You

Transcription

You - OZMA

Ozma real book
(Module 1)
(De) Kabouterdans ............................ Studio 100 ..................................................... 5
Kansas City ....................................... Fats Domino .................................................. 6
Karma Chameleon ............................ Culture Club .................................................. 7
Kayleigh ............................................ Marillion ......................................................... 8
Kiss ................................................... Prince ............................................................ 9
Knocking on heaven’s door ............... B. Dylan ....................................................... 10
Kom van dat dak af ........................... Koelewijn, Peter .......................................... 11
(Eén) Kopje koffie .............................. V.O.F. De Kunst .......................................... 12
Kronenburg Park ............................... Frank Boeijen .............................................. 13
Kryptonite .......................................... 3 doors down ............................................... 14
Lady Jane.......................................... The Rolling stones....................................... 15
(The) Lady is a tramp ........................ Frank Sinatra ............................................... 16
La Fiesta ........................................... The Pogues ................................................. 17
Last dance with Marie Jane............... Tom Petty .................................................... 18
Lay down Sally .................................. Erik Clapton ................................................. 19
Legalize it .......................................... PeterTosh .................................................... 20
(she’s got) legs .................................. ZZ Top ......................................................... 21
Le monde tourne Mal ........................ Axelle Red ................................................... 22
Let her cry ......................................... Hootie and the Blowfish ............................... 23
Let’s stick together ............................ Roxy Music .................................................. 24
Let’s twist again ................................. C. Checker .................................................. 25
(The) Letter ....................................... The boxtops................................................. 26
Light my fire....................................... The Doors ................................................... 27
Live is life .......................................... Opus............................................................ 28
Living next door 2 Alice ..................... Smokie ........................................................ 29
Lodi ................................................... CCR ............................................................ 30
Long tall Sally .................................... Little Richard ............................................... 31
Losing my religion ............................. R.E.M. ......................................................... 32
Louise................................................ Clouseau ..................................................... 33
Love is all .......................................... Roger Glover ............................................... 34
Love Hurts ......................................... Nazareth ...................................................... 35
Love is all around .............................. Wet wet wet ................................................. 36
Lucille ................................................ Little Richards.............................................. 37
Make me smile .................................. Steve Harley ................................................ 38
Manic Monday ................................... The Bangles ................................................ 39
Man, I feel like a woman.................... Shiana Twain............................................... 40
Maria ................................................. Blondie ........................................................ 41
Maria ................................................. Raymond Van het Groenewopud ................ 42
Message in a bottle ........................... The police .................................................... 43
Met de wijven niks als last ................. Katastroof .................................................... 44
Midnight Special ................................ Ledbeeter, Huddie ....................................... 45
Monday Monday ................................ Mamas and the papas ................................. 46
Moeder, wat ben ik bang ................... Ria Valk ....................................................... 47
Mustang Sally .................................... Joe Cocker .................................................. 48
My old man’s a dustman ................... Lonnie Donegan .......................................... 49
1
Ozma Ensembleboek 1b
New years day .................................. U2................................................................ 50
Nobelprijs .......................................... Clouseau ..................................................... 51
Nobody’s Wife ................................... Anouk .......................................................... 52
Non Rien a change............................ Les Poppies................................................. 53
Nowhere ............................................ Therapy ....................................................... 54
Nu of nooit ......................................... De Kreuners ................................................ 55
Nutbush City Limits ........................... Turner, Tina ................................................. 56
Oerend Hard ..................................... Normaal....................................................... 57
Old time Rock & Roll ......................... Bob Seger ................................................... 58
Ol ‘ 55 ................................................ Tom Waits ................................................... 59
One bourbon, one scotch, one beer .. J.L. Hooker .................................................. 60
Opzij .................................................. Herman Van Veen ....................................... 61
Pa ...................................................... Doe Maar .................................................... 62
Passenger ......................................... I. Pop ........................................................... 63
Paper Plane ...................................... Staus Quo ................................................... 64
Pearl’s a singer ................................. Ralph Dino .................................................. 65
Perfect ............................................... Fairground attraction ................................... 66
Perfect day ........................................ Lou Reed ..................................................... 67
Per spoor........................................... Guust Meeuwis............................................ 68
Poesje Stoei ...................................... Urbanus ....................................................... 69
Pretty woman .................................... R. Orbison ................................................... 70
Raindroms keep falling on my head .. B.J. Thomas ................................................ 71
Red sails in the sunset ...................... Cole, Nat King ............................................. 72
Rhiannon ........................................... Stevie Nicks................................................. 73
(By the) Rivers of Babylon ................. Boney M ...................................................... 74
Rocking all over the World ................ Fogety ......................................................... 75
Rocking in the free world ................... Neil Young ................................................... 76
Roll over, lay down ............................ Status Quo .................................................. 77
(The) Rose ........................................ Bette Middler ............................................... 78
Runaway train ................................... Soul Asylum ................................................ 79
Safety dance ..................................... Men without hats ......................................... 80
Saterday night ................................... Herman Brood ............................................. 81
Save tonight ...................................... Cherry, Eagle Eye ....................................... 82
Shake, rattle and Roll ........................ Bill Haley ..................................................... 83
She goes nana .................................. The Radio’s ................................................. 84
Show me the Way ............................. Peter Frampton ........................................... 85
Since you’ve been gone .................... Rainbow ...................................................... 86
Sisters of Mercy ................................ Leonard Cohen............................................ 87
Some kind of wonderful ..................... Dana............................................................ 88
Something 's got a hold on me .......... .................................................................... 89
Son of a Preacher ............................. Springfield, Dusty ........................................ 90
Stagger Lee....................................... Lloyd Prince................................................. 91
Steamy Windows .............................. Tina Turner .................................................. 92
Stir it up ............................................. Bob Marley .................................................. 93
Stop ................................................... Sam Brown .................................................. 94
Stray Cats strut ................................. The stray Cats ............................................. 95
Stumblin’ in........................................ Suzy Quatro ................................................ 96
Stop dragging my heart around ......... Stevie Nicks................................................. 97
2
Strong enough to be my man............ Sheryl Crow ................................................ 98
Suicide Chump ................................. Frank Zappa ............................................... 99
Summer of 69 ................................... Brian Adams ............................................. 100
Summertime ..................................... Gerswin..................................................... 101
Summertime Blues ........................... The Who ................................................... 102
Sunny ............................................... Boney M.................................................... 103
Suzanne ........................................... L. Coghen ................................................. 104
Sweet home Alabama ....................... Lynard Skynard ......................................... 105
Sweet little 16 ................................... Chuck Berry .............................................. 106
Sweet nothing ................................... Lee, Brenda .............................................. 107
Swimming inthe pool......................... The Radios ............................................... 108
Sympathy for the Devil ...................... The Rolling Stones ................................... 109
Tele-Romeo ...................................... K-3 ............................................................ 110
These boots are made 4 walkin’ ....... Sinatra, Nancy .......................................... 111
The Wind cries Mary ......................... J. Hendrix.................................................. 112
This ole house .................................. Clooney, Rosemary .................................. 113
Time after time .................................. Cindy Lauper ............................................ 114
't Is weer voorbij die mooie zomer .... .................................................................. 115
That don't impress me much............. Shiana Twain ............................................ 116
Tomorrow.......................................... Martin Charmin ......................................... 117
Total eclips of the heart .................... Bonnie Tyler.............................................. 118
Tumbling Dice ................................... Rolling Stones........................................... 119
32 jaar (ze is van mij) ........................ Doe Maar .................................................. 120
Twilight Zone .................................... Golden earing ........................................... 121
Unchain my heart.............................. J. Cocker................................................... 122
Underneath your cloths ..................... Shakira...................................................... 123
Vanavond ga ik uit ............................ R; Van het Groenewoud ........................... 124
Verdammt, ich lieb' dich .................... Reim, Matthias .......................................... 125
Verdronken vlinder............................ B. De Groot ............................................... 126
Vlaanderen boven............................. Raymond Van het Groenewoud................ 127
Walk of Life ....................................... Dire Straits ................................................ 128
(The) Wanderer ................................ Status Quo ................................................ 129
Wand’rin star..................................... Lee Marvin ................................................ 130
Wasted years .................................... Iron Maiden ............................................... 131
Way to your heart ............................. Soulsister .................................................. 132
(The) Weight ..................................... J.R. Robertson .......................................... 133
(De) Werkmens................................. Ivan Heylen ............................................... 134
We’ll meet again ............................... Vera Lynn ................................................. 135
Wonderful world ................................ L. Armstrong ............................................. 136
What’s a woman ............................... Vaya Con Dios .......................................... 137
Whatever you want ........................... Status Quo ................................................ 138
What’s up ? ....................................... 4 non Blondes ........................................... 139
Weather with you .............................. Crowded House ........................................ 140
Whenever, wherever ......................... Shakira...................................................... 141
When you’re gone............................. Adams, B/Melanie C ................................. 142
When the lady smiles ........................ Golden Earing ........................................... 143
Where the wild roses grow................ Nick Cave / Kylie Minogue ........................ 144
While my guitar ................................. Eric Clapton .............................................. 145
3
White Room ...................................... Clapton, Erik ............................................. 146
Who'll stop the rain ........................... C.C.R. ....................................................... 147
Why don’t you do right ...................... Rasputina.................................................. 148
Why don’t you try me ........................ Ry Cooder / Frankie Miller ........................ 149
Whiskey in the jar ............................. Traditional ................................................. 150
(The) Wild rover ................................ The Dubliners ........................................... 151
Wind of changes ............................... Scorpions .................................................. 152
(the) Wind beneath my wings ........... Bette Middler............................................. 153
Wonderful tonight.............................. E. Clapton ................................................. 154
Wonderwall ....................................... Oasis......................................................... 155
Wrong impression ............................. Natalie Imbruglia ....................................... 156
You ................................................... Ten Sharp ................................................. 157
You can leave your hat on ................ Joe cocker ................................................ 158
You can sleep while I drive ............... Melissa Etheridge ..................................... 159
You’ll be in my heart ......................... Collins, Phil ............................................... 160
Your love........................................... the outfields .............................................. 161
Zij heeft stijl ....................................... De Kreuners.............................................. 162
De zotte morgen ............................... Jef Vanuytsel ............................................ 163
4
Kabouterdans
Tempo :120
Intro : II: BbM I
:II
II: BbM
I
:II
Iedereen goed opgelet, want dit is je grote kans
Luister goed naar wat ik zeg, want hier komt de kabouterdans.
Elke jongen kiest nu eerst, een kaboutermesje uit,
Neem haar vast bij de hand en doe een stap vooruit
Thema (X2)
II FM
I EbM
BbM
I
Draai een keer in het rond, stamp met je voeten op de grond
zwaai je armen in de lucht, ga nu zitten met een zucht
I Gm
EbM
I FM
BbM
II
Stap nu rond als een gans, zo gaat de kabouterdans
Thema (X2)
II: BbM I
:II
Ja, dat ging al reuzegoed, maar we zijn nog lang niet klaar
Wij doen gewoon die dans opnieuw, maar twee keer na elkaar
Refrein (X2)
Thema (X2)
II: BbM I
:II
Jullie dansen echt heel mooi, Ploppertjes, geloof me maar
Daarom doen we’t nog een keer, nu drie keer na elkaar
Refrein (X3)
Thema (X2)
5
Kansas City
(Antoine Domino)
Tempo :120
Intro: II G7 I F7 I C7 I
II
I'm going to
II: C7 I F7
I F7
I
I G7 I F7
I C7
I C7
I C7
I
I
I
I
I
:II
Kansas City, Kansas City here I come.
Kansas City, Kansas City here I come.
They got some pretty little women there, I'm gonna get me one.
I’ll be standing on the corner, of 12th street and five. I’ll be
standing on the corner, of 12th street and five. With my
Kansas city baby and a bottle of kansas city wine.
II C7(break)
I
I
I
I
Well I might take a plane, might take a train, If I have to walk I’m gonna do the same.
I’m going to Kansas City, Kansas City here I come. They got some
pretty little women there, I'm gonna get me one.
Solo (no IVth on 2nd bar)
II C7(break)
I
I
I
I
Well I might take a plane, might take a train, If I have to walk I’m gonna do the same.
I’m going to Kansas City, Kansas City here I come. They got some
pretty little women there, I'm gonna get me one. They got some some
II: G7
I F7
I C7
crazy little women there, I'm gonna get me one.
I
:II
They got some
6
Karma Chameleon
(Culture Club)
Tempo :180
Intro :
II: BbM I
:II
II: BbM
I FM
I BbM I
:II
Desert love in your eyes all the way,
if I listen to your lie would you say
II EbM I
I FM
I
:II
I'm a man with out conviction,
I'm a man who doesn't know
II EbM I
I FM I
I EbM I
I Gm I FM
II
How to sell a contracseption, You come and go, You come and go
II: BbM
I FM
I Gm I
I Cm
I
I BbM I FM :II
Karma Karma Karma Karma Karma Chameleon, you come and go, you come and go
Loving would be easy if your colours were like my dream, red, gold and green,
red, gold and green
Didn't hear your wicked words every day, and you used to be so sweet I heard you say
That my love was an addiction, when we cling our love is strong
When you go you're gone forever, you string along, you string along
Refrein
II EbM
I
I Dm I
Every day is like a survival,
I EbM
I
I Dm I
Every day is like a survival,
I EbM
I
I Gm I
II
you're my lover not my rival
I EbM
I
I Gm I FM II
you're my lover not my rival
Solo : II: BbM I FM I BbM I
:II
II EbM I
I FM
I
:II
I'm a man whith out conviction, I'm a man who doesn't know
II EbM I
I FM I
I EbM I
I Gm I FM II
How to sell a contraspetion, you come and go, ou come and go
Refrein (X3—2de keer a capella )
7
Kayleigh
(Marillion)
Tempo :100
Intro :
Do you remember, chalk hearts melting on a playground wall?
Do you remember, dawn escaped from moonwashed college halls?
Do you remember, the cherry blossom in the market square?
Do you remember, I thought it was confetti in our hair
By the way, didn't I break your heart?
Please excuse me, I never meant to break your heart.
So sorry I never meant to break your heart; but you broke mine.
II:DM
/C#
I GM/B
DM/A
I GM
/B
I DM
:II
Kayleigh is it too late to say I'm sorry, Kayleigh could we get it together again.
I can't go on pretending that it came to a natural end.
Kayleigh I never thought I'd miss you, and Kayleigh I'd hoped that we'd always be
friends.
We said our love would last forever, so how did it come to this bitter end.
Instrumentaal + Solo (intro)
II DM AM I F#m DM I CM /B I AM
II
(ritme intro)
II C#m BM :II
II: C#m
BM
I G#m
AM
:II
Do you remember, barefoot on the lawn with shooting stars
Do you remember, loving on the floor in Belsize Park
Do you remember, dancing in stilletos in the snow
Do you remember, you never understood I had to go.
By the way, didn't I break your heart ?
Please excuse me I never meant to break your heart
So sorry, I never meant to break your heart, but you broke mine.
Kayleigh, I just want to say I'm sorry, but
Kayleigh I'm too scared to pick up the phone.
To find you've found another lover to patch up our broken home.
Kayleigh, I'm still trying to write that love song,
Kayleigh it's more important to me now you're gone.
Maybe it'll prove that we were right or it will prove that I was wrong.
8
Kiss
(Prince)
Tempo : 115
Intro : I G9sus4 I
II CM I
I
I
II
Uh!
I CM
I
I
I
I
U don't have 2 be beautiful 2 turn me on
I just need your body, baby, from dusk till dawn
I FM
I
I
I
I
U don't need experience 2 turn me out
I CM
I
I
I
I
U just leave it all up 2 me, I'm gonna show U what it's all about
I GM
I
I
U don't have 2 be rich 2 be my girl
I FM
I
I
U don't have 2 be cool 2 rule my world
I GM
I
I
Ain't no particular sign I'm more compatible with
I FM
I
G9sus4 I
I just want your extra time and your . . . . . kiss
U got 2 not talk dirty, baby, if U wanna impress me
U can't be 2 flirty, mama, I know how 2 undress me (Yeah)
I want 2 be your fantasy, maybe U could be mine
U just leave it all up 2 me, we could have a good time
Refrein
Solo
II: CM I
I
I
:II
Women, not girls, rule my world, I said they rule my world
Act your age, mama, not your shoe size, maybe we could do the twirl
U don't have 2 watch dynasty 2 have an attitude, uh
U just leave it all up 2 me, my love will be your food (Yeah)
Refrein
9
Knocking on heaven's door
(Bob Dylan)
Tempo :70
II:GM
DM
I Am I
Mama take this badge from me
I GM
DM
I CM :II
'Cause I can't use it anymore
It's getting dark, too dark to see
feels like I'm knocking on heaven's door
knock, knock, knocking on heaven's door
knock, knock, knocking on heaven's do-o-or
Mama put those guns to the ground
'Cause I can't shoot them anymore
That cold black cloud is comin' down
Feels like I'm knockin' on heaven's door
knock, knock, knocking on heaven's do-o-or.
10
Kom van dat dak af
(P. Koelewijn)
Tempo :165
Intro : Hey…….Hey…..
II CM
I
I
I
Kom van dat dak af, ‘k waarschuw niet meer
I
I FM
I
Nee nee nee nee nee nee van dat dak af.
I
I CM
I
I GM
I
FM I
‘k Waarschuw niet meer, kom van dat dak af
I CM I G7
II
Dit is de laatste keer
II: CM
I
:II
Lange Jansen z’n vrouw , dat was een koorddanseres
Maar bij gebrek aan een touw klom ze op het bordes
II FM
I
I
Het eten werd koud en Lange Jansen werd heet
I GM
I
II
En in de straat weerklonk zijn kreet
Nee nee nee nee nee nee van dat dak af
‘k Waarschuw niet meer, kKom van dat dak af
Lange Jansen werd kwaad en hij riep : “ Aan is de boot”.
Kom van dat dak af of je gaat in de goot”
Z’n lieve vrouw schrok zich wild , was ten einde raad
Toen weerklonk het in de straat
Hey baberiba … ( ad lib over schema )
Dit was de laatste keer
11
Kopje koffie
(V.O.F. De Kunst—origineel in ‘G’)
Tempo :110
Intro : II: AM
I
:II
II AM
I
I
I
I
Ik sta op, nog niet wakker, ik wankel door het huis als een stakker,
I
I
I EM
I
I
Maar ondanks alles haal ik mijn doel, op het gevoel
I Bm
I EM
I Bm
I EM
I
Ja, ik ben een gebruiker, het pure spul, dus zonder de suiker
I Bm
I EM
II (AM)
Ik giet het zwarte goud in een kom, en ik leef weer op
II GM
I
II
Eén kopje koffie
En de markt wordt stabieler, de grote winkels werken als dealer
Een Angolees of Braziliaan, levert het aan
Het bevat cafeïne, ik loop erop alsof was het benzine
Expresso, super, altijd loodvrij, dus doet U mij
Eén kopje koffie, één kopje koffie
I F#m
I Bm
I AbM
I Dbm
I
Over de verzuiling heen, is er troost voor iedereen
I DM
I AM
I EM
I
In de uren van nood, onontbering, neem er nog een
Eén kopje koffie, één kopje koffie (X2)
Al die lui op kantoren, je mag ze in principe niet storen
Maar als de koffiejuffrouw het wil, ligt alles stil
En de school, de fabrieken, de universiteit, de klinieken,
Al die tenten drijven vol lof, nog steeds op
Eén kopje koffie, één kopje koffie
Solo : II: EM :II (X8)
Eén kopje koffie
Sterke drank, sigaretten, we slippen langzaam dicht en vervetten
En al relexent gaan we kapot, aan ons genot
Maar ik hou van beschaving, ik wil een keurig, nette verslaving
Na al die jaren weet ik het wel, en ik bestel
Eén kopje koffie (zonder de suiker),
Eén kopje koffie (ik ben een gebruiker)
……………..
12
Kronenburg Park
( Frank Boeijen)
Tempo :90
Intro :
II: F#m DM I AM Bm :II
II: F#m
DM I
AM
Bm
:II
Ik weet niet wat jou zover heeft gebracht
Als ik jou zie 's nachts in het park.
I DM
AM
I Bm
EM
I
De autolichten beschijnen je lichaam
I EM
I Bm
C#M
I
Zonder ogen, zonder herinnering.
Ik neem aan dat jij nooit liefde hebt gehad
Ook niet toen dat zo belangrijk voor je was.
De woorden die bij jou horen zijn goedkoper dan ik dacht,
In één seconde ging het regenen vannacht.
II²/4 C#M II
II: F#m
EM
I AM
F#m
I EM
Bm
:II
Ga die wereld uit, één seconde en rij snel door die wereld uit.
Ga die wereld uit, één seconde en kijk goed rond in ons paradijs
I C#m
I
I
En vraag niet de weg, want iedereen is de weg kwijt.
II: F#m DM I AM Bm :II
Op zoek naar geluk in Kronenburg Park
Thuis wacht een vrouw onwetend op haar man
Ze heeft nooit iets gevoeld van zijn ontevredenheid
En alles blijft bij het oude, als hij weer naar huis toe rijdt.
Refrein
Solo (akkoorden van strophe)
Refrein
II: F#m DM I AM Bm :II (ad lib)
13
Kryptonite
(3 doors Down)
Tempo :100
Intro : II: Bm
II: Bm
I
I GM I AM :II (X4)
I
I GM
I AM
:II
I took a walk around the world to ease my troubled mind
I left my body lying somewhere in the sands of time
I watched the world float to the dark side of the moon
I feel there is nothing I can do, …….yeah
II: Bm I
I GM I AM :II
I watched the world float to the dark side of the moon
After all I knew it had to be something to do with you
I really don't mind what happens now and then
As long as you'll be my friend at the end
If I go crazy then will you still call me Superman
If I'm alive and well, will you be there holding my hand
I'll keep you be my side with my superhuman might
Kryptonite
II: Bm I
I GM I AM :II
You called my strong, you called me weak, but still your secrets I will keep
You took for granted all the times I never let you down
You stumbled in and bumped your head, if not for me then you would be dead
I picked you up and put you back on solid ground
Refrein
Solo (X4)
Intro (X2)
Refrein (tokkel)
Refrein
Instrumentaal einde
14
Lady Jane
(The Rolling Stones)
Tempo :105
Intro : II: CM9 I
I GM I
II: CM
:II DM I
I
II
I GM
I DM :II
My sweet Lady Jane, when I see you again
Your servant am I and will humbly remain
I E7 /G#
I Am
I D7
I GM I
Just hear this plead, my love, on bended knees my love
I CM
I D7
I Am
I DM
II
I pledge myself to ...Lady Jane
II DM II
II: CM
I
I GM
I DM :II
My dear Lady Anne I've done what I can
I must take my leave for promised I am
I E7 /G#
I Am
I D7
This play is run my love,
I CM
I GM
I
your time has come my love
I D7
I Am
I DM
II
I've pledged my troth to Lady Jane
II DM
I
II: CM
II
I
I E7/G# I Am
I CM
I D7
II DM
I GM
I DM :II
I D7
I Am
I GM
I DM
I
II
II
II: CM
I
I GM
I DM :II
Oh my sweet Marie, I wait at your ease
The sands have run out, for your lady and me
I E7 /G#
I Am
I D7
I GM
I
Wedlock is nigh my love, her station's right my love
I CM
I D7
I Am
I DM
II
Life is secure with Lady Jane
II DM II
15
Lady is a tramp
(Frank Sinatra—origineel in ‘C’)
Tempo :135
II: DM
I Dm7
I Em7
I A7 :II
She gets too hungry for dinner at eight,
She likes the theater and never comes late
II DM
I DM7
D9 I GM
I Gm I
She never bothers with people she'd hate
I DM
/C#
I GM
A7 I DM Bm I Bb7 A7 II
That's why the lady is a tramp
Doesn't like crap games with barons or earls,
Won't go to Harlem in ermine and pearls
Won't dish the dirt with the rest of the girls
II GM7 I A7
I F#m
I Bm I
She likes the free, fresh wind in her hair
I Em7
A7
I DM
I B7 E7
I A7
II
Life without care, she's broke, and it's "oke"
Hates California, it's cold and it's damp
She gets too hungry to wait for dinner at eight
She loves the theater but never comes late
She'd never bother with people she'd hate
She'll have no crap games with sharpies and frauds
And she won't go to Harlem in Lincolns or Fords
And she won't dish the dirt with the rest of the broads
She'd love the free, fresh wind in her hair
Life without care, she's broke, but it's "oke"
Hates California, it's so cold and so damp
II Bm7
E7
I AM
I
That's why the lady
I C#m7b5
F#7
I Bm
I
That's why the lady
I E7
Gdim
I A7
I DM
I
II
16
La Fiesta
(The Pogues)
Tempo :160
Intro :
I am Fran
II: GM
I DM
I DM
I GM
:II
cisco Vasquez Garcia, I am welcome to Almeria. We have sin
gas and con eche, we have fiesta and feria
We have the
I CM
I GM
I CM
I DM
I
song of the chochona, we have brandy and half corona. And LeoI GM
I DM
I DM
I GM
II
nardo and his accordione, and calamari and macaroni. Come all you
II CM
I GM
I DM
I GM
I
rambling boys of pleasure, and ladies of easy leisure. We must
I CM
I GM
I DM
I GM
II
say Adios! until we see, Almeria once again
Intro + instrumentaal
There is a
minstrel, there you see, and he stoppeth one in three. He
whispers in this one's ear, "Will you kindly kill that doll for me". Now he has
won chochona in the bingo, all the town has watched this crazy gringo
As he pulls off the doll's head laughing, And -miraldo! throws its body in the sea
Refrein + Intro + Instrumentaal
El vienticinco de agosto, abrio sus ojos Jaime Fearnley. Pero el
bebe cinquante Gin-campari, Y se tendio para cerrarlos. Y Co
stello el rey del America, Y suntuosa Cait O Riordan, Non rom
pere mes colliones, los gritos fuera de las casas..come all you...
Refrein + Intro + Instrumentaal (vertragen) .
17
Last Dance With Mary Jane
(Tom Petty)
Tempo :85
Intro: II: Am9 GM I DM Am :II (X4)
II Am
GM
I
She grew up in an Indiana town, had a
I DM
Am
:II
good lookin' mama who never was around
But she grew up tall and she grew up right, with them
Indiana boys on an Indiana night
Instrumentaal : II: Am9 GM I DM Am :II
Well she moved down here at the age of 18
She blew the boys away, it was more than they'd seen
I was introduced and we both started groovin'
She said, "I dig you baby but I got to keep movin'" ...on, keep movin' on
II Em
I
I AM
Last dance with Mary Jane, one more time to kill the pain
I Em
I
I AM
I feel summer creepin' in and I'm tired of this town again
I
I GM
I
II
Well I don't know but I've been told
You never slow down, you never grow old
I'm tired of screwing up, I'm tired of bein' down
I'm tired of myself, I'm tired of this town
Oh my my, oh hell yes
Honey put on that party dress
Buy me a drink, sing me a song,
Take me as I come 'cause I can't stay long
Refrein
Instrumentaal : II: Am9 GM I DM Am :II (X4)
There's pigeons down in Market Square
She's standin' in her underwear
Lookin' down from a hotel room
Nightfall will be comin' soon
Oh my my, oh hell yes
You've got to put on that party dress
It was too cold to cry when I woke up alone
I hit the last number, I walked to the road
Refrein
Instrumentaal : II: Am9 GM I DM Am :II (ad lib)
18
Lay down Sally
(Erik Clapton)
Tempo :190
Intro : II AM I
I
II AM
I
:II
I
I
I
I DM
I
I
There is nothing that is wrong, wanting you to stay here with me ,
I AM
I
I
I
I
I know you got somewhere to go, but won't you make yourself at home and
I DM
I EM
II
stay with me, and don't you ever leave
II: AM
I
I DM
I
I
Lay down Sally, rest here in my arms
I EM
I
I AM
I
:II
Don't you think you'd want someone to talk to.
Lay down Sally, no need to leave so soon
I've been trying all night long just to talk to you
II AM
I
I
I
II
Sun ain't nearly on the rise, we still got the moon and stars above.
I don't need the velvet skies, love is all that matters, won't you
stay with me, don't you ever leave.
