Fine Musical Instruments

Transcription

Fine
Musical
Instruments
Sale 2892B
May 22, 2016
Boston
Fine
Musical
Instruments
Specialist
Adam Tober
Department Director
508.970.3216
Auction Information
Auction 2892B
Preview
Absentee Bidding
Sunday, May 22
12PM
Friday, May 20
12 to 7PM
T: 617.874.4318
F: 617.350.5429
Saturday, May 21
10:30AM to 5PM
General Inquiries
617.350.5400
Sunday, May 22
9 to 11AM
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cover : 26 ; frontispiece : 91 ;
interior back cover : 38 ; back cover : 55
American & European Works of Art
Auction 2704B
02/07/2014 4:00 PM EST
Lot 632 Of 689 - Alexander Calder (American, 1898-1976) Red Circus Horse
M Y AC T IVIT Y
AU C T IO N LO G O U T
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SK2148
$40,000 - $60,000
$110,000
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$110,000 Floor Bidder
$90,000 Internet Bidder SK2149
Online bidder SK2149 requests bid of $90,000 on lot 632
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Table of Contents
1
Auction & Specialist Information
2
Web Site & Online Bidding
4-5
6
Provenance & Event Information
Lots 1–250
75
Glossary of Terms
77
Conditions of Sale
79
Absentee Bid Form
80
Company Directors & Specialty Departments
81
Administrative Staff & Client Services
83
Event Announcement
85
Map & Driving Directions
87
Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 77 of this catalog for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2016
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Selected Provenance
William Kincaid
Flautist and pedagogue William Kincaid (1895-1967) is known as the “Grandfather of the
American Flute School,” and his influence upon the profession cannot be underestimated. He
held concurrent positions as principal of the Philadelphia Orchestra and faculty of the Curtis
Institute of Music for four decades. His relationship with Verne Q. Powell Flutes can be traced
back to the company’s inception, and Kincaid’s platinum Powell, considered the most expensive
flute in the world, resides in the collection of the Metropolitan Museum of Art.
Edward “Ned” Kendall
Leader of the Boston Brass Band, Edward “Ned” Kendall (1808-1861) was the premiere
keyed-bugler of his day and the last of the instrument’s champions in the era before keys
gave way to valves. He was a pioneer of the 19th century’s all-brass band movement, and
Kendall’s virtuosity is inextricably tied to the bugles of his bandmate, trombonist and machinist
Henry Sibley.
Mario Beltrán del Río
Classical guitarist and educator Mario Beltrán del Río (1947-2014) made his New York debut
at Carnegie Hall in 1976. He toured Europe and the Americas extensively, made recordings for
EMI-Capitol, and taught at the Escuela Superior de Musica in his native Mexico.
Reception & Auction Preview
Friday, May 20
Classical Salon
5:30-7PM
Featuring The Yaeko
Miranda Elmaleh Group
Yaeko grew up in Cambridge, Massachusetts, and began violin lessons at the age of 3. Yaeko received a BA in
music from the New England Conservatory of Music in contemporary improvisation in 2002 where she studied under
Ran Blake and Hankus Netsky, and was classically trained under Fudeko Takahashi. She has received many awards
and soloed with many ensembles and orchestras in Massachusetts.
Since graduating she has been a member of the world renowned Klezmer Conservatory Band (KCB) and has
performed throughout the country. As a part of the KCB, Yaeko has had the honor of working with Itzhak Perlman
and cantor Yitzchak Meir Helfgot on the Eternal Echoes Project. As a part of the project she played on “Prairie Home
Companion,” at Symphony Hall and Barclays Center, and recorded for PBS’s “Great Performances.” In addition,
Yaeko has had the privilege of performing alongside the great Stevie Wonder at the Boston TD Garden for the Songs
in the Key of Life tour. Yaeko has worked with jazz clarinetist Don Byron, actress/singer Bernadette Peters, and has
opened for Andy Statman. She also played in the New York run of the musical ‘Shlemiel the First’ under the music
direction of Zalmen Mlotek. In 2011, Yaeko recorded her debut album.
Yaeko’s musical style is influenced by her multicultural upbringing: her mother and father immigrated from France and
El Salvador respectively in the 1960s. Yaeko’s maternal grandfather was an accomplished impressionist painter and
musician that performed with Django Reinhardt and other musicians during the 40s and 50s bohemian era in Paris.
R.S.V.P. to 508.970.3240
Held in conjunction with a preview of Skinner’s May 22nd auction of Fine Musical Instruments
5
1
Gibson Style A-1 Mandolin, c. 1916, serial
no. 29350, with case.
$300-500
2
Gibson Style K-1 Mandocello, 1915, serial
no. 21472, with original case.
$800-1,200
3
Flatiron 15H Mandolin, 1982, serial no.
8205545, with case.
$200-300
4
Martinko F-5 Style Mandolin, 1988, labeled
Made in the workshops of Geo. Heinl and Co.
Ltd. by Stephen T. Martinko, Toronto, Anno
1988, with case.
$400-600
5
A.C. Fairbanks Bowl-back Mandolin,
Boston, c. 1905, serial no. 24286.
$200-300
6
Ditson Empire Bowl-back Mandolin,
Boston, c. 1910, serial no. 6512, with case.
$200-300
1
6
7
C.F. Martin Style 4 Mandolin, c. 1908, serial
no. 2473, bowl-back, headstock repair, with
original leather case.
$300-500
Additional information and photos at www.skinnerinc.com
8
Howe-Orme Mandolinetto, Boston, c. 1900,
serial no. 0833.
$400-600
9
A. Monzino & Figli Lyre Mandola, Milan, c.
1910, bearing the maker’s label.
$600-800
10
9-string Romantic Guitar, School of Edward
Light, c. 19th Century, unlabeled, lacquered
with gold foliate motif.
$300-500
11
Romantic Guitar, Attributed to Agustin
Altimira, c. 19th Century, bearing a facsimile
label, with brass plaque engraved Fabricado/
POR/ALTIMIRA/EN/Barcelona.
$800-1,000
12
American Theorbo, George D. Wilson,
Williamsburg, 1977, spruce top, maple back,
ebony fingerboard, with case and letter of
appraisal.
Provenance: The estate of composer Gunther
Schuller, Boston.
$800-1,200
13
Gibson TB-1 Trapdoor Tenor Banjo, c.
1923, serial no. 11876-3, with case.
$300-500
2
Online bidding at www.skinnerinc.com
7
14
8
14
Gibson Granada Mastertone Banjo, c.
1929, serial no. 9255-1, flathead tone ring,
and one-piece flange, 5-string conversion with
later neck (headstock break) and case.
$10,000-15,000
15
Gibson Style L-1 Acoustic Guitar, c. 1917,
serial no. 35931, with original case.
$600-800
16
Gibson L4-C Archtop Guitar, c. 1960, serial
no. A34351, with original case and hang tag.
$1,500-2,500
9
17
17
Gibson Les Paul Goldtop Electric Guitar, c.
1968, serial no. 530348, non-original Grover
tuners, missing toggle switch tip, with original
case and owner’s manual.
$3,000-5,000
10
18
C.F. Martin & Co. D-25 K Acoustic Guitar,
1980, serial no. 421826, koa back and sides,
with original case.
$700-900
19
C.F. Martin & Co. C-1 Archtop Guitar, 1934,
serial no. 57884, with original case.
$1,000-1,500
20
C.F. Martin & Co. 000-18 Acoustic Guitar,
1954, serial no. 135862, bearclaw spruce top,
steel T-bar, for export, with later case.
$2,500-3,500
20
11
21
21
C.F. Martin & Co. 0-28 K Acoustic Guitar,
1928, serial no. 35766, factory conversion,
with original case.
