ANTOINE WATTEAU, Return from Cythera, 1717. Oil on canvas, 4` 3
Transcription
ANTOINE WATTEAU, Return from Cythera, 1717. Oil on canvas, 4` 3
FRANÇOIS BOUCHER, Cupid a Captive, 1754. Oil on canvas, 5’ 6” x 2’ 10”. ANTOINE WATTEAU, Return from Cythera, 1717. Oil on canvas, 4’ 3” x 6’ 4 1/2”. JEAN-HONORÉ FRAGONARD, The Swing, 1766. Oil on canvas, approx. 2’ 8 5/8” x 2’ 2”. CLODION, Nymph and Satyr, c.1775, terracotta JEAN-BAPISTE-SIMEON CHARDIN, Back from the Market, 1739, oil on canvas JOSEPH WRIGHT OF DERBY, A Philosopher Giving a Lecture at the Orrery, ca. 1763–1765. Oil on canvas, 4’ 10” x 6’ 8”. 1 ÉLISABETH LOUISE VIGÉE-LEBRUN, Self-Portrait, 1790. Oil on canvas, 8’ 4” x 6’ 9”. WILLIAM HOGARTH, Breakfast Scene, from Marriage à la Mode, ca. 1745. Oil on canvas, 2’ 4” x 3’. THOMAS GAINSBOROUGH, Mrs. Richard Brinsley Sheridan, 1787. Oil on canvas, 7’ 2 5/8” x 5’ 5/8”. BENJAMIN WEST, Death of General Wolfe, 1771. Oil on canvas, approx. 4’ 11” x 7’ JOHN SINGLETON COPLEY, Portrait of Paul Revere, ca. 1768–1770. Oil on canvas, 2’ 11 1/8” x 2’ 4”. JACQUES-LOUIS DAVID, Oath of the Horatii, 1784. Oil on canvas, approx. 10’ 10” x 13’ 11”. 2 JACQUES-LOUIS DAVID, The Death of Marat, 1793. Oil on canvas,. 5’ 5” x 4’ 2 1/2”. Jacques-Louis David, The Coronation of Napoleon, 1805-1808, oil on canvas ANDREA PALLADIO, Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1566– 1570 1570. RICHARD BOYLE and WILLIAM KENT, Chiswick House, near London, England, begun 1725. ANTONIO CANOVA, Pauline Borghese as Venus, 1808. Marble, 6’ 7” long. Galleria Borghese, Rome. JEAN-ANTOINE HOUDON, George Washington, 1788-1792. Marble, 6’ 2” high. State Capitol, Richmond. HORATIO GREENOUGH, George Washington, 1840. Marble, 11’ 4” high. 3 THOMAS JEFFERSON, Monticello, Charlottesville, United States, 1770–1806. JEAN-AUGUSTE-DOMINIQUE INGRES, Apotheosis of Homer, 1827. Oil on canvas, 12’ 8” x 16’ 10 3/4”. JEAN-AUGUSTE-DOMINIQUE INGRES, Grande Odalisque, 1814. Oil on canvas, approx. 2’ 11 7/8” x 5’ 4”. HENRY FUSELI, The Nightmare, 1781. Oil on canvas, 3’ 4 3/4” x 4’ 1 1/2”. WILLIAM BLAKE, Ancient of Days, frontispiece of Europe: A Prophecy, 1794. Metal relief etching, hand colored, 9 1/2” x 6 3/4”. FRANCISCO GOYA, The Sleep of Reason Produces Monsters, from Los Caprichos, ca. 1798. Etching and aquatint, 8 1/2” x 5 7/8”. 4 FRANCISCO GOYA, The Family of Charles IV, 1800. Oil on canvas, approx. 9’ 2” x 11’. FRANCISCO GOYA, Third of May, 1808, 1814. Oil on canvas, 8’ 9” x 13’ 4”. FRANCISCO GOYA, Saturn Devouring One of His Children, 1819–1823. Detached fresco mounted on canvas, 4’ 9 1/8” x 2’ 8 5/8”. THÉODORE GÉRICAULT, Raft of the Medusa, 1818–1819. Oil on canvas, 16’ 1” x 23’ 6”. THÉODORE GÉRICAULT, Insane Woman 1822–1823. Oil on canvas, 2’ 4” x 1’ 9”. EUGÈNE DELACROIX, Liberty Leading the People, 1830. Oil on canvas, 8’ 6” x 10’ 8”. 5 FRANÇOIS RUDE, Departure of the Volunteers of 1792 (La Marseillaise), Arc de Triomphe, Paris, France, 1833–1836. Limestone, 41’ 8” high. EUGÈNE DELACROIX, Tiger Hunt, 1854. Oil on canvas, 2’ 5” x 3’. JOHN CONSTABLE, The Haywain, 1821. Oil on canvas, 4’ 3” x 6’ 2”. JOSEPH MALLORD WILLIAM TURNER, The Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On), 1840. Oil on canvas, 2’ 11 11/16” x 4’ 5/16”. JOHN NASH, Royal Pavilion, Brighton, England, 1815–1818. LOUIS-JACQUES-MANDÉ DAGUERRE, Still Life in Studio, 1837. 6 1/4” x 8 1/4”. Daguerreotype. Collection Société Française de Photographie, Paris. 6 NADAR, Eugène Delacroix, ca. 1855. Modern print, 8 1/2”x 6 2/3” TIMOTHY O’SULLIVAN, A Harvest of Death, Gettysburg, Pennsylvania, July 1863. Negative by Timothy O’Sullivan. Original print by ALEXANDER GARDNER, 6 3/4" x 8 3/4". 7