March 2007

Transcription

March 2007

AUCTION:
Session One: Saturday, March 10, 2007 12 Noo n
Session Two: Sunday, March 11, 2007 12 Noo n
PREVIEWS:
March 3 through March 9 from 12:00–5:00 pm
day of sale beginning at 9:00 am
or by appointment
preview online at www. r a g o a rt s . c o m
IMPORTANT NOTICE TO ALL BUYERS:
C r a ftsman Auction’s buyer’s premium is 20% (22.5% on eBayLiveAuctions)
AUCTIONEER’S NOTE:
Please look at our online catalogue or call the Auction House for
complete condition reports if you cannot view these items in person.
*** Please note that furniture condition reports are no longer listed in this
catalogue. They are described in great detail with every lot on our online
catalogue, found at www. r a g o a rts.com. If you would like individual report s
sent to you, please contact us at 609.397.9374. ***
COVER ILLUSTRATION:
lot 71
updated condition reports on ragoart s . c o m
CONTENTS:
Session One, page 1
Session Two, page 233
Shipping Information, page 324
Terms of Sale, page 325
Auction Staff, page 328
Condition Report Form, page 331
Absentee Bid Form, page 332
INQUIRIES/INFORMATION:
Specialists in Charge:
David Rago
609.397.9374, info@ragoart s . c o m
Jerry Cohen
800.448.7828, jerry@craf t s m a n - a u c t i o n s . c o m
Suzanne Perrault
609.397.9374, suzanne@ragoart s . c o m
Denise Rago-Wa ll a c e
609.397.9374, denise@ragoart s . c o m
Absentee Bids:
Eliane Ta l e c
609.397.9374, ext. 118
Telephone Bids:
Ramona Hillier O’Hara
609.397.9374, ext. 144
Payment:
Eliane Ta l e c
609.397.9374, ext. 118
Shipping:
Karen Davies
609.397.9374, ext. 145
Catalogue Subscriptions and Single Orders:
1 . 8 6 6 . R A G O A RTS (724.6278)
r a g o a rt s . c o m
Auction and Exhibition Information:
1 . 8 6 6 . R A G O A RTS (724.6278)
24 Hour Information:
1 . 8 6 6 . R A G O A RTS (724.6278)
SESSION ONE
Saturday, March 10, 2007 12 Noo n
A PERSONAL COLLECTION OF ART POTTERY – THE STRADLINGS
“Since we have always told anyone who asked us what we collect, that we are dealers, not collectors, a clarification seems necessary.
Truth is, we have always been fascinated with the craf t and lore of pottery, and some objects by their very existence document bits of
information, or some aspect that adds to our knowledge. These, we have saved, hoping someday to weave them into a narrative like this
one, where they can interrelate, as of course they did in their own time. Dave Rago has generously indulged us with space to do just
that. Running commentary by the Stradlings, either Diana and Gary, or both, may interject, and research has been supplied by Joanna
Pessa. In our 40 years of browsing the Northeast, we encountered many dealers and personalities, some now legends. Reviewing these
objects has conjured up long forgotten associations - and invited or not, some will appear in these pages. All depends on how much
Dave Rago will indulge us.
Because we are interested in the history and evolution of design, we made it a point never to judge objects through the lens of modern
aesthetics. Good art is eternal, but taste is ever changing. No artist, no movement, ever existed in a vaccuum. Artists have always
influenced each other, and always will we try to judge an object by the standards of its own time.
J.Garrison (“Gary”) writing now: My mother was an artist who studied with Frederick Taubes and William Thon and attended the Art
Students League in NYC, and was awarded an Honorable Mention at the League of Women Artists' competition in 1953, the year my
father's untimely death ended her art career. But I grew up at the easel with the smell of turpentine and oils in my nostrils, and an
appreciation for all things created to delight the mind and eye.
Diana, having her say: - I, for one, am a third generation Loehmann's shopper - which explains a lot about my (our) approach to this
c o llection. I was taught how to shop by my Mother's sister, a world-class shopper herself, who elevated herself to the status of shoe
designer before her marriage. Even as a child, while lolling on the zebra fur chairs, playing among the gold mannequins in the original
B r ooklyn Loehmann's, I was absorbing the lessons she taught my mother and me.
“Never settle for run of the mill, what everybody buys. Look for the cut above, look for something special, the unique. Special costs a
little bit more!”
That philosophy has served us well in business and has guided our professional selections. Along the way, as our interest in the craf t of
potting grew and we began writing about it, so grew our realization that some objects convey information about the artists, about their
technology, their mindsets, or about what they did on their “days of f.” These objects add a dimension, they offer a different view. These
are what we squirreled away for ourselves, and why.”
Diana and Garrison Stradling
New York, February, 2007
ADDITIONAL COMMENTARY BY THE STRADLINGS IS AVAILABLE ON RAGOARTS.COM
OR WILL BE MAILED UPON REQUEST IN PORTFOLIO FORM
RAGO ARTS AND AUCTION CENTER >
1:
GEORGE OHR
Vase with deep in-body twist, covered in several glazes as a glaze test.
(Exhibited in American Art Pottery, 1875-1930, Delaware Art Museum,
Wilmington, DE, 1978, catalog #96.) Short, tight line to rim. Glaze
numbers on outside, pad inside stamped G.E. Ohr, Biloxi, Miss.
3 1/2” x 4 1/2”
$10,000–15,000
additional commentary by the Stradlings is available on ragoarts.com or will be mailed upon request in portfolio form
1
2:
GEORGE OHR
Cabinet vase with folded rim,
c overed in gunmetal brown and
bright green matte glaze.
Complete with signed stilt pad.
Minor nicks to paper-thin rim.
Vase stamped, stilt pad incised G.
E. OHR. 3 1/4” x 3”
$2,250–2,750
3:
GEORGE OHR
Low vessel covered in raspberry
volcanic glaze, with bright green
i n t e r i o r. Very slight loss to bubble
at base. Stamped G. E. OHR Biloxi,
Miss. 2 1/4” x 4”
$3,000–4,000
2
4:
GEORGE OHR
Large shield-shape wall shelf of marbleized clay in woodgrain pattern,
embossed with an urn and blooms. Rescued by Ohr with in-house fusing.
Unmarked. 16” x 12”
(“This came from the original group brought North by Jim Carpenter (as
did all our Ohr pottery) and we saw no other piece like it. It’s been hanging
in our office for many, many years, and we will miss seeing it there.”)
$4,500–6,500
3
5:
GEORGE OHR
Mug covered in a rare leathery copper and gunmetal glaze
with melt fissures, possibly coated with melted metals
such as pewter and copper. Script signature. 4 1/2” x 4 1/2”
$3,000–4,000
6:
GEORGE OHR
Vessel of white clay with closed-in rim, in sponged cobalt and
brown pattern. Script signature. 2 1/2” x 3 1/2”
$1,750–2,250
7:
GEORGE OHR
Salt dish covered in mottled raspberry glaze with green drip.
Stamped G. E. OHR Biloxi Miss., and signed Mobile clay 1899.
3 1/4” x 3 1/2”
$2,750–3,750
4
8:
GEORGE OHR
Beaker incised with a branch of delicate blue
flowers, in the Japanese taste. Possibly meant
to have a handle. Signed Biloxi G. E. Ohr. 3” x 3”
$2,500–3,500
9:
GEORGE OHR
Demitasse cup and saucer, the cup with a rare brushed decoration of
y e llow leaves on gunmetal glaze. Together with Ohr price tag.
Restoration to rim. Cup: 2” x 3 1/4”
$1,000–1,500
5
10:
GEORGE OHR
Vessel of Chinese melon shape, covered in gunmetal glaze over an
amber ground. 1/2” kiln kiss. Script signature. 4 1/4” x 4 1/2”
$2,750–3,750
11:
GEORGE OHR
Large pitcher embossed with battle scene, under gunmetal glaze
with green interior. Signed Biloxi. 10 1/4” x 6 1/2”
$2,500–3,500
12:
GEORGE OHR
Squat vessel of white clay with sponged cobalt and green glaze in
watermelon-type pattern. Firing line to bottom. Stamped G. E.
OHR, BILOXI. 2” x 4”
13:
GEORGE OHR
Cabinet vase of marbleized clay, covered in sheer forest green
glaze. Stamped GEO. E. OHR BILOXI, MISS. 2 1/2” x 3
$1,000–1,500
$1,750–2,250
6
14:
FREDERICK GEORGE RICHARD ROTH
Squat stoneware lidded vessel, its base covered in gunmetal, indigo, and green flambe glaze, the sculptural lid modeled as a brown bear,
1 9 2 0 ’s. Some chips and touch-ups. Each component signed FGRR. 11” x 9”
(“By the internationally renowned American sculptor, Frederick Roth, whose work, it turns out, is all around us. Born in Brooklyn in 1872, he
was educated in Europe when his father’s cotton business took the family to Germany. He learned sculpture in Vienna and in Berlin. He also
learned pottery techniques at the Staffordshire potteries in England, and in Stuttgart, Germany, and for a time, modeled animal figures for
the Doulton Potteries. He maintained a studio in New York from 1890, and participated in the St.Louis 1904 and the Panama Pacific
Expositions. He taught at the National Academy, was President of the National Sculpture Society, and in 1925, won a major prize for a
Central Park favorite, his statue of Siberian husky hero, Balto (the subject of a Disney movie.) As chief sculptor for the New York City Parks
D e p a rtment from 1934 to 1936, he produced fountain statues and tile reliefs at the Central Park Zoo, Mother Goose near 72nd Street and
Alice in Wonderland, near 76th Street. His work is in the collections of the Metropolitan Museum of Art, the Detroit Institute of Arts, and
B r ookgreen Gardens. Morristown has his equestrian George Washington. He died in Englewood, NJ in 1944. His ceramics are extremely rare.
We have seen only the lid produced as a paperweight, in a museum coll e c t i o n . ” )
$3,500–4,500
7
15:
DEDHAM
Experimental vase by Hugh Robert s o n
c overed in mottled brown, green, and amber
volcanic glaze, c. 1895-1908. Marked Dedham
Pottery/HCR. 7 1/2” x 4”
16:
$1,250–1,750
$1,200–1,600
17:
CHELSEA KERAMIC ART WORKS
Two pieces: a rare and early small plate carved with brick red violets on an ivory ground,
with gold craquelure, 1880 (wear to gilt); a ewer by Josephine Day decorated in
A l b e rtine with applied branch of leaves and blossoms under glossy green glaze, tight
line to base of handle, small chip. Stamped CKAW/JD. 7 1/2” x 4”
CHELSEA POTTERY U.S.
Rare and early Crackleware plate incised in the Lotus pattern
outlined in blue with rare green leaves, c. 1891-95. Stamped
CPUS/EEX. 10” dia.
$2,500–3,500
18:
Experimental glaze plate, c. 1877-80. (Exhibited in
American Art Pottery, 1875-1930, Delaware Art Museum,
1978, catalog #35.) Stamped CHELSEA KERAMIC ART
WORKS, ROBERTSON & SONS.
5 1/2” dia.
$1,900–2,400
8
19:
DEDHAM
Ta ll experimental vase by Hugh Robertson with a thick, mottled green,
amber, and white dripping volcanic glaze, c. 1895-1908. Marked Dedham
P o t t e r y / H C R / 1 3 / D P 1 7 F. 11” x 5 1/2”
$4,000–6,000
9
20:
BROUWER
Vessel of Chinese melon shape, covered in bronze flame-painted
glaze. (Exhibited in American Art Pottery, 1875-1930, Delaware Art
Museum, 1978, and illustrated in the accompanying catalog.)
Incised whale bone and Brouwer. 3 3/4” x 4 1/2”
$1,250–1,750
21:
FRANK X. CHAMBERLIN /
SALMAGUNDI CLUB
China-painted Volkmar mug with Pierrot clowns, a snake handle,
“Eat, Drink, and be Merry,” to be read while drinking, and
caricatures of twelve of its members on the bottom, c. 1899-1910.
A r t i s t ’s signature. 6” x 5 1/4”
(“Founded in 1871 in New York as a sketching class, the Salmagundi
became an artists’ club which included at some point Frederick
Church, George Inness, and Thomas Moran. Twenty-four mugs,
p r ovided by the Volkmar Pottery, were decorated every year, and sold
at the library dinners to raise funds. The artist, Frank X. Chamberlin,
was a New York-based magazine illustrator who did covers for
P e a r s o n’s Magazine.”)
$1,000–1,500
22:
VOLKMAR & CORY
Pair of mugs decorated in the Delft style with George and Martha Washington, for
the George Washington Memorial Association, c. 1895. Hairline to George mug. Both
signed G.W.M.A. 6” x 6”
$700–1,000
23:
MARBLEHEAD
Squat vessel covered in Persian crackleware glaze
test. (Possibly one of Arthur Baggs’ early glaze
experiments.) Ship stamp with glaze and firing
codes. 3 3/4” x 5 1/2”
$1,000–1,500
10
24:
NEWCOMB COLLEGE
Ta ll vase carved by Sadie Irvine with a
m oonlit landscape of live oaks and Spanish
moss, 1927. Small manufacturing glaze slip
at rim. NC/SI/131/QM68/paper label.
11” x 5 1/2”
$7,500–10,000
11
25:
BOLESLAW CYBIS
Blue and white underglaze-decorated plate depicting a farm
landscape with bridge. Some shaving of glaze bubbles. Unmarked.
10 1/2” dia.
( I m p o rtant historical information available online too voluminous to
list here, please refer. )
$1,750–2,250
26:
26A:
ROOKWOOD
Jewel Porcelain plate painted by William Hentschel in blue and
white Chinoiserie, 1924. (Exhibited in A fter the China Taste: China’s
Influence in America, 1730-1930, catalog #53, p. 69. Peabody
Museum of Salem, Salem, Massachusetts, 1985.) Flame
m a r k / X X I V / K 2 A / a rt i s t ’s cipher. 10 1/4” dia.
$1,500–2,000
27:
12
ROOKWOOD
Trial porcelain plate depicting the twelve apostles under sheer
i vory glaze. Flame mark/K8. 12 1/2” dia.
$ 45 0 – 6 5 0
T.J . W H E AT L E Y
Ta ll Albertine vase modeled with applied hibiscus on a barbotine
painted ground, c. 1880. (Exhibited in “From Our Native Clay,”
American Ceramic Arts Society, New York, 1987, and pictured in
their catalog, p. 57.) A few minor losses and touch-ups. Stamped
W H E ATLEY and artist signed KW. 19” x 10”
$800–1,200
28:
SAT U R D AY E V EN IN G G I RL S
Bowl painted in wax-resist with white camellia, 1916.
Two short, tight hairlines. Signed S.E.G./AM/10-16. 2
1/2” x 8 1/2”
$1,500–2,000
30:
ADELAIDE ROBINEAU
Cabinet vase covered in celadon crystalline glaze.
Incised Y AR. 2 3/4” x 2 1/4”
$2,000–3,000
29:
PEWABIC
Plate embossed with black rooks against gold lustered glaze. Stamped PEWA B I C .
10” dia.
$2,000–3,000
13
31:
PISGAH FOREST
32:
CLIFTON
Baluster vase in white, blue, and amber crystalline glaze, 1939.
S m a ll nick to base. Embossed potter’s wheel/1939. 6 1/4” x 4”
$500–750
Crystal Patina bottle-shaped vase, 1906. Signed Clif t o n
1 9 0 6 / 1 4 8 / C A P. 9” x 5”
$500–750
33:
EDWIN BENNETT
Albion pillow vase in mottled tort o i s e - s h e ll glaze, 1896. Marked E.
B E N N E T T POTT E RY 1896. 8 1/2” x 8 1/4”
$500–750
34:
14
WELLER
Unusual vase with beetles under a sheer glossy green and purple
glaze. Unmarked. 4 1/2” x 4 1/4”
$1,250–1,750
35:
HENRY VARNUM POOR
Plate incised and painted with a portrait of the art i s t ’s wife, Marion Dorn Poo r. A few small nicks to rim. Stamped floral Crow House mark.
8” dia.
( “ P oor married Marion Dorn in 1919. In 1920 he began potting, for philosophical and practical reasons. Marion Dorn (1896-1964) and Poo r
d i vorced in 1923. While married to Poor, she showed in the ‘Exhibition of Industrial Art’ at the Metropolitan Museum of Art. After divo r c i n g
P oor, she moved to London and continued a thriving career. She is best known for her carpet designs, which included carpets for Claridge’s
Hotel in London, the decorator Syrie Maugham, and the Diplomatic Reception Room of the White House. The British art connoisseur Harold
Acton wrote of her work in Memoirs of an Aesthete (1948), ‘Marion designed modernistic rugs which kept one’s eyes riveted to the floo r. ’ ” )
$2,500–3,500
15
16
VANCROFT
Built in 1901, on 500 acres ov e r l ooking the Ohio River in the hills of West Virginia, Va n c r o f t was the premier commission of the
architectural firm of Alden and Harlow of Pittsburgh, PA. Va n c r o f t was built as a hunting lodge for Joseph B. Va n d e r g r i ft, son of J.J.
Va n d e r g r i ft, a famous riverboat captain, industrialist, and one of the founders of Standard Oil. Over a million dollars was spent building
Va n c r o ft, a grand estate that included a race-track, bowling alley, indoor swimming pool, and its own power house.
The architects designed Va n c r o f t in the shingle style and were wel l versed in the Arts & Craf ts Movement. Furniture from Gustav
S t i c k l e y ’s 1901 Chips from the Workshops of the United Craft s catalog was used throughout the main living areas. In the dining roo m ,
where the scale was too large for production furniture, the main pieces were custom-made by Stickley’s firm. In addition to a wide range
of Stickley furniture, the home included Roycroft andirions and an extensive collection of Native American objects, with photographs of
tribesmen from Frank A. Rinehart ’s studio in Omaha, Nebraska.
Va n c r o ft is extensively documented in the book Architecture After Richardson by Margaret Henderson Floyd, who called the home “Alden
& Harlow's consummate architectural achievement.” A superb portfolio of photographs taken in 1903 by noted Pittsburgh photographer
Ralph Johnston is in the architectural library at Carnegie Mellon University. The period photographs reproduced here are from this
p o rtfolio. We also have a written history of Va n c r o f t by William Earle Brinker, whose family lived there from 1911-1921.
`
The 35 lots that follow are original to the home and have been there since 1901
17
THE DINING ROOM AT VANCROFT, CIRCA 1901
Because of the massive scale of Va n c r o f t ’s dining room, Alden and Harlow had Stickley modify existing furniture designs so that
standard pieces would not be dwar fed in such a grand setting. At twenty-three feet in length when fully extended, the Va n c r o f t dining
table could comfortably seat all the guests being entertained at Mr. Va n d e r g r i ft ’s lavish parties, and this may be the largest table ever
built by Stickley. (A similar dining table showed up at the Vermont camp All e n w ood, although the form, a square five-legged crossstretcher table with clipped corners, was never placed in production.) The server was also custom made, and is 12” longer than the
catalog form, model 955. The sideboard and plate rail were based on models 901 and 903, and were nearly double the standard width
listed in Stickley’s 1901 Chips from the Workshop catalog. The ten side- and two captain’s chairs are model 1292, as shown in the C h i p s
catalog. By the fireplace, the dinner gong still has its original gong and striker.
18
36:
GUSTAV STICKLEY
Custom-made hanging plate rail, c. 1901. (From
Va n c r o ft ’s dining room). Unmarked. 31” x 96” x 6”
$12,000–18,000
37:
GUSTAV STICKLEY
Custom-made massive sideboard with butterf l y
joints, c. 1901. (From Va n c r o f t ’s dining roo m ) .
Unmarked.
45 1/4” x 25” x 100”
$35,000–55,000
Complete furniture condition reports at www. r a g o a r ts.com, or call 609.397.9374
19
38:
GUSTAV STICKLEY
Dinner gong with original striker, c. 1901. (From
Va n c r o ft ’s dining room.) Unmarked.
37” x 23” x 10 1/2”
$8,500–12,500
39:
GUSTAV STICKLEY
Set of twelve early dining chairs (no.
1292), ten side- and two arm-, with dropin leather- c overed seats, c. 1901. (A very
rare model from Va n c r o f t ’s dining roo m ,
the only complete set we’ve seen). Red
decals on a few of the chairs. Armchairs:
37” x 24 1/2” x 21 1/2”
$12,000–18,000
20
40:
GUSTAV STICKLEY
Custom-made dining table with square top, c. 1901. (From Va n c r o f t ’s
dining room, this rare form was never of fered in Stickley’s catalogs. Only
two others, of smaller size, are known.) Complete with fif teen 11 1/2”
leaves, one 23” leaf with apron, and three pairs of attachable legs for
s u p p o r t when opening the table. Unmarked. Closed 30 1/2” x 66” x 67”,
opens to 23’.
$15,000–25,000
41:
GUSTAV STICKLEY
Custom-made five drawer server, c. 1901. (From Va n c r o f t's dining roo m ) .
Unmarked. 44” x 72” x 23 1/2”
$18,000–25,000
21
THE LIVING ROOM AT VANCROFT
22
42:
GUSTAV STICKLEY
Early Morris chair (no. 2341) with
l oose seat cushion on a sling
base, c. 1901. (From Va n c r o ft ’s
living room). New hand-stitched
leather pillows. Unmarked.
38” x 30” x 33 1/2”
$4,500–6,500
43:
GUSTAV STICKLEY
Early Morris chair (no. 2341) with
l oose seat cushion on a sling
base, c. 1901. (From Va n c r o ft ’s
living room). New hand-stitched
leather pillows. Early red decal.
38” x 30” x 33 1/2”
$4,500–6,500
23
44:
GUSTAV STICKLEY
45:
STYLE OF ROYCROFT
Oversized ladderback armchair with drop-in seat, c. 1901.
(From Va n c r o ft ’s living room.) Unmarked.
38 1/2” x 32” x 28 3/4”
Pair of tall andirons made of black enameled curled elements, complete with
cross-bar, c. 1901. (From Va n c r o ft ’s living room). Unmarked.
36 1/2” x 13” x 27”, crossbar: 50 1/2”
$1,000–2,000
$800–1,200
46:
GUSTAV STICKLEY
Firescreen with period oilcloth (no. 104), c. 1901.
(From Va n c r o ft ’s living room). Unmarked.
35” x 31” x 10 3/4”
47:
GUSTAV STICKLEY
Ladderback armchair and rocker, c. 1901. (From Va n c r o f t ’s living room). Unmarked.
Armchair: 37 1/4” x 25 1/2” x 24”, rocker: 34” x 25 1/2” x 31”
$2,000–3,000
$1,000–1,500
24
48:
GUSTAV STICKLEY
Lamp table with circular top (no.
440), c. 1901. (From Va n c r o ft ’s
living room.) Unmarked.
27 3/4” x 30” dia.
$6,000–9,000
49:
GUSTAV STICKLEY
Leather top library table, with
original leather, c. 1901. (From
Va n c r o ft ’s living roo m . )
$6,000–9,000
25
T H E I ND I A N RO OM AT VA N C R O F T
50:
FOLK ART
51:
C a r ved and polychrome armchair in Native American motif. (From
Va n c r o ft ’s Indian room). 46 1/4” x 24 3/4” x 26 1/2”
$2,000–3,000
FOLK ART
C a rved and polychrome armchair in Native American motif with
original textile. (From Va n c r o f t ’s Indian room.) 45 1/2” x 25 1/2” x
28 1/2”
$2,000–3,000
26
52:
FOLK ART
Occasional table in Native American motif, covered in period
fringed leather, c. 1901. (From Va n c r o ft ’s Indian roo m ) .
34 1/2” x 27 1/2”
53:
GUSTAV STICKLEY
Firescreen with Navajo textile, c. 1901. (From Va n c r o f t ’s Indian
r oom, shown in period photograph with this original cov e r i n g ) .
Unmarked. 35” x 32 1/2”
$1,000–2,000
$2,000–3,000
54:
N AT I VE AM E RI CA N
Eighteen sections of bench seat and backs, covered with original
19th C. Native American blanket and rug fragments. (From
Va n c r o ft ’s Indian room). From 22” x 36” to 94” x 32”
$5,000–8,000
27
THE FOLK ART SCREEN FROM VANCROFT
Va n c r o f t was built as a hunting lodge and retreat in the rural hills of West Virginia at a time when interest
in Native Americans was high. Regarding the Indian room, Margaret Henderson Floyd, in Architecture Aft e r
R i c h a r d s o n said, “Such rooms were generated by the search for authentic experience that was central to
American thought of the fin-de-siècle.”
The thirty-six photographs in this screen are titled in the print by Frank Rinehart and dated 1898 or 1899.
In 1898, in occasion of the Trans-Mississippi and International Exposition, Rinehart was commissioned to
photograph the event and the Native American personalities who attended it [1]. Together with his
assistant Adolph Muhr (who would later be employed by the famous photographer Edward S. Curtis), they
produced what is now considered “one of the best photographic documentations of Indian leaders at the
turn of the century.”
The screen borders are incised with objects from nature and symbols of Native American life, and the
c a rved finials at the tops of the panels are adorned with representations of spears, tomahawks, and
feathers.
1. From Westward-the-Empire, O m a h a ’s World Fair of 1898, A Documentary Produced by UNO Television for
the Nebraska ETV Network, 1999.
28
55:
FOLK ART
Three-panel screen carved with Native American motifs, set with thirty-six original platinum print photographs of Native
American tribesmen by Frank A. Rinehart, c. 1901. (Used as a divider between Va n c r o f t's Indian room and Billiards' room, this
screen is a spectacular example of American folk art.) Photos signed F.A. Rinehart, copyrighted 1898 or 1899. Center panel:
100” x 33”, side panels: 91” x 25”, photos sight: 6 3/4” x 8 3/4”.
$30,000–50,000
29
THE JAPANESE ROOM AT VANCROFT
56:
GUSTAV STICKLEY
58:
Divan (no. 165) with interior corbels, leather- c overed seat, c. 1901.
(From Va n c r o ft ’s Japanese room.) Unmarked. 40” x 60” x 28”
$7,500–10,000
57:
GUSTAV STICKLEY
F oo t s t ool and child’s chair with rush seat, c. 1901. (Both from
Va n c r o f t ’s Japanese room). Unmarked. Foo t s t oo l ,
17” x 16 1/2” x 13 3/4”, sidechair, 27 1/2” x 15 3/4” x 15”
$400–600
GUSTAV STICKLEY
Sidechair with vertical slats and corbels, original braided rush seat,
c. 1901. (From Va n c r o ft ’s Japanese room. This very chair is pictured
in situ in Architecture After Richardson by Margaret Henderson
Floyd, 1994. The rare braided rush treatment is original, the first
such one we’ve seen). Unmarked. 34” x 18” x 16 1/2”
$800–1,200
30
56
57
58 - two
31
59:
ROYCROFT
Pair of tall andirons made of black enameled
curled elements with twisted rings, c. 1901.
(Extremely rare). Large Orb & Cross
incorporated in design. 31” x 12 1/4” x 20”
$6,000–9,000
60:
GUSTAV STICKLEY
U-back armchair (no. 2616) with original rush
seat, c. 1901. Large red decal.
38 1/2” x 26 1/4” x 23 1/2”
$2,000–3,000
32
61:
GUSTAV STICKLEY
Tabouret (no. 46) inset with hexagonal
Grueby tile covered in indigo glaze, c. 1901.
(Exceedingly rare, especially with its
original tile.) 21” x 19”
$12,000–18,000
62:
GUSTAV STICKLEY
Plant stand (no. 44) with 10” indigo Grueby
tile insert, c. 1901. (From Va n c r o ft ’s living
r oom). Unmarked. 29 3/4” x 12 1/2”
$9,000–14,000
33
63:
GUSTAV STICKLEY
Bungalow library table (no. 401), c. 1901. 28” x 48” x 29 3/4”
$1,000–2,000
64:
STYLE OF GUSTAV STICKLEY
H a ll table with oil-cloth covered top, c. 1901. (From Va n c r o f t ’s main hall ) .
42” x 54 1/2” x 20 3/4”
$1,500–2,500
34
65:
GUSTAV STICKLEY
Bungalow armchair (no. 2576), c. 1901. Modified seat
frame. Unmarked. 38 1/4” x 25 1/2” x 20 1/4”
$800–1,200
66:
GUSTAV STICKLEY
Set of four billiard V-back chairs with oilcloth seats, c. 1901. (From
Va n c r o ft ’s billiards room.) Unmarked. 45 1/2” x 25 1/2” x 21”
$20,000–30,000
35
67:
GUSTAV STICKLEY
68:
Five U-back chairs, three side- and two arm-, with modified seats,
c. 1901. One armchair with early red decal. Armchairs:
38 1/2” x 23 1/2” x 26 1/4”
$2,200–2,800
69:
GUSTAV STICKLEY
70:
Early chestnut window seat, c. 1901. (This uncatalogued version
comes from Va n c r o f t ’s Japanese room.) Unmarked.
25” x 24 3/4” x 17 1/2”
$1,500–2,500
36
RUSTIC
Pair of hand-made twig stands, c. 1901. (From Va n c r o f t's bill i a r d s
r oom). Larger: 32 1/2 x 15 1/4”, smaller: 31” x 14”
$1,400–2,200
GUSTAV STICKLEY
Window seat (no. 177), c. 1901. (From Va n c r o ft ’s living roo m ) .
Unmarked. 26 1/2” x 25” x 19”
$1,500–2,500
71:
RHEAD SANTA
BARBARA
Ta ll vase etched with a stylized
landscape. (An extraordinary
example, this vase is certainly an
iconic Arts and Crafts piece). A few
hairlines. Stamped medallion of
potter at kiln. 11 1/4” x 6”
$40,000–50,000
37
72:
AREQUIPA
73:
Squat vase carved with cinquefoils under very dark green matte
c r y s t a lline glaze. Stamped AREQUIPA CALIFORNIA CH 11 77 16. 4
1/4” x 6”
$1,250–1,750
AREQUIPA
Vase covered in frothy blue-gray and ivory matte glaze, 1912.
Incised Arequipa California 1912. 5 1/4” x 5 1/2”
$1,500–2,000
74:
AREQUIPA
Vase incised with a Greek key motif and
quatrefoils, under matte green glaze.
Stamped AREQUIPA CALIFORNIA with tree,
NN 11 76 15. 4 3/4” x 3 1/2”
75:
AREQUIPA
Cabinet vase carved with a floral band and
c overed in blue-gray frothy matte glaze.
Stamped AREQUIPA CALIFORNIA MMKW
1624. 3 1/2” x 3 1/4”
S m a ll tapering vase covered in blue and
y e llow crystalline glaze. Stamped Los
Angeles F. H. R. 4 1/2” x 3”
$1,000–1,500
$1,000–1,500
$1,000–1,500
38
76:
ROBERTSON
(LOS ANGELES)
77:
UNIVERSITY CITY
Vase attributed to Frederick Rhead, excised with stylized trees and
c overed in matte green glaze, 1911. (We have seen several pieces of
University City pottery made by Rhead, and are confident this is by his
hand.) Incised UC 1911 5045. 9” x 5”
$4,500–6,500
39
78:
WILLIAM JERVIS / BRIARCLIFF
79:
Faceted covered jar decorated with a northern landscape in
silhouette, its lid with oak leaves in squeezebag, topped by an
acorn finial. Glaze chips and scaling around rim of jar and lid.
Incised Briarcliff JERVIS. 6 3/4” x 4 1/2”
JERVIS
Squat vessel covered in a fine and rare aventurine glaze. Incised
JERVIS. 3” x 5 1/4”
$900–1,300
$2,500–3,500
80:
SU SAN FRA CK ELTON
Salt-glazed stoneware cabinet vase painted with branches of oak
leaves and acorns. (Very fine quality). Marked 109 S F 3.