$2,500-3,500
12
22
22
C.F. Martin & Co. 000-42 Acoustic Guitar,
1938, serial no. 71356, advanced X-bracing,
with later case.
$20,000-30,000
13
23
14
23
C.F. Martin & Co. D-45 Acoustic Guitar,
1941, serial no 78631, with later case.
$30,000-40,000
24
Spanish Classical Guitar, Antonio Marin
Montero, Granada, 2007, no. 853, bearing
the maker’s label and inscribed on rear brace,
spruce top, three-piece rosewood back and
sides, with case.
25
Spanish Classical Guitar, Antonio Marin
Montero, Granada, 2013, no. 1205, bearing
the maker’s label and inscribed on rear brace,
spruce top, two-piece rosewood back and
sides, with case.
Provenance: From the estate of Mario Beltrán
del Río.
$2,000-3,000
del Río.
$2,000-3,000
15
26
French Classical Guitar, Robert Bouchet,
Paris, 1970, no. 130, labeled ROBERT/
BOUCHET/A PARIS,/*/189 rue Ordener,
inscribed on rear brace, spruce top, Indian
rosewood back and sides, tuners and original
ivory fittings replaced, top center seam
separation behind bridge, crack in top on bass
side of center seam running from bridge to
rosette, with modern case and copy of Cahier
d’Atelier: La Construction d’une Guitare
Classique by Robert Bouchet.
del Río.
$40,000-60,000
16
26
17
29
27
M. Hohner Tremolo Sextet Harmonica in
Original Box, c. 1940, with twelve M. Hohner
Marine Band harmonicas in various keys and
six Jew’s Harps.
$150-250
28
Two Concertinas, Lachenal & Co., London,
c. 1920, serial no. 34953, and 53201, with
cases.
$300-500
29
American Bassoon, William Whiteley, Utica,
New York, c. 1840, maple body stamped W.
WHITELEY/UTICA with an eagle device.
$1,800-2,200
30
American Silver Flute and a 19th Century
French Wood Piccolo, the flute body joint
with gold cartouche and engraved A.G
BADGER/MAKER/NEW YORK, with a wood
head joint; the piccolo stamped Chibouville/
Cabert/a Paris, piccolo with original case and
original bill of sale.
$250-350
31
American Silver Flute, W.R. Meinell, New
York, the head joint stamped W.R. MEINELL/
NEW YORK, body length 26 1/2 in.
$400-600
32
American Silver Flute, composite, the head
joint stamped A.G. BADGER/NEW YORK,
the body joint with a gold cartouche stamped
Davis L. Harries/Cincinnati, body length 26
3/4 in.
$800-1,200
33
French Flute, Tulou, 19th Century, with
gold keys, the five sections each branded
TULOU PARIS below the bird emblem, with
two different fourth sections, the two middle
and one of the fourth sections are a consistent
darker shade of wood than the first section as
well the alternate fourth section, lengths 24
1/4 and 26 1/4 in.
$600-800
18
34 detail
36 detail
36
34
34
American Silver Flute, Wm. S. Haynes,
Boston, the body joint engraved WM. S.
HAYNES Co./BOSTON MASS/U.S.A./3462/
PATENTED/Harold A Crumrine, body length
26 1/2 in.
$800-1,200
35
Wood Piccolo, Wm. S. Haynes Co.,
Boston, stamped WM. S. HAYNES CO./
BOSTON, MASS/2796, length of body 12 3/4
in., in original case.
$800-1,200
36
American Silver Flute, Wm. S. Haynes,
Boston, engraved on the head joint THE
HAYNES FLUTE/MFD BY/WM. S. HAYNES
Co./BOSTON, MASS/34344/REG. TRADE
MARK, body length 26 3/4 in.
$1,000-1,500
19
37
37
American Silver Flute, Verne Q. Powell,
Boston, 1933, engraved on the head joint
VERNE Q. POWELL/BOSTON/201, body
length 26 1/2 in., with original case.
Provenance: William Kincaid, from the estate
of Dr. Isidor Ravdin.
Certificate: Verne Q. Powell Flutes.
$8,000-12,000
20
21
38
38
American Keyed Bugle, Henry Sibley,
Boston, 1840, in E-flat with eleven keys, the
single-loop silver body, the gold cartouche at
bell engraved Henry Sibley/Maker/BOSTON,
1840, the bell engraved Edward Kendall, the
leadpipe engraved with foliate motif, with
telescopic tuning shank, ordinary shank,
two mouthpieces, leather case, and copy
of the Newsletter of The American Musical
Instrument Society, Volume 38, No. 2, in which
the bugle is featured.
$12,000-16,000
23
39
Two Violas da Gamba, Treble and Alto, c.
1960, unlabeled, length of backs 388 and 502
mm.
$200-300
40
Bass Viola da Gamba, c. 1960, unlabeled,
branded AH at back button, branded internally
EN, length of back 680 mm, with case.
$1,000-1,500
41
American Church Bass, c. 1850, length of
back 780 mm.
$400-600
42
German Aluminum Violoncello, G. A.
Pfretzschner, c. 1930, labeled THIS
CELLO MADE UNDER PERSONAL
SUPERVISION/AND/EXCLUSIVELY FOR/G.
A. PFRETZSCHNER/MARKNEUKIRCHEN,
length of back 765 mm.
$400-600
43
German Violoncello, SIR Spezial-Cellobau,
Baiersdorf, 1993, serial no. 067631, model
219F, bearing the maker’s label and branded
internally SIR, length of back 757 mm, with
SKB case.
$1,800-2,200
44
Seven-eighths Size Bohemian Violoncello,
unlabeled, length of back 748 mm, with case.
$1,000-1,500
45
Bohemian Violoncello, c. 20th Century,
labeled Josef Klotz/in Mittenwalde anno 1795,
length of back 756 mm, with three bows.
$800-1,200
41
24
46
46
Tyrolean Violoncello, c. 18th Century,
labeled Josephus filius Matth: Albani./me fecit.
Bulsani in Tyroli./Anno 17__, length of back
750 mm, with case.
$3,000-5,000
25
47
47
Austrian Violoncello, Gabriel Lembock,
Vienna, 1846, labeled Gabrielis Lembock
fecit/Viennae Anno 1846 GL, branded
externally GL, length of back 760 mm, with
case.
$30,000-50,000
26
48
48
French Violoncello, Justin Derazey, 1864,
labeled J. Derazey Luthier/a Mirecourt
1864, branded below back button JD with a
violoncello device, length of back 762 mm,
with case.
$10,000-15,000
27
49
49
Violoncello, Turin School, Probably
Workshop of Giorgio Gatti, c. 1930, labeled
Joannes Baptista Guadagnini/Cremonesis
fecit Taurini/alumnus Antoni Stradavari 1782,
branded internally GIORGIO GATTI TORINO/
CORSO VITT. EM. 26, length of back 758
mm, with case.
$18,000-25,000
28
50
50
Italian Violoncello, Gagliano School, c. 18th
Century, bearing an illegible label, length of
back 734 mm, with case.
Certificate: George Withers & Sons, 1928.
$30,000-40,000
29
51
51
Italian Violoncello, Attributed to Cesare
Tonossi, c. 1886, labeled Cesare Tonossi/in
Novara, l’anno 1886, length of Italian poplar
$8,000-12,000
30
52
52
Italian Violoncello, Attributed to Genuzio
Carletti, c. 1949, labeled GENUZIO
CARLETTI/1 Premio e Medaglia d’Oro VIOLA/al
Concorso Internazionale di Cremona 1949/Fece
in - Pieve - di Cento/Anno 1949, length of back
756 mm, with case and two bows.
$10,000-14,000
31
53
53
English Violin Case, W.E. Hill & Sons,
London, c. 1887, one of twelve “Apostle”
cases produced to house Stradivarius violins,
with music-themed marquetry of exotic
woods, fine paper lining and brass hardware.
