Cuba 1926
b. Copenhagen 1932
"Rires Intercroises", Paris 1982. Signed Gina Pellon;
signed, titled and dated on the reverse. Oil on canvas. 130 x 97 cm.
DKK 40,000 / € 5,350
Gående figur (Walking figure). Signed A.
Haugen Sørensen 2000. Acrylic on canvas.
195 x 97 cm.
DKK 60,000 / € 8,050
CD
144
CD
906
145
907
CD
"Nature morte med fire objekter i blåt rum (Vanitas motiv)" (Still life with
four objects in blue space), 1970. Signed, titled and dated on the reverse.
Literature: Jan Würtz Frandsen: "Richard Mortensen. Erindringens år 19581993. Ting og tegn. II: Billeddel", Copenhagen, 2001, fig. 298, ill. p. 202.
Exhibited: Den Frie Udstilling, Copenhagen ,1971, cat. no. 127.
Exhibited: "Richard Mortensen: Gemälde, Wandteppiche, Reliefs, Graphik",
Kunsthalle zu Kiel, Germany, 1971. DKK 75,000-100,000 / € 10,000-13,500
146
908
908 ROBERT JACOBSEN
CD
Construction, 1980s. Signed R.J. Black painted iron.
H. 117 cm. W. 120 cm. D. 63 cm.
DKK 200,000 / € 27,000
147
909
909 ERIK A. FRANDSEN
CD
b. Randers 1957
"Blomstrende mælkebøtter i et syltetøjsglas"
(Full-blown dandelions in a jam jar), 2003.
Signed and dated on the reverse. Enamel on
aluminum. 120 x 100 cm.
Provenance: Mario Sequiera Gallery, Portugal.
DKK 40,000 / € 5,350
148
910
910 CATHRINE RABEN DAVIDSEN
CD
b. Copenhagen 1972
"The Experiment", 2009. Signed, titled and dated on the reverse. Oil, spray and
drawing charcoal on canvas. 200 x 190 cm. Unframed.
Provenance: Martin Asbæk Gallery, Copenhagen. Acquired here by the present owner.
DKK 150,000 / € 20,000
149
911
911 IDA KVETNY
CD
b. Odense 1980
"Valnød" (Walnut), 2004. Signed, titled and dated on
the reverse. Mixed media on canvas. 195 x 210 cm.
DKK 40,000 / € 5,350
150
912
912 KATHRINE ÆRTEBJERG
CD
b. Sorø 1969
"Yogapigens hvilestilling" (The yoga girl's resting position), 2004. Signed,
titled and dated on the reverse. Oil on canvas. 105 x 87 cm.
DKK 50,000 / € 6,700
151
913
913 MARKUS LINNENBRINK
CD
b. Dortmund 1961
"Suddendoorintosummer (71)", 2010. Signed, titled
and dated on the reverse. C-print with epoxy resin
on wood. 122 x 185 cm.
Provenance: Fiedler Taubert Contemporary, Berlin.
DKK 30,000-40,000 / € 4,000-5,350
152
914 OLAFUR ELIASSON
CD
b. Copenhagen 1967
Composition, 1992. Signed and dated on
DKK 30,000 / € 4,000
915 OLAFUR ELIASSON
CD
914
b. Copenhagen 1967
Composition, 1991. Signed and dated on
DKK 40,000 / € 5,350
915
153
916 MICHAEL KVIUM
CD
b. Horsens 1955
"U.T." (Untitled), 1993. Signed, titled
and dated on the reverse. Oil on
canvas. 90 x 90 cm. Unframed.
DKK 50,000-60,000 / € 6,700-8,050
916
917 MICHAEL KVIUM
CD
b. Horsens 1955
"U.T." (Untitled), 1993. Signed, titled
and dated on the reverse. Oil on
canvas. 90 x 90 cm. Unframed.
DKK 50,000-60,000 / € 6,700-8,050
917
154
918
918 MICHAEL KVIUM
CD
b. Horsens 1955
"Åbent maleri" (Open painting), 1996. Signed, titled
Provenance; Galleri Faurschou, Copenhagen.
Provenance: Private collection, Göteborg, Sweden.
DKK 60,000-75,000 / € 8,050-10,000
155
919
919 ESKE KATH
CD
b. Haderslev 1975
"Chaos painting". Signed on the reverse EK 2001.
Oil and glitter paint on canvas. 198 x 138 cm.
Provenance: Galleri Stalke, Copenhagen.
DKK 40,000-50,000 / € 5,350-6,700
156
920
920 JESPER CHRISTIANSEN
CD
b. Frederiksberg 1955
Chairs, October-November 2005. Signed and dated
on the reverse. Oil on canvas. 123 x 132 cm.
DKK 40,000 / € 5,350
157
921
921 TILL GERHARD
CD
b. Hamburg 1971
"Soft model of a black hole", 2005. Signed, titled and
dated on the reverse. Oil on canvas. 170 x 200 cm.
Unframed.
DKK 60,000-80,000 / € 8,050-10,500
158
INDEX
A
Coignard, James
Aagaard Andersen, Gunnar
965
Collignon, Georges
Ahlberg, Ole
991
Corbusier, Le
941
968
Grünewald, Isaac
935
Gudnason, Svavar
821
849, 851, 853
858, 1028, 1031, 1032
946, 948, 958
1033, 1034, 1035, 1050
Andersen, Mogens
896
Corneille
Andrade, César
875
Coubine, Othon
Appel, Karel
Giersing, Harald
1057, 1058
Alechinsky, Pierre
Alfelt, Else
1070
823, 840, 1056
Araki, Nobuyoshi
1116
837, 951
931
D
1107, 1108
Dali, Salvador
893
Argyrakis, Minos
894
Deyrolle, Jean
964, 998, 1003
Astrup I, Nikolai
1044
Arbus, Diane
Atlan, Jean-Michel
827, 834
B
Dine, Jim
1109, 1110
1095, 1096, 1097
Doucet, Jacques
956
Eickhoff, Gottfred
926, 927
1017
Eisenstaedt, Alfred
1098
1000, 1008, 1009
Bitran, Albert
972
Bjerke-Petersen, Vilhelm
898, 980
Eliasson, Olafur
Braque, Georges
1121, 1122, 1123
Engelhardt, Maja Lisa
1010
Escher, Maurits Cornelis
1043
Estève, Maurice
992
877, 1072
850, 1029, 1039
F
Fischer, Adam
Brassaï
1074, 1075, 1076, 1077
Fontana, Lucio
1078, 1079, 1080, 1081
1082, 1083, 1084, 1085
Bregnø, Jens Jacob
933
C
Carstensen, Claus
Chadwick, Lynn
Chagall, Marc
Christiansen, Jesper
Christo
Christoforou, John
306
914, 915
981, 982, 985
Boberg, Jørgen
1015
866
1038, 1040
Heerup, Henry
825, 960, 962
Hertz, Mogens
940
Hjorth-Nielsen, Søren
924
Holm-Møller, Olivia
937, 939
923
1022
Hundertwasser, Friedensreich 1051
Høst, Oluf
795, 796, 798, 930
I
1019
891, 904, 906
Hughes, Shara
Beer, Tjorg Douglas
879
1094
E
Birkemose, Jens
883
Doisneau, Robert
1060
828, 959
Haugen Sørensen, Arne
Hoppe, Erik
Baselitz, Georg
Bille, Ejler
938
1065
1111, 1112, 1113
Beuys, Joseph
Hartz, Lauritz
Doig, Peter
Ballen, Roger
1062, 1063, 1064
H
Immendorff, Jörg
Isakson, Karl
793, 943
Istrati, Alexandre
996
J
Jacobsen, Egill
819
826, 829, 833
Jacobsen, Robert
878, 895, 900
806, 928
1016
901, 908, 1004
Jeanne-Claude
1119, 1120
1052
Jerichau, Jens Adolf 802, 810, 817
Francis, Sam
873
Joensen-Mikines, Samuel 803, 804
Frandsen, Erik A.
