SYNOPSIS - Shrek The Musical
Transcription
SYNOPSIS - Shrek The Musical
SYNOPSIS Once Upon A Time there was a little ogre named Shrek whose parents sat him down to tell him what all little ogres are lovingly told on their seventh birthday – go away, and don’t come back. That’s right, all ogres are destined to live lonely, miserable lives being chased by torch-wielding mobs who want to kill them. So the young Shrek set off, and eventually found a patch of swampland far away from the world that despised him. Many years pass, and the little ogre grows into a very big ogre, who has learned to love the solitude and privacy of his wonderfully stinky swamp (Big Bright Beautiful World.) Unfortunately, Shrek’s quiet little life is turned upside down when a pack of distraught Fairy Tale Creatures are dumped on his precious land. Pinocchio and his ragtag crew of pigs, witches and bears, lament their sorry fate, and explain that they’ve been banished from the Kingdom of Duloc by the evil Lord Farquaad for being freakishly different from everyone else (Story Of My Life.) Left with no choice, the grumpy ogre sets off to give that egotistical zealot a piece of his mind, and to hopefully get his swamp back, exactly as it was. Shrek Meets Donkey On his way to Duloc, Shrek manages to scare off an army of Farquaad’s soldiers who are trying to capture a terrified talking Donkey. Saved, Donkey takes an immediate liking to our surly hero, and decides it’s his duty to escort Shrek to Duloc. Shrek does everything in his power to lose the annoying sidekick, but Donkey is persistent, unshakable, and in desperate need of a best friend (Don’t Let Me Go.) Meanwhile, Lord Farquaad discovers that he’ll never be king unless he marries a princess. Gingy the gingerbread man is forced to tell him about a beautiful damsel in a far-off dragon-guarded tower. Farquaad vows to marry this Princess Fiona…just as soon he can find someone to rescue her on his behalf. Princess in a Parapet Princess Fiona, we find out, has been pacing the parapet of her tower since she was seven years old, waiting for her Prince Charming to carry her away. Alas, he’s really late. With nothing but a stack of storybooks and a few busted dolls for company, who could blame Fiona for getting impatient? Twenty years in a tower would make anyone a little stir-crazy. Still, her hope never wavers. She’s a princess after all, and this is what princesses do – they grit their teeth and wait to be rescued by a guy in tights (I Know It’s Today.) With Donkey as his guide, Shrek makes his way to Duloc, where he finds Farquaad and his loyal subjects celebrating their newly sanitized kingdom (What’s Up Duloc?) Shrek corners the four-foot tall scoundrel in the sequined doublet, and demands his swamp back. Farquaad agrees to hand over the deed to the swamp on one condition – Shrek must rescue Princess Fiona from the tower, and bring her back to Duloc. And so Shrek and Donkey set out again, walking many miles (The Travel Song) and eventually crossing a perilous bridge over a boiling lake of lava, where Shrek saves Donkey from a near-death experience. Once inside the Dragon’s keep, Shrek dons a helmet, and heads off to find the princess, while Donkey inadvertently stumbles upon a very hungry Dragon with some ideas of her own about happily ever after (Forever.) Donkey somehow manages to charm the plus-size lady-beast, who wants nothing more than to snuggle the chatty sidekick for the rest of his days. A Damsel in Distress Meanwhile, Shrek climbs into Fiona’s tower and discovers that the overjoyed princess has been studying her storybooks and planning every detail of this moment for the past twenty years (This Is How a Dream Comes True.) She flits about her knight in shining armor until he finally gets fed up, tosses her over his shoulder and heads for the exit. Together they and Donkey flee the enraged and heart-broken Dragon, and manage to make a nail-biting, courageous escape. Safe on the other side, Fiona insists on kissing her