mantova ferrara cremona milano roma pisa

Transcription

quaderni di assorestauro
YEAR05NR02
ARCHITECTURAL
RESTORATION:
A METHODOLOGICAL
COMPARISON
4TH-9TH APRIL 2016
APRIL2016
4
5
67
APRIL
ROMA
APRIL
PISA
- APRIL
FERRARA
Project financed by the Italian Institute for Foreign Commerce & Assorestauro
8
8
9
APRIL
MANTOVA
APRIL
CREMONA
APRIL
MILANO
In cooperation with
Via Londonio 15 - 20154 Milano - Italy | Tel/Fax +39 02-3493.0653 | [email protected]
YEAR05NR02
ARCHITECTURAL
RESTORATION:
A METHODOLOGICAL
COMPARISON
4TH-9TH APRIL 2016
APRIL2016
4
5
67
8
8
9
APRIL
ROMA
MANTOVA
APRIL
APRIL
CREMONA
PISA
- APRIL
APRIL
MILANO
FERRARA
Project financed by the Italian Institute for Foreign Commerce & Assorestauro
APRIL
In cooperation with
Quaderni di Assorestauro
Years 05 | Number 02
MARCH 2016
Edited by
Andrea Grilletto
Chiara Falcini
Translation of the articles submitted in Italian language
Raffaella Grasselli
Graphic Project
Blumorgana | Viviana Maria Lucia Volpini
[email protected]
© copyright 2015
Assorestauro Servizi Srl
ISSN 2499-1864 (Print) - ISSN 2499-1503 (Online)
2
WWW.ASSORESTAURO.ORG
INDEX
SPONSOR PRESENTATION
_
Presentation of “ICE Agency”4
_
Presentation of “Assorestauro”5
WORKSHOP SESSION
ROMA | 4th APRIL
_
Restoration works in Rome - Tecnicon
6
_
media cleaning technolgy. The latest case history - Ibix
12
_
CRYPTOPORTICUS, THE DOMUS TIBERIANA
ON THE PALATINE - SPC
16
PISA | 5th APRIL
_
LASER REMOVAL OF BLACK CRUSTS FROM STONE:
THE CASE STUDY OF PIAZZA DEI MIRACOLI IN PISA - EL.EN Group28
FERRARA | 6-7th APRIL
INSTITUTIONAL SESSION
_
“salone del restauro in ferrara” CONFERENCES - ERMITAGE ROOM - pad 5
PLANNING RESTORATION: INTERNATIONALIZATION POLICIES IN
THE RESTORATION SECTOR SUSTAINABILITY OF HISTORICAL BUILDINGS:
THE GBC HISTORICAL BUILDING PROTOCOL
_
CA’ FOSCARI EXISTING BUILDING OPERATIONAL & MAINTENANCE - GBC Italia
MANTOVA / CREMONA | 8th APRIL
_
THE TOWN HALL BUILDING IN SAN BENEDETTO PO (MN) - Studio Berlucchi
_
ELECTROPHYSICAL DEHUMIDIFICATION OF MASONRY - Tecnova Group
MILANO | 9th APRIL
_
The “Veneranda Fabbrica del Duomo” in Milan:
a peculiar approach to conservation - Canali Associati
32
34
36
40
46
52
FOCUS ON...
_
The Museum of “Opera del Duomo” in Florence.
The architectural and installation project
Adolfo Natalini - Guicciardini & Magni Architetti 59
INTERNATIONAL PROJECTS
CATEGORIES
FOCUS ON...
66
WORKSHOP SESSION
3
The Italian Trade Agency - ICE is the Government agency that supports the globalization of
Italian firms, implementing the strategies of the Ministry of Economic Development.
The Italian Trade Agency - ICE helps to develop, facilitate and promote Italian economic
and trade relations with foreign countries, focusing on the needs of SME’s, their associations and partnerships.
The Italian Trade Agency - ICE sustains Italian firms in their internationalization processes,
in the marketing of Italian goods and services while promoting the “Made In Italy’ image
around the world, and it is directly involved in attracting foreign direct investments.
The Italian Trade Agency - ICE provides information, support and consultancy to Italian
companies on foreign markets, promoting and fostering exports and cooperation in all areas – industry (consumer and capital goods), agricultural technology and agri-food, services, and training - with the aim of increasing and making more effective their presence
on international markets.
The Italian Trade Agency - ICE works closely with the Italian Regions, the network of the
Italian Chambers of Commerce, business organizations and other public and private entities.
The Italian Trade Agency - ICE headquarters is in Rome and its network of offices around
the world act as “Trade Promotion Offices and/or Sections” of the Italian Embassies or
Consulates.
per
ne italiana
associaziosociation for ar
italian as
4
ASSORESTio
Via London
Project coordinator:
Andrea Griletto
Established in 2005 as the first Italian association of manufacturers of materials, equipment and technology, suppliers of services and specialized companies, Assorestauro represents the Italian sector of restoration and conservation of material heritage. To date, it is
the sole association and a reference in the domestic and international market for anyone
willing to start working in the conservation sector in Italy, to be intended in its broadest
sense, that is, as a synthesis of the various disciplines involved, of the professional specialists, of the available technology and of the growing business community. If examined as a
whole, the sector accounts for a large market share and has a meaningful impact on tourism, industry and bioconstruction.
WHAT ARE ASSORESTAURO’S GOALS?
Assorestauro is the National Trade Association for the Restoration Sector, representing
manufacturers of materials, equipment, technology, specialist companies, designers and
suppliers of services for analyses, surveys and diffusion. The Association offers its members information, assistance, advice and training both directly and through its partners,
with a view to building a consistent and unitary orientation to the different sectors of the
restoration industry at national and international level.
As a national association, Assorestauro is aimed at coordinating, protecting and promoting the interests of the restoration sector and it represents before the outer market, in Italy
and abroad, the common positions for technical and economic issues, as well as image,
by carrying out targeted activities in such relevant fields of the sector as information and
communication, protection of common interests (economy, image, standards), research
and development, promotion.
o
co, urban
ico, artisti tion
n
o
tt
e
it
h
arc
tora
il restauro, art and urban res
rchitecture
elencoci
dei so
MEMBER
LIST
WHAT DOES ASSORESTAURO DO ?
Several activities aimed at promoting the professional skills in the restoration sector fall in
the scopes of the Association. They include diagnostic analysis, design and on site execution, producing technology and materials, as well as contributing technological innovation, with the support of Institutions, Universities, Agencies for the protection of cultural
heritage and ICE, the Agency for the internationalization and the promotion abroad of
Italian businesses. This type of action includes both promotion in Italy (conferences and
training seminars, trade exhibitions, courses and similar initiatives) and abroad (foreign
missions, training, b2b encounters, restoration sites), where member companies are involved and offered the chance to study and penetrate foreign markets through projects
co-sponsored by national and international bodies.
2016
3.0653
49
+39 02-3
®
| Tel/Fax
o - Italy
org
restauro.
154 Milan
o 15 - 20 ro.org | www.asso
sorestau
TAURO
WHO IS ASSORESTAURO ?
5
WORKSHOP SESSION
4
april
ROMA
Paola Conti
Luigia Gambino
TECNICON srl
www.tecniconrestauro.it
Restoration by
RTI – temporary association
of companies - TREVINTRE
(CBC coop, TECNICON srl,
ARA snc)
Restoration works in Rome
STATE OF CONSERVATION
The general conditions of the monument were critical, owed to several types of alteration. Climate changes and the microclimate affected by the presence of water and ambient
aerosol generated an ideal habitat for microbiological and biological attack, especially on
the cliff rocks. There were particularly thick limestone deposits on the areas affected by
running, spurting and stagnating water, whose content in calcium is quite high in Rome.
The fountain aerosol, rainfalls and winds are the main cause of decohesion and corrosion
of the most exposed areas.
The heavily polluted urban environment caused layers of dust, topsoil and dirt to pile up on
all semi-confined areas, resulting in the frequent recurrence of early black encrustations in
the majority of the undercuts.
The great affluence of people and the improper use of the monument by visitors caused
damage to the accessible portions of the basin and cliff (engravings, graffitis, chewinggums).
SITE
With the aim of allowing visitors to “enjoy the monument as a whole and complete artefact” during the works and to follow their progress, the following steps were adopted:
_ install a totally transparent fence, complete with informative decals;
_ erect the scaffolds at different times, so as to make a portion of the façade always visible; in particular, the central portion of the façade was covered first, while the side portions were hidden only when the mid-portion scaffold was dismounted. No tarpaulins
were used, so as to allow visitors to easily follow the works in progress;
6
WORKSHOP SESSION
7
WORKSHOP SESSION
_ build an elevated walkway accessible from the fence, which runs through the basin like
an “inner lane into the site”, so that tourists can approach the work areas.
_ to preserve the long-established tradition of throwing coins into the fountain as a wish
to return to Rome, a substitute basin was built in the middle portion. This way, tourists
could keep throwing their coins above the fence and Caritas staff could keep collecting
them.
To both sides of the fence, two large screens showed an uninterrupted sequence of pictures and films about the History of the fountain and of the square, including period prints
reproducing the ancient versions of the fountain, also called Show of the Virgin Water, as
well as odd events occurred within or near the fountain filmed and stored in the Historical
Archives of Istituto Luce, and shots from famous movies having the renowned fountain as
their backdrop.
RESTORATION OF TRAVERTINE AND MARBLE SURFACES
- Removal of superficial incoherent deposits of dust, topsoil and bird droppings by means
of brushes and hoover;
_ disinfection of superficial weeds with weedkillers;
_ disinfection by means of two applications of biocides on all surfaces;
_ cleaning of all surfaces with compressed air sprayers at low pressure, with the help of
large and small brushes and sponges;
_ chemical spot cleaning aimed at removing all black encrustations from the undercuts.
The affected areas were first padded with a weakly basic solution of cellulose fibre pulp
and then any residual salts were rinsed off with demineralized water;
_ mechanical cleaning of thick deposits (black encrustations) and of all limestone encrustations from the cliff. This long and complex operation included a number of steps,
with the use of different tools, such as hand-operated hammers and hardies, compressed air tools (hammers, vibrating tools and micro-air-abrasion equipment manufactured by Ibix, model Trilogy 9 with HELIX helical vortex gun and almandine media of
grain size 80-120 mesh), all of which ensured total protection of patinas;
8
WORKSHOP SESSION
9
WORKSHOP SESSION
10
WORKSHOP SESSION
_ consolidation of the areas around any old heavy reparations, where decohesion and alveolization of travertine
looked severe, which were removed by infills of microacrylic resins;
_ machine-operated removal of any previous reparations
that featured adhesion defects or poor aesthetic quality;
_ gluing of restored portions of cement mortar and/or travertine flakes with epoxy resin, sometimes with the addition of threaded stainless steel or fibreglass pins;
_ execution of deep reparations with Lafarge hydraulic lime
mortars and pozzolana;
_ execution of superficial reparations with carefully selected hydraulic mortars, after colour and grain size sampling;
_ execution of micro reparations with slaked lime and marble dust mortars;
_ treatment of all copper foil elements (plants and trumpets) by machine-operated cleaning of all surfaces,
aimed at removing oxidation and residues of paint; corrosion-proof treatment, rehabilitation of colours with
paints;
_ final protection of all surfaces with a polysiloxane coating.
STUCCO AND PLASTER SURFACES
Detailed study, also based on research of historical records
conducted in collaboration with the Site Manager and the
Scientific Manager, and collection of numerous samples to
choose the correct paint colours and to repair the degraded
surfaces (use of imitation travertine of the same colour as
travertine);
_ application of acrylic resin primer on all surfaces;
_ application of two layers of limestone paint in aqueous
solution;
_ finishing of all stucco surfaces by sponge application of a
film of watercolours and acrylic resin in aqueous solution
to mimic travertine;
_ finishing of all plaster surfaces by sponge application of a
film of watercolours and acrylic resin in aqueous solution
to mimic travertine.
11
WORKSHOP SESSION
Caterina Giovannini
[email protected]
www.ibix.it
REFERENCES
Lazzarini L., Laurenzi Tabasso M.,
Il restauro della pietra, Utet 2010.
Alessandrini G., Feltrami C., Cordaro M.,
Torraca G., Patine, pellicole
e patinature, in Diagnosi e progetto
per la conservazione dei materiali
dell’architettura,
De Luca Editore, 1998, Roma.
UNI Beni Culturali, Materiali lapidei
naturali ed artificiali. Descrizione della
forma di alterazione - Termini e
definizioni, UNI Standard 11182:2006
media cleaning technolgy.
The latest case history
The cleaning process is a very delicate phase of the conservation work. In fact, it is an irreversible activity, which, if not carefully calibrated, can cause irreparable damages to the
monument to be restored. Therefore, it is not possible to work with standard techniques,
as every monument is a unique case on which it is necessary to calibrate the intervention
mode specifically.
This awareness is the root of the cleaning method proposed by IBIX; the structure of the
equipment, their functions and adjustments, are specially designed to ensure the greatest
control over the process, preserving the quality of the result.
Effectiveness and potential damages are the two parameters that lead the cleaning result.
The effects of the cleaning should therefore be evaluated considering the future outlook, in
order to monitor the cleaning effects in the long term.
The cleaning of the fountains, carried out partially with IBIX technologies, is an excellent
example for the intervention process described above. The importance of the monument
- requires the utmost care in defining the operating mode and it is an outstanding test for
the cleaning level guaranteed by IBIX equipment.
Describing the stages of the fountain cleaning (those concerning the use of IBIX technologies) is therefore a great way to explain the IBIX method. The intervention project consists
of three phases: materials analysis, cleaning tests, results analysis. The correct execution
of the sequence leads to the best cleaning process, which will be developed in the specific
case of intervention.
Helix. Use of helical
vortex gun helix
for stone treatment
12
The cleaning of the fountain was carried out in order to remove the thick deposits of limestone - which had been uplifting over the years - ensuring the utmost respect of the underlying marbles.
Through various samplings, it is possible to define accurately the layer of material on which
WORKSHOP SESSION
NANO Plus.
It is a double
functioning
(dry/wet)
aero-abrasive
device, equipped
with a special
“quick connect”
system and
two easily
interchangeable
pistols, a standard
H2O and an Helix
IBIX microtip.
The Nano Ibix
reveals its top
effectiveness with
the microtip Ibix;
this tool allows
the operator
to work on the
smallest details
with the maximum
comfort
13
WORKSHOP SESSION
stopping the abrasion. The work is carried out at low pressure, starting from 0.2 bar. On the
Trevi Fountain, the equipment were used in the dry mode (without water). The material
selected for the intervention was the almandite exrafine 200 mesh. It consists of sub-angular shaped grains of mineral stone: it is an all-natural, chemically inert mineral abrasive
containing no toxic metals, silica, ferrite and/or carcinogenic substances. It is a very tough
and effective material, but at the same time it allows an optimum selectivity of the cleaning process and enables to use very low operating pressure values.
The media cleaning operations were performed with the HELIX gun, which is another important parameter of intervention. The Patented HELIX® system consists in a special operating gun equipped with an original helical vortex nozzle design: this guarantees not only
the maximum protection of the valuable surface patinas and historic coatings of precious
artefacts, but also optimum worksite performance. This system exploits a combination of
the Venturi effect, generated by the special conformation of the outlet cone, with a device
that induces a helical rotary movement, in order to reduce considerably the air capacity required to operate the machine. The wider tangential contact area generated by any same
working pressure guarantees up to 30% more in productivity.
HELIX is a tool created specifically for the IBIX intervention project. Its particular features
perfectly fit with the scientific approach described above.
The application gun increases the distance of the operator from the surface minimizing
invasiveness without losing the evenness and effectiveness of the cleaning and avoiding
that the operator needs to make constant corrections, which can result in the definitive
loss of the layers to be conserved.
Thanks to the IBIX technologies, it has been possible, in important historical and architectural contexts, to satisfy completely the project requirements.
14
photo © Lorenzo Lugliè
WORKSHOP SESSION
15
WORKSHOP SESSION
Giorgio Croci
Alessandro Bozzetti
Studio Croci e Associati
SPC s.r.l.
STUDIO
PROGETTAZIONE
E CONTROLLI
[email protected]
www.spc-engineering.it
CRYPTOPORTICUS,
THE DOMUS TIBERIANA ON THE PALATINE
INTRODUCTION
As reconstructed by Clemens Krause (see “Il Palatino area sacra sud-ovest e Domus
Tiberiana”, Rome 1998), the Domus Tiberiana (the Palace of Tiberius) was bounded by
the Clivus Victoriae to the north, by the so-called cryptoporticus of Emperor Nero to the
east (still walkable today), by some premises partly open and partly closed towards the
area of the Magna Mater to the south, and by a retaining wall called Bastione Farnesiano
to the west. In substance, at least its oldest part corresponds to the current perimeter of
the Farnese Gardens on the Palatine Hill.
During the present inspection, the sole site of the cryptoporticus will be visited, because
works in the Domus Tiberiana have been completed.
THE DOMUS TIBERIANA ON THE PALATINE
The large complex known as Domus Tiberiana is one of the most important on the Palatine
and is made up by a succession of buildings which are badly inter-connected.
Compared with the original configuration (Tiberius), in the period from Domitian to
Hadrian (I -II cent. BC) there have been constant changes and expansions until reaching its
current appearance (the part towards Via Nova) (Figure 1).
The first phase, corresponding to the period of Nero, was characterised by a base comprising
a casting of Roman concrete profiled with blocks of travertine. The phase under Domitian
modified the Neronian scheme: the facade towards the Forum was reconstructed,
completing the new front with a long loggia and transforming the Domus into a sort of
offshoot of the great Palazzo which was built on the hilltop. Finally, Hadrian continued
interventions: large arches were built which passed over the Clivus Victoriae, taking the
front of the Palazzo up to Via Nova, with an architecturally spectacular result.
05
16
WORKSHOP SESSION
01
03
02
04
At a later date, some tabernae were built on this front, probably also with the function of
constituting a kind of buttress to contain the thrust of the wall, which was perhaps was
originally intended to be internal and not a facade (Figure 2).
The foundation ground of the original nucleus consisted of tuff rock, while the foundation
layer towards the Roman Forum (Via Nova) consisted of silt-clay sediments from the
Velabro, the course of which was diverted during construction of the Cloaca Maxima.
The original structures (whose walls have thicknesses between 1.20 and 1.50 m) consisted
of four levels:
1. Via Nova (23 m above sea level)
2. Clivus Victoriae (33 m above sea level, ground floor level)
3. Level 41 m above sea level (first floor)
4. Orti Farnesiani level 51 m above sea level (coverage)
Most of the structures collapsed in ancient times and the remains were covered with soil,
which permitted realisation of the gardens and terraces of the “Orti Farnesiani” on the
upper level.
17
WORKSHOP SESSION
06
07
08
INVESTIGATIONS AND INTERVENTIONS CARRIED OUT IN THE PAST
In 1870, major excavations took place at the Roman Forum, and in 1900 the structures were
uncovered: these excavations certainly negatively affected the stability of the structures
facing the Forum.
Around 1891, excavations were carried out in the area close to the Via Nova and on this
occasion the walls of the orthogonal tabernae on Via Nova were restored.
In 1960, the concrete brick floors covering the second level on the Clivus Victoriae were
built, while in 1970 a first system of perpendicular metal tie-rods was put in place Via Nova
to interconnect various detached walls.
From 1985 for a period lasting around 10 years, a series of topographic measurements
was carried. These measurements indicate that there are not only downward vertical
movements (about 0.2-0.4 mm/year) with cyclic behaviour (probably of a seasonal
climatic nature) but also a shift towards the Forum in a north-east direction with maximum
values of 5 mm (1985-95). At the perimeter of the Domus towards the Forum, the surface
layers have been eroded and covered by alluvial silt-clay deposits.
In 2000, the “rigid” tie-rods were replaced by a system of new tie-rods (Diwidag bar type
with diameter of 26 mm), anchored with leaf springs so as to have a deformable bond
such as to maintain the substantially constant forces, independently of (or in any case
little affected by) shifts induced by movements non-stabilised ground, as well as by
thermal effects (Figures 3, 4, 5). A similar technique was applied to support the vaults of
Palazzo Ducale in Genoa (Chap. ...) and for the vaults of the Basilica of St. Francis of Assisi
(Chap. ...). In this way, it was possible to achieve a contrast against differential movements
produced by soil sliding without, however, purporting to block them, thus avoiding
dangerous concentrations of stresses. This intervention was associated with a monitoring
system able to predict adverse developments and take timely corrective action, such as
adjusting the tension in the chains, etc.
Monitoring provided interesting data and, in particular, showed that the chains, as
designed, undergo moderate cyclic variations due to thermal effects (of the order of 300
kg/sq. cm.). The relative displacements measured at the ends of the chains, which were
slight, show that these do not significantly affect the stress state in the chains due to
18
WORKSHOP SESSION
09
10
“flexible” anchorages made with the system of leaf springs (Figure 6).
The most important lesions in the vast existing crack pattern, in particular those affecting
the separation baffle between the 5th and the 6th spans, result in movement, even if with
modest values.
DIAGNOSIS: STATE OF CONSERVATION, INSTABILITY, DEGRADATION
The state of instability that characterises the area in question can be broadly divided
into two categories: the first concerns the problems affecting the entire structure as a
whole; the second is related to events such as injuries, cracks caused by localised crushing
or degradation of materials, etc. Even if on the one hand these local phenomena do
not prejudice the global safety margin of the structure, on the other hand they reduce
durability and can represent a source of danger for persons. The signs of instability that are
detectable today are difficult to interpret in relation to historical phases of construction,
soil dissimilarities, the effects of excavations that have followed one another over time,
previous reconstruction and reinforcement interventions, as well as the earthquakes
that more than any other event have contributed to collapses and instability (among the
strongest earthquakes, we recall those of 434, 801, 847, 1347 and 1703 which caused major
damage to the Colosseum. The structures which survived collapses, to which degradation
and neglect also contributed, are affected by diffuse lesions, detachments, misalignments
and material degradation. The front of the Forum is today completely detached from the
body behind. Lesions affect all the transverse walls up to the terrace at the level of the Orti
Farnesiani. Vertical lesions cross the two paved levels of the Domus up to the level of the
Orti. The foundations of the northern part towards the Forum, as noted above, are subject
to worse behaviour than those behind; the presence of silt-clay layers which affect the eastfacing zones more broadly than the west-facing zones, although of discrete mechanical
characteristics, may have contributed to the instability that is detectable today, even
though all the evidence suggests that earthquakes certainly played an essential role in
collapses. Evaluation of the instability and forms of degradation that have affected the
Domus is briefly described in the following paragraphs.
19
WORKSHOP SESSION
Spine walls between Clivus Victoriae and Via Nova
The entire area is characterised by a marked crack pattern of complex interpretation, which
has also been the subject of monitoring for some periods (Figures 7). This crack pattern
was already evident from the times of the excavations and demolitions in the 19th century,
at which time some 16th century structures of the Farnese were removed, in part also close
to the structures in question, along the Via Nova. There are deep lesions of isolated or
branched detachment on the orthogonal dividing spine walls at Clivus Victoriae, which
show a tendency to detachment between the fronts downstream and upstream of the
area in question, which are visible both internally and externally. Such lesions are evident
on the bases in Roman concrete of some buttressses on the front along the Via Nova: in
some areas the width is greater at the bottom and tends to narrow further up.
Vaults of areas between Clivus Victoriae and Via Nova
Even the vaults in concretion on the first level are affected by instability: most of these are
visibly damaged by the fractures affecting the vertical walls (Figure 8).
Front on Via Nova and Tabernae
