HYDROLITH
Transcription
HYDROLITH
2 LITH HYDRO SURREALIST RESEARCH & INVESTIGATIONS Hydrolith 2: Surrealist Research and Investigations. Front cover image by John Adams Title page image by Alexandra Halkias: “She Spirits 2” Back cover image by Miguel Corrales Many thanks to the following for their editorial advice, suggestions and/or proofreading: John Adams, Hugh Behm-Steinberg, Mary Behm-Steinberg, Séamas Cain, Chuck Fahrenbach, Parry Harnden, Dale Houstman, Richard Misiano-Genovese, Noé Ortega Quijano, Laurens Vancrevel, Rick Waara. Copyright © 2014 ISBN: 978-0-578-15792-4 Additional copies of this book can be ordered from LuLu: http://www.lulu.com Oyster Moon Press is a non-profit, surrealist publishing co-op that originated in Berkeley, California. www.oystermoonpress.com Table of Contents Chymical Preface .............................................................................................................................. 7 Bruno Jacobs: Surrealism and the Cultural Sphere .......................................................................... 9 Beatriz Hausner: The Secret Life of Plants ....................................................................................... 11 Ribitch: Storytelling, Subversion and the Pure Language of Children ............................................. 15 Ali Mete Sancaktaroðlu: Collages ..................................................................................................... 19 Peter Dubé: To Call the Fair People to Your Aid and Succor .......................................................... 20 Seéamas Cain: The Geography of Surrealist Revolt ......................................................................... 21 Jean-Clarence Lambert: The Anti-Legend of Our Age ...................................................................... 23 Surrealist Survival Kits ..................................................................................................................... 27 The Surrealist Group of Madrid: Chronical of the Object Event ...................................................... 44 Hans Plomp: Keyhole to Other Realities .......................................................................................... 51 Turkish Surrealist Group: Revolt: The Game of the New Millennium .............................................. 53 Eugenio Castro: The Sun Rises at Night: Sketches of the 2011 Revolt of Madrid ............................ 55 Sol Lycantrophes: The Dangers of Puerilizing the Movement ......................................................... 63 Rafet Arslan: The 21st Century Resists the 20th Century ................................................................. 65 St. Louis Surrealist Group: Ferguson 2014....................................................................................... 70 Antonio Ramírez: Dead Time ............................................................................................................ 71 Inner Island Surrealist Group: Funeral of Empire Manifesto ........................................................... 74 Will Alexander: The Density Paintings ............................................................................................. 75 Merl Fluin: In Praise of Infighting .................................................................................................... 99 Eric Bragg: Infighting Is Miserabilist and Stupid ............................................................................. 101 Josse De Haan: Frozen Moonlight in Two Hands ............................................................................. 111 Andrew Torch: Winter Poem ............................................................................................................. 116 Dale Houstman: Biased History ........................................................................................................ 117 Rodrigo Hernández: Lamentations of the Ludopath ......................................................................... 118 Wijnand Steemers: Mosquito Prayers: a Manifesto ......................................................................... 120 Richard Misiano-Genovese: Skull Castle: The Last Bastion ............................................................ 122 Alexandra Halkias: One Day in the Year of a Box ............................................................................ 125 Yannis Xourias: Poems ...................................................................................................................... 126 Josie Malinowski: The Practice of the Night .................................................................................... 128 John Adams: Poems .......................................................................................................................... 133 Rafet Arslan: Poems .......................................................................................................................... 134 3 Saint Louis Group: Q&A ....................................................................................................................... 136 John Adams: Velocity .............................................................................................................................. 138 Sotère Torregian: Three Poems ............................................................................................................... 139 Peter Dubé: To Make Your Voice Heard in Other Worlds ....................................................................... 145 Zuca Sardan: Primordial Egg ................................................................................................................. 146 Hans Plomp: The Beast Is Loose ............................................................................................................ 147 Peter Dubé: To Know a Distant Happening ............................................................................................ 148 Laurens Vancrevel: The Demon of Paradise: A Dantesque Dream ........................................................ 149 Nikos Stabakis: The Mysteries of the Minotaur ..................................................................................... 154 Pieter Schermer: The Rendez-vous ......................................................................................................... 157 Richard Misiano-Genovese: The Eternal Return-Fire for Fire .............................................................. 