rescuer, as it is done in all fairytales, but her celebration is cut short when Shrek removes his helmet and reveals his big green face. After all, she’s supposed to be saved by her one true love, not by some ogre and his pet. Shrek explains he’s just a delivery boy, hired to bring her to the guy who REALLY wants to marry her. Fiona, meanwhile, notices the setting sun, suddenly demands they make camp for the night, and dashes into a nearby cave. Donkey Sets Shrek Straight Later that night, alone under the stars and emboldened by their heroic escape from the Dragon, Donkey asks Shrek if he could choose to be anyone else who it would be. Shrek tells his friend that it’s impossible to be someone else when the whole world runs screaming in fear from what they think is a big stupid ugly ogre. Donkey reminds him that he never saw him that way, and Shrek finally relents a little, and agrees to play his game (Who I’d Be.) Little do they know, however, that just behind them, standing in the glow of the moon, our beautiful princess Fiona has transformed into an ogress, as she does every night. A New Day Dawns The next day, Fiona is back to her pretty princess self, skipping through the forest at dawn, singing with woodland creatures and dancing with the Pied Piper’s rat-pack (Morning Person.) Sure, she accidentally blows up a blue bird, and tosses a deer off a cliff, but Fiona is trying her darndest to be the perfect fairytale princess. On the road back to Duloc, Fiona apologizes to Shrek for her behavior the night before. She feels they got off on the wrong foot, and would like to start again. Some good-natured bickering over who had the worse childhood then leads them to realize that they may have a lot more in common than they first assumed. They bond in the most unlikely and odorous of ways, and share what may just be the spark of first love (I Think I Got You Beat.) On to Duloc Back in the kingdom, Lord Farquaad makes plans for his storybook wedding. The villain’s contempt for Fairy Tale Creatures, as well as his strikingly short stature, is finally brought to light when his vassal Thelonius dares to ask Farquaad whether his father should be on the guest list (The Ballad of Farquaad.) With Duloc on the horizon, Shrek and Fiona stall for time, and agree to stop and share one last campfire together. Donkey, realizing that these two maybe falling for each other, slips into a flashy fantasy where he pulls out all the stops - including mood lighting, some Motown-esque serenading, and three gyrating blind mice singing back-up to get Shrek to open his heart (Make a Move.) With the sun going down, however, Donkey’s dream sequence is cut short when Fiona dashes into a nearby barn, lest her secret be revealed. Donkey begs Shrek to tell the princess how he really feels. When Shrek protests, Donkey decides to talk some sense into the Princess instead. He sneaks into the barn, and comes face to face with a terrifying looking ogress! Fiona calms the scared Donkey and tearfully explains that she’s been cursed since she was a girl. “By day one way, by night another – this shall be the norm, until you find true love’s first kiss and then take love’s true form.” She says she HAS to marry Farquaad, otherwise she’s destined to be an ugly ogress every night. A Misunderstanding Just outside the barn, our inarticulate hero tries to muster the courage to tell Fiona how he really feels (When Words Fail.) He creeps up to the door just in time to hear, “Who could ever love a beast so hideous? Princess and ugly don’t go together!” Assuming Fiona is talking about him, Shrek’s greatest fears are confirmed. He rushes off to Duloc, determined to end this little adventure once and for all. After a sleepless night of soul-searching, Fiona considers what Donkey had to say, and reconciles her feelings for Shrek (Morning Person Reprise.) She intends to confess everything once and for all. She doesn’t get a chance, however, when the fuming ogre storms in and lays into her about the night before. A