Is Life Worth Living?
Transcription
Is Life Worth Living?
DIFFERENT STAGES’ REPERTORY DIFFERENT STAGES’ REPERTORY Begun as Small Potatoes Theatrical Company Begun as Small Potatoes Theatrical Company 1981: August Strindberg’s Creditors and The Stronger. 1982: William Shakespeare’s The Tempest 1981: August Strindberg’s Creditors and The Stronger. 1982: William Shakespeare’s The Tempest and A Midsummer Night’s Dream. 1983: George Bernard Shaw’s Candida; Anton Chekhov’s The and A Midsummer Night’s Dream. 1983: George Bernard Shaw’s Candida; Anton Chekhov’s The Brute, Swan Song, and Celebration. 1984: Luigi Pirandello’s Right You Are (If You Think You Are); Brute, Swan Song, and Celebration. 1984: Luigi Pirandello’s Right You Are (If You Think You Are); JaneJane Martin’s Talking With… 1985: Caryl Churchill’s Cloud 9; 9; William Shakespeare’s Martin’s Talking With… 1985: Caryl Churchill’s Cloud William Shakespeare’sAsAsYou YouLike Like It; Carl Sternheim’s The Underpants; Michael Weller’s Moonchildren. 1986: Amlin Gray’s It; Carl Sternheim’s The Underpants; Michael Weller’s Moonchildren. 1986: Amlin Gray’sHow HowI I Got Got ThatThat Story; William Shakespeare’s TheThe Winter’s Tale; Eugene Story; William Shakespeare’s Winter’s Tale; EugeneO’Neill’s O’Neill’sBeyond Beyondthe theHorizon. Horizon. 1987: Michael Weller’s Loose Ends; Aristophanes’ The Wasps; Larry Kramer’s The Normal 1987: Michael Weller’s Loose Ends; Aristophanes’ The Wasps; Larry Kramer’s The NormalHeart; Heart; Arthur Schnitzler’s Anatol. 1988: Wallace Shawn’s Aunt Dan and Lemon; Arthur Schnitzler’s Anatol. 1988: Wallace Shawn’s Aunt Dan and Lemon;Dylan DylanThomas’ Thomas’Under Under MilkMilk Wood; Moss Hart’s Light Up Up the the Sky;Sky; Jean Racine’s Phaedra; Wood; Moss Hart’s Light Jean Racine’s Phaedra;Jean-Baptiste Jean-BaptisteMolière’s Molière’sThe The Misanthrope. 1989: Caryl Churchill’s Fen;Fen; Charles Ludlam’s The Artificial Misanthrope. 1989: Caryl Churchill’s Charles Ludlam’s The ArtificialJungle; Jungle;William WilliamShakeShakespeare’s The The Merchant of of Venice. 1990: Eric Overmeyer’s OnOnthetheVerge; speare’s Merchant Venice. 1990: Eric Overmeyer’s Verge;Eugene EugeneO’Neill’s O’Neill’sLong Long Day’sDay’s Journey IntoInto Night; Milan Kundera’s Jacques andand HisHis Master; Tom Journey Night; Milan Kundera’s Jacques Master; TomWhite’s White’sThe TheTrouble Troublewith with Tofu;Tofu; William Shakespeare’s Titus Andronicus. 1991: George Kelly’s The William Shakespeare’s Titus Andronicus. 1991: George Kelly’s TheShow-Off; Show-Off;George GeorgeBerBernardnard Shaw’s Mrs.Mrs. Warren’s Profession; Keith Reddin’s Life and Limb; Mozart/Lorenzo Shaw’s Warren’s Profession; Keith Reddin’s Life and Limb; Mozart/LorenzodadaPonte’s Ponte’s CosìCosì fan Tutte; Jean-Baptiste Molière’s TheThe Learnèd Ladies. 1992: fan Tutte; Jean-Baptiste Molière’s Learnèd Ladies. 1992:Alan AlanAyckbourn’s Ayckbourn’sWoman Womaninin Mind; Carlo Gozzi’s TheThe Raven; Henrik Ibsen’s TheThe Wild Duck; Charles MacArthur’s Mind; Carlo Gozzi’s Raven; Henrik Ibsen’s Wild Duck; Charles MacArthur’sJohnny Johnnyononaa George Farquhar’s Recruiting Officer. 1993: TimberlakeWertenbaker’s Wertenbaker’sOur OurCountry’s Country’s Spot;Spot; George Farquhar’s TheThe Recruiting Officer. 1993: Timberlake Good; Charles Ludlam’s Secret Lives Sexists; TennesseeWilliams’ Williams’Orpheus OrpheusDescendDescendGood; Charles Ludlam’s TheThe Secret Lives of ofthethe Sexists; Tennessee 1994: Constance Congdon’s Tales Lost Formicans; WilliamShakespeare’s Shakespeare’sCymbeline; Cymbeline; ing. ing. 1994: Constance Congdon’s Tales of ofthethe Lost Formicans; William George M. Cohan’s Tavern; Marlayne Meyer’s Etta Jenks. 1995: PierreMarivaux’s Marivaux’sThe TheTriTriGeorge M. Cohan’s TheThe Tavern; Marlayne Meyer’s Etta Jenks. 1995: Pierre of Love; Stoppard’s Travesties; Larry Kramer’s The Destinyof ofMe; Me;Alexander AlexanderOstroOstroumphumph of Love; TomTom Stoppard’s Travesties; Larry Kramer’s The Destiny vsky’s Diary a Scoundrel. 1996: Caryl Churchill’s MadForest; Forest;Agatha AgathaChristie’s Christie’sBlack Black vsky’s The The Diary of aof Scoundrel. 1996: Caryl Churchill’s Mad Coffee; William Congreve’s The Way of the World. 1997: Terrence McNally’s A Perfect Ganesh; Coffee; William Congreve’s The Way of the World. 1997: Terrence McNally’s A Perfect Ganesh; Dorothy Parker’s Alan Ayckbourn’s Drinking Companion; TerrenceMcNally’s McNally’sNoon; Noon; Dorothy Parker’s HereHere We We Are;Are; Alan Ayckbourn’s Drinking Companion; Terrence George M. Cohan’s Seven to Baldpate; Sean O’Casey’s Juno and Paycock.1998: 1998:Tom TomStopStopGeorge M. Cohan’s Seven KeysKeys to Baldpate; Sean O’Casey’s Juno and thethe Paycock. pard’s Arcadia; Aeschylus’ Agamemnon; Giles Havergal’s Travels with Aunt;Arthur ArthurMiller’s Miller’sAll All pard’s Arcadia; Aeschylus’ Agamemnon; Giles Havergal’s Travels with mymy Aunt; My Sons. 1999: Edit Villareal’s My Visits with MGM; Jean-Baptiste Molière’s The Hypochondriac My Sons. 1999: Edit Villareal’s My Visits with MGM; Jean-Baptiste Molière’s The Hypochondriac (tr. Martin Sorrel); Edward Percy Reginald Denham’s LadiesininRetirement; Retirement;Anton AntonChekChek(tr. Martin Sorrel); Edward Percy andand Reginald Denham’s Ladies Uncle Vanya. 