music in motion resource pack
Transcription
music in motion resource pack
MUSIC IN MOTION RESOURCE PACK SCHOOLS CONCERT WEDNESDAY 11 MAY 2016 ST JOHN’S SMITH SQUARE WELCOME Welcome to the London Sinfonietta’s Resource Pack for Music in Motion, our 2016 Schools Concert. It will tell you what to expect and provide some materials to help prepare you for the day. Contents: Page 1 Page 2 Page 3 & 4 Page 5, 6, 7 & 8 Page 9 Page 10 Page 11 Page 12 Welcome and introduction to the London Sinfonietta Concert repertoire and performer list The composers and the music Freedom Train score and song sheet Body percussion Musical movements – serialism and minimalism Travelling timeline Discover more – further listening and reading To get the most from your experience at our Music in Motion concert, it would be beneficial to learn both the song Freedom Train (page 5) and the body percussion piece (page 9) in advance. LONDON SINFONIETTA The London Sinfonietta’s mission is to place the best contemporary classical music at the heart of today’s culture; engaging and challenging the public through inspiring performances of the highest standard, and taking risks to develop new work and talent. Founded in 1968, the ensemble’s commitment to making new music has seen it commission over 350 works, and premiere many hundreds more. Resident at Southbank Centre and Artistic Associates at Kings Place, with a busy touring schedule across the UK and abroad, its core is 18 Principal Players, representing some of the best solo and ensemble musicians in the world. The group also works with talented Emerging Artists, to ensure the unique expertise of its Principals is passed on to the next generation. Holding a world-leading position in education and participation work, the London Sinfonietta believes that arts participation is transformational to individuals and communities, and new music is relevant to people’s lives. This belief is enacted through primary and secondary school concerts across the UK, teacher training and interactive family events, as well as the annual London Sinfonietta Academy, an unparalleled opportunity for young performers and conductors to train with the world’s leading contemporary music ensemble. The London Sinfonietta has also broken new ground recently by creating Steve Reich’s Clapping Music app for iPhone, iPad and iPod Touch, a participatory rhythm game that has been downloaded over 104,000 times worldwide. MUSIC IN MOTION Wednesday 11 May 2016 St John’s Smith Square Michael Nyman MGV 1st Region Anton Webern Three Little Pieces 1st movement Colin Matthews Quartet No. 2 6th movement John Adams Road Movies 1st movement: Relaxed Groove Philip Glass String Quartet No. 3 6th movement: Mishima/Closing Anna Meredith Songs for the M8 1st movement Dmitri Shostakovich Piano Quintet Scherzo James Redwood presenter Jonathan Morton violin Joan Atherton violin Zoe Matthews viola Tim Gill cello Antoine Francoise piano The theme Music in Motion has been chosen to reflect the London Sinfonietta’s current project with Art on the Underground, and our support of the London Curriculum. Supported by The Nugee Foundation THE COMPOSERS & THE MUSIC Here’s some more information about the repertoire featuring in our Music in Motion concert: Michael Nyman MGV 1st region Michael Nyman is a British composer, pianist, writer, film-maker and Queen’s Park Rangers supporter who has written operas, concert music and even Oscar-winning film soundtracks. He has worked with a range of different artists including Damon Albarn. MGV stands for “Musique à Grand Vitesse” which is “High-Speed Music” in English. Michael Nyman was asked to write this piece to celebrate the opening of a new high-speed train line in France, the Train à Grande Vitesse (TGV). MGV has five movements, which Michael calls “Regions”, and each region represents a different train journey. Each movement has the same theme, but it changes its melody, harmony and rhythm in each region to represent the different environments a train might go through. Anton Webern Three Little Pieces 1st movement Anton Webern was an Austrian composer and conductor. His mentor was the composer Arnold Schoenberg who invented a new compositional method using all twelve notes of a scale – this later became known as serialism. Webern used this technique in most of his work which is why it sounds quite jumbled up and