skinner skinner

Transcription

skinner skinner

SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
Fine Musical Instruments
November 6, 2011
Sale 2569B
Boston
SKINNER
Auctioneers and Appraisers
of Antiques and Fine Art
SKINNER
Auctioneers and Appraisers
of Antiques and Fine Art
SKINNER
January/February 1995 Auction Schedule
SKINNER
January/February 1995 Auction Schedule
Fine Musical Instruments
specialist in charge
David Bonsey
508.970.3224
General Inquiries: [email protected]
auction 2569B
Sunday, November 6, 2011 at 12 noon
63 Park Plaza
Boston, Massachusetts
preview
Friday, November 4, 2011
12 to 7 p.m.
Saturday, November 5, 2011
10:30 a.m. to 5 p.m.
Sunday, November 6, 2011
9 to 10:30 a.m.
absentee bidding
Tel: 617.874.4318
Fax: 617.350.5429
Online: www.skinnerinc.com
general inquiries
617.350.5400
View all lots online at www.skinnerinc.com
cover : 18 , frontispiece : 22 , inside back cover : 28 , back cover : 8, 15, 21, 22
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table of contents
1
Auction & Specialist Information
2
Web Site & Online Bidding
4
Provenance
5
Event Information
6
Lots 1-358
72
Glossary of Terms
73
List of Makers
74
Conditions of Sale
75
Absentee Bid Form
76
Company Directors & Specialty Departments
77
Administrative Staff & Client Services
78
Map & Driving Directions
79
Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.
Please refer to page 74 of this catalogue for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2011
All rights reserved
MA/Lic. #2304
Provenance
Gene Krupa (1909-1973)
Universally acknowledged as the first “superstar” drummer, Gene Krupa was in many ways the most significant drummer of
the half-century of modern music spanning the style of New Orleans jazz to Swing and Bebop. He made history throughout
his 50-year career with huge contributions to the drummer’s role in music and to the design of modern drums and cymbals.
From an early association with Chicago musicians including Bix Beiderbecke, Jimmy McPartland, and Eddie Condon,
he went on to achieve universal fame in the bands of Benny Goodman and with his own orchestra and small groups.
His immortal performance in the 1938 Benny Goodman concert at Carnegie Hall remains one of the most widely recognized
and iconic classics of jazz. After becoming perhaps the world’s most famous Swing drummer, his music continued to
progress; his Bebop collaborations with arranger Gerry Mulligan and trumpeter Roy “Little Jazz” Eldridge are considered
timeless masterpieces.
Krupa’s lifelong collaboration with Zildjian Cymbals and Slingerland Drums contributed to the evolution of the modern drum
set, and his exuberant showmanship and masterful style helped to spread the popularity of American music.
Harry Fleisher (1907-c. 1995)
A mechanical engineer, teacher, and inventor, Harry Fleisher began a second career making bows in 1946. He studied
many historical models of French bows, and became associated with many of New York’s finest musicians and fellow
bowmakers. Lots 204-216 are from his personal collection of wood selected from cargo arriving directly from Brazil into
the Port of Brooklyn during the 1950s and 1960s.
Clint Black (b. February 4, 1962)
Singer and songwriter Clint Black has enjoyed an ever-growing reputation since 1989 as a major figure in American music,
garnering more than 20 million record sales worldwide. His awards include Male Vocalist of the Year from the CMA and
Favorite New Male Artist from the American Music Awards.
4
SKINNER
invites you to a
Reception & Extended Auction Preview
featuring live music from
The Tomoko Omura Group
Friday, November 4th, 2011
5:30 Reception/Preview to 7:00 p.m.
SKINNER Boston
63 Park Plaza
Boston, MA
R.S.V.P. to 617.350.5400
Held in conjunction with a preview of Skinner’s
November 6th Auction of Fine Musical Instruments
5
1
3
1.
American Mandolin, Raphael Ciani, New York, c. 1910, labeled
A GALIANO, RAPHAEL CIANI, FABBRICANTE DI, MANDOLINI, E
CHITARRE, GARANTITE, length of back 12 3/4 in., with case.
$400-600
3.
German Electric Bass Guitar, Karl Hofner Company, Schonbach,
1965, Model Club Bass, with serial number sticker 87522 on the back
of the peghead, length of back 17 1/4 in., with original case.
$800-1,200
2.
American Guitar, C.F. Martin & Company, Nazareth, 1946, Style
D-18, stamped D-18, 95711 at the upper block, width of lower bout 15
7/8 in., with later case.
$5,000-8,000
4.
American Tenor Banjo, The Vega Company, Boston, c. 1925,
labeled THE VEGA CO NO A 10373, BOSTON 15 MASS, MODEL
FW-5, diameter of head 11 in., with case.
$400-600
6
additional information and photos at www.skinnerinc.com
5
5
5.
American Tenor Banjo, Bacon Manufacturing Company, Groton,
1922, Model Silver Bell Symphony, stamped 8857 on the dowel stick,
diameter of head 11 in., with case.
$800-1,200
online bidding at www.skinnerinc.com
7
6
6
6.
0-15, stamped 0-15, 79049 at the upper block, length of back 18 1/4
in., with case.
$1,200-1,600
8
7
7
7.
American Electric Guitar, Guild Guitars Incorporated, New York,
1953, Style X-500, labeled GUILD GUITARS, STYLE X-500, SERIAL
NO 1016..., etc., GUILD GUITARS INCORPORATED, NEW YORK 3
NY, length of back 21 in., width of lower bout 17 1/4 in., with original
case.
$1,200-1,800
9
8
8
8.
American Electric Guitar, Fender Musical Instruments, Fullerton,
1958, Model Stratocaster, serial number 29676 stamped to the neck
plate, length of body 15 3/4 in., with original case and strap.
$14,000-18,000
10
8
9
9
9.
American Guitar, C.F. Martin & Company, c. 1890, Style 2-30,
stamped CF MARTIN & CO, NEW YORK at the upper block and on the
center strip, length of back 18 5/16 in., width of lower bout 12 in., with
later case.
$800-1,200
12
10
10.
American Electric Guitar, Gibson Incorporated, Kalamazoo, 1979,
Model ES-335, stamped 72339100, MADE IN USA at the back of the
peghead, length of back 18 1/4 in., with case.
$1,800-2,400
12
12.
American Electric Guitar, Gibson Incorporated, Kalamazoo, 1991,
Model SST Chet Atkins, stamped 94041937, MADE IN USA at the
back of the peghead, length of back 19 1/8 in., with case.
Provenance: Clint Black, with signed letter.
11.
American Mandolin, C.F. Martin & Company, Nazareth, c. 1926,
Style A, serial number 13229 stamped on the center strip, length of
back 12 in.
$400-800
$4,000-6,000
13.
Lap Steel Guitar, engraved DALLAS on the bridge cover, the single
pickup and volume control, scale length 22 3/4 in., with case.
$200-300
13
14
14
14.
American Electric Guitar, Fender Musical Instruments, Santa Ana,
1967, Model Telecaster, stamped 190475 at the neck plate, length of
back 15 3/4 in., with original case.
$1,200-1,600
14
15
15
15.
American Tenor Banjo, Vega Company, Boston, c. 1927, Artist
Model, stamped 89633 VEGAPHONE, ARTIST, MADE BY, THE VEGA
COMPANY, BOSTON MASS USA on the dowel stick and engraved
SOLOIST on the tailpiece, diameter of head 11 in., with original case.
$1,800-2,200
15
16
16
16.
American Tenor Banjo, Gibson Incorporated, Kalamazoo, c.
1965, Model TB-250, stamped 330078 on the back of the peghead,
diameter of head 11 in.
$1,000-1,600
16
17
17
17.
000-28, stamped 000-28, 101355 at the upper block, width of lower
bout 15 1/16 in.
$5,000-8,000
17
18
18
18.
D-45, stamped D-45, 79583 at the upper block, length of back 20 in.,
width of lower bout 15 3/4 in., with period case.
$180,000-240,000
18
18
19
19
19.
Hawai‘ian ‘Ukulele, Samuel Kamaka, Honolulu, 1927, labeled KAMAKA, SPECIAL, PINEAPPLE, UKULELE, HAWAIIS GREATEST
UKULELE, PATENT PENDING, MADE IN HAWAII BY SK KAMAKA, length of back 9 3/4 in.