909
Freddie, Wilhelm
897, 983
805, 811, 812
Jorn, Asger
824, 832, 835, 836
Friberg, Roj
993
839, 947, 952, 953
Fridericia, William
936
957, 1036, 1054, 1055
Förg, Günther 862, 863, 864, 865
Judd, Donald
G
K
1066
Gadegaard, Paul
967
Kath, Eske
1119, 1120
Gerhard, Till
921
Kertész, André
1092, 1093
881, 882
Gernes, Poul
884
Kippenberger, Martin
1059, 1061
920
919
INDEX
Kirkeby, Per
886, 889, 890
Newton, Helmut
1115
Soulages, Pierre
1048
Krims, Les
1117
Nielsen, Jais
799
Storm Petersen, Robert
Krull, Germaine
1091
Nielsen, Kai
942
Struss, Karl
Kvetny, Ida
911
Nielsen, Kehnet
Kvium, Michael
916
Nielsen, Knud
917, 918, 1021
Köpcke, Arthur
979
1005, 1006
Sugimoto, Hiroshi
1114
Søndergaard, Jens
797, 814
Nørgaard, Bjørn
978
Sørensen, Jens-Flemming
984
Laurens, Henri
856
Ortvad, Erik
822, 831
Leppien, Jean
970, 971
988, 989, 990
Lindemann, Kai
1001
Linnenbrink, Markus
913
Louis-Jensen, Peter 885, 887, 888
Lundstrøm, Vilhelm
Léger, Fernand
794, 800
801, 813, 815
857, 859
1025, 1026, 1027
M
Magnus, Reidar
944
Malanga, Gerard
1105
Marín, Manuel
986, 999
Matisse, Henri
861, 1030, 1037
Michals, Duane
1102, 1103
Parc, Julio Le
1014
Parr, Martin
1118
Pedersen, Carl-Henning
820, 830
838, 841, 949
950, 961, 1053
Picasso, Pablo
852, 854, 855
876, 997, 1049
Poulsen, Axel
Wegener, Gerda
Weegee
1018
910
1068, 1069, 1071
Robert, Louis-Rémy
1086, 1089
1090
Rougemont, Guy de
969
1024
Rude, Olaf
792, 925
S
Scherfig, Hans
N
945
1124
1099, 1100, 1101
Weie, Edvard
Willumsen, J. F.
Winther, Richard
922
934, 1042
977
Æ
Ærtebjerg, Kathrine
912
Ö
807, 808, 1073
Schmidt-Rasmussen, Christian 1020
Österlin, Anders
Namuth, Hans
1106
Schwalbe, Ole
1011, 1012
Ø
Newman, Arnold
1104
Skotte Olsen, Wiliam
1002, 1007
Øllgaard, Hans
860, 1105
Wegwerth, Moritz
R
Regild, Carsten
Møller, Gunnar
1119, 1120
W
Warhol, Andy
816
929
790, 791
Volz, Wolfgang
Poliakoff, Serge 1045, 1046, 1047
1023
1041
Utzon-Frank, Einar
Verkade, Jan
975, 976
871, 872, 973, 974
U
874
Raddum, Fredrik
Munch, Edvard
Turan, Selim
Perilli, Achille
903
Mortensen, Richard 899, 902, 907
869, 870
V
Piaubert, Jean
1013
Trampedach, Kurt
880
Miotte, Jean
Moholy, Lucia
845, 846, 847, 848
867, 868
Penck, A. R.
Raben Davidsen, Cathrine
842, 843, 844
Ting, Walasse
905
995
1067
Pellon, Gina
Miller, Henry
Miró, Joan
Thommesen, Erik
Thorsen, Jens Jørgen
P
994
T
Olrik, Balder
892
954
818
987
Strøbek, Niels
Nieuwenhuys, Jan
Larsson, Carl
Lerfeldt, Hans Henrik
1087, 1088
963, 966
O
L
809
955
932
307
ORIENTAL ART
3 June 2015, 2 pm
Gilt bronze figure in the form of a Buddha. Tibet/Nepal, 16th-17th century. Weight 4048 gr. H. 25 cm.
Estimate: DKK 500,000-800,000 / € 67,000-105,000
308
DIAMONDS
8 June 2015, 2 pm
A diamond necklace.
Estimate: DKK 80,000-100,000 / € 10,500-13,500
A pair of diamond ear studs.
Estimate: DKK 100,000 / € 13,500
309
CONTEMPORARY ART
Eske Kath: “Disintegration-Volcano”, 2003. Oil and applications on canvas. 160 x 125 cm. Estimate: DKK 40,000 / € 5,350
Upcoming auction - September 2015
We currently seek Danish and International contemporary art
for the September sale, a.o. Tal R, Cathrine Raben-Davidsen,
Lars Tygesen, Michael Kvium, Erik A. Frandsen,
Olafur Eliasson, Jeppe Hein, Allan Otte.
FRANCE - DENMARK
Upcoming theme auction - September 2015
Pierre Soulages: “Peinture”. 1963. Oil on canvas. 97 x 130 cm. Estimate: DKK 3,000,000 / € 400,000
Pierre Soulages, Serge Poliakoff, André Marfaing,
Georges Mathieu, Olivier Debré, Jean Messagier, Jean Dewasne,
Mogens Andersen, Robert Jacobsen, Richard Mortensen a.o.
Consignments accepted until 17 August.
BOOKS AND MANUSCRIPTS
The George Eumorfopoulos Collection
Fine and complete set of The George Eumorfopoulos
Collection. Catalogue of the Chinese, Corean and
Persian Pottery and Porcelain. In 11 volumes. Rare.
Estimate: DKK 150,000-175,000 / € 20,000-23,500
BOOKS AND MANUSCRIPTS
Illustrated Ichthyology
Rare complete set of M.E. Bloch’s Allgemeine
Naturgeschichte der Fische. Berlin 1782-95. Illustrated
with 432 engraved and finely hand-coloured plates.
Estimate: DKK 200,000-300,000 / € 27,000-40,000
KØBSKONDITIONER
§ 1. BUDGIVNING
Køber er den byder, der får hammerslag. Den, der byder for andre,
hæfter som selvskyldnerkautionist for berigtigelsen af købet.
På opfordring fra Bruun Rasmussen Kunstauktioner (herefter
benævnt Bruun Rasmussen), skal alle bydere, hvadenten de
ønsker at afgive et bud ved personligt fremmøde på auktionsstedet eller afgive en kommission pr. brev, fax eller hjemmeside
eller byde direkte pr. telefon eller hjemmeside, kunne dokumentere deres betalingsdygtighed samt til enhver tid identificere sig.
Bruun Rasmussen er altid berettiget til at nægte at acceptere et
bud, hvis på forlangende ikke tilstrækkelig sikkerhed er stillet
eller en passende à conto betaling har fundet sted.
Bud afgives af byderen ved personligt fremmøde på auktionsstedet eller ved skriftlig kommission enten pr. brev, fax
eller hjemmeside. På online-auktioner afgives bud direkte fra
hjemmesiden. Afgivelse af bud pr. telefon er muligt under visse
forudsætninger, der afgøres af Bruun Rasmussen. Bruun Rasmussen påtager sig intet ansvar for eventuelle fejl eller fejltagelser, der måtte opstå ved brug af denne service. Auktionarius
bestemmer overbuddets størrelse og træffer ligeledes afgørelse i
alle tvivlstilfælde om budgivningen.
For at kunne byde på Bruun Rasmussens auktioner kræves forudgående registrering af byders betalingskort-/kreditkortoplysninger.
på auktion hos Bruun Rasmussen uden at være bundet af en af
den misligholdende køber fastsat mindstepris. Den misligholdende køber er ikke berettiget til at kræve udlevering af effekter
indleveret til salg, så længe forfalden gæld til Bruun Rasmussen
ikke er betalt, uanset om værdien af sådanne effekter må anses
at overstige forfalden gæld.
Bruun Rasmussen er berettiget til at afvise bud afgivet af en
køber, der er i misligholdelse med sine betalingsforpligtelser over
for Bruun Rasmussen eller et bud afgivet af en anden på den
pågældendes vegne, ligesom Bruun Rasmussen er berettiget til at
kræve et depositum som betingelse for accept af fremtidige bud.
