masterworks - Habatat Galleries

Transcription

masterworks - Habatat Galleries
MASTERWORKS:
A Contemporary Glass Auction
Thursday April 24th, 2014
MASTERWORKS:
A Contemporary Glass Auction
An auction of contemporary glass works from the 1970s and beyond.
Thursday April 24th, 2014
Preview 6:30-8:00 pm — Auction 8:00-9:30 pm
This auction is primarily based on the collection of California collectors
Barbara and Warren Poole. Many of you know the Pooles from their active
role in the Art Alliance for Contemporary Glass (AACG), or from visiting
their exquisite collection.
On my visit to their home several years ago, I was struck by how they
articulated the thought and reasoning behind each piece that was on
display. I loved how they combined this with an emotion and passion that
made each work come alive. I hope that we can achieve this connection
in our catalogue and auction. I thank Warren and Barbara for trusting
Habatat Galleries with their precious objects.
We have also included other significant works to make the auction the best
and most exciting event possible!
- Ferd Hampson
1.
1. Leah Wingfield, Noche del Amor (Night of Love), 2006. 22.5 x 17 x 9.5”.
(Poole collection & comments) “We had been watching for a piece by Leah for a
long time, having missed several series we liked a lot. We saw this at Habatat and
were excited that it was available. We placed it on a ledge between two rooms so we
could enjoy both equally entrancing sides of it. The daylight going through it lit it in
a different way than the beautiful night lighting. This cast and painted piece really
captures the intensity of Tango.” Signed by the artist…$14,000 - $16,500
Cover: Nicolas Africano, Reclining Figure. 9.5 x 25 x 13”. 2010.
(Poole collection & comments) “The de Young Museum has a piece by Nicolas from
the (George and Dorothy) Saxe collection that we think is absolutely stunning.
It inspired us to try to acquire a piece for ourselves, not an easy process, since
his work is in great demand. This reclining figure was a new idea for us but we
could not resist its elegance and peaceful aura. There were a couple galleries
showing Africano’s work at an art fair in San Francisco. We were torn but
ended up choosing this from Jenkins-Johnson Gallery in San Francisco.” Cast
glass…$55,000 - $75,000
2.
3.
2. Jamie Guerrero, My Homies, 2005. 17 x 18 x 8”.
(Poole collection & comments) “This blown and hot sculpted piece consisting of three
distinctive figures won the Saxe Fellowship Award at the Bay Area Glass Institute
auction in 2006. The figures represent people Jaime knew growing up and depict an
eager young “homey” whose girl is more attracted to the fellow with the “abs” and
beer bottle. Jaime is an exceptionally skilled artist with a wide range of expression
and skills.” Signed by the artist…$4,500 - $7,000
3. Ann Wolff, Head, 2002. 7.25 x 8.25 x 7.25”.
A great example of an Ann Wolff cast piece in a scale that is quite rare. We are not
aware of another example of this sculpture in the United States. An edition of 7, it
was acquired in Venice during a Habatat glass trip. From the collection of Donna and
Barry Rice. Signed by the artist…$6,500 - $9,000
4. Yukako Kojima, Layers of Light 12-4, 2009.
8.5 x 14 x 2.5”.
(Poole collection & comments) “This piece has an
elegant simplicity that causes the viewer to look and to
discover its meaning and process. It is created by layers
and layers of laminated sheet glass, also known as
safety glass, thus giving it a greenish glow. It changes
with the light of the day and is most brilliant at night
when lit from behind. We acquired this from Palette
Contemporary Art of Albuquerque, NM, at SOFA
2009.” Signed by the artist…$2,500 - $4,500
4.
5. Robert Michelson, Organism – Alien, 1998.
25 x 18 x 8.5”.
