tayo tekovi quaye - TUSD Fine and Performing Arts
Transcription
tayo tekovi quaye - TUSD Fine and Performing Arts
TAYO TEKOVI QUAYE 1 Visual Arts Lesson and TUSD’s Performance Objectives Tayo Quaye Part I Language Arts: Student Reading – Biography of the Artist TUSD Art Standards and performance: Reading Informational Text Student Writing – Poetry TUSD Art Standards and performance: W.2 - Write informative/explanatory texts to examine a topic and convey ideas and information clearly. Vocabulary/ Definitions/Student Worksheet TUSD Art Standards and performance: RF.3 Know and apply grade-level phonics and word analysis skills in decoding words. Part II Visual Arts Lesson TUSD Art Standards: Strand 1: Create—Concept 2: Materials, Tools and Techniques PO 102. Use materials, tools, and techniques appropriately in his/her own artwork . Part III Math: TUSD Art Standards: Math OA.8 Solve two-step word problems using the four operations. Represent these problems using equations with a letter standing for the unknown quantity. Assess the reasonableness of answers using mental computation and estimation strategies including rounding. Part IV Where in the World: Geography Lesson TUSD Art Standards: RI.5 Use text features and search tools (e.g., key words, sidebars, hyperlinks) to locate information relevant to a given topic efficiently. Part V A Place in Time: History Lesson TUSD Art Standards: RL.2 Recount stories, including fables, folktales, and myths from diverse cultures; determine the central message, lesson, or moral and explain how it is conveyed through key details in the text. Part VI Science: TUSD Art Standards: Part VII Technology: TUSD Art Standards: RI.5 Use text features and search tools (e.g., key words, sidebars, hyperlinks) to locate information relevant to a given topic efficiently. Part VIII EMC and Bibliography: TUSD Art Standards and performance: 2 Part 1 Language Arts: Student Reading – Biography of Artist TUSD Art Standards and Performance Objective: Reading Informational Text: Knowledge-based information is an ever-changing expanding genre, which encompasses daily communication. The ability to comprehend and analyze informational texts develops critical thinking, promotes logical reasoning and expands one’s sense of the world and self. Tayo Quaye 1954- Tayo Quaye is a native of Nigeria. His childhood was during the 1960’s civil war. He attended Yaba Art School between 1976 and 1981, specializing in Painting has exhibited widely in Nigeria, USA, United Kingdom as well as Trinidad and Tobago. He studied art by accident. “I discovered that art is part of me and I am part of art” when I got into high school. Initially, he did not take art seriously because he never thought of becoming a professional artist. He had thought perhaps Banking, Economics or International Relations. The thought of belonging to a particular art school did not cross his mind because his impression of art was that of social order or social disorder, “what I can see and what I can feel.” He presents his culture in his art. After receiving a “good” rating on his artwork, knowing he was capable of “great” motivated him to do more in art. Quite a lot of things inspired him. Injustice inspires him to do a lot of things. Tayo’s daily experiences inspire him at the initial stage. He also enjoys reflecting on cultural, social, and political activities. From time to time, he still goes back to cultural events within the society. Tayo’s aim is to create a work that can stand the test of time; works that can give pleasure and record events of today either good or bad. That is, “when I am not around”, that particular work should be able to speak for itself. Tayo feels 3 uncomfortable when injustice is done and this is what he