t-bridge - LR Baggs
Transcription
t-bridge - LR Baggs
2015 ™ LYRIC ACOUSTIC MICROPHONE BEYOND P I C KUP S. B E YO N D CO MPAR E . There’s no argument that a mic is the best way to capture the sound of an acoustic guitar, but until now, using a mic for most live performances has been an elusive ESFBN-ZSJDUIFOFYUTUFQJO536t.*$UFDIOPMPHZJTUIFMPOHPWFSEVFSFBMJ[BUJPO of this dream. Without a pickup, Lyric’s microphone accurately transports your guitar’s actual voice to a live audience for the most realistic and inspiring sound you will ever experience. Check out Lyric video and audio samples at: lrbaggs.com/lyric T R U•M IC TECH NO LO GY Our featherweight microphone, each high-graded for ideal response, mounts to the underside of the bridge plate with simple peel-&-stick adhesive to preserve the integrity of your instrument. The mic leverages the “pressure-zone” principle by positioning the capsule just 3mm from the surface of the top to hear the entire soundboard for even balance and tone. And the mic’s proximity to the top allows high gain before feedback. Unlike other attempts to use an internal mic, Lyric employs a proprietary capsule that rejects all “boxy” reflections within the guitar. This patent pending minor miracle enables the mic to act as if it were outside of the guitar delivering a clear and open studio mic’d sound. 1 C I R C U I T I N N OVAT I O N S *OBTUVEJPZPVXPVMEIBWFUPVTFBOFOUJSFSBDLPGHFBSUPBDIJFWFXIBUXFIBWFCVJMUJOUP-ZSJDTUJOZDJSDVJUCPBSE Our lead engineer, Tommy Linn, created several patent pending “black box” circuit innovations that unlock the potential PG UIF NJDSPQIPOF5IF öSTU UJHIUFOT UIF MPXFS GSFRVFODJFT GPS B QVODIJFS BUUBDL XJUI OBUVSBM EZOBNJDT5IF TFDPOE maintains the mic’s sweetness no matter how hard you play. The third innovation, not patent pending but useful, is BOBEKVTUBCMFiQSFTFODFwDPOUSPMUIBUEJBMTIJHIGSFRVFODZSFTQPOTFQFSGFDUMZGPSZPVSHVJUBS8SBQBMMPGUIJTJOBOBMM EJTDSFUFIJHIöEFMJUZNJDQSFBOEZPVIBWFBXPSMEDMBTTNJDSPQIPOFTZTUFNBTBO integral part of your guitar anywhere you plug in. FE ATURE S t536t.*$OPJTFDBODFMJOHUFDIOPMPHZ t/PQJDLVQ t"OBMPHTJHOBMDPOEJUJPOJOH t"MMEJTDSFUFNJDQSFBNQMJöFS t0VUQVUKBDLFMFDUSPOJDT tSoundhole volume control t.JDQSFTFODFDPOUSPM t2VJDLFBTZJOTUBMMBUJPO LYRIC CLASS I C AL 8IFOJUDPNFTUPBNQMJöDBUJPOUIFOZMPOTUSJOHHVJUBSIBTMPOHCFFOUIFGPSHPUUFOTUFQTJTUFSBOEIBTTVòFSFEXJUI XFBLSFUSFBETPGTUFFMTUSJOHTZTUFNT#VUUIFSFBSFWBTUEJòFSFODFTCFUXFFOOZMPOBOETUFFMTUSJOHJOTUSVNFOUT0OF TJ[FEPFTOPUöUBMM5PQSFTFSWFUIFTFEJòFSFODFTXFTFUPVUXJUIUIFQSPWFSCJBMXIJUFTIFFUPGQBQFSXIFOXFDSFBUFE