detached. Three Little Pieces is exactly that. Each piece is only about one minute long, with the second movement being only 45 seconds long. But just because it’s short does not mean it isn’t challenging! Colin Matthews String Quartet No. 2 6th movement Colin Matthews is a composer who was born in London in 1946. He has worked with orchestras all over the world and helps young composers and musicians in developing their skills. String Quartet No. 2 was originally written in 1985, but he wasn’t happy with it, so re-wrote the whole thing again in 1989. Colin uses techniques called atonality and discord in his music. This is where music doesn’t have a central key (like A major or C minor for example) allowing the music to move around freely. Discord is where certain notes and sounds seem to clash more than others, sounding harsher in comparison. John Adams Road Movies I: Relaxed Groove John Adams was born in America in 1947 and is one of the most popular living composers today. He has written both opera and orchestral works. Adams’ music often has a storyline, and his A Short Ride in a Fast Machine is another example of a piece with travelling as it’s theme. Road Movies was written in 1995, and the composer describes the movement you will hear in the concert as “a relaxed drive down a familiar road”. If you listen carefully you can hear the ‘musical scenery’ slowly approaching and then flying past you, as would happen in a car journey. Philip Glass String Quartet No. 3 – 6th movement: Mishima/Closing Philip Glass is an American composer who has written music for opera, dance, theatre, orchestra, and even films. He was also one of the first composers to start writing his music in the style that we know as minimalism. With an interest in different cultures, Glass often uses the influence of Eastern traditions in his work. His music has directly influenced many artists including David Bowie and Brian Eno, and he has worked with Paul Simon, Mick Jagger and Aphex Twin, to name a few. String Quartet No. 3 is also sometimes called the Mishima String Quartet as it was initially used in the film Mishima. The film tells the life story of a Japanese man – his childhood, his mature years and the last day of his life. The last movement of this piece illustrates a man coming to the end of his journey. Anna Meredith Songs for the M8 – 1st movement Anna Meredith is a composer, producer and performer. Her music covers many genres and is performed everywhere from classical concert halls to festivals, and even a flash mob on the M6 services. She recently wrote a body percussion piece called Connect It for BBC Ten Pieces and the first ever concerto for beatboxer and orchestra. Songs for the M8 was commissioned by a festival in France, but refers to the M8 motorway between Glasgow and Edinburgh, which Anna knew well growing up in Edinburgh. The music travels much like a motorway would, in a repetitive manner, with occasional dips and turns. Dmitri Shostakovich Piano Quintet – Scherzo Dimitri Shostakovich was a Russian composer and pianist born in St. Petersburg, Russia. His music was heavily influenced by the politics of the Second World War and was restricted a lot of the time by what he was allowed to write. In 1953, however when the Stalin regime had ended, he wrote arguably his best work. This included the famous Tenth Symphony, which gave him the opportunity to speak freely through his music. Piano Quintet was written in 1940, just before Russia went to war with Germany. The piece was not originally written for piano, but after impressing a string quartet in Moscow, Shostakovich was asked to alter it so he could play alongside them. FREEDOM TRAIN Freedom Train You may find it useful to learn Freedom Train accompanied with the audio track we have also provided. Leadsheet arr. James Redwood 4 Energetic (q=112) 4 & b4 Voice 1 Before the concert, don't worry about putting the song into different parts unless your group is really confident: we'll rehearse the song and put it into a round at the gig. F One Part 5 1 &b œ This F 7 1 &b œ œ G‹/F œ old 1 œ œ œ F œ œ D‹ 1 &b Œ 1 &b œ it, œ œ a œ œ so you've G‹/F œ œ œ œ long time in a - com - ing, œ œ got to ¿ - - œ Free - œ dom! Free œ ¿ ¿ G‹/D ¿ Clap œ G‹/F F - ∑ 3 &b ∑ ∑ 2 &b ∑ ∑ ¢& b œ This œ old œ œ œ free - dom train œ is œ such sim. œ a œ œ have œ œ have dom! ∑ 1 œ ∑ ˙™ 4 G‹/F œ sing - ing: Gon - na ° b & F it, G‹/F dom! œ œ a - board Clap Clap œ - œ but there's Gon - na F 16 Four Parts (Big Gap) œ œ jump Clap D‹ œ free - dom! œ dom! G‹/D œ œ G‹/F œ - Œ œ F F œ ˙ B¨ G‹/F G‹/F free 13 such œ af - ford "Free 11 is ˙ &b Œ œ œ free - dom train none who can't 9 œ F œ œ œ œ œ œ long time in a - com - ing, œ œ but there's 2 Leadsheet 18 4 ° &b ∑ ∑ 3 &b ∑ ∑ 2 &b œ old b ¢& œ œ This 1 œ œ œ œ œ œ œ such œ œ is œ a long time in a - com - ing, œ œ œ œ œ œ œ œ it, so you've got to œ œ free - dom train none who can't af - ford 20 4 ° b & 3 &b œ œ old &b œ œ 1 ¢& œ œ œ œ œ is œ such œ œ œ œ œ œ œ œ œ it, so you've got to free - dom train af - ford a œ ˙ bŒ "Free œ œ but there's œ œ it, œ sing - ing: ∑ œ none who can't œ a - board ∑ This 2 jump œ œ œ - long time œ œ œ in a - com - ing, œ œ jump œ œ a - board ¿ œ œ it, dom! - œ but there's œ sing - œ ing: œ œ œ ¿ Clap Clap œ Gon - na have 22 4 ° &b œ old &b œ œ This 3 œ &b Œ œ œ is œ such œ œ œ œ œ œ œ œ œ it, so you've got to free - dom train af - ford ¢& bŒ - - œ œ in a - com - ing, œ œ jump œ œ a - board Clap ¿ Clap ¿ ¿ Clap dom! œ - long time œ - ˙ free a œ ˙ "Free 1 œ œ none who can't 2 œ œ - œ - dom! œ œ it, œ œ but there's œ sing - œ ing: œ œ œ Gon - na have Clap ¿ œ œ œ Gon - na have Leadsheet 3 24 4 ° &b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ none who can't af - ford it, so you've got to jump a -board it, sing - ing: 3 œ ˙ &b Œ "Free 2 &b Œ œ ˙ Œ b ¢& œ œ 27 4 ° bœ & &b œ &b œ œ Œ ¿ œ œ œ - œ ˙ free - œ œ Œ œ Gon -na have free - dom! œ Free - dom! "Free Gon -na have dom! - œ Free - dom! ∑ ˙™ Free - dom! ¿ ¿ œ œ œ Œ œ ˙ Gon-na have free ¿ ¿ œ œ œ œ œ Œ œ dom! - ¿ ¿ œ œ œ œ œ Œ œ œ Clap Clap Gon-na have free- dom! Clap Clap dom! 2 ¿ Clap œ œ œ ¿ Clap œ Clap Clap dom! 3 - œ free - dom! ¿ Clap dom! - free 1 œ Clap œ ˙ Œ Gon-na have free- dom! ˙™ œ œ œ Free- dom! ∑ ˙™ Free- dom! Free- dom! ∑ ∑ ∑ ∑ ∑ ∑ Free- dom! b 1 ¢& 4 ° &b œ ∑ 31 Four Parts (Small Gap) *up to 10 parts are possible! Free - dom! 3 &b ∑ 2 &b ∑ 1 b ¢& œ This ∑ ˙™ œ old œ œ œ free - dom train ∑ œ is œ such œ a œ œ œ is œ such œ œ œ œ œ œ œ œ œ time in a - com - ing, This œ old œ œ long free - dom train a but there's V.S. 4 Leadsheet 33 4 3 ° b & &b ∑ 2 1 old œ œ œ is œ such œ œ œ œ œ free - dom train œ œ œ œ œ such œ œ is œ a long time in a - com - ing, œ œ œ œ œ œ œ œ œ œ œ time in a - com - ing, œ œ œ &b œ b ¢& œ This œ œ old long œ œ œ This œ œ free - dom train none who can't œ af - ford but there's none who œ œ œ œ œ it, so you've got to can't œ af - ford œ œ œ jump œ œ œ it, so you've œ œ it, sing - ing: 35 4 ° &b œ œ long time 3 &b œ œ œ in a - com - ing, œ œ none who can't 2 1 &b œ œ got to ¢& œ œ œ œ œ af - ford œ œ œ jump but there's œ œ it, so you've got to œ it, - œ œ ˙ "Free 2 &b œ ¿ Clap dom! 1 ¢& bŒ œ œ œ free œ - - œ œ œ it, so you've œ a - board - ¿ ¿ - ˙ œ Clap Clap - dom! - ¿ œ ing: œ œ œ ¿ Gon - na have œ œ œ œ œ Œ - Clap ¿ ¿ Clap Clap - œ œ œ œ ˙ œ Clap Clap free ¿ - ¿ dom! œ œ Œ Gon-na have free- dom! œ œ œ Gon-na have Œ Gon-na have ¿ sing dom! Clap Clap free œ it, œ ¿ œ "Free Gon-na have ˙ œ œ Clap dom! ¿ af - ford "Free ˙ Œ œ Clap œ dom! - ° &b œ œ œ œ œ œ œ &b Œ œ ˙ œ got to jump a -board it, sing - ing: 3 œ jump Œ sing - ing: 37 4 œ œ none who can't œ œ "Free œ œ ˙ bŒ œ œ œ a - board œ but there's œ a - board a - œ œ œ Gon-na have œ œ Free - dom! Leadsheet 40 ° 4 &b Œ œ ˙ free 3 &b œ ¿ ¿ 2 - Clap Clap dom! œ œ œ œ œ œŒ œ œ ˙™ œ œ œ ˙™ ∑ Gon-na have free- dom! Free- dom!Free- dom! œ Gon-na have free- dom! Free- dom! &b œ œ Œ œ ¢& b œ dom! œ œ œ œ œŒ œ free- dom! Free- dom! 1 ¿ ¿ Clap Clap 5 ˙™ œ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ˙™ Free - dom! Free - dom! ∑ Free - dom! BODY PERCUSSION We’ve put together three short videos which introduce body percussion and make learning these actions as simple as possible. You can find them by clicking on the video icons below: MUSIC IN MOTION INTRODUCTION Presenter James Redwood explains what to expect from our upcoming concert, including the run down on a couple of things to learn before you arrive. BODY PERCUSSION INTRODUCTION James describes the inspiration for his new body percussion piece, influenced by composer Matt Rogers and sounds from the Underground. BODY PERCUSSION DEMONSTRATION Learn the body percussion that will be part of the Music in Motion concert. Check the description of the YouTube video to