3 1/4” x 3 1/4”
$3,000–5,000
81:
RUSSELL CROOK
Salt-glazed stoneware vase painted with lions on a dead-matte
black and cobalt ground. (Seldom found so free of firing
i m p e rfections). Unmarked. 9 1/2” x 7 1/2”
$3,000–4,000
40
82:
ADELAIDE ROBINEAU
Bud vase covered in a fine amber crystalline glaze. (Vase pictured in period
photo above from The Wo m a n’s National Daily, April 9, 1910. Robineau is pictured
f o u rth from lef t. ) Restoration to 1/4” chip under rim. Signed AR and circular
stamp. 7” x 2”
$4,500–6,500
41
83:
ADELAIDE ROBINEAU
Porcelain squat vessel covered in a turquoise crystal line glaze. Carved medall i o n
with 956 05 and remnant of paper label. 2 3/4” x 5”
$4,000–6,000
85:
ADELAIDE ROBINEAU
Porcelain cabinet vessel in white and ivory crystall i n e
glaze. Marked 26. 2 1/4” x 2”
$1,000–1,500
86:
ADELAIDE ROBINEAU
Four porcelain door knobs in assorted glazes. Some wear to surface of one.
(While not marked by her hand, we have had signed examples in the past.)
Roman numerals and AH. 1” x 2 1/4”
$1,000–1,500
42
84:
ADELAIDE ROBINEAU
Porcelain cabinet vessel in brown and blue
c r y s t a lline glaze. Ink scribble. 2 1/4” x 2”
$1,250–1,750
87:
VALENTIEN
Matte green vase embossed with maple leaves. Impressed
mark. 6 3/4” x 5”
$1,500–2,000
88:
TAXILE DOAT at
SEVRES and UNIVERSITY CITY
Porcelain baluster vase finely decorated in pâte-sur- p â t e
with medallions of putti picking grapes and making wine,
c overed in café-au-lait glazes, 1907, 1914. Minor grinding
chips to base. Signed T DOAT, Sevres 1907, and stamped
UNIVERSITY CITY MO. 1914 PORCELAIN WORKS. 8” x 6”
$5,000–7,500
43
89:
ROOKWOOD
Scenic Vellum tapered vase painted by Sara Sax with silhouetted tall
pines in a mountain landscape, 1909. (An excellent Arts & Craft s
example.) Flame mark/1654D/V/V. / a rt i s t ’s cipher. 9 1/2” x 4 1/2”
$4,500–5,500
44
90:
ROOKWOOD
Scenic Vellum plaque, “Winter,” painted by Sallie Coyne with tall pines in
a snowy landscape, 1918. Mounted in original frame. Flame
mark/XVIII/SEC. Plaque: 9 1/4” x 12 1/4”
$6,500–9,500
45
photo courtesy of
Denver Public Library
46
90A:
ROOKWOOD
Standard Glaze vase by Grace
Young, “Wa n s t a ll Arapahoe,”
1900. (Painted after the 1899
Rose & Hopkins photograph of
Wa n s t a l l). Several scratches.
Flame mark/581C/art i s t ’s cipher
and title. 13 1/2” x 10 1/2”
$10,000–15,000
47
93:
ROOKWOOD
92:
Scenic Vellum bulbous vase painted by Ed Diers with a woo d e d
landscape and small pond, 1924. Uncrazed. Flame
mark/XXIV/295C/V/ED. 11” x 5”
$3,000–4,000
48
ROOKWOOD
Scenic Vellum ovoid vase painted by Ed Diers with tall trees, 1917.
Peppering, restoration to chip at rim. Flame mark/XVII/30D/ED.
10” x 3 3/4”
$1,000–1,500
93:
ROOKWOOD
Scenic Vellum vase with closed-in rim, finely painted by Kataro
Shirayamadani with a wooded landscape, 1908. (An exceptional
example). Flame mark/VIII/1126C/V/art i s t ’s cipher. 9 1/4” x 5 1/4”
$4,500–5,500
49
94:
ROOKWOOD
Rare advertising tile decorated in cuenca with a blue rook and the word
“ R oo k w ood”. (An extremely rare example, these advertising tiles were not
meant for commercial sale.) Mounted in period frame, does not appear to
have been removed. Minor nicks to two corners. Tile: 4 1/2” x 9”
$4,000–6,000
95:
ROOKWOOD
Tile with oak tree, framed. Back and edges covered by frame. 6” sq
$2,000–3,000
50
96:
ROOKWOOD
Scenic Vellum vase finely painted by E. T. Hurley with a silhouetted
landscape, 1909. (Lovely example). Light peppering around shoulder.
Flame mark/IX/1664G/V/ETH. 12 1/2” x 5 1/2”
$3,500–4,500
51
97:
ROOKWOOD
98:
ROOKWOOD
Rare Z-Line vessel modeled with a maiden and covered in matte
flambé glaze, 1901. (Deaccessioned from the Cincinnati Art
Museum.) Firing lines and scaling to figure. Flame
m a r k / Z / 6 6 1 / p a r tial paper museum label.
4 1/4” x 5 1/2”
$2,500–3,500
Rare Z-Line inkwell by A. M. Valentien with swirling maiden under
matte green glaze, 1903. Flame mark/III/407Z/X1023X/A.M.V.
4” x 5”
$2,250–2,750
99:
ROOKWOOD
Z-Line cabinet vase by A. M. Valentien with reclining nude under
i vory matte glaze, 1901. Flame mark/I160Z/A.M.V. 2 1/2” x 3 1/4”
$1,500–2,000
100:
ROOKWOOD
Z-Line squat vessel by A. M. Valentien with reclining nude under a
cherry red matte glaze, 1901. Touch-up to shoulder. Flame
m a r k / ? 5 1 Z / A . M . V. 3 1/2” x 4 1/2”
$1,750–2,250
52
101:
ROOKWOOD
Factory lamp, its Carved Matt/Z-line vase by Sallie Toohey with fern
fronds, on a matching base, 1903. The original two-socket fixture is
topped by a green leaded glass shade. Some factory-shaved areas on
vase and base for per fect fit, some splits to leaded glass. On vase: Flame
m a r k / I I I / 6 1 2 B Z / S T; paper label #612Z S.T. 18” x 14”
$6,500–9,500
53
103:
ROOKWOOD
Ta ll Tiger Eye cylindrical vase painted by A. R.
Valentien with branches of apples, 1891. Uncrazed.
Flame mark/589C/W/A.R.V./L. 12 1/2” x 3 3/4”
102:
$1,000–1,500
ROOKWOOD
Massive Standard Glaze vase painted by A. R. Valentien with tulip vines, 1893.
Glaze miss near rim, restored drilled hole. Flame mark/139A/W/ARV. 17 1/2” x 9”
$1,500–2,500
54
104:
ROOKWOOD
Large Iris glaze vase beautifully painted by A.R. Valentien with pink
roses, 1902. Minor glaze miss. Flame mark/II/905B/A.R.VA L E N T I E N .
15” x 8”
$7,500–10,000
55
105:
ROOKWOOD
V e l lum flaring vase painted by Ed Diers with pink poppies, 1927. Uncrazed.
(Very crisp decoration). Flame mark/XXVII/1369D/V/ED. 9 1/4” x 5”
$3,250–4,250
106:
ROOKWOOD
Sea Green vase crisply painted by Matthew Daly with
fish in the Oriental taste, 1894. Flame
mark/589E/W/MAD/164/G. 8 1/2” x 3”
$5,000–7,000
56
107:
ROOKWOOD
Ta ll Jewel Porcelain vase by William Hentschell with
purple sprigs, 1920. Flame mark/XX/2499C/WEH.
14” x 5”
$3,000–4,000
57
108:
ROOKWOOD
Decorated Mat large vase by Kataro Shirayamadani with green,
pink and red poppies, 1929. Some grinding chips. Flame
mark/XXIX/6006/Japanese cipher. 11 1/2” x 7”
109:
$2,500–3,500
$1,000–1,500
110:
111:
ROOKWOOD
Massive bulbous Carved Butterfat vessel by William Hentschell
with berried branches on an indigo ground, 1915. Restoration to
rim chip. Flame mark/XV/164/WEH/. 10” x 11”
$2,250–2,750
58
ROOKWOOD
Modeled Mat vase by William Hentschell with cattails, 1910.
Seconded mark for light overglazing. Flame mark/X/581E/WEH/X.
12 3/4” x 6 1/2”
ROOKWOOD
B u t t e r fat bulbous vase by Lorinda Epply with exotic birds on trees,
1927. Flame mark/XXVII/2914/LE. 8 1/4” x 6 1/2”
$1,750–2,250
112:
NEWCOMB COLLEGE
Massive and early jardinière painted by Harriet Joor with blue irises,
1902. (A large and exceptional piece, recently discovered at a Tennessee
yard sale). Professional restoration to hairline. NC/JM/HJ/U/H48X.
10” x 12”
$14,000–19,000
59
114:
NEWCOMB COLLEGE
Early squat vessel and cover painted by Amelie Roman in a stylized
peacock feather pattern, 1898. Minute fleck to rim of lid.
NC/M/A.R.98-. 3 1/4” x 5 1/2”
$4,500–6,500
113:
NEWCOMB COLLEGE
Ta ll vase by Marie DeHoa LeBlanc with white blossoms, 1908.
N C / M H L e B / J M / C N 1 2 / W. 12 1/4” x 4 1/4”
$6,000–8,000
60
115:
NEWCOMB COLLEGE
Exceptional and early biscuit jar and cover carved by Lucia Jordan
with a stylized landscape, and on the cover, “Somewhere Above Us
Live the Fulfillment of Our Dreams,” 1907. Opposing short and
tight lines to jar, a few small glaze flakes. NC/BN92/Lucia
J o r d a n / J M / W. 7” x 5”.
$9,000–14,000
116:
NEWCOMB COLLEGE
Ta ll vase carved by A. F. Simpson with a
m oonlit landscape of live oak trees and
Spanish moss, 1930. (An exceptional
example). Three small grinding nicks.
NC/SN43/131/JH/AFS. 11” x 5”
$6,000–9,000
61
117:
NEWCOMB COLLEGE
Transitional vase by Sadie Irvine with tal l pines under a full moo n ,
1917. Restoration to opposing hairlines. NC/SI/JM/133/IZ63.
10 1/2” x 4 3/4”
118:
NEWCOMB COLLEGE
Transitional bulbous vase crisply carved by A. F. Simpson with tall
pines, 1913. NC/AFS/JM/B/FV77/17. 9” x 5”
$4,000–6,000
$2,500–3,500
62
119:
NEWCOMB COLLEGE
Vase carved by Sadie Irvine with tall oak trees along a river, 1917. (An
unusual and very crisp example). A couple of minor flakes at base.
NC/SI/JM/150/IZ60. 9 3/4” x 6 1/2”
$6,000–9,000
63
120:
NEWCOMB COLLEGE
Vase carved by Sadie Irvine with tall pine
trees, 1916. NC/SI/JM/126/224/IB94.
5” x 3 3/4”
$2,500–3,500
121:
NEWCOMB COLLEGE
122:
NEWCOMB COLLEGE
Vase carved by A. F. Simpson with a moo n l i t
landscape of live oak trees and Spanish moss,
1922. Glazed-over chip and firing line, in the
making. NC/JM/35/AFS/MR40. 5” x 4”
Cabinet vase carved by A. F. Simpson
with tall pines, 1916.
NC/JM/IJ37/AFS/367/238.
4” x 2 1/2”
$2,200–3,200
$1,700–2,200
123:
NEWCOMB COLLEGE
Vase carved by Sadie Irvine with a moonlit landscape of live oak trees
and Spanish moss, 1922. (An unusual stylization of this design.)
NC/SI/JM/250/MW74. 8” x 3 3/4”
$3,000–4,000
64
124:
NEWCOMB COLLEGE
124A:
Vase carved by A. F. Simpson with paperwhites, 1929. (Just
p e rfect). NC/AFS/JH/R020/77. 6 3/4” x 4”
$2,000–3,000
NEWCOMB COLLEGE
Vase carved by Sadie Irvine with a moonlit scene of live oak and
Spanish moss, 1920. (A crisp example with vivid color. )
NC/SI/JM/209/KU68. 7” x 3 3/4”
$3,000–5,000
65
125:
NEWCOMB COLLEGE
126:
NEWCOMB COLLEGE
Cylindrical vase carved by Henrietta Bailey with
pink pine cones, 1926. Tight 1” line.
NC/HB/JM/PV70/320. 9 1/2” x 4”
Transitional vase carved by A. F. Simpson with
paperwhites, 1914. (Very crisp).
NC/AFS/B/JM/250/JG66. 8 1/4” x 4”
$2,200–2,700
$3,000–5,000
127:
NEWCOMB COLLEGE
128:
Vase by Sadie Irvine with nicotina leaves, 1922.
NC/SI/209/MW24. 7 1/2” x 4”
$2,000–3,000
NEWCOMB COLLEGE
Bulbous vase carved by Sadie Irvine with
trefoils, 1920. NC/JM/SI/KW82/179.
8 3/4” x 4 1/2”
$3,000–4,500
66
129:
GEORGE OHR
Vase with deep in-body twist and floriform
folds around rim, covered in semi-matte
blue-gray glaze. (Deaccessioned from the
American Folk Art Museum, New Yo r k )
S m a ll nick to rim, touch-up to stilt-pull .
Stamped G. E. OHR Biloxi, Miss. 3” x 4 1/4”
$3,000–4,000
130:
GEORGE OHR
Bud vase with folded floriform rim cov e r e d
in mottled gunmetal glaze dripping ov e r
emerald green ground. (Deaccessioned
from the American Folk Art Museum, New
York.) 1/2” surface scratch to body. Script
signature. 5” x 2 1/4”
$3,000–4,000
67
131:
GEORGE OHR
Vase with pinched rim, its asymmetrical bulbous base spongepainted in gunmetal glaze, entirely covered in mirrored cobalt
glaze. G. E. OHR, Biloxi, Miss. 4 1/2” x 4 1/2”
132:
GEORGE OHR
Vase with asymmetrically folded rim, covered in green and
gunmetal glaze. Stamped G. E. OHR, Biloxi Miss. 4 3/4” x 2 3/4”
$2,000–3,000
$4,000–6,000
133:
GEORGE OHR
Squat vessel with flaring rim covered in a
sponged-on brown and green glaze. 1”
hairline. Stamped GEO. E OHR BILOXI,
MISS. 2 3/4” x 4 1/4”
134:
GEORGE OHR
N ovelty hat with speckled gunmetal glaze
on an amber ground. Stamped G. E. OHR
BILOXI. 3 1/4” x 3 1/4”
$1,000–1,500
$900–1,200
68
135:
GEORGE OHR
I n k w e ll covered in a fine and unusual blue,
raspberry, and ivory sponged glaze. Ill e g i b l e
inscription on side. Stamped G. E. OHR
BILOXI, Miss. twice. 1” x 2 1/2” dia.
$1,400–1,900
136:
HANNAH OVERBECK
Pen and ink with watercolor wash, “Milkweed.” (Descended through the
Nixon family, and the centerpiece of Hannah's personal port f o l i o ) .
Matted and framed. Titled and signed H.O. Image: 10” x 8”
$3,500–4,500
69
137:
ARTHUR WESLEY DOW
Color woodblock print, “Gables by the Bridge,” c. 1893. Matted and
framed. (Provenance: From the estate of the artist). Unsigned.
Image: 2 1/4” x 4”
$1,500–2,000
138:
ARTHUR WESLEY DOW
Color linoleum cut, “Snowy Peak, Los Angeles,” c. 1911. Matted and
framed. (Provenance: From the estate of the artist). Image:
3 1/2” x 5 1/2”
$1,750–2,250
70
139:
GUSTAVE BAUMANN
Color woodblock print, “Hillside Woods.” Matted and framed. Penciltitled, signed, and illegibly numbered. Image: 10 1/2” x 9 1/2”
$3,000–4,000
71
141:
ARTHUR
WESLEY DOW
Two color prints: woodcut, “Little
Venice,” c. 1893 (provenance: From
the estate of the artist); relief print,
“ W i llow Tree and Sunset Clouds,” c.
1902, from Ipswich Prints, fold and
s h o rt tear. Both matted and framed.
Image: 5” x 2 1/4”, Sight:
6 3/4” x 7 1/2”
$600–800
140:
EDNA BOIES HOPKINS
Woodblock print, “Petunia,” part of The Bibliophile: A Magazine and
Review for the Collector, Student, and General Reader, Vol. 1, No. 6,
August 1908. Chop mark. Image: 7” x 4 1/2”
$1,500–2,000
142:
MORRIS & CO.
Six panels of floral printed cotton fabric, some sewn as curt a i n s ,
1880-1900. Some fading to one. Signed on selvage. 35” x 56”
$800–1,200
72
143:
GUSTAVE BAUMANN
Color woodblock print, “Woodland Meadows.” Matted. Pencil-signed and
titled. Image: 9 1/2” x 11”
$4,500–6,500
73
74
144:
SAMUEL YELLIN
Pair of wrought-iron gates with vine motif and jester
handle. (An exceptional and unusual set, authenticated
by Samuel Yellin Metalworkers). Unmarked. Each
74” x 30”
$6,000–9,000
75
145:
SAMUEL YELLIN
Wrought-iron adjustable floor lamp with candlestick sconce and
floral tripod base, covered in brass wash. Non-original shade.
(Authenticated by Samuel Yellin Metalworkers.) Unmarked.
64 1/4” x 19”
146:
FORGED IRON
Pair of tal l candlebrum each with three bobeches and twisted
s h a ft s .
$1,500–2,000
$4,000–6,000
147:
STYLE OF SAMUEL YELLIN
Cast-iron door knocker shaped as a seahorse. Unmarked. 8 3/4” x 2”
$400–600
76
148:
SAMUEL YELLIN
Wrought-iron ceremonial staf f with ibis head of fered to Milton B. Medary, 1929.
Inscribed TO MILTON B. MEDARY FROM SAMUEL YELLIN - 1929. 6 2 3/4” x 5 3/4”
Philadelphia architect Milton B. Medary, Jr. (1874-1929), of Zantzinger, Borie, and Medary,
was a close and long-time friend of Samuel Yell i n's. Both taught at the Pennsylvania
University, and collaborated on a great many architectural projects. Medary is best
remembered for his use of Gothic revival, in particular the Washington Memorial Chapel at
Va lley Forge, Pennsylvania, and the Bok Tower in Mountain Lake, Florida. Yellin prov i d e d
the wrought-iron metalwork on the latter, and the ibis-head staff might have been a gift
from him to commemorate its inauguration in February, 1929. Medary died six months
l a t e r.
$2,000–3,000
77
149:
ARTS & CRAFTS
Large hammered copper hood, embossed and
riveted with a rooster perched on a bal l. Medium
patina. Unmarked. 44 1/4” x 39 1/2” x 9”
$2,500–3,500
150:
ARTS AND CRAFTS
151:
Hammered copper hanging cabinet, covered in riveted straps, its
hinged amber glass door with fleur-de-lys pattern. (An excell e n t
and unusual example, in the style of Theodore Pond). Normal
cleaning of patina, mounted on a wooden back. Unmarked.
21 1/2” x 12” x 7 1/2”
FOLK ART
Peacock weather vane with enameled feathers. Some losses to
enamel. Unmarked. 25 1/2” x 20”
$1,000–1,500
$1,000–1,500
78
152:
CHARLES ROHLFS
Jewelry box with riveted hammered copper hinges, and wooden key on
chain, 1901. (Exceptional and rare.) Interior of lid has green tinted shell a c ,
and lined in original red velvet. Original finish, a few minor nicks. Carved R,
1901. 4 1/2” x 8 1/2” x 6”
$6,000–9,000
79
153:
STYLE OF
CHARLES ROHLFS
Pair of tall candlesticks with curled copper
bobeches. (These were purchased in Buffalo in
the 1960's. We have not be able to definitely
p r ove they are by Rohlfs' hand.) Original finish.
Unmarked. 13” x 5 1/2”
$2,250–2,750
154:
ROYCROFT
Brass-washed hammered copper bud vase with full - h e i g h t
buttresses. Orb & Cross mark. 7” x 3 1/2”
$2,750–3,750
80
155:
GUSTAV STICKLEY
Chandelier with five hammered copper drops pierced
with hearts and lined in original yel low glass
cylinders. Complete with chains and original oak
ceiling mount. Completely original condition, new to
the market. No visible mark. 37” x 21”
$10,000–15,000
81
156:
ROYCROFT
Hammered copper and mica helmet-shade table lamp. Fine original
patina and mic. Orb & Cross mark. 14 1/2” x 7 1/4”
$2,000–3,000
157:
ROYCROFT
Ta ll hammered copper table lamp with helmet shade. Patina
cleaned some time ago. Orb & Cross mark. 18 1/2” x 7 1/2”
$1,000–1,500
158:
ROYCROFT
Hammered copper helmet-shade lamp. Fine original patina. Orb &
Cross mark. 14” x 6”
$2,000–3,000
82
159:
ROYCROFT /
STEUBEN
Rare table lamp with Roycrof t brasswashed three-socket base and
decorated Steuben art glass shade.
G ood original patina; the finial,
though by Roycrof t, is not the
correct fit for this piece. Base
stamped Orb & Cross mark. 18” x 10”
$5,000–7,000
83
160:
TIFFANY STUDIOS
Three-light lily lamp on bronze base, with complementary gold art
glass shades. Original patina, a few flakes. TIFFANY STUDIOS
NEW YORK 320, shades unmarked. 8 1/2” x 8 1/4”
$2,500–3,000
161:
TIFFANY STUDIOS
Three-light lily lamp on bronze base,
with gold art glass shades which
appear to be by Ti ffany. Original
patina, a few scuffs. TIFFA N Y
STUDIOS NEW YORK 320, shades
unmarked. 8 1/2” x 8 1/4”
$2,500–3,500
84
162:
TIFFANY STUDIOS
Table lamp, its green leaded glass shade in an oak
leaf and acorn pattern over a Secessionist-style
three-socket bronze base with verdigris patina.
Breaks to a couple of small pieces. Both stamped
T I F FANY STUDIOS NEW YORK, shade marked
1267, base marked 628. 26” x 18”
$22,500–27,500
85
163:
TIFFANY STUDIOS
164:
Arabian desk lamp in green and gold. Shade etched L. C. T. Favrile,
base etched L. C. Ti f fany Inc. Favrile. 14 1/2” x 7”
$3,500–4,500
165:
L. C. TIFFANY
Gold Favrile candlestick lamp. Shade and base marked L. C. T.
12 3/4” x 7”
$1,400–1,900
TIFFANY STUDIOS
166:
L. C. TIFFANY
Gold Favrile floriform compote with green tendrils. Etched L.C.T. Favrile.
3 1/8” x 8 1/2”
Unusual red Favrile glass vase. Etched 1078A L. C. T. 5
3/4” x 3”
$1,250–1,750
$1,000–2,000
86
167:
TIFFANY STUDIOS
Table lamp, its hemispherical leaded glass shade in
the Pomegranate pattern, over a bronze faceted base
with three-socket cluster. Fine original patina, a
couple of short breaks. Both stamped TIFFA N Y
STUDIOS NEW YORK, shade marked 1457, base 533.
22 1/2” x 16”
$15,000–20,000
87
168:
TIFFANY STUDIOS
Bronze Secessionist lamp base with applied swirls, five ball feet
and swirl cluster of three sockets. Wear to gilt parcel, missing tube
s h a ft and cap. Stamped TIFFANY STUDIOS NEW YORK 5879 C1.
18” x 13 1/2”
$4,500–6,500
169:
TIFFANY STUDIOS
Nine-piece assembled bronze desk set in the
Zodiac pattern: two hinged inkwells, rocking
blotter, paper clip, pen tray, ashtray with
matchbox holder, blotter with blotter ends,
notepad holder (acid-etched brass finish), and a
scale (in black finish). Matchbox holder side
l oose. Stamped TIFFANY STUDIOS NEW YORK.
$1,500–2,000
170:
TIFFANY STUDIOS
Pastel centerbowl with indigo morning glories
on a trellis ground. Engraved LC TIFFANY Favrile 2132P. 3 3/4” x 12 1/2”
$2,750–3,250
88
171:
TIFFANY
Table lamp, its hemispherical Acorn shade of shading
blue, green, and yellow slag glass, over a three-arm
single-socket fluted bronze base. (A fine and unusual
version of this shade, with graduating blue-to-green
glass). Shade and base stamped TIFFANY STUDIOS
NEW YORK, base with TGDCo 259. 21” x 14”
$16,000–19,000
89
172:
HANDEL
Table lamp, its hemispherical shade of etched
glass painted with a moonlit landscape, over a
fluted, three-socket bronzed base. Shade signed
HANDEL 6324/Handel with patent, base stamped
HANDEL. 23 1/2” x 18”
$4,000–6,000
90
173:
HANDEL
Table lamp, its bell-shaped acid-etched glass
shade obverse-painted with branches of oak
leaves and acorns, over a fluted three-socket
bronzed base. Some pitting to patina, wear to cap,
several minor lower rim nicks to shade. Shade
signed HANDEL. 23 1/2” x 18”
$6,000–8,000
91
174:
HANDEL
Boudoir lamp, its paneled acid-etched shade reverse-painted by
Mary Palme with cranes flying through bamboos, over a reticulated
bronzed candlestick base. (A rare shade and base in excell e n t
condition). Shade marked HANDEL 7061 PAL, base stamped
HANDEL. 16” x 7”
$2,400–2,900
92
175:
HANDEL
Boudoir lamp, its acid-etched hemispherical shade painted with
spade-shaped leaves and foliage over a bronzed candlestick base.
Shade signed HANDEL #5512, base stamped HANDEL. 14” x 6 1/2”
$2,250–2,750
176:
HANDEL
Rare floor lamp, its paneled cattail shade lined
with caramel slag glass over an exceptional threesocket fluted bronzed base with sphinx. Fine
original patina. Base marked HANDEL. 63” x 24”
$30,000–50,000
93
177:
HANDEL
178:
Globe fixture painted with trees and birds on a lustered, acidetched ground. Bottom cap and tassel repatinated. Shade signed
HANDEL 6885. Approximately 18” to ceiling, 9” dia.
GUSTAV STICKLEY
Hammered copper wall sconce with painted glass shade. Medium
patina. Als-ik-kan stamp. 11” x 9”
$1,500–2,000
$2,500–3,500
180:
179:
HANDEL
Table lamp base in the form of
a tree trunk, covered in
original bronze patina.
Probable restoration to shaf t .
Stamped HANDEL. 25” x 8”
$900–1,200
94
HANDEL
Figural table lamp base
depicting a kneeling maiden
holding a jug, and covered in a
fine, original bronze patina,
original cast cap. Stamped
HANDEL. 24 3/4” x 7”
$5,000–7,000
181:
HANDEL
Hammered metal chandelier in bronze patina, with five drops ending in
Steuben gold Aurene shades. Original hammered, faceted screws, a few
scratches to original patina. Unmarked base, shades stamped Steuben.
To ceiling mount: 42” x 22”, shades: 6” x 3 1/2”
$3,000–4,000
95
182:
HANDEL
Table lamp, its mushroom-shaped shade obverse-painted with
stylized green leaves on yellow ground, over a two-socket
patinated copper base with leaf pattern. Replaced ring, top
stem, and sockets. Shade marked HANDEL 5468, base
unmarked. 19 1/2” x 11”
$3,750–4,750
96
183:
BIGELOW KENNARD
Table lamp, its hemispherical shade with a band of stylized leaves on
white slag glass ground, over a good quality three-socket bronze base.
Original verdigris patina, cap cleaned, short lines to a couple of panes.
Shade stamped BIGELOW KENNARD BOSTON BIGELOW STUDIOS.
22” x 16
$4,500–6,500
184:
HANDEL
Table lamp, its etched glass shade
reverse-painted with bright yell o w
d a ffodils, on a three-socket classical
bronzed base. Shade signed 7122
HANDEL R (art i s t ’s initial) and HANDEL
Lamps, Patent No, base with cloth label.
24 1/4” x 18”
$6,000–9,000
97
185:
HANDEL
Double candlestick lamp with brass-plated base,
topped by a rectangular shade painted with roses. 2
1/2” line to corner of one panel. Shade signed HANDEL
7792, base has cloth label. 20” x 15 1/2”
$2,250–3,250
186:
HANDEL
Double candlestick lamp with brass-plated base and
brushed brass patina, topped by a rectangular shade
painted with roses. Shallow chip to edge of one panel,
some soldering to support at top of shade. Shade
signed HANDEL 7792. 20” x 15 1/2”
$2,500–3,500
98
187:
HANDEL
Table lamp, its etched glass shade reversepainted by Henri Bedigie with an autumnal
mountain landscape, over a textured gessoed
three-socket base. Shade signed Bedigie and
HANDEL 7118. 23 1/2” x 18”
$6,000–9,000
99
188:
PAIRPOINT
Table lamp, its flaring acid-etched shade reverse-painted
with exotic birds and flowers on silver-plated, three-foo t e d ,
classical base. Replaced sockets, some wear to silver, cap
polished. Base stamped PAIRPOINT D 3070. 23” x 18”
$3,000–4,000
189:
PAIRPOINT
Table lamp, its flaring acid-etched shade reverse-painted
with exotic birds and flowers on silver-plated, three-foo t e d
classical base. Replaced sockets, some wear to silver, 1/4”
chip to rim of shade. Base stamped PAIRPOINT D 3070.
23” x 18”
$3,000–4,000
100
190:
GUSTAV STICKLEY
Settle (no. 222) with leather- c overed drop-in spring seat. Red decal.
36 1/4” x 79 1/2” x 32 3/4”
$8,000–12,000
101
191:
GUSTAV STICKLEY
Library table with circular top, c. 1902. Small
red decal in box. 29 1/2” x 39”
$5,500–7,500
192:
GUSTAV STICKLEY
Paneled magazine stand (no. 548), 1902. (A
fine and rare example.) Red decal in box.
43 3/4” x 15 1/2” x 15 1/4”
$4,500–6,500
102
193:
GUSTAV STICKLEY
Celandine tea table (no. 27), c. 1900. Unmarked. 24” x 20”
$8,000–12,000
194:
GUSTAV STICKLEY
Chalet writing desk (no. 505). Red decal. 46” x 24” x 16”
$2,000–3,000
103
195:
GUSTAV STICKLEY
Music stand (no. 670). Partial paper label. 39 1/4” x 22” x 15”
$2,200–2,800
196:
GUSTAV STICKLEY
H a rvey Ellis-designed maple side chair with rush seat, inlaid with
pewter, copper, and fruitwoods. Unmarked.
39 1/4” x 16 3/4” x 18 1/2”
$3,500–4,500
197:
WALFRED THULIN
C a rved Gothic blanket chest with
heavy wrought-iron handles.
( Woo d c a rver Walter Thulin joined
Herman Dudley Murphy and
Charles Prendergast in 1906 in
the Frame Shop of Herman Dudley
Murphy on Clarendon Street in
Boston. Thulin became president
in 1911, and the shop's name
changed to the Thulin-Murphy Co.
Honored medalist from the
Society of Arts & Crafts, Boston.)
C a rved W. T. in diamond.
24” x 42” x 22”
$2,500–3,500
104
198:
GUSTAV STICKLEY
H a rvey Ellis-designed drop front desk inlaid with pewter, copper, and
f r u i t w oods. Complete with original glass inkwells. Early red decal.
43 3/4” x 30” x 11 3/8”
$9,000–14,000
105
199:
LIMBERT
T h r e e - d oor bookcase (no. 359)
with three adjustable shelves per
section. Branded mark.
57” x 66 1/2” x 14”
$4,500–6,500
200:
LIMBERT
Single oval library table (no. 146). Early paper label. 29” x 45” x 30”
201:
$2,800–3,500
$3,500–5,500
106
LIMBERT
Cut-out window seat (no. 243 1/2). Branded mark. 24” x 25” x 18”
202:
LIMBERT
Double oval library table (no. 158). Branded mark. 29 1/2” x 47 3/4” x 36”
$7,000–10,000
107
203:
GUSTAV STICKLEY
Spindle cube chair (no. 391) with
drop-in foam seat recovered in brown
l e a t h e r. Red decal.
29” x 26 1/4” x 27 1/2”
$5,000–8,000
204:
GUSTAV STICKLEY
Early bow-arm Morris chair (no. 2340)
with flaring (“reverse-tapered”) legs
and loose seat cushion on rope
foundation, c. 1901. Unmarked.
