Kenton Chair Shop final - Mennonite Furniture Studios

Transcription

Kenton Chair Shop final - Mennonite Furniture Studios
elcome to our printed gallery of American
Heirlooms, by Kenton Chair Shop. On these
pages you will find details and photos of our solid
wood furniture, showcased in beautiful room settings.
We are grateful to Jeff and Carla Pyle for the generous opening of their historic house and store to us.
They own this beautiful colonial house and general
store combination in historic Odessa, Delaware. The
building dates from 1821 and has been known as the
Davis Store. Three room settings featured in this catalog showcase the interior beauty of this colonial
house and general store.
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C o n t e n ts a n d
Ca t eg o r y K e y
D i m e n s i o n N ot e s
Pa g e N o .
C hairs, Tables, and Cabinets
4-21
Occasional
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Bar Stools
26
Benches
27
Office
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Children’s
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Rockers
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n most cases seating sizes indicated are the width
and depth of the seat, and the total height. Seat
height is standard at 173/4”. Leg spread and width
from arm to arm vary from piece to piece.
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easurements are given to be a guide, but they
may vary slightly since each piece is built by
hand. Due to a policy of continuous improvement, we
reserve the right to change specifications without
notice.
M
BIBLIOGRAPHY
Carl W. Drepperd, The Primer of American Antiques (Garden City, NY:
Doubleday, Doran & Co., 1945)
Nancy Goyne Evans, American Windsor Chairs (New York, NY: Hudson
Hills Press, 1996)
Marion Day Iverson, The American Chair, 1630-1890 (New York, NY:
Hastings House Publishers, 1957)
Samual E. Wenger (Lancaster PA: Pennsylvania Mennonite Heritage,
October 1994)
Features and Craftsmanship 30-31
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This Document is Copyrighted ©2004 by Kenton Chair Shop
All forms of duplication prohibited.
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
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haker Furniture. Modest by simplicity, yet functional and enduring the daily rigors. Shaker is a
rare but timeless style. In traditional and contemporary settings, Shaker style is fitting and beautiful.
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Like the antiques crafted a century ago by the Shaker
craftsmen, our designs are handcrafted in solid wood
and will last a lifetime.
C h a i r s , Ta b l e s , a n d Ca b i n e ts
27A
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s h a k e r L a d d e r - Ba c k A r m C h a i r
# 2 7 A 20” w x 17” d x 44” h
s h a k e r e x t e n s i o n Ta b l e
# 1 3 2 Top 42” w x 54” l x 1” thick, 30” h
Please see price list for lengths and seating capacities.
S h a k e r L a d d e r - Ba c k
# 2 7 18 1/ 2 ” w x 17” d x 44” h
shaker Buffet
60” w x 19” d x 38” h
Please see price list for other sizes and options.
5 1 ” s h a k e r s i d e b oa r d
w i t h 5 4 ” s h a k e r c u p b oa r d to p
Total size: 54” w x 19” d x 84” h
Please see price list for other sizes and options.
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O
ur Pennsylvania Slat-back is a ladder-back
chair with features borrowed from the colonial
era in Pennsylvania.
his chair is most noticeably Pennsylvanian in the
shape of the slats – arching high in the center with
the lower edges sharing a similar curve.
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lso notice how our posts are bent outward, making room for a wider slat at the top and graduating smaller to the lowest slat. The wider top slat gives
more comfortable support to the shoulder area.
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
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P e n n s y lva n i a S l a t - Ba c k A r m
# 2 9 A 19” w x 17 1/ 2 ” d x 41” h
P e n n s y lva n i a S l a t - Ba c k
# 2 9 19” w x 17 1/ 2 ” d x 41” h
D
aniel and Elizabeth (Lefever) Espenscheid, a
Mennonite couple of Lancaster PA, posed for a
photographer around the time of their 60th wedding
anniversary in 1852. Born before 1772, they may likely be the persons with the earliest birth date of anyone
photographed in Lancaster PA. Notice the chairs on
which they are sitting: Pennsylvania Slat-backs.
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28A
74A
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W h e a t - Ba c k A r m
S h e a f - Ba c k
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# 7 4 A 21” w x 17” d x 40” h
# 2 8 19” w x 17 1/ 2 ” d x 41” h
W h e a t - Ba c k
S h e a f - Ba c k A r m
# 7 4 18” w x 17” d x 40” h
# 2 8 A 19” w x 17 1/ 2 ” d x 41” h
See matching stool on page 26
ake the Eency-Weency Table to new
lengths. It is designed especially for situations where a small table, seating one or two
people regularly, needs to expand to seat four
to twelve people. This amazingly tiny table is
only thirty inches long when closed, but can
stretch out to ten and one-half feet!