Note: The Dole Derby of 1927 was an air race sponsored by pineapple magnate James D. Dole, inspired by Charles Lindbergh’s recent
transatlantic flight. Of the eight planes that attempted the flight from Oakland to Honolulu, only two survived the journey. Six planes
were lost, resulting in ten fatalities. The Kamaka ‘ukulele was awarded to the second place finisher Martin Jensen, a Hawai‘i resident in
his twenties, along with a cash prize of $10,000. The ‘ukulele is an early version of the “Pineapple” model, unusual in that the back was
painted rather than the front, and bears the “patent pending” label.
$400-600
20
20
20.
American Concert Harp, Lyon & Healy, Chicago, c. 1905, Style 22
Gold, the head plate engraved LYON & HEALY, CHICAGO MAKERS
USA, NO 916, MANUFACTURED UNDER FIVE PATENTS, forty-five
strings, seven pedals, height 70 in., with canvas cover.
$4,000-6,000
21
Gene Krupa had a lifelong association with the Slingerland Drum
Company and Avedis Zildjian. This was the last kit that he used from
c. 1962 until 1972, when he presented the kit to the school of St.
Paul the Apostle in Yonkers, New York, where he was a parishioner
and where his children had attended school.
The set includes a 20-inch floor tom-tom that was custom built for
him by the Slingerland Company, and a Slingerland “Centennial” rack
tom given to him in 1971. Mr. Krupa was also presented many
cymbals by Avedis Zildjian, with whom he collaborated on the design
of modern hi-hat, crash, and “swish” cymbals. All were handstamped with his initials by the Zildjian family.
Gene Krupa playing with his Big Band, c. 1938.
22
21
21.
Gene Krupa (1909-1973)
Slingerland Drum Set, Avedis Zildjian HiHat and Swish Cymbals,
the 24-in. bass drum c. 1962, the 12-in. “Centennial” rack tom-tom c.
1971, the 14-in. snare c. 1970, the 20-in. floor tom-tom c. 1950 with
head signed TO THE ST. PAUL DRUMMERS, KEEP SWINGIN, GENE
KRUPA, the Avedis Zildjian 14-in. New Beat hihat cymbals and 20-in.
“swish” cymbal, the lambswool beater, assorted hardware, stands,
brushes, tuning key, sticks, cases.
Sold with Letter of Provenance: Giselle De Rienzo, Yonkers,
September 14, 1997.
$10,000-15,000
23
22
22
22.
Markneukirchen Violin, Paul Knorr, c. 1930, bearing the maker’s
label, length of back 357 mm, with case.
$4,000-6,000
24
23
23
23.
American Violin, Carl George, Chicago, 1933, bearing the maker’s
signed label, initialed on interior back, length of back 357 mm, with
case and bow.
$8,000-10,000
25
24
24
24.
American Violin, Richard Henry Knopf, New York, 1905, bearing the
maker’s label, branded internally and at the lower rib, length of back
356 mm.
$3,500-5,000
26
25
25
25.
French Violin, School of J.B. Vuillaume, c. 1860, bearing an illegible
label, length of back 359 mm, with case.
$10,000-14,000
27
26
26
26.
Modern Italian Violin, Paolo De Barbieri, Genoa, 1939, bearing the
maker’s label, branded internally and to the lower rib, length of back
355 mm, with case and two bows.
$12,000-16,000
28
27
27
27.
Markneukirchen Violin, Paul Knorr, 1925, bearing a manuscript label,
length of back 356 mm, with case and bow.
Provenance: Sold with Bill of Sale, William Moennig & Son,
Philadelphia, February 30, 1960.
$8,000-12,000
29
28
28
28.
Violin, c. 1850, After Giuseppe Guadagnini, labeled JOANNES
BAPTSTA GUADAGNINI, FECIT PARMAE FERVIENS, CSR 17, length
of back 351 mm.
$800-1,200
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29
29
29.
French Violin, Pierre Joseph Hel, Lille, 1902, bearing the maker’s
label, branded internally and to the lower rib, length of back 358 mm.
$8,000-12,000
31
30
30
30.
French Violin, c. 1750, Vieux Paris School, Ascribed to Jean
Baptiste Salomon, labeled SALOMON, MAITRE LUTHIER A PARIS
RUE, L ARBE FEA A STE CECILLE, length of back 364 mm.
Certificate: Max Moller, Amsterdam, January 6, 1945.
32
$4,000-6,000
31
31
31.
English Violin, Probably Panormo Family for Astor of London, c.
1820, branded ASTOR, CO??, LONDON below the button, length of
back 354 mm.
$1,800-2,400
33
32
32
32.
Italian Violin, c. 1920, Attributed to the Romeo Antoniazzi
Workshop, labeled ANTONIAZZI ROMEO CREMONESE, FECE
PRESSO LEANDRO BISIACH, IN MILANO LANNO 1910, length of
back 357 mm.
$10,000-14,000
34
33
33
33.
French Viola, Marc LaBerte, Paris, 1937, bearing the maker’s
manuscript label DAPRES STRADIVARIUS, MARC LABERTE, 1937,
and also bearing the labels GRAND PRIX, PARIS 1931 EXPOSITION
COLONIALE and SPECIALMENT ESSAYE, MIS AU POINT POUR LE,
PROFESSEUR HUBERT SANVITI DORAN, MARC LABERTE, length of
back 41.5 cm (16 3/8 in.).
$1,200-1,800
35
34
34
34.
Italian Violin, c. 1750, Mantua School, labeled ...BALESTRIERI...,
length of back 351 mm.
$3,000-5,000
36
35
35
35.
Modern Violin, Attributed to Giuseppe Ornati, labeled GIUSEPPE
ORNATI, FECE IN MILANO 1935, length of back 355 mm, with case.
$8,000-12,000
37
36
36
36.
Fine Modern Violoncello, Horacio Pineiro, New York, 1982,
branded internally and signed, bearing the facsimile label JOSEPH
GUARNERIUS FILIUS ANDREAE..., length of two-piece back 746 mm
(29 3/8 in.).
$15,000-25,000
38
36A
36A
36A.
Markneukirchen Contrabass, c. 1905, labeled ERNST GLASEL,
FECIT 1906, length of back 108 cm.
$4,000-6,000
39
37.
French Silver Mounted Violin Bow, François Lotte, the round stick
stamped MARCEL VATELOT PARIS, (the frog and adjuster possibly
later), weight 59 grams.
$800-1,200
43.
French Silver Mounted Violin Bow, Emile A. Ouchard, the round
stick stamped EA OUCHARD FILS, weight 61 grams.
Certificate: Bernard Millant, Paris, October 12, 2010.
$3,000-5,000
38.
Silver Mounted Violin Bow, Nurnberger Workshop, the octagonal
stick stamped *ALBERT NURNBERGER* and GERMANY, weight 65
grams.
$400-600
44.
French Nickel Mounted Violin Bow, Marc LaBerte Workshop, c.
1930, the round stick stamped TOURTE, weight 60 grams.
39.
French Silver Mounted Violin Bow, Morizot Frères, the round stick
stamped L MORIZOT, weight 58 grams.
$400-600
45.
French Nickel Mounted Violin Bow, Joseph Gaudé, c. 1840, the
octagonal stick unstamped, weight 62 grams.
Certificate: Jean-François Raffin, Paris, June 23, 2011.
$1,000-1,200
Certificate: Isaac Salchow, New York, June 15, 2011.
40.
French Silver Mounted Violin Bow, Eugene Sartory, the round stick
stamped E SARTORY A PARIS, weight 60 grams, (the later adjuster).
$6,000-8,000
41.
French Silver Mounted Violin Bow, Charles Bazin Workshop, the
round stick stamped C BAZIN, weight 58 grams.
$1,800-2,400
42.
French Nickel Mounted Violin Bow, Jerome Thibouville-Lamy, c.
1950, the round stick unstamped, weight 61 grams.
Certificate: Jean-François Raffin, Paris, December 19, 2010.
$800-1,200
$3,000-5,000
46.
French Nickel Mounted Violin, Claude Joseph Fonclause, c. 1830,
the round stick unstamped, the open-trench frog, the later adjuster,
weight 60 grams.
$1,800-2,400
47.
French Nickel Mounted Violin Bow, Prosper Colas, c. 1900, the
round stick stamped PC, weight 60 grams.
Certificate: Gartsman Violins, Newport News, June 28, 2011.
$1,800-2,200
48.
