Filmfare India - 23 September 2015
Transcription
Filmfare India - 23 September 2015
A Times Of India Publication September 23, 2015 `60 www.filmfare.com SEXY VARUN DHAWAN SCORCHES IT UP Striking a new innings SAIF ALI KHAN & damned KANGANA RANAUT AND IMRAN KHAN ON LOVE, LIVING-IN AND STEAMY TIMES Alia’s and Sidharth’s brand new fetish Volume 64 # 19 September 10, 2015 - September 23, 2015 / ISSN NUMBER 0971-7277 36 COVER STORY Kangana and Imran come out clean on life, love and career A Times Of India Publication September 23, 2015 `60 www.filmfare.com SEXY VARUN DHAWAN SCORCHES IT UP Striking a new innings SAIF ALI KHAN WATCH KANGANA AND IMRAN COME AL VE ON THE COVER FOR INSTRUCTIONS ON HOW TO USE TURN TO PAGE 22 B & tiful f d ed RANAUT AND IMRAN KHAN ON LOVE, LIVING-IN AND STEAMY TIMES Alia-Sidharth: Check out their brand new fetish PHOTOGRAPHS: PRASAD NAIK Kangana Ranaut: STYLING: Ami Patel, assisted by: Sanjay Kumar Dauhaliya HAIR: Haseena Shaikh MAKE-UP: Shabana Latif Imran Khan: STYLING: Harmeet Sethi & Neha Bhatnagar | HAIR: Ayesha D’vitri MAKE-UP: Vicky Salvi editor’s choice 04 084 Why we love Kangana Ranaut and Imran Khan We need more FTIIs Sidharth Malhotra rns vegetarian along with good friend Alia w Bhatt and other grist B om the rumour mill masala fix 06 Abhishek Bachchan and Hrithik Roshan in Ram Lakhan n remake, Aishwarya Rai Bachchan in Sujoy Ghosh’s next, 9 64 54 58 Varun Dhawan wants to take more risks Dia Mirza on why life’s a big honeymoon Ramesh Sippy remembers his favourite film Shakti 064 4 070 0 your say 076 6 58 preview w 14 18 On the s s ingh Is Bliing Kyra Dutt shares her dreams 078 8 27 82 fashion & beaut 21 The fashion n secrets of stars de od the good 30 Gulshan De iah shares his ffood fund exclusive 30 54 Saif Ali Khan n struts it up 082 Reader’s write in their raves and rants Viewers mail their reviews Shatrughan Sinha’s wacky witticisms 26 Letter from the Editor Farm Fresh The film industry thrives on fresh pairings. Films more often than not offer a means of escape from the mundane. Among the various genres, it’s romance which offers escapism and that’s where fresh faces, fresh pairings matter the most. Because if you have the same people falling in love, or the same kind of boy-meets-girl formulaic glory in film after film, it kind of defeats the purpose. Of course, the long way forward is to change the parameters of the formula in the first place. But that’s goddamn hard work and who would do that, right? So, fresh pairings... well, we have one in Kangana Ranaut and Imran Khan, who grace our cover this issue and are also coming together in the romcom Katti Batti. Both look super cool together, complementing each other’s assured good looks to a T. One wonders why no one thought of casting them before this. The promos are feel good, promising two hours of modern romance and more, going by the kind of off-kilter roles that Kangana is famous for. Coming in the wake of both Queen and Tanu Weds Manu Returns, where she played heavy duty female characters, one expects Kangana to up the ante every time. But she’s in the danger of being typecast if she only adheres to doing those kind of roles. It’s good for her to do a light comedy once in a while as it would help balance out the high intensity characters she so successfully brings to life. She has a thing against being mere arm candy, so be prepared for another bravura performance. Imran Khan, without mincing words, needs a hit. His last release, Gori Tere Pyaar Mein (2013) was a dud. There’s no denying the fact that he’s one of the cutest looking dudes around and remains immensely popular among the fairer sex, despite marriage and fatherhood - methinks that’s kind of added to his appeal. But his last moderate hit - Ek Main Aur Ekk Tu - was released three years ago. That too was an urban comedy and one hopes he bags the jackpot once more with Katti Batti. He’s too intelligent a person to let setbacks bother him and I’m sure he will prove to be a lambi race ka ghoda in days to come. Both have given straight from the heart interviews, teeming with native wit and candid observations. So turn the pages to know more about the most ado duo this side of the Suez. Pure fun awaits... COVER STORY Love addiction A alk an c ff r nt a c mov ramat cally a on for t by t r common AND WATCH KANGANA IMRAN COME ALIVE FOR ON THE COVER ON NSTRUCT ONS HOW TO USE TURN TO AGE 22 tar of Katti ,t n a fr w . Catc t m 4 FILMFARE 23 September, 2015 / www.filmfare.com at l ng conv r f UP Shabana Lat Wal on e il side HERO OF HER LIFE. T EVEN BEFO T IS ANGANA RANA SHE S THE HERO IN THE BESTSELLER THAT JITESH PILLAAI NRAVELS 21 | Pla fo ms Aldo by Shubhika sho ts Papa Don't Preach Crop top and uspender For more on tinseltown’s news and updates find me on Twitter @jiteshpillaai tog t r Batti ar bo n on Shaikh | MAKE | HAIR Haseena Kumar Dauha iya | MAKE UP Vicky Salvi PRASAD NA K a sis ed by Sanjay D’vitri PHOTOGRAPHS Louboutin STY ING Ami Patel Neha Bhatnagar | HAIR Ayesha | Pumps Christian Kangana Ranaut Sethi & ou | Shrug Madison YLING Ha meet by Mary Ka rant Imran Khan S Addidas O iginals Kangana Bodysuit do Zegna jeans E menegi Im an Jacket and | Cuff Foreve Chief Executive Officer Chief Community Officer & Editor Deepak Lamba Jitesh Pillaai Executive Editor Anuradha Choudhary Managing Editor Farhana Farook Regional Editors S Thangadurai (Chennai) Mohan Rao Ogirala (Hyderabad) Associate Editor Senior Assistant Editor Junior Assistant Editor Chief Copy Editor cum Features Writer Assistant Features cum Copy Editor Deputy Features Editor Devesh Sharma Ashwini Deshmukh Rachit Gupta Suman Sharma Raghuvendra Singh Rahul Gangwani SUBSCRIPTIONS NATIONAL MANAGER CONSUMER & RETAIL Priyadarshi Banerjee [email protected] ASSISTANT GENERAL MANAGER (RMD MAGAZINES) Suparna Sheth [email protected] SUBSCRIPTIONS CENTRES North 011 39898090 East 033 39898090 West 022 39898090 South 080 39898090 SMS: FFSUB to 58888 To subscribe online, visit mags.timesgroup.com Ushnota Paul Multimedia Executive Junior Multimedia Executive Junior Fashion Features Writer Deputy Production Manager Senior Creative Director Senior Deputy Art Director Assistant Art Directors Bradley Fernandes Kinnari Rathod Henal Bhatt WEST Meetesh Taneja VICE PRESIDENT Sujitha Pai Atul Hirijagner Nikesh Gopale PUNE Ekta Dang [email protected] Varsha Parulekar Ekta Rajani Anupama Bhalla Senior Brand Manager Rukshaar Deboo Brand Manager Chief Financial Officer Publisher, Print & Production Controller MUMBAI GENERAL MANAGER Reenna C Dave [email protected] Brand Publisher Brand Executive Gautam Chopra [email protected] Zubair Ahmed Shaikh Sheetal Kumbhare Fashion Consultant DIRECTOR Jyoti Verma Ashwini S Pote Sanjay Kanavje Senior Graphic Designer BRAND SOLUTIONS Drashti Vora Roshni Chandiramani S.Subramaniam Joji Varghese AHMEDABAD Jahnavi Bhojani [email protected] NORTH VICE PRESIDENT Anjali Rathor [email protected] DELHI GENERAL MANAGER Meenakshi Mehta [email protected] JAIPUR Pushpesh Sood [email protected] SOUTH ASSISTANT VICE PRESIDENT Vikram Singh [email protected] RNI No. 1619/1957. Price Rs 60. Printed and published by Joji Varghese for and on behalf of owners Worldwide Media Pvt. Ltd, (CIN: U22120MH2003PTC142239), The Times of India Building, Dr D N Road, Fort,Mumbai 400 001 and printed at The Times Of India Suburban Press, Akurli Road, Western Express Highway, Kandivali (East), Mumbai- 400101, India. Processed by BCCL Production Prepress and published at Worldwide Media Pvt. Ltd, The Times of India Building, Dr D N Road, Fort, Mumbai 400 001. 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CHENNAI Rajeshkumar Jagdish [email protected] BANGALORE Sen Thomas [email protected] COCHIN Rashmi Pradeep [email protected] EAST KOLKATA ASSISTANT VICE PRESIDENT Alka Kakar [email protected] www.filmfare.com / 23 September, 2015 FILMFARE 5 a bird’s-eye view of show town’s happenings FUN AND GAMES Going by the trailer of Shandaar, Alia Bhatt and Shahid Kapoor sure make for a cute couple. They look superhot together and their camaraderie has spilled beyond the sets too. Recently, they had each other and everyone else in splits at the trailer launch of their film. Hrithik and Abhishek in Ram Lakhan Sidharth turns veg Arjun refuses his dad’s film PHOTOGRAPHS: YOGEN SHAH, VIRAL BHAYANI MASALA FIX Rumou s&More Rumours HRITHIK AND ABHISHEK IN RAM LAKHAN Kangana keeps busy Kangana Ranaut is one busy actress. Talk is that she might do Ketan Mehta’s Rani Laxmibai before she starts Vishal Bharadwaj’s Rangoon. Apparently, she loved the script, the thought of fighting with a baby tied to her back gave her gooseflesh. Kangana’s day starts at 5 am. And she trains in horse riding, dance, ballet and also takes classes in diction. She says it’s better doing constructive things than spend her time gossiping about people. Atta girl! Meanwhile... Kangana Ranaut has walked out of newcomer Sai Kabir’s Divine Lovers. The actress had signed this Indo-Chinese venture opposite Irrfan. But we’re told that she had date issues and had to bow out. Now the producers are looking for a replacement. There’s been a lot of speculation ever since Karan Johar announced Ram Lakhan with Rohit Shetty. Initially, there were talks about Varun Dhawan and Arjun Kapoor doing it. Then someone whispered it was Shah R h Khan and Ranveer Sin h who’d been roped. Others swore that Ranbir Kapooor and Sidharth Malhotra were the final choice. Noow a lil birdie tells us that Hrithik Roshan might p y the character of Lakhan Rohit Shetty’s Ram Lakh . And Abhishek Bachchann will reprise Jackie Shrofff role from the original Subhash Ghai movie. He will play Ram. Now that’s an exciting cast, isn’t it? SIDHARTH MALHOTRA TURNS VEGETARIAN While on Siddharth Malhotra, he’s turned vegetarian recently. That’s because he had to lose the extra kilos for his role in Kapoor & Sons. He had bulked up for Brothers but his role in Shakun Batra’s film demanded him to be thin. His trainer advised him that the best way to do that would be to turn vegetarian. And lo! He was back to his slim self. Interestingly, even Alia Bhatt has turned green for the last six months. Hmmmm! Something yum is cooking, alright. Wink, wink. MOM KNOWS BEST: Sonakshi Sinha had a surprise in store for her when mom Poonam Sinha dropped in on the set of Indian Idol Juniors. She couldn’t contain her excitement and proceeded to shower her mother with affection. We like. Sidharth to do Bang Bang 2 So the 2014 hit film, Bang Bang is all set to have a sequel. The earlier film was apparently a remake of the Hollywood film Knight And Day. But the sequel will have a new storyline. While Jacqueline Fernandez haas been chosen to play the lead in the sequel, Sidharth Malholtra will be the new action star opposite her. The young actor will undergo intensive training for the action scenes. Will Sidharth and Jacqueline revive thee Hrithik-Kat chemistry on screen? Only time will tell. Meanwhile... Sidharth Malhotra is off to Scotland to shoot for Nitya Mehra’s Kal Kissne Dekha. He’s excited about the project where he ages with the help of prosthetics from 28 to 68. WHISTLE STOP: Anil Kapoor isn’t known as a dancer but sure knows how to shake a leg when the occasion demands. His jhakaas moves are quite a hit, as seen in the picture. John Abraham, as well as the crowd, was won over by his spontaneity at the promotional event of Welcome Back. Ceetees and claps… Nawaz refuses to do a condom ad JACQUELINE SAYS NO TO ENDORSEMENT Jacqueline Fernandez seems to have her fundamentals in place. The girl doesn’t get swayed by money when it clashes with her principles. Recently, a cosmetic enhancement brand wanted her as their brand ambassador. And they were willing to pay her a good sum. But the actress refused. Sources say she was offended by the offer. Because she’s one of the fittest actress around and she’s done it all naturally. Of course, she wouldn’t endorse something that isn’t healthy and safe. Shahid upsets producers Nawazzuddin Siddiqui is another actor whose ethics always win over commercial considerations. The actor was offered a condom brand for endorsement. And the remuneration that came with it was huge. The actor however didn’t even blink while refusing the offer. He said no to endorse a condom for religious reasons. Now there’s no arguing with that. Okay so the buzz around in the industry is that filmmakers are miffed with Shahid Kapoor. Reportedly, the star doesn’t meet filmmakers for a narration anymore. Whenever a producer approaches him, we hear it’s his close friend Madhu Mantena who attends these meetings and takes decisions on his behalf. And this has annoyed industrywallahs no end. MASALA FIX AJAY BUYS RICE FROM LONDON We all know how health conscious Ajay Devgn is. Never mind the smoking. But when it comes to eating he’s careful about what he consumes. He has a weakness for rice. He recently ordered white rice from London. Reportedly, the rice has just about nine calories per serving. This rice is a boon for dieters. And Ajay has been recommending it to all his friends. KEEP MUM: Akshay Kumar is more like a son to Dimple Kapadia than a son-in-law and they share a unique bond. Recently, at the launch of Twinkle Khanna’s book Mrs Funnybones, which is a compilation of her newspaper columns, they horsed around with each other with gusto, as is evident from the photograph. RANVEER’S BAJIRAO LOO SPELLS TROU LE Imran’s style fetish Ranveer Singh’s look for Bajirao Mastanii maybe creating problems for his brands. Sources reveal that two of his brands are a tad annoyed with his look because they ccan’t shoot for their products with him. One of them reportedly wanted to even drop him m as their ambassador. The brands feel they’re losing valuable time. They can’t shoot in his getup because that wouldn’t go with their product image. Ranveer on his part is committed to his movies. That’s bread ‘n’ butter and he for sure can’t play around with his work. And he’s told the brand in no unncertain terms that he won’t compromise with his profession. But natural. Imran khan has a fetish for socks. He has the most quirky pairs ever. What’s more the actor doesn’t allow his stylists to source them during shoots. He prefers to wear his own pair. One has to see the colourful collection to understand his sense of style. MASALA FIX ARJUN TURNS DOWN HIS FATHER’S FILMS After his home production Tevar, flopped at the box-office Arjun Kapoor has become extra picky about the movies he chooses henceforth. So much that he reportedly even refused to do his dad Boney Kapoor’s movies. A close source tells us that his father offered him at least four films but he turned them all down. Apparently, he didn’t like the scripts. Also this time he doesn’t want to do things in a hurry. We’re told that now his emphasis is on doing different kind of movies, movies that are more real. He’s burnt his fingers doing a larger-than-life role in Tevar. He doesn’t want to do those kind of roles just yet. WHAT THE FISH: Jacqueline Fernandez knows how to wow the paparazzi. She makes sure they get more than they can imagine every time. She executed a perfect fish pout recently when she went for a film screening. We just love her antics… FAWAD STAYS INDOORS Fawad Khan, it seems, had a great time shooting in Conoor for Shakun Batra’s Kapoor & Sons. As we all know, he bonded big time with Sidharth Malhotra. He had a great time interacting with Rishi Kapoor too and the rest of the unit. But the actor had one regret. He couldn’t really go sightseeing at the hill station. There were a few reasons for that. Firstly, they were shooting long hours. Secondly, the weather was unpredictable. It would rain and get sunny intermittently. So that affected their movement. But the biggest reason was the presence of wild life. The local people warned the crew about the lurking danger. This was enough to keep everyone indoors. Ha! Guess who? So this actress has been sending messages to directors to cast her in their movies. She’s even telling them she’ll do their movies without any remuneration. This despite knowing that those directors have already pencilled in another actress. Hmmm. movies on the block, set-talk, talent-buzz, hotties