2000: Peter Parnell’s Rise Rise DanielRocket; Rocket;Ann AnnCiccolella’s Ciccolella’s hov’shov’s Uncle Vanya. 2000: Peter Parnell’s TheThe Rise andand Rise of ofDaniel Fruits and Vegetables; George S. Kaufman and Marc Connelly’s Merton of the Movies; Martin Fruits and Vegetables; George S. Kaufman and Marc Connelly’s Merton of the Movies; Martin McDonagh’s The Cripple of Inishmaan. 2001: Milcha Sanchez-Scott’s Roosters; George Bernard McDonagh’s The Cripple of Inishmaan. 2001: Milcha Sanchez-Scott’s Roosters; George Bernard Shaw’s The Devil’s Disciple; J. B. Priestly’s Dangerous Corner; Tennessee Williams’ Summer and Shaw’s The Devil’s Disciple; J. B. Priestly’s Dangerous Corner; Tennessee Williams’ Summer and Smoke. 2002: Ann Ciccolella’s Madame X; David Linsay-Abaire’s Fuddy Meers; Agatha Christie’s Smoke. 2002: Ann Ciccolella’s Madame X; David Linsay-Abaire’s Fuddy Meers; Agatha Christie’s The Unexpected Guest; Federico Garcia Lorca’s The House of Bernarda Alba. 2003: Christopher The Durang’s UnexpectedBetty’s Guest;Summer Federico Garcia Lorca’s The House of Bernarda Alba. 2003: Christopher Vacation; Horton Foote’s The Traveling Lady, William Shakespeare’s Durang’s Betty’s Summer Vacation; Foote’s Traveling Lady,The William Shakespeare’s Two Gentlemen of Verona; Oscar Horton Wilde’s An Ideal The Husband; Moliere’s Miser. 2004: John PatTworick’s Gentlemen of Verona; Oscar Wilde’s An Ideal Husband; Moliere’s The Miser. 2004: John PatThe Hasty Heart; Tom White’s The Misses Overbeck; Brian Friel’s Molly Sweeney, George rick’s The Hasty Heart; Tom White’s The Misses Overbeck; Brian Friel’s Molly Sweeney, George Bernard Shaw’s Arms and the Man. 2005:William Shakespeare’s Pericles, Prince of Tyre; Edit VilBernard Shaw’s Armsisand the Man. 2005:William Shakespeare’s Pericles, of Tyre; Edit Villareal’s Marriage Forever; Agatha Christie’s Appointment with Death;Prince John Millington Synge’s lareal’s Forever; Christie’s Millington Synge’s The Marriage Playboy of isthe WesternAgatha World. 2006: Two Appointment into War (Thewith GiftsDeath; of WarJohn and The Retreating World); The Amy Playboy of theThe Western 2006: Two into War (The of War and The Retreating World); Freed’s BeardWorld. of Avon; Agatha Christie’s TheGifts Hollow; Christopher Durang’s Mrs. Bob AmyCratchit’s Freed’s Wild The Beard of Avon; Christie’s The Hollow; Durang’s Bob Christmas Binge.Agatha 2007: Edward Albee’s The GoatChristopher or Who is Sylvia?, PeterMrs. Shaffer’s Cratchit’s Binge. 2007: Edward Albee’s Goat or WhoMoliere’s is Sylvia?,The Peter Shaffer’s LetticeWild and Christmas Lovage, W. Sommerset Maugham’s TheThe Constant Wife; Miser. 2008: Lettice and Lovage, W. Sommerset Maugham’s The Constant& Wife; Moliere’s The Miser. Tennessee Williams’ Garden District: Something Unspoken Suddenly Last Summer, Diana2008: Son’s Tennessee Williams’ Garden District: Something Unspoken Suddenly Last Summer, Diana Son’s Stop Kiss; Tom White’s What I Want Right Now; George&Bernard Shaw’s Getting Married. 2009: StopChristopher Kiss; Tom White’s What Want Right Now; Bernard Shaw’s Married. 2009: Durang’s MissI Witherspoon; CarylGeorge Churchill’s A Number; J.B.Getting Priestley’s An Inspector Christopher Durang’s Miss Witherspoon; Churchill’s Number; J.B.Eurydice; Priestley’s An Inspector Calls; Thornton Wilder’s The Skin ofCaryl Our Teeth. 2010:ASarah Ruhl’s Horton Foote’s Carpetbagger’s Children; Agatha Christie’s Web; Paul Osborn’s Morning’s Seven. Calls;The Thornton Wilder’s The Skin of Our Teeth. Spider’s 2010: Sarah Ruhl’s Eurydice; Horton at Foote’s CharlotteChildren; Jones’ Humble Boy; Tennessee Williams’ Night of the Morning’s Iguana; W. at Somerset The 2011: Carpetbagger’s Agatha Christie’s Spider’s Web;The Paul Osborn’s Seven. Maugham’s Many Husbands; Lisa Kron’sWilliams’ Well. 2012: Lillian The Children’s Hour; 2011: CharlotteToo Jones’ Humble Boy; Tennessee The NightHellman’s of the Iguana; W. Somerset Agatha Christie’s on theLisa NileKron’s Well. 2012: Lillian Hellman’s The Children’s Hour; Maugham’s Too ManyMurder Husbands; Agatha Christie’s Murder on the Nile Different Presents Different Stages Stages Presents Lennox Lennox Robinson’s Robinson’s Is Life Worth Worth Living? Living? June2222– –July July14,14,2012 2012 June TheVortex, Vortex,2307 2307Manor Manor The main.org/diffstages main.org/diffstages Different Stages presents Is Life Worth Living? by Lennox Robinson PRODUCTION STAFF Director ...................................................................................................... Norman Blumensaadt Assistant Director .................................................................................................Phoebe Greene Stage Manager......................................................................................................Tamara L. Farley Set Design ....................................................................................................... Ann Marie Gordon Light Design..........................................................................................................Patrick Anthony Costume Design ........................................................................Paula Gilbert & Douglas Kelley CAST Lizzie Twohig...........................................................................................................Mary