tries to express with his art. While both artists Matisse and Picasso worked with the linocut medium, Quaye’s linocut artworks appear somewhat subdued as far as individual line definition is concerned, leaving the viewer to discern the boundaries of individual persons, places, and things on his own. There is pathos and horrors of war, but if one searches carefully enough, there is also beauty and even humor—a difficult concept to create. The concepts of political unrest, persecution, and war are prevalent in Quaye’s works, yet there is still the underlying art that is the reward of the viewer. Many of the works portray the daily lives of families. 4 Part l Language Arts: Student Writing: Poetry TUSD Art Standards and Performance Objectives: Functional Text Functional text, such as maps, schedules, forms and workplace manuals conveys information. Students need to be able to use, interpret, and analyze functional text in order to perform everyday practical tasks. W.2 Write informative/explanatory texts to examine a topic and convey ideas and information clearly. Write a poem about one of our cultural events or some social activity that you enjoy or wish to immortalize in verse. ALSO, SUBJECT FOR ARTWORK _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ _________________________________________________________ 5 Part l Language Arts: Vocabulary / definitions / worksheet TUSD Arts Standards and Performance Objective: Phonics Phonics is the understanding of the symbol-sound relationship in written language. Students learn that there are predictable connections between the sounds or phonemes that are spoken, and the letters or graphemes that are written. This knowledge is important as students begin to decode unfamiliar words in text. RF.3 Know and apply grade-level phonics and word analysis skills in decoding words. Vocabulary Brayer Relief printing Intaglio printing Cut-away Built-up Gadgets Stencil Silkscreen Plasticene clay Mono-prints 6 Vocabulary Definitions bray·er2 (Printing) - A small hand roller used to spread ink thinly and evenly. relief printing - printing from a plate with raised characters [ cut·a·way - A model or diagram of an object with part of the outer layer removed built-up - Made by fastening several layers or sections one on top of the other gadg·et - A small specialized mechanical or electronic device; a contrivance sten·cil - A sheet, as of plastic or cardboard, in which a desired lettering or design has been cut so that ink or paint applied to the sheet will reproduce the pattern on the surface beneath. silk-screen also silk·screen - A stencil method of printmaking in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface. Also called screen-printing, silk-screen process. Plasticene clay – a printable, colorable clay used to make molds mono- print - One; single print intaglio printing - a printing process that uses an etched or engraved plate; the plate is smeared with ink and wiped clean, then the ink left in the recesses makes the print 7 VOCABULARY WORKSHEET (Fill in the blank) 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. printing from a plate with raised characters___________________ One; single print________________ Made by fastening several layers or sections one on top of the other_____________ A stencil method of printmaking in which a design is imposed on a screen of silk or other fine mesh, with blank areas coated with an impermeable substance, and ink is forced through the mesh onto the printing surface._______________ A sheet, as of plastic or cardboard, in which a desired lettering or design has been cut so that ink or paint applied to the sheet will reproduce the pattern on the surface beneath. ______________________ A small hand roller used to