Refrein
Solo ( AM)
I long to see the morning light, coloring your face so dreamily
Don't you go and say good-bye, you can lay your worries down and
stay with me, don't you ever leave
Refrein (X2)
19
Legalize It
[P. Tosh]
Tempo : 135
II: GM
I FM :II
Legalize it don't criticize it
Legalize it and I will advertise it
Some call it tampee, some call it the weed
Some call it Marijuana, some of them call it Ganja
Refrein
Singers smoke it, and players of instruments too
Legalize it, yeah, yeah, that's the best thing you can do
Doctors smoke it, nurses smoke it
Judges smoke it, even the laywers too
Refrein
It's good for the flu, it's good for asthma
Good for tuberculosis, even umara composis
Refrein
Birds eat it, and they love it
Fowls eat it, goats love to play with it
Refrein
20
(She’s got) legs
(ZZ-top)
Intro :
Tempo : 125
II EM I
I
I
I EM I
I
I
I DM I
I
I
I EM
I
I
II
I
I
I
I
She's got legs, she knows how to use them.
I C#m
I
I
I
I
She never begs, she knows how to choose them.
I EM
I
I
I
I
She's holdin' leg wonderin' how to feel them.
I C#m
I
I
I
II
Would you get behind them if you could only find them?
II AM I
I
BM I
I
She's my baby, she's my baby,
I EM I
I
I
II
yeah, it's alright.
She's got hair down to her fanny.
She's kinda jet set, try undo her panties.
Everytime she's dancin' she knows what to do.
Everybody wants to see if she can use it.
She's so fine, she's all mine,
girl, you got it right.
Solo :
II: C#m I
II EM I
I
I
I
I
I F#m I
I (BM)
I (BM)
:II (BM 2de keer)
II
She's got legs, she knows how to use them.
She never begs, she knows how to choose them.
She's got a dime all of the time,
stays out at night movin' through time.
Oh, I want her, said, I got to have her,
the girl is alright, she's alright.
Outro = solo
II C#m I
II
21
Le monde tourne mal
(Axelle Red)
Tempo : 100
Intro : II: C#m I
I F#m I
II: C#m
:II
I
I F#m I
:II
Le monde tourne mal, y a quelque chose de bancal, dans son tempo,
Le monde tourne mal, dans la grande sono mondiale, ca sonne faux
Y a des milliards de personnes, qui le squattent qui le zonent, qui dansent
Dessus.
Mais chacun marque son rythme, chacun veut chanter son hymne, on ne s'entend
plus
II: C#m (EM F#M) I C#m I F#m I
Qu'est-ce qu'on peut faire,
:II
let's dance (X2)
Le monde tourne mal, y a des parfums de scandales, sur sa peau
Le monde tourne mal, il veut jouer les étoiles, dans les journeaux
Y a des milliards de personnes, qui lui pompent son ozone, dui tapent
dessus
Qui le prennent pour une cible, qui lui balancent leurs missiles, on ne s''entend
plus
Qu'est ce qu'on peut faire, let's dance (X2)
II BM
I
I C#m
I
I
Tu crois tout voir, tu crois savoir, tu regardes la télé aux infos du soir
I BM
I
I AM
I G#M
II
Mais dans ces mots, dans ces photos, qui peut juger ce qui est vrai, ce qui est faux
II: C#m I
I F#m I
:II (X8)
Let's dance
Alors on suit la tendance, On se moove dans la mouvance, pour sauver les apparences
Et quand on a fait le tour, on essaie d'parler d'amour, avant le compte à rebours
Quatre, trois, deux, un
Solo (over chorus)
Qu'est ce qu'on peut faire, let's dance (X2)
22
Let her cry
(Hootie and the Blowfish)
Tempo : 120
II: GM
I DM
I CM
I GM
:II
She sits alone by a lamppost, trying to find a thought that's escaped her mind.
She says dad's the one I love the most, but Stipe's not far behind.
She never lets me in, only tells me where she's been,
When she's had too much to drink
I say that I don't care I just run my hands through her dark hair
Then I pray to God you gotta help me fly away
II CM
I GM
I
And just let her cry, if the tears fall down like rain
I CM
I Em GM
DM
I
Let her sing If it eases all her pain
I CM
I GM
I
Let her go, let her walk right out on me
I DM/A
I CM
I GM
I DM
I CM I GM II
And if the sun comes up tomorrow, let her be, let her be
This morning I woke up alone, found a note standing by the phone
Saying baby, maybe I'll be back someday.
I wanted to look for you, you walked in I didn't know just what I should do
So I sat back down and had a beer and felt sorry for myself
Saying let her cry, ………...
Solo
II: GM I DM I CM I GM :II
Let her cry……………..
Last night I tried to leave, cried so much I could not believe
She was the same girl I fell in love with long ago
She went in the back to get high, I sat down on my couch and cried yellin'
Oh momma, please help me, won't you hold my hand and...
Let her cry……………...
Turnaround on I DM/A I GM I
Let her cry, ………………;
End : II DM/A I CM I GM I
II
oh, let her be.
23
Let's Stick Together
(Wilbert Harrison sung by Bryan Ferry)
Tempo : 120
12-bar blues schema
II: AM
I
I
And now the marriage vow is very sacred
I
I
I
The man has put us together now
I DM
I
You ought to make it stick together
I
I AM
I
I
Come on, come on and stick together
I EM
I DM
I AM
I
E7
:II
You know we made a vow to leave one another never
But now you never miss your water till your well is dry
Come on now baby give our love a try
Let's stick together, c'mon c'mon let's stick together
Then if you're stuck for a while consider our child
How can it be happy without its ma and pa
Let's stick together, c'mon c'mon let's stick together
24
Let’s twist again
(Chubby Checker)
Tempo : 170
II CM
I
I Am
I
I
Let’s twist again, like we did last Summer,
I FM
I
I GM
I
I
yeah, let’s twist again, like we did last year,
I CM
I
I Am
I
I
Don’t cha remember when thing were realy hummin’ ?
I FM
I GM
IC
I C7 II
Yeah, Let’s twist again, twistin’ time is here.
II FM
I
I CM
I
I
Eaah roun’ ‘n around ‘n a up ‘n down we go again,
I FM
I
I G7
II
Oh baby, make me know you love me so, an’ then
Let’s Twist again, like we did last Summer,
yeah, let’s Twist Again, like we did last year,
Don’t cha remember when thing were realy hummin’ ?
Yeah, Let’s Twist again, twistin’ time is here.
25
(The) Letter
(The Boxtops)
Tempo : 130
II: Am
I FM
I
Gimme a ticket for an aeroplane
I GM
I DM
I
Ain’t got time to take the fast train
I Am
I FM
I
Lonely days are gone , I am going home
I E7
I Am :II
My baby just wrote me a letter
I don’t care how much money I gotta spend
Gotta get back to my baby again
II E7
I Am
I
II
I CM
GM
I FM
CM
I
GM
I GM CM GM I
Well she wrote me a letter , said she couldn’t live without me no more
I CM
GM
I FM
CM
I GM
I
Listen , mister , can’t you see I’ve gotta get back to my baby once more
I E7
II
Anyway , yeah ...
Well she wrote me a letter , said she couldn’t live without me no more
Listen , mister , can’t you see I’ve gotta get back to my baby once more
Anyway , yeah ...
My baby , she wrote me a letter
26
Light my Fire
(The Doors)
Tempo : 130
Intro :
You
Bassline :
II: Am
I F#m
:II (X4)
know that it would be untrue,
you
know that it would be a lie
if i was to say to you
girl we couldn't get much higher
II: GM
AM
I DM :II
Come on baby light my fire
II GM
AM
I EM I (!)
II
Try to set the night on fire
The time to hesitate is through,
no
time to wallow in the mire
try now we can only loose
and our love become a funeral pyre
Try to set the night on fire
Solo (strophe) X8
II: FM
I CM
:II
try to set the night on fire
try to set the night on fire
27
Live is life
(Opus)
Tempo :90
Chords : II: Am Dm I GM :II
Nanananana
Nanananana ( All together now )
Nanananana
Nanananana
Live ( Nanananana ), Live is life ( Nanananana )
Labedapapap live ( Nanananana ), Live ( Nanananana )
II: Am
FM
I Dm
GM
:II
When we all give the power , we all give the best
Every minute of an hour , don’t think about the rest
And you’ll all get the power , you’ll all get the best
And everyone gives everything and every song ... everybody sings
Live is life( Nanananana ), Live is life ( Nanananana )
Live ... is live ( Nanananana ), Labedapapap live
( Nanananana )
II: CM
I Dm
GM
:II
Live is life , when we all feel the power
Live is life , come on stand up and dance
Live is life , that’s the feeling of the people
Live is life , it’s the feeling of the band , yeah
II: Am
FM
I Dm
GM
:II
When we all give the power , we all give the best
Every minute of an hour , don’t think about the rest
And you’ll all get the power , you’ll all get the best
And everyone gives everything and every song ... everybody sings
Live is life( Nanananana ), Live is life ( Nanananana )
Labedapapap live ( Nanananana ), Live is life ( Nanananana )
With chords :
Nanananana, Nanananana, Nanananana, Nanananana
Live ( Nanananana ), Live is life( Nanananana )
Labedapapap live ( Nanananana ), Live is life( Nanananana )
II: Am
FM
I Dm
GM
:II
And we’re all glad it’s over , you call it should last
Every minute of the future is a memory of the past
‘Cause we all gave the power , we all gave the best
And everyone gave everything and every song ... everybody sings
I Am
II
Live is life
28
Living next door to Alice
(Smokie)
Tempo : 120
II: AM
I
I DM
I
I
Sally called when she got the word, she said : “ I suppose you’ve heard
I EM
DM
I AM
:II
. . . about Alice “
Well , I rushed to the window and I looked outside, and I could hardly believe my
eyes as a big limousine rolled up into Alice’s drive.
II AM
I
I
Oh , I don’t know why she’s leaving or where she’s gonna go
I DM
I
I
I guess she’s got her reasons but I just don’t wanna know
I EM
IDM
I AM
I
I
‘Cause for 24 years I’ve been living next door to Alice
I AM
I
I DM
I
I
24 years just waiting for a chance to tell her how I feel and maybe get a second
glance
I EM
I DM
I AM
I
II
Now I gotta get used to not living next door to Alice
We grew up together , two kids in the park, carved our initials deep in the bark . . . me and
Alice
Now she walks to the door with her head held high, just for a moment I caught her eye
As the big limousine pulled slowly out of Alice’s drive
24 years just waiting for a chance to tell her how I feel and maybe get a second glance
Now I gotta get used to not living next door to Alice
Then Sally called back and asked how I felt, and she said : “ I know how to help . . .
get over Alice “
She said : “ Now Alice is gone , but I’m still here, you know I’ve been waiting for 24
years ”
And the big limousine disappeared
24 years just waiting for a chance to tell her how I feel and maybe get a second
glance
No , I ‘ll never get used to not living next door to Alice
II EM
I
DM
I AM
I
II
No , I’ll never get used to not living next door to Alice
29
Lodi
(J.C. FOGERTY)
Tempo = 130
II: BbM
I
I EbM
I BbM
I
Just about a year ago I set out on the road
I BbM
I Gm
I EbM
I FM
I
Seeking my fame and fortune lookin' for a pot of gold
I BbM
I Gm
I
Things got bad and things got worse
I EbM
I BbM
I
I guess you will know the tune
I BbM
I FM
EbM
I BbM
I
:II
Oh Lord stuck in Lodi again
Rode in on the Grey Hound I'll be walkin' out if I go
I was just passin' through must be seven months or more
Ran out of time and money. Looks like they took my friend
The man from the magazine said I was on my way
Somewhere I lost connection I ran out of songs to play
I came into town a one night stand
Looks like my plans fell through
II CM
I
I FM
I CM
I
If I only had a dollar for every song I've sung
I CM
I Am
I FM
I GM
I
And everytime I've had to play while people sat there drunk
I CM
I Am
I FM
I CM
I
You know I'd catch the next train back to were I live
II: CM
I GM
FM
Oh Lord I'm stuck in Lodi
Oh Lord I'm stuck in Lodi
I CM I
:II
again
again
30
LONG TALL SALLY
(Little Richard)
Tempo : 190
II I
I
I
I
I
I IV I
I I
I
I
IV
I I
I
II
I IV
Gonna tell Aunt Mary 'bout Uncle John, he says he has the blues but he has a lotta
fun.
Oh baby, ye-e-e-eh baby, woo-o-o-oh baby, havin' me some fun tonight.
Well, long tall Sally has, a lot on the balland nobody cares if she's long and tall.
Well, I saw Uncle John with long tall Sally, he saw Aunt mary cummin' and he ducked
back in the alley.
Solo (schema)
Well, long tall Sally has, a lot on the balland nobody cares if she's long and tall.
Well, I saw Uncle John with long tall Sally, he saw Aunt mary cummin' and he ducked
back in the alley.
We're gonna have some fun tonight, gonna have some fun tonight.
We're gonna have some fun tonight, everything will be alright.
We're gonna have some fun, gonna have some fun tonight.
31
Losing My Religion
(R.E.M.)
Tempo :130
Intro : II FM I
I Am I
I FM
I
I Am I GM II
Intro thema :
II: Am
I
I Em
I
:II (X3)
Life is bigger, it's bigger than you, and you are
not me,
the lengths that I will go to, the distance in your
Eyes, oh no I've said
I Dm I
I GM
I
II
too much, I set it up. That's me in the
II: Am
I
I Em
I
:II (X3)
corner, That's me in the spotlight,
ligion, trying to keep up with you,
don't know if I can do it,
losing my re
and I
Oh no I've said too
II Dm
I
I
much,
II FM
I GM
I haven't said enough.
I
I
II
I thought that I heard you
Am
I
I
laughing, I thought that I heard you sing.
I FM
I
I
I Am
I GM
think I thought I saw you try.
II
Every
whisper of every waking hour I'm choosing my con
Fessions, Trying to keep an eye on you, like a
hurt lost and blinded fool. Oh no I've said too
much, I set it up. Consider
this,
consider this, the hint of the century, consider
this, the slip
that brought me to my knees failed
What if all these fantasies, come flailing around. Now I've
said too much. I thought that I heard you
Laughing, I thought that I heard you sing. I
think I thought I saw you try
Instrumentaal : II Am (thema2) I
I
I
I
But
I CM
I
I
I Dm
II
that was just a dream, that was just a dream
Thema2:
Refrein
32
Louise
(Clouseau)
Tempo : 130
Intro : II: EM I G#mI AM I BM :II
II: EM
I G#m
I AM
I BM
:II
Wie gaat er nou nog voor me zorgen, als jij er niet meer bent, Louise.
Hoe moet het met mij verder morgen, als ik nu ook nog jou verlies.
II C#m
/B I AM
/B I C#M
/B I AM
I
Kijk me aan, ik sta te grienen, ik kan nergens meer verdienen,
I C#m
/B
I AM
I BM
I B7
II
Het is heet, maar ik bevries…..
Jij zegt ik wil op_nieuw beginnen, ok, maar waarom niet met mij.
We kunnen toch wel wat verzinnen, ‘t is toch niet allemaal voorbij.
Kijk me aan, ik sta te huilen, open je armen, ik wil schuilen,
Ik heb je nodig hier, Louise…..
II: C#m
AM I BM
I C#m
AMI BM
:II
Mijn lieve Louise (Louise), Louise (Louise)
Louise (Louise), Louise (Louise)…
En hoe kan ik praten tegen muren, waar moet ik mijzet mijzelf naartoe ?
Hoelang moet ik dit nog verduren, wanneer ben jij die man weer moe ?
Kijk me aan, ik lig te janken, Clouseau ligt languit op de planken.
Kom t’rug, c’ill te plait, alsjeblief, oh, please….
Refrein
II EM I
II
(Gitaar + vocal)
En hoe kan ik praten tegen muren, waar moet ik mijzet mijzelf naartoe ?
Hoelang moet ik dit nog verduren, wanneer ben jij die man weer moe ?
Kijk me aan, ik lig te janken, Clouseau ligt languit op de planken.
Kom t’rug, c’ill te plait, alsjeblief, oh, please….
Refrein
II: C#m AM I BM :II
33
Love is all
(Roger Glover)
Intro :
Tempo: 120
II:CM
GM/D
I CM/E
/F /G I CM
GM/D
I CM/E /F /G
I
Everybody's got to live together, all the people got to understand
I CM
GM/D
I CM/E
/F /G
I GM
I
:II
So, love your neighbour, like you love your brother, come on and join the band
Well, all you need is love and understanding, ring the bell and let the people know
We're so happy and we're celebratin', come on and let your feelings show
II: Am
I DM
I GM
I CM
:II
Love is all, well love is all, love is all, can't you hear the call
Oh, love is all you need, love is all you need at the Butterfly Ball
II BM I EM I AM I DM II
Ain't you happy that we're all together, at the ball in nature's countryside
And although we're wearing different faces, nobody wants to hide
Love is all and all is love and, it's easy, yes it's so easy
At the Butterfly Ball where love is all, and it's so easy
II:3/4 Bm I
II4/4 GM
I EM I
I AM
I
I DM I
:II (X4 > laatste DM = GM)
II
All you need is love and understanding, hey, ring the bell and let the people know
We're so happy and we're celebratin', let your feelings show
Love is all, yes love is all at the Butterfly Ball
Love is big, love is small, love is free, love is all, at the Butterfly Ball
When you back's to the wall, when you're starting to fall,
you got something to lean on,
Love is everything, it can make you sing at the Butterfly Ball
Love is all, I say love is all, yes love is all, at the Butterfly Ball
34
Love Hurts
(Nazareth)
Tempo : 85
Intro : II: AbM I
I GbM Db/F :II
II: AbM
I Fm
I DbM
I EbM :II
Love hurts, Love scars, Love wounds and mars
Any heart not tough or strong enough
I AbM
CM
I Fm
I
To take a lot of pain, take a lot of pain
I DbM
I EbM
/Db
II
Love is like a cloud, it holds a lot of rain
II AbM
I GbM
Love hurts, Ooo-
DbM
oo
I AbM II
Love hurts
I'm young, I know, But even so
I know a thing or two - I learned from you
I really learned a lot, really learned a lot
Love is like a flame It burns you when it's hot
Love hurts, Ooo-oo Love hurts
II DbM
I CM Fm
I CM
Fm
I CM
Fm I
Some fools think of happiness, blissfulness, togetherness
I BbM
I
I
Some fools fool themselves, I guess
II EbM
I AbM
I Fm
They're not foolin' me, I know it isn't true I know it isn't true
I DbM
I EbM
II
Love is just a lie made to make you blue
Ooo-oo Love hurts
Solo (chords on strophe)
I AbM
CM
I Fm
I
I know it isn't true I know it isn't true
I DbM
I EbM
/Db
I
Love is just a lie made to make you blue
Ooo-oo, Love hurts Ooo-oo
35
Love Is All Around
(wet wet wet)
Tempo : 85
II: DM
Em
I GM
AM
I DM
Em
I GM
AM :II
I feel it in my fingers, I feel it in my toes
Well, love is all around me, and so the feeling grows
It's written on the wind, it's everywhere I go
So if you really love me, come on and let it show
II GM
I Em
I
You know I love you, I always will
I GM
I DM
I
My mind's made up by the way that I feel
I GM
I Em
I
There's no beginning, there'll be no end
I GM
I AM
II
Cos on my love you can depend
I see your face before me as I lay on my bed
I kinda get to thinking of all the things you said
You gave your promise to me and I gave mine to you
I need someone beside me in everything I do
You know I love you, I always will
My mind's made up by the way that I feel
There's no beginning, there'll be no end
Cos on my love you can depend
It's written on the wind, it's everywhere I go
So if you really love me, come on and let it show
Come on let it show, Come on let it show
36
LUCILLE
(Little Richard)
Tempo : 145
II: I
I
I
I
I
I IV I
I I
I
I
IV
I I
I V
:II
I IV
Lucille, won't you do your sister's will?
Oh, Lucille, won't you do your sister's will?
Well, you ran away and left, I love you still.
Lucille, please, come back where you belong.
Oh, Lucille, please, come back where you belong.
I been good to you, baby, please, don't leave me alone.
(break)
I woke up this morning, Lucille was not in sight.
I asked her friends about her but all their lips were tight.
Solo over schema
I woke up this morning, Lucille was not in sight.
I asked her friends about her but all their lips were tight.
Lucille, baby, satisfy my heart.
Oh, Lucille, baby, satisfy my heart.
I slaved for you, baby, and
gave you such a wonderful start.
37
Make me Smile
(Steve Harley and Cockney Rebel)
Tempo :145
II FM
I CM
I GM
I FM
I
You've done it all, you've broken every code and pulled the
I CM
I GM
I
I
I
rebel to the floor (pa pa pa pa pa pa pa pa), you spoilt the
I FM
I CM
I GM
I FM
game, no matter what you say,
I CM
I GM
I
I
for only
II
metal - what a bore!
II FM
I CM
I FM
I CM
I GM
I
II
Blue eyes, blue eyes, how come you tell so many lies?
II: Dm
I FM
I CM
I GM
:II
Come up and see me, make me smile
Or
do what you want, run on wild
II
I
II
There's nothing left, all gone and run away
Maybe you'll tarry for a while (pa pa pa pa pa pa pa pa), it's just a
test, a game for us to play, win or
lose, it's hard to smile
Resist, resist, it's from yourself you have to hide
Refrein
II 6/4
II
Solo :
II FM/A I GM I FM I /A
I Em I
I GM I
II: Dm
II
I FM I CM
I
I
I
I GM :II
II
There ain't no more, you've taken everything
from my believe in Mother Earth (pa pa pa pa pa pa pa pa), how can you ig-nore my faith in everything, ’cause i
know what faith is and what it's worth
Away, away, and don't say maybe you'll try
Refrein
II
II
II FM
I CM
I FM
I CM
I GM
I
oh, oooh, la
la la, ooh, oooh, la la la….oeaaah
Refrein + II
II
II FM
I FM
I CM
I CM
I GM
I
II
II
oh, oooh, la la la, ooh, oooh, la la la….oeaaah
Refrein (X2)
38
Manic Monday
(The Bangles)
Tempo : 130
Intro : II: DM I Em I DM I Em :II DM II
II: DM
I Em
I DM
I
Em
:II
Six o'clock already, I was just in the middle of a dream
I was kissin' Valentino, by a crystal blue Italian stream
But I can't be late, 'cause then I guess I just won't get paid
II DM
I AM
I DM
I
II
These are the days, when you wish your bed was already made
II AM
I DM
I GM
It's just another manic Monday,
I DM
I DM
I GM
'Cause that's my funday,
I AM
I GM
I
I wish it was Sunday
I DM
I
my I don't have to runday
I DM
I
II
It's just another manic Monday
Have to catch an early train, Got to be to work by nine
And if I had an air-o-plane, I still couldn't make it on time
'Cause it takes me so long, Just to figure out what I'm gonna wear
Blame it on the train, But the boss is already there
Refrein
II Bm
I
I EM
I E7
I
All of the nights, why did my lover have to pick last night to get down
I GM
I AM
I Bm
I
I
Doesn't it matter, that I have to feed the both of us, employment's down
I GM
I EM
I AM
I(no chords)
I
He tells me in his bedroom voice, c'mon honey, let's go make some noise
II C7 (no chords)
I
I
I
II
Time it goes so fast, when you're having fun
Refrein (X2)
39
Man, I Feel Like A Woman
(Shania Twain—origineel in Bb)
Intro:
> (Transpose +2)
Tempo : 125
Let's Go Girls
II CM I
II:
I
I
II
CM
I
I
I FM CM :II
I'm going out tonight, I'm feelin' alright, gonna let it all hang out,
Wanna make some noise, really raise my voice, yeah, I wanna scream and shout,
Intro lick
No inhibitions, make no conditions, get a little, outta line,
Ain't gonna act, politically correct, I only wanna have a good time,
II BbM
I
I CM
I
II
Best thing about being a woman, is the prerogative to have a little fun and...
II GM
I
I
I
I
Oh, oh, oh, go totally crazy - forget I'm a lady, men's shirts- short
I
I Em
I CM
skirts, oh, oh, oh, really go wild I GM
I GM
I
yea, doin' it in style, oh, oh,
I
I
I
oh, get in the action - feel the attraction, color my hair - do what I
I
I Em
I CM
I Am
I
dare, oh, oh, oh, I wanna be free - yea to feel the way I feel,
I
I 2/4
I (lick) II
Man! I feel like a woman!
Intro lick (X2) II
I CM I
I FM II
The girls need a break - tonight we're gonna take, the chance to get out on the town
We don't need romance - we only wanna dance, we're gonna let our hair hang down
Bridge
Refrein
Solo : II: BbM I FM I CM I
Bridge II
:II
II
Refrein (2 maten Am )
Lick : II: CM I
I BbM I FM :II (X4)
40
Maria
(Blondie)
Tempo : 160
Intro : II AM I EM I F#m I DM I AM I EM I DM I DM II
II:AM
I EM I F#m
I
DM
I
She moves like she don't care, Smooth as silk, cool as air
I AM
I EM
I DM
:II
Ooh,
it makes you wanna cry
She doesn't know your name, and your heart beats like a subway train
Ooh, it makes you wanna die
II DM I EM
I F#m I
:II
Ooh, don't ya wanna take her
Ooh, wanna make her all your own
II AM I EM
Maria,
I F#m I DM (*)
I
you've got to see her
I AM
IEM
I DM I
:II
Go insane and out of your mind
Latina,
ave Maria
A million and one candle lights
I've seen this thing before, in my best friend and the boy next door
Fool for love and full of fire
Won't come in from the rain, she's oceans running down the drain
Blue as ice and desire
Don't you wanna make her
Ooh, don't you wanna take her home
Refrein
Ooh, don't you wanna break her
Ooh, don't you wanna take her home
She walks like she don't care, walking on
imported air, Ooh, it makes you wanna die
2 bars drums only
Refrein
Solo :
I DM I EM I F#m I F#m I
I BM I
I F#m I
I
I BM I
I DM I EM I
Refrein (ad lib)
41
Maria
(R. Van het Groenewoud)
Tempo : 120
Intro : I
/E /F /F# II: GM
II GM
I GM
I GM
/E /F /F# :II
I
GM
I / A / Bb / B /A I
Ze kan zo lekker lopen, ze kan zo lekker koken, ze kan wat ik wil dat ze kan
ICM
I CM
I GM
I GM
II
Ze kan zo mooi bewegen, ze maakt me zo verlegen, ze zet me in vuur en vlam
II DM
I CM
I
Maria, maria, ik hou van jou
I GM
I
II
voor jou sta ik uren in de kou
‘k Weet niet hoe ‘t uit leggen, ik durf het haar niet zeggen, want als ze nee zegt ga ik
kapot.
Dus zit ik hier te wachten, ik zit hier te versmachten, o, heer, ik wordt helemaal zot.
Refrein
Solo
Oh, was ze toch maar bij me, ik wou dat ‘k haar kom lijmen, want zo is er geen houden meer aan.
Waarom die harde tijden, waarom moet ik zo lijden, Ambrosia die vloeit me aan….
Refrein (X2)
42
Message In A Bottle
(Police—Origineel in E)
Tempo : 160
Intro: II: Am
II: Am
FM
I GM
Dm
:II
Fm I GM Dm :II (X8)
Just a castaway, an island lost at sea
Another lonely day, no-one here but me
More loneliness, any man could bear
Rescue me before I fall into despair
II: FM
I BbM CM :II
I'll send an sos to the world, I'll send an sos to the world
II: Dm
I BbM
:II
I hope that someone gets my, I hope that someone gets my
II Dm
I BbM
I Am
I FM
I Am
I FM
I
I hope that someone gets my, message in a bottle
I Am
I FM
I Dm
I
II
message in a bottle, yeah….