39” x 31 1/2” x 33 1/2”
$7,000–10,000
108
205:
GUSTAV STICKLEY
Early double-door bookcase (no. 525) with mitered mullions and three
fixed shelves, chamfered back, c. 1901. Early red decal. 56” x 45” x 12”.
$14,000–18,000
109
206:
GUSTAV STICKLEY
Oversized rocker (no. 323) with drop-in spring seat covered in
brown leather. Red decal. 37” x 29” x 30”
$2,000–3,000
208:
207:
STICKLEY BROTHERS
Double oval lamp table. (Excellent example of a rare form.) Metal
tag. 30” x 36” x 28 1/4”
$1,200–1,800
GUSTAV STICKLEY
S m a ll cube settee (no. 305) with reupholstered drop-in spring seat. (A
rare and lovely form.) Unmarked. 30” x 56” x 22”
$2,500–3,500
110
209:
GUSTAV STICKLEY
H a rvey Ellis-designed single-door china cabinet (no. 803) with
three adjustable shelves. Early Eastwood paper label and red
decal. 60” x 36” x 15 1/4”
$4,000–6,000
210:
GUSTAV STICKLEY
Six early Bungalow dining chairs (no. 1289) with rush seats, c. 1901.
(Extremely rare, this is only the third set we have seen in thirty years.)
37 3/4” x 18 1/2” x 19”
$4,000–6,000
111
211:
GUSTAV STICKLEY
Drop-front desk (no. 706) with full gallery interior, original key. Red
decal.
43 3/4” x 30” x 13”
$3,500–4,500
212:
LIMBERT
Cut-out umbrella stand (no. 254). (An
exceedingly rare form.) Branded signature.
27” x 12” sq.
213:
LIMBERT
Cut-out lamp table (no. 240). Unmarked.
29 1/2” x 20” sq.
$2,500–3,500
$1,500–2,000
112
214:
GUSTAV STICKLEY
Chalet magazine stand (no. 500), c. 1900.
( I llustrated in Catalog No. 1, New Furniture) .
Unmarked. 43” x 12 3/4” sq.
$1,500–2,500
215:
L. & J.G. STICKLEY
Oversized two-door china cabinet (no. 729) with cupboards below for
additional storage. 70 1/8” x 50” x 17 1/8”
$10,000–12,000
113
216:
GUSTAV STICKLEY
Slatted cube chair with drop-in
spring seat, together with an early
mahogany foo t s t ool. Unmarked.
Chair: 29” x 26” x 27 3/4”; foo t s t oo l :
13” x 13” x 22”
$4,000–5,000
217:
GUSTAV STICKLEY
Slatted cube chair with drop-in
spring seat. Red decal.
29” x 26” x 27 3/4”
$4,000–5,000
114
218:
GRUEBY
Table lamp with a reticulated Kendrick base covered in a superior matte green glaze. The original, electrified bronze font supports a
leaded glass shade in floral pattern attributed to Duffner and Kimberly. Tight 2” hairline and minor nicks to base, a couple of short lines
to glass on shade. Base has circular Faience stamp, font has Grueby Pottery paper label with price and number, shade unmarked. Base:
12” x 8”, shade: 8” x 19”, ov e r a ll: 23” x 19”
$20,000–25,000
115
219:
GRUEBY
Rectangular advertising tile. 6” x 4 1/2”
$2,500–3,500
220:
GRUEBY
Squat vase with three rows of curled leaves under a superior matte green glaze.
Invisible restoration to two rim chips. Spherical Pottery stamp, 41 N. 6” x 8”
$2,000–3,000
221:
GRUEBY
Bulbous vase with buds alternating with curled leaves under frothy
matte glaze. Circular Faience stamp. 7 1/2” x 4 1/2”
$2,000–3,000
222:
GRUEBY
Vase by Wilhemina Post with rows of full-height leaves, covered in
matte green glaze. (A crisp example, covered in a fine glaze).
Professional restoration to base chip. Circular Pottery mark, WP
104. 8” x 5 1/2”
$2,500–3,500
116
223:
GRUEBY / TIFFANY
Table lamp, its Ti ffany Studios leaded
glass hemispherical shade in the
Acorn pattern, over a Grueby Pottery
lamp base with golden cinquefoils on
a rich matte green ground. Several
s h o rt breaks to glass, original Ti ff a n y
three-socket fixture. Remnants of
white paint on pottery. Shade
stamped TIFFANY STUDIOS NEW
YORK 1435-34, base covered with
mount. 21” x 16”
$17,500–22,500
117
224:
GRUEBY
Squat vessel with tooled and applied rounded leaves, alternating
with white buds, covered in a rich matte brown glaze. Several small
glaze chips. Circular Pottery stamp, E.R., and number sequence.
3 1/2” x 5”
225:
GRUEBY
C overed bulbous jar with three small handles, in a rich brown
glaze. (A very rare example.) 1” stilt-pull. Circular Pottery stamp.
7 1/4” x 5 3/4”
$2,000–3,000
$2,500–3,500
226:
GRUEBY
227:
Tile with winged Pegasus on green ground, in hammered copper
f ooted mount. (A very rare example). Restoration to two corners.
Signed M. C. 6” sq.
$3,000–4,000
118
GRUEBY
Tile, “The Pines.” Glaze chips to three corners, some abrasion to
s u r face. Unmarked. 6” sq.
$2,000–3,000
228:
GRUEBY
Fine and large vase with ivory buds alternating with leaves under a rich
matte mustard glaze. Professional restoration to chips at base. Circular
Pottery stamp/C.H. 11” x 8 1/2”
$8,000–12,000
119
229:
GRUEBY
230:
Tile decorated in cuenca with a tall ship in yellow, mustard, and
brown on a curdled green ground. (From the collection of David
Cathers.) One burst bubble to sail. Signed PS. 6” sq.
GRUEBY
Tile with brown tulip on green ground. 1/4” chip to corner. Signed
K Y. 6” sq.
$2,000–3,000
$700–1,100
231:
GRUEBY
Tile decorated in cuerda seca with houses on
a hill by the seashore. Stamped GRUEBY TILE
BOSTON. 4” sq.
232:
GRUEBY
Tile with stag and tree. Minor fleck to corner.
Signed JS. 4” sq.
$700–1,100
$1,250–1,750
120
233:
GRUEBY
Ta ll vase with yellow buds alternating with
leaves under a fine matte green glaze.
Professional restoration to small rim chip.
Circular Pottery stamp/ER/3/30.
12” x 5 1/2”
$6,000–9,000
121
234:
VAN BRIGGLE
235:
VAN BRIGGLE
Early vase embossed with geese and covered in matte green to
c h a r treuse glaze, 1903. AA VAN BRIGGLE/5/1903/III.
6 1/4” x 5 1/2”
Early two-handled vase with trefoils covered in indigo and bright
green glaze, 1903. Drilled hole to bottom. AA/VA N
BRIGGLE/1903/III/172. 12 1/4” x 5 1/4”
$4,000–5,000
$600–900
236:
VAN BRIGGLE
Early tapered vase embossed with yucca under yellow and green
glaze, 1903. AA/VAN BRIGGLE/1903/III/169. 12 1/2” x 5”
$2,500–3,500
122
237:
VAN BRIGGLE
Exceptional, early vase on stand, embossed
with green peacock feathers on a rich
purple ground, set on a bronze footed base,
1904. (Possibly done for the St.Louis
Wo r l d ’s Fair. This is a large, rare, exquisite
piece.) AA/VA N B R I G G L E / 1 9 0 4 .
13” x 4 1/4”
$7,000–9,000
123
239:
FULPER
Large center bowl covered in café-au-Lait over mustard matte
glaze. Grinding chips, a few glaze spots, and a very small fleck to
rim. Vertical mark. 6 1/2” x 14 1/2”
$1,000–1,500
238:
FULPER
Large vase covered in Chinese Blue flambé glaze. Vertical mark.
10 1/2” x 10 1/2”
$800–1,200
240:
FULPER
241:
FULPER
Urn with hammered texture covered in Leopard Skin Crystall i n e
glaze. Vertical mark. 12” x 11 1/2”
Large squat vessel covered in brown crystalline glaze dripping ov e r
Mustard Matt. Small chip to foot ring. Vertical mark. 8” x 10”
$800–1,200
$1,000–1,500
124
242:
FULPER
Table lamp, its mushroom-shaped shade with
slag glass inserts over a two-socket baluster
base, both covered in a mix of Cat's Eye and
Flemington Green flambé glaze. 1” hairline
from rim to glass. Vertical stamp and circular
Va s e k r a ft stamp, PATENT PENDING US AND
CANADA. 21” x 16”
$10,000–15,000
125
243:
TECO
Vase reticulated with narrow folded leaves in matte green glaze.
Stamped Teco. 11 1/2” x 4 1/2”
$8,000–10,000
126
244:
TECO
Ta ll four- f ooted floral vase in an unusual
green and ultramarine matte glaze.
F a c t o r y - d r i l led hole on bottom. Stamped
Teco. 18 1/2” x 7 1/2”
$6,000–9,000
127
245:
TECO
246:
Tulip-shaped vase in matte green glaze. Stamped Teco. 12 1/2” x 6”
$3,500–4,500
TECO
Ta ll floriform vase in a fine matte green glaze. Stamped Teco.
14” x 6”
$2,500–3,500
128
247:
TECO
Gourd-shaped vase covered in matte green glaze. Invisible, professional
restoration to chip at rim and base. Stamped Teco 661. 10” x 7”
$2,000–3,000
129
248:
TECO
Ta ll gourd-shaped vase covered in matte green glaze. Stamped Teco.
16 3/4” x 8”
$2,000–3,000
249:
TECO
B e a k e r-shaped vase with four buttressed handles
c overed in matte green glaze. Reglued 1/2” chip, burst
glaze bubble at juncture of one handle. Stamped Teco.
7 3/4” x 6”
$2,500–3,500
130
250:
TECO
Ta ll Aventurine vase. Restoration around
rim and to a few spots on base. Stamped
Teco X. 15” x 6 1/2”
$2,000–3,000
131
251:
TECO
Large vase with flaring neck, cov e r e d
in matte green glaze. 1/2” reglued chip
to rim. Stamped Teco. 16 3/4” x 8 1/2”
$5,000–7,000
132
252:
ROOKWOOD
Scenic Vellum plaque by unidentified artist of an autumnal landscape,
1912. In original frame. Flame mark/XII/V. Plaque: 8 1/4” x 10 1/2”
$3,500–4,500
133
253:
ROOKWOOD
Scenic Vellum ovoid vase by E. T. Hurley, 1948. Uncrazed. Flame
m a r k / X LVIII/S/ETH. 8 1/2” x 4 1/4”
$2,500–3,500
254:
255:
256:
ROOKWOOD
Scenic Vellum flaring vase painted by Elizabeth McDermott, 1916.
(Unusual and lovely colors). Uncrazed. Flame mark/1357E/V/EHM.
7 1/2” x 3 1/2”
$1,500–2,000
134
ROOKWOOD
Scenic Vellum ovoid vase by Lenore Asbury, c. 1915. Drill hole to
base, obscures date. Flame mark/L.A. 9 1/4” x 3 1/4”
$1,000–1,500
ROOKWOOD
Scenic Vellum vase painted by Ed Diers with an autumnal
landscape, 1925. Uncrazed. Flame mark/XXV/1358D/V/ED.
8 3/4” x 4 3/4”
$2,500–3,500
257:
ROOKWOOD
Scenic Vellum plaque by Ed
Diers. Probably mounted in
original frame, back
c overed. Signed E. Diers.
Sight: 9” x 12”
$6,000–8,000
258:
ROOKWOOD
Scenic Vellum plaque by
Lenore Asbury, “Along the
River,” 1917. Mounted in
original frame. Flame
mark/XVII/V/L.A./typewritten title. Plaque:
9” x 12 1/2”
$5,000–7,000
135
259:
ROOKWOOD
Scenic Vellum plaque by Ed Diers with an autumnal
landscape, 1917. Mounted in period, but not necessarily
original, frame. Flame mark/XVII/V/ED. Plaque: 8 1/4” x 5”
$2,500–3,500
260:
ROOKWOOD
Scenic Vellum plaque by Lorinda Epply with California
coastline scene, 1912. In original frame. Flame mark/XII/V.
Plaque: 7 1/2” x 5 1/2”
$4,000–6,000
136
261:
ROOKWOOD
Large Butter fat vase by Lorinda Epply with branches of hydrangea, 1928.
Flame mark/XXVII/2246C/LE. 14 1/2” x 8 1/2”
$3,000–4,000
137
262:
ROOKWOOD
Jewel Porcelain footed vase painted by Lorinda Epply in a Persian
floral pattern, 1923. Flame mark/XXIII/784C/LE. 10 3/4” x 3 3/4”
$1,500–2,000
263:
ROOKWOOD
Jewel Porcelain vase painted by Fred Rothenbusch with pink
blossoms on a lavender ground, 1923. Flame mark/XXIII/2545 C / F R .
10 1/4” x 3 1/4”
$2,000–3,000
264:
ROOKWOOD
Jewel Porcelain vase painted by Kataro Shirayamadani with
crocuses, 1925. Flame mark/XXV/2831/Japanese cipher.
5 1/4” x 5 1/2”
$1,750–2,250
265:
138
NO LOT
266:
ROOKWOOD
Rare Iris Scenic vase by Fred Rothenbusch with moonlit scene,
1909. Flame mark/IX/1658F/FR. 6 1/4” x 3”
$4,500–6,500
267:
ROOKWOOD
Marine Scenic Vellum vase beautifully painted by E. T. Hurley,
1912. Flame mark/XII/938D/E.T.H. 6 3/4” x 4 1/4”
$3,500–4,500
139
268:
ROOKWOOD
Ta ll Wax Mat vase painted by unidentified artist with wild yell o w
and red roses, 1925. (One in a thousand.) Flame mark/XXV/614C.
13” x 6 1/4”
$2,000–3,000
269:
ROOKWOOD
Wax Mat vase crisply painted by
unidentified artist with grapevine on a
purple ground, 1925. Restoration to drill e d
hole at bottom, hairline to body. Flame
m a r k / X X V / p a rtial cipher. 10 1/2” x 6”
270:
ROOKWOOD
Wax Mat vase finely painted by John
P u llman with blossoms on a turquoise
ground, 1930. Flame mark/XXX/6193C/JWP.
8 1/4” x 6”
$900–1,200
$750–1,000
140
271:
ROOKWOOD
V e l lum vase painted by Kate Van Horne
with blue flowers in the Asian taste, 1915.
Flame mark/XV/30E/V/art i s t ’s cipher.
9” x 3 3/4”
$900–1,200
273:
ROOKWOOD
S m a ll Scenic Vellum vase finely painted by Sallie Coyne, 1923.
Uncrazed. Flame mark/XXIII/356F/SEC. 5 1/4” x 3”
$1,500–2,000
272:
ROOKWOOD
Iris Glaze vase by Lenore Asbury with white clematis, 1906. Flame
m a r k / V I / 9 5 1 C / W./L.A. 9 1/2 x 3 3/4”
$2,900–3,400
141
274:
ROOKWOOD
Wax Mat bulbous vase by Will i a m
H e n t s c h e ll with dots on a pumpkin ground,
1929. Flame mark/XXIX/2969/WEH.
8” x 6 1/2”
275:
ROOKWOOD
Later Mat/Mat Moderne vase by Wilhemina
Rhem with horses and rider, 1934. Flame
mark/XXXIV/WR. 5” x 4 1/4”
276:
ROOKWOOD
Later Mat/Mat Moderne vase by Elizabeth
Barrett with sprigs of leaves, 1929. Flame
mark/XXIX/935D/EB, paper label. 8” x 4 1/4”
$700–1,000
$800–1,200
$1,000–1,500
277:
ROOKWOOD
C a r ved Matt bulbous vase by C. S. To d d
with pink and purple bell flowers on a
deep purple butterfat ground, 1915. Flame
m a r k / X V / 9 3 1 / C . S . T. 4 3/4” x 5 1/4”
$1,000–1,500
142
278:
ROOKWOOD
Large Production vase embossed with swirling blossoms
under cobalt glaze, 1914. Small glaze nick to edge of leaf.
Flame mark/XIV/516. 11” x 12”
$1,000–1,500
279:
ROOKWOOD
Later Mat/Mat Moderne tall
vase by William Hentschell
with sprigs of leaves, 1929.
Flame mark/XXIX/2790/WEH/.
11 1/2” x 5”
$1,500–2,000
280:
ROOKWOOD
Ta ll Scenic Vellum vase by Fred Rothenbusch, 1920. Restoration to
d r i l l hole on bottom. Flame mark/XX/904C.
13” x 5”
$1,500–2,500
281:
ROOKWOOD
Scenic Vellum corseted vase painted by Charles McLaughlin, 1914.
1" bruise to rim. Flame mark/XIV/1358E/V/CJM. 7 1/4” x 4”
282:
ROOKWOOD
Scenic Vellum vase painted by Fred Rothenbusch, 1915. Seconded
mark for light scaling around rim. Flame mark/XV/30E/V/FR/X.
8 3/4” x 4”
$1,500–2,000
283:
$1,000–1,500
ROOKWOOD
Banded Scenic Vellum vase by Ed Diers, 1919. Seconded mark,
restoration around base. Flame mark/XIX/946/V/ED/X.
10 3/4” x 4 1/2”
$1,000–1,500
143
284:
ROOKWOOD
Ta ll Scenic Vellum vase by Lorinda Epply, 1917. X’d
for 1/8” firing bruise at rim. Flame
mark/XVII/950B/LE. 13 1/4” x 5 1/2”
$2,500–3,500
286:
ROOKWOOD
Jewel Porcelain vase by Kataro Shirayamadani with
crocuses, 1935. Flame mark/XXXV/S/Japanese
c i p h e r. 5 3/4” x 4”
$1,750–2,250
144
285:
MATT DALY
Oil on canvas painting of a snowy landscape with creek. Framed. Sight:
19 1/2” x 23 1/2”
$2,500–3,500
287:
ROOKWOOD
C a r ved Matt squat vessel finely decorated by William Hentschell with Queen
A n n e ’s lace on green ground, 1911. Flame mark/XI/1375/WEH. 6” x 9”
$1,800–2,200
288:
ROOKWOOD
Ta ll Wax Mat vase painted by Jens Jensen with red roses, 1929.
Flame mark/XXIX/2932/art i s t ’s cipher. 14” x 5 1/2”
$1,500–2,000
289:
ROOKWOOD
Ta ll Later Mat/Mat Moderne vase by Elizabeth Barrett with sprigs
of leaves, 1927. Flame mark/XXVII/2368/EB. 17” x 7”
$1,500–2,000
145
290:
ROOKWOOD
B u t t e r fat vase by Lorinda Epply with large orchid blossoms, 1931.
Flame mark/XXXI/6180D/LE. 6” x 5 1/4”
$1,200–1,600
291:
NO LOT
292:
ROOKWOOD
French Red tall baluster vase enamel-decorated by Sara Sax with
flowers on a gunmetal ground, 1921. Restoration to section of base.
Flame mark/XXI/2551/art i s t ’s cipher. 14” x 6”
$1,200–1,500
293:
ROOKWOOD
Jewel Porcelain two-handled vase painted by Lorinda Epply with
sprays of flowers, 1927. Flame mark/XXVII/2077/LE. 6 1/4” x 5”
$1,000–1,500
146
294:
EDWARD CURTIS
Three vellum photogravures, 1924: “Aged Pomo Woman,” plate 488, “An
Aged Paviotso of Pyramid Lake,” plate 537, “A Washo Woman,” plate 543.
A ll matted and framed. Copyrighted and titled. Images:
15 1/2” x 11 1/2” each
$1,500–2,500
295:
ACOMA
Polychrome olla, c. 1870-1900. Fire clouds
to base, small old chip to rim. Labeled
FRANK M. COVERT / 329 FIFTH AVE. / N.Y.
10 1/2”, 11 1/2” dia., mouth opening:
6 1/2” dia.
(Please see provenance online at
w w w. r a g o a rt s . c o m . )
$6,000–8,000
147
296:
JARVIE
Bronze candlestick embossed with
spade-shaped leaves. Original
patina, small dent to bobeche.
Unmarked. 13 3/4”
297:
ADLER AND SULLIVAN
Bronze stair riser from the Chicago Stock Exchange, 1894. 7 1/2” x 43”
$1,500–2,500
$1,500–2,000
298:
GEORGE NIEDECKEN
Drawing, “Easy Chair for Mr. H.B. Babson.”
Matted and framed. Sight 8 1/4” x 7”
$850–1,250
299:
KALO
Hammered silver candle snuf f e r. Stamped
STERLING KALO 1.
2 1/4” x 10”
$600–900
300:
BOSTON SCHOOL
Copper boudoir lamp, its faceted mesh
shade lined with parchment painted with
t a ll grasses. Some dents to metal, some
tears to paper, original patina. Both shade
and base marked HGC BOSTON. 14” x 8”
$1,000–2,000
148
301:
DIRK VAN ERP
Hammered copper and mica table lamp, its four-panel shade on a single
socket bulbous base, c. 1911. Normal cleaning to original patina, original
mic. Windmill mark with box. 16” x 14”
$9,000–14,000
149
302:
DIRK VAN ERP
Hammered copper and mica table lamp, its
f o u r-panel shade on a single socket bulbous
base. Medium patina, original mica, missing
p a rt of original pul l chain. Windmill open box
with DIRKVANERP stamp. 16” x 14”
$4,000–5,000
303:
DIRK VAN ERP
Hammered copper and mica table lamp, its
f o u r-panel shade with spade-shaped riveted
straps on a single-socket, pear-shaped base.
Some cleaning to patina, mica possibly
replaced. Windmill stamp with DIRKVA N E R P
and remnant of D’Arcy Gaw. 16 1/2” x 14 1/4”
$4,000–6,000
150
304:
DIRK VAN ERP
Hammered copper and mica table lamp, its four-panel shade with vented
cap over a trumpet-shaped two-socket base. Repatinated, new mic.
W i n d m i ll stamp with DIRKVANERP and remnant of D'Arcy Gaw.
20” x 17 1/4”
$5,500–7,500
151
305:
DIRK VAN ERP
Red warty jardinière. A couple of dents. Windmill stamp with
D I R K VANERP and remnant of D’Arcy Gaw. 6” x 7 3/4”
306:
DIRK VAN ERP
Hammered copper large jardinière. New patina. Windmill stamp
with closed box and DIRKVA N E R P. 13” x 14 1/2”
$4,500–6,500
$3,000–4,000
308:
ELIZABETH BURTON
Copper jewelry box with abalone shell inserts to top and to hinged
clasp, compartmentalized interior lined with original brown suede.
Cleaned patina. Stamped Burton with hammer. 2” x 6 3/4” x 4”
$1,500–2,000
307:
HARRY DIXON
Hammered copper vase of medium patina. Stamped HARRY DIXON
SAN FRANCISCO with metalsmith. 7 3/4” x 4 1/2”
309:
$1,500–2,000
$ 45 0 – 6 5 0
152
HARRY DIXON
Hammered sterling brooch with citrine. Hand incised HARRY
DIXON SF 1933 Sterling 925 9. 1” x 2”
310:
EMILE GALLE
Electrified exhibition panel of marks and signatures with a glass
negative medallion against an etched brass mat, in gilded frame
surrounded with various Galle signatures, 1904. 16” x 14”
$2,000–3,000
153
311:
EMILE GALLE
Four Art Nouveau mahogany nesting
tables, each with a dif ferent inlay:
chestnut branch, gladiola stalk, irises,
and poppies. Unmarked. Largest:
28 1/2” x 21 3/4” x 16”
$5,500–7,500
312:
LOUIS MAJORELLE
Mahogany tiered tray table, the top
inlaid with daffodils in a field, the
bottom with sprays of flowers, with
bronze handles, the animal-shaped legs
c a r ved with blossoms and leaves.
Unmarked. 32 1/2” x 36 1/2” x 27”
$5,500–7,500
154
313:
EMILE GALLE
Mahogany display cabinet carved and inlaid with clematis, with a glass
d oor over two fixed shelves, flanked by side shelves. Unmarked.
59 3/4” x 31 1/2” x 17 3/4”
$8,000–12,000
155
314:
EMILE GALLE
314A:
Inlaid occasional tray table top with a bird on an oak branch. Mounted on a
base by a dif ferent maker. Signed Galle in inlay.
22” x 24 1/2”
$2,000–3,000
156
ITALIAN ART NOUVEAU
C a r ved wood side chair with two ladies’ heads, a frog, and
flowers. (Exceptional carved chair in excellent condition).
Pale silk upholstery. Unmarked. 39” x 20” x 18”
$1,000–1,500
315:
EMILE GALLE
Mahogany music cabinet with four inlaid panels
depicting trees, flora and a landscape, carved with
animal legs, leaves and dragonflies. Inlaid signature
G a lle. 63 3/4” x 26 1/4” x 15 3/4”
$30,000–40,000
157
316:
EMILE GALLE
Applied and internally-decorated art i s t i c
cameo vase with orchids with applied
green glass centers, beneath a sun in
fire-polished amber on frosted ground
with gold foil inclusions, c. 1900.
Engraved artistic signature on center of
base. 13”
$5,000–7,500
158
317:
EMILE GALLE
Ta ll cameo glass vase patterned with
red peony blossoms, c. 1900. Vert i c a l
Japanese cameo signature. 18”
$2,250–2,750
318:
EMILE GALLE
Cameo glass vase patterned with blossoms in
shades of purple, partly fire-polished, c. 1900.
Cameo signature GALLE. 12 1/2”
$2,500–3,500
319:
DAUM
W h e e l - c a rved and internall y
decorated cameo lamp with
applied snails on red and purple
grapevines. Minor losses to
antennae. Daum Nancy and
Cross of Lorraine in cameo.
20” x 10”
$47,500–57,500
159
321:
320:
DAUM
Cameo glass vase with brown leaves on a mottled ground. Daum
Nancy with Cross of Lorraine in cameo. 12 1/4” x 4”
$3,000–4,000
DAUM
Acid-etched and gilt-decorated vase of amber glass with a green
iris. Some wear to gilt at rim. Etched Daum Nancy with Cross of
Lorraine. 7 3/4” x 4 3/4”
$1,500–2,000
322:
MULLER FRERES
Chandelier with orange and blue mottled glass bowl and shades, in
a wrought-iron frame with applied leaves. Some chips to fitters.
Shades etched Muller Frères Luneville. 37” x 24”
$3,000–4,000
160
323:
DAUM
Cameo two-handled glass vase with brown
leaves on a mottled ground. Daum Nancy
with Cross of Lorraine in cameo. 17 1/2” x 6”
$4,000–6,000
161
324:
LALIQUE
“Moineaux” clock of clear and frosted glass with sepia patina, with
original ATO face. Wheel-cut R. LALIQUE FRANCE. M p. 369, B.
6 1/2” x 8 1/2 in.
$1,750–2,500
325:
162
NO LOT
326:
LALIQUE
“Serpents” inkwell in opalescent dark amber, c. 1920. Engraved R.
Lalique. M p. 317, No. 432. 6 1/4” dia.
$5,000–7,000
163
327:
LALIQUE
“ Vierge A L'Enfant” statuette of
clear and frosted glass on woo d e n
base. M p. 519, no. 1217. Stenciled
R. LALIQUE FRANCE.
O v e r a l l height, 15”
$750–1,250
328:
LALIQUE
“Bordure Epines,” vase of clear and frosted glass with
sepia patina. M p. 418, no. 908Wheel cut R. LA L I Q U E .
8”
$1,500–2,000
329:
LALIQUE
330:
LALIQUE
Vase of clear and frosted glass, decorated with roses. Minute nick
to inside rim. Stenciled R. LALIQUE FRANCE. 9”
“Borneo” vase of clear and frosted glass with green enamel, c.
1930. M p. 450, no. 1056. Stenciled R. LALIQUE FRANCE. 9 1/4”
$2,000–3,000
$1,000–1,500
164
331:
LALIQUE
“Sirènes Avec Bouchon Figurine” vase with stopper, of clear and frosted
glass, c. 1920. Flat chip to base of stopper, fleck to inner rim of vase.
Engraved R. Lalique France. M p. 411, No. 837 and p. 179. 14”
$8,000–12,000
165
332:
LALIQUE
“Raisin Muscat” menu plaque, clear and frosted glass, c. 1924.
Molded R. LALIQUE. M p. 780, No. 3475. 6” length.
$300–500
334:
LALIQUE
LALIQUE
$1,000–1,500
335:
“Deux Chèvres” hand mirror, clear and frosted with sepia patina, c.
1919. Original frame and mirror plate. Frame marked LALIQUE. M p.
360, No. 678. 6 1/4” diam.
$1,400–1,800
166
333:
“Coq Nain” mascot of clear and frosted glass, c. 1928. M p. 498, no.
1135. Molded R. LALIQUE FRANCE. 8”
LALIQUE
“Faune” menu holder, of clear and frosted glass with sepia patina,
c. 1928. M p. 784, no. 3502. Engraved R. Lalique France. 5 1/2”
$1,000–1,500
336:
HANDEL
Table lamp, its hemispherical acid-etched shade
reverse-painted by Mary Palme with parrots and
blossoms, over a three-socket fluted bronzed
base. Fine original dark patina. Shade signed
HANDEL 7128 PALME, base molded HANDEL.
25” x 18”
$6,500–9,500
167
337:
MOE BRIDGES
Table lamp, its hemispherical acid-etched shade reversepainted with birds of paradise in a tropical landscape, over a
two-socket, four- f ooted aesthetic-movement base covered in
black enamel. Shade signed Moe Bridges-CO-188. 24” x 18”
$4,000–6,000
338:
HANDEL
Table lamp, its hemispherical acid-etched shade reversepainted with pink roses and yellow butterflies, over a threesocket classical bronzed base. Shade signed Handel 6688, and
stamped HANDEL Lamps with patent number. 23 1/4” x 18”
$8,000–12,000
168
339:
HANDEL
Table lamp, its hemispherical acid-etched
shade reverse-painted by Henri Bedigie with
parakeets in tall pines with large blossoms,
over a three-socket gold gessoed classical
base. Applied posts and glass pendants,
some missing. Cap as-is, missing finial.
Shade signed HANDEL 7127 Bedigie, cloth
label to base. 24” x 18”
$20,000–30,000
169
340:
HANDEL
341:
Table lamp, its hemispherical acid-etched shade reverse-painted
with a Venetian scene, over a three-socket bronzed base with twotone patina. 1/2” clamshell chip to interior. Shade signed HANDEL
5935, and stamped HANDEL Lamps with patent number, base
unmarked. 25” x 18”
$8,000–12,000
170
HANDEL
Table lamp, its hemispherical acid-etched shade reverse-painted by
Peter Broggi with birds of paradise and assorted blossoms on a
black ground, over a three-socket gessoed floral base. Good original
condition, some very minor wear to base. Shade signed Broggi,
Handel 7026, base stamped Handel in script and cloth label.
25” x 18”
$6,500–9,500
342:
GUSTAV STICKLEY
Spindled Morris chair (no. 368) with loo s e
cushions on sling base, c. 1905. Small red
decal. 37 1/2” x 27 1/2” x 34 1/4”
$5,000–7,000
343:
GUSTAV STICKLEY
Early wall rack with slatted sides. Large red
decal. 26” x 30” x 7 3/4”
$5,000–7,000
171
344:
ROSE VALLEY
Folding stool carved with rosettes. Branded mark. 25” x 25” x 17”
$1,500–2,000
346:
STYLE OF ROSE VALLEY
H a ll seat with carved panels. Unmarked. 27 1/2” x 23 1/2” x 18”
$1,000–1,500
172
345:
ROSE VALLEY
Occasional table with butterflies on square top, and carved apron.
Branded mark. 32” x 24” x 23 1/2”
$3,000–5,000
347:
ARTS & CRAFTS
F o u r-panel window screen elaborately carved with acorns and
stylized leaves. Unmarked. 30” x 6 5/8” ea. panel.