The same front displays localised sections of heavily damaged and disaggregated Roman
concrete such as to require the necessary provisional props of pipes and joints (Figure
(Figure 5.8.10).). The party wall between the structures of the Clivus Victoriae and
the tabernae on Via Nova is detached from the structures behind it, and also presents
significant lack of material in the thickness (Figure 10).
The front of the tabernae on Via Nova consists of three levels of walls parallel to the
Via Nova which are disconnected between them. These walls are affected by structural
instability, to which continuous infiltration of rainwater has contributed.
Clivus Victoriae
Along the east-facing paved corridor (Clivus Victoriae), a major lesion can be seen at the
11
20
12
WORKSHOP SESSION
base, which was athe lready visible during the excavation of the ‘70s; lately it has been
brought to light, confirming the disconnection and a related movement of the entire front
overlooking the Via Nova. Some pillars along the Clivus Victoriae show evident signs of
crushing accented by detachment of the curtain from the original core through vertical
lesions (Figure 11). Since the loads are small in relation to the resistant section, the cause is
probably to be sought in the earthquakes or overload corresponding to differential sinking.
On the other hand, some pillars on Clivus Victoriae present failures at the springer of the
arches (Figure 12). The stretch of the east-facing vault is affected by a large crack pattern
and is detached from the south wall.
North-west corner
The corner area between the Via Nova and Via S. Teodoro has wide diagonal lesions that
are probably due to the effect of earthquakes as well as settling of the soil that have
occurred in the area (Figure 13 and Figure 14).
Structures upstream of Clivus Victoriae
The structures upstream of Clivus Victoriae are affected by a conspicuous crack pattern
that seems to confirm the tendency to disconnection of the entire north-west towards
the Via Nova and the Forum: in fact, some lesions affect the orthogonal dividing walls
at Clivus Victoriae and are mostly feedthroughs with a vertical progression, while others
affect arches, vaults and lintels running parallel to the clivus (Figure 15).
STRENGTHENING INTERVENTIONS
General aspects
The interventions can be divided into global concerning the behaviour of the ensemble
and local concerning individual elements. The global interventions essentially concern
instability of the facade, and since it is currently neither necessary nor convenient to
intervene on the foundations, the project is oriented towards recreating a structural
continuity and containment of pressures, in addition to earthquakes. The system of
13
21
WORKSHOP SESSION
shackling already in place creates a quite effective anchorage in the various walls parallel
to the facade although it must be extended to structures upstream of Clivus Victoriae. The
chaining must be supplemented by interventions to create a structural solidity between
the various juxtaposed walls (by means of injections, insertion of connecting tie-rods, etc.).
Local interventions essentially concern rebuilding of the vaults in order to raise the paved
level and rearrange the terrace on the Orti Farnesiani, in addition to eliminating the old
concrete brick floors. The coverage vaults on the second level towards Clivus Victoriae
should be reconstructed in accordance with the ancient instructive techniques. Another
intervention concerns the construction of some tabernae which also have the function of
stiffening buttresses.
Ongoing interventions1
The first operation under way concerns the compensation of lesions in the spine walls and
vaults, integrating them in correspondence with the failures.
However, the core problem of the current project concerns seismic protection for a building
that is intrinsically vulnerable due to the different quotas of strength of the foundations
and the unevenness of the land involved. Seismic improvement is based on reconstitution
of the walll “box” by compensating for the lesions, giving the walls a tensile strength
by means of the insertion of some enchainments. The mounting system has shown a
substantial stability of the phenomena for which it was planned to replace the existing
chains, anchored to the flexible leaf springs with new enchainments partly inserted inside
the masonry, and therefore not visible. Parallel enchainments have also been inserted to
the front of the Via Nova with a view to creating a behaviour of the whole, eliminating local
phenomena of tilting of the front of the header, not opposed by the vault that originally
was to cover the environment concerned by the ramp. Reorganisation of the “heart” of the
Tiberian Complex also includes reconstruction of the vaults and orientation of the terraces
that cover the Domus complex. The new vaulted structures are in pieces of tuff mixed with
mortar made of natural hydraulic lime of different thicknesses depending on the light
cover.
1
14
22
The interventions are carried out by the Archaeological Superintendence of Rome under the guidance of Arch. M.G. Filetici
15
WORKSHOP SESSION
17
Possible section of the galleries
18
Early steps – the earth once
filling the galleries up to the
vault springer
CRYPTOPORTICUS
The area of the Cryptoporticus occupies the central portion of the Domus Tiberiana and
features a roughly square arrangement.
16
Detail of the two
brickworks
This originally underground structure probably belonged to a network of galleries and passages running through the foundations of the Domus and apparently connected to the
perimeter area now visible (along the Clivius Victoriae to the north, below the Bastione
Farnesiano to the west, etc.).
After being used as farming fields and as a place of spoliation of ancient materials throughout the Middle Ages and the Renaissance period, the area was eventually buried below the
gardens of the Farnese family, which were built in the mid 16th century by cardinal Alessandro Farnese, who wished to ideally reconnect with the ancient Rome of the Caesars
(VV. AA. “Palatino area sacra sud ovest e Domus Tiberiana”, Rome 1998 Maria Antonietta Tomei, “Scavi francesi sul Palatino, le indagini di Pietro Rosa per Napoleone III”, Rome
1999).
23
WORKSHOP SESSION
19
20
21
22
19. Survey of the cracks – assessment of damage
20. Survey of the cracks – assessment of damage
21. Survey of damage
22. First access
Regarding its construction, the whole vault is opus coementicium, but it was probably
strengthened (or thoroughly reconstructed) back in Roman times with the erection of a
60cm-thick false wall rising up to the brick abutments (with an outer face made of horizontal joints and a conglomerate core of inert bricks) and finished on top with concrete
conglomerate and tufa blocks.
This sheeting was probably required after some collapse, but its static function is actually
null in the brick portion, as demonstrated by in-situ tests carried out with flat jacks (figures
19 e 20).
Some works were started in May 2006 to make a number of underground areas accessible
again. The works were supervised by architect Giuseppe Morganti with the help of “Studio
Croci e Associati” for the structural issues, of archeologist Ernesto Monaco for survey and
constructional interpretation and, in the latest years, of archeologist Andrea Schiappelli
for the excavations.
24
WORKSHOP SESSION
23
25
Metal supporting structures
WORKSHOP SESSION
SOUTHERN STRETCH
Generally speaking, structural damage consists in some deep cracks of the conglomerate vaulted
roof crossing the barrel vault diagonally from the south-eastern corner along the springers, from
one basement window to the next. This caused the blocks to slide for some centimeters along an
oblique plan and resulted in the fall of large amounts of materials in proximity of one of the abutments (figures 22-25).
The concerned areas were eventually brought back to safe conditions with a number of works over
the years.
Synthetically speaking, the works consisted in installing a number of supporting structures in the
southern gallery, as necessary while entirely reversible interventions to guarantee safety. At the
same time, the continuity of the masonry was rebuilt by means of injections into the cracks.
24
25
26
26
WORKSHOP SESSION
24. North-western
corner.
25. Collapse of springers
in the north-western
corner.
26. Strenghtening
masonry built by
architect Martines in the
north-western corner.
27. Construction
of the underpinnings
at different
steps of the works.
27
NORT-WESTERN CORNER
A most severe damage to the structure consisted in subsidence of some portions, caused
by the collapse of the caves or galleries found below, which in some cases resulted in the
collapse of about 80cm-thick layers between the cap and the springer. Along the northsouth gallery, subsidence generated the collapse of the whole springers. (figures 27-30).
The cracks are found along the whole north-south longitudinal stretch of the gallery, although damage entities get progressively less severe southwards. Among various lesions,
a horizontal crack is visible along the western wall of the vault, running along almost its
whole length.
In the north-western corner area, it was understood that, at least for the western portion,
the cause of damage lied in the collapse of a number of galleries and sewage plants. For
the sake of safety, the collapsed areas were excavated and a number of underpinnings
were erected with a view to rehabilitate the capacity of transferring load from the built
structures to the ground.
27
WORKSHOP SESSION
5
LASER REMOVAL OF BLACK CRUSTS FROM STONE:
april THE CASE STUDY OF PIAZZA DEI MIRACOLI IN PISA
PISA
Alessandro Zanini
Laura Bartoli
Conservation Technologies
Department
[email protected]
www.elengroup.com
28
A team of skilled restorers and scientists have been working for years at the conservation
of magnificent monuments that adorn the Square of Miracles (Piazza dei Miracoli) in Pisa.
The first project involved the worldwide-famous Leaning Tower. In this case the surface
conservation status was strongly influenced by the inclination of the tower, which accentuates the deterioration linked to natural aging of the materials and to the conservation
history of the Tower.
Studies and tests had shown that the major conservation problems were related to erosion
and disintegration of the stone and to the presence of gypsum and limestone deposits. In
the area under the slope, however, the particles which are not washed away by the selfshielding effect of the Tower itself, are deposited and cause the formation of black crusts.
Diffuse cracks, fractures and detachments of fragments are evidence of crushing phenomena related to the inclination suffered by columns and capitals.
The most appropriate methodologies for the restoration have been identified on the basis
of the investigations results and direct experience gained in a project yard that took place
in 2000, with the contribution of the European Union.
Eleven cleaning systems, 5 products for consolidation, 18 types of mortars were considered
appropriate and necessary for the conservative intervention. Among the cleaning methods, laser technology has been used successfully on the most damaged and exfoliated
WORKSHOP SESSION
parts of the capitals for a gradual and safe removal of the black crusts without damaging
the fragile substrate affected by cracks and gaps.
Subsequently, the efforts of restorers focused on the preservation of the Cathedral. The
last actual restoration of the monumental Cathedral, aside from the renovated façade for
the Jubilee of 2000, dates back to the forties. A total restoration using advanced technologies has been carried out. The first phase started in 2013 and ended up in 2015. The
intervention started with a pilot project that healed a portion of the basin apse next to
the transept of the Blessed Sacrament, then the restoration has been extended to the entire building which was in a state of high degradation characterized by biological attack
and aggressive deposits, moreover black crusts and missing parts were found in the most
decorated parts. These decorated parts (such as capitals) were all laser cleaned: the laser
allowed the fast and safe removal of the thick black crust even from very modelled and
curled decorations.
The conservation problem in Pisa shows a clear example of the potentials of laser cleaning
of stone. Lasers are nowadays seen as an additional instrument in the restorer’s toolbox.
The main advantages of the use of lasers for the removal of black crusts from stone surfaces are the following: no chemical species are required, the removal is very progressive so
the restorer can decide the most appropriate level of cleaning, the cleaning is extremely
precise because it involves only the area lit by the laser beam, which may be accurately
limited as needed and last, but not least, if the laser is properly set, the process of cleaning
automatically stops after the black crust removal because of the different reflectivity of
the marble. After the pioneering work made by J. Asmus since 1970 (1) (2) it has been shown
29
WORKSHOP SESSION
by many studies (3) (4) that the Nd:YAG lasers offer the best compromise of selectivity and
efficiency, being also rugged enough to work in difficult conditions such as open air or on
scaffoldings. It has been proven that, beside the wavelength, the pulse duration is a crucial parameter for the optimization of the laser-stone interaction (5) (6). In the 90s a novel
fiber-coupled Nd:YAG laser emitting pulses of 20µs, the so-called Short Free Running
(SFR) temporal regime was introduced (7): this pulse duration, intermediate between the
very short pulses (Q-switched regime, 10ns pulse duration) and very long pulses (Free
running regime, 500µs pulse duration) was proved to provide unique gradualness and
self-termination performances without damaging the stone substrate. This new SFR
system was massively applied in restoration works of historical façades (8) (9) (10), ancient
archaeological artworks (11) and stone reliefs (12) and Renaissance masterpieces such as the
Prophet Abacuc by Donatello, the Fonte Gaia in Siena by Jacopo della Quercia, panels of
the Giotto’s campanile in Florence and many other works. Most of the discussion, which
accompanied the early stage of laser cleaning application, concerning possible side effects due to laser irradiation of stones gradually reduced along the last decades thanks
to systematic phenomenological and process-optimization studies that allowed to define the operative fluence ranges ensuring effective discrimination between the layer to
be removed and the substrate underneath to be uncovered (13).
Furthermore, also the well-known problem of the yellowish appearance associated with
Q-switching Nd:YAG cleaning of white stones (14) has been thoroughly investigated (15) (16)
and practically solved. Some studies showed that this chromatic appearance was due
30
WORKSHOP SESSION
to the partial removal of pigmented stratifications and/or to penetration of organic substances through the outer layer of the stone.
The removal of alteration layers from stones can often be achieved by using the laser only
but in many cases the combination of the laser with traditional chemical or mechanical
methods may be needed or preferable. The laser cleaning of the capitals of both the Leaning Tower and the Cathedral in Pisa was performed after the imbibition of the black crust
in water for one night to soften the crust itself and make it easier to be removed by laser.
In general, the efficiency of the laser removal is increased if the surface to be treated is wet
with water before the irradiation. This wetting produces two main effects: a refractive and
an ablative one. The refractive effect leads to a decrease of reflectance for the wet sample,
due to a change in the refractive index between the material and the air (less radiation is
reflected away). Moreover, the voids in the material are filled and this causes a reduction
of the optical diffusion effect (higher penetration). On the other side, for the ablative effect the fast vaporization of water penetrating into microcracks speeds up the material
ejection.
In conclusion, the conservation of the monuments in Piazza dei Miracoli in Pisa represented
one of the last successful application of laser cleaning for the removal of black crusts from
stone substrates. The optimization of the main laser parameters, supported by rigorous
scientific investigations, is of crucial importance to spread the use of this innovative technique in the world of conservation of Cultural Heritage.
REFERENCES
1. Asmus, J. F. 1978, Technol.Conserv. 3, p. 14.
2. Asmus, J.F. 1986, IEEE Circuits Devices Mag. 2, p. 6.
3. Cooper MI, Emmony DC, Larson JH. 1992, Proceedings of the Seventh International Congress on Deterioration and Conservation of Stone, Lisbon, p. 1307.
4. Liu K, Garmire E. 1995, Appl. Opt. 34, p. 4409.
5. Siano S., Salimbeni R.,. 2001, Stud. Conserv. 46, pp. 269-281.
6. Salimbeni R., Pini R., Siano S. 2000, J. Cult. Heritage 4, pp. 72-76.
7. Margheri F, Modi S., Masotti L. et al. 2000, J. Cult. Heritage 1, pp. 119-123.
8. Bromblet P., Labourè M., Orial G. 2003, J. Cult. Heritage 4, p. 17S.
9. Calcagno G., Koller M., Nimmrichter J. 1997, Restauratoren Blatter 39.
10. Calcagno G., Pummer E., Koller M. 2000, J. Cult. Heritage 1, p. 111.
11. Pouli P., Frantzkinaki K. et al. s.l. : Springer, 2005. LACONA V Proceedings. pp.
333-340.
12. AE, Delgado Rodrigues J. Charola. Jeronimos Monastery, the conservation
intervention. Lisboa : Cadernos IPPAR, 2006, pp. 199-206.
13. Siano S., Agresti J., Cacciari I. et al. 2011, Appl. Phys A.
14. Vergès Belmin V., Dignard C. 2003, J. Cult. Heritage 4, p. 238.
15. Klein S., et al. 2001, Appl. Surf. Sci. 171, p. 243.
16. Siano S., et al. 2008, Laser Phys 18, p. 27.
31
67
- APRIL
FERRARA
ORGANIZED BY
IN COOPERATION WITH
THURSDAY 7TH APRIL 2016 | FROM 9.30 AM TO 1.10 PM | ERMITAGE ROOM | PAD 5
PLANNING RESTORATION:
INTERNATIONALIZATION POLICIES
IN THE RESTORATION SECTOR
VALEN
Z
SEMIN A FORMAT
IV
A
PER A RIO A RILA A:
RCHIT
S
ETTI E CIO CREDIT
P
INGEG
I
NERI FORMATIV
intern rogettare il
I
a
R
izzazio estauro: po
lit
ne per
il sett iche di
ore re
stau
zional
THU
RSD
AY
APR
IL
7
ro
09:3
2016
0 - 13
:30
Chairman: Nicola Berlucchi
ABSTRACT. Italy has historically spread worldwide its peculiar theories of restoration and conservation effectively guiding the international approach for preserving Cultural Heritage. Italy
has also exported its craftsmen, artists, architects and engineers over time to deal with the
most important monuments all over the World.
The Italian Restoration sector, substantially developed into an organic “industrial” system after the new Millennium, seems now ready to create its own strategies for promoting its model,
materials, technologies, enterprises, specialized design offices and service societies worldwide.
The conference aims to present some examples of international cooperation, focused on the
restoration design area, through the Internationalization Policies supported by the Italian Ministry of Economic Development (MISE) by its agency ICE-Italian Trade Promotion Agency and
through other models of international cooperation and autonomous experiences.
Some example of international projects carried out by ICE Agency and Assorestauro from 2013
to 2016 are presented together with the future target Countries. Delegates from North America,
South America, Iran and Lebanon has been invited to present the opportunities of increasing
the involvement of the Italian enterprises in their own markets.
32
PAD 4 STAND B12-D13
CONFERENCES AT THE EXHIBITION
OF FERRARA
Registration for credits of professional education with Assorestauro staff
9.00–9.30
9.30–10.20
INTERNATIONALIZATION POLICIES
ICE – Agency for the internationalization of Italian
businesses: Supporting internationalization in the
restoration sector
Emilia-Romagna Go Global 2016-2020. The policies of
support to business internationalization and the case of
the restoration sector
Alessandra Capobianco
ICE
Ruben Sacerdoti
Regione Emilia Romagna
Giorgio Malfatti di
Monte Tretto
IILA
IILA cooperation initiatives in the restoration sector
Alessandro Zanini
Assorestauro
Cooperation between associations
Nicola Berlucchi
Assorestauro
International planning experiences
INTERNATIONALIZATION PROJECTS 2014-2016
10.20-10.35
Tatiana Vyatchanina
CNRPM
RUSSIA: The Restoration School in Moscow
10.35-10.50
Olcay Aydemir
VGM
TURKEY: MED ART Turkey-Italy International project
and the restoration of Sheik Sulayman Mosque
10.50-11.05
Nelys Garcia
OHC
CUBA: Italy-Cuba Cooperation in the restoration sector
11.05-11.15
Coffee Break
THE RESTORATION SECTOR IN THE TARGET COUNTRIES. OVERVIEW BY THE DELEGATES INVITED TO JOIN
ICE – ASSORESTAURO INTERNATIONAL WORKSHOP
11.15-11.30
Kitty Vieth
NORTH AMERICA
11.30-11.45
Guillermo Garcia
SOUTH AMERICA
11.45-12.00
Hassan Talebian
IRAN
12.00-12.15
Randa Kawekji
LEBANON
AIA, LEED AP
Principal, Architectural Resources Group
Council Member PRIE (Plan Rector de Intervenciones
Edilicias), National Congress
Architect & Conservator and Deputy Chief (Vice
President) of Iran Cultural Heritage, Tourism and
Handicrafts organization
Architect Restorer – Responsible of DGA offive in Tripoli
EXAMPLES OF INTERNATIONALIZATION
12.15-12.30
Marco Martuscelli
Planach
Planning in Lebanon
12.30-12.45
Alessandro Bozzetti
SPC
International experiences of structural engineering and
site management
International experiences in National Vulnerability
Assessment and Pilot Retrofitting in Buthan
12.45-1.00 pm Pasquale Crisci
AIRES INGEGNERIA
Signature at exit for CPE
33
67
- APRIL
FERRARA
ORGANIZED BY
IN COOPERATION WITH
THURSDAY 7TH APRIL 2016 | FROM 9.30 AM TO 1.10 PM | ERMITAGE ROOM | PAD 5
SUSTAINABILITY OF HISTORICAL
BUILDINGS: THE GBC HISTORICAL
BUILDING PROTOCOL
I
RMATIV
A:
MATIV CREDITI FO
IO
ZA FOR
VALEN IO A RILASC GNERI
AR
GE
SEMIN HITETTI E IN
C
PER AR
istoric
GBC H
tocollo
Il pro
SDAY
HUR
T
IL
APR
7
g
Buildin
2016
- 17:50
14:30
Chairman: Marcello Balzani
ABSTRACT.The conference aims to study the large-scale topic of sustainability particularly focused on historical buildings, a particular framework in which the energy efficiency approach
needs to be harmonized with the historical assets and preservation priorities which characterize
the restoration area. Furthermore, the conference aims to introduce the requalification issues as
a clear opportunity for enhancing the efficacy of the preservation policies for the reuse of the
historical building heritage.
Within this complex framework, The Green Building Council Italy is elaborating a specific rating
system for the certification of historical buildings. The GBC Historic Building, the name used for
the new rating system, aims to tackle this specific area starting from the peculiar Italian sector
of the restoration of historical architectures, based on the most well-framed regulations and
the wider diffused Cultural Heritage in the World.
Specific Case Studies, related to the application of international standards, will be introduced:
LEED EBOM protocol, developed by the American Green Building Council especially for living
buildings and focused on the sustainability in terms of management and maintenance and
LEED C&S protocol, which deals with the building envelope in terms of heating and cooling systems, in addition to the GBC Historic Building protocol
34
PAD 4 STAND B12-D13
CONFERENCES AT THE EXHIBITION
OF FERRARA
Registration for credits of professional education with Assorestauro staff
2.00-2.20 PM
2.20-2.50 PM
GBC HISTORICAL BUILDING PROTOCOL: INTRODUCTION
Alessandro Zanini
Assorestauro
Cooperation between associations
Alessandro Gasparini INARSIND
Seismic mitigation and sustainability
Marco Caffi
GBC Italia
Sustainability of built environments
Marcello Balzani
Università di Ferrara
Introduction to the conference topics
THEORETICAL OVERVIEW
Freelance advisor
2.50-3.10 PM Nicola Berlucchi
How to adjust ancient buildings to modern requirements
SOME EXPERIENCES OF IMPLEMENTATION OF THE LEED PROTOCOL
3.10-3.30 PM Alberto Ballardini
Habitech
3.30-3.50 PM Sandro Favero
F&M Engineering
The implementation of LEED EBOM Protocol
in Ca’ Foscari, Venice
The sustainable rehabilitation of Palazzo Ricordi in
Milan and the implementation of LEED C&S Protocol
3.50-4.10 PM Coffee Break
NEW TOOLS AND GUIDELINES FOR THE REGENERATION OF HISTORICAL BUILDINGS
4.10-4.30 PM Livio De Santoli
AICARR
Energy efficiency of historical buildings
4.30-5.00 PM Carlotta Cocco
Marco Zuppiroli
Giuseppe Bonfante
5.00-5.20 PM Chiara Bonvicini
Giovanni Stefania
EVO3
Onleco
Onleco
SECAP
GBC Historical Building Protocol: integrating
sustainability and restoration
5.20-5.30 PM Marcello Balzani
Conclusion
Sustainable regeneration of historical buildings: a case
study of implementation of GBC Historical Building
Protocol
Signature at exit for CPE
5.30-6.00 PM
FINAL GREETINGS BY ASSORESTAURO
At the end of the conference, Assorestauro invites all the participants to its booth for a farewell drink
I
ATIV
FORM
:
I
A
T
V
I
I
AT
RED
FORM LASCIO C ERI
NZA
I
VALE ARIO A R E INGEGN
I
N
e di
SEMI RCHITETT
litich restauro
PER A
e
ro: po
r
estau setto
re il R one per il
a
t
t
e
Prog nalizzazi
2016
nazio
r
30
inte
- 13:
DAY
URS
IL
APR
TH
7
0
09:3
I
ATIV
FORM
:
DITI
TIVA
RMA SCIO CRE I
O
F
A
ER
NZ
ILA
VALE ARIO A R E INGEGN
I
N
SEMI RCHITETT
PER A
C His
lo GB
tocol
Il pro
AY
RSD
THU
IL
APR
ding
Buil
toric
7
2016
7:50
0-1
3
:
4
1
35
67
CA’ FOSCARI EXISTING BUILDING OPERATIONAL
- APRIL & MAINTENANCE
FERRARA
Marco Caffi
Direttore GBC Italia
Alberto Ballardini
LEED AP O+M BD+C,
Member of Technical Committees
of GBC Italia, Head of
Existing Building Services at
Habitech - Energy and
Environment District
[email protected]
www.gbcitalia.org
36
Cà Foscari is the most ancient green building worldwide. LEED certification for the extant
buildings of the 16th century residence has actually drawn attention to a crucial issue for
Italy: the sustainable management of historical buildings. Green Building Council Italia
developed the first ad hoc tool to provide the guidelines and assess the policies aimed at
cutting the environmental impact of Italy’s historical heritage, while ensuring it remains
thoroughfully preserved: GBC Historic Building protocol.