$6,000-8,000
54
English Double Violin Case, c. 19th
Century, mahogany veneer, brass hardware,
lock stamped BRAMAH PATENT.
$200-300
32
55
55
English Pochette, Dodd School, London, c.
1800, branded WIGLEY at back button, length
of back 205 mm.
$1,000-1,500
33
56
Danish Violin, Emil Hjorth and Son,
Copenhagen, 1917, labeled Emil Hjorth &
Sonner/Kobenhaven 1917, length of back 361
mm, with case.
$700-900
57
Violin, 20th Century, labeled LAURENTIUS
BELLAFONTANA/Fecit Genuae/A.D. 1967,
length of back 359 mm, with case.
$2,000-4,000
58
German Violin, c. 1850, labeled Franciscus
Geissenhof fecit/Viennae Anno 1821, branded
at back button FG, length of back 357 mm,
with case.
$1,000-2,000
59
English Violin, Workshop of James and
Henry Banks, Salisbury, 1808, labeled
JAMES AND HENRY BANKS/Musical
Instrument Makers/AND/MUSIC SELLERS/
SALISBURY 1808, length of back 355 mm,
with case.
$1,000-2,000
60
Violin, Probably Italian, c.1800, labeled
Joseph Odoardi Filius Antonii/fecit, prope
Asculum 17__, length of back 352 mm, with
case.
$4,000-6,000
34
61
Canadian Violin, George Heinl, Toronto,
1940, labeled EXACT REPRODUCTION
OF HIERONIMUS/BY GEO. HEINL/FECIT
TORONTO ANNO 1940 NO. 38, length of
$2,000-3,000
62
German Violin, Ernst Reinhold Schmidt,
Markneukirchen, c. 1900, branded internally
E.*R.*S., length of back 355 mm, with case
and two bows.
$800-1,200
63
English Violin, labeled Made & Sold by
JOHN JOHNSON/at the Harp & Crown in
Cheapside/London 1760, length of back 354
mm, with case.
$800-1,200
64
German Violin, Jurgen Johannes Schroder,
Frankfurt, 1951, labeled Jurgen Johannes
Schroder, Nr. JJS 1951 Frankfurt a. M., length
of back 362 mm, with case.
$1,800-2,200
65
French Violin, Gand & Bernardel Fres, 1888,
labeled GAND & BERNARDEL FRES/Luthiers
du Conservatoire de Musique/No. 1015 Paris
1888, length of back 356 mm, with case.
$800-1,200
64
65
35
66
American Violin, John Friedrich &
Bro., 1919, labeled #3549 COPY OF
GUARNERIUS/MAKERS JOHN FRIEDRICH
& BRO., IMPORTERS/GRADE No 28 NEW
YORK, ANNO 1919, length of back 359
mm, with case and bow stamped EDUARD
REICHERT, DRESDEN.
$700-900
67
Violin, British School, c. 1800, labeled
Philippus Brandilioni/fecit Brixiae 1792, for
restoration, length of back 350 mm, with case.
$300-500
68
Violin, labeled ALBERT ARNOLD/Collector,
Dealer, Expert/36, GERRARD STREET,/
LONDON, W.1, also labeled HERBERT D.
MOON. 1951, length of back 357 mm, with
case.
$300-500
69
French Three-quarter Size Violin, labeled
ANTONIO MARTELLO, PARIS, length of back
336 mm, with case and bow.
$200-400
70
American One-quarter Size Violin, Vaido
Radamus, Minneapolis, c. 1970, branded
internally VAIDO RADAMUS, length of back
268 mm, with case.
$100-200
71
Violin, Attributed to Stefano Conia, 1998
labeled Stefano Conia/Fatto in Cremona/Anno
1998, length of back 355 mm.
$2,500-3,500
72
French Violin, Workshop of Petrus et
Hipolitus Silvestre, Lyon, 1873, labeled
Petrus et Hipolitus Fratres Silvestre/Fecerunt
Lugduni. Anno 1873, No. 162, length of back
357 mm, with case.
$1,000-1,500
73
Violin, Attributed to Raffaele & Antonio
Gagliano, Naples, 1840, labeled RAFFAELE
ED ANTONIO GAGLIANO, Quodam Giovanni
Napoli 1840, length of back 357 mm, with
case and nickel-mounted bow stamped
E.HERRMANN.
$1,000-1,500
74
German Violin, Philipp Jacob Fischer,
Wurzburg, c. 1780, bearing the maker’s label,
$1,800-2,200
36
66
71
37
75
American Violin, Asa Warren White,
1890, labeled Made by A.W. White/Copy
of Straduarius/no. 417 Boston May 23.
1890, also branded internally J.R. WEENE,
BOSTON, length of back 356 mm, with case.
$1,800-2,200
76
American Violin, David Caron, 1976, no. 29,
bearing the maker’s manuscript label, length
$2,200-2,800
77
Contemporary Viola, Probably American,
unlabeled, length of back 415 mm, with case
and two bows.
$1,000-1,500
78
Contemporary Viola, Attributed to Otto
Erdesz, unlabeled, length of back 417 mm,
with case and bow.
$1,000-2,000
75
38
76
39
79
79
Italian Viola, Domenico Tomassini, c. 1950,
labeled TOMASSINI DOMENICO/fu MARIANO/
DA VITERBO/Anno 1952, length of back 414
mm, with case.
$4,000-6,000
40
80
80
French Viola, Charles Gand, Paris, 1843,
labeled GAND, Luthier de la Musique du Roi/et
du Conservatoire de Musique,/Rue Croix des
Petits Champs, No. 24, Paris, 1843., length of
$18,000-28,000
41
81
German Violin, Johann Mahlke, Berlin,
1892, bearing the maker’s manuscript label,
$600-800
82
Violin, Jay Haide, 2009, bearing the maker’s
label, length of back 358 mm.
$500-700
83
French Violin, c. 1860, branded on back
button SECRETAND A BESANCON, length of
back 359 mm.
$300-500
84
Violin, 20th Century, labeled Guliemo Rossi/
fece Pavia 1911, stamped at back button JR,
$300-500
85
German Violin, Wilhelm Duerer, Eisleben,
1907, bearing the maker’s label, length of
back 358 mm.
$400-600
86
German 8-string Violin, c. 1900, unlabeled,
with mechanical pegs, length of back 359
mm.
$200-300
87
English Violin, Job Ardern, Wilmslow,
1900, labeled JOB ARDERN/WILMSLOW,/
CHESHIRE./No. 484. 1900., length of back
356 mm.
$800-1,200
88
American Violin, 20th Century, inscribed
WS/1917, length of back 358 mm.
$800-1,200
89
Austrian Violin, Attributed to Johann Georg
Thir, labeled JOHANN GEORG THIR, LAUTEN
UND GEIGENMACHER, repair label STEPHAN
THUMHART, AMBERG, 1850, length of back
359 mm, with case.
$3,000-4,000
86
42
90
90
English Violin, William Forster III, c. 1793,
bearing an inscribed label, William Forster
Junr./no. 25. London. 1793, length of back
352 mm, with case.
$3,000-4,000
43
91
44
91
Dutch Violin, Pieter Rombouts, Amsterdam,
c. 1712, labeled HENDRIK JACOBES/Me fecit
in Amsterdam/1712, length of back 355 mm,
with case and gold-mounted violin bow.
$10,000-15,000
92
French Violin, Honore Derazey Workshop,
Mirecourt, 19th Century, branded internally
H. DERAZEY, length of back 360 mm.
$6,000-9,000
93
American Violin, Knute Reindahl, Madison,
c. 1919, labeled Knute Reindahl/Madison,
Wis., May 1, 1919, branded below back
button K REINDAHL, length of back 358 mm,
with two bows.