(From a private collection) Inspired by nature, the
“Organism Series” mimics surreal sea-form like
corals and creatures. In Paul Stankard’s essay about
Robert Michelson entitled “An Appreciation of Robert
Michelson,” Mr. Stankard states: “Mickelsen’s creative
instincts, natural curiosity, and hand skills aptitude
challenged his need to make new things... His journey
has been one of self-education, always reaching
higher, willing to take risks and make his work
personal.” Lampworked glass. Acquired from Habatat
Galleries…$4,000 - $6,000
6. Michael Glancy, Diamonds in Beams Scale,
1984. 3 x 4 x 4”.
6.
5.
(From a private collection) When Michael’s first child
was born the experience inspired a series of small
works that he called “In Beams Scale”. These jewels are
unique examples of this master of glass and electroforming. Signed “Michael Glancy 1981 Diamonds in
Beams Scale MG81”…$8,000 - $10,000
7. Martin Blank, Red Landscape, 2010. 30 x 15.5 x 15.5”.
7.
(Poole collection & comments) “Martin knew that we had been yearning for a work
of this kind and after much communication and months of waiting he produced
this beautiful piece. Sunlight causes it to look almost on fire. Its surfaces are etched
to emphasize the flowing shapes. Many of our visitors fall in love with it.” Four hot
sculpted forms and wood base. Signed by and acquired from the artist…$28,000
- $35,000
8.
9.
8. William Morris, #66 Stenhytta, 1979. 16 x 7 x 4”.
(From a private collection) Made in the town of Stenhytta in Sweden where Morris
made work during 1979-80. This is an exceptional example of a very early blown
work by William Morris. Even at this point in his illustrious career, he already
displayed his skills that identified him as the best glass blower in America. The
coloration of glass is similar to the Tabac Basket Series which was created by Dale
Chihuly, with the help of William Morris around the same time this sculpture was
created. Purchased from a German auction. Signed “William A Morris 66 Stemytta
‘79”…$10,000 - $12,000
9. Hiroshi Yamano, Fish Catcher Bag #116, 2005. 11.5 x 6.5 x 5”.
(Poole collection & comments) “We had no idea when we acquired this piece that so
many different processes (blown, hot sculpted, cold worked) had gone into creating
it. We purchased it in New York but didn’t fully appreciate it until we met Hiroshi
at an exhibit he had in a gallery on the island of Hawaii. We continually enjoy its
elegance and wonder at the symbolism of the two hanging fish. Acquired from the
Heller Gallery, New York, NY. Signed by the artist…$4,500 - $6,500
10.
10. Bertil Vallien, Upright Boat, 1985. 42 x 12 x 75”.
(From a private collection) The boat forms have long been part of Viking tradition
representing the passage from life to death. The faces and masks are expressionless
but suggest fear or longing, love or hate, watchfulness and thought. Sometimes a face
or mask is the whole sculpture, sometimes it peers out from within a modernist form,
suggesting a trapped soul. This sandcast “Upright Boat” has 6 faces or masks,
2 houses and a number of columns and steps on the surface of the sculpture. Signed
“B. Vallien Kosta Boda 305880285…$32,000 - $36,000
12. Melissa and Keith Bispo, Golden Flight,
2006. 30.5 x 7 x 7”.
11.
11. Harvey Littleton, Rocker #7, 1986. 15 x 18 x 3.75”.
(From a private collection) The father of American Studio Glass, Harvey Littleton
passed away in 2013. He was instrumental in the evolution of glass as an art
material - worldwide. This sculpture is the classic rocker. The color of this hot
sculpted sculpture is quite subtle giving it an understated elegance. Signed by the
artist…$45,000 - $50,000
(Poole collection & comments) “The Bispos state
that this piece is part of a series ‘inspired by
spiritual transition and nature of the Monterey and
Big Sur area where they live. There is intricate cold
working on the piece and the neck of the vessel
turns into the neck and tapered head of a bird.’