Kennelly Helena ............................................................................................................... Bethany Harbaugh Christine Lambert ...............................................................................................Alexandra Russo Eddie Twohig..............................................................................................................Gabriel Peña John Twohig ................................................................................................................Andy Brown Constance Constantia ..............................................................................................Lorella Loftus Hector de la Mare ......................................................................................................Mick D’Arcy Annie Twohig ..............................................................................................................Jean Budney Peter Hurley, T.D. ....................................................................................................Freddy Carnes Michael “the boots” ............................................................................................Denver Surgener John Hegarty .......................................................................................................Benjamin Weaver William Slattery...............................................................................................................Steven Fay Tom Mooney ...........................................................................................................Jonathan Urso ACKNOWLEDGEMENTS AND SPECIAL THANKS Karen Jambon, Bob Tolaro, Bonnie Cullum, Lucy Lister, The School at Waller Creek FUNDING AND DONATIONS Director Level $5000+ The City of Austin Stage Manager Level $500-$999 Craig Kanne, AMD Foundation/Paul Arndt Stage Hand Level $100-$249 Steven Kinslow, Diane Herrera, John & Betty Wood, Andy & Renee Brown, Roy & Leona Kaskin, Annette Sherman, Keith Yawn, Pamela Bates, Marla Boye, Melanie & Travis Dean, The Pfizer Foundation, Bonnie & Frank Cahill, Tom White, David Smith, Paula & Bill Kemp, Anonymous Actor Level $1000 - $5000 Karen Jambon & Jennifer Underwood, Jack Grimes, Ameriprise Financial Designer Level $250-$499 Irene Dubberly, Sarah & David Seaton, Royce Gehrels, Bruce McCann, Emily & Kent Erington, Connie McMillan, Harvey Guion, Ann Bower Audience Level $20-$99 Mary Alice Carnes, Patricia Bennett, Cade & Al Minder, Gerald Moore, Paula Gilbert, Kelly Slupek, Cecilia Berg, Rebecca Robinson, Reba Gillman, Charles Ramirez Berg, Dianne & Donna Le Roy, Richard Collins, Miriam & Larry Rubin In-Kind Donations The scene is a small sitting room in the Seaview Hotel at Inish, a small seaside resort in Ireland. Act I: A July morning. Act II: Scene 1: Early evening, ten days later. ~Intermission~ Scene 2: A few hours later. Act III: Morning, a week later. Produced by special arrangement with Samuel French, Inc. Karen Jambon, Bill Peeler This project is funded and supported in part by the City of Austin through the Cultural Arts Division believing an investment in the Arts is an investment in Austin’s future. Visit Austin at: NowPlayingAustin.com PRODUCTION STAFF PRODUCTION STAFF & Sound Technician ...................................................................Tamara L. Farley Light Light & Sound Technician ...................................................................Tamara L. Farley Set Crew ...................................Ann Marie Gordon, Elaine Jacobs, Denver Surgener Set Crew...................................Ann Marie Gordon, Elaine Jacobs, Denver Surgener Properties .....................................................................................Norman Blumensaadt Properties .....................................................................................Norman Blumensaadt Webmaster ..........................................................................................Martina Ohlhauser Webmaster ..........................................................................................Martina Ohlhauser Photography ............................................................................................Bret Brookshire Photography ............................................................................................Bret Brookshire Graphic ...............................................................................................Matthew Graphic ArtistArtist ...............................................................................................Matthew Ing Ing Program Design ......................................................................................Emily Erington Program Design ......................................................................................Emily Erington Publicity ..................................................................Carol Norman Blumensaadt Publicity ..................................................................Carol Ginn,Ginn, Norman Blumensaadt ABOUT DIFFERENT STAGES ABOUT DIFFERENT STAGES Different Inc.been has been a community-based organization its incepDifferent Stages,Stages, Inc. has a community-based organization since since its incepin 1981 and