French Nickel Mounted Violin Bow, Nicolas Maline, c. 1865, the
round stick unstamped, weight 62 grams.
$10,000-12,000
40
37
38
39
40
37
38
39
40
41
49.
French Silver Mounted Viola Bow, Morizot Frères, the round stick
stamped P GAGGINI NICE, weight 68.3 grams.
$800-1,200
55.
French Nickel Mounted Viola Bow, School of Peccatte, c. 1850, the
$1,200-1,800
50.
French Silver Mounted Viola Bow, the octagonal stick stamped
GAND & BERNARDEL, weight 64 grams.
$2,000-3,000
51.
Silver Mounted Violoncello Bow, Carl Albert Nurnberger, c. 1935,
the octagonal stick stamped *ALBERT NURNBERGER*, weight 70
grams, (with tinsel wrap).
$2,800-3,600
52.
English Violoncello Bow, Arthur Barnes for W.E. Hill & Sons, c.
1930, the round stick stamped WE H & S, weight 78 grams.
$1,600-1,800
53.
English Silver Mounted Violin Bow, James Tubbs, the round stick
stamped JAS TUBBS, (the later frog and adjuster), weight 60 grams.
$800-1,200
54.
French Nickel Mounted Violin Bow, c. 1840, School of Joseph
Gaudé, the round stick unstamped, weight 60 grams.
$3,200-3,800
42
56.
French Nickel Mounted Violin Bow, Louis Bazin, c. 1940, the round
stick unstamped, weight 59 grams.
Certificate: Jean-François Raffin, June 30, 2010.
$2,000-2,800
57.
French Silver Mounted Violoncello Bow, the octagonal stick stamped
SARTORY A PARIS, weight 80 grams.
$2,000-2,400
58.
Nickel Mounted Violin Bow, the round stick stamped L MORIZOT,
weight 61 grams.
$400-600
59.
Silver Mounted Viola Bow, Finkel Workshop, the round stick
stamped *S FINKEL*, weight 71 grams.
$400-600
60.
Nickel Mounted Violin Bow, R. Weichold, the octagonal stick
unstamped, weight 59 grams.
$400-600
49
50
51
52
49
50
51
52
43
61.
Violin, c. 1880, labeled ...GALLANUS..., length of back 356 mm, with
case and two bows.
$800-1,200
71.
Saxon Violin, E. Martin, c. 1910, labeled ...HOYER..., length of back
357 mm.
$600-800
62.
Markneukirchen Violin, Oskar Bernard Heinel, 1903, bearing the
maker’s label, length of back 363 mm.
$300-500
72.
German Violin, c. 1920, labeled ...KIEDERLE..., length of back 358
mm.
$400-600
63.
English Violin, c. 1910, labeled ...CUSTODE..., length of back 358
mm.
$1,000-1,200
73.
French Violoncello, Gustave Bernardel, Paris, 1893, bearing the
maker’s label, length of back 76 cm, with case.
$10,000-15,000
64.
French Violin, Caussin Workshop, Neufchatel, c. 1885, bearing the
$800-1,200
74.
Violoncello, Neuner Workshop, Mittenwald, c. 1880, unlabeled,
length of back 75 cm.
$800-1,200
65.
Saxon Violin, c. 1900, labeled E RHINEHOLD SCHMIDT, VIOLIN
MAKER SAXONY 1900, length of back 358 mm.
$400-600
75.
American Violoncello, c. 1920, unlabeled, length of back 75 cm.
$800-1,200
66.
French Violin, c. 1900, labeled ...JULES GRANDJON..., length of back
360 mm.
$400-600
67.
Violin, c. 1920, Possibly Italian, labeled ...ORNATI... and branded
internally GIUSEPPE ORNATI, MILANO, length of back 356 mm.
$3,000-5,000
76.
German Violoncello, c. 1880, labeled ANNO 1875 GEORGE
WINTERLING, HAMBURG, length of back 76 cm, with case.
$1,500-1,800
77.
Child’s German Violin, c. 1920, labeled THE LONDON MANBY VIOLIN
COMPANY..., length of back 333 mm, with case.
$300-500
$400-600
78.
Modern Violoncello, Mittenwald, c. 1970, labeled SPEZIAL
ANFERTIGUNG FUR, HANS WEISSHAR & SON INC, LOS ANGELES,
$600-800
69.
French Violin, c. 1900, labeled ...MOUGENOT..., length of back 354
mm.
$600-800
79.
Child’s Modern Violoncello, labeled ...JAY HAIDE..., length of back
69.2 cm.
$1,000-1,400
70.
German Violin, Albim Wilfur, Leipzig, 1922, bearing the maker’s label,
$1,000-1,400
80.
Modern Violoncello, labeled ...PECCHINI VASCO..., length of back
75.2 cm.
$1,200-1,600
68.
German Violin, c. 1910, labeled ...WILHELM KRUSE,
MARKNEUKIRCHEN, length of back 359 mm.
44
81.
Child’s German Violoncello, c. 1840, labeled ...JOANNES GEORGES
LEEB..., length of back 61.5 cm.
$600-800
82.
Five Child’s Violoncellos.
$1,000-1,400
83.
Czech Violoncello, c. 1870, School of Ferdinand Homolka, bearing a
repair label of Adolf Schubert, New York, length of back 76.8 cm, with
case.
$6,000-8,000
84.
Child’s German Violin, c. 1890, Probably Louis Lowendall,
unlabeled, length of back 281 mm.
$400-600
85.
French Violin, c. 1900, J.B. Colin School, unlabeled, length of back
355 mm.
$600-800
86.
American Violin, Henry Barber, 1880, labeled MANUFACTURED BY,
HENRY BARBER, NO 22 1880, length of back 358 mm, with case and
bow.
$300-500
87.
Modern Violin, labeled ...DIGIUNI..., length of back 358 mm.
$400-600
88.
Modern Violin, c. 1930, labeled MANILO ROVESCALI..., length of back
357 mm.
$300-500
89.
Modern Violin, Ottomar Hausmann Workshop, Mittenwald, 1964,
bearing the maker’s label, length of back 356 mm.
$600-800
90.
Mittenwald Violin, c. 1870, labeled JOSEPH GUARNERIUS..., length
of back 353 mm.
$400-600
91.
Mittenwald Violin, c. 1860, unlabeled, length of back 358 mm.
$800-1,000
92.
German Violin, c. 1910, labeled ...NACHAHMUNG VON, JOSEF
GUARNERIUS..., length of back 355 mm.
$400-600
93.
French Violin, c. 1900, labeled ...BERTHOLINI..., length of back 358
mm.
$800-1,200
94.
$400-600
95.
Violin, c. 1820, length of back 355 mm.
$800-1,200
96.
French Violin, Mirecourt, c. 1920, J.B. Colin School, unlabeled,
$400-600
97.
$400-600
98.
English Violin, c. 1780, branded DUKE below the button, length of
back 355 mm.
$600-800
99.
Modern German Violin, Lowendall School, labeled
...STRADIVARIUS..., length of back 357 mm.
$800-1,000
100.
French Violin, Lyon School, c. 1930, bearing the label CH LE
LYONNAIS, LUTHIER, NANTES AN 1936, length of back 357 mm.
$700-900
101.
English Violin, Betts School, c. 1830, unlabeled, length of back 354
mm.
$500-700
45
102.
Silver Mounted Violin Bow, Otto Hoyer, the round stick stamped
OTTO A HOYER PARISER, weight 59 grams.
$800-1,200
103.
Silver Mounted Violin Bow, Ascribed to Eugene Sartory, the round
stick stamped E SARTORY A PARIS, weight 59 grams.
Certificate and Bill of Sale: William Lewis & Son, Chicago, November
13, 1969.
$3,000-5,000
104.
Gold Mounted Violin Bow, H.R. Pfretzschner, the round stick
stamped HR PFRETZSCHNER, weight 59 grams.
$2,000-3,000
105.
French Silver Mounted Violin Bow, Ascribed to Joseph Henry, the
round stick stamped HENRY A PARIS, weight 61 grams.
Certificate: Joseph Roda, Riverside, March 8, 1968.
$3,000-5,000
108.
French Nickel Mounted Violin Bow, Jerome Thibouville-Lamy, c.
1915, the round stick unstamped, weight 62 grams.
$800-1,200
109.
French Nickel Mounted Violin Bow, Marc LaBerte Workshop, the
round stick stamped VJ FERELLI, weight 60 grams.