A year has passed since I wrote my note
I should have known this right from the start
Only hope can keep me together
Love can mend your life, but love can break your heart
II: FM
I BbM CM :II
I'll send an sos to the world, I'll send an sos to the world
II: Dm
I BbM
:II
I hope that someone gets my, I hope that someone gets my
II Dm
I BbM
II: Am
I FM
:II
I hope that someone gets my, message in a bottle
II: Am
I FM
I Am
I
FM
:II
message in a bottle,
message in a bottle
II Am
I FM
I Dm I
I
I
II
message in a bottle
Walked out this morning, don't believe what I saw
A hundred billion bottles, washed up on the shore
Seems I'm not alone in being alone
A hundred billion castaways, looking for a home
Refrein ( zoals refrein 2—> Dm 2 maten)
Intro (X4)
II: Am
FM I GM Dm :II
Sending out an sos (ad lib)
43
Met de wijven niks as last
(Katastroof)
Tempo : 105
Intro : II: GM I GM DM I DM I DM GM :II
II: GM
I GM
DM
I
Met de wijven niks as last, met de wijven niks as last
I DM
I DM
GM :II
Met de wijven niks as troubels, met de wijven niks as last
II GM
I GM
DM
I
Toen Adam was geschapen, zonder zorgen aan z'n been
I DM
I DM
GM
I
Riep hem naar God de Vader, Pa, ik lig hier zo alleen
I GM
I GM
CM
I
Godverdoeme, sprak toen god, alle vooruit maar opgepast
I CM
GM
I CM
DM
GM II
Achteraf niet komen blijten, met de wijven niks as last
Refrein (X2)
Jozef en Maria, hun verhaal is echtig waar
Jozef kon er niks van, maar toch kwam den ooievaar
Maria zei 'Jozef, den heilige geest heeft mij verast'
en Jozef zei 'miljarde, Met die wijven niks as last'
Refrein (X2)
Toen Romeo Julietje, zag liggen op de grond
Toen pakten hem een fles vergif, en hij zette z'aan zijne mond
Hij nam ne ferme sloek, en hij had z'n fles nog vast
en zijn letste woorden waren, Met de wijven niks as last
Refrein (X2)
De koning van de Belgen, had een stuk in zijne frak
de koningin was boos, en ze maakte van heuren tak
Caramba, gijse zatlap, pour un roi da's ongepast
maar de koning die sprak, 'Potverdek, met de wijven niks as last'
Refrein (X2)
Refrein (X2)
44
Midnight Special
(Huddie Ledbetter)
Tempo : 125
II GM
I CM
I
I GM
I
Well, you wake up in the morning, hear the ding dong ring.
I (GM)
I D7
You go marchin’ to the table,
I CM
I
table,
I D7
I
I GM
I GM
I
knife and fork and pan.
I
about it,
I
And if you say a thing
I GM
you’re in trouble with the man.
I GM
II
Let the midnight
II CM
I
special,
shine its light on me, Let the midnight
I D7
I
special,
I
you see the same damn thing. Well it’s on one
I
I
I . .
GM I GM
II
shine her ever loving light on me.
If you ever go to Houston, boy’s you betterwalk right.
And you better not stagger, and you better not fight.
The sheriff will arrest you, and he’ll carry you down.
And if the jury finds you guilty, your penitentiary bound.
Chorus
Yonder comes Miss Rosie, how in the world do you know,
I can tell by her apron, and the dress she wore.
Umbrella on her shoulder, piece of paper in her hand,
She goes a-marching to the captain, says, ‘I want my man’.
Chorus
45
Monday, Monday
(The Mamas And The Papas )
Tempo :105
Intro : Ba-da ba-da-da-da, ba-da ba-da-da-da
II F#M I F#sus F#M F#sus I
Ba-da ba-da-da-da
Monday, Monday (ba-da ba-da-da-da)
So good to me (ba-da ba-da-da-da)
II: F#M
I F#sus F#M
I EM
I
I
Monday mornin', it was all I hoped it would be
I AM A6
I AM7
A6
I C#M
I
I
Oh Monday mornin', Monday mornin' couldn't guarantee (ba-da ba-da-da-da)
I F#M
I F#sus
I F#M
I
:II
That Monday evenin' you would still be here with me
Monday, Monday, can't trust that day
Monday, Monday, sometimes it just turns out that way
Oh Monday mornin' you gave me no warnin' of what was to be
Oh Monday, Monday, how could you leave and not take me
II GM
I
I EM
I
Every other day (every other day), every other day, every other day of the week is fine, yeah
I GM
I
I
But whenever Monday comes, but whenever Monday comes
I F#M
I D#M II
A-you can find me cryin' all of the time
I
II AbM
I Absus AbM Absus
I
Monday, Monday (ba-da ba-da-da-da)
So good to me (ba-da ba-da-da-da)
I AbM
I Absus AbM I F#M I
I
Monday mornin', it was all I hoped it would be
I BM
B6
I Bmaj7
B6
I D#M I
Oh Monday mornin', Monday mornin' couldn't guarantee
I AbM
I Absus
I AbM I
I
That Monday evenin' you would still be here with me
II AM
I
I F#M
I
Every other day, every other day, every other day of the week is fine, yeah
I AM
I
I
But whenever Monday comes, but whenever Monday comes
I EbM
I AbM I /Gb II
You can find me cryin' all of the time
II F#M
I
I
II
II: AbM
I Absus AbM Absus
:II
Monday, Monday (ba-da ba-da-da-da),
It just turns out that way (ba-da ba-da-da-da)
Whoa, Monday, Monday, won't go away (ba-da ba-da-da-da)
Monday, Monday, it's here to stay (ba-da ba-da-da-da),
Oh Monday, Monday (ba-da ba-da-da-da)
Oh Monday, Monday (ba-da ba-da-da-da)…...
46
Moeder wat ben ik bang
(Ria Valk)
Tempo : 140
Intro : /G /A /G II CM I FM I GM I
II: CM
II
I FM
CM
I GM
I CM
:II
Toen ik vier was hoorde ik een muis op zolder (hoempapa, pa—pa, hoempapa, pa)
Ik rende naar beneden, holder de bolder (hoempapa…...)
En ik dook als een paling onder mama’s rokken (hoempapa, ……...)
Tsjonge, tsjonge, tsjonge wat was Riaatje geschrokken (hoempapa, ……...)
II GM
/B
I /D
I /B
/D
I GM
II
En hoor ik nou wat in een donkere hoek dan doe ik bijna in mijn broek…
II CM
I
I GM
I
I
Moeder, wat ben ik bang (bang, bang, mama, zo bang)
I GM
I
I CM
I
I
I CM
I
I GM
I
I
I GM
I
I CM
I FM
I
Moeder, wat ben ik bang, wat ben ik bang, wat ben ik
I CM
I GM
I GM
II
bang, wat ben ik bang
II: CM
I FM
CM
I GM I CM
:II
Op mijn zeventiende kuste mij mijn eerste jongen (hoempa….)
En van schrik zijn mijn veters uit mijn schoenen gesprongen (hoempa….)
Want hij zei : ‘in het donker gaat het stukken beter’ (hoempa….)
En hij kwam op mij af als een menseneter (hoempa….)
II GM
/B
I /D
I /B
/D
I GM
II
En hij deed zijn jasje uit, in het donker en ik riep luid :
Refrein
II : CM
I FM
GM :II (X3)
Oh, ik ben al bang (wat ben ik bang),
van paars behang (wat ben ik bang)
En van een schaduw op straat (wat ben ik bang),
II CM
I FM
GM
I GM
II
en van een klok die slaat (wat ben ik baaaang),
II: CM
I FM
CM
I GM I CM
:II
En nou ben ik getrouiwd, maar voordat ik in bed kruip (hoempa….)
Kijk ik eerst of er niemand onder mijn bed sluipt (hoempa….)
En elke nacht wil ik het licht aanhouden (hoempa….)
Maar gisteren liep het wat uit de klauwen (hoempa….)
II GM
/B
I /D
I /B
/D
I GM
I G#° II
Er beet iets in mijn grote teen, het was de kat, maar ik gilde meteen
Refrein (X2—halve toon hoger)
II G#M I
I
I
II (ad lib—fade out)
47
Mustang Sally
(Joe Cocker)
Tempo : 115
Intro :
Mustang
II: CM
I
I
I
Sally,
Down
II FM
:II
yes, guess you’d better slow your Mustang
Mustang
I
I
Sally,
baby,
I CM
I
I
I
I guess you’d better slow your mustang
I
I
I
Down
You binna
I GM
I
I FM (break)
running all over town
I CM (intro lick)
I
I
I guess I’d better put your big feet on the
I
I
ground ..
I
II
yes I will
II: CM
I
I
I
:II
All you wanne do is ride around, Sally … Ride Sally, ride
All you wanne do is ride around, Sally ... Ride Sally, ride
II FM
I
I
All you wanne do is ride around, Sally ...
I CM
I
I
I
Ride Sally, ride
I
I
I
All you wanne do is ride around, Sally ... Ride Sally, ride
I GM
I
I FM (break)
One of these mornings,
I CM (intro lick) I
I
II
you’re gonna be wiping your weeping
I
I
I
eyes.
(I) thought you were betage your Mustang, it might be your sixty-five. Now you
go ‘round stealing my woman, no, you don’t wanne let me ride. Mustang
Sally, I guess you’d better slow your Munstang down
Run into town, I’m gonna put your big fat feet on the
ground.
Refrein
Solo (bluesschema in C)
48
My Old Man's A Dustman
(Lonnie Donegan)
Tempo: 120
II: GM /F# Em
I Am
D7 :II
Now here's a little story to tell it is a must, about an unsung hero that moves away your dust, some
II Em
Am
I Em
Am
I Em
Am
I Am
D7 II
people make a fortune other's earn a mint, my old man don't earn much In fact....he's flippin'.....skint
II: GM
I GM
DM I
Oh! my old man's a dustman, he wears a dustman's hat, he
I DM
I DM
GM I
wears cor blimey trousers and he lives in a council flat, he
I GM
I GM
CM I
looks a proper narner in his great big hob nailed boots, he's
I DM
I DM
GM :II
got such a job to pull em up that he calls them daisy roots
II GM I GM II
Some folks give tips at Christmas and some of them forget, so
when he picks their bins up he spills some on the steps, now
one old man got nasty and to the council wrote, next
time my old man went 'round there he punched him up the throat
Oh! my old man's a dustman he wears a dustman's hat
He wears cor blimey trousers and he lives in a council flat
II : GM ad lib) :II
I say I say Duncan! I 'er...I found a police dog in my dustbin. (How do you know he's a police dog?)
He had a policeman with him
Though my old man's a dustman he's got a heart of gold. He
got married recently though he's 86 years old. We
said 'Ear! Hang on Dad you're getting past your prime' He
said 'Well when you get to my age it helps to pass the time'
Refrein
II : GM ad lib) :II
I say I say I say! My dustbins full of lillies (Well throw 'em away then)
I can't Lilly's wearing them
Now one day while in a hurry he missed a lady's bin. He
hadn't gone but a few yards when she chased after him. 'What
game do you think you're playing' she cried right from the heart. 'You've
missed me...am I too late?' 'No... jump up on the cart'
Refrein
II : GM ad lib) :II
I say I say I say (What you again!) My dustbin's absolutely full with toadstools
(How do you know it's full) 'Cos there's not much room inside
He found a tiger's head one day, nailed to a piece of wood. The
tiger looked quite miserable but I suppose it should. Just
then from out a window, a voice began to wail He said
(Oi! Where's me tiger head) Four foot from it's tail
Oh! my old man's a dustman he wears a dustman's hat
He wears cor blimey trousers and he lives in a council flat
Next time you see a dustman looking all pale and sad
Don't kick him in the dustbin it might be my old dad
49
New Year's Day
(U2)
Intro :
Tempo : 130
II: Abm I BM
II Abm I BM
I EM
I
I GbM I
I Ebm
I GbM
I Abm
I EM
I
I
I
I
:II
I
I
I
II Abm /B /Ab I BM /D# /BI Ebm /Gb /Eb I
II
II: Abm /B /Ab I BM /D# /B I Ebm /Gb /Eb I
:II (X4)
Yeah, all is quiet on New Year's Day, a world in white gets underway
I want to be with you, be with you night and day
Nothing changes on New Year's Day, on New Year's Day
II GbM
I
I Abm
I
I GbM
I EM
I
II
I will be with you again, I will be with you again
II Abm /B /Ab I BM /D# /BI Ebm /G /Eb I
II
Under a blood red sky, a crowd has gathered in black and white
Arms entwined, the chosen few, the newspapers says, says
Say it's true it's true...and we can break through
Though torn in two, we can be one
I, I will begin again, I, I will begin again
II: Abm /B /Ab I BM /D# /B I Ebm /G /Eb I
:II
Intro (+solo) : II: Abm /B /Ab I BM /D# /BI Ebm /G /Eb I
:II (X6)
Oh, Maybe the time is right, oh maybe tonight
I will be with you again, I will be with you again
II Abm /B /Ab I BM /D# /BI Ebm /G /Eb I
II
And so we're told this is the golden age
And gold is the reason for the wars we wage
Though I want to be with you, be with you night and day
Nothing changes, on New Year's Day
II: Abm /B /Ab I BM /D# /B I Ebm /G /Eb I
:II
On New Year's Day
50
Nobelprijs
(Clouseau)
Intro : II: F#m EM I BM :II
Tempo : 75
II F#m
EM
I BM
I F#m
EM
I BM
:II
Jouw zachte ogen in de ochtendzon, zijn zoveel mooier dan ik dromen kom
Dit komt maar eenmaal in een leven voor, we gaan er vandoor….
II: AM
EM
I F#m
DM
:II
Jij begrijpt wie ik ben, wat ik voel en wat ik wil bereiken.
Enkel jij bent mijn doel, en al de rest zal wijken,
I C#m
I EM
I
Laat ze maar kijken naar ons raar gedoe…
II AM
EM
I F#m
I
Laat me proeven van de hemel, laat me zweven van geluk.
I DM
AM
I BM
EM I
Ik wil jou de wereld geven, die van ons kan niet meer stuk.
I AM
EM
I F#m
I
‘k neem je mee naar warme oorden, op een eindeloze reis.
I DM
AM
I
DM
EM
I
Dit zijn meer dan mooie woorden, jij verdient,
…… de nobelprijs…
II: F#m EM I BM :II
Wat zou ik doen indien ik jou niet had, ik zou verdwalen in een dode stad.
Jij houdt mijn leven op het juiste spoor, we gaan er vandoor…..
Jij begrijpt wie ik ben, wat ik voel en wat ik wil bereiken.
Enkel jij bent mijn doel, en al de rest zal wijken,
Laat ze maar kijken naar ons raar gedoe…
Refrein
II BM F#M I G#m II
I EM
BM
I C#M
F#M I
Ik wil jou de wereld geven, die van ons kan niet meer stuk.
I C#M
G#M
I A#M
I
‘k neem je mee naar warme oorden, op een eindeloze reis.
I F#M
C#M
I F#M
I G#M
I
Dit zijn meer dan mooie woorden, jij verdient, ja, jij verdient
……..de nobelprijs…
Instrumentaal
II: C#M G#M I A#m :II
51
Nobody's Wife
(Anouk)
Tempo : 100
Intro : II: Em CM9 I Am GM /F# :II
I'm sorry for the times that I made you scream
For the times that I killed your dreams
For the times that I made your whole world rumble
For the times that I made you cry
For the times that I told you lies
II Em
CM9
I FM
I
II
For the times that I watched and let you stumble
II: Em CM I Am GM /F# :II
It's too bad, but that's me
What goes around comes around, and you'll see
II: Am Dm I GM CM :II
That I can carry the burden of pain
'cause it ain't the first time that a man goes insane
And when I spread my wings to embrace him for life
I'm sucking out his love, 'cause I, I'll never be nobody's wife
Intro
I'm sorry for the times that I didn't come home
Left you lyin' in that bed alone
Was flying' high in the sky when you needed my shoulder
You're like a stone hanging around my neck, see
Cut it loose before it breaks my back, see
I've gotta say what I feel before I grow older
I'm sorry but I ain't gonna change my ways
You know I've tried but I'm still the same
II Em
CM9
I FM
I
II
I've got to do it my way
Refrein
Solo (refrein)
Refrein
52
Non, non, rien a changé
(Les Poppys)
Tempo : 160
II: Am
I
I
C'est l'histoire d'une trêve, que j'avais demandée, c'est l'hisI CM
I
I
-toire d'un soleil, que l'avais espéré, c'est l'hisI Dm
I
I
-toire d'un amour, que je croyais vivant, c'est l'hisI Am
I
:II
-toire d'un beau jour, que moi petit enfant
Je voulais être heureux, pour toutes la planète, je voulais, j'espérais, que la paix règne en maître en ce
soir de Noël, mais tout a continué, mais
tout a continué, mais tout a continué
II: FM
I CM
I GM
I DM
:II
Non, non, rien a changé, tout, tout a continué (X2)
II: Am
/E /C I Am :II
Hé ! Hé ! Hé ! Hé !
Et pourtant bien des gens, ont chanté avec nous, et pour-tant bien des gens, se sont mis à genoux, pour
prier ……. oui pour prier, pour
prier ……..oui pour prier,
Mais j'ai vu tous les jours a la télévision, même le
soir de Noël, des fusils, des canons, j'ai
pleuré, …...oui j'ai pleuré, j'ai
pleuré, qui pourra m'expliquer que ...
Refrein
Moi je pense à l'enfant, entouré de soldats, moi je
pense à l'enfant, qui demande pourquoi, tout
le temps, oui tout le temps, tout
le temps, oui tout le temps…..
Moi je pense à tout ça, mais je ne devrais pas, toutes
ces choses-là, ne me regardent pas, et
pourtant, oui et pourtant, et
pourtant, je chante, je chante …
Refrein (he he ….. Ad lib)
53
Nowhere
( Therapy? )
Tempo : 200
Intro :
II: EM I F#m I DM I
:II
Heaven kicked you out
You wouldn't wear a tie
II C#m
I BM
I GM
I
I
Staring at some pictures by yourself
I C#m
I BM
I DM
I
I
At something that you wanna have but will never get
II: AM
I EM
I F#m
I DM :II (intro)
Going nowhere, going nowhere
You get drunk every night
You can't get drunk on life
Shouting at the world you'll never change
But it's what's inside you've got to rearrange
II: EM I F#m I DM I
:II
Solo (Intro)
II C#m
I BM
I GM
I
I
Making up for what you never had
C#m
I BM
I DM
I
I
Losing every single thing you've ever had
54
Nu of nooit
(Tröckner Kecks / De Kreuners)
Tempo : 190
Intro : II: AM I Asus4 I AM I Asus4 :II
II AM
I
I
I
I
Het schemert in de kamer, en Marvin Gay zingt zacht
I AM
I /G#
I /F#
I /G# I
Ze schenkt wat wijn in, en ze lacht naar mij
I AM
I
I
I
I
We zitten samen op de bank, ik schuif wat dichterbij
I AM
I /G#
I /F#
I /G# I EM II
En ik praat over voetbal, maar zij weet waar ik op wacht
Instrumentaal : II: AM I
I
I
:II
Ik wilde eerst niet komen, ik dacht weer zo'n zelfde feest
Vol saaie mensen, Ik drink wel alleen
Maar ik kwam toch, Ik zag jou, mensen gingen één voor één
En ik kreeg dat gevoel weer, dat zolang was weggeweest
II AM
I
I DM
I
I
Wij tweëen, hier samen, dit kon wel eens het begin zijn van
I AM
I
I DM
I EM
I
ons tweëen, wij samen, het hangt in de lucht, als nu maar
I AM
I
I DM
I EM
I
Eën van ons, ons tweëen, zegt wat er gezegd moet worden
I F#m
I
Hier,
I EM
I
II
I
:II
nu of nooit
Instrumentaal : II: AM I
I
Ik zoek wanhopig naar de woorden die ik zeggen wil
En ik weet dat jij hetzelfde doet
De tijd verstrijkt, we weten dat het nu gebeuren moet
Toch zeg ik niets en het blijft angstig stil
Refrein (X2)
(akoorden van strophe)
Nu of nooit, nu of nooit…….
Refrein
II AM
I AM
I ……… (ad lib) I
Nu of nooit, nu of nooit…….
55
Nutbush city limits
(Tina Turner—origineel in A )
Tempo : 140
Intro : II: EM E13 EM E13 I E7 E13 EM E13 :II (X4)
I GM
I
I DM
I EM E13 EM E13 I E7 E13 EM E13 I
II EM
I
I
:II (X4)
Church-house, gin-house,
On highway number nineteen,
II GM
I
Nutbush,
I EM
I
school-house, out-house
the people keep the city clean. They call it
I DM
I
oh, Nutbush
I
I
I
Nutbush city limits
five was the speed limit,
school on Fridays,
I
Call it
II
Twentya motorcycle not allowed in it. You go to
to go to church on Sundays. They call it
Refrein
You're gonna feel on weekdays,
town on Saturdays,
and have a picnic on Labour Day. You go to
but go to church every Sunday.
They call it
Refrein
Instrumentaal (Strophe & Refrein)
There's no whiskey for sale,
port and molasses,
you get caught no bail. Soft
is all you get in jail They call it
Refrein
Little old town in Tennessee, that's called a quiet little old community. A
one-horse town, you have to watch what you're putting down
Refrein (X2)
56
Oerend hard
(Normaal)
Tempo : 120
Intro : (no chords) Ik zeg oe......ik zeg aah..ik zeg oe..oe...
II AM I
II
Oehoe oe
II AM
I
I
I
I
oerend hard kwamen zij doar angescheurd.
I AM
Oehoe oe
I
I E7 I
I
oerend hard want zie hadden van de motocross geheurd
I E7
I
I
I
I
Langzaam rijen dat dejen ze nooit dat vonden zij toch moar tied verknooit
I
I
I AM
I
II
Bertus op zien Norton en Tinus op zien BSA
II DM
I
Noar de
I
motocross op 't Hengelse zand , de
I AM
I
I
hoender en de vrouwluu stoaven an de kant
I E7
I FM
E7
I
Bertus op zien Norton en Tinus op zien BS
I
II
I AM
A
Zie gingen
II: DM
I AM
I E7
I AM
:II
oe , Oeh oehoe Oehoeoe oeoehoerend hard Zie gingen
oeoeh oehoe oehoeoe oeoehoerend hard .
Oehoe oe
oerend hard scheurden zij noar de cross noar huus, Oehoe oe
oerend hard want dan waren zij eerder thuus
Zij hadden alderbastend gein gehad, zij waren allebei een heel klein betjen zat
Bertus op zien Norton en Tinus op zien BSA.
An 't ge
voar hadden zij nog nooit gedacht, zie
waren koning op de weg en dachten : "Alles mag"
Bertus op zien Norton en Tinus op zien BSA. Zie gingen
Refrein + II (BD only) I
I DM
II
I GM
I DM
I
I
Moar zoas altied kwam an dat gejakker een end
I DM
I GM
I A7
I
I
Deur 'n zat'n keal die de snelheid van een motor niet kent
I DM
I GM
I DM
I
I
Bertus reej veurop en Tinus kwam der vlak achteran
I DM
I E7
I AM
/G
Iedereen die zei: "van die leu heur ij nooit meer wat van ".
II: DM
I AM
I E7
I AM
nooit, nee nee nooit, nooit meer oerend hard (X2)
I /F
/E
II
Zie gingen
:II (X4)
Moar wij goat
oeh Oehoe oehoe Oeoeoehoerend hard (X2)
Refrein
57
Old Time Rock & Roll
(Bob Seger & The Silver Bullet Band)
Tempo : 125
Intro :
II : FM I
I BbM I
I CM
I FM
I
I
I
:II
Just take those old records off the shelf, I'll sit and listen to 'em by myself
Today's music ain't got the same soul, I like that old time rock n' roll
Don't try to take me to a disco, you'll never even get me out on the floor
In ten minutes I'll be late for the door, I like that old time rock n' roll
Still like that old time rock n' roll, that kind of music just soothes the soul
I reminisce about the days of old, with that old time rock n' roll
Solo
Won't go to hear them play a tango, I'd rather hear some blues or funky old soul
There's only one sure way to get me to go, start playing old time rock n' roll
Call me a relic, call me what you will, say I'm old-fashioned, say I'm over the hill
Today's music ain't got the same soul, I like that old time rock n' roll
Still like old time rock n' roll, that kind of music just soothes the soul
Solo—Modulatie naar E
(a capella)
Still like old time rock n' roll……….. (Instrumentaal)
58
Ol’ 55
(Tom Waits)
Tempo: 75
Intro : II F#M I Bbm I BM C#M I F#M F#sus4 F#M II
II F#M
I Bbm
I BM
/C#
I F#M (sus4) I
Well my time went so quickly, I went lickety-splickly out to my ol' `55
I F#M
I Bbm
I BM
/C
I C#M (sus4) II
As I pulled away slowly, feeling so holy, god knows I was feeling alive
II: F#M
Bbm I BM C#M :II
Now the sun's coming up, I'm riding with Lady Luck,
I F#M
Bbm
I BM
I C#M
I F#M sus4 IC#M
I F#M (sus4) I
freeway cars and trucks, stars beginning to fade, and I lead the parade
I C#M
I D#m
I
Just a-wishing I'd stayed a little longer
I G#M
I C#M
(sus4)
I
II
Oh lord, let me tell you that the feeling getting stronger
II F#M
I Bbm
I BM
/C#
I F#M (sus4) I
And it's six in the morning, gave me no warning; I had to be on my way
I F#M
I Bbm
I
Well there's trucks all a-passing me, and the lights are all flashing
I BM
/C
I C#M (sus4) I
I'm on my way home from your place
II: F#M
Bbm I BM C#M :II
And now the sun's coming up,
I F#M
Bbm
I BM
I'm riding with Lady Luck,
I C#M
I F#M sus4 IC#M
I F#M (sus4) I
freeway cars and trucks, stars beginning to fade and I lead the parade
I C#M
I D#m
I
Just a-wishing I'd stayed a little longer
I G#M
I C#M
(sus4)
I
II
Oh Lord, let me tell you the feeling getting stronger
II F#M
I Bbm
I BM
/C#
I F#M (sus4) I
And my time went so quickly, I went lickety-splickly out to my ol' `55
I F#M
I Bbm
I BM
/C
I C#M (sus4) II
As I pulled away slowly, feeling so holy, god knows I was feeling alive
II: F#M
Bbm
I BM C#M :II
And now the sun's coming up,
II: F#M
Bbm
I BM
I'm riding with Lady Luck
:II (X3)
Freeway cars and trucks, freeway cars and trucks, freeway cars and trucks
II C#M I F#M F#sus4 F#M II
59
One Bourbon, One Scotch,
One Beer
(John Lee Hooker)
Tempo : 150
Chords :
II: G7
I C9
I D7
I
I
I C9
I
I G7
I G7
I
I
I
I
I
:II
One bourbon, one scotch, and one beer
Hey mister bartender come here
I want another drink and I want it now
My baby she gone, she been gone two night
I ain't seen my baby since night before last
(spoken:)
And then I sit there, gettin' high
Mellow, knocked out
Feeling good, and by the time
I look on the wall, at the old clock on the wall
By that time it was ten thirty daddy
I looked down the bar, at the bartender
He said "Now what do you want Johnny?"
Well my baby she gone, she been gone two night
I ain't seen my baby since night before last
I wanna get drunk till I'm off of my mind
(spoken:)
And I sat there, gettin' high
Stoned, knocked out
And by the time, I looked on the wall
At the old clock again, and by that time
'T was a quarter to two, last call
For alcohol, I said "Hey mister bartender!"
"Well what do you want?"
One bourbon, one scotch, and one beer ... (fade)
60
Opzij
(Herman van Veen)
Tempo : 160
II: Cm
I
I
Opzij, opzij, opzij, maak plaats, maak plaats, maak plaats
I Cm
I Fm
Cm :II
We hebben ongelofelijke haast
Opzij, opzij, opzij, want wij zijn haast te laat
We hebben maar een paar minuten tijd
II: EbM
I
I Cm
I
:II
We moeten rennen, springen, vliegen, duiken, vallen, opstaan en weer doorgaan
We kunnen nu niet blijven, we kunnen nu niet langer blijven staan
Een andere keer misschien, dan blijven we wel slapen
En kunnen dan misschien als 't echt moet
Wat over koetjes, voetbal en de lotto praten
Nou dag, tot ziens, adieu, het ga je goed
We moeten rennen, springen, vliegen, duiken, vallen, opstaan en weer doorgaan
We kunnen nu niet blijven, we kunnen nu niet langer blijven staan
Een andere keer misschien
61
Pa
(Doe Maar )
Tempo : 130
Intro:
II Em GM I
I Em
I
I
II
GM I Em
GM
I Em
GM
I Em GM I
Zoals je daar nu zit, je haren bijna wit, de rimpels op je handen
Zo vriendelijk en zacht, wie had dat ooit gedacht, je bent zoveel veranderd !
