picture covers – real caves
Transcription
picture covers – real caves
caveinspiredmusic.com PICTURE COVERS – REAL CAVES FRANCE _____________________________________ Abri-sous-roche à Les Eyzies Les Eyzies, Dordogne PC-RE-FR1 France 1978 LP: LE PERIGORD A TRAVERS SA MUSIQUE TRADITIONNELLE Perf: (Unknown) (World) Label: Junqué OC 33.134 Postcard Photo Ed. Yvon Photo: (?) Notes: The large, wide shelter cave above the village of Les Eyzies that, in part, houses the original Musée National de la Préhistoire (Museum of Prehistory). In this photo we see the famous statue of prehistoric man sculpted by Paul Dardé (1930). Often called erroneously the statue of Cro-Magnon man it is much closer to being a representation of Neanderthal man, although the sculptor named it “L’Homme primatif” [Primative Man]. Ref: Eyzies de Tayac-Sireuil, L’Homme primitif, lascaux-dorgogne _____________________________________________________ Aven Grotte Marzal Saint Remèze, Ardèche PC-RE-FR2 France 1962 1. LP: J.S. BACH – SUITES 1 & 2 Decca LXT 5664 A (mono) Decca SXL 2300 (stereo) 2. LP: J.S. BACH – SUITES 3 & 4 Decca SXL 2301 (stereo) Perf: Orchestre de Chambre de Stuttgart (Classical) Cond: Karl Münchinger Prod. Co: Disques Decca Photo: (color) Sousse Ohana Notes: All three LPs use the same color photo of a well-decorated alcove with a dense assemblage of stalactites, candlestick stalagmites, columns, etc. dominated by one thicker, tiered stalagmite in the middle. This scene is in the Salle des Colonnes [Hall of Columns] at the bottom end of the show cave tour. This assemblage of formations is on a flowstone ledge well above the cave floor. The cover photo has been printed in reverse. The actual scene is shown here on left. No doubt there was also an original mono release of the album Bach – Suites 3 & 4, but it was not found. Ref: Aven Marzal, Grand Salle, net-ardeche Aven Marzal, La Grotte, Official site, (in French), aven-marzal Duckeck, Jochen & Oldham, Tony 2014, Aven de Marzal, showcaves _____________________________________________________ Fontaine de Vaucluse Vaucluse, Vaucluse PC-RE-FR3 France 1996 CD: NAPOLÉON COSTE: GUITAR ROMANTIQUE Perf: Frédéric Ben Attar (Classical) Label: De Plein Vent DPV 9687 Artist: Jean-Joseph-Xavier Bidauld (Carpentras, 1758 – Montmorency, 1846) Title: François 1er à la Fontaine de Vaucluse (Oil on canvas, ?) Avignon, France; Musée Calvet Notes: A surprising selection for the cover painting of this CD when a more appropriate choice would have been either Gustave Courbet’s painting of the Source du Lison (see below PC-RE-FR19) or any other painting by Courbet showing cave resurgences in the Franche Compté, where Coste was working. The French King, Francois 1er, is shown signing his name on a stone monument (the tomb of Laure) erected next to a large tree by the side of the trail leading to the celebrated resurgence. Six of his courtesans and servants look on. A horse wrangler controls his spirited white horse on the right while another wrangler holds two other horses on the right-bank of the Sorgue. The resurgence is clearly visible in the distance just above the figures of the King and three men. A large fortified chateau stands atop a high cliff-walled hill in the distance to the right of center. A church and other buildings of the town of Vaucluse are clustered on the left bank at the base of this hill. Many celebrated royalty and artists came on pilgrimage to visit this resurgence, which had been made internationally famous through the 14th–century lyric poetry of Pétrarque (Petrarch), singing the praises of his platonic love, Laure. In the 16th century, François 1er arrived with great ceremony to visit Laure’s tomb at Vaucluse. Guigue & Girard write that in this painting, “Bidauld does not hesitate to show François 1er in the presence of Laure’s tomb.” Actually the King is performing an act of vandalism by writing graffiti on the monument. The customary way of commemorating the passage of a famous person is to place a stone plaque at the site. For more information on the cave-inspired music on this album see under Classical Music – Guitar. Ref: Fontaine de Vaucluse, Soc. Spéléologique de Fontaine de Vaucluse, Sept. 26, 2009, dailymotion (◄VIDEO CLIP) Fontaine de Vaucluse, Description & History, (in