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eep it in a small kitchen for everyday
use, or stretch it out in your dining room
for entertaining. Perfect for a young couple
starting out in an apartment or retirees in a
cozy cottage.
E e n c y - w e e n c y Ta b l e
# 1 3 1 Top 36” wide x 30” long
Shown closed with seating for two.
131-2
131-4
131-6
131-8
Eency-Weency
Eency-Weency
Eency-Weency
Eency-Weency
Table
Table
Table
Table
w/two 12” leaves
w/four 12” leaves
w/six 12” leaves
w/eight 12” leaves
Expands To
54” (4 1⁄2 ')
78” (6 1⁄2 ')
102” (8 1⁄2 ')
126” (10 1⁄2 ')
E e n c y - w e e n c y Ta b l e
E e n c y - w e e n c y Ta b l e
Shown with seating for six.
Shown with seating for eight.
C h a i r s , Ta b l e s , a n d Ca b i n e ts
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Seating
2-6
2-8
2-10
2-12
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E e n c y - w e e n c y Ta b l e
Shown with seating for ten.
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
C h a i r s , Ta b l e s , a n d Ca b i n e ts
R e c ta n g u l a r Ta b l e
# 1 3 6 Top 42” x 54” x 1” thick, 30” h
Available with two to sixteen 12” leaves.
Please see price list for lengths and seating capacities.
6 0 ” S i d e b oa r d w i t h
6 3 ” C h i na Ca b i n e t T o p
Options Shown: Cathedral Doors, Glass Side Panels
and Glass Shelves. Sideboard available without cabinet top.
Total Size: 63” w x 19” d x 84” h
H u n t B oa r d
Please see price list for other sizes and options.
51” w x 16 3/ 4 ” d x 34” h
Also available in 60” length.
Two other styles of legs, Queen Ann and Colonial.
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1003
Sa c k -ba c k W i n dso r A r m
# 1 0 0 4 A 22” w x 18 1⁄2 ” d x 40”
Fa r m Ta b l e
# 1 3 8 Top 36” x 60” x 1” thick, 30” h
Table is shown with optional drawer
Other lengths available: 36”, 48”, 72”
Please see price list for lengths and seating capacities.
B ow - Ba c k W i n dso r
# 1 0 0 3 18” w x 18” d x 40 1⁄2 ” h
See matching bench on page 27.
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E a r ly W i n dso r H i sto r y &
Design
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
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C h i lt e r n H i g h - ba c k A r m
# 6 5 A 20” w x 18” d x 43” h
C h i lt e r n H i g h - ba c k S i d e
# 6 5 20” w x 21” d x 43” h
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64A
W e st m i n st e r
R o u n d T o p ’ d E l b ow C h a i r
W e st m i n st e r
Round Top’d Side
# 6 4 A 20” w x 18” d x 40 1/ 2 ” h
# 6 4 20” w x 18” d x 40 1⁄2 ” h
indsor chairs seem to have been first used during the 1720s in the grounds around Windsor
Castle, England. As it had been for centuries, London
became the center for new design in Windsor chairs.
An area twenty miles west of London, near Chiltern
Hills, became a small chair-making center by midcentury. Furthermore, Windsor chair building had
spread throughout England by the 1770s as provincial craftsmen familiar with Windsor form capitalized
on the distance between the local consumer and the
metropolitan market.
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urning our focus now to design; solid back splats
were added to Windsor chairs in the 1740s.
Under the influence of high-style designs by Thomas
Chippendale, by the 1760s back splats were ornamented with pierced openings. Earlier chairs had
shaved stick legs, but later legs were turned and
tapered. By the 1760s, most chairs had turned rear
legs with cabriole front legs. By about 1775, the front
legs were connected by the addition of curved “cow
horn” stretchers, usually with knee brackets to the
back legs. As design advanced, bent arm supports
were used. Thus by circa 1760 there was a substantial
transformation from the earliest forms to a more
refined pattern suited to chairs intended for indoor as
well as garden use.
n addition to the high-back chair, the round-top
chair originated in the 1750s. Our chairs are
inspired by the designs in vogue during the 1770s.