incorporation in 1984. It produces by playwrights tion intion 1981 and incorporation in 1984. It produces worksworks by playwrights whomwhom we believe be defining in theatre. We to seekentertain to entertain perforwe believe to betodefining forcesforces in theatre. We seek with with performances that reveal life in all its comedy, tragedy and intensity; and we hope mances that reveal life in all its comedy, tragedy and intensity; and we hope to to educate by choosing that provide exceptional intohuman the human educate by choosing plays plays that provide exceptional insightinsight into the con- conBy challenging ourselves as artists, and audiences our audiences as participants, dition.dition. By challenging ourselves as artists, and our as participants, we endeavor to provide the community with vigorous and exciting live theatre. we endeavor to provide the community with vigorous and exciting live theatre. Producing Artistic Director Producing Artistic Director Norman Blumensaadt Norman Blumensaadt of Directors BoardBoard of Directors Jambon, T.J. Moreno, Norman Blumensaadt KarenKaren Jambon, T.J. Moreno, Norman Blumensaadt Operating Operating BoardBoard Norman Blumensaadt, Seaton, Gehrels, Gilbert Norman Blumensaadt, SarahSarah Seaton, RoyceRoyce Gehrels, Paula Paula Ruth Ruth Gilbert ABOUT THE PLAYWRIGHT ABOUT THE PLAYWRIGHT sidethe andAnglo-Irish the Anglo-Irish the other Stuart Lennox Robinson (4 and on theonother EsméEsmé Stuart Lennox Robinson (4 side can be in seen in a such play such asBig The Big October - 15 October can be seen a play as The October 1886 1886 - 15 October 1958)1958) was was (1926), depicts a burnan Irish dramatist, and theatre HouseHouse (1926), whichwhich depicts a burnan Irish dramatist, poet poet and theatre ing of such a Protestant manor producer and director who was inproducer and director who was in- ing of such a Protestant manor by Ir-by Irregulars, or extreme Republicans. volved withAbbey the Abbey Theatre. regulars, or extreme Republicans. volved with the Theatre. Robinson’s popular playThe was The Robinson in Westgrove, Robinson’s most most popular play was Robinson was was born born in Westgrove, Whiteheaded Boy (1916). Douglas, in County and raised Whiteheaded Boy (1916). OtherOther playsplays Douglas, in County Cork Cork and raised Crabbed in a Protestant and Unionist in included Crabbed YouthYouth and and Age Age in a Protestant and Unionist familyfamily in included (1924), TheOff FarHills Off Hills (1928), he the wasyoungest the youngest of seven (1924), The Far (1928), Dra- Drawhichwhich he was of seven at Inish (1933), and Church children. His father, Andrew Robinma atma Inish (1933), and Church StreetStreet children. His father, Andrew Robin(1935). Drama at Inish, son, awas a middle-class stockbroker (1935). Drama at Inish, whichwhich was was son, was middle-class stockbroker presented in London andBroadon Broadwho in 1892 decided to become presented in London and on who in 1892 decided to become a cler-a clerway Life Worth Living?, was regyman the Church of Ireland way as Is as LifeIs Worth Living?, was regyman in theinChurch of Ireland in thein the vived as part of the 2011 season small Ballymoney parish, near Balsmall Ballymoney parish, near Bal- vived as part of the 2011 season at theat the Festival (Niagara-on-the-Lake, in West A sickly ShawShaw Festival (Niagara-on-the-Lake, lineenlineen in West Cork.Cork. A sickly child,child, Ontario, Canada). Robinson’s Robinson was educated by private Ontario, Canada). Robinson’s fictionfiction Robinson was educated by private tu- tuincludes Stories (1919). tor atand at Bandon Grammar School. includes EightEight ShortShort Stories (1919). tor and Bandon Grammar School. In 1931 he published a biography In August 1907, his interest in the In August 1907, his interest in the In 1931 he published a biography of of Cooper, whorecently had recently theatre he went BryanBryan Cooper, who had died. died. theatre beganbegan after after he went to seetoansee an In 1951, he published Ireland’s Abbey production of plays In 1951, he published Ireland’s AbbeyAbbey Abbey production of plays by W.byB.W. B. Theatre, thefull-length first full-length history and Lady Gregory the Cork Theatre, the first history of of YeatsYeats and Lady Gregory at theatCork the company. He published an Opera House. He published his first Opera House. He published his first the company. He published an editededited edition of Lady Gregory’s diaries that same His play, first play, edition of Lady Gregory’s diaries in in poempoem that same year. year. His first The Cross Roads, was performed in 1947. The Cross Roads, was performed in 1947. the Abbey in 1909 andbecame he became the Abbey in 1909 and he Robinson was married the daughter Robinson was married to thetodaughter manager of the theatre towards manager of the theatre towards the the of spiritualist Hester Dowden, daughof spiritualist Hester Dowden, daughofyear. that year. He resigned in 1914 end ofend that He resigned in 1914 the literary Irish literary scholar Edward ter ofter theofIrish scholar Edward as a result of a disastrous tour as a result of a disastrous tour of theof the Dowden. Dowden. United but returned in 1919. United StatesStates but returned in 1919. He He was appointed