$1,000-1,500
94
Violin, 20th Century, labeled Giuseppe
Pedrazzini/Cremonese/fece in Milano l’Anno
1922., length of back 359 mm, with case.
$1,000-1,500
96
German Violin, c. 1920, labeled Copy of/
Carlo Bergonzi/Fecit E. Reinhold Schmidt/
Saxony, length of back 352 mm, with case.
$300-500
97
German Violin, Markneukirchen, c. 1770,
labeled Iofredus Cappa fecit/Salutiis Anno
16__, length of back 362 mm, with case and
bow.
$600-800
98
German Violin, Johann Gottlob Ficker, c.
1780, branded internally, *I.G.F.*, length of
$1,500-2,000
99
Austrian Violin, Viennese School, c. 1780,
labeled Josephus Ferdinandus Leidolff/fecit
Viennae, 1780, length of back 352 mm, with
case.
$3,000-4,000
95
German Violin, Heinrich Th. Heberlein, Jr.,
Markneukirchen, 1920, bearing the maker’s
label, length of back 357 mm.
$200-300
45
100
The Red Violin, one of four surviving screenused hero props assembled and finished
for the 1998 film The Red Violin by J & A
Beare, London; this particular instrument with
baroque setup was used during the montage
of composer John Corigliano’s “The Gypsies;
Journey Across Europe,” and bears two small
jewels set in the scroll, as well as two small
holes in the pegbox where a camera was
mounted during filming.
Provenance: Letter from Niv Fichman,
Producer.
Note: The proceeds from this lot will
be donated to the medical fund of Colin
Lounsbury, who is undergoing treatment for a
stage 4 meningioma brain tumor.
$3,000-4,000
46
100
47
101
Three Mute (or Practice) Violins, various
styles.
$150-200
106
Viola, labeled Carlo Micelli/Anno 1929, length
$800-1,200
102
Three Mute (or Practice) Violins, various
styles.
$150-200
107
Violin, Early 19th Century, bearing the
repair label Rep. v. Meinrad Arnitz/in/
Obernussbaumen 1854, length of back 361
mm.
$800-1,200
103
French Violin, labeled Antonius Stradiuarius,
inscribed on bass bar JAN.15-60, length of
back 358 mm, with case and silver-mounted
bow stamped F.N. VOIRIN A PARIS.
$300-500
104
French Violin, Jerome Thibouville-Lamy,
Mirecourt, c. 1900, labeled J.T.L./Geronimo
Barnabetti/Paris, length of back 358 mm, with
case.
$800-1,200
105
Canadian Viola, Edouard Bartlett, 2004,
labeled OWEN SOUND, CANADA/2004
Edouard Bartlett Viola #32, length of back
400 mm, with case and silver-mounted bow
stamped CONBRIO/SWISS MADE.
$400-600
48
108
English Violin, Ernest S. Nunn, Essex, 1958,
of back 353 mm.
$600-800
109
Violin, labeled Samuel Nemessanyi fecit ad
formam/Josephi Guarnerii pestini anno 1872,
$1,200-1,500
110
American Violin, Charles F. Albert,
Philadelphia, c. 1900, labeled Charles
F. Albert Violin and Antonius Stradivarius,
Cremona, 1718, length of back 362 mm, with
case and silver-mounted violin bow stamped
E. SARTORY A PARIS.
$2,000-4,000
110
49
111
50
111
Violin, c. 1850, labeled Antonio Guadagnini
fece/Torino, anno 1851, length of back 360
mm, with case and silver-mounted bow
stamped TOURTE.
$8,000-12,000
116
Czech Three-quarter Size Violin, labeled
CARL NEUMANN/Reproduction of/Joh. Bapt.
Schweitzer/CZECHOSLOVAKIA, length of
$300-500
112
Violin, British School, c. 1810, bearing an
illegible label with a hand inscription Perry
Dublin 1810, length of back 354 mm, with
case.
$800-1,200
117
German Violin, labeled E.MARTIN/
SACHSEN./GERMANY./COPY OF/
STRADIVARIUS, branded on back button with
a lyre device and below EM, length of back
358 mm, with case.
$300-500
113
Violin, labeled Emile Germain a Paris/
Faubourg Montmartre, 1898, length of back
358 mm, with case and bow stamped E.F.
MARTIN.
$500-800
118
Canadian Violin, E.W. Shrubsole, Sault Ste.
Marie, 1965, bearing the maker’s label, no.
$1,200-1,500
114
German Violin, labeled ANTONIUS &
HIERONYMUS, length of back 362 mm, with
double case.
$200-300
119
Viola and Three Violins, the Klingenthal viola
unlabeled, one violin labeled Mathias Thier,
one violin labeled LUIGI GALIMBERTI, one
violin unlabeled, length of backs 383, 355,
359, and 362 mm.
$1,000-1,500
115
Violin, unlabeled, length of back 360 mm,
with case.
$200-400
51
120
120
German Violin, Mathias Hornsteiner,
c. 1800, labeled Mathias Hornsteiner,
Geigenmacher./Hofschmied in Mittenwald an
der Iser./Anno 1803., length of back 359 mm.
$3,000-5,000
52
121
Violin, labeled Enrico Rossa, fecit anno 2000,
$1,200-1,500
122
Violin, labeled Enrico Rossa, fecit Anno 2001,
$1,200-1,500
123
German Violin, Late 19th Century, labeled
Petrus Valentinus Novellus/Discipulus Anselmi
Bellosij/fecit Venetijs 1790, length of back 360
mm.
$300-500
124
Czech Violin, labeled Vincenz Em. Homolka/
Anno 1842, length of back 360 mm.
$400-600
125
German Violin, Markneukirchen, c. 1920,
labeled and branded Andreas Morelli, model
no. 377, serial no. 197, length of back 358
mm, with case.
$800-1,200
126
German Violin, c. 1920, labeled ALFREDO
CONTINO/allievo di V. Postiglione/Napoli, anno
1926, branded at back button L. CONTINO
NAPOLI, length of back 357 mm, with case.
$600-800
127
Violin, Prague School, Ferdinand August
Homolka, c. 1875, labeled Ferdinandus Aug.
Homolka/Fecit Pragae 1875, length of back
356 mm.
Letter: Schmidt, 1950.
$3,000-5,000
127
53
133
54
128
German Violin, Klingenthal School, c. 1820,
labeled Joseph Antoni Finolli in/Milano 1756,
$600-800
129
German Violin, c. 1935, labeled PIERRE
VOGELWEITH/LUTHIER a STRASBOURG/
ANNEE 1935, length of back 364 mm, with
case.
$800-1,200
130
German Violin, Markneukirchen, 1920,
labeled Apollo Violin/Anno 1920, made for
Rushworth & Dreaper, length of back 362 mm,
with case.
$1,000-1,500
131
American Viola, John Friedrich, New York,
1932, labeled John Friedrich fecit/New York
Anno 1932, length of back 435 mm, with
case.
Certificate: Luthier Rosenthal, 1950.
$1,500-2,500
132
Viola, c. 1880, labeled Giuseppe Marconcini/
fecit Ferrara anno 184_, length of back 422
mm, with case.
$3,000-5,000
133
Violin, Prague School, Ascribed to Joannes
Udalricus Eberle, Prague, c. 1760, labeled
Joannes Udalricus Eberle/fecit Pragae, 1760,
Certificate: Giovanni Longiaru, 1956.
$3,000-5,000
134
German Violin, Kloz Family, Mittenwald,
labeled Georg Kloz in Mitten/wald an der Iser
1757, length of back 358 mm, with case and
two bows.