Changes came afterward. A chair made by Frederick
Walker in Sherwood Forest in the early 1800s exemplifies later changes from cabriole legs, cow horn
stretchers and bent arm posts, to turned legs, stretchers and arm posts.
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W h a t i s a W i n dso r C h a i r ?
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22A
F r a n k l i n W i n dso r
# 2 2 18” w x 17” d x 37 1⁄2 ” h
F r a n k l i n Sa c k - Ba c k W i n dso r A r m
# 2 2 A 21” w x 17 3 ⁄4 ” d x 37” h
See matching bench on page 27
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“Sack-back” was the name used for the wrap-around
continuous-arm Windsor chair in 1795.
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Windsor chair is built from a shaped and contoured wooden plank. It is drilled from the top
and bottom to anchor posts, usually with spindles
above and legs below. The upper parts are secured
into the seat, and are separate from the leg frame.
They are unlike other styles such as ladder-back or
Queen Anne chairs which have continuous legs and
back-post frames.
B r i e f H i sto r y o f t h e B e r i a h
G r e e n Fa n - ba c k W i n dso r
Chairs
eriah Green was born November 22, 1774 and
married Elizabeth Smith in December 1793.
Beriah Green enters our consideration because of the
distinctive Windsor chairs he built circa 1797-1800
while living in New London County, Connecticut.
This craftsman was apparently influenced by the work
of Ebenezer and Elijah Tracy, also of eastern
Connecticut.
1002A
1001
C h a i r s , Ta b l e s , a n d Ca b i n e ts
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H i g h - ba c k W i n dso r A r m e d C h a i r
# 1 0 0 2 A 21 3⁄4 ” w x 17 3⁄4 ” d x 41 3⁄4 ” h
Fa n - ba c k W i n dso r S i d e C h a i r
# 1 0 0 1 17 1⁄2 ” w x 17 3⁄4 ” d x 39 1⁄4 ” h
Inspired by Beriah Green
ca. 1797 in New London County, Connecticut
reen’s Windsor chairs are of individual character.
Most striking are the ornamental spindles in the
back, which were almost unknown in fan-back chairs
at the time. These beautifully compliment the spool,
ring and taper turnings on the back posts as well as
harmonizing well with the flared baluster legs.
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Pa d d l e - Ba c k W i n dso r
# 2 6 20” w x 17” d x 40” h
Pa d d l e - Ba c k W i n dso r A r m
he overall design is tied together with a full-bodied, deeply carved, yet graceful seat. Note particularly the knife-edge on the front as it slopes sharply
under the seat and the artistic way the angle flows
around the side and gracefully changes to the more
upright form in front of the back posts. Other notable
features are the socketing of the chair legs inside the
seat plank, the grooveless spindle platform, the distinctive lines of the seat scoop which contribute so
much to its comfort and the small wooden pins on
each side anchoring the side posts.
# 2 6 A 21” w x 17” d x 40” h
ntrigued by this graceful composition, we determined to reproduce this chair for discriminating
furniture buyers of our time. We are convinced that
we have been faithful to the original design Beriah
Green crafted two hundred years ago – a chair that
has not been surpassed in beauty or comfort since.
Examine closely the features mentioned above and
experience the comfort of this well-thought-out
design. Then if you are as fascinated by this classic as
we are, we invite you to commission several examples
for your home.
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17A
D e l u x e A r r ow - Ba c k W i n dso r
# 1 7 20” w x 17” d x 38” h
D e l u x e A r r ow - Ba c k W i n dso r A r m
# 1 7 A 21” w x 17” d x 38” h
See matching bench on page 27
and matching stool on page 26
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T h e B i r d Ca g e W i n dso r
Design c. 1810
T h e Ba m b o o St y l e
urnings with alternating hollows and swells were
common in the ancient world. This resemblance to
bamboo became popular in England in the mid
1700s. Direct trade with the Orient stimulated bamboo work among the English. This in turn spread to
America after the Revolution when Samuel
Claphamson emigrated to Philadelphia in 1785,
where he crafted “bamboo chairs.”