the board the thewas appointed to thetoboard of theofthe- -Wikipedia - -Wikipedia in 1923 and continued to serve atre inatre 1923 and continued to serve in in that capacity untildeath. his death. that capacity until his a playwright, Robinson showed As aAs playwright, Robinson showed himself as a nationalist with plays himself as a nationalist with plays like like Patriots (1912) and Dreamers (1915). Patriots (1912) and Dreamers (1915). On the other hand, he belonged On the other hand, he belonged to a to a partIrish of Irish society, was not part of society, whichwhich was not as fully division seen seen as fully Irish. Irish. This This division be- bethe “pure” Catholic Irish on one tweentween the “pure” Catholic Irish on one CAST BIOGRAPHIES ANDY BROWN (John Twohig) is pleased to be making his debut with Different Stages. He wants to thank the cast and crew for a fun, frenzied experience, and his wife Renee for letting him out to play. Select roles include Mark Styler in Mindgame, Lennie in Of Mice and Men, Hugo Taney in God’s Man in Texas, and numerous roles in Slapdash Flimflammery. JEAN BUDNEY (Annie Twohig) is pleased to be making her Austin debut with Different Stages. A graduate of Boston Conservatory of Music, Jean performed in many stage productions, along with singing in nightclubs and doing jingle and voice-over work in New York City for many years. Predominantly a musical theatre performer, some of her favorite roles have included the title character in Mame, Amy in Company, Ruby in Dames at Sea, and Sharon McLonergan in Finian’s Rainbow. She has participated in several Dramatists Guild performances, as well. She is delighted to have arrived in Austin in time for Norman Blumensaadt to introduce her to the Austin theatre community. FREDDY CARNES (Peter Hurley, T.D.) is pleased to be working with Different Stages for the first time. He has been an admirer for many years and is honored to be working with the company. He has his own company (Freddy Carnes Productions) and has written many original musicals including The Odyssey: A Rock Musical based on Homer’s epic poem. During the day he works for Theatre Action Project as a teacher and a performer. He wants to thank his lovely wife Olga for her love and support. MICK D’ARCY (Hector de la Mare) most recently appeared as Gen. Humpty in :Humpty at the VORTEX. Other recent shows include Romeo and Juliet and Imaginary Invalid (City Theatre), and Lear (VORTEX). His last Different Stages production was Black Coffee and his next after this will be directing You Can’t Take It With You in the fall, for which Mick thanks Norman for the opportunity to do so. Mick has received four B. Iden Payne nominations as an actor, two as a playwright, and one Critics’ Table nomination as an actor. STEVEN FAY (William Slattery) appears in his 20th Different Stages production. He was last seen injecting himself into the plot of Murder on the Nile. In other DS shows, he has quoted Torah in The Skin of Our Teeth and grilled suspects in Appointment With Death (B. Iden Payne nomination). He was last seen at the VORTEX in You Can’t Take It With You (B. Iden Payne nomination). BETHANY HARBAUGH (Helena) is pleased to be working again with Different Stages. Her recent work includes The Children’s Hour (Different Stages), Symphony DOUGLAS KELLEY (Costume Design) has worked for many yearsyears withwith Dif-DifDOUGLAS KELLEY (Costume Design) has worked for many ferent Stages. YouYou will will havehave seenseen his work in many of the antique furniture res- resferent Stages. his work in many of the antique furniture torations that were used in past Different Stages shows. This is Douglas’ second torations that were used in past Different Stages shows. This is Douglas’ second collaboration withwith Paula Gilbert for afor Different Stages production. Douglas is ac-is accollaboration Paula Gilbert a Different Stages production. Douglas complished in many areas: antique restoration and and reproduction, sewing, painting, complished in many areas: antique restoration reproduction, sewing, painting, autoauto repair and a host of other things that make life interresting. repair and a host of other things that make life interresting. U NUI V RE SR AS L APLUPBU LB I SLH RE SR S NE IV I SEH • Special Events Advertising • (512) 478-6306 • • • Special Events Advertising • (512) 478-6306 www.upstages.com www.upstages.com FOUR SONS’ FOUR SONS’ QUALITY CLEANERS QUALITY CLEANERS MR COOL SAYS MR COOL SAYS “For“For Quality Quality Four Sons” Four Sons” 3001 Guadalupe 3001 Guadalupe477-2969 477-2969 4300 N. Quinlan ParkPark 266-2754 4300 N. Quinlan 266-2754 3601 W. Wm Cannon 899-3577 3601 W. Wm Cannon 899-3577 7301 RRRR 620620 N N 249-9692 7301 249-9692 3111 West 35th35th 452-0842 3111 West 452-0842 9600 Escarpment BlvdBlvd 288-8824 9600 Escarpment 288-8824 of Clouds (a co-production withwith Ballet Austin and and Pollyanna Theatre), and and she she will will of Clouds (a co-production Ballet Austin Pollyanna Theatre), be appearing nextnext in City Theatre’s production of She to Conquer. Bethany is is be appearing in City Theatre’s production of Stoops She Stoops to Conquer. Bethany a company member of Pollyanna Theatre and Weird City Theatre. This fall she will a company member of Pollyanna