§ 3. FORTRYDELSESRET
For privatkøb af emner på en online-auktion gælder loven om
fjernsalg, herunder også 14 dages fortrydelsesret. Eventuelle
omkostninger forbundet med transport af købte emner retur fra
køber, betales af køber selv.
Såfremt køber benytter sig af sin fortrydelsesret, refunderer
Bruun Rasmussen betalingen umiddelbart efter, at varen er sendt
retur og modtaget af Bruun Rasmussen. Bruun Rasmussen gør
opmærksom på, at det herefter er op til bankerne/kreditkortselskaberne, hvornår refusionen indgår på købers konto.
§ 2. BETALING
§ 4. AFGIFTSFRITAGELSE
Ved køb på alle net-auktioner tillægges hammerslagsprisen 25%,
der dækker salær på 20% samt moms af salæret.
Ved køb på alle traditionelle auktioner tillægges hammerslagsprisen 30% (for vin, mønter og frimærker 25%), der dækker
salær på 24% samt moms af salæret.
Visse numre handles efter særlige regler til fuldmoms, så udover
auktionsomkostninger på 24% (for net-auktioner, vin, mønter og
frimærker dog 20%), beregnes moms på 25% af både hammerslag
og auktionsomkostninger. Disse numre er mærket med en stjerne (*).
Danske momsregistrerede købere skal overfor Bruun Rasmussen
oplyse deres SE-/CVR-nr. (moms-nr.), da dette skal anføres på de
fakturaer, hvor varen købes i fuld moms.
For visse udenlandske købere gælder der særlige regler for
afgiftsfritagelse jvf. § 4. Afgiftsfritagelse omfatter ikke EU private købere, som ligestilles med danske købere jvf. gældende
dansk lovgivning om handel med brugte varer, kunstgenstande,
samlerobjekter og antikviteter.
Købesummen forfalder til betaling ved tilslaget. Der kan betales
kontant op til DKK 50.000 eller med Dankort, banknoteret
check, rejsechecks, Visa-, Master-, Diners Club- eller Eurocard. Personlige udenlandske checks kan kun anvendes efter
forudgående aftale.
På de traditionelle auktioner i Bredgade skal betaling af købte
emner finde sted under eller umiddelbart efter auktionen og
under alle omstændigheder senest 8 dage efter fakturadatoen.
På net-auktionerne trækkes købesummen automatisk på det af
kunden oplyste betalings-/kreditkort i forbindelse med, at det
købte emne udtages til transport (ca. 12 timer efter dagens salg).
Samtidig tilsendes køber faktura og transportoplysninger.
Betales købesummen ikke rettidigt, skal der svares rente heraf
med 1,5% pr. påbegyndt måned.
Betales købesum og renter ikke inden 8 dage efter at Bruun Rasmussen har afsendt påkrav herom til køber, er Bruun Rasmussen berettiget til at annullere købet og bortsælge det købte på
ny auktion hos Bruun Rasmussen eller underhånden og afkræve
køber ethvert herved opstået tab. Et eventuelt overskud tilfalder
den, der har indleveret det købte til auktion.
Har den misligholdende køber tilgodehavender fra salg af effekter hos Bruun Rasmussen, er Bruun Rasmussen berettiget til at
berigtige ethvert tilgodehavende hos køber ved modregning.
Har den misligholdende køber indleveret andre effekter til salg,
er Bruun Rasmussen berettiget til at bortsælge sådanne effekter
Udenlandske købere, der opfylder nedennævnte betingelser, betaler
henholdsvis 24% i auktionsomkostninger af hammerslaget på traditional auktion og 20% i auktionsomkostninger af hammerslaget på
net-auktion, og bliver ikke belastet af danske afgifter.
A. Købere med bopæl i et andet EU-land:
Købere, som er momsregistreret i et andet EU-land, fritages
for at betale dansk moms, når momsregistreringen dokumenteres over for Bruun Rasmussen, som skal påføre momsnummeret på fakturaen.
B. Købere med bopæl uden for EU:
1. Forsendelse gennem speditør:
Effekter, der eksporteres gennem en af Bruun Rasmussen
godkendt speditør, fritages for afgift.
2. Udførsel som rejsegods:
Der kan ske fritagelse for dansk afgift, når køberen selv
medtager det købte under forudsætning af, at følgende
betingelser er opfyldt:
Fakturaen skal være betalt, og den danske afgift på 25% af
fakturabeløbet skal være deponeret hos Bruun Rasmussen.
a. Købere med fast bopæl i Norge vil få den danske moms refunderet, så snart Bruun Rasmussen har modtaget købsfakturaen
retur med påtegning om officiel indførsel fra det endelige
lands toldmyndighed eller anden på omsætnings-afgiftsområdet kompetent myndighed, hvis købet overstiger DKK 1.200.
b. Købere med fast bopæl andre steder uden for EU vil få den
danske moms refunderet, efter at effekterne har været forevist til toldbehandling i forbindelse med køberens udrejse fra
EU. Eksportørblanketten returneres til Bruun Rasmussen efter
at være forsynet med et toldvæsens attest for udførslen, hvis
købet overstiger DKK 300. Dette gælder også for Færøerne og
Grønland.
314
§ 5. AFGIFTSBETALING
A. Momsregistrerede i andre EU-lande, der ikke ønsker at gøre
brug af § 4, kan i stedet vælge at handle til brugtmoms/fuldmoms på lige fod med private købere. Dette skal meddeles
Bruun Rasmussen inden kl. 10 den følgende auktionsdag.
B. Momsregistrerede i Danmark kan vælge at købe til fuldmoms
med 25% af både hammerslag og auktionsomkostninger.
Dette skal meddeles inden kl. 10 den følgende auktionsdag.
§ 6. UDLEVERING
Købesummen skal være betalt, inden det købte kan udleveres til
køberen. Det købte henligger fra hammerslaget for købers regning og risiko. For varer, der ikke afhentes ifølge aftale efter hammerslaget, vil blive kørt på fjernlager på købers regning og risiko.
Købte varer, der er betalt, men ikke afhentet, vil efter 1 år blive
videresolgt for købers regning ved auktion eller underhånden.
§ 7. FORSENDELSE
Såfremt Bruun Rasmussen påtager sig at emballere og fremsende
købte varer, sker dette på købers regning og risiko. Bruun Rasmussen kan således ikke drages til ansvar for skader forvoldt på
købte varer under forsendelse eller for forsvundne forsendelser.
§ 8. KUNSTNERAFGIFT TIL COPY-DA N
CD
Ifølge gældende dansk lovgivning om ophavsret skal der opkræves
følgeretsvederlag for værker af nyere danske og visse udenlandske kunstnere, som enten er nulevende eller ikke har været døde
i mere end 70 år. Følgeretsvederlaget opkræves af Bruun Rasmussen på vegne af kunstnernes organisation Copydan. Disse værker
er mærket (CD) for Copydan ud for katalognummeret.
Den såkaldte Copydan-afgift tillægges hammerslagsprisen inkl.
salær, når beløbet overstiger €300.
Copydan-afgiften er:
• 5% af den del af hammerslagsprisen og salæret (ekskl.
moms), der udgør indtil €50.000.
moms), der ligger mellem €50.000 og €200.000.
moms), der ligger mellem €200.000 og €350.000.
• 0,5% af den del af hammerslagsslagsprisen (ekskl. moms), der
ligger mellem €350.000 og €500.000.
• 0,25% af den del af hammerslagsprisen (ekskl. moms), der
ligger over €500.000.
Copydan-afgiften kan ikke overstige €12.500 for det enkelte
kunstværk.
Euro-kursen er fastsat af Copydan i 2015 til kurs 744,01 pr. €100.
Såfremt det må erkendes, at det købte er en forfalskning, eller
såfremt beskrivelsen har været behæftet med væsentlige fejl, der
har medført en væsentlig højere hammerslagspris, end en korrekt
beskrivelse må antages at ville have resulteret i, er køber berettiget til at annullere købet, hvorefter den samlede erlagte købesum tillagt auktionsomkostninger og evt. moms, vil blive refunderet køber.
Væsentlige fejl i beskrivelsen relateret til mål eller vægt erstattes
kun procentuelt i forhold til differencen.
