Event Program - School of Music
Transcription
Event Program - School of Music
n The University of Arizona Trumpet Studio Professor Reid also held the title of principal trumpet of the Tucson Symphony and was a member of that orchestra from 1987 to 2010. He was principal trumpet of the Flagstaff Festival of the Arts Orchestra and has performed with, among others, the Royal Philharmonic Orchestra, the Grand Teton Music Festival Orchestra, the Phoenix Symphony Orchestra and the Heidelberg Castle Festival Orchestra in Germany. He has appeared as a soloist with the Dallas Brass, the University of Arizona Wind Ensemble, the Arizona Symphonic Winds, the New Sousa Band and the Tucson Symphony Orchestra. P R ES E N T S : El Festival de las Trompetas Professor Reid served as chair for the International Trumpet Guild’s Composition Competition in 2005. He also served as a judge for the Ellsworth Smith International Solo Trumpet Competition, the major contest held by the ITG every other year. He hosted the 2007 Carmine Caruso International Jazz Trumpet Solo Competition, which was sponsored by the Herb Alpert Foundation and the ITG and now serves on the Caruso Competition Committee for ITG. He received the Bachelor of Music degree in applied music and music education and the Master of Music degree from the Eastman School of Music, where he studied with Barbara Butler, Sidney Mear and Allan Dean. Other teachers include David Hickman, Lewis Van Haney, Charles Berginc, Anthony Plog, Charles Geyer, Richard Green and Philip Smith. Alexander Freund trumpet Alejandra García Sandoval lyric coloratura soprano A collaboration of students and faculty from the University of Arizona (Prof. Edward Reid) and Conservatorio de las Rosas in Morelia, Mexico (Prof. Alex Freund) co-sponsored by the Consulate of Mexico in Tucson Tuesday, October 21, 2014, Crowder Hall, 7:30 p.m. N n El Festival de las Trompetas Concert Tuesday, October 21, 2014 Crowder Hall 7:30 p.m. PROGRAM Fanfare for Four Trumpets................................................. Alberto Ginastera (from Lubilum) Op. 51a(1916-1983) Edward Reid, Cory Driscoll, Oscar Thorp, Alexander Freund Fanfare for St. Edmondsbury (1959)................................... Benjamin Britten (1913-1976) Eduardo Chacón, Cory Driscoll, Oscar Thorp Cantata BWV No. 51.................................................Johann Sebastian Bach Aria: “Jauchzet Gott in allen Landen”(1685-1750) Alleluja Alejandra Sandoval, soprano Alexander Freund, trumpet Woan Ching Lim, piano Concertpiece No. 2, Op. 12....................................................... Vassili Brandt (1869-1923) Eduardo Chacón, trumpet Shu ching Cheng, piano Two arias for soprano and trumpet............................ Alessandro Scarlatti “Mio Tesoro per te moro” (1685-1757) “Rompe Sprezza” Ode “Eternal Source of Light Divine”................ Georg Friedrich Händel (1685-1759) Alejandra Sandoval, soprano Alexander Freund, trumpet Woan Ching Lim, piano INTERMISSION N n Alexander Freund, trumpet Born in Germany, Alex studied with Bob Platt, Konradin Groth (Berlin Philharmonic) and Peter Leiner (Das Rennquintett) at the Universities of Arts in Berlin and Saarbrücken. He has participated in master classes with Rainer Auerbach (Berlin State Opera), Jens Lindeman, Allan Vizutti, Tim Morrison, Hannes Läubin and James Thompson. Alex has been invited to play with such well-known orchestras as the Berlin State Opera, Semper Opera Dresden, the Cologne Radio Orchestra, Tenerife Symphony Orchestra, and others. In Germany he had contracts with the Opera and Philharmonic Orchestra of Bremen, Deutsches Theater Berlin, Disney’s production of “The Hunchback of Notre Dame” etc., in México he was principal trumpet of the Michoacán Symphony Orchestra and the symphony orchestras of Monterrey and Minería in Mexico City. He performed as a soloist in Mexico, Korea, Italy, Germany and France. He is a founding member of Mexico’s premier brass quintet, the internationally acclaimed Metales M5 Mexican Brass. Alex lives in San Miguel de Allende, and is currently trumpet professor at the Conservatorio de las Rosas in Morelia. He also teaches meditation of the ancient Ishaya tradition. Eduardo Chacón Castro, trumpet Born in Cuitzeo, Michoacan, Eduardo grew up in an environment of traditional wind bands, which led him to start his studies at the Conservatorio de las Rosas in Morelia with Alexander Freund at age 17. In 2010 he came to Tucson for the first time as part of the Festival de las Trompetas exchange project with Conservatorio de las Rosas, where he is now pursuing a bachelor’s degree in trumpet performance. Edward Reid, trumpet Distinguished University Outreach Professor Edward Reid has been teaching trumpet in the School of Music since 1994. He is the recipient of both the School of Music’s Maestro Award for student achievement and the College of Fine Arts’ Charles and Irene Putnam Excellence in Teaching Award. Beyond his University duties, Professor Reid is one of three solo cornetists with The New Sousa Band, which is featured in concerts throughout the United States, China and Japan. He has recently taken UA students to perform in Thailand, Greece, Canada, Mexico, China and Australia. In addition, he has presented master classes in Mexico, China, Taiwan, and throughout the United States. As part of a teaching residency, he performed a solo recital and was the