series of misunderstandings leaves them each angry, hurt and determined to never see each other again. Lord Farquaad shows up right on cue, and proposes to the confused princess. Fiona accepts his proposal, bids the ogre farewell, and rides off to her new life in the castle. Donkey tries to tell Shrek that he’s making a terrible mistake, but Shrek lashes out at his friend, and vows to never leave the solitude of his swamp again. Taking Charge In another part of the woods, the disgruntled Fairy Tale Creatures have been sent packing yet again. Fed up with the injustices heaped upon them because of how they look, they rally each other, and decide its time to finally stand up for themselves (Freak Flag.) With the wedding hour fast-approaching, Donkey muscles his way onto Shrek’s swamp and gives the stubborn-headed ogre a good dose of tough-love. When Shrek finds out that Fiona wasn’t talking about him after all, he realizes the error of his ways, apologizes to his bestfriend, and wonders how they’re going to stop that wedding. Luckily, Donkey has a plan. Back in the Cathedral of Duloc, Fiona and Lord Farquaad are about to be married when Shrek comes barging in. With all eyes upon him, he steps forward and finally finds the courage to open his heart and tell Fiona that he loves her (Big Bright Beautiful World Reprise.) And if this heartfelt confession didn’t enrage Farquaad enough, the Fairy Tale Creatures come barging in with yet another guest to ruin his perfect wedding - Farquaad’s father! As the son of a grumpy dwarf, the villain is exposed as being as much of a “freak” as the rest of them. Happily Ever After In this midst of all this chaos, Fiona steps into the light of the setting sun and transforms into an ogress. Farquaad is disgusted, and vows to put her back in that tower, toss the FairyTale Creatures in prison, and send Shrek off to be executed! Little does Farquaad know, however, that Shrek and Donkey have a plan. On Shrek’s signal, the Dragon comes crashing through the stained glass window of the church and swallows up the villain in one satisfying gulp. Shrek has shown the world that he truly is the hero that we always knew he could be. He and Fiona come together at last, sharing true-love’s first kiss. Magical winds whip up, Fiona is swept into the air and the curse is finally broken. The princess has at last taken love’s true form – a stunningly beautiful…ogress. It’s a happy ending after all, as the wedding moves back to Shrek’s swamp where he and Fiona marry…and live happily ever after (This Is My Story.) CAST ROB ASHFORD TIM HATLEY ORIGINAL PRODUCTION DIRECTOR ORIGINAL SET, COSTUME AND PUPPET DESIGN JASON MOORE JOSH PRINCE ORIGINAL PRODUCTION DIRECTOR ORIGINAL BROADWAY CHOREOGRAPHER JEANINE TESORI DAVID LINDSAY A. MUSIC BOOK & LYRICS KYLE TIMSON SHREK LINDSAY ESTELLE DUN PRINCESS FIONA OLIVIA FANDERS JARED HOWELTON YOUNG FIONA DONKEY CHRISTINA CARLUCCI SKYE BRONFENBRENNER GINGY / FLUTTER BELL SUGAR PLUM FAIRY TYLER HUCKSTEP TONY JOHNSON ENSEMBLE, PIG STRAW, U/S FARQUAAD PINOCCHIO JOHN H. THYEN CHRISTINA EMILY JACKSON ENSEMBLE, PAPA OGRE, WOOD PIG, U/S SHREK TEEN FIONA, ELF KEVIN FERGUSON LOUIS J. JACKSON ENSEMBLE, BABY BEAR, U/S DONKEY, U.S PINOCCHIO ENSEMBLE, PAPA BEAR, U.S DONKEY LA’NETTE WALLACE SPENCER STEVENS MAMA OGRE, DRAGON, MAMA BEAR ENSEMBLE, PETER PAN, U/S PINOCCHIO WILLIAM PAZDZIORA KELSEY OREM ENSEMBLE, WOLF, U/S FARQUAAD WICKED WITCH JOHN O’BRIEN ANN NORTHERN UGLY DUCKING BRANDON ALBERTO SWING CREATIVE BIOS DAVID LINDSAY-ABAIRE (Book & Lyrics) was most recently nominated for two Tony Awards for his work on Shrek The Musical: Best Book of a Musical and Best Score (with composer Jeanine Tesori). Prior to that he was awarded the 2008 Ed Kleban Award as America’s most promising musical theatre lyricist and the 2007 Pulitzer Prize for Drama for his play Rabbit Hole, which premiered on Broadway at MTC’s Biltmore Theatre. Rabbit Hole also received five Tony Award nominations, including Best Play, and the Spirit of America