$3,000-5,000
134
55
142
56
135
Austrian Violin, 1918, labeled Ton-Instrument,
no. 530, 1918, branded TIM on back button,
$400-600
143
French Violin, c. 1936, labeled LUCIEN
SCHMITT/A GRENOBLE, length of back 360
mm.
$400-600
136
German Violin, labeled Heinr. Eidheimer/
Berlin, 1895., length of back 355 mm, with
case and two bows.
$400-600
144
French Violin, Mirecourt, c. 1890, branded
internally BRETON, BREVETE/DE S.A.R.M.,
1890, also branded on back button Breton,
$800-1,200
137
German Violin, Markneukirchen, 1923,
labeled L. Glasel-Berliner/Markneukirchen
1923, length of back 360 mm, with case.
$500-700
138
French Violin, c. 1870, bearing repair label of
G. Enger, Kjobenhavn, 1884, length of back
360 mm, with case.
$600-800
139
American Violin, handwritten by maker
internally, JP Giroux, Waterville, Maine Aug 6,
1927, #8, length of back 359 mm.
$200-400
140
French Violin, labeled ABR. HIRSCH/
STOCKHOLM., length of back 359 mm.
$400-600
141
Violin, 20th Century, labeled NICOLO
ULCIGRAI/Copia Guarneri/Venezia Anno
$600-800
142
Italian Violin, School of Scarampella,
Mantua, c. 1925, labeled STEFANO
SCARAMPELLA di BRESCIA/PREMIATO
CON MEDAGLIE D’ARGENTO/FRATELLO ED
ALLIEVO DEL GIUSEPPE/Fece in Mantova
anno 1925, length of back 358 mm, with
case.
$8,000-12,000
145
American Violin, John W. Shumway, 1905,
of back 356 mm.
$800-1,200
146
Czech Violin, John Juzek, Prague, 1954,
bearing the maker’s label, no. 964, length of
$800-1,200
147
Two American Violins, Seth Miller Briggs,
South Hanson, c. 1880, bearing the maker’s
label and inscription, length of backs 358 and
360 mm, with double case.
$1,000-1,200
148
Czech Violin, 1935, labeled Mathias Heinicke,
Geigenbauer/Widstein bei Eger Bohemia
C.S.R. 1935, length of back 363 mm, with
case.
$800-1,200
149
Viola, 20th Century, unlabeled, length of back
406 mm, with case.
$800-1,200
57
150
58
150
Italian Violin, Ascribed to Lorenzo
Bellafontana, c. 1947, labeled Laurentius
Bellafontana fecit/Genuae Anno Domini 1947,
inscribed on the label Bellafontana, length of
back 361 mm.
Certificate: Celeste Farotto, 1974.
$8,000-12,000
151
German Violin, labeled Joh. Kulik
Geigenmacher/in Prag/A. 1853., length of
back 363 mm.
$800-1,200
152
Violin, 19th Century, labeled Bernardus
Stoss/fecit Viennae 1809., length of back 356
mm.
$300-500
153
German Violin, Hans Nebel, Mittenwald,
1941, inscribed internally Hans Nebel/
Mittenwald/1941, length of back 357 mm,
with case and bill of sale.
$1,000-1,500
154
American Violin, Cambridge, c. 1900,
inscribed on the back Made by/Carl E.
Fergusson/28 Marney St./Cambridge, Mass,
length of back 359 mm, with case and two
bows.
Certificate: W.J. Fleischer, 1987.
$1,000-1,500
155
English Violin, John R.W. Read, London,
1934, labeled JOHN R. W. READ, Anno 1934/
Walthamstow, London./No. 2, length of back
358 mm, with case and photograph of luthier.
$2,000-3,000
59
156
French Violin, Paul Blanchard, Lyon, 1887,
labeled Fait par Paul Blanchard/a Lyon e\a
1887 no. 139, signed internally and bearing
the maker’s mark at the lower rib, length of
159
German Violin, c. 1920, labeled Copy of
Joseph Guarnerius made in Germany, length
$1,800-2,200
Certificate: Helmuth A. Keller.
$8,000-12,000
160
French Violin, branded internally BOURLIER,
$1,000-2,000
157
German Violin, Hermann Geipel,
Markneukirchen, 1928, labeled Copy of/
Anno 1715/Made by/Hermann Geipel/
Markneukirchen, Saxony Dec 1928, length of
$1,800-2,200
161
American Violin, Charles Ehricke, Albany,
1924, bearing the maker’s label and signed on
back, stamped on back of head CE, length of
back 355 mm.
$1,500-2,000
158
German Violin, Markneukirchen School,
18th Century, labeled Georg Kloz in Mitten/
wald an der Iser 1791, length of back 352
mm, with case.
$3,000-5,000
60
156
61
162
Italian Violin, Piero Parravicini, Milan, 1929,
labeled Piero/Fece in Bovisso l’anno 1929/
Milano Parravicini, branded internally PIERO
PARRAVICINI, length of back 352 mm.
Certificate: Giovanni Longiaru, 1955.
$10,000-15,000
163
Violin, Attributed to Umberto Cicognani
Violin, 20th Century, labeled Umberto
Cicognani/Lucca 1949, length of back 355
mm.
$1,800-2,200
164
French Violin, Mirecourt, Mid-19th Century,
stamped P. MONDY and Mondy, length of
back 359 mm, with case and bow.
$1,000-1,500
62
165
French Violin, Justin Derazey Workshop,
Mirecourt, c. 1900, bearing the maker’s label
and branded at lower rib Jt. Derazey, length of
back 359 mm, with case and silver-mounted
bow stamped E. REIDEL.
$1,200-1,600
166
Violin, Mid-20th Century, labeled PAOLO
LEONORI/Roma 1944, length of back 357
mm, with case.
$1,600-2,000
167
Violin, 19th Century, labeled Guarnerius fecit
Cremonae sub/titulo Sanctae Teresiae anno
1699, length of back 362 mm, with double
case and two bows.
$800-1,200
162
63
168
64
168
Italian Violin, Ascribed to Riccardo
Antoniazzi, 1899, bearing a facsimile label
Riccardo Antoniazzi Cremonese/fece in Milano
l’anno 1899, length of back 359 mm, with
case.
Provenance: Oswald Lehnert.
Certificate and letter: David L. Reeve.
$35,000-50,000
169
French Violin, Paul Kaul, Costabelle
Hyeres, 1921, bearing the maker’s label, Le
Schumann/Modele que j’ai cree specialement/
pour LUCIEN CAPET. 15, internal brand, and
signature on the internal upper back bout,
Certificates: John Gould, Boston,
Massachusetts, July, 1, 1980; Paul Kaul, Le
Vesinet, France, December 3, 1938.
$4,500-6,000
170
French Violin, Mirecourt, 19th Century,
labeled JACQUES BOQUAY/RUE
DARGENTEUIL/A PARIS, 17__, length of
back 365 mm, with case and German nickelmounted bow.
$2,200-2,800
171
American Violin, Workshop of William
Harris Lee, Chicago, 1994, labeled William
Harris Lee/Chicago 1994/Made in the
workshop of W.H. Lee, length of back 350
mm, with case and silver-mounted bow
stamped MACKENZIE with certificate.
$1,500-2,500
172
Violin, labeled CARLO TONONI, VENEZIA,
$1,500-2,000
169
65
173
66
173
Italian Violin, Workshop of Vincenzo
Postiglione, Naples, c. 1910, labeled
Januarius Gagliano Filius/Alexandri fecit
Neap 17__, stamped at back button V.
POSTIGLIONE/NAPOLI, branded at lower rib
VP, length of back 354 mm.
$20,000-30,000
176
Violin, c. 1900, labeled Johannes Gabbrielly/
Florence anno 1763, length of back 360 mm,
with case, bill of sale, and silver-mounted violin
bow.