French), Wikipedia Guigue, Julien & Girard, Joseph 1949, La Fontaine de Vaucluse, Éditions Rullière Frères, Avignon, p. 34-41, 55 Napoléon Coste – Guitar romantique CD, Frémeaux & Associés, fremeaux Pétrarque (in French), Wikipedia & Petrarch (in English), Wikipedia _____________________________________________________ Fosse Dionne Tonnerre, Yonne PC-RE-FR4 France 2001 CD: IVONNE ET TOINOU Perf: Enfants de l'Ecole Municipale de Musique de Tonnerre (Popular) Label: EPM 1988402 Photos: (Color) Didier Varin Notes: One cover shows a view looking down at the circular enclosed basin (15m in diameter) of this blue resurgence where the dark underwater cave entrance can be seen. Running around the outside of the stone-lined basin is a covered walkway. The second CD cover was taken from the middle under the covered walkway looking off along the basin. Reproduced in blue-gray monochrome under the printed texts inside the liner notes booklet are four other photos showing this resurgence from different angles. In the annals of French cave diving the Fosse Dionne has a long and significant history. The earliest recorded dive was in 1908 and another in 1955 by Parisian divers directed by the famous cave diving pioneer, Guy de Lavaur. Starting in 1976 several dives followed each other until December 1979 when a very successful dive by Éric Le Guen pushed the resurgence to a depth of -61m at distance of 360m from the entrance pool. (Chabert et al. 1982) In 1989 P. Jolivet slightly depassed Le Guen’s terminal point and reached a depth of -70m at 370m from the entrance. (Anon. n.d.) The profile map shown here is by Éric Le Guen dated 1979. (Chabert et al. 1982) For more information on the cave-inspired music on this album see under Popular Music – France – POFR5). Ref: Anon. n.d., Résurgence de la Fosse Dionne, Spéléo Club de Chablis, plongeesout Chabert, Claude; Le Guen, Éric; & Maingonat, Georges 1982, La Fosse Dionne de Tonnerre, Mémoires du Spéléo-Club de Paris, n. 8, Paris Fontaine, Jean-Pierre; Loreau, J.-P. & Le Guen, Francis 1997, Tonnerre de la Fosse Dionne à Saint-Pierre, Société d’Archéologie et d’Histoire du Tonnerre, Tonnerre La Fosse Dionne, Wikipedia Ivonne et Toinou, annesylvestre _____________________________________________________ Gouffre de Cabrespine Cabrespine, Aude PC-RE-FR5 France 1999 CD: AU COEUR DE LA TERRE Perf: Hervé Berteaux (Contemporary) Label: Nature et Découvertes 17105570 Photo: GGF Notes: Cover has three calcite discs suspended from the cave ceiling and backlit. The taking angle of this photo does not really show the true shape and form of these discs. For more information on the cave-inspired music on this album see under Contemporary Art Music – Speleolithophonic and also under Recorded in Natural Caves – France. Ref: Anon. 2013, Nature et Découvertes (in French), Wikipedia Anon. n.d., Gouffre de Cabrespine, Géologie (in French), gouffre-cabrespine Gouffre de Cabrespine, Official Website, (in French), gouffre-cabrespine & (in English), gouffre-cabrespine Gouffre de Cabrespine, Info (in French), Wikipedia _____________________________________________________ Grotte de Bédeilhac & Grotte de Pradières Bédeilhac, Ariège PC-RE-FR6 France ca.1950s LP: L’ARIÈGE FOLKLORIQUE Label: (No label & no catalog no.) Perf: Lyre Sauratoise (World) Photo: (B & W) (?) Notes: A general view looking east along the valley of Saurat towards the village of Bédeilhac with the Sédour mountain on the left and the Calamès mountain on the right. At the base of the Sédour is the huge entrance of the Grotte de Bédeilhac. During the making of the film, “Le Passé-Montagne,” in 1975, a small one-engine plane landed and took off on the concrete floor inside the entrance of this cave. Higher up on the Sedour mountain can also be seen the wide arched entrance of the Grotte de Pradières. Ref: Grotte de Bédeilhac, Official site, grotte-de-bedeilhac Montagne de Sédour, Carte postale (in French), valleedesaurat La Passe-Montagne sur grand écran, La Dépêche du Midi, 12 Déc. 2012, (in French), ladepeche.fr _____________________________________________________ Grotte de Bétharram Saint-Pe-de-Bigorre, Hautes Pyrénées PC-RE-FR7 France ca.1970s LP: UNE ETOILE AU FOND DU GOUFFRE Label: Cedima CED 25.01 (Gatefold) Perf: (Nar.) Michel