`Pirates of Penzance` a timeless bit of whimsy
Transcription
`Pirates of Penzance` a timeless bit of whimsy
B LIFE Style E-mail: [email protected] Linda Brazill, features editor Jacob Stockinger, culture desk editor 252-6424 252-6480 Hot tip Tonight’s Concert on the Square is “American Fanfare”. Electric violinist Tracy Silverman joins the Wisconsin Chamber Orchestra at 7 p.m. on the King and Main streets corner of the Capitol Square. He will perform two of his own compositions. The annual Independence Day con■ Advice 3B Dictionary experts give last word Concerts on the Square ■ TV 7B ■ Weather 8B cert also includes Tchaikovsky’s “1812 Overture,” complete with the ringing of the bells performed on the Circus World Museum’s Bell Wagon. Other program highlights include M.W. Smith’s “Freedom,” Cohan/Cacavas’ “A Star-Spangled Spectacular” and Strauss’ “Explosions Polka.” Wednesday, July 6, 2005 Visitors will be able to add to grand mural Barbara Wallraff WORD COURT Can you stand one more column about dictionaries and whether they’re the right tools for all the jobs you want them to do? I sent last week’s column about dictionaries to some of my fellow speakers at the recent Dictionary Society of North America convention, inviting their comments by e-mail. They lobbed back more than 6,000 words of comments! This column is about 500 words long — so I can’t possibly share with you even the main points my correspondents made. Here, though, are a few of the bits I found most interesting: ■ Sidney Landau, whose distinguished career includes having edited the Cambridge Dictionary of American English, wrote: “Readers who want dictionaries to tell them what is ‘correct’ or ‘traditional’ do not understand the nature and purpose of general dictionaries. The purpose of general dictionaries is to represent as accurately as possible how the language is actually used. The dictionary editor may have his or her own ideas and preferences in usage, but it’s not part of the task to express them in a general dictionary, because anything in a dictionary should be based on the record of actual usage collected, nowadays in vast electronic files, showing particular meanings and uses.” ■ Michael Adams, editor of the DSNA’s journal, Dictionaries, and an associate professor of linguistics, wrote: “Your notion of ‘traditional, correct language’ is a fiction. ‘Traditional’ and ‘correct’ are both notions constructed, often very sloppily, by a small group of speakers of American English.” ■ Joseph Pickett, editor of the American Heritage Dictionary, wrote: “Some people I know view the project of English usage largely as an exercise in class bigotry. They maintain that usage commentary is more distinguished by snobbery than intellectual rigor, that many usage prescriptions are based on fantasy rather than fact and that many usage writers violate their principles in their own works. So the whole notion of wanting to know what is right or correct is misguided, in this view. “In the books that American Heritage publishes, I try not to imply some kind of moral value in using one form of English over another. I look at things from a rhetorical point of view: How will using this expression or that one be received by a readership expecting to engage with See WORDS, Page 4B Julie Sutter-Blair is the featured artist for Art Fair Off the Square this weekend and her botanical work (above) prompted the participatory public art project’s theme “Blooming Art” (see story on page 5B). Art fair, your flair By Kevin Lynch The Capital Times he art fairgoer typically interacts with art and artists as a browser and a buyer. But fairgoer interaction will take on creative new dimensions at this year’s Art Fair on the Square, which runs 9 a.m. to 6 p.m. Saturday and 10 a.m. to 5 p.m. Sunday. (See Page 3B for information about the Art Fair off the Square.) One sort of interaction will be as big as a billboard, another as small as the iris in your eye. A 12-by-24-foot mural will be the fair’s public art project, and anyone is invited to participate. It figures to be a kaleidoscopic coloring project, but not collective chaos. Participants will make their markings within the parameters of a line design with several familiar faces. Pick up a color marker and you can act out your fantasies of creating a famous work of art. Woven into the huge design are fanciful likenesses of da Vinci’s “Mona Lisa,” T At Art Fair On the Square, the art collective Spectacle has reincarnated discarded visiontesting machines to provide visitors with evocative “tests” to interpret imagery that may provide insight into one’s own psyche. Picasso’s unabashed “Girl Before a Mirror,” one of Degas’ insouciant ballerinas, Rembrandt’s exquisite self-portrait and an elegantly trussed sun-worshiper from Seurat’s “An Afternoon on the Island of La Grande Jatte.” They all hover sublimely around the State Capitol, Madison’s own masterpiece. You’ll also get a stab at adding a few spots to “Maddog,” from the fair’s featured artwork, created by Illinois painter Keith Grace. The billboard art project will be divided into panels on work tables located at the corner of the Square and Hamilton Street, at a promotion booth for WKOWTV, the project sponsor. “We wanted to have images that were recognizable so we included famous works of art,” says Chris Eichenberger, general manager of Adams Outdoor Advertising, which created the design from a drawing by agency artist Patricia Hand. “We wanted to give kids and adults the opportunity to have their own little spaces to work with,” Eichenberger says. See ART FAIR, Page 5B ‘Pirates of Penzance’ a timeless bit of whimsy By Jacob Stockinger The Capital Times Last summer, the Madison Savoyards — the local amateur group devoted to performances of Gilbert and Sullivan operettas — tapped Brian Bizzell, a graduate in theater and music from the University of Wisconsin-Madison, to serve as stage director for its 44th annual summer production. What he delivered was an updated version of “Ruddigore,” one of the less well known works of G&S that nonetheless proved popular with audiences and critics. This summer, Bizzell returns with a production of “The Pirates of Penzance, or the Slave of Duty,” one of the best known and most popular works by the 19th century British musical theater duo famous for sophisticated silliness and social satire. (The production, under music director Blake Walter of Edgewood College, opens Friday night at 7:30 in Old Music Hall and will be repeated Saturday at 7:30 p.m. and Sunday at 3 p.m.; and then next Friday, Saturday and Sunday at the same times. Tickets are $25 for adults, $23 for seniors, $10 for students and $5 for children under 13. Call 231-9005.) “Pirates” — a send-up of the Victorian sense of duty — is a work that centers on a misunderstanding when a hard-of-hearing nurse is told to apprentice an aristocratic boy Frederic to a pilot but mishears the word as “pirate.” By legal contract, he is to be released on his 21st birthday, but the pirates, whom he has come to lead and who love him, find a loophole in the contract to keep him from leaving. The work features some favorite stock characters including the Pirate King, the Major General (famous for his lickety-split patter song “I Am the Very Model of a Modern Major General”) and a chorus of Keystone-like police. Bizzell recently spoke to The Capital Times about his new production: • • • BIZZELL: “Pirates” is not only one of the most widely performed and popular of Gilbert and Sullivan’s works, it has come to be iconic in so many way in our culture. It’s one of those shows that, whether they know it or not, the public will recognize the music from. From the modern major general to the pirate king and nurse, the gang’s all here and problems are resolved in the most outlandish way. It’s a pretty exciting opportunity for me to get to direct it. It was daunting at first because I wanted to do it from my own point of view. I know it is already performed quite a bit in the area, and I wanted to make a point of acknowledging the fact that it is an iconic piece of theater that can stand on its own. See ‘PIRATES’, Page 4B Brian Bizzell (right) directs Jeremy Wetherald as the Major General (left) and Bill Rosholt as the Pirate King for the Madison Savoyards’ upcoming production of Gilbert and Sullivan’s “The Pirates of Penzance.”