to watch out for Vinay Sindya SHOWTIME CALLING As a child he nursed a dream of becoming a pilot. Little did Vinay Sindya know that his love for all things glitzy would become his career. After completing his Bachelors of Computer Application, he landed his first job – a modelling assignment! He then became the face of a number of print and catalogue shoots for top brands in the South. And now, he’s ready to star in his first film down South with two others in the pipeline. Currently, training in martial arts, Vinay is also enthused by dancing and kickboxing and indulges in his love for music by frequenting various festivals. On the set of Singh Is Bliing Meet the sizzler on the block - Kyra Dutt EVENTS WINNER’S TALE SUPERSTAR DHANUSH LAUNCHED THE 62ND BRITANNIA FILMFARE AWARDS SOUTH SPECIAL EDITION IN CHENNAI hanush has made his mark in Indian cinema courtesy his stellar performances. This year, at the 62nd Britannia Filmfare Awards South, he won his sixth trophy the Filmfare Award for Best Actor (Male) – Tamil for his performance in Velaiyalli Pattathari. The actor was elated to unveil the special cover showcasing the event on July 30, 2015 at The Leela in Chennai. He signed a few copies as well. Dhanush shared his struggles and journey to stardom with Filmfare editor Jitesh Pillaai and the media with characteristic humility. He also stated that winning the Filmfare trophy was his childhood dream and it was unbelievable that he had won six trophies. He confided that his brother, Selva Raghavan, a noted Tamil industry director, didn’t like him doing masala films. But he confirmed that he would be doing a film with his Raanjhanaa director Aanand L Rai much to the excitement of his fans. Later, Dhanush posed for the shutterbugs and made the event a memorable one. D n p n Dhanush unveils the cover with Filmfare editor, Jitesh Pillaai o The actor signs the billboard o p Dhanush interacts with the media ON THE SET BLING IT ON That Singh Is Bliing is a laugh riot could be sensed from the happy vibe on the set, writes Raghuvendra Singh Men at work: Prabhudheva and Akshay Kumar are elated to kickstart a long day FILM: Singh Is Bliing DIRECTOR: Prabhudheva PRODUCER: Ashvini Yardi CAST: Akshay Kumar, Amy Jackson, Lara Dutta, Arfi Lamba, Anil Mange LOCATION: Goa Team time: Prabhudheva, writer Chintan Gandhi, producer Ashvini Yardi and Akshay take a break STORY: Singh Is Bliing is the story of Raftaar Singh (Akshay Kumar), who's the apple of his mother’s (Rati Agnihotri) eye but is an irritant for his father (Yograj Singh). One day, fed up of his dalliances his father orders Raftaar to go to Goa and work for his friend there. Here, Raftaar meets Sara (Amy Jackson) and thus begins their love story. Sara doesn’t know Hindi. So, Raftaar hires a Goan translator Imly (Lara Dutta), who almost ruins their budding love with her silliness. Raftaar slowly begins to fall head over heels for the exotic, mysterious Sara. What starts as a harmless romance takes a deadly turn when he realises that Sara is not what she appears to be. Rather, she’s Sun, sand and love: Akshay and Amy Jackson The story and character have nothing to do with Singh Is King. The subject here is that if you have single-minded focus you will ‘bling’. Don’t try to be a Jack of all trades, then you will be master of none - Akshay Kumar there with an agenda, which takes Raftaar to Romania… WORK THE MADNESS: When two old friends do a film together, it’s a virtual picnic. At least that was the vibe on the set of Singh Is Bliing in Goa. Akshay Kumar and Lara Dutta are swapping corny stories as director Prabhudheva is setting up the shot. It's Laughter attack: Prabhudheva, Akshay and Lara have a light moment on the set One day I went with Amy Jackson to see the Basilica of Bom Jesus Church. Soon people swarmed to click pictures with her. We had to run from there - Ashwini Yardi, producer hot as hell so producer Ashvini Yardi calls for ‘lemon shots’. “It saves from the heat and also helps lose weight,” says she. Prabhudheva calls Akshay over to discuss the shot and Lara joins us. She tells me that Prabhudheva asks her to do a shot in one way while Akshay gives his own interpretation. “I’m confused as to whom I should to listen to,” Picture perfect: Amy Singh saab in action: Amy, Lara Dutta, Akshay and Anil Mange shooting a scene she laughs uncontrollably. Lara has suffered a sprain in her left leg. She has placed it on a chair and is trying to soothe it by pressing a cold water bottle against it in lieu of an ice-pack. Incidentally, she narrates how her daughter Saira and Akshay’s daughter Nitara have become good friends. “They don’t leave each other’s hands and are always together – even in the hotel.” Prabhudheva informs Lara that she’s done for the day and that she can head back to the hotel. An elated Lara shouts, “Chalo, ChanguMangu!” That’s how she fondly addresses her team. The next shot is set up at the Candolim beach. Amy Jackson is walking on the beach while Akshay Khiladi Kumar gets playful My daughter Saira and Akshay’s daughter Nitara have become good friends. They don’t leave each other’s hands and are always together – even in the hotel - Lara Dutta Wave alert: Prabhudheva explains a scene to Amy Monitor check: Amy and Akshay check out the shot Prabhudheva keeps an eagle eye on the scene and his friends (played by Arfi Lamba and Anil Mange) follow her at a distance. A huge crowd has gathered and the security requests people not to click pictures. The scene is okayed in two takes. People shout out Amy’s name. It’s surprising to know she’s so popular in the sunshine state. Ashvini narrates, “One day I went with her to see the Basilica of Bom Jesus Church. Soon people swarmed to click pictures with her. We had to run from there.” Amy is excited to share screen with Akshay Kumar. Says she, “It’s a big opportunity for me. I’m indeed lucky.” Singh Is Bliing has explored Goa in its entirety. The unit has been here since 20 days. We move to old Goa for an action sequence filmed on Akshay Kumar. “It’s a chase and fight sequence,” explains Prabhudheva adding, “Rohit Shetty’s cameraman Dudley said he’d only come on board if I shoot in Goa. I listened to him.” A car stands stranded in middle of the road. Akshay steps out of the car, pushes it and then runs. Shot over, the superfit star chides creative producer Mudit Vinayak for his big belly. “Arrey tera pet bahar aa gaya hai. Kuch kar!” The next shot has Amy stuck in the car. Akshay tries to pull her out and also fights some goons. The complex sequence is okayed in one take. Later, as they chat Ashvini asks Amy to say the line, “Main tum par fida hoon (I’m in love with you),” to Prabhudheva. When Amy, who's not too conversant with the language, repeats this to Prabhudheva he asks what it means and everyone bursts out laughing. They both realise it’s a prank. During the break, Akshay explains his role, “The story and character have nothing to do with Singh Is King. The subject here is that if you have single-minded focus you will ‘bling’. Don’t try to be a Jack of all trades, then you will be master of none,” he smiles. We agree. FUTURE STOCK NAKEDAMBITION Geared up for the release of her debut movie - Madhur Bhandarkar’s Calendar Girls - the former Kingfisher calendar model, KYRA DUTT, opens up to USHNOTA PAUL wenty-four-yearold newcomer Kyra Dutt is not just another hot bod Kingfisher model-turned-actress. Behind all the glitz and the glamour, lies a Bengali girl who writes beautiful poetry and has even given a TED Talk for a peace initiative. “My mother gave me the name Kyra,” she smiles. “It means ‘the light of God’ in Egyptian. It also means ‘someone who is enthroned’,” she explains. Ask her about her debut with the National Award winning director Madhur Bhandarkar and she says, “Oh, Madhur sir is one director who has always gone against the flow… Tabu in Chandni Bar, Bipasha Basu in Corporate or Priyanka Chopra in Fashion - he has always been an actress’ director. For me it’s like a dream come true to feature in his Calendar Girls.” She has already landed a meaty part in her second film, Ken T Ghosh’s erotic drama titled XXX, produced by Ekta Kapoor and slated to release next year. She also signed a certain ‘nudity clause’ as part of the contract. “It says that I’m legally bound to expose according to the demands of the script.” The clause also covers shooting intimate scenes and use of explicit language. “It’s a performance-oriented movie. The nudity clause came with the contract of XXX... It’s good to have that little fire out there and let people keep guessing what it’s all about.” The newbie says she wasn’t unnecessarily inhibited by the nude scenes. “My DoP was a woman and it was a closed set. The greatest way to overcome fear for any actor is by letting go of their inhibitions.” Kyra was a student at Mumbai’s St. Xavier’s college before she became THE NUDITY CLAUSE FOR THE FILM XXX SAYS I’M BOUND TO EXPOSE FUTURE STOCK a calendar model for Kingfisher. Says she, “I am one of those girls who don’t think she’s pretty. I need to be constantly reminded that I am. Honestly, I believe I am average. When photographer Atul Kasbekar saw me at designer Arjun Khanna’s party, he came up to me and said, ‘You should try for the Kingfisher calendar.’ I wondered if he was kidding.” But she did take the leap, cleared the audition and here she is today. Probe her if the film has taken any references from the actual Chairman of the now grounded Kingfisher Airlines, Vijay Mallya and to her culture. She does this calendar shoot and that’s when things change for her. Soon she starts seeing the reality of this industry. Just like me...” As far as XXX is concerned, she remains tight- lipped about her character. “All I can tell you is that she is absolutely crazy! She’s also mysterious and unpredictable.” She continues, “Madhur sir doesn’t want you to come with any preconceived notions. He just wants you to surrender to him completely. For XXX, we did a couple of workshops. Ken is into the technicalities because he has been a cinematographer before.” MY CHARACHTER IN CALENDAR GIRLS IS MODERN BUT AT THE SAME TIME ROOTED TO HER CULTURE... SOON SHE STARTS SEEING THE REALITIES OF THIS INDUSTRY With Madhur Bhandarkar on the set of Calendar Girls she denies it. “Hmmm… I don’t think so. Maybe it takes references from a liquor baron who makes sexy calendars all year round, but no, not specifically Vijay Mallya.” She says that the best part about these two movies is the fact that her roles are completely different. “Sharon Pinto from Calendar Girls is this young, free-spirited, happy go lucky, yet a sorted girl from Goa. She is modern but at the same time rooted he says all the five girls in Calendar Girls bonded like a house on fire and had a blast. “We had this great camaraderie going on - everyone believes that when you put five girls in a group they will have catfights and tear each other’s hair. But it is not like that! We’ve become good friends.” She insists she has a lot of respect for co-stars Indraneil Sengupta and S Rohit Roy. “Indraneil has been a senior actor in Bengal. I’ve seen him in Srijit Mukherji’s Autograph. I loved his work. He’s a supportive co-star. We shared a great chemistry. Also, despite being such a big star in Bengal, he’s so humble.” She reveals that Rohit Roy is playing a photographer inspired by real-life ace lens-man Atul Kasbekar in this film.” Few know that she has done the hit item number Boochade boochade in the 2014 Telugu blockbuster Race Gurram. “In the South, they consider dancing as the ultimate thing! It’s hard work. You need to rub a pain relief balm after each shot,” she laughs. “The hero Allu Arjun would ask me to sing it. I was quite embarrassed!” She says that she doesn’t mind doing regional movies. “I follow my heart. I’d love to do anything that I feel connected with.” They are hot, they are cool. Meet our trend makers and breakers High Street Appeal DEEPIKA PADUKONE IN ZARA WHERE: AT A PRODUCT LAUNCH THE X FACTOR: LAIDBACK CHARM Deepika Padukone creates a perfect monochromatic look in the graphic printed skirt and top. The print-on-print look is bang on. The blue strappy sandals add to the perfection. She let the outfit do all the talking by opting for a simple ponytail and pink lips. The bell sleeves lend a vintage vibe making it a flawless appearance. COMPILED BY: HENAL BHAT T PHOTOGRAPHS: VIRAL BHAYANI, YOGEN SHAH Shoe du jour Denim’s rule 4 hot trends this fortnight Koovs.com Backpacking Tales Say goodbye to totes. Cute rucksacks have stolen their place… Koovs.com Valentino Garavani Women feel incomplete without their bags. And why not? We e carry our world in them m. Our pretty girls are op pting for stylish comfort over just a trend. Backpacks are chic again. And like all things school girl, we are in love with them too. Take a cue from Alia Bhatt, Parineeti Chopra a and Aditi Rao Hyydari on how to keep itt cool yet fashionable. While W travelling or just going for a movie, it has to o be your favourite compan nion. Parineeti Chopra Fendi Alia Bhatt A backpack doesn’t have to be paired only with pants or shorts. They are in harmony with feminine dresses and skirts as well. Dolce & Gabbana Aditi Rao Hydari FASHION & BEAUTY Colour Cluster It’s time to get some colour in your wardrobe. And then some more… Colour blocking is one of the most irresistible trends. Even Kalki Koechlin couldn’t be immune to it. Whether mixing up jewel tones or opting for classic combinations, it’s the best way to stay g Take a cue… chic this fortnight. 3 LOOK 2 PURPLE & YELLOW LOOK 1 PINK & RED LOOK BLUE & GREEN Elie Saab Raoul Emilio Pucci Topshop.com Givenchy Aldo Valentino Saint Laurent Zara Kalki Koechlin Since the clothes and accessories in bold colours will be doing the talking, it will be a smart move to kkeep jewellery minimal. Also, opt for simple hair and muted make-up. FASHION & BEAUTY Double Denim Divas love denim and it’s a trend that won’t die anytime soon. Read on… Denim on denim has a special place in the hearts of our stars. Why not? It’s casual and stylish from the word go. Kangana Ranaut in a denim shirt and pants is love at first sight. The brogues and the tan sling bag are lust worthy. Alia Bhatt in a denim crop top and distressed pants nails the look to the T. The black jacket adds spunk to the look. Kriti Sanon and Bipasha Basu opt for the denim jacket and pants combo. While Kriti goes the classic blue way, Bipasha keeps it trendy in the faded ones. Bipasha Basu A printed tee, denim jacket and distressed denims is a great combo. It’s good for travelling and casually hanging out too. Kangana Ranaut Alia Bhatt KEEP IN MIND THE FOLLOWING Opt for leather accessories to Nude shoes will retain the add an extra edge to the look. You can also try denim skirts or shorts instead of pants to give it a more girly touch. charm of the look while also adding to the style factor. It’s not just about jackets. A well-fitted denim shirt is your best option this season. Choose patterns to mix things up. A fun printed jacket with the denim shirt adds funk. Kriti Sanon Alia Bhatt Kriti Sanon Deepika Padukone Aditi Rao Hydari Richa Chaddha Metal Mania It’s still the season for flat sandals and sneakers, of course with a little twist… Sure we love our off-duty style and we love giving the pain inducing, sky-high heels a miss. And what better way to jazz up an otherwise casual look than metallic shoes? Whether paired with a dress or just a tee and denims, it’s a sure shot way to look glamorous. Note how our divas are doing it and join the bandwagon. Saint Laurent Valentino Garavani Topshop.com Topshop.com ON OUR WISHLIST Koovs.com Michael Kors FASHION & BEAUTY Slit Up SLIT PANTS Welcome slits this season in every way possible… We are besotted with slits each time they make an appearance on the red carpet. Now, they are enticing us in different forms. Jacqueline Fernandez in the Sailex separates looks smashing. The slit pants are a refreshing change from the usual palazzos. Kangana Ranaut leaves us speechless in the checkered Reformation skirt and top. The front slit is oh-so tantalising. The slit maxi top is embraced by Tamannaah Bhatia and she pairs