the modern original

T he Col l e c t i on 201 6 —2 0 17
THE MODERN
ORIGINAL
F re de r ic ia .c om
A GREETING FROM
F R E D E R I C I A’ S O W N E R
“It’s not the
beauty of a
building you should
l o o k at ; i t ’ s t h e
construction
o f t h e f o u n d at i o n
t h at w i l l s t a n d
t h e t e s t o f t i m e .”
— David Allan Coe
Wh en you d rive th rough th e v illa ges of Den ma rk, pa r ticula rly
a lon g th e coa s tlin es , you will fin d ma gn ificen t h ouses
with tra d ition a l Da n is h d eta ilin g such a s th a tch ed roofs
a n d wood en fra med win d ows . Dotted bet ween n ewly built
h ouses with mod ern s ilh ouettes , mos t of th ese s tr uctures
were built ma n y yea rs a go, some a cen tur y or even more,
a n d h a ve become a sy mbol of Den ma rk. Wh en you en ter in to
th ese s pecta cula r d wellin gs , you feel a s if you a re s teppin g
in to h is tor y ; th e solid foun d a tion , superior con s tr uction a n d
ch a rmin g d eta ils tell a s tor y in it self, yet th ey a re s tories th a t
a re jus t a s releva n t in tod ay ’s world .
d emon s tra te jus t h ow in tuitive our desi gner s are to b ot h our
h erita ge, a s well a s th e M od er n Or i gi nal concept .
Por tugese born Hugo Passos is another example of our unique
a bilit y to crea te rela tion s h ip s wi t h our desi gner s, not j ust
work with th em. At 3 3, h e i s st i l l rel at i vel y young, but
h is exception a l eye for d etai l and demandi ng t he hi ghest
qua lit y ma teria ls ma d e h im an obvi ous choi ce to j oi n t he
Fred ericia fa mily. Pa s sos has al ways p roduced hi s own
d es ign s , a n d like M ogen sen , l oves to cont i nual l y chal l enge
h imself, in corpora tin g s ma ll det ai l s t hat are not aest het i cal l y
burd en some.
In ma n y ways , Fred ericia is ver y s imila r to th ese ma jes tic
h omes . Alth ough we h a ve un d ergon e ch a n ges , our foun d a tion
is a s s tron g tod ay a s it wa s in 1 91 1. Ever y piece of furn iture
th a t lea ves our fa ctor y h a s been ca refully h a n d cra fted ,
lov in gly d eta iled , a n d built to la s t th rough out gen era tion s ,
to tell s tories of th eir own . Times ch a n ge, a n d tren d s come
a n d go, h owever, a genuin e piece of furn iture from Fred ericia
will n ever go out of s t y le.
We are excited to expand our collection with Fredericia’s
curren t d es ign ers a s well. Award wi nni ng Dani sh desi gner s
Space Copenhagen, who conceived the enormously successful
Spin e series , h a ve on ce a gai n del ved i nto t he Freder i ci a
DNA, to crea te th e Swoon lounge chai r. The undul at i ng l i ne
of th e ch a ir is beautifully flui d, yet t he constr uct i on of t he
solid wood legs rea ffirms Freder i ci a’s tr adi t i on of usi ng onl y
th e fin es t ma teria ls a va ila ble.
Th a t d oes n’t mea n , h owever, th a t we ign ore curren t movemen t s in th e d es ign world . On th e con tra r y, we embra ce
th em, a n d a re con s ta n tly seekin g out n ew tech n ologies
a n d proces ses to a d d to our 1 00 plus yea rs experien ce. We
a lso work with a circle of d es ign ers wh o n ot on ly h a ve th eir
fin gers on th e pulse of mod ern d es ign , but a lso a re h igh ly in
tun e with Fred ericia’s h erita ge a n d DNA, crea tin g d es ign s
for us th a t a re th orough ly M od ern Origin a ls .
It h a s a lways been my motto t hat ‘al l good t hi ngs can b e
in th e sa me room’… a motto t hat I st i l l b el i eve i n. W het her
your rooms a re in a tra d itional manor or a chi c hi gh- r i se
a pa r tmen t, ea ch a n d ever y model i n t he Freder i ci a col l ect i on
is a M od ern Origin a l th a t turns a house i nto a home.