Award. His other shows include Fuddy Meers, Kimberly Akimbo, Wonder of the World, High Fidelity and A Devil Inside, among others. In addition to his work in theatre, David’s screen adaptation of Rabbit Hole stars Nicole Kidman and is directed by John Cameron Mitchell. David is a proud New Dramatists alum, a graduate of Sarah Lawrence College and the Juilliard School, as well as a member of the WGA and the Dramatists Guild Council. JEANINE TESORI (Music) has written four Tony-nominated scores for Broadway: Twelfth Night (Lincoln Center); Thoroughly Modern Millie (lyrics, Dick Scanlan); Caroline, or Change (lyrics, Tony Kushner); and Shrek The Musical (lyrics, David Lindsay-Abaire). The production of Caroline, or Change at the National Theater in London received the Olivier Award for Best New Musical. Her first musical, Violet, written with Brian Crawley, received the New York Drama Critics Circle Award in 1997. She has been the recipient of many other honors including Drama Desk and Obie Awards, and was cited by ASCAP as the first woman composer to have “two new musicals running concurrently on Broadway.” She composed the music for the New York Shakespeare Festival’s Mother Courage, directed by George C. Wolfe, starring Meryl Streep and Kevin Kline. She has written songs for the movie Shrek The Third. Her film scores include Nights in Rodanthe, Winds of Change, Show Business and Wrestling With Angels. She composed songs for the Disney DVD releases Mulan II, Lilo and Stitch II and The Little Mermaid III. She has produced 60 CDs for Silver-Burdett Ginn’s Making Music and the original cast albums for Twelfth Night, Violet and Caroline, or Change. Ms. Tesori, a Barnard graduate, is on the council of the Dramatists Guild. Her next project is a new musical with the playwright Lisa Kron. JASON MOORE (Original Director) Broadway: Shrek The Musical, Avenue Q, Steel Magnolias. Carnegie Hall: Jerry Springer: The Opera. Off-Broadway: Speech and Debate (Roundabout), Avenue Q (the Vineyard), Guardians (the Culture Project), The Crumple Zone. Associate direction: Les Misérables (Broadway, national tour), Ragtime (Vancouver). Regional: Tales of the City (American Conservatory Theatre, San Francisco). TV directing: episodes of “Dawson’s Creek,” “Everwood,” “One Tree Hill” and “Brothers and Sisters.” Jason has a B.S. in performance studies from Northwestern University. ROB ASHFORD (Original Director) Broadway as Director and Choreographer; How To Succeed In Business starring Daniel Radcliffe (Tony nominations for Direction and Choreography), Promises, Promises starring Sean Hayes and Kristen Chenowith ( Tony nomination for Choreography).Other Broadway credits as Choreographer include Thoroughly Modern Millie (2002 Tony Award, Best Choreography), The Wedding Singer (Tony nomination), Curtains (Tony nomination), Cry-Baby (Tony nomination). In London as Director, Anna Christie starring Jude Law, A Streetcar Names Desire starring Rachel Weisz both at the Donmar Warehouse (Olivier nomination, Best Revival), Parade at the Donmar Warehouse (Olivier nominations for Direction and Choreography). As Choreographer; Evita (Olivier nomination), Guys and Dolls (Olivier nomination), Thoroughly Modern Millie (Olivier nomination), A Funny Thing Happened on the Way to the Forum, Once in a Lifetime (National Theatre). Other credits include Parade (Mark Taper Forum), Candide (English National Opera, La Scala, Milan, Chatelet, Paris), Tenderloin, Bloomer Girl, A Connecticut Yankee… and Pardon My English (encores!). He provided choreography for the film Beyond the Sea directed by and starring Kevin Spacey. Mr. Ashford won an Emmy Award for Outstanding Choreography for his work on the “81st Annual Academy Awards,an and is an Associate Director at The Donmar Warehouse in London. STEPHEN SPOSITO (Tour Director) is the Associate Director of the current Broadway revival of How To Succeed In Business starring Daniel Radcliff. Other credits include: Promises, Promises (Broadway); Shrek The Musical (Broadway); Leap of Faith (Ahmanson Theatre); Parade (Mark Taper Forum); Jerry Springer: The Opera (Carnegie Hall); Speech and Debate (Roundabout Theatre Company); 81st Annual Academy Awards (Production Coordinator). Graduate of The University of Michigan. JOSH PRINCE (Original Choreographer). Broadway: Shrek The Musical (Outer Critics Circle nom.). Off-Broadway: The Kid (The New Group). New York City: The Bridge Project (BAM/The Old Vic ’09/’10); The Jerry Springer Opera (with Harvey Keitel) at Carnegie Hall; Camelot (with Gabriel Byrne) with the NY Philharmonic at Lincoln Center (PBS); and All Singing All Dancing (Town Hall ’09). Josh also recently had the pleasure of choreographing the 2010 Kennedy Center Spring Gala. Additional credits: Tales From The Bad Years (Theater Works Palo Alto, dir.); Calvin Berger (MTC 7@7 Series, Dir.); Emerald Man (NYMF, Dir.); Barnum (Dir.); Cabaret (Dir.); Guys and Dolls; One Way Ticket To Hell (Dir.); The Full Monty; The Big Funk (Dir.); La Boheme; Anything Goes; and Singin’ In The Rain. CHRIS BAILEY (Choreographer). Seoul Korea: Dancing Shadows (Won National Korean Theatre Award for Best Choreography 2007.), Pyoor Native American. Associate Choreography -Broadway: How to Succeed in Business Without Really Trying, Promises Promises, Cry Baby. West End: Guys and Dolls, Evita, Once in a Lifetime, Candide (alsoParis) Tours: The Wedding Singer (US), Guys and Dolls (UK, Australia), Thoroughly Modern Millie (UK). Film: Beyond the Sea. Television: The 2011, 2010 and 2009 Tony Awards, 2010 and 2008 Kennedy Center Honors. Upcoming: Evita (Broadway). TIM HATLEY (Original Set, Costume and Puppet Design). Winner of the 2009 Tony Award & Drama Desk Award for Best Costume & Scenic Design for his work on Shrek The Musical. Winner of 2002 Tony and Drama Desk Awards for Private Lives on Broadway. Broadway & West End credits include: Spamalot, Private Lives, Vincent in Brixton, The Crucible, Stanley, Betty Blue Eyes & Endgame. Film credits: Stage Beauty, Closer and Notes on a Scandal. Previous theatre work includes working with Complicite, Royal National Theatre, Royal Shakespeare Company, English National Opera and London’s West End. Graduated from Central Saint Martins School of Art, London. JIM KRONZER (Tour Scenic Designs) Broadway: Glory Days. Off-Broadway: Primary Stages: Opus; Zipper Theatre: Under the Bridge. Regional: Arden Theatre Co, Florida Stage, Pioneer Theatre, Philadelphia Theatre Co., The Wilma. Cruise Lines: Disney Cruise Line and Norwegian Cruise Line. Washington, D.C.: Shakespeare Theatre, Signature Theatre, Woolly Mammoth, The Studio Theatre, The Kennedy Center. National Tours: Broadway Across America: Backyardigans, Barbie™ Live! In Fairytopia ™, NeTworks: Seussical the Musical, Show Boat, Big. Awards: Helen Hayes Award, (8), Barrymore Award (1). PAUL MILLER (Lighting) Broadway: Legally Blonde, Freshly Squeezed, Laughing Room;Lost in the Stars, Where’s Charley, Of Thee I Sing, Music in the Air (Encores). Off-Broadway: Nunsense, Vanities - the Musical, Waiting for Godot, Addicted, Balancing Act. Regional: Cleveland Playhouse, Pasadena Playhouse, Bay Street, Lookingglass, Chicago Shakespeare, and Paper Mill. International: West End, China, Asia, La Scala. Tours: Storytime Live, Wizard of Oz, Sweeney Todd, Legally Blonde, Nunsense, Scooby Doo. Television: “Camelot” (Lincoln Center), and the internationally televised “New Year’s Eve Celebration in Times Square.” SHANNON SLATON (Sound Design) designed the tours for Aeros, Kiss Me Kate, The Full Monty, The Producers, Contact, Tap Dogs, Hairspray, Sweeney Todd, The Wedding Singer, The Wizard of Oz, and A Chorus Line. Broadway mixing includes: A Christmas Carol, Jersey Boys, Dirty Rotten Scoundrels, Sweet Charity, The Drowsy Chaperone, Man of La Mancha, Bombay Dreams, Spring Awakening, Anything Goes, and Legally Blonde. He was also the Production Sound for The Phantom of the Opera on Broadway and the US national tour and the Advance Contract on Wicked. TIM WEIL (Incidental