167 Andrew Joron: To the Third Power ......................................................................................................... 169 Dale Houstman: Three Poems ................................................................................................................ 172 Gaétan Blais & David Nadeau: Two Poems ........................................................................................... 176 Dan Stanciu: Warm Acts ......................................................................................................................... 177 Javier Gálvez: The Veiled Language ....................................................................................................... 179 David Nadeau & Pascale Dubé: Collages .............................................................................................. 182 J. Karl Bogartte: The Poetic Method ....................................................................................................... 184 Eugenio Castro, Vicente Gutiérrez Escudero & Noé Ortega: The Language to Come .......................... 189 Merl Fluin: Lord Peter in the City of Jackdaws ..................................................................................... 192 Rafet Arslan: Flight Surgery ................................................................................................................... 194 Ayşe Özkan: Cyclops ............................................................................................................................... 197 Surrealist London Action Group: Mutus Liber ....................................................................................... 199 Paul Cowdell: Every Man His Own Fantômas: Or, Away with Nostalgia ............................................. 205 Paul Bogaers: A Further Investigation into the Photography of Thoughts .............................................206 Richard Waara: / Cubomania .................................................................................................................. 209 Jesús Garcia Rodríguez: 30 Proverbs of the Dessert Fathers ................................................................ 210 Sergio Lima: The Image as Knowledge .................................................................................................. 211 Rik Lina: The Cheerful Chaos of Collective Automatic Invention ......................................................... 213 Cins: Monster .......................................................................................................................................... 216 Her de Vries: Photographs ..................................................................................................................... 217 Noé Ortega Quijano: Suicidal Objects ................................................................................................... 218 Richard Misiano-Genovese: The Conceptualizations of Imagery and the Introduction of Cruelty ....... 223 Sergio Lima: Images of Liberty .............................................................................................................. 226 Sasha Vlad: Object Magic Revealed in a Dream .................................................................................... 228 Miguel de Carvalho: The Collage: An Amalgamation of Ideas as a Method of Self-Definition ............ 230 4 Vicente Gutiérrez Escudero: Defending Useless Aspects of Urban Objectology .............................. 232 Sotiris Liontos: In Pulverem Mortis .................................................................................................. 234 Josie Malinowski: Inner Animals: An Introduction .......................................................................... 236 Wijnand Steemers: Poems ................................................................................................................. 238 Sharon Olson: The Healer ................................................................................................................. 240 Hande Koçak: Triology along with Eluard ....................................................................................... 242 María Santana & Antonio Ramírez: The Unexpected Object ........................................................... 246 Xtian: The Micturating Angel............................................................................................................ 249 Pierre Petiot: For a Surrealist Use of Technology ............................................................................ 264 Parry Harnden: We Live in Simple Times .......................................................................................... 269 José Manuel Rojo: Consequences of the Misuse of Electricity ......................................................... 273 Eric Bragg: Epigenetics and the Mad-Genius ................................................................................... 283 John Barrett Erickson: Micro-Seizures and Missed Apprehensions .................................................. 327 Michael Löwy: Dues Ex Machina .................................................................................................... 330 José Manuel Rojo: Reality of Revolt, Reasons for Utopia ................................................................ 332 Michael Löwy: José Carlos Mariategui and Surrealism .................................................................. 343 Ali Kartal: Deja Vu Nightmares ........................................................................................................ 345 Noé Ortega Quijano & Eugenio Castro: Allucinatio Insulae ............................................................ 346 Ribitch: String Stories ....................................................................................................................... 