Lengliney (+11 actors) (Spoken Word) Prod. Co: Cedima; Paris Photo: (Color) (?) Notes: A poor photo showing "Le chaos" (The Chaos) with the well-lit draperies in the upper left and the stairs and column in the background out of focus and poorly lit. The shot was probably taken on time exposure, using the existing cave lighting, resulting in little depth of field. For more information on this album see under Spoken Word – Children’s – French. Ref: Grottes de Bétharram, Official site, betharram Grottes de Bétharram, (in French), Wikipedia & (in English), Wikipedia _____________________________________________________ Grottes de Choranche Pont-en-Royans, Isère PC-RE-FR8 United States 2000 CD: CANTUS UMBRARUM Perf: Lightwave (Electronica) Label: Horizon Music HM 1006-2 Photo: (Color) Notes: The cover’s virtual compost artwork probably is supposed to represent a cave wall with a suggestion of what may be distorted Paleolithic cave paintings, even though this cave has no paintings. The back page of the liner notes has a nice photo of the lake in the entrance room with the massive clusters of soda straw stalactites hanging in the distance, a trade mark feature of this extraordinary show cave. The two inner pages of the liner notes have an abstract collage in turquoise blue with a repeated motif of the clusters of soda straw stalactites separated by horizontal streaks, all of which could suggest bands of oscilloscope waves. The CD label is a picture disc reproducing in the upper half the cave wall compost of the cover art and in the lower half turquoise blue water. However, these motifs are so abstract that they this is not considered a real cave picture disc. For more information on the cave-inspired music on this album see under Electronica Music. Ref: Grottes de Choranche, Official site, grottes-de-choranche Grottes de Choranche, (in French), Wikipedia Lightwave, Cantus Umbrarum CD, Discogs _____________________________________________________ Grotte Cosquer Cap Morgiou, Cassis, Bouches de Rhone PC-RE-FR9 United States 1995 LP: TRUST Perf: Patrick O'Hearn (Rock) Prod. Co: Deep Cave Records; P.O. Box 290; Bat Cave, NC, USA 28710 [email protected] Label: Deep Cave 1001-2 (CRL# ) Photo: Fanny Broadcast/Gamma Liaison Notes: One of the Paleolithic negative handprints found in the Cosquer Cave in 1991. When the cave diver and discoverer of this cave, Henri Cosquer, first saw this hand print he thought it was a practical joke but it has since been dated by Carbon 14 to 27,000 BP. (Anon. n.d.) Ref: Anon. n.d., Grotte Cosquer, The Discovery, usf.edu Clottes, Jean; Courtin, Jean; et al 2011, Cosquer, the Cave beneath the Sea, bradshawfoundation Grotte Cosquer, (in French) Wikipedia & (in English), Wikipedia Patrick O’Hearn, Trust CD, Discogs _____________________________________________________ Grottes des Hermites Gorges de Franchard, Fontainebleau, Seine et Marne PC-RE-FR10 France 2000 LP: J. B. Morin – La Chasse du cerf Perf: Povr Soll Trompes de Chasse, Choeurs et Orchestre (Contemporary Art Music) Label: Erato STU 70541 Artist: Jean-Baptiste Oudry (1686-1755) Title: Le cerf qui tient aux chiens sur les Roches de Franchard, Forêt de Fontainebleau – 1737 (Oil on canvas) Paris, Musée des arts décoratifs Notes: The is a study for a painting ordered by King Louis XV in 1733 and preserved at the château de Fontainebleau. A neoclassic work based on studies done in the forest in the Gorges de Franchard near the old hermitage. Spread out across the foreground are 17 men on horseback including the King on a white horse in the center surrounded by his officers and three men with hunting horns. The painter is seated in the bottom right corner dressed in a red coat and looking out at the viewer. The stag stands his ground on a rock platform in the center as 8 dogs race up a sandy ramp and 14 more dogs charge down over the rocks. A cave with two entrances is to the right of center and a small shelter cave is to the left of center. In the upper right background are the ruins of the old hermitage and seven more men on horseback. A dilapidated wooden cross stands on top of the promontory. The reproduction on the LP cover crops the painting on the left and removes the wooden cross. With much artistic license this painting was almost