The work on this piece is remarkable. At the same
time as one wonders at the amazing cold working
it also somehow gives off an eerie message. We bid
successfully at a Bay Area Glass Institute auction in
2007 where this work won a major award.” Signed
by the artist…$1,500 - $2,000
12.
15.
13.
14.
13. Dan Dailey, L’Eau (Daum – Water). 23.5 x 13.5 x 6”.
(From a private collection) Between 1978 and 2003 Dan Dailey produced seven
editions of Pâte de Verre sculptures. Dailey is one of three Americans to have worked
with Daum and has the longest standing relationship of any artist after
32 years of work with the company. Other artists who have worked with Daum
include Salvador Dalí, Fernand Léger, Jean-Michel Folon and César. Created in 1995
and featured on Page 41, and again on Page 341 of the Abrams Dan Daily book, L’eau
is the most stunning of the Daum Editions. Signed “Daum France 009/150”…$30,000
- $35,000
14. Ginny Ruffner, Hieroglyphics on LSD, circa 1989. 15.5 x 7 x 5”.
(From a private collection) A superior example of a lampwork sculpture
created before Ginny’s unfortunate accident. It combines her sense of whimsy,
with impressive painting and lampwork techniques. Acquired from Habatat
Galleries…$14,000 - $16,000
15. Hank Adams, Aviator, 1994. 44 x 15 x 13”.
(Poole collection & comments) “We had enjoyed Hank’s work for some time for its
creative ideas, humor and unique execution. We went to Heller Gallery in anticipation
of a show they were to open the next day. The pieces weren’t there yet and we were
getting anxious. We went back the next day, the pieces were there and installed and we
knew instantly that we wanted Aviator, a piece hanging from the ceiling. A bonus was
a hug from Hank.” Cast glass and copper…$14,000 - $18,000
16. (detail)
16. Jenny Pohlman and Sabrina Knowles, Song in a Miner – Tapestry
Series, 2007. 75 x 62 x 12”.
16.
(Poole collection & comments) “This masterwork is one of our favorite pieces.
We were fortunate to start a treasured friendship with the talented women a few
years earlier. We committed to the work before it was even finished and visited the
artists to see it in progress. It was exhibited in Florida at Palm Beach 3 before being
delivered to us. We then had the fun of installing the 72 pieces! Some while later
Jenny and Sabrina were in our area to teach at the Bay Area Glass Institute. When
they visited us for dinner the first thing they did was to adjust a number of pieces
that we hadn’t hung properly. We got some great pictures of that!” Acquired from the
Duane Reed Gallery, St Louis, MO…$38,000 - $50,000
17. Therman Statom, Aegean, 2004. 42.75 x 42.75 x 5.5”.
(Poole collection & comments) “What can you say about a piece that
shows so many artistic abilities in one work? I love the sections that show
what an accomplished painter Therman is as well as the abstractions
throughout. The various objects are curious, including a tiny painting
(or photo) of some sort of workshop. The backdrop for that section is a
page from the phone book (no one we know!). We looked for a long time
before finding this piece which we believe is one of his best.” Acquired
from the Traver Gallery, Seattle, WA…$18,000 - $22,000
18. Kazumi Ikemoto, Scene 0402, 2004. 16 x 16 x 16”.
(Poole & comments) “This is probably the most imaginative piece we
have collected. It seems like a fairy tale as you move around the piece.
Kazumi’s artist statement is as follows: ‘In my work I use imaginary
half-man, half-beast creatures in scenes vaguely reminiscent of
something you have seen before. I depict a hazy world of chaotic
memories where reality and fantasy intersect, where the past and
the present co-exist.’ Alice Chappell of the former Chappell Gallery
described his process ‘Kazumi creates his work by blowing layers of
powdered glass enamel onto the surface of the vessel, one color at a
time. Once the layer is on, his uses a subtractive method whereby he
eliminates what he does not want. After firing he repeats this process
several times.’” Signed by the artist…$8,000 - $10,000
19. Mark Peiser, Winter Dawn, 1988. 7 x 18 x 3”.
(From a private collection) From Mark’s “Inner Space” cast series this
sculpture captures the emotion of Van Gogh’s “Starry Night”. It is a
particularly moody and mysterious work from this sought after series.
