First Issue! - Accordion Life
Transcription
First Issue! - Accordion Life
WINTER 2015 • ISSUE 1 accordionlife.com Joel Guzmán Fundamentals of the Diatonic Patricia Bartell Bringing Accordion Lessons Online in HD Video Frédéric Deschamps New Approach Technique First Issue! Free sheet music, tips & more! Welcome PHOTO BY RYAN LINDBERG WELCOME TO OUR FIRST EDITION OF ACCORDION LIFE TODAY! We are so happy to offer you a variety of tidbits ranging from free songs and news events, to helpful tips that can help in your journey with the accordion. This magazine will be offered quarterly for free. Visit accordionlife.com/magazine to get on the email list so you don’t miss any editions. If you have news that you would like included, please email us at [email protected]. Next quarter, we post our readers' responses to the question, “WHAT DO YOU LOVE MOST ABOUT THE ACCORDION?” Send us your response and we will post it in our next issue! Kindly, ~Patricia Bartell Patricia Bartell Editor-in-Chief 2 SEND YOUR RESPONSE TO: [email protected] Accordion Life Today | Winter 2015 | accordionlife.com ACCORDION LIFE 11 TABLE OF CONTENTS WINTER 2015 • ISSUE 1 ACCORDIONLIFE.COM 8 9 5 The Accordion Life A look at the people behind the online HD Video Lessons on AccordionLife.com. 7 Hohner | It's a Lifestyle Gilbert Reyes, Product Manager for Hohner, Inc., features Joel Guzmán. 14 Meanwhile at Able To Play Music 8 Diatonic Accordion Today Fundamentals of the Diatonic Accordion with 2x Grammy Award Winner Joel Guzmán. News and updates from The Portatos Modernized Accordion Band. Champion Dorin Grama shares his insights for getting the most out of your practice. 15 Deschamps’ Technique 11 Now on AccordionLife.com A big welcome to our very youngest student and her dad. 14 Practice Tips from the Pros 9 The Portatos Peek behind the scenes, see what’s new, what’s coming soon, and learn more! In the first of his series on his New Approach Technique, Frédéric Deschamps introduces some of the exercises he uses in training world champions. 18 Free Sheet Music Play and enjoy Jingle Bell Blues and O Holy Night. Our Christmas gift to you! 23 Wanderlust's Kitchen 14 This issue's recipe from world traveler Beverly Smick. 24 Technology & Music 2 3 Accordion Life Today | Winter 2015 | accordionlife.com A look at the new Hohner apps. ACCORDION LIFE Patricia Bartell Editor-in-Chief Editor/Design Director Corrie Sams Department Contributors Assistant Johanna Wilson Beverly Smick • THE WANDERLUST'S KITCHEN Photographer Yev Nosov Frédéric Deschamps • DESCHAMPS'S TECHNIQUE Copy Editor Ann Jurcevich Gilbert Reyes • IT'S A LIFESTYLE Staff Writers Patricia Bartell, Corrie Sams Joel Guzmán • DIATONIC LIFE TODAY Spanish/English Translator Ricardo Hernandez • Wish You A e W • Merry Christmas and 20% OFF your first month of AccordionLife.com Membership Use code DEC2015 during checkout. Offer good through 12/31/15 You are free to cancel at any time. Membership returns to full price after discount month. 4 Accordion Life Today | Winter 2015 | accordionlife.com ART BY FREEPIK.COM ACCORDIONLIFE.COM • [email protected] © 2015 BY ACCORDION LIFE. ALL RIGHTS RESERVED The Accordion Life BY CORRIE SAMS | PHOTOS BY YEV NOSOV, PATRICIA BARTELL, & JOEL GUZMÁN A new world is opening up for accordion education - a world of HD video lessons available anywhere, anytime. Learning to play accordion has never been more accessible. IT HAS been years in the making. A project so big and exciting that it has brought Patricia Bartell of Able To Play Music into a partnership with Hohner, worldrenowned teacher Frédéric Deschamps, world champion Grayson Masefield, and 2x Grammy award winner Joel Guzmán. This project has brought quality accordion education online in the form of step-by-step HD video lessons at AccordionLife.com. This has been a groundbreaking endeavor for us at Able To Play Music, as we continue PATRICIA BARTELL 5 Accordion Life Today | Winter 2015 | accordionlife.com to forge ahead and lay the groundwork for the beginner