I CM
Bm7
I CM
Bm7
I CM
Bm7 I AM
I
Ik werd niet wat je wou, waar papa luister nou, ik doe de dingen die ik doe, met
m'n ogen dicht !
I Em GM I
I
Je was heel wat van plan, maar daar kwam weinig van, ik lever geen prestaties
Ik heb niet veel geleerd, deed alles net verkeerd, heb moeite met relaties !
Ik loop niet in de rij, ik breek en vecht me vrij en doe de dingen die ik doe
Met m'n ogen dicht !
I Em GM I
I Em/G
I
I DM
I CM
I DM
I
Knoop je jas dicht, doe 'n das om, was eerst je handen
Kam je haren, recht je schouders, denk aan je tanden
I Em
I DM
I CM
I Bm
I
Blijf niet hangen, recht naar huis toe, spreek met twee woorden
I CM
I D7
I Em GM
I Em GM I
Stel je netjes voor, eet zoals 't hoort en zeg U !!!
II Em GM I
II
Ik sta hier en ik zing, ik doe gewoon mijn ding, dat moet je accepteren
Maar luister nou toch pa, er is nog niets te laat, want leven kun je keren
Ik weet niet waar ik sta, loop niemand achterna, maar doe de dingen die ik doe
Met mijn ogen dicht.
Refrein
62
(The) Passenger
(Iggy Pop)
Tempo : 135
Intro: II: Am FM I CM GM :II
II: Am
FM
I CM
GM
:II
I am the passenger and I ride and I ride, I ride through the city's backsides
I see the stars come out of the sky, yeah the bright and hollow sky
you know it looks so good tonight
I am the passenger, I stay under glass, I look through my window so bright
I see the stars come out tonight I see the bright and hollow sky
over the city's ripped backside and everything looks good tonight.
Singing la la la la la la la la... (3x)
La la
Get into the car, we'll be the passenger, we'll ride through the city tonight,
we'll see the city's ripped backsides, we'll see the bright and hollow sky
we'll see the stars that shine so bright stars made for us tonight
O the passenger, how how he rides O the passenger, he rides and he rides
He looks through his window, what does he see ? He sees the sign and hollow sky
He sees the stars come out tonight. He sees the city's ripped backsides
He sees the winding ocean drive and everything was made for you and me
all of it was made for you and me 'cause it just belongs to you and me
so let's take a ride and see what's mine...
Refrein
O the passenger, he rides and he rides, he sees things from under glass
he looks through his window side, he sees the things he knows are his
he sees the bright and hollow sky, he sees the city sleep at night
he sees the stars are out tonight and all of it is yours and mine
and all of it is yours and mine so let's ride and ride and ride and ride...
Refrein
63
Paper Plane
(Rossi / Young )
Tempo : 160
Intro : /Eb /D /C II: BbM I BbM /Eb /D /C :II (X4)
II BbM
I
I
I
/Eb /D /C II
Riding on a big white butterfly
II BbM
I
I
I
I
I turned my back away towards the sky
I EbM
I
I
I
/Eb /D /C I
I closed my eyes to look for something, saw myself as really nothing
I BbM
I
I
I
I
Then I realised my butterfly
I FM
I
I
Wasn't really up there with me
I EbM
I
I
We all make mistakes, forgive me
I BbM
I
I
I
/Eb /D /C II
Would you like to ride my butterfly
Intro (X2)
Riding on a long blue paperplane
Getting seasick, sorry once again
Landing strip is getting nearer, hope the foglifts, make it clearer
Then I realised my paperplane
Wasn't really up there with me
We all make mistakes, forgive me
II BbM
I
I
I FM
II
Would you like to ride my paperplane
Solo :
II: BbM I
I EbM I
I BbM I
I FM
II BbM
I
I
I
I
I
I
:II
I
I
F F I F F E Eb I EbM
I
I
Eb Eb I Eb Eb D Db
I
I FM II
Riding in a three grand Deutche car
A to B is often very far
Home is near, but such a long way, legs and heads all feel the wrong way
Then I realised my Deutche car
Is only there to get me somewhere
Even so I really do care
Would you like to ride my Deutche car
Solo (Stropfe)
64
Pearl's A Singer
(Leiber/Stoller/Dino/Sembello/Vescoli)
Tempo : 120
II: CM
I
I
I FM
I CM G11 I
Pearl's a singer, she stands up when she plays the piano in a nightclub
I CM
I
I
I
I FM
I
Pearl's a singer, she sings songs for the lost and the lonely
I GM
I
I FM
I
Her job is entertaining folks, singing songs and telling jokes
I
I CM
FM/C I CM :II
In a nightclub
Pearl's a singer, and they say that she once was a winner in a contest
Pearl's a singer, and they say that she once cut a record
They played it for a week or so, on the local radio
It never made it
II GM
I FM
I CM
I
GM/B I
She wanted to be Betty Grable,
I Am
I DM
I G11
GM
I G11 FM II
but now she sits there at that beer-stained ta
I EM
I
I Am
ble
GM I
Dreaming of the things she never got to do
I FM
I D7
I G11
I CM FM/C II
All those dreams that never came true
Her job is entertaining folks, singing songs and telling jokes
In a nightclub
Her job's entertaining folks singing songs, telling jokes
In a nightclub
65
Perfect
(Fairground Attraction)
Tempo : 135
II: GM I AM I DM GM AM I DM :II
I don't want half hearted love affairs, I need someone who really cares.
I GM
I AM
I Bm
I
I GM
I AM
I DM GM AM I
Life is too short to play silly games, I've promised myself I won't do that again.
II DM
D7
II
II: GM I AM
I AM DM6 I DM :II
It's got to be perfect, It's got to be worth it, yeah.
I GM
I DM/F#
I
Bm
AM
I GM
I
Too many people take second best, but I won't take anything less
II GM
I AM I GM
I DM II
It's got to be, yeah, pertect.
Young hearts are foolish, they make such mistakes
They're much too eager to give their love away, well
I have been foolish too many times, now I'm determined I'm gonna get it right.
Refrein
Solo
II: GM I
I DM I
:II
Young hearts are foolish, they make such mistakes
They're much too eager to give their love away, well
I have been foolish too many times, now I'm determined I'm gonna get it right.
Refrein
II GM
I AM I GM
I DM II
It's got to be, yeah, worth it
it's got to be perfect.
66
Perfect Day
(Lou Reed)
Tempo : 140
Intro :
II 6/8 EM I Am I EM I Am I Am I DM I
II
II: Am
CM I
DM
I GM
Just a perfect day, drink Sangria in the park,
I FM
Dm
I EM
I
:II
And then later, when it gets dark, we go home.
Just a perfect day, feed animals in the zoo
Then later, a movie, too, And then home.
II AM
DM
I
C#m
DM /C# /B I
Oh it's such a perfect day, I'm glad I spent it with you.
I AM
EM
I F#m
EM
I DM
I
Oh such a perfect day, you just keep me hanging on,
I F#m
EM
I DM
II
You just keep me hanging on.
Just a perfect day, Problems all left alone,
Weekenders on our own. It's such fun.
Just a perfect day, you made me forget myself.
I thought I was someone else, Someone good.
Oh it's such a perfect day,
I'm glad I spent it with you.
Oh such a perfect day,
You just keep me hanging on,
You just keep me hanging on.
Instrumentaal : II: F#m EM I DM :II
II: C#m
GM
I DM
/C# /B
AM :II
You're going to reap just what you sow,
67
Per Spoor
(Guust Meeuwis)
Tempo :250
Intro : /E /F# /G# II AM
I
I C#m I
I Bm I
I EM
I
II
II: AM
I
I C#m
I
kedeng kedeng kedeng kedeng kedeng kedeng kedeng kedeng
I Bm
I
I EM
I
:II
kedeng kedeng kedeng kedeng oe oe.
kedeng kedeng kedeng kedeng kedeng kedeng
kedeng kedeng kedeng kedeng kedeng kedeng oe oe.
I
II: AM
I
I C#m
I
I Bm
I
I EM
I
En kilometers spoor schieten onder mij door. Ik ben op weg naar jou, want ik ben weg van jou.
Vanochtend vroeg vertrokken in de luwte na de nacht en tien minuten op de trein gewacht.
II DM
I
I EM
I
I
Want die had wat vertraging mijn god daar baal ik van omdat ik
I DM
I
I /C#
I /B I EM I
II
Nu tien minuten minder bij je blijven kan.
:II
Refrein
II: AM
I
I C#m
I
I Bm
I
I EM
I
:II
De trein raast almaar verder van station naar station. Ik kom op plaatsen waar ik nooit ben geweest.
Er rammelt plots een kar roept een juffrouw; ‘Koffie, thee’. Ik heb wel dorst toch zeg ik nee.
II DM
I
I EM
I
I
Want de trein verminderd vaart terwijl mijn hart steeds sneller gaat. Ik
I DM
I
I /C#
I /B I EM I
II
kijk uit het raam om te zien of zij daar staat
Refrein (vertragen)
II: AM
I
I C#m
I
I Bm
I
I EM
I
:II
Ik stap uit, kijk om me heen, even voel ik mij alleen, want ik zie haar niet staan. Maar van
(versnellen)
achter een pilaar verschijn haar lachende gezicht. Voor mijn gevoel lijkt alles langzamer te gaan.
II DM
I
I EM
I
I
En ik ren op haar af zij komt mij tegemoet en achter ons vertrekt de trein,
I DM
I
I /C# I /B I EM I
II
Omdat de trein nou eenmaal verder moet.
Refrein
II: AM
I
I C#m
I
I Bm
I
I EM
I
En ik blijf bij jou slapen want jij woont bij het spoor en 's nachts oelala gaat het ritme door.
:II
Refrein
68
Poesje stoei
(Urbanus)
Intro : II DM I GM AM I DM II
Tempo : 100
II DM
I
I
'k Heb m'n slaapkamer behangen met spiegeltjespapier
I DM
I DM
AM I
Want ik heb maar één verlangen, lief stoeipoesje kom hier
I AM
I
I
'k Heb de schemerlamp doen branden, de gordijnen dicht gedaan
I AM
I AM
DM II
'k Heb zeven dozen Kleenex op m'n nachtkastje staan
I GM
I GM
DM I
Hoor 't tromgeroffel en het bazuingeschal
I DM
AM
I GM
DM II
Ik lig helemaal gereed en mijn fascistje staat al pal
II: DM
I
I
I AM I
Poesje stoei, poesje stoei, kom hier dat ik je vermoei
I AM
I
I
I DM :II
Poesje stoei, poesje stoei, kom en haal me uit de knoei
Poesje stoei, poesje stoei, mijne selder staat in bloei
Poesje stoei, poesje stoei, alles mag en niks is foei
II DM II
II DM I
I
I DM AM I AM I
I
I AM DM II (chords on strophe)
Wat zit je daar te prutsen in die badkamer zolang,
Straks plakken m'n erfgenamen tegen het behang
Hou toch op met scheren, je bent al bloot genoeg,
Laat dat eksternest maar hangen of scheer je morgenvroeg
II GM
I GM
DM
I DM
AM
I GM
DM II
Trek die stomme ladyshave uit het stopcontact, vooraleer m'n Eiffeltoren in de Seine zakt
Refrein
II DM I GM AM I DM II
II DM I
I
I DM AM I AM I
I
I AM DM II (chords on strophe)
Spuit niet zoveel parfum, mijne neus krult daarvan op
Dieen muskus die daarin zit maakt me dwaas in mijnen kop
M'n wildste fantasieën gaan met me op de loop
'k Zie twintig negerinnen met hun borsten in de knoop
II GM
I GM
DM
I DM
AM
I GM
DM II
Zeg ga je bijna komen of ben je misschien doof, Ik lig hier weer te krimpen gelijk een zeemvel op een
stoof
Refrein
II: DM I GM AM I DM :II
'k Ben de massageolie aan 't schudden gelijk ne zot
Zo rijdt m'n Lamborghini je garage niet kapot
Ik zal je laten blinken gelijk een kikker in z'n dril
Ja, liefde kan esthetisch zijn als men het maar wil
II GM
I GM
DM
I DM
AM
I GM
DM II
Maar kom me nu bevrijden want ik zit met m'n kanon, helemaal gekneld tussen 't bed en het plafond
Refrein (laatste zin = Poesje stoei, poesje stoei, en als 't nie mag zeg je maar ……...oei
69
Pretty Woman
(Roy Orbison)
Tempo :130
Intro :
II AM
I F#m
I AM
I F#m
I
Pretty woman walking down the street, pretty woman the kind I like to meet
I DM
I DM
Pretty woman,
I EM
EM
I EM
I EM
I
I can't believe it, you must be true, no one could
I EM
II
look as good as you
Intro (2de deel X4)
Pretty woman won’t you pardon me, pretty woman couldn't help but see
Pretty woman,
you look lovely as can be, are you
lonely just like me?
Intro (2de deel X4)
II: Dm
I GM
I CM
I Am
I
Pretty woman walk a while, pretty woman talk a while
I Dm
I GM
I CM I (/C#) :II
Pretty woman give your smile to me
Pretty woman yeah, yeah, yeah, pretty woman look my way
Pretty woman say you'll stay with me
Cause I
II F#m
I DM
need you,
I AM
I EM
I
I'll treat you right
I F#m
Come on baby,
I DM
I EM(*) II
be mine tonight
(*)Intro (2de deel X4)
II AM
I F#m
I AM
I F#m
I
Pretty woman don't walk on by, pretty woman don't make me cry
I DM
I DM EM I EM
Pretty woman,
I EM
I
I
I
don't walk away, hey,
I
it's okay,
I
I
I
I
I
II
if that's the way it must be okay
I
I
I
I
I'll just go on home it's late, there'll be another night but wait
(Intro X6)
What do I see? She's walking up to me...
Now she's walking next to me... oh pretty woman
70
Raindrops keep falling on my head
(B.J. Thomas—origineel in FM)
Intro: II CM GM I FM GM II
Tempo : 110
II CM
I CM7/B
I C7/Bb
I
Raindrops keep falling on my head, and just like the guy whose feet are
I FM
I Em7 A7
I Em7
A7 I
too big for his bed, nothin' seems to fit, those
I Dm7
I
I G7sus4
MI
raindrops are falling on my head, they keep falling……….so I just….
…..did me some talkin' to the sun, and I said I didn't like the way he got things
done, he`s sleepin' on the job, those
raindrops are falling on my head, they keep falling…...but there is one
IICM
I CM7
F#7
I FM
I GM
G7
I Em7 I
thing I know, the blues they sends to meet me won't defeat me,
I
I A9
I Dm7
II: G7sus4 GM :II
it won't be long till happiness steps up to greet me.
Raindrops keep falling on my head, but that doesn't mean my eyes will soon be
turnin' red, crying's not for me, cause
I'm never gonna stop the rain by complainin', because I’m ….
II CM CM7 I Dm7
free,
G7sus4
I CM
II
nothing's worrying me.
Instrumentaal :
IICM
I CM7
F#7
II Em7
I FM I GM G7 I Em7 II
I A9
I Dm7
II: G7sus4 GM :II
it won't be long till happiness steps up to greet me.
Raindrops keep falling on my head, but that doesn't mean my eyes will soon be
turnin' red, crying's not for me, cause
I'm never gonna stop the rain by complainin', because I’m …..
II CM CM7 I Dm7
free,
G7sus4
I CM
II
nothing's worrying me.
71
Red Sails In the Sunset
(Nat King Cole)
Tempo : 85
Intro :
IIFm7/Ab BbM7 I EbM7 AbM7 I
I Dm7b5 G7 I CM II
II CM
I FM
I CM
I
I
Red sails in the sunset, way out on the sea
I FM
I
I CM
I
I
Oh, carry my loved one home safely to me
ICM
I FM
I CM
I
I
She sailed at the dawning, all day I've been blue
I GM
I
I CM
I
II
Red sails in the sunset, I'm trusting in you
II FM
I CM
I FM
I CM
I
Swift wings you must borrow, make straight for the shore
I FM
I CM
I D7
I G7
II
We marry tomorrow, and she goes sailing no more
Red sails in the sunset, way out on the sea
Oh, carry my loved one home safely to me
Solo :
II CM I FM I CM I
I GM I
I CM I
I
II
Swift wings you must borrow, make straight for the shore
We marry tomorrow, and she goes sailing no more
Red sails in the sunset , way out on the sea (ooh-wee-ooh, wee-ooh)
Oh, carry my loved one, home safely to me
72
Rhiannon
(Stevie Nicks)
Tempo : 140
Intro :
II:Am (lick)
I
I FM
I
:II
Rhiannon rings like a bell thru the night and wouldn't you love to love her?
Takes to the sky like a bird in flight and who will be her lover?
II: CM
I
I FM
I
:II
All your life you've never seen a woman taken by the wind
Would you stay if she promised you heaven? Will you ever win?
She is like a cat in the dark and then she is the darkness
She rules her life like a fine skylark, when the sky is starless
Would you stay if she promised you heaven? Would you even win...
II FM
I
II
will you even win?
Instrumentaal + Solo (lick X4)
Rhiannon..... Rhiannon..... Rhiannon.....Rhiannon.....
She rings like a bell thru the night ,wouldn't you love to love her?
Takes to the sky like a bird in flight and who will be her lover?
Would you stay if she promised you heaven? Would you even win....…
II FM
I
II
Will you even win?
Instrumentaal + Solo (lick ad lib)
Rhiannon..... Rhiannon..... Rhiannon.....Rhiannon.....
73
Rivers Of Babylon
(Boney M)
Tempo : 115
II: CM
I
I
By the rivers of Babylon, there we sat down
I G7
I
I CM
:II
Ye-eah we wept, when we remembered Zion.
Ye-eah we wept, when we remembered Zion
II CM
I
I
When the wicked, carried us away in captivity
I FM
I CM
I
Required from us a song
I CM
I
I G7
I CM
II
Now how shall we sing the lord's song in a strange land
When the wicked, carried us away in captivity
Required from us a song
Now how shall we sing the lord's song in a strange land
II: CM
I G7
I CM
IG7
I
Let the words of our mouth and the meditations of our heart
I CM
I G7
I CM
:II
Be acceptable in thy sight here tonight
Let the words of our mouth and the meditations of our heart
Be acceptable in thy sight here tonight
By the rivers of Babylon (dark tears of Babylon)
There we sat down (You got to sing a song)
Ye-eah we wept, (Sing a song of love)
When we remember Zion. (Yeah yeah yeah yeah yeah) (X2)
74
Rockin' All Over The World
(Fogerty / Status Quo)
Tempo : 130
Chords : II: CM I CM I FM I FM I
I CM I GM I CM I CM :II
Oh here we are and here we are and here we go
All aboard and we're hittin' the road
Here we go
Rockin' all over the world
Well gidy up gidy up and get away
We're goin' crazy and we're goin' today
Here we go
And I like it, I like it, I like it, I like it
I li-li-li-like it, li-li-li-like it
Here we go
I'm gonna tell your mama what you're gonna do
So come on out with your dancing shoes
Here we go
Here we go
Here we go
Here we go
Here we go
75
Rocking in a free world
(Neil Young)
Tempo : 135
Intro :
There's
II: Em
I DM
CM
:II (X4)
colors on the street,
red, white and blue. People
shufflin' their feet, people sleepin' in their shoes. But there's a
warnin' sign on the road ahead. There's a
lot of people sayin', we'd be better off dead. Don't
feel like satan, but I am to them, so I try to forget it, any way I can
(X4)
Keep on rockin' in the free world
II AM I
I
I
II + II: Em
I DM CM
:II
I see a
woman in the night, with a baby in her hand. Under an
old street light (near a garbage can), near a garbage can. Now she
puts the kid away, and she's gone to get a hit. She
hates her life, and what she's done to it. That's
one more kid, that will never go to school. Never
get to fall in love, never get to be cool
Refrein + II AM I
Solo : II: Em
I
I
I DM CM
II
:II
We got a
thousand points of light, for the homeless man. We got a
We got de
kinder, gentler, machine gun hand.
partment stores, and toilet paper, Got
styrofoam boxes for the ozone layer. Got a
man of the people, says keep hope alive. Got
fuel to burn, get roads to drive
Refrein + II AM I
Solo : II: Em
I
I DM CM
I
II
:II
76
Roll over, lay down
(Status Quo)
Tempo : 130
Intro : II: DM I
II: GM
I
I DM
I
:II (X3—vanaf 5de maat gitaarlick)
:II (X4)
II: DM
I DM
/E /F :II
When I got home that night early one morning,
seeing the note written in ink, pinned to the door.
Taking a drink from the fridge, from the table,
I drank a toast, you were the most the night before.
II: FM
I DM
:II (X4)
Roll over, lay down and let me in,
roll over, it´s a long way, where I´ve been,
roll over, lay down and let me in,
roll over lay down.
II DM I
I
II
When I get home tomorrow night, after this morning,
show me the care you showed in the note the night before.
Maybe I won´t take a drink from the table,
reckon I´ll lay me straight down the floor.
Refrein
Solo :
II: DM
I
I
I
II GM
II: FM
I
I DM I
I GM /F /E I DM
:II (X4)
I
I
:II (X12) - cresendo
II: DM
I DM
/E /F :II
When I got home that night early one morning,
seeing the note written in ink, pinned to the door.
Taking a drink from the fridge, from the table,
I drank a toast, you were the most the night before.
Refrein
II DM I
Solo :
I
II: DM
I
II
I DM
/E /F :II (ad lib)
77
(The) Rose
(Bette Midler)
Tempo :60
II: CM
I G7
I FM
I GM
CM :II
Some say love, it is a river, that drowns the tender reed
Some say ove, it is a razor, that feads your soul to bleed
II Em
I Am
I FM
I G7
I
Some say love it is a hunger, and endless aching need
II CM
I GM
I FM
I CM
II
I say love it is a flower and you its only seed
It's the heart afraid of breaking that never learns to dance
It's the dream afraid of waking that never takes a chance
It's the one, who won't be taken who cannot seem to give
And the soul afraid of dying that never learns to live
When the night has been too lonely and the road has been too long
And you find that love is only for the lucky and the strong
Just remember in the winter for 'neath the bitter snow
Lies the seed that with the sun's love, in the spring becomes the rose
78
Runaway Train
(Soul Asylum)
Tempo : 120
II: CM
I
I Em/B
Call you up in the middle of the night.
I Am
I
I
I
Like a fire without a light
I GM
I
:II
You were like a blow torch burning, I was a key that could use a little turning
So tired that I couldn't even sleep,
Promised myself I wouldn't weep,
II FM
I GM
so many secrets I couldn't keep
one more promise I couldn't keep
I CM
I
I
It seems no one can help me now I'm in too deep
I Am
I FM
I Em
I GM
II
There's no way out, this time I have really led myself astray
II CM
I
I
Runaway train never going back
I Em/B
I
I
Wrong way on a one way track
I Am
I
I
Seems like I should be getting somewhere
I GM
I
II
Somehow I'm neither here nor there
Can you help me remember how to smile. Make it all somehow seem worthwhile
How on earth did I get so jaded? Life's mystery seems so faded
I can go where no one else can go, I know what no one else knows
Here I am just drownin' in the rain, with a ticket for a runaway train
Everything is cut and dry, day and night earth and sky
Somehow I just dont believe it
Runaway train never going back
Wrong way on a one way track
Seems like I should be getting somewhere
Somehow I'm neither here nor there
solo (strophe)
Bought a ticket for a runaway train
Like a madman laughing at the rain
A little out of touch a little insane
Its just easier than dealing with the pain
Runaway train never going back,
wrong way on a one way track
Seems like I should be getting somewhere,
somehow I'm neither here nor there
Runaway train never coming back,
Runaway train tearing up the track
Runaway train burning in my veins,
Runaway but it always seems the same.
79
(The) Safety dance
(Men Without Hats—Bb)
Tempo : 100
Intro (X4)
II DM
I CM
GM
I
We can dance if we want to, we can leave your friends behind
I GM
CM
I
'Cause your friends don't dance and if they don't dance well they're,
I DM
AM :II
no friends of mine
Say we can go where we want to, a place where they will never find
And we can act like we come from out of this world, leave the
real one far behind
II: GM
I CM
I FM
BbM :II(X2)
And we can dance, we sing
We can go when we want to, the night is young and so am I.
And we can dress real neat from our hats to our feet and surprise them with the
victory cry
Say we can act if we want to If we don't nobody will
And you can act real rude or totally removed and I can act like an imbecile
II: GM
CM
I FM
BbM :II
Say we can dance, we can dance, ev'rything's out of control
We can dance, we can dance, they're doing it from pole to pole
We can dance, we can dance, ev'rybody look at your hands
We can dance, we can dance, ev'rybody's taken the chance ah
II: DM AM
I EM
BM :II
(Safety dance, oh safety dance Yes safety dance)
Intro (X4)
We can dance if we want to, we've got all your life and mine
As long as we abuse it we're never gonna lose it and
ev'rything will work out right
Say we can dance if we want to, we can leave your friends behind
'Cause your friends don't dance and if they don't dance well they're
no friends of mine
Refrein
Safety dance, it’s safe to dance……...
80
Saturday night
(Herman Brood)
Tempo : 100
Intro : II: DM FM I GM DM :II (X4)
The neon light, of the "Open all night",
was just in time replaced by the magic appearance of a new
day-while, a melancholic Reno was crawling on his back just in,
front of the supermarket door-way child
II: AM GM I F#m AM :II
Hey girl, on a cold summernight, as we stood on the corner,
as a man passed by and asked us, what we were doing what we need,
as he pointed his big fat finger to the people hangin round at the corner of the other side of street , Oh well
doin' nothing, just hanging around,
what do you mean doin' nothing Sir.
So we had to hit him to the ground,
doin' nothing just hanging around.
His head all busted lookin' just a lttle to wise child
I just can't wait , I just can't wait for saturday night
for saturday night, for saturday night
saturday night , saturday night
saturday night , saturday night
I just can't wait , I just can't wait
(saterday night………;)
The neon light, of the "Open all night",
was just in time replaced by the magic appearance of a new
day-while, a melancholic Reno was crawling on his back just in,
front of the supermarket door-way child
81
Save tonight
(Eagle Eye Cherry)
Tempo : 120
Intro : II: Am FM I CM GM :II
(same chords throughout song)
Go on and close the curtains 'cause all we need is candlelight
You and me and the bottle of wine and hold you tonight
Well, we know I'm going away and how I wish, I wish it weren't so
so take this wine and drink with me let's delay our misery...
Save tonight fight the break of dawn
Come tomorrow Tomorrow I'll be gone
There's a log on the fire and it burns like me for you
Tomorrow comes with one desire.. to take me away
It ain't easy to say goodbye darling please don't start to cry
'cause girl you know I've got to go and Lord I wish it wasn't so
Refrein
Tomorrow comes to take me away I wish that I, that I could stay
but girl you know I've got to go, oh and Lord I wish it wasn't so
Refrein
82
Shake, Rattle and Roll
(Bill Haley and the Comets)
Tempo : 160
II I
I
I
I
I
I IV I
I I
I
I
IV
I I
I
II
I IV
Get out from that kitchen, and rattle those pots and pans,
Get out from that kitchen , and rattle those pots and pans.
Well, roll my breakfast, 'cause I'm a hungry man.
I said Shake rattle and roll, I said Shake rattle and roll,
I said Shake rattle and roll, I said Shake rattle and roll;
You never do nothin' to save your doggone soul.
Wearin' those dresses, your hair done up so right
Wearin' those dresses, your hair done up so right;
You look so warm, but your heart is cold as ice.
Refrein
I'm like a one-eyed cat, peepin' in a sea-food store,
I'm like a one-eyed cat, peepin' in a sea-food store;
I can look at you, till you don't love me no more
I believe you're doin' me wrong and now I know,
I believe you're doin' me wrong and now I know;
The more I work, the faster my money goes.
