Congress Programme
Transcription
Congress Programme
P S Y C H O A N A LY S I S IN TIMES OF PERVERSION A P P I A NNUA L C ONG R ESS Keynote Address: Leonardo Rodríguez (Australia) Carmelite Centre, Aungier St. Dublin 2. 21.11.2015 association for Psychoanalysis & Psychotherapy in ireland Psychoanalysis & Psychotherapy in Ireland “One of the paradoxical claims Lacan makes about perversion is that while it may sometimes present itself as a no-holds-barred, jouissance-seeking activity, its less apparent aim is to bring the law into being: to make the Other as law (or law-giving Other) exist. [...] The pervert does not desire as a function of the law – that is, does not desire what is prohibited. Instead, he has to make the law come into being.” promise a future to compensate for the awful discoveries of childhood – of mutilation, loss, and death. And yet the resistance (or perhaps even subversion) that perversion offers to the father, to the law, seems for others to promise freedom. This ambivalence surrounding the category of the perverse suggests both the richness and dangers of using the term.” Rothenberg, 2003 Fink, 2003 “The emergence of perversion as a description of behaviours and desires, as discursive constructs, as fundamental psychic structures, and as political positions has been accompanied by an increasing valorization of the perverse for its analytic possibilities as well as for its revolutionary potential. For most earlier writers, there was little question but that the perverse belonged to a class of ills to be avoided or cured. The Kantian pervert acts, to the detriment of all, on inclination and pleasure rather than the stricter dictates of duty, soul’s reason. The Freudian pervert fails to leave behind the polymorphous pleasures of infancy for the narrower utility of reproductive genital sexuality. While the normal neurotic wrestles with the inability to find true satisfactions within the boundaries of lawful encounters, the pervert remains in a world left frighteningly open by the father’s failure either to close the door on early pleasures or to – The fantasmatic nostalgia (emblematic perhaps of the 21st century) for a time when ‘things were different’: when the Other could be counted upon for laying down the law and attempting to govern jouissance, insofar as it testifies to an absence of the intervention of the paternal function, may be regarded as perverse. The pervert, the perverse, and the field ambiguously covered by the term ‘perversion’ can be articulated with the social relation and with psychoanalysis. The 22nd annual congress of the APPI takes for discussion and scrutiny the function and field of psychoanalysis in times of perversion. front cover image: Abigail O’Brien Black Bella 2006, Edition of 1 + 1ap, Lambdachrome colour photograph under museum glass, 130 x 90 cm P S Y C H O A N A LY S I S association for Psychoanalysis T I M E S &OPsychotherapy F PERVERSION I N in ireland A P P I A NNUA L C ONG R ESS Keynote Address: Leonardo Rodríguez (Australia) 21.11.2015 Psychoanalysis & Psychotherapy in Ireland association for Psychoanalysis & Psychotherapy in ireland Programme 08.45–09.00Registration 08.55–09.00 Chairperson’s Welcome 09.00–10.30 Panel 1 – The Pervert’s Guide to Identity, Semblance and Pornography Eve Watson – From Transsexual to Transracial: The Rise of Identitarianism and Challenges to Contemporary Psychoanalysis Marlene ffrench Mullen – Perversion – a Stretch between the Fundamental Fantasy and the Analytic Discourse? Ray O’Neill – Fifty Shades of a: A Terrible Beauty is Porn 10.30–11.00 Coffee 11.00–12.15 Keynote Address Leonardo S. Rodríguez – Questions Posed by the Analysis of Perverts 12.15–13.15 Panel 2 – The Pervert’s Guide to Comedy and Humour Christine Gormley – Comedy and the Phallus: ‘You can put your finger on it’ Sara Devlin – It’s Only a Joke...Or is it? Film Clip introduced by Ray O’Neill 13.15–14.00 Lunch 14.00–14.45 Gerry Sullivan – Perversion – Further Thoughts... 14.45–16.15 Panel 3 – The Pervert’s Guide to Transgression, Migration and Politics João Gabriel Lima da Silva – Lessons From the Bedroom: Transgression and Subversion in the Perverse Position Gerry Moore – Psychoanalysis in Times of Mass Migration Carol Owens – The Personal is Political: the Political is Perverse (Shame on you Jack Dawson!) 