with blue denims. Could casual get any better? Even Richa Chaddha’s front slit dress has us all go wow. SLIT SKIRT SLIT TOP SLIT DRESS Jacqueline Fernandez Keep in mind that front slits are the flavour of the fortnight. Whatever your choice of outfit, it’s the slit in the front that counts. Kangana Ranaut Tamannaah Bhatia Richa Chaddha FASHION & BEAUTY Graphic Alert Kangana Ranaut Jacqueline Fernandez Prints are en vogue and our glam dolls love it… Not that they ever went out of fashion but prints are here to rule the roost. Only this time, they are graphical. So go bold or go home. Whether it’s a dress like the one worn by Kareena Kapoor Khan, Kangana Ranaut and Dia Mirza or a jacket like Jacqueline Fernandez’s, it’s all about having fun. Alia Bhatt’s layered dress is fantastic too. OUR PICKS Alia Bhatt Kareena Kapoor Khan Dia Mirza FASHION & BEAUTY What’s Hot? BOHO MEETS SCHOOL GIRL Kangana Ranaut in the Pero outfit that comprises a shirt and dress makes for a perfect bohemian look. But the Mary Jane shoes and the sling bag give it the school girl twist. We adore. These major trends have caught our fancy. Check ’em out… LEATHER & DENIM GLAM NERD The high-wasited skirt and crop top combo is fashionable. Add to it a long jacket and it spells glamour. But the round glasses and sling bag lend the nerd factor to the beautiful Sonam Kapoor. SEXY FORMALS Go the sensual way with your formals like Lisa Haydon. The cape sleeved vest and trousers hit all the right notes. We love! Denim says casual and leather screams badass. Bring them together like Shraddha Kapoor does and it’s going to be lethally sexy. The strappy shoes add to the allure. HOT RIGHT NOW Kangana Ranaut Sonam Kapoor Lisa Haydon Shraddha Kapoor lifestyles of the fit and the fabulous HOME ALONE It’s been six months since I’ve been away from home shooting (Kapoor & Sons) here in India. Naturally, I feel homesick and miss my wife Sadaf and son Ayaan. When I’m home in Pakistan, all I do is laze around and play with my son. I could spend days just lying in bed and not step out. A luxury for me, since I’m away from my dear ones most of the time. Fawad Khan on why ‘family time’ is fun Gulshan Devaiah brings out the chef in him PHOTOGRAPH: PRASAD NAIK FOOD Cooking up a storm Gulshan Devaiah explains his food mania to Suman Sharma PHOTOGRAPHS: MANASI SAWANT | STYLIST: ISHA BHANSALI | HAIR AND MAKE-UP: VIDHI SALECHA G DAD MADE GREAT ORANGE BARFI... BUT HE USED TO HIDE IT FROM ME. IT WAS A GAME TO HUNT IT OUT Shirt: 16stitches.com Shorts: French Connection Watch: Victorinox ulshan Devaiah grew up in Bangalore. But his parents are from the hill station Coorg in Karnataka, which is close to the Kerala border. Interestingly, he grew up eating South Indian food, which carried flavours of both the states. Add to that his discovering the spices of Bengal, the aromas of biryanis as his tryst with the cuisine of Greece and Turkey courtesy his Greek wife Kalliroi Tziafeta… and Gulshan could not have had a more plentiful palate… FAVOURITE EATERIES GRASSHOPPER, BANGALORE METRO PIZZA, KHAR BHOJOHORI MANNA, OSHIWARA HANGLA’S, ANDHERI T-shirt: French Connection Jacket and jeans: Zara Watch: Victorinox CHILDHOOD FLAVOURS “My mother steamed the softest idlis. I’d finish off 12-15 at a time. My father is a good cook too. He made yummy tamarind rice, upma, poha, rawa barfi, and halwa. The coconut barfi infused with orange essence was his best. He used to prepare it for birthdays or anniversaries. He used to hide the barfi, considering how fast I finished it off and it became a game of sorts for me to hunt it out. Also, he’d take me to this sweetmeat shop called Malleswaram in Bangalore where they served gulkand with butter. The taste is unforgettable.” He also misses his mother’s homemade cakes. “We used to have an old- fashioned oven at home. She’d bake some yummy treats, especially on my birthday. Once, she spent the entire day icing the cake on my fifth birthday. She has rheumatoid arthritis now due to which she is bed-ridden most of the time. She’s not able to cook anymore and her homemade cakes are a thing of the past.” MY WIFE KALLIROI MAKES LOVELY MELITZANOPITA, WHICH IS LIKE BAINGAN BHARTA BAKED IN PITA BREAD SOUTH INDIAN TALES He learned cooking from his parents and remembers curling in the perfect dosas when he was 11. “I used to make real big dosas. Dad prepared the masala.” He mentions that each South Indian state has a different take on the dosa. Tamil Nadu dosas are different from those made FOOD in Karnataka. The batter of the dosas of Tamil Nadu has more daal. In Bangalore, dosa is made in ghee. It’s crisp outside and soft inside. I prefer the Bangalore style. Even the sambhar is different in all the four states. In Mumbai, you get dosas made in the Tamil Nadu style. In North Karnataka, you also have bajra and nachni dosas. In Mumbai, I love the South Indian fare served at the restaurant Banana Leaf. The avial, appam, Kerala paratha, tadka idli, mix vegetable, Mannapuram halwa – all are to die for.” FAVOURITE FOODS Pizza is an all-time comfort food Lucknowi, Kolkata and Hyderabadi dum biryani... all are yum Souvlaki is a roll with a yogurt based dip Jalebis are an all-season treat SWEET BENGAL He digs Bengali cuisine as well. “I learnt to cook Bengali food from a friend in theatre. He underlined that each dish need not include all the spices available. It’s a misconception that Bengalis begin and end their meals with seafood. They have an amazing vegetarian spread too. They have adopted Mughlai cuisine as well.” He adds, “I love the Kolkata style biryani. They also make some dish from banana flower. The best Bengali meal I’ve enjoyed was at Bhojohori Manna, Kolkata. We had been there in 2008 for Rajat Kapoor’s adaptation of Hamlet. They serve some awesome Nolen Gurer ice-cream, which is made with jaggery.” FOOD & FUN The actor doesn’t believe in following set recipes. “A friend told me that once he made chicken in orange juice. I didn’t have orange juice at home, so I made it with apple I LOVE THE AVIAL, APPAM, KERALA PARATHA, TADKA IDLI AND MANNAPURAM HALWA SERVED AT THE BANANA LEAF IN MUMBAI juice, semi-fried it and it turned out well. Whenever we have a ‘potluck’ with friends, I make mutton curry, which I learnt from Anurag Kashyap’s cook Shrilal. He’s fab. In fact, he outdid himself at Anurag’s and Kalki’s (Koechlin) reception. We overate because the spread was finger-licking delicious.” He has a soft corner for rice preparations. “I love all types of biryanis… Awadhi, Lucknowi, Kolkatta and Hyderabadi dum biryani. Making a perfect biryani or pulav is tough because you do not know how the rice will turn out. I love mutton biryani the most but it’s time-consuming.” SPOUSE SE… His wife Kalliroi loves to cook up Greek dishes when they have guests over. “She makes lovely Melitzanopita, which is basically baingan bharta baked in Pita bread. This makes an interesting dish with sea food, pasta and cheese. Greece is not far from Turkey, so Greek cuisine has Turkish influences too. One such dish is Souvlaki. This is a kind of street food. It’s a wrap and roll in which they put Cacik – a yogurt based dip.” His wife makes great Greek salads too. “It’s healthy food for the fitness conscious like us.” He loves Italian fare but maintains it should be only eaten in Italy. “I had the best seafood experience in Venice. You come across shops selling black pasta, which is a mix of cuttlefish and pasta. Huge pizza slices are sold on the road and one slice is enough to satiate your cravings.” STREET SMART Back home, the couple frequents Metro Pizza in Khar. “They serve halfmetre pizza, one-metre pizza, pasta and ravioli.” He also loves Havana Café and Bar in Colaba and the Leaping Windows at Yari Road and the ICH (India Coffee House) in Bangalore. “The ‘it’ place in Bangalore is the Grasshopper Restaurant. You cannot go there without an appointment.” He adds, “Chandni Chowk in Delhi has the best street food. I love the Lucknow jalebis and the kebabs at Tunday Kababi.” Undeniably, Gulshan is a foodie. But he’s disciplined about his daily menu. “I stick to nachani and bajra bhakris and vegetables for lunch. For dinner, it’s mutton kheema, chicken and veggies.” ADVERTORIAL Raise a toast! The new line of cocktails at Arola, JW Marriott, Juhu will make you want to hit the bar The plush seating at Arola The well-stocked bar at Arola rola at the JW Marriott Hotel Mumbai, Juhu celebrated its third successful year, and on the occasion, two Michelin Star Chef Sergi Arola launched a new cocktail menu at his signature Spanish restaurant. One of the finest destinations for Spanish fare in the city, Arola also boasts of Mumbai’s largest gin bar. An extensive collection of gins from the world over adorn the ornate and classy bar. To mark the third anniversary of this swank space, Chef Arola introduced a line of unique cocktails. Aptly titled the Arola Twisters, these cocktails add a twist to classic concoctions. Each mix has a narrative, along with master class A technique to boot, which lends an individualistic flavour and fervour to each drink. Elaborating on the concept of this exciting new carte du jour, Director of Food & Beverage Ritesh Choudhary says, “The new cocktail menu is a brilliant spin on traditional concoctions. We’ve experimented with different techniques and ingredients to create fun and interesting cocktails, which are sure to be a hit with our guests.” Each one of these cocktails showcases expert-level and innovative techniques, like infusing vodka with the flavours of the fragrant rosemary, bringing the essence of jasmine tea to gin and putting an Indian spin with additions like curry leaves to the mix. These Twisters use a variety of ingredients right from top-notch spirits and single malts, to fruity and citrus bits and even elements of spice, that add both flavour and theatre. From the Arolagrini to the Elderflower and Lychee Collins to the the Bliss and Panache, The Arola Twisters use top-notch spirits, single malts, fruity and citrus bits and even spice to add flavour to the cocktails ³(From left) Arolagrini, Panache and Bliss from the new line of cocktails the concoctions are an eclectic mix of tradition and modernity and complement the wide array of Spanish dishes and the ambience of the plush restaurant. The heady cocktails, the authentic cuisine and the vibrant space make Arola the perfect destination to unwind and experience the good life, making sure you come back for more. So hop on over, raise your glass and celebrate in true-blue Spanish style. what’s on their mind? Oh Mary! I’ve been a Kareena Kapoor fan since ever. In the song Mera naam Mary hai (Brothers) I had to behave as though I’m disinterested in her. Just imagine, Kareena is jumping on my lap and I don’t react! I asked director Karan Malhotra am I gay or what? But Karan stayed true to the script and didn’t allow me any interaction with her. Or else it would be fun to throw lines at her. She comes from a happy zone! She’s so entertaining! Sidharth Malhotra on his crush Kareena Kapoor Khan Saif Ali Khan is in a happy state Varun Dhawan promises to surprise us more at the movies pg PHOTOGRAPH: ARJUN MARK COVER STORY Lov i tio As dramatically di s of tti are bound to by their common passion for the movies. Catch them in a freewheeling conversation Imra PHOTOGRAPHS: PRASAD NAIK Kangana Ranaut: STYLING: Ami Patel, assisted by: Sanjay Kumar Dauhaliya | HAIR: Haseena Shaikh | MAKE-UP: Shabana Latif Imran Khan: STYLING: Harmeet Sethi & Neha Bhatnagar | HAIR: Ayesha D’vitri | MAKE-UP: Vicky Salvi Kangana: Bodysuit: Addidas Originals by Mary Katrantzou | Shrug: Madison | Pumps: Christian Louboutin Imran: Jacket and jeans: Ermenegildo Zegna COVER STORY o l a W IN SHE’S THE HERO LL JITESH PI AAI Crop top il ide F HER LIFE. FO BE EN UT UT EV KANGANA RANA SELLER THAT IS ST BE E TH LS VE o UNRA rts: Papa Don't and suspender sho a | Cuff: Forever21 Preach by Shubhik | Platforms: Ald Bodysuit: Addidas Originals by Mary Katrantzou Shorts: Abercrombie & Fitch Pumps: Christian Louboutin | Ring: Forever21 mall starts precede big bashes. This holds true for Kangana Ranaut. The heroine du jour. Her life is the stuff pulpy paperbacks are made of. Her life is also the stuff that true-grit stories are made of. She started from scratch and rose to the top of the heap. Through the indignities heaped on her because of her modest beginnings, her pahadi accent and some of the r walk has always been on the wild side so it seems a lil’ incongruous to expect her to aerosol the room with good intentions. I say let the mascara flow. She started the fire. She started the bonfire. We are feeling the heat. With solid back to back performances in Queen and Tanu Weds Manu Returns, Kangana Ranaut has showtownl’s A-listers queuing up to sign her. Talk is that shel’s upped the ante and is reportedly asking for a whopping 11 crores. Top heroines covet her roles and even SMS her directors behind her back begging them to cast them free of cost. But such is Kangana’s clout that people are willing to wait. At a time when she could have easily done Bajrangi Bhaijaan and Sultan, which were offered to her, she chose to tread uncharted and dangerous territories with Vishal Bhardwaj (Rangoon), Ketan Mehta (Rani Laxmibai) and Hansal Mehta (Simran). Right now weeks away from her latest release Nikhil Advani's Katti Batti, a romantic sortie on live-in relationships, I repair to her tastefully done up apartment. A mix of Frida Kahlo and Parisian je ne sais quoi. I gulp down my coffee to ask: Katti Batti advocates live-in relationships. What is your take on it? First, I’ll tell you the don’ts. People rush into live-in relationships, more so, if you’ve come from a small-town and are enjoying the newly-acquired freedom. I’ve burnt my fingers. But you can’t move in with someone who has ulterior motives. I’d like to warn young girls out there... take your time to know the person. Discuss it with your parents. Just don’t move in with anyone unless you know the person, you know his past, his plans, his workplace... Or else, you can get into major problems. Your safety comes first. Where dos are concerned, it could also prove beneficial. Imran’s (Khan) experience with live-in relationships has been fruitful. He spent a lot of time with Avantika in the US and then they ended up getting married. But I got into trouble with someone. People with criminal records, psychological problems, dementia... could prove dangerous. Initially, they don’t show that side of themselves. And when you move in, you can’t get out. It becomes like a marriage. They get to do anything. Like physical abuse, spiking your food/drinks with dangerous chemicals... It sounds rosy and hunky dory but it’s not that glossy out there. It’s good to have your family by your side. You should be with people you trust as opposed to just jumping into something as extreme as a live-in. In a marriage, the families are involved and there’s certain legality. Only if you’re sure about someone and want to take the relationship to the next level, then opt for it. So what would be the ideal scenario? When two people are serious about each other, when they know each other’s backgrounds, then they can opt to live-in. There should be no hidden agenda. Someone may just want to share an apartment with you or he may want you to support his expenses and is just misleading you. If you’re naïve, people take you for a ride. People will get their way, use you for a while and then move on. The exit route in a live-in relationship is the biggest advantage. Isn’t it? But what’s the need for a live-in? People who’re not happy with themselves, seek company and go for a live-in. But I’m happy in my own company. When you’re financially independent and can take care of yourself, you would rather be free with no strings attached. For me the next level wouldn’t be live-in; it would be marriage. Men tend to treat their girlfriends differently and their wives differently. The door is always open in a live-in. You always feel unsure of your future. I’m not comfortable with the concept. Are men intimidated by your success? Does it change the nature of the relationship? Yeah, because