Refrein
83
She goes na na
(The Radio’s)
Tempo : 100
/G /A /C /D II: CM Dm I Em Dm I CM FM I GM /G /A /C /D I
She's
like a rainbow,
I CM Dm I Em Am
Sways
I FM I GM (/G /A /C /D) :II
while she glows
Moves like a river, turns while she flows, ooh-ooh, yeah
II Em
Am
I
Em
CM GM I
And then she steels your heart away, she's taking it all some
I Em
Am
I Dsus4 DM I
day I'll make her mine, yeah
I Em
Am
I Em
FM BM I Em
Am
I Bsus4 BM II
You look into her angel eyes, the cherry-red sun will rise and love will shine
II C#m
AM
I EM
BM I
When she goes na-na-na-na, na-na-na-na,
I EM
AM
I BM
I
colours will keep on turning
I BM
I EM
AM
I
Shimmering by like a rain-butterfly,
I EM
AM
I EM
FM II
cruising the blue, blue sky
Oh, she shines,
Fades
like a flower,
while she growes
And then she wipes your tears away, she's holding your hand some
day like lovers do
You hesitate a while, she's showing her magic smile and dreams come true
Refrein (laatste zin : II EM AM I F#m I )
Refrein (laatste zin : II EM AM I F#m I B7 I)
II E7
/F# /G#I AM
/A /G /F# I Em F#m
She's on the run,
I AM
DM
I Bm I
flies on and on
I EM
I
She's cruising the sky my friend and
I F#m
I G#m
I
in the end she goes na-na-na
Refrein (a capella laatste zin : II EM AM I BM II)
Refrein (laatste zin : II EM AM I CM DM I EM II)
84
Show me the way
(Peter Frampton)
Tempo :140
Intro: II: DM I DM7 I Bm I BbM CM :II
II DM
I
I DM7
I
I
I wonder how you're feeling there's ringing in my ears.
I Bm
I
I BbM
And
I BbM
CM
I
no one to relate to 'cept the sea.
I DM
I
I DM7
I
I
Who can I believe in ? I'm kneeling on the floor.
I Bm
I
I BbM
There
I
II
has to be a force. Who do I phone ?
II A7sus4
I
The
I GM
I
II
stars are out and shining. but all I really want to know
II Bm
I
I GM
you
I
I
show me the way
I Bm
I
you
I GM
Oh I want
I want
I GM
A7sus4 II
show me the way
Solo: II: DM I DM7 I Bm I BbM CM :II
Well,
I can see no reason.. you living on your nerves. When
someone drop a cup and I submerge
I'm
swimming in a circle ... I feel I'm going down
There
has to be a fool to play my part
Someone thought of healing.. But all I really want to know.. I want
Refrein
II Bm
I
I GM
A7sus4 II
(I want) you, day after day
Solo: II DM I
I DM7
I BbM
I DM7
I GM
I Bm I
I DM I
I Bm I
I
I
I BbM CM I
I
I
I
II
I
II DM
I
I DM7
I
I
wonder if I'm dreaming I feel so unashamed.
I Bm
I
can't believe this is happening to
I BbM I BbM
me.
I
CM
I
I
watch you when you're sleeping, and then I want to take your love, I want ...
Refrein (1ste X2)
85
Since you’ve been gone
(Rainbow)
Tempo : 120
Intro :
II: GM
/F#
I Em
DM
I
I get the same old dreams, sametime every night
I /C
/B
I /A /B/ /C DM :II
I fall to the ground and I wake up.
So I get out of bed, put on my shoes and in my head,
Thoughts fly back, to the breakup
These four walls are closing in, look at the fix you’ve put me in…..
Since you’ve been gone, since you’ve been gone
I’m out of my head, I can’t take it…
Do not be wrong, but since you’ve been gone
You’ve cast the spell, so break it….
Oh, oh, oh; oh, oh, oh, oh, oh, oh
Since you’ve been gone.
So in the night I stand, beneath the backstreet light,
I read the words that you’ve sent to me
I could take the afternoon, but nighttime comes around too soon,
You can’t know what you mean to me.
Your poison letter, your telegram, just goes to show you don’t give a damn
Refrein
Solo
If you will come back, baby, you know, you’ll never do wrong
II DM II
Refrein (transpose +1)
Solo (refrein)
Refrein
86
Sisters of mercy
(Leonard Cohen)
Tempo : 130
II 6/8 BM
EM
I BM
F#M
I BM
Bsus4 I BM
I
Oh the Sis-ters of Mer-cy they are not de-par-ted or gone
I Ebm
Bbm
I Ebm
Bbm
I F#M F#sus4 I F#M I
They were wait-ing for me when I thought that I just cant go on
I EM
BM
I C#m
G#m
And they brought me their com-fort and later they brought me their song
I BM
EM
I BM
F#M
I 3/8 BM I
Oh I hope you run into them you who've been trav-ling so long…...
II 3/8 EM I
I
I
I
I EM I
I BM I BM I
I F#M I I
I II
II BM
EM
I BM
F#M
I BM
Bsus4 I BM
I
Yes you who must leave everything, that you cannot control
I Ebm
Bbm
I Ebm
Bbm
It begins with your family, but soon it comes round to your soul
I EM
BM
I C#m
G#m
Well I've been where you're hanging, I think I can see how you're pinned
I BM
EM
I BM
F#M
I 3/8 BM I
When you're not feeling holy, your loneliness says that you've sinned
Instrumentaal
II BM
EM
I BM
F#M
I BM
Bsus4 I BM
I
They lay down beside me, I made my confession to them
I Ebm
Bbm
I Ebm
Bbm
They touched both my eyelids, and I touched the dew on their hem
I EM
BM
I C#m
G#m
If your life is a leaf, that the seasons tear off and condemn
I BM
EM
I BM
F#M
I 3/8 BM I
They will bind you with love, that is graceful and green as a stem
Instrumentaal
II BM
EM
I BM
F#M
I BM
Bsus4 I BM
I
When I left they were sleeping, I hope you run into them soon
I Ebm
Bbm
I Ebm
Bbm
Dont turn on the lights, you can read their address by the moon
I EM
BM
I C#m
G#m
And you wont make me jealous, if I hear that they sweetened your night
II: BM
EM
I BM
F#M
I BM Bsus4 I BM (F#M) :II
We werent lov-ers like that, and besides it would still be all right
We werent lovers like that, and besides it would still be all right
87
Some kind of wonderful
(Grand Funk Railroad)
Tempo : 120
Intro : II CM I
I
I
II: CM
II
I
I
I
:II
I don’t need a whole lotta money, I don’t need a big fat car,
I’ve got everything that a man could want, I’ve got more than I could ask for.
I FM
I
I
I
I
I don’t have to run around, I don’t have to stay out all night,
II CM
I
I
I
I
‘cause I’ve got me a sweet lovin’ woman, and she knows how to treat me right.
I GM
I
I FM
I
II
My baby, she’s alright, well, my baby’s clean outta sight,
don’t you know that she’s
II: CM
I F7
I CM
I F7
:II
Some kind of wonderful, she’s some kind of wonderful ... yes she is ..
She’s some kind of wonderful, yeah, yeah, yeah, yeah ......
When I hold her in my arms, you know, she sets my soul on fire,
Oh, when my baby kisses me, my heart becomes filed with desire,
When she raps her lovin’ arms around me, it drives me out of my mind,
Yeah, when my baby kisses me, chills run up and down my spine
My baby, she’s alright, my baby, clean out of sight,
don’t you know that she’s .....
Refrein
Now is there anybody, ‘got a sweet little woman like mine
There’s got to be somebody, ‘got a sweet little woman like mine
II: CM
I
I Am I
:II
Now can I get a witness, can I get a witness,
can I get a witness, can I get a witness,
I’m talking ‘bout my baby ....
Refrein
88
Something gotta hold on me
IDM I
Tempo : 170
Oh, sometimes, I get a good feeling, yeah (yeah)
I get a feeling that I never, never, ever had before, no, no (yeah)
I just wanna tell y'all, right now that uh, (wooh), I believe
I said I really do believe that…..
I DM
I
I DM
A7
I DM
I
Something gotta hold on me, yeah, yeah (Oh, it must be love)
I GM
I
I DM
A7 I DM
I
Something gotta hold on me right now, child (Oh, it must be love)
I DM
I
I
Let me tell ya now, I've got a feeling, I feel so strange,
I GM
I
I
Everything about me seems to have changed
I DM
I
I
Step by step I got a brand new walk
I GM
I
I
I even sound sweeter, when I talk
I DM
I A7
I DM
I GM
I
I said wooh, (wooh), wooh (wooh), wooh (wooh), wooh (wooh)
I DM
Bm
I Em
A7 I DM I
A7
DM
I
Hey, hey, wooh, it must be love (you know it must be love)
Let me tell ya now………..
Something gotta hold on me, yeah, yeah (Oh, it must be love)
Something gotta hold on me right now, child (Oh, it must be love)
Let me tell ya now, I've never felt like this before,
Something's got a hold on me and it won't let go
Believe I'd fly, if I only could
It feels so strange, but it sure is good
Hey, hey, wooh, it must be love (you know it must be love)
Let me tell you now……..
My heart feels happy, my feet feel light, I shake all over, but I feel allright
I've never felt like this before, something's got a hold on me and it won't let go
Now I've never thought it could happen to me, it got me happy when I was in mysery
I've never thought I'd feel this way, Love sure got and put a hurten on me
Hey, hey, woog, it must be love (you know it must be love)
I DM
I A7
DM
I
You know it walked like love (you know it must be love)
You know it talked like love (you know it must be love)
89
Son of a preacher
(John Hurley - Ronnie Wilkins)
Tempo :100
Intro : II EM I
I
I
II
II EM
I AM
EM
I
Billy Ray was a preacher's son, and when his daddy would visit he'd come along
I EM
I B7
I
When they'd gather 'round and started talking, that's when Billy would take me walking
I B7
I
I
A-through the back yard we'd go walking, then he'd look into my eyes
I B7
II
Lord knows to my surprise
II EM
I AM
EM
I
The only one who could ever reach me, was the son of a preacher man
The only boy who could ever teach me, was the son of a preacher man
I EM
BM
I AM
Yes he was, he was,
II EM I
II
mmm, yes he was
II
Being good isn't always easy, no matter how hard I'd try
When he started sweet-talkin' to me, he'd come and tell me everything is all right
He'd kiss and tell me everything is all right, can I get away again tonight
Refrein
II DM
I
I
(Yes, he was), how well I remember
I AM
I
I
The look was in his eyes, stealin' kisses from me on the sly
I B7
I
I
Takin' time to make time, tellin' me that he's all mine
I E7
I
II
Learnin' from each other's knowin', look at us here, how much we've grown
II AM
I DM
AM
II
And the only one who could ever reach me, was the son of a preacher man
The only boy who could ever teach me, was the son of a preacher man
I AM
EM I D7
II
Yes he was, he was, ooh yes he was
(The only one who could ever reach me, was the son of a preacher man)
He was the sweet-talking son of a preacher man
(The only boy who could ever teach me, was the son of a preacher man)
A kiss-stealin' son of a preacher man
(The only one who could ever move me, was the son of a preacher man)
(The only one who could ever groove me, was the son of a preacher man)
90
Stagger Lee
(Lloyd Price)
Tempo :150
II DM
I GM
I
The night was clear and the moon was yellow
I AM
I DM AM
II
And the leaves came tumbling down
II: DM
I
I GM
I
I
I was standing on the corner when I heard my bulldog bark
IDM
I AM
I DM
I AM :II
He was barkin' at the two men who were gamblin' in the dark
It was Stagger Lee and Billy, two men who gambled late
Stagger Lee threw seven, Billy swore that he threw eight
Stagger Lee told Billy, "I can't let you go with that"
"You have won all my money and my brand new stetson hat"
Stagger Lee started off goin' down that railroad track
He said "I can't get you Billy but don't be here when I come back"
Solo (schema)
Stagger Lee went home and he got his forty-four
Said "I'm goin' to the barroom just to pay that debt I owe"
Stagger Lee went to the barroom and he stood across the barroom door
He said "Nobody move" and he pulled his forty-four
Stagger Lee shot Billy, oh he shot that poor boy so bad
Till the bullet came through Billy and it broke the bartender's glass
Solo (outro op schema)
91
Steamy Windows
(Tony Joe White)
Tempo :140
Intro : I Em I
I
I
I
II: Em
I
I
GM
AM
I
Em
:II
I was thinking about parking the other night, we was out on a back road
Me and my baby was just getting right, our systems going overload
The radio blasting in the front seat, churning out the music fine
And we was snuggled up in the back seat, making up for lost time
II: Em I
I
DM
GM I Em :II
Steamy windows, zero visibility
Steamy windows, coming from the body heat
Intro
You can wine and dine with the men all night, with good intent
But there's something about the confrontation on the back road,
breaks down the defense
Steamy windows, zero visibility
Steamy windows, Ain't nobody can see
Intro
Solo :
II Em I
I
I
II:GM I AM I Em I
II
:II
Intro
There's a sound outside the front door, and I know that's just the wind
But it makes him snuggle up just a little bit closer, starts things happening again
Refrein
Outro = intro
92
Stir it up
(Bob Marley)
Tempo :155
Intro : II: AM I
I DM I EM :II
Thema (bas & gitaar) :
II:
A
C#
ID
C#
I D F#
A I E G#
B :II
Stir it up little darlin'
Stir it up little darlin' , ‘come on baby
Stir it up little darlin'
Stir it up little darlin', ohhh
It's been a long long time, since I’ve had you on my mind
Now you are here, I said, it's so very clear,
there's so much we could do, baby
Just me and you, come on and
Refrein
I'll push the wood, light the fire
Then I'll satisfy your hearts desire
Said I will stir it every, every minute
All you have to do, girl, is keep it in it
Refrein
Quench me when I'm thirsty
Come on cool me down baby when I'm hot
Your recipe is so tasty
When you show and stir your pot
Refrein
Solo
93
Stop
(Sam Brown)
Tempo :60
Intro : II Em /B /D I Em /B /D I Bm /F# /A I Bm
II Em
II
I
I
All that I have is all that you've given me, did you never worry that I'd
I Bm
I
I
come to depend on you, I gave you all the love I had
I Em
I Em
in me,
F#m
I
now I find you've lied and I
I Bm
I
II
can't believe it's true …..wrapped in her arms I see you
across the street , and I can't help but wonder if she
knows what's going on. you talk of love but you don't know
how it feels, when you realise that you're
not the only one ..oh you'd better
II: GM
F#m
I Bm
E7
:II
stop before you tear me all apart , you'd better
stop before you go and break my heart
II GM AM
ooh
I Bm /F# /A I Bm
you'd better stop…
II
Time after time I've tried to
walk away, but it's not that easy when your
soul is torn in two, so I just resign myself to it
every day , now all I can do is to
leave it up to you ...oh you'd better
stop before you tear me all apart, you'd better
II GM Am
II
ooh you'd better
II Em
DM
I
Stop if love me (you will remember), now's the
I GM
DM
I
time to be sorry (that day forever)
I Em
F#m
I GM
AM
I
I won't believe that you'd walk out on me, baby...oh you'd better
stop before you tear me all apart , you'd better
II GM AM
ooh
I Bm /F# /A I Bm
II
you'd better stop
94
Stray Cat Strut
(The Stray Cats)
Tempo :130
intro (shuffle) :
II: Cm
Bb13
Oooh
Oooh
IAb13
G7
Oooh
II: Cm
:II
Oooh
Bb13
I Ab13
G7
:II
Black and orange stray cat sittin' on a fence.
Ain't got enough dough to pay the rent.
I'm flat broke but I don't care,
II G7
I
II
I strut right by with my tail in the air.
II: Fm
EbM
I DbM
C7 :II
Stray cat strut I'm a ladies cat,
I'm a feline Casanova hey man that's that.
Get a shoe thrown at me from a mean old man.
II Fm
i
II
Get my dinner from a garbage can.
Instrumentaal (1ste strofe)
II Fm
I Fm7
I Cm
I
I don't bother chasing mice around.
I Fm
I
I
I slink down the alley looking for a fight
I D7
I G7
I
howlin' to the moonlight on a hot summer night.
II: Cm
Bb 13
I Ab 13
G7
:II
Singin' the blues while the lady cats cry.
Wild stray cat you're a real gone guy.
I wish I could be as care-free and wild,
II Cm
I
II
but I got cat class and I got cat style.
Solo : (1ste strofe)
II: Fm
EbM
I DbM
C7 :II
Stray cat strut I'm a ladies cat,
I'm a feline Casanova hey man that's that.
Get a shoe thrown at me from a mean old man.
II Fm
I
II
Get my dinner from a garbage can.
Outro = intro
95
Stumblin` in
(Suzy Quatro)
Tempo :130
II: Am
I DM
I GM
I Em
:II
Our love is alive,
and so we begin,
foolishly
laying our hearts on the table, stumblin` in.
Our love is a flame, burning within, now and then
firelight will catch us, stumblin` in. (Wherever you…)
II: Am
I DM
I GM
I Em
:II
go,
whatever you do,
you know, these
reckless thoughts of mine are following you. I`ve fallen for
II: Am
I DM
I GM
I Em
:II
you,
whatever you do,
`cause baby, you`ve
shown me so many things, that I never knew.
II Am
I DM
I GM
I
II
Whatever it takes, baby, I`ll do it for you.
Refrein
Solo (X2)
II: Am
I DM
I GM
I Em
You were so young,
ah, and I was so free,
young, but baby, that`s not what I wanted to be.
II: Am
I DM
:II
I may have been
I GM
I Em
Well, you were the one,
oh, why was it me,
showed me so many things that I`d never see.
II Am
I DM
I GM
:II
baby, you
I
II
Whatever you need, baby, you`ve got it from me.
Refrein
II: Am
I DM
I GM
I Em
:II
Stumblin` in,
stumblin` in,
foolishly
laying our hearts on the table, stumblin`in.....
Ah, stumblin` in, stumblin` in ...now and then
firelight will catch us, stumblin` in.
Stumblin` in, stumblin` in, foolishly
laying our hearts on the table, stumblin`in.....
Ah, stumblin` in, stumblin` in ...now and then
firelight will catch us, stumblin` in.
96
Stop dragging my heart around
(Stevie Nicks)
Tempo :100
Intro: II AM I
I CM BM CM I CM
Intro 2: II: Em
I GM AM :II (X4)
II
II: Em
I GM
AM :II (X4)
Baby you come knocking on my front door, same old line you used to use before
Just a girl well what am I s’posed to do, I didn't know what I was getting into
II: CM
I DM
:II
So you had a little trouble in town, now you're keeping some demon down
II CM
I DM
I CM
I
II
Stop dragging my, stop dragging my, stop dragging my heart around
II: Em
I GM AM :II
It's hard to think about what you wanted, it's hard to think about what you lost
These doors don't have to be the big "get even". These doors don't have to be anything at all
I know you really want to tell me goodbye, I know you really want to be your own girl
Baby you could never look me in the eye, yeah you buckle with the weight of the world
II Em
I GM AM II
Solo : II: DM I CM :II (X3) II AM I
II: Em
I CM I
II
I GM AM :II
Theres people running 'round loose in the world, ain't got nothing better to do
Make a meal of some bright eyed kid, you need someone looking after you
I know you really want to tell me goodbye, I know you really want to be your own girl
Baby you could never look me in the eye, yeah you buckle with the weight of the world
II: Em
I GM AM :II
II: Em I GM AM :II (ad lib)
Stop dragging my heart around, stop dragging my heart around
Stop dragging my heart around, stop dragging my heart around
97
Strong enough
(Sheryl Crow)
Tempo : 75
Intro: II: 4+2/4 DM GM I Bm AM :II
God I feel like hell tonight, the
tears of rage I cannot fight
I'd be the last to help you understand, are you
strong enough to be my man..
II: 4+2/4 DM GM I Bm AM :II (X4)
Well, nothing's true, and nothing's right, so
let me be alone tonight, 'cause
you can't change the way I am, are you
strong enough to be my man..my man
II:4+2/4 Em /F# I GM /A I Bm
/C
I GM /A :II
Lie to
me, I promise I'll believe
Lie to me, but please don't leave
II: 4+2/6 DM GM I Bm AM :II (X4)
I have a face I cannot show, I
make the rules up as I go. Just
try and love me if you can, are you
strong enough to be my man..my man
Are you strong enough to be my man..
Are you strong enough to be my man..
Are you strong enough to be my man..When I've
shown you that I just don't care, when I'm
throwing punches in the air. When I'm
broken down and I can't stand, are you
man enough to be my man..
Lie to me, I promise I'll believe
Lie to me, but please don't leave
II DM II
98
Suicide Chump
(Frank Zappa)
Tempo :80
Intro : II EbM I
II
II: EbM
I
I
You say there ain't no use in livin', it's all a waste of time
'N you wanna throw your life away, well, people that's just fine
I AbM
I EbM
I
I
Go ahead on 'n get it over with then, find you a bridge 'n take a jump
I BbM
I AbM
I
Just make sure you do it right the first time, 'cause nothin's worse than a Suicide
I EbM
I BbM :II
Chump
You say there ain't no light a-shinin', through the bushes up ahead
'N we're all gonna be so sorry, when we find out you are dead
Go head on and get it over with then, find you a bridge 'n take a jump
Just make sure you do it right the first time, 'cause nothin's worse than a Suicide Chump
II: EbM
I
:II
Now maybe you're scared of jumpin', 'n poison makes you sick
'N you want a little attention, 'n you need it pretty quick
Don't wanna mess your face up, or we won't know if it's you
Aw there's just so much to worry about, now what you gonna do?
I AbM
I EbM
I
Go ahead on 'n get it over with then, find you a bridge 'n take a jump
I BbM
I AbM
I
Just make sure you do it right the first time, 'cause nothin's worse than a Suicide
I EbM
I BbM :II
Chump
I
Solo (12 bars)
II: EbM
I
:II
Now maybe you're scared of jumpin', 'n poison makes you sick
'N you want a little attention, 'n you need it pretty quick
Don't wanna mess your face up, or we won't know if it's you
Aw there's just so much to worry about, now what you gonna do?
Go head on 'n get it over with then, go head on 'n get it over with then
You're on the bridge; scared to leap, But a girl walks over, to take a peep...
She says: "DON'T DO IT!" , but wouldn't you know... the girl got a head like a buffalo
II AbM
I
I EbM
I
I
With a little red hair, all over the top, an' her breath would make the traffic stop
I BbM
I AbM
I
She says "I LOVE YOU... BUT FIRST, LET'S EAT!"
I EbM
I
II
And all you can say as you run down the street is...
99
Summer Of '69
(Adams Bryan)
Intro : II CM I
II
Tempo :135
II: CM
I
I GM
I
: II
I got my first real six-string, bought it at the five-and-dime
Played it till my fingers bled, It was the summer of '69
Me and some guys from school, had a band and we tried real hard
Jimmy quit and Jody got married, I shoulda known we'd never get far
II: Am
I GM
I CM
I FM
:II
Oh when I look back now, that summer seemed to last forever
And if I had the choice, ya - I'd always wanna be there
I Am
I GM
I CM
I
I GM
I
II
Those were the best days of my life
Ain't no use in complainin', when you got a job to do
Spent my evenin's down at the drive-in, and that's when I met you
Standin' on your mama's porch, you told me that you'd wait forever
Oh and when you held my hand, I knew that it was now or never
II CM
I
I GM
I
II
Back in the summer of '69
II EbM
I AbM
I BbM
I
Man we were killin' time, we were young and restless
I AbM
I DbM
I AbM
I BbM
I
I
We needed to unwind, I guess nothin' can last forever - forever, no
II: CM I
I GM
I
:II
And now the times are changin', look at everything that's come and gone
Sometimes when I play that old six-string, I think about ya wonder what went wrong
Standin' on your mama's porch, you told me it would last forever
Oh the way you held my hand, I knew that it was now or never
II: CM
I
I GM
I
:II
Back in the summer of '69
Solo :
II : CM I
I GM I
:II
100
Summertime
(Heyword, George Gershwin, Ira Gershwin)
Tempo :70
II Am
I
Summertime,
I Dm
I
I
A7#9 I
and the livin' is easy,
I
I Bm7b5
I E7#9 I
Fish are jumpin', and the cotton is high;
I Am
I
I
I Dm7 G7 I
Oh, your daddy's rich, and your ma is good-lookin',
I CM7
I Bm7b5 E7
I Am
I Bm7b5 E7 :II
So hush, little baby, don't you cry.
One of these mornings, you're going to rise up singing,
Then you'll spread your wings, and you'll take to the sky,
But till that morning, there's a-nothin' can harm you,
With daddy and mammy standin' by.
One of these mornings, you're going to rise up singing,
Then you'll spread your wings, and you'll take to the sky,
But till that morning, there's a-nothin' can harm you,
With daddy and mammy standin' by.
101
Summertime Blues
(the Who)
Tempo : 140
Intro : II: EM
AM I B7
EM :II
II: EM
I
I lick I
:II
I'm a'gonna raise a fuss, I'm a'gonna raise a holler
I've been working all summer, just to try and earn a dollar
IIAM
I
I
Well I went to the boss, said, 'I got a big date.
I EM
I
II
'The boss said "No dice, son, you gotta work late"
II AM
I
I
Sometimes I wonder what I'm a'gonna do
I EM
I
I
I
I lick X2 I
There ain't no cure for the summertime blues
Well my mom and father told me, "son you gotta earn some money,
If you want to use the car, to go out next Sunday."
Well I didn't go to work, I told the boss I was sick
He said "You can't use the car, 'cause you didn't work late."
‘Cause there ain't no cure for the summertime blues.
Gonna take two weeks, gonna have a fine vacation
Gonna take my problems, to the United Nations
Well I went to my congressman, he said: "I'd like to help you son,
But you're too young to vote."
‘Cause there ain't no cure for the summertime blues.
102
Sunny
(Boney M)
Tempo :120
II: Am
I CM
I Am
I Bm E7 :II
Sunny, Yesterday my life was filled with rain
Sunny, You smiled at me and really eased the pain
II Am
I Gm
C7 I
Oh the dark days are gone and the bright days are here
I Am
I Dm
I
My sunny one is shines sincere
I Bm
I E7
I Am
I
E7 II
Sunny, one so true, I love you
Sunny, Thank you the sunshine bouquet
Woah, sunny, thank you love that you brought my way
Oh now you gave to me your all and all
And now i feel like im ten feet tall
Sunny, Thank you for the truth that you made me see
Sunny, Thank you for the facts, from A to Z
ML life was torn like a wind-blown sand
And then a rock was formed when we held hands
Now sunny, one so true, I love you
Sunny, Thank you for the smile thats upon your face
Sunny, Thank you for that gleam that flows with grace
Your my spark of natures fire
Your my sweet, complete desire
103
Suzanne
(Leonard Cohen)
Tempo :130
II GM
I
I
Suzanne takes you down to her place by the river,
I Am
I
I
You can hear the boats go by, you can spend the night beside her,
I GM
I
I
And you know that she's half crazy, and that's why you want to be there;
I Bm
I CM
I
And she feeds you tea and oranges that come all the way from China;
I GM
I
I
And just when you mean to tell her that you have no love to give her,
I Am
I
I
She gets you on her wave-length and lets the river answer
I GM
I
II
That you've always been her lover.
II Bm
I CM
I
And you want to travel with her, and you want to travel blind,
I GM
I Am
I
And you know that you can trust her, for you've touched her perfect body
I
II
I GM
With your mind.
And Jesus was a sailor when he walked upon the water,
And he spent a long time watching from a lonely wooden tower,
And when he knew for certain only drowning men could see Him,
He said, "All men shall be brothers, then, until the sea shall free them,"
But he himself was broken long before the sky would open,
Forsaken, almost human, he sank beneath your wisdom
Like a stone.
And you want to travel with him, and you want to travel blind,
And you think you maybe trust him, for he's touched your perfect body
With his mind.
Suzanne takes you down to her place by the river,
You can hear the boats go by, you can spend the night forever,
And the sun pours down like honey, on our lady of the harbour;
And she shows you where to look amid the garbage and the flowers.
There are heroes in the seaweed, there are children in the morning,
They are leaning out for love, and they will lean that way forever,
While Suzanne holds the mirror.
And you want to travel with her, and you want to travel blind,
And you think maybe you'll trust her, fFor you've touched her perfect body
With your mind.
104
Sweet Home Alabama
(Lynyrd Skynyrd)
Tempo : 100
Intro :
II: DM
CM
I GM
:II (X4)
Big wheels keep on turning
Carry me home to see my kin.
Singing songs about the southland
I miss'ole' 'bamy once again (and I think it's a sin)
Well, I heard Mister Young sing about her
Well, I heard ole Neil put her down.