16.15–16.45 Tea 16.45–18.15 Panel 4 – The Pervert’s Guide to Guilt (Highsmith), Superego (Bataille) and Bureaucratic Jouissance (Kafka) Michael Holohan – Perversion, Transference and Guilt in Patricia Highsmith’s The Talented Mr. Ripley Nadezhda Chekurova-Almqvist – ‘I’m Just Doing My Job’: Bureaucratic Jouissance in the Institution Raphael Montague – Death in the Afternoon: The Strange Trial(s) of Gilles de Rais 18.15–20.00 Wine and Canapés Reception Abstracts Panel 1 – The Pervert’s Guide to Identity, Semblance and Pornography Eve Watson From Transsexual to Transracial: The Rise of Identitarianism and Challenges to Contemporary Psychoanalysis The recent examples of Caitlin Jenner (transgender) and Rachel Doluzel (transracial) are helpful in exploring some of the current discursive and identitarian trends and practices in identity, gender and sexuality. This paper proposes that these trends and the forms of subjectivities they inhabit are linked to contemporary dominant paradigms and their ‘investment’ in both equality and difference. These identitarian trends are challenging to psychoanalytic practice today – how do these discursive and cultural practices affect both the analyst’s and the patient’s transference to the non-locatable subject (in discursivelinguistic terms) who always exceeds his/her corporeal delineation and for whom identification is a stopgap to the real while also paradoxically operating as a socio-cultural link? The fact that there are challenges to psychoanalysis implies that there is also resistance. What is the nature of this resistance? Do we conceive of this as a subversion of sexual difference or not? What are the implications for psychoanalytic practice? Marlene ffrench Mullen Perversion – a Stretch between the Fundamental Fantasy and the Analytic Discourse? If many arrangements are possible to respond to one’s solitude… how do we think about perversion psychoanalytically in the era of the semblants, where it is said that desire and love are no longer necessary to ‘faire couple’? How do we diagnose? Do we still diagnose at a time where each must find their singular solution to enjoyment. Is there still such a thing as transgression? In other words, is this the moment to rethink the status of perversion in the elaboration of clinical psychoanalytic practice? In this paper I will address these questions in order to be able to orient ourselves within social relations where the signifiers ‘man’ and ‘woman’ no longer hold sway as signifiers of difference. Ray O’Neill Fifty Shades of a: A Terrible Beauty is Porn Increased internet availability has instituted greater normalisation of pornography, evidenced in media representations, and within clients’ sexual discourse. When desire is the desire of the other, trying to keep up with the sexual Kardashians involves getting our porn on within a larger discourse of what is sexually ‘desireable’. The Fifty Shades of Grey Zeitgeist arouses shifts in how people are ‘now’ supposed to desire. In Ireland, this year’s Valentine’s Day Fifty Shades of Grey release coincided with an Irish BDSM murder trial. The contradictory (or not) messages glamorising the film’s bondage, against trial reports demonising alternative sexualities whilst aligning them to mental health issues, creates a treacherous sexuality where an open minded desire-ability, allied to pornography and on-line dating, is determined against the threat of real violence and murder. But nothing new is ever discoursed, when St. Valentine, the archetype of romantic and courtly love, was martyred and clubbed to death. In our cultural discourse, death and sexuality, pain and desire, are eternally chained and bound. Keynote Address: Leonardo S. Rodríguez Questions Posed by the Analysis of Perverts A few questions arising from clinical experience with perverse patients require answers that are not currently provided by our accumulated experience and theoretical constructions. The very status of perversion as a clinical structure and its specific mechanism, the symptoms in and of perversion, our ethical stance vis-à-vis perverse sexuality and its impact on the analyst’s desire and the analyst’s countertransference – these are some of those questions. They emerged in the course of my clinical work, and I have been studying possible answers and critically examining the relevant work of other psychoanalysts: in particular Sigmund Freud, Jacques Lacan, Hanns Sachs, Helene Deutsch, Jean Clavreul and Giles Deleuze. Panel 2 – The Pervert’s Guide to Comedy and Humour Christine Gormley Comedy and the Phallus: ‘you can put your finger on it’ “Tristram Shandy est le roman le plus analytique de la littérature universelle.” Despite this passing remark of Lacan’s in 1966, relatively little has since been written