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39A
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B i r d Ca g e W i n dso r A r m
C h a i r s , Ta b l e s , a n d Ca b i n e ts
#3 9 A 20 1⁄2 ” w x 17 1⁄2 ” d x 37” h
B i r d Ca g e W i n dso r
# 3 9 18” w x 17 1/ 2 ” d x 37” h
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58A
T h u m b - Ba c k
B
amboo legs and rungs were used on high-back
chairs and the new bow-back designs introduced
to Philadelphia in the mid 1780s. But more design
changes occurred within a few years as legs were
changed from three to four-sections, and leg supports
changed from H-frame to box-frame. By 1800 the
style changed as round-back chairs which had been in
fashion for fifteen years yielded to square-backs which
prevailed until the 1850s. These new-fashioned bamboo Windsors, sometimes called “Squair-top,” often
had two sturdy side posts with seven vertical spindles
capped by single or double bows in the crest. Seat
designs varied, but generally had decorative grooves
carved in them. On arm chairs, turned arms became
popular as they replaced scroll-design arms.
# 5 8 18” w x 17 1⁄4 ” d x 36 3⁄4 ” h
T h u m b - Ba c k A r m
# 5 8 A 20” w x 18” d x 36 3⁄4 ” h
The Thumb-Back is referred to as a “pierced slat
back Windsor” circa 1820.
O u r B i r d Ca g e W i n dso r
O
32A
Duxbury Arm
# 3 2 A 21” w x 17 1/ 2 ” d x 36” h
Duxbury
# 3 2 18” w x 17” d x 36” h
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Our Duxbury is
reminiscent of the
very popular fanback
Windsor
circa 1795-1805.
ur Bird Cage Windsor chairs reflect those
crafted about 1810 after the switch of design.
We have been determined to make chairs that are
comfortable. To do so, we have used steam-bent spindles, a design that was not entirely uncommon in early
Windsors. These special spindles offer a comfortable
lower back support.
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30A
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Queen Anne Arm
S p r i n g M e a d ow A r m
# 4 6 A 22” w x 18” d x 42” h
# 3 0 A 21” w x 17” d x 38 1/ 2 ” h
Queen Anne
S p r i n g M e a d ow
# 4 6 22” w x 18” d x 42” h
# 3 0 18” w x 17” d x 38 1/ 2 ” h
C h a i r s , Ta b l e s , a n d Ca b i n e ts
46A
See matching stool on page 26
24A
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23A
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C h a r t e r W i n dso r A r m
# 2 4 A 20 1⁄2 ” w x 17 1⁄2 ” d x 37” h
C h a r t e r W i n dso r
# 2 4 18”
w x 17” d x 37” h
See matching bench on page 27
& matching stool on page 26
18A
C o n t e m p o r a r y W i n dso r A r m
# 2 3 A 21” w x 17 1⁄2 ” d x 37” h
C o n t e m p o r a r y W i n dso r
# 2 3 18” w x 17” d x 37” h
See matching stool on page 26
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C o lo n i a l A r r ow - Ba c k A r m
Ac o r n C o lo n i a l A r r ow - Ba c k A r m
# 1 8 A 21” w x 17 1/ 2 ” d x 36” h
# 1 9 A 21” w x 17 1/ 2 ” d x 36” h
C o lo n i a l A r r ow - Ba c k
Ac o r n C o lo n i a l A r r ow - Ba c k
# 1 8 18” w x 17” d x 36” h
# 1 9 18” w x 17” d x 36” h
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
A r o u n d t h e Ta b l e
– w h e r e fa m i ly
memories are made.
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
Ova l C l a w - f o ot D o u b l e - p e d e sta l Ta b l e
# 1 8 8 C Top 42” x 66” x 1” thick x 30”
Available with two or four 12” leaves.
Length with two leaves: 90” Length with four leaves: 114”.
5 1 ” S i d e b oa r d w i t h
5 4 ” C h i na Ca b i n e t T o p
Option Shown: Cathedral Doors
Total Size: 54” w x 19” d x 84” h
N e w E n g l a n d W i n dso r B e n c h
# 5 4 5 4 51 1⁄2 ” w x 22” d x 40 1⁄2 ” h Overall
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54A
N e w E n g l a n d W i n dso r
R o u n d C l a w - f o ot P e d e sta l Ta b l e
# 1 8 4 C Top 42” Dia. 1” thick x 30” h
Table includes two 12” leaves
Total Length: 66”
# 5 4 20 1⁄2 ” w x 17 1⁄4 ” d x 39” h
N e w E n g l a n d W i n dso r A r m
# 5 4 A 20 1⁄2 ” w x 17 1⁄2 ” d x 39” h
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
Geared wooden slides
provide smoother opening
of pedestal tables.