Theatre and Weird City Theatre. This fall she will be making her second silversilver screen appearance in Masters of theof Universe: The Fountain be making her second screen appearance in Masters the Universe: The Fountain of Life. of Life. MARY KENNELLY (Lizzie Twohig) is sincerely delighted to be her her MARY KENNELLY (Lizzie Twohig) is sincerely delighted to making be making Austin debut withwith suchsuch a fine Different Stages director and and cast.cast. She She recently left left Austin debut a fine Different Stages director recently southern California where she gave award-winning performances as Kate in All southern California where she gave award-winning performances as Kate in My All My Sons,Sons, ArrieArrie in Mornings’ at Seven, Ethel in Barefoot in theinPark, and and Ida in the River in Mornings’ at Seven, Ethel in Barefoot the Park, IdaOver in Over the River and Through the Woods. Other beloved rolesroles include Charmian in Antony and Cleopatra, and Through the Woods. Other beloved include Charmian in Antony and Cleopatra, and and E.M.E.M. Ashford in Wit. As a founding Member, she actd and stage managed for for Ashford in Wit. As a founding Member, she actd and stage managed the Redlands Shakespeare Festival and was the Production Director for Redlands the Redlands Shakespeare Festival and was the Production Director for Redlands Footlighters Community Theater, where she she also also assistant directed. ThisThis one’sone’s for for Footlighters Community Theater, where assistant directed. you,you, Chris – inspiration! Chris – inspiration! LORELLA LOFTUS (Constance Constantia) is delighted to betoworking withwith LORELLA LOFTUS (Constance Constantia) is delighted be working Different Stages for the firstfirst time.time. Lorella is a ismember of VORTEX Repertory Different Stages for the Lorella a member of VORTEX Repertory Company, and has been acting, directing, producing and writing in the Austin the-theCompany, and has been acting, directing, producing and writing in the Austin atre atre community for the past eleven years. She has worked with several different community for the past eleven years. She has worked with several different companies and and organizations, including CityCity Theatre and and the Austin Celtic Festival. companies organizations, including Theatre the Austin Celtic Festival. She She mostmost recently directed and acted in a workshop production of a play she wrote recently directed and acted in a workshop production of a play she wrote called Elizabeth: HeartHeart of a ofKing (about Queen Elizabeth I) atI)the to beto be called Elizabeth: a King (about Queen Elizabeth at VORTEX, the VORTEX, fullyfully produced in January of 2013. Favorite parts include Susan in Good Things by by produced in January of 2013. Favorite parts include Susan in Good Things Scots playwright Liz Lochhead (B. Iden. Payne nomination for Best LeadLead Actress in in Scots playwright Liz Lochhead (B. Iden. Payne nomination for Best Actress a Comedy), Alisoun in Chaucer’s The Wife of Bath’s Tale, which Lorella adapted with a Comedy), Alisoun in Chaucer’s The Wife of Bath’s Tale, which Lorella adapted with Shekhar Govind (Austin Theatre Examiner nominations for Best Script and and BestBest Shekhar Govind (Austin Theatre Examiner nominations for Best Script LeadLead Actress in a in Comedy), and and Maureen in Martin McDonagh’s The The Beauty Queen Actress a Comedy), Maureen in Martin McDonagh’s Beauty Queen of Leenane (B. Iden Payne award for Outstanding Cast). of Leenane (B. Iden Payne award for Outstanding Cast). GABRIEL PEÑA (Eddie Twohig) is pleased to be for the firstfirst timetime GABRIEL PEÑA (Eddie Twohig) is pleased to working be working for the withwith Different Stages. A fairly newnew faceface in Austin, he has performed in various Different Stages. A fairly in Austin, he has performed in various works in North Carolina and California. His last work (and first one in town!) was was works in North Carolina and California. His last work (and first one in town!) Paper Moon Repertory’s The 21 Would-Be Lives of Phineas Hamm (Phineas Hamm), Paper Moon Repertory’s The 21 Would-Be Lives of Phineas Hamm (Phineas Hamm), which has been nominated for two Critics Table Awards. He isHe excited to betosharing which has been nominated for two Critics Table Awards. is excited be sharing the stage with such an animated group and wants to thank the company and and Austin the stage with such an animated group and wants to thank the company Austin for being so welcoming! for being so welcoming! ALEXANDRA RUSSO (Christine Lambert) is a graduate of the of of ALEXANDRA RUSSO (Christine Lambert) is a graduate of University the University Texas, where she obtained her degree in Theatre and Dance. She is happy to Texas, where she obtained her degree in Theatre and Dance. She is happybe to be making her her Different Stages debut. Favorite pastpast rolesroles include Angeliqué, in City making Different Stages debut. Favorite include Angeliqué, in City Theatre’s Imaginary Invalid, Ginger in The 1940’s RadioRadio Hour, and and Baker’s WifeWife withwith Theatre’s Imaginary Invalid, Ginger in The 1940’s Hour, Baker’s the Roundabout Players’ Into the Other notable productions include Christina the Roundabout