about Laurence Sterne’s novel from a Lacanian perspective. This paper will present a reading of the novel with particular reference to the link Lacan draws between comedy and the phallus. Departing from Freud’s analysis of smut in his landmark text Jokes and their Relation to the Unconscious, this paper will examine the link between the sexual and language in relation to the bawdy humour of Tristram Shandy, as well as that between the sexual and writing specifically apropos of Lacan’s claim that writing is what is written on account of the sexual non-relation. It will ultimately support Alenka Zupancic’s claim that on the one hand comedy is not without consequences for the Other insofar as it contributes to a separating of A and a, and that on the other hand, comedy proper concerns a demystification of the phallus. Sara Devlin It’s Only a Joke... Or is it? In this paper my aim is to take a brief look at Perversion – ‘loosely’, in relation to humour. Comedy, Satire, Ironic device and dark ‘gallows’ humour have been used elaborately throughout recorded history as powerful weapons involved in the commentary and critique of political, social and religious issues. Of course how the satirist or indeed the joker uses his creative talent and injects it into his work as an effective tool to put a message out into the world, may be at times called into question. Is there an end point or limit of transgression to which a joke may not or perhaps should not go? A point where poking fun at a particular person or issue is not that funny after all, in a broader context. Where obscenity enters the realm of the irreverent and the profane, are we straying into the area of the perverse? There are those who would say that in the greater interests and free spirit of expression there are no limits, what Lacan might refer to as an excess of Jouissance. Whereas it may be impossible to entirely forsake pleasure and psychoanalysis recognises this, yet it does not support a drive towards hedonism either. However, there is a strong connection between comedy and the perverse and they both set challenges for institutions of power which undermine human life and at the same time complement one another in achieving a desired effect. As human subjects we are divided in and by the language we use and so there is always a disjunction between what we desire and what society demands. Yet since sublimation is a matter of ethics we do have an opportunity to experience liberation and create a space from which it is possible to attribute certain values to something outside what might be considered the ‘common good’. If by its very unbridled nature Jouissance has the effect of cancelling-out the symbolic, sublimation aspires to reconfigure it by introducing ‘bits’ of Jouissance into the realm of signification. Panel 3 – The Pervert’s Guide to Transgression, Migration and Politics João Gabriel Lima da Silva Lessons From the Bedroom: Transgression and Subversion in the Perverse Position This paper aims to approach the perverse individual’s jouissance as being the position which affects the lack in the Other, generally causing repulsion and horror owing to the sole fact that it shows neurotic fantasies unveiled. However, a neurotic response to the perverse could be not only the reprehension as an abomination and an appeal to moral values (that is, a strengthener of the superego), but it could be an opportunity to put into question the very structure of contemporary morals and desire. Put differently, the objective of this paper is to place the perverse not merely as a deviant, but, rather, my proposal is understand the perverse as someone who is able to denounce the lack in our still neurotic world and who poses problems for our contemporary moral values – particularly the bourgeois and contradictory ones. The excess of the perverse can lead us to question our own way of jouir; his transgression can somehow inspire a more radical way of dealing with our political issues and his subversive spirit could impel us to be less lethargic with our own desire. For the purposes of this exploration, beyond the theoretical bibliography (Freud, Lacan, Miller, Nobus, Valas), I will use few contemporary clinical cases and some pieces of contemporary literature, especially the books of the Brazilian writer Rubem Fonseca. Gerry Moore Psychoanalysis in Times of Mass Migration Psychoanalysis emerged from the parlours of Vienne with a theory of the unconscious that challenged society by demonstrating that we are not masters in our own houses. This