FOSCARI PALACE: FROM DOGE’S RESIDENCE TO
UNIVERSITY HEADQUARTERS
For centuries, Ca’Foscari has enchanted illustrious figures, renowned artists and visitors
from all over the world. Its strategic and scenic location “facing the Canal” was one of the
reasons that inspired Doge Francesco Foscari, governor of the Serenissima who bestowed
his name upon the palace, to acquire the structure in 1452. He had it rebuilt according to architectural and stylistic criteria and rendered his home an extraordinary example of Venetian Gothic and a visual reference used as a guiding principle even in eras that followed.
From the building, one can enjoy a unique panorama that spans from the Rialto bridge to
the Accademia complex, exploited by artists throughout history to depict splendid vistas.
Its position of prevalence over the Grand Canal has made it the ideal pier for the awe-inspiring floating stage, dubbed the Machina, which hosts the officials and marks the finish
line for the Historical Regatta. Ca’ Foscari has always been the site where the winners of
the Regatta were awarded. The palace reveals fleeting but beautiful glimpses: the ancient
courtyard of Ca’ Giustinian with its outdoor staircase, the large courtyard inside Ca’ Foscari,
surrounded by stark enclosures, the visible stone walls of the wells which were so elaborately decorated, the Gothic arches which provide a framework for both the waterway and
land entrances along with the play of lightness and grace which characterize the majestic
exterior facing the Grand Canal. Between 2004 and 2006 the Ca’ Foscari-Ca’ Giustinian
complex underwent a painstaking restoration project (which won the prestigious Premio
Torta), a significant challenge for architects and planners who married the historical and
the modern all the while complying with the esteemed history of the structure and the heritage left by the work of Carlo Scarpa. In the 1930’s and the 1960’s, the renowned architect
and Venetian designer was called upon to restore the present day Aula Magna Mario Baratto and the surrounding spaces. Scarpa’s innovative restoration project enhances the architectural style of the 1400’s, creating a play of light, lines and volume which merge tradition
and modernity so beautifully. Inside the Aula Magna, there are two frescoes dating back to
the 1930’s: “Venezia, l’Italia e gli studi “ (Venice, Italy and Education) by Mario Sironi and
“La Scuola” (School) by Mario de Luigi. Both paintings clearly reflect the different meanings attributed to each painter’s vision of studies and cultural knowledge. Scarpa’s style
is evident throughout the building, even in the doors and windows of the main entrance,
the wall sconces on the ground floor and the silhouette of the hand railings of the cen-
tral staircase. Since 1868, the palace has been the main seat of the prestigious Ca’Foscari
University of Venice. It was founded by the noted economist Luigi Luzzatti as a Scuola Superiore di Commercio (Business College). The school emphasized not only the theory but
also the practical side oriented to the in-depth examination of economic material with the
purpose of supplying a specialized preparation to tradesmen and teachers. Right from the
beginning, the study of Oriental and Occidental languages was developed, reflecting the
multicultural vocation of the city on the lagoon. Currently, the university is structured into
four macro-areas – Economics, Linguistics, Humanities and Sciences – which offer a wide
range of choices of courses and research areas. Each year at Ca’Foscari University of Venice,
there are approximately 20.000 students enrolled, 1.000 teachers, researchers and technical administrative staff and 3.000 graduates. The use of the building as University premises implied that considerable energy and water resources would be used. For this reason,
the environmental and energetic performances of the building required to be improved, in
accordance with LEED EB:O&M sustainability protocol, which eventually turned Ca’ Foscari
into the most ancient green building worldwide. LEED EB: O&M certification, promoted by
the US Green Building Council, certifies the degree of sustainability of buildings related to
their operation, as well as to their management and maintenance. Water efficiency, supply drawn from renewable sources, green public procurement, sustainable mobility are all
the fields considered by the Green Building Council where Ca’ Foscari proved to meet the
requirements for certification. The virtuous management of plants and the sustainable
policies of the University have helped reach such an ambitious achievement.
37
WATER EFFICIENCY
The modifications made on water taps, toilet tanks and water diffusers have improved efficiency and reduced the amount of potable water from a reference baseline of 7074m3/
year to a rate of 5.106m3/year which is a reduction of 28%: the equivalent to the average
annual consumption of 31 residents in the province of Venice (Istat data).
ENERGY EFFICIENCY AND RENEWABLE ENERGY SUPPLIES
Ca’ Foscari adheres to the Consip agreement “Energia Elettrica 10” (Electric Energy 10)
which includes a specific Green Option, namely, 100% of electrical energy used for all the
branches of the university is generated from renewable resources. The energy planning
of the university already began for its other locations and involves the modernization of
the infrastructure design by means of the installation of new high efficiency heaters and
the maximization of the efficiency of the control center for these heaters. A continuous
monitoring system has been installed for the analysis of the consumption profile and to
identify specific strategies in the area of maintenance and servicing. In addition, viability
studies have been effected and geared towards the improvement of energy efficiency with
particular attention being paid to lighting, by means of substituting traditional light bulbs
with high efficiency lighting options.
GREEN PURCHASING
Currently at Ca’ Foscari, 60% of purchases are “green”, pertaining to both consumer
goods and stationery (paper, toner, batteries, etc.) as well as to durable goods for the
office (computers, printers, photocopiers and furniture. For example, an environmentally
conscious criteria has been introduced for the use of printers in order to reduce waste and
paper usage). The policy adopted by Ca’ Foscari has established an obligatory minimum
which is among the highest in Italy. The university is also dedicated to reducing amounts
of mercury by using high efficiency mercury free light bulbs for both interior and exterior
lighting. The aim of Ca’ Foscari is to have at least 90% of the light bulbs purchased respect the general limit of mercury content (not more than 90 picograms of mercury per
lumen-hour).
38
WASTE MANAGEMENT
Ca’ Foscari already adopted an experiment to implement differentiated waste collection
(RADICA project) before the LEED project. Some of the measures undertaken in this area include the substitution of printed questionnaires, which at Ca’ Foscari amounted to approximately 60.000 copies a year. Virtual assessments permitted an annual reduction of 300 kg
of paper. There was also the replacement of the traditional academic transcript with a digital
version. This process led to economic savings of 80.000 euro per year. Thanks to existing
administration policies and the implementation of Green Procurement at the Foscari Palace,
users will be able to differentiate 80% of the total volume/weight of waste produced by consumer goods. As for the lifespan of durable goods, Ca’ Foscari favors suppliers and products
that enforce a recycling program and re-use the parts of the equipment that still function.
LOW TOXICITY ENVIRONMENTALLY PREFERABLE CLEANING PRODUCTS
60% of the cleaning products used at a Ca’ Foscari is Ecolabel certified. Ecolabel is the European label attached to certain products or services which certifies they have a reduced environmental impact.
The results obtained with LEED certification for Cà Foscari show the potential for the energy
regeneration and, first and foremost, for the sustainable management of Italian historical
heritage. The vast Italian historical heritage includes buildings that would benefit from deep
regeneration; in fact, while preserving and making the most of their historical value, they
need to upgrade their sustainability to guarantee a more efficient usage, reduce management costs and ensure a longer duration of investments. To meet the need for this kind of
interventions, the first sustainability protocol specially conceived for historical buildings was
recently launched in Italy under the name of GBC Historic Building, developed by the Green
Council Building Italia (www.gbcitalia.org). This is an opportunity for universities, museums,
church buildings and public administration premises to help the environment, as well as
public finance, since savings could be allocated to other priorities. Today, these interventions
should be a priority, as, if they are cleverly run like in this case, they cost nothing or very little
and generate immediate payback.
39
WORKSHOP SESSION
8
april
MANTOVA
Nicola Berlucchi
THE TOWN HALL BUILDING IN SAN BENEDETTO PO (MN)
HISTORICAL NOTES
1852-54. The large building of the Town Hall was built during the second half of the 19th
century based on a design by engineer Camillo Cavo. The former complex was supposed
to house the “Imperial Regia Gendarmeria” (the Imperial Police station), the municipality
offices, the local prison, the school and the dwellings for the police commander, the school
teachers and the keepers.
1930. The huge original project remained unfinished and only the portion meant for the
town hall was eventually built. Records dating from 1930 are witness to the use of the
building and report some maintenance intervention on the rooftop.
[email protected]
www.studioberlucchi.it
1979/1990. During this period, extensive alterations were made to the internal layout
of the rooms and functions, along with a number of maintenance and restoration works,
including reparations of the rooftop, the consolidation and renewal of the floor slabs, and
a sizable intervention of roof waterproofing.
THE BUILDING
The Town Hall of San Benedetto Po is a typical nineteenth-century structure based on
solid brick masonry, which has been the object of several modifications over time. These
alterations turned the building into a complex and seismically vulnerable structure: during
the history of the building, some local rigid reinforcements, brick and concrete floors were
added, and the internal functional layout was changed. An earthquake in 2012 caused huge
damage to the structure, which imposed urgent restoration works in the entire complex.
40
WORKSHOP SESSION
THE INTERVENTIONS
The works not only implied damage reparations, but also the seismic rehabilitation and
protection of the original structure of the building. Special care was devoted to the extant
structures and to the whole masonry, based on a scientific survey of the structures. The interventions are disseminated throughout the complex, which is now an example of different approaches. The existing structures were consolidated, new strengthening elements
were added wherever necessary, chains were added and restraints reinforced, and wooden
reinforcing diaphragms were created below the roof without removing the top cover.
ENDOSCOPIC ANALYSIS OF MASONRY
The complexity of a building may be intrinsic in an apparently regular masonry and the
works may be hindered by the need to preserve decorations or fresco-painted walls. The
understanding of the quality of masonry is a key factor for planning seismic consolidation.
To this end, endoscopic analysis offers an extremely reliable tool to identify weak areas
that would be otherwise invisible (gaps, defective bedding, irregular brick pattern, core
walling, etc.).
STRUCTURAL CONSOLIDATION WORKS
A historical structure does not usually offer good box action, which makes it more vulnerable to damage owed to the separation between different structural elements. A modeling
of the building makes a basis to make hypotheses and reckon the reaction to seismic stress
mathematically.
The execution of a 3-D mathematical model of finite elements is implemented with a
number of possible solutions capable of preserving most of the original structure and, if
41
WORKSHOP SESSION
required, adding some elements. The works executed in the Town Hall included the following solutions, among others:
- introduction of horizontal metal chains across the building, at the vault extrados (areas
were emptied to make room for the works);
- construction of reinforced plaster wall. Clearly, the latter solution will not be viable in
valuable historical buildings, but here the 3-D study of box action was intersected with the
practical need to accomodate the offices in spaces of poor historical value. The benefits of
the solution lie in user-friendly and cost-effective works, which were carried out in the new
added elements only.
VAULT AND FLOOR CONSOLIDATION – DIFFERENT WORKS HELP
MAXIMIZE EFFICIENCY
The different elements of the building made the object of peculiar structural interventions
aimed at conservation and seismic consolidation. To this end, the maximum compatibility
of materials and the minimum impact on the valuable historic environment were the main
criteria adopted for the selection of the most viable solutions.
The tensile strength of the rooftop bearing structure was upgraded thanks to the introduction of wooden braces, which enhance the box action of the structure.
The vaulted elements were consolidated by applying two-directional carbon fibre meshes
glued with a pozzonala binder. The floors above them were built with a suspended double
wooden panel type X-lam, which makes a stiff and self-bearing structure.
42
WORKSHOP SESSION
43
WORKSHOP SESSION
44
WORKSHOP SESSION
FINISHES
The most precious elements of the building (cast plaster ornaments of ceilings and wooden floors) were made the object of rigorous restoration works.
In the rooms deprived of decorations and original elements, thin plasterboard walls were
built with a view to combining the need for structural consolidation with the energy and
functional requirements arising from their destination of usage (offices open to the public). These false walls allowed to hide the installations, and therefore avoid tracing the extant walls or building visible ducts, but also to provide efficient thermal insulation with the
help of mineral wool panels.
The existing frames of doors and windows (either old or damaged by the earthquake) were
replaced with new frames guaranteeing greater energy efficiency. The new outer frames
are made of wood, while the frames in the cloister are insulated iron profiles.
INSTALLATIONS AND IMPROVEMENT OF ENERGY EFFICIENCY (CLASS A/B)
The vertical ducts of all installations run outside the walls and inside the false plasterboard walls, so as to avoid any tracing or weakening of bearing elements.
The conditioning and air exchange happens through fan coils. The production of refrigerated water is ensured by a refrigerating unit located in the attic, fed by a well. The production of hot water for the central heating occurs via a substation connected to the municipal
heating network.
Furthermore, the Town Hall is provided with installations for fire-detection, break-in alarm,
video entryphone, structured cabling and video control.
Reduction of energy consumption up to 82% referring ot the previous asset and seismic
mitigation with an improvement up to 70%.
EXECUTION OF A WELL
A well provided with an underground electrical pump was excavated in the inner courtyard,
to feed the refrigerated unit. Advice by a geologist was seeked to determine the location of
the well, its depth, its flow rate and the difference in temperature between the inlet water
and outlet water. The integration of the well with the new installation machines helped
maximize the efficiency and yield of the whole structure.
45
WORKSHOP SESSION
8
april
CREMONA
Luigi Soroldoni
Scientific consultant for
Cultural Heritage and professor at
the Accademia “Aldo Galli “ in Como
Umberto Casellato
Former associated research director
at IDPA - CNR
[email protected]
www.tecnovagroup.it
ELECTROPHYSICAL DEHUMIDIFICATION OF MASONRY
Study of the efficacity of the method in the crypt of the
Cathedral of Our Lady of the Assumptiuon in Cremona,
damaged by rising damp.
While in nature humidity plays an essential role for the growth and sustenance of life, if
in excess, for instance in buildings, it may be noxious and cause severe damage. In fact,
damage to plaster, salt efflorescence, stains and mold in the masonry of underground and
groundfloors are often the result of the so-called rising damp inside walls.
The crypt of the Cathedral of Our Lady of the Assumption in Cremona was affected by extensive damage caused by rising damp. The bishop of Cremona decided to choose among
various methods available in the market the most convenient solution to counter the problem in such a wide a complex. Any mechanical interventions implying that the wall masonry bottom would be removed and replaced with materials capable of preventing damp
from rising were discarded, as this method is likely to cause the structure to get damaged,
The cathedral of Our Lady of the Assumption is the
most important Catholic church and the bishop’s
see in Cremona, Lumbardy. It is a large Romanesque
building, restyled in the Gothic, Renaissance and
Baroque periods. Its interiors preserve remarkable
artworks of sculpture and painting, including the
tomb of Saints Marius and Martha and their sons
Audifax and Abachum, a Christian family from Persia
who suffered martyrdom in Rome, also known as
“Sarcophagus of the Persian martyrs”
46
WORKSHOP SESSION
or even collapse or settle. Similarly, a chemical method whereby hydrophobizing substances are injected into the masonry to create a chemical barrier was rejected too, because the
intervention, with several bores being drilled, would be too invasive. The crypt walls are
made of marble, which excluded the chance of using any macroporous plasters, which feature high speed of evaporation and can rapidly absorb water from a wall and disperse it
into the air. However, while capable of temporarily solving the symptoms of moisture, this
method will not eradicate the problem.
In February 2013, the bishop of Cremona resolved to install Genié, a solution based on the innovative electrophysical dehumidification technology using “multiple frequency impulses”.
A study conducted by Luigi Soroldoni (scientific advisor for cultural heritage and professor at “Aldo Galli“ Academy in Como) and Umberto Casellato (former Associate Head of
Research with IDPA – CNR) demonstrated that the problem was eventually solved. After
12 months from the installation, moisture in the walls fell heavily, by as much as 70% in
some cases; after 16 months, the dehumidification process brought the rate of humidity of
masonry down to a range between 2% and 4% (physiological rate in masonry).
HOW GENIÉ WORKS
Genié generates an electromagnetic field inside the masonry, which interacts with the
water molecules and prevents them from rising. Unlike other similar methods, which use
monofrequency, Genié generates a train of impulses at different frequencies allowing to
obtain guaranteed results on all types of masonry, regardless of the shape of their capillary pores and of their composition. Genié is installed by fixing it with four standard screw
dowels and connecting it to a standard socket.
1_Because water molecules are bipolar, they are attracted by electric forces into microscopic canals, also known as capillary pores.
2_Each molecule of water found in the ground can therefore migrate upwards through the
capillary pores of the foundations into the walls of a building.
3_During its rise, water dissolves and carries with it any salts met on the way, which in turn
are one of the main causes of plaster degradation.
4_The rise stops along a “0 potential” line, where capillary adhesion and gravity get balanced.
Genié is available in 10 models with a different range, and in two
versions, Light and Pro. Genié is based on the innovative electrophysical
dehumidification technology using “multiple frequency impulses”.
Genié’s effects on rising damp.
47
WORKSHOP SESSION
The vast crypt, carved during the Romanesque era but restyled in 1606,
includes one nave and two aisles and preserves the tomb of Saints
Marcellinus and Peter, dating from 1506.
The picture (left) shows one of 4 Genié devices mounted
on the wall of the crypt of the Cathedral of Cremona
5_Here, the water found in the walls evaporates, it is released in the environment and replaced by more water rising from the ground.
6_Genié generates impulses capable of disturbing the electric forces of adhesion inside the
capillary pores of walls.
With a constant and targeted work, the installation brings the “0 potential” line down,
by pushing water back into the ground. This helps stop mold and avert all risk of masonry
degradation.
After the walls are rehabilitated, they can be brought back to their original state, with no
further risks of plaster damage, salt efflorescence, stains, mold, etc.
Genié is totally safe and can be used in any living environment, even with children, old people or sick people. In fact, Genié generates an electromagnetic field inside the masonry,
which does not interfere with human beings or with any electric or electronic appliances of
sorts, including medical and sanitary apparels.
METHOD OF STUDY OF THE EFFICIENCY
OF THE DEHUMIDIFICATION METHOD
Sampling was performed through measurements of the humidity (free water) content
with the thermo-gravimetric method, by calculating the weight balance after water was
48
WORKSHOP SESSION
Plan of the crypt: the location of the 4 Genié devices is
marked with red colour.
eliminated by forced evaporation. Two samples of 3-5 g were collected in each examined
area, by using a core-drill (18-20 mm wide), of which one at a depth of 0-10 mm and one
at a depth of 50-150 mm, at floor level and at about 1.5 m above the floor, respectively.
The samples were weighed with precision scales (sensitivity of 1 mg), stored in special
glass containers and then put in a heater under controlled temperature (105° C) until they
reached a constant weight.
The balance between the initial weight and the post-drying weight expressed as a rate of
the dry material represents the value of humidity found in the sample.
To allow any future measurements after the dehumidification process or any further assessments, the wall was plugged with some specially conceived small cotto bricks, whose
water absorption capacity is similar to the old bricks, so that they may be removed with no
need for further core-drilling.
HUMIDITY MEASUREMENTS
In February 2013, before dehumidification works, the wall showed visible damage from
rising damp, and namely portions of plaster lifting and peeling off, and powdering of the
painted layers, which are all the result of water movements and, above all, of the exchanges with the inner environment during evaporation and condensation.
49
WORKSHOP SESSION
Overview of humidity
rates over time
The measurements proved that moisture was present along the north wall, with particularly high rates at floor level, both superficially and deep into the masonry (10-16%).
At about 1,5 m above the floor, the rate of humidity was normal for an underground environment (3-5% in areas A and B), but the rate grew inside the area C (14.%). The south
wall too at floor level featured high rates of humidity deeper into the masonry (8-9%)and
even at 1,5 m above the floor in the area E (8%).
After seven months of operation of Genié devices (1 device + 1 satellite installed on the
south and on the north wall, respectively) a general reduction in moisture was remarked,
with 30-40% falls in the dampest areas, both at floor level and at 1.5 m above the floor.
After one year, the walls looked positively drier, with a remarkable fall in rates (70%),
which reached the normal humidity levels of masonry. Some humidity (10-16%) was still
found in two out of 12 spots on the north wall.
After 16 months, the rates have stabilized at values of physiological humidity, except in
the area A, which still features some humidity both inside the masonry (12%) and on the
surface (8-9%). This may be due to microclimatic conditions and to the heavy content in
salts of this portion of masonry.
CONCLUSION
To conclude, after the installation of Genié devices, the conditions inside the crypt improved
sizably in general terms. The current stable conditions are confirmed by microclimatic data,
which show that the north wall is cooler especially during winter, but is generally more
prone to interstitial condensation in May and June, resulting in increased humidity inside
the masonry. This sensitivity to interstitial condensation and the salt content are therefore
the reason why moisture remains high in the area A, which will require a targeted intervention aimed at removing the salts.
50
WORKSHOP SESSION
The 5 areas of
the crypt that
were tested for
humidity
CAPILLARY RISING DAMP
Capillary rising damp is due to several physical phenomena. Being present in any soil, even in deserts,
it is capable of permeating through the foundations
and penetrating the walls through the natural capillary action. Especially historic buildings often do not
have an adequate protection against capillary rising
damp.
Because they are dipolar, water molecules are
pushed, if immersed in an electromagnetic field,
from the negative pole (earth) upwards.
Water dissolves and carries the salts from the soil
and building materials; through the dissolved salts
water becomes conductive.
Along with the so-called “random molecular motion” (Robert Brown’s kinetic theory), alternating
forces are produced, which increase the effects of
rising damp when compared to what a pure capillary
action would be able to do.
DAMAGES CAUSED
BY CAPILLARY RISE DAMP
When dampness rises in the masonry, it causes serious damage to the walls, resulting in plaster detachment, salt efflorences and stains. Presence of dampnessi increase heat loss from the building and colder
masonry leading to condensation. Dampness also