Signed “Peiser 15412.88”…$16,000 - $20,000
20. Flora Mace, Untitled Vessel, 1977. 15 x 6.5 x 6.5”.
17.
(From a private collection) Before there was “Flora and Joey”, Flora
Mace worked with Dale Chihuly making the glass rod designs on
his signature cylinders. This vessel uses some of the same colors
as Chihuly’s work during that era. This blown vessel is the largest
piece of Flora that has been created in this technique. Signed by the
artist…$12,000 - $14,000
19.
18.
20.
22.
21.
23.
24.
21. Bertil Vallien, Janusz Head, circa 2000. 12 x 10 x 5”.
(From a private collection) “Janus” is an ancient Roman god who has been associated with
doorways, beginnings, and transitions. Bertil has depicted Janus with two-faces as he looks to the
future and the past. The nickname for this series is “Axe Head” as these heads are sandcast, cold
worked, polished and resemble an axe. The purpose of the shape is to access the glass’ refractive
qualities allowing the viewer to see 2 heads from all angles. Signed “B. Vallien 7186031 Kosta Boda
Unique”…$28,000 - $35,000
22. Miles Van Rensselaer, Hand, 2003. 10.25 x 6.5 x 14.5”.
(Poole collection & comments) “This glass and bronze hand reaches out to you as it tries to hold
water (or glass?). We thought it such a clever idea and wanted to display it where it would surprise a
viewer-----just around a corner or behind a door. We thought better of it when we realized the piece
would be at risk in such a location.” Acquired from the Heller Gallery, New York, NY. Signed by the
artist…$3,500 - $5,000
23.Karen Willenbrink-Johnsen, Dog Jumping Through Hoop, circa 2000. 15 x 5 x 7.5”.
(Poole collection & comments) “This entertaining piece was in the BAGI auction in 2003. We saw it
at a preview and knew we wanted it but had to attend a family wedding the night of the auction. A
friend (Marge Levy) offered to bid in our behalf and we won the piece. These hot sculpted poodles
doing a balancing act including fire are so much fun. Anyone who knows poodles can appreciate
how smart and funny they are.”...$1,200 - $1,800
24. David Reekie, Different Hats II, 2005. 16 x 10 x 9.5”.
(Poole collection & comments) “In 2005 we had decided to try to purchase a cast piece by David
Reekie. Since his work was to be shown at SOFA we lined up with the mob on the first evening
and dashed in the door to be first at the gallery where they were. This charming work appealed to
us immediately as it did to others just behind us. We had to decide in short order but it was pretty
easy! We were fortunate to talk with both David and his lovely wife. She made a point of calling my
attention to the particular care and skill which had gone in to the bases of the two pieces. Of course
the humor apparent in the piece makes one wonder exactly what was that fellow saying?” Acquired
from the Riley Galleries, Cleveland, OH. Signed “A105” & “A205”…$16,000 - $22,000
25. Daniel Clayman, Carune, 2002. 32.5 x 18.5 x 12”.
25.
(Poole collection & comments) “We saw this piece in Imago Gallery when we were touring with
a group of contemporary art collectors. Everyone was awed by Daniel’s work and several of us
wanted to acquire Carune. It was installed in our home on an alabaster fireplace wall and the
lighting caused a remarkable shadow to appear beneath the piece. Of course Daniel had modeled it
that way on purpose.” Cast glass. Signed by the artist. …$26,000 - $35,000
26. Steve Weinberg, Untitled Cube 881205, 1988. 8 x 8 x 8”.
26.
(From a private collection) This sculpture is Steven’s most sought after series. The
architectural form and interior imagery uses the properties of glass as well as they
can be used. Acquired from Habatat Galleries and Signed by the artist…$12,000 $15,000
27.