to advanced courses on the website under the direction of Patricia Bartell. PATRICIA BARTELL is a professional musician who has performed in numerous international competitions, and travels worldwide as the USA Judge for international championship Trophée Mondial. She holds a BA in Accordion Performance and Music Education. Patricia is bringing her extensive experience to AccordionLife.com for the Piano Accordion and Chromatic Core Curricula, Rhythm, Ear Training, Music Theory, Technical Skills, Reading and other special supplementary materials. She also brings her expertise to a course on “The Art of Musical Expression." To date, we have released the Preliminary and Level 1 Courses for Piano Accordion. Over time, we will have a full online video curriculum for Piano Accordion, Chromatic Accordion, and the Diatonic Accordion. ONE OF the first available courses on AccordionLife.com is the Deschamps Technique. During Frédéric Deschamps’ visit to our studio in January for Master Classes, we had the honor of working with him to FRÉDÉRIC DESCHAMPS GRAYSON MASEFIELD bring his groundbreaking techniques to film. Frédéric Deschamps has built many world champions with his technique and training, including Grayson Masefield (New Zealand), Pietro Adragna (Italy), Petar Maric (Serbia) and Jerome Richard (France). We are excited and honored that he has partnered with us to bring his techniques to the world via HD video. IN JULY, we welcomed Grayson Masefield to Spokane for master classes and a concert featuring his virtuosic talent. Grayson is a world champion many times over and now travels the world teaching and performing. During his time here, we worked with Grayson on his course, General Mechanics of the Accordion, which covers how the accordion works, different systems of accordions, accordion effects and tips for playing successfully. JOEL GUZMÁN is a 2x Grammy Award-winning accordionist, singer and producer who is well known for pushing the boundaries of Tex-Mex music and the accordion. He has impacted the Tejano/ Conjuto style of music by incorporating styles of Jazz, Learn more at www.accordionlife.com 6 Accordion Life Today | Winter 2015 | accordionlife.com JOEL GUZMÁN YEV NOSOV Blues, Country, Gospel, Latin Rock, Salsa, and Folk. Soon, Joel will fly to Spokane to film the first level of the Diatonic Accordion Curriculum for Accordion Life in both English and Spanish. We at Able To Play Music are excited for this opportunity to work with Joel and perhaps even learn to play the diatonic accordion! OUR OWN teacher and staff member, Yev Nosov, brings his expertise to Accordion Life as well. A gifted teacher, Yev will produce Single Song Tutorials. Every month, new individual song tutorials will be released from a variety of genres. ■ It’s a Lifestyle with Gilbert Reyes Joel Guzmán Hohner Endorsee PHOTOS & ARTICLE BY LESLIE BLAIR HOHNER ENDORSEE Joel Guzmán is a twotime Grammy Award-winning musician who has been teaching accordion after school at UT Elementary School since 2013. The Washington native is the son of migrant Guzmán learned the accordion from his father, Guadalupe Guzmán. “My father was not formally trained,” Guzmán said. “He had an informal background, so I had a trained ear like a lot of the students here. Using techniques my dad shared with me, I’ve been able to simplify the instrument for them ... It’s not just a stereotypically Mexican musical instrument.” Guzmán says that being able to teach UT Elementary students an instrument that has such a textured and global history expands their horizons by giving them a deeper appreciation for the accordion’s place in American culture. ■ workers who loved playing Tejano and Conjunto music at their family gatherings. Guzmán was a child prodigy and began playing accordion when he was four years old. Currently an adjunct professor in the Butler School of Music, Guzmán said that it was a meeting with Mickey Klein after a private performance that led to his popular accordion class for third, fourth, and fifth graders. Intrigued by what Guzmán calls his squeezebox, Klein invited Guzmán to teach the accordion to students twice a week. Hohner, which has been manufacturing accordions for over 100 years, provided the accordions for the school program. 