Th is is illus tra ted per fectly by Fred ericia’s t wo n ewes t
d es ign ers , Ja s per M orrison a n d Hugo Pa s sos . We h a ve a d mired
Ja s per ’s d es ign s for ma n y yea rs , a s h is ‘supern orma l’ con cept
of furn iture is a ble to blen d sea mles s ly in to someon e’s life a s
eith er a cen terpiece or in con s picuous ly, a n d is ver y s imila r
to th e ph ilosoph y in wh ich Børge M ogen sen a pproa ch ed
d es ign . M orrison h imself is a fa n of M ogen sen’s work, so it
wa s on ly n a tura l th a t a fter writin g th e for wa rd for our Børge
M ogen sen 1 00th a n n iversa r y book, a rela tion s h ip bet ween
th e celebra ted Britis h d es ign er a n d Fred ericia bega n to form.
Th e multipurpose solid wood Pon a n d Ta ro ta bles clea rly
Welcome to th e Fred ericia 2 01 6 col l ect i on.
Th oma s Gra versen
05
CONTENT
Pag e 0 9
About Fred ericia
A b r i e f h i s to r y a b ou t wh o we a re a n d ou r a p p ro a c h to d e s i g n
Pag e 1 0
Cra ft a n d ma teria ls
T h e B e au t y o f So l i d Wo o d
A St i tc h i n Ti me Sa ve s N i n e
T h e Ma te r i a l I s sue
T h e Fi n e s t Fu r n i t u re Le a t h e r s
T h e Te c h n o l o gy o f De s i g n
Pag e 2 0
Th e Fea tured Collection
E x p l o re t h e h i g h l i g h t s a n d l au n c h e s o f Fre d e r i c i a ' s 2 01 6 — 2 01 7 col l e ction
Pag e 8 4
Our Des ign ers
O u r H e r i t a g e De s i g n e r s
O u r Co n te mp o r a r y De s i g n e r s
Pag e 9 1
Ma n ifes to
Our declaration on design
Pag e 9 3
Th e Ca ta logue
Fu l l ove r v i ew o f t h e co mp l e te Fre d e r i c i a co l l e c t i o n
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ABOUT FREDERICIA
A fusion of thought-inherited properties and
innovative ideas is what Fredericia stands for
t o d a y. F o u n d e d i n 1 9 1 1 , F r e d e r i c i a h a s a l w a y s
b e e n a f a m i l y o w n e d a n d m a n a g e d c o m p a n y. F r o m
its modest beginnings as a Danish upholstery
workshop, to becoming a major force in the
emerging shape of Danish Modern in the 1950s, to
t o d a y, w h e r e t h e F r e d e r i c i a n a m e h a s b e c o m e a t r u l y
international brand.
Our proud history of design continues every day
as we strive to create The Modern Originals of
tomorrow. The combination of talented designers,
our personal approach during the development
stage, and a network of production partners
that employ the latest technologies guarantees
unparalleled excellence.
O u r h i s t o r y, p e r s o n a l i t y a n d c o m m i t m e n t t o
quality is reflected in every piece of furniture
t h a t l e a v e s o u r f a c t o r y.
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The Beauty of Solid Wood
L I K E A M I G H T Y OA K T R E E I N A F O R E S T, A G E N U I N E F R E D E R I C I A
WO O D E N P R O D U C T W I L L S TA N D P R O U D LY T H R O U G H T H E Y E A R S .
In Na ra , Ja pa n , s ta n d s th e Hor yuji temple. At 3 2 ,75 metres
ta ll, it is believed to be th e old es t wood en s tr ucture in th e
world , completed sometime a roun d th e yea r 7 1 1. Ha v in g
wea th ered wa rs , sea son a l a n d clima te ch a n ges , a n d
th ousa n d s of v is itors th rough th e yea rs , th e temple tod ay is
on e of th e mos t beautiful s ites in th e world .
used in th e Fred ericia collect i on i s of except i onal q ual i t y,
a n d wh eth er it is s moked , l acq uered, soap treated, whi te
oiled , or even left un trea ted , i t i s made to not j ust wi t hst and
a lifetime of use, but to beco me more b eaut i ful as i t ages.