$800–1,200
348:
L. & J.G. STICKLEY
Even-arm settle (no. 281) with drop-in spring seat.
“The Work of...” decal. 34” x 76” x 31”
$4,500–6,500
349:
L. & J.G. STICKLEY /
ONONDAGA SHOPS
Even-arm settle (no. 738) with loose seat cushion and pill o w s .
Unmarked. 39” x 76 1/4” x 30”
$3,500–5,500
173
350:
LIMBERT
Early two-door bookcase (no. 334 1/2) with leaded glass doors and
eight adjustable shelves, c. 1905. (Extremely rare, one of the only
ones we’ve seen.) Stamped 334, marked in ink 334 1/2. On casters:
56” x 42” x 14”
351:
LIMBERT
S i n g l e - d oor bookcase (no. 355) with cut-out panels, three
r e m ovable shelves. Paper label. 47 3/4” x 33” x 12 1/4”
$6,000–9,000
$2,800–3,500
352:
LIMBERT
Sideboard with cut-out details and mirrored
g a llery. Paper label. 57” x 60” x 22 1/4”
$4,000–5,000
174
353:
SHOP OF THE
CRAFTERS
Morris chair inlaid with mixed woods, with
l e a t h e r- c overed drop-in spring seat. Paper
label. 38 1/4” x 29 1/4” x 30 3/8”
$4,000–6,000
354:
GUSTAV STICKLEY
Morris chair with loose cushions
upholstered in brown leather, on sling
base. Red decal. 38” x 29” x 33 1/2”
$4,000–6,000
175
355:
L. & J.G. STICKLEY
Five-leg dining table (no. 720) and four slatted
side chairs (no. 1340) with drop-in seats. Ta b l e
has “Work of...” decal, three chairs have
conjoined decals. Table: 29 3/4” x 48” dia.;
chairs: 35 3/4” x 17 1/2” x 16 1/2”
$2,400–3,200
356:
STICKLEY BROTHERS
Tw o - d oor china cabinet with three adjustable shelves,
interior mirror. Wax pencil mark 8447.
59 1/2” x 48 1/2” x 16”
$2,000–3,000
176
357:
L. & J.G. STICKLEY
Sideboard with paneled plate rail, and wooden knobs. “Work of... “ decal.
44” x 60” x 22”
$2,000–3,000
358:
STICKLEY BROTHERS
Mirrored dresser with five drawers, pewter
and ebonized wood inlay. Unmarked.
68 3/4” x 44” x 22”
$2,800–3,500
359:
STICKLEY
BROTHERS
F u ll-size paneled bed with
pewter and ebonized wood inlay.
Unmarked.
60 1/2” x 56 3/4” x 77 1/4”,
interior: 54” x 74”
$4,000–6,000
177
360:
GUSTAV STICKLEY
Early server (no. 955), c. 1902. 44 3/4” x 59 1/4” x 24”
$14,000–18,000
361:
GUSTAV STICKLEY
Set of eight early ladderback dining
chairs (no. 1297) with drop-in leather
seats. Red decals on some.
37 1/4” x 17 3/4” x 17 1/2”
$5,000–6,000
178
362:
GUSTAV STICKLEY
Eight-leg sideboard (no. 817) with chamfered plate rack. Branded mark.
50” x 70” x 25”
$14,000–18,000
179
363:
LIMBERT
T h r e e - q u a r ter arm settle with drop-in foam seat. Branded
mark. 29 3/4” x 80” x 31 1/2”
$4,500–5,500
364:
GUSTAV STICKLEY
Cube settle (no. 208) with leather- c overed drop-in spring
seat. Unmarked. 29 1/4” x 76” x 32 1/8”
$6,000–8,000
180
365:
L. & J.G. STICKLEY
Slatted bow-arm Morris chair (no. 406) with drop-in spring seat,
reupholstered in brown leather. “Work of...” decal. 38” x 33 3/4” x 40 1/2”
$10,000–14,000
181
366:
GUSTAV STICKLEY
367:
GUSTAV STICKLEY
Open bookcase with three fixed shelves. (A very nice example of
this form, in excellent condition.) Paper label and red decal.
56” x 35” x 13”
$2,800–3,500
Custom display cabinet with one wood and eight glass shelves,
modifications. Early red decal. 72” x 24” x 18”
368:
369:
L. & J.G. STICKLEY
Magazine stand (no. 46) with slatted sides. “The Work of...” decal.
42” x 20 3/4” x 12”
$5,000–7,000
GUSTAV STICKLEY
Double costumer (no. 53). Unmarked. 72” x 13 1/2” x 22 1/4”
$1,800–2,500
$1,400–1,900
182
370:
AESTHETIC MOVEMENT
Pair of large leaded-glass and painted windows, c. 1885. (A beautiful and unusual set
in great condition.) Framed. 47” x 33”
$2,500–3,500
371:
PRAIRIE SCHOOL
372:
Pair of stained glass pocket doors. 86 1/2” x 32 1/2”
$2,000–3,000
SECESSIONIST
Three-panel screen of leaded glass, brass, and velvet. Unmarked.
Center panel: 63 1/2” x 16 1/2”
$1,500–2,500
183
373:
NEWCOMB COLLEGE
Early spherical vase finely painted by
Marie Ross with clusters of yell o w
flowers, 1902. (A fine and unusual
example). Two hairlines. NC/J59X/MR/U.
7” x 6 3/4”
$5,000–7,500
374:
NEWCOMB COLLEGE
Early vase painted by Bemis Sharp with a
band of yellow blossoms, 1905. Glaze
drip at rim, interior spiderlines barely
show through. NC/BS/JM/Q/AM75.
5 1/4” x 6”
$2,000–3,000
184
375:
NEWCOMB COLLEGE
Ta ll vase carved by A. F. Simpson with a
m oonlit landscape of oak trees and Spanish
moss, 1921. Restored hairlines to body.
NC/AFS/JM/LM87/115. 12 3/4” x 5”
$4,000–6,000
185
376:
NEWCOMB COLLEGE
Large vase carved by Sadie Irvine with fruiting branches, 1923.
NC/SI/JM/184/NP87. 8 1/4” x 7”
$2,000–3,000
377:
NEWCOMB COLLEGE
Transitional bulbous vase carved by Henrietta Bailey with
fruiting branches, 1918. Flat chip to foot ring.
NC/HB/JS47/176. 8 1/2” x 4 1/2”
$1,250–1,750
378:
NEWCOMB COLLEGE
Hand-built tile by Leona Nicholson, “The White Rabbit”. Wear to
s u r face. LN/NC/HB/M. 4 3/4” sq.
379:
$1,000–1,500
$3,500–4,500
186
SHEARWATER
Vase embossed with pelicans under mottled blue and turquoise
glaze. Two tight lines to base, possibly from firing. 7” x 6”
380:
NEWCOMB COLLEGE
Bulbous vase carved by A. F. Simpson with a moonlit landscape of live oak trees
and Spanish moss, 1930. NC/AFS/SK26/JH500. 6” x 6”
$3,500–4,500
382:
NEWCOMB COLLEGE
Bulbous vase with a moonlit landscape of live oaks
and Spanish moss, 1927. Crisp mold and color.
NC/SI/147/QH. 6 1/2” x 5”
381:
NEWCOMB COLLEGE
Vase carved by Sadie Irvine with a moonlit landscape
of live oaks and Spanish moss, 1928.
NC/SI/JH/329/RG24. 5 1/2” x 4”
$3,000–4,000
383:
NEWCOMB COLLEGE
Bowl carved by Sadie Irvine with white clover blossoms on a blue ground, 1908.
Restored chip to rim. NC/JM/SP/CL-57/W. 2” x 5 1/4”
$1,400–1,900
$3,000–4,000
187
384:
CL AY C R A F T
V e r tical tile with a California coastline scene. In new Arts & Craf t s
frame. Stamped CLAY C R A F T. Tile: 7 1/2” x 3 3/4”
$800–1,200
385:
CLAYCRAFT
Ta ll vertical tile with a Rocky Mountain
road. New Arts & Crafts frame. Stamped
C LAY C R A F T. Tile: 12” x 4”
$1,000–1,500
386:
CLAYCRAFT
road. New Arts & Craf ts frame. Small nicks
to one corner. Stamped CLAY C R A F T.
Tile: 12” x 4”
$1,000–1,500
188
387:
CLAYCRAFT
road. New Arts & Crafts frame. Two small
nicks. Stamped CLAY C R A F T. Tile: 12” x 4”
$1,000–1,500
388:
SAN JOSE
F i f teen-tile panel decorated in cuerda seca with a young man serenading
a lady, in bright matte and semi-matte glazes. (Extremely rare, this
panel is in near-mint condition, and was never mounted). Small glaze
nick to one corner. Unmarked. 17 3/4” x 29 1/2”
$10,000–15,000
189
389:
JOHANN VON
S C H W A R Z (German)
A r t Nouveau plaque with maiden and
grapevine. Stamped CH Q 99 VI. 6 1/2” x 11”
$1,500–2,000
391:
ROZENBURG
Twelve-tile panel painted af t e r
David Adolf Constant Art z
(Dutch, 1837-1890) with a
genre scene of a mother and
two children at a kitchen table.
Original painting from 1884.
Framed. Signed N. ART Z
Rozenburg Den Haag L5.
Panel: 24” x 18”
$1,700–2,200
392/393: NO LOT
190
394:
ROZENBURG
395:
Large plaque painted af ter Johannes Bosboom (Dutch, 18171891) with a Gothic cathedral interior (the Eusebiuskerk in
Arnhem), 1895. Some areas of glaze clouding in
manufacture. Framed. Rozenburg Den Haag N. J. Bosboo m ,
M750. Plaque: 19 1/2” x 12 1/2”
ROZENBURG
Large plaque painted af ter Gerard Terborch with a genre scene of a young
lady drinking, 1895. Framed. Signed N. Terborch 04 Rozenburg Den Haag
M698. Sight: 20 1/4” x 16 3/4”
$1,500–2,000
$1,000–1,500
396:
ROZENBURG
397:
Twelve-tile panel painted af ter Johannes Christiaan Karel
Klinkenberg (Dutch, 19th C.), depicting a Dutch cityscape with
canal. Small chip to one tile, 3” corner line to other. Framed.
Signed N. Klinkenberg. B. Rozenburg. Panel: 18” x 24”
$1,700–2,200
ROZENBURG
Twelve-tile panel painted af ter Cornelis Springer (Dutch, 18171891), depicting a Dutch cityscape with canal. Framed. Signed N. C.
Springer B. Rozenburg. Panel: 18” x 24”
$1,700–2,200
191
398:
ROOKWOOD FAIENCE
399:
LOSANTI
Large ship medallion, 1924. (Very crisp and color ful). Stamped RP
375 E813. 12” dia.
$2,500–3,500
Marie Louise McLaughlin porcelain vase with sterling-covered rim
over incised violets. Incised MCL 24-61/Sterling 5. 5 3/4” x 4 1/2”
$6,000–9,000
400:
UNION PORCELAIN WORKS
Rare Century vase designed by Karl Mueller, with buffalo handles
decorated in pate-sur-pate with busts of George Washington and
several vignettes of historical moments. (One of fourteen small e r
versions produced af ter the large original example made for The
Philadelphia Exposition.) Small chip to bison horn, light wear to
gilt at rim. UPW medallion. 12 3/4” x 10”
401:
ISAAC BROOME
Parian bust of Ulysses S. Grant, 1876-1914. Signed BROOME
Sculp’1876 LENOX Pottery 1914. 9 3/4” x 7”
$1,000–1,500
$6,000–9,000
192
402:
NORTH DAKOTA SCHOOL OF MINES
Large vase carved with a forest landscape by Thorne and
Flora Huckfield, and covered in a rare green, brown, and
amber microcrystalline glaze. Restoration to 1/2” rim chip.
Cobalt stamp, Thorne-Huck-1445. 10 1/2” x 6”
403:
Large vase finely painted by Sadie M. Reis with an Arts & Craft s
landscape. Cobalt circular stamp and SADIE M. REIS 25. 9 1/4” x 6”
$7,500–10,000
$3,500–4,500
193
405:
CLEWELL
Ta ll copper- c l a d
buttressed vase of
futuristic shape with
hammered surf a c e .
Hairline from rim, medium
patina. Stamped 4098,
etched Clewell 1088-12.
20” x 7”
$4,500–5,500
404:
CLEWELL
C o p p e r-clad vase with verdigris patina. A few lines and worn spots
to jacket. Incised Clewell 442-29. 9 3/4” x 9”
$1,400–1,900
406:
Vase carved by D. Nasset with a chain of figures holding hands,
c overed in matte brown glaze. Circular cobalt stamp and art i s t ’s
signature. 4 1/2” x 4 3/4”
$1,500–2,000
194
407:
Vase by Margaret Cable with prairie rose under matte green glaze.
Indigo stamp M. Cable 44. 8 1/2” x 5 3/4”
$800–1,100
408:
PEWABIC
Large squat vessel covered in red, green, and opalescent lustered glaze,
dripping over a matte blue ground. (A spectacular and rare example).
Circular stamp PEWABIC DETROIT. 11 1/2” x 11”
$4,000–6,000
195
409:
PEWABIC
Vase covered in thick dripping matte amber glaze. Circular
stamp PEWABIC DETROIT. 10 1/2” x 6 3/4”
$1,000–1,500
410:
PEWABIC
Fine, large, and early vase covered in thick lustered glaze dripping on
ultramarine base. Grinding chip. Stamped PEWABIC with maple leaves.
8” x 8”
$5,500–7,500
411:
PEWABIC
Large and early vase with embossed geometric decoration, cov e r e d
in matte flambé glaze. Stamped PEWABIC with maple leaves.
14 1/2” x 11”
$3,000–4,000
196
412:
PEWABIC
Ta ll and fine baluster vase in a lustered
flambé glaze. Restoration to 1” chip to
base. Circular stamp. 20” x 9”
$6,500–9,500
197
413:
MARBLEHEAD
414:
Barrel-shaped vase decorated by Arthur Baggs with stylized flowers
in charcoal on a rich, dark green speckled ground. Tight opposing
lines to rim. Ship mark, art i s t ’s cipher. 9 1/2” x 5 1/4”
$2,000–3,000
415:
BROUWER
Flame-painted bottle-shaped vase. Incised
Brouwer mark with bone. 7 1/2” x 3 3/4”
$1,000–1,500
198
416:
MARBLEHEAD
Flaring vase with yellow blossoms and blue-gray leaves on a gray
speckled ground. (A rare pattern, the first of these we’ve seen).
Ship mark. 4 1/4” x 5”
$1,500–2,000
BROUWER
Flame-painted bulbous vase in gold and
burgundy. Incised Brouwer mark with bone.
5” x 5 1/2”
$1,000–1,500
417:
BROUWER
Ta ll vase flame-painted in bright yell o w ,
amber, and gunmetal. Glaze flakes to foo t
ring. Incised mark. 9 3/4” x 5 1/4”
$1,000–1,500
418:
Bottle-shaped vase covered in a fine oxblood glaze. Stamped
C K AW. 7 1/2” x 3 1/2”
$2,000–3,000
420:
DEDHAM
421:
Experimental vase by Hugh Robertson covered in a
thick blue-gray and oxblood glaze. Incised Dedham
Pottery HCR, in ink DE 23C. 5” x 4”
$1,000–1,500
419:
S m a ll vase covered in orange peel oxblood glaze. Stamped CKAW.
4 1/4” x 3 1/2”
$1,400–1,900
P i llow vase embossed af ter Ludwig Knaus (German, 1829-1910), “A Critical
Moment.” Stamped CHELSEA KERAMIC ART WORKS ROBERTSON & SONS, titled.
7 1/4” x 9”
$1,000–1,500
199
422:
L.C. TIFFANY
423:
Large ceramic vase covered in rich matte green, amber and brown
mottled glaze. Several small chips around rim. Incised LCT, etched
P1233 L.C.Ti ffany Favrile Pottery. 16” x 8 1/2”
$1,500–2,000
424:
L.C. TIFFANY
S m a ll vase of white clay embossed with
leaves covered in sheer amber glaze.
Restoration to base and rim. Incised LCT.
4 1/2” x 2 3/4”
$750–1,000
425:
L.C. TIFFANY
Ta ll gourd-shaped vase covered in vibrant verdigris glaze. A few
hairlines to rim. Incised LCT. 16 1/4” x 7 1/2”
$2,750–3,750
VAN BRIGGLE
Vase embossed with trefoils and covered in
frothy matte green glaze, 1907-11. (Crisp,
with the clay showing through). Grinding
chip. AA VAN BRIGGLE Colo Spgs.
7 1/2” x 3 1/2”
$1,000–1,500
200
426:
VAN BRIGGLE
Reticulated vase embossed with papyrus
under Persian Rose glaze, 1916. (Very crisp,
the clay showing through). 3” hairline from
rim. AA 1916. 6 1/2” x 4 3/4”
$1,250–1,750
427:
ROOKWOOD
Standard Glaze large bulbous pitcher, painted by Kataro Shirayamadani with yellow roses, covered in silver overlay with pomegranate
patterns, 1890. (Descended from the estate of Mrs. Charlotte Cardeza. See below a photo of her Germantown, PA home, “Montebell o ” ) .
Hairlines to base, go up the sides. Flame mark/437A/S/artist's cipher. 8 1/4” x 10 1/2”
$2,000–3,000
201
429:
ROOKWOOD
Large Standard Glaze Light vase by Albert R. Valentien with
branches of golden hydrangea, 1891. Uncrazed, restored drill e d
hole to bottom. Flame mark/531D/W/A.R.V./L. 12 1/2” x 11 1/2”
$800–1,200
428:
ROOKWOOD
Ta ll Standard Glaze vase painted by Matt Daly with palm fronds,
1898. Restored drill hole to bottom and chip to rim. Flame
mark/S1406A/MAD (spurious). 20 1/2” x 10”
$1,500–2,500
202
430:
ZS OLN AY
Ta ll tulip-shaped vase in lustered glazes.
Restoration to two rim chips, two small
glaze bursts on base. Green five
churches stamp ZSOLNAY PECS 5495 1.
14” x 5 1/2”
$4,000–6,000
203
432:
ZS OLN AY
A r t Nouveau tile with a maiden medallion flanked with lotus.
Framed. No visible mark. Tile: 3” x 6”
$900–1,200
431:
ZSO LN AY
Tile with Classical scene of satyrs and nude, under lustered glaze.
Stamped 7893 ZSOLNAY 36. 8” x 11”
$1,000–1,500
433:
ZSOLNAY
A r t Nouveau tile with stylized crocuses
under a lustered glaze. Framed. No visible
mark. 5 3/4” sq.
$1,500–2,000
434:
ZSOLNAY
Figure of a maiden with pitcher, covered in
lustered glaze. Pink five churches
m e d a llion, 86?2 36. 11” x 4 1/2”
$1,250–1,750
435:
ZS OLN AY
Owl figurine, “Ketupa Ceylonensis,” cov e r e d
in red glaze. Small chip to base and
restoration to another. Five churches
m e d a llion 8771. 13 1/2” x 5 1/2”
$1,000–1,500
204
436:
ZSO LN AY
Jardinière embossed with weeds and cattails, covered in lustered
glaze. (Exceptional). Touch-ups to several high points, Y- s h a p e d
line on body. Five churches red medallion, 4055, 6127B, Korona.
8 1/4” x 12”
$10,000–15,000
205
437:
ZSOLNAY
Tapering Art Deco vase with panels of birds
of paradise in relief under lustered glazes.
Five churches medallion. Illegible number.
6 3/4” x 8 1/4”
$6,000–9,000
438:
ZSOLNAY
Boat-shaped center bowl topped by two
crimson red parrots, covered in
marbleized lustered gold glaze. Five
churches gold stamp, MADE IN
H U N G A RY, 8805E. 6 1/2” x 15”
$2,750–3,750
206
439:
ZSOLNAY
Vase embossed with geraniums, covered in lustered glazes. Hairline and
restoration. Five churches gold stamp, MADE IN HUNGARY, ZSOLNAY
PECS, 6166. 8 3/4” x 5 3/4”
$6,000–9,000
207
440:
ZSOLNAY
A rt Nouveau vase embossed with moths under
gold lustered glaze. Touch-up to small flake on
body. Five churches gold stamp, die-stamped
Zsolnay Pecs 3220. 10 1/2” x 5 1/2”
$6,000–8,000
441:
ZSOLNAY
A r ts and Craf ts vase enamel-decorated with scarabs and
blossoms on a dead-matte ground. Small fleck to foot ring.
Five churches black stamp, die-stamp Zsolany Pecs 8868,
Made in Hungary. 6” x 8 1/2”
$3,250–3,750
208
442:
MARTIN BROTHERS
Stoneware Grotesque jar and cover, 1888. Restoration to head. Lid
signed RW Martin & Brothers, London & Southall, 6-1888, base signed
RW Martin Southall S. L. 1888. With stand: 8” x 5”
$9,500–12,500
209
443:
MARTIN BROTHERS
444:
Stoneware vase incised and painted with thistle on an amber
ground, 1905. Signed 11-1905 Martin Bros London + Southall .
10 1/4” x 5”
MARTIN BROTHERS
Stoneware vase decorated with dragons, 1901. 7-1901 Martin Bros
London + Southall. 11 1/2” x 3 3/4”
$1,500–2,000
$2,000–3,000
446:
445:
MARTIN BROTHERS
Stoneware vase decorated with a floral pattern in the
Renaissance style, 1888. Restoration to neck and rim. 71888 RW Martin + Bros London + Southall. 7 3/4” x 3”
$850–1,250
210
MARTIN BROTHERS
Stoneware vase decorated with grotesque sea life. Glaze
drip on body of vase. Martin Bros London + Southall .
7 1/4” x 6”
$1,750–2,250
447:
MARTIN BROTHERS
Stoneware Grotesque spoon warmer covered in cobalt and teal
matte glaze. (Featured in Jordan Volpe Gall e r y ’s B oobies, Boo j u m s
and Snarks: The Ceramic Curiosities of the Martin Brothers, 1880 1 9 1 4, New York, 1982, and pictured in their catalog as No. 99).
Signed Martin London + Southall. 8 3/4” x 9”
$3,000–4,000
211
448:
MARTIN BROTHERS
Ta ll stoneware figural pitcher of a Viking settler. Restoration to
glaze chips at base. Signed Martin Bros. London + Southall .
14 1/4” x 6 1/4”
$4,750–5,750
449:
450:
MARTIN BROTHERS
Stoneware pitcher decorated with ram’s masks in the Italian Renaissance style, in
indigo and ivory, 1895. Restoration to rim chip. Signed 3-1895 Martin Bros
London + Southall. 7” x 6 1/2”
$1,400–1,900
212
MARTIN BROTHERS
F o u r-sided stoneware pitcher incised with grotesque
sea creatures, 1895. Some restoration, varnished.
12-1895 London + Southall. 7 1/4” x 6”
$2,500–3,000
451:
METTLACH
A r t Nouveau charger by R. Thevenin with a
maiden picking irises in the forest. Marked
M E TT LACH VB GEGH...NACHBILDUNG
GESCHUTZT 2547, R. Thevenin. 15 3/4” dia.
$1,500–2,000
452:
METTLACH
A r t Nouveau charger by R. Thevenin with a
maiden at pond. Marked METT LACH VB
GEGH...NACHBILDUNG GESCHUTZT 2542,
R. Thevenin. 15 3/4” dia.
$1,500–2,000
213
453:
FREDRICK H. RHEAD
Two chargers painted in squeezebag by Fredrick and Harry Rhead
for The Foley Pottery Company, with a couple in traditional garb, c.
1899. Restoration to several chips, mostly to backs. Signed H.
Rhead and F.H. Rhead, stamped THE FOLEY “FAIENCE” ENGLA N D .
13 3/4”
$2,000–3,000
454:
NO LOT
455:
ROZENBURG
456:
E g g s h e ll faceted demitasse and saucer with flowers and a bird.
Signed Rozenburg Den Haag CH. Cup: 2 1/4” Plate: 4” dia.
$1,750–2,250
THEODORE DECK
Vase decorated in squeezebag with branches of wisteria, cherry
blossoms, and other blossoms in Persian majolica glazes. Some
wear to glaze inside rim. Stamped and signed TH DECK.
9 1/2” x 5 1/2”
$2,250–2,750
214
457:
AUSTRIAN
ART NOUVEAU
Ta ll vase with white and blue blossoms.
Restoration to one petal and stem.
Stamped R. D. Z. HH 20882.
19 1/2” x 7 1/2”
$1,750–2,250
215
458:
AMPHORA
A r t Nouveau vase painted with a long-haired
maiden. Red R St K stamp, among others.
9 3/4” x 5 3/4”
$1,750–2,500
460:
459:
AUGUSTE DELAHERCHE
Large bulbous vase incised with bands of fruiting branches alternating
with oxblood and indigo glaze. Circular stamp AUGUSTE DELA H E R C H E
1138. 13 1/2” x 10 1/2”
$2,000–3,000
RO YAL DO U LTON
461:
Chang ovoid vase by F. Allen. Minor flake to foo t
ring. Royal Doulton Chang Noke F. ALLEN.
9 1/4” x 5 3/4”
$2,000–3,000
216
MOORCROFT
Early two handled jar and cover in the
Pomegranate pattern. Signed W.
M oo r c r o ft, stamped 996, paper labels.
12 1/4” x 5 1/2”
$1,400–1,900
462:
G E R T R U D E T W I C H E L L (1889-1937)
Hammered copper and enamel hinged box decorated in the Pre-Raphaelite
style with panels featuring a maiden and deer in a wooded landscape.
( Tw i c h e ll, a graduate of the Rhode Island School of Design, was master
c r a f tsman in The Society of Arts & Craf ts, Boston, and exhibited with several
c r a f t guilds in Americ. This box is an unusual example of her work in that it is
enameled all around, and features figural decoration.) Small dent to top.
Signed Tw i c h e ll. 2” x 3 3/4” x 4 3/4”
$2,500–3,500
463:
LIBERTY & CO.
Five Cymric silver buttons, each embossed with a ship against an orange
enameled sky. In original leather- c overed box (some losses to leather).
H a llmarks: Liberty & Co, anchor, lion, C. Buttons: 1” dia., box: 7 3/4” length.
464:
LIBERTY & CO.
Hammered pewter travel clock with enameled face.
Stamped 0721 ENGLISH PEWTER MADE BY LIBERTY &
CO. 4 3/4” x 3 1/4” x 2 1/2”
$2,000–3,000
$1,750–2,250
217
466:
LIBERTY & CO.
Cymric hammered sterling spoo n .
L&Co, anchor, lion, ‘D’, CYMRIC,
394. 8” x 2 1/2”
$1,000–1,500
467:
LIBERTY & CO.
Cymric hammered sterling spoo n .
L&Co, anchor, lion, ‘D’, CYMRIC,
394. 8” x 2 1/2”
$1,000–1,500
465:
C. R. ASHBEE
Hinged condiment jar with jade cabochons and poppy patterned
s p oon. CRA, lion, crest, and ‘E’ hallmarks. 3” x 2”
$2,500–3,500
468:
LIBERTY & CO.
469:
Sterling shaker with bands of enameled leaves. Some losses to
enamel and a few dents. Hallmarks L&CO, anchor, lion, ‘l’.
3 1/2” x 2”
$1,000–1,500
GUILD OF THE HANDICRAFTS
Hammered sterling shaker with jade cabochons. (The Guild of the
H a n d i c r a f ts was founded by C.R. Ashbee in Whitechapel, the
Cotswolds, in 1888). Hallmarks, GH, lion, lion’s head, and ‘e’.
2 3/4” x 1 1/2”
$1,000–1,500
218
470:
B R U C K M A N N U N D S O H N E (German)
Ta ll silver chalice with hardstone cabochons and gilt interior.
Stamped B. 11 1/4” x 7”
$2,500–3,000
471:
LIBERTY & CO.
Pair of Tudric silver-plated candlesticks with a leaf and berry motif.
One bobeche mangled, one candlestick resoldiered in two places.
Stamped registration number, Tudric 0530. 11” x 9 1/2”
$1,750–2,250
219
472:
BRITISH SILVER
Fish serving utensils and pair of E.J.& S. footed salts with
enameled decoration. Stamped marks, salts with EJ&S, anchor, lion
h a llmarks. 6” and 1 1/2”
$1,000–1,500
473:
LIBERTY & CO.
S m a ll hammered pewter hinged box with
agate cabochon. Stamped F 0649 ENGLISH
PEWTER MADE BY LIBERTY & CO. 2 1/4” x 3”
$1,000–1,500
474:
WILLIAM HUTTON
& SONS
Sterling milk pitcher embossed and
enameled with tulips. Small flake to one
enameled drop. Hallmarks: anchor, lion,
shield, ‘H’. 5 1/4” x 5”
$1,000–1,500
220
475:
A . E . J O N E S (1879-1954)
Hammered silver jar and cover with applied
cruciform decoration with turquoise ceramic
cabochons. Scratch to body, some minor
dents. Stamped A.E.J, anchor, rampant lion,
and I. 4 1/2” x 3 1/2”
$500–750
476:
GUSTAV STICKLEY
Three wrought-iron fire tools: tongs, poker, and
b r oom. Unmarked. Poker: 32”
$5,000–9,000
477:
ONONDAGA METAL SHOPS
478:
Rare hammered copper coal bucket with embossed floral
design. New dark patina. Stamped OMS. 16 1/2” x 15”
$1,500–2,000
LAMONT WARNER
Oil on canvas painting of a snowy landscape. Framed. Signed Lamont A.
Wa r n e r. Sight: 15 1/4” x 19 1/4”
$800–1,200
221
479:
ROYCROFT
Brass-washed hammered copper cylindrical
vase with silver overlay. Wear to wash. Orb
& Cross mark. 6” x 3”
480:
ROYCROFT
Brass-washed hammered copper cylindrical
vase with silver overlay. Light wear to
patina. Orb & Cross mark. 6” x 3”
$1,000–1,500
$1,000–1,500
481:
ROYCROFT
Hammered copper cylindrical vase deeply
etched with a dogwood pattern, possibly by
Walter Jennings or Karl Kipp. Medium
patina. Unmarked. 7” x 2 1/2”
$1,000–1,500
482:
ONONDAGA METAL SHOPS
Hammered copper charger. Cleaned patina. OMS stamp. 19” dia.
$1,250–1,750
483:
ROYCROFT
Ta ll hammered copper American Beauty vase for the Grov e
Park Inn. Fine original patina. Stamped THE G.P. I .
AMERICAN BEAUTY VASE MADE EXCLUSIVELY FOR THE
GROVE PARK INN BY THE ROYCROFTERS. 21” x 8”
$2,500–3,500
222
484:
CAUCASIAN KAZAK
485:
Area rug in indigo and madder red, c. 1930. 5’8” x 8’7”
$900–1,200
486:
PESHAWAR SERAPI
R oom-size rug with geometric floral pattern in rust-colored
pattern. 8’2” x 10’
PERSIAN KASHAN
Area rug with floral pattern in rose tones, c. 1910. Some areas of
w e a r. 4’3” x 6’10”
$900–1,200
487:
PERSIAN NAHARAND
Area rug in floral pattern, c. 1970. Smal l worn area. 5’8” x 8’6”
$400–600
$1,400–1,800
223
488:
PERSIAN HERIZ
R oom-size rug with medallion, in
tones of red, c. 1970. 8’3” x 12’2”
$800–1,200
489:
PERSIAN TABRIZ
R oom-size rug with central
m e d a llion, in tones of red, c. 1970.
9’9” x 12’6”
$600–900
224
490:
GA B R I E L A R G Y- R O U S S E A U
Pâte-de-verre flaring vase with stacked triangles in greens and purple.
Incised G.ARGY ROUSSEAU. 8 1/2” x 5”
$5,000–7,000
225
491:
GABRIEL ARGY-ROUSSEAU
492:
Pâte-de-verre pendant on a mint green silk cord with a golden
pinecone and green pine needles. Incised G.A-R. 2 1/4” sq.