provides fertile ground for mould, with serious consequences on the health of those who live in places
that are affected.
The damage can range from simple colds to allergies
and asthma, from gastrointestinal and dermatological diseases to the proliferation of mould spores in
the organism.
51
WORKSHOP SESSION
9
The “Veneranda Fabbrica del Duomo” in Milan:
april a peculiar approach to conservation
MILANO
Francesco Canali
CANALI ASSOCIATI - Parma
Veneranda Fabbrica
of Milan - Worksite Supervisor
Photo Francesco Castagna ©
52
FOREWORD
The new expanded Museum of the Cathedral in Milan, inaugurated late in 2013, is the last
accomplishement by the Veneranda Fabbrica (the trust catering for the preservation and
maintenance of the Cathedral) in the conservation and enhancement of the sculptural
heritage of the Cathedral. The project engineering and realization implied the allocation of
considerable means and resources, which were however deemed necessary and inevitable
by the Board of Trustees to reach the ultimate goal of making the most of the artistic heritage they are responsible for. The large affluence of visitors (amounting to some 1,000 daily
during the Expo exhibition) is witness to the successful achievement of the intervention,
which involved the contribution of several historians and art experts, restorers, designers
and qualified workers. The creation of the new Museum also highlighted the peculiar character of the Cathedral System: a centuries-long bond between the Cathedral, the Fabbrica
and the Archives, as well as manual work excellence and the recourse to artistic expression as a natural communication medium. Sculpture remains a living thing and a privileged
form of expression, as witnessed by the recent temporary while stimulating exhibition of
some works of historic and contemporary art.
53
WORKSHOP SESSION
THE CATHEDRAL OF MILAN AND ITS CANDOGLIA MARBLE
Beside exhibiting extraordinary artefacts, the new Museum implicitly tells the story of the
construction of the cathedral and of its most important structural material, i.e. Candoglia
marble. The bond between the edifice and the material is stronger here than in most other
constructions. The exceptional aspect in the case of Milan Cathedral lies in the fact that
each block of Candoglia marble too has a special and very peculiar story to tell about its
geological characteristics, about the evolution of quarrying and working methods, about
its interaction with the environment and with other materials.
“...Nature...wished to leave a small mark, almost a thin cascade of the purest water, as the
quarry in Candoglia may appear at first sight, plunged in a dark and austere environment
(...) in the fairly barren valley of the Ossola”.
With these words, still suggestive and stimulating today, Carlo Ferrari da Passano described the beautiful quarry at the mouth of the Toce Valley fifty years ago. Candoglia marble is known to have been used since the Roman times, though for limited purposes. In
1386, the duke of Milan Gian Galeazzo Visconti started, with all the inhabitants of Milan,
the construction of the great Cathedral. The emissaries of the Veneranda Fabbrica, bearing
the Letters Patent now preserved in the archives of Milan, scanned the land of the Viscontis to its boundaries and eventually chose this rare saccharoid limestone as the material
of their liking. Since then and for some seven centuries uninterruptedly, all the marble extracted from Candoglia quarry was meant to adorn the Cathedral, but for few exceptions.
STATUARY AS A KEY ELEMENT IN THE DECORATION OF THE CATHEDRAL
“ In Gothic art, architecture and sculpture always live a happy marriage. This is all the more
true – and easily appreciated – in the Cathedral of Milan, which can be considered as a
unique and inimitable monumental sculpture, or rather an immense and complex architectural sculpture”. This elegant rhetorical statement opens a study on the sculpture of the
Cathedral by Ernesto Brivio, which continues: “ …The architecture of the Cathedral makes a
whole with its sculpture. You only need to make a small effort of imagination, remove from
the current view all sculpted elements, the ornamental statues as well as the elegant and
creative marble lace of rampant arches and “falconature”; then, you will obtain a humiliated architecture, to the point it gets poor, inexpressive or even erased, and what will be
left would be an unrecognizable, void and bleak container of a space far less charming than
this.” Without thinking too much about the very complicated issue of the artistic importance of the sculpted elements in the figurative system of the Cathedral, you will certainly
grasp the evident truth in Brivio’s words. All statues are made of this special material, Candoglia marble, which invariably stupefies the restorers who take care of the numerous
population of statues exposed to weathering. Consider, for instance, the basement section
of Saint Quintilian standing on top of the small spire named Gugliotto Pestagalli, shown
in Figure 1. All in all, the statue is not in bad conditions, although it is still the original one,
carved together with the spire in the mid 19th century. The statue, however, shows a deep
crack in the foot, which runs along the vein of the marble. Now consider the huge cost of
erecting a service scaffold to restore the spire (see Figure), mounted above the springer of
the dome cladding, that is, about 60 metres above the square. Clearly enough, the scaf-
54
WORKSHOP SESSION
55
WORKSHOP SESSION
56
WORKSHOP SESSION
fold cannot be kept there for long years, because of its cost. It is therefore urgent to make
a decision about the stability of the statue. After a careful study, seeking the advice of
restorers and of the qualified marble experts of the Fabbrica, as well as of the site manager
and foremen, the decision was taken to keep the statue in place and consolidate the basement with a number of convenient solutions. Decisions of this kind have been taken on a
daily basis in the centuries-long history of the Fabbrica. Statues have been often replaced,
when their own safety or the safety of their support could not be guaranteed. In these
cases, a statue is removed, brought in the Marble Yard and hand-copied by the sculptors
working for the Fabbrica, with the same skills of the craftsmen who have worked with this
method for six centuries and ensuring the consistency of a historical tradition handed over
to them. Nonetheless, constant efforts are made to improve the maintenance methods so
as to postpone or even avoid such extreme measures. The Politecnico University of Milan
frequently collaborates with the Fabbrica to develop these improvements. In particular,
the main façade, where restoration works have been recently completed, makes the object
of a special conservation research. Hence, the collection of the original statues or ancient
copies, removed from their original position over the centuries, makes quite a meaningful
number today; therefore, the Fabbrica decided it was time to improve their exhibition. This
is why the Museum of the Cathedral has been reorganized and almost doubled in space
since 2013, while being still accomodated in the groundfloor of the Royal Palace.
THE NEW MUSEUM OF THE CATHEDRAL
Since the late 2013, the New Large Museum of the Cathedral has allowed Milan citizens
(whom the Cathedral belongs to!) to enjoy the view of the stunning artefacts gathered
during seven centuries of history. The new exhibition itinerary is intended to tell the story
of the Cathedral while keeping the visitors’ attention high and stimulating their curiosity.
To this end, the character of the exhibition halls constantly changes, offering twists and
turns similarly to what happens in a drama plot, by growing or diminishing the number of
exhibits in the halls, alternatively enlarged or compressed in space, and enhanced or reduced in height. The rich collection of sculptures was disseminated in a chronological order
and mounted so as to evoke their original location on the high outer walls and spires, or on
the capitals inside the Cathedral. This way, while grouped together inside the Museum for
reasons of space, the statues stand out as individual exhibits, because they are set against
specially conceived backdrops to suggest their original location on top of buttresses and
pillars. The itinerary follows an orderly chronological criterion: the exhibition starts from
the statues of the first spire, named Guglia Carelli; goes through the 15th century sculptures of the Visconti and Sforza periods, with a break of intimate meditation offered by the
spiritual insight of the Borromeo family during the Spanish domination; continues with the
enthusiatic upswing of activity of the late 18th century; ends with the 19th century completion of the originally conceived cycle (the Heavenly Jerusalem, surrounded by Saints,
Prophets, Angels and Cherubs).
While the sculpture heritage still ornates the high walls of the Cathedral in the locations
assigned to them as the Cathedral kept evolving and completing, the Museum offers scholars and visitors alike the chance to enjoy a close view of the works of art. With the aim of
keeping alive the sensitivity to this artistic and expressive language, during the Universal
Exposition now approaching its end, the Veneranda Fabbrica thought it almost natural
57
WORKSHOP SESSION
to offer also the experience of different artefacts and set up the exhibition of some works
by contemporary artist Tony Gregg on the terraces of the Cathedral, as well as – with the
collaboration of the Opera della Cattedrale di Pisa – some works by Giovanni Pisano in the
Church of San Gottardo, i.e. the Palatine Chapel of the Royal Palace, which has been recently restored by the Veneranda Fabbrica. The itinerary of the new Museum is completed
with the exhibition of some original portions of the glass windows, though now reduced
to small bits, which are shown in continuity and backlit in a dark hall to reproduce the festive sumptuousness of colours and light they used to offer inside the Cathedral. Moreover,
tapestries were used to line the walls of two halls, not only to provide the softer illumination required for proper conservation, but also because the homogeneity of matter and
weaves arranged in continuous succession helps enjoy the tapestries individually. This way,
the precious exhibits of the “Treasury of the Cathedral” look as if they were into a shrine.
In such an intimate environment, the value of the objects gets ultimately enhanced, as
they are exhibited at different heigths depending on their original destinations of usage:
chalices, monstrances, processional crosses and flags, crosiers.
58
FOCUS ON...
Dome facade before demolition of 1587,
Alessandro Nanni, XVII cent.
(Bernardo Poccetti copy)
Adolfo Natalini
Guicciardini & Magni
Architetti
C.M.B.,
Carpi Restoration and
consolidation works
Photo © Mario Ciampi
Medieval Facade model
Focus on: The Museum of “Opera del Duomo” in Florence
The architectural
and installation project
THE PROJECT
The opportunity to work on the Opera Museum’s extension, after an initial project created
for a closed competition promoted by the Opera di Santa Maria del Fiore, arose in 2005
and continued in its project phases until the year 2009. It was an extremely important operation, given the need to double the surface area of the pre-existing museum and the
consequent opportunity to rework it entirely based upon the new exhibition requirements.
The works of the collection were of such significance as to require extraordinary planning.
This was compounded by their specific nature of works of sculpture, linked inseparably to
the architecture, partly as they originated from the very façades of the monuments and
partly as they were designed to adorn the interiors of the Cathedral and the Baptistry.
Perspective views
59
FOCUS ON...
Model 1:1 of the Cathedral Medieval Facade
In 2012 they were supplemented, at the end of a complex restoration performed by the
Opificio delle Pietre Dure, by the famous Gates of Paradise, while the choice was made to
recover in the museum also the other two doors of the Baptistry, still to be restored.
The new museum architecture therefore set the difficult task of containing and enhancing works symbolic of the whole of Renaissance art, with the prohibitive desire to reconstruct a full-size model of the old façade of the Duomo, dismantled in 1587, to reposition
the fourteenth and fifteenth-century statues in their original locations. In this museum
intervention, the design of the architecture and the installation of the works were carried
out in a unitary and almost inextricable operation, given the Principal’s desire to entrust to
the same group of architects the different project interventions, starting with the general
building renovation and moving on to the most minute details of the installation. Based
upon the grandiose museum project prepared by Monsignor Timothy Verdon, it was thus
possible to rework the entire configuration of the museum and its parts, thanks also to the
contribution of top specialists in disciplines linked to construction and exhibition.
A view of Paradise Room
60
Model 1:1 of the Cathedral Medieval Facade
and Bronze Gates from Baptistery
FOCUS ON...
THE PRE-EXISTING MUSEUM
The Museo dell’Opera del Duomo, after the renovation and museological reorganisation
in 1998-99, designed by the architects Luigi Zangheri and David Palterer, was split into
three above-ground levels, in addition to the basement which only accommodated the
plant rooms. The indoor courtyard with lifts and staircases was the main connection point,
alongside the historic large staircase linking the ground floor with the first floor.
Through a connecting room, you reached the Sala dell’Antica Facciata which, built to plans
by Castellucci in the Thirties of the twentieth-century, housed some masterpieces of Gothic and Renaissance sculpture. The mezzanine floor was only home to the Sala della Pietà,
the positioning of which had the advantage of giving great visibility to the sculpture by
Michelangelo, but it was completely inadequate from a size perspective.
The flaw of the old museum was essentially the absence of any display logic in the succession of works, positioned in the various halls on the basis of their gradual accumulation,
following the numerous extensions.
61
FOCUS ON...
Pietà Bandini by Michelangelo (XVI cent.)
62
FOCUS ON...
THE PREMISES OF THE FORMER GARAGE OF THE DUOMO
In 1999 the Opera del Duomo di Santa Maria del Fiore purchased the premises of the former garage of the Duomo adjacent to the museum, arranged over a surface area of 1,950
sq m, mostly distributed in the large volume once occupied by the Teatro degli Intrepidi.
The Theatre environment, after the transformations from 1914 onwards, was, before the
works, similar to an industrial outbuilding in the heart of Florence. The volume, altered several times over the last century, lacked valuable characteristics in terms of its architectural
elements or in its finishes; the hall and the gallery had cement flooring.
THE INTERVENTIONS
Cantorie Room,
by Donatello and
Luca Della Robbia
(XV cent.)
Inside the complex, interventions were carried out in different ways depending on the various parts. As part of the restoration and structural consolidation, the spaces of the former
garage were redeveloped: new structures organised the internal distribution system, creating galleries and levels. Two new compartmentalised staircases were added to the historical large stairway with the aim of improving the distribution of the museum’s accesses
and escape routes. The roof of the great hall was completely rebuilt, with a mesh metal
structure, equipped with a skylight on the side facing north-east. The intermediate arm
between the existing museum and the volume of the former garage was redeveloped and
reorganised so as to create from it a large linear gallery. By re-composing the pre-existing
volumes and increasing the height, a new level was created overlapping the former Sala di
Bonifacio VIII and the side rooms of the former garage. In the rest of the existing museum,
the interventions were limited to the bare essentials, without seeking to erase the design
layers that had been added over time, from the museum creation in the late nineteenthcentury to the subsequent twentieth-century interventions.
63
FOCUS ON...
THE SERVICE AREAS
The service areas are, for any museum, the functional heart of the building that allow for the
correct running of exhibitions and the museum as a whole.
In the Opera Museum, the service areas are now gathered together into some main groups: the
services unit at the entrance, the services unit in the basement, the services unit in the shared
courtyard with the section for temporary exhibitions, the offices unit, the new teaching workshops unit and the indoor plant rooms unit.
Putting into figures the project operation, the useful surface area increased from the previous
2,432 sq m to the 5,882 sq m of the new museum, amounting to a volume of 32,025 metres
cubed. The gross surface area of the complex now amounts to approximately 7,000 sq m, along
with 400 sq m of internal courtyards and terraces. The permanent exhibition surface area increased from 1,127 sq m to 2,534 sq m, and it displays 750 works of art.
Sculptures from Giotto Bell Tower
64
FOCUS ON...
65
Models and working instruments in Brunelleschi Room
international projects
in progress...
TURKEY
RESTORATION OF
THE SHEIK SULEIMAN MESCIDE
From the autumn 2016 the Centre will be the
headquarter and the symbol of the cooperation between Italy and Cuba
Head organization: MISE - ICE
Executive Partners: Assorestauro - FLA FederlegnoArredo
Cuba Partner : OHC - Oficina del Historiador de La Habana Vieja
CUBA
LEBANON
66
Technological Centre for Restoration and Design
calle de San Ignacio Habana Vieja
INTERNATIONAL WORKSHOP SEMINAR, VISITS
TO ARCHEOLOGICAL AREAS AND B2B meetings
FUTURE TARGETS BY COUNTRY
CANADA / USA
ARGENTINA
IRAN
PROMOTIONAL PROJECTS
promotional programME
for NoRth America - to be defined
promotional programME
for ARGENTINA - to be defined
Seminars in Tabriz and Teheran
COMING SOON
67
YEAR05NR02
69
A
VGS COSTRUZIONI SRL
3
Via San Quintino 18 - 10121 Torino
Tel. +39 011 0262555 - Fax +39 011 0262556
[email protected]
www.vgscostruzioni.it
www.assorestauro.org
La VGS Costruzioni fonda le sue radici in oltre 40 anni di esperienza nell’ambito delle costruzioni,
manutenzioni, ristrutturazioni di immobili a destinazione residenziale, terziaria ed industriale. Negli
ultimi anni l’azienda si è contraddistinta nella realizzazione di interventi di restauro, riqualificazione,
recupero e valorizzazione di immobili di particolare pregio, acquisendo una comprovata esperienza in
tale ambito. Lo spirito imprenditoriale, unito all’alta professionalità del suo staff e dei suo collaboratori, ha permesso all’azienda di sfruttare costantemente l’evoluzione di nuove tecniche, tecnologie e
materiali applicati al settore. VGS Costruzioni è inoltre strutturata per partecipare ad appalti pubblici,
disponendo di attestazione SOA e di un sistema qualità certificato. Si propone come partner affidabile, finanziariamente stabile, desideroso di ottenere la migliore qualità conseguibile.
V.G.S. Costruzioni lays its foundations in more than 40 years of experience in the construction, maintenance, renovation of residential structures, service industry buildings and industrial constructions. In
recent years, the company has particularly stood out for its work of restoration, redevelopment, reclamation and enhancement of particularly valuable properties acquiring great experience in this field.
The entrepreneurial spirit, together with the high level of professionalism of the staff and collaborators enabled the company to constantly exploit the evolution of new techniques, technologies and
material applied to this sector. VGS Costruzioni is structured and organized to take on public contracts,
and is in possession of SOA certification and a certified quality system. The company proposes itself as
reliable and financially stable partner who is always dedicated to obtaining the best possible quality.
La Xilux, nata a Bari, Italia, nel 2008, progetta e realizza serramenti, portoni e porte in legno, combinando l’antica sapienza artigianale con la moderna efficienza industriale. Flessibilità dell’organizzazione,
qualità dei materiali e rispetto per l’ambiente sono i punti fermi dell’operato di Xilux, per garantire la
massima soddisfazione ai clienti e proporsi come un partner affidabile nel mercato italiano ed estero.
L’azienda ha sviluppato esperienze e competenze specifiche nella realizzazione di serramenti nell’ambito di progetti di restauro e recupero funzionale di fabbricati di pregio, spesso interessati da vincoli
storici, architettonici e paesaggistici. Lavori così complessi sono gestiti da un team composto da architetti, ingegneri ed esperti, in grado di progettare infissi coerenti con il valore storico delle costruzioni.
A
XILUX SRL
2
Viale Einaudi 109 - 70125 Bari
Tel. +39 080 9146373 - Fax +39 080 9146491
[email protected] - www.xilux.it
Xilux, which has been established in Bari, Italy, since 2008, designs and manufactures a wide range of
wooden indoor and outdoor fixtures, resulting from the perfect combination between the well-established technical expertise of our artisan carpenters and the most modern automation industry. Flexibility, accurate choice of materials and environmental friendliness are some of Xilux pillars allowing us
to meet the needs of the most discerning customers as well as to represent a reliable commercial partner both for Italian and foreign markets. The company has developed an outstanding know-how in the
field of restoration of internal and external wooden fixtures, in projects of restoration of buildings of
historical and cultural interest, subject to the Department of Cultural Heritage and Environmental Protection. For such challenging projects, Xilux collaborates with architectural firms, skilled engineers and
specialists in deigning windows consistent with the specific historic value of each and every building.
tutti i vantaggi e
le modalità
associative sul
nostro nuovo sito
www.
.org
assorestauro
ru ,ocitsitra ,ocinottetihcra oruatser li rep anailati enoizaicossa
noitarotser nabru dna tra ,erutcetihcra rof noitaicossa nailati
oruatserossa
associazione italiana per il restauro architettonico, artistico, ur
italian association for architecture, art and urban restoration
24
CATEGORIE | CATEGORIES
1 ANALISI E PROGETTO | TESTING & DESIGN 2 MATERIALI | MATERIALS 3 INTERVENTI | TYPE OF WORKS
4 APPARECCHIATURE E TECNOLOGIE | EQUIPMENT & TECHNOLOGIES 5 MATERIALI | MATERIALS
elenco dei soci | members list
A
1
5
TRYECO 2.0 SRL
Via Poledrelli 21 - 44121 Ferrara
Tel. +39 05321915354
[email protected] - www.tryeco.com
70
Tryeco 2.0 concentra al suo interno svariati tipi di attività, grazie alla presenza di collaboratori con diverse competenze, legate
all’acquisizione e rappresentazione solida o virtuale di un oggetto, di un contesto o di un concept. L’azienda riunisce i servizi
attorno alla prototipazione rapida in gesso, nuova tecnologia che richiede strumentazioni specifiche, acquisite dall’azienda e
poco diffuse nel territorio nazionale. Attraverso la prototipazione il lavoro si suddivide in diverse attività: realizzazione di modelli
architettonici; collaborazione con musei e sovraintendenze per la realizzazione di copie di opere d’arte scultoree, lavoro in cui la
prototipazione è affiancata da operazioni di scansione laser e elaborazione del modello digitale; realizzazione di oggetti di design
o personalizzati, delle forme e dimensioni più svariate, per cui è possibile effettuare anche la modellazione tridimensionale; L’altro settore in cui Tryeco si inserisce è quello della comunicazione multimediale attraverso la realizzazione di animazioni e video
spesso accompagnati da elaborazioni tridimensionali dei contenuti. Principalmente le richieste per questo genere di lavoro arrivano da enti ed aziende promotori di manifestazioni fieristiche o alla ricerca di spot promozionali di progetti di design. La gestione
di un buon numero di conoscenze tecniche, a livello di tecnologie, hardware e software, consente l’ibridazione dei prodotti e dei
processi per un miglior risultato, un minor spreco di tempo e un miglior controllo delle attività interne.
The firm develops several kinds of activities thanks to a team whose members have different abilities mainly in the field of the
take-over and compact(solid)or virtual display of an object, an environment(context) or a concept. The company focuses its
work and provides its services on rapid chalk prototyping, a new technology which requires specific equipment, purchased by the
firm and still barely used in the country. Prototyping allows many activities such as: execution of architectural models; cooperation with museums and “sovrintendenza” (regional boards for the preservation of cultural heritage) for the execution of copies
of sculptural works of art where prototyping is supported by laser scanning and digital model processing; execution of design or
customized objects, in any shape or dimension to obtain a tridimensional modeling Tryeco also focuses its attention and work
on the field of multimedia communication , carrying out videos and animations often with tridimensional processing of the
contents. This kind of service is mainly requested by public authorities or firms sponsoring exhibitions in trade fairs or advertising
design projects. A specific and technical knowledge and high hardware and software competence allow hybridization of products
and processes so has to obtain the best result, with no a waste of time and a better control on the internal activities.
ANNO DI FONDAZIONE: 1977
CERTIFICAZIONI: Di prodotto
FILIALI: Cisterna di Latina (LT)
A
3
4
UMIBLOK SRL
Via Fiumazzo, 85 - 48022 Lugo (RA)
Tel. +39 0545 22163 - Fax +39 0545 909056
[email protected] - www.umiblok.it
L’azienda nasce nel 1977 con il nome “SANA CASA”, l’attività principale era il recupero delle
murature contro l’umidità capillare ascendente. Nel 1987 deposita il proprio sistema e marchio “UMIBLOK” ed inizia la produzione di attrezzature specifiche per l’edilizia. L’azienda si
estende, partecipa a fiere specializzate nel settore , è conosciuta sia in campo nazionale che