We a lso believe in min ima l wast age, a b el i ef t hat dates b ack
to th e con ception of th e J3 9 chai r i n 193 7, when a sur p lus of
d owels in a pos t-wa r fa ctor y l ed to t he i coni c ‘ Peop l e’s Chai r ’
d es ign . It is n ot jus t cla s s ic desi gns t hat ut i l i sed off cut s
a n d wa s te reduction ; th e branches of Shi n Azumi ’s Nar a coat
s ta n d a re ma d e from th e off cut s of t he chai r and b ar stool
from th e sa me series .
Wood is a n in cred ible ma teria l. Not on ly is it a v ita l pa r t of
our ecosys tem, it s ma n y uses a n d fun ction s in our lives is
fully recogn ised a n d res pected a t Fred ericia . Th e oa k th a t
we use is from th e fin es t fores t s in Europe, some from trees
th a t a re up to 1 50 yea rs old , a n d is purch a sed th rough th e
mos t experien ced brokers in th e world . Our res pect for th e
ma teria ls we use r un s d eep, a n d our wood is procured from
eth ica lly min d ed fores t s , wh ere th e repla n tin g is grea ter
th a n th e fellin g. Even in it s fres h cut, ra w form, th e gra in a n d
tex ture is a es th etica lly beautiful a n d tells it s own s tor y, even
before it goes th rough th e ma n y proces ses a n d trea tmen t s to
ma ke a n auth en tic piece of Fred ericia furn iture.
All of th e d es ign ers in th e Freder i ci a fami l y ful l y under st and
a n d embra ce Børge M ogen se n’s and Freder i ci a’s resp ect for
wood . Th is s h ows in d es ign s such as t he Sp i ne ser i es, wi t h i t s
solid wood fea tures , a n d n ow esp eci al l y i n Jasp er Mor r i son’s
n ew ta bles , Pon a n d Ta ro, whi ch are si mp l e for ms t hat p ay
h oma ge to M ogen sen’s d es ign p hi l osop hi es, and constr ucted
from solid wood th a t h igh lig ht s t he nat ur al b eaut y of t hi s
exception a l ma teria l. Wh eth e r i t’s a Freder i ci a wooden t ab l e,
ch a ir, or a ccen t piece th a t you choose for your home, you
a re a s sured th a t it will wea ther year s of use and cont i nue to
s ta n d proud ly for ma n y gen e r at i ons to come.
In our collection , we use a va riet y of wood s , prima rily oa k
a n d beech , wh ich a re th e t wo wood s th a t Børge M ogen sen
wa s mos t fon d of workin g with , a s th ey were rea d ily a va ila ble
th rough out Den ma rk a n d oth er n ea rby coun tries . Th e oa k
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A S t i t c h i n T i m e S av e s N i n e
A C E N T U R I E S O L D E N G L I S H P R OV E R B H O L D S
E S P E C I A L LY T R U E I N F R E D E R I C I A’ S U P H O L S T E RY D E PA R T M E N T.
Th ere a re ma n y in terpreta tion s of th is common proverb, h owever th e original meani ng
is ‘a timely a n d ca reful effor t n ow sa ves more work la ter ’. Th is ca reful et hi c has
h eld tr ue a t Fred ericia s in ce th e d ay it open ed in 1 91 1. All of our furn it ure i s hand
uph ols tered by a tea m of h igh ly s killed a n d experien ced s titch ers , wh o wo r k toget her
to en sure th a t sea ms will n ot s plit, pipin g is even , cus h ion s a re even , a n d t he over al l
uph ols ter y is s mooth a n d with out crea s in g.
Th ese ma n y yea rs of experien ce, combin ed with our per fection is m a n d at tent i on to
d eta il is ev id en t th rough out our collection , es pecia lly in th e Børge M ogensen Sel ect
Collection , wh ere uph ols terers work in ta n d em to s tretch th e ca reful l y st i tched
lea th er over h a rd wood fra mes , resultin g in a glove-like fit th a t will h old i t s for m for
ma n y yea rs to come.