Retten til under de her anførte betingelser at annullere et køb
kan kun udøves af den, der købte den pågældende effekt hos
Bruun Rasmussen og er betinget af, at krav om annullering
fremsættes skriftligt over for Bruun Rasmussen inden 2 år efter
købsdagen, og af at det købte inden samme frist returneres til
Bruun Rasmussen i den samme stand i enhver henseende, som
det købte var i på hammerslagstidspunktet.
Køber kan i tilfælde af annullering ikke gøre krav på betaling
af renter af købesummen og er ej heller berettiget til at kræve
anden udgift eller tab, herunder eventuel mistet videresalgsfortjeneste, dækket.
Et køb kan ikke kræves annulleret efter ovenstående bestemmelser, såfremt:
a. beskrivelsen i katalog eller på hjemmesiden på hammerslagsdagen var i overensstemmelse med den på dette tidspunkt
gældende opfattelse blandt lærde og eksperter.
b. den eneste måde til på salgstidspunktet at få fastslået et
falskneri var iværksættelsen af videnskabelige processer, hvis
gyldighed først blev anerkendt efter salgstidspunktet, eller som
ville have været uforholdsmæssigt omkostningskrævende eller
uigennemførlige uden beskadigelse af den pågældende effekt.
I tillæg til ovenstående frist gælder de almindelige forældelsesregler i forældelsesloven, efter hvilke køber ikke under nogen
omstændigheder kan gøre noget krav gældende over for Bruun
Rasmussen, når der er forløbet mere end 5 år fra købsdagen.
Bruun Rasmussen Kunstauktioner
Jesper Bruun Rasmussen, Auktionsholder
Jørgen Byriel, Auktionsleder
§ 9. EKSPORTTILLADELSE
Kulturværdiudvalget er blevet ansøgt om eksporttilladelse, hvor
dette kræves iflg. gældende dansk lovgivning om sikring af kulturværdier i Danmark. Foreligger en sådan ikke, vil dette blive
meddelt den udenlandske køber umiddelbart efter hammerslaget.
Derefter vil Bruun Rasmussen igen ansøge Kulturværdiudvalget på
købers vegne, nu hvor prisen kendes. Gives eksporttilladelse ikke,
er Kulturværdiudvalget forpligtet til at overtage det købte til den
opnåede pris, hvilket betyder at købet bliver hævet for køber.
§ 10. BESKRIVELSE AF EMNER
Alt sælges i den stand, hvori det ved hammerslaget er at forefinde og som beskrevet i katalog eller hjemmeside med senere
offentliggjorte ændringer og modifikationer.
Beskrivelsen er foretaget efter bedste overbevisning og under
anvendelse af de anførte katalogiseringsprincipper.
De solgte effekter er ofte af en alder eller af en art, der bevirker,
at de kan være behæftet med fejl, mangler, restaurering eller
beskadigelser, der ikke nødvendigvis angives i katalog eller på
hjemmesiden. Afbildninger i katalog eller på hjemmesiden er
blot til identifikation og kan ikke anvendes til vurdering af
effekternes stand.
Enhver der ønsker at byde på auktion, bør derfor ved selvsyn på
de før auktionen afholdte eftersyn forvisse sig om de ønskede
effekters stand.
Beskrivelsen er udtryk for den på salgstidspunktet blandt lærde
og eksperter herskende opfattelse.
Skulle der efter købet opstå tvivl om det købtes ægthed eller
dettes overensstemmelse med beskrivelsen, skal dette straks meddeles til Bruun Rasmussen.
KOMMISSIONER
Bruun Rasmussen påtager sig at byde i kommission for bydere,
der ikke kan være til stede ved auktionen. Det er en forudsætning, at kommissioner indleveret pr. brev eller fax er Bruun Rasmussen i hænde i 24 timer før auktionens start, så om nødvendigt bydernes kreditværdighed kan undersøges. Via hjemmesiden
er denne deadline 3 timer. Bruun Rasmussen påtager sig intet
ansvar for eventuelle fejltagelser, der måtte opstå ved brug af
denne service
KONDITIONSRAPPORTER
Bruun Rasmussen påtager sig, hvis det er muligt, at orientere
nærmere om numrenes kondition og tilstand. Dette er ment som
en service for kunder, der ikke selv har mulighed for ved selvsyn
at undersøge numrene på eftersynet. Det understreges, at de
givne oplysninger ikke kan gøres til genstand for reklamationer;
her henvises til beskrivelsen.
FRITAGELSE FOR DANSK FULDMOMS
Købere skal ifølge § 2 betale fuldmoms af de varer der i katalog
eller på hjemmesiden er markeret med stjerne (*).
Når virksomheder, der er momsregistrerede i andre EU-lande,
køber hos Bruun Rasmussen og videresælger til private, skal der
ikke betales dansk moms, men moms i henhold til de regler der
gælder, hvor den udenlandske virksomhed er momsregistreret.
Det tilrådes at søge oplysning hos de lokale myndigheder.
315
CONDITIONS OF PURCHASE
§ 1. BIDDING
The buyer shall be the highest bidder at the “hammer price”. Any
person bidding on behalf of a third party shall be liable in surety
for completion of the sale.
At the request of Bruun Rasmussen Kunstauktioner (hereinafter
called Bruun Rasmussen), all bidders, whether they wish to make
bids in person at the place of auction or commission bids by
letter, fax or the homepage direct telephone bids or the homepage, should be able to document their ability to pay and be
able to provide proof of identity at any time. Bruun Rasmussen
is entitled to refuse to accept a bid if, when requested, adequate
security or adequate payment on account has not been rendered.
Bids should be made by the bidder in person at the place of auction or by written commission by letter, fax or the homepage.
For online auctions alle bids are submitted via the homepage.
Telephone bidding is possible within certain conditions made
out by Bruun Rasmussen. Bruun Rasmussen is not to be held
responsible for any errors that may occur using this service. The
auctioneer shall have absolute discretion as to the increment of
the bids. The auctioneer will also make decisions in all cases of
doubt regarding the bidding.
Credit/debit card information must be registered with Bruun
Rasmussen before bids can be submitted.
§ 2. PAYMENT
Purchases made at all Bruun Rasmussen online auctions are subject to a 25% fee, which covers 20% buyer’s premium and VAT
of the premium.
Purchases made at all Bruun Rasmussen traditional salesroom auctions are subject to a 30% fee (for wines, coins and stamps 25%),
which covers 24% buyer’s premium plus VAT of the premium.
Certain lots are sold in accordance with specific rules on normal
VAT arrangement (hereinafter called normal VAT), so that the
purchase price is the hammer price plus an additional 24% (for
online auctions, wines, coins and stamps 20%) in buyer’s premium and VAT of 25% levied on both the hammer price and the
buyer’s premium. The lots subject to Full VAT are indicated as
such in the catalogue and on the homepage with an asterisk (*).
Danish VAT registered buyers shall provide Bruun Rasmussen
with documentation of their SE-/CVR -number (VAT No.) as this
has to be quoted on the invoice for goods bought at full VAT.
For some foreign buyers, specific VAT-exemption rules apply (cf.
Article 3). VAT-exemption does not apply to private buyers from
the EU who are considered as Danish buyers (cf. current Danish legislation on Special VAT Scheme for Sales of Works of Art,
Collectors’items and Antiques by Public Auction).
The purchase price falls due for payment when the goods have
been knocked down. Payment may be made in cash up to DKK
50,000, by Dankort, banker’s cheque, traveller’s cheque, Visa-,
Master-, Diners Club- or Eurocard. Personal foreign cheques may
only be used for payment by prior arrangement.
At traditional auctions payment for purchased items must be
made during or immediately after the auction. Under all circumstances payment must be made no later than eight days from
the date of the invoice. With online auctions, payment automatically takes place when the items are prepared for dispatch (circa
12 hours after the purchase has been made) using the credit/
debit card details submitted by the purchaser. At the same time
an invoice and dispatch information will be sent to the purchaser.
Should the purchase price not be paid by the due date, interest
at 1.5 % per new month will be charged.
