Art and War: The Artists Rifles and Romford, 1915 - 1918
Transcription
Art and War: The Artists Rifles and Romford, 1915 - 1918
Gidea Hall, 1797 from an engraving made by Humphrey Repton. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Gidea Hall, 1930, prior to demolition. Studies and Family History Centre. Courtesy of Havering Local Art and War: The Artists Rifles and Romford, 1915 - 1918 Balgores House, off Hare Street (now Main Road), Gidea Park, circa 1910. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Gidea Hall, 1908 by Cornell. Note the stable block on the right hand side. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Gidea Hall, 1914, from the meadows on the south side. This was taken around the outbreak of World War One. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Postcard of Gidea Hall, sent during World War One. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Gidea Hall, taken during World War One. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 The Unicorn and The Ship on Hare Street, circa 1910. These pubs were used by The Artists Rifles. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Hare Hall, 1791. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Hare Hall, 1914, prior to the Sportsman Battalion arriving. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Hare Hall, South Front, circa 1910. Family History Centre. Courtesy of Havering Local Studies and Art and War: The Artists Rifles and Romford, 1915 - 1918 The Royal Liberty School, formerly Hare Hall, Romford. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 The Romford Union workhouse and infirmary circa 1900. Some of the Artists Rifles would have stayed here. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 The staff from the Romford Union workhouse and infirmary, circa 1900. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Romford Market Place, 1905. The Artists Rifles would have been familiar with the market. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Postcard of Romford Market, 1910. This may have been a familiar meeting place for the Artists Rifles. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Romford Market Place, 1905. The Artists Rifles would have been familiar with the Market. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Romford Railway station, circa 1910. The Artists Rifles would have travelled to and from London via Romford station. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Romford Railway station circa 1900. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Gidea Park Station was originally known as Squirrels Heath & Gidea Park Station and when it opened on 1st December 1910 . The Artists Rifles would have used this station which was close to the Hare Hall and Balgores House. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Members of the Artists Rifles lining up outside the huts at the Hare Hall camp, circa 1916. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 These soldiers are marching by Albert Road School. Just part of a tidal wave of troops accommodated at various locations in the town while waiting to move elsewhere for training or posting to the Front in France or Belgium. No doubt the children were thrilled to witness soldiers with their uniform and weapons at close hand. Even so, many of their own fathers were being posted elsewhere in England for training. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 A welcome refreshment break in the Refectory hut in 1916. The YMCA provided some of the extra facilities for recreation. The hut is like the living spaces, quite commodious in comparison with what the Army provided elsewhere. It would be remembered later as heavenly compared with the conditions on the front line in France. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 An opportunity to rehearse for the Artists with musical ability. A band would often lead marching columns to and from the railway station and also on ceremonial occasions – even precede work parties into the local countryside for trench digging practice. Notice the rarely mentioned female assistant outside the door marked ‘Sergeants’. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 Raphael Park gates – a meeting place for soldiers and their lady friends. The Park which had only opened ten years before the War started provided a pleasant promenade within easy distance of Hare Hall Camp. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 A First World War scene on Hare Street. The Unicorn Inn on the left still stands on the edge of the highway. After the war it was rebuilt considerably farther back. The taxi stands ready to ferry soldiers into town for a brief respite from training. Two Artists Rifles are seen approaching, coming from the Hare Hall camp which lies behind the distant trees on the fight. Another soldier stands in the shadows of the right hand building. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 A graceful memorial befitting the Artists can be seen today at the Royal Academy in Piccadilly – scene of early recruiting to the Corps. It was a natural meeting place for the Artists fraternity. As it says 2,003 members gave their lives but many more were injured or disabled or mentally scarred by the conflict. The survivors often flourished using their talents in professional occupations. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 Edward Thomas in his walking days before the war. His love and delight in the countryside of England led him to compose a famous poem, even while he was training hard at Hare Hall. The opportunity arose out of the mapreading element of the training regime which introduced him to the delightful names of places in Essex nearby: Roses Lapwater, Pyrgo, Cockridden etc. Art and War: The Artists Rifles and Romford, 1915 - 1918 Following the vacation of the Hare Hall camp by the Sportmen’s Battalion, who occupied it earlier in the war, this view may show additional huts being built to accommodate the growing numbers of Artists Rifles trainees as the Regiment became an outstanding training establishment, promoted by Sir John French, for this purpose. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 Assault at Arms – bayonet practice in the camp on Hare Hall fields under the watchful eye of instructor and senior officer. Notice the carefully erected tents of the time. A Romford entrepreneur made a different kind of ‘killing’, selling thousands of tents to the Army during the conflict and was knighted for his services to the nation at the end of the war. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 ‘Balgores’ house on the left, shaded by walls and the large tree which stood at the entrance to Balgores Crescent, Officer Cadet Wilfred Owen was accommodated in Balgores while under training. He shared a room just out of view to the left on the first floor above the guardroom on the ground floor, in company with about 7 others. They had the services of a shared batman who would at least provide a mealtime spread at the table in a civilised manner. Much of the rest of their living conditions were rather basic. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 The Artists, having quarters in the grounds of Hare Hall, were reasonably superior to any other housing for troops around Romford and elsewhere. Note the width of the hut. Generally speaking, this group can be seen to contain a fair sprinkling of more mature recruits than the average battalion. The official photographer has grouped the personnel with great care and it shows the determination in the faces and bearing of the men. The tables and benches have quite possibly been made by the Artists themselves. Reproduced with permission of Brian Evans. Art and War: The Artists Rifles and Romford, 1915 - 1918 Troops marching along South Street, during World War One. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918 Passing out inspection of new officers at Hare Hall, 1917. Courtesy of Havering Local Studies and Family History Centre. Art and War: The Artists Rifles and Romford, 1915 - 1918