men can be obnoxious. All of my relationships didn’t work because the men were unable to accept my ascent to this position. The relationship was beautiful when I was this upcoming girl. I believed he would have appreciated me and felt proud of my success because he loved me when I was a nobody. But the relationship came to a crushing end. I’ve had a firsthand experience of struggling with what everyone thought I was and ‘his’ idea of who I was. I was shocked to know his idea of me. It’s hard to come to terms with the truth that he doesn’t want you e person... th ow kn u yo ss le un ne yo an th wi n -i ve li D on’t iminal cr th wi le op Pe . ne eo m so th wi e bl ou tr to I got in ous. er ng da e ov pr n ca . s.. m le ob pr l ca gi lo ho yc records, ps ove m u yo en wh d An . de si at th ow sh t n’ do ey Initially, th in, you can’t get out COVER STORY to be successful. You have to give it all up for him or you can’t have the relationship. It’s sad. competitor’. As opposed to someone you’d like to take care of. So life gets tough. relationship. It’s hard to come to terms with that loss of your time and energy. It drives you insane. Do you carry the baggage from one relationship to another? Failed relationships are not baggage. I see the good part of my experience no matter how hard it is to put an end to one story and move on to the other. I am a good loser. I have seen myself fail relentlessly. But I still like myself. People say, “Oh God! You’re so much in love with yourself.” But I’ve seen myself through the worst. I’m a true hero, because of the way I emerge like a phoenix. If my relationships don’t work, the beautiful thing is that I’m never left bitter or pining or craving for that man. Whereas I’ve seen women who can’t get over it! It just takes me one month to move on. And it would be hard for these women to imagine the kind of passion or madness that Is it more difficult for the single or the committed in the industry? An overprotective boyfriend can make life miserable. Being single is far better. You can do your own thing and you have no fear of offending anyone. You’re not answerable to anyone so you can move around with freedom rather than fear being clicked hugging someone. You spend the whole night fearing that the picture will appear tomorrow and you will have to explain yourself to your boyfriend. So being single is far better. Generally, who opts out of the relationship first? It’s always me who gets out. It’s true that the guy has a different story that doesn’t always match mine. He’s free to have that story. I’m gonna have mine. It’s about how crazy he can drive you, fire you with questions upon questions... He drives you mad because he’s able to affect you. He’s just trying to make you insecure so that you go crazy and start running away. That’s what I do. You need to understand when it becomes all about vengeance. There’s a difference between teasing and being nasty and obnoxious. When I see that side of a lover... that he has a mean bone, it’s over. Because I don’t have a mean bone. I don’t make people insecure. It’s a big put off. I get over with it. Do you miss companionship in the midst of all this? No. I won’t sugarcoat anything. But relationships are demanding. Most times, I'm mothering the guy and elf fail. But I am a good loser. I have seen mys erge like em I e us ca be ro he ue tr a m I’ f... el ys m ke I still li ver left ne m I’ , rk wo t n’ do s ip sh on ti la re y m If a phoenix. bitter or pining or craving for that man... I experience when in love. But when I have to let go, I let go like a true Sufi. (Laughs) I tell women that if you believe a man can destroy you, you’ve got to know my story. I’ve evolved. I carry that story in my heart even if it is tragic. It’s beautiful, right? Generally, the more successful an actress, the more troubled her personal life. Is this a curse of the industry? It was easier dating when I was younger. There were more options and you wouldn’t mind dating someone even superficially. But now when you turn intense, you turn 28 and you become a star, the options get limited. The men who loved you, who admired you, now suddenly want to compete with you. They become your contemporaries and you wonder, ‘Oh he’s now my babysitting him. It's like handling a grown-up baby. Was your scientist boyfriend also the same? No. He didn’t live in Mumbai. Also, he was self sufficient and could take care of himself. Other guys were so incapable - they needed to be taken care of, needed to be styled, needed to be babied. What do you wear, what did you eat... oh God it’s a pain. Between my profession, I’d have to run to make breakfast or attend that call to explain every move of mine or why I’m wearing shorts. Everytime I’m in a relationship, I hope that when I’m old this man will be by my side. But in six months the relationship is in doldrums and you’re like ‘shit’. If I’d given that time to my directors it would have proved better than investing in the How do women react to you? Why can’t actors be friends? I’m an unusual person. At my age I talk about intense stuff. My friends are painters, poets and scientists. I can’t be friends with people of a lower IQ than mine. They are busy with the iPad playing games and I can’t do that. I’m happy not being part of the regular girl brigade, who talk about lipsticks and designer bags. I like people who can contribute to my perspective and understanding of life. I can’t sit around for two hours talking about others’ lives. I value time and if I waste those two hours I’d feel guilty. I’d rather talk about how you ferment wine or which new planet has been discovered. I like people who have depth. Even if it’s gossip, I like intelligent gossip. I like to know who’s attracted to whom and what Gown: Kristy De Cunha Sandals: Christian Louboutin With Imran Khan in Katti Batti When you’re living alone as a teeninagger, you can get raped, killed... roamfrom around at 3 am, getting drun k... one rave party to another are the possibilities of them dating, as opposed to mindless gossip. I like to know the undercurrent of sexual energy. But generally, women are not obnoxious to me. Also because I don’t come in anyone’s way. I’m not fighting for the roles they’re fighting for. But there are some who feel unnecessarily threatened. It stems from their own insecurities. Sometimes, I wish I had some competition from the women. So you don’t regard any of the actresses as competition? No, not at all. Name one actress who could have played Datto or done Queen. Who would wear a fake nose and put bruises on her face and play a Chambal ki bandit what I did in Revolver Rani ? There’s no one running parallel with you when you have been offered a Jhansi Ki Rani or Simran? I have tremendous respect for women but everyone has their own brand value. Like Katrina Kaif comes with her own glamour quotient, a certain energy that I can’t ever have. Do you intimidate the boys as well? You’ve written your own screenplay (Queen) as well... Oh yeah. I like the spirit of competition. I like to compete with people who are my parallels. I like to compete with Ranbir Kapoor. I like him. He would give it back to me in terms of work and I’d give it back to him. Aamir Khan keeps asking me when we are working together. I like people who have fire in their belly, who explode with creativity and bring a tense energy on the set. Do people in the industry take you more seriously? People never bothered me. But I believe, more people have faith in me now. To be in a place where you’re not replaceable, is a good feeling. I can go for a holiday without fearing that ‘ussne ussko message/ phone kar diya’. People show me messages of these top actresses who’re willing to work in the film for free. If you’re ready to pay me and not take her for free then I must have something in me. It’s nice to be in such a place Otherwise this is a horrible place to be in. Do you feel resentment because as an outsider your journey was not easy? The young age at which I started partly helped. Given what I am today, I’d have never stepped out of my house. When you’re living alone as a teenager, you can get raped, killed, roaming around at 3 am, getting drunk with your friends. You have no money, you’re meeting strangers. You’re like a gypsy. You’ve been to a rave party and from there you’re going to another party and from there you are in some other place and then you’re in a different city altogether. Then you decide to become an actress and then you decide not to be an actress and then you leave the town. But now at 28, I think, ‘Kitni baarish ho rahi hai. I shouldn't go out.’ I get terrified of stepping out of my house. Every time I board a flight, I think about air crash. Every time I drive on the road, I think about accidents. I’m so scared now. When I was 17, I was an unstoppable force. Do you miss that feeling of abandon? I do. Now, I do not even have the time to heal my bruises. My parents said ki tumko modelling karni hai toh graduation ke baad kar lo. But you don’t give a damn. You don’t think about the day beyond. I started off in the film industry with nothing. I just came in from somewhere. At some point, I got serious about it. It’s like when you’re in a relationship, you start on a flirty note ki thodi masti karke nikal jaoongi. But then you get hooked onto it. You fall in love. My affair with films is something like that... when I fell in love, I fell hard for it. Do you still look for approval? I seek the approval of those who I admire. People like Mr Amitabh Bachchan, Aamir Khan, Ranbir Kapoor and Naseeruddin Shah. It gives you a new and interesting perspective. It can get intoxicating. It spikes your adrenaline when you start a trend in the country with your performances, when everyone is talking about you. It’s not to say that the snakes of vanity do not crawl in my veins. You have to be aware that you are living out an illusion. To believe you are outside the forces of nature is also stupidity. But you can get swollen headed, you can go off track. So watch that! COVER STORY e s i r u s e Bef o He love vels huvendra Singh unra hb as Fl e th s te ha t bu era Imran Khan but reluctant star – the passionate actor mran Khan believes there’s a measured difference between the personality he projects on camera and the one he possesses in real life. While the contrast isn’t as dramatic as Dr Jekyll and Mr Hyde, the old school charm in Imran’s thoughts and disposition sets him apart. He confides that he’s not competing with his contemporaries. And that’s one of the main reas uld afford to take a hiatus from the spotlight and recede into the domestic challenges of being a father and husband. He’s just cut from a very different cloth. And he’s totally cool being the odd one out. It’s not like he doesn’t care. It’s just not part of his DNA to panic about stardom and success. Excerpts from a candid chat... How are your mornings different now that you are a father? Generally, I wake up at the same time as Imara between 8 am and 8.30 am. If I’m shooting then I leave the house before she wakes up. On days when I am not shooting, I wake up with Imara, change her diaper and help feed her. Avantika (wife) and I do it together. Imara is a year old. I was ecstatic when she said ‘Papa’ for the first time. Who’s your inspiration considering you’re such a hands-on father? I love my family and hold it in high regard. But I've never thought of being a father like my own. My parents were divorced (Nuzhat Khan and Anil Pal) when I was about oneand-a-half-year-old, which Imara is now. My father was not there while I was growing up. I only got to know him much later when I was around seven-eight. Did you miss not having your father around as a child? I didn’t know the difference. Jo hai nahin, ussko miss kya karna? For the first few years of my life, my mother brought me up. Then later on I met my dad and got to know him. Now we share a proper relationship. We are very close now. He comes down from the USA when my films are about to release. He stays in our house. He came down when Imara was born. Even though my parents separated, they are mature, forwardthinking people. Their priority was to make sure I was okay. They made it a point to never fight or yell at each other in front of me. They regard each other with respect. When my father visits India, he stays in our house. Whenever we visit America, we live in his. He makes sure that we don’t stay in a hotel. Katti Batti has come after a long gap. What made you say yes to the film? I had signed Katti Batti towards the end of 2013. That was just about four-five weeks after we found out that Avantika was pregnant. We would have started shooting in June, the month when Imara was due. I requested director Nikhil Advani to delay the shoot as that period was crucial. Nikhil was accommodating and he agreed. Those would have been stressful months for Avantika. Had I been shooting then, she would have felt abandoned. So we began shooting the following October. You come across as an ‘ideal husband’… I have always maintained since Jaane Tu… Ya Jaane Na that whenever I have children, I’d take a break from working because ours is not a Monday to Friday job. There are no government holidays either. I was clear that I’d be supportive of my wife. Also, I wanted to savour the experience because it’s my child too. How can I not be there when the baby takes her first step or utters her first word? Hits and flops will keep happening but such moments come about only once. I have videographed these special moments with Imara. Apparently, Aamir Khan cried after watching Katti Batti… Yes, he was in tears. Aamir is an emotional viewer. He cried after watching Bajrangi Bhaijaan too. It’s strange coming from someone, who has an analytical mind. When he watches a film, he reacts emotionally. He doesn’t intellectualise things like the shot or the continuity. If it touches your heart, it’s a good film. People tend to watch a film in a technical way – they dwell on the cinematography, editing... Suddenly, everyone becomes a film scholar. That’s sad. You lose the beauty of a film. When you watch a film, you want to laugh, cry and feel the thrill. I’m happy that despite working in the movies, I’m still able to experience a film like an audience. When was the last time you cried in the theatre? While watching Bajrangi Bhaijaan I cried a lot. It touched me somewhere because now I have a daughter. I kept seeing Imara in that little girl (Harshaali Malhotra). Just per pa ll wa l fu ti au be th wi s ll wa ur yo n or ad You may ent to m ce d an ks ic br th wi it y if rt fo to ed ne u but yo riage keep out the rain. The same applies to mar COVER STORY as the girl loves lambs, my daughter is crazy about cats. Jahan billi dekhi, usske pechhe, meow-meow karke she runs. The girl in Bajrangi goes to help the lamb; her mother is sleeping… aur train nikal jaati hai. That fear can make your heart turn to ice and crumble in your chest – Oh God! What if this happened to my daughter! It’s terrifying. Half of the film I spent covering my face because I didn’t want to watch the sadness. I kept crying. Imara has made me an emotional viewer. Coming back to Katti Batti, how’s Kangana Ranaut as a co-star? Kangana is an interesting actor given the level of thought and care she invests in crafting her character – to the point where I say, “Itna bhi kya prepare karoge?’ But acting is a personal process. Even Aamir is to do workshops and rehearsals, very often in a space that’s not the same as the script. Suppose you want to portray an outgoing guy who charms men and women. You change your body language. I spend my time developing characteristics of that character, understanding his emotional journey, his wants and needs. Like Maddy in Katti Batti wants Payal back and he also needs her. So I create a mental tool box from which I can draw while acting. But she doesn’t believe in too much of rehearsal. That puts a restriction of sorts. She has it set in her head and she is ready for the take. But I would rehearse in five different ways and finally do it in the sixth. So was the chemistry difficult to come by? Opposites attract yaar. even seemed like her career was over. Once you have a string of flops, an actress who has no film background doesn’t always get a second chance. But she returned and how. It’s easy to dance opposite a top star and become an A-list actor. That is the route to stardom for many. For Kangana to refuse to do so and to realise that she doesn’t fit into the traditional mould is wonderful. To do a film like Queen and then brave, bold and out-of-thebox choices is great. Does Avantika feel insecure when you romance beautiful women on screen? Never! When I murder someone in a film, my mother doesn’t feel bad either. It’s all make-believe. When you have been together for as many years, you enjoy a certain level of comfort and confidence. Insecurity comes in when someone gives you pens, s, al rn jou g bi th wi up ow sh d ul wo a an ng Ka he’d be in that newspaper clippings, videos... Sen d pe ep st e sh t om m e th om fr t gh ri e ac mind sp e my us ca be es im et m so ky ic tr s wa It r. ca e th out of process is different doesn’t go to the level she does. Actually, that’s just his image. I have shot with him only once - a promo for Delhi Belly. I expected him to be rigid, studied, precise... But when the camera rolls, he’s so alive and free flowing and organic. He’s like water that fills every gap. You’ve got to be ready because he can reach any level. It’s like playing table tennis, badminton and tennis at the same time with him. Kangana, on the other hand, would show up with big journals, pens, newspaper clippings, videos… There would be books filled with notes, depending on what kind of scene was being shot. She’d be in that mind space right from the moment she stepped out of the car. It was tricky sometimes because my process is different. My process Did you feel threatened by an actor of Kangana’s calibre? No. If you have faith in yourself as an actor then you don’t feel threatened. Small actors feel threatened. Small, not in terms of stardom but selfworth. If you feel threatened by an actor then you’ll never be able to work. Then you would want to hire junior artistes in the film. The better the actor in front of you, the better your work turns out. When I do a scene with good a actor, my performance enhances. When I do a scene with a bad actor my act falls. What do you admire about Kangana? Look at her past. Look where she came from and look where she’s reached. She ran away from home, did modelling and then went on to do films. Somewhere in between it cause for insecurity. That’s never been the case with us. What is the most romantic thing you have done for her? I don’t believe in romance. Romance is all nice when you’re wooing a girl. Once it’s been 13-14 years… then flowers or roses make no difference. You may adorn your walls with beautiful wallpaper but you need to fortify it with bricks and cement to keep out the rain. There is no glamour or beauty in that. But it keeps rain out of the house. The same applies in a relationship. How long will it be about ‘baby’, roses, candles… we’ve been together for about 13 years, we have passed that phase. At this point what we need is a sense of security, a certain ease where you know that when things e m co be d an ar st p to a te si po op e nc da to It’s easy for m do ar st to e ut ro e th 's at Th r. to ac st li an Arealise to d an so do to se fu re to a an ng Ka r Fo y. man 7R O IX HU QG ZR V L OG RX P KH W WR LQ W éL ÕW VQ WKDWVKHGRH W HD JU V L HQ XH 4 H LN O OP éL R[ E KH W RI W RX GRDQ are difficult, that person will be there for you in a way that other people won't. So at this point the idea of romance seems like ‘acting’. After being together day and night, if in the evening I say, ‘Chalo mein tumhein dinner ke liye le jaata hoon,’ it will sound foolish. How can you be so formal with your best friend? When you initially meet a girl you draw out the chair for her, you open the door for her. But if I start doing this with Avantika now she will look at me suspiciously! Given your straightforwardness, do you sometimes feel like a misfit in the industry? Yes, I’m a misfit here. I’m not built for fame. You might ask then why do you act. Everyone likes to eat but nobody wants to be fat. I like to act but I don’t want fame. Most actors enjoy being centre of the attention. Whether in a room, in a party, at someone’s home… they want ki sab mujhe dekhein. Baatein main karoonga, main sabko hasaoonga, main dance karoonga, I will entertain everyone. But I like to listen to people. I don’t like people looking at me when I walk into a room. I want to sit quietly. I like to observe people, which helps my craft. But when you are trying to be the centre of attention then you’re only feeling good about yourself. You’re not learning anything. My onscreen persona is different from my off-screen persona. On screen, it’s crafted, it’s created. Once the camera is off, there’s a measured difference. INTERVIEW HAPPY DAYS SAIF ALI KHAN HAS HIT A BLISSFUL CURVE IN HIS CAREER AND LIFE. SUMAN SHARMA IS SWEPT OVER BY HIS COOL CHARM aif Ali Khan seems to have finally heeded to wife Kareena Kapoor Khan’s advice. Well, he’s gone back to following his heart where his choice of films is concerned. Putting behind the debacle of Humshakals and Happy Ending, he’s now moved into the territory he’s comfortable with. Right now he has hotshot director Kabir Khan’s political thriller Phantom coming up. Produced by Sajid Nadiadwala and Siddharth Roy Kapur, it pairs Saif with Katrina Kaif. They both play secret agents in this film about the 26/11 attacks in Mumbai and global terrorism on the whole. The screenplay of the film has been written in co-ordination with author Hussain Zaidi, which is an adaptation of his book Mumbai Avengers. He’s all praise for director Kabir Khan, the man of the moment – his Bajrangi Bhaijaan being a multicrore whopper. “No director can showcase the ruggedness of India’s S Saif Ali Khan with Katrina Kaif in Phantom I DO GET CRANKY, THINGS IRRITATE ME. THERE ARE TIMES WHEN I FEEL UNGRATEFUL, UNSATISFIED WITH LIFE. BUT ONE TRIP TO THE GYM AND IT ALL SETTLES DOWN PHOTOGRAPHS: DABBOO RATNANI INTERVIEW landscape like Kabir. The manner in which he has shot the Himalayas is brilliant.” patch in the ’90s and takes a dig at himself saying, “I did some silly roles. I believe my mother (Sharmila Tagore) did better roles than me in her era.” He’s moved way beyond fluffy romances like Hum Tum and Salaam Namaste. “At this stage I can’t be confused about love any more. The roles should match my age.” Coming to love, well, he’s found love and much more in Kareena. he film boasts of stylised action and Saif took it head on. “Action can be exhausting. You need to look after your skin since you shoot in harsh conditions,” he smiles. “We don’t use duplicates often. It’s difficult to find them. I’d often get hurt but that’s the fun. It’s fraught with risk. Like if the cable breaks, the actor will die for sure.” He then jokes betraying his inimitable humour, “Agar main mar gaya, I’ve a hefty life insurance policy. My children Sara and Ibrahim, will get lots of money, land, houses and watches. I know they won’t be happy but they will surely make some money.” On a serious note he says, “Actually, my first thought is selfish. No! I don’t want to die.” He has enjoyed an easy working equation with Katrina. “The way Katrina has managed her career is impressive. She’d be clicking pictures on her iPhone and doing creative things on Photoshop on the set. From the young girl in Race to becoming one of the biggest stars of the country, she’s been a revelation. She’s a relaxed person, someone you enjoy talking to and working with.” Saif has also bagged Vishal Bhardwaj’s Rangoon, apparently a Casablanca-like love triangle set against the backdrop of World War II. The film also stars Kangana Ranaut and Shahid Kapoor. He confides that he gets attached to the cast and crew he works with but says he doesn’t carry the characters home. “No, I don’t wander around like a commando or Langda Tyagi (his infamous character in Omkara).” He denies facing frustration given the dearth of suitable roles. “I can produce films under my banner (Illuminati Films). I want to make a small poetic With wife Kareena film within a good budget Kapoor Khan with a beautiful story.” He looks back to his not-so-good T KAREENA AND I ARE FIRST FRIENDS. SHE’S BROUGHT HAPPINESS IN MY LIFE. SHE’S A PHENOMENALLY UNDERSTANDING WIFE. SHE’S EASY TO LIVE WITH IT “First and foremost we are friends. She’s brought happiness in my life. Kareena’s a phenomenally understanding wife. She’s easy to live with it,” he says. “We are normal people. My parents believed that there’s life beyond films. I cherish the values I received from them. Dad (the late Mansoor Ali Khan Pataudi) was down-to-earth and so is mom. No showing off for them. I try to be down-to-earth like them.” He elaborates, “Once in a while attending a filmi party is fine. It’s nice meeting young people, who are doing great work and are also fitness conscious. But you should also interact with people for whom it doesn’t matter how successful you are. They love you for who you are. It’s important to meet normal people, talk about normal things, about art, literature, travel. That’s the real world. Doing films is a job. But it can become an obsession also. So maintaining a certain distance is important. That’s why we don’t discuss films at home,” he shares. Interestingly, Kareena has brought the true-blue royal closer to Hindi cinema. “As a kid I never watched Hindi films. They were all so emotional. My mother (Sharmila Tagore) too would be crying in her films. Now, I do watch the good ones. I found Bajrangi Bhaijaan amazing.” His outings with Kareena, Tashan and Kurbaan, didn’t do well. But he’s not closed to the idea of them working together. “Somebody had offered us a film where I had a negative role. I had to beat her up. Naturally, I refused,” he laughs. He’s enjoying a great equation with his teenage children – daughter Sara and son Inbrahim. “They are wonderful kids. They make it easy for me. They could be difficult,” he says. “I am a protective father but not ridiculously so. Some actors say they are possessive about their daughters. I am not crazily possessive about Sara,” he says adding with a smile, “I like her boyfriend!” The ‘daddy cool’ has no qualms about Sara joining films. “Sara is now a young lady. She’ll have a great university degree by next year. She’s always been wise beyond her years. She’s interested in acting. I believe it’s a great profession. It’s a great world. Everything I have earned is from films. I’ve been around the world, stayed at amazing hotels all because of the movies. But it would also be nice to have a stable job with normal timings. I wish more security for Sara.” He wears his nawabi lineage lightly. “Aristocracy should be about niceness not about dominating people.” He goes on to describe himself. “I’m a mix. On a bad day, SOME ACTORS SAY THAT THEY ARE POSSESSIVE ABOUT THEIR DAUGHTERS. I AM NOT CRAZILY POSSESSIVE ABOUT SARA. I LIKE HER BOYFRIEND! I show some negative traits, on a good day some wonderful ones. It varies from being good to quiet good to very good,” he grins. “I guess it’s all due to chemical imbalance. Sometimes I get cranky, things irritate me. There are times when I feel ungrateful, unsatisfied with life. But one trip to the gym and it all settles down. “It’s about maintaining a healthy lifestyle. I guess people who drink too much and don’t sleep well have bad moods.” With the happy zone he’s in, life’s skirmishes don’t seem to bother him. Case in point is the property dispute the family is facing regards the ancestral property in Bhopal. “It’s too complicated. I am not interested in it. There are about 10 cases and there are a 100 people involved claiming all kind of things for the last 100 years from the last nawab,” he says adding, “I guess I’ll make more money if I do a film.” INTERVIEW Hit parade VARUN DHAWAN TAKES ON ANURADHA CHOUDHARY’S SERIOUS AND NOT - SO - SERIOUS QUESTIONS WITH PANACHE Nothing turns heads like an actor who’s big at the box-office. Varun Dhawan is turning a lot of heads these days. This is what happens when you have a string of hits. All his five films have done decently at the box-office. Badlapur brought in critical acclaim and his last one ABCD2 got the whopping numbers at ticket windows. Clued in showbiz types, noticed him in his debut movie Student Of The Year. And they predicted big things for him. Well, he’s proved them right. But Varun isn’t the one to rest on his laurels. Most actors celebrate their success by popping champagne, Varun on the other hand is on the look out for yet another challenging role. If his upcoming movies are any indication, his career trajectory is set to take a steep upward turn. At least that’s what the pundits claim. And they know best, don’t they? In a freewheeling conversation, the actor talks about what it means to be Varun Dhawan at this point in time. Read on... PHOTOGRAPHS: ERRIKOS ANDREOU | STYLING: ANTARA MOTIWALA AND SHEHLA KHAN | HAIR: SHEFALI @ BBLUNT | MAKE-UP: SHRIKRISHNA SARVADE INTERVIEW T he recent Filmfare poll listed you as the next superstar. Ya. And I’m truly grateful for it. But I believe it’s the women who’re rocking it right now. There’s been talk on pay equality and the fact that it cannot happen in India because it’s a male chauvinist country. But with Kangana Ranaut’s and Deepika Padukone’s performances this year, we aren’t far away from that. Kangana and Deepika are leading that change. And it’s not just about performance. You have to back it up with business. And they have done that. The trend started last year with films like Highway, Queen and Finding Fanny and NH-10 this year. What have you learnt about yourself as an actor? Are you a method actor or a spontaneous one? I’m an emotional actor. I don’t want to get into this method and spontaneity debate. For most actors there are only two rules. But there’s a third one where you actually become the character. And you cannot do that unless you have the method and the spontaneity. In Badlapur, there’s very little of Varun Dhawan. I became a different person. That’s because I could merge both method and spontaneity. How important is a co-star for you to give off your best? Most important. When I got into Badlapur, we sat on the casting for two-three months. All of us Yami (Gautam), Huma (Qureshi), Nawazuddin (Siddiqui) and I sat together and discussed our characters. I was dying to work with Nawaz. He was one of themain reasons I did the film. I said get Nawaz and I’ll do it. I am fortunate to have worked with such a fine talent. Also, remember the film is bigger than the actors. You always knew you’d reach here. Where did this confidence come from? Call it intuition. Call it spirituality. Call it vision. I’ve still not reached where I want to. There’s a long way to go. Anything can go wrong and anything can go right too. I just knew that if I wanted to achieve something, I could do it. If Usain Bolt can run the 100 metres so fast, why can’t I? When people speak about nepotism preventing success, I see it as an excuse. You have to work hard to get somewhere. Look at Nawazuddin Siddiqui. He was a watchman. His is the most inspiring story. For all the actors who are reading this, you should hear Nawaz’s story, hear Amitabh Bachchan’s story, thrillers like the TV series Dexter and films like the American Psycho. So I’ve just done something I’ve always wanted to do. People here say they want to do dark films but dark ko haath bhi nahin lagate hum. If I do dark cinema again, it will have to be as stark as Badlapur or even more. Your thoughts on Dilwale. Dilwale is one film I’m not stressed about. I have zero stress. It has blockbuster written all over it. Doesn’t it say something about your talent that you’ve been picked up to fill Salman Khan’s and Hrithik Roshan’s shoes in Shuddhi? It says something. Yes. But I have to prove that ‘something’ now. When you do something, there’s good and bad said about you. The people who say well are your die-hard supporters. I have to live up to their expectations. So that they don’t look like fools because of the person they’re