Music Arrangements). Broadway: Rent, Jumpers, Sally Marr… and her escorts (composer). Off-Broadway: Current revivial of Rent at New World Stages, 10 Million Miles (ATC, Drama Desk nomination, Best Orchestrations), The Baker’s Wife (York Theatre). Film: Camp (IFC), Rent (Sony, Revolution), The Marc Pease Experience (Paramount). Television: “Sheep in the Big City,” “Bear in the Big Blue House” (Nickelodeon, Cartoon Networks), many early-morning and late-night variety shows. Recordings: Rent (Broadway, film soundtracks), Camp (producer, arranger), Adam Pascal’s Model Prisoner and Sherie Rene Scott’s Men I’ve Had (Sh-K-Boom Records). For the past several years, Tim has served on the panel for the Jonathan Larson Foundation, which provides grants to aspiring composers and lyricists. DANNY TROOB (Orchestrator). His career as a musician includes composing, orchestrating and conducting. Some early credits: Pacific Overtures, The Baker’s Wife (dance music), Big River (music supervision, Drama Desk Award winner). Orchestrated the animated features Beauty and the Beast, Aladdin and Pocahontas, where he also conducted the score. Wrote the underscore to The Little Mermaid II (nominated for Annie Award – lost to Shrek!), and the TV musical versions of “Cinderella,” “Annie” and “The Music Man.” He orchestrated the revival of Pajama Game with Harry Connick Jr. and the Sydney stage production of Des McAnuff’s Dr. Zhivago, and Aladdin in Seattle, dir. Casey Nickelaw, along with the upcoming stage version of "Newsies" and a European tour of "The Little Mermaid." AUSTIN SANDERSON (Costume Coordinator) has designed costumes for Denver Theatre Center, Alliance Theatre, Cincinnati Playhouse, Trinity Rep, The Big Apple Circus, Ballet Hispanico, Shakespeare Santa Cruz, Old Globe Theatre, San Diego Rep, Alabama Shakespeare Festival, Manhattan School of Music, Theatre Virginia, New Jersey Shakespeare Festival, Shakespeare Festival of St. Louis, Primary Stages, The Kirk Theatre, Royal Caribbean Cruise Lines’, and many other companies. His set designs include the Reem Acra Bridal Collection, Capital Rep, Theatre Virginia, Fleetwood Stage, and numerous television commercials and industrials. He is represented by Barbara Hogenson, The Barbara Hogenson Agency. .austinsanderson.com. DAVID BRIAN BROWN (Wig/Hair Design). Broadway: A Steady Rain, The Country Girl, Little Mermaid, Legally Blonde, Tarzan, Butley, The Wedding Singer; Chita…, The Woman In White, The Odd Couple, Spamalot, Dirty Rotten Scoundrels, Fiddler on the Roof, Nine, Gypsy, Flower Drum Song, Sweet Smell of Success, The Invention of Love, Aida, The Rainmaker, The Iceman Cometh, Annie Get Your Gun, Little Me, Chicago, Sideshow, 1776, Steel Pier, Big, Sunset Boulevard. Film credits include: It’s Complicated, Angels In America (Emmy nomination), Too Wong Foo…. NAOMI DONNE (Makeup Design). Film: James Bond—The Living Daylights, License to Kill and The Quantum of Solace; Six Degrees of Separation; The Crucible; The Object of My Affection; A Perfect Murder; Chocolat (BAFTA nomination); Random Hearts; Practical Magic; Little Women; Zoolander; The Royal Tenenbaums (Hollywood Make Up Guild Award); Meet the Fockers; The Producers; Synecdoche, New York; Salmon Fishing in the Yemen. Theatre N.Y.: Twelfth Night (LCT), Electra, Betrayal, Aida, The Graduate, Nine, Sweet Smell of Success, Tarzan, Mary Poppins, The Year of Magical Thinking, Shrek The Musical (New York Theater Wing design nomination). Theatre West End: Starlight Express, Song and Dance, Children of a Lesser God, Time, MaryPoppins, Love Never Dies. BOB CLINE (Casting Director) Besides Shrek, Bob has most recently cast the national tours of Young Frankenstein, Hairspray, Beauty and the Beast, The Drowsy Chaperone, Annie, Full Monty, Rent, Ragtime, Seussical, Bye Bye Birdie, Music Man, Little Women, 39 Steps + over 30 others. He has also helped to populate nearly 1000 regional theatre productions across the country + tv, film, and commercials. Bob is also a proud