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T h e M at e r i a l I s s u e
A C R I S P L I N E N S H I R T. WA R M F L A N N E L S O C KS .
F R E N C H L E AV E R S L AC E O N T H E E D G E O F A W E D D I N G G OW N .
T H E FA B R I C S YO U W E A R T E L L T H E WO R L D A S TO RY O F W H O YO U A R E .
Ever y d ay we ma ke a person a l s ta temen t with th e cloth es th a t we ch oose to wear. The
colour, fa bric con ten t, a n d tex ture tell th e world wh o we a re a n d wh a t our st yl e i s.
Th e sa me h old s tr ue for th e tex tiles th a t we ch oose to d res s our h omes i n. W het her
ma kin g a bold s ta temen t with a brigh t yellow woolen fa bric on a No. 1 so fa, or a cool
cotton blen d on th e n ewly laun ch ed Swoon ch a ir, a t Fred ericia , we beli eve i n usi ng
on ly fa brics of th e h igh es t qua lit y a n d suita ble for ever y clima te.
Our ex ten s ive ra n ge of s ta n d a rd fa brics a re sourced from Den ma rk ’s b est tex t i l e
producers , in colours th a t cover th e en tire s pectr um a n d composed of ever y content .
Wh a tever your requiremen t s , wh eth er it be a h y poa llergen ic sy n th etic for sensi t i ve
s kin , ea s ily clea n a ble for h omes with youn g ch ild ren , h igh brea th a bilit y for humi d
clima tes , or dura ble for h igh tra ffic en v iron men t s , th e Fred ericia tex tile range creates
a s ta temen t for your h ome.
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t h e f i n e s t f u r n i t u r e l e at h e r s
F R O M T H E V E RY F I R S T U S E ,
A P I E C E O F F R E D E R I C I A L E AT H E R U P H O L S T E R E D
F U R N I T U R E I S YO U R S F O R L I F E .
In ma n y closet s , th ere is a n a r ticle of lea th er cloth in g…a pa ir
of s h oes , perh a ps a ja cket… th a t is th e mos t loved piece in
th e wa rd robe. Th a t on e piece th a t ma kes you wa lk a little
ta ller, put s a little ex tra swa gger in your s tep. Wh eth er bra n d
n ew, or yea rs old , it h a s a perma n en t pla ce in your life.
uph ols tered furn iture from Freder i ci a b ecomes a p er manent
fix ture in your life a n d h ome.
Th e icon ic Spa n is h Ch a ir by Børge Mogensen i s t he p er fect
exa mple of jus t h ow ca refull y we sel ect our l eat her s. The
sa d d le lea th er for th e 2 2 2 6 i s sourced at Tär nsj ö t anner i es
in Swed en , wh o ta ke except i onal care of t hei r ani mal s.
Eth ica lly ra ised in a rea s wh ere t here are not many i nsect s
or oth er pes t s th a t may cau se scar r i ng. Any devi at i ons i n
th e lea th er a re ver y min or, and are a nat ur al p ar t of t he
a n ima l’s lifes pa n . On ly a ver y l i mi ted numb er of hi des p ass
our rigorous qua lit y tes tin g, and t he ones t hat do are ver y
ca refully h a n d s titch ed a n d fastened wi t h b r ass buckl es. The
result is a beautifully th ick and st i ff saddl e l eat her, whi ch
grows more beautiful v isua lly and to t he touch over t i me as i t
pa tin a tes a n d soften s . Wh ether your Sp ani sh Chai r i s b r and
n ew or 2 5 yea rs old , it n ever l oses i t s except i onal l y st atel y
a ppea ra n ce, ma kin g it tr uly a Moder n Or i gi nal .
At Fredericia, we believe that our leather upholstered furniture
in vokes th a t sa me feelin g in a n y h ome. Th e lea th er we use is
of th e h igh es t ca liber, selected es pecia lly for th e furn iture
th a t we produce. It is our h erita ge a n d tra d ition to h a ve th e
utmos t res pect for a n ima ls , a n d we work on ly with fa rms wh o
un d ers ta n d th is .