certainly inspired by the Grotte des Hermites (or Grotte de l’Hermite) situated in the Gorges de Franchard, where even today the Hermitage can be seen in the background to the right. Photo by D. Brison, 2007 Ref: Anon. 2012, Gorges de Franchard, Sentier Denecourt n°7, fontainebleau-photo Chabert, Claude & Jacques, & Jean Taine 2011, Contribution à l’inventaire des grottes de Seine-et-Marne, Grottes et Gouffres, n. 163, Déc. 2011, p. 19 Jean-Baptiste Oudry, Bio, (in French), Wikipedia & (in English), Wikipedia _____________________________________________________ Grotte de Lascaux Montignac, Dordogne PC-RE-FR11 Japan 1971 CD: STRAVINSKY – The Rite of Spring & Eight Instrumental Miniatures for Fifteen Players Perf: Los Angeles Chamber Ensemble & Los Angeles Philharmonic Orchestra (Classical) Cond: Zubin Mehta Label: London (JPN) SLA-1023 Photo: (?) Notes: The red and black reindeer paintings on the left wall of the Main Hall. Ref: Grotte de Lascaux, (in French) Wikipedia & (in English) Wikipedia Grotte de Lascaux, Virtual Visit of the Cave, Official site, culture.fr (◄VIDEO) Zubin Mehta, Stravinsky, The Rite of Spring CD, goo.ne.jp ________________________________________________ PC-RE-FR12 United States 1995 CD: INNER RUNES Perf: The Tunnel Singer [aka. Lee Ellen Shoemaker] (New Age) Label: Tunnel Singer 1 Artist: (Prehistoric) Notes: The smooth, gray walls of a tunnel recede and open out to a path through a garden in the distance. A figure in silhouette stands just inside the backlit entrance to the tunnel. Superimposed on the walls and floor of the tunnel in the foreground are two Paleolithic paintings (somewhat modified and distorted) from the Axial Gallery in the Lascaux Cave: in the bottom left is the “Falling Horse” in orange and maroon instead of ochre and black with its ears pointed forward instead of back and in the top right is a distorted cow, possibly one of the “Red Cows” judging by the way its thin horns point downward. Ref: Bataille, Georges 1955, Lascaux Or the Birth of Art, Skira, Switzerland, p. 74, 81 The Tunnel Singer, Inner Runes CD, Amazon The Tunnel Singer, Inner Runes CD, CDBaby ________________________________________________ PC-RE-FR13 Australia 2000 CD: THE MAN WHO PAINTED CAVES Perf: David Antony Clark (New Age) Label: (Australia) White Cloud 11041 (Spain) Resistencia RESCD 102 Artist: (Prehistoric) Notes: A poor copy of the "Chinese Horse" (Cheval chinois) on the right (west) wall of the Axial Gallery. Many disfiguring errors have been made in this reproduction especially regarding the colors, the overall proportions, and the rendering of the horse's head, mane, forelegs, and tail. The only thing the copyist seems to have gotten right is the hind legs. The simplified form of this horse was imprinted in faint pink six times, ringed around the center hole, on the label of the compact disc itself. For more information on the cave-inspired music on this album see under New Age Music. _____________________________________________________ Grotte de Lombrives Ussat les Bains, Ariège PC-RE-FR14 The Netherlands 1996 CD: ECHOS DE LOMBRIVES Perf: Lex van den Brul (Classical & Popular) Label: (LP) (Label ?) DMM BOSP 9 (CD) (Label ?) LR NL 96001 Photo: A. Kloosterman Notes: The cover shows the Cathedral in the Lombrives Cave. Notes: An LP and CD presenting a live concert in the Cathedral Chamber of the Grotte de Lombrives at Ussat les Bains in the Ariege department. Since the mid-1980s concerts have been given in this huge room on a fairly regular basis during the summer session and sometimes at Christmas time. The Salle de la Cathédrale (shown on tis cover), 250m from the entrance, is as big as the Cathedral of Notre-Dame in Paris. For more information on the cave-inspired music on this album see under Contemporary Art Music – Hommage au Sabarthez and also under Music Recorded in Natural Caves – France. Ref: Brüser, Wolfgang 2011, Personal disc collection, Dechenhöhle, Lemathe, Germany, 7 Oct. 2011 Echos de Lombrives CD, Rozekruis Pers, rozekruispers Gadal, Antoine n.d., La Grotte de Lombrives – Cathédrale des Cathares, (in French), gadal-catharisme Grotte de Lombrives, Info (in French), Wikipedia _____________________________________________________ Grotte de la Sainte-Baume Saint Zacharie, Var