estero, esegue lavori di massima importanza su monumenti e presenta svariati brevetti. Dal
1998 la ditta “SANA CASA” viene conferita nella “UMIBLOK S.r.l.”, la quale continua la stessa
attività e brevetta un nuovo taglia-muro il quale oltre a creare una barriera impermeabile alla
base della muratura contro l’umidità di risalita, riesce ad assorbire le vibrazioni provenienti
dal sottosuolo.
Since 1977, work to repair and conserve masonry damaged by moisture.
CERTIFICAZIONI: UNI EN ISO 9001:2008 -EMAS
A
Unicalce è il principale produttore italiano di calce calcica, dolomitica e prodotti derivati con 12
stabilimenti su tutto il territorio nazionale per una capacità produttiva di 2 milioni di tonnellate a cui si affianca la nostra linea di premiscelati Premier con 4 siti produttivi. Produciamo e
sviluppiamo soluzioni necessarie per gran parte del tessuto produttivo nazionale: ambientale,
energetico, manifatturiero e delle costruzioni.
1
2
UNICALCE SPA
Unicalce is the leading Italian producer of calcium and dolomitic lime and derivatives with
12 plants all over the country with a production capacity of 2 million tonnes, together with
our line of Premier premixed material with 4 production sites. We manufacture and develop
products necessary for most of the national productive infrastructures: environmental, energy, manufacturing and construction.
Via Ponti 18 - 24012 Brembilla (BG)
Tel. +39 0744 756040 - Fax +39 0744 756029
[email protected] - www.premierpremiscelati.it
UNIVERSITÀ DI ROMA
O
LA SAPIENZA
Università - attività di ricerca nel campo del restauro.
University - research in the restoration sector.
UNIVERSITÀ DI ROMA LA SAPIENZA
FACOLTÀ DI ARCHITETTURA
“VALLE GIULIA”
1
Via Antonio Gramsci, 53 - 00199 Roma
Cell. +39 338 7348544
[email protected] - [email protected]
A SOCIO AGGREGATO | STANDARD MEMBER
4E SOCIO EFFETTIVO | FULL MEMBER
4O SOCIO ONORARIO | HONORARY MEMBER
Vedi Art. 3, Statuto Assorestauro | see Art. 3 Assorestauro’s Statute - www.assorestauro.org
23
E
3
5
SYREMONT SPA
Largo Antonio Sarti 4 - 00196 Roma
Tel: 06 3220880 - Fax: 06 3220881
[email protected] - www.syremont.it
CERTIFICAZIONI: ISO 9001:2008 - OG02 II classe, OS02-a I classe, OS06 II classe
Syremont spa nasce nel 1987 dal Gruppo Montedison da cui eredita una specifica competenza sui fluorurati.
Dopo 26 anni al servizio della ricerca, diagnostica, restauro dei beni culturali in tutto il mondo, oggi Syremont
è in grado di offrire una più ampia gamma di servizi integrati focalizzati sulla gestione degli assets culturali:
I nostri servizi sono principalmente basati su: ricerca scientifica e tecnologica a supporto di prodotti per il restauro (Linee Akeogard® Edilgard®); progetti e interventi di restauro e conservazione; disinfezione di materiali
organici (sistema VELOXY®); progettazione e ingegnerizzazione tecnologica e impiantistica finalizzata alla
manutenzione e/o creazione di asset culturali e paesaggistici per la fruizione e divulgazione: musei, mostre,
eventi suoni e luci, visite guidate spettacolarizzate, parchi tematici, media production, comunicazione e marketing. Ciclo produttivo. Analisi fattibilità modelli di gestione – progettazione – opere – gestione.
Syremont begins in 1987 within the Montedison Group from which it inherits a specific competence in fluorinebased chemicals. After 26 years devoted to research, diagnostics and to the restoration of cultural heritage
sites all over the world, Syremont is today a company specialized in a wide range of integrated services mainly
focused on the management of cultural assets. Our full integrated working program is based on: a scientific
and technological research centered on restoration and conservation products and services (Akeogard® Edilgard® lines); the planning of restoration and preservation and interventions; disinfection of organic materials
(VELOXY® system); services related to the designing, planning, engineering and realisation of cultural and
environmental assets, intended for public fruition and divulgation, such as museums, exhibits, sound and
light events, spectacularised guided tours, theme parks, media production, communication and marketing.
Production cycle. Management models analisis – design – intervention - management.
La società TECNARIA produce connettori per solai misti legno-calcestruzzo, acciaio-calcestruzzo e calcestruzzo-calcestruzzo. Le strutture collaboranti trovano sempre più frequente
impiego sia per il rinforzo di solai esistenti che per la realizzazione di nuovi solai con caratteristiche migliori. I connettori sono stati testati secondo le più recenti normative europee.
Offriamo anche un ampio servizio di assistenza per il progettista.
A
TECNARIA produces connectors for composite floors made of timber and concrete, steel and
concrete and concrete and concrete. Composite structures are increasingly used to strengthen
existing floors as well to build new floors with enhanced characteristics. The connectors have
been tested according to the most recent European regulations. We also offer technical assistance to the designer.
TECNARIA SPA
2
Viale Pecori Girardi 55
36061 Bassano del Grappa (VI)
Tel: 0424 502029 - Fax: 0424 502386
[email protected] - www.tecnaria.com
Il marchio Tecnova Group nasce per soddisfare nel mondo dell’industria edilizia le richieste
sempre più esigenti di imprenditori e progettisti, offrendo una serie di soluzioni efficaci e innovative. Il leitmotiv che ispira la nostra mission è: “non offriamo semplici prodotti, ma soluzioni”. Per la realizzazione di questo obiettivo, Tecnova Group ha ricercato le migliori tecnologie
presenti in tutto il mondo, nel campo della protezione e della durabilità delle opere murarie e
del calcestruzzo, del restauro, del risparmio energetico e della deumidificazione, diffondendole con successo crescente nel mercato italiano ed estero.
a
TECNOVA GROUP SRL
2
3
Via delle Industrie 21 (sede legale)
Via Idrisi 2 T (sede operativa)
95041 Caltagirone CT
Tel. +39 0933 56553 - Fax+39 0933 56553
[email protected] - www.tecnovagroup.it
Tecnova Group distribuisce in esclusiva per l’Italia i prodotti Thermoshield, Evercem, Geniè.
Creation of Tecnova Group brand meets worldwide demands in the construction industry,
offering a range of innovative and effective solutions. Company’s mission is: “We don’t offer simply products but solutions! “To reach its goal, Tecnova Group searches worldwide best
technologies in the fields of concrete’s protection and durability, restoration, energy saving
and rising dump dehumidification. Tecnova Group offers eco-friendly products, tested and
verified in the laboratory as in practice.Tecnova Group is exclusive distributor in Italy of Thermoshield, Evercem and Genie.
A
T&P è nata nel 1978 sotto altra denominazione, partendo dalle pulizie generiche ha nel tempo
acquisito il know-how e le competenze necessarie per affermarsi come impresa di puliture specialistiche e trattamenti conservativi a livello internazionale. L’esperienza acquisita ci permette oggi di
portare alle condizioni originarie tutti i tipi di superfici dagli arredi urbani agli edifici storici. Grazie
all’esperienza dei nostri operatori e del reparto R&D abbiamo eseguito lavori di pregio tra i quali la
pulitura dei piloni in pietra della Torre Eiffel a Parigi, la facciata esterna dell’ambasciata Italiana a
Mosca e piazza Duomo a Milano.
THOR & PARTNERS SAS
2
3
22
Via Giancapo 16 - 35030 Carnavese Santa Croce (PD)
Tel. +39 049 9900324 - Fax +39 0422 1760939
[email protected]
www.capomasi.com
www.stoneaid.ca
Starting out from general cleaning in 1978, we gradually focused on specialized cleaning, thus
developing that very know-how and competence that today enable us to restore the original intact conditions of all kinds of surfaces and constructions, from street furniture to historic
buildings,Thanks to our operators’ expertise and thanks to our R & D Team, constantly striving for
an up-to-date performance, we cleaned the base pylons of the Eiffel Tower in Paris , the exterior
walls of the Italian Embassy in Moscow, the Square of the Milan Cathedral.
E
1
5
CERTIFICAZIONI: iso 9001 - Iso 14001
Società di servizi per la DIAGNOSTICA ed il MONITORAGGIO applicate all’architettura, all’ingegneria, alla geologia,al l’archeologia ed all’agricoltura di precisione.
SOING ha sviluppato negli anni un APPROCCIO INNOVATIVO per la progettazione e la realizzazione dei propri servizi tenendo al centro le tecniche di indagine geofisiche di tipo indiretto,
e per tanto classificabili come non invasive, applicate senza l’estrazione di campioni e senza
l’alterazione irreversibile delle superfici.
Tale approccio conoscitivo non invasivo, in situazioni particolari come ad esempio per problemi strutturali e di valutazione della vulnerabilità sismica degli edifici storici, viene affiancato
da un limitato numero di prove tradizionali non distruttive e semidistruttive classiche, oppure
di prove dirette come scavi/saggi, prelievo di campioni e analisi di laboratorio.
SO.IN.G. STRUTTURE E AMBIENTE SRL
Via Nicolodi 48 - 57121 Livorno
Tel. +39 0586 426710 - Fax + 39 0586 443552
[email protected] - www.soing.eu
La SPC s.r.l. ha sviluppato nel corso degli ultimi 25 anni una esperienza unica ed un know-how
interno specifico raggiungendo l’eccellenza nel campo dell’ingegneria strutturale con una esperienza oramai riconosciuta in tutto il mondo nella conservazione delle strutture e delle architetture del patrimonio culturale mondiale. Soci e rappresentanti legali sono: l’Ing. G. Croci, l’Ing. A.
Bozzetti, l’Ing. F. Croci, l’Arch. A. Herzalla e l’Ing. C. Russo. Le attività principali includono: l’analisi ed il rinforzo strutturale di edifici esistenti, la progettazione di strutture moderne ad elevata
complessità utilizzando tecniche e materiali all’avanguardia, il restauro ed il consolidamento di
monumenti, indagini e diagnostica di strutture e materiali incluse prove di laboratorio ed in sito,
project management di progetti di ingegneria civile ed architettura.
E
SPC SRL
1
5
Viale Marco Polo 37 - 00154 Roma
Tel. +39 06 5746625 - 06 5747860
Fax +39 06 5746335
[email protected]
www.spc-engineering.it
The SPC s.r.l. has been developing a unique experience and a proprietary know-how for the past
25 years reaching the excellence in the structural engineering with worldwide recognised experience in preservation of cultural heritage structures and architectures. Partners and Legal Representative are Ing.G.Croci, Ing.A. Bozzetti, Ing.F.Croci, Arch.A.Herzalla and Ing.C.Russo. Principal
activities include: analysis and strengthening design of existing buildings; design of new modern
complex structures using advanced techniques and materials; consolidation and restoration of
monuments; investigations and diagnostic on structures and materials, including on-site and
laboratory tests; project management of civil engineering and architectural projects.
ANNO DI FONDAZIONE: 2011 (2003)
E
Studio AERREKAPPA S.R.L. progetta, dirige e realizza lavori di restauro di edifici storici e di
ristrutturazione di immobili privati e pubblici, con materiali e tecniche innovativi quali intonaci
e pavimenti biocompatibili, impianti termici a parete e a pavimento, illuminazione tramite
LED, sistemi domotici, pannelli solari, sistemi di climatizzazione ad evaporatori passivi e camini solari. Sensibile alle problematiche del risparmio energetico e di una architettura ecosostenibile, opera a Lecce dal 2011 come naturale evoluzione dello Studio Associato fondato nel
2003 da Cristina Caiulo, architetto, e Stefano Pallara, ingegnere.
STUDIO AERREKAPPA SRL
1
3
Sede operativa: via Vittorio dei Prioli 32 - 73100 Lecce
Sede legale: via Don Bosco 26 - 73100 Lecce
Tel. +39 0832 307085 - Fax +39 0832 307085
[email protected]
www.studioaerrekappa.com
Studio AERREKAPPA S.R.L. was founded in 2011 by Cristina Caiulo, architect and Stefano Pallara, engineer. Its field is the restoration of historical heritage and the renovation of private
and public property, paying attention to the problems of energy saving with innovative technical plants, especially of lighting system, domotic technique, solar panels, air conditioning
systems and evaporators passive solar chimneys.
E
STUDIO BERLUCCHI Srl
1
5
Via Soncin Rotto 4 - 25122 Brescia
Tel: 030 291583 - fax: 030 45248
[email protected]
www.studioberlucchi.it
La Società Berlucchi srl venne costituita nel dicembre 1981 dai Fratelli Francesco e Roberto
Berlucchi proseguendo l’attività professionale del padre Ing. Antonio. Oggi, la Società si occupa di Progettazione e Restauro e si suddivide in 2 settori distinti. L’Ing. Roberto Berlucchi è
responsabile del settore Progettazione, mentre il figlio, Ing. Nicola Berlucchi coordina il settore
Restauro. Lo Studio Tecnico della Società Berlucchi può contare su un organico composto,
oltre che dai due soci, da un gruppo di nove collaboratori tra Ingegneri, architetti e geometri.
The company Berlucchi srl was established in December 1981 by the brothers Francesco and
Roberto Berlucchi, carrying on the professional activity of their father Eng. Antonio. Today, the
company works on new buildings and on restorations and is divided in two sections: Eng. Roberto Berlucchi is responsible of the Designing division, meanwhile his son, Eng. Nicola Berlucchi is responsible of the Restoration division. The designing team is composed by two senior
partner engineers and nine employees (engineers, architects and technicians).
21
A
REALE RESTAURI DI FORCONI CRISTINA
2
Via Ormea 67/B - 10121 Torino
Tel. +39 011 6694675 - Fax +39 011 6694675
[email protected] - www.realerestauri.com
CERTIFICAZIONI: Eccellenza artigiana Regione Piemonte
La nostra azienda è specializzata nel restauro di metalli, vetro e lampadari storici. Si eseguono
lavorazioni su lampadari di qualsiasi genere, dimensione e stile, e soprattutto quelli tipici della
tradizione storica italiana come ad esempio i lampadari veneziani di Murano e i lampadari in
cristallo Maria Teresa o Impero. Il cliente, pubblico o privato, può contare sul nostro supporto
per il restauro conservativo e museale, il tutto eseguito con alti standard di qualità artigianale.
Azienda accreditata presso le Sovraintendenze.
Our company is specialized in the restoration of metal, glass and historic chandeliers. We carry
out work on lamps of any kind, size and style, and especially those typical Italian history such
as Murano and Venetian chandeliers crystal chandeliers Maria Theresa or Empire. The client,
public or private, can count on our support for the restoration and museum, all executed with
high standards of quality craftsmanship. Company accredited by the Sovraintendenze.
CERTIFICAZIONI: SOA cat - OS2 III class. - OG2 III class. ISO 9001 - Sicert SGS
A
Restauro di intonaci policromi e di decorazioni-materiali lapidei-consolidamenti strutture
murarie e opere lignee-deumidificazione e impermeabilizzazione di strutture murarie.
Restoration of polychrome plasters and decorations-stones-consolidation of wall and wood
structures-repairs,dehumidification and waterproofing walls.
RESTAURI SRL
3
Via di Prè 10/3A - 16126 Genova
Tel +39 010 2462978 - Fax +39 010 2462978
[email protected] - www.restaurisrl.eu
CERTIFICAZIONI: Ambientali: ANAB / ICEA - Natureplus
FILIALI: Parcines (BZ), Prevalle (BS), Comabbio (BA), Villanova (CN), Fontanafredda (PN)
E
w w w. ro e f ix .c o m
Risanamento, restauro con un’attenzione costante per la bioedilizia, pitture, rivestimenti e
sistemi di isolamento termico per esterni. Calcestruzzi, massetti e fondi di posa.
Repairs and restoration (with constant attention to bio-building, paints, coverings and thermal insulation systems for exteriors. Concrete, footing and foundations.
1
2
RÖFIX SPA
Via Venosta 70 - 39020 Parcines (BZ)
Tel. +39 0473 966100 - Fax +39 0473 966150
[email protected] - www.roefix.com
E
Marco Paolo Servalli ARCHITETTURA, specializzato nel restauro di edifici storici e di culto e
nella valorizzazione di immobili di pregio, sia pubblici che privati. Ogni progetto è eseguito
con la massima professionalità al fine di restituire i manufatti antichi all’uso contemporaneo
salvaguardandone gli elementi originali. Il metodo di lavoro mira a qualità a al rispetto dei
tempi, e lo studio si avvale di collaboratori esperti e affidabili. Progettazione architettonica e
direzione lavori, sia in Italia che all’estero. Altre aree di competenza: progettazione del paesaggio, riqualificazione aree urbane, progetti per il Fund Raising.
MARCO PAOLO SERVALLI
STUDIO DI ARCHITETTURA
1
5
20
Via Cadorna 4 - 24128 Bergamo
Tel. +39 035 400156
[email protected]
www.servalliarchitettura.it
Marco Paolo Servalli ARCHITECTURE, specialized in the restoration of historic and religious
buildings and the enhancement of prestigious properties, both public and private. Each project is executed with the utmost professionalism in order to restore the historic building to
contemporary use while preserving original characteristics. Our working method is focused
on quality and on timeliness, and the firm avails itself of expert and reliable collaborators. We
carry out architectural design and construction supervision, both in Italy and abroad. Other
areas of expertise include: landscape design, urban regeneration, and fund raising projects.
A
CERTIFICAZIONI: SOA-ISO9001, ISO14001-BSOHSAS18001
Fondata nel 1954 abbiamo sviluppato un forte carattere imprenditoriale, siamo presenti nel
settore restauro con importanti referenze quali, Museo del Duomo, Palazzo Bagatti Valsecchi,
Banca d’Italia, Complesso Broletto di Novara, Biblioteca Apostolica Vaticana e Fondazione
Don Carlo Gnocchi. Durante i 60 anni della nostra storia non sono mai mancate determinazione e competenza e per questo oggi siamo tra le prime aziende del panorama edilizio nazionale con un fatturato che supera i 100 milioni.
PESSINA COSTRUZIONI SPA
3
Via Nizzoli 4 - 20147 Milano
Tel. +39 02 483341 - Fax +39 02 48302245
[email protected]
www.pessinacostruzioni.it
Founded in 1954 we have developed a strong entrepreneurial personality, we’re operative
in the restoration industry with important references such as, the Duomo Museum, Palazzo
Bagatti Valsecchi, Bank of Italy, Broletto Complex in Novara, Vatican Apostolic Library and
Don Carlo Gnocchi Foundation. During our 60 years long story we never lacked determination
and competence and for this reason we are now among the most important companies in the
italian construction industry, with a turnover that exceeds 100 millions.
Restauro architettonico. Risanamento umidità di risalita. Ecosabbiature con varie tipologie di
inerti. Restauro artistico, puliture delicate e di precisione, consolidamento e protezione legno,
marmi, granito “ossola” e pietre, cotto e ferro. Decorazioni e stucchi.
A
Architectural restoration. Ascending humidity improvement. Ecological sandblasting.Artistic
restoration, soft and precision cleaning, consolidation and protection on wood, marbles, “ossola” granites and stones, cotto and iron. Decorations and stucchi.
PGL DI DOTT.SSA NADIA PASTORE
3
Via Per Locco 2 - 28898 Stresa (VB)
Tel. +39 347 2985008 - Fax +39 0323 33247
[email protected]
CERTIFICAZIONI: ISO 9001:2008, Certificazione SOA: OG02-classe III-BIS, OS02A-classe V
E
La Piacenti spa svolge attività di progettazione, conservazione e restauro di beni di interesse storico-artistico e monumentale, disponendo di personale altamente specializzato nel trattamento di manufatti lignei policromi, di dipinti su tela e tavola, di stucchi e pitture murali, di reperti archeologici, materiali
ceramici, metallici e lapidei. All’interno dell’impresa, che si avvale di attrezzature tecnologiche e di ampi
laboratori, ogni competenza settoriale lavora in sinergia con le altre e viene coordinata dall’ufficio tecnico
e diagnostico. L’azienda possiede i requisiti professionali, economici ed organizzativi che le permettono,
autonomamente, l’esecuzione di grandi lavori pubblici e privati. Opera in Italia, Cina, Turchia, Moldova e
Russia.
1
3
PIACENTI SPA
Via Marradi 38 - 59100 Prato
Tel. +39 0574 470464 - Fax +39 0574 471021
[email protected] - www.restauratori.com
The Piacenti S.p.a. carries out planning and execution activity in the field of cultural heritage restoration
and conservation by his high specialized and qualified employees on wooden and polychrome objects,
paintings on wood and canvas, stuccoes, wall paintings, artifacts, ceramic metallic and stone materials.
Inside the headquarters, geared by technical equipment and wide workshops, every sectorial competence
collaborates with the others, coordinated by technical and diagnostic offices. The firm has all professional, economic and organizational requirements which allow, autonomously, to carry out big public and
private contracts for restoration and conservation works. It works in Italy, China, Turkey, Moldova, Russia.
CERTIFICAZIONI: Certificazione DNV per il sistema di gestione di qualità aziendale
A
ISO 9001-2008
2
3
PIMAR SRL
Via Manzoni 36 - 73020 Cursi (Le)
Tel. +39 0836 483285 - Fax +39 0836 429926
[email protected] - www.pietraleccese.com
Pimar S.r.l. nasce nel 1994 come naturale continuazione dell’attività della famiglia Marrocco nel settore della pietra leccese, che affonda le radici nel secolo scorso. Il know-how aziendale maturato è assai
elevato e si tramanda da 150 anni. Gli attuali vertici aziendali, i fratelli Giuseppe, Giorgia e Daniele Marrocco, insieme al padre Salvatore, attuale presidente, hanno sviluppato ed innovato l’azienda,sempre
all’insegna della ricerca, sperimentazione, progettazione e comunicazione, dedicano risorseeconomiche
e personali per valorizzare quella che si può proprio definire una “pietra di famiglia”,affinché possa continuare a soddisfare al meglio ogni esigenza architettonica ed essere impiegata in sempre più numerosi
e nuovi contesti.
Pimar S.r.l. was born in 1994 as a natural continuation of the Marrocco family’s activity in the field of the
natural stone from Lecce, which has its roots in the past century. The company gained know-how isvery
high and has been handing down for 150 years. The present company leaders, the brothers Giuseppe,
Giorgia and Daniele Marrocco, together with their father Salvatore, who is the current president, have
developed and evolved the company, always characterized by research, experimentation, planning and
communication. They allocate financial and personal resources in order to give value to what can be really defined a “family stone”, so that it can go on doing the best to meet any architectural requirements
and to be employed in more and more different new contexts.
19
O
METADISTRETTO VENETO
DEI BENI CULTURALI
1
3
Via della Libertà 12 - VEGA PARK
30175 Marghera (VE)
Tel. +39 041 5093046 - Fax +39 041 5093086
[email protected] - www.distrettobbcc.it
MONTINA
A
Il Metadistretto Veneto dei Beni Culturali è sorto in base alle Leggi Regionali 8/2003 e 5/2006
con lo scopo di promuove e coordinare progetti a livello nazionale ed internazionale, favorendo la collaborazione fra le aziende e le istituzioni che operano nel settore. Fanno parte
del Metadistretto 24 istituzioni e oltre 300 aziende impegnate in tutti i settori legati ai beni
culturali: restauro beni mobili e immobili, allestimenti museali, produzione di materiali per il
restauro, laboratori di analisi e diagnostica, valorizzazione dei beni culturali, sistemi informatici, editoria.
The Venetian Cluster of Cultural Heritage was born on the basis of the Regional Laws 8/2003
and 5/2006 to promote and coordinate the projects at national and international level encouraging the collaboration between companies and institutions operating in the sector. 24
Venetian’s highest Offices and over 300 companies are part of the Cluster, involved in all sectors linked to the cultural heritage: restoration of movable and immovable assets, museum
arrangements, production of materials for restoration, analysis and diagnostics laboratories,
valorization of the cultural heritage, informatics systems, publishing.
Recupero e trattamento conservativo di pavimenti in cotto, di superifi lapidee e lignee.Ecosabbiature.
Repairs and conservative treatments on brick pavements, stone and wood surfaces. Ecological sandblasting.
MONTINA DI RINO MONTINA
RESTAURO E CONSERVAZIONE
3
Via Monte Cimone 11/11 - 33100 Udine
Tel. +39 3282152292
[email protected]
CERTIFICAZIONI: ISO 9001- SOA
A
NICOLARESTAURI
RESTAURI S.r.l. S.r.l.
NICOLA
NICOLA RESTAURI Srl
1
3
Via S. Giulia 65 - 10124 Torino
Tel. +39 0141 909125 - Fax +39 0141 909170
[email protected]
www.nicolarestauri.com
Nicola Restauri Srl è una realtà d’eccellenza nel campo del restauro, riconosciuta a livello internazionale, al servizio di Soprintendenze, Enti, Musei, Università e collezionisti. Oltre sessant’anni di esperienza nel recupero, conservazione e restauro di opere antiche e moderne, su
tela, legno, carta, pergamena, pietra, reperti archeologici, affreschi e stucchi in chiese e palazzi.
Nel laboratorio operativo di Aramengo (AT) di oltre 3000 mq si eseguono anche indagini strumentali non invasive.
Nicola Restauri Srl is an international recognized company in the field of restoration, serving
Public, Private and Ecclesiastical organizations, Museums, Universities and collectors. Over
sixty years of experience in the recovery, preservation and restoration of ancient and modern
works on canvas, wood, paper, stone, archaeological finds, frescoes and stucco in churches
and palaces. In the laboratory of Aramengo (AT) of more than 3000sm are also carried noninvasive imaging techniques.
E
N.O.V.A.R.I.A. R.E.S.T.A.U.R.I. S.R.L.
Restauro Opere d’Arte
3
5
18
N.O.V.A.R.I.A. R.E.S.T.A.U.R.I. SRL
Via Marco Polo 19 - 28100 Novara
Tel. +39 0321 691414 - Fax +39 0321 688698
[email protected]
La N.O.V.A.R.I.A. R.E.S.T.A.U.R.I. Srl è una società specializzata nel restauro, recupero e conservazione di Beni Culturali, quali opere d’arte mobili e beni immobili sottoposti a tutela. Dal
1972 si occupa di progettazione, indagini diagnostiche, ricerche, pronto intervento, messa in
sicurezza, recupero e restauro di affreschi e dipinti su muro, stucchi, dipinti su tela e tavola,
elementi lapidei e monumenti all’aperto, bronzi, tessuti, sculture lignee dorate e policrome.
Al necessario operiamo smontaggio e trasferimento di Monumenti; Trasferimenti di gipsoteche e di pinacoteche e assistenza nei restauri dei loro contenitori (musei). Servizi di consulenza e perizie nell’ambito dei Beni Culturali.