lesson about the lack of personal autonomy took place in a Europe where the Masters of society were also discovered that they could be toppled and dispensed with, all be it at a great cost of individual human suffering. The suffering generated by the horror of the Great War created a foundation for our understanding of trauma. It provided a glut of symptoms on which the emerging psychoanalysts could test their hypothesis, develop their theories and forge their careers. A second war (WWII) created a whole new landscape in Europe, and for a period of time attempted to eradicate human rights and freethinking. Psychoanalysis suffered and many analysts’ Freud amongst them became unintentional migrants. This sparked a new era of thinking about the structure of the human mind, in the war orphanages of London and the lecture halls and clinics of the USA. Psychoanalysis was never to be the same again. Post-war Lacan championed the dynamic unconscious around a new set of borders, language, desire and jouissance. Today a new wave is invading Europe, refugees seeking asylum, marching across borders and straight into our psyche via social media and the new prosthesis the smartphone. How can we incorporate immigrants and what kind of new psychoanalysis will emerge and respond? This paper explores what psychoanalysis says when boundaries are shattered, when new laws need to be brought into being when some new or refined law-giving Other is urgently required; urgency that the unconscious deals with in a uniquely perverse manner. Perhaps there is a place for a creative subversive perverse talent that challenge what is failing, what is washed up on the beaches of Europe. Should psychoanalysis, be subject to the tide, drown in the shallows or ride some favourable wave in rethinking social bonds and responding to traumatic encounters. Carol Owens The Personal is Political: the Political is Perverse (Shame on you Jack Dawson!) If we agree with Molly-Anne Rothenberg that political action is always prompted and shaped by the perverse fantasy of wholeness, omnipotence, linear causality, and/or the recovery of lost essence, it follows that each individual participates in this fantasy in his/her own way to the extent that he/she is involved in the political action and according to his/her own structure as parletre. In political action then, the symbolic space becomes a field in which the defences and jouissance of individual psyches can be activated. This paper examines the case of a man calling himself Jack Dawson appealing to left-wing activist groups in the UK to mobilise a ‘survivor’ discourse around paedophilia and paedophiles. I will outline the problem as I see it: political activism can mobilise on the one hand the fantasy of equal entitlement to jouissance (liberation for paedophiles, say), while on the other hand it can deny that jouissance is a problem (because the personal is always already of the political and thereby obfuscates the paternal function with the Law). Panel 4 – The Pervert’s Guide to Guilt (Highsmith), Superego (Bataille) and Bureaucratic Jouissance (Kafka) Michael Holohan Perversion, Transference and Guilt in Patricia Highsmith’s The Talented Mr. Ripley How is it that a work of fiction can make us feel guilty? In this paper I analyze The Talented Mr. Ripley with an eye towards the ways that character, narrative and genre operate in the creation of a formal affective economy whereby guilt is produced in the text and transferred onto the reader. I argue that the transferential relationship between the reader and the text takes a perverse form and provides a key to understanding what might be called the text’s perverse structure. The genre of the crime novel is concerned with the commission or solving of a crime, including the question of a character’s guilt. Highsmith’s particular talent lies in creating a tight narrative link between the reader and Tom Ripley, the novel’s protagonist-murderer. The possibility of the reader occupying this subject position is produced as a structural effect of the text. As such, the reader becomes implicated in Ripley’s crimes. Because Ripley is guilty but never acknowledges it, the result is a freefloating quantity of guilt for which a proper place must be found. Having been formally implicated in Ripley’s crimes through narrative identification, the reader finds Ripley’s guilt transferred onto him – or herself. In making it possible to transpose guilt from the text to the reader, Highsmith’s narrative isn’t merely about guilt, but actively produces