Ova l R e e d e d D o u b l e - p e d e sta l Ta b l e
# 1 8 3 Top 42” x 66” x 1” thick, 30” h
Available with two or four 12” leaves.
Length with two leaves: 90” Length with four leaves: 114”
R o u n d E m p i r e - f o ot P e d e sta l Ta b l e
# 1 8 4 E Top 42” Dia. x 1” thick, 30” h
Table includes two 12” leaves, Total Length: 66”
R o u n d e d - C o r n e r R e e d e d D o u b l e - p e d e sta l Ta b l e
# 1 8 1 Top 42” x 66”
x 1” thick, 30” h
Available with two or four 12” leaves.
Length with two leaves: 90” Length with four leaves: 114”
R o u n d R e e d e d - p e d e sta l Ta b l e
# 1 8 0 Top 42” Dia. x 1” thick, 30” h
Table includes two 12” leaves, Total Length: 66”
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S q ua r e
Ta b l e E d g e
Shaker
Ta b l e E d g e
C h a i r s , Ta b l e s , a n d Ca b i n e ts
Queen Ann
Ta b l e E d g e
C o lo n i a l
Ta b l e E d g e
Ova l Q u e e n A n n e D i n i n g Ta b l e
# 1 7 3 Top 42” x 54” x 1” thick, 30” h
Available with two to twelve 12” leaves.
Please see price list for lengths and seating capacities.
Round
Ta b l e E d g e
Ta b l e L eg O p t i o n s
Leaves and Leaf Racks
On all our tables, flat leaves are standard.
Sometimes for appearance’s sake, aprons on
leaves are desired if some
leaves are left in the table
all the time. Otherwise, it is
easier to store flat leaves.
Made of natural-finished
poplar lumber, leaf racks
are the ideal way to store
four or more flat leaves.
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Choose your style of table leg.
Left to Right
1. Colonial
2. Fluted
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3. Plain Round
4. Bamboo
5. Shaker
6. Pennsylvania
7. Beriah Green
# 1 1 7 L eaf Rack
Available to store four to
sixteen leaves
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
T h e s e H e i r lo o m s w i l l
b e h e r e to s e r v e t h e a p p e t i t e s
and memories for many Generations.
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Features of all
C l a ss i c Ca b i n e ts
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
5 1 ” S i d e b oa r d w i t h
5 4 ” D u tc h C u p b oa r d T o p
• Traditional mullions
(design circa 1567)
divide the door into individual glass panes.
• Exposed backs are solid
board planking using
ship-lap joinery.
• Lumber is edge-glued to
form a solid wood carcass.
• Genuine raised-panel
door design.
• Drawers fully dovetailed
front and back.
• Hardwood drawer sides
are dovetailed into the
front, rather than the front
being attached to a drawer
box with screws.
H a r v e st - ba c k A r m
# 7 6 A 21” w x 17” d x 38” h
H a r v e st - ba c k
# 7 6 18” w x 17” d x 38” h
Total Size: 54” w x 19” d x 84” h
"
30
30" of wall space required
for corner cabinet.
C o r n e r C h i na Ca b i n e t
Ova l Ta b l e
# 1 3 4 Top 42” x 54” x 1” thick, 30” h
Available with two to twelve 12” leaves.
Please see price list for lengths
and seating capacities.
Option Shown: Cathedral Doors
Total Size: 30” x 30” x 84” h
Other Available Size: 24”
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S i m p l i c i t y f i ts .
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C h a i r s , Ta b l e s , a n d Ca b i n e ts
C h a i r s , Ta b l e s , a n d Ca b i n e ts
55A
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C o n t e m p o r a r y N e w E n g l a n d W i n dso r A r m
# 5 5 A 20 1⁄2 ” w x 17 1⁄4 ” d x 39” h
C o n t e m p o r a r y N e w E n g l a n d W i n dso r
# 5 5 20 1⁄2 ” w x 17 1⁄4 ” d x 39” h
C u r i o Ca b i n e t
# C C - 3 8 7 2 38” w x 14 1/ 2 ” d x 72” h
R o u n d e d - C o r n e r Ta b l e
with #3 Plain round legs
# 1 6 4 Top 42” w x 54” l x 1” thick, 30” h.
Available with two to twelve 12” leaves.
Please see price list for lengths and seating capacities.
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O c c a s i o na l F u r n i t u r e
C L a ss i c B o o k c a s e
40” w x 14 1/ 2 ” d x 72” h
Bookcases are available in
48” 60” 72” or 84” heights.