7 Accordion Life Today | Winter 2015 | accordionlife.com n á m z u G l with Joe FUNDAMENTALS OF THE DIATONIC 1. Know the key of your accordion: (G - C - F). 2. Know the Musical Alphabet: A B C D E F G Play through this sequence of notes using proper finger positions. 3. All scale excercises should be played using the legato technique. 4. What are scales? Scales are single notes played in sequence. Play through the scale notes using proper finger positions. Musical Alphabet ABCDEFG C Major Scale CDEFGABC G Major Scale G A B C D E F# G JOEL GUZMÁN is a two-time Grammy Award-winning accordionist, singer, educator and producer who is well known for pushing the boundaries of Tex-Mex music and the accordion. 8 Accordion Life Today | Winter 2015 | accordionlife.com The Portatos Modernized Accordion Band BY CORRIE SAMS The Portatos perform at the Bing Crosby Theater in Spokane with Grayson Masefield and Tango Volcado. THE PORTATOS AT THE BING CROSBY THEATER THIS HAS been a fun year for The Portatos Modernized Accordion Band and we have seen growth in both the band and our skills as musicians. On July 2, we were honored to be part of a concert at the Bing Crosby Theater. The evening was kicked off with the amazing musicianship of Spokane’s Tango Volcado with Patricia Bartell. The skill of Tango Volcado is inspiring, both in live performances as well as on their new CD “Milonga Del Angel." The Portatos took to the stage after Tango Volcado – and had the honor of being joined by Patricia Bartell as well as our new 9 Accordion Life Today | Winter 2015 | accordionlife.com PHOTO COURTESY GARY PETERSON drummer, John ‘Instant Potato’ Brogan. We also had the pleasure of surprising the audience with the newest and youngest member, Reagan ‘String Potato' Ivey, who is a very talented violinist. Our performance included the theme from Marvel’s Avengers as well as Gorka Hermosa’s composition ‘Anantango.' The concert finale exhibited the virtuosic talent of world champion Grayson Masefield. Grayson began his program with a selection of classical music and continued through variety. He included a performance of a piece that Gorka Hermosa composed for him called ‘Ka Mate’, inspired by a war chant of the indigenous Maori people of New Zealand – Grayson’s homeland. The evening was a complete success and demonstrated even more to the audience the diversity of musical styles achievable with the accordion. IN THE past few months we have welcomed several new members to the group, though we’re still working on nicknames! Currently there are about 12 musicians involved in The Portatos – playing accordion, bass, drums, percussion and violin! THE PORTATOS PHOTO COURTESY YEV NOSOV consecutive year that we have had the priviledge to perform at this fun event that brings together musicians and performers of varied styles and skills. We had fun planning the song intros and even included some pirate hooks and well-spoken ‘Arghs’ for the intro to the ‘Pirates of the Caribbean’ theme. It was the debut performance for three of our newest young members. G SY E We also performed the ‘Star T UR CO O T Wars’ theme for the first time in REAG A N I V EY • P H O concert. SO N One of our newest additions actually married into the group at the beginning of August. Our congratulations to Mr. & Mrs. Spud! We wish them both the best in music and their new life together. Mrs. Spud is now practicing with the Portatos as a percussionist and also uses the new “Hohner Piano SqueezeBox Accordion” app. A RY PE TER NOVEMBER 14, 2015 brought the Portatos to the stage of the Spokane Fall Folk Festival for a halfhour performance. This is the fifth WITH THE new year just around the corner, there will be exciting news as well ... but we can’t say anything about that ... it’s a