28.
27. Irene Frolic, Memorial Series, 1993. 12.75 x 7 x 5”.
(From a private collection) You cannot mistake an Ilene Frolic figurative sculpture.
There is sensitivity, and a moodiness that perhaps was inspired by her background
as a holocaust survivor. This sculpture is an exquisite example of her early
cast work and seems to convey a wide range of human emotions. Signed by the
artist…$4,000 - $5,000
28. Sonja Blomdahl, Untitled Vessel, 1989. 8 x 16 x 16”.
(Poole collection & comments) “This was one of the first glass pieces we purchased.
We were fascinated by the way a warm blue bubble had been mated with a pale
pink bubble and the two wrapped a vivid coral interior. We later had the privilege
of watching her create her pieces in the studio.” Blown glass. Acquired from Imago
Gallery, Palm Springs, CA, during an art tour in March of 1993. Signed “Sonja
B489”…$2,000 - $3,000
29.
30.
29. John Lewis, Buttress Vessel, 1987. 17 x 13.5 x 10”.
(Poole collection & comments) “We came upon this piece in a Florida gallery where
we went to view the work of another artist. This one sat in a corner displaying all of
its strength and symmetry and truly spoke to us. It is in two pieces, a bowl- like piece
resting on a sturdy blue and copper patina base. John’s work is cast, thus the weight
of the two pieces.” Acquired from the Heller Gallery in Palm Beach in 1994. Signed
“Lewis 87-25”…$5,500 - $7,000
30. Yan Zoritchak, Untitled, 2002. 13.5 x 12.25 x 5”.
(Poole collection & comments) “This is a wondrous piece and shows off different
aspects from every side. We acquired this cast glass piece at a large show in Sweden
on a trip with Habatat. A kindly fellow collector drew my attention to the work of this
artist. I will always be grateful to her.”…$8,000 - $12,000
33.
31.
32. Dante Marioni, 12 Objects, 2002. 27 x 18.75 x 5.25”.
32.
(From a private collection) “Marioni has a love and a profound respect for the
glassblowing process. For him, making objects is about ‘the art of glassblowing
rather than the blowing of glass art,’ and he is careful to preserve the traditions of the
craft as they were passed on to him. His focus and primary interest is the working of
glass, and his elegant vessels are the radiant record of his ongoing relationship with
the material.” - Tina Oldknow, art historian specializing in historic and contemporary
glass. Signed by the artist…$14,000 - $18,000
31. Laura De Santillana, Purple Flag, 2004. 14 x 14 x 4.5”.
33. Matt Eskuche, There Goes the Neighborhood, 2009. 18 x 50 x 5”.
(Poole collection & comments) “We were long attracted to Laura’s beautifully subtle
pieces. They are blown and then compressed to show the qualities of glass similar
to painting and sculpture - color, luminosity and fluid form. This piece hints at a
figurative shape within. It is simply elegant. We had been looking for a work of
Laura’s for some time. Finally found this piece with Kate Elliott of Elliott Gallery in
Seattle, WA in 2004.” Signed by the artist…$12,000 - $16,000
(Poole collection & comments) “We spotted this flameworked and steel work at
Habatat Galleries in Chicago. It had just gone on display shortly before we saw it. No
question we had to have it. Its whimsical style and brilliant execution captured us
completely. We have to tell people that the clothes pins are metal and the vessels put
out to dry are anchored by pegs into holes in the glass pieces. Great fun.”…$2,500 $3,000
34. David Bennett, Horse Head, circa 2000. 19 x 30 x 12”.
(From a private collection) David’s blown glass work is some of his most sought
after and hard to find sculpture. This single horse head conveys emotion and
movement. Blown glass & steel base. Signed by the artist…$18,000 - $22,000
34.
35.