C l a ss i c B o o k c a s e c a b i n e t
40” w x 14 1/ 2 ” d x 72” h
B o o k c a s e s f o r yo u r C l a ss i c s
a n d Ta b l e s f o r yo u r a c c e sso r i e s
— K e e p yo u r l i v i n g t i d y.
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S h a k e r S o fa Ta b l e
w i t h T wo D r a w e r s
S h a k e r Ca n d l e Ta b l e w i t h D r a w e r
# 6 2 8 D 54” w x 16” d x 29” h
S h a k e r E n d Ta b l e
with Drawer
S h a k e r E n d Ta b l e
w i t h T wo D r a w e r s
# 6 0 4 D 22” w x 27” d x 23” h
# 6 0 6 D 22” w x 27” d x 23” h
O c c a s i o na l F u r n i t u r e
# 6 2 5 D 18” w x 13” d x 29” h
S h a k e r S o fa Ta b l e w i t h D r a w e r
# 6 2 6 D 36” w x 16” d x 29” h
S h a k e r C o f f e e Ta b l e w i t h D r a w e r
# 6 2 0 D 46” l x 22” d x 17” h
Shaker Writing Desk with Three
Drawers
# 4 3 0 D 51” l x 22” d x 29” h
Shown with Shaker Ladder-Back chair, see page 5
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M i ss i o n C o f f e e Ta b l e
M i ss i o n E n d Ta b l e
# 5 2 0 S 46” l x 22” d x 17” h
# 5 0 4 S 22” w x 27” d x 23” h
M i ss i o n S o fa Ta b l e
O c c a s i o na l F u r n i t u r e
# 5 2 8 S 54” w x 16” d x 29” h
C o lo n i a l S o fa Ta b l e w i t h T wo D r a w e r s
a n d L ow e r S h e l f
# 1 2 8 D S 54” w x 16” d x 29” h
C o lo n i a l S o fa Ta b l e w i t h D r a w e r
a n d L ow e r S h e l f
# 1 2 6 D S 36” w x 16” d x 29” h
C o lo n i a l E n d Ta b l e w i t h D r a w e r
a n d L ow e r S h e l f
# 1 0 4 D S 22” w x 27” d x 23” h
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C o lo n i a l C o f f e e Ta b l e w i t h L ow e r S h e l f
# 1 2 0 S 46” l x 22” d x 18” h
Q u e e n A n n e Ova l D r o p - L e a f E n d Ta b l e
# 2 0 4 D 22” w x 27” d x 23” h
# 2 1 4 16 1/ 2 ” w x 27” l x 25” h
(32” wide with leaves extended)
Q u e e n A n n e Ova l E n d
Ta b l e w i t h D r a w e r
# 2 0 8 D 22” w x 25 1/ 2 ” d x 23” h
O c c a s i o na l F u r n i t u r e
Q u e e n A n n e R e c ta n g u l a r
E n d Ta b l e w i t h D r a w e r
Q u e e n A n n e Ova l C o f f e e Ta b l e
Q u e e n A n n e S o fa Ta b l e w i t h T wo D r a w e r s
# 2 1 8 46” l x 25” d x 18” h
# 2 2 8 D 54” w x 16” d x 29 1/ 2 ” h
Q u e e n A n n e S o fa Ta b l e w i t h D r a w e r
# 2 2 6 D 36” w x 16” d x 29 1/ 2 ” h
Q u e e n A n n e R e c ta n g u l a r C o f f e e
Ta b l e w i t h D r a w e r
# 2 2 0 D 46” l x 24” d x 17” h
Queen Anne Writing Desk
with Three Drawers
# 2 3 0 D 51” l x 22” d x 29” h
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All stools are available with a
24” high seat for a 36” high
counter, or a 30” high seat
for a 42” high counter. 24”
high swivel stools begin with
24 in the product number.
30” high swivel stools begin
with 30 in the product number. The last two digits in
the product number indicate
the style.
W h e a t - Ba c k S w i v e l Sto o l
R o u n d - s e a t Sto o l
# 3 0 7 4 18 1⁄2 ” w x 17” d x 51” h
# 1 0 14” diameter x 24” h
Ba r Sto o l s
For matching chairs see page 6
The swivel stools feature a return swivel running on ball bearings.