$800-1,200
110.
French Nickel Mounted Contrabass Bow, Marc LaBerte, c. 1940,
the round stick unstamped, weight 134 grams.
Certificate: A. Gartsman, Newport News, July 12, 2011.
$900-1,200
111.
French Silver Mounted Violoncello Bow, Jean Joseph Martin, the
$4,000-6,000
106.
French Violin Bow, c. 1840, School of Etienne Pajeot, the opentrench frog, the ivory button, the round amourette stick unstamped,
weight 61 grams.
112.
French Nickel Mounted Violoncello Bow, Nicolas Maline, c. 1870,
the round stick stamped E SARTORY A PARIS, weight 75 grams.
$1,000-1,200
$5,000-7,000
107.
French Silver Mounted Violoncello Bow, Auguste Husson, the round
stick stamped MARCEL VATELOT A PARIS, weight 77 grams.
$4,000-6,000
46
113.
Silver Mounted Violin Bow, Richard Grunke, the octagonal stick
stamped RICHARD GRUNKE *** and GERMANY, weight 62 grams.
$400-600
102
103
104
105
102
103
104
105
47
114.
French Silver Mounted Violin Bow, the round stick stamped
CARESSA & FRANCAIS PARIS, weight 54 grams, (without hair).
$800-1,200
120.
Silver Mounted Violoncello Bow, Nurnberger Workshop, c. 1960,
the round stick stamped ALBERT NURNBERGER, weight 78 grams.
$800-1,200
115.
French Silver Mounted Violin Bow, Charles Bazin, the round stick
stamped C BAZIN, weight 64 grams.
121.
Silver Mounted Violin Bow, Herman Prell, c. 1920, the round stick
stamped HERM W PRELL, weight 53 grams, (without hair).
$300-500
Certificate: Jean-François Raffin, Paris, October 17, 1998.
$1,200-1,600
116.
French Silver Mounted Violin Bow, the round stick stamped P.
GAGGINI NICE, weight 59.2 grams.
$800-1,200
117.
Silver Mounted Violin Bow, the octagonal stick stamped ALBERT
NURNBERGER and TOURTE, weight 58 grams.
$400-600
118.
English Silver Mounted Viola Bow, the round stick and frog stamped
J DODD, weight 73 grams.
$600-800
119.
Silver Mounted Violin Bow, August Albin Nurnberger, the round
stick stamped AUGUST NURNBERGER SUESS, weight 56 grams.
$300-500
48
122.
Two Baroque Violin Bows, one ebony mounted, the other in faux
ivory, weights 56 and 58 grams.
$100-200
123.
Nickel Mounted Viola Bow, Bausch School, the round stick stamped
TUBBS, weight 68 grams.
$300-500
124.
Silver Mounted Violin Bow, the round stick stamped MADE IN
GERMANY, weight 65 grams.
$200-300
125.
Silver Mounted Violin Bow, Richard Grunke, the octagonal stick
stamped RICHARD GRUNKE and GERMANY, weight 63 grams.
$400-600
114
115
116
117
114
115
116
117
49
126.
Two Silver Mounted Viola Bows, W.E. Durfler, the round sticks
stamped EGIDIUS DURFLER.
$300-500
139.
Gold Mounted Viola Bow, Finkel Workshop, the octagonal stick
stamped ***S FINKEL***, weight 63 grams, (without hair).
$300-500
127.
Silver Mounted Violin Bow, the round stick stamped JOHS MONNIG,
weight 63 grams.
$500-700
140.
German Silver Mounted Violin Bow, the octagonal stick stamped
HERMAN DOLLING JR, weight 62 grams.
$400-600
128.
Nickel Mounted Violoncello Bow, the round stick stamped T TUE,
weight 76 grams.
$200-400
129.
Silver Mounted Violin Bow, Richard Grunke, the round stick stamped
RICHARD GRUNKE and GERMANY, weight 63 grams.
$400-600
130.
Silver Mounted Viola Bow, Nurnberger Workshop, the octagonal
stick unstamped, weight 60 grams, (without hair).
$400-600
131.
Two Silver Mounted Violin Bows, the octagonal sticks unstamped,
weights 61 and 59 grams, (each with silver tip and faux baleen wrap).
$200-300
132.
Four Bows, various makers and mounts.
$200-300
133.
French Silver Mounted Violin Bow, Probably C.N. Bazin Workshop,
the octagonal stick stamped P BISCH PARIS and FRANCE, weight 62
grams.
$1,200-1,500
134.
Silver Mounted Violoncello Bow, Egid Durfler, the octagonal stick
stamped E DURFLER***, weight 81 grams.
$200-400
135.
Silver Mounted Violoncello Bow, Rudolf Dotschkail, the round stick
stamped R DOTSCHKAIL*** at the butt, the ebony frog with parisian
eye, the plain silver adjuster, weight 78 grams.
$500-700
136.
Nickel Mounted Violin Bow, Bausch School, the round stick
unstamped, weight 59 grams.
$150-200
137.
Silver Mounted Violoncello Bow, Kurt Gerhard Penzel Workshop,
the octagonal stick stamped K GERHARD PENZEL, weight 83 grams. ,
$800-1,200
138.
Nickel Mounted Violin Bow, Ernst Heinrich Roth, Markneukirchen,
c. 1930, the round stick stamped ERNST HEINRICH ROTH, weight 53
grams, (without hair, silk winding).
$300-500
50
141.
Nickel Mounted Violin Bow, Knopf School, the octagonal stick
unstamped, weight 52 grams, (without hair or grip).
$300-500
142.
Silver Mounted Violin Bow, the round stick stamped BAUSCH, weight
60 grams.
$300-500
143.
Silver Mounted Violin Bow, the round stick stamped DA
SEPPLEFRICK, weight 60 grams.
$400-600
144.
Nickel Mounted Violin Bow, the round stick unstamped, weight 57
grams.
$300-500
145.
Silver Mounted Violin Bow, Richard Grunke, the round stick stamped
RICHARD GRUNKE *** and GERMANY, weight 63 grams.
$400-600
146.
Silver Mounted Violoncello Bow, the octagonal stick unstamped,
weight 75 grams, (without hair or grip).
$200-300
147.
Silver Mounted Violin Bow, Emil Kuehnl, the octagonal stick stamped
*EMIL KUEHNL* and GERMANY, weight 64 grams.
$200-300
148.
Three Viola Bows, various makers and mounts, stamped KNOLL,
PAULUS, and SCHNEIDER.
$400-600
149.
Silver Mounted Violoncello Bow, W.E. Durfler, the octagonal stick
stamped *WE DURFLER*, weight 81 grams.
$200-400
150.
Three Silver Mounted Violin Bows, including Prager, Pfretzschner.
$400-600
151.
English Silver Mounted Bow, W.E. Hill & Sons, the round stick
stamped HILL, weight 60 grams, (repair to the head).
$400-600
152.
Modern German Violin, labeled ...STRADIVARI..., length of back 355
mm.
$400-600
153.
American Violin, Don Husk, Auburn (New York), 1906, bearing the
maker’s label, length of back 352 mm, with case and two bows.
$400-600
154.
German Violin, c. 1820, labeled JOHNN GOTTFRIED REICHEL, VON
JACOB STAINER IN ABSAM..., length of back 356 mm, with case.
$800-1,200
155.
French Violin, Caussin School, c. 1880, labeled ...IOFREDUS
CAPPA..., length of back 355 mm.
$800-1,000
156.
Markneukirchen Violin, Ernst Heinrich Roth, c. 1930, bearing the
maker’s label, length of back 357 mm, with case and two bows.
$800-1,200
157.
Modern Violin, labeled ...ARCELASCHI..., length of back 355 mm.
$600-800
158.
American Violin, c. 1850, Attributed to Isaiah Arey, unlabeled,
inscribed with possible repairer’s initials RF 1936, length of back 359
mm, with case.
$600-800
159.
Modern German Violin, labeled FRITZ HEBERLINE..., length of back
356 mm, with case and bow.
$100-200
160.
English Violin, c. 1900, labeled ...PAOLO ANTONIO TESTORE...,
$600-800
164.
Violin c. 1880, labeled ...GUADAGNINI..., length of back 358 mm.
$800-1,200
165.
Child’s German Violin, c. 1920, labeled ...STRADIVARIUS..., length of
back 345 mm.
$600-800
166.