35. Dan Dailey, Conversation Series, 1983. 11 x 23.75 x 4.75”.
(From a private collection) Vitrolite is a type of sheet glass that is no longer produced. The “Conversation Series” is a very limited series with only a few created. They are among the
very first vitrolite figurative works that Dan Dailey created. In 1983, he started with single heads followed by busts and then animals. Very few have seen a piece from this series
which makes this sculpture for Dan Dailey collectors a rare opportunity. Vitrolite, plate glass, nickel plated steel. Signed by the artist…$30,000 - $35,000
36.
37.
36. Erwin Eisch, Spring Time Buddha, 1997. 18.5 x 8 x 8.5”.
(From a private collection) German born artist Erwin Eisch has been known for
his social commentary and his important influence on studio glass in America.
He was perhaps the first artist to use glass to explore ideas and issues. This is an
exceptionally beautiful example of his blown work based on the rites of spring.
Acquired from Habatat Galleries (MI). Signed by the artist…$10,000 - $15,000
37. Doug Anderson, Untitled, 1983. 8.5 x 5 x 5”.
(From a private collection) Doug Anderson was one of the first American artists to
work in the Pate de Verre technique. His work withstood the test of time and was
inspirational to a generation of American artists. Signed “Anderson 070783”…$2,500
- $3,500
38.
38. Randy Walker, Maple, 2006. 19.5 x 14 x 14.5”.
(Poole collection & comments) “This blown and hot sculpted maple leaf which was
our first Walker piece was displayed in our dining room. The back of the leaf is even
more interesting than the front, again appealing to me for its textures and color. I
truly believe Randy is one of the very best artists working in glass”. Acquired during
the 2003 Pilchuck Glass School auction…$4,500 - $6,500
40.
39.
39. Livio Seguso, Consistenze Concrete, 2007. 9.5 x 7 x 3.25”.
(Poole collection & comments) “This piece is made of hot sculpted glass and wood
was likely a maquette for a larger sculpture piece Livio created. Still, it is very
intriguing with its architectural and geometric qualities. We purchased it when we
were in Venice with Habatat”. Signed by the artist…$7,000 - $9,000
41.
40. Tobias Mohl, Nest, 2007. 25 x 25 x 9”.
(Poole collection & comments) “We admired the work of Tobias Mohl for quite a while
at SOFA and elsewhere. Finally we contacted Galleri Gronlund in Denmark and were
able to commission one of his lighted boxes housing these elegant “nests”. Each one
is roughly the same shape but of distinctly different pattern from the others. The
piece demonstrates Tobias’ skill as a glass blower but also causes one to wonder at the
elegance of each.” Signed by the artist…$13,000 - $16,000
41. José Chardiet, Two Part, 2000. 31 x 12 x 4”.
(From a private collection) José Chardiet has been very good for a long time. This Pate de
Verre sculpture demonstrates his interest in primitive and tribal art. The objects appear
ritualistic but the viewer must help complete the story…10,000 - $12,000
42. Ivana Sramkova, Red Figure, 2000. 84 x 19.5 x 8”.
42.
Czech artist Ivana Sramkova cast this 3 part sculpture in the red so coveted in Czech
glass. Its monumental presence is a triumph to her engineering, aesthetics and
sense of composition. From the collection of Jean Claude Chapelotte. Signed by the
artist…$32,000 - $36,000
44.
43.
44. Bertil Vallien, Untitled (Masks), 1992. 20 x 15 x 5.5”.
43. Toots Zynsky, Bentornato, 2001. 9.25 x 15 x 9.75”.
(From a private collection) One of the most sought after artists working in glass,
Toots Zynsky developed the Filet du Verre technique which she has used to create
three dimensional abstract paintings. Bentornato was part of a Habatat Galleries one
person exhibition that featured this piece on the cover of the exhibition catalogue.