see handy time markers to aid you in the learning process. MUSICAL MOVEMENTS what is serialism? Serialism is a style of composition from the 20th century that uses the twelve-tone scale. This scale is made up of the twelve semitones found in an octave. These semitones can be placed in any order that the composer chooses, such as: Retrograde – The scale is played backwards. Inversion – The scale is flipped, like a mirror image of the original scale. For example, when the notes in the original scale go up, the notes in the inversion go down. Retrograde Inversion – The scale is played backwards and then flipped to create an inversion. Transposition – This follows the same pattern as the original scale but starts on a different note. The twelve-tone system was designed by Arnold Schoenberg, who was Anton Webern’s teacher. Although it is often hard to hear the scale in its different forms when listening, the differences are clear to see when the music is written down. This method of composition was intended to bring a balanced and calculated approach to music. Whilst a lot of people criticised it at the time, it influenced a lot of composers later on. Notable composers of serialism are Arnold Schoenberg, Anton Webern, Alban Berg and Pierre Boulez. what is MINIMALISM? Minimalism is a style of music that came from America in the early 1960s. A key feature of minimalism is its ostinatos, which are short repeated melodies (often made up of broken chords) which are played over and over again. Ostinatos are layered (played on top of each other) and changed in different ways such as adding notes to a melody or tune, changing the melody over time or changing the rhythm. These slight changes to the ostinatos create an effect called phase shifting, which is where all of the ostinatos are played at slightly different times to each other having all started at the same time. Steve Reich is probably the most famous composer of minimalism; some of his most notable works are Music for 18 Musicians, Electric Counterpoint and Clapping Music. Other composers of minimalism include Philip Glass, Terry Riley, John Adams, Arvo Pärt and Michael Nyman. You can practice Clapping Music through the London Sinfonietta’s Clapping Music App for iPhone, iPad and iTouch. Download now for free. TRAVELLING TIMELINE We’ve been exploring some Music in Motion themed events in history: TRAVEL MILESTONES 1863 London Underground opened 1903 The first aeroplane flight 1912 RMS Titanic sinks 1968 Victoria Line opened 1969 First concorde flight 1979 Jubilee Line opened 1994 Channel Tunnel opened 2002 Segway invented 2003 Last concorde flight 2003 Oyster card introduced 2003 Congestion charge introduced 2007 London Overground opened 2010 Boris Bikes introduced 2012 Emirates Air Link cable cars opened 2018 Elizabeth Line due to open COMPOSER MILESTONES 1883 Anton Webern born 1906 Dimitri Shostakovich born 1914 Three Little Pieces written 1937 Philip Glass born 1940 Piano Quintet written 1944 Michael Nyman born 1945 Anton Webern died 1946 Colin Matthews born 1947 John Adams born 1975 Dimitri Shostakovich died 1978 Anna Meredith born 1985 String Quartet No.2 written 1985 String quartet no.3 written 1993 MGV written 1995 Road Movies written 2005 Songs for the M8 written DISCOVER MORE FURTHER LISTENING Anna Meredith Connect It, BBC Ten Pieces http://www.annameredith.com/projects/#connectit Anna Meredith Hands Free, National Youth Orchestra https://www.youtube.com/watch?v=Xo97ztKppIw John Adams A Short Ride in a Fast Machine https://www.youtube.com/watch?v=5LoUm_r7It8 FURTHER READING Matt Rogers Sample Set and Underline Learning Guide http://art.tfl.gov.uk/learning/underline-learning-guide/ London Curriculum Music https://www.london.gov.uk/what-we-do/education-and-youth/london-curriculum/london-curriculummusic Classic FM Guide to Minimalist Music http://www.classicfm.com/discover/periods/modern/minimalism-guide/#XsTmS35B2hiOukUj.97 BBC Bitesize 20th Century Music http://www.bbc.co.uk/schools/gcsebitesize/music/music_20th_century/reich3.shtml BBC Ten Pieces Primary http://www.bbc.co.uk/programmes/articles/16ndky0F6hMWvJ3Xcbc44Dq/ten-pieces-primary DISCOVER MORE ABOUT THE LONDON SINFONIETTA twitter.com/Ldn_Sinfonietta facebook.com/londonsinfonietta instagram.com/london.sinfonietta youtube.com/londonsinfonietta/videos londonsinfonietta.wordpress.com londonsinfonietta.org.uk