The Haydn Piano Sonatas Ilse von Alpenheim, piano - dorati

The Haydn Piano Sonatas
Ilse von Alpenheim, piano
ADCS, February 2016
Joseph Haydn
THE PIANO SONATAS
Ilsevon Alpenheim
VOLUMES 1-3: NOS. 1-30
A few years after Antal Doráti’s
benchmark recordings of the complete
Haydn Symphonies (1969-1972), his
wife, pianist Ilse von Alpenheim,
recorded the first Haydn Piano Sonata
Cycle (London, 1977-1979)
In May this year, we released Volumes
4-6 of Ilse von Alpenheim’s pioneering
recordings, here complete on CD for the
first time, in superb remasterings by
Shaw Sounds, Romford and Tom Sharp.
This month we are releasing the
remaining six discs, Volumes 1-3 and
Volumes 6-8
FIRST SET
Volume 1: Piano Sonatas Nos 1-10
Volume 2: Piano Sonatas Nos 11-17
Volume 3: Piano Sonatas Nos 18-30
SECOND SET
Volume 4: Piano Sonatas Nos 31-34
Volume 5: Piano Sonatas Nos 35-39
Volume 6: Piano Sonatas Nos 40-45
THIRD SET
Volume 7: Piano Sonatas Nos 46-51
Volume 8: Piano Sonatas Nos 52-57
Volume 9: Piano Sonatas Nos 58-62
Joseph Haydn
THE PIANO SONATAS
Ilsevon Alpenheim
Joseph Haydn
THE PIANO SONATAS
Ilsevon Alpenheim
VOLUMES 4-6: NOS. 31-45
These CDs are available as 3-CD sets
in flexi polypropylene (unbreakable)
CD-size boxes, price £29 (UK), E39
(EU), $43 (USA and rest of world)
inclusive of P&P world-wide
Ordering details
To order these recordings, please
make your remittance in any one of
the three methods given below:
1) Paypal
Made payable to
[email protected]
2) Cheque (in Sterling only)
Made payable to The Antal Doráti
Centenary Society
3) BACS (free transfers to UK users
only)
you can pay directly via BACS to our
account,
IBAN: GB03MIDL40130721819461
Branch identifier code:
MIDLGB2102T
VOLUMES 7-9: NOS. 46-62
The Antal Doráti Centenary Society
34 Garfield Avenue, Bournemouth,
BH1 4QT
United Kingdom
emails:
[email protected]
or:
[email protected]
website:
www.dorati-society.org.uk
*****
“...After the famine, the feast! Neglected for
years - except for a few favourite works recordings of Haydn’s keyboard works must
now be coming close to the surfeit mark and
this latest contender may well be the best
qualified of all...besides revealing an evident
affinity for, and insight into, the Haydn idiom,
she brings to her task a well-honed technique,
a colourful array of nuances, beauty and
variety of tone, the requisite rhythmic vitality
and an inner warmth that make her
performances of the slow movements
particularly rewarding...
Rafael Kammerer, AMERICAN RECORD GUIDE,
May 1979
update Haydn IvA 2/16