Players’ IntoWoods. the Woods. Other notable productions include Christina in Fefu and her Friends, Julie in Crank Collective’s Antarctica, Loaded Gun Theory’s in Fefu and her Friends, Julie in Crank Collective’s Antarctica, Loaded Gun Theory’s The Automat, plusplus several Slapdash Festivals and and City City Theatre’s The Miracle Worker. Her Her The Automat, several Slapdash Festivals Theatre’s The Miracle Worker. nextnext gig isgig choreographer for ASMC’s production of Alice in Wonderland, opening in in is choreographer for ASMC’s production of Alice in Wonderland, opening August at the Vance Theatre. Many thanks to her theatre widow August at Boyd the Boyd Vance Theatre. Many thanks to supportive her supportive theatre widow hubby, Matt!Matt! hubby, DENVER SURGENER (Michael “the“the boots”) is a is newcomer to the DENVER SURGENER (Michael boots”) a newcomer to Austin the Austin theatre scene and is thrilled to be working with Different Stages. While attending theatre scene and is thrilled to be working with Different Stages. While attending Oakland University in Michigan, he performed in such playsplays as Chekhov in Yalta, A A Oakland University in Michigan, he performed in such as Chekhov in Yalta, Flea Flea in Her Ear,Ear, The Cripple of Inishmaan, and and the award winning Come,Come, Beauty. He’dHe’d in Her The Cripple of Inishmaan, the award winning Beauty. like to the wonderful cast cast for welcoming him him on such shortshort notice. Slainte! likethank to thank the wonderful for welcoming on such notice. Slainte! JONATHAN URSO (Tom Mooney) is pleased to beto working withwith Different JONATHAN URSO (Tom Mooney) is pleased be working Different Stages again. Earlier Different Stages credits include playing Homer in Morning’s At At Stages again. Earlier Different Stages credits include playing Homer in Morning’s SevenSeven and and directing Humble Boy. He has also enjoyed stage-managing several producdirecting Humble Boy. He has also enjoyed stage-managing several productions.tions. Other recent credits include the role of Ken Gorman in Rumors, Gooper in in Other recent credits include the role of Ken Gorman in Rumors, Gooper Cat on Hota Hot Tin Roof, and and he directed Of Mice AndAnd Men,Men, all with City City Theatre ComCata on Tin Roof, he directed Of Mice all with Theatre Company.pany. Some of the other companies he has had the pleasure of working with are Some of the other companies he has had the pleasure of working with are VORTEX Repertory Company, BlueBlue LapisLapis Light, Capital City City Men’s Chorus, and and VORTEX Repertory Company, Light, Capital Men’s Chorus, ONSTAGE Theatre Company, just just to name a few. He has directed Butterflies ONSTAGE Theatre Company, to name a few. He also has also directed Butterflies Are Are Free Free and and Lunch HourHour for ONSTAGE Theatre Company. Many thanks to the Lunch for ONSTAGE Theatre Company. Many thanks to the cast,cast, crewcrew and and Norman. AndAnd to Cary for her lovelove and and support. Norman. to Cary for patience, her patience, support. BENJAMIN WEAVER (John Hegarty) has been acting locally sincesince 2008.2008. He He BENJAMIN WEAVER (John Hegarty) has been acting locally has performed numerous times at Sam Bass Community Theatre (Picasso at the Lapin has performed numerous times at Sam Bass Community Theatre (Picasso at the Lapin Agile,Agile, The Last DaysDays of Judas Iscariot, Waiting For Godot, Secondary CauseCause of Death and and A A The Last of Judas Iscariot, Waiting For Godot, Secondary of Death Company of Wayward Saints). Earlier this this year,year, he made his debut at the in in Company of Wayward Saints). Earlier he made his debut at VORTEX the VORTEX Elizabeth: Heart of a King. Elizabeth: Heart of a King. DIRECTION AND DESIGN BIOGRAPHIES DIRECTION AND DESIGN BIOGRAPHIES NORMAN BLUMENSAADT (Director) is theis Producing Artistic Director for for NORMAN BLUMENSAADT (Director) the Producing Artistic Director Different Stages. As an actor he has worked in Shakespeare Festivals in Odessa, Different Stages. As an actor he has worked in Shakespeare Festivals in Odessa, Texas, Madison, NewNew Jersey and and Dallas, Texas. For Different Stages, he has Texas, Madison, Jersey Dallas, Texas. For Different Stages, he recently has recently appeared in Humble Boy, Boy, Eurydice, A Number, The Miser, ArmsArms and the and and The The appeared in Humble Eurydice, A Number, The Miser, andMan the Man Playboy of the Western World. Among the numerous shows that he has directed are Playboy of the Western World. Among the numerous shows that he has directedThe are The House of Bernarda Alba,Alba, An Ideal Husband, The Beard of Avon, The Hollow, The Constant House of Bernarda An Ideal Husband, The Beard of Avon, The Hollow, The Constant Wife,Wife, The The SkinSkin of Our Teeth,Teeth, The The Carpetbagger’s Children, and and Too Many Husbands. In In of Our Carpetbagger’s Children, Too Many Husbands. celebration of his long and outstanding work in the Austin theater scene, the Austin celebration of his long and outstanding work in the Austin theater scene, the Austin Circle of Theaters bestowed uponupon Norman the 1998 Deacon Crain/John Bustin Circle of Theaters bestowed Norman the 1998 Deacon Crain/John Bustin Award. His His productions