it. I argue that it is left to the reader to take up the question of guilt in place of Ripley. In this way, the text mirrors the structure of perversion in its form of address to the Other, as well as in the pervert’s transference towards the analyst (and vice versa). Having produced affect in the reader through the manipulation of the reader’s transference, and inviting the reader into an affective response, Highsmith’s text, like Ripley, seduces the reader and leaves him or her holding the bag. Raphael Montague Death in the Afternoon: The Strange Trial(s) of Gilles de Rais “Body clings greedily to body; moist lips are pressed on lips and deep breaths are drawn through clenched teeth. But all to no purpose. One can glean nothing from the other, nor enter in and wholly be absorbed, body in body; for sometimes it seems that this is what they are craving and striving to do, so hungrily do they cling together in Venus’ fetters, while their limbs are unnerved and liquefied by the intensity of the rapture. At length, when the spate of lust is spent, there comes a slight intermission in the raging fever. But not for long. Soon the same frenzy returns. The fit is upon them once more. They ask themselves what are they craving for, but find no device that will master their malady. In aimless bewilderment they waste away, stricken by an unseen wound.” Lucretius, The Nature of the Universe What are the possible conditions for diagnosis in the trial transcripts of Gilles de Rais? When there is a psychotic phenomenon, if someone says there is a psychosis, then he must show its axiom. This must also hold in terms of perverse traits and perverse structure. This paper seeks to examine the function of identification both in perversion as a discourse (or circuit of discourse) and as a subjective position, bearing in mind the manner in which identifications are articulated in terms of a message on the signifying side, but also on the side of jouissance: how jouissance dwells in the symptom under the form of Unlust. Nadezhda Chekurova-Almqvist ‘I’m Just Doing My Job’: Bureaucratic Jouissance in the Institution These days, we can find ourselves in desperate situations. Behind a desk, we ask for someone’s help only for it to be kindly refused. Part of this refusal may involve the words, ‘I’m just doing my job’. They are often said quite comfortably, without any sympathy and even uttered rather professionally. This paper explores how we can speak about these (and other) phrasings/mechanisms of jouissance in bureaucratic institutions from a psychoanalytic perspective. I will elaborate on these questions taking examples from works such as Kafka’s The Trial. Biographies Nadezhda Chekurova-Almqvist is a psychoanalytic therapist based in Dublin and a member of the Dublin Lacan Study Group. She graduated from Sofia University, Bulgaria with a degree in Social Work, an MPhil in Psychoanalytic Studies from Trinity College Dublin, and an MA in Psychoanalytic Psychotherapy from Independent Colleges. She regularly participates in study groups and has given various presentations including Working with New subjectivities: The Barbarred Subject? and A Name which is not Oedipus? Subjectivity in a Society without Fathers. Sara Devlin has recently completed a Masters degree in Psychoanalytic Psychotherapy. She has a background in Nursing and the caring professions, having worked with both children and the elderly. She is in Private Practice on the North-side of Dublin and is shortly commencing studies in Play Therapy with children. She has a particular interest in the area of cultural diversity and perversion in its various modalities. Marlene ffrench Mullen is a psychoanalyst in private practice in Co Wicklow for the last 10 years. She is a Registered Practitioner of APPI and a member of ICLO. She is at present Hon. Secretary of APPI. She has participated and tutored on the various programmes for continuing studies organised by APPI. Christine Gormley recently completed a clinical Masters degree in Psychoanalytic Psychotherapy at Independent Colleges Dublin. She holds an M.Phil. degree in Psychoanalytic Studies from TCD and a B.A. in English and Philosophy from UCD. She is a member of A.P.P.I. and currently practices in a clinic in north inner city Dublin. Mike Holohan has an interdisciplinary background in psychoanalysis, literary theory, and philosophy. He earned his doctorate from the University of California Santa Cruz, Department of History of Consciousness. His dissertation explores the role of rhetoric and figurative