vouching for. Shah Rukh Khan’s story, Akshay Kumar’s story, Sidharth Malhotra’s story. If they can do it why can’t you? This nepotism thing has been pushed so much by the media that unfortunately youngsters have started believing that if your father or brother doesn’t belong to the industry you can’t make it. It becomes a deterrent. That’s wrong. Would you ever do a hardhitting movie like Badlapur again? I won’t be doing anything like that any time soon. ABCD2 was a happy film. Dishoom is also a happy go lucky film. My brother’s (Rohit Dhawan) film belongs to a different genre. Badlapur has put me on the map. I had always wanted to do dark movies. I enjoyed EVERY TIME ALIA, SIDHARTH AND I COME TOGETHER, PEOPLE EXPECT US TO BREAK IN THE DISCO DEEWANE DANCE You’re always be pitted against your Student Of The Year (SOTY) co-star Sidharth Malhotra… That is a media thing. I’ve delinked myself from the whole thing. In fact I find it boring now. Every time we three come together, people expect us to break into the Disco deewane dance. SOTY did a lot for us and I can never thank Karan (Johar) enough for putting the three of us out there. But all three of us have the talent and the intelligence to branch out individually. That’s exactly what’s happening. INTERVIEW RAPID FIRE WHAT DO YOU ENJOY DOING MOST — DANCE, ROMANCE OR ACTION? Comedy. I enjoy it. WHAT’S THE ONE ADVICE YOUR FATHER DAVID DHAWAN HAS GIVEN YOU? He always says, “Do every shot like it’s your last shot!” ONE THING YOU’VE BEEN MEANING TO DO BUT HAVEN’T BEEN ABLE TO… Take a holiday. I need that. But I don’t have the time. The last holiday I took was twothree years ago. ONE ACTOR WHO HAS SURPRISED YOU? Kangana Ranaut. She’s amazing. She has surprised everyone. WHAT TEMPTS YOU? Pizzas and vanilla ice cream. Two things I haven’t eaten in a while. WHAT TURNS YOU ON? Nice legs. WHAT TURNS YOU OFF? Bitchiness. What’s the one good thing and one bad thing about your co-stars Alia Bhatt and Shraddha Kapoor? The one good thing about them is that they both want to work with me. Also they are both good singers. The bad thing is they think they’re better singers than me. How difficult was it doing romantic scenes in ABCD2 with Shraddha Kapoor who’s your childhood friend? Not really. When I’m doing a film, I become that character and shut out all the other noise. You have to get the work done because there’s so much money riding on it. We would have light moments but we were helping each other otherwise. Whom would you date, marry or kill between Deepika Padukone, Shraddha Kapoor and Priyanka Chopra? I’d marry Shraddha because we gel well together. It would be fun to date Priyanka. And I’ll kill Deepika. (Winks) She’s dating Ranveer so might as well kill her. Whose dancing skills get you envious? Prabhudheva! I just can’t compete with him. What’s the one hardship you’ve overcome? I broke my nose during the shooting of SOTY. I got a corrective surgery done. I came back and did the Disco Deewane song. The financial aspect , the pay structure, the marketing structure. The censorship issues. Ticket pricing. Entertainment taxes. There are so many issues that need fixing. What’s the one regret you have? I’ve made many mistakes. But my one regret is I haven’t concentrated on my health and wellness. I hope to correct it. How do you turn down a film? My dad and brother Rohit are directors. So I know what it’s like to latkao someone. I say it honestly that I don’t want to do this film. Of course, it’s never easy to say no. What’s the funniest rumour you’ve heard about yourself? I read somewhere that I have a child. I was like where did this come from. Luckily for me, no one believed it. What would you like to change about the industry? With Shraddha Kapoor in ABCD2 I’D MARRY SHRADDHA BECAUSE WE GEL WELL TOGETHER. ALSO, IT WOULD BE FUN TO DATE PRIYANKA. AND I’LL KILL DEEPIKA. SHE’S DATING RANVEER SO MIGHT AS WELL KILL HER Has anyone ever called your bluff? Karan (Johar) always calls my bluff. He knows when I’m lying. I can never lie to him. What’s the best compliment your brother Rohit has given you? He said Badlapur was my most consistent and best performance to date. He also says don’t worry about success. And his advice is don’t get too big for your boots. Finally, what else do you want at this point? I want to do another film with my father. My brother’s film is special to me. It’s an amazing script. I’m looking to crack it. I want to work with new age directors like Shoojit Sircar, Aanand L Rai, Anurag Basu, Imtiaz Ali…. I want to work with my co-star Yami Gautam again. I definitely want to work with Remo (Fernandes) sir again. It’s been an enriching experience. I’m also working with Shashank (Khaitan, Humpty Sharma Ki Dulhania) for sure. This is just the beginning. INTERVIEW Woman’s room Dia Mirza on making movies and babies… Henal Bhatt appreciates the actor/producer’s desire to live life as she dreams it S he’s moving well with the times. Even though she made her first impression in showbiz more than a decade ago, she’s continued to reinvent and push the proverbial envelope. The latest has been a turn towards film production. And Dia Mirza, the producer, is just at home behind the scenes as she was in front of the camera. But the new duties of making films hasn’t stolen time from her personal life. She continues to enjoy a blissful romance with better half and producer Sahil Sangha. Dia is literally living the best of both the worlds. Excerpts from a candid chat… How’s married life treating you? Sahil (Sangha) and I’d been together for six years before we got married. So nothing much has changed. The only thing that has is that people treat you as a couple – there’s a lot of care, joy and celebration. I’m still going through the honeymoon phase. I’ve a bigger family now and it can be overwhelming at times. But it’s lovely. Romance and marriage are different ballgame. How do you keep monotony away from your relationship? The word ‘monotony’ sounds scary. If you are two enthused individuals, who are constantly growing and aspiring to widen your horizons, there’s enough that you can share and learn from one another. I’m blessed to be with a partner who never allows monotony to creep in. Also, I’m constantly growing and PHOTOGRAPHS: ROHAN SHRESTHA curious. So there’s enough I bring back home to keep us entertained. Relationships are believed to be fickle in showbiz. What’s your take on that? This is a misconception. There are enough relationships that have been tried and tested by time and have survived. Even the young generation seems to be in fairly grounded relationships. It’s actually about the kind of person you are and the kind of choices you make. If something doesn’t work, it doesn’t work because it was not meant to work. Not because you’re an actor or a filmmaker. Today people are clear about the choices they make. Financial empowerment has made women stronger. As a society we are evolving, so change will be visible. Is the need to have a family intrinsic to a woman? Women are nurturers by instinct. Women, nowadays, wish to settle down once they start earning. It’s an archaic thought that you need to be married to be settled. You could be married and totally unsettled. If it’s not working, then it’s not a stable relationship. Also, as a woman you want to give birth to a child and that’s a life-altering experience. But there are women today who choose not to have children and that’s also perfectly fine. Do you want to be a mother soon? Absolutely. I have wanted to be a mother since I was a child. I’ve always been maternal, protective and caring. I was a single child. That’s another reason why you want to share and care for people around you. My best friends have inadvertently become my children. When you make a film, it’s no less I love attention. It’s not something I shy away from. I enjoy being in the spotlight. I enjoy the red carpet. I love my life in the movies than having a baby because you’re fostering hopes and aspirations. You’re nurturing a vision. You do all that you would with a child. And now that we’re married, we can officially have children. When God decides to gift us with a child, Sahil and I will have one. What would be a deal breaker for you in a relationship? It would be saying no without offering a reason. There’s nothing more stifling than a relationship which does not respect your intellect and your ability to make choices. Would emotional infidelity count as cheating? Until, I’m in a particular situation I wouldn’t be able to comment on it because it’s relative to the nature of your relationship. Infidelity is a complicated place. I wouldn’t be able to, until God forbid I’m in such a situation, define what it means to me. Many people remain married just for the sake of it… courage to go ahead. Five years back, few actors produced films and more so fewer women. There have been some interesting partnerships in the past. Like Juhi Chawla and Shah Rukh Khan have done well. They were superstars when they chose to make films. Many thought I would make one film, discover that this not a woman’s business and eventually run away. But I love it so much. There are enough stories to be told and enough people who are willing to back your choices. We’ve been working hard at three scripts. We are casting for two films right now. The one thing that Sahil has taught me is patience. Inshaallah, the next three years are going to be monumental for Born Free, my company, because they will define the next 10. Women are nurturers by instinct... I have wanted to be a mother since I was a child... Giving birth is a life-altering experience From being in front of the camera to working behind it… do you like this low-profile switch? My parents divorced when I was five. Both remarried. I’ve grown up with the realisation that two people can love each other but that doesn’t mean they have to live together. While I believe the institution of marriage is wonderful, I don’t believe it should be cumbersome or tie you down. If you’re suffocated in a relationship, you shouldn’t endure it. Because if you’re not happy then nobody around you can be. What was the transition from being an actor to a producer like? It was a natural progression. From the beginning I’ve been inquisitive, wanting to grasp the method in the madness. I learnt a lot from Excel Entertainment. Through time I felt a strong desire to tell stories and put it together. My friends nudged me to do it. If it wasn’t for Rajkumar Hirani,Zoya Akhtar, Jaideep Sahni and other friends, I would not have had the The audience today laps up content-driven movies rather than films that boast of a huge star cast… It’s an interesting observation. But tell me which film with strong content but no stars has done a business of 100 crores? Not one. We’ll continue to be a star-driven industry. Of course, you can’t have stars and no story. It is a combination of the two that drives the audience. NH10 was such a good film. How much money does a film like that make? When I watch a genuine film, I pray it makes money because then it encourages people to make good films. My life has never been low profile. I may be behind the camera but it’s my face still. And I don’t grudge it. The attention over the years has given me the ability to vocalise or campaign for so many causes. Yes, I could move into the shadows and continue making films but then that would be such a waste. Why would you want to waste your ability to communicate, to entertain, to be photographed, to be in the public domain and relish it? I love attention. It’s something that I’ve thrived on. It’s not something I shy away from because I am a people’s person. I enjoy being in the spotlight. I enjoy the red carpet because I love to celebrate an occasion and I want to applaud my colleagues. I love my life in the movies. Once an actor, always an actor! Any plans to direct a film? With husband Sahil Sangha I’d like to. There’s a lot of pressure from my friends. It’s flattering to have that kind of faith from people you respect. Maybe someday I will. I’ve never limited myself. It’s all about going with the flow and doing what you love at every phase of your life. Be ready for surprises. INTERVIEW WELCOME aking a comedy is no walk in the park. The genre is the toughest to pull off. But directorwriter Anees Bazmee has perfected the knack of making audiences laugh and also laugh his way to the bank. His bunch of comedies No Entry (2005), Welcome (2007) and Singh Is Kinng (2008) have endorsed his abilities as an entertainer. If No Entry was a lighthearted take on adultery, Singh Is Kinng left audiences ‘happy’ with the protagonist Happy Singh – Akshay Kumar. His Welcome, a farce with dons, made characters like Majnu bhai (Anil Kapoor), Uday Shetty (Nana Patekar) and Dr Ghunguroo (Paresh Rawal) household names. Now, he’s taken the franchise to the next level with Welcome Back. Produced by Firoz Nadiadwala, the film will have Patekar, Kapoor and Rawal reprise their roles from the prequel while John Abraham and Shruti Haasan are new additions. His getting Shiney Ahuja (plays Naseeruddin Shah’s son) on board for Welcome Back surely raised a few eyebrows courtesy the infamous rape case. “People asked me why I was taking Shiney. But I believed he was the best for the role I had in mind. I didn’t analyse too much. His personal life is a separate issue.” It was also the first time Anees has worked with veteran Dimple Kapadia (plays Maharani). “I’ve know her for years. I used to be the clapper boy in her films. She can address me as she wants. But she’s such a sweet and humble person; she called me ‘Sir’ since I was the director. She shot for all the scenes patiently.” M BACK ANEES BAZMEE IS BACK TO DOING WHAT HE DOES BEST. BRADLEY FERNANDES CHATS WITH THE WRITER-DIRECTOR, WHO HAS MADE A LIVING OUT OF LAUGHTER and diamond jubilees, I gained confidence and my next step was direction.” But he was discouraged by people who believed that writers could never become successful directors. “People scared me. They rattled off names of over a 100 writers who had failed as directors.” But right from his debut film Hulchul (1995), Pyaar To Hona Hi Tha (1998), Deewangee (2002) to the recent Ready (2011), Anees went on to debunk prejudice and follow his heart. “I understood my strengths. Also when your last film is a hit, everyone wants to work with you. Success pulls people towards you.” Nana Patekar, Anil Kapoor and Naseeruddin Shah in Welcome Back PEOPLE SCARED ME WHEN I WANTED TO DIRECT. THEY RATTLED OFF NAMES OF OVER A 100 WRITERS WHO HAD FAILED AS DIRECTORS Asin and Salman Khan in Ready Anees looks back to his fourdecade long journey. “I’ve been a recordist, I’ve worked in the art department. I even did editing before I became an assistant to Raj Kapoor for Prem Rog. I didn’t come from an affluent background. Earning money was my priority. I was even the ghost-writer for films where I got money but no name.” Later, he turned into a full-time writer with almost 55 films to his credit. The most prominent ones being Shola Aur Shabnam, Mujhse Shaadi Karogi, Deewana Mastana, Laadla, Andaz, Raja Babu, Aankhen and Swarg through the ’90s. “Once my film started hitting silver fter Ready, it has taken him four years to wield the baton once again. “My daughter’s marriage kept me away. Also, I was writing Welcome Back. I didn’t want to cheat the audience by doling out rubbish under the brand name. By God’s grace now I’m financially secure to afford a break.” There has been a strong buzz about a sequel to No Entry. “The script is ready. Salman Khan loved it. But as a director it’s not my job to trouble him for dates. That depends on Boneyji (producer Boney Kapoor),” he smiles. He’s also excited about an intense romance he’s planning with Ajay Devgn. But something that still scares him today is beginning to write a subject. “Writing is a tedious job. It needs isolation. You can’t write with 10 people around you. A blank paper is scary, sometimes you just can’t write the first line. Whereas while directing, you are surrounded by people.” True that. A NOSTALGIA Ramesh Sippy CLASH of the TITANS Shakti is part of cinematic history. And so is RAMESH SIPPY, the