secret. For now. ■ YOU CAN LEARN MORE ABOUT THE PORTATOS BY VISITING WWW.PORTATOS.COM MR & MRS. SPUD (MR & MRS. WISMER) 10 PHOTO BY YEV NOSOV Accordion Life Today | Winter 2015 | accordionlife.com NOW ON AccordionLife.com A QUICK LOOK BEHIND THE SCENES BY CORRIE SAMS | PHOTOS BY YEV NOSOV A LOT of work goes into any curriculum, let alone an online video curriculum. More goes into a 30-second clip of film than many people think. There are months of planning the curriculum, scripting it, preparing the design of the graphics and any props we need, designing the film room, setup on film day, lighting, audio and camera settings to get everything just right. THEN THERE’S hairspray and makeup ... and lots of coffee and Pepsi. It’s a lot of work, but so worth it. We have a team that knows how to work together and use its individual skills to make accordion education accessible to everyone, anywhere and anytime. Corrie Sams assists with the hairspray for Patricia Bartell. Patricia Bartell making sure the setup is correct for filming. The final shot: Patricia Bartell teaches proper positioning for the Piano Accordion Level 1 Course. 11 Accordion Life Today | Winter 2015 | accordionlife.com ACCORDION LIFE FEATURED COURSES The Deschamps Technique It’s the technique that creates world champions, created by world-renowned teacher Frédéric Deschamps. PETAR MARIC, Grayson Masefield, Jérôme Richard, Julien Gonzales, Phil Bouvier -- The list of world champions who have studied under Frédéric Deschamps goes on and on, almost seeming endless. A wold champion himself, Frédéric Deschamps has worked to raise the bar of accordion technique and performance. He continues to study and improve his technique training. THE DESCHAMPS Technique involves the whole body, for the whole body is involved when performing with the accordion. Every move is considered and practiced so that when you play, your movements are working for you ... and not against you. It’s a technique that works with any level of playing, and when you have truly grasped the concepts and the application, it can take you as far as you want to go. Find his course on AccordionLife.com General Mechanics of the Accordion World Champion Grayson Masefield explains how the accordion works and how this applies to making various effects. WINNER OF multiple world championships, Grayson Masefield of Aukland New Zealand has studied the accordion since early childhood. Grayson trained classically at The University of Aukland with Stephanie Poole and has studied extensively under Frédéric Deschamps. In 2009, Grayson became the first competitor to win first place in both the classical and virtuoso entertainment categories of the Coupe Mondial. IN JUNE of 2015, the staff of Accordion Life had the priviledge of working with Grayson to film his Course, General Mechanics of the Accordion. In this course, Grayson takes us on a scholaraly journey through the workings of the accordion, the different systems of accordions, dynamics, articulation and several effects such as note distortion, vibratos, percussive effects and more. Learn more at AccordionLife.com 12 Accordion Life Today | Winter 2015 | accordionlife.com NEWLY RELEASED COURSES PIANO ACCORDION PRELIMINARY LEVEL From the inside to the outside – learn how the accordion works and how to care for it. Videos include basic information about the bass, the registers, the air button and more! This is very helpful information if you don’t know anything about the accordion. PIANO ACCORDION LEVEL ONE For the complete beginner. Learn to play the accordion like a pro! You’ll be able to read music, rhythm and play various styles of songs. Start correctly with good bellow technique, learn to produce quality sound, and get playing correctly! COMING SOON! DIATONIC ACCORDION PRELIMINARY & LEVEL ONE For the complete beginner. Learn to play the diatonic accordion from 2x Grammy Award Winner Joel Guzmán. This course will be in both English & in Spanish. RHYTHM LEVEL ONE (PART 1) Rhythm. It’s one of