UIFQSFBNQGPSUIF-ZSJD$MBTTJDBM7JSUVBMMZFWFSZQBSBNFUFSPGUIF-ZSJDTBMMEJTDSFUFQVSF$MBTT"BOBMPHQSFBNQIBT CFFOMPWJOHMZSFUVOFEUPIPOPSUIFJOTUSVNFOU/PXFBLTUFQTJTUFSUIF-ZSJD$MBTTJDBMXJMM simply transport the rich pure sound of your instrument to live audiences as if it were externally mic’d allowing mobility and with great feedback resistance. Check out Lyric Classical video and audio samples at: lrbaggs.com/lyric-classical 2 ACOUSTIC P RE A M P S RUL E T H E STAGE WHY GET A PREAMP? A preamp will bring your pickup to life by enhancing tone, boosting the signal and providing FRVBMJ[BUJPOGPSUIFNPTUDIBMMFOHJOHDPOEJUJPOT*GZPVBSFBHJHHJOHNVTJDJBOBOBDPVTUJDQSFBNQJT POFPGZPVSNPTUJNQPSUBOUQJFDFTPGHFBSoPOFUIBUZPVXJMMUBLFFWFSZXIFSFZPVQFSGPSN'PSNPSF than a decade, LR Baggs has been recognized as the leader in acoustic preamps with award winning QSPEVDUTMJLFUIF1BSB%*BOE7FOVF%*1MVHJOBOEIBWFDPNQMFUFNBTUFSZPWFSZPVSTPVOE VENUE DI ™ PREAMP/EQ & DIRECT BOX W/ TUNER $POTJEFSFEUIFCFTUTPVOEJOHQSFBNQFWFSDSFBUFEGPSBDPVTUJD JOTUSVNFOUT UIF 7FOVF %* GFBUVSFT BO BMMEJTDSFUF TJHOBM QBUIXJUIQPXFSGVMCBOE&2OPUDIöMUFSGVMMJTPMBUJPO %* PVUQVU QMVT GPPUTXJUDIBCMF UVOFS BOE BEKVTUBCMF WPMVNF CPPTU 5IF 7FOVF %* HJWFT ZPV DPNQMFUF control over your sound and performance with an all-in-one acoustic pedal. Assembled in the 64"XJUIRVBMJUZDPOUSPMUFTUJOH i4PGPSVTJUTCZFCZFTFQBSBUFQFEBMTBOEQBUDIMFBETBOEIFMMPUPJNQSPWFE&2%*BOETVQFSCGFFECBDLCVTUJOH *GZPVSFBHJHHJOHBDPVTUJDNVTJDJBOKVTUCVZPOFoZPVMMUIBOLVTw– Guitarist Magazine F E AT U R E S 3 t"EKVTUBCMFHBJOGPSCPUIQBTTJWFBOEBDUJWFQJDLVQT t'VMMJTPMBUJPOBVEJPUSBOTGPSNFSDPVQMFE%* tCBOE&2XJUIUVOBCMFMPXNJEBOEIJHINJECBOET tTFHNFOUDMJQNFUFSUPWJTVBMMZPQUJNJ[FHBJOTFUUJOH t(BSSFU/VMMOPUDIöMUFSGPSFòFDUJWFGFFECBDLDPOUSPM tTFHNFOUCBUUFSZTUBUVTHBVHF t1IBTFJOWFSTJPOGPSCFTUTPVOEBOEGFFECBDLDPOUSPM t9-3BOEwPVUQVUT t'VMMDISPNBUJDUVOFSXJUIGPPUTXJUDINVUFUVOFGVODUJPO t4FSJFT'9MPPQTFQBSBUFKBDLTGPSTFOEBOESFUVSO t"EKVTUBCMFWPMVNFCPPTUGPPUTXJUDI t8PSLTXJUI7CBUUFSZPS%$BEBQUFSOPUQSPWJEFE PARA DI ™ 5-B AND EQ/ D I R EC T B OX %VF UP JUT SJDI BOE QSJTUJOF TPVOE RVBMJUZ QPXFSGVM TUVEJP RVBMJUZ &2 WFSTBUJMJUZ BOE SPDLTPMJE SFMJBCJMJUZ UIF 1BSB %* IBT CFDPNF BO indispensable staple for performing musicians around the world. 