events nov 12th
Transcription
events nov 12th
1. 2 BERNARD HEIDSIECK, COMME CHAQUE MATIN, NOV 12TH 2014, 6.30-10PM Free entry ("Create or Donate") & Tabulé Rasa! 6.30PM OPENING OF “BERNARD HEIDSIECK, COMME CHAQUE MATIN”, an exhibition of 250 documents from 1952 to 2014, for the first time in Berlin. See content of the show on the 4 display sheets at the entry and soon in the forthcoming magazine “CRU” (available on may 2015).. Bernard Heidsieck was born in Paris in 1928. Heidsieck was one of the creator, in 1955, of the Sonorous Poetry and, since 1962, of the Action Poetry, negating poetry to only be a written artistic medium, but being also spoken, lived. Bernard Heidsieck has organised in Paris the First Sonorous Poetry International Festival in 1976, at the Atelier Annick Le Moine, and the International Meetings 1980 of sonorous poetry in Rennes, Le Havre and Paris, France, with Michèle Métail. He organised more than 540 public readings of his poems in about fifteen countries, and took part to many Poetry International Festivals. Furthermore, Heidsieck has been the subject of many publications in french and foreign publications. Besides, he was the second Director of the Exterior Trade French Bank, the President of the Poetry Commission and of the Book National Center and received, in 1991, the Poetry International Prize. In 2009, in Modena, Heidsieck received the Poetry Prize Antonio Delfini, rewarding his whole carreer. He is reprensentated by Galerie Natalie Seroussi in Paris. 8PM PERFORMANCE OF TOMOMI ADACHI (JP / BERLIN) ADACHI Tomomi (family name is ADACHI), born in Kanazawa, Japan in 1972, is performer, composer, sound poet, installation artist, occasional theater director. He studied philosophy and aesthetics at Waseda University in Tokyo. He has played improvised music with voice, live electronics and self-made instruments. He had composed works for his own group « Adachi Tomomi Royal Chorus » which is a punk-style choir. He has performed contemporary music: vocal, live-electronics or performance works by John Cage, Cornelius Cardew, Christian Wolff, Tom Johnson, Dieter Schnebel, TAKAHASHI Yuji, YUASA Joji …. He is the only performer of sound poetry in Japan and has performed Kurt Schwitters’ « Ursonate » for the first time in Japan. He has made several sound installations and original instruments (e.g. »Tomomin », his hand made electric instrument is familiar with many musicians). In the field of theater music, he has collaborated with some experimental theaters and dancers. He also has organized many concerts which picks up experimental music, sound art, collaboration work and inter-disciplinary performance… He founded “Ensemble for Experimental Music and Theater” with his students in Tokyo in 2011, the group is working for pieces by Fluxus and recent conceptual composers. As a critic, he has written about visual art, music and performance art on papers and magazines. He had participated in an art theory bulletin « Method » 2000-2001. He started visual art (video and installation) in 2003. He stayed in New York 2009-2010 as an Asian Cultural Council grantee. Also he was awarded the DAAD invited composer for Berlin 2012. His CDs were released from Naya Records, Tzadik and Omegapoint. Recently, he is focusing his activities on solo performance (with voice, sensors, computer, self-made instruments), sound poetry (especially to the unknown great Japanese sound poetry tradition), video installation and workshop style big ensemble with non-professional voices and instruments. Currently living in Berlin and Tokyo. http://www.adachitomomi.com 8.30PM TELEPRESENCE-PERFORMANCE OF JACQUES LIZENE (BE, LIEGE) Jacques Lizène (Liège, Beligium, 1946), was among the most productive members of the Liège artists’ collective ‘Le Cercle d’Art prospectif’ (CAP), who, from 1972 onwards, developed a considerable body of work in the vein of so-called ‘relational’ art. Their political and sociological standpoints are reminiscent of Fluxus, even though Lizène prefers to designate his own work as “Non-Fluxus.” Whereas Fluxus embraces life, Lizène opposes his work to it: with a tongue-in-cheek attitude he embodies “vasectomy” and “infantilism”. He sees his projects as being products of the virtual “institut de l’art stupide”; they are “easy”, “unimportant”, even “ridiculous”. He recently had a retrospective at Paage de Retz, curated by Jean De Loisy and was one of the protagonist of the “Hors Limites” exhibition, held at Centre Pompidou in 1994. http://www.nadjavilenne.com/wordpress/?tag=jacques-lizene 9PM TABULÉ RASA 10PM POLICE & >NOV 13TH- JAN 20TH, VISIT OF THE EXHIBITION ON RESERVATION AT [email protected] >JAN 20TH, 2015, 8PM : FINISSAGE WITH THE SCREENING OF THE FILM “TOUT AUTOUR DE BERNARD HEIDSIECK, 2002-2013, 119” BY F. ACQUAVIVA LA PLAQUE TOURNANTE, SONNENALLEE 99, 12045 BERLIN WWW.LAPLAQUETOURNANTE.ORG