only director to have pitted Hindi cinema’s superlative actors – Dilip Kumar and Amitabh Bachchan – against each together. Here, he looks back at the casting coup and all else that followed with FARHANA FAROOK Aye aasman bata Kya tujhko hai khabar Ye mere chaand ko kiski lagi nazar Mujhse kahan na jaane koi bhool ho gayi... he lament of a father, also an upright police officer, rising above the screeching aircrafts to resonate in the dark skies as his son lies dead in his arms... cut a picture of epic devastation. It was not only the denouement of the film Shakti (1982) but also an affirmation of the icons that Dilip Kumar and Amitabh Bachchan are on the tarmac of cinema. Ramesh Sippy may never be able to live down the glory of the best-seller Sholay (1975) but he has yet another coup in his oeuvre in the form of Shakti. Not only does it celebrate the wizardry of screenwriting, it also celebrates the spunk of the director who made two mega stars face the camera for him as well come face to face with each other’s prowess. Yes Shakti was a power duel... where there were two winners! “With the actors I had, with the script I had, if I didn’t turn out a beautiful film how would I be able to forgive myself? The world would be unforgiving too,” states Sippy. His words, his memories... a classic revisited... T Dilip Kumar and Amitabh Bachchan in Shakti n DILIP SAAB AND AMITABH EXCELLED IN THE SCENE SHOT AGAINST THE STILLNESS OF SHEETAL’S (RAAKHEE) FUNERAL. BOTH HAD TO EXPRESS GRIEF IN THEIR OWN WAY CASTING TALES Like all directors, I too had a desire to make a film with Dilip Kumar – the Supremo. I discussed with Salim-Javed if we could think of a subject, which would suit Yusuf saab (Dilip Kumar). The South film, Thanka Pathakkam (1974), a story of a father-son conflict seemed interesting. Shivaji Ganesan had played both the father and the son. Producers Mushir-Riaz bought the rights of the film. But I wanted different actors for the roles of the father and son. I believe a double role somewhere restrains histrionics. Dilip saab’s career, those days, had hit a lull. He was playing double and triple roles. His films were going off target. Also there was talk about him getting ‘too involved’ with his films. In fact, his involvement was being regarded as ‘interference’ by filmmakers. There were instances where during the filming he was known to have said ‘something’s not right with the film, let’s shoot all over again’. There was worry about how one would deal with such a situation. I couldn’t have said, ‘Sir, let me do my work’. So Mushir bhai (producer) and Salim bhai (Khan) went to Dilip saab (they didn’t tell me about it then). They told him, “Here’s a great role, a good director… someone who could do justice to you. But he’s worried about you getting too involved with the film.” Dilip saab reacted, “No, no, I’m not like that.” They stated frankly, “Let Salim-Javed write the film, let Ramesh Sippy direct it, you just give a good performance.” They came back and told me that Dilip saab had said, “I myself do not like to get over involved because then I get lost.” The discipline was clarified at the onset. Dilip saab was the first one to be signed. The father’s role, that of DCP Ashwini Kumar (Dilip Kumar), was definitely more overpowering than son Vijay’s who was a traumatised character. So I suggested we take a newcomer for the son’s role to cut out ego problems. Amitabh’s name did come up. But since he was a huge star we couldn’t offer him the second role. We auditioned a new actor. But how do we get that brooding intensity? Meanwhile, Amitabh heard we were scouting for such a character. He asked, “Why am I not in this?” After all, we shared an old association. What we wisely did was narrate the script to both, n Raakhee with Dilip Kumar and Amitabh Bachchan o Amitabh with Smita Patil p Ramesh Sippy with Dilip Kumar o DILIP SAAB WOULD PUT HIS ARMS OVER MY SHOULDERS, TAKE ME ASIDE AND SUGGEST A CHANGE IN THE SCENE. BUT WHEN I’D EXPLAIN MY VIEWPOINT HE’D AGREE SAYING, ‘YOU’RE SO RIGHT. I’M SORRY! WE’LL GO YOUR WAY’. IF YOU SAY THE RIGHT THING THE ACTOR RESPECTS YOU Dilip saab and Amitabh, together. I told Amitabh, “Yours is a straight-jacketed role. There’s no occasion for flamboyance. You have to emote from within.” The son’s feelings towards his father take a somersault when as a young boy he’s kidnapped by a criminal and his father is willing to give him up for the sake of his duty. As he grows, the animosity towards his father affects their relationship. Amitabh loved the script; he loved the idea of doing a film with Dilip saab. His selfbelief was high and he was assured that things would not change later. Coming to Raakhee, hers had been a strong romantic pairing with Amitabh. But she wanted to work with Dilip Kumar. I too convinced her saying, “You’ve played Amitabh’s lover in many films. You’ll do some more. But where will you get a chance to do a film with Dilip Kumar?” Raakhee was appreciated in the film though she later accused me in jest of ‘killing’ her career. Smita Patil, as Vijay’s live-in girlfriend Roma, was also a waiting-in-the wings character. But it takes guts to stand in the wings. Your contribution, big or small, only adds to the total film. son. It was like a play. So it had to be intimate. The first scene we shot was with Raakhee in the kitchen, Dilip saab and she enjoying a causal banter. His playful mood continues as he walks over to answer the phone saying, “Coming… coming!”… where he’s informed that his son has been kidnapped. We did 85 takes for that shot. As the shooting progressed, Dilip saab grew comfortable with me. A couple of times, he’d put his arms over my shoulders, take me aside and try to suggest a change in the scene saying ‘suppose we do it this way’. I’d listen to him patiently and then explain my viewpoint saying, “As an actor you’ve shown me a new side. Normally, I’d have jumped at it. But this will seem inconsistent with your character’s graph.” He’d immediately agree, “You’re so right. I’m sorry! We’ll go your way.” If you say the right thing the actor respects you and doesn’t override you. I never interfered in their acting. I didn’t enact the scenes for them. I let them take it forward. My job was to keep them within the bandwidth of their characters. SUPER SCENES! LIGHTS, CAMERA, ACTION! p Sholay was an actionadventure film. Its canvas was huge and hence the 70mm and the stereophonic sound suited that. Shakti focussed on the angst between a father and Dilip saab and Amitabh, both excelled in this one scene, shot against the stillness of Sheetal’s (Raakhee) funeral. Both of them had to express grief in their own way. It was an introverted moment for the flying-off-the-handle me. He said, “Maine bhi apni zindagi mein bahut accha kaam kiya hai. I had heard about this young boy – Amitabh Bachchan. I had watched his work too. I saw Shakti as the coming together of two good actors. But now, I understand why he is where he is. He has many qualities - he’s persevering, hardworking, disciplined and much more… but above all he understands technique. He acts beautifully but he acts for the camera. Whereas I get carried away. I ask for more freedom from the camera. I want to first feel by instinct and then Producer Mushir, Dilip, Amitabh and Ramesh Sippy at the mahurat of Shakti Ashwini Kumar. He’s in disbelief, he’s broken and is sitting huddled in one place. Just then Vijay walks in. His mother had kept them together. She was the common bond, the buffer. He could have been angry with his father. But when he sees him shattered for the first time, in that moment he becomes the father. He touches his arm gently to express his sympathy. In that fleeting moment, the two exchange a glance... just when the police take him away. The last scene where Vijay dies in the arms of his father at the airport remains memorable too. It was here where he finally bursts out with his anguish. It was shot in one take. Since Vijay is lying in his father’s arms, Dilip saab couldn’t move much. His behavior then became a constant. It gave more freedom to the co-actor. We kept the crane camera floating so that we didn’t lose any moment. We wrapped up around 5 am. To say the performances rose above the script is unfair. You only bring to life what’s written on paper. It was not difficult for SalimJaved to have written ‘clap track’ dialogue. To write with restraint keeping the emotions tight was difficult. They played to the strength of the actors within the boundaries of the characters. DILIP KUMAR SALUTES AMITABH We were put up at the Centaur hotel while we shot this death scene. There Dilip saab shared something precious with Luckily, both had heard the narration together. Amitabh knew not a single line was cut. Yes, there was certain imbalance to his character – in that he had to internalise everything – but that was the premise. And only an actor like Amitabh could have held his own in front of Dilip saab. And he did have his moments. Apart from the death scene, his drunken scene was shot in one single shot – it involved 700 feet of film. To add to it, the Filmfare Award going to Dilip Kumar for Best Actor only reiterated Amitabh’s DILIP SAAB SAID ABOUT AMITABH,‘HE UNDERSTANDS TECHNIQUE... HE DOES HIS HOMEWORK IN HIS HEAD. HE’S AWARE WHERE THE CAMERA IS AND GETS IT RIGHT. SO HE HAS A RIGHT TO BE WHERE HE IS’ react. He understands all of that… but he also does his homework in his head. So when he performs he’s aware where the camera is and knows how to get it right. That’s why he has a right to be where he is.” In a sense that was Dilip saab’s salute to Amitabh. SHAKTI AND AFTER… After the release, Dilip Kumar got more attention from the critics. A famous critic wrote, “Mr Kumar has Mr Bachchan for breakfast.” It was clearly not in good taste. This affected Amitabh. There was some tension for a while. He felt injustice was done to him. The press reviews, the coterie around him were of the opinion, ‘Yeh to hona hi tha. Dilip Kumar ka palhada bhari hi hoga!’ belief that he was indeed short-changed. But it couldn’t be forgotten that Salim- Javed had a big hand in his unprecedented success. Why would the director and writers ever intend such a thing? Actually, Amitabh was not upset with the film but with the critics who made it seem like his failure. Nevertheless, over time he went on to own the film completely. Today he counts it among his best performances. On a lighter note, the critics then also listed 20 reasons why Jeetendra’s Farz Aur Kanoon released the same year with a similar theme was a better film. No doubt, it was a hit. But the comparisons were utterly laughable! Well, the ways of showbiz... reader’s reviews, box-office, celebrity column & more INSTA LIKE Workout wows! Our stars share their fitness fundas on Instagram Heading home after the workout SWEAT IT OUT No pain, no pleasure... remember the funda Shahid Kapoor is crazy about keeping fit and his Instagram feed is abuzz with his workout and post-workout pictures. After that he makes sure to relax while driving back home. Scrubbed beauty On the ball! Music motivates! GET THE GLOW LEGGY LASS Sonam Kapoor’s post workout selfie is giving us enough motivation to hit the gym. If a workout is the secret behind her glowing skin and gorgeous looks, we’re all for it. It looks like Nargis Fakhri has finally revealed the secret to her gorgeous legs – a good stretch in the gym. We also want to know what’s on her workout playlist. DOWN AND OUT ‘It’ girl Alia Bhatt knows that a lot goes behind the body beautiful. That’s why she goes the extra mile. The petite actress unwinds with this photo sharing her workout woes. Phew! Readers send in their feedback Shatrughan Sinha’s racy rejoinders LETTERS A Times Of India Publicat on August 12, 2015 `60 www.filmfare.com SHE’S A BIG GIRL NOW! ALIA BHATT’S JOURNEY TO THE TOP Taste the magic SCOOP! AKSHAY TO PLAY GAY, SRK TO PLAY DWARF KANGANA OUT, DEEPIKA IN Parineeti Chopra in a hot new avatar WATCH AL A BH TT COME ALIVE ON THE COV R FOR INSTRUCTIONS ON HOW TO USE TURN TO PAGE 18 Meet the starry winners of the smashing 62nd Britannia Filmfare Awards (South) IN THE MAIL READERS WRITE AND BITE BACK... WITH LOVE AND AFFECTION SPECTACULAR SOUTH The Britannia Filmfare Awards (South) celebrated the excellence of all the four film industries of the South on one platform and recognised their contributions and achievements. Filmfare deserves appreciation for not only bringing the stars of the South in an ambience similar to that of the Bollywood award nights but also lending a similar grandeur as seen in the performances and opulent sets. The Southern actresses can easily compete with our beautiful Bollywood divas in terms of their glamour. Many congratulations to all the winners and hope that our Southern industry continues with its remarkable attempts. After all, who can refute their immense talent? Rohin Arora via email nd 2Prize 1000 Alia Bhatt st 1Prize FEARLESS ALIA Alia Bhatt’s no holds barred interview (Age of Innocence) was the highlight of the August 12 issue. When actresses her age still remain wet behind the ears, this progeny of Mahesh Bhatt and Soni Razdan, two celebrities in their own right, has a firm head on her young shoulders. 1500 It’s remarkable that so early in her career she has outlined her priorities and has a clear vision about her future in the industry. Her decision to keep her personal and professional lives separate too is appreciable. She has a right to her privacy though a star attracts eyeballs galore. Above all, Alia is a brilliant actress who has proved her mettle in author-backed roles. CV Aravind, Bangalore Taapsee Pannu grooving at the 62nd Britannia Awards South REMEMBERING NUTAN Asha Parekh and Nutan in Main Tulsi Tere Aangan Ki The late Nutanji has been my favourite actress. I remember visiting her home on the 31st floor in Colaba when my father, the late filmmaker Raj Khosla, was shooting Main Tulsi Tere Aangan Ki (1978). She had thrown a party after renovating her apartment. She looked stunning in a gown standing next to her husband, the late LieutenantCommander Rajnish Behl. Nutanji was a professional. She'd reach the set much before dad, her make-up and costume in place. She'd emote easily… no glycerin was needed. Her hurt when husband Vijay Anand shies away from her on the wedding night, her confrontation with his mistress Asha Parekh, her transition from a wife to a mother in Tulsi was flawless. Anita Khosla, Delhi LETS GET FIT Parineeti Chopra’s journey of weight loss (Fitness Hijinks, August 12) is convincing because the actress has shown how effective her formula for fitness has proved with her recent transformation. She carries an enviable figure which, when coupled with her vivacious personality only adds to her magic. Anjali, Ghaziabad Parineeti Chopra Post your reviews to Baahubali A FUTURE FOR DUBBED FILMS SS Rajamouli’s blockbuster Baahubali is going strong even in its dubbed Hindi version. Producer Karan Johar, who distributed the film, has stumbled upon a goldmine of commercial success. Dubbed films rarely set the box-office on fire. But Baahubali’s success is no fluke. The extravagantly made film, with special effects and excellent choreography, is at par with Hollywood. There is now a future for dubbed films across India. The language of entertainment has no barriers indeed and Baahubali proves exactly that! A Vijayalakshmi, Bangalore Send us your views, opinions and suggestions to: Email: [email protected] Fax: 022 - 22731585 Mail: Reviews, Filmfare, The Times of India Bldg., 4th floor, D N Road, Mumbai 400 001, INDIA (Please mention your full name and address) OR Just one Point Vikrant Massey Vikrant Massey’s ability to hold his own among a plethora of stars in Dil Dhadakne Do is commendable and reading about his struggle in the August 12 issue (Massey Sahib) was inspirational. Abhijeet Sharma, Faridabad Gone are the days when a film would be considered a hit only if it ran for a number of weeks. Today, a film’s fate is decided on the first weekend itself. Dr Syed N Mamoon, Dhaka The Last Word (Chalte Chalte, August 12) makes me want to pick up Lord Meghnad Desai’s book on Meena Kumari. His