professor at Pace University in their BFA Musical Theatre program. MATTHEW SKLAR (Dance Music Arrangements) composed the music for the Broadway musicals Elf and The Wedding Singer (Tony and Drama Desk Award nominations). He is a recipient of the ASCAP Richard Rodgers New Horizons Award, the Gilman & Gonzalez-Falla Musical Theatre Award, and the Jonathan Larson Performing Arts Foundation Award. In addition to his work as a composer/arranger, Matthew has been a pianist and/or conductor for more than a dozen Broadway musicals including Caroline, or Change; Nine; 42nd Street; Titanic; Miss Saigon; and Les Miserables. He has also contributed original music to the hit Nickelodeon television series "Wonder Pets". MARSHALL MAGOON (Illusions Consultant) has created illusions for Monty Python’s Spamalot, the revival of Damn Yankees and The Shaw Festival’s Invisible Man. Marshall was featured on NBC television’s “Days of Our Lives” and has created presentations for many Fortune 500 companies. Find out more about him at magoonmagic.com. DREAMWORKS THEATRICALS (Producer) DreamWorks Theatricals was established in 2007 by DreamWorks Animation SKG, Inc (NASDAQ: DWA) to produce stage productions adapted works. Bill Damaschke serves as Chief Creative Officer of DWA. DWA is devoted to producing high-quality family entertainment through the use of computer-generated (CG) animation. DWA’s 2011 film slate features Kung Fu Panda 2 and Puss In Boots. The Company has theatrically released a total of 22 animated feature films, including the franchise properties of Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon. Shrek was the winner of the first ever Academy Award for Best Animated Feature. Jeffrey Katzenberg serves as DWA’s CEO and was a co-founder of DreamWorks Studios in 1994. The Broadway production was nominated for eight Tony Awards, including Best Costume Design awarded to Tim Hatley. The production is currently playing in London’s West End. DANI DAVIS (Executive Producer) is a Broadway producer, director, and lyricist. On Broadway, she produced Little Women – the musical (Tony, Drama Desk nominations) and The Lonesome West (Tony, Drama Desk noms/awards). She won a 2010 Emmy Award for writing Handel’s Messiah Rocks (Sony Classical, PBS), which she also directed. For NETworks, she was Executive Producer for Little Women and The Wedding Singer. She is on the board of Duke University’s Women’s Forum and The American Songbook Project. Her songs are published by Cherry Lane Music/ BMG. Member: SDC, BMI. NETworks PRESENTATIONS, LLC (Producer) Since 1995, NETworks has produced and managed over 45 touring productions in the US., U.K. and internationally . Current productions include Disney’s Beauty and the Beast, Young Frankenstein, Rodgers and Hammerstein’s South Pacific, Blue Man Group National Tour, La Cage, Shrek The Musical and The New 25th Anniversary Production of Les Misérables. Future productions include Disney and Cameron Mackintosh’s Mary Poppins, Flashdance the Musical and National Theatre of Great Britain’s production of War Horse touring the U.S. WILLIAM STEIG (Author of the Book Shrek!). Named the “King of Cartoons” by Newsweek, William Steig remains The New Yorker’s longest-running contributor, with more than 1,600 drawings and 117 covers to his name. He began writing and illustrating books for children at the age of 60. His work Sylvester and the Magic Pebble earned him the Caldecott Medal, the highest honor bestowed on children’s picture books, but it was the 1990 fairy tale Shrek! That ultimately brought him his largest audience by inspiring one of the most successful film franchises in motion picture history. William Steig wrote and illustrated children’s books up until the last year of his life and died in 2003 at the age of 96. GAMES LITTLE SHREK AUDITION LITTLE SHREK AUDITION APRIL 8 - 10, 2016 AT PONDOK INDAH MALL CONGRATULATIONS TO ALL “LITTLE SHREK” WINNERS 1ST: KEVIN KAHUNI 2ND: DENZELL F. 3RD: ALDRIN PUTRA 4TH: JACOPO FATINI SEE YOU AT THE SHOW!