If the purchase price and interest are not paid within eight
days after Bruun Rasmussen has sent its demand to the buyer,
Bruun Rasmussen shall be entitled to rescind the sale and resell
the goods at a Bruun Rasmussen auction or privately, and to
demand reimbursement of any related losses from the defaulting
buyer. Any further profit on the sale shall be payable to the person who had deposited the goods for sale by auction.
If the defaulting buyer is entitled to proceeds from a sale of goods
by Bruun Rasmussen, Bruun Rasmussen shall be entitled to set off
its receivables against its payables to the defaulting buyer.
316
If the defaulting buyer has deposited other goods for sale, Bruun
Rasmussen shall be entitled to sell such goods at a Bruun
Rasmussen auction without being bound by the reserve stipulated by the defaulting buyer. The defautling buyer shall not be
entitled to demand the surrender of goods deposited for sale as
long as the debt payable to Bruun Rasmussen has not been discharged, regardless of whether the value of such goods may be
deemed to exceed the debt payable.
Bruun Rasmussen shall be entitled to refuse a bid made by a
buyer who is in default in respect to his payment obligations
to Bruun Rasmussen, as well as a bid made by a third party on
behalf of such a defaulting buyer. Bruun Rasmussen shall further
be entitled to demand a deposit as a condition of accepting any
future bids from such a purchaserr.
§ 3. MONEY-BACK GUARANTEE
Online purchase of items by private individuals is subject to Danish
consumer law, which extends 14 days of money-back guarantee.
The purchaser is liable for any costs related to the transport of
returned items.
Should a purchaser seek to avail himself or herself of the moneyback guarantee, Bruun Rasmussen will refund the payment on
receiving the returned items. Please note that the date on which
accounts are debited is subject to the policy of the purchaser’s
bank/credit card company.
§ 4. EXEMPTION FROM VAT
International purchasers, who fulfill the conditions stipulated below,
must pay a fee of 24% of the auction price at traditional salesroom auctions and a 20% fee of auction prices for items purchased
online. They are exempt from the payment of Danish VAT.:
A. Buyers residing in another EU Member State:
Buyers are exempt from paying Danish VAT as long as they
have provided Bruun Rasmussen with documentation of their
VAT registration. The VAT number will then be quoted on
Bruun Rasmussen’s invoice.
B. Buyers residing outside the EU:
1 Dispatch through forwarding agent: Lots exported through a
forwarding agent approved by Bruun Rasmussen are exempt
from VAT.
2 Export as personal luggage: Goods may be exempt from
Danish VAT when the buyer personally takes the goods out
of the country as luggage, provided the following conditions
have been met:
The invoice must have been paid and the Danish duty of
25% of the invoice amount must have been deposited with
Bruun Rasmussen.
a Buyers residing in Norway will be refunded the Danish VAT
as soon as the invoice of sale has been returned to Bruun
Rasmussen endorsed by the customs authorities of the country in question or by any other authority with jurisdiction
over matters of purchase tax with respect to official imports
of goods into the country in question if the purchase price
exceeds DKK 1,200.
b Buyers residing in other countries outside the EU will be
refunded the Danish VAT after the goods have been presented
for customs clearance in connection with the departure of the
buyer from the EU. The exporter’s form should be returned
to Bruun Rasmussen after being endorsed with the customs
authorities’export certificate if the purchase price exceeds DKK
300 This also applies to the Faroe Islands and Greenland.
§ 5. PAYMENT OF TAXES AND DUTIES
A. Buyers with VAT-registration in other EU member states who
do not wish to make use of Article 3 may instead choose to
purchase items subject to Special VAT/Normal VAT in the
same manner as private buyers. Bruun Rasmussen must be
notified of this before 10 a.m. on the following auction day.
B. Buyers with VAT-registration in Denmark may choose to purchase subject to Normal VAT at 25% of the hammer price
plus premium. Bruun Rasmussen must be notified of this
before 10 a.m. on the following auction day.
§ 6. COLLECTION OF PURCHASES
The purchase price must be paid in full before the purchased lot
can be passed over to the buyer. From the time of the lot being
knocked down to the buyer, until its collection, the purchased lot
will be held at the buyer’s own expense and risk.
A storage fee will be charged for lots which have not been collected
according to agreement. Lots which have been paid for but not collected will be storaged at buyers expense. Lots not collected within
1 year will be resold at auction or privately at the buyer’s expense.
§ 7. DISPATCH
Should Bruun Rasmussen undertake the packaging and forwarding of purchased goods, this shall be done at the buyer’s own
expense and risk. Bruun Rasmussen shall thus not be held liable
neither for any damage caused to purchased goods during dispatch nor for any missing consignments.
§ 8. DROIT DE SUITE
In accordance with Danish copyright law, an additional royalty fee
is to be paid for the purchase of works by contemporary Danish artist and some international artists who are either still alive or who
have been dead for less than 70 years. The additional royalty fee will
be collected by Bruun Rasmussen on behalf of Copydan, which is a
Danish-based joint collecting society. Such works are marked with
(CD) for Copydan next to the lot number.
The Copydan royalty fee is added to the auction price including the
buyer’s premium when the total exceeds €300.
Copydan royalty fees:
• 5% of the auction price and buyer’s premium (excluding VAT)
totalling up to €50,000.
of totals between €50,000 and €200,000.
of totals between €200,000 and €350,000.
• 0.5% of the auction price and buyer’s premium (excluding
VAT) of totals between €350,000 and €500,000.
• 0.25% of the auction price and buyer’s premium (excluding
VAT) of totals above €500,000.
Copydan royalties must not exceed €12,500 for an individual artwork.
The euro exchange rate has been set by Copydan for 2015 at DKK
744,01 per €100.
arise after the purchase regarding the genuineness of the purchased lot or its conformance with the description, Bruun Rasmussen should immediately be informed thereof.
Should the purchased lot be proved to be a forgery, or if the
description contains material errors which lead to a considerably
higher hammer price than that which a correct description would
presumably result in, the buyer shall be entitled to cancel the purchase, after which the buyer shall be reimbursed for the total purchase price paid plus buyer’s premium and VAT, when applicable.
For material errors in the description in respect to measurements
or weight, compensation shall only be paid on a percentage
basis in proportion to the difference.
The right of cancellation of a purchase in pursuance of the
present conditions can only be exercised by the party who has
bought the lot in question at Bruun Rasmussen and shall be
subject to the presentation of a claim for cancellation in writing to Bruun Rasmussen within 2 years of the purchase date and
to the purchased lot being returned to Bruun Rasmussen in the
same condition in any and all respects which the purchased lot
was in at the time of the lot being knocked down to the buyer.
In the event of cancellation the buyer shall not be entitled to
claim payment of interest on the purchase price nor shall the
buyer be entitled to claim compensation for any other expenses
or loss incurred, including any possible loss of profit in connection with reselling.
It shall not be possible to state cancellation of a purchase in
pursuance of the above provisions if:
a the description on the day the lot was knocked down to the
buyer was in accordance with the then generally accepted
opinion of scholars and experts;
b the only way of establishing whether the lot was a forgery at
the time of the sale was the implementation of scientific processes, the validity of which was only acknowledged after the
time of the sale, or which would have required a disproportionate amount of cost, or which would have been impossible to carry out without damaging the lot in question.
In addition to the time-limits stated above, all purchases are
subject to the Statute of Limitations stipulated by danish law by
which Bruun Rasmussen is under no circumstance liable for purchases after 5 years from the date of purchase.
Bruun Rasmussen Auctioneers
Jesper Bruun Rasmussen, auctioneer
Jørgen Byriel, officially appointed external supervisor
§ 9. EXPORT LICENCE
COMMISSION
Applications for an export licence must be made to the Danish Cultural Assets Committee when required in accordance with
current Danish legislation on the protection and preservation of
cultural assets in Denmark. Where such a licence has not been
obtained, the foreign buyer will be informed thereof immediately after the lot has been knocked down to the buyer. Another application will subsequently be sent to the Danish Cultural
Assets Committee by Bruun Rasmussen on behalf of the buyer,
now that the price is known. Should an export licence not be
granted, the Danish Cultural Assets Committee would be obliged
to acquire the purchased lot at the purchase price, and the buyer
would thus not be bound to the purchase.