PC-RE-FR15 France 1970 LP: Joseph HAYDEN – CONCERTO POUR ORGUE & SYMPHONIE CONCERTANTE Perf: Orchestre de Chambre de La Sarre (Classical) Label: Musidisc RC 670 Artist: Jean-Marc Nattier (1685-1766) Title: A Reclining Lady as the Penitent Magdalene (Oil on canvas) Private Collection Notes: A woman in white robes, the penitent Mary Magdalene, is reading a book and reclining on the rocks next to a pool surrounded by spiky desert-like vegetation. In the background is a natural bridge and beyond that a waterfall and a few small buildings. Mary Magdalene is not shown in a cave, but the natural arch is no doubt the artist’s way of suggesting the cave. Mary Magdalene spent the last part of her life living as a hermit in a cave in France. Tradition has designated this cave as the Grotte de la Sainte-Baume located part way up the long escarpment of the Sainte-Baume Massif, southeast of St. Zacharie in the Var department. Inside the large cave chamber (20m by 24m) is a chapel with a raised main altar and several side altars. Behind the main altar is a spring. “Nattier appears to have combined the traditional penitent wilderness setting and reclining pose with contemporary fashion. Such syntheses of contemporary figures and antique or historicizing subjects were Nattier's specialty, and became a type for which he would ultimately gain his fame in the court of Louis XV. “The identity of the sitter in the present portrait is unknown, though the nineteenth century scholar Fernand Engerand hypothesized that it may portray, rather ironically given the penitent subject matter, Louis XV's first official mistress, Louise Julie de Mailly-Nesle.” (Anon. 2014) The painting shown here was sold in a Sotheby’s auction in New York on Jan. 30, 2014. However, this one is a slightly different variant from the one on the LP cover. The latter shows more of the pool at the bottom of the painting and some of rocks, the dead tree, and the building in the distance are different. Ref: Anon. 2014, Jean Marc Nattier & Studio, A Reclining Lady as the Penitent Magdalene, Sotheby’s, sothebys Alor-Treboutte, Josiane & Lucchesi, Alexis 1997, Randonnées dans le massif de la Sainte-Baume, Edisud, Aix-enProvence, p. 106-107 Engerand, Fernand 1897, Nattier, peintre des favorites de Louis XV, Revue de l'Art Ancien et Moderne, Novembre 1897, p. 332 Escudier, Joseph 1925, La Sainte-Baume, Lib. Letouzey, Paris, p. 16-31 Grotte de la Sainte-Baume, Official site (in French), saintebaume La Grotte de Sainte Marie-Madeleine à la Sainte-Baume, (in French), mariemadeleine.fr Massif de la Sainte-Baume, Data (in French), Wikipedia & (in English), Wikipedia ________________________________________________ PC-RE-FR16 Germany 2002 CD: GIOVANNI MARIA TRABACI - KEYBOARD MUSIC BOOK 1 – 1603 Perf: Sergio Vartolo (Classical) Label: Naxos 8.553550-52 (3XCDs) Artist: Jusepe de Ribera (ca.1590-1652) Title: St. Mary Magdalene (Oil on canvas, ? ) Madrid, Museo de Prado Notes: This cover has the famous painting by Ribera of Mary Magdalene in front of her cave where she reputedly spent the last part of her life living as a hermit. Over the centuries many paintings of Mary Magdalene in her cave were made by other famous artists – Escuela de Muillo (Prado Museum); Pompeo Battoni (Staatsgalerie, Dresden); and Elisabetta Sirani (Musée des Beaux-Arts, Besançon). Ref: Grotte de la Sainte-Baume, Official site (in French), saintebaume Giovanni Maria Trabaci – Keyboard Music Book 1 CD, Amazon.fr Giovanni Maria Trabaci – Keyboard Music Book 1 CD, CDUniverse _____________________________________________________ Grotte du Trou à l’homme & Porte d’Aval Étretat, Seine Maritime PC-RE-FR17 France 1974 LP: DEBUSSY – LA MER & TROIS NOCTURNES Label: Philips 6538 013 Perf: Orchestre Symphonique de Detroit (Classical) Artist: Claude Monet (1840-1926) Title: Grosse mer à Étretat, 1868-1869 (Oil on canvas, 66.2cmx1m31cm) Musée d’Orsay, Paris Notes: A detail of the left portion of Monet’s painting shows eight figures in stand in the wind on the beach watching the storm waves crash against the cliffs as they wait for the fishermen to return. In the distance the waves smash against the cliffs with the Porte d’Aval on the right and the black Grotte du Trou à l’homme just left of center. This large