Pâte-de-verre pendant on a gold silk cord with a burgundy
b u t t e r fly. Incised G.A-R. 2 1/4” sq.
$1,500–2,500
$1,750–2,250
493:
494:
G A B R IE L A R G Y- R O U S S E A U
Pâte-de-verre pendant on French blue silk cord with green dogwoo d
blossoms. Incised G.A-R. 2 1/2”
Pâte-de-verre pendant on an ivory silk cord with a white and brown
peony blossom. Incised G.A-R. 2 1/2”
$1,750–2,250
$1,750–2,250
226
495:
Pâte-de-verre veilleuse lamp shade with spade-shaped leaves and
garlands of purple roses. Incised G.ARGY ROUSSEAU, painted
FRANCE. 6” x 3 1/4”
496:
Pâte-de-verre veilleuse lamp shade with large green roses. Incised
G.ARGY ROUSSEAU, painted FRANCE. 6” x 3 1/4”
$3,250–3,750
$3,250–3,750
497:
GABRIEL ARGY ROUSSEAU
Pâte-de-verre covered jar with honesty leaves. G. ARGY ROUSSEAU FRANCE. 3 1/4” x 3 1/2”
$3,000–4,000
497A:
Pâte-de-verre cabinet vase, “Masques,” with two male masks
surrounded by ivy leaves. (Provenance: “Memories: The Barbara
Streisand Sale,” December 1999, Lot 695.) Incised G.ARGY
ROUSSEAU. 4” x 2 3/4”
$3,000–4,000
227
498:
G A B R IE L A R G Y- R O U S S E A U
499:
Pâte-de-verre pendant on a purple silk cord with a purple and red
cicada. Incised G.A-R. 1 3/4” x 2 1/2”
Pâte-de-verre pendant on a red silk cord with a red and green
thistle-like blossom. Incised G.A-R. 2 1/2”
$1,750–2,250
$1,750–2,250
499A:
499B:
ALMERIC WALTER
LOETZ
Pâte-de-verre crab paperweight in deep green and blue. A WA LT E R
N A N C Y. 1 3/4” x 2 1/2”
Large Witwe coupe by Maria Licarz in oilspot pattern. Unmarked.
10” x 11 1/2”
$1,000–1,500
$1,500–2,000
228
499C:
TIFFANY STUDIOS
Gold Favrile pitcher with green leaf and vine
pattern. Etched 1257, blacked out number, L C
T I F FANY - Favrile. 8 3/4” x 7 3/4”
499D:
TIFFANY STUDIOS
Blue Favrile centerbowl with green leaves and tendrils, topped with a double flower
frog. Small chips to bottom of first row of loops on frog, small chips and possible
polishing to bowl’s inner rim. Both etched 1030 M, LC Ti f fany Favrile. 4 1/4” x 11 3/4”
$2,750–3,250
$2,400–2,900
499E:
TIFFANY STUDIOS
Gold Favrile ribbed floriform vase. Etched
1523-1348K L. C. Ti f fany - Favrile.
7” x 2 3/4”
$1,400–1,800
499F:
TIFFANY FURNACES
Reticulated plate enameled with pink
flowers and green leaves on an acid-etched
gilt-parcel ground. A few small verdigris
spots. LOUIS C. TIFFANY FURNACES, INC.
420 FAVRILE 84-11-19. 9 3/4”
499G:
TIFFANY STUDIOS
Six Gold Favrile wine goblets. Etched L. C. T.
Favrile. 6” each
$1,000–1,500
$800–1,200
229
499H:
TIFFANY STUDIOS
Seven piece gilt-parcel desk set in the Pine Needle pattern lined
with caramel slag glass, comprising blotter ends, letter holder,
rocking blotter, pen tray, frame, hinged inkwell, and stamp box.
Glass broken on stamp box lid, missing on first tier of letter holder.
Each stamped TIFFANY STUDIOS NEW YORK.
$2,000–3,000
499J:
499I:
TIFFANY STUDIOS
T h i rteen Zodiac desk set pieces in assorted finishes: calendar
holder, cigarette box, two hinged inkwells, two letter holders, a
rocking blotter, and blotter ends and corners. Stamped TIFFA N Y
STUDIOS NEW YORK.
$1,500–2,000
TIFFANY STUDIOS
Five bronze desk pieces in the Grapevine pattern, lined in green
slag glass: letter holder, hinged inkwell, paper clip, and blotter
ends. Stamped TIFFANY STUDIOS NEW YORK, except for inkwell ,
incised with number (possibly Riviere).
$1,000–1,500
230
BENEFIT AUCTION FOR CRAFTSMAN FARMS
SATURDAY, MARCH 10, 2007
DIRECTLY FOLL OWI NG THIS SALE
FIVE ONE-OF-A-KIND LOTS AUCTIONED BY DAVID RAGO. INCLUDING AN EXTRAORDINARY
P R I VAT E T OU R F OR TWO , O F G USTAV ST I CK LE Y ’S C RA FT SMA N FA RM S AN D T H E
SURROUNDING ESTATE (INCLUDING MANY PROPERTIES CLOSED TO THE PUBLIC) LED BY
THE PRESIDENT OF THE BOARD OF TRUSTEES. FOR A COMPLETE DESCRIPTION OF THIS AND
O T H E R E XCE P T IO NA L O P PO RT U NI T IE S T O SUP P O RT T HI S N AT I ONA L H I ST OR I C L A N D M A R K
IN STYLE, VISIT RAGOARTS.COM.
Photo by Paul S. Bartholomew. Copyright 2007.
BIDS ACCEPTED BY PHONE, ABSENTEE BIDDING FORM AND IN THE ROOM
CR A FTSM A N FA R MS IS A 5 0 1(C )(3 ) O RG A NIZATIO N. A PO RTI ON OF AL L WINNING B IDS IS TAX DEDU C TA BL E BY L AW.
SESSION TWO
Sunday, March 11, 2007 12 Noo n
**PLEASE NOTE: DAYLIGHT SAVINGS TIME BEGINS TODAY **
500:
ROYCROFT
Rare triple-door bookcase with three adjustable shelves per doo r. Carv e d
Orb & Cross mark. 61 1/2” x 69” x 16”
$10,000–15,000
235
501
502
503
504
501:
505
GUSTAV STICKLEY
504:
S H O P O F T H E C R A F T E R S ( A t t r. )
Magazine stand (no. 79) with cut-out handles. Branded mark.
40” x 13 3/4” x 10”
$1,200–1,800
Two side chairs with geometric inlay of mixed woods and fabricupholstered drop-in seats. Unmarked. 37 1/2” x 19” x 17”
502:
505:
GUSTAV STICKLEY
Magazine stand (no. 72) with arched sides. Paper label.
42” x 21 1/2” x 12 3/4”
$1,400–2,200
503:
$900–1,400
GUSTAV STICKLEY
Spindled side chair (no. 384) with original drop-in leather seat.
Red decal. 39 1/2” x 16 1/2” x 17”
$900–1,400
L. & J.G. STICKLEY
Slatted magazine rack (no. 46). Handcraf t decal. 42” x 21” x 12”
$1,200–1,800
236
506
507
508
509
506:
STICKLEY BROTHERS
Sideboard with three drawers and two doors. Branded mark and
decal. 45 1/2” x 50” x 22”
$2,000–3,000
508:
507:
509:
GUSTAV STICKLEY
Four dining chairs, three side- (no. 353), and one arm- (no. 353A),
with drop-in leather seats. Unmarked. Side chairs: 39” x 16 1/2” x
16 1/2”, arm: 41” x 22” x 24 1/2”
STICKLEY BROTHERS
Dining table with pedestal and circular top, complete with four
leaves. Paper label. 29” x 54”
$1,800–3,200
STICKLEY BROTHERS
Tw o - d oor china cabinet with three shelves and partial mirror.
Branded mark and decal. 59 1/2” x 45 1/2” x 14 1/2”
$1,200–1,800
$1,800–2,500
237
510
511
512
513
510:
BROOKS
Cut-out pedestal. Unmarked, drill hole to top.
35 1/4” x 14 1/4” x 14 1/4”
$900–1,400
512:
511:
513:
$2,000–3,000
LIMBERT STYLE
Tw o - d oor china cabinet with mirrored gallery, two remov a b l e
shelves. Unmarked. 61 3/4” x 47” x 16”
$1,500–2,500
238
LIMBERT
Oval cut-out library table (no. 146). Branded mark.
29 1/2” x 45” x 29 1/2”
STICKLEY BROTHERS
Magazine stand with circular cut outs. (A rare form.) Unmarked.
49 1/2” x 13 3/4” x 11 1/2”
$900–1,400
514
515
514:
GUSTAV STICKLEY
Spindled library table (no. 659) with three drawers. Red decal.
29” x 54” x 32”
$3,000–5,000
516
515:
L. & J.G. STICKLEY
Sideboard (no. 745) with plate rail and strap hinges on doo r s .
48 1/2” x 54” x 24”
$3,000–6,000
516:
L. & J.G. STICKLEY
Five-post pedestal dining table (no. 716). (A rare form.) Complete
with four leaves in original box. “Work of...” decal. 29 3/4” x 48” dia.
$2,800–3,500
239
517
518
519
520
517:
GUSTAV STICKLEY
V-back settee (no. 212) reupholstered in red vinyl. Red decal.
36” x 47 3/4” x 25”
$1,800–2,500
519:
LIMBERT
Two-drawer library table (no. 1141). Branded mark. 29” x 48” x 32”
$1,000–1,500
520:
518:
MICHIGAN CHAIR CO.
Pair of spindled cube chairs with plank seats, one has loo s e
cushion. Partial paper label to dark one. 36” x 21” x 19”
$2,000–3,000
240
LIMBERT
Single-drawer desk (no. 105) with slatted shelves. (A part i c u l a r l y
pleasing form.) Branded mark. 29 1/2” x 42” x 28 1/4”
$1,200–1,800
521
522
523
524
521:
LIFETIME
Puritan Line drop-front desk with slatted sides. (Graceful form
typical of Puritan Line pieces.) Paper label. 43” x 32” x 16”
$900–1,400
523:
522:
524:
LIFETIME
Puritan Line small cabinet. Unmarked. 28” x 13” x 21”
$800–1,200
LIFETIME
Morris chair with drop-in spring seat, reupholstered in brown
l e a t h e r. (An unusual and massive form.) Paper label. 41” x 32” x 36”
$1,500–2,500
ENGLISH ARTS & CRAFTS
Linen press with four shelves and three drawers.
49 1/4” x 42 3/4” x 19 1/2”
$900–1,400
241
525:
ROOKWOOD
Scenic Vellum corseted vase painted by
Kate Van Horne, 1912. Flame
m a r k / X I I / 1 3 5 8 E / V / K . V.H.7 1/4” x 4”
$1,200–1,600
526:
ROOKWOOD
V e llum vase painted by Charles McLaughlin
with branches of apple blossoms, 1918.
Flame mark/XVIII/1091D/CJM.
6 3/4” x 5 1/2”
$1,000–1,500
527:
525
ROOKWOOD
Jewel Porcelain vase painted by C. S. To d d
with morning glories on an aquamarine
ground, 1920. Restoration to area around
rim. Flame mark/XX/909C/C.S.T. 9 1/2” x 5”
$1,000–1,500
526
528:
ROOKWOOD
Iris Glaze painted by Laura Lindeman with
mistletoe, 1903 or 1904. Restoration to
rim. Flame mark/IV/741C/LEL.
5 3/4” x 3 1/4”
$500–750
529:
ROOKWOOD
Two Vellum vases with floral decoration,
one by Ed Diers, 1922, the other by Lorinda
Epply, 1920. Both marked. Ta ller: 6 1/2”
527
$950–1,250
528
530:
ROOKWOOD
Four Production pieces: trivet tile with
grapes (X’d for peppering and firing line to
back only, small flake to foot), and three
vases. All marked. Ta llest: 8”
$750–1,000
531:
ROOKWOOD
Four Production vases covered in turquoise
c r y s t a lline glaze, 1924-33. All marked,
t a llest x’d for no apparent reason.
Ta llest: 11 1/2”
$800–1,200
532:
529
530
531
532
242
ROOKWOOD
Five Production vases covered in matte
blue glazes, 1918-28. All marked.
Ta llest: 6 3/4”
$750–1,000
533:
ROOKWOOD
Two porcelain lamp bases, one by Sarah
Sax, 1922, and one by Sallie Toohey, 1920.
Both marked. Ta ller: 16”
$400–600
534:
ROOKWOOD
Production rook bookends and poppy
candlesticks in matte blue glazes, 1921 and
1928. All marked. 5 1/4” and 6 3/4”
$650–950
535:
ROOKWOOD
S m a ll Cameo ewer painted by an
unidentified artist with a white rose, 1888.
O v e rfired around foot. Flame
mark/40W/S/R. 6 1/4” x 4”
533
534
535
536
537
538
539
540
$ 45 0 – 6 5 0
536:
ROOKWOOD
Standard Glaze bottle-shaped vase by
unidentified artist with yel low roses, 1891.
Minimal crazing. Restored neck, rim, and
base. Flame mark/463C/W.
12” x 7”
$500–700
537:
ROOKWOOD
Standard Glaze vase painted by Howard
Altman with brown poppies, 1904. Flame
mark/IV/935C/H.A. 8 3/4” x 5”
$600–800
538:
ROOKWOOD
Two Standard Glaze Light vases: one
painted by Matt Daly with berries,
p r a c t i c a lly uncrazed, 1889; and ewer by K.
Shirayamadani with golden violets, 1893.
Both restored. Both marked.
15” and 13 1/2”
$500–750
539:
ROOKWOOD
Large Standard Glaze Light two-handled
vase by Kataro Shirayamadani with golden
blossoms, 1890. Restoration to two
hairlines on one handle, deep crazing to
other handle. Flame mark/550W/Japanese
cipher/L.
13” x 12 1/2”
$600–900
540:
ROOKWOOD
Two Wax Mat vases with floral decoration,
one by K. Jones, 1928, the other by
unidentified artist, 1931 (glaze
inconsistency). Both marked. Ta ller: 5 1/2”
$750–1,000
243
541:
ROOKWOOD
V e llum vase painted by Lorinda Epply with
white roses, 1913. 1/2” spiderline inside
shoulder, does not appear to go through.
Flame mark/XIII/942E/L.E. 4 3/4” x 3 3/4”
$500–750
542:
ROOKWOOD
Two Wax Mat vases, one by M. McDonald,
1925, the other by V. Tischler, 1922. Both
marked. Ta ller: 7 1/2”
$850–1,250
543:
ROOKWOOD
V e llum vase beautifully slip-painted by E.
T. Hurley with branches of apple blossoms,
1929. Uncrazed, 1/4” glaze chip to foo t
ring. Flame mark/XXIX/1927/E. T. H.
4 1/4” x 5 1/2”
541
542
543
544
545
546
547
548
$900–1,400
544:
ROOKWOOD
V e llum vase painted by Elizabeth Lincoln
with peach nasturtium, 1907. Filled-in chip
to base. Overall crazing and peppering.
Flame mark/VII/939D/V/LNL.
7 1/2” x 3 1/2”
$600–900
545:
ROOKWOOD
Three Standard glaze vases by Lenore
Asbury, Carl Schmidt and unidentified
a rtist (hairline to handle). All marked.
Ta llest: 8”
$500–750
546:
ROOKWOOD
Three Standard glaze vases by Ed Diers,
Clara Lindeman and M.L. Perkins. Al l
marked. Ta llest: 7”
$500–750
547:
ROOKWOOD
Three early pitchers: tall with wisteria by
M. E. H., 1890 (restored handle), one
barbotine-painted by A. R. Valentien, 1881,
and one Cameo by A. M. Boo k p r i n t e r. Al l
marked. Ta llest: 7 1/4”
$500–750
548:
ROOKWOOD
Cameo ewer painted by Harriet Wilcox with
blue flowers, 1887. Some glaze scaling
around foot ring. Flame
m a r k / 1 0 1 C / Y / H . E . W./S. 9” x 5”
$650–950
244
549:
ROOKWOOD
Two Standard Glaze loving cups, one by
Jeanette Swing, 1900, the other by
Katherine Hickman, 1897. Both marked.
4 1/4” each.
$ 45 0 – 6 5 0
550:
VAN BRIGGLE
Bulbous vase embossed with buds on tall
stems, under feathered matte green glaze,
1908-11. AA/VA N B R I G G L E / C O L O
SPGS/835. 5 1/4” x 3 1/4”
$1,000–1,500
549
550
551:
VAN BRIGGLE
Squat vessel embossed with leaves under
r o b i n’s egg blue matte glaze, 1915. AA
1915. 3 1/2” x 4”
$500–750
552:
VAN BRIGGLE
Ta ll vase with yucca plant covered in
Mountain Craig Brown glaze, 1930’s. Small
flat chip to bottom. AA VAN BRIGGLE USA.
17 1/2” x 7 3/4”
$600–900
553:
551
552
VAN BRIGGLE
S m a ll spherical vessel with leafy foo t e d
base covered in rich brown and green
matte glaze, 1916. A few glaze nicks to
inner rim. AA 1916. 3” x 3 1/2”
$600–900
554:
VAN BRIGGLE
Spherical vase with swirling trefoils under
green and blue matte glaze, 1908-1911.
Hairline to base, possibly from firing. AA
VAN BRIGGLE COLO SPGS 695. 4” x 4 1/2”
$600–900
555:
DEDHAM
Five Crackleware serving pieces in the
Clockwise Rabbit pattern, a 12” platter,
bacon rasher, and three bowls. Small nicks
to edge of platter.
$600–900
553
554
555
556
556:
DEDHAM
Nine Crackleware cups of different shapes
with accompanying saucers, mostly in the
Clockwise Rabbit pattern, and one Azalea.
Chips to one rabbit saucer, restored chip to
rabbit cup, tin bands around Azalea handle
done for decoration or restoration. Ink and
impressed stamps.
$400–600
245
557:
DEDHAM
Nine Crackleware 10” plates, three in the
Clockwise Rabbit pattern, one Iris, two
Snow Tree, one Turkey, one Lotus, and one
Grape. Ink and impressed stamps.
$650–950
558:
DEDHAM
Nine Crackleware 6” plates, three Iris, two
Snow Tree, one Water Lily, one Moth, one
Azalea, and one Grape. Small chips to Moth
and one Iris plate, shallow line to back of
Snow Tree. Ink and impressed stamps.
$300–400
557
559:
558
DEDHAM
Nine Crackleware 8 1/4” plates, four in the
Clockwise Rabbit pattern, one Iris, one
Snow Tree, two Horse Chestnut, and one
Azalea. Hairline to one Rabbit. Ink and
impressed stamps.
$ 45 0 – 6 5 0
560:
GEORGE OHR
Tapering vase of marbleized clay with loo s e
indigo sponged pattern. (Deaccessioned
from the American Folk Art Museum, New
York.) Stamped GEO. E. OHR BILOXI, MISS.
4 1/2” x 3”
$1,000–1,500
561:
559
NEWCOMB COLLEGE
Cabinet vase carved by A. F. Simpson with
pink irises, 1921. Tight opposing lines.
NC/JM/L079/AFS/15. 4 1/2” x 2”
560
$900–1,400
562:
NEWCOMB COLLEGE
Cabinet vessel decorated by A.F. Simpson
with white trumpet vine, 1922.
NC/AFS/JM/ME53/1. 3 1/2” x 2 3/4”
$1,000–1,500
563:
NEWCOMB COLLEGE
Squat vase decorated by A.F. Simpson with
live oaks and Spanish moss, 1920.
NC/AFS/271/KX/5. 3 3/4” x 5”
$3,000–4,000
561
562
564:
NEWCOMB COLLEGE
Squat four-handled vase decorated by
Sadie Irvine with nicotina leaves and
blossoms, 1926. 1” X-shaped hairline by the
handle, minute flake to foot ring.
NC/SI/JM/247/PL89. 4 1/4” x 5 3/4”
$850–1,250
563
246
564
565:
NEWCOMB COLLEGE
Vase carved by Sadie Irvine with a moo n l i t
landscape of live oaks and Spanish moss,
1933. NC/KS/SI/UK56. 7” x 5 1/2”
$3,000–4,000
566:
GEORGE OHR
Puzzle mug with floral handle, covered in
gunmetal brown glaze. Script signature.
3 1/2” x 4 1/2”
$900–1,400
567:
GEORGE OHR
brown speckled glaze. Script signature.
3 1/2” x 5”
565
566
567
568
569
570
571
572
$900–1,400
568:
GEORGE OHR
Tapered vase covered in green and amber
mottled glaze. Rim ground down and reglazed. G. E. OHR, Biloxi Miss.
6 1/4” x 3 1/2”
$850–1,250
569:
NEWCOMB COLLEGE
Bulbous vase by Sadie Irvine with
paperwhites, 1918. NC/SI/271/JM77/JM.
4 1/4” x 5”
$1,500–2,000
570:
TEPLITZ
Ta ll corseted three-handled vase painted
with golden sun. Red ink stamp, TURN
TEPLITZ-BOHEMIA R StK MADE IN
AUSTRIA AMPHORA MK 5362. 16 1/2” x 5”
$600–900
571:
ART NOUVEAU
PORCELAIN
Two figural vessels with reclining maidens
and floral decoration, with gold and amber
glaze, by Royal Vienna and Royal Dux.
Some restoration to maidens on Royal
Vienna, small chip to base of Dux. ROYA L
VIENNA WAHLISS blue wafer with 1733 4,
and ROYAL DUX BOHEMIA E and triangular
red wafer with 605 HH. 15 1/2” x 12 1/2”
and 10” x 15”
$600–900
572:
CLEMENT MASSIER
Twisted bud vase with applied silver
peapod vine on a lustered ceramic ground.
A few very small nicks to top and bottom.
Signed C. M. Golfe Juan. 6” x 2 1/4”
$1,000–1,500
247
573:
RO YAL DOU LTON
Three vases with deep in-body twists in
the manner of George Ohr. Lion and crown
stamps. Ta llest: 5”
$900–1,200
574:
MAX LAUEGER
Slip-decorated jardinière painted with
daisies on a brown ground. 1/2” chip to rim
and small nick to base. Square stamp
GESETZL GESCHZT 33 H. 5 3/4” x 8”
$850–1,250
575:
GRUEBY
Eight 8” floor tiles with a geometric and
floral pattern in dark clay and brown matte
curdled glaze. A few edge nicks, ov e rf i r i n g
to most. Unmarked.
$2,000–3,000
576:
574
573
GRUEBY
F o rty-four border tiles with leaf design in
matte blue and ivory, roughly one dozen
with a yel lowish cast, some with beveled
end, two in a different but complementary
glaze. A few small nicks. Most signed by
a rtists. 2 1/2” x 6”
$800–1,200
577:
GRUEBY
Nine 8” floor tiles with a geometric and
to most. Unmarked.
$2,000–3,000
575 - eight tiles
576 - forty-four tiles
577 - nine tiles
578 - nine tiles
579 - four tiles
580 seven
tiles
578:
GRUEBY
Nine tiles: eight 6” in the grapevine
pattern with ivory and beige ground; one
8” geometric tile in same colors. Firing line
to back of one. Stamped GRUEBY BOSTON.
(See additional photos online at
$1,000–1,500
579:
GRUEBY
Four large and fine 12” architectural
faience tiles embossed with an eight-petal
rose in rich, curdled matte mustard glaze
against a glossy black ground. Unmarked.
12 3/4” sq
$1,200–1,600
580:
DE PORCELEYNE FLES
Seven commemorative tiles for Amstel
(including 1945 menu); Shell Oil with 1953
statement; Delft; Volendam; and
Scheveningen. All marked. Largest:
7 3/4” x 5 1/2”
$600–900
248
581:
DE PORCELEYNE FLES
Seven tiles with boat or ship motif.
Restoration to corner chip of one without
brown frame, small chip to back of vert i c a l
sailboat. All marked. Largest: 9” x 4 3/4”
$600–900
582:
DE PORCELEYNE FLES
Eight tiles: Owls, flying goose, four Dutch
landscapes, and two Heraldic, Groningen
( s m a ll chips) and Zuid Holland (hairline).
A ll marked. Largest: 4 1/2” x 11”
581 - seven tiles
582 - eight tiles
$600–900
583:
DE PORCELEYNE FLES Etc.
Nine assorted tiles and one crackleware
bowl by De Porceleyne Fles, a Karlsruhe
majolica charger, and Gouda “Irene” bowl.
A ll marked.
$600–900
584:
TEXTILES
Pair of portières woven with Glasgow rose
pattern in jade green and black, possibly
silk. Some discoloration. 88” x 47”
583 nine
tiles
$500–700
584
585:
LENOX /
GUSTAV STICKLEY
Pair of porcelain soup bowls from Gustav
S t i c k l e y ’s restaurant in the 34th Street
building, New York, with Als ik kan clamp
mark on an ivory border. Green Lenox
stamp. 8 1/2” dia.
$ 45 0 – 6 5 0
586:
ARTS AND CRAFTS
Leaded glass lantern with stylized pink
blossoms on a caramel slag glass ground.
Unmarked. 25” x 10 1/2”
$900–1,200
585
586
587:
TEXTILES
Five embroidered bags and one pill o w. A
few stains, ov e r a ll excellent condition.
P i llow: 16” x 18”
$600–900
588:
TEXTILES
Nine assorted pieces: three embroidered
valances, two pairs of machine-wov e n
p o rtières, one fine square embroidered
table cloth, and one terry cloth runner.
Table cloth: 58” sq., portières, 95”, largest
window panel, 108” x 29”
$1,500–2,000
587
588 nine
pieces
249
589:
TEXTILES
T h i rteen embroidered table covers, six
rectangular and seven circular. Some
stains.
$600–900
590:
ROYCROFT
Pair of hammered copper candlesticks. (A
very rare design.) Cleaned patina. Orb &
Cross marks. 15”
$2,000–3,000
589 - thirteen
pieces
591:
ROYCROFT
Five hammered copper pieces: one cov e r e d
dish (new patina), and four vases (one asis). All bear Orb & Cross mark except for
c overed dish. Largest: 4 1/4” x 6 1/2”
590
$1,000–1,500
592:
HEINTZ
Sterling-on-Bronze tall vase with poppies.
Crude restoration to two areas at base.
Stamped HAMS 3809. 12 1/4” x 5”
$500–750
593:
591
GORHAM / HEINTZ Etc.
Four items: Gorham hammered sterling
c h i l d ’s cup, monogrammed M.R.S., 2 3/4”;
Heintz Sterling-on-Bronze vase with roses,
a humidor with geometric overlay, both on
bronze patina, a few shallow dents, 11” and
6 1/2”; a Silvercrest vase with ivy ov e r l a y ,
7”. All marked.
592
$1,000–1,500
594:
HEINTZ
Pair of Sterling-on-Bronze tall candlesticks
in a pine needle pattern on a dark brown
ground. A few minor dents, good original
patina. Stamped PAT. APD FOR 3078.
14 1/4”
$800–1,250
595:
593
BENEDICT STUDIOS
Hammered copper umbrella stand
embossed with monogram C. Excellent new
patina. Unmarked. 24 3/4” x 14”
$2,000–3,000
594
596:
L. & J.G. STICKLEY
Hammered copper hardware: four long
straps, and four pulls on back plates. Tw o
p u lls cleaned, two back plates are missing
p u ll hinge. Unmarked. Straps: 11 3/4”
$1,000–1,500
595
250
596
597:
BOSTON SCHOOL
Pair of hammered copper bookends, each
with a riveted enameled insert of a
sailboat in polychrome. Medium patina.
Unmarked. 6 1/4” x 4 3/4”
$850–1,250
598:
STICKLEY BROTHERS
Hammered copper pitcher with forged
riveted handle. New patina. Stamped 08 or
80. 14 1/4” x 7 1/2”
$600–900
599:
ROYCROFT
Hammered copper floriform spherical vase,
dark patina. Orb & Cross mark. 3” x 4”
597
598
599
599A
$400–600
599A:
SECESSIONIST METAL
Hammered copper jardinière with brass
handles, possibly german or Austrian,
embossed with owls and birds of paradise.
Medium patina. Unmarked. 12” x 13”
$750–1,000
599B:
LIMBERT
Desk organizer (no. 258) with letter
holders. Original finish. Branded mark and
258. 11” x 22” x 10”
$750–1,000
599C:
L. & J.G. STICKLEY
Sideboard with seven drawers and two
d oors. No visible mark. 36” x 54” x 22”
$1,200–1,800
599B
599C
251
600
601
600:
602
ONONDAGA SHOPS
602:
L. & J.G. STICKLEY
Slatted magazine stand. Handcraf t decal. 42” x 21” x 12”
Even-arm settle with loose seat cushion, possibly no. 738.
Unmarked. 38 1/4” x 75” x 30”
$1,200–1,600
$2,800–3,500
601:
L. & J.G. STICKLEY
Slatted rocker (no. 451) with loose foam seat on rope foundation.
“ H a n d c r a f t” decal. 38” x 28 1/2” x 29”
$800–1,200
252
603:
G U S T A V S T I C K L E Y ( A t t r. )
Chalet table on three legs. Unmarked. 28” x 29”
$1,500–2,500
604:
GUSTAV STICKLEY
Open bookcase with three fixed shelves per side. Paper label on
back and red decal to inside left. 56 1/2” x 42 1/2” x 13”
$2,000–3,000
603
604
605
606
605:
ONONDAGA SHOPS
Flat-arm Morris chair (no. 798) with vinyl seat cushions.
Unmarked. 41” x 31 1/2” x 36”
$1,800–2,500
606:
L. & J.G. STICKLEY
Pedestal (no. 27) with four shoe feet. Unmarked. 36” x 18 1/2” sq.
$1,400–2,200
253
607
608
609
610
607:
GUSTAV STICKLEY
Chest of drawers (no. 626) with hammered iron pulls. Red decal.
42 1/2” x 36” x 20”
$2,000–3,000
609:
GUSTAV STICKLEY
Set of six dining chairs with plank backs (a dif ferent version of the
H-back), five side- and one arm-, with some original drop-in leather
seats. Branded signatures. Armchair: 40” x 23” x 20”.
$2,200–2,800
608:
GUSTAV STICKLEY
Early lamp table with circular top. Unmarked. 29” x 36” dia.
610:
$1,800–2,500
Nightstand (no. 550) with drawer. Unmarked. 29” x 20” x 18”
$900–1,400
254
L. & J.G. STICKLEY
611:
J.M. YOUNG
Box settle reupholstered in burgundy
leather, with drop-in spring seat. Paper
label. 34 1/2” x 79” x 30”
$1,500–2,500
611
612:
STICKLEY BROTHERS
Drop-arm settle with broad slats and
l oose cushion on slatted base. Metal
Quaint tag. 37” x 74” x 31 1/4”
$1,200–1,800
612
613:
CHARLES STICKLEY
( A t t r. )
Drop-arm three seat settle with replaced
foam cushion upholstered in brown vinyl.
Unmarked. 42” x 67” x 27”
$1,200–1,800
613
255
614:
GUSTAV STICKLEY
Double costumer with hammered copper
straps for umbrellas or canes. (A rare
version of this piece, the first one we’ve
seen.) Copper straps stamped with circular
C r a ftsman marks. 71 3/4” x 13 3/4” x 18”
$1,500–2,500
615:
ARTS & CRAFTS
Grandfather clock with copper numbers.
Unmarked. 78” x 24” x 14 3/4”
$1,700–2,500
615A:
O L D H I C K O R Y ( A t t r. )
Side table. Unmarked. 25” x 20” x 15 1/2”
$400–600
614
615
616:
GUSTAV STICKLEY
Two-drawer library table. Branded mark.
30” x 42” x 29 1/2”
$1,400–1,800
616
256
617
618
619
620
617:
STICKLEY BROTHERS
Plant stand (no. 131) with square top and broad apron. Unmarked.
34” x 14” x 14”
$800–1,200
618:
L I F E T I M E ( A t t r. )
MILLER
Pair of cut-out magazine stands. One has paper label, Mill e r
Cabinet Co. Rochester, New York. 45 1/2” x 19” x 16”
$1,000–1,500
620:
Night stand with shelf inside cabinet. Unmarked. 27 1/2” x 14” sq.