174
French Violin, labeled Nicolas MAUCHANT/
Aine Luthier 1830, length of back 361 mm,
with case.
$3,500-4,500
177
German Violin, Ernst Heinrich Roth,
Markneukirchen, c. 1950, bearing the
maker’s label, branded internally ERNST
HEINRICH ROTH/MARKNEUKIRCHEN/B 807,
$1,200-1,800
175
Violin, labeled Jo. Baptista Ceruti
Cremonesis/fecit Cremonae An. 1809, length
Bill of Sale: Giovanni Longiaru, 1958.
$1,500-2,500
Letter: Giovanni Longiaru, 1949.
$1,500-2,500
178
Violin, Dante Baldoni, Buenos Aires, 1918,
labeled DANTE BALDONI/fece in Buenos
Aires, anno 1918, signed by maker, length
of back 358 mm, with double case and two
bows.
$6,000-8,000
67
179
179
Italian Violin, Attributed to the Gagliano
Family, c. 1800, labeled Januarius Gagliano
filius/Alexandri fecit Neap. 1769, length of back
355 mm.
$10,000-20,000
68
180
180
Italian Violin, Giuseppe Lucci, Rome,
1966, labeled GIUSEPPE LUCCI/DA
BAGNACAVALLO/FECE IN ROMA 1966,
inscribed upon the label Giuseppe Lucci, also
branded at the lower rib and internally LUCCI
G. and bearing the maker’s mark, length of
$25,000-35,000
69
181
Italian Violin, Enrico Melegari, Turin, c.
1880, labeled Joseph Rocca fecit/Taurini anno
Domini 1856 IHS, branded internally G*R, fit
with an earlier scroll of the Turin School, length
$12,000-18,000
182
Italian Violin, c. 18th Century, labeled Petrus
Antonius a Costa fe/cit Tarvilii Anno 1791,
$15,000-20,000
181
70
182
71
183
French Nickel-mounted Violoncello Bow, c.
1830, the round stick unstamped, weight 70.4
grams, (without tip).
$400-600
192
French Nickel-mounted Violoncello Bow,
Louis Morizot, the round stick stamped
L.MORIZOT, weight 74.4 grams.
200
French Nickel-mounted Viola Bow, the
round stick stamped faintly, possibly by Pierre
Cuniot, weight 68.2 grams.
$1,500-2,200
Certificate: Jean-Francois Raffin.
$2,500-4,000
184
Silver-mounted Violoncello Bow, the round
stick unstamped, weight 82.5 grams, (without
tip).
$600-800
185
Silver-mounted Violoncello Bow, H.F.
Grabenstein, Williston, 2009, the round stick
stamped H. F. GRABENSTEIN, weight 79.8
grams, with case.
Certificate: H.F. Grabenstein, 2009.
$1,000-1,500
186
French Silver-mounted Violoncello Bow,
Paul Jombar, c. 1890, the round stick with
tinsel wrap stamped PAUL JOMBAR PARIS,
weight 70.5 grams, (without hair or tip).
$2,000-2,400
187
Jerome Thibouville-Lamy, the round stick
unstamped, weight 79.2 grams.
$1,800-2,500
188
Silver-mounted Violoncello Bow, Vuillaume
School, the round stick unstamped, weight
78.1 grams, (without tip).
$2,200-2,800
189
English Silver-mounted Violoncello Bow,
W.E. Hill & Sons, the octagonal stick stamped
W.E.HILL & SONS/ENGLAND, weight 74
grams.
$2,500-3,500
190
Charles Bazin, c. 1950, the octagonal stick
stamped CHARLES BAZIN-FRANCE, weight
$2,500-3,500
191
Silver-mounted Violoncello Bow, c. 1850,
the round stick with silver tip and swan head
$2,000-4,000
72
193
F.N. Voirin, c. 1880, the round stick stamped
FN VOIRIN A PARIS, weight 81.5 grams,
(without tip).
$4,000-5,000
194
J.B. Vuillaume, c. 1850, the round stick
stamped J.B. VUILLAUME, weight 73.7
$5,000-6,000
195
Marcel Fetique, c. 1930, the octagonal stick
stamped MCEL FETIQUE A PARIS, weight
78.6 grams.
Certificate: Paul Childs, 2007.
$4,000-6,000
196
Eugene Sartory, c. 1900, the round stick
stamped E. SARTORY A PARIS, weight 79.4
$4,000-6,000
197
Victor Fetique, the octagonal stick stamped
faintly, weight 82.6 grams.
201
French Silver-mounted Viola Bow, Morizot
Freres, the octagonal stick stamped
L.MORIZOT, 67 grams, (without hair or tip).
$2,000-3,000
202
German Nickel-mounted Violin Bow, the
round stick stamped L.BAUSCH.LEIPZIG,
weight 47.3 grams, (without tip).
$100-200
203
German Nickel-mounted Violin Bow, the
round stick stamped TOURTE, weight 50.4
grams, (without hair or tip).
$200-300
204
German Silver-mounted Violin Bow, the
octagonal stick with silver tip stamped Ernst
Heinrich Roth/GERMANY, weight 59.7 grams,
with case.
$300-500
205
Silver-mounted Violin Bow, the octagonal
stick unstamped, with engraved adjuster,
ferrule, and tip, weight 61.6 grams.
$400-600
206
Silver-mounted Violin Bow, the round stick
with herringbone inlays unstamped, weight
59.6 grams, (without wrap or tip).
$400-600
Certificate: William Moennig & Son, 1987.
$8,000-12,000
198
French Nickel-mounted Viola Bow, Morizot
Freres, the round stick unstamped, weight
70.6 grams.
$800-1,200
199
French Nickel-mounted Viola Bow,
School of Pecatte-Simon, the round stick
unstamped, weight 59.9 grams, (without tip,
hair or wrap).
$1,200-1,500
207
German Silver-mounted Violin Bow,
the octagonal stick stamped H.R.
PFRETZSCHNER, weight 57.3 grams,
(without hair or tip).
$400-600
208
French Nickel-mounted Violin Bow,
the round stick stamped HENRY SIMON/
FRANCE, weight 51.2 grams, (without hair or
tip).
$400-600
209
German Silver-mounted Violin Bow, Philipp
Paul Schaffner, the round stick stamped *PH.
SCHAFFNER*, the frog stamped PS, weight
49.1 grams, (without hair or tip).
$400-600
210
German Nickel-mounted Violin Bow, Emile
Dupree, c. 1950, the round stick stamped
EMILE DUPREE, FRANCE, weight 64.7
$600-800
211
German Silver-mounted Violin Bow, the
round stick unstamped, weight 55.2 grams,
(without hair or tip).
$600-800
212
German Nickel-mounted Violin Bow, L.
Bausch, c. 1900, the round stick stamped
L.BAUSCH.LEIPZIG, weight 59.3 grams,
(without tip).
$600-800
213
Two Violin Bows, Michael Vann and Goldmounted, the fluted stick stamped MICHAEL
VANN/CANADA, the round stick stamped
2525 and D.R.P on ferrule, weight 46.1 and
59.7 grams, (without tip), with case.
$700-900
214
Workshop of C.A. Nurnberger, c. 1925, the
round stick with tinsel wrap stamped TUBBS,
weight 58.4 grams.
$800-1,200
215
German Silver-mounted Violin Bow, Eduard
Reichert, c. 1900, the round stick stamped
EDUARD REICHERT, DRESDEN, weight 58.4
$800-1,200
216
French Nickel-mounted Violin Bow, CuniotHury, c. 1900, the round stick stamped
CUNIOT-HURY, weight 56.1 grams, (without
tip).
$800-1,200
217
French Nickel-mounted Violin Bow, the
round stick stamped LOUIS BAZIN/FRANCE,
weight 55.7 grams, (without hair or tip).