Modern Czech Violin, Juzek Workshop, Prague, c. 1935, bearing the
maker’s label, length of back 356 mm, with case.
$800-1,200
167.
Mittenwald Violin, c. 1900, bearing the repair label of Treffle Gervais,
Boston, 1922, length of back 358 mm.
$300-500
168.
French Violin, Mirecourt, c. 1910, for Rudolph Wurlitzer, labeled
...CREMONA, RUDOLPH WURLITZER, CINCINNATI, length of back
357 mm.
$800-1,200
169.
label EUGENE MEINEL, MARKNEUKIRCHEN 1928..., length of back
357 mm, with case and two bows.
$600-800
170.
French Violin, Probably Derazey Workshop, c. 1890, unlabeled,
$800-1,200
171.
Saxon Violin, c. 1850, labeled ...FERDINANDO ALBERTI..., length of
back 358 mm, with case and bow.
$400-600
172.
Saxon Violin, c. 1780, unlabeled, length of back 354 mm, with case
and bow.
$400-600
161.
French Violin, c. 1900, for Hart & Son, labeled HART & SON,
MAKERS, 28 WARDOUR STREET W, LONDON 1894, length of back
357 mm.
$800-1,200
173.
Scottish Violin, Thomas Mcluckie, Lossiemouth, 1935, bearing the
$500-700
162.
French Violin, Nicolas Workshop, Mirecourt, c. 1900, branded D
SALZAR, length of back 359 mm.
$400-600
174.
Mittenwald Violin, c. 1890, labeled ...STRADIVARIUS..., length of back
357 mm, with case.
$200-300
163.
Child’s German Violin, Lowendal Workshop, c. 1880, length of back
338 mm.
$400-600
175.
French Violin, Jerome Thibouville-Lamy, c. 1930, labeled DEPOSE
and branded below the button, length of back 356 mm.
$400-600
51
176.
English Boxwood Double Flageolet, Bainbridge & Wood, London,
c. 1804, stamped with mark and BAINBRIDGE & WOOD, 35,
HOLBORN, HILL, LONDON, PATENT, the eight silver keys with square
covers, with ivory, fittings, length 455 mm (17 7/8 in.).
$1,000-1,500
176
177.
American Silver Flute in C, William S. Haynes Company, Boston,
1947, serial 18617, sounding length 23 3/4 in., with C foot.
$800-1,200
178.
Modern Italian Side Action Rotary Valve Trumpet, A. Rampone
& B. Cazzani, Milan, c. 1920, the bell engraved PREM STAB - B
CAZZANI & C, MILANO, A RAMPONE, DITTE REUNITE, B CAZZANI
& C, the inlaid pearl keys and valve covers, with original case and two
mouthpieces.
$200-300
179.
American Alto Saxophone, Buescher, Elkhart, c. 1930, Model True
Tone, serial number 254752, low pitch, gold finish, with later case.
$300-500
180.
Horn in F, Heinrich Bechtel, with case.
$600-800
181.
American Silver Flute, William S. Haynes Company, Boston, 1969,
serial number 36793, length 26 5/8 in., with case.
$800-1,200
182.
American Silver Flute, Christensen and Company, Boston, c. 1920,
serial number 538, length 26 1/4 in., with original case.
$400-600
183.
Consorzio Liutai & Archettai Cremona, Liutai Piemontese, 1997,
Cremona.
$80-100
184.
Cooper, A., The Cooper Collection, 1996.
$60-100
185.
Doring, Ernest N., The Guadagnini Family of Violin Makers, Chicago,
1949, first edition, number 59 of 1500.
$60-80
186.
Doring, Ernest N., The Guadagnini Family of Violin Makers, 1949, first
edition, number 1305 of an edition of 1400.
$80-100
187.
Doring, Ernest N., How Many Strads?, 1945, number 564 of an edition
of 1400.
$40-60
52
178
188.
Doring, Ernest N., How Many Strads?, 1945, number 1115 of an
edition of 1400.
$40-60
189.
Henley, W., Antonio Stradivari.
$20-40
190.
Henley, W., Universal Dictionary of Violin & Bowmakers, 1973, standard
edition.
$60-80
191.
Hill, Alfred, Arthur, and W. Henry, The Violin Makers of the Guarneri
Family, 1931.
$40-60
192.
Jalovec, Karel, German & Austrian Violin Makers, 1967.
193.
Jalovec, K., The Violin Makers of Bohemia.
$40-60
$150-250
194.
Jalovec, Karel, Encyclopedia of Violin-Makers, 1965, volumes I and II.
$60-80
195.
Jalovec, Karel, Italian Violin Makers.
$150-250
196.
Jalovec, K., Italian Violin Makers.
$40-60
197.
Pilar, V., Czech Violin Makers, 1986, Czech text.
$40-60
198.
Roda, Joseph, Bows for Musical Instruments, 1959, number 1054 of
an edition of 1400.
$80-100
199.
Roda, Joseph, Bows for Musical Instruments, Chicago, 1959, Library
Edition No. 1959.
$60-80
200.
Wenberg, T., The Violin Makers of the United States, 1986, number
1653 of an edition of 2500.
$150-250
201.
The Rudolf Wurlitzer Company, Rare Violins, Violas, Violoncellos,
(Vol. 1) and Rare Bows, (Vol. 2).
$40-60
202.
Music- and Violin-related Titles, eighteen volumes.
$60-80
203.
Three Volumes of Violin-related Subjects, Beare, Charles, Capolavori
Di Antonio Stradivari, Jalovec, Karel, Beautiful Italian Violins, Segni, A.,
Mostra di Antonio Stradivari.
$40-60
53
Lots 204-216 from the Collection of Harry Fleisher
204.
Ten Pernambuco Violoncello Bow Blanks, Lucchi Meter reading
5457-5663.
$400-600
205.
Four Pernambuco Violoncello Bow Blanks.
$300-500
206.
Ten Pernambuco Violin and Violoncello Bow Blanks, Lucchi Meter
reading 5355-5779.
$200-300
207.
Ten Pernambuco Violin Bow Blanks.
$200-300
208.
Eight Pernambuco Violin Bow Blanks, Lucchi Meter reading 53755547.
$200-300
209.
Sixteen Pernambuco Boards, Lucchi Meter reading 4980-5660.
$400-600
210.
Fifteen Pernambuco Boards, Lucchi Meter reading 4986-5565.
$400-600
211.
Seventeen Pernambuco Boards, Lucchi Meter reading 5010-5540.
$400-600
212.
Fourteen Pernambuco Boards, Lucchi Meter reading 5130-5540.
$400-600
213.
$400-600
214.
Fifteen Pernambuco Boards, Lucchi Meter reading 4860-5600.
$400-600
215.
$400-600
216.
$400-600
54
217.
Large Box of Abalone Shells, approximately 50 count.
$200-400
218.
Gabon Ebony Log, 11 x 4 x 44 in.
$400-800
219.
Gabon Ebony Log, 6 x 44 in.
$400-800
220.
Two Bows and Two Bow Sticks, including a bow for an American
church bass.
$300-500
221.
Violin Parts, including a French violin top and back and two old violin
scrolls.
$300-500
222.
Two Cello Scrolls, including one French.
$300-500
223.
Modern Violin, labeled ...BERTOLAZZI..., length of back 355 mm.
$600-800
224.
American Violin, L.P. Rhines, Malden, 1926, bearing the maker’s
label, length of back 354 mm.
$300-500
225.
French Violin, Rene Morizot, Mirecourt, c. 1945, bearing the maker’s
label, no. 884, length of back 362 mm.
$600-800
226.
Four Modern Violins, c. 1980, bearing the labels of Paesold, Hopf,
and Sandner.
$300-500
227.
Modern Violin, Roderick Paesold, Bubenreuth, 1976, labeled
RODERICK PAESOLD, DATE 1976 MODEL 804..., etc., length of back
355 mm.
$100-200
228.
French Violin, Francois Breton, Mirecourt, c. 1850, branded BREON
BREVETE, DE SARM, length of back 360 mm.
$1,000-1,200
229.
French Violin, c. 1890, J.B. Colin School, unlabeled, length of back
358 mm.
$600-800
230.
Modern German Violin, Frank Reiner, Hamburg, 1926, bearing the
$600-800
231.
French Violin, Francois Breton, Mirecourt, c. 1830, bearing the
$800-1,000
232.