solution cave in chalk is over 50 meters long. The cave got its name from an incident following a ship wreck. In 1792 a Swedish ship wrecked violently on these cliffs and all hands were lost. However, as they went to bury the sailors one of was found alive. His body had been recovered on the ledge at the back of this cave. He told how he had fought in the wild seas and had abandoned all hope, but the waves threw him up onto the ledge. By climbing a short steel ladder to the ledge along the cave wall one reaches a man-made tunnel at the back end of the cave, which leads through the promontory to the pebble beach on the west side, Plage de Jambourg, and further on to the large Manneporte arch. For the map of this cave with information on the Porte d’Aval see below PC-RE-FR20. Many other renowned artists did paintings of the cliffs, arches, and caves at Étretat: Eugène Boudin, Eugène Delacroix, Paul Huet, Camille Corot, and Gustave Courbet (see below PC-RE-FR20). Ref: L’Aiguille creuse (roman), (in French), Wikipedia & (in English), Wikipedia Anon. 2015, La grotte? Non, le Trou à l’homme !, History & Photos (in French) ), etretat-normandie.fr Claude Monet, Grosse mer à Étretat, Musée d’Orsay, musee-orsay.fr Dejardin, Robert 2015, L’Aiguille creuse CD, Collections, n. 79, Déc. 2015, p. 17 & 29 Delarue, Bruno 2014, Les peintres à Étretat 1786-1940, Éditions Terre en vue, Fecamp Lindon, Raymond 1963, Étretat: Son histoire, ses légendes, Éditions de Minuit, Paris, p. 100-103, 147-148 Martel, Edouard Alfred 1930, La France Ignorée – Tome 2, Des Ardennes aux Pyrénées, Librairie Delagrave, Paris, p. 286 Maurice Leblanc, L’Aiguille creuse CD, Bibliothèque National Français, Catalogue général, bnf.fr Maurice Leblanc, L’Aiguille creuse, BD de André-Paul Duchâteau & Jacques Geron, Claude Lefranq Editeur, 48p. Promenade entre les falaises d'Étretat, francedigitale Rodet, Joel 1983, Karst et littoral du Bec de Caux, Karstologia, n. 2, 2e semestre 1983, Association Française de Karstologie, Nimes, p. 28 and Abstract of this paper online, speleogenesis.info The Story of the Trou a l’Homme (Manhole), etretat ________________________________________________ PC-RE-FR18 France 2004 Boxed Set CD: L’AIGUILLE CREUSE Label: Livraphone LIV 197C (6XCDs) Perf: Jean-Claude Rey, Jean-Marie Fonbonne, Evelyne Lecuq, & 19 other actors (Spoken Word) Artist: Claude Monet (1840-1926) Title: The Cliff, Étretat, Sunset, 1882-1883 (Oil on canvas, 60.5x82cm) North Carolina Museum of Art, Raleigh, NC Notes: Two black figures in formal wear, presumably Arsene Lupin, one in the foreground and the other further away, have been embedded over the Monet painting. The painting is a general view looking west from the beach at Étretat to the cliffs. At the base of the cliffs just to the right of the man’s head on the left is the faintly darker triangular arch of the Trou à l’homme cave. Ref: Anon. 2015, La grotte? Non, le Trou à l’homme !, History & Photos (in French) ), etretat-normandie.fr Claude Monet, The Cliff, Étretat, North Carolina Museum of Art, artnc _____________________________________________________ Pont d’Arc * Vallon Pont d’Arc, Ardèche PC-RE-FR19 France 1982 45: CHANTE L’ARDÈCHE Perf: Jean Pierre (World) Label: Arpin 008 Photos: (Color) Michel Jose Notes: The cover photo shows the east side of this massive natural bridge spanning the Ardèche River at the northwestern end of the Ardèche Gorge. The bridge is the remnant of a former huge cave that the river once traversed. The shot of Jean Pierre playing his organ was laid in over the bridge shot. For more information on the cave-inspired music on this album see under World Music – France – WD-FRFK1 & 13. Ref: Gorges de l’Ardèche, (in French), Wikipedia Jean Pierre chante l’Ardèche, Encyclopé Disque Pont d’Arc, Wikipedia _____________________________________________________ Porte d’Aval Étretat, Seine Maritime PC-RE-FR20 Spain 1980 LP: Los Tesoros de la Música Clásica – Vol. 2 – Tchaikowsky: SINFONIA NO. 5 Perf: Orquesta Filarmónica del Estado de Hamburgo (Classical) Label: Sarpe TCM-2 Artist: Gustave Courbet (1819-1877) Title: Falaise d’Étretat, après l’orage (Detail), 1869 (Oil on canvas, 133x162) Paris; Musée d’Orsay Notes: A detail from the bottom right portion of this masterpiece by Courbet. The