$800-1,200
218
French Nickel-mounted Violin Bow, Marc
Laberte, the round stick stamped V. J.
FERELLI, weight 58.8 grams.
$800-1,200
219
French Silver-mounted Violin Bow, Bazin
School, c. 1900, the round stick unstamped,
weight 58.4 grams.
$800-1,200
228
Workshop of Louis Bazin, the round stick
stamped WHALEFIN, weight 58.5 grams.
$1,200-1,800
220
French Nickel-mounted Violin Bow, Marc
Laberte, the round stick stamped V. J.
FERELLI/FRANCE, weight 59.4 grams.
$800-1,200
221
Caressa & Francais, c. 1920, the round stick
stamped CARESSA & FRANCAIS, weight 52.9
grams, (without hair, wrap or tip).
$1,200-1,400
222
German Silver-mounted Violin Bow, E.M.
Penzel, c. 1920, the octagonal stick with
tinsel wrap stamped E.M. PENZEL, weight
$1,000-1,400
223
French Nickel-mounted Violin Bow, Pierre
Cuniot, the round stick unstamped, weight
42.7 grams, (without tip or hair).
$1,200-1,500
224
French Nickel-mounted Violin Bow, CuniotHury, the round stick unstamped, weight 47
grams, (without tip or hair).
$1,200-1,500
225
Vuillaume a Paris, c. 1900, the octagonal
stick with silver tip stamped VUILLAUME A
PARIS, the ebony frog with silver shield inlay,
weight 63.5 grams.
$1,500-1,800
226
Silver-mounted Violin Bow, Attributed
to the Tubbs Family, the round stick
$1,200-1,800
227
German Silver-mounted Violin Bow, F.N.
Voirin a Paris, c. 1900, the round stick with
silver tip stamped F.N. VOIRIN A PARIS,
weight 60 grams.
$1,500-1,800
229
Marc Laberte, the round stick unstamped,
weight 78.9 grams.
$1,500-2,200
230
French Nickel-mounted Violin Bow, Louis
Bazin, the round stick with tinsel wrap
stamped LOUIS BAZIN, weight 60.3 grams.
$1,800-2,500
231
English Silver-mounted Violin Bow, the
round stick with a silver tip stamped HILL,
weight 63.2 grams.
$1,500-2,500
232
German Silver-mounted Violin Bow, Otto
Hoyer, c. 1920, the octagonal stick stamped
OTTO A. HOYER, PARISER, weight 59.3
$2,200-2,800
233
French Nickel-mounted Violin Bow, Morizot
Freres, the round stick stamped LUPOT,
weight 58.3 grams.
$2,000-3,000
234
French Nickel-mounted Violin Bow, CuniotHury & Ouchard, the round stick unstamped,
weight 58.5 grams.
$2,000-3,000
235
French Silver-mounted Violin Bow, Charles
Bazin, c. 1950, the round stick stamped
CHARLES BAZIN-FRANCE, weight 57.3
$2,500-3,200
236
French Silver-mounted Violin Bow, c.
1850, the round stick unstamped, possibly by
Nicolas Simon, weight 58.4 grams.
$3,000-5,000
73
237
English Silver-mounted Violin Bow, James
Tubbs, London, c. 1895, the round stick with
tinsel wrap stamped JAS TUBBS, weight 59.7
grams.
Certificate: Harry A. Duffy, 1980.
$4,000-6,000
238
French Silver-mounted Violin Bow,
Eugene Sartory, the round stick stamped E.
SARTORY A PARIS, weight 62 grams.
$7,000-9,000
239
French Silver-mounted Violin Bow, Joseph
Alfred Lamy, the round stick stamped A.
LAMY A PARIS, weight 60.4 grams.
Certificate: Michael Vann.
$8,000-10,000
240
Three Violin-related Books, including:
Saint-George, Henry, The Bow, Heron-Allen,
Ed., Violin-Making, as it was and is, and
Bachmann, Alberto, An Encyclopedia of the
Violin.
$30-50
241
Five Violin-related Books, including:
Heifetz, Prof. Lev Ginsburg’s Ysaye, Joys and
Sorrows: Reflections by Pablo Casals, The Dr.
Herbert Axelrod Stradivari Quartet, and The
Violin Masterpieces of Guarneri del Gesu.
$30-50
242
Eighteen Violin-related Books, including:
The Glory of the Violin, The Hill Collection of
Musical Instruments, The Violin Hunter, and
fifteen others.
$50-100
245
Jalovec, Karel (b. 1892), Encyclopedia of
Violin-Makers, London: Paul Hamlyn, 1968,
two volumes.
$80-100
246
Hill, William Henry (1857-1927), The ViolinMakers of the Guarneri Family (1626-1762):
Their Life and Work, Great Missenden: W.E.
Hill & Sons, 1980.
$80-100
247
Hamma, Walter (1916-1988), Meister
Italienischer Geigenbaukunst, Munich:
Schuler, 1971.
$80-100
248
Seven Violin-related Books, including: Violin
Making, Antonio Stradivari, Reminiscences of
a Fiddle Dealer, and four others.
$100-120
249
Roda, Joseph (1894-1963), Bows for
Musical Instruments of the Violin Family,
Chicago: William Lewis & Son, 1959, first
printing, library edition, no. 3033.
$100-150
250
Bowden, Sidney, Pajeot; Bow Makers of
the 18th and 19th Centuries, London: Ealing
Strings, 1991, with jacket, wrapped and
unopened.
$100-150
End of Sale 2892B
243
Five Violinist-related Books, including:
Famous Violinists, Celebrated Violinists: Past
and Present, The Violinist, and The Way They
Play, Books 7 & 9.
$80-100
244
Five Violin-related Books, including: two
Dictionary of Violin Makers, two Old Violins,
and Dictionary of Contemporary Violin & Bow
Makers.
$80-100
74
Glossary of Terms
All items in the catalog are described according to the following table of terminology.
Please note that all statements in this catalog as to Authorship, Period, Origin, are
qualified statements subject to the Conditions of Sale. All weights and measurements are
approximate.
Authorship will be described in the following ways:
Joseph Guarneri: In our judgment the work is by the maker.
Ascribed to Joseph Guarneri: The work is believed to be by the named maker, in the opinion of the
authors of the accompanying certificates or letters.
Attributed to Joseph Guarneri: A traditional attribution with which we may not agree.
Probably Joseph Guarneri (also possibly): A work which we have no definitive opinion on.
School of Joseph Guarneri: In our judgment the work of a follower executed in the style of the
maker or area stated.
Workshop of Joseph Guarneri: In our judgment the work is executed in the style of the named
maker and possibly under his supervision.
Labeled Joseph Guarneri (also stamped, branded, etc.): In our judgment the instrument is not
necessarily the work of this maker, but bears the maker’s mark.
75
76
Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below
which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of
Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or
raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property,
and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship,
attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall
be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer
shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have
sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the
accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a
monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been
removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage
charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent
auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds
to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has
been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank.
The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment
methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was
the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any
payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b) offering at public auction, without reserve, any lot or item for which the
purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of
sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and
overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered
species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities
is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots.
9. Sales in Massachusetts, Florida, and New York are subject to the respective current sales taxes. Dealers, museums, and other qualifying parties may be exempt
from sales tax upon submission of proper documentation.
10. A premium equal to 23% of the final bid price up to and including $100,000, plus 20% of the final bid price from $100,001 up to and including $1,000,000, plus
12% of the final bid price from $1,000,001 and over will be applied to each lot sold, to be paid by the buyer as part of the purchase price.
11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in
person, through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any
lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material
produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be
used by the purchaser, nor by anyone else, without our prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law).
The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions
contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents
to the exclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.