those things that is such a part of our daily life, but sometimes applying it to music can be frustrating. Join this course not only to understand rhythm easily, but to execute it like an artist. SINGLE SONG TUTORIALS Join teacher Yev Nosov as he teaches you to play songs! Currently we have tutorials for three levels of Jingle Bells in process, with a variety of new songs in different styles being added every month. ■ Learn more at AccordionLife.com 13 Accordion Life Today | Winter 2015 | accordionlife.com Meanwhile at ABLE TO PLAY MUSIC STUDIO Welcome Our Youngest Student! A BIG welcome to 4-year-old Ivy Eyer! Ivy will begin accordion lessons under Yev Nosov of Able To Play Music starting in January 2016. She’s excited to learn to play, especially since her dad will be taking lessons right along with her. This is the future generation of accordion artists! We are excited to help bring the joy of music to both of them. Able To Play Music specializes in oneon-one accordion lessons, both in person and via Skype. ■ Learn more online at AbleToPlayMusic.com IVY EYER | PHOTOS BY YEV NOSOV Practice Tips DORIN GRAMA | MOLDOVA | 2011 WORLD CHAMPION YOU MUST HAVE RESPECT for the instrument by having a love for executing quality sound as you play. This quality of sound is controlled by the touch of the right hand, the technique of the left hand and use of proper bellow control. HAVE AN UNDERSTANDING of how the accordion system is built -- the tones, and 14 Accordion Life Today | Winter 2015 | accordionlife.com from the Pros combinations of both left and right hand. When we understand these combinations of tonalities, church modes and hidden scales, then we are free with the instrument both physically and psychologically. CONSIDER THE TIME, concentration and ideas that are invested in the art, and remember that there is always something new to learn and discover. MUSIC IS UNLIMITED. ■ Deschamps’ Technique BY FRÉDÉRIC DESCHAMPS New Approach Technique TECHNICAL DIFFICULTY OR A SERIES OF SIMPLE PARAMETERS THOSE WHO have seen me teaching, they know I always address the technical issues the same way, whether the accordionist is a beginner, junior, senior or world champion apprentice, and for good reason…they all have the same fault -- they play the accordion. J the many parameters required for the performance of your technical passage with assurance, hassle-free. I am fortunate in my everyday life to be both a teacher and a student -- an accordion teacher, of course, and a student in a totally different discipline: horseback riding. You never will see a rider training for any major performance without the observation and feedback of a coach. This is for good reason, it is impossible to control everything in these situations, since the feeling is the same sensation that should be used for any type of performance. The feeling (feeling of movement for riding) and music for the accordion is about the same, or at least involves the same qualities of the performer, since everything depends on the movement. “A difficult issue is nothing but a series or accumulation of simple things” A difficult issue is nothing but a series or accumulation of simple things. I’ve repeated many times that the error, whether technical, mnemonic or musical, is simply the result of a previous problem. What does the accordionist (the small, the great, the good, the not so good ... all!) do? He cultivates his mistake, his misunderstanding, develops it, and finally resigns himself. And how does all this happen? Oh, it’s simple, he repeats the technical transition 5, 10, 15, 20 times ... [trial & error] hoping he will have better luck next time. At this level of playing, you should already feel concerned. So, in your defense, I will admit that it is impossible to correct oneself, to control 15 Accordion Life Today | Winter 2015 | accordionlife.com THE MOVEMENT CREATES SOUND In my teaching, I remind students to work in front of a mirror to check a few things essential to achieving effective bellows changes. You