5IJT SPBEXPSUIZ CPY FòPSUMFTTMZ UBNFT UIF TUBHF BOE FOIBODFT UIF TPVOE RVBMJUZ PG BMM QBTTJWF BOE BDUJWF BDPVTUJD JOTUSVNFOU QJDLVQT BOE öUT JO UIF TUSJOH QPDLFU PG NPTU HVJUBS DBTFT *U SVOT PO FJUIFS 7 QIBOUPN QPXFS PS B 7 CBUUFSZ "TTFNCMFE JO UIF 64"XJUIRVBMJUZDPOUSPMUFTUJOH F E AT U R E S t"EKVTUBCMFHBJOGPSCPUIQBTTJWFBOEBDUJWFQJDLVQT tCBOE&2XJUIUVOBCMFOPUDIBOENJESBOHFCBOET t1IBTFJOWFSTJPOGPSCFTUTPVOEBOEGFFECBDLDPOUSPM t9-3BOEwPVUQVUT t8PSLTXJUI7CBUUFSZPS7QIBOUPNQPXFS GI G P R O ™ FEATURE S SINGLE CHANNEL BELT CLIP PREAMP t"EKVTUBCMFHBJO 5IF(JHQSPJTBOBMMEJTDSFUF$MBTT"TJOHMFDIBOOFM t1BTTJWFCBOE&2 belt clip preamp that eliminates the need for t#BTTUSJNDPOUSPM active electronics on your prized instrument. t1IBTFJOWFSTJPO *U NBLFT BOZ BDPVTUJD QJDLVQ TPVOE CFUUFS BOE t7QIBOUPNQPXFS QSPWJEFTöOHFSUJQDPOUSPMSJHIUBUZPVSTJEF t#BUUFSZUZQF4JOHMF7 MIXPRO™ FEATURE S DUAL CHANNEL BELT CLIP PREAMP t"EKVTUBCMFHBJO 5IF.JYQSPJTBOBMMEJTDSFUF$MBTT"EVBMDIBOOFM t1BTTJWFCBOE&2 belt clip preamp that will allow you to perfectly t#BTTUSJNDPOUSPM blend two of just about any combination of t1IBTFJOWFSTJPO QJDLVQTPSNJOJNJDT*UQSPWJEFTUIFDPOUSPMZPV t7QIBOUPNQPXFS need right at your side. t#BUUFSZUZQF4JOHMF7 A N T HE M ™ TRU•MIC TECHNOLOGY BRING YOUR STUDIO SOUND TO THE STAGE 'PSEFDBEFTBDPVTUJDHVJUBSJTUTIBWFESFBNFEPGCSJOHJOHTUVEJPTPVOEUPBOZMJWF performance. After 30 years of effort, we achieved this dream and have done what OPPUIFSQJDLVQNBOVGBDUVSFSIBTCFFODBQBCMFPGoDPNCJOJOHTUVEJPNJDGJEFMJUZ with the freedom of a pickup. i*IBWFPOMZESFBNFEUIBUTPNFEBZUFDIOPMPHZXPVMEBMMPXUIJTRVBMJUZPGTPVOE outside the walls of my recording studio.” – Louis Drapp / Recording Engineer TRU•MIC TECHNOLOGY 6OMJLF QSFWJPVT JOUFSOBM NJDT UIF QBUFOUQFOEJOH USVtNJD IBOEMFT UIF NBKPSJUZ PG UIF HVJUBST GSFRVFODZ SFTQPOTFoXFMM JOUP UIF NBHJD MPXFSNJESBOHFUP)[5IF536t.*$BMTPCMPDLTUIFSFGMFDUFE sound waves inside of the guitar that are responsible for the notorious internal mic “honk” and behaves as if it were outside of the guitar in a studio. The capsule floats inside of the guitar, just 3mm from the underside of the top, delivering unprecedented feedback resistance. An Element undersaddle pickup is used to augment only UIF MPXFTU GSFRVFODJFT 5IF DSPTTPWFS SPMMT UIF QJDLVQ PGG BU )[ FMJNJOBUJOH UIF RVBDL DPNNPO UP BMM undersaddle pickups. Hear all of the detail, warmth and personality of your guitar as only a real mic is capable of, XJUIPVUBIJOUPGRVBDLPSIPOL “Just what you expect from a very good mic. Everything else simply vanishes beyond the horizon in comparison.” – Laurie Williams / Luthier A NT H E M ™ The Anthem has all the essential tools in one complete system. The GFBUIFSXFJHIU QSFBNQ BOE DPOUSPMT PG UIF "OUIFN JODMVEF WPMVNF NJY phase, and multi-segment battery check. Blend between the mic augmented XJUIMPXGSFRVFODZTVQQPSUBOEGVMMSBOHF&MFNFOUQJDLVQ F E AT U R E S 5 t/PDVUQSFBNQDPOUSPMVOJU t.BTUFSWPMVNF t*ODMVEFT536t.