Revised January 21, 2015
77
78
Absentee Bid Form
Sale Title
Sale Date
First Time Bidder?
YES
NO
Customer #
Name (Please Print)
Business Name
Address
City
Phone #
Alternate #
check if change in address
State
Zip Code
email
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and
will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per
Conditions of Sale as printed in the catalog of this sale.
Signature (Required)
Lot #
Date
Description
Bid confirmation via email?
YES
NO
Bid Price
Phone bid?
YES
Mail
Person
NO
FOR OFFICE USE
Marlborough
Boston
Phone
63 Park Plaza
Boston, MA
02116
617.350.5400
Fax 617.350.5429
Fax
274 Cedar Hill Street
Marlborough, MA
01752
508.970.3000
Fax 508.970.3100
Employee:
www.skinnerinc.com
Board of Directors
Departments
Chairman of the Board
20th Century Design
Discovery Auctions
Jane D. Prentiss
Carly Babione
[email protected]
Kyle Johnson
508.970.3253
Melanie Trottier-Mitcheson
Stephen L. Fletcher
Richard Albright
[email protected]
John Deighton
508.970.3202
Karen M. Keane
American & European Paintings & Prints
Andrew Payne
Robin S.R. Starr
Elizabeth C. Haff
Michelle Lamunière
Executive
Management
Martina Tanga
[email protected]
508.970.3206
Karen M. Keane
Stephen L. Fletcher
Chris Barber
Christopher D. Fox
[email protected]
Chief Financial Officer
Don Kelly
Executive Vice President
Stuart G. Slavid
Stephanie Opolski
Gwendolyn L. Smith
[email protected]
508.970.3203
American Furniture & Decorative Arts
President/Chief Executive Officer
European Furniture & Decorative Arts
Historic Arms & Militaria
Joel Bohy
[email protected]
508.970.3215
508.970.3200
Jewelry
American Indian & Ethnographic Art
Victoria Bratberg
Douglas Deihl
John Colasacco
[email protected]
Kaitlin Shinnick
Stephen L. Fletcher
508.970.3254
[email protected]
Managing Director
Antique Motor Vehicles
Marie Keep
617.874.4313
Jane D. Prentiss
[email protected]
508.970.3253
Kerry Shrives
Stuart G. Slavid
Asian Works of Art
Judith Dowling
Helen Eagles
Suhyung Kim
Vice Presidents
[email protected]
Gloria Lieberman
508.970.3216
Devon Eastland
[email protected]
508.970.3293
508.970.3247
Photographs
Robin S.R. Starr
Ceramics
Michelle Lamunière
Stuart G. Slavid
[email protected]
[email protected]
508.970.3264
508.970.3203
Western Massachusetts:
Silver
George Thomas Lewis
Clocks, Watches & Scientific Instruments
413.727.2721 [email protected]
Robert C. Cheney
Jonathan Dowling
New York: Katie Banser-Whittle
Paul Dumanowski
[email protected]
508.970.3201
[email protected]
Lawrence Kearney
Jane D. Prentiss
Florida: April L. Matteini, G.G.
Adam Tober
Oriental Rugs & Carpets
[email protected]
Regional Directors
Musical Instruments
Books & Manuscripts
Carol McCaffrey
L. Emerson Tuttle
[email protected]
508.970.3263
Victoria Bratberg
Eric Jones
Kerry Shrives
508.970.3256
Senior Vice Presidents
Marie Keep
Judaica
Stuart G. Slavid
[email protected]
508.970.3203
Wine, Whisky & Ale
Marie Keep
Joseph Hyman
[email protected]
508.970.3296
Maine: Bruce Buxton
80
Auction Services
Consignments
Marketing, Media &
Communications
Appraisal & Auction Services
LaGina Austin
Christine E. Finn
Katie Fitzgerald
Rachel Kingsley
Elizabeth Zwicker
Exhibitions & Property
Boston:
Marketing
Laura V. Sweeney
L. Emerson Tuttle
Sarah L. Collins
Linsey MacDougall
Benjamin Evans
Jenna Nastri
Jessica R. Lincoln
Subscriptions
Receptionist
Linsey MacDougall
Jacqueline Gray
508.970.3240
617.350.5400
508.970.3299
Institutional Relations
L. Emerson Tuttle
508.970.3130
Advertising/Production
Pamela Van de Houten
Consignment Services
Jeffrey R. Antkowiak
Patricia Walker King
Stanley P. Bystrowski
Rebecca Hamel
John Cornelius
Carol Zeigler
Kristina M. Harrison
508.970.3204
Kathleen Jones
Marlborough:
Warehouse
Frederic Trottier
508.970.3209
Samatha Heighton
Cheryl Richards Photography
Customer Relations/Human
Resources
Skinner Online
Carol McCaffrey
Kerry Shrives
508.970.3252
Receptionist
Lindsay White
508.970.3000
Daniel Bar
Judie Ochsner
Lizz Webber
Transportation
[email protected]
Eric Jones
Accounting
508.970.3279
508.970.3229
Denise Johnson
508.970.3269
Absentee & Telephone
Bidding
William Madden
Boston: 617.874.4318
508.970.3266
Marlborough: 508.970.3211
Auctioneers
Discovery: 508.970.3208
Kevin Rota
Chris Barber, John Colasacco,
508.970.3283
Stephen L. Fletcher, Karen M. Keane,
Marie Keep, Jessica R. Lincoln, Kerry Shrives,
Stuart G. Slavid, Robin S.R. Starr,
Laura V. Sweeney
63 Park Plaza
Boston, MA 02116
617.350.5400
Fax 617.350.5429
www.skinnerinc.com
274 Cedar Hill Street
Marlborough, MA 01752
508.970.3000
Fax 508.970.3100
130 Miracle Mile, Suite 220
Coral Gables, FL 33134
305.503.4423
Fax 305.709.2143
415 Madison Avenue, #1418
New York, NY 10017
212.787.1113
Fax 646.893.0179
81
82
Prizes:
Preliminary Repertoire:
1st:
Applicants:
Two contrasting movements from one
of the following by J.S. Bach:
-Sonata No. 1 in G minor, BMV 1001
-Partita No. 1 in B minor, BMV 1002
-Sonata No. 2 in A minor, BMV 1003
-Partita No. 2 in D minor, BMV 1004
-Sonata No. 3 in C major, BMV 1005
-Partita No. 3 in E major, BMV 1006
— No younger than 16 at the time of submission,
nor older than 32 by February 5, 2017
Mozart: Violin Concerto No. 5, K. 219
(First movement only with cadenza)
$30,000 plus career support
2nd:$15,000
3rd:$10,000
— Available from January 22–February 5, 2017
Paganini: Caprice for Solo Violin No. 24 in A minor
Virtuoso Piece of Choice
— Are responsible for their own travel and housing
Additional Information:
Entry:
— Submissions must be received
no later than September 30, 2016
— A $100 entrance fee must be received at
time of submission
— All submissions are to be made via
the EOIVC website, www.elmaroliveiraivc.org
From January 22–February 5, 2017, the finalists chosen from
the online submissions will compete in three rounds in Boca
Raton, Florida. The final concerts will take place on Saturday,
February 4, and Sunday, February 5, 2017, at the Keith C.
and Elaine Johnson Wold Performing Arts Center on the
campus of Lynn University. Final concerts are open to the
public. Winners will be chosen from the finalists and awards
will be given in a ceremony following the final performance on
Sunday, February 5.
Visit www.elmaroliveiraivc.org for a complete list of rules and regulations, repertoire,
and other important information or follow us on Facebook. The EOIVC is a registered
501(c)3 not-for-profit foundation.
84
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA 02116
617.350.5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand
lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles
Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland
Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto
Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right
onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto
Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63
Park Plaza.
85
86
Catalog Subscription Form
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Fine Musical Instruments

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