2430
2424
2417
C o n t e m p o r a r y W i n dso r
S w i v e l Sto o l
# 2 4 2 3 18” w x 17” d x 42” h
C h a r t e r W i n dso r S w i v e l Sto o l
Contemporary Round-
# 2 4 2 4 18” w x 17” d x 41 1⁄2 ” h
For matching chairs, see page 13
s e a t Sto o l
# 1 1 14” dia. x 24” h
S p r i n g M e a d ow S w i v e l Sto o l
For matching chairs, see page 13
For matching chairs, see page 13
# 2 4 3 0 18” w x 17” d x 43” h
A r r ow - Ba c k W i n dso r S w i v e l Sto o l
# 2 4 1 7 18” w x 17” d x 42” h
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For matching chairs, see page 11
C h a r t e r W i n dso r B e n c h
# 5 4 2 4 48” w x 22” d x 37” h
See matching chairs on page 13
A r r ow - Ba c k D e a c o n ’ s B e n c h
# 5 4 1 8 50” w x 21” d x 36” h
See matching chairs on page 13
# 5 4 2 2 52” w x 23” d x 38” h
# 5 4 3 9 51 1⁄2 ” w x 22” d x 37” h
See matching chairs on page 10
Benches
F r a n k l i n Sa c k - Ba c k W i n dso r B e n c h
B i r d Ca g e W i n dso r B e n c h
See matching chairs on page 12
D e l u x e A r r ow - Ba c k W i n dso r B e n c h
# 5 4 1 7 50” w x 22” d x 37” h
See matching chairs on page 11
See also New England Windsor Bench on Page 15
C l a ss i c W i n dso r B e n c h
# 5 4 3 8 48” w x 22” d x 40 1⁄2 ” h
See matching chairs on page 9
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N e w E n g l a n d W i n dso r
Desk Chair
F r a n k l i n Sa c k - Ba c k W i n dso r
Desk Chair
C h a r t e r W i n dso r
Desk Chair
# 5 4 A D 20 1⁄2 ” w x 17 1⁄4 ” d x 38” h
# 2 2 A D 21” w x 17 1⁄2 ” d x 37” h
# 2 4 A D 21” w x 17 1⁄2 ” d x 38” h
The desk chairs feature adjustable height and back tension control. They are fitted with hooded ball casters.
Office and Children’s fUrniture
102
90
92
100
B ow - Ba c k H i g h C h a i r
W i n dso r H a n g i n g C r a d l e
# 9 0 15 1⁄2 ” w x 13 1⁄2 ” d x 39” h
# 1 0 2 22” w x 42” l x 43” h
14 3 ⁄4 ” x 33” mattress size (not provided)
S p r i n g M e a d ow D e s k C h a i r
Ac o r n H i g h C h a i r
# 3 0 A D 21” w x 17” d x 38” h
# 9 2 15 1⁄2 ” w x 13 1⁄2 ” d x 39” h
W i n dso r C r a d l e
(high chairs are 231/2” to top of seat)
# 1 0 0 28” w x 39” l x 28” h
13 1⁄2 ” x 32” mattress size (not provided)
86
78
79
B ow - Ba c k C h i l d ’ s C h a i r
# 7 9 14 3 ⁄4 ” w x 13” d x 27” h
12” high seat
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Ac o r n - Ba c k C h i l d ’ s R o c k e r
# 8 2 15” w x 13” d x 26” h
C h i l d ’ s R e c ta n g u l a r Ta b l e
B ow - Ba c k C h i l d ’ s R o c k e r
# 8 6 32” l x 24” w x 20” h
# 8 3 14 3 ⁄4 ” w x 13” d x 25” h
Ac o r n - Ba c k C h i l d ’ s C h a i r
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# 7 8 15” w x 14” d x 28” h
12” high seat
Ba c k D e s i g n C h o i c e s
Acorn (top) or Daisy (bottom)
Country Lane Gliding Rocker
# 4 2 27” w x 32” d x 42” h Overall
Various fabric
choices are available
for the Four-Post Rocker.
Ot to m a n
Country Lane Rocker
# 4 3 19” w x 16” d x 13 1⁄2 ” h
# 4 0 24” w x 18 1⁄2 ” d x 42” h
Eight ball bearings
give a superior
smooth glide.