Signed by the artist…$9,500 – $11,500
(Poole collection & comments) “I came across these pieces in the back room
of a Chicago gallery. Great finds in the back rooms! These sandcast masks are
wonderfully textured - a quality I especially like. On the back side you see embedded
mystical objects but when installed you can’t see them, only know they are there.
The masks were attached to brackets so it seemed Bertil intended then to hide
those secrets.” Acquired from Betsy Rosenfield Gallery, Chicago, IL. Signed by the
artist…$8,000 - $12,000
46.
45.
45. Ann Wolff, Faces of Smallland 1, 2001. 22.5 x 20.25 x 7”.
(From a private collection) This sculpture reveals Ann Wolff to be a significant
artist. The technique is simple; layers of plate glass with fired enamels and laminated
color glass. The images are based on the people of Smallland Sweden - open and
honest, almost spiritual. Acquired from Habatat Galleries (MI). Signed by the
artist…$10,000 - $15,000
46. Joel Philip Myers, Untitled, 1984. 7.75 x 25.5 x 3.25”.
(From a private collection) Joel Philip Myers is one of the legends of studio glass in
America. This form developed from the small cylindrical black vessels called “the
contiguous fragment series”, a shape that allowed him to create wonderful surface
paintings. This blown and hot sculpted piece combines his surface decoration with a
whimsical form. Signed by the artist…$12,000 - $15,000
47. Nicolas Africano, Reclining Figure.
Pictured on cover, description on inside cover.
- AUCTION TERMS AND CONDITIONS The following conditions of sale concern the items offered at the
auction, including those listed in this catalogue. Habatat Galleries,
Inc., reserves the right to determine the Terms of Sale, whether it be
absentee bid, phone bid, internet bid or live auction.
ABSENTEE BIDS: If you cannot attend the sale, you may submit in
writing an absentee bid on one or more objects. The auctioneer will
bid for you by executing your absentee bid at the lowest possible price
while taking into account the reserve and other bids. If two or more
parties leave identical bids the first bid received by Habatat Galleries
will take precedence.
TELEPHONE BIDS: Arrangements for telephone bidding should be
confirmed at least 24 hours in advance of the sale. The staff of Habatat
Galleries will execute telephone bids from designated areas in the
showroom.
INTERNET BIDS: Images of the pieces will be hosted online and bids
will be placed by email and must be received twenty-four hours before
the auction starts. If two or more parties leave identical bids the first
bid received by Habatat Galleries will take precedence.
RESERVES: The reserve is the minimum price that the seller is willing
to accept for their consigned objects, below which it will not be sold.
AUTHENTICITY OF CONDITION REPORT: All the works in the
auction have been reviewed by the staff of Habatat Galleries. The
pieces are deemed in good condition and any notable exceptions will
be revealed in the catalogue. Habatat Galleries certifies that the work
has been created by the artist to whom it is attributed.
SALES TAX: All objects are subject to sales tax unless they are being
shipped by common carrier out of state.
BUYERS PREMIUM: A premium of 15% (16% for payment by credit
card) will be added to the successful bid price of all items sold at this
auction. Auction items may be paid for by cash, check, wire transfer,
Visa or MasterCard. Please note: All items bought at auction must be
paid for, in full, at the auction’s conclusion.
ESTIMATES: This catalogue provides descriptions along with auction
estimates. These estimates are guides for prospective bidders and
should not be relied upon as our predictions of the final selling price.
GENERAL AUCTION RULES: The reserve is the minimum price
the seller is willing to accept for their consigned objects. If identical
winning bids are left by two or more parties, the first bid received by
Habatat Galleries will take precedence.
All sales are final. No exchanges or refunds are permitted.
Everything will be sold “AS IS” to the highest bidder.
The descriptions of all items have been made in good faith and
every effort has been made to describe each accurately.
The cost of shipping and insurance is the responsibility of the
purchaser.
Auction will be held at:
Farinas Banquet Center
2485 Coolidge Hwy. Berkley, MI 48072 | 248.546.7800