With th ree gra d es a n d a ra n ge of beautiful colours from pure
wh ite to rich ca ra mels to d eepes t bla ck of lea th er to suit a n y
en v iron men t, from a h a rd wea rin g ch romium ta n n ed lea th er
for public s pa ce use, to th e vegeta ble ta n n ed a n ilin e th a t
d evelops a beautiful pa tin a over time, a n y of th e lea th er
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The Technology of Design
S I N C E T H E B E G I N N I N G O F T I M E , H U M A N S H AV E B E E N
FAS C I N AT E D W I T H T E C H N O LO GY. F R O M CA R S TO C O M P U T E R S ,
T E L E P H O N E B O OT H S TO S M A R T P H O N E S , M I L L I O N S O F P E O P L E E V E R Y DAY
U S E T E C H N O LO GY TO I M P R OV E T H E I R L I V E S .
Over th e la s t cen tur y, huma n s h a ve a ccelera ted tech n ology
a t a d iz z y in g s peed , en a blin g us to work h a rd er, live fa s ter,
a n d proces s quicker. In th e furn iture in dus tr y, tech n ology
h a s a llowed us to improve lives in a d ifferen t way, a more
comfor ta ble way.
to produce furn iture th a t is b ot h aest het i cal l y p l easi ng, and
tr uly fun ction a l. So wh en Freder i ci a deci ded to enter i nto
th e multipurpose pla s tic ch a i r arena, i t was obvi ous t hat t he
mos t mod ern tech n ologies woul d b e req ui red to achi eve for m
a n d fun ction . Th e Pa to ch a ir by Wel l i ng/Ludvi k i s a shi ni ng
exa mple of th is meld in g of technol ogy and tr adi t i on.
3 D ven eer wood pres ses produce ch a ir s h ells in to s h a pes
th a t a re more a ccommod a tin g a n d comfor ta ble for th e
huma n form. Va cuum mold s , such a s th e on e for th e Stin gray
rocker, produce a n ultra -s mooth a n d s h in y sur fa ce th a t d oes
n ot irrita te th e s kin a n d is more res is ta n t to scra tch es th a n
ord in a r y pla s tic mold s .
Two yea rs of resea rch a n d devel op ment went i nto t he Pato
ch a ir, in corpora tin g d eta ils such as a b evel ed edge and j ust
th e righ t a moun t of flexibil i t y i n t he b ack. 1 00% made i n
Den ma rk, th e h igh ly a d va n ced machi ner y p roduces a si l ky
fin is h th a t is un seen in a n y ot her p ol yp ropyl ene p roduct ,
crea tin g th e ultima te multipur p ose chai r t hat i s p er fect for
ever y en v iron men t, from th e conference room to t he ki tchen
ta ble.
Tech n ology a lso h a s ma d e it pos s ible to in tegra te tra d ition a l
ca rpen tr y tech n iques in to ma teria ls oth er th a n wood , in ord er
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THE
COLLECTION
The 2016 — 2017 Featured Collection
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Fol lowin g th e success o f the Sp i ne seri es, Sp a ce Cop e n h age n h as on ce
a ga in created a Mo d e rn O ri g i na l w i th the Swo o n l oun ge c h ai r. T h e
de s ign duo o f Peter Bundga a rd Rü t zou a nd Si g ne B i n d s l ev H e n d r i k se n
ha s a hig h ly in tuitive sense o f w ha t t y p e o f fu rni tu re i s l ac k i n g on t h e
ma rke t fo r both con tract a nd ho m e env i ro nm ent s, an d re al i se d t h at a
l e s s volum in ous easy cha i r wa s needed fo r b oth a re as . I n troduce d for
2 01 6 with beautifully flu i d li nes a nd o rga ni c sha p e, com bi n e d w i t h r i c h
sol id wo o d legs an d w ith a techno lo g i ca lly a dva nced i n j e c t i on m oul d e d
f r a me. Ex ten sive d etail a nd testi ng went i nto the cu s h i on d eve l opm e n t ,
re su lting in cush ion s tha t a re so co m fo r ta b le, you w i l l l i te r al l y swoon
with de lig h t at h ow com fo r ta b le the cha i r i s, m a k i n g t h i s t h e ul t i m ate
‘mu st ha ve’ easy c h air fo r ever y li v i ng sp a ce.