F o u r - P ost G l i d i n g R o c k e r
# 4 5 32” w x 32” d x 39” h Overall
F o u r - P ost G l i d i n g R o c k e r w i t h F o ot r e st
Rockers
# 4 5 F R 32” w x 32” d x 39” h Overall
U p h o l st e r e d Ot to m a n
# 4 3 U 20” w x 19 1/ 2 ” d x 14” h
Magazine Rack
# 1 0 6 10” w x 16 1/ 2 ” d x 16” h
N e w E n g l a n d W i n dso r R o c k e r
S p r i n g M e a d ow R o c k e r
# 5 4 A R 20 1/ 2 ” w x 17 1/ 4 ” d x 36” h
# 3 0 A R 21” w x 17” d x 35” h
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F e a t u r e s a n d C r a f ts m a n s h i p
F e a t u r e s a n d C r a f ts m a n s h i p
Wooden Table Slides (without
gears) are solid wood. Notice
the easy movement of our deep
dovetailed slides.
Our pedestal tables are
equipped with geared rails that
are smooth running, and assure
you that the top is centered on
the base, regardless of how
many leaves you use in the table.
We build our table aprons with
a gap to accommodate the natural expansion and contraction of
solid wood tops. The gap is
covered with a moulding.
Most extension tables can store
two to four leaves inside themselves between the slides. (Eency-Weency and Round tables
are too short for leaf storage.)
Four leg style tables use a sturdy mitered corner block in each
corner. This strong bolt-on system can easily be removed for
moving.
Each chair leg is trimmed to
make the chair sit solidly and
equally on all four legs. This
also protects your flooring.
Wooden wedges soundly
pounded into the spindle, posts
and leg ends give you the security of a well made Windsor.
After being glued and wedged,
the excess is cut off and sanded
smooth with the top surface.
The contrasting grain assures
you of the authentic design.
Solid Hardwood steam bendings, as used on this continuous
arm demonstrate the grace and
beauty of Windsors. The art of
steam bending is yet alive in
America today!
Our catalyzed varnishes give
you durability without sacrificing good looks. Just wipe up
the spills after dinner and be
satisfied that no damage has
been done!
Leaves without aprons save
storage space when they are
not in use.
Leaves with aprons are available if you desire the fully
enclosed look. A typical leaf
order may include 1 or 2
apronned leaves so that the table
can be extended permanently
without a gap in the apron.
Yes! We deliver door to door
and set up the furniture in your
rooms.
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S o l i d H a r d wo o d
Sta i n C o lo r s
Furniture
O
T
n addition, solid hardwood furniture can be
repaired if damaged because there is no veneer or
artificial surface that can be scraped or rubbed
through.
I
onal variations of reddish, brownish and paler
shades are common in the red oak wood species.
The heartwood is always darker than the sapwood,
and it may have a very fine or broad pattern. Dark
brown mineral streaks are common in the cherry
heartwood. The sapwood is pale and almost white in
color. Cherry wood color deepens and grows richer
with age. These natural features contribute to the
unique characteristics of your furniture.
Cherry Red Mahogany
Cherry Classic Walnut
Cherry Heirloom
Cherry Autumn Wheat
Oak Dark Walnut
Oak Provincial
Oak Autumn Wheat
Oak Special Light
H
Cherry Natural
T
ardwoods are a natural fiber, therefore even furniture that has a good protective finish may swell
or shrink slightly from one season to another. With
proper care, your solid wood furniture will give you
service and satisfaction for years to come.
Oak Natural
F e a t u r e s a n d C r a f ts m a n s h i p
ur wiping stains highlight the natural beauty of
the wood. The grain and color tone of each furniture piece will vary from our samples due to the
color variation and the natural aging process of the
wood. Just as the wood was created with an individual grain and color, its natural beauty will be enhanced
in the years to come.
he beauty and durability provided by solid hardwood furniture is undeniable. It provides:
• Enduring value from one generation to another.
• The warmth that synthetics cannot give.
• The expression of each individual tree by its own
unique color and grain.
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American Heirlooms
by Kenton Chair Shop
Only the Best Endures
I. The Best Materials
•Solid hardwoods
•American renewable resources
II. The Best Construction
•Time proven methods
•Dedicated craftsmen
III. The Best Design
•Practical styles
•Timeless beauty
IV. The Best Finish
•Water resistant to withstand spills
•Smooth and comfortable
V. The Best Commitment
•Transforming your home, one heirloom
at a time.
American Heirlooms
291 Blackiston Road
P. O. Box 280
Kenton, DE 19955
Tel. 1-800-656-2411
Tel. 302-653-2411
Fax: 302-653-4970