$600–900
619:
L. & J.G. STICKLEY
Three side tables, two with square top, one octagonal. All marked.
29 1/4” x 20” sq., 27” x 16” sq., 17” x 15” sq.
$1,500–2,500
257
621
622
623
624
621:
STICKLEY BROTHERS
Lamp table with circular top (no. 130). Quaint metal tag.
30” x 40 1/2” dia.
$1,000–1,500
623:
622:
624:
ARTS & CRAFTS
Three-drawer slatted desk with bookshelf sides. Partial paper label
reads, ‘Ohio.’ 30” x 55” x 31”
$1,000–1,500
DERBY
Cut out hal l seat with rush seat. Unmarked.
29 1/4” x 21 3/4” x 14 1/4”
$500–700
L . & J . G . S T I C K L E Y , Etc.
Onondaga Shops armchair with tacked-on leather seat, unmarked,
36 1/2” x 27” x 19 3/4”; Stickley Brothers desk with bookshelf sides,
branded mark, 30 1/4” x 40” x 26”
$1,200–1,500
258
625:
ROOKWOOD
one by K. Van Horne, 1911, and one by
Caroline Steinle, 1913 (scaling and
restoration to base). Both marked.
Ta ller: 7 1/4”
$750–1,000
626:
ROOKWOOD
V e llum vase painted by Olga G. Reed with
branches of small white and pink blossoms,
1912. Seconded mark for glaze scaling
around the rim. Overall crazing, outside of
rim mostly devoid of glaze. Flame
mark/XII/1955E/O. G. R./V/X.
8 1/4” x 4 1/4”
625
626
627
628
629
630
631
632
$600–900
627:
ROOKWOOD
Wax Mat bulbous vase painted by Janet
Harris with maple leaves, 1929. Light
peppering around the rim. Flame
mark/XXIX/2969/JH. 7 1/2” x 6 1/2”
$700–1,000
628:
ROOKWOOD
V e llum corseted vase painted by E. T.
Hurley with pink roses, 1912. Overal l
crazing. Flame mark/XII/1358E/V/E. T. H.
7 1/4” x 3 3/4”
$950–1,250
629:
ROOKWOOD
Wax Mat three-legged center bowl
decorated by Sallie Coyne with a wreath of
blue leaves on a turquoise and green
interior, 1922. (Very unusual form.) Some
grinding chips or scaling to bottom of feet.
Flame mark/XXII/2632/SEC. 5 3/4” x 11”
$750–1,000
630:
ROOKWOOD
Two Wax Mat vases painted with flowers,
one by Louise Abel, 1925, the other by
Delia Workum, 1926 (small grinding chip).
$800–1,200
631:
NEWCOMB COLLEGE /
ROOKWOOD
Newcomb College cabinet vase by A. F.
Simpson, 1918 (as-is), and a Roo k w oo d
Production vase, 1919. Both marked. 4 1/4”
and 6 3/4”
$400–600
632:
ROOKWOOD
Five Production pieces covered in assort e d
matte glazes, 1915-1921. Crack to yel l o w
basket, two tall vases in papyrus motif X’d
for glaze drips. All marked. Ta llest: 11”
$800–1,200
259
633:
ROOKWOOD Etc.
Four Roo k w ood pieces, a Standard Glaze
ovoid vase painted by L. Lindeman, 1905
(restoration to rim); circular trivet with
s e a g u l ls; two Production vessels, one
missing lid; and a Van Briggle bulbous vase
in turquoise and blue. Al l marked. Standard
Glaze: 5 3/4”
$700–1,000
634:
ROOKWOOD
Four Production vases covered in blue and
green matte glazes, 1919-32. Minor fleck to
base of tal lest. All marked. Ta llest: 9 1/2”
$750–1,000
635:
633
634
635
636
637
638
639
640
ROOKWOOD
blue glazes, 1921-28. Ta llest X’d for
grinding chip. All marked. Ta llest: 6 1/4”
$800–1,200
636:
ROOKWOOD
Three Production vases, including one with
sea horses in matte green, 1921. Flame
marks. Ta llest: 10”
$900–1,300
637:
ROOKWOOD
Standard Glaze vase by A. M. Va l e n t i e n
with water lilies, 1900. Seconded mark for
no apparent reason. Flame
m a r k / 5 6 8 B / A . M . V./X. 9” x 5”
$500–750
638:
ROOKWOOD
Two Standard Glaze vases, one by Caroline
Steinle, 1903, the other by Harriet Strafer,
1893. Both seconded, the first for slight
glaze inconsistency at rim. Both marked.
Ta ller: 9”
$500–750
639:
ROOKWOOD
Two Standard Glaze vessels: an
unidentified mug, and vase by Elizabeth
Lincoln, 1900 and 1898. Both marked.
Ta ller: 6 1/4”
$500–750
640:
ROOKWOOD
Two Standard Glaze ewers painted with
h o lly branches, one by Edith Felten, the
other by E. T. Hurley (seconded mark for
minor imperfection), both 1899. Both
marked. Ta ller: 7”
$600–900
260
641:
ROOKWOOD
Two Wax Mat vases with floral decoration,
one by Sallie Coyne, 1931 (deep crazing
and peppering), and one by C. Cov a l e n c o .
$650–950
642:
ROOKWOOD
Two Vellum vases, one by E. T. Hurley with
cherry blossoms, 1918, and one by Lenore
Asbury with blackberries, 1912 (X’d for
deep crazing and peppering). Both marked.
Ta ller: 8”
$650–950
641
642
643:
ROOKWOOD
one by E. T. Hurley, 1919, and one by
Harriet Wilcox, 1918. Both marked. Ta ll e r :
6 1/2”
$850–1,250
644:
ROOKWOOD
pink glazes, 1911-29. Darkest one cracked
(as-is), small faceted vase X’d for minor
glaze scaling. All marked. Ta llest: 7 1/4”
$750–1,000
643
644
645:
ROOKWOOD
Two Standard Glaze ewers, one by Caroline
Steinle, 1902 (restored handle), the other
by Carl Schmidt, 1897. Both marked.
Ta ller: 7”
$500–750
646:
ROOKWOOD
Two Standard Glaze vases, one by
Constance Baker, 1901 (seconded mark,
uncrazed), the other by unidentified art i s t ,
1905. Ta ller: 5 3/4”
$600–900
647:
ROOKWOOD
Three Standard Glaze vases, one by John
D. Wareham (restored), other two by
unidentified artists (one seconded for
glaze bubbles). All marked. Ta llest: 6 1/2”
645
646
$600–900
648:
ROOKWOOD
Two Standard Glaze vessels, both 1898:
mug by Sallie Toohey, and a ewer by Clara
Lindeman, both 1898. Both marked.
Ta ller: 6”
$500–750
647
648
261
649:
ROOKWOOD
Two vases, Vellum painted by Elizabeth
Lincoln with blooming cherry branches,
1909, as-is (severe peppering, cracks, etc.);
Z-Line bulbous vase, 1902. Both marked.
7 1/4” and 7”
$650–950
650:
FULPER
Two pieces covered in blue flambé glaze, a
large hammered urn and a low bowl.
(Deaccessioned from the American Folk Art
Museum, New York.) Vertical marks.
Larger: 12” x 11 1/2”
$750–1,000
649
650
651:
FULPER
Spherical vase covered in frothy gunmetal
glaze. Vertical mark. 5 3/4” x 7”
$ 3 5 0 – 45 0
652:
FULPER
Three vases in crystalline glazes, two blue
and one turquoise. Restored chip to bull e t
vase. Blue vases with horizontal marks.
Ta llest: 7 1/4”
$ 3 5 0 – 45 0
653:
651
FULPER
Four items: one chamberstick and three
vases. Marked Fulper and Rafco.
Chamberstick: 6”
$ 3 5 0 – 45 0
652
654:
FULPER
Large barrel covered in frothy turquoise
over Famille Rose flambé glaze. Grinding
chips. 17 1/4” x 16”
$400–600
655:
FULPER
Five items covered mostly in crystall i n e
glazes. Hairline to squat green vessel,
crude repair to blue bulbous vase. Vert i c a l
marks. Ta llest: 7 1/2”
$800–1,200
656:
653
654
FULPER
B u llet vase covered in caramel flambé
glaze. No visible mark. 6 1/2” x 4 3/4”
$100–200
655
262
656
657:
FULPER
Three vases. Hairline to two largest.
V e rtical marks. Ta llest: 6 3/4” x 8 1/2”
$ 3 5 0 – 45 0
658:
FULPER
Three lamp bases: original candlestick
light covered in Leopard Skin Crystall i n e
glaze (meant to be topped by a ceramic
and leaded glass shade), and two
c o n v e rted vases. Vertical marks.
Candlestick base: 8 3/4”
$700–900
659:
FULPER
Four low bowls in green glazes. Hairlines to
two, and grinding chips to feet. Largest: 11”
657
658
659
660
661
662
663
664
$400–600
660:
FULPER
Two vases. Abrasion to rim of short e r.
V e r tical marks. Ta ller: 7 1/4”
$400–600
661:
FULPER
Four vases: Urn in Chinese Blue Flambé
glaze, and three cabinet vases in Mirrored
Blue and Cat's Eye Flambé glazes.
Restoration to small chip on urn's foo t .
V e rtical marks. 9” and 4”
$600–900
662:
FULPER
B u llet-shaped blue and ivory flambé vase.
Tight hairline to neck. Vertical mark.
10 1/4” x 6”
$ 3 5 0 – 45 0
663:
SAT U R D AY
EVENING GIRLS
Low bowl decorated in cuerda seca with
trees in a hilly landscape on a yel l o w
ground. Y-shaped line from rim. Signed
C . B . T. COMPLIMENTS OF THE S.E.G. NEWS
EDITORS S.E.G. FL 5-17. 2 1/2” x 6 1/2”
$1,000–1,500
664:
CALIFORNIA FAIENCE
Baluster vase covered in matte cobalt
glaze. Stamped California Faience.
9” x 5 1/2”
$900–1,200
263
665:
VAN BRIGGLE
Tea set with four cups and saucers, pitcher,
sugar bowl, and a teapot, all covered in
blue and turquoise glaze, 1918. Handle
reglued on sugar bowl. Marked AA 1918.
$1,500–2,000
666:
GRUEBY
Squat vessel with a row of stacked rounded
leaves, covered in matte green glaze, 1906.
S h o rt, tight line to rim. Circular Pottery
stamp, SM 11/5/06. 2 1/4” x 5 1/4”
$1,000–1,500
667:
TECO
Vase with full-height buttresses, cov e r e d
in matte green glaze. Flakes to one handle,
seem to be in production. Stamped Teco.
5 1/2” x 3”
665
666
667
668
669
670
671
672
$800–1,200
668:
W. J . WALLEY
Large vase with devil mask. Losses and
crude repair to glaze flaking. Stamped
W J W. 12” x 6 1/2”
$1,250–1,750
669:
W. J . WALLEY
Two vases in feathered semi-matte green
glaze, one topped in mahogany. Stamped
W. J . W. 5 3/4” and 3 3/4”
$1,000–1,500
670:
MERRIMAC
S m a ll two-handled vase covered in frothy
semi-matte green glaze. Illegible stamp.
4” x 4 1/4”
$850–1,250
671:
CLIFTON
Crystal Patina two-handled vase, 1906. (An
e x c e llent example of this glaze.) Firing line
to bottom. Signed and dated. 7” x 8”
$600–900
672:
CLIFTON
Crystal Patina vase with flaring rim, 1905.
Signed and dated. 7 1/4” x 5 1/4”
$ 45 0 – 6 5 0
264
673:
JUGTOWN /
SHEARWATER
Two pieces: Jugtown vase in Chinese blue,
and Shearwater low bowl in blue and green
flambé. Both marked. 5 3/4” and 8 1/2” dia.
$400–600
674:
WH E AT L E Y
Large vase with applied thistle, under
matte green glaze. Several flecks and
nicks. No visible mark. 11 1/2” x 10 1/4”
$600–800
675:
673
674
ELLA MCKINNON /
QUAKER ROAD
Studio tile, “April,” hand-pressed and
c a rved with a young maiden holding
flowers, 1915. (Ella McKinnon is listed as a
key figure in the Guild of Allied Craf t s ,
B u ffalo, 1910, itself a member of the
National League of Handicraf t Societies,
Boston. [The Arts & Crafts Movement in
New York State, 1890s-1920s, by Coy
Ludwig, 1984.])
$500–700
676:
CALIFORNIA ART TILE
Twenty-one 6” tiles depicting “The Last
Trail,” with a Native American on
horseback, facing right or lef t. Some
varnished, some part i a lly, approximately
ten with chips. Stamped CALIFORNIA ART
TILE CO. RICHMOND CALIF.
675
676 - twenty-one tiles
$1,200–1,600
677:
CALIFORNIA ART TILE
Twenty 6” tiles depicting an oasis with a
man on camelback. Some varnished, some
p a rt i a lly, small chips ov e r a ll. Stamped
CALIFORNIA ART TILE CO. RICHMOND
C A L I F.
$1,200–1,600
677- twenty tiles
678- eighteen tiles
678:
CALIFORNIA ART TILE
Eighteen 6” tiles depicting a steamboat on
a mountain lake. Some varnished, some
p a rt i a lly, five with chips (two of those asis). Stamped CALIFORNIA ART TILE CO.
RICHMOND CALIF.
$1,200–1,600
679:
CALIFORNIA ART TILE
Twenty-four 6” tiles depicting a Dutch
landscape with windmill and children.
Some varnished, some part i a lly, eight with
s m a ll chips. Stamped CALIFORNIA ART
$1,500–2,000
680:
CALIFORNIA ART TILE
F o u rteen 6” tiles depicting a medieval
knight on horseback facing left or right.
Some varnished, some part i a lly, four with
chips, one as-is. Stamped CALIFORNIA ART
$1,200–1,600
679- twenty-four tiles
680- forten tiles
265
681:
CALIFORNIA ART TILE
Eighteen 6” tiles depicting a mountainous
landscape with a bend in the road. Some
varnished, some part i a lly, five with chips.
Stamped CALIFORNIA ART TILE CO.
RICHMOND CALIF.
$1,200–1,600
682:
GRUEBY
Nine 8” floor tiles with a geometric and
to most. Unmarked.
$2,000–3,000
681 - eighteen tiles
682 - nine tiles
683:
GRUEBY
One hundred eleven 3” geometric floor tiles
with Moorish floriform pattern on a brown
glazed ground. Grueby mark with flower.
$800–1,200
684:
GRUEBY
Seventeen 6” floor tiles with a Moo r i s h
pattern of red clay with blue matte glaze.
Slight variation in sizes, a few edge chips.
Some stamped 2391.
$1,500–2,000
685:
683 - one hundred and eleven tiles
684 - seveteen tiles
MOSAIC TILE CO.
Sixty-seven 1.75” floor tiles in geometric
and floral patterns, with assorted matte
glazes. Some varnish and paint drips, a few
minor chips. Unmarked.
$600–800
686:
OMAR RAMSDEN AND
A L W I N C A R R (London)
Hammered silver hinged cigarette box, its
lid embossed with tall ships and a radiant
sun, interior lined in cedar and velvet, c.
1912. (A very similar box was exhibited in
“Reflections: Arts & Crafts Metalwork in
England and the United States,” Kurland
Zabar Gallery, 1990, and is featured in the
accompanying catalog on p. 34.) Stamped
RAMSDEN & CARR LONDON, with
h a llmarks. 1 3/4” x 5 1/2” x 3 1/2”
$1,250–1,750
685 - sixty-six tiles
687:
686
CHRISTOPHER DRESSER
Silver toast rack. Resoldering at base of
one divider. Stamped H&H 2556, with
English registration mark. 5” x 4” x 6”
$400–600
688:
HEINTZ
Sterling-on-Bronze, two items: humidor
with geometric decoration, and a vase with
cornflowers (monogrammed). Cleaned
patina on vase. Both marked. 7 1/2” and
7 3/4”
$750–1,000
687
266
688
689:
ROYCROFT Etc.
Twelve desk set pieces by Roycrof t and the
A rt Crafts Shop (Buf falo), and five too l e d
leather pieces by The Cordova Shop, etc.
$1,000–1,500
690:
ROYCROFT
Hammered copper bud vase in woo d g r a i n
pattern, complete with its original glass
l i n e r. Unmarked. 8 1/2” x 3 3/4”
$300–400
691:
ROYCROFT
Pair of hammered copper Princess
candlesticks. (Of unusual size, patina, and
finishing, these are believed to have been
made by Karl Kipp.) Orb & Cross mark.
7 3/4” x 3 1/2”
$800–1,200
692:
689
690
691
692
693
694 - forty
volumes
695
696
TEXTILES
Pair of curtains or portières printed with
Glasgow roses. 8’6” x 9’8” each
$500–700
693:
TEXTILES
Three embroidered items; beaded purse,
linen bag (“Night Gowns”), and pill o w.
Bag: 7 1/2” x 7”
$400–600
694:
HOUSE BEAUTIFUL /
HOUSE AND GARDEN
F o rty leather-bound volumes: nineteen of
The House Beautiful, 1906-1917, and
twenty-one of House and Garden, 19031918. Some wear to bindings, appear to be
complete.
$1,000–1,500
695:
ROYCROFT
Complete works of Elbert Hubbard, vols. 120, printed on hand-made paper with
R o y c r o ft watermark, the quart e r- l e v a n t
binding tooled in a design by Dard Hunter.
Signed and numbered, 806 of 1000,
copyright 1910. Complete with original
boxes.
$800–1,200
696:
PYROGRAPHY
Large plaque etched and tinted with a
Native American chief. Signed JP Graham.
30” dia.
$1,000–1,500
267
697:
LANDSCAPE PAINTING
Oil on canvas painting of a field with
picket fence, in period Arts & Craf ts frame.
Signed Irene G. Keyser on back stretcher.
Sight: 9 1/2” x 13 1/2”
$ 3 0 0 – 45 0
698:
MARY ANNA
STEVENSON
Watercolor, “Casco Ledges,” 1916. (Entered
in the Fourteenth Annual Philadelphia
Watercolor Exhibition at the Pennsylvania
Academy of Fine Arts, 1916). Matted and
framed. Sight: 14” x 20 1/2”
$500–750
699:
697
698
699
700
701
702
703
704
G E O F F H . F L A V E L L E Etc.
Two pieces: Large pastel on paper
depicting a landscape, in original Arts &
C r a fts frame, chip to edge of frame, sight:
19 1/2” x 29 1/2”; and a Charles P. Rising
watercolor, sight: 12 1/2” x 20”. Both
signed.
$800-1200
700:
HENRI RIVIERE
Two chromolithographs, one depicting
Dutch ladies and a snowy forest, the other
of shepards by a clif f. Some foxing, both
matted, frames loose. Both signed and with
chop mark. Images: 21 1/4” x 32 1/2” each
$ 45 0 – 6 5 0
701:
GEORGE PIEXETTO
Oil on canvas painting of a young lady, c.
1900. Framed. Signed lower lef t. Sight:
18” x 12 1/4”
$800–1,200
702:
MABEL ROYDS
Color woodcut, Water Carriers. Matted and
mounted in new Arts and Craf ts frame.
Signed. Image: 7 1/2” x 8 1/2”
$ 45 0 - 6 5 0
703:
STYLE OF
WILLIAM MORRIS
R oom-size rug with delicate leaf pattern in
greens. 10’ x 14’6”
$700–900
704:
STYLE OF
WILLIAM MORRIS
Area rug with delicate floral pattern in rust
and amber tones. 6’ x 9’
$400–600
268
705:
STYLE OF
WILLIAM MORRIS
Area rug with large leafy pattern in tones
of dark red. 5’1” x 8’
$300–500
706:
STYLE OF
WILLIAM MORRIS
Area rug with delicate pattern in olive
green. 6’ x 8’10”
$400–600
707:
705
706
STYLE OF
WILLIAM MORRIS
R oom-size rug with cinnamon leaves on a
black field. 9’3” x 11’10”
$700–1,000
708:
UZBEK KAZAK
Area rug with a geometric pattern in rich
jewel tones. 6’ x 8’2”
$600–900
709:
STYLE OF
WILLIAM MORRIS
R oom-size rug in an Iznik pattern on an
emerald field. 9’ x 12’
$1,000–1,500
707
708
710:
CHINESE PEKING
Two area rugs with indigo field, ca. 1910.
Minor wear to one with brown pattern.
2’11” x 5’4” and 3’1” x 5’8”
$500–750
710A:
ARTS & CRAFTS
Chandelier with four lanterns lined in
caramel slag glass hanging from a
hammered central post with applied monk
faces. Some wear to brass wash.
$800–1,200
710B:
ROYCROFT
Hammered copper ashtray stand on four
riveted legs. Fine original patina. Orb &
Cross mark. 28 1/2” x 7 1/2”
709
710
710A
710B
$800–1,200
269
711
712
713
714
711:
L . & J . G . S T I C K L E Y , Etc.
713:
Three stands and a foo t s t ool: L. & J.G. Stickley with circular top,
unmarked, 29” x 18”; Stickley Brothers with square top, 32” x 14”;
Lifetime plant stand, 24” x 15”; Lifetime foo t s t ool, 13 1/2” x 16”. All
marked but L. & J.G. Stickley.
$1,400–2,200
712:
714:
G U S T A V S T I C K L E Y , Etc.
Three items: Gustav Stickley U-Back rocker with rush seat, red
decal, 34” x 25” x 23”; Gustav Stickley library table, black decal, 29”
x 36” x 24”; Limbert armchair with drop-in spring seat, branded
mark, 39” x 24” x 18 3/4”
$1,700–2,200
270
STICKLEY BROTHERS
L oveseat (no. 3887) with original drop-in loose cushion recov e r e d
in brown vinyl. Unmarked. 37 1/2” x 49 1/4” x 23 1/2”
$1,400–1,800
GRAND RAPIDS BOOKCASE & CHAIR CO.
Settee and cube chair with cloth-upholstered foam seats. Paper
label on settee. Settee: 30” x 48” x 22 1/4”, chair:
30” x 24” x 22 1/2”
$1,000–1,500
715
716
717
718
715:
LAKESIDE CRAFTERS
F oo t s t ool with cut-out sides and leather drop-in seat fastened with
leather straps. Decal. 16” x 22” x 15 3/4”
$600–900
717:
716:
718:
LAKESIDE CRAFTERS
Two items: magazine stand with cut-out back and carv e d
m e d a llion, unmarked; faceted umbrella stand fastened with leather
straps, complete with copper drip pan, partial paper label.
Magazine stand: 38” x 14” x 10 1/2”, umbrella stand: 26” x 10”
$1,200–1,800
LIMBERT
Mirrored dresser (no. 477 3/4) with four drawers. Branded mark.
66” x 35” x 20”
$1,400–1,800
SHOP OF THE CRAFTERS, ETC.
Trestle library table with cruciform cut-outs, unmarked, 29” x 52” x
35 1/2”. Together with a log holder attributed to Lakeside Craf t e r s ,
with copper and cut-out details, 19” x 26” x 17”.
$1,200–1,800
271
719
720
721
722
719:
ARTS & CRAFTS
Magazine stand with cut-out sides. Partial paper label.
44 1/8” x 13” sq.
$600–900
721:
GUSTAV STICKLEY
Lamp table with circular top. Decal on stretcher. 29” x 24”
$1,100–1,500
722:
720:
C H A R L E S S T I C K L E Y ( A t t r. )
L oveseat with original drop-in spring seat recovered in leather.
Unmarked. 36” x 47 1/2” x 22”
$700–1,000
272
LIFETIME
S i n g l e - d oor china cabinet with three removable shelves. Paine
Furniture Company tag. 56” x 32” x 15 1/2”
$800–1,200
723
724
725
726
723:
GUSTAV STICKLEY
U m b r e lla stand (no. 54), complete with copper drip pan. Small red
decal. 33 1/2” x 11 1/2” sq.
$500–800
725:
724:
726:
STICKLEY BROTHERS
Hanging hall mirror. Stenciled model no. 21 1/2” x 28”
$800–1,200
L. & J.G. STICKLEY
Sideboard missing plate rail. As found condition. Unmarked.
36” x 54” x 22”
$1,200–1,800
ARTS & CRAFTS
Two pieces: Ta ll-back hall chair and fire screen.
Chair: 45” x 16” x 16 1/2”, screen: 33” x 34 1/4” x 12”
$600–900
273
727:
EUROPEAN
ARTS AND CRAFTS
Hammered copper fire screen embossed
with a peacock on a branch. Unmarked.
28” x 18”
$600–900
728:
ENGLISH
ARTS & CRAFTS
Hammered copper vase with sea life. Some
dents, fine dark patina. Unmarked.
$500–750
729:
727
GUSTAV STICKLEY
Chafing dish in woodgrain pattern,
complete with sterno and cov e r. Original
patina, replaced ceramic dish, splits to
w ooden base. Stamped mark on metal
base. 15” x 15 1/2”
728
$700–900
730:
ROOKWOOD
Jewel Porcelain squat bowl by Will i a m
H e n t s c h e ll with red weeds, 1920. Flame
mark/XX/214C/WEH. 3” x 5 1/4”
$750–1,000
731:
729
730
ROOKWOOD
C a rved Mat cylindrical vase by Sall i e
Toohey with irises, 1907. Short, tight line
to rim. Flame mark/VII/952C/ST.
10 1/2” x 4 1/2”
$1,000–1,500
732:
ROOKWOOD
Jewel Porcelain vase made into a lamp,
painted with yellow daf fodils. Base
c overed. Vase: 14 1/4” x 6 1/2”
$800–1,200
733:
ROOKWOOD
Wax Mat vase painted with branches of
pink blossoms against a brown ground,
fitted as a lamp base. Mark covered by
fittings. Pottery: 8 3/4”
$400–600
734:
731
732
ROOKWOOD
Scenic Vellum vase painted by Fred
Rothenbusch with a mountainous
landscape, 1924. Uncrazed, but cracked
(as-is). Flame mark/XXIV/1664D/FR.
11” x 5”
$850–1,250
733
274
734
735:
ROOKWOOD
V e llum vase painted by Kate Curry with a
band of blue birds in flight on a pink and
sand ground, 1918. Seconded mark for
glaze scaling at base. Flame
m a r k / X V I I I / 1 0 4 4 / a rt i s t ’s cipher/X.
8 1/2” x 5”
$700–900
736:
ROOKWOOD
Two Carved Mat bowls, one by Charles To d d
with yellow and purple flowers, the other
by A. Munson in a geometric pattern (firing
line around inside bottom). 6 1/2” and
6 1/4” dias.
$500–700
735
736
737
738
739
740
737:
ROOKWOOD
C a rved Mat large vase by Will i a m
H e n s c h e ll with stylized blossoms on a
brown flambé ground, 1914. Restored.
Flame mark/XIV/568A/WEH. 13” x 7 1/4”
$500–750
738:
ROOKWOOD
Wax Mat two-handled vessel by Will i a m
H e n t s c h e l l in a floral pattern, 1921. Flame
m a r k / X X I / 2 0 8 3 / a r tist cipher.
3 1/4” x 5 1/2”
$600–900
739:
ROOKWOOD
Three vases: Carved Mat by C.S. To d d ;
green Z-line; Standard glaze by A.M.
Valentien (restored). All marked.
Ta llest: 11 1/4”
$700–900
740:
ROOKWOOD
Large Limoges-style basket on lion’s head
feet, painted by A.R. Valentien with
b u t t e r flies, 1882. Opposing hairlines.
Stamped ROOKWOOD 1882 45 A.R.V.
9 3/4” x 20”
$500–750
741:
ROOKWOOD
Early and large Limoges-style vase painted
with branches of blossoms in barbotine,
1885. Stamped ROOKWOOD 1885.
13 1/2” x 8”
$600–900
742:
ROOKWOOD
Four early pieces by Amelia Sprague,
Caroline Steinle, and Grace Young. Smal l
chip to rim of covered jar, some restoration
to lid. Covered jar: 9” x 6 1/2”
$ 45 0 – 6 5 0
741
742
275
743:
T. J . W H E AT L E Y
Two vases painted with flowers in
barbotine, ca. 1880. Touch up to rim of
blue. Signed T.J. Wheatley with patent.
Ta llest: 8 1/2”
$500–750
744:
ROOKWOOD
Three Standard glaze vases by Sarah Sax
(X’d), Edward Abel and Irene Bishop. Al l
$500–750
745:
ROOKWOOD
Three Standard glaze vases by Clara
Lindeman, A.M. Valentien and Lenore
Asbury. All marked. Ta llest: 8 1/2”
743
744
745
746
747
748
749
750
$500–750
746:
ROOKWOOD
Later Mat/Mat Moderne vase by Will i a m
H e n t s c h e ll with sprigs of leaves in brown,
1927. Drilled bottom. Flame
mark/XXVII/977/WEH. 10 1/4” x 5”
$500–750
747:
ROOKWOOD
Limoges-style cabinet jug painted by
Nicholas J. Hirschfeld with owls and bats
under a full moon, on a dark green ground,
c. 1880. Anchor mark, art i s t ’s cipher. 3” x 2”
$250–400
748:
ROOKWOOD
Two squat bowls by Elizabeth Lincoln with
pink blossoms on gray ground, one Vell u m
and one Iris, 1905 and 1906. Both have
seconded mark for slight firing flaws, Iris
has a short tight line to rim. Both marked
and signed. 2 1/2” x 5 1/2”
$500–700
749:
ROOKWOOD
Two lamp bases, one Standard Glaze and
one Jewel Porcelain. Appear to be in
original mount. Marks hidden by bases.
Vases: 13 1/2” each
$600–900
750:
ROOKWOOD
Standard Glaze swirling bulbous vase
painted by A. R. Valentien with violets and
encased in Sterling basket weave, 1893.
Break to one silver strand at rim. Flame
m a r k / 6 5 3 / W / A . R . V. / S T E R L I N G .
11 3/4” x 7 1/2”
$1,400–1,900
276
751:
ROOKWOOD
Ta ll Wax Mat vase painted by Sallie Coyne
with red morning glories. Seconded mark
for shaving around base, drilled hole to
bottom (obscures the date). Flame
mark/SEC/X. 12” x 5”
$800–1,200
752:
ROOKWOOD
Sea Green cylindrical vase painted by E. T.
Hurley with swimming fish, 1905.
Restoration to body. Flame
m a r k / V / 3 1 1 / 9 5 1 C / E . T. H U R L E Y. 10 1/4” x 4”
$1,250–1,750
751
752
753:
ROOKWOOD
C a rved Mat squat vessel by Will i a m
H e n t s c h e ll with stylized peacock feathers,
1912. Flame mark/XII/494BWEH.
4 1/2” x 7 3/4”
$1,000–1,500
754:
ROOKWOOD
Four Standard Glaze items: a teapot by A.
M. Valentien (glued and stapled lid),
pitcher by H. Wilcox, and a jug by V.
Demarest, and a creamer by Olga Reed. All
$600–900
755:
753
754
ROOKWOOD
Four vases, one by Lorinda Epply, seconded
mark for chip, and three Production vases.
A ll marked. Epply: 4 1/4” x 4 1/2”
$400–600
756:
ROOKWOOD
Painted Mat vase painted by Sallie Too h e y
with autumnal leaves on a matte green
ground, 1901. Small clay pimple on rim.
Flame mark/I/193GZ/ST. 9” x 3 1/2”
$1,500–1,900
757:
ROOKWOOD
Painted Mat inkwell by Harriet Wilcox with
red oak leaves, 1902. Missing lid and liner.
Flame mark/II/342CZ/H.E.W. 2” x 4 1/4”
$300–400
755
756
758:
R O O K W O O D Etc.
Four vases: Two Roo k w ood Production with
flowers, one Weller Frosted Matt, and one
Early Carnelian or Antique Matt Green.
R oo k w ood marked. Weller: 8 1/2”
$600–900
757
758
277
759:
ROOKWOOD
Two Standard Glaze pitchers by Clara
Lindeman, 1901, and Sallie Coyne, 1902.