spread ink thinly and evenly_________________ A model or diagram of an object with part of the outer layer removed_________________ A small specialized mechanical or electronic device; a contrivance_______________ a printable, colorable clay used to make molds_______________________ a printing process that uses an etched or engraved plate; the plate is smeared with ink and wiped clean, then the ink left in the recesses makes the print____________________ 8 Part ll Visual Art Lesson TUSD Arts Standard and Performance Object: Visual Art: Strand 1: Create—Concept 2: Materials, Tools and Techniques PO 102. Use materials, tools, and techniques appropriately in his/her own artwork. Styrofoam Block Printing Materials: Cookie sheet Brayer Styrofoam plates or meat trays (meat dept. at market) Pencil Fine grain sandpaper Acrylic paints White paper Students can make successful block prints. Work with easy-tocontrol Styrofoam. Instruct students to use their pencil to draw their design into the Styrofoam. They must press heavily so lines will sink deeply into the foam. Give students a piece of fine grain sandpaper; they can share, to lightly sand the foam. This will help the Styrofoam to absorb the paint. The instructor should closely supervise the next step. Place a dab of the color(s) of acrylic paint on the cookie sheet, roll the brayer through it, now, and roll the brayer over the Styrofoam design that the student has created. Roll it on carefully with a brayer to avoid filling in the “etched” lines. If a plate becomes clogged, rinse under faucet, pat dry, and start again. The student presses the Styrofoam block onto the paper. Repeat. 9 Part lll Math TUSD Arts Standard and Performance Objective: Estimation Math OA.8 Solve two-step word problems using the four operations. Represent these problems using equations with a letter standing for the unknown quantity. Assess the reasonableness of answers using mental computation and estimation strategies including rounding. Using the following criteria from the Art lesson, the students will estimate the number of prints they will be able to get on one sheet of paper. Paper= estimate size Styrofoam Block= block dimensions Design in Block = size of design & if repeated 10 Part lV Where in the World: Geography Lesson TUSD Art Standard and Performance Objective: RI.5 Use text features and search tools (e.g., key words, sidebars, hyperlinks) to locate information relevant to a given topic efficiently. Outline Map of Nigeria The countries with the largest populations in Africa are Nigeria (107,000,000 people), Egypt (64,800,000 people), and Ethiopia (58,700,000 people). 11 Part V A Place in Time: History Lesson TUSD Art Standards and Performance Objective: RL.2 Recount stories, including fables, folktales, and myths from diverse cultures; determine the central message, lesson, or moral and explain how it is conveyed through key details in the text. . The Flag of Nigeria Quiz/Printout Nigeria's flag was adopted on October 1, 1960, after Nigeria became independent from Great Britain. The flag consists of three vertical bands of green and white; it is a vertical triband. The green symbolizes the land, and the white symbolizes unity and peace. This flag was chosen in a competition held in 1959; the winning entry also had a red sun with rays on it, but the sun and rays were removed by the judges. The flag is twice as wide as it is tall. 1. What colors are in the flag of Nigeria? ____________________________ 2. When was this flag officially adopted? ____________________________ 3. What does the green in the flag stand for? _____________________________ 12 4. What type of flag is it, a horizontal triband or a vertical triband? ____________________________ Answers The Flag of Nigeria