Well, I hope Neil Young will remember,
A southern man don't need him around anyhow
Sweet home Alabama,
Where the skies are so blue,
Sweet home Alabama,
Lord, I'm coming home to you.
II DM
CM
I GM
In Birmingham they love the Gov'nor
II: DM
CM
. FM
CM II
Boo hoo hoo !
I GM
:II (X3)
Now we all did what we could do.
Now Watergate does not bother me.
Does your conscience bother you? (tell the truth)
Refrein
Now Muscle Shoals has got the Swampers
And they've been known to pick a tune or two
Lord they get me off so much
They pick me up when I'm feeling blue, now how about you?
Refrein
105
Sweet Little Sixteen
(Chuck Berry)
Tempo :175
II: GM I GM I CM I CM I
I GM I GM I CM I CM I
I FM I FM I CM I CM I
I GM I GM I CM I CM :II
They're really rockin Boston, in Pittsburgh, P. A.
Deep in the heart of Texas, and 'round the Frisco Bay
All over St. Louis, way down in New Orleans
All the Cats wanna dance with, sweet Little Sixteen
Sweet Little Sixteen, she's just got to have
About half a million, framed autographs
Her wallet's filled with pictures, she gets 'em one by one
She gets so excited, watch her look at her run
Oh mommy mommy, please may I go
It's such a sight to see, somebody steal the show
Oh daddy daddy, I beg of you
Whisper to mommy, it's all right with you
‘Cause they'll be rockin on bandstand, in Philadelphia P.A.
Deep in the heart of Texas, and 'round the Frisco Bay
All over St. Louis, way Down in New Orleans
Solo (on chords)
Sweet Little Sixteen, she's got the grown up blues
Tight dress and lipstick, she's sportin' high heal shoes
Oh, but tomorrow morning, she'll have to change her trend
And be sweet sixteen, and back in class again
‘Cause they'll be rockin on bandstand, in Philadelphia P.A.
Deep in the heart of Texas And 'round the Frisco Bay
All over St. Louis Way Down in New Orleans
106
Sweet Nothin’s
(Brenda Lee)
Tempo :130
II: GM
I CM
I GM
I
:II
My baby whispers in my ear, ummm SWEET NOTHIN'S
He knows the things I like to hear, ummm SWEET NOTHIN'S
II CM
I
I GM
I
I
Things he wouldn't tell, nobody else, secret baby, I keep them to myself
II DM
I CM
I GM
I
II
SWEET NOTHIN'S, Ummm SWEET NOTHIN'S
II: GM
I CM
I GM
I
:II
We walk along hand in hand, ummm SWEET NOTHIN'S
Yeah we both understand, ummm SWEET NOTHIN'S
II CM
I
I GM
I
I
Sittin' in classroom trying to read my book, my baby give me that special look
II DM
I CM
I GM
I
II
SWEET NOTHIN'S; ummm SWEET NOTHIN'S
Solo :
II: GM I CM GM I
I CM I
I GM
:II
I
I
I DM I CM I GM I GM
II
II: GM
I CM
I GM
:II
Ah sittin on my front porch, ummm SWEET NOTHIN'S
Well do I love you, of course, ummm SWEET NOTHIN'S
II CM
I
I GM
I
II
Mama turned on the front porch light, sayin' "Come here darlin' that' enough for tonight"
II: DM
I CM
I GM
I
:II
SWEET NOTHIN'S, ummm SWEET NOTHIN'S
SWEET NOTHIN'S, ummm SWEET NOTHIN'S
II DM
II
SWEET NOTHIN'S
107
Swimming in the pool
(The Radios)
Tempo :175
Intro 1:
Intro 2 :
II: CM
I FM
I CM
I GM
I
I was walking with my baby, (walking with my girl). I was walking with my girl (walking with my baby)
I CM
I FM
I GM
I CM
:II
I said maybe, baby, maybe (maybe, maybe, girl), You will like me to the world.
I was talking to my honey (talking like a fool), I was talking realy cool (talking to my honey)
I said, wouldn’t it be funny (wouldn’t it be cool), to go swimming in the pool
II FM
I GM
Ah, swimming in the pool,
I FM
I GM
water,
I CM
I
I
let’s go swimming in the pool, lets go swimming in the
I CM
II
let’s go swimming in the pool.(let’s go swimming in the pool)
Instrumentaal (Intro 2)
Must have been the angel Cupid, (could have been the angel cupid)
Yes, off coarse it must be him (talking ‘bout the angel Cupid)
Cupy realy made me stupid (stupid, so it must be him)
I forgot, I couldn’t swim.
So, I terrified my baby (yes, it wasn’t very cool)
Yes, I made myself a fool (Lying to my baby)
So, we should explain ah, maybe, (why the stone is getting cool)
Why I drowned in the pool.
Ah, swimming in the pool, (Yeah, yeah) swimming in the pool, (Ah, ah)
lets go swimming in the water, let’s go swimming in the ….
II CM
I GM
CM
I CM
I GM
CM
UI
Hey, na, na, na , let’s go swimming, hey, na, na, na swimming in the pool
I CM
/E
I /F
/E
I GM
II
Hey, na, na, na let’s go swimming ...swimming in the pool
Solo: II: CM I
I
I
:II
Ah, swimming in the pool, let’s go swimming in the pool,
lets go swimming in the water, let’s go swimming in the ….
Ah, swimming in the pool, (Yeah, yeah) swimming in the pool, (Ah, ah)
lets go swimming in the water, let’s go swimming in the pool
(let’s go swimming in the pool)
Instrumentaal (Intro 2) ad lib
108
Sympathy for the Devil
(The Rolling Stones)
Tempo :110
IntriI : II: DM I CM I GM :II
II: DM
I CM
I GM
I DM
:II
Please allow me to introduce myself, I'm a man of wealth and taste
I've been around for a long, long year, stole many a man's soul and faith
And I was 'round when Jesus Christ, had his moment of doubt and pain
Made damn sure that Pilate washed his hands and sealed his fate
II: AM
I AM
I DM
I DM
:II
Pleased to meet you, hope you guess my name
But what's puzzling you, is the nature of my game
I stuck around St. Petersberg, when I saw it was a time for a change
Killed the Czar and his ministers, anastasia screamed in vain
I rode a tank, held a general's rank
When the Blitzkrieg raged, and the bodies stank
Pleased to meet you, hope you guess my name, oh yeah
What's puzzling you, is the nature of my game, oh yeah
I watched with glee, while your kings and queens, fought for ten decades, for the
Gods they made
I shouted out : "Who killed the Kennedys?" when after all, It was you and me
Let me please introduce myself, I'm a man of wealth and taste
And I laid traps for troubadors, who get killed before they reached Bombay
Pleased to meet you, hope you guessed my name, oh yeah
But what's puzzling you, is the nature of my game, oh yeah, get down, baby
Solo : II : DM I CM I GM I DM :II
Pleased to meet you, hope you guessed my name, oh yeah
But what's confusing you, is just the nature of my game
Just as every cop is a criminal, and all the sinners Saints
As heads is tails, just call me Lucifer, 'cause I'm in need of some restraint
So if you meet me, have some courtesy, have some sympathy, and some taste
Use all your well-learned politesse, or I'll lay your soul to waste, um yeah
Pleased to meet you, hope you guessed my name, um yeah
But what's puzzling you, is the nature of my game, um baby, get down
Woo, who, oh yeah, get on down
Oh yeah, oh yeah!
Tell me baby, what's my name, tell me honey, baby guess my name
Tell me baby, what's my name, tell you one time, you're to blame
109
Tele Romeo
(K3)
Tempo :130
II: Cm
I Fm
I
Wie heb ik aan de lijn, hallo, hallo ?
I BbM
I EbM
I
Waar ben je dan, waarom verlang ik zo ?
I AbM
I Fm
I
Om dicht bij jou te zijn, hallo, hallo ?
IGM
I Cm GM :II
Mijn Tele-Romeo
Liefde op het eerste gehoor, alle stoppen slaan plots door
Niemand die mij helpen kan, daar ben je plots, mijn ideale man.
Leg die hoorn nu niet meer neer, zeg niet : ‘’t nummer is verkeerd!’
Want ik hoor je lieve stem, en weet dat jij het bent.
Mijn Tele-Romeo
Fluister zachtjes in m’n oor, ‘liefste schat, we gaan ervoor’
Ook al weet ik niks van jou, ‘k denk dat ik van je hou
Mijn Tele-Romeo
X2
Voor je mij je nummer zei, was het plots voorgoed voorbij
Een bliksemschicht verbrak de lijn, ik was alleen, vol vragen en vol pijn
Als het moet ga ik op zoek, draai elk nummer uit dat boek
Op een dag ben jij het echt, en hoor ik hoe je zegt :
II: Dm
I Gm
I
C’est qui a l’appareil, allo, allo
I CM
I FM
I
Je n’entend rien que ta voix, est-tu si beau
I BbM
I Gm I
J’suis amoureuse de toi, allo, allo
I AM
I Dm AM :II
Mon tele-romeo
Mijn Tele-Romeo
110
These boots are made
for walkin’
(Nancy Sinatra)
Tempo :170
Intro : II DM /C# I /B /A I /G /F I DM II
II: DM
I
I
I
:II
You keep saying you got something for me
Something you call love but confess
II GM
I
I
I
I
You've been a'messin' where you shouldn't 've been a'messin'
I DM
I
I
I
II
And now someone else is getting all your best
I FM
I DM
I FM
I DM
I
Well, these boots are made for walking, and that's just what they'll do
I FM
I FM
I
I Intro
II
One of these days these boots are gonna walk all over you
You keep lyin' when you oughta be truthin'
You keep losing when you oughta not bet
You keep samin' when you oughta be a'changin'
What's right is right but you ain't been right yet
These boots are made for walking, and that's just what they'll do
You keep playing where you shouldn't be playing
And you keep thinking that you'll never get burnt (HAH)
Well, I've just found me a brand new box of matches (YEAH)
And what he knows you ain't had time to learn
These boots are made for walking, and that's just what they'll do
DM
Are you ready, boots?
Start walkin'
111
The Wind Cries Mary
(Jimi Hendrix)
Tempo :75
Intro
II: CM
II: /Eb /E /F I /Eb /E /F :II
BbM
I FM
:II
After all the jacks are in their boxes
And the clowns have all gone to bed
You can hear happiness staggering on down the street
II GM
BbM
I EbM
(/E /F) I
Footsteps dressed in red
I GM
BbM
I EbM
(/E /F) (/Eb /E /F) II
And the wind whispers Mary
A broom is drearily sweeping
Up the broken peices of yesterday's life
Somewhere a queen is weeping
Somewhere a king has no wife
And the wind cries Mary
Solo over: II: FM EbM I BbM AbM :II (3x)
I GM I BbM I DbM I FM I FM I
The traffic lights turn blue tomorrow
And shine the emptyness down on my bed
The tiny island sags downstream
Cause the life that lived is dead
And the wind screams Mary
Will the wind ever remember
The names it has blown in the past
With its crutch, its old age, and its wisdom
It whispers no, this will be the last
And the wind cries Mary
112
This Ole House
(Rosemary Clooney)
Tempo :195
Intro : II: Em A7 :II
II DM
I GM
I
This ole house once knew his children, this ole house once knew his wife
I A7
I DM
I
This ole house was home and comfort, as they fought the storms of life
I DM
I GM
I
This old house once rang with laughter, this old house heard many shouts
I A7
I DM
II
Now he trembles in the darkness, when the lightnin' walks about
II GM
I DM
I
Ain't a-gonna need this house no longer, ain't a-gonna need this house no more
I A7
I DM
I
Ain't got time to fix the shingles, ain't got time to fix the floor
I GM
I DM
I
Ain't got time to oil the hinges, nor to mend the windowpane
I A7
I DM
II
Ain't a-gonna need this house no longer, he's a-gettin' ready to meet the saints
This ole house is a-gettin' shaky, this ole house is a-gettin' old
This ole house lets in the rain, this ole house lets in the cold
On his knees I'm gettin' chilly, but he feel no fear nor pain
'Cause he see an angel peekin', through a broken windowpane
Refrein
This ole house is afraid of thunder, this ole house is afraid of storms
This ole house just groans and trembles, when the night wind flings its arms
This ole house is gettin' feeble, this old house is needin' paint
Just like him it's tuckered out, but he's a-gettin' ready to meet the saints
Refrein
This ole house dog lies a-sleepin', he don't know I'm gonna leave
Else he'd wake up by the fireplace, and he'd sit there and howl and grieve
But my huntin' days are over, ain't gonna hunt the coon no more
Gabriel done brought in my chariot, when the wind blew down the door
Refrein
113
Time after Time
(Cyndi Lauper)
Intro: II: GM I AM I F#m I GM9 :II
Tempo :130
II: Em
DM
:II
Lying in my bed I hear the clock tick and think of you.
Caught up in circles confusion is nothing new.
II GM
AM
I F#m
GM
I GM
AM
I F#m
I
Flashbacks, warm nights. Almost left behind
I GM AM
I F#m
GM
I GM GM9 II
Suitcase of memories, time after
Sometimes you picture me, I'm walking too far ahead.
You're calling to me I can't hear what you've said.
Then you say go slow, I fall behind.
II GM AM
I F#m
GM
II
The second hand undwinds.
II: AM
I Bm7
I GM GM9 I DM :II
If you're lost you can look and you will find me. Time after time.
If you fall I will catch you I'll be waiting. Time after time.
If you're lost you can look and you will find me. Time after time.
If you fall I will catch you …...I'll be waiting. Time after time.
Intro (X2)
After my picture fades and darkness has turned to grey.
Watching through windows, you're wondering if I'm ok.
Secrets stolen from deep inside.
II GM AM
I F#m
GM
II
The drum beats out of time.
Refrein (1ste 2 zinnen)
Instrumentaal (laatste 2)
II GM AM
I F#m
You said
go
II GM AM
I F#m
GM
I GM
slow,
GM
AM
F#m
I
I fall behind.
II
The second hand unwinds.
Refrein
II: GM
Time
GM9
after
I DM :II
time...Time after time...Time after time.
114
't is weer voorbij
(Gerard Cox)
Tempo :160
I DM
I
I AM I
I GM
I DM/F# I Em A7 I DM
I
II
Na, na, na, naa, na, na, na, na, na, na, na, naa, na, na….
I DM
I AM
I DM
I
I
Je hebt er maandenlang naar uitgekeken
I DM/F#
I GM
I AM
I
I
De koude winter wou maar eerst niet om
I DM
I AM
I Bm
I
I
Traag en langzaan kropen langs de beken,
I GM
I AM
I DM
I
I
Maar eindelijk, daar was ie dan, de zon
I DM/F#
I
I
I
I
De nachten kort, de dagen lang, de ochtend vol van vogelzang
I AM
I
I EM
I
I
Het scherpe hoge zoemen van een mug
I Bm
I
I DM/F#
I
I
Dan denk je, ha, daar is ie dan, dit wordt minstens een zomer
I AM
I
I DM
I
I
van een eeuw, maar lieve mensen, wat gaat het vlug.
I GM
I AM
I DM
I
I
't is weer voorbij, die mooie zomer
I DM/F#
I GM
I AM
I
I
die zomer die begon zo wat in mei
I DM
I AM
I Bm
I
I
ha, je dacht dat er geen einde aan kon komen
I GM
I AM
I DM
I
I
maar voor je 't weet is heel die zomer al weer lang voorbij.
Herfst verkleurt weer langzaam alle bomen
'k 's nachts allang weer mijn pyjama aan
Dan had je eens in juli moeten komen
Toen sliepen we 's nachts buiten op het strand
En 's morgens vissen in de zon, en zwemmen zover als je kon
Voerden met een boot een eind op zee
't Is jammer dat het overging, 't is allemaal herinnering
Daar doen we het de hele lange winter maar weer mee
Refrein
115
That Don't Impress Me Much
(Shania Twain)
Tempo :125
Intro :II Bbm I
I
I
II
II: Bbm AbM I AbM :II
II: Bbm F#M I (AbM) :II
I've known a few guys who thought they were pretty smart
But you've got being right down to an art
You think you're a genius--you drive me up the wall
You're a regular original, a know-it-all
II: EbM BbM I AbM :II
Oh-oo-oh, you think you're special
Oh-oo-oh, you think you're something
II
I
II
Okay, so you're a rocket scientist
else
II:F#M C#M I AbM BbM :II
That don't impress me much, so you got the brain but have you got the touch
Don't get me wrong, yeah I think you're alright, but that
won't keep me warm in the middle of the night, that don't impress me much
I never knew a guy who carried a mirror in his pocket,
and a comb up his sleeve--just in case
And all that extra hold gel in your hair oughtta lock it
Cause Heaven forbid it should fall outta place
Oh-oo-oh, you think you're something else
Okay, so you're Brad Pitt
Refrein
Instrumentaal: II Bbm I
I
I
II
You're one of those guys who likes to shine his machine
You make me take off my shoes before you let me get in
I can't believe you kiss your car good night
C'mon baby tell me--you must be jokin', right!
Oh-oo-oh, you think you're something else
Okay, so you've got a car
Refrein
You think you're cool but have you got the touch
Don't get me wrong, yeah I think you're alright
But that won't keep me warm on the long, cold, lonely night
That don't impress me much
Okay, so what do you think you're Elvis or something...whatever
Refrein
116
Tomorrow
(Martin Chamin / Charles Strouse—origineel in C)
Tempo :80
II DM
DM7
I GM7
The sun'll come out, tomorrow,
I Bm
Bm7
F#m7
I
bet your bottom dollar that to
I GM7 AM II
-morrow, there'll be sun! Just
II DM
DM7
I GM7
F#m7
I
thinkin' about, tomorrow, clears away the cobwebs, and the
I Bm
Bm7
I GM7
A7sus II
sorrow, 'til there's none! When I'm stuck a
II Dm
Dm7
I BbM
CM
I
day, that's gray, and lonely, I just stick out my
I FM
FM7
I A7sus
I
II
chin, and grin, and say,
II DM
oh! The
DM7
I GM7
sun'll come out, tomorrow,
I Bm
Bm7
I EbM7
F#m7
I
so ya gotta hang on 'til toA7sus II
-morrow, come what may.ToII DM
DM7
I D7
GM
I
-morrow! Tomorrow! I love ya tomorrow! You're
I DM
A7sus
I AM
always a day a
I
II
way!
117
Total eclipse of the heart
(Bonnie Tyler)
Intro : II: Bbm/F (Db-C-Bb) :II
Tempo :65
II: Bbm
I AbM
:II
Turn around ! Every now and then I get a little bit lonely, and you're never coming round.
Turn around ! Every now and then I get a little bit tired, of list'ning to the sound of my (tears).
II: DbM
I BM
:II
Turn around ! Every now and then I get a little bit nervous, that the best of all the years have gone (by).
Turn around ! Every now and then I get a little bit terrified, and then I see the look in your (eyes).
I EM
AM
(-) II EM
AM
I 2/4 AM
Turn around, bright eyes ! Every now and then I fall a(part). Turn around, bright eyes !
II AM
/G# II
Every now and then I fall apart.And I...
II Fm
I C#M
EbM
I 2/4 AbM I
…. need you now tonight and I need you more than ever, and if you
I C#M
I EbM
I AbM II
I 2/4 Fm
only hold me tight we'll be holding on forever. And we’ll
I
II Fm
C#M
I2/4 EbM
…..only be making it right 'cause we'll never be wrong. To ...
I C#M
EbM
I Fm
BbM
I2/4 BbM II
...gether we can take it to the end of the line. Your love is like a shadow on me all of the time.
I AbM
EbM
I Fm
BbM I2/4 BbM II
I don't know what to do and I'm always in the dark, we're living in a powder keg and giving off sparks.
II
I AbM
EbM
I C#M EbM
I 2/4 AbM
I really need you tonight, forever's gonna start tonight, forever's gonna start tonight.
II: (AbM)
Fm
I C7
DbM
/C#/C I
Once upon a time I was falling in love but now I'm only falling apart,
Bbm
EbM
I AbM Fm I C#M EbM :II
there's nothing I can do, a total eclipse of the heart.
Once upon a time there was light in my life, but now there's only love in the dark,
nothing I can say, a total eclipse of the heart.
II AbM I
II
Instrumentaal : II: Bbm I AbM :II: C#M I BM :II
(*)
Turn around, bright eyes ! Every now and then I fall a(part). Turn around, bright eyes ! Every now and
then I fall apart.
And I need you now tonight and I need you more than ever
and if you only hold me tight we'll be holding on forever.
And we'll only be making it right 'cause we'll never be wrong.
Together we can take it to the end of the line, your love is like a shadow on me all of the time.
I don't know what to do and I'm always in the dark. we're living in a powder keg and giving off sparks.
I really need you tonight, forever's gonna start tonight, forever's gonna start to(night).
Once upon a time I was falling in love, but now I'm only falling apart,
there's nothing I can say, a total eclipse of the heart.
a total eclipse of the heart, a total eclipse of the heart.
118
Tumbling Dice
(Rolling Stones/Linda Ronstadt-origineel in Eb)
Tempo :110
Intro : II: CM I
:II
II CM
I
:II
People try to rape me, always think I’m crazy, and
make me burn the candle right down
but
ba
by,
I
can’t stay,
I FM
I
I GM
II
don't need no jewels in my crown.
Now
all you women are low down gamblers
Cheatin' like I don't know how.
But
ba
by, I go
cra zy.
fever in the funk house now
There's
This
low down bitchin', got my poor feet a itchin'
Can’t you see the deuce is still wind
Ba
by,
get it straight,
I FM (break)
roll me
you got to
I
I
and call me the tumbling
I CM
I
II
dice
Always in a hurry, I never stop to worry
Don't you see the time passing by
Honey
go no money. I'm all
sixens and sevens and nines. Say
now, baby, I'm the rank outsider
You can be my partner in crime,
ba
but
by, get it straight,
I FM (break)
you got to
I
I
roll me,
II: CM
I
I FM
I
:II (X4)
dice
You got to roll me…….. you got to roll me……..
Solo (Strophe)
Oh my, my, my, I'm the lone crapshooter
Playing the field every night
Ba by,
roll me
II CM
get it straight, you got to
II
dice
119
32 jaar
(Sinds een dag of twee)
(Doe Maar—Bb)
Tempo :115
Intro : II GM I
I
I
II
II GM
I
I
Sinds een dag of twee, vlinders in m'n hoofd
Sinds een dag of twee, aangenaam verdoofd
I Em
Bm
I CM
DM
I GM
I
II
'k was haast vergeten hoe 't voelt om verliefd te zijn
Ik kijk om me heen door een roze bril
Veel te lang alleen, 'k stond een beetje stil
Hoe kon ik 't weten, m'n wereldje was zo klein
I Gm
F#5
I BbM/F
Edim7 I
't Is wel een beetje raar, tweeëndertig jaar,
I EbM7
I
I
trillend op m'n benen (op m'n benen)
I FM
I F7
I GM
I CM
I
Als ze is verdwenen (is verdwenen oh la la la la la)
I GM
I CM
I
Ze is ze is van mij (oh la la la la la)
II GM I
I
I
II
Mannen bij de vleet, wachtend in een rij
Deert me toch geen reet want ze kijkt naar mij
Liefde, oh liefde, waar was jij toch al die tijd
Alles wat ze zegt slik ik voor zoete koek
En m'n scherpe blik Is ook al dagen zoek
't Kan me niet schelen, zolang ze maar met me vrijt A
Refrein
Solo : II: GM I
II FM I
I
I
:II
II
II: GM
I CM
:II (X4)
(oh la la la la la) ze is ze is van mij
I FM
I GM I
(oh la la la la oh oh oh) ze is van mij
120
Twilight Zone
(Golden Earring)
Tempo :120
Intro : II Bm |
| Em |
| Bm |
| F#m |
II: Bm
|
II
I
I Em7
I
I
It's 2 A.M. the fear has gone, I'm sitting here waiting the gun still warm
I F#m
I
I Bm
I
:II
Maybe my connection is tired of taking chances
Yeah there's a storm on the loose, sirenes in my head
Wrapped in silence all circuits are dead, cannot decode my whole life spins into a
frenzy
II:Bm
I
I AM
I
I
Help I'm stepping into the twilight zone, place is a madhouse feels like being cloned
I GM
I
I F#M
I
:II
My beacon's been moved under moon and star, where am I to go now that I've gone
too far,
Help I'm stepping into the twilight zone, place is a madhouse feels like being cloned
my beacon's been moved under moon and star, where am I to go now that I've gone
too far
II: GM
I Em
I Bm
I
:II
So you'll come to know, when the bullet hits the bone
I'm falling down a spiral destination unknown, double crossed messenger all alone
Can't get connection, can't get through where are you
Well the night weighs heavy on his guilty mind, this far from the border line
When the hitman comes he knows damn well, he has been cheated
And he says
Refrein
Solo (Refrein)
Refrein
Outro :
II: G
I Em
I Bm
I
:II
121
Unchain my heart
(Joe Cocker)
Tempo :120
II Am
I Dm
I Am
I
I
Unchain my heart, baby, let me be
I Dm
I E7
I Am
I
II
‘cause you don’t care, baby please, set me free
II Am
I
I
I
I
Unchain my heart, baby let me go
I Dm
I
I Am
I
I
Unchain my heart, ‘cause you don’t love me no more
II: Dm
I Am
:II
Everytime I call you on the phone,
some fellow tells me that you’re not at home,
II FM
I E7
I Am
I
II
Unchain my heart, set me free
Unchain my heart, baby, let me be
Unchain my heart, ‘cause you don’t care about me
You ’got me sawed up like a pillow cage,
but you let my love go away
Unchain my heart, set me free
II Dm
I
I Am
I
I
I’m under your spell, like a man in chain
I Dm
I
I E7 (break)
I
II
But you know me damn well, I don’t stand a chance ....
Unchain my heart, let me go my way
Unchain my heart, you are ......
I’m living through a life of misery,
and you don’t care the least for me,
unchain my heart, set me free
Solo :
II: Am |
|
|
| Dm |
| Am |
| FM |E7 | Am |
|
|
:II
I’m under your spell, like a man in chains,
But you know damn well, I don’t stand a chance ..
Refrein ((1ste)
122
Underneath Your Clothes
(Shakira)
Tempo :80
Intro :
II: Fm
Cm/Eb
I DbM
EbM
:II
You're a song, written by the hands of
god, don't get me wrong cause, this might sound to you a bit
odd, but you own the place, where all my thoughts go
II Fm
Cm/Eb
I DbM
hiding,
I EbM
II
right under your clothes, is where I'll find them
II: AbM
Cm/Eb
I DbM
EbM
:II
Underneath your clothes, there's an endless story
There's the man I chose, there's my territory
II Cm
Fm
I Bbm
(EbM *)
II
And all the things I deserve, for being such a good girl honey
II AbM I DbM II
Because of you, I forgot the smart ways to
Lie, because of you, I'm running out of reasons to
Cry, when the friends are gone, when the party's
Over, we will still belong
to each other
Refrein (X2) (*)
II Bbm
I
II
For being such a yeah.....
II BM
Bbm
I Abm
F#M I
I love you more than all that's on the planet, movin' talkin' walkin' breathing, you
I EM
I F#M
:II
know it's true, oh baby it's so funny, you almost don't believe it, as
every voice is hanging from the silence, lamps are hanging from the ceiling, like a
lady tied up to her manners, I'm tied up to this
feeling
Solo : II: Fm Cm/Eb I DbM EbM :II (X4)
Refrein (X2)
II Bbm
EbM
E°
I Fm II
For being such a good girl
123
Vanavond ga ik uit
(R. Van Het Groenewoud)
Intro :
Tempo :125
II DM
Bm
I GM
DM
I
CM GM GM CMI CM GM GM CM I
Dit is al één week volgens de regels,
I DM
Bm
I GM
DM
I
CM GM GM I
GM GM I
Dit is al één week ambtenarij
I DM
Bm
I GM
DM
I CM GM GM CMI CM GM GM CM I
Van losse woorden, vormelijkheden,
I DM
Bm
I GM
DM
II
jezelf zijn, dat is er niet bij
II Bm
I GM
I DM
I
I
En zo wild, wordt het verlangen,
I Bm
I GM
I AM
I
II
Reizen wil ik, reizen tot de nacht
I GM I AM
I DM
I
I
Vanavond ga ik uit, en niemand houdt mij tegen
I GM
I AM
I Bm
I CM
I AM
I
Vanavond ga ik uit, terwijl ik heb gekregen, wat de nacht je geven kan,
I DM
I GM
I
als je verzeilt in vuur en vlam
I Intro I
Vanavond ga ik uit.