Child’s French Violin, Paul Mangenot, Mirecourt, c. 1910, bearing
the maker’s label, length of back 337 mm.
$600-800
233.
Mittenwald Viola, c. 1880, unlabeled, length of back 38 cm (15 in.).
$800-1,200
234.
American Violin, O.L. Emmons, Natural Bridge (New York) 1902,
$300-500
235.
American Violin, Seorim Swaine, Rochester (New Hampshire),
1917, bearing the maker’s label, length of back 354 mm.
$300-500
236.
Child’s Czech Violin, Juzek Workshop, c. 1925, bearing the maker’s
label, length of back 338 mm, with case and bow.
$300-500
240.
Tyrolean Violin, c. 1780, unlabeled, length of back 358 mm.
$600-800
241.
Modern Viola, labeled ...AZZOLA..., length of back 42 cm (16 1/2 in.).
$800-1,000
242.
German Violin, Schmidt Workshop, c. 1910, bearing the maker’s
$400-600
243.
Modern Violin, c. 1930, labeled ...BENETTINI..., length of back 359
mm.
$600-800
244.
German Violin, c. 1920, labeled ...GUARNERIUS..., length of back 355
mm.
$400-600
245.
American Violin, Probably Lee Wilkerson, St. Joseph (Missouri), c.
1930, unlabeled, length of back 354 mm.
$300-500
246.
Mittenwald Violin, c. 1900, length of back 359 mm.
$500-700
247.
Mittenwald Violin, c. 1900, labeled ...JG DURFEL..., length of back
358 mm, with case.
$300-500
237.
Two German Violins, Meisel Workshop, c. 1970, including one
child’s.
$200-300
248.
Violin, c. 1850, unlabeled, length of back 359 mm.
$400-600
238.
Czech Violin, Juzek Workshop, Prague, c. 1935, with facsimile label,
$400-600
249.
$400-600
239.
Modern Violin, Luigi Ganora, Torrington (Connecticut), 1947,
bearing the maker’s manuscript label, length of back 50 mm, with case.
$400-600
250.
Inlaid Violin, c. 1860, labeled ...DUIFFO PRUGGARD..., length of back
360 mm.
$400-600
239A.
American Violin, Simon Burke, Lansing (Illinois), 1928, bearing the
$300-500
251.
American Violin, c. 1930, unlabeled, length of back 355 mm, with case
and two bows.
$400-600
55
252.
German Violin, c. 1920, labeled ...STRADIVARIUS..., length of back
352 mm, with case.
$300-500
264.
Mittenwald Violin, c. 1890, labeled ...RUGGERI..., length of back 360
mm.
$400-600
253.
Violin, c. 1860, labeled ...POSTACCHINI..., length of back 358 mm.
$600-800
265.
254.
Violin, c. 1800, unlabeled, the later neck and scroll, length of back 355
mm.
$800-1,200
266.
German Violin, c. 1920, branded internally, length of back 360 mm.
$400-600
255.
Modern Violin, labeled ...BELLAROSA..., length of back 355 mm.
$600-800
256.
Violin, c. 1880, labeled ...CORDANUS..., length of back 357 mm.
$600-800
257.
Modern German Viola, c. 1920, labeled COPIE DE
...STRADIVARIUS..., length of back 40 cm (15 3/4 in.).
$500-700
258.
Tyrolean Viola, c. 1770, labeled ...DALLA COSTA..., length of back
38.7 cm (15 1/4 in.), with case and two bows.
$600-800
259.
Markneukirchen Viola, Ernst Heinrich Roth, c. 1935, bearing the
maker’s label and internal brand, length of back 41.5 cm (16 in.), with
case.
$2,000-3,000
260.
Modern German Viola, Leo Aschauer, Mittenwald, 1969, bearing the
maker’s signed label, length of back 42 cm (16 1/2 in.), with case and
bow.
$2,000-3,000
261.
Composite Viola, c. 1820, the later top, unlabeled, length of back 37
cm (14 1/2 in.).
$600-800
262.
Modern Viola, Roman Teller, Erlangen, 1964, length of back 39 cm
(15 3/8 in.), with case.
$300-500
263.
Modern Viola, Roman Teller, Erlangen, 1970, length of back 40.5 cm
(16 in.), with case.
$200-400
56
$400-600
267.
Modern Violin, labeled ...BOSSI..., length of back 357 mm.
$600-800
268.
361 mm.
$400-600
269.
Violin, c. 1870, Possibly American, with repair label ...CORRETTO DA
ME..., GIUSEPPE BAMBATINNI ANNO 1990, length of back 359 mm,
with case.
$400-600
270.
Markneukirchen Violin, c. 1930, labeled ...GAGLIANO..., (loss of
scroll), length of back 353 mm.
$800-1,200
271.
$400-600
272.
German Violin, c. 1930, labeled ...GAND & BERNARDEL..., length of
back 360 mm.
$400-600
273.
Modern Violin, labeled ...PANIZZI..., length of back 354 mm.
$600-800
274.
German Violin, c. 1920, labeled ...PEDRAZZINI..., length of back 359
mm.
$600-800
275.
French Violin, c. 1890, labeled ...DA CAPPA..., length of back 358
mm.
$600-800
276.
French Violin, J.B. Colin, Mirecourt, 1895, bearing the maker’s label,
$1,200-1,600
277.
French Violin, Caussin Workshop, Neufchatel, c. 1880, labeled
...FRANCESCO RUGGERI..., length of back 355 mm.
$1,200-1,600
278.
French Violin, Nicolas Workshop, Mirecourt, c. 1900, branded
NICOLAS BERTOLINI, length of back 363 mm.
$400-600
279.
Violin, c. 1900, bearing the repair label J ADOLF KRUG, DETROIT
MICH 1911, length of back 356 mm.
$400-600
280.
Saxon Violin, c. 1860, bearing the repair label of J. Lyonnais, Quebec,
$300-500
281.
French Violin, Nicolas Workshop, c. 1900, branded internally, length
of back 360 mm, with case and bow.
$300-500
282.
Violin, c. 1900, labeled JE ZUST GEIGENMACHER, FECIT ANNO 19
ZURICH, length of back 357 mm.
$400-600
283.
German Violin, c. 1900, unlabeled, length of back 358 mm, with case.
$300-500
284.
German Violin, c. 1880, labeled ...GUARNERI..., length of back 353
mm.
$600-800
285.
German Violin, c. 1890, unlabeled, length of back 357 mm.
$300-500
286.
French Violin, c. 1870, Grandjon School, labeled ...STRADIVARIUS...,
$600-800
289.
German Violin, c. 1900, labeled ...STAINER..., length of back 348 mm.
$300-500
290.
German Violin, c. 1860, unlabeled, length of back 358 mm, with case
and bow.
$400-600
291.
Viola, c. 1900, unlabeled, length of back 39 cm (15 1/4 in.).
$400-600
292.
Violin, c. 1920, Possibly Juzek Workshop, unlabeled, length of back
361 mm.
$300-500
293.
German Violin c. 1900, length of back 368 mm.
$400-600
294.
Modern Violin, labeled ...DE LUCCIA..., length of back 355 mm.
$600-800
295.
Modern Viola, Roman Teller, Erlangen, 1972, length of back 42 cm
(16 1/2 in.), with case.
$200-400
296.
German Violin, Lowendall Workshop, Berlin, c. 1910, signed on the
inside back, length of back 358 mm.
$400-600
297.
Violin, c. 1780, Franco-Belgian School, unlabeled, length of back 358
mm.
$1,000-1,200
298.
Tyrolean Violin, c. 1890, labeled ...STAINER..., length of back 355
mm.
$300-500
287.
$300-500
299.
American Violin, Robert Glier, Cincinnati, c. 1925, labeled NO 2745,
ROBERT GLIER, VIOLIN MAKER, THE RUDOLPH WURLITZER CO
CINCINNATI SELLING AGENTS, length of back 360 mm.
$400-600
288.
Mirecourt Viola, c. 1900, labeled MANSUY A PARIS, length of back 40
cm (15 3/4 in.).
$600-800
300.
German Violin, c. 1890, labeled ...STORIONI.., length of back 357 mm,
with case.
$300-500
57
301.
Violin, c. 1850, possibly composite, labeled ...ANGELUS SOLIANI...,
$4,000-6,000
313.
Saxon Violin, E. Martin Workshop, c. 1920, bearing the maker’s label,
$300-500
302.