Bruun Rasmussen undertakes to execute commission bids for
bidders who are unable to be present at the auction. It is a prerequisite that Bruun Rasmussen receives the commissions by letter, fax or telephone 24 hours before the start of the auction for
the bidders’ credit to be checked, if necessary. Bids by the homepage are to be recieved a minimum of 3 hours before the start of
the auction. Bruun Rasmussen is not to be held responsible for
any errors that may occur using this service.
§ 10. DESCRIPTION OF LOTS
All lots are sold in the condition in which they are found when
knocked down and as described in the catalogue and on the
homepage with subsequently published changes and modifications. Description is done according to the best of Bruun Rasmussen’s knowledge and on the cataloguing principles stated.
The lots auctioned are often of some age or of a kind which
makes it possible that they may contain defects, deficiencies, or
may have been subject to restoration or damage not necessarily
stated in the catalogue and on the homepage. Pictures are for
identification only and cannot be used for an evaluation of the
condition of the goods.
Any person who wishes to bid at an auction should therefore satisfy himself of the condition of the lots for which he intends to
bid by personal inspection at the preview held prior to the auction. The description is an indication of the prevailing opinion of
scholars and expert at the time of the sale. If any doubts should
CONDITION REPORTS
Bruun Rasmussen undertakes to provide further information
about the state and condition of the lots if possible. This is
regarded as a service for customers who are unable to make a
personal inspection of the lots at the preview. Bruun Rasmussen
stresses that the information given cannot be used as the basis
for complaints; complaints can only be based on the description.
EXEMPTION FROM VAT
Buyers shall, according to § 2, pay full VAT on lots marked with
an asterisk (*).
No Danish VAT is to be paid when VAT registered companies
from other EU countries buy at Bruun Rasmussen and resell
to private buyers, The private buyer then only has to pay VAT
according to the rules in force in the country where the foreign
company is VAT registered. For further information please consult your local authorities.
The above is an English translation of the Danish version of the
Conditions of Purchase. In case of dispute, only the Danish version
of the present Conditions of Purchase of Bruun Rasmussen is valid.
317
ADDRESSES
BRUUN RASMUSSEN AUCTIONEERS
COPENHAGEN – BREDGADE
NET-AUKTIONER - SUPPORT
BREDGADE 33
BRUUN-RASMUSSEN.DK
DK-1260 COPENHAGEN K
Tel +45 8818 1111
Fax+45 8818 1112
E-mail: [email protected]
COPENHAGEN – SUNDKROGSGADE
SUNDKROGSGADE 30
DK-2150 NORDHAVN
Tel +45 8818 1114
REPRESENTATIVES:
SPAIN
KARIN K.J.V. FRIJS . MARBELLA
Tel +34 630 29 21 02
Fax+34 952 77 74 64
Tel +45 8818 1111
VAGN ERIK KROGSØE . COSTA DEL SOL
Fax+45 8818 1112
Tel +45 2445 1224
FRANCE
COPENHAGEN – BALTIKAVEJ
PETER KOCH . PROVENCE
Tel +33 6 2200 3722
BALTIKAVEJ 10
DK-2150 NORDHAVN
Tel +45 8818 1111
Fax+45 8818 1112
AARHUS
ITALY
JEANETTE IDA MØLLER · MILANO
Tel +39 340 053 9219
ELISABETH WIND ALFIERO · ROM
Tel +39 338 639 2771
SØREN FRICHS VEJ 34 D
DK-8230 ÅBYHØJ
USA
Tel+45 8818 1100
BENEDICTE HALLOWELL
Fax+45 8818 1101
Tel and Fax +1 617 566 7333
FYN
NICK MESSMANN
SALES REPRESENTATIVES:
USA
KIRSTEN MACDONALD · NEW YORK
Tel+45 8818 1232
Tel +1 203 832 3008
318
KO N TA K T D I R E K T E
C O N TAC T D I R E C T LY HOVEDNUMMER / MAIN NUMBER
Bruun Rasmussen Auctioneers
+45 8818 1111
Ole Ravn
[email protected]
ADMINISTRATION
Jakob Dupont, CEO
[email protected]
+45 8818 1081
KUNDESERVICE / CUSTOMER SERVICE
[email protected]
+45 8818 1010
[email protected] +45 8818 1010
KOMMISSIONER / COMMISSIONS
Lise Winther Jour Jørgensen
Anja Bering Hansen
[email protected]
+45 8818 1013
+45 8818 1028
BESTILLING AF KATALOGER / CATALOGUE REQUESTS
Kundeservice / Customer service
+45 8818 1111
AUKTIONSRÅDGIVNING / AUCTION GUIDANCE
Franziska Kampmann
+45 8818 1026
[email protected]
TRANSPORT / TRANSPORTATION
[email protected]
MODERNE DESIGN / MODERN DESIGN
Peter Kjelgaard Jensen
[email protected]
+45 8818 1055
VURDERING OG INFORMATION /
VALUATION AND INFORMATION
INDBOVURDERINGER / VALUATION AT YOUR HOME
David Utzon-Frank
+45 8818 1221
duf@ bruun-rasmussen.dk
MODERNE KUNST / MODERN ART
Niels Raben
[email protected]
Niels Boe Hauggaard
[email protected]
+45 8818 1192
+45 8818 1181
+45 8818 1182
PORCELÆN, GLAS OG ORIENTALSK KUNSTINDUSTRI /
CERAMICS, GLASS AND ORIENTAL WORKS OF ART
Ralph Lexner
+45 8818 1161
rl@ bruun-rasmussen.dk
Charlotte Hviid
[email protected]
+45 8818 1162
RUSSISK / RUSSIAN
Martin Hans Borg
[email protected]
+45 8818 1128
SMYKKER / JEWELLERY
Katrin Mikkelsen Sørensen
[email protected]
+45 8818 1174
SØLV / SILVER
Amalie Hansen
[email protected]
+45 8818 1194
TÆPPER / CARPETS
Henrik Schleppegrell
[email protected]
+45 8818 1145
VIN / WINE
Morten Stenør Larsen
[email protected]
+45 8818 1207
+45 8818 1221
+45 8818 1121
Kasper Nielsen
[email protected]
+45 8818 1121
Casper Behrendtzen
[email protected]
+45 8818 1235
Hans Ruben
[email protected]
+45 8818 1231
Ralph Lexner
[email protected]
+45 8818 1161
VÅBEN / WEAPONS
David Utzon-Frank
duf@ bruun-rasmussen.dk
BØGER / BOOKS
Lærke Bøgh
[email protected]
+45 8818 1217
ÆLDRE KUNST / FINE ART
Kasper Nielsen
[email protected]
FRIMÆRKER / STAMPS
Lars Godsk Jørgensen
[email protected]
+45 8818 1211
MØNTER / COINS
Michael Fornitz
[email protected]
+45 8818 1201
+45 8818 1191
Birte Stokholm
[email protected]
ÆLDRE MØBLER / FURNITURE
Anders Fredsted
[email protected]
Henrik Schleppegrel
[email protected]
+45 8818 1122
+45 8818 1142
+45 8818 1145
319
KOMMISSIONSBUD
COMMISSION BIDS
Det er muligt at afgive kommissionsbud, hvis De ikke selv kan
være til stede på auktionsdagen. Denne service er gratis.
It is possible to leave commission bids if you can not be present
at the auction yourself. This service is free of charge.
Når De afgiver en kommission, beder De vores kundeservice på
Deres vegne byde op til et af Dem bestemt beløb i hammerslag.
When leaving a commission bid, you are instructing our customer service to bid up to a specified amount on your behalf.
Der kan opstå den situation, at en anden køber allerede har budt
det beløb, som De ønsker at afgive. Er De da villig til at gå et
bud højere eller er De indforstået med at nummeret sælges til
anden side?
The situation can occur that another buyer has already bid the
same as you were prepared to. Are you then willing to bid further? If not the lot will be sold to another buyer.
Ønsker De ikke at byde højere så skriv “Max” ud for beløbet. Er
De i tvivl om hvor højt De vil byde, kan De hæve budet med op
til ca. 15% eller ca. 25%.