in-depth understanding of Hindi cinema is a revelation. Kabir, New Delhi Even after 40 years, Sholay invokes the same excitement as it did in 1975. It is truly a landmark piece of cinema. Prakash Gowda, Vadodara SMS: FI PAA <space> <your review> <your name> to 53636 Terms & conditions: Any letter addressed to Filmfare will be the property of Filmfare and all copyrights for the same shall be vested with us. Filmfare reserves the right to use such letter/material/jokes for any purpose including commercial in the magazine or otherwise. READER REVIEWS PACKING A PUNCH! Karan Malhotra’s Brothers is surely a treat for action lovers BROTHERS FIGHT CLUB Brothers is not a usual Dharma Productions’ product. It’s an action film, which has dollops of emotion. Director Karan Malhotra, after Agneepath, gives us yet another action flick. But somewhere it doesn’t match up to his first attempt. Brothers spends the first half building up characters. There’s blood, gore, punches and power-packed action in the second half. Akshay Kumar has time and again proved that he’s the fittest actor in showbiz. Brothers underlines that further. Sidharth Malhotra surprises you with his act. He’s surely the hottest actor in town. The climax leaves you teary-eyed for sure. st 1Prize 500 Alisha Parikh, Ahmedabad ACTION AND EMOTION Director Karan Malhotra adds the right dose of action and drama to make his film a blockbuster. Brothers has mayhem and jabs but there is also a strong emotional undercurrent. While Akshay Kumar and Sidharth Malhotra carry the film well on their shoulders, the supporting cast comprising Jackie Shroff, Shefali Shah and Ashutosh Rana do a commendable job. Jacqueline Fernandez is getting better with each Akshay Kumar and Sidharth Malhotra in Brothers film. The item song, Mera naam Mary is a bit sleazy, something unexpected from Kareena Kapoor Khan. The song is a no match to Chikni chameli. Overall the film is good if you love the action genre. Suresh S, Meerut KNOCKOUT! Brothers is a remake of the Hollywood movie Warriors and does exceptionally well. Giving insight into the history and lives of the main characters, it leads up to the finale convincingly. Be it Jackie Shroff expressing his regret and conviction, Sidharth Malhotra showing his anger and motivation or Akshay Kumar who reveals his emotional fluidity, each actor excels. The intensive training that Sidharth and Akshay have undergone for their roles as boxers is evident on screen. Director Karan Malhotra has done a good job and credit must be given to the story and screenplay as well. The music of the movie is fun except for Kareena Kapoor Khan’s Mera naam Mary, which seems forced. Overall, the movie is entertaining! Ashwin Deshmukh, Pune TWIVIEWS Fans and readers tweet their mini reviews to @filmfare @twtlikeakhiladi: Brothers is an actionpacked movie with a generous dose of emotions. Watch it for Akshay Kumar! @shubdadial18: Brothers is a blockbuster. Akshay Kumar and Sidharth Malhotra are awesome and Jacqueline Fernandez looks gorgeous even sans make-up. @KritisanonOFC: I have become a fan of Akshay Kumar and Sidharth Malhotra after watching Brothers. It’s outstanding. @OfficialRimz: Brothers would have been better had the director not chopped off Sidharth Malhotra’s role! The original has Tom Hardy playing the same character and doing a better job. @sanjeebhot: Brothers is an inspirational and intense movie! The team – please take a bow! @JanakiD01: Brothers will leave you moist eyed. Superb! @BeingAlBalushi: Brothers is a decent film but the climax and the childhood sequences seemed frivolous. @hriday248: The first half is the character build-up while the second half is emotionally gripping. Go for Brothers! ALGORITHMS A still from Algorithms WORK OF ART BROTHERS IN ARMS I haven’t watched Warrior so I couldn’t compare it with Brothers. This Karan Malhotra movie tells the story of two estranged brothers and their father, a former martial arts champion. What follows is a decent storyline. The movie has sentimental scenes, which woo the audience. The scene where Jacqueline Fernandez shows her child’s face to Jackie Shroff and the one where the younger Sidharth Malhotra gives food to his father are worth mentioning. In terms of acting, Jackie Shroff is the best of the lot. Akshay Kumar’s and Sidharth’s roles require them to show emotional restraint, which itself is a challenge. S Majumdar, Kolkata ACTION PACKED Karan Malhotra’s Brothers is yet another remake from the director. While the Post your reviews to action sequences provide the typical adrenaline rush that is expected in action movies, there are unfortunately more fists than words. I wish there was more of a backstory to the characters and how they reach the stage where they fight each other irrespective of the fact that they’re brothers. But the performances are praiseworthy. All the actors - Jackie Shroff, Akshay Kumar, Sidharth Malhotra and Jacqueline Fernandez - played their scripted parts with perfection. Parul Rajput, Ahmedabad BORING I went to watch Brothers thinking that the film will yet another gem from Dharma Productions. However the film is a super bore and there’s no entertainment factor in it. Sanjay Sharma, Lucknow Send us your views, opinions and suggestions to: Email: [email protected] Fax: 022 - 22731585 Mail: Reviews, Filmfare, The Times of India Bldg., 4th floor, D N Road, Mumbai 400 001, INDIA (Please mention your full name and address) OR I wasn’t aware that a sport like Blind Chess existed. But when I read about the movie Algorithms I felt curious. The film turned out to be insightful and funny. The camera work and the classical Indian music used for the background score were fantastic. The story is about four blind chess players. Darpan’s and Sai’s stories leave a deep impact. The movie shakes you up. It engages you through two hours. The chess games between blind people are exciting and entertaining. It didn’t even seem like a dry documentary because it made a deeper comment on life and survival. Shailesh Prabhu, Mumbai SPORT OF SURVIVAL Why did they make Algorithms in black and white? Perhaps it was to hint at the lack of colour in the lives of the protagonists. The monotone set a depressing tone. It did lend an artistic touch to the game of chess and to the lacklustre lives of the visually challenged. But to the viewer, it spelt ennui. Director Ian McDonald’s camera work is engaging. My favourite shot was of the blind volunteer in the lift. Even though the story is fantastic, I missed a sense of vivacity. Prajakta Deb, New Delh SMS: FI PAA <space> <your review> <your name> to 53636 Terms & conditions: Any letter addressed to Filmfare will be the property of Filmfare and all copyrights for the same shall be vested with us. Filmfare reserves the right to use such letter/material/jokes for any purpose including commercial in the magazine or otherwise. WEB WATCH In 140 characters… PRESENTING THE MOST INTERESTING TWEETS OF THE FORTNIGHT GONE BY @NargisFakhri: “Why do places put like a cup of butter on your vegetables? Why is it so hard to have plain simple healthy food. Steamed boiled that’s it.” @akshaykumar: “Here’s another of my fav. workout methods 4 all u fitness junkies ;) The Human Bucket #PommelTraining #TricepsForLife” Superstar Akshay Kumar trained extensively to play a Physics-teacher-turned-mixed-martialarts-fighter for Brothers. This picture of his favourite workout proves how fit he is even at his age. It’s no secret that Nargis Fakhri is super health conscious. We can understand her plight as she grimaces about the luxuriously buttered food. @aliaa08: “Thank you @ atulkasbekar for this!!!! Guess this makes me a #Gooner officially. Or is it Goonerette?Come on Arsenal!!!” @priyankachopra: “Respect. Pride. Gratitude... for the Indian Armed Forces! #SaluteSelfie #JaiHind #ArmyBeti” Actively taking part in the Salute Selfie campaign for Independence Day, Priyanka Chopra, the daughter of an ex-army sericeman herself, pays a tribute to the Indian army. Alia Bhatt is showing off her sporty side and how! She gleefully wears the jersey of Arsenal FC and manages to make it look oh-so stylish. A gift by ace photographer Atul Kasbekar for the lovely actor. You go, girl! @udaychopra: “I believe in the Descartes diet. I think of it, therefore I’ll eat it.” Uday Chopra is easily one of the funniest celebrities on Twitter and this time, he combines an intense philosophy with his love for food, giving us more than a fair idea of his dietary regime. We like! BOX-OFFICE FIGHT CLUB Brothers brought out the trials and the tribulations of those obsessed with mixed martial arts (MMA) to Indian audiences. The violent sport is yet to find a foothold in our cricket obsessed nation. But maybe the film’s popularity will help the youth take to its rigourous training. It’s a harsh truth that the generation gap has become wider and wider as the years go by. All Is Well has the right idea but shoddy execution diminished its chances at the box-office BROTHERS ` 72.6cr FIRST WEEK’S COLLECTION DIRECTOR: Karan Malhotra CAST: Akshay Kumar, Sidharth Malhotra, Jacqueline Fernandez, Jackie Shroff RELEASE DATE: August 14, 2015 RAPID REVIEW: Official remake of Hollywood hit Warrior. VIEWER’S VERDICT: “The fight scenes were truly awesome.” – HIT Dhananjay Mane, 24, photographer ALL IS WELL FIRST WEEKEND COLLECTION `12cr DIRECTOR: Umesh Shukla CAST: Rishi Kapoor, Abhishek Bachchan, Asin, Supriya Pathak RELEASE DATE: August 21, 2015 RAPID REVIEW: A film revolving around the misadventures of a dysfunctional family. VIEWER’S VERDICT: AGE R AVE “It does offer its share of laughs but remains a slipshod effort overall.” – Prasad Nimbalkar, 30, engineer ASK ME Shatrughan Sinha’s Rapid fire Does contentment come in the way of success? Krittika Mahesh, Jaipur Success is an achievement. Contentment is nirvana. Contentment doesn’t necessarily come with success. It comes when you can learn to live the ‘con’ tent and still remain happy. What school of acting do you prefer? Method acting or spontaneous acting? Chandrasekhar Malkan, Gandhidham The spontaneous method of acting. Which day has more importance in your life - Children’s Day, Mother’s Day or Father’s Day? Girish Durgawat, Udaipur Family Day, the fun day… Sunday! Why is that floods in Assam don’t get media attention whereas a minor water logging in Mumbai goes the whole hog? Is this fair? Mr Longkiri Phangcho, Assam Not fair at all. But then who said life was fair? What is the difference between a song and a lullaby? Which is more soothing? Anna Mary Yvonne, Chennai Songs make your imagination run wild and a lullaby makes you dream. Generally, lullabies are sung to children to soothe them. So, what is more soothing, a song or a lullaby depends on whether the child is in the cradle or you are a cradle snatcher. What’s with this newfound love for sex comedies? JS Acharya, Hyderabad Because it’s ‘newfound’, handle with care before you fondle. What is the best way to empower women? Poonam Mehto, New Delhi To answer you Poonam, I have to think twice before my wife Poonam reacts as she reads between the lines. Why are Madhubala and Marilyn Monroe considered a class apart, although both of them died at the age of 36? Nusrat Quadri, Patna My dear, what has age got to do with class, rise or size? Is the Internet making us stupid? Nikhilesh Bhure, Nagpur I don’t know about making us ‘stupid’. But it’s certainly making us addicts. It’s making us lazy and taking away the skill of fine handwriting. Enigma: Marilyn Monroe What are your four tips to control pollution? Joyce Mary, New Delhi Swachh vyavhar (healthy interaction), Swachh aahar (healthy food), Swachh vaayu (healthy air), Swachh vaatavaran (healthy atmosphere). This will surely lead to Swachh Bharat. 1st Prize MGR, NTR, Jayalalitha... all these actors became CMs after joining politics. When will your turn come? Abhinav R, Bangalore If you are keeping with the current news, your wish might be granted. 2nd Prize Education is said to be the most powerful weapon with which you can change the world... Naresh Nath, Jaipur Weapons cause harm. Education, if turned into a weapon, can lead to destruction. Education is knowledge gained at the right institution. With the correct mentors one can change the world. (Feature co-ordinated by DEVESH SHARMA) Venus of India: Madhubala Send Your Question to Readers may send in their questions to: Email: fi[email protected] Fax: 022-22731585 Mail: Sawaal Jawaab, Filmfare, The Times of India Bldg, 4th floor, D N Road, Mumbai 400 001, INDIA (Please mention your full name, contact number and address) or Please note: The column doesn’t reflect Shatrughan Sinha’s political or personal views. His answers are given in jest and humour. SMS: FI <space> SJ <space> <your question> <your name> to 53636 YOUR QUESTIONS WILL BE FORWARDED TO: Shatrughan Sinha, who insists his answers do not reflect his political and social views. z Terms & Conditions Apply Winner will bear all applicable taxes z Original products may differ from the one shown in the picture & will be as per supplier’s/manufacturer’s terms & conditions z The magazine will not be responsible for the product. LAST WORD BY JITESH PILLAAI STRIKE IT OUT! T he ongoing tussle between the students and the powers that be that’s happening in the corridors of India’s premier film school, The Film and Televison Institute of India (FTII) makes for a case for more such institutes in the country. We have heard of strikes happening in the institution before. It’s a place where budding dream merchants go to hone their craft and such individuals, generally, posses a high degree of intolerance towards authority. They get belligerent whenever they perceive their freedom is getting curbed. Dissent is a sign of a healthy democracy and its students have always stood for individual freedom and creative rights. FTII is an establishment from where legends like Naseeruddin Shah, Shabana Azmi, Jaya Bachchan have passed out. Everyone from filmmakers Adoor Gopalakrishnan to Hrishikesh Mukherjee have been part of the faculty and associated with the hallowed portals of the FTII. Given the scope of the Indian market and its international reach, it’s time for private players to step in. Out there in the West, cinema is taught in most leading universities as a degree course. Prestigious filmmakers, actors and technicians feel honoured to be on the visiting faculty of these institutions. The interaction of young hopefuls with current practitioners of the craft works both ways. The students learn what’s relevant and the stalwarts get to choose from the best among the creative minds. A new crop of competent practitioners of film craft gets created in the process. Another merit of such institutes is that they go on to give valuable hands-on experience to students as they get to be part of ongoing projects of the visiting faculty. India is fast becoming the outsourcing hub for computer graphics and it would be great if meritorious institutions start teaching VFX and applied arts to cater to this ever increasing industry. The same outsourcing model can be extended to other fields as well. A file picture of the FTII Jaya Bachchan Naseeruddin Shah Shabana Azmi What’s stopping us from developing a stream of competent cameramen or editors or art directors or sound editors that cater to European or American film and TV industries? Another plus point of private players joining hands with universities to create film schools is that it will lead to better archiving. Today, we neglect creating a bank of film memorabilia. I’d personally love to see Shah Rukh Khan’s first screen test or the uncut version of Mughal-e-Azam or the deleted scenes from Dilwale Dulhania Le Jayenge. Archival societies, film museums and film appreciation courses for the layman will lead to a better understanding of cinema and hence to better films. We have the potential to become a cinematic superpower. China, with its cutting edge studios and world class technicians, coupled with a booming box-office, is fast becoming one and we should aspire to meet that. Let’s hope those who can bring about the change pay heed... [email protected] Twitter @jiteshpillaai