need only to pay attention to a few specific points and the exercise becomes more simple. As I said previously, the difficulty lies in the multitude of perameters to control. One could compare the situation to a tangled ball of yarn. It doesn’t do any good to get frustrated. Trade your frustration for patience and try to find the right end of the yarn. “Making improvements or changes is only possible through reflection...” So, as you are alone with your accordion and your mirror, I’ll slip you some tips to organize a few things before playing -limiting potential room for errors. Take the example of riding, the rider would never dream of working his horse on ground that is too hard, or too soft, with holes or bumps, causing serious injury to the horse which lessens the desired outcome. It is critical to maintain the ground of the training location before attempting to work with your horse: to groom and care for the surface to maintain solidity and evenness of the ground. This is logical, is it not? It is exactly the same in regards to the regularity of your FRÉDÉRIC DESCHAMPS - accordion teacher & student in horseback riding. 16 Accordion Life Today | Winter 2015 | accordionlife.com keyboard. I know from experience that this is not a concern for many and I won’t cast a stone at you. This is the first cause of error for my apprentice world champions who are at the highest technical level, so why not even you? I have already written several teaching sequences about this, but I have to develop new small tricks for some artists -- as is the case for Pavel Zyabko (Russia). He is extremely talented musically, artistically, and technically, but like any selfrespecting talent, he uses his reflex. Making improvements or changes is only possible through reflection. On the contrary. The artist that plays only by reflex finds it nearly impossible to improve the parts of the music that already are mastered. I, therefore, offer you small, simple exercises to develop qualities necessary for the proper use of your instrument. ELASTICITY OF KEYBOARDS I mentioned earlier the importance of a quality surface on which a rider with his horse would move. Now it’s our turn to improve the soil on which we will work: keyboards. The regularity of the tension and elasticity of your keyboard lies in the regularity of the action force -- the left side. Basically, to play without too many hitches requires your left arm to pull in the same direction, 1 consistently and regularly, without accents, without violence, neither too strong nor too weak. To aid in this, keep the elbow of the left arm out and away from the accordion as seen in Photo 1 on the previous page. Play each note of your first row two times, going up five to six keys. Then do the same, going back down, using only the index finger. Photos 4 and 5 demonstrate this process. “a technical difficulty is only an accumulation of simple things, we will first take care of the simple things.” The regular tension on the bellows causes the suction on the instrument’s valves to be even. The keyboard is neither too hard nor too soft. It feels “elastic,” meaning that each time you touch a key, you would feel a “trampoline” effect that will help you play with effortless touch. The best way to experience this sensation is to practice this exercise on a single note, without trying to achieve an accuracy with a musical text. If, as I said earlier, a technical difficulty is only an accumulation of simple things, we will first take care of the simple things. VOLTAGE & REBOUND Hold your fingers as shown in Photo 2. 