Both marked. Ta ller: 5 3/4”
$400–600
760:
ROOKWOOD
Iris Glaze sugar bowl and creamer painted
by Laura Lindeman with cherry blossoms,
1903. Both X’d for intense crazing, sugar
bowl also has scaling to finial. Flame
mark/III/LEL/404/X. Sugar bowl:
3 3/4” x 4 3/4”
$250–350
759
761:
760
ROOKWOOD
V e llum vase painted by Ed Diers with light
pink roses on a pearl gray ground, 1904.
Some peppering and firing separations to
slip. Flame mark/IV/1045 / E D .
5 1/4” x 4 1/4”
$700–900
762:
ROOKWOOD
Two vases, Jewel Porcelain by Lorinda
Epply, 1921 (X’d, missing lid), and Vell u m
by K. Van Horne with pink daisies, 1916.
Both marked. Ta ller: 5 1/2”
$500–750
763:
761
FULPER
Two bud vases and one bullet vase.
V e rtical marks. Ta llest: 8 1/2” x 3”
762
$550–750
764:
FULPER
Two baluster vases, one covered in
Cucumber Matt, the other in Blue
C r y s t a lline glaze. Vertical marks.
12” x 4 1/2”
$600–900
765:
FULPER
Faceted vase covered in khaki green,
cobalt, and Cat’s Eye flambé glaze. Glaze
flake to base. Vertical mark. 9 3/4” x 5 1/2”
$400–600
763
764
766:
DEDHAM
Large bulbous experimental vase by Hugh
R o b e rtson covered in thick brown flambé
glaze. Incised Dedham Pottery HRCR in ink
DP5D. 7 3/4” x 6 1/2”
$1,000–1,500
765
278
766
767:
TECO
Two-handled vase covered in an unusual
brown-green matte glaze. Stamped Teco.
5 1/2” x 8 1/2”
$1,500–2,000
768:
ROBLIN
Five cabinet pieces in various glazes. Chip
to foot ring of tallest. All marked.
Ta llest: 5 1/4”
$1,000–1,500
769:
W J WALLEY
Bottle-shaped vase in semi-matte green
glaze. Stamped WJW. 9 3/4” x 5 1/2”
$800–1,200
767
768
769
770
771
772
773
774
770:
P E W A B I C Etc.
Three small vases by Pewabic, Fulper, and
University City. All marked. Ta llest: 5 1/2”
$750–1,000
771:
W.J. WALLEY
Two vessels, one oil lamp in matte brown
glaze and one vase in glossy grey flambé.
Both stamped WJW. Ta ller: 6 1/2”
$1,000–1,500
772:
MARBLEHEAD / FULPER
Two blue-grey Marblehead vases and one
Fulper flaring bowl in frothy flambé glaze.
A ll marked. Ta llest: 7 1/2”
$700–900
773:
CHELSEA KERAMIC ART
WORKS
S m a ll pilgrim flask with applied rose,
c overed in amber vellum glaze. Some
losses, grinding chips to feet. Stamped
C K W. 4” x 4 1/4”
$700–1,000
774:
L.C. TIFFANY
Two ceramic vases, one in dark brown
mottled glaze, the other embossed with
leaves and covered in sheer chart r e u s e
green glaze (restoration to a few chips).
Each incised LCT. 5 1/4” and 4 1/2”
$850–1,250
279
775:
CHELSEA KERAMIC
A R T W O R K S Etc.
Pitcher and flask covered in glossy green
flambé glazes, flask stamped CKAW, 7 3/4”
and 8 3/4”. Together with a Merrimac
unglazed bowl embossed with classical
figures, stamped MERRIMAC,
1 3/4” x 3 1/2”
$650–950
776:
MERRIMAC
Vessel with three small handles, covered in
green and gunmetal glaze. A few minor
glaze flecks. Unmarked. 4 3/4” x 6 1/4”
$900–1,300
777:
775
776
777
778
779
780
781
782
BROUWER
Ta ll flame-painted vase. Some chips to rim,
d r i lled hole on bottom. Etched flame.
10 1/2” x 4 1/2”
$1,200–1,600
778:
PEWABIC
Early bottle-shaped vase covered in a fine
leathery matte dark green and oxbloo d
glaze. Stamped Pewabic with leaves.
7” x 4 3/4”
$750–950
779:
DEDHAM
Crackleware baby’s plate in the Elephant
pattern. Indigo stamp. 7 3/4” dia.
$600–900
780:
CHELSEA KERAMIC
ART WORKS
Four footed vessels of flattened shape,
including one tea pot without lid, two
c overed in Majolica flambé glaze, and one
unglazed (chips to feet). All marked.
Ta llest: 6”
$500–700
781:
NEWCOMB COLLEGE
Cabinet vase carved by A. F. Simpson with
paperwhites, 1925. NC/AFS/OX71.
3 1/2” x 3”
$750–1,000
782:
DEDHAM
Experimental vase by Hugh Robert s o n
c overed in a thick blue-gray and oxbloo d
glaze. Incised Dedham Pottery HCR, in ink
DE 23C. 5” x 4”
$1,000–1,500
280
783:
CLIFTON / HAMPSHIRE
Three matte green vases: pair of Clift o n
two-handled bud vases or candlesticks, and
a single Hampshire. All marked.
5 1/2” and 3 3/4”
$400–600
784:
BROUWER
Flame-painted bulbous vase. Incised
Brouwer mark with bone. 3 1/2” x 4”
$1,000–1,500
783
784
785:
JERVIS (OYSTER BAY)
Fine pitcher excised with stylized indigo
irises on a black ground. Vertical Jerv i s
mark. 4 1/4” x 5 1/4”
$700–900
786:
PA MUSEUM SCHOOL OF
THE INDUSTRIAL ARTS
Pitcher with applied grapevines covered in
sponged on blue, brown, and green glazes
over an ivory ground. Incised mark and ink
stamp. 7 3/4” x 8 1/2”
$600–800
785
786
787:
N O R S E Etc.
Four Arts & Craf ts items: two Van Briggle
vases (lines to smaller), Norse vase with a
lizard (bruise), and an embossed pewter
hinged humidor, cedar-lined. All pottery
$1,000–2,000
788:
MUNCIE
Rhombic vessel covered in gunmetal glaze.
Stamped MUNCIE. 4 1/4” x 5 1/2”
$750–1,000
789:
LOSANTI
O void vase by Marie Louise McLaughlin
c overed in mottled robin’s egg blue glaze.
Restoration to body. Incised MCL 18.
7” x 4 3/4”
$550–750
790:
787
788
789
790
NORTH DAKOTA
SCHOOL OF MINES
Vase incised by Julia Mattson with tepees
on a geometric band. Indigo stamp, J.
Mattson, Elgin. 4 3/4” x 6”
$750–1,000
281
790A:
ROOKWOOD
Scenic Vellum vase beautifully painted by
Karl Schmidt, 1920. Professional
restoration to chips at rim, minute fleck to
base. Flame mark/XX951D/V/art i s t ’s cipher.
9 1/2” x 3 3/4”
$1,750–2,250
790B:
GEORGE OHR
green and gunmetal mottled glaze. Script
signature. 3 1/2” x 5”
$850–1,250
790C:
790A
790B
AREQUIPA
Squat vessel covered in matte plum glaze,
1912. Restoration to rim. White glaze
m e d a llion, 37 AREQUIPA CALIFORNIA 1912.
2 3/4” x 7”
$850–1,250
790D:
AREQUIPA
Squat vessel incised with quatrefoils and
leaves under green and brown mottled,
lustered glaze. Touch-up to burst glaze
bubble. Stamped AREQUIPA CALIFORNIA
with tree, 55816493. 3” x 4 1/4”
$1,200–1,600
790E:
790C
790D
FULPER
Squat two-handled vase with scall o p e d
rim, covered in a thick, frothy Cucumber
Matt glaze over matte buf f glaze (a rare
shape in an unusual glaze combination).
Restoration to a few chips at rim and base.
V e rtical mark. 9 1/4” x 11”
$600–900
790F:
BYRDCLIFFE
S m a ll faience bowl painted with pink
quadruped on a white and green ground.
Opposing hairlines. Stamped BYRDCLIFFE.
2” x 6”
$800–1,200
790G:
790E
790F
ZSO LN AY
A rt Deco ovoid vase with embossed
geometric or floral design. Touch-up to
s t i l t - p u lls on bottom. Five churches stamp.
13 1/4” x 6”
$900–1,200
791:
NORTH DAKOTA
SCHOOL OF MINES
Vase carved by Julia Mattson and Margaret
Cable with green daffodils. Indigo stamp,
JM120, M. Cable. 5” x 5”
$750–1,000
790G
282
791
792:
NORTH DAKOTA
SCHOOL OF MINES
Three cabinet vases, two by Julia Mattson,
and one signed MKC. All marked. Ta llest: 5”
$800–1,200
793:
CHICAGO CRUCIBLE
Bud vase in frothy green glaze. Unmarked.
8” x 4 1/4”
$300–400
794:
VAN BRIGGLE
Large ribbed vase embossed with papyrus
leaves under Persian rose glaze, 1920s. AA
VAN BRIGGLE 20. 10 1/2” x 9 1/2”
$1,000–1,500
792
793
794
795
796
796A
797
798
795:
VAN BRIGGLE
Squat vessel embossed with pine cones
and needles under Persian rose glaze, late
1910s. AA Van Briggle. 5” x 9 1/2”
$ 45 0 – 6 5 0
796:
VAN BRIGGLE
Squat bowl in turquoise glaze, 1905,
opposing hairlines, and small plate with
orchid in matte green, 1908-11. Both
marked. 6” dia.
$600–900
796A:
UNIVERSITY CITY /
ROBERTSON
Three pieces: University City flattened
goblet in white crystalline glaze (restored),
and two F.H. Robertson/Los Angeles items,
a brown vase and a small green leafshaped dish (stilt-pulls, bubbling glaze).
A ll marked. Ta llest, 6 1/2"
$600-900
797:
MUELLER
Rare vertical tile decorated in cuerda seca
with a farmer sowing seeds. (Prov e n a n c e :
Herman Muell e r ’s family.) A few minor edge
nicks. Signed on front MUELLER.
12 1/4” x 6”
$900–1,200
798:
ROZENBURG
Plaque painted in sepia after Otto Eerll m a n
(Dutch, 1839-1926) with a man smoking
pipe, ca. 1889. Framed. Signed Naar O.
E e r llman, Rozenburg Den Haag. Sight:
11” x 8 1/2”
$650–950
283
799:
DE POR CELYNE FL ES
Nine tiles depicting birds. All framed. Al l
marked. Most 4 1/4” sq.
$700–1,000
800:
ROZENBURG
Horizontal plaque painted in sepia af t e r
Paul Joseph Constantin Gabriel (Dutch,
1828-1903 with a landscape of dikes and
w i n d m i lls, 1885. Framed. Signed N. Gabriel,
Rozenburg Den Haag, Holland M388. Sight:
5 1/2” x 17 1/4”
$850–1,250
799 - nine tiles
801:
800
ROZENBURG
Plaque painted in sepia af ter Bernardus
Johannes Blommers (Dutch, 1845-1914) of
a genre scene, with a mother feeding a
child, 1891. Framed. Naar Blommers,
Rozenburg Den Haag. Plaque: 11 1/2” x 9”
$650–950
802:
ROZENBURG
Three tiles and one charger, all handpainted with Dutch scenes, including one
by David Harkink, 1887, and one by M.D.
Schild, 1891. Each marked Rozenburg Den
Haag and artist signed. Charger
10 3/4” dia.
$1,000–1,500
801
803:
802
GRUEBY / PARDEE
F o u r teen assorted garden items: two
fountains, one covered in glossy black
glaze, the other unglazed; six glossy black
tiles, some with beaded edges; and four
a d v e rtising crates with Pardee Tiles logo.
Chips to tiles. Unmarked.
Fountain: 8” x 24” x 18”
$1,000–1,500
804:
GRUEBY
One hundred forty-two border tiles with
leaf design in a glossy ivory to amber
glaze. Unmarked. 2 1/2” x 6”
$800–1,200
805:
GRUEBY
803 fourteen
804 - one-hundred forty-two tiles
804 - sixty-one tiles
806 - eighty-eight tiles
Sixty-one border tiles with leaf design in
d i f ferent color glazes: seventeen matte
brown; fif teen green and orange, six with
beveled end; seventeen matte green and
i vory, most with beveled end; and twelve
glossy green and ivory, including one
c o r n e r. A few chips. Many marked with
a rt i s t ’s initials. 2 1/2” x 6”
$1,500–2,000
806:
GRUEBY
Eighty-four 4” square tiles in three
geometric patterns: twenty-five checkers,
seventeen green diamonds, and fort y - t w o
amber crosses. Also, four tiles including
Longwy and Moravian. Grueby in original
crate. Some ov e rfiring. Unmarked.
$750–1,000
284
807:
MARTIN BROTHERS
Stoneware pitcher decorated with a band
of fish on fluted ground. 706 RW Mart i n
London + Southall. 9 1/2” x 5 1/4”
$1,000–1,500
808:
MARTIN BROTHERS
Stoneware figural pencil holder of a tamclad Scotsman. Martin London. 3 1/2” x 3”
$500–750
809:
807
MARTIN BROTHERS
Stoneware urn with green and indigo
blossoms, 1882. Incised 29.6.82 Mart i n
London & Southall. 8” x 6 3/4”
$850–1,250
808
810:
MOORCROFT
Vase and compote in the Pomegranate
pattern. Each stamped Moo r c r o f t, Made in
England, and ink signed. 8 1/4” x 5 1/2” and
6 1/4” x 7 1/2”
$1,000–1,500
811:
MOORCROFT
Two pieces in the Pomegranate pattern, a
vase and a Tudric lidded jar. Both marked.
8” and 6 3/4”
$800–1,200
812:
810
811
MOORCROFT
Four pieces in assorted patterns including
bowl with orchids and small dish with
hammered pewter Tudric base. All marked.
Bowl: 2 3/4” x 8 1/4”
$600–900
813:
R O YA L D O ULT O N
Holbein lamp base painted in barbotine
with irises and spiderwebs. Complete with
copper oil font. Stamped DOULT O N
BURSLEM HOLBEIN WARE ENGLA N D
Registration mark. 13” x 7 3/4”
$1,000–1,500
812
814: ART NOUVEAU
Three books on Art Nouveau: Sources of Art
N o u v e a u by Stephan Madsen, A rt Nouveau
by Robert Schmutzler, and A rt Nouveau b y
L. V. Masini. Together with two Charlotte
Rhead piece for Crown Ducal, charger and
vase. Restoration to vase.
Charger: 12 1/4" dia.
813
$300–500
814A:
MOORCROFT/DOULTON
Two English coronation pieces: a Moo r c r o ft
c overed vessel inscribed "KING GEORGE IV,
QUEEN ELIZABETH CORONATION, MAY 12
1937"; and a Royal Doulton goblet with
Edward VII and Alexandra, Queen Consort ,
1902. Shallow firing line to bottom of
c overed vessel. Both marked. 3 3/4” and 5”
$500–700
814
814A
285
815:
WEMYSS
Pottery pig painted with roses, early 20th
century. Old repair to front right foo t .
Painted Wemyss. Length, 16”
$1,500–2,000
816:
A R T G L A S S Etc.
Four assorted items: Lalique L’Air du
Temps vase, etched Lalique France; Gall é
cameo cabinet vase, cameo signature;
faceted amethyst glass vase attributed to
Moser; and Haviland Limoges barbotine
p i llow vase, chips, stamped HAV I LAND &
CO. LIMOGES 554. Lalique: 5” x 4”
$1,000–1,500
815
816
817:
ROYAL DUX
Porcelain figural centerbowl by Hampel
with a young couple amidst waves. Some
firing lines to base, a couple of small glaze
flakes to branch. Pink triangle ROYAL DUX
BOHEMIA E, 1119 and “Hampel”. 13” x 12”
$ 45 0 – 6 5 0
818:
AMPHORA
Vase modeled with a large red frog and lily
pads on a lustered gold ground.
Restoration to one leaf. Stamped Amphora
Austria/4099/52. 10” x 7”
$800–1,200
819:
817
818
AMPHORA
Ta ll figural vase with a bird of paradise
c overed in matte blue and green glazes.
S m a ll nick to beak, short, tight line to
branch near top. Stamped AMPHORA
AUSTRIA Crown 4274 52. 16 1/2” x 10”
$750–1,000
820:
MOE BRIDGES
Table lamp, its bell-shaped acid-etched
glass shade reverse-painted with a river
landscape in silhouette, over a black
enameled two-socket dogwood base. Some
scratches to enamel, areas of white
forming on interior paint. Base stamped
MOE BRIDGES MILWAUKEE. 20 3/4” x 15”
$1,500–2,000
819
820
821:
HANDEL
Student lamp with adjustable Mosserine
shade, over a fluted bronzed base. Small
chip to original patina. Shade marked
Handel 6028 Mosserine, base marked
HANDEL. 15” x 12 1/2”
$1,000–2,000
822:
ARTS & CRAFTS
Enameled metal and mica table lamp with
two sockets. Original condition, a few rust
spots. Unmarked. 19” x 22”
$850–1,250
821
286
822
823:
HANDEL
Two lamp bases with bronzed patina and
three sockets. Without caps, one has finial,
missing two interior sockets and pul l
chains, the other with replaced interior
sockets. One stamped HANDEL.
24 1/4” and 23 1/4”
$ 45 0 – 6 5 0
824:
HANDEL
Two lamp bases with bronzed patina and
three sockets. Without caps, one has finial.
Both stamped HANDEL. 25” and 23”
$700–1,000
825:
HANDEL
823
824
825
826
827
828
829
830
Table lamp, its acid-etched, bell - s h a p e d
shade reverse- and obverse-painted by R.G.
with stylized roses, over a two-socket
bronzed base. Good original patina. Shade
signed HANDEL 6175 R. G. Base unmarked.
20 1/4” x 14”
$1,650–2,250
826:
HANDEL
Table lamp, its six-paneled floriform slag
glass shade over a four-sided bronzed
metal base. Base impressed HANDEL.
21” x 11 1/2”
$500–750
827:
HANDEL
Table lamp, its faceted shade with daf f o d i l
appliqué, over a two-socket acid-etched
copper base. Some losses to overlay on
shade. Shade stamped HANDEL Lamps Pat.
No., base stamped HANDEL. 23” x 15 1/2”
$2,000–3,000
828:
HANDEL /
MOE BRIDGES
Two lamp bases, Handel in classical motif,
dark bronze patina and three sockets,
f l e u r-de-lys finial, bent at base; Moe
Bridges in dogwood pattern, with copper
finish, two sockets, missing cap and finial,
some chips to patina. Both marked.
24 1/2” and 20”
$ 45 0 – 6 5 0
829:
HANDEL
Pair of fluted lamp bases, each bronzed
with a different patina, with three sockets.
Two replaced balls on pull-chains, same
with replaced interior sockets, without
caps or finials. Both stamped HANDEL.
22 3/4”
$700–1,000
830:
BELOVA
Chandelier, its acid-etched drum shade
reverse-stenciled with daisies on a leafy
ground. Complete with chain and ceiling
cap. No visible mark. Total: 23” x 12”
$ 45 0 – 6 5 0
287
831:
HANDEL
Table lamp, its hemispherical acid-etched
glass shade reverse- and obverse-painted
with red roses on a yellow ground, over a
two-socket bronzed base. Crack to base of
s h a ft, excellent original patina. Shade
signed Handel 6396, and HANDEL Pat. No.
Base unmarked. 20 1/4” x 14”
$1,250–1,750
832:
JEFFERSON
Table lamp, its hemispherical glass shade
with hammered pattern reverse-painted
with a landscape, over a two-socket fluted
base with verdigris patina. Good original
condition. Shade signed 2384 OC and
marked Jef ferson, base marked Jeff e r s o n .
21 1/2” x 16”
$1,850–2,350
833:
831
832
833
834
835
836
837
838
H E I N T Z ( A t t r. )
Brass-washed acid-etched table lamp in a
floral motif. Some dents to shade, missing
silk lining. Unmarked. 15” x 12”
$600–900
834:
ARTS & CRAFTS
LIGHTING
Large faceted leaded glass chandelier with
white dogwood blossoms on a caramel
ground (of excellent quality). Complete
with hook and three-socket fixture. A few
breaks to small undecorated panels.
$1,200–1,500
835:
ARTS & CRAFTS
LIGHTING
F o u r-sided hanging chandelier of riveted
sheet copper and polychromatic slag glass,
complete with hanging chain and ceiling
plate. 2” chip to one corner of one glass
panel. Fixture: 24” x 24” Hanging: 43”
$1,000–1,500
836:
JEFFERSON
Acid-etched lamp shade revererse-painted
with red poppies, drogonflies and bees.
Includes original cap. Signed 2614
JEFFERSON VB twice. 8” x 18”
$2,000–3,000
837:
L.C. TIFFANY
Five gold Favrile tableware items: compote,
underplate, finger bowl, sherbets. Each has
etched Ti ffany mark. Compote:
2 3/4” x 9 1/2”
$1,250–1,750
838:
TIFFANY STUDIOS
Seven Favrile glass salts, six gold and one
blue, and one gold dimpled too t h p i c k
h o l d e r. All marked.
$800–1,200
288
839:
TIFFANY STUDIOS
Gold Favrile squat vase on four legs. Small
chips to feet. Etched L. C. T. M9741, paper
label. 2 1/4” x 4”
$ 2 5 0 – 45 0
840:
L. C. TIFFANY
Two Favrile items, one gold bowl and one
blue compote. Both with etched marks. 12”
and 11 1/2” dias.
$1,500–2,000
839
840
841:
TIFFANY STUDIOS
Four Favrile bowls and one underplate,
three gold, one blue, and one pastel.
Scratches to interior of largest. All marked.
Ta llest: 4 1/2” x 7”
$1,000–1,500
842:
L.C. TIFFANY
Five gold Favrile tableware items: master
salts, sherbet, berry bowl, and bud vase
with lappets. Each has etched Ti ff a n y
mark. 2 3/4” x 7”
$1,350–1,750
841
843:
TIFFANY STUDIOS
Seven acid-etched gilt bronze pieces: five
desk set pieces in a Classical pattern with
s h e lls and swags of leaves; Venetian bowl;
a s h t r a y / m a t c h b ook holder in Grecian
pattern. Stamped TIFFANY STUDIOS NEW
YORK. Bowl: 9”
842
$800–1,200
844:
TIFFANY STUDIOS
Ashtray stand in acid-etched gilt parcel.
Verdigris to base. Stamped TIFFA N Y
STUDIOS NEW YORK 1659. 26 1/4” x 9”
$1,000–1,500
845:
TIFFANY STUDIOS
Ta ll bronze candlestick with verdigris
patina. (Deaccessioned from museum).
S m a ll dent to bobeche. Stamped TIFFA N Y
STUDIOS NEW YORK 1213. 18 1/2”
$1,400–1,800
843
844
845
846
846:
TIFFANY STUDIOS
Four acid-etched bronze desk set pieces in
the Modeled Design pattern: pen tray,
notepad, ashtray/matchbook holder, and a
pen brush. Stamped TIFFANY STUDIOS
NEW YORK.
$1,000–1,400
289
847:
TIFFANY STUDIOS
Two hinged inkwells, one in the Abalone
pattern, the other Pine Needle with green
slag glass. Original patinas. TIFFA N Y
STUDIOS NEW YORK. 3”
$900–1,400
848:
TIFFANY STUDIOS
Bronze advertising paperweight. TIFFA N Y
STUDIOS NEW YORK CITY.
1 1/2” x 5” x 3 3/4”
$800–1,200
849:
847
TIFFANY STUDIOS
Five bronze desk set pieces: pair of
Venetian bookends, Zodiac letter holder
and inkwell, and Pine Needle inkwell .
Stamped TIFFANY STUDIOS NEW YORK.
$700–900
848
850:
TIFFANY STUDIOS
Eleven-piece, acid-etched bronze desk set
in the Zodiac pattern: bookends, blotter
ends, rocking blotter, hinged inkwell ,
picture frame, letter holder, stamp box, and
a pair of candlesticks. Missing bobeches,
and frame clamp. Stamped TIFFA N Y
STUDIOS NEW YORK.
$1,200–1,600
851:
849
TIFFANY STUDIOS
Four gilt-parcel items in the Grapevine
pattern, lined in caramel slag glass:
jardiniere with copper lining, pen tray, and
blotter ends. A few dents to blotters and
jardiniere. Stamped TIFFANY STUDIOS
NEW YORK. Jardinière: 4” x 10 1/2”
$700–900
850
852:
TIFFANY STUDIOS
Three bronze and green glass desk set
pieces in the Pine Needle pattern: inkwell ,
rocker blotter and toothpick holder. Inkwell
with original clear glass lining (small
chips). Inkwell with breaks to glass. All
with impressed marks. Inkwell: 6 3/4” dia.
$850–1,250
853:
851
TIFFANY STUDIOS
Eight acid-etched bronze desk set pieces in
the Graduate pattern, in assorted finishes:
blotter ends, two pen trays, inkwell, pen
brush box (no brush), rocking blotter, and a
letter holder. Stamped TIFFANY STUDIOS
NEW YORK.
852
$1,000–1,500
854:
TIFFANY STUDIOS
Four gold Favrile items: two bowls and
underplates. Large bowl etched 388P Louis
C. Ti ffany - Favrile; underplate 8995J L. C.
Ti ffany - Favrile; fingerbowl and underplate
L. C. T. Bowls: 4” x 10 1/4” and
2 1/4” x 5 1/2”
$800–1,200
853
290
854
855:
TIFFANY STUDIOS
Gold Favrile bud vase in a bronze base with
verdigris patina. Light wear to rim and to
patina. Stamped TIFFANY STUDIOS NEW
YORK 717. 11” x 3”
$800–1,200
856:
T I F F A N Y , Etc.
Nine gold luster glass items: six by Ti ff a n y ,
one finger bowl and two saucers, etched
cordial, ovoid goblet and low bowl; Kew
Blas liner, and two other pieces.
$700–900
857:
L. C. TIFFANY
Four bowls or plates, three Pastel and one
gold Favrile. All with etched marks.
Gold: 11” dia.
$1,200–1,600
858:
855
856
857
858
859
860
861
862
TIFFANY STUDIOS
Fine experimental Favrile glass cabinet
vase patterned with horizontal iridescent
bands on whitened ground, ca. 1900.
Engraved 010383 L.C.T. 3 1/4”
$2,500–3,500
859:
DURAND
King Tut vase in lustered gold and white
swirls. Unmarked. 10” x 4 1/2”
$800–1,200
860:
Q U E Z A L ( A t t r. )
Table lamp and six shades of threaded
white opalescent glass with green and gold
h e a rts. Complete with metal rings. Fitters
ground down, hairline to one. Unmarked.
Lamp: 18 1/2” Shades: 2 3/4” x 3 1/2”
$700–900
861:
S T E U B E N , Q U E Z A L , Etc.
Nine assorted art glass shades: five
Steuben gold Aurene (chips to one fitter);
two Quezal, one white opalescent one with
gold thread; two by unknown maker with
green pul led feather decoration. Steuben
and Quezal marked. Ta llest: 6”
$700–900
862:
SCHNEIDER
Large coupe of white and yellow mottled
glass. Etched France. 11 1/2” x 9”
$1,500–2,000
291
863:
Q U E Z A L Etc.
Six art glass vessels including a blue
Quezal compote and small gold pitcher.
Quezal marked. Compote: 4 1/4” x 7 1/4”
$1,000–1,500
864:
ART GLASS
Nine assorted pieces of dif ferent vintage
including one rustic, possibly by Loetz.
Ta llest 9”
$400–600
865:
T I F F A N Y S T U D I O S , Etc.
Etc. Four glass items: Ti ffany gold Favrile
t oothpick holder and underplate; Durand
flaring vase with green and white pull e d
feather decoration; Sowerby bowl with
lavender prunus panels, and millefiore vase
in the style of Ti ffany. Each marked but
Durand.
863
864
865
866
867
868
869
870
$1,500–2,000
866:
LOETZ / STEUBEN
Two squat lobed art glass vessels: Loetz
with raspberry oil spot decoration and
Steuben green Rustica. Unmarked.
5 1/4” x 7”, 4 1/4” x 6 1/4”
$1,000–1,500
867:
E M I L E G A L L E Etc.
Three cameo glass vases in assorted floral
patterns, two Gallé and one D’Argental
cabinet vase. Cameo signatures.
Ta llest: 12”
$1,200–1,600
868:
EMILE GALLE
Three cameo glass cabinet vases with
a s s o rted blossoms. Polishing to rim of one
or two. Gallé cameo signatures.
Ta llest: 7 1/4”
$1,000–1,500
869:
EMILE GALLE
Cameo glass perfume bottle and atomizer
with brown blossoms on a yellow ground.
Signed Gallé in cameo. 10 1/2” x 3 1/2”
$1,250–1,750
870:
ART GLASS
Five art glass vessels: pair of bottles by
DeLatte; two Gallé cameo vases; one Daum
bud vase. All marked. DeLatte: 9 3/4”
$1,250–1,750
292
871:
GALLE / DAUM
Three cameo glass vases, two by Gallé, and
one by Daum. All with cameo signatures.
Ta llest: 5 1/2” x 5”
$900–1,400
872:
DAUM / GALLE
Three glass cabinet items: two by Daum,
bud vase and low bowl enameled with
mistletoe; Gallé bud vase with waterlilies
(polished rim). All marked. Bowl: 5 1/2” dia.
$700–900
873:
871
872
LALIQUE
Vase, “Oursin,” clear and frosted with blue
patina. Stenciled R. LALIQUE FRANCE.
7 1/4”
$800–1,200
874:
LALIQUE
“Malines” clear and frosted vase, engraved
R. Lalique France; and a box for D’Orsay,
“ Trois Danseuses,” clear and frosted with
sepia patina. Vase: 5”, box: 3 3/4” dia.
$400–600
875:
SCHNEIDER LE VERRE
FRANCAIS
Cameo glass vase. Chips and grinding to
rim. Etched Le Verre Francais France
Ovington New York. 7 3/4” x 4 3/4”
873
874
$900–1,200
876:
VAL ST-LAMBERT
A rt glass vase by Sam Herman with
abstract iridescent decoration on pale blue
ground. Paper label, signed Val StL a m b e rt/SH. 6 1/2”
$800–1,200
877:
FRENCH ART DECO
Two wrought-iron veil leuse bases, one
wired. Ta llest stamped FRANCE. 3 1/2” and
8 1/4”
$700–900
878:
875
876
877
878
ORREFORS
Clear glass flaring coupe etched with three
female nudes. Small chip to rim. Etched
Orrefors Gate. 753.29. artist cypher.
10 1/2” x 6 3/4”
$700–1,000
293
879:
L. C. TIFFANY
Gold Favrile flaring vase. Etched 1534 2692
M, L. C. Ti ffany, Favrile. 12 1/4” x 6 1/4
$1,500–2,000
880:
QUEZAL
Five art glass shades with gold pull e d
feather pattern. Small chip to one fitter.
Each marked Quezal. 4” x 4 1/2”
$600–900
881:
879
D U R A N D ( A t t r.) Etc.
Two art glass pieces: Durand jardiniere
with gold pulled feather decoration (some
wear to interior and rim); and a Ti ff a n y
blue Favrile salt. Ti ffany etched L. C. T.
Favrile 1254. 5 1/2” and 4” dia.
880
$750–1,000
882:
DAUM
Ta ll vase of mottled pink and purple glass.
Polished rim. Etched Daum Nancy and
Cross of Lorraine. 28” x 5 1/2”
$600–900
883:
DAUM
Two mottled glass tall-necked bud vases.
Polished rims. Etched Daum Nancy with
Cross of Lorraine. 11 1/2” and 10 1/2”
$500–700
881
884:
HANDEL
Table lamp, its acid-etched glass shade
obverse-painted with stylized leaves in a
strong Arts & Craf ts design, over a threesocket bronzed base. Crack around shade
(as-is). Shade signed A. 5940, and Handel
Patent No, base stamped HANDEL.