*$BOE&MFNFOUQJDLVQ t.JDMFWFMDPOUSPM t.JYDPOUSPMGPSNJDBOEQJDLVQTFUUJOHT t.VMUJTFHNFOUCBUUFSZDIFDL t1IBTFJOWFSTJPOGPSNJOJNJ[JOHGFFECBDL t#BUUFSZMJGFISTTJOHMF7 A NT HE M S L ™ 'PSUIPTFPGZPVXIPQSFGFSBNJOJNBMJTUBQQSPBDIUPDPOUSPMTXFPòFSBTUSFBNMJOFEWFSTJPOPGthe "OUIFN*OUIF"OUIFN4-UIFCBMBODFCFUXFFOUIFTRUt.*$ and Element pickup is pre-set for NBYJNVNNJDTPZPVDBOIBWFUIFTBNFHSPVOECSFBLJOHöEFMJUZBTUIF"OUIFNJOBO endpin preamp format. A mic level trim control insures perfect balance for every JOTUBMMBUJPO5IFQSFBNQIBTPVSGBNPVTBMMEJTDSFUFTUVEJPRVBMJUZDJSDVJUSZ BOEJTPVUöUUFEXJUIBOFBTZUPVTFTPVOEIPMFNPVOUFEWPMVNFDPOUSPM F E AT U R E S t&OEQJOQSFBNQ t.JDMFWFMDPOUSPM t536t.*$ t7PMVNFDPOUSPM t&MFNFOUQJDLVQ t#BUUFSZMJGFISTTJOHMF7 ANTHEM SL CLASSICAL™ The Anthem is also available for nylon string guitars. With the same controls BOEGPSNBUBTUIF"OUIFN4-UIF"OUIFN4-$MBTTJDBMTQSFBNQJTTQFDJGJDBMMZ UVOFEUPDBQUVSFUIFVOJRVFWPJDFBOEEZOBNJDTPGOZMPOTUSJOHHVJUBST F E AT U R E S t&OEQJOQSFBNQ t.JDMFWFMDPOUSPM t536t.*$ t7PMVNFDPOUSPM t&MFNFOUQJDLVQ t#BUUFSZMJGFISTTJOHMF7 STAG E P R O A N T H E M ™ The Stagepro Anthem is a side-mounted system that offers battery access and a full chromatic tuner that is hidden beneath the control panel to maintain a clean, DMBTTZMPPL"UXPCBOE&2XJUIQIBTFJOWFSTJPOBOEOPUDIGJMUFSDPOUSPMTPGGFSUPOF TIBQJOHBOEDPOUSPMPWFSMPXGSFRVFODZGFFECBDLPOBOZTUBHF5IFTZTUFNDPNFT complete with a TRUt.*$ and Element undersaddle pickup. F E AT URES t4JEFNPVOUFEDPOUSPMT t#BTTUSFCMFDPOUSPMT t.JDMFWFMDPOUSPM t536t.*$ t/PUDIöMUFS t7#BUUFSZBDDFTT t&MFNFOUQJDLVQ t1IBTFJOWFSTJPO t#BUUFSZMJGFJOEJDBUJPO t.BTUFSWPMVNF t0OCPBSEUVOFS t#BUUFSZMJGFIST 6 M AG NET I C P I C KUPS M80 ™ MORE BODY MORE SOUL M AG N E T I C P I C KU P W I T H F U L L R A N G E 3 D BODY SEN SI T I V I TY The soul of your guitar is in the body - from the tone woods that it’s made of to the fine details in the way it was put together. A typical magnetic pickup IFBSTPOMZESZTUSJOHT0VSQBUFOUFEBOEJDPOJD.XBTUIFGJSTUNBHOFUJD TPVOEIPMF QJDLVQ UP DBQUVSF UIF VQQFS GSFRVFODZ SFTPOBODFT PG UIF HVJUBSTCPEZGPSBNPSFOBUVSBMTPVOE5IF.QVTIFTUIJTJEFBUP UIFMJNJUTCZTFOTJOHUIFFOUJSFGSFRVFODZSBOHFPGUIFUPQCBDL side and neck resonances in all three dimensions. Tap on the body and you’ll swear that there’s a full range mic inside of the HVJUBSCVUJUTBMMDPNJOHGSPNUIF.5IJTBMMJOPOFQJDLup installs in minutes and faithfully captures more of your guitar’s acoustic soul than any single