2 3 17 You can affix a small coin between thumb and index finger as shown in Photo 3 to control your fingers without thinking. This helps keep your fingers gathered naturally during the exercise. Accordion Life Today | Winter 2015 | accordionlife.com 4 After you have returned to your starting point, move your position to the second row and repeat the exercise, always playing each note twice to feel the response of the keyboard. Always keep a regular tempo, and repeat the exercise on the 3rd, 4th, and 5th rows of your accordion. Photo 6 shows the position of the arm for the 4th row. 5 6 This exercise focuses on the chromatic ‘button’ keyboard, but of course you may do this on a piano keyboard by replacing rows by color: 1st row = white keys, 2nd row = black keys. See Photos 7 and 8 on the next page. Once you are familiar with this exercise, you can change as follows: • Start in the 2nd row; play a note two times, then jump directly to the 3rd row, play a note two times, then jump directly to the 1st row, and so on. Always keep an even tempo (speed) and the same articulation (sound). • Increase the number of repetions on each note, moving up to three times, four times, etc. • Gradually increase the tempo of the exercise always maintaining even playing and articulation. I don’t have time to explain the entire process here. You can learn more about this and other techniques in my course Deschamps Technique on AccordionLife.com Good luck jumping on your notes, I return to jumping with my horses. See you in the next issue of Accordion Life Today for new educational adventures, 7 Frédéric Deschamps Frédéric Deschamps ■ 8 Free Sheet Music In each Accordion Life Today Edition, we will include new sheet music for our readers. As a celebration of our first issue and to wish you a very Merry Christmas, here are two of our favorite Christmas Arrangements to share with you. JINGLE BELL BLUES O HOLY NIGHT The classic Jingle Bells, with a fun blues twist. This song uses the fundamental I, IV & V positions in the left hand along with a blues rhythm to give it an enjoyable upbeat sound. You can learn more about I, IV & V on AccordionLife.com, and learn Jingle Bell Blues with the Single Song Tutorial! One of the most beautiful songs of Christmas, O Holy Night has been performed by countless artists and musicians. This Level 3 version was arranged by Accordion Life’s creator, Patricia Bartell. 18 Accordion Life Today | Winter 2015 | accordionlife.com Enjoy! Jingle Bell Blues Level 2 4 &4 œ œ ˙ 3 { ? 44 5 3 I Traditional 5 1 2 3 œ œ ˙ œ œ œ œ w I I I œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ 4 3 2 3 2 & œ œ œ œ œ œ œ œ œ œ œ œ ˙ ? œ œ œ œ œ œ œ œ I V V { 9 IV œœ œœ œœ œœ œœ œœ œœ œœ 3 3 5 1 2 3 œ œ ˙ w ? œ œ œ œ I I I { 13 œœ œœ œœ œœ œœ œœ œœ œœ 4 3 œœ œœ œœ œœ 5 4 2 œœ œœ œœ œœ 1 & œ œ œ œ œ œ œ œ œ œ œ œ ˙™ { ˙ œœ œœ œœ œœ & œ œ ˙ I 5 Œ ? œ œ œ œ œœ œœ œœ œœ ‰ j œ Œ œ œ œ œ œ œ œ œ œ œ œ œ #œ œ œ 19 IV I Accordion Life Today | Winter 2015 | accordionlife.com V I O Holy Night Level 4 Traditional arr. Patricia Bartell 6 &8 { ∑ ∑ œ™ mp p j œ œj œj œ œ œ j œ œ œ™ M M ‰ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ œ œ œ ‰ ? 6 ˙™ ˙™ ˙™ ˙™ ˙™ œ œ œ œ œ 8 j œ œ œ œj ™ œ 6 & ˙™ { j œ™ œ œ œ œj ˙ ™ œœœœœ ‰ œœœœœ ‰ œœ‰ œœ ‰ œœœœœ ‰ œœœœœ ? ‰˙™ ˙™ ˙™ ˙™ ˙™ M 11 ∑ & { M 7 j ˙™ j œ œj œ œ œ œ j œ œ œ™ œ™ ‰ œœœœœ ‰ œœœœœ ‰ œœœœœ ‰ ‰ œœœœœ ? ˙™ œ œ œ œ œ ˙™ ˙™ ˙™ ˙™ M M j œj œ ™ œ œ j & œ œ #œ œj œ ™ 16 { 7 œœ œœœ ‰ ‰ œœ ? ‰˙™ œ œ ˙™ 20 m Accordion Life Today | Winter 2015 | accordionlife.com j œ œ œ J ˙™ œ™ j œ Œ mf ‰ œœœœœ ‰ m ‰ œœ‰œœ œ œ œ œ œ ˙™ ˙™ œ™ œ™ 7 O HOLY NIGHT 2 j œ œ 21 œ™ & œ™ { œ™ œ™ œ j œ œ™ œ j œ p ‰ œ œ œ œ œ ‰ œ œ œ œ œ ? ‰ œ œ ‰œ œ œ ‰ œ œ ‰ œ œ ˙™ ˙™ ™ œ™ œ™ œ™ M 7 j œ œ 25 œ™ & œ™ { œ™ œ™ œ j œ œ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ ‰ œ œ ? ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ˙™ œ™ œ™ œ™ œ™ œ ™ œ™ - 29 & ˙˙˙ ™™™ { M 7 œœ ™™ œ™ œ j ™ œ ˙˙˙ ™™ œœœ ™™™ œœœ ™™™ f ? ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ œ™ œ™ œ™ œ ™ œ œ œ™ ™ ™ œ™ m 33 ˙˙ ™™ & ˙™ { m œœ œ j œœ œœ j œœ ˙˙˙ ™™™ œœ ™™™ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ œ œ ‰ œ œ œ œ ? ‰ ‰ ‰ œ™ œ™ œ™ œ™ œ™ œ™ œ™ œ™ 21 m Accordion Life Today | Winter 2015 | accordionlife.com m O HOLY NIGHT ˙™ & ˙˙ ™™ 37 { œœ ™™ œ™ j œ ˙˙˙ ™™™ œœ œ œ™ œœ™™ œ j œ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ œ œ œ ‰ œ œ ‰ œ œ ? ‰ ˙™ ˙™ œ™ œ™ ˙™ M & ˙™ M j j œ œ œ 41 { M 7 œ j œ œ œ œ œ œ œ œ œ œ œ œ œ ff ‰ ? ‰ œ œ œ œ œ ‰ œ œ œ œ œ œ™ œ œ ‰ œ œ ‰ œ œ ‰œ™ œ œ ˙™ ˙™ œ™ œ™ M 7 45 ™ & ˙˙˙ ™™ { M œœ ™™ œ™ ˙™ ˙˙ ™™™ ˙ œ™ œj œ ‰ Œ™ œœ œœ œj ‰ œ œ ‰ œ œ ‰ ? ‰ œ œ œœ œ œ ‰ œ œ ‰ œ œ œ™ œ œ ‰ œ œ ™ œ™ œ™ œ™ œ™ œ™ œ™ M 7 M 49 & ˙™ { U œ œ œœ œœœ œ œ œ œJ œ œ œ œ œ œœ J œœ œ œ j œ ritard œœœœœ U ‰ ˙™ ? ˙™ ˙™ 22 M 7 Accordion Life Today | Winter 2015 | accordionlife.com Adagio ritard œœœœ J U œœœœ U ‰ œœœœœ ‰ œœœœœ ‰ œ œ j œ ˙™ ˙™ œ œ ˙™ M M M 3 with Beverly Smick STINATION • Italy • Pasta Puttanesca DE 2015 A quick and easy Italian favorite. ¼ C. Olive Oil 6 Cloves Garlic, minced 1 C. diced Onion 2 Oz. Can Anchovies in oil, minced 1 Tbl. Tomato Paste 28 Oz. Can Italian Tomatoes, crushed by hand 1 ½ Tsp. Dried Oregano ½ -1 Tsp. Red Pepper Flakes, or to taste ½ C. Kalamata Olives ¼ C. Capers, drained and rinsed 1 Lb. Spaghetti or Penne cooked al dente Parmigiano Reggiano Cheese Heat oil in a skillet over medium heat. Add garlic, onion and anchovy. Sauté until onion is translucent and anchovies have broken down. Add the tomato paste, stir and sauté another minute. Add remaining ingredients, except pasta and cheese. Lower temperature and simmer for 10 minutes. Combine sauce with cooked pasta and serve with fresh grated Parmigiano Reggiano. Buon appetito! ■ 23 Accordion Life Today | Winter 2015 | accordionlife.com THERE ARE three real passions in my life, my husband, travel and food, all vying for first place. My wanderlust has taken me around the globe to six continents where I have experienced many great meals and learned a lot about regional cuisine. I have worked in the food and travel industry for 25 years, which included owning "The Wanderlust's Kitchen" catering company and being co-owner of a national award winning Italian restaurant. There is nothing like the memories of the music and food and their sounds and smells to transport you back to the unforgettable experience of a visit to a foreign land. It is a pleasure to share with you my version of the recipes adapted from the taste of my travels around the world. Beverly Smick Beverly Smick ART BY FREEPIK.COM The Wanderlust'sKitchen Letter from the Editor Technology M S• ED ITO R & Music IE RR CO Take your accordion anywhere and learn on the go! HOHNER PIANO SQUEEZEBOX ACCORDION Now you can play piano accordion on your iPad or iPhone/ iPod touch! With customizable settings and views, the Hohner Piano SqueezeBox Accordion app makes practice on the go easy and fun. AccordionLife.com Core Curriculum features this app. The settings have been specially designed to mesh seamlessly with lessons in the Core Curriculum, making learning even easier no matter where you are! HOHNER CHROMATIC SQUEEZEBOX ACCORDION The Hohner C-System & B-System Chromatic SqueezeBox Accordion app is the leader in the app world for chromatic accordions. Easy interface, realistic button sizes, and quality sound. Available for the iPad or iPhone/iPod Touch. This app also has special features that are designed to integrate with Accordion Life’s Core Curriculum courses. To learn more, go to accordionlife.com/recommended-apps ■ 24 Accordion Life Today | Winter 2015 | accordionlife.com SA IT HAS BEEN A PRIVILEDGE to compile and edit this first issue of Accordion Life Today. Working with Patricia Bartell and the rest of the Accordion Life staff is very rewarding, especially being part of such a huge project that helps others enjoy music and the accordion as much as I do. If you have any news, events or accordion-related stories you would like to share or see in a future issue, email them to: [email protected] See you in the next issue! Corrie Sams Accordion Life Today 418 E. Pacific Ave. STE 6C Spokane, WA 99202 www.AccordionLife.com ACCORDION LIFE Don’t Miss Out on the next issue! (coming March 20, 2016) Sign up to get it FREE at AccordionLife.com/Magazine 25 Accordion Life • 418 E. Pacific Ave. STE 6C • Spokane, WA 99202 [email protected] • www.AccordionLife.com Accordion Life Today | Winter 2015 | accordionlife.com