of The Normal HeartHeart and and The The GoatGoat or Who is Sylvia wonwon Award. productions of The Normal or Who is Sylvia ACOT Awards for Best Production of a Drama. Different Stages was also the ACOT Awards for Best Production of a Drama. Different Stages was also first the first theatre company in Austin to produce Arcadia by Tom Stoppard; that that production theatre company in Austin to produce Arcadia by Tom Stoppard; production wonwon the Austin Theater Critics Award for Best Comedy. the Austin Theater Critics Award for Best Comedy. PHOEBE GREENE (Assistant Director) reprises her role as Assistant DirecPHOEBE GREENE (Assistant Director) reprises her role as Assistant Director for Worth Living? Previous she served as Assistant Director in Differtor Is forLife Is Life Worth Living? Previous she served as Assistant Director in Different Stages’ WellWell and and Too Too Many Husbands, in addition to the role role of Taylor. ent Stages’ Many Husbands, in addition to acting the acting of Taylor. Other recent acting credits include Frau Fahrenkopf in Different Stages’ The Night Other recent acting credits include Frau Fahrenkopf in Different Stages’ The Night of the Miranda in Smoke Screen , and, and numerous productions withwith The The Vi- Viof Iguana, the Iguana, Miranda in Smoke Screen numerous productions olet olet Crown Radio Players. Notably she portrayed Doris Walker in Miracle on 34th Crown Radio Players. Notably she portrayed Doris Walker in Miracle on 34th Street, Hazel in Dorothy Parker’s Big Blonde and as an audio engineer for King Street, Hazel in Dorothy Parker’s Big Blonde and as an audio engineer for King Kong, which garnered a B. aIden Payne Awards Nomination for Outstanding Sound Kong, which garnered B. Iden Payne Awards Nomination for Outstanding Sound Design. She She holdsholds degrees in RTF and and History fromfrom UT Austin and and is delighted to to Design. degrees in RTF History UT Austin is delighted workwork withwith this this talented ensemble in her Different Stages production. talented ensemble in fourth her fourth Different Stages production. ANN MARIE GORDON (Scenic Design) is pleased to betoworking againagain withwith ANN MARIE GORDON (Scenic Design) is pleased be working Different Stages. Her Her recent workwork withwith Different Stages include The Children’s Hour,Hour, Different Stages. recent Different Stages include The Children’s and and A Number, which was was nominated for afor Critics Table Award. She She is a member A Number, which nominated a Critics Table Award. is a member of the Repertory Company where she designed the sets for Oceana, The The of VORTEX the VORTEX Repertory Company where she designed the sets for Oceana, Inbetweeners, and and The The Dragonfly Queen, all premier works recently presented by the Inbetweeners, Dragonfly Queen, all premier works recently presented by the VORTEX. VORTEX. PATRICK ANTHONY (Light Design) has been designing lightslights in Austin for for PATRICK ANTHONY (Light Design) has been designing in Austin threethree years. His previous designs include VORTEX Repertory Company’s Air, Air, Sky Sky years. His previous designs include VORTEX Repertory Company’s Candy’s The Red and and Different Stages’ Eurydice, Spider’s Web Web and and Murder on theon the Candy’s The Shoes Red Shoes Different Stages’ Eurydice, Spider’s Murder Nile,Nile, and and is delighted to continue designing withwith Different Stages’ Is Life Worth Liv- Livis delighted to continue designing Different Stages’ Is Life Worth ing? ing? PAULA GILBERT (Costume Design) is a is Different Stages alumna. As an PAULA GILBERT (Costume Design) a Different Stages alumna. Asacan actress,tress, she she performed in many of Different Stages’ past past shows including Orpheus performed in many of Different Stages’ shows including Orpheus Decending, Talking With,With, The Tavern, Suddenly Last Last Summer and and manymany of the Decending, Talking The Tavern, Suddenly Summer of Agatha the Agatha Christie summer shows. Paula’s mostmost recent directing venture was was Second Act Act Christie summer shows. Paula’s recent directing venture Second Troupe’s The Last Act Was a Solo. ThisThis is theis second organized venture withwith Douglas Troupe’s The Last Act Was a Solo. the second organized venture Douglas Kelley for afor Different Stages showshow as costumer. When not working withwith Different Kelley a Different Stages as costumer. When not working Different Stages, Paula is on the board of Vortex, and works at odd jobs such as stagehand, Stages, Paula is on the board of Vortex, and works at odd jobs such as stagehand, babysitter, examexam proctor, and and otherother itemsitems that that pay pay moremore thanthan meremere satisfaction. babysitter, proctor, satisfaction. Thank you you to special consultant, make-up and and hair,hair, KayeKaye Brown. Thank you you to to Thank to special consultant, make-up Brown. Thank Lia Haisley for costume assistance. Thanks to Lucy for putting up with a costume Lia Haisley for costume assistance. Thanks to Lucy for putting up with a costume shopshop in the room and and the coming-and-going at allathours. Thanks to Mesko in living the living room the coming-and-going all hours. Thanks to Mesko for perseverance. for perseverance.