Salgsprisen kan blive højere eller lavere end vurderingen, så der
er også mulighed for at købe til under den angivne vurdering.
Vor kundeservice køber altid så billigt som muligt til Dem, som
havde De selv været tilstede på auktionen.
Alle kommissioner behandles strengt fortroligt.
Kommisionsbud skal være Bruun Rasmussen i hænde senest 24
timer før auktionens start.
If you do not wish to exceed your bid then write “Max”, for
maximum, next to the amount. You can also allow us to raise
your bid by approx. 15% or approx. 25%.
The hammer price may be higher or lower than the estimated
price, so it is possible to buy below the estimate. Bruun Rasmussen will always buy at the lowest price possible, as if you yourself had been present at the auction.
All commission bids are strictly confidential.
Commission bids must be submitted no later than 24 hours prior
to the start of the auction.
SÅDAN BYDER DE:
HOW TO MAKE A COMMISSION BID:
Udfyld blanketten kommissionsbud med alle oplysninger.
Complete the commission form with all pertinent information.
Angiv katalognummer.
Indicate the lot number.
Angiv beløbet De ønsker at byde.
Indicate the amount you are prepared to bid.
Er dette Deres absolutte maximum bedes De anføre “Max” i kolonnen.
Should this amount be the absolute maxi
mum, please write
“Max” in the appropriate column.
De kan også forhøje Deres bud med henholdsvis ca. 15% eller ca.
25%, ved at indikere dette i kolonnen.
You can also allow us to bid by up to approx. 15% or approx.
25% more by indicating so.
De bedes underskrive kommissionsblanketten og sikre Dem, at
Bruun Rasmussen modtager den senest 24 timer før auktionens
start.
Sign the commission form and make sure that Bruun Rasmussen
receives it 24 hours prior to the start of the auction.
Hvis Deres oplysninger ikke er tilstrækkelige, kan Bruun Ras
mussen undlade at byde for Dem, ligesom Bruun Rasmussen ikke
kan gøres ansvarlig for fejl ved budgivningen.
INTERNET:
Kommisionsbud kan afgives på hjemmesiden bruun-rasmussen.dk
direkte fra siden med den effekt, De ønsker at byde på.
Seneste afgivelse af bud via hjemmesiden er 3 timer før auktionens start.
Afgivne bud kan ses på hjemmesiden under “Deres bud”, når
de er logget ind. Kontakt teknisk support på 8818 1114 for
spørgsmål om registrering og budgivning via internettet.
If the information should be insufficient, Bruun Rasmussen can
abstain from bidding. Bruun Rasmussen can not be held responsible for error in bidding or failure to execute bids.
INTERNET:
Commision bids can be submitted via website bruun-rasmussen.dk
directly from the page with the item you want to submit a bid for.
Deadline for submissions of bids via the website is 3 hours prior
to the start of the auction.
Submitted bids are shown under “Your bids” when you are
logged in. Please contact technical support on +45 8818 1114
for questions about the registration and submission of bids on
the website.
For yderligere information, se “Købskonditioner”, §1.
For additional information, please consult “Conditions of
Purchase” §1.
TELEFONBUD:
TELEPHONE BIDDING:
Såfremt De ønsker at byde pr. telefon, bedes De oplyse Bruun
Rasmussen Deres navn og telefonnummer samt hvilke katalognumre, De ønsker at byde på, senest 3 timer før auktionens
start. De vil så blive ringet op kort før, den aktuelle vare kommer
under hammeren, og De kan på denne måde deltage i auktionen
uden selv at være til stede.
Should you wish to bid at auction by telephone, please inform
Bruun Rasmussen of your name and telephone number, as well
as which catalogue numbers you are interested in, no later than
3 hours prior to the start og the auction. You will then be contacted shortly before the relevant lot comes under the hammer,
thereby allowing you to participate without being in the auction
room yourself.
For yderligere information, se “Købskonditioner” på
bruun-rasmussen.dk under “Guide”.
320
For additional information, please consult “Conditions of Purchase”
§1.
KOMMISSIONSBUD
COMMISSION BIDS
BREDGADE
Skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start.
Must be submitted no later than 24 hours prior to the start of the auction.
AUKTION NR AUCTION NO:
857
Navn Name: * ...................................................................................................................................................................................
Adresse Address: * .............................................................................................................................................................................
Postnr./by City: * ...............................................................................................................................................................................
Land Country: * ........................................................................ Fax: ............................................................................................
Tel: * ....................................................................................................................................................................................................
e-mail: ........................................................................................ CVR-nr. VAT No.: ......................................................................
Bank: ........................................................................................... Konto nr. Acct. No.: .................................................................
Adresse Address: ................................................................................................................................................................................. Postnr./By City: ......................................................................... Land Country: ..........................................................................
Tel: .............................................................................................. Kontaktperson Contact: ..........................................................
Obligatoriske felter er mærket med en stjerne * Mandatory fields are marked with an asterix *
Undertegnede giver hermed fuldmagt til Bruun Rasmussen Kunstauktioner A/S om på mine vegne at købe
nedennævnte katalognumre så fordelagtigt som muligt, inden for det af mig anførte beløb, i hammerslag.
I hereby request that Bruun Rasmussen bid on my behalf on the following lots up at the prices indicated below.
Undertegnede har udfyldt ovennævnte med de ønskede oplysninger, samt har accepteret købskonditionerne.
The undersigned has supplied the required information and agrees to be bound by the conditions of purchase.
Signatur: * .................................................................................. B.R. kunde-nr. Client No.: .......................................................
Jeg ønsker at modtage salgsresultater på de emner jeg har budt på via email
I wish to receive sales results on the items I have been bidding on via e-mail
på e-mail adressen on this e-mail address: ................................................................................................
Katalog nr.
Lot. No.
Beskrivelse
Description
Bud kr.
Bid DKK
dagligt
every day
efter auktion
after the auction
Max +15%+25%
B R U U N R AS MU S S EN KUN S TAUKT I ON ER A / S
Bredgade 33 · DK-1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112 · [email protected] · bruun-rasmussen.dk
"
Fortsættes næste side Please turn over
321
KOMMISSIONSBUD
COMMISSION BIDS
Beskrivelse
Description
Bud kr.
Bid DKK
Max +15%+25%
Ret til ændringer forbeholdes © 2015 Bruun Rasmussen Kunstauktioner
Foto: Bent Lange Tryk: Cool Gray
Grafik og dtp: Jorge Figueiredo & Lene Søbo
Katalog nr.
Lot. No.
BREDGADE
AUKTION NR AUCTION NO:
322
857
MOMS OG KUNSTNERAFGIFT
VAT A N D C O P Y- DA N I N F O R M AT I O N
STANDARD AUKTIONSOMKOSTNINGER
BUYER’S STANDARD PREMIUM
30% - BRUGT MOMS
30% AUCTIONEERS’ MARGIN SCHEME
1. januar 1995 trådte nye love i kraft i EU vedrørende
moms ved handel på auktion med brugte varer, kunst
genstande, samlerobjekter og antikviteter, der nu kan
handles til brugt moms.
As of 1 January 1995 new EC regulations came into
effect regarding the sale of secondhand goods, works of
art, collector’s items and antiques; these items may now
be traded under the Auctioneers’ Margin Scheme.
Efter de nye regler er det kun auktionsomkostninger, der
skal tillægges moms, og ikke som tidligere varens fulde
pris. I auktionsomkostninger er indregnet ikke fradragsberettiget moms.
Under the Auctioneers’ Margin Scheme the premium
only is subject to VAT, i.e. the hammer price is exempted
from VAT. The buyer’s premium of 25% will thus henceforth include non-refundable VAT.
FULD MOMS *
FULL VAT *
anvendes for visse varer som ikke kan handles i brugt
moms. Disse er mærket med en stjerne *. Købere skal
betale 24% i auktionsomkostninger, hvortil lægges 25%
moms af hammerslaget og auktionsomkostningerne.
will be charged on goods that cannot be traded under
the Auctioneers’ Margin Scheme. These lots are marked
with an asterix *. The buyer pays the auction premium of
24% plus 25% VAT on the hammer price as well as the
buyer’s premium.