entire work shows the beach looking west at Étretat to the marine arch, Porte d’Aval, and the limestone cliffs at the base of which can be seen the 52-meter long solution marine cave, Trou à l’Homme. The entrance of one of three more short caves can also be made out in the painting at the waterline between the main cave and the arch. This detail shows only the arch itself and the entrance to one of the small caves. It is also possible to make out (beyond the second fishing boat) the small figures of women washing clothes in the fresh water that resurges in the pebbles of the beach. Gustave Courbet did several paintings of the cliffs at Étretat but most of his landscapes portray the limestone country of the Franche Comte region in eastern France. In the history of art, he is known as the precursor of the French school of realism in the 19th century and he also ranks as the most prolific painter of caves with over 25 different known works showing real or imaginary caves. The map of the promontory and the marine arch by Joël Rodet (1992) shows (counterclockwise from top) the Trou à l’Homme; small cavites nos. 3, 4, & 5; the arch; Grotte de la Porte d’Aval; and Trou au Chien (34m) with its two entrances. These are all natural caves dissolved in chalk. Ref: Courthion, Robert 1995, Tout l'oeuvre peint de Courbet, Flammarion, Paris, p. 112-113 Hoyez, Bernard 2010, A la découverte géologique des falaise d’Étretat, Planet Terre, Station 15 & 16, L’École normale supérieure de Lyon, ens-lyon.fr Martel, Edouard Alfred 1930, La France Ignorée – Tome 2, Des Ardennes aux Pyrénées, Librairie Delagrave, Paris, p. 286 Promenade entre les falaises d'Etretat, francedigitale Rodet, Joel 1983, Karst et littoral du Bec de Caux, Karstologia, n. 2, 2e semestre 1983, Association Française de Karstologie, Nimes, p. 28 and Abstract of this paper online, speleogenesis.info Los Tesoros de la Música Clásica – Vol. 2, Tchaikowsky: Sinfonia N° 5 LP, Discogs _____________________________________________________ Source du Lison Nans-sous-Sainte-Anne, Doubs PC-RE-FR21 United Kingdom 1981 LP: NAPOLÉON COSTE: MUSIC FOR GUITAR & OBOE Perf: Simon Wynberg & John Anderson (Classical) Label: Chandos ARB 1031 Artist: Gustave Courbet (1819-1877) Title: La Source du Lyson (sic), 1864 (Oil on canvas, 54x45cm) Berne, Switzerland; Private collection Notes: A magnificent jacket cover showing a detail of the lower half of Courbet's second oil painting of the Source du Lison, which he did during his stay with Max Buchon at Salins in 1864. This painting is now in a private collection in Berne, Switzerland and was used for this cover through the co-operation of the Berne Museum of Fine Arts. The Source du Lison is a major cave resurgence where a considerable flow of water reappears after a short siphon passage coming from the nearby Creux Billard, a collection pit. “Située au fond d'une reculée, la source du Lison est une résurgence des zones calcaires… avec un débit moyen de 7,3 m3 par seconde. Le Lison prend sa source à 2 km de Nans sous Saint Anne dans un cadre spectaculaire au pied d'une falaise.“ (Anon. n.d.) [Situated at the end of a blind valley, the Lison Spring is a karst resurgence… with an average flow of 7.3 m³ per second. The Lison has its source 2km from Nans-sous-Saint-Anne within a spectacular setting at the foot of a cliff.] For more information on the cave-inspired music on this album see under Classical Music – Guitar. Ref: Anon. 2012, La Source du Lison (in French), lieux-insolites.fr Anon. n.d., Balade à Nans sous Ste Anne, Source du Lison, (in French), recoin.fr Brison, David 1998, Caves Celebrated in Recorded Music & Songs (sic), Al Ouat’ouate, Nouvelle série n. 11, 1998, p. 99, 101, 106 Brison, David 2013, Caves Painted by Gustave Courbet, (Unpublished Inventory), p. 2-3 Frachon, Jean-Claude & Cailhol, Didier 2006, Nans-sous-Sainte-Anne, Karstologie (in French) neuf.fr Jeffery, Brian 1982, Preface to the sheet music of Napoleon Coste's La Source du Lyson, Opus 47, Tecla Editions, London, p. [2] Source du Lison, Description (in French), Wikipedia _____________________________________________________ Unidentified Cave No. 1 Château de la Treyne, Lacave, Lot PC-RE-FR22 France 1969 LP: Ketelbey – DANS LE JARDIN D’UN MONASTERE Perf: Choeurs et Nouvel Orchestre Symphonique de Londres Label: Classique Royal 220.014 Photo: (Color) Ch. Olivier/ Zeno Notes: At the base of the limestone cliffs along the Lot River beneath the Château de la Treyne three cave entrances can be seen in the photo, two of these on the left probably connect into one cave or all three may be connected. Ref: Château de la Treyne, Lot, lacorreze Ketelbey – Dans le jardin d’un monastere LP, le-disque-vinyle _____________________________________________________ Unidentified Cave No. 2 PC-RE-FR23 France 1976 Flexi-Disc: DANS LES ENTRAILLES DE LA TERRE AVEC NORBERT CASTERET Speleo: Norbert Casteret Nar: ( ?) (Spoken Word - Documentary) Label: Radio Vision RV 202 Photo: (Black & white) (?) Notes: The photo on the gatefold cover of these flexi-discs shows a caver chimneying along a vadose sculptured passage. This photo was probably taken by Jacques Jolfre who took all the 16 color slides included with this documentary flexi-disc, For more information on this album see under Spoken Word Documentary – France. Ref: Jolfre, Jacques 1992, Norbert Casteret: Explorateur d’abimes, Ed. Milan, Toulouse Kalliatautis, Gérard, Letter dated June 20, 2000, Vénissieux (Lyon), France _____________________________________________________ Unidentified Cave No. 3 PC-RE-FR24 France ca.1980 LP: CANTATE POUR LE CANTENAIRE DE SAINTE BERNADETTE Nar: Jean Desailly Perf: Orchestre de Chambre de Rennes (Religious) Label: (?) Photo: (Color) (?) Notes: The color photo shows a cave entrance very similar in shape to the Grotte de Massabielle at Lourdes, but this is a wild cave or cave shelter somewhere else. There is no altar or statue of the Virgin, instead we see two nuns and a postulant nun, bent over, kneeling, or standing in front of the cave. This Cantate for the Centennial of Saint Bernadette with music by JeanPaul Lécot was first created at Lourdes on July 26, 1979 and recorded at the Église de la Trinité in Paris on Jan. 27, 1980. Ref: Dejardin, Robert 2012, Disque vinyle – Musical, Collections, n. 68, Avril 2012, p. 29 _____________________________________________________ Unidentified Cave No. 4 PC-RE-FR25 France 1985 Cassette: LA PROTECTION DU MILIEU SOUTERRAIN Nar: (?) (Spoken Word - Documentary) Label: Radio Vision RV 290 Photo: (Black & white) (?) Notes: A caver standing surrounded by several short and one long stalagmite in a cave presumably somewhere in France. For more information on this album see under Spoken Word Documentary – France. _____________________________________________________ Unidentified Cave No. 5 PC-RE-FR26 France 2001 or 2005 CD: TRANSPARIÉTAL Perf: Suarri & Emmanuel Dilhac (Contemporary Art) Label: La Café qui brûle (No Catalog No.) Photo: (Color) Wilford O’yl Notes: Looking up out of a large pit somewhere in France. The designer of this CD cover, Gwendal Legrand, wrote that he used this photo by an archaeologist that he knew, but that he didn’t know the name of the pit which was probably located in southwestern France. The photographer-archeologist, Wilford O’yl, is an active member of the Spéléo Club de Périgueux in the Dordogne, so no doubt this pit is somewhere within their stomping grounds. The view looking up the breakdown and rubble slope at the base of the pit shows the climbing rope hanging down on the extreme right and a couple of long creeper vines on the left side of the opening. Superimposed on the photo are several crystalline shapes in outline and solid forms. Inside the liner notes folder a detail of this cover photo is reproduced in dull sepia as background to the text; A slightly different photo looking up out of this pit but taken further down the debris slope is shown in vignette on the back side of the liner notes. None of the avant-garde music here is cave-inspired. Several pieces are lithophonic music performed by striking slate, schist, basalt, or other rocks. The release date given by Discogs is 2001, however, the Emmanuel Dilhac site gives it as 2005. Ref: Dilhac. Emmanuel n.d., Emmanuel Dilhac, Disographie, emmanuel-dilhac Dilhac. Emmanuel n.d., Emmanuel Dilhac, Parcours musical, emmanuel-dilhac Legrand, Gwendal 2015, Letter dated 3 August 2015, St. Avit de Vialard, Dordogne Saurri & Emmanuel Dilhac, Transparietal CD, Discogs caveinspiredmusic.com