La N.O.V.A.R.I.A. R.E.S.T.A.U.R.I. Srl mette a disposizione esperienza, competenza e serietà in
ogni delicata fase del restauro, garantendo un alto standard qualitativo e un continuo monitoraggio dei lavori eseguiti. È in grado di intervenire, autogestendosi, in situazioni di emergenza conservativa, anche a seguito di calamità.
E
LEONARDO SOLUTIONS SRL
1
3
Via Resegone 48
20025 Legnano (MI)
Tel +39 0331 454845 - Fax +39 0331 1986803
[email protected]
www.leonardosolutions.it
Azienda specializzata nel trattamento dell’umidità muraria da risalita capillare tramite l’innovativa
tecnologia elettrofisica attiva, Leonardo Solutions è detentrice della tecnologia utilizzata, a marchio
Domodry®, protetta da brevetto (Brev. UIBM n° 0001391107, Dep. EPO n° 9167412; US Patent Application
n° 13/029,053). A differenza di altri sistemi, che tentano di contrastare la risalita capillare “sbarrandone”
il flusso o “respingendolo” verso il terreno di provenienza, Domodry® è in grado di prevenire sul nascere il
fenomeno stesso della capillarità, agendo direttamente sulle cause che ne sono all’origine. Anche per questo motivo, l’efficacia della tecnologia Domodry® non è minimamente eguagliabile da nessuno dei sistemi,
tradizionali e non, ad oggi disponibili sul mercato. L’azienda, operante sia in campo edile che nei Beni Culturali, garantisce un approccio integrato al problema tramite un’attività riassumibile in tre fasi: diagnostica
preventiva, progettazione e applicazione del sistema Domodry®, monitoraggio del processo di asciugatura
dei muri fino a completamento dello stesso. Il controllo della fase di deumidificazione viene effettuato mediante mappature termografiche IR e/o misure ponderali, oltre ad eventuali attività di monitoraggio microclimatico. Gli stessi servizi e/o forniture di sistemi per il monitoraggio microclimatico sono erogati e forniti
anche per applicazioni diverse, come il controllo climatico in musei ed ambienti conservativi in genere.
Specialist in diagnosis, planning and application of technologies to the preservation and building restoration. The company has developed the innovative “Domodry® wall moisture control and moisture removal
system”, based on the “Electrophysics active dehumidification principle”. It is a non-invasive, reversible and
biocompatible new generation technology, effective to any kind of building affected with rising damp.
CERTIFICAZIONI: ISO 9001, ISO 14001, OHSAS 18001
FILIALI: Sede del Gruppo: Milano, 68 consociate in 44 paesi, 59 stabilimenti in 28 paesi.
E
Il Gruppo Mapei, composto da 68 aziende consociate con 59 stabilimenti operanti nei cinque
continenti, è oggi il maggior produttore mondiale di adesivi e prodotti complementari per la
posa di pavimenti e rivestimenti di ogni tipo e specialista in altri prodotti chimici come impermeabilizzanti, malte speciali e additivi per calcestruzzo, prodotti per il recupero degli edifici
storici, finiture murali speciali.
1
2
MAPEI SPA
Via Carlo Cafiero 22 - 20158 Milano
Tel. +39 02 37673.1 - Fax +39 02 37673214
[email protected] - www.mapei.com
Mapei Group, 68 subsidiaries with 59 plants in the five continents, is today the world leader
in the production of adhesives and complementary products for the installation of all types
of floor and wall coverings. The company is also specialized in other chemical products for
building, from waterproofers to special mortars and admixtures for concrete, products for the
restoration of ancient buildings and special wall decorative and protective coating.
CERTIFICAZIONI: ISO 9001:2008
E
La MARMIROLI S.r.l., svolge da 40 anni restauro conservativo e strutturale di beni artistici:
Dipinti murali; Paramenti in marmo, stucco e laterizio; Intonaci antichi; Manufatti lignei dipinti e dorati è certificata SOA cat. OS2-A class. IV BIS e Cat. OG2 class. III BIS e UNI EN ISO
9001:2008 Collabora con uno staff altamente specializzato, con strutture d’eccellenza nei
settori della diagnostica, con uno studio di ingegneria con particolare esperienza nel campo
del restauro strutturale.
MARMIROLI SRL
3
Via Strada Vecchia 88/1 - 42011 Bagnolo in Piano (RE)
Tel. +39 0522 954342 - Fax +39 0522 954102
[email protected] - www.marmirolisrl.com
A
1
3
MELLONCELLI SRL
Via Arginero 174 - 46028 Sermide (MN)
Tel. +39 0386 960004 - Fax +39 0386 960335
[email protected] - www.melloncelli.it
The MARMIROLI Srl, performs for 40 years and structural conservative restoration of artistic
goods: Painted murals; Paraments marble, putty and brick; Old plaster; Painted and golden
wooden artefacts It is certified SOA category OS2-A class. IV and category OG2 class. III and
UNI EN ISO 9001: 2008 Collaborates with a highly specialized staff, with structures of excellence in the areas of diagnostics, with an engineering study with particular experience in the
field of structural restoration.
Melloncelli srl, azienda nata 170 anni fa nella progettazione su misura di soluzioni tecnologicamente avanzate, dopo la meccanica di precisione applicata agli orologi dei campanili e l’automazione delle campane, da anni percorrendo l’evoluzione del settore elettrotecnico ed elettronico propone le proprie realizzazioni nel campo dell’amplificazione, riproduzione del suono
e videosorveglianza. Oggi grazie allo sviluppo della tecnologia illuminotecnica si pone con le
proprie progettazioni ed installazioni come un artefice nel controllo della luce, il risparmio energetico mediante i propri corpi illuminanti a led ed il rispetto dell’ambiente. Proprio per difendere
l’ambiente ed in particolare il patrimonio artistico caratterizzato prevalentemente dal comparto
ecclesiastico al quale Melloncelli si rivolge da anni, ha introdotto nel mercato la propria tecnologia per la risoluzione definitiva del problema dovuto all’umidità di risalita.
Melloncelli srl is a company founded 170 years ago. The core business was the custom design
advanced solutions for the precision mechanics applied to clocks bell and automation of bells.
Today along the evolution of the electronic and electrotechnical industry, Melloncelli srl presents
its achievements in the field of amplification, sound playback and video surveillance. Thanks
to the development of lighting technology arises with their own designs and installations as an
architect in the control of light, energy saving through its LED lighting and the environment. Just
to defend the environment and in particular the artistic characterized mainly by the church to
which Melloncelli caters for years, has introduced to the market its technology for the ultimate
resolution of the problem due to moisture lifts.
17
4e
2
5
KIMIA SPA
Via del Rame, 73 - 06134 Ponte Felcino (PG)
Tel. +39 075 5918071 - Fax +39 075 5913378
[email protected] - www.kimia.it
CERTIFICAZIONI: UNI EN ISO 9001 : 2008
La lunga esperienza alle spalle e la continua ricerca e miglioramento rendono Kimia SpA un
leader riconosciuto nella produzione e commercializzazione di materiali ad alta tecnologia
per il restauro e recupero edilizio. Siamo stati i primi in Italia (inizio anni ‘80) a credere nella
tecnologia dei materiali compositi per il consolidamento strutturale (inizialmente in carbonio
e vetro, ora anche in acciaio con matrici inorganiche), applicati con risultati di durabilità eccellenti, ma non solo... Kimia è anche malte preconfezionate ad alta durabilità, calci idrauliche
naturali, soluzioni per impermeabilizzazioni, pavimentazioni, trattamenti protettivi e di pulizia, isolamento e deumidificazione: una gamma di soluzioni per il restauro e recupero completa, dalle elevatissime prestazioni e sempre conforme alle più recenti normative.
Great experience leading company operating in the production and trading of hi-tech materials for building recovery and restoration like: high durability prepackaged mortars, natural
hydraulic limes, steel composite and FRP systems for the reinforcement of existing structures,
solutions for waterproofing and floorings, protective & cleaning treatments, insulation and
dehumidifications, complying to the latest building regulations.
CERTIFICAZIONI: UNI EN ISO 9001:2008- ISO
4E
14001/UNI EN ISO 14001:2004- OHSAS 18001:2007- CERTIFICATO EMAS
2
5
LANDE SPA
INGEGNERIA AMBIENTALE, ARCHEOLOGIA
E RESTAURO
Via Guglielmo Sanfelice 8 - 80134 Napoli
Tel. +39 081 7901178 - Fax +39 081 5423175
[email protected] - www.lande.it
Il restauro è un settore di attività d’eccellenza in cui Lande Spa si distingue per lo sviluppo di tecniche e
soluzioni altamente innovative per il recupero di prestigiosi complessi storici, la conservazione, la valorizzazione e l’impostazione museologica dei siti recuperati. La ricerca del miglior bilanciamento possibile
fra storia, cultura, valorizzazione e fruibilità è condotta attraverso un costante lavoro di ricerca e di sintesi fra esperienza e sperimentazione. Così la destinazione d’uso compatibile degli edifici storici, l’utilizzo
di materiali e tecnologie originali, il ripristino o conservazione del comportamento statico originario, la
compatibilità dei materiali, il dimensionamento minimo degli interventi non costituiscono solo concetti
e parametri tecnici del lavoro di restauro, ma la struttura che sostiene, dà forma e sprona all’innovazione
nella progettazione e nell’esecuzione di ciascun intervento.
Over the years Lande Spa has distinguished itself par excellence in the development of innovative techniques and solutions aimed at the recovery, preservation, valorisation and museological layout of prestigious historic complexes. The search for the best possible balance between history, culture, valorisation
and usability is conducted through constant research and a blend of experience and experimentation.
Thus, the congruent allocation of historical buildings, the use of original and compatible materials and
technologies, the reinstatement or preservation of the original static quality, the minimum size of operations are not only concepts and technical parameters of the restoration, but also the structure supporting,
motivating and giving shape to innovation in the planning and execution of each operation.
A
Fornitura di servizi di ispezione per fini diagnostici su strutture lignee in opere antiche e recenti;
servizi di classificazione per legname a uso strutturale; assistenza e consulenza per interventi specialistici su strutture lignee; formazione e divulgazione tecnico-scientifica nel settore
dell’impiego strutturale del legno.
Supplier of diagnostic inspection services for old and recent in-situ timber structures; grading
of structural timber; assistance and consultancy for consolidation works on timber structures;
training and technical-scientific information in structural use of timber.
1
5
LEGNODOC SRL
Via Borgo Valsugana 11 - 59100 Prato (PO)
Tel. +39 0574 36953 - Fax +39 0574 404677
[email protected] - www.legnodoc.com
CERTIFICAZIONI: Os2 Classifica III, Og2 Classifica I,
E
Sistema Qualità Aziendale Uni En Iso 9001:2008
Leonardo S.r.l. interviene sui beni culturali dalla diagnosi al restauro. Possiede le certificazioni SOA categoria OS2 III e OG2 I, oltre al Sistema di Certificazione della Qualità (UNI EN Iso
9001:2008). Opera sia nella fase progettuale, effettuando analisi dei materiali e dello stato
di conservazione, che nella fase esecutiva, realizzando restauri di beni mobili e immobili, documentazione interventi, monitoraggio operazioni effettuate.
LEONARDO SRL
ANALISI E RESTAURO
1
3
16
Via San Rocco 16
40122 Bologna
Tel +39 051 334648 - Fax +39 051 5880360
[email protected] - www.studioleonardo.it
Leonardo S.r.l. operates on cultural heritage from diagnostics to restoration. Leonardo is certified in SOA for categories OS2 III and OG2 I and in Quality Certification System (UNI EN ISO
9001:2008). It both works on planning, conducting analysis on materials and on state of
conservation, and on practice, restoring paintings, frescoes, statues and historical buildings,
documenting operations, monitoring restorations.
E
3
4
IBIX SRL
Via la Viola 4 - 48022 S. Maria in Fabriago (RA)
Tel. +39 0545 994589 - Fax +39 0545 994567
[email protected] - www.ibix.it
CERTIFICAZIONI: Codice AMSE e UE PED 97/23/CE
FILIALI: IBIX Norway, IBIX USA
IBIX® è leader tecnologico per la pulitura a bassa pressione mediante micro-aero-abrasione. È specializzata nella realizzazione di sistemi di pulitura selettiva a bassa pressione con tecnologia a vortice elicoidale
HELIX® a secco e a umido. La tecnologia IBIX®, sviluppata in collaborazione con specialisti del restauro,
utilizza specifici inerti selezionati per le puliture artistiche. IBIX Mobile Lab® ST01 è un completo e versatile
laboratorio portatile che consente di eseguire indagini diagnostiche sui materiali dell’edilizia storica in maniera semplice ed intuitiva, rendendo accessibili a tutti coloro che operano nel campo della conservazione
dei Beni Culturali le tecniche di base per la caratterizzazione dei materiali lapidei naturali e artificiali e dei
relativi fenomeni di degrado. Le metodologie analitiche impiegate sono conformi alla normativa italiana
(UNI-Beni Culturali) ed europea (EN—Conservation of Cultural Property).
IBIX® is a leader in developing technology and materials for low-pressure micro-aero-abrasive cleaning and
designs and manufactures HELIX® low pressure dry or wet vortex cleaning systems. IBIX Mobile Lab® ST01
is a comprehensive & versatile portable laboratory to analyse and diagnose historic building materials in an
easy and clear manner. The methods of analysis used comply with both Italian and European regulations
by UNI-Beni Culturali (Cultural Heritage) and EN-Conservation of Cultural Property respectively.
CERTIFICAZIONI: UNI EN ISO 9001:2008
E
La società è un’impresa edile con sede in Bari (la più antica della città), che opera prevalentemente per conto terzi nel campo del restauro, delle manutenzioni e delle nuove costruzioni
in un ambito nazionale. Il restauro riguarda beni di interesse monumentale sia architettonico
che di restauro artistico. La committenza del settore di restauro è quasi esclusivamente pubblica in particolare Ministero dei Beni Culturali.
1
3
IMPRESA GARIBALDI SRL
The Garibaldi, is a construction company registered in Bari (the oldest one of the town), which
operates mainly in the restoration field on behalf of third parties, maintenance and new
building constructions all over the national sphere. The restoration, regards the architectural
and artistic operating to the monumental assets of interest. Our restoration customers, belongs almost exclusively to the public sphere, especially the Ministry of the Cultural Heritage.
Piazza Mercantile 30 - 70122 Bari
Tel. +39 080 5237428 - Fax +39 080 5234756
[email protected] - www.impresagaribaldi.it
CERTIFICAZIONI: ENI EN ISO 9001:2008 ENI EN ISO 14001:2004
A
L’Impresa Violi è da anni fortemente attiva nel settore del restauro conservativo. Il nostro lavoro è eseguito
in collaborazione e sotto la supervisione delle Sovrintendenze. La nostra esperienza, la struttura organizzativa e le nostre attrezzature ci consentono di fornire alle imprese pubbliche e private un servizio completo
dalla consulenza tecnica all’esecuzione di lavori su tutto il territorio nazionale. Eseguiamo molteplici tipologie di lavoro dalla realizzazione di grandi superfici monumentali e civili, quali facciate, ponti, pavimenti,
soffitti fino ad arrivare a quelli più complessi come il restauro di fregi, statue fontane, piazze, colonnati,
chiese, centri storici, castelli e monasteri. Disponiamo di attrezzature che ci consentono di risolvere qualsiasi problematica grazie all’utilizzo delle più innovative tecnologie per la pulitura, la conservazione ed il
risanamento ecologico.
IMPRESA VIOLI SRL
3
Via Dardanelli 13 - 00195 Roma
Tel. +39 06 41734786 - Fax +39 06 41734786
[email protected] - www.impresavioli.it
E
The Company Violi has long been very active in the field of conservative restoration. Our work is performed
in collaboration and under the supervision of the Superintendence. Our experience, the organizational
structure and our equipment allows us to provide the public and private companies a complete service
from technical advice to the execution of works on the whole national territory. We realized many types of
work from the construction of large areas such as civil and monumental surface like facades, bridges, floors,
ceilings, until get to the more complex ones such as the restoration of friezes, statues, fountains, squares,
colonnades, churches, castles and monasteries. We have equipment that enable us to solve any problem
through the use of innovative technologies for cleaning, conservation and ecological restoration.
CERTIFICAZIONI: UNI EN ISO 9001:2008 / UNI EN ISO 14001:2004 / BSOHSAS 18001:2007
Fondata nel 1975 da Claudio Navarra e guidata oggi dai figli Attilio e Luca, ha dato continuità ad una “ultra centenaria” tradizione imprenditoriale della famiglia Navarra nel settore delle costruzioni: l’attività edilizia della Famiglia ha
avuto inizio nel 1880 con la realizzazione di importanti opere pubbliche. La sede principale è a Roma dove vengono
accentrati i servizi tecnico-amministrativi ed una sede operativa a Milano dove vengono coordinate le attività produttive localizzate nel Nord Italia. Nel corso degli anni, alla Italiana Costruzioni sono state affiancate Aziende, sempre
facenti capo alla Famiglia Navarra, specializzate in specifici settori. In particolare, nel corso dell’ultimo quinquennio, la
costante crescita espressa da un notevole incremento del proprio fatturato, l’esperienza professionale acquisita anche
attraverso considerevoli investimenti in termini di risorse umane hanno consentito all’azienda il raggiungimento di alti
standards qualitativi.
ITALIANA COSTRUZIONI SPA
3
Via Antonio Stoppani 15 - 00197 Roma
Tel. +39 02 910991 - Fax +39 02 6575161
[email protected]
www.italianacostruzionispa.it
Founded in 1975 by Claudio Navarra and currently led by his sons, Attilio and Luca, has carried on the centuries-old tradition of the Navarra family in the construction industry, dating from 1880. Headquartered is in Rome, where the company’s technical and administrative departments are located, while its Milan office coordinates construction activities
in northern Italy. Operations fields: private clients: construction hotels, shopping centres; public works: residential, industrial, university construction, projects for the military and branches of law enforcement; the restoration of churches,
buildings of noteworthy historical and artistic interest subject; infrastructures, roadways, urban development; residential for the real-estate sector. Over the last five years, the steady growth expressed by a significant increase in its revenue, the professional experience gained through considerable investment in terms of human resources have enabled
the company to achieve high quality standards.
15
A4
GDL
CONSERVAZIONE
E RESTAURO SRL
SOA OG2 III
Restauro e Conservazione di edifici monumentali ed ecclesiastici.
GDL - CONSERVAZIONE E RESTAURO SRL
1
5
Piazza Vittorio Emanuele II, 4 - 27041 Barbianello (PV)
Tel +39 0385 287010 - Fax +39 0385 287828
[email protected]
www.gdlrestauro.com
CERTIFICAZIONI: SOA - cat OS 20 classe II
A4
Laser Scanning 3D (Architettura, Archeologia, Infrastrutture, Industriale). Archeometria. Stereofotogrammetria Fotogrammetria Ortofoto. Topografia e GPS. Batimetria. Rilievi di interni.
Elaborazioni grafiche e fotografiche.
3D Laser Scanning (Architectural, Archeology, Infrastructures, Industrial). Archeometry. Stereophotogrammetry Photogrammetry Ortophoto. Topography and GPS. Bathymetry. Traditional Surveys. Graphic and Photographic information processing.
1
5
GEOGRÀ SRL
Via Indipendenza 106 - 46028 Sermide (MN)
Tel. +39 0386 62628 - Fax +39 0386 960248
[email protected] - www.geogra.it
E
Rilievi architettonici, laser scanner, elaborati grafici e fotografici. La società geomar.it nasce
nel 2001, dall’iniziativa di tre professionisti da anni impegnati nel settore dell’applicazione di
nuove tecnologie e metodologie informatiche nel campo dell’architettura e della topografia.
La società eredita l’esperienza acquisita dai suoi ideatori nel corso dell’attività professionale.
Architectural surveys, laser scanner, graphic and photographic process.
GEOMAR.IT SNC
DI RASCHIERI A, MELLANO M. E BOETTI M.
1
Via Matteotti 5 - 12084 Mondovì (CN)
Tel. +39 0174 45920 - Fax +39 0174 45920
[email protected] - www.geomar.it
CERTIFICAZIONI: UNI EN ISO 9001:2008
A
Graphite S.r.l., dal 1946, è sinonimo di professionalità, esperienza e profonda conoscenza
di materiali e tecniche costruttive. L’azienda, con sede nel centro storico di Napoli, fondata
dall’ing. Giuseppe Archivolti, è attualmente guidata dal figlio Raffaele. Graphite è specializzata in restauro di beni architettonici, di opere pittoriche realizzate su diversi supporti e di manufatti in pietra, legno e materiale ceramico. In ogni intervento grande attenzione è sempre
rivolta all’utilizzo di tecniche poco invasive e ad alto grado di sostenibilità, nel rispetto della
materia prima, dell’ambiente e del lavoratore.
1
3
14
GRAPHITE SRL
Via R. Bracco 45 - 80133 Napoli
Tel. +39 081 5521385 - Fax +39 081 2307410
[email protected] - www.graphite.ae
Graphite, from 1946, means expertise, experience and deep knowledge of materials and construction techniques. The company, headquartered in the historic center of Naples, founded
by Giuseppe Archivolti and currently led by his son Raffaele, is specializes in architectural renovation and restoration of paintings, stone sculptures, wood and ceramic material. In every
work the use of not invasive and sustainable techniques has great relevance, in respect of the
materials, the environment and the worker.
A
EDILTECNICA GLOBAL SERVICE
3
Via S. Babini 80 - 48124 Ghibullo (RA)
Tel: +39 0544 552111 - Fax: +39 0544 552075
[email protected] - www.ediltecnica.com
CERTIFICAZIONI: in corso - Qualità ISO 9001
La Conservazione e la Valorizzazione del Patrimonio Edilizio, in particolare se di valore storico,
mediante la Manutenzione e il Restauro e la Creazione di Valore in una prospettiva di Sostenibilità Ambientale ed Energetica. La manutenzione di un edificio –mantenerne efficienza,
integrità e funzionalità- il recupero e il restauro, sono specializzazioni che non lasciano spazio
all’improvvisazione e alla frammentazione ma richiedono ricerca, competenza ed esperienza
per conservare il patrimonio storico e architettonico del nostro territorio nel rispetto dell’ambiente e di un’elevata qualità della vita. Il consorzio Ediltecnica nasce nel 1987 con una struttura che punta sull’integrazione verticale di tutte le necessarie professionalità e competenze
proprie del settore edile creando sinergie tra imprese specializzate nei diversi e complementari settori di intervento in un processo che va dalla progettazione alla consegna, chiavi in mano.
Il cliente ottiene così tutti i benefici della specializzazione e al tempo stesso i vantaggi di collaborare con un unico referente dagli elevati parametri qualitativi in un’evidente economia di
processo che segna lo stile di tutta l’azienda. Edil Tecnica adempie alle prescrizioni e segue
continui piani di miglioramento in materia di qualità e sicurezza.
CERTIFICAZIONI: ISO 9001
E
EL.EN. ELECTRONIC ENGINEERING SPA
4
Via Baldanzese 17 - 50041 Calenzano (FI)
Tel. +39 055 8826807 - Fax +39 055 8832884
[email protected] - www.elengroup.com
Il Gruppo El.En., fondato nel 1981, è stato il primo in Italia ad aver sviluppato, nella prima metà degli anni ’90, sistemi laser per le applicazioni nella conservazione dei Beni Culturali. Dal 2005 l’attività di El.En. si è integrata con
l’esperienza maturata da Quanta System S.p.A., azienda del gruppo tra le prime e più importanti nella realizzazione di sistemi laser scientifici. In questo modo il Gruppo fornisce attualmente la più ampia gamma disponibile
di sistemi laser per i Beni Culturali, tecnologicamente d’avanguardia e costantemente validati dal mondo della
conservazione. La soc. El.En. ha messo a punto anche alcuni dispositivi e sistemi optoelettronici ed elettronici per
la diagnostica e il monitoraggio. Sistemi di diagnostica laser LIBS (Laser Induced Breakdown Spectroscopy) per
indagini composizionali su metalli e autentificazione di opere d’arte e FLIDAR (Flourescence Light Detection And
Ranging) per il monitoraggio in remoto di monumenti e diagnostica composizionale della carta. L’Actis, società
del Gruppo El.En. , ha messo a punto e detiene il brevetto della Black Box per l’arte, dispositivo per il monitoraggio
del trasporto delle opere d’arte. I campi di applicazione della strumentazione laser sono la pulitura di manufatti
artistici, monumenti e edifici storici, potendo operare su supporti lapidei, stucchi, superfici affrescate, metalli di
cui in particolare bronzo e bronzo dorato, argenti e oreficerie, manufatti in legno anche dipinto. I sistemi laser del
Gruppo El.En. sono presenti in numerosi laboratori europei e nel mondo e sono stati utilizzati o vengono adesso
impiegati nei più importanti cantieri di restauro. La Società. El.En. ha sponsorizzato i restauri dei bassorilievi del
SS. Sepolcro a Gerusalemme, David del Verrocchio e David di Donatello al Museo Nazionale del Bargello.
CERTIFICAZIONI: ISO 9001 : 2008
E
Progettazione/costruzione di sistemi di rinforzo in F.R.P. (Fiber Reinforced Polymer) ad elevata resistenza meccanica e chimica, basso peso e spessore, per recupero e consolidamento di
strutture.
Design and manufacturing of low weight and thickness FRP (Fiber Reinforced Polymer) systems with high mechanical and chemical resistance, suitable for structural reinforcement of
existing buildings.
FIBRE NET SRL
1
2
Via Jacopo Stellini 3 - 33050 Pavia di Udine (UD)
Tel. +39 0432 600918
[email protected]
www.fibrenet.info
O
Il Forum Italiano Calce è un’Associazione no profit, che promuove lo sviluppo di esperienze e
di conoscenza dell’impiego della calce nel costruito e nel restauro attraverso: scambio, confronto e diffusione di notizie e informazioni sul mondo della calce; organizzazione di congressi,
seminari, incontri e corsi; promozione della ricerca scientifica/pratica su calce, malte e pitture
a base di calce sostegno allo sviluppo di tecniche appropriate a livello industriale e artigianale
per la produzione di calce aerea e/o idraulica naturale.
FORUM ITALIANO CALCE
5
Via Tosarelli 3 - 40128 Bologna
Cell. +39 327 5328288 - Fax +39 051 364309