REDUCEREDE
AUKTIONSOMKOSTNINGER 24%
BUYER’S REDUCED PREMIUM 24%
betales af købere der opfylder følgende betingelser:
is paid by buyers fulfilling the following terms/conditions:
1. Danske momsregistrerede købere kan vælge at betale
24% i auktionsomkostninger + 25% moms af hele
(fuldmoms). Momsbeløbet kan køber modregne, og
betaler derved 24% i auktionsomkostninger.
1. Danish VAT registered buyers may choose to pay
the 24% buyer’s premium + 25% VAT on the total
amount (Full VAT). The buyer may have the total VAT
refunded and thus pays 24% in buyer’s premium only.
2. Momsregistrerede købere i andre EU-lande kan, ved at
anvende deres EU-momsnr., undgå den danske moms
og derved betale 24% i auktionsomkostninger.
2. VAT registered buyers in other EU countries may
avoid Danish VAT by using their VAT registration
number and thereby pay a buyer’s premium of 24%
only.
3. Alle købere med bopæl i et land uden for EU, der
opfylder de danske toldmyndigheders krav i forbindelse med eksport, betaler derved 24% i auktionsomkostninger (se købskonditioner, §4, Afgiftsfritagelse).
KUNSTNERAFGIFT TIL COPY-DAN
CD
3. Residents of countries outside the EU meeting the
Danish customs authorities’ requirements regarding
the export of goods pay the buyer’s premium of 24%
only (see Conditions of Purchase §3, Exemption from
VAT).
ARTISTS’ ROYALTIES
PAYABLE TO COPY-DAN
CD
Ifølge gældende dansk lovgivning om ophavsret, skal
der opkræves 5% i kunstnerafgift af hammerslagsprisen
med tillæg af auktionsomkostninger på 24% excl. moms
på værker af alle nyere danske og de fleste udenlandske
kunstnere. Disse værker er mærket CD for Copy-Dan ud
for katalognummeret.
Pursuant to current Danish legislation on copyright an
artists’ royalty of 5% of the total price exclusive of VAT
(i.e. hammer price plus buyer’s premium 24%) shall be
collected on works of modern art by all Danish and most
foreign artists. These works are marked CD for Copy-Dan
next to the lot number.
For nærmere information henvises til købskonditionerne.
For further information please refer to the Conditions of
Purchase.
323
INFORMATION
CITES EKSPORT TILLADELSE
CITES EXPORT PERMIT
Møbler, der er lavet af palisander eller indeholder dele af træsorten, kræver et CITEScertifikat for at kunne blive eksporteret fra
Danmark til et land uden for EU. Købere
med fast bopæl uden for EU er forpligtet
til at indhente denne tilladelse. Yderligere
information kan fås på opfordring.
Pieces of furniture that are made of Brazilian
rosewood or contain parts of it, require a
CITES export permit in order to be exported
from Denmark to a country outside The
European Union. Buyers residing outside the
EU are required to obtain this permit. More
information is available upon request.
Katalognumre, der indeholder palisander, er
markeret med en (¥ )
Lots containing Brazilian rosewood are
marked with an (¥ )
AFHENTNING
DISPATCH
Afhentning af effekter købt på traditionel
auktion SKAL SKE senest 2 uger efter sidste
auktionsdag.
Collection of purchases bought at
traditional auctions must be no later than
2 weeks after the last auctionday.
Uafhentede effekter vil herefter uden
yderligere varsel blive sendt til opbevaring
for købers regning og risiko.
Uncollected items will without further
notice be sent into storage at the expence
and risk of the buyer.
SALGSRESULTATER
SALES RESULTS
Hammerslagspriser fra de seneste auktioner
kan ses på vores hjemmeside:
bruun-rasmussen.dk
Sales results from the latest auctions are
available at our website:
bruun-rasmussen.dk
FOTO
PHOTO
Fotos af alle effekter kan ses på vores
hjemmeside: bruun-rasmussen.dk
Photos of all items are available at our
website: bruun-rasmussen.dk
EURO
EURO
Der bydes og faktureres i danske kroner.
Bids and invoicing are made in DKK.
Ved omregning fra DKK til Euro er anvendt
Nationalbankens officielle valutakurs på
tidspunktet for udarbejdelse af kataloget.
For the conversion from DKK into Euro,
Bruun Rasmussen has used the official rate
of exchange from Denmarks Nationalbank
(the Danish National Bank) at the time of
preparation of the catalogue.
Beløbet i Euro er afrundet til et tal, der
efter Bruun Rasmussens skøn fremtræder
på en præsentabel måde i forhold til
beløbet i DKK.
BEVARINGSTILSTAND
Bruun Rasmussen henleder opmærksom
heden på, at katalognumrene som
udgangspunkt ikke er forsynet med oplysninger om tilstand (jvf. købskonditionernes § 10). Vi henviser imidlertid til vores
hjemmeside: www.bruun-rasmussen.dk,
hvor der under det enkelte katalognummer
ofte er oplysninger om bevaringstilstand,
reparationer o. lign. Er disse oplysninger
ikke tilstrækkelige kan én af afdelingens
sagkyndige kontaktes for yderligere informationer.
324
The amount in Euro is, in Bruun Rasmussen's judgment, roughly adjusted to
presentable figures.
CONDITION
Bruun Rasmussen draws attention to the
fact that, as a rule, no information is
provided regarding the condition of the lots
(cf. conditions of purchase § 10).
However, we refer to our website:
www.bruun-rasmussen.dk where infor
mation regarding condition, repairs, etc.
can usually be found for the individual lot.
Should this information be insufficient,
further details can be obtained by contacting one of the experts of the department.
BANKFORBINDELSE
BANKERS
Danske Bank · Konto: 30014310970638
IBAN: DK4130004310970638
Swift-BIC DABADKKK
Danske Bank · Account: 30014310970638
IBAN: DK4130004310970638
Swift-BIC DABADKKK
VIRKSOMHEDSREGISTRERING
BUSINESS REGISTRATION
CVR-nr. DK25472020
CVR-nr. DK25472020
Klassisk
modernisme
Gensyn med Knud W. Jensens
oprindeliGe samlinG
14. juni – 22. november 2015
Kom og gense højdepunkter
fra Louisianas samling af dansk
modernisme.
Gratis kunstavis og reduceret
entré mod forevisning af
Louisiana Klub Kort.
Tirsdag til fredag 12–20
Weekender 11–17
325
CONFERENCE AND MEETING CENTRE
This unique property consists of three adjacent villas which have formed a successful meeting, training and
conference centre for some years now. Set in the heart of the Var, in magnificent Provencal countryside, the
quality accommodation provides a wide range of high class conference, meeting and leisure facilities. Two large
swimming pools; a tennis court; a petanque court, full 18 hole mini-golf course; gym, massage room; and a
room containing Jacuzzi, sauna and a hydrotherapy pool, and a unique pool house with a full outdoor kitchen
(including a wood fired pizza oven) all help to provide the ideal environment for creative thinking, as a meeting
place for demanding client, or has the potential to be developed into a boutique spa and wellness hotel. This
property will make a remarkable acquisition for any company looking to invest in its personnel by getting them
out of their daily routine, an organisation looking to develop a world class conference and meeting business or
a hotel entrepreneur focusing on spa and holistic wellness therapies. Set in its own sculpture park in one of the
most beautiful areas of Provence, the sky really is the limit. Two more nearby properties offering a further 11
bedrooms would be available by separate negotiation if required, as is the neighbouring plot of land with planning permission to erect a new dwelling of 250 sq. m. and offering an additional 1.6 acres of land.
Location: Cotignac
Living area: 1,000 m²
Land area: 17,891 m²
Price: 5,250,000 €
• Peter Koch +33 6 2200 3722
• [email protected]
• EstateNetPrestige.com
60KMS FROM THE BAY OF SAINT TROPEZ
• Peter Koch +33 6 2200 3722
• [email protected]
• EstateNetPrestige.com
MODERN
328

MODERN ART - Bruun Rasmussen

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