Modern Violin, c. 1970, unlabeled, length of back 354 mm.
$1,000-1,200
314.
Markneukirchen Violin, Ernst Heinrich Roth, c. 1930, unlabeled,
length of back 357 mm, with bow and case.
$800-1,200
303.
German Violin, c. 1860, labeled ...GUARNERIUS..., length of back 358
mm.
$1,000-1,200
304.
French Violin, Jerome Thibouville-Lamy, c. 1900, labeled ...DAPRES
A STRADIVARIUS, length of back 361 mm.
$1,500-1,800
305.
358 mm.
$500-700
306.
Mittenwald Violin, c. 1900, Possibly Neuner Workshop, labeled PG
MANTEGAZZA, FECIT MILANO ANNO 1847, length of back 357 mm.
$800-1,000
307.
Violin, c. 1780, Probably Tyrolean, with repair label dated 1840,
$600-800
315.
Czech Violin, M.A. Bittner, Prague, 1932, bearing the maker’s label,
$600-800
316.
American Violin, W. Wilkanowski, New York, 1943, bearing the
$800-1,200
317.
English Violin, for Essex Musical Instrument Stores, East Ham
(London), 1910, bearing the maker’s label, length of back 352 mm.
$500-700
318.
Modern German Violin, Edward Reichert, bearing the maker’s label,
$300-500
319.
American Violin, J. Summers, Marion (Indiana), 1965, bearing the
maker’s manuscript label, length of back 355 mm.
$400-600
308.
maker’s label and interior brand, length of back 360 mm.
$1,000-1,400
320.
German Violin, c. 1900, unlabeled, length of back 361 mm, with case.
$300-500
309.
Modern Violin, labeled ...PETRUS GAGGINI..., length of back 355 mm,
with case.
$3,000-5,000
321.
Saxon Violin, c. 1820, unlabeled, branded HOPF below the button,
length of back 355 mm, with case.
$400-600
310.
French Violin, Justin Derazey, Mirecourt, c. 1880, bearing a facsimile
$1,800-2,400
322.
Modern Viola, labeled ...ORLANDINI..., length of back 40.5 cm (16 1/2
in.).
$800-1,000
311.
Italian Violin, Antonio Lechi, Cremona, 1921, bearing the maker’s
signed label, length of back 360 mm.
$2,200-2,600
323.
Child’s German Violin, Herman Lowendall Workshop, Berlin, c.
$400-600
312.
Saxon Violin, c. 1820, labeled ...BERNARDEL..., length of back 356
mm, with case.
$400-600
324.
German Violin, c. 1800, labeled ...LAURENTIUS GUADAGNINI...,
length of back 362 mm, with case and two bows.
$600-800
58
325.
Tyrolean Violin, c. 1780, unlabeled, length of back 355 mm.
$1,200-1,600
326.
Violin, c. 1740, labeled INNOCENTUS FRADESH CREMONAE, FECIT
ANNO DOMINI 1687, length of back 358 mm.
$800-1,200
327.
English Violin, Betts Workshop, London, c. 1820, unlabeled, length
of back 356 mm.
$1,000-1,200
328.
American Violin, Andrew Hyde, Northampton, 1908, bearing the
$1,000-1,500
329.
Czech Violin, Ladislav Prokop, Chrudim, 1906, bearing the maker’s
$800-1,000
330.
Violin, c. 1900, labeled GIUSEPPE SGARBI, IN MODENA 1899, length
of back 358 mm.
$1,800-2,400
331.
Czech Violin, c. 1840, labeled ...TESTORE..., and the bearing repair
label J SCHONGER, IN TAFFEL, 1849, length of back 356 mm.
$1,500-2,000
332.
American Violin, Frank Sklemarik, South Norwalk, 1932, bearing the
$2,000-3,000
333.
French Violin, c. 1910, labeled ...COPIE DE ANTONIUS
STRADIUARIUS..., length of back 355 mm.
$400-600
334.
Modern Violin, c. 1935, bearing the label JJ HULL & SON, VIOLIN
MAKERS, 1937, WILKES BARRE PA USA, length of back 355 mm,
with case and two bows.
$500-700
335.
Markneukirchen Violin, Wilhelm Durrschmidt Workshop, c. 1930,
branded internally, length of back 355 mm, with case and bow.
$200-300
336.
Czech Violin, c. 1880, labeled FERDINANDUS AUG HOMOLKA, FECIT
PRAGUE 1886, FH, length of back 357 mm, with case and bow.
$1,500-2,000
337.
French Violin, Mirecourt, c. 1910, labeled ...PIERRE HEL..., length of
back 360 mm.
$1,200-1,800
338.
Saxon Violin, Joseph Metzner, c. 1910, bearing the maker’s label,
length of back 356 mm, with case and two bows.
$300-500
339.
German Violin, Heberlein Workshop, Markneukirchen, c. 1930,
$400-600
340.
Violin, Probably English, c. 1830, labeled ...FERDINANDUS
GAGLIANO..., length of 358 mm.
$2,000-2,800
341.
French Inlaid Violin, c. 1870, labeled ...DUFFOPRUGARD..., length of
back 363 mm, with case and two bows.
$1,800-2,400
342.
French Violin, School of J.B. Colin, c. 1900, unlabeled, length of back
358 mm, with case.
$1,200-1,600
343.
German Violin, c. 1950, labeled GEORGE LOESSEL, LEHREIR UND
GEIGENBAUER, HAUSDORF KREIS NURRODE, length of back 360
mm.
$800-1,200
344.
Modern Violin, c. 1919, labeled ...GIUSEPPE ORNATI..., length of
back 358 mm, with case.
$800-1,000
345.
French Violin, Pierre Hel Workshop, Lille, 1919, bearing the maker’s
$4,000-6,000
346.
French Violin, c. 1870, Probably Paul Bailly, labeled
...SCARAMPELLA..., length of back 359 mm.
$9,000-12,000
59
347
347
347.
Italian Violin, Bologna School, c. 1725, labeled JOFFREDUS CAPPA
IN, SALUZZIO FECIT ANNO, length of back 349 mm.
$18,000-22,000
60
348
348
348.
Italian Viola, c. 1900, Ascribed to Raffaele Fiorini, labeled FIORINI
RAFFAELE, FECE IN BOLOGNA 1897, length of back 41 cm (16 1/8
in.).
Certificate and Bill of Sale: William Moennig & Son, Inc., Philadelphia,
April 22, 1969.
$10,000-12,000
61
349
349
349.
French Violin, for Caressa & Francais, c. 1920, labeled ...FAIT SOUS
LA DIRECTION DE..., length of back 358 mm.
$4,000-6,000
62
350
350
350.
Modern Violin, labeled ARTURO FRACASSI, FECE IN CESENA 1937
and signed, length of back 355 mm.
$8,000-12,000
63
351
351
351.
Modern Italian Violin, Franco Albanelli, Bologna, 1991, bearing the
maker’s signed label ALBANELLI FRANCO, ALLIEVO DI GAETANO
POLLASTRI, FECE IN BOLOGNA 1991, branded internally and at the
lower rib, length of back 356 mm.
$3,000-5,000
64
352
352
352.
Composite Violin, c. 1780, Possibly Italian, labeled ...OBICI..., length
of back 354 mm.
$1,000-1,200
65
353
353
353.
Scottish Violin, James Thompson, White House (Aberdeenshire),
$600-800
66
354
354
354.
Violin, c. 1870, Attributed to Giovanni Dollenz, labeled GIOVANNI
DOLLENZ, FECIT IN TRIESTE ANNO 18--, length of back 354 mm, with
case.
$10,000-12,000
67
355
355
355.
Scottish Violin, Hugh Cooper, Glasgow, c. 1900, bearing the maker’s
label, numbered 74, length of back 357 mm, with case and bow.
$1,000-1,400
68
356
356
356.
Italian Violin, Giuseppe Lucci, Bagnacavallo, 1970, bearing the
maker’s signed label, length of back 355 mm, with case.
Certificate: Stefano Conia, Cremona, August 12, 2009.
$8,000-12,000
69
357
357
357.
Italian Violin, Workshop of Mario Gadda, Mantua, 1986, bearing the
$4,000-6,000
70
358
358
358.
Violin, c. 1760, Florentine School, labeled OPUS BATTHOLOMEI,
TASSINI VENETI, 1754, length of back 353 mm, with case.