Nigeria's flag was adopted on October 1, 1960, after Nigeria became independent from Great Britain. The flag consists of three vertical bands of green and white; it is a vertical triband. The green symbolizes the land, and the white symbolizes unity and peace. This flag was chosen in a competition held in 1959; the winning entry also had a red sun with rays on it, but the sun and rays were removed by the judges. The flag is twice as wide as it is tall. 1. What colors are in the flag of Nigeria? green and white 2. When was this flag officially adopted? October 1, 1960 3. What does the green in the flag stand for? the land 4. What type of flag is it, a horizontal triband or a vertical triband? a vertical triband 13 Part Vll Technology TUSD Art Standard and Performance Objective: RI.5 Use text features and search tools (e.g., key words, sidebars, hyperlinks) to locate information relevant to a given topic efficiently. www.dictionary.com www.enchantedlearner.com MATERIALS ON AFRICA AT THE EDUCATIONAL MATERIALS CENTER / 225-4783 http://instech.tusd.k12.az.us/emc.index.asp [email protected] EXHIBITS E 12 Row 1 Shelf 26 African Watering Hole. (Kenya) E 1055 Row 2 Shelf 14 African Crafts. E 1056 Row 2 Shelf 14 Nigeria. E 1579 Row 4 Shelf 6 African Cup in Form of Head. E 2402 Row 3 Shelf 2 African Guinea Fowl. E 2405 Row 3 Shelf 12 Everyday Life in West Africa. E 2407 Row 3 Shelf 2 Senufo Mask. (Ivory Coast) E 4018 Row 4 Shelf 9 Congo Cap Mask. E 4094 Row 3 Shelf 21 African Hair Styles. E 4096 Row 2 Shelf 32 Cameroon Cap Mask. (Africa) E 4097 Row 2 Shelf 32 African Mask. (Congo) E 4098 Row 3 Shelf 21 African Mask, Mossi. (Upper Volta) E 4122 Row 2 Shelf 29 Mingangi Dolls. (Africa) E 6321 Row 1 Shelf 13 African Animals. 14 E 7071 Row 4 Shelf 15 Zulu Tribe. E 7077 Row 2 Shelf 28 African Textile Decoration. E 7078 Row 2 Shelf 28 African Dance Masks. E 7079 Row 2 Shelf 28 N'Debele People. E 7987 Row 1 Shelf 1 Eland Horns. E 8003 Row 3 Shelf 17 African Art. CULTURE KITS E 4617 Africa Kit A. E 4618 Africa Kit B. E 7096 East Africa Culture Kit. E 7901 Moroccan Culture Kit. E 4803 Urban Africa: Culture Kit. E 7097 West Africa Culture Kit. COSTUMED FIGURES E 6242 Ashanti Elder. E 6202 Ashanti King. E 6203 Dogon Man. E 6204 N'debele Woman. E 6206 Masai Nomad. E 6207 Yoruba Woman. E 6208 African Man. TEXTILES 15 Tex 201 BA Drawer 2 Fabric-teal/brown/cream. Tex 268 BA Drawer 3 Scarf-gold/brown/white. Tex 269 BA Drawer 3 Fabric-green/white/gold. Tex 270 BA Drawer 3 Fabric-green/white/gold. Tex 272 BA Drawer 3 Fabric-blue/white geometric. Tex 301 PL Drawer 6 Dyed cloth-indigo print. Tex 322 PL Drawer 7 Fabric-cotton voile tie-dye. Tex 323 PL Drawer 7 Fabric-indigo. Tex 324 PL Drawer 7 Fabric-indigo. Tex 331 PL Drawer 7 Fabric-indigo. Tex 412 AP Drawer 8 Wall hanging-animals. Tex 413 AP Drawer 8 Wall hanging-black/white/brown. Tex 541 EM Drawer 12 Wall hanging-tan with nine figures. Tex 542 EM Drawer 12 Wall hanging-tan with nine figures. Tex 617 PR Drawer 14 Mud painting-black/gold 3 figures. Tex 618 PR Drawer 14 Fabric-blue/red. Tex 620 PR Drawer 15 Fabric-pink/yellow/purple. Tex 621 PR Drawer 15 Fabric-black/white border, orange. Tex 622 PR Drawer 15 Fabric-black/white border, orange. Tex 626 PR Drawer 15 Fabric-red with blue/green design. Tex 627 PR Drawer 15 Fabric-navy/green/rust. Tex 628 PR Drawer 15 Dashiki cloth with blue design. 