language in the construction of psychoanalytic theory. Michael has lectured at Dublin City University and the University of California Santa Cruz. He is a writing tutor at the Technical University of Munich and is undergoing psychoanalytic training at University College Dublin. Gerry Moore is a lecturer in Psychotherapy and Mental Health at Dublin City University where he teaches on the Masters and Doctorate programmes in Psychotherapy, mental health and psychology. He is a registered practitioner member of APPI, has served on a variety of APPI committees and authored, published and presented papers on a variety of topics in the fields of mental health, addiction, psychoanalysis and psychotherapy services. Ray O’Neill is a psychoanalytic psychotherapist working in private practice in Dublin and Cork. As Ireland’s only resident male published Agony Aunt, Ray writes significantly (and sometimes with significance) about love, relationships, and desire in the 21st century. He recently completed his doctoral research on how likekind desiring men’s subjectivity, desire and identities have culturally and psychoanalytically come to be structured by/around/through the signifier homosexual, especially within contemporary pornified sexual hyperreality. He is currently undertaking study in cross-cultural sexual therapeutic models with Authentic Eros in New York. Carol Owens works in private practice and conducts clinical supervision. She has lectured on many aspects of Lacanian Psychoanalysis (TCD, DCU, Independent Colleges Dublin) over the past 10 years. She is the founder and convenor of the Dublin Lacan Study Group. She is a Registered Practitioner member of the APPI and current Chair of the APPI Scientific Committee and member of the APPI Training Committee. She has presented her research at congresses in Ireland and further afield. She has published work in the fields of Critical Psychology, Zizekian studies and Psychoanalysis. Forthcoming publishing includes an essay on Anhedonia, Bulimia and Film, in P. Gherovici and M. Steinkoler (2016) Lacan, Psychoanalysis and Comedy, C.U.P. [email protected] Dr Leonardo S. Rodríguez is a psychoanalyst, a founding member of the Australian Centre for Psychoanalysis, an Analyst Member of the School of Psychoanalysis of the Forums of the Lacanian Field, an Adjunct Senior Lecturer with the Department of Psychiatry, Monash University, and the Coordinator of the Master of Psychoanalysis program, Victoria University. He has published Psychoanalysis with Children (London and New York, Free Association Books, 1999) and numerous book chapters and articles on psychoanalytic theory and practice in different languages. Address for correspondence: [email protected] João Gabriel Lima da Silva is a Ph.D. researcher in the Psychoanalytic Theory Postgraduate Programme at the Universidade Federal do Rio de Janeiro. He published the book O Castelo da experiência: Walter Benjamin e a literatura [The Castle of Experience: Walter Benjamin and the Literature] (Appris Ed., 2015). He has presented papers in the Human Rights, Literature, and the Arts and Social Sciences Conference (USA), and in Rousseau’s Tercentenary Conference organized by Colorado College (USA), and at Middlesex University (UK). Gerry Sullivan is a member of the Centre for Freudian Analysis and Research (London), and has a private practice in London. He was a member of APPI when living in Ireland during the 1990’s (and more informally during the latter half of the 1980’s) and is currently a Psychoanalyst with the Centre for Freudian Analysis and Research (CFAR London). Eve Watson, Ph.D. is a psychoanalytic practitioner working in a Dublin city centre practice and has been lecturing in psychoanalysis for the last ten years in various Dublin colleges. She is published in psychoanalysis, critical psychology, sexuality studies, poetics, film and social theory and is currently co-editing a book with Dr. Noreen Giffney entitled Clinical Encounters: Psychoanalytic Practice and Queer Theory due to be published in 2016. She is a registered practitioner member of APPI (Association for Psychoanalysis and Psychotherapy in Ireland), an associate member of IGAS (Irish Group Analytic Society) and is also a member of the Editorial Board of Lacunae, the APPI International Journal of Psychoanalysis. She is also affiliated with the American-based APW (Affiliated Psychoanalytic Workgroups) and co-organises conferences and events such as the annual Irish Psychoanalytic Film Festival which has its seventh running in January 2016.