Dit is het uur om muren te slopen, dat ik toch zo belachelijk was
‘k Ben zelf beter, slimmer te denken, de theorie komt nu niet van pas
Zal een dans, de bal is gebroken, geen schoolmeester die hier het leven smoort..
Vanavond ga ik uit, en niemand houdt mij tegen
Vanavond ga ik uit, terwijl ik heb gekregen
Wat de nacht je geven kan,
Als je verzeilt in vuur en vlam
II CM
I AM
I DM
I
II
Bij Koninklijk besluit, vanavond ga ik uit.
II: AM
I
I DM
I
:II
Doorgaan, doorgaan, tot ik niet meer op mijn benen kan staan
I AM
I
C C# D
I
I
Doorgaan, doorgaan, …….vanavond
Instrumentaal (‘Vanavond ga ik uit’…)
II: GM I AM I DM I
:II
124
Verdammt ich lieb' dich
(Matthias Reim)
Tempo :100
II Am
I
I
I
I
Ich ziehe durch die Strassen bis nach Mitternacht , Ich hab' das früher auch gern gemacht
I GM I
I Am I
II
Dich brauch' ich dafür nicht
Ich sitze am Tresen trinke noch 'n Bier Früher war'n wir oft gemeinsam Hier
Das macht mir, macht mir nichts !
II CM
I
I GM
I
I
Gegenüber sitz 'n Typ wie 'n Bär , Ich stell' mir vor wenn das dein Neuer wahr
I Am
I GM
I Am
I
II
Das juckt mich überhaupt nicht
II CM
I
I GM
I
I
Auf ein Mal pakt's mich, ich geh'auf ihn zu und mach' ihn an: Laá meine Frau in Ruh'
I FM
I GM
I Am I
I FM
I
I GM
I
I
Er fragt nur: Hast du 'n Stich ? Und ich denke wieder nur an Dich...
II CM
I
I GM I
I
Verdammt ich lieb' dich, ich lieb' dich nicht
I Dm
I
I Am I GM I
Verdammt ich brauch' dich, ich brauch' dich nicht
I CM
I
I GM
I FM
I Am I Am G Am I
II
Verdammt ich will dich, ich will dich nicht , Ich will dich nicht verlier'n
So langsam fällt mir alles wieder ein, Ich wollt' doch nur 'n bisschen freier sein
Jetzt bin ich's - oder nicht
Ich passte nicht in Deine heile Welt, Doch die und Du ist, was mir jetzt so fehlt
Ich glaub' das einfach nicht
Gegenüber steht ein Telefon, Es lacht mich standig an voll Hohn
Es klingelt, klingelt aber nicht
Sieben Bier - zuviel geraucht, Das ist es, was ein Man so braucht
doch niemand, niemand sagt: Höhr' auf ! Und ich denke schon wieder nur an Dich
Refrein (X2)
125
Verdronken Vlinder
(Boudewijn de Groot)
Tempo :115
II: CM
FM
I GM
CM
:II
Zo te sterven op het water met je vleugels van papier
Zo maar drijven na het vliegen in de wolken drijf je hier
II Am
I FM
I
Met je kleuren die vervagen zonder zoeken, zonder vragen
I GM
I
I
Eindelijk voor altijd rusten en de bloemen, die je kuste
I CM
I Am
I
Geuren die je hebt geweten, alles kun je nu vergeten
I FM
GM
I CM
I
Op het water drijf je heen en weer
I CM
I FM
CM
II
Zo te sterven op het water met je vleugels van papier
Als een vlinder, die toch vliegen kan tot in de blauwe lucht
Als een vlinder altijd vrij en voor het leven op de vlucht
Wil ik sterven op het water, maar dat is een zorg van later
Ik wil nu als vlinder vliegen, op de bloemen, blaren wiegen
Maar zo hoog kan ik niet komen, dus ik vlieg maar in m'n dromen
Altijd ben ik voor het leven op de vlucht
Als een vlinder die toch vliegen kan tot in de blauwe lucht
Om te leven, dacht ik, je zou een vlinder moeten zijn
Om te vliegen heel ver weg van alle leven, alle pijn
Maar ik heb niet langer hinder van jaloers zijn op een vlinder
Als zelfs vlinders moeten sterven, laat ik niet mijn vreugd bederven
Ik kan zonder vliegen leven, wat zal ik nog langer geven
Om een vlinder die verdronken die verdronken is in mei
126
Vlaanderen Boven
(Raymond van het Groenewoud)
Intro : II: GM I
I
I
:II
Tempo :160
II: GM
I Em
:II (X3)
Waar er mossel met frit is, waar er kip aan het spit is, waar de kerk in 't midden staat
Waar de purperen hei bloeit en het geld in het zwart vloeit
II AM
I D7
II
Waar men nauwelijks Nederlands praat
Waar een diploma geen zin heeft en de koning geen kind heeft
Waar de schuimwijnkoningin defileert
Waar het volk goedlachs is en een vuist zonder kracht is
II AM
DM
I GM
I
Waar men faalt en aan de toog explikeert
(/G /A /B)II: CM I
I GM I
I
Vlaanderen boven, waar men de Heer nog kan loven
I DM
I
I GM
I
:II
Waar de mensen belangrijk zijn en de buiken omvangrijk zijn
Vlaanderen buiten, waar de vogeltjes fluiten
I DM I
I GM
I
Vlaanderen mijn land, bij het Noordzeestrand
Waar de kleurenbuis grijs is en een schroef nog een vijs is, waar de rijkswacht goed functioneert
Waar een pik een houweel is en geen pintje te veel is
Francis Bay 't orkest dirigeert
Waar de g soms een h is AVV-VVK is, waar men ernst zodanig prijst
Waar de chiro paraat staat, de vrouw aan de vaat staat
II GM
I Em
I
De camera traag gaat, de premier nogal vaag praat
I AM
DM
I GM (lick 1) I
De vakantie naar Spanje wijst
Refrein
Instrumentaal :
II CM
I GM
I CM
I GM
I
De Kemmelberg, het Gravensteen, de Koekelbergbasiliek (ja die van Koekelberg)
I CM
I GM
I AM
I DM
II
De waterzooi, het meisje in 't hooi, de Vlaamse romantiek
Vlaanderen boven, waar men een peer nog kan stoven
Waar de mensen belangrijk zijn en de pensen omvangrijk zijn
Vlaanderen buiten, waar ik de Heer nog zag spuiten
Vlaanderen mijn land, bij het Noordzeestrand
Outro = Intro
127
Walk Of Life
(Dire Straits)
Tempo = 175
Intro :
II: CM
I
:II
Here comes Johnny singing oldies, goldies,
be-Bop-A-Lua, Baby What I Say
Here comes Johnny singing I gotta Woman,
down in the tunnels, trying to make it pay….
II: FM
I
I CM
I
:II
He got the action, he got the motion, yeah, the boy can play
Dedication devotion, turning all the night time into the day...He do the
II CM
I GM
I
song about the sweet lovin' woman, he do the
I CM
I FM
I
song about the knife, he do the
I CM
I GM
walk,
I FM
I
GM
II
he do the walk of life…..do the walk of
Thema (X1)
Here comes Johnny and he'll tell you the story
Hand me down my walkin' shoes
Here come Johnny with the power and the glory
Backbeat the talkin' blues
He got the action, he got the motion, yeah, the boy can play
Dedication devotion, turning all the night time into the day
He do the song about the sweet lovin' woman
He do the song about the knife
He do the walk, he do the walk of life + (Thema X2)
Here comes Johnny singing oldies, goldies
Be-Bop-A-Lula, Baby What I Say
Here comes Johnny singing I Gotta Woman
Down in the tunnels, trying to make it pay
He got the action, he got the motion, yeah the boy can play
Decidation devotion, turning all the night time into the day
And after all the violence and double talk
There's just a song in the trouble and the strife
You do the walk, you do the walk of life
Thema (X4)
128
The Wanderer
(Status Quo)
Intro : II EM I
I
I
II
Tempo :120
II: EM
I
:II
I'm the type of guy who never settles down, where
pretty girls are, you'll know that I'm around I
I AM
I
I
kiss 'em and I love 'em 'cause to me they're all the same I
I EM
I
I
hug 'em and I squeeze 'em, they don't even know my name, they call me the
I BM
I AM
I
Wanderer, yeah, Wanderer, I roam
I EM
I EM
BM II
round and round and round and round
There's Flo on my left and there's Mary on my right and
Janie is the girl that'll be with tonight and
when she asks me which one I love the best I
tear open my shirt and show Rosie on my chest 'Cause I'm
Refrein
II BM
I
/A /G# I BM
I
/A /G# I
Well, I roam from town to town, live life without a care. I'm as
I BM
I
I C#M
I F#M
II
happy as a clown, with my two fists of iron but I'm goin' nowhere
I'm the type of guy that likes to roam around I'm
never in one place; I roam from town to town and
when I find myself a-fallin' for some girl I
hop right into that car of mine and drive around the world 'cause I'm
Refrein
Solo (strophe + Refrein)
Well, I roam from town to town, live life without a care. I'm as
happy as a clown, with my two fists of iron but I'm goin' nowhere
I'm the type of guy that likes to roam around I'm
never in one place; I roam from town to town and
when I find myself a-fallin' for some girl I
hop right into that car of mine and drive around the world 'cause I'm
Refrein (X2)
II AM
I
I EM I
II
Refrein (X2)
129
Wand’rin star
(Lee Marvin)
Intro: Deel 1, 2 en 3
Tempo :100
II DbM I
I
I
I
I was born under a wand’rin star,
I DbM
I
I AbM
I Ebm II
I was born under a wand’rin star
II GbM
I
I
Wheels are made for rollin’, mules are made to pack
I DbM
I
Ebm
AbM
II
I’ve never seen a sight that didn’t looking better lookin’ back.
II DbM I
I
I
I
I Fm
I Cm
I
Mud can make you prisoner and the planes can bake you dry,
Snow can burn your eyes, but only people make you cry.
I Ebm
I Bbm
I
Home was made from coming from, for dreams of going to
I Ebm
I AbM
I
Which with any luck will never come true…
Do I know where Hell is, Hell is in hello
Heaven is goodbye for whenever it’s time for me to go.
a wand’rin, wand’rin star….
Mud can make you prisoner and the planes can bake you dry,
Snow can burn your eyes, but only people make you cry.
Home was made from coming from, for dreams of going to
Which with any luck will never come true…
When I get to heaven, tie me to a tree,
Or I’ll begin to roamence, and you’ll know where I will be
a wand’rin, wand’rin star….
Instrumentaal (DbM)
130
Wasted Years
(Adrian Smith- Iron Maiden)
Tempo :160
Intro: (zie bijlage)
II: E5
I
I D5
I
:II
From the coast of gold, across the seven seas, I'm
travelling on, far and wide, But
II C5
I
I E5
I
I
now it seems, …..I'm just a stranger to myself, and all the
I D4
I
I C5
I
II
things I sometimes do, it isn't me but someone else.
I close my eyes, and think of home, Another
city goes by, in the night, Ain't it
funny how it is, you never miss it til it's gone away, and my
heart is lying there and will be til my dying day.
II: G5
I C5
So
A5 I D5
I C5 A5 I
understand, don't
I E5
I D5
I C5
I
:II
waste your time always searching for those wasted years,
Face up...make your stand, and
realise you're living in the golden years.
Too much time on my hands, I got you on my mind, can't
ease this pain, so easily, when
you can't find the words to say, it's hard to make it through another day, and it
makes me wanna cry, and throw my hands up to the sky.
Refrein
Reprice (intro) (thema X 8) - Basloop 2de keer
Solo :
II: E5 I
I D5 I
I
I C5
I
I
I
:II
Refrein (X2)
Outro = intro
131
Way to your heart
(Soulsister)
Tempo :200
Intro : II: /F#
II: F#M
I /F# /E /D# /C# :II (X4)
I /A#
I C#M
I BM :II
Woke up this morning with my heart on fire, held on to what I'd been dreaming
Woke up this morning I had one desire, to get back to what I'd been seeing
II A#m I
I BM
I
I G#m
Heaven, it was heaven,
I C#M
I
I
I
I have never know any like this,
II
witnessed anything like this
II: F#M
I /A#
I C#M
I BM :II
Glowing all over as I started on my feet, I thought that I heard somebody calling
Heaven, it was heaven, now I know I've seen the light
make it go on shining ….
II: EbM
I Cm
I AbM
I BbM :II
I keep on searching for the way to your heart,
try to believe it's getting better,
II EbM
I /G
I
/Ab
I /Ab I
please, take me all the way to your heart
I / Bb
I
I BbM
I
II
I want you... (ohohoho)
All the sweet kisses, all the tenderness, that I'm being shared all around it
Only remind me of my only stress, no loving arms to surround me
Falling, I am falling, You can help me out of there
being mine forever….
Refrein
II: BbM
I AbM
I EbM
I Cm
I
You got it, you got it, there'll be no doubt about it
II BbM
I AbM
I EbM
I BbM :II
nobody's going keep me from you - oh
I want you, I need you, I'll find a way to get through
Nobody is going keep me from you Solo (II: F#M I /A# I C#M I BM :II)
uhuh heaven, it was heaven, now I know I've seen the light
make it go on shining….
Refrein (X2)
132
The Weight
(J.R.Robertson)
Tempo :70
II: AM
IC#m
I DM
I AM :II
I pulled into Nazareth, was feelin' about half past dead;
I just need some place where I can lay my head.
"Hey, mister, can you tell me where a man might find a bed?"
He just grinned and shook my hand, and "No!", was all he said.
II AM
EM/G# I DM
I AM
EM/G#
I DM I
Take a load off Fanny, take a load for free;
I AM
EM/G#
I DM
I
I
I
Take a load off Fanny, And (and) (and) you can put the load right on me.
I AM EM/G# I DM/F# AM/E I DM
I
I
I picked up my bag, I went lookin' for a place to hide;
When I saw Carmen and the Devil walkin' side by side.
I said, "Hey, Carmen, come on, let's go downtown."
She said, "I gotta go, but m'friend can stick around."
Refrein
Go down, Miss Moses, there's nothin' you can say
It's just ol' Luke, and Luke's waitin' on the Judgement Day.
"Well, Luke, my friend, what about young Anna Lee?"
He said, "Do me a favor, son, woncha stay an' keep Anna Lee company?"
Refrein
Crazy Chester followed me, and he caught me in the fog.
He said, "I will fix your rack, if you'll take Jack, my dog."
I said, "Wait a minute, Chester, you know I'm a peaceful man."
He said, "That's okay, boy, won't you feed him when you can."
Refrein
Catch a cannon ball now, t'take me down the line
My bag is sinkin' low and I do believe it's time.
To get back to Miss Fanny, you know she's the only one.
Who sent me here with her regards for everyone.
Refrein
133
(De)
Werkmensch
(Ivan Heylen)
Tempo :220
Intro : II GM I
II
II GM
I
I
I
:II
Awel, ‘s maandags zijn we ziek, dinsdag zijn we moe,
‘s woensdags ist ‘alfweg, donderdag zijn we ‘ast zot, en
Vrijdag ist den loatste en dan drinken we allemaal zat
II CM
I
I GM
I
I
Ier zit ne werkmensch, ne werkmensch
I DM
I
6/4(break)
I GM
I
II
ne werkmensch…….a zit der ‘ier.
II CM
I
I GM
I
I
Moar de logting m’okt al vele goe, paI CM
I
I DM
I
II
-tatten en tomat’en op een ‘roe.
Refrein
En zaterdag’s sloapen w’iut, en ‘s avonds noar de match,
En ‘s zondags eten we friet’n, en dan ook nog soep,
En dan tussendeuren nog efkens uit de broek.
Refrein
Moar de logting m’okt al vele goe,
patatten en tomat’en op een ‘roe.
Refrein
En azoe es’t leven goe, want god ‘eet zo gemoakt,
Moar ik ‘en toch al gepeinsd, en ik ‘en toch al gevloekt.
‘k Had toch gern wa meer tijd om te werken op een ‘roe
Refrein
Moar de logting m’okt al vele goe,
patatten en tomat’en op een ‘roe.
Refrein
134
We’ll meet again
(Vera Lynn)
Tempo :90
II DM
I F#7
I Bm7
I Gm7
I
We'll meet again, don't know where, don't know when, but I
I Em7
GM/B
I A7
Em9 A7 I D6 Fdim I Em7 A7 II
know we'll meet again, some sunny day.
I DM
I F#7
I Bm7
I Gm7
I
Keep smiling through, just like you always do, 'til the
I Em7
GM/B
I A7
I DM GM I DM
blue skies drive the dark clouds far away.
II F#7
I Gdim
F#7
II
So will you
I
please say hello to the folks that I know, tell them
I G6
I
I
I won't be long. They'll be
I E7
I
I
happy to know that as you saw me go, I was
I A7
I
II
singing this song.
Keep smiling through, just like you always do, 'til the
blue skies drive the dark clouds far away. So will you
please say hello to the folks that I know, tell them
I won't be long. They'll be
happy to know that as you saw me go, I was
singing this song.
II DM
I F#7
I Bm7
I Gm7
I
I Em7
GM/B I A7
Em A7 I D6 GM I DM A7 I DM II
135
What A Wonderful World
(Louis Armstrong)
Tempo :90
II DM
F#m I GM
I see trees of green,
I Em7
DM
I F#7
I see them bloom,
I BbM
F#M I
red roses too
Bm I
for me and you,
I Em7/A
And I think to myself,
A7
I DM
D+
I Gmaj7 A7 II
What a wonderful world
I see skies of blue and clouds of white,
The bright blessed day, the dark sacred night,
II Bb
I Em7/A
And I think to myself,
A7 I
I DM
I GM
DM II
what a wonderful world
II: A7
I DM
:II
The colors of the rainbow, so pretty in the sky
Are also on the faces of people goin' by
II Bm
F#m
I Bm
F#m I
I see friends shaking hands, saying, "How do you do?"
I Em7
F#°7
I Em7
They're really saying,
F#°7
"I
love
Em7
II
you."
I hear babies cry, I watch them grow
They'll learn much more than I'll ever know,
II BbM
I Em7/A
And I think to myself
II Em7
Em7/A
Yes I think to myself,
A7
I DM
I F#m7b5
B7 II
I A7b9
I
DM
I G13
DM II
136
What’s a woman
(Vaya Con Dios)
Tempo :160
Intro : II: 12/8GM I Em :II
II: GM
I Em
:II
What a woman when a man, don’t stand by her side
What’s a woman when a man, has secrets to hide
I Am
DM
I Am
DM
II
She’ll be weak, she’ll be strong, struggle hard for so long
What’s a woman when a man, (what’s a man without a woman),
don’t go by the rules
What’s a woman when a man, (what’s a man without a woman),
makes you feel like a fool.
When right turns to wrong, she will try to hold on to the ghosts of the ...
..past, when love would still last,
dreams from the past, fading so fast.
All alone, in the dark, she will swear he will never mislead you again
I GM I
I
Solo
I Em I GM I Em I GM I
I Am DM I Am DM I Am DM I
All those dreams from the past, faded so fast,
Ghost of the past, when love wiould still last
All alone, in the dark, she will swear , cross her heart,
II: GM
I Em
:II
never again…Cross my heart, never again (what’s a man without a woman)
Cross my heart, ( a woman without a man),
never again (what’s a man without a woman)
Cross my heart, ( a woman without a man)
Repeat
137
Whatever you want
(Status Quo)
Intro : II: CM GM I DM :II (X4)
Tempo :130
II: D7 I
II: DM I
I AM I
I
I
:II
I
I
I DM I
I
:II
II: DM
I
I
Whatever you want, whatever you like, whatever you
I
I
I
say, you pay your money, you take your choice.
I AM
I
I
Whatever you need, whatever you use, whatever you
I DM
I
:II
win, whatever you loose.
You´re showing off, you´re showing out, you look for
trouble, turn around, give me a shout. I take it
all, you squeeze me dry, and now to-day you couldn´t even say goodbye.
II FM
I CM
I DM
I
I
I could take you home on the midnight train again.
I FM
I CM
B7
I EM
I (break)
II
I could make an offer you can´t refuse .
Refrein
Solo :
II FM I
I
I G5
I
I CM I FM I E5 I G5 AM I AM
II
You´re showing off, you´re showing out, you look for
trouble, turn around, give me a shout. I take it
all, you squeeze me dry, and now to-day you couldn´t even say goodbye.
II FM
I CM
I DM
I
I
I could take you home on the midnight train again.
I FM
I CM
B7
I EM
I (break)
II
I could make an offer you can´t refuse .
II DM
I
I
Whatever you want, whatever you like, whatever you
I
I
I
say, you pay your money, you take your choice.
I AM
I
I
Whatever you need, whatever you use, whatever you
I DM
I CM
I GM
I AM
I AM (break) II
win, whatever you loose, whatever you want,
Refrein (1ste—ad lib instrumentaal)
138
What's Up?
( 4 Non Blondes)
Tempo :65
Intro : II: AM I Bm I DM I AM :II
II: AM
I Bm
I
25 years of my life and still, tryin' to to get up that great big hill of
I DM
I AM
:II
Hope, for a destination.
I realized quickly when I knew I should that the world was made up of this brotherhood of man, for whatever that means. And so I
cry sometimes, when I'm lying in bed just to get all out, what's in my head, then
I, I am feeling, a little peculiar. And so I
wake in the morning, and I step outside and I take a deep breath, and I
get real high, and I, scream from the top of my lungs, "What's going on?" And I say,
"Hey yeah yeah hey, hey yeah yeah." I said,
"Hey, what's going on?"
And I say,
"Hey yeah yeah hey, hey yeah yeah." I said,
"Hey, what's going on?"
Solo : II: AM I Bm I DM I AM
:II
And
I try, oh my god, do I try, I try all the
time,
in this institution. And I
pray, oh my god, do I pray, I pray every single
day, for a revolution. And so I
cry sometimes, when I'm lying in bed just to get all out, what's in my head, then
I, I am feeling, a little peculiar.
And so I
wake in the morning, and I step outside and I take a deep breath, and I
get real high, and I, scream from the top of my lungs, "What's going on?" And I say,
Refrein (X2)
Solo : II: AM I Bm I DM I AM
:II
25 years of my life and still,
tryin' to get up that great big hill of
hope,
for a desti
nation
139
Weather with you
(Crowded House)
Tempo :95
Intro :
Walking 'round the
II: Em7
I Asus4
I Em7
I Asus4
:II
room, singing "Story Weather", at 57 Mt Pleasant Street.
Well it's the
same room but everything's different.You can fight the sleep but not the dream.
II Dm
CM
I Dm
CM
I Dm
CM
I FM
I
Things ain’t cooking, in my kitchen. Strange afflictions wash over me.
I Dm
CM
I Dm
CM
I Dm
CM
I FM
I G7
II
Julius Caeser and the Roman Empire couldn't conguer the blue sky....
Instrumentaal: II Em7 I Asus4 I Em7 I Asus4
II (intro 2)
Everywhere you
II: A7sus4
I DM
:II
go, you always take the weather with you, everywhere you
go, you always take the weather.
Everywhere you
II A7sus4
I GM
I
go, you always take the weather,
I F#m
I Em
Everywhere you
AM
II
go, you always take the weather, the weather with
Instrumentaal: II Em7 I Asus4 I Em7 I Asus4
II (intro 2)
you
There's a
II Em7
I Asus4
I Em7
I Asus4
small boat made of china. It's going nowhere on the mantlepiece.
I Em7
I Asus4
I Em7
I Asus4
lie like a loungeroom lizard, or do I sing like a bird released.
I
Well do I
A7sus4
II
Everywhere you
Refrein + Instrumentaal: II: Em7 I Asus4 I Em7 I Asus4
:II (intro 1+2)
Everywhere you
II: A7sus4 (*)
I DM
:II
go, you always take the weather with you, everywhere you
go, you always take the weather.
Everywhere you
II A7sus4
I GM
I DM
I
Everywhere you
I EM
I
I GM
AM
I DM
you take the
I (!)
II
weather, the weather with you
Refrein (Laatste *)
140
Whenever, Wherever
(Shakira)
Tempo :110
Intro : II: C#m I F#m G#m :II
II: C#m
I G#M
I
Lucky you were born that far away so, so we could both make fun of distance
I AM
I BM
:II
Lucky that I love a foreign land for the lucky fact of your existence
Baby I would climb the Andes solely to count the freckles on your body
Never could imagine there were only too many ways to love somebody
I F#m /G# / A I C#m /E I F#m /G# /A I C#m G#M I
Lo ro lo le lo le, lo ro lo le lo le, can't you see, I'm at your feet
II: C#m
AM
I EM
BM
I
Whenever, wherever, we'll learn to be together
I C#m
AM
I F#m
BM
:II
I'll be there and you'll be near and that's the deal my dear
They're over, you're under, you'll never have to wonder
We can always play by ear, but that's the deal my dear
Instrumentaal
II
II
Lucky that my lips not only mumble, they spill kisses like a fountain
Lucky that my breasts are small and humble, so you don't confuse them with mountains
Lucky I have strong legs like my mother, to run for cover, when I need it
And these two eyes, are for no other, the day you leave, we'll cry a river
Lo ro lo le lo le, lo ro lo le lo le, at your feet, I'm at your feet
Refrein
II: F#m /G# / A I C#m /E I F#m /G# / A I BM :II
Lo ro lo le lo le, lo ro lo le lo le, we can fly, say it again
Lo ro lo le lo le lo le, tell me one more time, that you'll live lost in my eyes
II
II
Whenever, wherever, we'll learn to be together
I'll be there and you'll be near and that's the deal my dear
They're over, you're under, you've got me head over heels
There's nothing left to fear, if you really feel the way I feel
Repeat last chorus
141
When You're Gone
(B. Adams/Melanie C)
Tempo :125
Intro : I Dm I FM I CM GM I GM I
II: Dm
I GM
I CM
I
:II
I've been wandering around the house all night, wondering what the hell to do.
Yeah, I'm trying to concentrate, but all I can think of is you.
Well the phone don't ring 'cos my friends ain't home, I'm tired of being all alone.
II Dm
I BbM
I GM
I
II
Got the TV on cause the radio's playing, songs that remind me of you.
II: Dm
I FM
I CM
I GM
:II
Baby when you're gone,
I realise I'm in love.
The days go on and on, and the nights just seem so long.
Even food don't taste that good, drink ain't doing what it should.
II Dm
Things just feel so wrong,
II: Dm
I BbM
I GM
I
II
baby when you're gone.
I GM
I CM
I
:II
I've been driving up and down these streets, trying to find somewhere to go.
Yeah I'm looking for a familiar face, but there's no-one I know.
Aww this is torture, this is pain, it feels like I'm gonna, go insane.
II Dm
I BbM
I GM
I
II
I hope you're coming back real soon, ‘cause I don't know what to do.
Refrein
Hey, don't go Brian, don't go
Hey, where ya gone baby?
Don't go, don't go
Refrein
142
When the lady smiles
(Golden Earing)
Tempo :130
Intro 1 :
Intro 2 :
II: BM
I
I
F#M
I
:II (X4)
When the lady smiles,
you know , it drives me wild,
her lips are warm and resourceful,
when her finger
tips
go drawing circles in the night,
and the mood is soft and sensual ,
hey
II: BM
I
I F#M
And I love it,
it’s the answer
I
:II
yeah ,
I love it,
to all my dreams, every time it feels like the
II: EM (Accent)
I
I
earth is shaking ,
I G#m
it doesn’t matter
I
:II
Glass is falling ,
I hear it shatter,
maybe it’s raining ,
faster and faster
shadow dancing
Together roll
II G#m
I
I F#M
on,
I G#m
I
I
I am betting on the game of love
I
I C#M
I,
Ooh ,
I
I
I’m betting that love is gonna come out
I C#m
I
I BM
When the
I
I
walls no longer shout, ‘cause it’s me and I’m feeling proud
Ii BM C#m . .
I G#m
lady
I C#m
I EM
I
smiles, she holds me in her hand, as a
I BM
I C#m
G#m
I F#M I
I
matter of fact she could always let me down
I BM C#m . .