pickup ever created. FEATURES t'VMMSBOHFCPEZTFOTJUJWJUZ t'FFECBDLSFTJTUBOU t"DUJWFPSQBTTJWFPQFSBUJPO t*OTUBMMTJONJOVUFT t.VMUJTFHNFOUbattery check t"EKVTUBCMFQPMFQJFDFT Multi-segment battery check Volume control Active/passive operation M1 SERIES 5IF.JTGPSQMBZFSTXIPMPWFCJHBDPVTUJDUPOFXJUIIJHIGFFECBDLSFTJTUBODFPO BOZTUBHF$PNCJOJOHUIFOBUVSBMDIBSBDUFSJTUJDTPGZPVSHVJUBSTTPVOECPBSEXJUIB QVODIZTUSJOHBUUBDLUIF.TCPEZTFOTJUJWFEFTJHOQSPWJEFTSFBMJTNXIJMFDVUUJOH through a loud mix. M1™ AWBJMBCMFJOBDPNQMFUFMZQBTTJWFEFTJHOUIF.QSPWJEFTQSPGFTTJPOBMamplification in minutes. Adjustable pole pieces give you perfect string-to-string balance for EJGGFSFOU UZQFT PG TUSJOHT BOE HBVHFT " CVJMUJO HPME QMBUFE w KBDL NBLFT SFNPWJOH UIF QJDLVQ B TOBQ GPS XIFO ZPV BSF JO UIF TUVEJP 5IF . JODMVEFT B strapjack and 10’ cable for absolutely no modifications to your prized acoustic. M 1 ACTIVE ™ 5IF . "DUJWFT QMVHQMBZ EFTJHO IBT built-in electronics with audiophile circuitry for that sweet and pure acoustic sound we are known for. The internal electronics boost the pickup’s output for a full and direct signal to any acoustic amplifier or P.A. system, eliminating the need for any external preamps. The addition of a built-in volume control QSPWJEFT UIF QMBZFS RVJDL access for any performance. *ODMVEFTTUSBQKBDL F E AT U R E S t)JHIMZGFFECBDLSFTJTUBOU t7PMVNFDPOUSPM t#VJMUJOHPMEQMBUFEwKBDLNBLFTSFNPWJOHthe pickup a snap t-POHCBUUFSZMJGFIPVSTPOPOF7lithium coin cell t"EKVTUBCMFQPMFQJFDFT t*ODMVEFTBQSFXJSFETUSBQKBDLIBSOFTT Adjustable pole pieces Battery life: 1,000 + hrs Volume control David Gilmour playing the M1 Active Photo credit: Anna Wloch UN D E R SA DDL E P I C KUP EL EME N T ™ ADVANCED UNDERSADDLE PICKUP MIRRORS THE SOUNDBOARD’S MOVEMENT $PNNPOVOEFSTBEEMFQJDLVQTEFQFOEPOTUSJOHBUUBDLUPEJSFDUMZDPNQSFTTUIFTFOTPSTGPSUIFJSTPVOE5IJTEJSFDUQSFTTVSFJT BSPPUDBVTFPGUIFJOGBNPVTiRVBDLw*ODPOUSBTUPVSQBUFOUFE&MFNFOUEFSJWFTPVUQVUGSPNUIFNPWFNFOUPGUIFTPVOECPBSE BOESFKFDUTTUSJOHBUUBDLUPNJOJNJ[FiRVBDLw*UTGMFYJCMFGJMNTFOTPSUIJOBTBIVNBOIBJSNJSSPSTUIFTPVOECPBSETNPWFNFOU BTZPVQMBZUPDBQUVSFUIFHVJUBSTBDUVBMWPJDFBOEJUTNPTUEFMJDBUFOVBODF*OBEEJUJPOUIFQJDLVQTNJOJNBMJTUDPOTUSVDUJPO removes most of its influence on the acoustic properties, creates an intimate coupling between the sensor and guitar for the IJHIFTUGJEFMJUZQPTTJCMFBOENBLFTUIF&MFNFOUBNB[JOHMZSFMJBCMF&WFSZQJDLVQJTNBEFIFSFBUPVS$BMJGPSOJBGBDUPSZBOEJT pre-tested in a guitar for output and balance. EL EME N T VTC ™ VOLUME, TONE, COMPRESSION OUR PREMIER USP SYSTEM .VMUJCBOEDPNQSFTTJPOIBTMPOHCFFOBsecret