24 1/4” x 18”
$1,500–2,500
882
885:
PAIRPOINT
Boudoir lamp, its “puf fy” floral shade over a
brass-washed fluted base. Pairpoint base,
socket and harp not original. Shade
stamped The Pairpoint Company, base
stamped Pairpoint E3063. 13” x 8 1/2”
$1,400–1,900
883
884
886:
STEUBEN
Cameo glass covered jar decorated in the
Asian taste with pink blossoms and
m e d a llions. Polished chip on inner lid.
Unmarked. 6 1/2” x 3 3/4”
$1,500–2,000
885
294
886
887:
STEUBEN
Cluthra vase in bright green. Etched
Steuben. 8 1/2” x 7 1/2”
$1,000–1,500
888:
TIFFANY STUDIOS
Four items: pair of pink pastel
candleholders (small chip to base of one);
gold Favrile floriform vase on gilt-parcel
acid-etched base (reglued at foot); gold
Favrile cabinet vase. All marked.
Ta llest: 9 3/4”
$700–900
889:
T I F F A N Y S T U D I O S , Etc.
Six desk items in assorted patterns: pair of
parcel gilt desk blotter ends in the Grape
pattern; parcel gilt desk calendar in the
Zodiac pattern, complete with sheets from
1952; hinged cigarette box in the Grape
pattern, bronze patina (condition issues);
gilt parcel alarm clock, eight days Swiss;
“The New Aurora” desk lamp with Quezal
gold luster shade in pulled feather pattern.
Each piece marked, except box.
Lamp: 16 1/2”
887
888
889
890
$500–700
890:
LAMPS
Pair of decorative lamps with glazed china
roses, topped by art glass shades. Tw o
missing roses. 19 3/4” x 5 1/2”
$400–600
891:
ARTHUR WESLEY DOW
Three sets of Ipswich Prints and auction
catalog of Dow’s private collection, 1923.
Some duplicates and some missing.
$600–900
891
295
296
1000:
ROSEVILLE
D e lla Robbia five-color large bulbous vase with daffodils in ochre, ivo r y ,
and green against a gray-blue ground, with reticulated geometric band
around rim. 3/4” chip to bottom (shows only slightly on the side), 1/8”
fleck and firing line to one flower. Art i s t ’s initials K.D. 12 1/2” x 8 1/4”
$15,000–20,000
297
1001:
ROSEVILLE
D e lla Robbia large vase excised with daisies and spade-shaped
leaves on a forest green ground. Restoration to hairline through
body and chips at base. Rozane seal. 10 1/2” x 8”
1002:
$14,000–19,000
$6,000–9,000
298
ROSEVILLE
D e lla Robbia tall bulbous vase excised with a stylized floral pattern
in celadon and green. Some glaze chips to base. Signed Gelde and
Rozane seal. 14” x 6 1/2”
1003:
ROSEVILLE
D e lla Robbia two-color vase excised with a band of penguins and
trees in shades of green. Minor inconsistencies to glaze. Rozane
seal, art i s t ’s initials M.E. 8 1/2” x 4 1/2”
$2,500–3,500
1004:
ROSEVILLE
D e lla Robbia five-color bottle-shaped vase on a squat base, incised
and excised by K. D. with flowers in shades of blue and green.
E x c e llent original condition, with only two extremely minor flecks
(possibly in the making). Rozane seal and artist's initials.
11 1/2” x 6 3/4”
$3000-5000”
299
1005:
ROSEVILLE
1006:
D e lla Robbia four-color ovoid vase with bright yell o w
chrysanthemums and deep green leaves. (A very nice example of
this form.) Four chips/nicks to the decoration, the largest is 1/4”.
Rozane wafer and art i s t ’s initials GC or EC. 8 1/4” x 5 1/4”
ROSEVILLE
D e lla Robbia tall vase excised with strands of round white flowers
and whiplash leaves on a brown ground. Some chips to base.
Signed H. L. 13” x 6”
$15,000–20,000
$3,750–4,750
300
1007:
ROSEVILLE
D e lla Robbia vase incised and excised with
stylized trees. Restoration to drilled hole
on bottom, and chip at base. Artist signed
M F. 8 3/4” x 3 1/4”
$5,000–6,000
1008:
WELLER
Jap Birdimal tall chocolate pot carved and
decorated in squeezebag with viking ships.
(A rare example of the Jap Birdimal line.)
Missing lid. Impressed numbers.
11 1/2” x 6”
$850–1,250
1009:
1007
1008
1009
1010
WELLER
Fru Russett vase with a dragon wrapped
around its body, covered in a purple and
blue-gray glaze. Stamped WELLER.
9 3/4” x 4 1/2”
$1,500–2,000
1010:
WELLER
Unusual Hudson Frosted Matt vase slipdecorated with blue irises on both sides.
Incised script mark. 9” x 4 1/2”
$600–800
301
1011:
WELLER
Hudson large vase painted by Charles
L e ffler with irises. Clay pimple to shoulder.
Stamped WELLER, paper label and art i s t ’s
signature. 15 1/4” x 6 3/4”
$2,000–3,000
1012:
WELLER
Hudson large vase painted by Charles
L e ffler with irises. Clay pimple to shoulder
and small glaze flake to bottom. Stamped
WELLER, art i s t ’s signature. 15” x 7”
$2,000–3,000
1011
1012
1013:
WELLER
Large Eocean ovoid vase finely painted by
Charles Chilcote with deep red poppies.
E x c e llent original condition, bursts and
firing line to a few petals. Incised Well e r
Eocean in script, signed Chilcote on body.
16 1/2”x 8 1/2”
$1,750–2,500
1014:
WELLER
Rare Matt Green vase, the reticulated rim
with poppy design. Several hairlines, some
touched up at rim. Unmarked. 13 3/4” x 5”
$800–1,200
1011
302
1012
1015:
WELLER
1016:
Camelot rare cylindrical vase embossed with masks and
m e d a llions. Some discoloration to glaze, typical of this line.
Unmarked. 9 1/2” x 5”
$600–900
LONHUDA
O void vase slip-decorated with cowboys by a stream and Native
Americans on nearby hill. Stamped DENVER LONHUDA with shield.
9” x 5 1/2”
$2,000–3,000
303
1017:
CLEWELL
C o p p e r-clad lidded jar over a Claywood blank with panels
of flowers. Touch-up to interior lines, which do not go
through. Unmarked. 6” x 5 1/4”
$600–800
1018:
CLEWELL / WELLER
C o p p e r- c overed cylindrical vase over a Weller Burntwoo d
blank, with excised mythological design. Incised Clewell
257-01. 8 1/4” x 3 1/2”
$1,200–1,500
304
1019:
ROSEVILLE
Brown Cherry Blossom hanging basket.
Unmarked. 5” x 8” dia.
$500–700
1020:
ROSEVILLE
Three brown Cherry Blossom vases. One
marked with foil label. Ta llest: 7 1/4”
$750–1,000
1021:
ROSEVILLE
Three brown Cherry Blossom pieces: two
vases and a jardinière. Flat 3/4” chip to
base of ovoid, shows slightly on side. One
$650–950
1019
1020
1021
1022
1023
1024
1025
1026
1022:
ROSEVILLE
Two pink Cherry Blossom bulbous vases.
S m a ller vase with several firing flaws. One
marked with foil label. 5 1/4” each
$600–900
1023:
ROSEVILLE
Five Cherry Blossom pieces: three brown
vases, one pink corseted vase, and a pink
p l a n t e r. Staining to interior of planter,
fleck or burst to rim of pink vase. One
$1,000–1,500
1024:
ROSEVILLE
Pink Cherry Blossom bulbous two-handled
vase. Two flecks and small burst to body.
Unmarked. 10 1/2” x 6 1/2”
$500–750
1025:
ROSEVILLE
Brown Pine Cone wall pocket, #1283.
Minute fleck to tip of branch.
Impressed mark.
$500–600
1026:
ROSEVILLE
Pair of rare Mostique wall pockets, both
with floral decoration, one on a brown
ground, the other gray. A few very minor
flecks to edge of brown. Unmarked.
9 3/4” each
$750–1,000
305
1027:
ROSEVILLE
Sunflower bulbous vase, 488-6”. Very crisp
mold. Unmarked.
$500–750
1028:
ROSEVILLE
Sunflower ovoid vase. Unmarked.
10 1/4” x 6 1/4”
$1,000–1,500
1029:
ROSEVILLE
Pair of brown Falline flaring vases, 646-8”.
1/8” chip to handle of one. Foil labels.
$800–1,200
1030:
1027
1028
1029
1030
1031
1032
1033
1034
ROSEVILLE
Blue Falline ovoid vase. Unmarked.
6 1/4” x 4 3/4”
$350–550
1031:
ROSEVILLE
Red Ferella vase, 511-10”. Unmarked.
$750–1,000
1032:
ROSEVILLE
Brown Ferella vase, 511-10”. Marked with
store label.
$650–850
1033:
ROSEVILLE
Green Baneda flaring vase, 598-12”.
Restoration to chip at base. Unmarked.
$700–900
1034:
ROSEVILLE
Green Baneda large bulbous vase.
$750–950
306
1035:
ROSEVILLE
Two green Baneda vases. Unmarked.
9 3/4” and 6 3/4”
$650–850
1036:
ROSEVILLE
Three green Baneda vases. Restoration to
rim of largest, line to rim and restoration
to base of one urn. One marked with foil
label. 6 1/4” each
$600–800
1035
1036
1037:
ROSEVILLE
Three green Laurel vases, two ovoid and
one flaring. Break to rim of one ovoid. Tw o
marked with foil labels. 8 1/4” and 6 1/2”
$500–700
1038:
ROSEVILLE
Three green Laurel vases, two tapered and
one squat. Break to rim of one ovoid. Tw o
marked with foil labels. 8 1/4” and 6 1/2”
$500–700
1039:
ROSEVILLE
Two yellow Laurel vases, 674-9” and 6738”. 1 1/2” chip to base ring of small e r.
Foil labels.
$400–600
1040:
1037
1038
ROSEVILLE
Three Montacello vases, a pair in green and
brown, and one squat in brown. Minute
fleck to squat. One marked. Ta ller: 5 1/2”
$750–950
1041:
ROSEVILLE
Three brown Montacello pieces: a
centerbowl, and two vases. All unmarked.
Ta llest: 5 1/4”
$550–700
1042:
ROSEVILLE
Three green Montacello pieces: a basket
(restored handle), a planter, and a corseted
vase. Unmarked. Ta llest: 6 3/4”
$500–700
1039
1040
1041
1042
307
1043:
WELLER
Two pieces: a Matt Green jardiniere and
dragonflies (hairline), and a Camelot rare
5 1/2” bud vase. Both marked WELLER.
Jard: 7 1/2” dia.
$400–600
1044:
ROSEVILLE
Three brown Wisteria pieces: a single
candlestick, a vase (crazed), and a bowl.
Two marked with foil label. Ta llest: 5 1/2”
$600–800
1045:
1043
ROSEVILLE
Two brown Wisteria vases, one squat and
one slightly corseted. Minute nick to flower
on tall e r. Unmarked. Ta ller: 8 1/4”
1044
$500–700
1046:
ROSEVILLE
Two Blackberry baskets, one hanging, 3485”, and 334-6 1/2”. Restoration to handle of
6” basket. Unmarked.
$1,000–1,500
1047:
ROSEVILLE
Pair of Blackberry squat vessels, 568-4”. A
few glaze flakes to high points on one.
$650–950
1048:
1045
1046
ROSEVILLE
Two Blackberry jardinières. 1/2” touch-up
to rim of larger. Unmarked.
6 1/4” and
4 1/4”
$550–750
1049:
ROSEVILLE
Three Blackberry vases. Unmarked.
Ta llest: 6 1/4”
$900–1,200
1050:
ROSEVILLE
Pair of Blackberry vases. Unmarked.
8 1/4” each
$700–1,000
1047
1048
1049
1050
308
1051:
ROSEVILLE
Blue Fuchsia floor vase, 905-18”.
Impressed mark.
$750–950
1052:
ROSEVILLE
Brown Fuchsia floor vase, 905-18”.
Impressed mark.
$650–850
1053:
ROSEVILLE
Blue Thornapple tall vase, 824-15”.
Impressed mark.
$500–600
1054:
1051
1052
1053
1054
1055
1056
1057
1058
ROSEVILLE
Blue Water Lily vase, 83-15”.
Impressed mark.
$300–400
1055:
ROSEVILLE
Green Panel flaring two-handled vase.
Restoration to lines through body. RV ink
mark. 11 1/2” x 4 1/2”
$ 45 0 – 6 5 0
1056:
ROSEVILLE
Vista tall vase. 1 1/2” tight bruise to rim.
$750–1,000
1057:
ROSEVILLE
Green Panel tapered vase decorated with
purple pumpkins and vines. RV ink mark.
8 1/2” x 6 1/2”
$350–500
1058:
ROSEVILLE
Four brown Panel pieces, all with floral
decoration. Restoration to rim of tall vase,
factory bruise to base of one squat. RV ink
marks. 10 1/4” and 4 1/4”
$750–1,000
309
1059:
ROSEVILLE
Fujiyama tapering vase decorated by ET
with yellow to amber stylized forms around
the entire body. Minor glaze loss around
rim. Rozane Ware Woodland seal, art i s t ' s
initials. 9” x 3 1/2”
$600–800
1060:
CLEWELL
C o p p e r-clad gourd-shaped vase. Two short
splits to jacket. Rare paper label.
6” x 3 3/4”
$900–1,200
1061:
PETERS AND REED
Vase finely decorated with a cabin
amongst trees on a hillside. Glaze bubbles
around foot ring. Unmarked. 7 3/4” x 3 3/4”
$500–700
1062:
1059
1060
1061
1062
1063
1064
1065
1066
PETERS AND REED
Two pieces: Landsun tall bud vase, and a
Chromal Ware spherical vase. Bud vase
with impressed mark. Ta ller: 10”
$350–500
1063:
STANGL
Fish Hawk / Osprey large figure, #345 9 .
E x c e llent color. Invisible restoration to line
across one wing. Impressed mark. 8 1/4”
$3,000–3,500
1064:
WELLER
Dickensware cylindrical vase decorated
with a monk playing the flute. 1/4” scratch
near rim. Impressed Dickensware
m a r k / 6 0 2 F. 10” x 3 3/4”
$400–600
1065:
WELLER
Sicard corseted vase on three feet,
decorated with stylized flowers. Nicely
fired. Minor scaling around bottom edge, a
few pin-head size flecks to rim. Marked in
script on body. 7” x 6 1/4”
$750–1,250
1066:
WELLER
Sicard four-sided vase with ruffled rim,
each panel decorated with daisies.
Impressed 6X. 5” x 2 1/4”
$ 45 0 – 6 5 0
310
1067:
1067
1068
1069
1070
O W E N S ( A t t r. )
1069:
Matt Green vase embossed with a Native American. Glaze chips to
base. Unmarked. 12” x 4 1/2”
$700–900
ROSEVILLE
Rare Matt Green advertising vase for H. H. Battles Flowers, 12th &
Chestnut. 1/4” bruise at base, possibly in firing. Unmarked.
12 1/4” x 7”
$750–1,000
1068: R O S E V I L L E
Early Carnelian / Antique Matt Green large squat vase. Marked with
a black Carnelian stamp. 7” x 10 1/2”
$300–500
1070:
ROSEVILLE
Experimental bulbous vase with yellow and white gladiolas on both
sides. Raised mark 983-8, ink marks, 8-39-0, 138, 073. 8 1/4” x 7”
$3,000–5,000
311
1071:
WELLER
Blue Louwelsa rare tear-shaped vase
painted with clusters of pansies. A few
very minor bursts and shallow scratches.
Very tight opposing 1” lines to rim (only
one goes through). Impressed Louwelsa
mark. 8 1/2” x 3 1/2”
$800–1,200
1072:
WELLER
C o p p e rtone bulbous vase with two frogs
perched on both sides. Two 1/8” nicks and a
tight line to rim. Partial kiln stamp.
8” x 8 1/2”
$850–1,250
1071
1072
1073:
WELLER
Hudson Light tapered vase painted with
pink and yellow columbine. Stamped
WELLER. 13 3/4” x 4 1/2”
$350–550
1074:
WELLER
Large Aurelian lamp base painted with gold
carnations. Metal collar fitted inside rim,
with four factory holes through base,
e x c e llent condition. Incised mark.
17 1/2” x 12”
$ 45 0 – 6 5 0
1075:
1073
WELLER
White and Decorated Hudson vase painted
with colorful branches of berries. Tight line
from rim. Stamped WELLER. 9 1/2” x 5 1/2”
$100–150
1074
W E L L E R Etc.
Two Weller Marengo vases, and Swastika
Keramos lustered vase. Some wear and
scratches to each. Later marked.
Ta llest: 12”
1076:
$500–750
1077:
OWENS / WELLER
Five brown-glazed pieces, two Owens and
three Well e r. Bruise to rim of one, hairline
to two others, scratches ov e r a ll .
Ta llest: 8 1/2”
1075
$300–400
1076
W E L L E R Etc.
Two small Coppertone pieces, Dickensware
oil lamp (missing lid), and an Owens
twisted vase with pansies. All marked,
Owens also artist signed. Frog planter:
4” x 4 1/2”
$900–1,200
1078:
1077
312
1078
1079:
ROSEVILLE
Green Morning Glory vase, 730-10”.
Unmarked.
$ 45 0 – 6 5 0
1080:
ROSEVILLE
Three Morning Glory vases: one white
p i llow, and two green bulbous. Two nicks to
base of white, restored chip to rim of larger
green, nick to base of smaller green. Tw o
marked with foil labels. Ta llest: 9 1/2”
$600–900
1081:
ROSEVILLE
Two brown Falline vases. Restoration to
handles of flaring, several restored areas to
o t h e r. Unmarked. Ta ller: 8 1/4”
1079
1080
1081
1082
1083
1084
1085
1086
$ 45 0 – 6 5 0
1082:
ROSEVILLE
Brown Ferella flower pot with attached
saucer, 620-5”. Some scaling to underside
of saucer. Unmarked. 5 1/2” x 6 1/4”
$400–600
1083:
ROSEVILLE
Four brown Ferella pieces: bud vase, squat
vessel, footed dish, and an ovoid vase. One
$1,000–1,500
1084:
ROSEVILLE
Five Jonquil pieces: four vases and an
ovoid bowl. Nick to flower on one vase,
restored base to smal lest vase. Unmarked.
Ta llest: 8 1/4”
$600–800
1085:
ROSEVILLE
Green Baneda vase, 597-10”. Unmarked.
$750–1,000
1086:
ROSEVILLE
Brown Clemana bulbous vase, 754-8”.
Impressed mark.
$350–550
313
1087:
ROSEVILLE
Sunflower wall pocket. Unmarked.
7 1/4” x 6”
$850–1,250
1088:
ROSEVILLE
Pair of Sunflower vases. Minute burst to
handle of one. Unmarked. 6 1/4” x 4 3/4”
$650–950
1089:
ROSEVILLE
Pair of Sunflower vases. Unmarked.
6 1/4” x 4 3/4”
$650–950
1090:
1087
1088
1089
1090
1091
1092
1093
1094
ROSEVILLE
Three Sunflower pieces: a pair of
candlesticks (restoration to both handles
on one), and a wal l pocket (ov e rf i r e d ) .
Unmarked. Sticks: 4 1/2”
$650–950
1091:
ROSEVILLE
Blackberry hanging basket, 348-5”.
Unmarked.
$850–1,250
1092:
ROSEVILLE
Pair of Blackberry bowls, 226-6”. Minute
flecks to one. Unmarked.
$600–800
1093:
ROSEVILLE
Two Blackberry pieces: a basket, and a
single candlestick. Repair to section of rim
on basket. Paper label to one. Basket: 9”
$500–700
1094:
ROSEVILLE
A pair of Blackberry vases. Unmarked.
6 1/2” each
$550–750
314
1095:
ROSEVILLE
Three pieces: two green Luf fa vases, and a
blue Freesia ewer, 21-15”. Nick or burst to
leaf on Freesia. One marked.
Vases: 7 1/4” and 6 1/2”
$600–800
1096:
ROSEVILLE
Three pieces: blue Topeo footed bowl,
Earlam 4” vase, and brown Pine Cone
hanging basket. Unmarked.
Basket: 7 1/2” dia.
$ 45 0 – 6 5 0
1095
1096
1097:
ROSEVILLE
Five pieces: green Fuchsia wall pocket, pink
Moss spherical vase, 290-6” (peppering,
hairline), brown White Rose basket, 36412”, and two orange Moss bowls (repair to
rim of one). Three marked.
$600–900
1098:
ROSEVILLE
Seven Silhouette pieces: blue basket, 71010” (hairline from rim), tall vases in both
blue and white, 788-12”, two brown vases,
780-6” and 784-8” (staining to interior),
pink bowl, 729-12” (fleck or burst to rim),
and a brown bowl, 727-8”. All marked.
$900–1,200
1097
1098
1099:
ROSEVILLE
Four Carnelian pieces: two C.II vases in
mottled blue or pink glazes, C.I fan vase in
green, and a C.I bowl in blue and ivory. Flat
1/2” chip to base of pink vase, shows
slightly on side. Unmarked. Ta llest: 8 1/4”
$700–900
1100:
ROSEVILLE
Four brown Freesia pieces: two baskets,
390-7”, and 392-10” (repaired base chip), a
cornucopia, 197-6” (fleck to tip), and a
ewer, 21-15” (restoration near spout). All
marked.
$300–400
1101:
1099
1100
ROSEVILLE
Five vases: three Mostique, one blue
Zephyr Lily (small chip to base), 140-12”,
and one brown Zephyr Lily, 471-6”. Tw o
marked, two with impressed numbers.
Ta llest: 12 3/4”
$ 45 0 – 6 5 0
1102:
ROSEVILLE
Five pieces: a Rozane two-handled vase
painted with berries and leaves, a brown
Water Lily vase, 71-4” (1” chip to rim), a
blue Pine Cone double dish (small glaze
miss), a brown Fuchsia vase, 903-12”, and a
brown Clematis jardinière, 667-8” (tight
lines to base). All marked
$400–600
1101
1102
315
1103:
ROSEVILLE
Unusual factory lamp base with branches
of yellow blossoms on a brown ground.
$600–900
1104:
ROSEVILLE
Imperial II rare lamp base with flames in
orange, yel low, and blue against a blackbrown ground. Fittings have not been
r e m oved to check for damage around the
edges. No visible mark, fittings unmarked.
Pottery: 7 1/2”
$600–900
1103
1105:
1104
ROSEVILLE
Pink Cherry Blossom factory lamp base.
Unmarked. 9 1/2” x 8 1/2”
$550–750
1106:
ROSEVILLE
Cherry Blossom factory lamp base in green
and ivory. Unmarked. 9 1/2” x 8 1/2”
$550–750
1107:
ROSEVILLE
Ta ll pink Pauleo lamp base. Fittings have
not been removed. Pottery: 19 1/4”
$1,000–1,500
1108:
1105
1106
ROSEVILLE
Early Velmoss-type lamp base in shades of
blue and green. Metal fittings marked 1517.
Pottery: 10 1/4”
$600–800
1109:
ROSEVILLE
Pair of Futura vases, 382-7”, one with a
factory hole on body for use as a lamp
base. Minor grinding nick to one shows
slightly on side. Partial paper label to one.
$600–900
1110:
ROSEVILLE
Futura tall vase with thistle, 438-15”.
Extensively restored. Unmarked.
$400–500
1107
1108
1109
1110
316
1111:
ROSEVILLE
Futura vase, 394-12”. Minor scratches and
a few bursts to body. Unmarked.
$400–600
1112:
ROSEVILLE
Two Futura vases, 397-6” and 392-10” (1/2”
flat chip to bottom, barely shows on side,
minute flecks around rim). Both unmarked.
$750–1,000
1113:
ROSEVILLE
Pair of Futura four-sided vases, 81-5”.
Touched-up 1/4” chip to base of one. Paper
label to one.
$600–900
1111
1112
1113
1114
1115
1116
1117
1118
1114:
ROSEVILLE
Pair of Futura star-shaped vases, 385-8”.
Unmarked.
$700–1,000
1115:
ROSEVILLE
Pair of Futura flat vases, 423-6”.
Unmarked.
$600–800
1116:
ROSEVILLE
Futura tal l vase with flaring neck on
stepped base. Tight opposing lines to rim.
Unmarked. 12 1/4” x 4 3/4”
$600–800
1117:
ROSEVILLE
Futura four-sided vase with stepped neck,
decorated with a leaf-like design in green
and dark gray on a light gray ground.
Touch-ups to rim and base. Unmarked. 6”
$200–300
1118:
ROSEVILLE
Two orange Futura pieces decorated with
leaves in polychrome: a jardinière and a
w a ll pocket. Crazed. Unmarked. Jardinière:
7 1/2” x 10”
$400–600
317
1119
1120
1121
1122
1119:
ROSEVILLE
Earlam rare sand jar. Very tight 1 1/2” line to rim. Unmarked.
14” x 12”
$3,000–5,000
1121:
ROSEVILLE
Large Art c r a ft vase covered in a Tourmaline blue glaze. 3/4”
reglued chip and 1/8” grinding nick to base, a few very minor marks
to body. Partial paper label. 16 1/2” x 10 1/4”
$1,700–2,200
1120:
ROSEVILLE
Earlam massive vase with bulbous body and flaring neck.
Unmarked. 18 1/2” x 10 1/2”
$3,000–4,000
318
1122:
ROSEVILLE
Tourist jardinière decorated with a travel scene and rare cow. Chips
to body, lines to base (lower portion of body as-is). Unmarked.
8 1/2” x 9 3/4”
$800–1,200
1123:
ROSEVILLE
Pair of Blackberry vases. Bruise to rim of
one. Unmarked. 8 1/4” each
$800–1,200
1124:
ROSEVILLE
Blackberry jardinière. Unmarked.
9 1/2” x 9 3/4”
$ 45 0 – 6 5 0
1125:
ROSEVILLE
Two pairs of Sunflower vases. Fleck to one.
Paper label to one. 5 1/4” each
$500–750
1126:
1123
1124
1125
1126
1127
1128
1129
1130
ROSEVILLE
Four Sunflower vases, including three
spherical and one tapered with angular
handles. Flat chips to base ring of one
spherical and tapered.
$850–1,250
1127:
ROSEVILLE
Two Sunflower vases, one squat and one
bulbous. Nick and opposing lines to squat.
Unmarked. 5 1/4” and 8 1/4”
$850–1,250
1128:
ROSEVILLE
Two Sunflower pieces: a hanging basket
(minute flecks to body and hanging holes),
and a bulbous vase. Both unmarked.
Basket: 5” x 7”
$750–1,250
1129:
ROSEVILLE
Pair of brown Cherry Blossom jardinières,
627-4”. Flake and shallow spiderline to one.
Unmarked.
$ 45 0 – 6 5 0
1130:
ROSEVILLE
Windsor blue bulbous vase with yellow and
green geometric rectangular design around
rim. Minor scaling to base edge. Paper
label. 6 1/4” x 6 3/4”
$350–550
319
1131
1132
1133
1134
1131:
WELLER
Rare lamp base with four buttresses in the form of tree-trunks.
Hairline to one post, a few chips around base, possibly in the
making. Unmarked. 16” x 11 1/4”
1133:
ROSEVILLE
Earlam trial-glaze umbrella stand in shades of blue and deep rose.
Unmarked. 20” x 10 1/2”
$800–1,200
$2,000–3,000
1134:
1132:
ROSEVILLE
Massive Decorated Landscape pedestal. Minor abrasions to top and
base, excellent condition ov e r a ll. 30” x 12 1/4”
O W E N S ( A t t r. )
Matt Green jardinière and pedestal set with embossed Feroza-like
design. Unmarked. Overall: 27 3/4” x 12”
$1,000–1,500
$1,750–2,500
320
1135:
ROSEVILLE
Blue Apple Blossom jardinière, 303-10”,
and pedestal, 306-10”, set. Very minor nick
to each piece. Both marked.
$750–1,000
1136:
ROSEVILLE
Brown Florentine jardinière and pedestal
set. Several small chips/nicks to both
pieces. Jard: 10” x 14”
$400–600
1137:
WELLER
Voile rare jardinière and pedestal set.
E x c e llent original condition. Unmarked.
32” x 12 1/2”
1135
$1,000–2,000
1138:
ROSEVILLE
Blackberry jardinière and pedestal set. Nick
to one berry, faint spiderlines to base of
jard. Excellent mold and color. Unmarked.
29” x 13 1/2”
$1,500–2,000
1139:
ROSEVILLE
Blackberry pedestal. A few minor scuff s ,
burst near top. Unmarked. 18 1/2” x 12 1/2”
$700–900
1140:
ROSEVILLE
Blue Wisteria pedestal. Excellent color.
Unmarked. 19” x 12 1/2”
1136
1137
1138
1139
1140
1141
$800–1,000
1141:
ROSEVILLE
Sunflower pedestal. Minor scratches to
top. Unmarked. 18 3/4”
$750–1,000
321
1142:
WELLER
C o p p e r tone pillow vase with frogs perched
on both sides. Restoration to bottom one
frog. Kiln stamp. 8 1/4” x 9”
$800–1,200
1143:
WELLER / ROSEVILLE
Three pieces: one Roseville Rozane Pattern
vase, 4-8”, one Weller Burntwood bulbous
vase with floral design, and one Well e r
Roma with pink flowers. Large bursts and a
few minor nicks to Burntwood vase. Tw o
$300–400
1144:
ROSEVILLE
1142
1143
1144
1145
1146
1147
1148
1149
Rozane Light vase with pansies on a
shaded green ground. Stamped numbers,
i llegible art i s t ’s mark (seal removed, most
likely seconded). 6” x 3 1/2”
$300–400
1145:
WELLER
Matt Green basket over a Silvertone blank.
Restoration to bottom of handle.
Unmarked. 8 3/4” x 7 1/4”
$200–300
1146:
ROSEVILLE
Blue Falline bulbous vase. Restoration to
chip on one handle. Foil label. 7” x 6 1/2”
$ 45 0 – 6 5 0
1147:
ROSEVILLE
Five Silhouette vases, 783-7” in both blue
and white (hairline to blue), and 742-6” in
white (two 1/4” touched-up chips), and a
pair of Silhouette flaring vases, 787-10”,
one blue and one white (touch-ups to base
of white). Both marked.
$500–750
1148:
ROSEVILLE
Two Egypto pieces: a small pitcher with
raised, banded geometric designs, and an
A l a d d i n’s lamp. Both with Egypto seals.
5” each
$650–950
1149:
ROSEVILLE
Two vases: Early Velmoss (very tight line
to rim), and Futura, 382-7”. Both unmarked.
Velmoss: 8”
$600–900
322
1150:
ROSEVILLE
Four Tourmaline vases, three blue and one
orange. Nick to base of orange vase, 1/4”
touch-up to rim of bulbous ribbed vase,
minor grinding/shaving to ovoid vase. One
$ 45 0 – 6 5 0
1151:
1150
1151
ROSEVILLE
Five pieces: blue Moss vase, 775-6” (chip to
top of one handle), brown Panel 4” bowl
with Freesia, Sunflower two-handled 5”
vase, a green Velmoss 6” vase, and a
Carnelian I yellow low bowl (spiderlines to
body). Two marked.
$500–750
1152:
ROSEVILLE
Three vases, one green Fuchsia, 346-4”
(spiderlines to base), one brown Wisteria,
and one squat Blackberry. One marked.
Ta llest: 7 1/4”
$750–1,000
1153:
ROSEVILLE
Futura four-sided flaring vase atop a ball
base in shades of brown and orange. 1” line
from rim, two small nicks to base edge.
Unmarked. 12 1/4”
$400–600
1152
1153
1154:
ROSEVILLE
Five pieces: Sunflower faceted planter, and
four Decorated Creamware corseted cups.
Glaze scale to one flower and edge of base
and flat chip to bottom of Sunflower,
bruise to one cup. Unmarked. Planter: 3
1/4” x 12 3/4”
$300–400
115
323

March 2007

Transcription

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