16 Tex 629 PR Drawer 15 Dashiki cloth-rust/with blue design. Tex 631 PR Drawer 16 Dashiki cloth-brown/blue/rust. Tex 632 PR Drawer 16 Dashiki cloth-white with rust/blue design. Tex 633 PR Drawer 16 Dashiki cloth-white with rust/blue design. Tex 634 PR Drawer 16 Dashiki cloth-brown/orange. Tex 635 PR Drawer 16 Kanga-rust with triangle designs. Tex 637 PR Drawer 16 Fabric-tan, indigo/red design. Tex 646 PR Drawer 16 Dashiki cloth-purple with blue/gold design. Tex 700-71 WE Drawer 28 Tex 700-72 WE Drawer 28 Tex 700-131 WE Drawer 31 Kente cloth-blue/multicolor. Tex 700-147 WE Drawer 33 Hunter's bag-raffia, multicolor. Tex 731 Drawer 36 Wall hanging-black/white/tan. Tex 745 WE Drawer 19 Kente cloth-purple/orange/yellow. Tex 760 WE Drawer 20 Raffia bag-purple/orange/yellow. Tex 908 MIX Drawer 37 Mud cloth-Senufo, animal and human figures. Tex 929 MIX Drawer 39 Mud cloth-Senufo, woven strips. Tex 930 MIX Drawer 39 Mud cloth-Senufo, woven strips. Tex 931 MIX Drawer 39 Mud cloth-Senufo, woven strips. Kente cloth-pink/green stripe. Kente cloth-blue/red/yellow. 17 Tex 933 MIX Drawer 39 Tunic-white satin, tie-dyed. LIBRARY PANELS LP 1 Africa. LP 20 Masks from around the World. (Panel 5) LP 46 Masks from Africa. LP 79 Wood Carving in Ghana. LP 80 Lost Wax Process. LP 107A African Art. LP 107B African Art. LP 110 Dahomey Applique. LP 112 African Textiles. LP 113 African Textiles -- Plangi. LP 114 Senufo Mud Painting. LP 115 Recurring African Motifs. LP 124A African Beadwork. LP 124B African Beadwork. LP 139 Anansi the Spider. LP 145 Art of West Africa Kingdoms. FINE ART PRINTS FAP Jones, L. 1 Dahomey. FAP Jones, L. 2 Esquisse for Ode to Kinshasa. 18 FAP Miller 1 Zebras and Hyenas. FILMS, VIDEOS AND DVD’S NUMBER TITLE LEVEL TIME MP 844-VHS Elephants and Hippos of Africa. P-I-M 17 Min. MP 3472-VHS Imani-faith: Beegie and the Egg. P-I-M 8 Min. MP 3678-VHS A Story, a Story. P-I 10 Min. Why Mosquitoes Buzz in People's Ears. P-I 10 Min. MP 4888-VHS Baka, People of the Forest. I-M-S 58 Min. MP 4904-VHS Elephant! M-S 59 Min. MP 4918-VHS Serengeti Diary. I-M-S 60 Min. MP 5146-VHS Africa. I-M-S 25 Min. MP 5187-VHS South Africa: After Apartheid. S 20 Min. MP 5381-VHS Middle East and Africa II: Egypt/Tunisia/ Morocco /Mali /Cameroon /Zaire/Tanzania. S 30 Min. MP 5382-VHS Middle East and Africa III: Chad/ Cameroon. S 30 Min. MP 5383-VHS Middle East and Africa IV: Ivory Coast/ Botswana/ Republic of South Africa. S 30 Min. MP 4387-VHS MP 5549-VHS Survivors of the Skeleton Coast. M-S 60 Min. SPANISH MP 5603-VHS Las Minas del Rey Salomon. I 60 Min. 19 MP 5703-VHS Mufaro's Beautiful Daughters. (Reading Rainbow) P-I 28 Min. MP 5755-VHS Abiyoyo. (Reading Rainbow) P-I 28 Min. MP 5763-VHS Bringing the Rain to Kapiti Plain. (Reading Rainbow) P-I 29 Min. MP 5777-VHS Galimoto. (Reading Rainbow) P-I 29 Min. MP 5905-VHS The Village of Round and Square Houses. P-I 12 Min. MP 5974-VHS Anansi the Spider. P-I 10 Min. MP6075-VHS Anansi and the Moss-covered Rock. P-I 11 Min. MP 6174 VHS Swinging Safari. P-I 44 Min. MP 6234 VHS The Songhai Princess. P-I 25 min MP 6453 VHS Animals of the African plains. The Powerful Influence of Africa on Modern Art. I-M-S-A 17 Min. M-S 20 Min. MP 6500 VHS At the Crossroads. P-I 7 Min. MP 6602 VHS Anansi. P-I 30 Min. MP 6608 VHS Mandela: The Man and his Country. M-S 50 Min. SPANISH El Rey León. P-I 88 Min. MP 6742 VHS Mountain Gorillas. P-I 15 Min. MP 6757 VHS Meerkats United / The Beeteam M-S 60 Min. MP 6480 VHS MP 6667 VHS 20 MP 6835 VHS Children of Other Lands: Georgina Williams of Ghana. P-I 15 Min. MP 6939 VHS The Roots of African Civilization. I-M-S 25 Min. MP 7149 VHS Africa: People and Places. P-I 34 Min. MP 7165 VHS Mandela. S 60 Min. MP 7257 VHS Jane Goodall: My Life with the Chimpanzees. I-M-S 60 Min. SPANISH MP 7527 VHS Conviviendo con los Elefantes. I- M-S 42 Min. MP 7760 VHS Ancient Africa. P-I-M 23 Min. MP 7944 VHS Families of Ghana, West Africa. P-I 29 Min. MP 8302 VHS Tribal design. M-S 105 Min. MP 8350 VHS African art. S 47 Min. MP 8673 DVD World Art. M-S 20 Min. Titles of books are too numerous to list. Please visit EMC’s website. http://instech.tusd.k12.az.us/emc.html 21