of mastering rooms worldwide to unlock the warmth and natural dynamics of recorded JOTUSVNFOUT5IF&MFNFOU75$TBMMEJTDSFUF$MBTT" preamp leverages this studio elixir with a proprietary BOBMPH DPNQSFTTPS UIBU PQFSBUFT CFMPX )[ 5IF DPNQSFTTPS JT FEATURES t"MMEJTDSFUFFOEQJOQSFBNQ tuned to reflect the actual dynamics of the acoustic guitar, creating in t4PVOEIPMFNPVOUFEWPMVNFBOEUPOFDPOUSPMT live performance, the superior warmth and natural balance of tone t1SFBUUBDIFE&MFNFOUQJDLVQ BDIJFWFE JO QSPGFTTJPOBM TUVEJP NBTUFSFE TPVOE o NBLJOH UIF &MFNFOU t#BUUFSZUZQF4JOHMF7 75$ UIF NPTU PSHBOJD BOE NVTJDBMMZ VQMJGUJOH VOEFSTBEEMF TZTUFN FWFS t'JUTCPUIwBOEwTBEEMFTMPUT DSFBUFE*ODMVEFTTPVOEIPMFNPVOUFEWPMVNFBOEUSFCMFUPOFDPOUSPMT t#BUUFSZMJGFIST ELEMENT AC T I V E SYST E M ™ Our original Element Active System features impressive body sensitivity, warmth and articulation in a streamlined design. The system includes a prewired Element pickup, all-discrete circuitry and a soundhole-mounted volume control for easy access. B RI D G E P LAT E P I C KUP iB EAM ™ 5IFJ#FBNTQBUFOUFEBOE.*1"BXBSEXJOOJOHEFTJHOFNQMPZTBNBUDIFEQBJSPGWJSUVBMMZ weightless film sensors, each suspended across a slot near the ends of the pickup. As the guitar top vibrates, the slots open and close, flexing the sensors like the diaphragms in a stereo mic. The film sensors effortlessly trace the guitar’s most subtle nuance or thunderous whomp without compression, distortion or a hint of “piezo RVBDLw"OPUIFSLFZBEWBOUBHFPWFSUZQJDBMCSJEHFQMBUF sensors is the iBeam’s “cardioid” like response pattern. 5IJTJOIJCJUTGFFECBDLBOETUSJOHTRVFBLXIJMFTFMFDUJWFMZ admitting the rich tone-producing vibrations. 8FJHIJOHMFTTUIBOP[UIFJ#FBNXJMMOPUBMUFSUIF guitar’s natural acoustics, has natural string balance and EPFT OPU SFRVJSF BOZ NPEJGJDBUJPO UP UIF JOTUSVNFOU An external preamp is recommended. iBEAM ACTIVE SYSTEM ™ 5IFJ#FBN"DUJWFQBJSTUIFJ#FBNXJUIBOBMMEJTDSFUF$MBTT"FOEQJOQSFBNQwith TPVOEIPMFWPMVNFDPOUSPM5IFTXFFUBOEVMUSBRVJFUBVEJPQIJMFHSBEFQSFBNQ GBJUIGVMMZBNQMJGJFTFWFSZOVBODFPGUIFQJDLVQ4VQFSJPSTPVOEBOE&2JTCVJMU in for easy plug-and-play performance. An auxiliary passive channel is also available for adding a secondary pickup. The iBeam Active is also great for direct studio or home recording. $PNQBSJTPOUFTUTIBWFEFNPOTUSBUFEUIBUUIFGJEFMJUZPGUIJTTZTUFNJTB great alternative to studio microphones. FEATURES t2VJDLBOEFBTZJOTUBMMBUJPO t*ODMVEFTJ#FBNQMBDFNFOUKJHQJOCSJEHFHVJUBSTPOMZ t1FFMBOETUJDL t/BUVSBMTUSJOHUPTUSJOHCBMBODFBOEEZOBNJDT t'JUTNPTU9#SBDFEHVJUBST