I G#m
lady
smiles,
I BM
When the
I C#m
I AM
When the
I EM
I can’t resist her call,
I G#m I
I
matter of fact I don’t resist at all
I EM
walking on clouds
I
as a
I F#M
‘cause I’m
I
I BM (intro 2)
I (!)
II
and she is leading the way
My friends tell me she’s the beast inside your paradise
I guess you’ve heard it all before.
A fallen
angel
that has got you hypnotised and that
always needs some more , ooh
And I love it, yeah , I love it, She’s done
nothing to mislead me ‘cause every time we meet the
143
II: EM (Accent)
I
earth is shaking ,
I G#m
I
it doesn’t matter
I
Glass is falling ,
maybe it’s raining ,
Shadow dancing.
II G#m
:II
I hear it shatter,
faster and faster
Together roll
I
I F#M
on,
I
I
I am betting on the game of love
I G#m
I
I,
I C#M
Ooh ,
I
I
I’m betting that love is gonna come out
I C#m
I
When the
I BM
I
walls no longer shout, ‘cause it’s me and I’m feeling proud
Ii BM C#m . .
I G#m
lady
I C#m
I EM
I
smiles, she holds me in her hand, as a
I BM
I C#m
G#m
I F#M I
I
matter of fact she could always let me down
I BM C#m . .
I G#m
lady
smiles,
I BM
I
When the
When the
I C#m
I AM
I EM
I can’t resist her call,
I G#m I
I
matter of fact I don’t resist at all
I EM
walking on clouds
I
as a
I F#M
‘cause I’m
I
II
and she is leading the way..
Outro solo :
144
Where the Wild Roses Grow
(Nick Cave—origineel in Gm)
Tempo :50
II 6/8 Am
IDM Am I Am
He called me the wild ro-ose,
I CM
I
but my name was Elisa Day
I Am
I DM Am I
Why he called me that I do not kno-ow,
II Am
I EM
Am I Am
GM
I Am I
II
for my name was Elisa Day
I CM
I
From the first day I saw her I knew she was the one,
I Dm
I EM :II
she stared in my eyes and smiled
Her lips were the colour of the roses
That grow down the river all bloody and wild
II Am
I CM
I
When he knocked on my door and entered the room
I Dm
I EM
I
My trembling subsided in his sure embrace
I Am
I CM
I
He would be my first man and with a careful hand
I Dm
I EM
I E7
II
He wiped off the tears that run down my face
Chorus
II: Am
I CM
I Dm
I EM :II
On the second day I brought her a flower
She was more beautiful than any woman I'd seen
I said "Do you know where the wild roses grow
so sweet and scarlet and free?"
On the second day he came with a single red rose
He said "Give me your lust and your sorrow"
I nodded my head as I lay on the bed
"If I show you the roses, will you follow?"
Chorus
On the third day he took me to the river
He showed me the roses and we kissed
And the last thing I heard was a martyr word
As he knelt above me with a rock in his fist
II: Am
I CM
I Dm
I EM :II
On the last day I took her where the wild roses grow
She lay on the bank going light as a thief
And I kissed her goodbye, said all beauty must die
And I leant down and planted a rose between her teeth
Chorus (repeat Elisa Day)
145
While My Guitar Gently Weeps
(George Harrison)
Tempo :130
Intro : II Am I Am7/G I Am/F# I FM7 I
I Am I GM
II Am
I DM
I Am/G
I
EM
II
I Am6
I FM7
I
I look at you all see the love there that's sleeping
I Am
I GM
I DM
I EM
II
While my guitar gently weeps
IIAm
I Am/G
I Am6
I FM7
I
I look at the floor and I see it needs sweeping
I Am
I GM
I CM
I EM
II
Still my guitar gently weeps
II AM
I AM7 I F#m
I AM
I Bm
I
I EM /F#
I /G /G# :II
I don't know why
nobody told you how to unfold your love
I don't know how someone controlled you, they bought and sold you
I look at the world and I notice it's turning
With every mistake we must surely be learning
Solo (Strophe X2)
I don't know how you were diverted, you were perverted too
I don't know how you were inverted, no one alerted you
I look at you all see the love there that's sleeping
Look at you all...
Solo (Strophe—ad lib)
146
White Room
(Eric Clapton—origineel in G)
Tempo :110
Intro : II: 5/4 EM I DM I BM I AM :II 4/4 F#5
II
In a
II: BM
AM
I EM .
GM
AM I BM
AM
I EM . GM AM
white room with black curtains, near the station.
country, no gold pavements, tired starlings.
horses, ran down moonbeams, in your dark eyes.
smiles, on your leaving, my contentment.
II AM
I EM
I GM
I F#M
:II (X4)
Blackroof
Silver
Dawnlight
I’ll
I
wait in this place, where the sun never shines;
I A5
I EM
I GM
I AM
I
Wait in this place, where the shadowns run from them
I BM
I break)
selves.
II
You said
no strings, could secure you, at the station.
ticket, restless diesels, goodbye windows
into, such a sad time at the station,
walked out, felt my own need just beginning
Platform
I walked
As I
I’ll
wait in the queue, when the trains come back
Lie with you where the shadowns run from them
selves.
Instrumentaal : II: 5/4 EM I DM I BM I AM :II 4/4 F#5
Solo : II: BM AM I EM .
GM
II (intro)
AM :II (X8)
At the
party, she was kindness, in a hard crowd,
lation, for the old wound, now forgotten.
tigers crouched in jungles in the dark eyes.
dressing, goodbye windows, tired starlings.
Conso
Yellow
She’s just
I’ll
sleep in this place, with the lonely crowd,
Lie in the dark where the shadows run from them
selves.
Outro = intro
147
WHO'LL STOP THE RAIN
(J.C. Fogerty)
Tempo :120
Intro : II: GM
II GM I
II: GM
I GM
DM
I Em
I Em
DM :II
II
I
I CM
I GM
:II
Long as I remember the rain been comin' down.
Clouds of myst'ry pourin' Confusion on the ground.
II CM
I GM
I CM
I GM
I
Good men through the ages, tryin' to find the sun;
I CM
I DM
I Em
I
II
And I wonder, still I wonder, who'll stop the rain.
II GM I
II GM
II
I
I CM
I GM
I
I went down Virginia, seekin' shelter from the storm.
I GM
I Bm
I CM
I GM II
Caught up in the fable, I watched the tower grow.
Five year plans and new deals, wrapped in golden chains.
And I wonder, still I wonder who'll stop the rain.
Instrumentaal :
I CM GM DM I DM I Am CM Em I Em DM I
II GM I
II GM
II
I
I CM
I GM
I
Heard the singers playin', how we cheered for more. The
I GM
I Bm
I CM
I GM II
crowd had rushed together, tryin' to keep warm.
Still the rain kept pourin', fallin' on my ears.
And I wonder, still I wonder who'll stop the rain.
Outro = intro (X4)
148
Why don’t you do right
(Rasputina)
Tempo :70
Intro : II: Em DM I CM B7 :II
II: Em
DM
I CM B7 :II
You had plenty money 1922
You let all the women make a fool of you
II Am
I B7
I Em
I
I
Why don't ya do right.....Like some of the men do
II Am
B7
I Am
B7
I Em DM I CM B7 II
Get out-a here, get me some money too
Your sitting down wondering what it's all about
If ya ain't got no money they will...put you out
Why don't ya do right, like some of the men do
Now you had prepared her twenty years ago
You wouldn't be wonder'n out from door to door
Why don't ya do right, like some of the men do
Why don't ya do right
Like some of the men.....................do............
149
Why don’t you try me
(Franky Miller / Sarah Beth)
Tempo :100
Intro : II: AM F#m | EM
II AM
I EM
AM :I|
I DM
I AM :II
If your man’s got you on the run,
why don’t you try me
If you wanne have a little fun, why don’t you try me
If you talk more than you can bare, if your troubles are more than your share
If things ain’t going just right, why don’t you try me tonight
Why don’t you try me tonight, why don’t you try me .....
Why don’t you try me tonight, why don’t you try me .....
Last night I was trying to sleep
I heard a record from the room next door,
That was you and your woman having a fight,
like you did so many nights before..
I ran out of patience, spread the news,
that’s when I heard you shout ....
So I jumped out of bed, and I opened the door,
just as you came running out ...
Refrein
Solo
You see a good looking woman on the strees these days
and a better man can be hard to find ..
But how a man that would steal your heart,
and call good love a crime ..
But I ain’t scared if that’s what you mean,
and I will tell you, honey, you will be free
But I don’t mind if we have a good time,
When I say that I want you, you know I ain’t lying ...
Refrein (X2)
150
Whiskey in the Jar
(Traditional)
Tempo :130
II: CM
I Am
I
As I was a'going over Gilgarra mountain, I
I FM
I CM
:II
spied Colonel Farrell and his money he was counting.
First I drew my pistol and then I drew my rapier, saying
"stand and deliver for I am your bold deceiver."
II G7
I CM
I
Mu-sha ring-um du-ram da. Whack fol the daddy - o,
I Am
FM
I CM
G7
I CM
I
II
whack fol the daddy -o, there's whiskey in the jar.
He counted out his money and it made a pretty penny, I put it in my pocket to take home to
darling Jenny.She sighed and swore she loved me, and never would deceive me,
But the devil take the woman for the always lie so easy.
Refrein
I went into the chamber all for to take a slumber,to dream of gold and girls. And of course it
was no wonder, me Jenny took me charges and she filled them up with water
called on Colonel Farrell to get ready for the slaughter
Refrein
Next morning early before I rose to travel, a-came a band of footmen and likewise Colonel
Farrell,
I goes to draw my pistol for she'd stole away my rapier.
But a prisoner I was taken I couldn't shoot the water.
Refrein
They put me into jail with a judge all a-writen' robbing Colonel Farrell on Gilgarra mountain.
But they didn't take me fists and I knocked the jailer down,
and bid a farewell to this tight fisted town.
Refrein
I'd like to find me brother the one that's in the army, I don't know where he's stationed
in Cork or in Killerney. Together we'd go roaming over the mountains of Kilkenny,
and I swear he'd treat me fairer than me darling sporting Jenny.
Refrein
There's some takes delight in the carriages and rolling some takes delight in the hurley or
the bolling. But I takes delight in the juice of the barley,
courting pretty maids in the morning, oh so early.
Refrein
151
(The) Wild
Rover
(The Dubliners)
Tempo :60
II: 6/8 GM
I GM
CM
I
I've been the wild rover for many a year
I GM
DM
I D7
GM
:II
spent all my money on whiskey and beer
but now I'm returning with gold in restore
never I'll play the wild rover no more.
II DM
I DM D7 I
And it's no nay never
I GM
I CM
I
no nay never no more
I GM
I CM
I
will I play the wild rover
I D7
I GM
II
no never no more
I went to a chanty I used to frequent
Told the landlady my money was spent
I asked for her credit she answered me nay
saying: customers like you I can get any day.
Refrein
I drew from my pocket ten sovereigns bright
The landlady's eyes opened wide in delight
saying: I have the whiskey and wine of the best
and the words that I told you were only in jest.
Refrein
I'll go home to my parents confess what I've done
and ask them to pardon their prodigal son
and if they do as so often before
then I never Shall play the wild rover no more.
Refrein (X2)
152
Wind of Change
(Scorpions)
Tempo :75
Intro : II FM I Dm :II Am I Dm Am I 2/4 GM II
II: CM
I Dm
I CM
I Dm
Am
I 2/4 GM II
I follow the Moskva down to Gorky Park, listening to the wind of change.
An August summer night, soldiers passing by, listening to the wind of change.
II: FM I Dm :II Am I Dm Am I 2/4 GM II
The world is closing in. Did you ever think, that we could be so close, like brothers?
II CM
I Dm
I CM
I Dm
Am
I4/4 GM II
The future's in the air, I can feel it everywhere, blowing with the wind of change.
II CM GM
I Dm
GM
I CM
GM I
Take me to the magic of the moment on a glory night
I Dm
GM
I Am FM
Where the children of tomorrow dream away
II CM I
I GM
II
in the wind of change.
II
Walking down the street, distant memories, are buried in the past forever.
I follow the Moskva down to Gorky Park, listening to the wind of change.
Where the children of tomorrow share their dream, with you and me.
in a wind of change.
II Am
I GM
I
The wind of change blows straight into the the face of
I Am
I GM
I
time, like a stormwind that will ring, like a the freedom bell for peace of
I CM
I Dm
mind.
I E7 I
II
Let your Balalaika sing what my guitar wants to say.
Solo:
II FM G7 I Em Am I Dm G7 I Am I
I FM G7 I E7 Am I Dm
I E7 II
Where the children of tomorrow share their dream, with you and me.
in a wind of change
II: FM I Dm :II Am I Dm II
153
Wind Beneath My Wings
(Bette Middler)
Tempo :70
Intro II: BbM I EbM (FM) :II
Ohhhh, oh, oh, oh, ohhh.
II: BbM
/D
I EbM
:II
It must have been cold there in my shadow,
to never have sunlight on your face.
II: EbM
BbM
I Cm
FM
:II
You were content to let me shine, that's your way.
You always walked a step behind.
So I was the one with all the glory,
while you were the one with all the strain.
A beautiful face without a name for so long.
A beautiful smile to hide the pain.
II: Gm
FM
I BbM /A :II
Did you ever know that you're my hero,
and everything I would like to be?
I can fly higher than an eagle,
II Cm
FM
I BbM
II
for you are the wind beneath my wings.
II EbM II
It might have appeared to go unnoticed,
but I've got it all here in my heart.
I want you to know I know the truth, of course I know it.
I would be nothing without you.
Refrein (X2)
II 2/4 Cm
I 4/4
FM
I BbM
II
'cause you are the wind beneath my wings.
II EbM
I
Oh, the wind beneath my wings.
II BbM
I EbM
II
You, you, you, you are the wind beneath my wings.
II BbM I
I
/D I EbM
Fly, fly, fly away.
II: BbM
I
You let me fly so high.
/D I EbM
:II
Oh, you, you, you, the wind beneath my wings.
Oh, you, you, you, the wind beneath my wings.
II BbM
Fly, fly,
II BbM
I
I
I EbM
II
fly high against the sky, so high I almost touch the sky.
I EbM
I
FM
I BbM II
Thank you, thank you, thank God for you, the wind beneath my wings.
154
Wonderful Tonight
(Eric Clapton origineel in Bb)
Tempo :90
Intro : II: AM I EM I DM I EM :II
I AM
I EM
I DM
I EM
I
It's late in the evening, she's wondering what clothes to wear
She puts on her make up and brushes her long blonde hair
I DM
I EM
I AM
/G#
I F#m
I
And then she asks me, do I look allright
I DM
I EM
I AM
I
And I say yes, you look wonderful tonight
Thema (X1)
We go a party and everyone turns to see
This beautiful lady, that's walking around with me
And then she asks me, do you feel alright
And I say yes, I feel wonderful tonight
I AM I
I DM
I EM
I AM
/G#
I F#m I
I feel wonderful, because I see the love light in your eyes
I DM
I EM
I DM
I
And the wonder of it all is that you just don't realize
I
I AM I
How much I love you
Thema (X2)
It's time to go home now, and I've got an aching head
So I give her the car keys, she helps me to bed
And then I tell her, as I turn out the light
I DM
I EM
I AM
I
I
I say my darling, you were wonderful tonight
I DM
I EM
I AM
I
I
Oh my darling, you were wonderful tonight
Solo (akkoorden van Intro)
155
Wonderwall
(Oasis)
Tempo :90
Intro: II: F#m7 AM I Esus4 B7sus4 :II(X4)
II: F#m7
AM
I Esus4
B7sus4 :II
Today is gonna be the day that there’re gonna throw it back to you,
By now you should have somehow realised what you gotta do.
I don’t believe that anybody feels the way I do
II DM7
Esus4 I B7sus4 II
About you now.
Backbeat, the word is on the street that the fire in your heart is out,
I’m sure you’ve heard it all before but you never really had a doubt.
II F#m7
AM I Esus4 B7sus4 II
About you now.
Esus4
I F#m7
:II
II: DM7
And all the roads we have to walk are winding,
And all the lights that lead us there are blinding.
II DM7
Esus4
I AM
/G#
F#m7
I B7sus4 I
II
There are many things that I would like to say to you but I don’t know how.
II: DM7 F#m7 I AM F#m7 :II (X4)
Because maybe,
saves me,
you’re gonna be the one that
and after all, you’re my wonder
II DM7 F#m7 I 2/4 AM I 4/4 B7sus4 I
II
wall.
Today was gonna be the day but they’ll never throw it back to you,
By now you should’ve somehow realised what you’re not to do.
II F#m7
AM I Esus4 B7sus4 II
About you now.
And all the roads that lead you there were winding,
And all the lights that light the way are blinding.
There are many things that I would like to say to you
But I don’t know how, yes I don’t know how.
Refrein (X2) II: DM7 F#m7 I AM F#m7 :II
Because maybe, you’re gonna be the one that
saves me,
saves me,
saves me,
Outro : II: DM7 F#m7 I AM F#m7 ;II
156
Wrong Impression
(Natalie Imbruglia )
Tempo :100
Intro: I AbM Bbm I BM C# II: BM B13 I BM B13 :II
II EM
I
I
Calling out, calling out, haven't you wondeI BM
I
I
-red,
why I'm always alone, when you're in my
I EM
I
I
dreams, calling out, calling out, haven't you wondeI BM
I
I
-red, why you're finding it hard, just looking at
I EM
I
II
me……..
II BM
I
I
I want you, but I want you to underI EM
I
I
-stand
I F#M
II
I leave you, I love you
II EM
I
Didn't want to leave you with the wrong impression
I EM
I
Didn't want to leave you, with my last confession,
I BM
I
I
yeah, ….of love
I EM
I
Wasn't trying to pull you, in the wrong direction
I EM
I
All I wanna do is try and make a connection,
I F#M
I
II
yeah, of love
II: BM B13 I BM B13 :II
Falling out, falling out, haven't you wondered, if this was ever more, than a crazy i-dea, falling out, falling out, have you ever wondered, what we could've been, if you'd only let me
In……...
I want you, but I want you to understand
I miss you, I love you
Refrein
II BM Bbm I BM C#M II
Have you ever wondered….
II: C#M C#13 I C#M C#13 :II (X4)
II C#M I EbM I F#M I AbM I
I need you, I love you
Refrein (transpose + 1 hele toon)
157
You
(Ten Sharp)
Tempo :75
Intro : II Bm I EM/B I Em AM I DM F#M/Bb II
II: Bm
I EM
I Em
AM
I DM
F#M/Bb :II
It's allright with me, as long as you
are by my side.
Talk, or just say nothing, I don't mind, your looks never lie
II Bm
/A
I GM
Bm/F# I Em
…...I was always on the run,
I Bm /A
AM
I DM
F#M
I
finding out, …...what I was looking for and
I GM Bm/F# I Em
AM I DM
I, was always insecure,
BbM
II
just until I found
Words often don't come easy, I never learned to show the inside of me, oh no my baby and
you, always patient, dragging out, ...what I try to hide
…...I was always on the run, finding out …..what I was looking for and
I, was always insecure, until I found, Oh oh
II DM
I GM
/F#
I
You, you are always on my mind,
I Em
AM
I DM
I
you, you're the one I'm living for
II DM
I GM
I
You, you're my ever lasting fire
II F#M
Bm
I GM
II
You're my always shining star
The night, always a good friend, a glass of wine, and the lights down low, and
you, lying beside me, full of love, ……….and filled with hope
Solo : II Bm AM I GM F#m I EM AM II
II: DM
I GM
/F#
I
You, you are always on my mind
I Em
AM
I DM
: II
You, you're the one I'm living for
You're my always shining star
………….. always on my mind,
you, you're the one I'm living for
II DM
I GM
I
II F#M
Bm
I GM
I Gm
II
……………….You're my always shining star
Outro = intro
158
You Can Leave Your
Hat On
(Joe Cocker)
Tempo : 85
intro :
X3
IICM
I
I
I
II: CM
II
I
I
I
:II
Baby, take off your coat, real slow
Take off your shoes, I'll take off your shoes
Take off your dress, yes - yes - yes
II CM
I EM
I
You can leave your hat on
I FM
I BbM
II
Go over there, turn on the lights, all the lights
Come back you, stand on that chair, yeah, woman, that's right
Raise your arms in the air, and I shake 'em
You give me reason to live
II: Bb
I FM
I CM
I
:II
Sweet darlin'
(You can leave your hat on)
Just leave your hat on, baby (You can leave your hat on)
Just leave your hat on
Suspicious minds keep talking, they're trying to tear us apart
They don't believe in this love of mine, they don't know what love is
(intro)
They don't know what love is, they don't know what love is
They don't know what love is
(break)
I know what love is
Love's on the way, ooooh
Yes, leave your hat on, sweet woman (You can leave your hat on)
Yes, leave your hat on
Do that to me, yeah
159
You Can Sleep While I Drive
(Melisea Etheridge)
Tempo :60
II Dm
I CM
I
Come on baby let's get out of this town
I got a full tank of gas with the top rolled down
I BbM
I Am7
I
There's a chill in my bones, I don't want to be left alone
I BbM
FM
I CM
I
II
So baby you can sleep while I drive
I'll pack my bag and load up my guitar
In my pocket I'll carry my harp
I got some money I saved, enough to get underway
And baby you can sleep while I drive
We'll go thorough Tucson up to Santa Fe
And Barbara in Nashville says we're welcome to stay
I'll buy you glasses in Texas a hat from New Orleans
And in the morning you can tell me your dreams
II GM
I FM
CM
I
You know I've seen it before, this mist that covers your eyes
You've been looking for something, that's not in your life
I BbM
I FM
I
My intentions are true, won't you take me with you
I BbM
FM
I CM
I
II
Solo :
II: Dm
I CM :II
II Am GM I
CM
Oooooh ooooh,
hold you,
is it other arms you want to
the stranger
I Dm
I
I CM
FM
II
But lover you're free, can't you get that with me
Come on baby let's get out of this town
I got a full tank of gas with the top rolled down
If you won't take me with you, I'll go before night is through
160
You’ll be in my heart
(Phil Collins-origineel in F#)
Tempo :100
Intro : II AM
I
II
II AM
I
I
Come stop your crying, it will be all right
Just take my hand, hold on tight
I DM9
I
I
I will protect you from all around you
Bm
I EM I DbM/F II
I will be here, don’t you cry
For one so small, you seem so strong
My arms will hold you, keep you safe and warm
This bond between us can’t be broken
I will be here, don’t you cry
I F° I
GbM
BM/Gb
‘Cause you’ll be in my heart
DbM/F
Bbm
Yes, you’ll be in my heart
Ebm
BM
EM
Db7
From this day on, now and forever more
You’ll be in my heart, no matter what they say
Ebm
BM
EM
I Db7 I Db7 /B /Bb /Ab I
You’ll be here in my heart always, always
Why can’t they understand the way we feel
They just don’t trust what they can’t explain
I know we’re different but, deep inside us
We’re not that different at all
I F° I
And you’ll be in my heart, yes you’ll be in my heart
EM/B
BM
Don’t listen to them, ‘cause what do they know
We need eachother, to have, to hold
Ebm
EM DbM
They’ll see in time, I know
When destiny calls you, you must be strong
I may not be with you, but you’ve got to hold on
They’ll see in time, I know, we’ll show them together
AbM/Eb
DbM
EbM
Cm
‘Cause you’ll be in my heart, yes, you’ll be in my heart
Fm
DbM
GbM Eb7
Oh, you’ll be in my heart, no matter what they say
You’ll be here in my heart, always, always
Outro : II: DbM9 I
I AbM I
:II
161
Your love
(The Outfield)
Tempo :130
II: EM
I C#m
I BM
I
:II
Josie's on a vacation far away, come around and talk it over.
So many things that I'd like to say, you know I like my girls a little bit II AM
I C#m
I BM
I
I
- older.I just wanna use your love tonight,
I C#m
I AM
I BM
I
II
I don't wanna lose your love tonight
I ain't got many friends left to talk to, no-one's around when I'm in trouble
You know I'd do anything for you, stay the night - we'll keep it under—
- cover, I just wanna use your love tonight,
Instrumentaal : II: GM I AM :II (X4)
II: GM
I AM
I GM
I AM
:II
Try to stop my hands from shakin', somethin' in my mind's not makin' sense
It's been awhile since we've been all alone, I can't hide the way I'm feelin'
II: EM
I C#m
I BM
I
:II
As you leave me please would you close the door, and don’t forget what I told you
Just 'cause you're right - that don't mean I'm wrong another shoulder to cry upon
II: AM
I C#m
I BM
I :II
I just wanna use your love tonight,
II: C#m
I AM
I BM
I
:II
I don't wanna lose your love tonight, yeah
Lose your love
Lose your love
Lose your love
162
Zij heeft stijl
(De Kreuners)
Tempo :110
Intro : II AM I F#m I AM I F#m
II AM
I F#m
I AM
II
I F#m I
Zij is modern, ze weet wel wat ze wil
I AM
I F#m
I EM
I
II
Maar ze houdt het stil, ze zegt enkel ‘oooh’…
II DM
I AM
I DM
I AM
I
Zij heeft stijl, ze zegt ‘ooh, o –oh, ooh’ …
I DM
I AM
I GM
I EM II
Zij heeft stijl, ze zegt enkel ‘ooh’…
Zij is gek op trents, van bij het begin
Maar de retro haalt haar in en ze zegt : ‘oooh…’
Refrein
Zij is van deze tijd, van wat ze doet, heeft ze nooit spijt
Als je haar wat vraagt zegt ze niet ja of niet nee, ….nee, nee, nee, nee
Refrein (laatste zin = II DM I AM I GM I EM DM I C#m BM II)
Solo : strophe + refrein
Zij wordt nooit oud, er is niemand waar zij van houdt,
Iedereen wil erop, maar ze is te sterk
Refrein (X2)
(laatste zin = II DM I AM I GM I EM DM I C#m BM I AM II)
163
De Zotte Morgen
(Jef Vanuytsel)
Tempo :100
Intro : II:
3/4
Cm9 I
I
I
:II
II: Cm9
I
I
I
De nacht sluipt weg de lucht verbleekt
I EbM I BbM
I Cm9
I
I
schimmen vluchten zwijgend
I
de
I :II
en aan de verre horizon be / gint de zon te stijgen en
II Fm
I
I
I
I
daar trekt uit de nevel op de klaarte van de dageraad met
I
I
I Cm I
I Gm
I
I
in zijn schoot geborgen …
I
I
I Cm9 I
I
I
II
………..de zotte morgen
II Fm
I
I
I
I
de stad ontwaakt de eerste trein breekt door de stilte en op zijn sigI
I
I Cm9 I
I
I
I
naal begint de wildedans der dwazen
I Fm
I
I
I
I
de mens kruipt uit zijn ledikant denkt aan zijn werk en met zijn krant
I
I
I Cm9
I
I
ijlt hij nog halfslaperig door de straten
I Gm
I
I Cm
I
I
de wereld herneemt zijn zotte zorgen het
I Gm
I
I
I
I Cm9
I
II
ritme van………………...... de zotte morgen
Intro (X2)
Nu kleurt de einder rood en valt de / kou zacht door de ramen
de stilte vlucht voor al't lawaai / dat opstijgt uit de straten en
daar is dan de morgen weer een schaterlach en elke keer ver-drijft hij zonder schromen ……...de nacht de dromen
de stad wordt wild en auto's razen door zijn poorten en de laatste
rust wordt uit zijn schuilhoek gedreven …...
vogels vluchten vol verdriet uit zijn torens want hun lied
wordt nu door niemand meer begrepen
mensen lopen naast elkaar een verre groet een stil gebaar want alles wordt nu door de tijd
gemeten de wereld herneemt zijn zotte morgen
het ritme van ………...de zotte morgen
Intro (X2)
maar't land zelf slaapt zijn roes nog uit diep / onder't loof verscholen
hier komt geen mens of geen geluid / d'oneindige rust verstoren
terwijl de stad nu raast en schreeuwt de morgen zijn bevelen geeft wordt
hier bij't ochtendgloren …….de dag geboren
en ook de kinderen en de dwazen blijven tussen de rozen slapenver en veilig geborgen
voor het ritme van ………..de zotte morgen
II: Gm I
I Cm I
de zotte morgen….
de zotte morgen
:II i (ad lib)
164

You - OZMA

Transcription

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