[email protected] - www.forumcalce.it
The Italian Lime Forum promotes the development of experience and knowledge of the use
of lime in building and restoration, through: exchanging, comparing and spreading news and
information about the world of lime; organizing congresses, seminars, meetings and courses;
promoting the scientific research and the practical use on lime, mortars or lime paints; supporting the development of appropriate techniques, at industrial and artisanal level, for the
production of air and natural hydraulic limes.
13
A
COSTANTER SPA
2
Via Isacco Newton 11 - 52100 Arezzo
Tel. +39 0575 1881015 - Fax +39 0575 984858
[email protected]
www.circhimica.it
CERTIFICAZIONI: Varie certificazioni tecniche rivolte al prodotto
“CIR - CHIMICA ITALIANA RESTAURI è un apprezzato e conosciuto produttore di formulati chimici ad alto contenuto tecnologico (prodotti nano-tecnologici, foto-catalitici, bio-degradabili, ecc.), studiati per le applicazioni nei settori del RESTAURO MONUMENTALE e dell’EDILIZIA
CIVILE. L’offerta dell’azienda prevede, inoltre, una competa linea ANTIGRAFFITI ed una per il
trattamento delle PAVIMENTAZIONI. CIR offre alla sua clientela un valido supporto di consulenza, formazione ed assistenza tecnica”.
“CIR- CHIMICAITALIANARESTAURIis a well-known and popular manufacturerofhigh-tech
chemicalproducts (nano-technological, photo-catalytic, bio-degradable products, etc..), designed for the application in the sectors of RESTORATION OF MONUMENTS and CIVIL CONSTRUCTION. The offering of the company also provides a complete ANTI-GRAFFITI product
line and a specific FLOORING product line. CIRoffers to its customersa valuable support of
consulting, trainingand technical assistance”.
CERTIFICAZIONI: OS 2-A / OS 25
A
La società Cristellotti & Maffeis s.r.l. opera da oltre 20 anni. Interviene dalla diagnostica, alla
progettazione dei lavori, alle fasi operative fino alla documentazione ed alla divulgazione con
conferenze, partecipazione a convegni e pubblicazioni. Attraverso lo studio dei materiali e dei
fenomeni di degrado, effettuato anche in collaborazione con Università e Centri di ricerca, la
società e in grado di adempiere a qualsiasi incarico nel campo della diagnostica, del restauro
e nel campo archeologico.
CRISTELLOTTI & MAFFEIS SRL
1
Via Cesare Abba 2- 38122 TRENTO
Tel. +39 0175 219040
Fax +39 0175 5219040
[email protected]
www.cristellottiemaffeis.it
The company Cristellotti & Maffeis LTD works for over 20 years. The corporation operates in
the setting of diagnostics and of restoration, from the realization of the projects of work to
the operational steps, up to the documentation and dissemination through conferences and
publications. The company is able to carry out every task in the field of diagnostics, restoration and archeology, by means of the study of materials and degradation causes, also run in
collaboration with university and research facilities.
4E
Casa Editrice specializzata nel settore dei periodici per l’architettura, l’ingegneria edile, i beni
culturali: “Recupero e Conservazione” [la rivista italiana leader di settore], “City Project” [la
prima free press di architettura in Europa], “City Energia” [la prima free press sul risparmio
energetico e le energie rinnovabili], “L’Edilizia” [la rivista italiana per l’ingegneria strutturale].
DE LETTERA EDITORE SAS
5
Publishing house specializing in architecture, building engineering and cultural assets publications: “Recupero e Conservazione” (Italy’s leading magazine in the sector), “City Project”
(Europès first free press for architecture), “City Energy” (the first free press on energy saving
and renewable energy), “L’Edilizia” (Italy’s structural engineering magazine).
Via A. Tadino 25 - 20124 Milano
Tel. +39 02 29528788
Fax +39 02 29517404
[email protected]
www.delettera.it
CERTIFICAZIONI: Procedura in corso per ISO e OG2
A
Consolidamento strutturale edifici con sistemi innovativi e tecnologie all’avanguardia. Perforazioni lunghe speciali. Installazione di ancoraggi e incatenamenti per rinforzo di murature.
Miglioramento e adeguamento in funzione antisismica di Edifici. Posa FRP. Demolizioni controllate con utensili diamantati, perforazioni speciali e taglio cemento armato. Risanamento delle murature umide con barriere e chimica per l’edilizia. Micro sabbiatura ecologica per
pulizia di marmi, graniti, materiali lapidei, murature faccia a vista, legno, ferro. Installatore
certificato Bossong per sistemi di ancoraggio iniettati in murature storiche.
3
5
12
DIAMANTECH SRL
Via A. Gramsci 10 - 25080 Nuvolento (BS)
Tel. +39 030 6915222 - Fax +39 030 6915222
[email protected] - www.diamantech.it
Structural strengthening buildings with innovative systems and well-advanced technology.
Long special drilling. Installation of anchors and heavy duty anchors for masonry reinforcement. Seismic retrofitting of buildings and structural improvement and adaptation. Installation of FRP. Controlled demolitions with diamonds tools; special drilling and reinforced
concrete cutting. Renovation of damp walls with barriers and construction chemicals. Micro
blasting ecological cleaning of marble, granite, stone, masonry face brick, wood, iron. Bossong
certified installer for anchoring systems injected into historic masonry.
A
CIANCIULLO MARMI SRL
2
5
Via Wenner 45 - 84131 Salerno
Tel. +39 089 301306
Fax +39 089 302104
[email protected]
www.cianciullo.it
La Cianciullo Marmi è un’ azienda storica campana che vanta piu’ di cento anni di attivita’ nella lavorazione
del marmo e delle pietre naturali. Gli attuali titolari, Paola e Massimo Cianciullo, hanno ereditato l’antico “mestiere” dalle abili mani del loro bisnonno, raffinato scultore della fine dell’Ottocento. Le due generazioni che
si sono succedute hanno trasformato radicalmente la vecchia “bottega artigiana” creando un’industria e un
fiorente commercio prima in tutta l’Italia meridionale e poi in tutto il mondo. La Cianciullo marmi è in grado di
offrire ,con il supporto dei suoi architetti .anche un servizio di consulenza completo sulle principali tecniche di
montaggio,manutenzione e utilizzo e trattamento dei materiali,nonche’sullo sviluppo di fattibilita’per progetti
particolarmente complessi ,affiancando il cliente in tutte le fasi :dalla consulenza sui materiali all’assistenza
in cantiere.
Cianciullo Marmi belongs to an association of historical firms boasting an over 100 years old tradition in the
field of natural stone working,handed down from generation up to the third generation of Cianciullo’s family. The actual holders, Paola and Massimo Cianciullo, have inherited the ancient one “work” from the skilled
hands of their great-grandfather, refined sculptor of the end of the eight hundred. The two generations that
have succeeded have transformed radically the old one “artisan shop” creating all over the world before an
industry and a flourishing commerce in the whole southern Italy and then all over the world. The Cianciullo
marbles it is able to offer with the support of his architects also a complete consulting service on the principal
techniques of assemblage, maintenance and use and treatment of the materials. And also for development
of plans particularly complex, placing side by side the client in all the phases: from the consultation on the
materials to the assistance in the yard.
O
Istituto di Ricerca, specializzato nell’attività di caratterizzazione di malte, ceramiche, lapidei
e mosaici antichi e identificazione dei processi di degrado (archeometria e diagnostica). Sviluppo malte da restauro. Geopolimeri per il restauro. Normazione italiana ed europea. Formazione.
CNR - Istituto di Scienza e Tecnologia
dei Materiali Ceramici (ISTEC)
1
5
Research institute specializing in characterizing mortars, ceramics, stones and ancient mosaics and identifying deterioration processes (archeometry and diagnostics). Development
of restoration mortars. Geopolymers for restoring. National and European standard activity.
Training.
Via Granarolo, 64 - 48018 Faenza (RA)
Tel. +39 0546 699711 - 699773
Fax +39 0546 699719
[email protected]
www.istec.cnr.it
A
CONFCULTURA
5
Via di Pietra 70 - 00186 Roma
Tel. +39 331 9767296
[email protected] - www.confcultura.it
La prima associazione delle imprese private gestori dei servizi museali. Fondata nel 2001,
Confcultura è l’unica organizzazione in Italia rappresentativa delle imprese private che gestiscono i servizi per la valorizzazione, fruizione e promozione dei Beni Culturali.La missione che
ispira l’azione dell’Associazione è la convinzione che i beni culturali siano fattori di sviluppo e
di progresso per l’intera società e che si debbano promuovere in maniera sostenibile per una
sempre maggiore e migliore fruizione con l’incentivazione di forme ottimali di gestione dei
servizi culturali e turistici. Confcultura, sulla base di quanto scritto nel suo Statuto, si pone al
centro del dibattito culturale in atto per l’affermazione del sostanziale valore aggiunto che il
privato può dare alla valorizzazione del nostro patrimonio storico e artistico con l’obiettivo di
raggiungere forme più mature di collaborazione fra le istituzioni pubbliche e il settore privato
specializzato. A questo fine Confcultura rappresenta le esigenze e le proposte delle “imprese
della cultura” nei confronti delle principali istituzioni politiche ed amministrative, incluse le
Soprintendenze, le Direzioni Regionali, il Ministero per i Beni e le Attività culturali, il Parlamento, il Governo e le forze sociali che operano nello stesso ambito dell’Associazione.
CERTIFICAZIONI: UNI EN ISO 9001- UNI EN ISO 140001- OHSAS
E
Cooperativa Archeologia nasce a Firenze nel 1981 per operare nell’ambito della ricerca, della
conservazione e della valorizzazione dei beni culturali. E’ attiva, per mezzo di sedi distaccate, su tutto il territorio nazionale e in alcuni paesi esteri. Cooperativa Archeologia dà priorità
alla qualità dell’intervento e all’unicità e importanza sociale dei beni su cui agisce. Le attività
vengono eseguite con un organico di oltre 200 operatori specializzati nel proprio settore di
intervento e affiancati da consulenti scelti fra ricercatori altamente qualificati.
1
3
COOPERATIVA ARCHEOLOGIA
Via Luigi La Vista 5 - 50133 Firenze
Tel. +39 055 576944 - Fax +39 055 576939
[email protected] - www.archeologia.it
Cooperativa Archeologia was funded in Florence (Italy) in 1981 to work in research, conservation and enhancement of Cultural Heritage. It operates through branch offices, all over the
country and in some foreign states. Cooperativa Archeologia focuses his attention to the
quality of the intervention and the uniqueness and social importance of the goods on which
it acts. The activities are carried out with a staff of over 200 professionals specialized in their
field of intervention and supported by consultants selected from among highly qualified researchers.
11
E
1
5
B5 SRL
Via S. Anna dei Lombardi 16 - 80134 Napoli
Tel. +39 081 5519274 - Fax +39 081 5518338
[email protected] - www.b5srl.eu
CERTIFICAZIONI: UNI EN ISO 9001:2008 – Erogazione di servizi di ricerca storica, consulenza, studi
di fattibilità, progettazione e direzione lavori di opere di architettura e ingegneria civile
La società B5 Srl indirizza e promuove l’esperienza e la specializzazione in progettazione architettonica e strutturale, consolidamento e restauro degli edifici, direzione lavori in Italia e in
Europa, di uno studio professionale di tradizione più che trentennale, con le competenze in
materia di innovazione tecnologica e metodologica di giovani professionisti affermati (arch.
Francesca Brancaccio, ing. Ugo Brancaccio), attraverso i contributi e le specificità dei singoli
soci. La B5 Srl opera nell’ambito di un Sistema di Qualità, adottando al suo interno e nei rapporti con i Committenti i criteri espressi dalle Norme UNI EN ISO 9001:2000.
B5 Srl engineering achieved a great experience and known-how in architectural and urban
planning, in restoration of civil and monumental buildings, supervision of working in Italy and
abroad, which comes from a successful long-term tradition, thanks to forty-year professional
tradition with the innovative contributions and abilities of Francesca Brancaccio, Ph.D. and
MA in architecture and Ugo Brancaccio, engineer, both specialized in the restoration of monuments. B5 Srl engineering operates in a Quality System, adopting in the relationship with customers, the criteria expressed by the regulations UNI EN ISO 9001:2000.
CERTIFICAZIONI: ISO 9001 : 2008
CE-ETA 11/0396 CE-ETA 09/0140 CE-ETA 09/0246 CE-ETA 11/0344
CE-ETA 11/0345 CE-ETA 08/0208 CE-ETA 11/0377
4E
FILIALI: Roma
1962
2012
BOSSONG SPA
2
5
Via E. Fermi 51, 24050 Grassobbio (BG)
Tel. +39 035 3846011 - Fax +39 035 3846012
[email protected]
[email protected] - www.bossong.com
Dal 1962 progettazione, produzione, commercializzazione di sistemi di fissaggio e sistemi di
consolidamento per l’edilizia per applicazioni che vanno dal semplice ancoraggio ai più complessi interventi di consolidamento strutturale. Ai tradizionali ancoranti meccanici e chimici
abitualmente utilizzati in edilizia si affiancano tecnologie per il rinforzo di strutture in muratura specifiche per interventi su manufatti di particolare interesse storico-architettonico.
Since 1962 design, manufacturing and selling of fixing and strengthening systems for building
industry for simple fixing applications to complex strengthening intervention. A range of traditional mechanical and chemical anchors is integrated with technologies specially designed
for masonry structures and in particular for historical buildings.
CERTIFICAZIONI: ISO 9001 : 2008 QUALITY MANAGEMENT SYSTEM
FILIALI: Napoli
A
Fornitura, assistenza, noleggio di strumentazione geotecnica e geofisica-apparecchiature per
controlli non distruttivi del costruito-diagnostica del calcestruzzo, delle murature e del legno.
Supply, assistance, rental of geo-technical and geoph ysical instrumentation for non-invasive
checks on constructions, diagnosing concrete, masonry and wood.
1
4
BOVIAR SRL
Via Rho 56 - 20020 Lainate (MI)
Tel. +39 02 93799240 - Fax +39 02 93301029
[email protected] - www.boviar.com
E
Commercio e produzione di materiali ed attrezzature per il restauro, la conservazione, la diagnostica, gli arredi museali. Progettazione e realizzazione di laboratori ed attrezzature per
l’analisi e per il restauro del patrimonio culturale. Società certificataUNI EN ISO 9001:2000
Trade and production of material and equipments for restoration, conservation,diagnostic,
furniture museum. Design and construction of laboratories and equipment for analysis and
restoration of cultural heritage. The Company is certified UNI EN ISO 9001:2000
BRESCIANI SRL
2
4
Via Breda 142 - 20126 Milano
Tel. +39 02 27002121 - Fax +39 02 2576184
[email protected]
www.bresciani.eu
10
A4
archeoRes
archeologia e restauro
ARCHEORES SRL
3
5
Via Sirente 13
67051 Avezzano (AQ)
Tel +39 0863 447710 - Fax +39 0863 415643
[email protected]
www.archeores.it
CERTIFICAZIONI: SOA: OG01-classe I, OG02-classe V, OS02-classe II, OS25-classe IV
L’idea imprenditoriale dell’archeoRes prevede la fusione delle logiche imprenditoriali con la passione per il restauro e la conservazione del patrimonio architettonico, artistico e archeologico,
utilizzando le competenze e le conoscenze dei soci fondatori. La società opera su tutto il territorio nazionale nei settori specialistici del restauro monumentale, della ristrutturazione e del
consolidamento di edifici storici, del restauro artistico e nel settore archeologico comprensivo
di tutti i servizi d’indagine conoscitiva. La società possiede un know how di assoluto valore, con
competenze riconosciute dei propri tecnici esperti nelle specifiche discipline che consentono di
poter fornire un prodotto finale di altissima qualità.
The archeoRes business idea foresees the merger of entrepreneurial logic with a passion for restoration and conservation of architectural, artistic and archaeological heritage, using the skills
and the knowledge of the founding partners. The company operates on throughout the country
in the following specialistic areas: renovation and consolidation of historical buildings, art restoration and in archaeological sector including all services of fact-finding investigation. The company has a “know-how” of absolute value, with recognized expertises of its own technicians,
experienced in their specific disciplines that allow to provide up a high quality final product.
La società Archimeter è impegnata nel settore dei rilievi di alta precisione. Specializzata in
Laser Scanner 3D in diversi campi quali: archeologia, architettura, ingegneria, geologia. Si
eseguono inoltre: Rilievi GPS. Fotogrammetria. Rendering di interni ed esterni. Termografia.
Ricostruzioni 3D per l’archeologia. Virtual Tour. Una squadra di professionisti si rapporta di
volta in volta con le diverse problematiche degli elementi architettonici, strutturali e storici
oggetto di indagine, stilando il progetto di rilievo più adeguato per offrire il risultato migliore
con la garanzia di serietà e professionalità.
A4
ARCHIMETER SRL
1
5
Via Balilla 192 - 76012 Canosa di Puglia (BT)
Tel +39 0883 887466 - Fax +39 0883 887466
[email protected]
www.archimeter.it
Archimeter is a society committed in the field of high precision surveys. We are specialized
in Laser Scanner 3D in different fields as: archeology, architecture, engineering, geology. We
realize: GPS Surveys, photogrammetry, rendering of internal and external, thermography, 3D
reconstruction for archeology, virtual tour. A team of professionals deals with the issues of
the architectural, structural and historical elements under investigation, drawing the most
appropriate survey project to offer the best result, ensuring seriousness and professionalism.
CERTIFICAZIONI: ISO 9001 in corso
A4
ARDEA PROGETTI E SISTEMI SRL
2
5
Via Cristoni 58 - 40033 Casalecchio di Reno (BO)
Tel. +39 051 6133190 - Fax +39 051 6112231
[email protected]
www.betontex.it
Progettazione, produzione, commercializzazione e sviluppo di sistemi a base di materiali compositi (FRP) per il recupero strutturale di edifici civili, industriali e storici. Presente sul mercato con
il marchio Betontex, ha sviluppato specifiche tecnologie proprietarie (EP0994223 A1-B1) per la
produzione di nastri e rinforzi termosaldati, con materiali in fibra di carbonio, di vetro, aramide e
fibre ad alto modulo.Proprietaria dei brevetti e marchi Betontex Ardfix Ardwood, Betontex Tie e
leader nel settore dell’edilizia grazie alla sua pluridecennale esperienza nei compositi e alla costante attività di ricerca, Ardea offre garanzia di risultati sicuri e applicazioni innovative
Design, Production, Development and Trading of composites materials systems (FRP) for structural recovery and rehabilitation of constructions and civil, industrial and historical buildings.
Ardea Srl is present in the market with the trade name Betontex, and has developed specific
new technologies (EP0994223 A1-B1) for the production of thermo welded fabrics based on
carbon, glass, aramid and high modulus fibers. Ardea is developing an important R&D activity
with development of new patents and is present in the market with the following trade name:
Betontex, Ardfix, Ardwood, Betontex Tie. Taking advantage of a long experience and know-how
in the field of traditional FRP applications Ardea Srl can offer a great warranty of good results
and new solutions specifically optimized for many problems and situation often not solved by
traditional technologies.
A
ATE è nata nel Dicembre 1990 sulla spinta di diversi operatori nel campo dell’edilizia, è stata
rifondata nel 2000 e nuavamente nel 2010. L’Associazione si propone di sviluppare e approfondire il patrimonio culturale in ambito tecnologico tramite uno scambio di esperienze e
notizie operative.
ATE - ASSOCIAZIONE TECNOLOGI
PER L’EDILIZIA
5
Viale Giustiniano 10 - 20129 Milano
Tel: 02 29419444 - fax: 02 29520508
[email protected] - www.ateservizi.it
9
A4
ACROPOLI SRL - Salone dell’Arte del Restauro e
della Conservazione dei Beni Culturali e Ambientali
5
Centergross - V.le Mercanzia, blocco 2B, galleria A70, CP 39
40050 Funo di Angelato Bologna (BO)
Tel. +39 051 864310 / 051 6646832 - Fax +39 051 864313
[email protected]
www.salonedelrestauro.com
Segreteria organizzativa di RESTAURO Salone dell’Arte e della Conservazione dei Beni Culturali e Ambientali; la prima importante rassegna in Italia per la conservazione, la tutela e la
valorizzazione del patrimonio architettonico, artistico e monumentale. Quattro intense giornate ricche di eventi (convegni, mostre tematiche) e incontri tecnici con le aziende espositrici,
in quella che può considerarsi una capitale europea della cultura e del restauro. I numeri del
Salone: 16.000 mq in 6 padiglioni moderni e funzionali; più di 300 espositori; 30.000 visitatori, 40 convegni internazionali; 110 incontri tecnici organizzati dagli espositori; 10 mostre
tematiche.
Organizational office for Restauro, the “Art and Cultural and Environmental Assets Conservation Salon”, the premier Italian event concerned with the conservation, protection and
valorization of architectural, artistic and monumental heritage. Four busy days full of events
(conferences, theme exhibits) and technical meetings with exhibiting companies, in what can
be considered the European capital of Culture and Restoration. Show figures: 16.000 sqm in
6 modern and functional halls; more than 300 exhibitors; 30.000 visitors; 40 international
conferences; 110 technical meetings organized by exhibitors; 10 theme exhibits.
CERTIFICAZIONI: ISO 9001:2008 - Italiana ed Inglese. Certificazione SOA: OG01-classe IV-BIS,
A4
OG02-classe IV-BIS, OG03-classe I, OS07-classe I, OS21-classe III
L’Associazione Italiana per il Patrimonio Archeologico Industriale (AIPAI), la sola operante in
quest’ambito a livello nazionale, è stata fondata nel 1997 da un gruppo di specialisti del patrimonio
industriale e da alcune tra le più importanti istituzioni del settore del Paese. L’AIPAI, articolata in
sezioni regionali e commissioni di settore nazionali, conta oggi oltre 300 soci attivi e interagisce proficuamente con università, centri di ricerca, fondazioni, musei, organi centrali e periferici dello Stato
(Ministeri, Soprintendenze, Regioni, Province, Comuni, Comunità montane, Agenzie di promozione
turistica e di sviluppo, ecc.). L’Associazione ha firmato nel 2008 un protocollo d’intesa con il TICCIH
(The International Commettee for the Conservation of Industrial Heritage) che la riconosce come
suo unico rappresentante in Italia.
The Italian Association for Industrial Archaeological Heritage, the only one of its kind in Italy, was
founded in 1997 by a group of industrial heritage experts and some of the most important Italian
institutions in this field. It has over 300 members working in its regional sections spread all over the
country and it cooperates with universities, research centres, institutions, museums, central and
local State bodies (Ministries, Superintendencies, Regional and Provincial Authorities, Municipalities, Mountain Communities, Agencies for the promotion of tourism and local development, etc.).
In 2008 AIPAI signed an agreement with TICCIH (The International Committee for the Conservation
of Industrial Heritage), thus AIPAI became the official representative of TICCIH for Italy.
Piazzale Antonio Bosco 3/A - O5100 Terni
Tel. +39 0744 407187 (215) - Fax +39 0744 407468
[email protected]
www.patrimonioindustriale.it
AhRCOS® è azienda leader per il restauro conservativo ed il consolidamento di strutture edili e storiche mediante l’utilizzo delle tecnologie più avanzate, operando con sistemi multipli e brevettati, riconoscendo tra i
propri valori quello dell’arte dal sapore antico, che insieme alla conoscenza dei materiali e delle tecnologie di
consolidamento sempre più evolute, fanno del restauro parte rilevante del proprio DNA professionale. AhRCOS® dispone di uno staff interno che si occupa di Ricerca e Sviluppo in collaborazione con varie Università
Italiane. La conoscenza di tecniche tradizionali, unitamente alla costante ricerca e sperimentazione di più aggiornate modalità di intervento, ci consente di lavorare nel pieno rispetto della natura e della conservazione
delle strutture, consci delle responsabilità e dell’impegno del nostro lavoro.
AhRCOS® is a leading firm involved in conservative restauration and consolidation of civil and historic structures. Using the most advanced technologies, operating with multiple and patented systems, and recognising
that, among its own values, the art of antique taste together with advanced knowledge of instruments and
consolidation technology, AhRCOS® makes restauration a key part of its own professional DNA. AhRCOS® has
at its disposal a strong team that is in charge of Research and Development in cooperation with various Italian universities. Our knowledge of traditional techniques, together with committed research and experimentation of more developed intervention methods, allows us to work while fully respecting the nature and preservation of structures, and remaining conscious of the responsibility and commitment we devote to our work.
Via Torquato Secci 5 - 400132 Bologna
Tel +39 051 725763 - Fax +39 051 3167983
[email protected]
www.ahrcos.it
AHRCOS SRL- Architectural heritage restoration
and consolidation for Structural Safety Srl
1
3
A4
AIPAI
Associazione Italiana per il Patrimonio
Archeologico Industriale
5
A4
AN.T.A.RES SRL
2
4
8
AN.T.A.RES srl offre un’ampia gamma di prodotti, attrezzature e servizi per la conservazione ed il restauro dei beni culturali. La qualità dei prodotti, garantita da test sul campo e di
laboratorio ed il continuo monitoraggio applicativo, assicura interventi di restauro attenti e
rispettosi. Lo staff tecnico di AN.T.A.RES ha una lunga e consolidata esperienza. AN.T.A.RES
offre inoltre un servizio di analisi diagnostica.
AN.TARES srl offer a wide range of products, equipment and services for the conservation and
restoration of cultural heritage. The quality of products, pre-launch field tests and continuous
application monitoring ensure that the products and equipments meet the needs of a careful, conscious and focused restoration. The technical team of AN.T.A.RES srl have a long and
consolidated experience in the conservation field. AN.T.A.RES srl perform chemical, biological