t"MMEJTDSFUF$MBTT"QSFBNQGPSXBSNBOBMPHTPVOE t"WBJMBCMFJOTUFFMBOEOZMPOTUSJOHWFSTJPOT 10 M IX I NG SYST E MS iM IX ™ 5IFJ.JYQBJSTUIFJ#FBNBOE&MFNFOUQJDLVQTXJUIBNJOJBUVSFBMMEJTDSFUF$MBTT " QSFBNQTUFSFP NJYFS $PNCJOJOH UIF BDDMBJNFEGJEFMJUZPGUIFJ#FBNBOE UIF QSFTFODF BOE GFFECBDL SFTJTUBODF PG UIF &MFNFOU UIF WFSTBUJMF J.JY is ideal for any venue. With its adjustable mid contour controls for both the iBeam and Element, and low cut for the iBeam, a dialed-in sound is available for any acoustic guitar. F E AT U R E S t*ODMVEFTJ#FBNBOE&MFNFOUQJDLVQT t"MMEJTDSFUFNJOJBUVSFQSFBNQNJYFS t5VOBCMFNJEDPOUPVSTGPSJ#FBN and Element t.POPPSTUFSFPPQFSBUJPO t1SFXJSFETUSBQKBDLIBSOFTT t7BSJBCMFJ#FBNMPXDVUGPSPQUJNVN t3FNPUF$POUSPM** bass response t#BUUFSZCBH Installed view iMix preamp D UAL S OURC E ™ 5IF %VBM 4PVSDF 4ZTUFN JT B NJOJBUVSF JOUFSOBMMZ NPVOUFE NJDSPQIPOFQJDLVQ mixing system that seamlessly combines our patented Element undersaddle pickup XJUI B IJHI RVBMJUZ '&5 DPOEFOTFS NJDSPQIPOF 5IF VMUSBRVJFU QSFBNQ NPVOUT non-destructively inside of the instrument and features all-discrete audiophile DJSDVJUSZGPSPVSTJHOBUVSFRVBMJUZTPVOE5IFQSFBNQDPOUSPMTIBWFBNQMFGMFYJCJMJUZ to fine tune the response of your individual guitar. FEATURES t&MFNFOUVOEFSTBEEMFQJDLVQ t0NOJEJSFDUJPOBM'&5DPOEFOTFS microphone t"MMEJTDSFUFNJOJBUVSF QSFBNQNJYFS t.POPPSTUFSFPPQFSBUJPO t1IBTFSFWFSTFPOQJDLVQDIBOOFM t5VOBCMFMPXDVUöMUFSGPS microphone t1SFXJSFETUSBQKBDLIBSOFTT t3FNPUF$POUSPM** t#BUUFSZ#BH Installed view 11 Dual Source mic Dual Source preamp UKU L E L E F IVE.O ™ UKULELE SYSTEM 5IF -3 #BHHT '*7&0 VLVMFMF TZTUFN JT TNBMM MJHIUXFJHIU BOE CFTU PG BMM TQFDJGJDBMMZ FOHJOFFSFE UP USBDL UIF VLFT VONJTUBLBCMZ VOJRVF WPJDF and natural dynamics. The system combines a custom version of our award winning Element undersaddle QJDLVQ XJUI B 7 NJOJBUVSF endpin preamp and soundhole mounted volume control. The entire system weighs MFTT UIBO POF 7 battery and tucks away neatly inside the small instrument for a non-invasive installation. The pickup features BO&BTZ*OQVMMHVJEFGFBUVSFUPBTTJTUJOTUBMMBUJPO 5IF '*7&0T BMMEJTDSFUF QSFBNQ EFMJWFST QVSF BOBMPH TPVOE8F BMTP JODMVEFE B CVJMUJO MPX GSFRVFODZ DPNQSFTTJPO UIBU UBNFT VOOBUVSBM BOE BOOPZJOH UIVNQT DPNNPOJOPUIFSTZTUFNT1MVHJOUPUIF'*7&0BOEFYQFSJFODFUIFTPVOEZPVWF been waiting for. FEATURES t$VTUPN&MFNFOUQJDLVQ t&BTZ*OQVMMHVJEF t.JOJBUVSFFOEQJOQSFBNQ t4PVOEIPMFNPVOUFEWPMVNFDPOUSPM t4VQFSMJHIUXFJHIU t#BUUFSZUZQF4JOHMF7 t#BUUFSZMJGFIST &BTZ*OQVMMHVJEFGBDJMJUBUFTQJDLVQJOTUBMMBUJPO 12 M A N D O L IN / VI