first nonChinese citizen to perform as guest soloist with The People’s Liberation Army Central Band at Beijing University in 2001. N n n About the Artists Vocalise No. 14, Op. 34.................................................Sergei Rachmaninoff (1873-1943) Alejandra Sandoval, lyric coloratura soprano Born in the city of Irapuato, Guanajuato, Alejandra Sandoval studied at the School of Music of the University of Guanajuato. She has attended master classes with renowned singers and national and international opera teachers, such as, Dunja Vejzovic, Francisco Araiza, Abbie Furmansky, Laurel Miller, Rogelio Riojas, Ramón Calzadilla, Barba Lorey, Kamal Khan and others. She was the winner of the 24th National Carlo Morelli Singing Competition in 2006 held in Mexico City at Palacio de Bellas Artes, Mexico’s most important contest. She won third prize in the Opera of San Miguel National Singing Competition in 2009, and was a semifinalist and finalist in several international competitions: Trujillo City in Peru, Iris Adami Corradetti in Padova, Italy, Competizione dell’Opera in Dresden, Francisco Viñas in Barcelona, Spain, International Competition Toti dal Monte in Treviso, Italy. In Havana, Cuba, she was selected for one of the important singing competitions, Hans Gabor Belvedere, held in Austria in July 2007. Alejandra worked in Mexico with renowned conductors, such as Arthur Fagen, Enrique Bátiz, Yoav Talmi, Gianfranco Marceletti, Ramón Shade, Román Revueltas, Enrique Patrón de Rueda etc. She has performed with the State of Mexico Symphony Orchestra, the Orchestra of the Palacio de Bellas Artes, the Philharmonic Orchestra of Mexico City, Guanajuato Symphony Orchestra, the UNAM Philharmonic Orchestra, Xalapa Symphony Orchestra, and others. Alejandra has appeared in various international festivals, such as the Cervantino Festival in Guanajuato and the Festival del Centro Historico in Mexico City. Ne poy krasavitsa pri mne No. 4, Op. 4.....................Sergei Rachmaninoff Cecilie....................................................................................... Richard Strauss (1864-1949) “Beim Schlafengehen” from Four Last Songs.................. Richard Strauss Alejandra Sandoval, soprano Alexander Freund, trumpet Woan Ching Lim, piano Scherzo in D minor................................................................. Rafael Méndez (1906-1981) Eduardo Chacón Shu ching Cheng, piano Besos Robados......................................................................... Jorge del Moral (1900-1941) “Milonga de la Anunciación”................................................Ástor Piazzola from María de Buenos Aires(1921-1992) Alejandra Sandoval, soprano Alexander Freund, trumpet Woan Ching Lim, piano Recently she starred as Norina in Don Pasquale, staged by the Camerata de Coahuila in the Teatro del Bicentenario in Leon, as well as Violetta in La Traviata and Mimi in La Boheme. In 2012 she toured Belorussia’s major cities on a recital series with pianist Alexander Pashkov. In December 2012/January 2013 she toured China’s major cities including Beijing, Guangzou and Macao as soloist with the Symphony Orchestra of the State Mexico under conductor Enrique Bátiz, where she sung Villa-Lobos’s Bachianas Brasileiras No. 5 in China’s most important concert halls such as the National Performing’s Arts Centre in Beijing and the Sun Yat Sen Memorial Hall in Guangzou. N N n n Bridging Borders Thank you! El Festival de las Trompetas is the continuation of a wonderful exchange program between our two schools and part of the School of Music’s Bridging Borders project. This is a dynamic and far-reaching initiative mixing music, education, scholarship, university profile, creative performance, culture awareness and the outreach through an international border. Bridging Borders mirrors a University of Arizona initiative that includes significant cultural outreach and brings what the UA does so well to a waiting public - the education of children. This project prepares the UA to draw on some of our brightest graduate students, enhance our faculty’s abilities to teach and perform within a different cultural milieu, recruit other exemplary students, and allows them to be of strong and immediate impact on the music educators and music students of indigenous and tribal areas in rural Arizona, South Tucson and Mexico. Fresh perspectives and new ways of thinking will naturally arise. Cónsul Ricardo Pineda & Karina Fimbres Consulate of Mexico in Tucson The universal language of music, translated through classes and performances, touches not only those directly involved with this initiative, but moves through the audiences and families of each participant to create new conduits for communication and understanding. Skill levels are enhanced and important regional musical idiom is explored against the backdrop of accepted classical standards. The opportunity exists for many to learn much, and perhaps, more important than any of the literal shifts that will occur in musicianship and academic pursuit, is the forging of friendships that dissolve bias and erase what divides us. Having the privilege of bringing our students over each other’s border has been a dream Alex and Ed have been able to realize now over the past five years. We thank all those who have helped us, including the support from our schools and from the Consulate of Mexico in Tucson. N N