and imaging analysis applied to cultural heritage.
Via A. Moro 24/A - 40068 San Lazzaro di Savena (BO)
Tel. +39 051 6259816
[email protected]
[email protected]
elenco
CHI
SIAMO
dei|soci
ABOUT
| members
US
list
COME SVOLGE ASSORESTAURO LA PROPRIA ATTIVITA’ ?
L’attività promozionale e di internazionalizzazione svolta da Assorestauro in rappresentanza delle proprie aziende associate e del comparto del
restauro avviene attraverso molteplici azioni di coordinamento che trovano la loro rappresentazione nella pubblicazione dei QA_QUADERNI DI
ASSORESTARO e nella comunicazione attraverso il sito internet.
I QA, QUADERNI DI ASSORESTAURO sono la rivista ufficiale dell’Associazione e presentano i cantieri, i progetti e le attività svolte dai soci nell’ambito di specifici progetti. Se fino ad ora la loro pubblicazione è sempre
stata legata a specifiche iniziative, spesso internazionali, la programmazione futura, anche in virtù dell’assegnazione di un codice ISSN dal 2016,
prevede la pubblicazione di ulteriori numeri focalizzati su temi del settore
con taglio istituzionale e/o carattere scientifico scaturiti dalla raccolta dei
numerosi contributi di valore culturale e scientifico presentati nell’ambito
di occasioni formative e convegnistiche organizzate nel corso dell’anno.
Ai Quaderni di Assorestauro si affianca l’attività di comunicazione svolta
dal sito internet dell’associazione (www.assorestauro.org) totalmente
rinnovato nel corso del 2015. Disponibile in lingua italiana e in versione
inglese, il sito assolve all’importante compito di veicolare le attività associative in fase di svolgimento ad un ampio pubblico di utenti frequentatori del sito e, contemporaneamente, svolge attività di comunicazione
diretta tra Associazione ed Aziende associate attraverso un apposito canale che consente la consultazione dei suoi contenuti su un piano pubblico ed un secondo piano riservato. In continuo aggiornamento ed ampliamento, il sito internet ha l’obiettivo di raccogliere e presentare in forma
sintetica le attività dell’Associazione svolte a partire dal 2005, anno della
sua fondazione.
HOW DOES ASSORESTAURO WORK?
The promotional and internationalization activities developed by
Assorestauro in the interest of its member companies and of the
restoration sector consist of a number of actions of coordination, including the publication of the QA_QUADERNI DI ASSORESTARO and
communication via website.
The QA are the Association’s official magazine, which offers coverage
of ongoing sites, projects and activities developed by the members
within special projects. While to date the magazine has been issued
for special initiatives, often held at international level, starting from
2016 – when an ISSN code was finally assigned to the magazine –
further issues will be published to cover some relevant topics for the
sector. With an institutional and/or scientific approach, these issues
will collect the numerous contributions of cultural and scientific value
presented during training actions and conferences held throughout
the year.
In addition to the publication of QA, Assorestauro also develops communication activities through its website (www.assorestauro.org),
which was totally restyled in 2015. Available in Italian and English,
the website plays the important role of diffusing the Association’s
ongoing activities to a wide public of users and, at the same time, ensures direct communication between the Association and its members through a special section allowing to surf the contents both
publicly and through access to a reserved area. Constantly updated
and extended, the website is aimed at collecting and presenting in
an abridged form the activities carried out by the Association since
2005, the year of its establishment.
PROGETTI INTERNAZIONALI futuri
next INTERNATIONAL PORJECT
CANADA
ARGENTINA
IRAN
7
SCUOLA ITALO-RUSSA
TURCHIA. Il progetto Med Art 2 nasce quale naturale proseguimento della
cooperazione tra VGM (T.R. Prime Ministry Directorata General of Foundations)
e Assorestauro in tema di restauro dei beni culturali, prima con il progetto Med
Art “Transnational Cooperation for Cultural Heritage Preservation” (20122013) e poi con Med Art Follow Up (2013-2014), finalizzato alla realizzazione
del restauro della Moschea Sheik Suleyman ad Istanbul attualmente conclusa.
Il progetto, finanziato dalla Regione Emilia Romagna, è focalizzato sul tema
del consolidamento ed il rinforzo antisismico di edifici storici e prevede attività promozionali per le aziende italiane in territorio turco e attività di approfondimento in Italia. In particolare, il progetto si è sviluppato attraverso:
- attività promozionali e di follow up commerciale in Turchia (2013 - 2015); workshop e conferenze in Italia (ottobre 2015); - traduzione delle Linee Guida
per la valutazione e mitigazione del rischio sismico per i beni culturali in lingua
turca, attualmente in corso; - conferenza conclusiva a Istanbul (in previsione
per settembre 2016).
MED ART 2
Foundations) and Assorestauro in the area of the restoration of cultural heritage first with the project Med Art “Transnational Cooperation
for Cultural Heritage Preservation” (2012- 2013) and then with Med Art
Follow Up (2013-2014), aimed at executing the restoration of Sheik Suleyman Mosque in Istanbul, now completed.
The project, sponsored by Regione Emilia Romagna, is focused on the
consolidation and antiseismic reinforcement of historic buildings and
encompasses promotional activities for the Italian companies in Turkey
and workshops in Italy. In detail, the main issues of the project are as
follows: - promotion and commercial follow up in Turkey (2013 - 2015);
- workshop and conferences in Italy (October 2015); - Turkish translation of the Guidelines for the assessment and mitigation of seismic risk
in cultural heritage; - final conference in Istanbul (due in September
2016).
OTHER INTERNATIONAL PROJECTS. In addition to the projects described above, some cooperation actions are currently being organized
at international level, for instance with Canada and Iran.
ALTRI PROGETTI INTERNAZIONALI. In aggiunta ai progetti sopradescritti,
sul piano internazionale sono attualmente in fase organizzativa alcune attività di cooperazione con paesi quali il Canada e l’Iran.
RUSSIA. Italian-Russian School. Training programme for 45 Russian professionals from the FGUP CNRPM (Central Scientific Research
Project Workshops), and other state or private institutions, coming from
all the territory of the Russian Federation, in compliance with the dispositions of a joint protocol signed by Assorestauro - FGUP CNRPM and
the Post-Graduate School for Architectural and Landscape Heritage of
UNIROMA-La Sapienza University, sponsored by ICE.
The project included 7 training sessions, as follows: 6 sessions in Moscow
held by teachers from the Post-Graduate School, Russian teachers and
members of Assorestauro; 1 two-week training session in Italy, of which
3 days were held at the school and the remaining days at the sites/
monuments presented by the businesses members of Assorestauro.
After the project activities ended in June 2014, the school proceedings
were published as a book in English and Russian, whose digital version
preview was presented during the Restoration Exhibition of Ferrara
2015. The book, which includes the most important contributions in
both English and Russian (one of very few works of this kind), will be
officially presented at the Restoration Exhibition of Ferrara in 2016.
RUSSIA. Scuola del restauro - Progetto di formazione dedicato a 45 professionisti russi del FGUP CNRPM (Central Scientific Research Project Workshops), ed altri enti statali o privati, provenienti da tutto il territorio della
Federazione Russa, secondo quanto stabilito da un protocollo congiunto tra
Assorestauro - FGUP CNRPM e Scuola di Specializzazione in Beni Architettonici e del Paesaggio di UNIROMA-La Sapienza e con finanziamento ICE.
Il progetto ha previsto 7 sessioni formative: 6 sessioni a Mosca suddivise tra docenti della scuola di specializzazione, docenti russi ed aziende di Assorestauro; 1 sessione formativa di due settimane in Italia, di cui 3 giornate presso la scuola e le restanti giornate
presso cantieri/monumenti presentati dalle aziende di Assorestauro.
A conclusione delle attività di progetto nel giugno 2014 sono stati pubblicati
gli atti della scuola in lingua inglese e russa, con un’anteprima della versione
digitale durante la Fiera del Restauro di Ferrara 2015. La stampa del volume,
che riporta i maggiori contributi e realizzato in versione bilingue inglese-russo
(una delle pochissime opere del genere disponibili), viene ufficialmente presentato in Italia in occasione di Restauro 2016 a Ferrara.
6
CHI SIAMO | ABOUT US
CUBA
CUBA 2
Ulteriori workshop internazionali, su cofinanziamento ICE, sono svolti annualmente nell’ambito di programmi di cooperazione internazionale con
paesi interlocutori selezionati.
LIBANO. L’iniziativa in Libano, che ICE organizza in collaborazione
con Assorestauro, è rivolta ad Aziende associate e non associate e prevede seminari formativi/commerciali dedicati ad operatori specializzati
nel settore del restauro. In particolare, essa si articola in un workshop e
successivi B2B su alcuni temi specifici con attenzione alla conservazione
dell’architettura urbana in termini strutturali e di consolidamento, metodi
di conservazione delle superfici, prodotti e materiali a base di calce per il
restauro.
CUBA. Il progetto, nato con una missione organizzata da ICE nel
2009, si è sviluppato nel tempo su due differenti filoni di lavoro rispettivamente in Italia a e Cuba.
Il programma di cooperazione con l’Istituto Italo Latino Americano
(IILA) si iscrive nell’ambito delle molteplici e rilevanti attività di formazione, assistenza tecnica e rafforzamento istituzionale in diversi settori
associati alla conservazione e alla tutela dei beni culturali, che l’IILA con
il supporto italiano, sta da diversi anni portando avanti in tutta l’America Latina; nel mese di novembre 2015 lo “Stage per Conservatori Cubani
dei beni Culturali”, organizzato da IILA, finanziato dal MISE ed attuato
in collaborazione con ICE_Agenzia, ha visto Assorestauro sviluppare un
programma tecnico pratico in collaborazione con le Aziende associate con un focus sui temi del _Restauro e gestione di grandi complessi
monumentali (Milano), _Restauro specialistico di superfici (Bologna,
Ravenna), _Adeguamento sismico degli edifici storici e ricostruzione
(L’Aquila).
A Cuba, invece, la firma del Memorandum fra Eusebio Leal, Historiador
de la Ciudad de La Habana, per il Governo Cubano e Carlo Calenda, Viceministro MISE, per il Governo Italiano, alla presenza del Presidente del
Consiglio Matteo Renzi (ottobre 2015) è l’atto istituzionale ha costituito
il primo passaggio formale per la realizzazione di un Centro Tecnologico
italiano a Cuba sul Restauro ed il Design da realizzare nel corso del 2016
in collaborazione con ICE_Agenzia per la promozione all’estero e l’internazionalizzazione delle imprese italiane e con una attività di scambio
tecnologico e di cooperazione con durata di circa due anni.
LIBANO
LEBANON. The initiative in Lebanon organized by ICE in collaboration
with Assorestauro, involves both Assorestauro members and non-members
and includes training and trading seminars addressed to operators specializing in restoration. In particular, the action includes a workshop followed by
B2B encounters concerning some special topics related to the conservation
of urban architecture: structural conservation and consolidation methods;
methods for the conservation of finishes; lime-based products and materials for restoration.
CUBA. The project was launched with a mission organized by ICE in
2009 and was followed by two separate work activities held in Italy and
Cuba, respectively.
The cooperation programme with the Istituto Italo Latino Americano (IILA)
falls in the frame of several important activities of training, technical assistance and institutional growth held by ILLA with Italy’s support in various
sectors connected to the conservation and protection of cultural heritage
in Latin America. In november 2015 a course named “Stage for Cuban Conservators of Cultural Heritage” was organized by IILA and sponsored by the
Italian Ministry for Economic Development (MISE) and realized in partnership with the Agency for the promotion abroad and the internationalization of Italian businesses (ITA). In the course, Assorestauro catered for the
development of a practical technical programme in collaboration with its
members, with a focus on the topics of _Restoration and Management of
large monumental compounds (Milan), _Specialized restoration of finishes
(Bologna, Ravenna), _Seismic rehabilitation of historic buildings and reconstruction (L’Aquila).
In Cuba, the Memorandum was signed by Mr. Eusebio Leal, Historiador de la
Ciudad de La Habana, for the Government of Cuba, and by Mr. Carlo Calenda, the Vice-Minister of MISE, for the Italian Government, before the Italian
Prime Minister Mr. Matteo Renzi, on 28th October 2015. This institutional
document makes the first formal step for an Italian Technology Centre of
Restoration and Design in Cuba to be established during 2016 in partnership with the Agency for the promotion abroad and the internationalization of Italian businesses (ITA) and with an action of know-how exchange
and cooperation for at least the next two years.
TURKEY. The Med Art2 project is the natural continuation of a cooperation started between VGM (T.R. Prime Ministry Directorate General of
5
RESTAURO A FERRARA
WORKSHOP ICE 2015
WORKSHOP ICE 2016
ICE WORKSHOP. This training activity is held yearly by Assorestauro on
behalf of ICE, aimed at promoting the internationalization of Italian businesses by providing coordination and the scientific management of the
‘Course in Italy for foreign operators specializing in the restoration sector’.
Participants come from countries of primary interest for the market of the
conservation sector. The Workshop, traditionally held at the same time as
the Restoration Exhibition in Ferrara, deals with a special topic each year.
The title of the 2016 workshop is ‘Restoration of Architecture: comparing
methods’, with the participation of Turkey, Russia, etc. Other international
workshops cosponsored by ICE are held annually within the frame of international cooperation programmes with selected countries.
WORKSHOP ICE. Attività di formazione con cadenza annuale svolta da
Assorestauro su incarico di ICE e finalizzata alla promozione all’estero e
all’internazionalizzazione delle imprese italiane attraverso azioni di coordinamento e di gestione scientifica del ‘Corso in Italia dedicato ad operatori
esteri specializzati nel settore del restauro’ e provenienti da paesi di primario interesse per il mercato del comparto della conservazione. Il Workshop,
che si svolge tradizionalmente in contemporanea alla Fiera del Restauro
di Ferrara, si sviluppa ogni anno intorno ad un tema specifico. ‘Restauro
dell’Architettura: metodologie a confronto’ è il titolo dell’edizione 2016 che
vede il coinvolgimento di paesi quali Turchia, Russia, Cuba, Iran, Libano,
Messico, Perù, Cile, Brasile, Usa, Canada, Ucraina, Kosovo/Armenia.
TRAINING IN ITALY. At national level, Assorestauro is currently organizing some conferences and training actions. In particular, two conferences
are scheduled during the Restoration Exhibition, with participants earning
CPE credits, dedicated to internationalization “Planning restoration: internationalization policies for the restoration sector” and to the GBC protocol “Sustainability of historic building: the GBC Historic Building protocol”.
In 2016, the Association also signed a convention with the University of
Bergamo and the University of Salento to start working together on educational actions and on a programme of training initiatives to be held in
collaboration with the Roll of Architects of Florence.
FORMAZIONE IN ITALIA. Sul piano nazionale l’Associazione è attualmente attiva sul piano delle attività convegnistiche e formative. In particolare,
due convegni sono in programma nel corso della Fiera del Restauro, con riconoscimento di CFP, dedicati rispettivamente al tema dell’internazionalizzazione “Progettare il restauro: politiche di internazionalizzazione per il settore
restauro” e al protocollo GBC “La sostenibilità negli edifici storici: il protocollo
GBC Historic Building”.
Il 2016, inoltre, vede la nascita di attività di sinergia con l’Università di Bergamo e l’Università del Salento, con le quali è stata attivata una convenzione
finalizzata ad azioni didattiche e di sinergia, oltre ad un programma di attività
formative da svolgere in collaborazione con l’Ordine degli Architetti di Firenze.
The majority of the projects promoted by Assorestauro are developed
over several calendar years. Cooperation with foreign countries evolves
through preliminary exploratory steps prior to implementing more concrete opportunities of collaboration aimed at exporting the Italian restoration sector. Some significant examples of ongoing international projects
are listed below.
La maggior parte dei progetti promossi da Assorestauro nasce e si sviluppa
nel corso di più anni solari e vede l’attività di cooperazione con i paesi stranieri
evolversi attraverso fasi conoscitive ed esplorative per poi attivare più concrete occasioni di collaborazione finalizzate all’esportazione del settore italiano
del restauro. Tra i numerosi progetti internazionali in corso, se ne elencano di
seguito alcuni più significativi.
ces and training seminars, trade exhibitions, courses and similar initiatives) and abroad (foreign missions, training, b2b encounters, restoration
sites), where member companies are involved and offered the chance to
study and penetrate foreign markets through projects co-sponsored by
national and international bodies.
promozionali e di immagine in termini internazionali (missioni all’estero, formazione, incontri b2b, cantieri di restauro) che vedono in prima fila le aziende associate, alle quali sono offerte opportunità di internazionalizzazione e
studio dei mercati esteri attraverso progetti cofinanziati da enti nazionali e
internazionali.
PROGETTI IN CORSO E PROGETTI FUTURI
ONGOING AND FUTURE PROJECTS
4
CHI SIAMO | ABOUT US
CHI E’ ASSORESTAURO ?
WHO IS ASSORESTAURO ?
WHAT ARE ASSORESTAURO’S GOALS?
in rappresentanza di produttori di materiali, attrezzature, tecnologie, imprese
specializzate, progettisti e fornitori di servizi per l’analisi, il rilievo e la divulgazione nel settore del restauro, Assorestauro fornisce alle imprese associate
servizi di informazione, assistenza, consulenza e formazione sia direttamente,
sia attraverso i propri partner, al fine di dare coerenza e unitarietà di indirizzo
alle diverse anime del settore sia a livello nazionale che internazionale.
Come Associazione di Categoria Nazionale per il comparto del Restauro, Assorestauro coordina, tutela e promuove gli interessi del settore produttivo di
competenza e rappresenta, in Italia ed all’Estero, le posizioni comuni sul piano tecnico, economico e di immagine attraverso attività mirate nell’ambito
degli obiettivi di inquadramento di comparto, informazione e comunicazione,
tutela degli interessi (sui piani economico, dell’immagine, dell’evoluzione normativa del Settore) ricerca e sviluppo, promozione.
Established in 2005 as the first Italian association of manufacturers of
materials, equipment and technology, suppliers of services and specialized
companies, Assorestauro represents the Italian sector of restoration and
conservation of material heritage. To date, it is the sole association and a
reference in the domestic and international market for anyone willing to
start working in the conservation sector in Italy, to be intended in its broadest sense, that is, as a synthesis of the various disciplines involved, of the
professional specialists, of the available technology and of the growing business community. If examined as a whole, the sector accounts for a large
market share and has a meaningful impact on tourism, industry and bioconstruction.
è la prima associazione italiana tra i produttori di materiali, attrezzature e
tecnologie, e i fornitori di servizi e imprese specializzate, nata nel 2005 per
rappresentare il comparto nazionale del restauro e della conservazione del
patrimonio materiale. Assorestauro è il punto di riferimento sia nazionale sia
internazionale per chi voglia affacciarsi al mondo della conservazione italiana, intesa nel modo più ampio possibile, come sintesi delle svariate discipline
che in esso convergono, delle professionalità specializzate, delle tecnologie
e della crescente imprenditorialità. Un comparto che, se analizzato nel suo
complesso, rappresenta una forte componente di mercato ed ha importanti
ricadute nel settore turistico, dell’industria e del bio/edile.
QUALI SONO GLI OBIETTIVI DI ASSORESTAURO ?
COSA FA ASSORESTAURO ?
le finalità associative si esplicitano attraverso molteplici attività che promuovono le professionalità nel settore del restauro, dalla fase diagnostica e progettuale a quella dell’esecuzione in cantiere, passando per la produzione di
tecnologie e materiali, anche con forti connotazioni tecnologiche innovative,
e con il supporto di Istituzioni, Università, Organismi di Tutela dei Beni Culturali e ICE Agenzia per la promozione all’estero e l’internazionalizzazione delle
imprese italiane.
Rientrano in questa tipologia di azioni sia attività promozionali nazionali
(convegni e seminari formativi, fiere di settore, corsi e similari) sia iniziative
Assorestauro is the National Trade Association for the Restoration Sector,
representing manufacturers of materials, equipment, technology, specialist companies, designers and suppliers of services for analyses, surveys and
diffusion. The Association offers its members information, assistance, advice
and training both directly and through its partners, with a view to building a
consistent and unitary orientation to the different sectors of the restoration
industry at national and international level.
As a national association, Assorestauro is aimed at coordinating, protecting
and promoting the interests of the restoration sector and it represents before the outer market, in Italy and abroad, the common positions for technical
and economic issues, as well as image, by carrying out targeted activities
in such relevant fields of the sector as information and communication,
protection of common interests (economy, image, standards), research and
development, promotion.
WHAT DOES ASSORESTAURO DO ?
Several activities aimed at promoting the professional skills in the restoration sector fall in the scopes of the Association. They include diagnostic
analysis, design and on site execution, producing technology and materials,
as well as contributing technological innovation, with the support of Institutions, Universities, Agencies for the protection of cultural heritage and ICE,
the Agency for the internationalization and the promotion abroad of Italian
businesses. This type of action includes both promotion in Italy (conferen-
3
Consiglio Direttivo | Board of councilor 2015-17
Alessandro Zanini
Alessandro Bozzetti
Cecilia Zampa
Nicola Berlucchi
Rossana Gabrielli
El.En. Spa
SPC Srl
Fibrenet Srl
Studio Berlucchi Srl
Leonardo Srl
Presidente
Vice Presidente
Vice Presidente
Consigliere
Consigliere
Sede | Headquarter Assorestauro
Andrea Griletto (direttore tecnico) - Ada Baborsky (resp. segreteria)
Via Francesco Londonio, 15 - 20154 Milano (Zona Corso Sempione)
Tel/Fax +39 02 34930653
[email protected] - www.assorestauro.org
Orario segreteria: 8,30-12,30
COMUNICAZIONE & UFFICIO STAMPA | COMMUNICATION & PRESS OFFICE
Chiara Falcini
[email protected]
Comitato Tecnico Scientifico | Scientific Committee
Arch. Marco Paolo Servalli Marco Paolo Servalli Delegato rapporti con CTS
Studio di Architettura
Prof. Maurizio Boriani
Politecnico di Milano Presidente
Politecnico di Milano:
Arch. Anna Anzani - DIS
Prof. Luigia Binda Prof. On. - DIS
Prof. Susanna Bortolotto
Prof. Alberto Grimoldi- DIAP
Prof. Cristina Tedeschi - Dip. Ing. Strutt.
Arch. Claudia Tiraboschi - DIS
Prof. Lucia Toniolo
Univerità di Ferrara, Facoltà di Architettura:
Prof. Marcello Balzani
Prof. Riccardo Dalla Negra
Università di Roma “La Sapienza”:
Prof. Giovanni Carbonara, Facoltà di Architettura
Al chemia project consultants:
Arch. Claudio Cimino
Univerità di Brescia:
Prof. Ezio Giuriani, Facoltà di Ingegneria
Università di Firenze: Prof. Luigi Marino
Università di Padova: Prof. Claudio Modena
Università di Genova:
Prof. Stefano Musso, Facoltà di Architettura
Caterina Giovannini
Davide Mauri
Annalisa Morelli
Alberto Raschieri
Ibix Srl
Leonardo Solutions Srl
Soing Srl
Geomar.it Snc
Consigliere e Tesoriere
Consigliere
Consigliere
Consigliere
Assorestauro Servizi srl
Caterina Giovannini
Cristina Caiulo
Cecilia Zampa
Alessandro Zanini
Ibix Srl
Studio Aerrekappa Srl
Fibrenet Srl
El.En SpA
Presidente CDA
REFERENTI MACRO AREE | MACRO-AREAS ACCOUNTS
Andrea Sandri Roefix Spa
Italia Settentrionale / North Italy
Fabio Faggella Cooperativa Archeologia Italia Centrale / Central Italy
Cristina Caiulo Studio Aerrekappa Srl Italia Meridionale e le Isole /
Southern Italy and Islands
ORGANI UFFICIALI DI STAMPA | OFFICIAL PRESS ORGANIZATIONS
recuperoeconservazione.it - De Lettera Editore sas
Commissione Comunicazione e MKT
COMMISSION FOR COMMUNICATION & MKT
Davide Mauri
Cecilia Zampa
Leonardo Solutions Srl
Fibrenet Srl
2
associazione italiana per il restauro architettonico, artistico, urbano
italian association for architecture, art and urban restoration
elenco
dei soci
MEMBER
LIST
2016
ASSORESTAURO
®
Via Londonio 15 - 20154 Milano - Italy | Tel/Fax +39 02-3493.0653
[email protected] | www.assorestauro.org

mantova ferrara cremona milano roma pisa

Transcription

Similar documents

scarica il pdf

TORINO RAVENNA EXPO milano FERRARA

rome l`aquila mantova ferrara cento finale emilia

Conservation of Cultural Heritage

Liliana Pittarello - Bollettino d`Arte

catalogo espositori ufficiale - CAMPIONARIA INTERNAZIONALE

Stefania Limiti

presentazione konnex

impuls calzado

a pag 16 MAPPA DEI PADIGLIONI • a pag 18 CATALOGO

Program List

JRA 3 – Developing Rapid Shake-map and Loss Estimation Capacity

Da oltre 70 anni sui tetti di tutto il mondo

il numero completo

Ambrosia day, 2014-Ragweed allergy: 15 years of prevention