O L I N RAD I U S M AND OL I N ™ 5IF3BEJVT.BOEPMJOQJDLVQJTBIJUFDIDPOUBDUTFOTPSUIBUJOTUBMMTJONJOVUFT*UJT a passive accelerometer-based pickup that emulates the sound of a mic without the instability associated with microphones. At the heart of the pickup is a IJHIMZGMFYJCMFCFBNXJUIBwUIJOGJMNTFOTPSTJNJMBSUPNJDEJBQISBHN NBUFSJBM BUUBDIFE UP JUT TVSGBDF 5IF CFBN JT IFME JO FRVJMJCSJVN BOE EBNQFE CZ BOPUIFS -3 #BHHT JOOPWBUJPOPQQPTJOH /FPEZNJVN NBHOFUT5IF 3BEJVT. DBO CF NPVOUFE UP UIF PVUTJEF TVSGBDF PG UIF instrument with a removable, non-destructive adhesive or to the inside XJUI7)#BEIFTJWF"OFYUFSOBMQSFBNQJTSFDPNNFOEFE FEATURES t3BEJVTQJDLVQ t1FSNBOFOU7)#BEIFTJWFQBET t.PVOUJOHQVUUZ t&YUFSOBMKBDLNPVOU t$MFBSBEIFTJWFQBET VI OL I N P I C KU P 0VS 7JPMJO 1JDLVQ JT B NJOJBUVSF WJCSBUJPO TFOTPS DBTU EJSFDUMZ JOUP B 4VQFSJFVS %FTQJBVi5XP5SFFwNBQMFCSJEHFGPSNBYJNVNTFOTJUJWJUZBOETJHOBMUSBOTGFS As an integral part of the bridge, it effortlessly captures the instrument’s JOIFSFOUEZOBNJDT'VSUIFSNPSFJUTTFMFDUJWFBENJUUBODFQBUUFSOJTBMJHOFE so that the signal is generated as the bridge moves in a left-right motion JOSFTQPOTFUPUIFTUSJOHWJCSBUJPOT 5IFQJDLVQBMTPSFKFDUTBOZJNQVMTF EJSFDUFE UP UIF QMBOF PG UIF CSJEHF o NJOJNJ[JOH BOOPZJOH GJOHFS TRVFBLTCPEZOPJTFBOEGFFECBDL*UJTUIFQJDLVQPGDIPJDFGPSUPQQSPT MJLF .BSL 0$POOPS %BSPM "OHFS +FBO-VD 1POUZ BOE 4BSB8BULJOT "O external preamp is recommended. FEATURES 13 t4VQFSJFVS%FTQJBVi5XP5SFFwNBQMFCSJEHF t)JHIMZGFFECBDLSFTJTUBOU t&WFOTUSJOHUPTUSJOHCBMBODF t&YUFSOBMKBDLNPVOU C L ASS I CS LB 6 S ER I ES The LB6, with its great presence and warmth, continues to be the pickup of choice GPS QSPGFTTJPOBM NVTJDJBOT MJLF +BNFT5BZMPS7JODF (JMM BOE 1IJM ,FBHHZ 4JY JOEJWJEVBM vibration sensors are cast right into the pickup base and epoxy bonded to the micarta saddle to insure optimum sound transfer. And its built-in feedback canceling design makes it ideal for high-SPL performance situations. SPACING OPTIONS (E to E): -#w-#9w-#w X-B R I D G E Add versatility and acoustic sound to your electric guitar. This drop-in replacement tremolo bridge for Strat-style guitars has a miniature acoustic transducer in each saddle. SPACING OPTIONS (E to E): U.S. Standard: 2 1/16” , Vintage: 2 1/8” , Fixed Bridge: 2 1/16” T-BRIDGE 5IBU HSFBU #BHHT BDPVTUJD UPOF JT BMTP BWBJMBCMF JO B 5VOF0.BUJD TUZMF CSJEHF &BDI individual saddle contains its own miniature high-output acoustic pickup. Available in chrome, gold or black. / ' S P O U B H F 3 E / J Q P N P $ " t Q t G t w w w . l r b a g g s . c o m