349 5 6 Chymical Preface This second issue of Hydrolith is a continuation of what the first volume started, which was and is to assemble a stimulating selection of exclusively recent work by groups and individuals of the international Surrealist movement, to facilitate intellectual exchange and collaboration, enabling us to concentrate the echoes of our commonalities as well as the shadows of our differences. In so doing, this volume aspires to reduce all manner of distances that exist between us. All works in this book are in English, while many of them are translations from the Dutch, French, Greek, Portuguese, Romanian, Spanish and Turkish languages. When comparing the editorial structures of the two volumes, we might say that both are experiments in organizing (at least organization to the extent that people from different cultural backgrounds might come together to work on a project), such that the first issue was informally modeled after the peer-review strategy as is found in many professional and academic settings today, with six of us as editors, using an online forum to reach consensus with regards to editorial decisions. While such a strategy was effective enough to gradually nudge the project to a state of completion, it was both time-consuming and socially challenging. The experimental strategy for this second volume, however, differs from its predecessor in that the editorial structure was far more decentralized, with whatever groups and collectives making their own editorial decisions about what to include, with a selected liaison for each group to interact with yours truly in order to put the issue together. It remains to be indicated, particularly by our readers, which (or neither) of these two approaches is the more desirable. But regardless of the ultimate effectiveness of each, our goal has always been to make a collection of current surrealist work whose inclusion was the result of several minds working together, rather than just one. As with the previous issue of Hydrolith, three main themes have been chosen – initially suggested by the group liaisons – for this second volume: Science, Utopia and Monsters. Although material for these themes hasn’t been thoroughly partitioned as one might expect to find with distinct chapters in a book, they are instead loosely clustered together, perhaps even with a little bit of overlap between them, as one might imagine. So in light of these considerations, as alchemists of the sublime, and while renewed in solidarity, we surrealists gather here with our marvelous water stones and unmarked vials of poetic elixirs, searching to uncover the means to restore to human context all that remains hidden within the shadow’s shadow, as well as to confront that which lurks under the veil of miserabilism and boredom. We take this moment to affirm that surrealism is not just one idea or one inspiration or one action, but a world of ideas, thoughts, refusals, inspirations, playful musings, actions and great poetic potential. While we as surrealists, as a loosely organized collective, may not always agree how best to deal with the contemporary drudgery and misery of late capitalism, which also includes the global, ongoing ecological crisis, it should be the overall vision of and commitment to revolution, to the radical transformation of life and reality and all the inbetweens, that brings us together and which should remind us more about what we have in common rather than what sets us apart from each other. In this sense we declare our agreement with the signatories of that surrealist manifesto from 1974, “Lighthouse of the Future”, when they stated that, “Pessimism exists only to be carried as far as it will go... Whatever else we may be, we are not mourners of false steps along the endless escalators of lost time... Life is boring, society is boring, art is boring; above all, boredom is boring... Only by despairing, and then despairing of despair, can mankind begin truly to see and to act consciously in the service of the marvelous. This preliminary violation of the rules prepares the way for an entirely new game, our game, known as subversion, sublime love, the exaltation of freedom...”* Therefore we affirm, 40 years later, that capitalist boredom is still impossibly boring (especially now in its “wireless” iteration), adding also that pessimism in itself is boring, and that Hydrolith 2 is no less than a contribution to that “entirely new game” anticipated by some as subversion, mad love and freedom. Isn’t it time for a change? Ribitch & Eric Bragg October 31, 2014 * “Manifesto: Lighthouse of the Future”. City Lights Anthology. City Lights Books: San Francisco. 1974. Pp. 203-6. 7 Contributors to HYDROLITH 2 John Adams AUSTIN, TEXAS Will Alexander LOS ANGELES Miguel Almagro LONDON Rafet Arslan ISTANBUL Mary Behm-Steinberg BERKELEY Johannes Bergmark STOCKHOLM/SZCZECIN Gaétan Blais QUEBEC CITY Paul Bogaers NETHERLANDS J.Karl Bogartte SANTA FE Erik Bohman STOCKHOLM Daniel Boyer MICHIGAN Eric Bragg BERKELEY Richard Burke ST LOUIS Susan Burke ST LOUIS Séamas Cain DUNGIVEN, NORTHERN IRELAND Miguel de Carvalho COIMBRA Eugenio Castro MADRID Cins ISTANBUL David Coulter BERKELEY Paul Cowdell LONDON Miguel Corrales TENERIFE Josse de Haan HENDAYE, FRANCE Her de Vries NETHERLANDS Pascale Dubé QUEBEC CITY Peter Dubé MONTREAL Jonas Enander STOCKHOLM John Barrett Erickson MINNEAPOLIS Alexandre Fatta QUEBEC CITY Merl Fluin LONDON Mattias Forshage STOCKHOLM Javier Gálvez MADRID Jesús García Rodríguez MADRID Richard Misiano-Genovese FLORIDA Jesse Gentes CUMBERLAND, BC Guy Girard PARIS Yannis Golfinopoulos ATHENS Vicente Gutiérrez Escudero SANTANDER Alexandra Halkias ATHENS Parry Harnden CANADA Beatriz Hausner TORONTO Aniano Henrique LONDON Patrick Hourihan LONDON Dale Houstman MINNEAPOLIS Stuart Inman LONDON Bruno Jacobs CÁDIZ Alex Januário SÃO PAULO Andrew Joron BERKELEY Andrew Juris BERKELEY Diamantis Karavolas ATHENS Ali Kartal IZMIR Chris King ST LOUIS Hande Koçak ISTANBUL Vangelis Koutalis ATHENS Giannis Ksourias ATHENS Yannis Ksourias ATHENS Jean-Clarence Lambert DRACY, FRANCE Timothy Layden LONDON Sergio Lima SÃO PAULO Rik Lina FIGUEIRA DE FOZ, PORTUGAL Sotiris Liontos ATHENS Michael Löwy PARIS Destanne Lundquist CUMBERLAND, BC Josie Malinowski LONDON Lurdes Martínez MADRID Elias Melios ATHENS Lefki Mossou ATHENS David Nadeau QUEBEC CITY Sheila Nopper DENMAN ISLAND Sharon Olson GRASS VALLEY, CALIFORNIA Noé Ortega Quijano SANTANDER Ayşe Özkan ISTANBUL Pierre Petiot PARIS Rodrigo Hernández Piceros SANTIAGO, CHILE Hans Plomp AMSTERDAM Antonio Ramírez SEVILLE Jörg Remé AMSTERDAM Ribitch BERKELEY Wendy Risteska LONDON José Manuel Rojo MADRID Ron Sakolsky, DENMAN ISLAND Ali Mete Sancaktaroðlu ISTANBUL María Santana SEVILLE Zuca Sardan HAMBURG, GERMANY Pieter Schermer NETHERLANDS Shibek PORTLAND Lisa Simmonson BERKELEY Nikos Stabakis ATHENS Dan Stanciu BUCHAREST Wijnand Steemers NETHERLANDS Wedgwood Steventon ENGLAND Andrew Torch ST LOUIS Sotère Torregian STOCKTON, CALIFORNIA Laurens Vancrevel NETHERLANDS Bastiaan Van der Velden THE HAGUE Sasha Vlad SAN FRANCISCO Richard Waara VACAVILLE Marianna Xanthopoulou ATHENS Yannis Xourias ATHENS Xtian MELBOURNE Onston [Can Yeşiloğlu] IZMIR Zazie VIENNA 357