$4,000-6,000
END OF SALE
71
Glossary of Terms
All items in the catalogue are described according to the following table
of terminology. Please note that all statements in this catalogue as
to Authorship, Period, Origin, are qualified statements subject to the
Conditions of Sale. All weights and measurements are approximate.
Authorship will be described in the follow ways:
Joseph Guarneri: In our judgment the work is by the maker.
Ascribed to Joseph Guarneri: The work is believed to be by the
named maker, in the opinion of the authors of the accompanying
certificates or letters.
Attributed to Joseph Guarneri: A traditional attribution with which we
may not agree.
Probably Joseph Guarneri (also possibly): A work which we have
no definitive opinion on.
School of Joseph Guarneri: In our judgment the work of a follower
executed in the style of the maker or area stated.
Workshop of Joseph Guarneri: In our judgment the work is executed
in the style of the named maker and possibly under his supervision.
Labeled Joseph Guarneri (also stamped, branded, etc.): In our
judgment the instrument is not necessarily the work of this maker, but
bears the maker’s mark.
72
List of Makers
Fretted Instruments
Winds
Bacon Mfg. Co. .................................................................................. 5
Ciani, Raphael..................................................................................... 1
Fender Musical Instruments........................................................... 8, 14
Gibson Inc. ........................................................................... 10, 12, 16
Guild.................................................................................................... 7
Hofner, Karl......................................................................................... 3
Kamaka, S. ...................................................................................... 19
C.F. Martin & Co. .....................................................2, 6, 9, 11, 17, 18
Vega Co. ........................................................................................ 4, 5
Bainbridge & Wood......................................................................... 176
Bechtel, H. ..................................................................................... 180
Buescher......................................................................................... 179
Haynes, W.S. ............................................................................. 17, 18
Ramponi & Cazzani......................................................................... 178
Violins, Violas, and Violoncelli
Albanelli, F. ..................................................................................... 351
Antoniazzi, R. (attributed to).............................................................. 32
Bernardel, G. .................................................................................... 73
De Barbieri, P. .................................................................................. 26
Fiorini, R. (attributed to)................................................................... 348
Gadda, M. ...................................................................................... 357
George, C......................................................................................... 23
Hel, P. J. .......................................................................................... 29
Knopf, H. .......................................................................................... 24
Knorr, P. ..................................................................................... 22, 27
Laberte, M. ....................................................................................... 33
Lucci, G. ........................................................................................ 356
Panormo Family................................................................................ 31
Pineiro, H. ........................................................................................ 36
Bows
Bazin, C., and Workshop.......................................................... 41, 115
Bazin, L. ........................................................................................... 56
Colas, P. .......................................................................................... 47
Fonclause, J. .................................................................................... 46
Gaude, J. ......................................................................................... 45
Grunke, R. ..................................................................... 113, 125, 129,
Hill, W.E., and Sons.................................................................. 52, 151
Hoyer, O. ....................................................................................... 102
Husson, A. ..................................................................................... 107
JTL............................................................................................ 42, 108
Laberte, M., and Workshop............................................... 44, 109, 110
Lotte, F. ........................................................................................... 37
Maline, N. ................................................................................. 48, 112
Martin, J.J. ..................................................................................... 111
Morizot Family............................................................................ 39, 49
Nurnberger, A., and Workshop....................38, 51, 119, 120, 130, 145
Ouchard, E.A. .................................................................................. 43
Sartory, E. ........................................................................................ 40
Tubbs, J. .......................................................................................... 53
Weichold, R. ..................................................................................... 60
73
Skinner, Inc. - Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and
Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed
the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a
lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in
excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be
required to participate.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the
purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of
the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If
any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and
the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three
days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after
deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank
authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check
until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the
drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of
all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without
limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)
offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to
pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such
purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within
the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that
include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of
licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute
cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.
Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and
other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of
Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus
10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%
of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,
through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or
reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The
copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this
catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our
prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or
choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in
connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any
federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or
hereafter have to the venue of any such suit.
74
Revised September 6, 2011
Absentee Bid Form
Sale Title
Sale Date
First Time Bidder?
YES
NO
Customer #
Name (Please Print)
Business Name
Address
City
Phone #
Alternate #
check if change in address
State
Zip Code
e-mail
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as
a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that
my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Signature (Required)
Lot #
Date
Description
Bid Price
FOR OFFICE USE
Marlborough
Boston
Phone
Fax
Mail
Person
Employee:
SKINNER
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9
2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0
w w w. s k i n n e r i n c . c o m
Board of Directors
Administration
Expert
Departments
SKINNER, INC.
Auctioneers and
Appraisers of Antiques
and Fine Art
63 Park Plaza
Boston, MA 02116
617.350.5400
Fax 617.350.5429
274 Cedar Hill Street
Marlborough, MA 01752
508.970.3000
Fax 508.970.3100
www.skinnerinc.com
76
Chairman of the Board - Nancy R. Skinner
Richard Albright
John Deighton
Barnet Fain
Stephen L. Fletcher
Karen M. Keane
President/Chief Executive Officer - Karen M. Keane
Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives,
Stuart G. Slavid, Stuart P. Whitehurst
American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff
American Furniture & Decorative Arts - Stephen L. Fletcher
Deputy Director: Chris Barber; Assistant: Karen Langberg
American Indian & Ethnographic Art - Douglas Deihl
Asian Works of Art - Interim Director - Stuart G. Slavid
Assistants: Biying Zhang, Carol Tran
Books & Manuscripts - Stuart P. Whitehurst
Deputy Director: Sara C. Wishart
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Classic Automobiles & Motorcycles - Jane D. Prentiss
Couture - Cara Elmslie
Discovery Auctions - Cara Elmslie
Assistants: Garrett J. Sheahan, Melissa Riebe
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Sara C. Wishart, Leah Kingman
Fine Wines - Marie Keep
Assistant: Laura V. Sweeney
Jewelry - Victoria Bratberg
Assistants: John Colasacco, Julie Khouri
Judaica - Kerry Shrives
Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture Jane D. Prentiss
Musical Instruments - David Bonsey
Oriental Rugs & Carpets - Gary Richards
Science, Technology & Clocks - Robert C. Cheney
Assistant: Chris Barber
Silver - Sara C. Wishart
Toys & Dolls - Kerry Shrives
Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,
Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,
Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,
Stuart P. Whitehurst
Exhibitions &
Property Distribution
Finance Department
Subscriptions
Service Departments
Marlborough: Warehouse Manager - Jonathan Dowling, 508.970.3280
Property Manager - Samuel Combs, 508.970.3262
Boston:
Kerryn Murphy, 617.874.4329
Property Distribution Manager - Jessica R. Lincoln, 617.874.4308
Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269
Accounts Payable - Kathleen Hayes, 508.970.3268
Credit Supervisor - Joe Monteyro, 508.970.3266
Marlborough: 508.970.3240
Appraisal & Auction Services - LaGina Austin, Shannon M. Ames,
Hadley Bridgman
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Jessica Turner
Catalogue Production - Pamela Van de Houten, Kristina Harrison
Consignment Services - Patricia Walker King, Megan J. Blomgren, Carol Zeigler
Customer Relations - Carol McCaffrey
Institutional Relations - L. Emerson Tuttle
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry Shrives
Assistants: Timothy Shaughnessey, Melissa Riebe
Managing Director - Marie C. Keep
Marketing & Public Relations - Kate de Bethune, Kathryn Gargolinski,
Heather Retzke
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John Cornelius
Receptionists - Marlborough: Jessica Bedenbaugh
Boston: Sarah Collins
Staff Portraits - Cheryl Richards Photography
Transportation - Eric Jones
Assistant: Mark McCaffrey
77
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA
Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland
Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the
ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left
onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
78
SKINNER
catalogue subscription form
Prices effective JULy 1, 2010. Catalogue subscription price includes quarterly brochure. Subscription effective
one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
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please check the appropriate boxes:
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Included with catalogue subscription
American Furniture & Decorative Arts $120
$143
European Furniture & Decorative Arts
$120
$143
American & European Paintings & Prints $120 $143
Fine Jewelry $120 $143
20th Century Furniture & Decorative Arts $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets
$18 $25
American Indian & Ethnographic Art
$60 $73
Fine Books & Manuscripts
$30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks
$60 $73
Fine Wines $60 $73
All Above Departments $750 $915
subtotal
ma residents
6.25%
sales tax
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