O p p osite Page: Swo o n Lou ng e Chair — M o d el 1 7 70 — Lea t her
( B lack 88) / fa bric (Balder 19 2) / s mo ked o ak.
Sp ine Coffe e Table — M o d el 1 74 0 — Smo ked o ak.
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T his Page : Spine Chair — M o d el 1 720 — Black lacq ue red / fa b r i c (Ha r a l d 1 82 ).
Me sa Tab le — M o d el 4 6 20 — Black lino leu m / black p a i nted a lum i num .
O p p osite Page: Haiku Low So fa — M o d el 1 6 4 2 — Fabr i c (Ha r a l d 1 82 ) / fa b r i c (P i l ot 1 62 ).
Sp ine Stool — M o del 1 735 — Black lacq uered / fabric (Ha r a l d 982 ).
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T h i s Page: Pa to Ba rstool — M ode l 4 30 2 —
Le a the r ( Bl a ck 8 8 ) / bl a ck pa inte d ste e l .
Oppo s i te Page: Icicl e Coffe e Ta bl e —
Mode l 1 230 / H: 4 3cm — Bl a ck l a mina te /
bl a ck l a cque re d oa k.
No. 1 Sofa — M ode l 200 2 — Fa bric
( Div ina M D 61 3) / fa bric ( D iv ina M D 61 3) /
bl a ck l a cque re d oa k.
T he i ni ti a l m o d e l s i n t h e Spi n e se r i e s we re for use i n a M i c h e l i n s t ar re d
restau ra nt i n Cop e n h age n , D e n m ar k . Space Cope n h age n h ave an i n n ate
na tu ra l sense of h ow to wor k w i t h m ate r i al s t h at n ot on l y e n h an ce a room ,
bu t a lso ho nour t h e l on g s t an d i n g tr ad i t i on s of D an i s h c r aft s m an s h i p.
T he Sp i ne b a r s tool h as b e com e on e of t h e m os t i n - d e m an d bar s tool s for
restau ra nt s, cafe s , an d h ote l s aroun d t h e wor l d . T h e sol i d wood t ap e re d
leg s, g enerous l y s i z e d uph ol s te re d se at , com for t abl e bac k , an d p owd e r
co a ted steel a cce n t i s t h e pe r fe c t com p l i m e n t for an y b ar, suc h as t h e
o nes fou nd i n soph i s t i cate d re s t aur an t s aroun d t h e wor l d . D ue to t h e
over w helm i ng d e m an d of pe op l e to h ave t h i s re m ar kabl y e l e gan t s tool i n
thei r ho m e, Fre d e r i c i a an d Space Cope n h age n al so d e s i gn e d a b ac k l e s s
versi o n tha t i s sui t abl e for coun te r h e i gh t bar s .
T h i s Page: Spine Ba rstool — M ode l 1 7 30 —
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Bl a ck l a cque re d / l e a the r (G rey 7 8 ) .
T h i s Pag e : Swo o n Lou n g e Ch a i r — Mo d e l 1 7 70 — Fa b r i c ( Ri me 98 1) / fa b r i c ( Ri me 9 91) / s moke d oa k.
Po n Co ffe e Ta b l e — Mo d e l 1 2 90 — Smo ke d o i l e d o a k .
Op p os i te Pag e : Sp i n e Sto o l — Mo d e l 1 7 3 5 — L a cq ue re d o a k / l e a t h e r (G rey 7 8 ) .
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“WE ARE OBSESSED
W I T H T H E M AT E R I A L PA R T .
I T I S A L M O S T A PA S S I O N
F O R U S T O C R E AT E
S O M E T H I N G T H AT
E M B O D I E S A S L O W PA C E .”
— Space Copenhagen
T h i s p ag e : Sp i n e Pe t i t Lou n g e Ch a i r — Mo d e l 1 7 11 — Fa b r i c ( Ha r a l d 98 2 ) / b l a c k l a cq ue re d oa k.
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Th e Søborg ch a ir by Børge M ogen sen wa s d es ign ed in th e 1 950s , a nd rerelea sed in 2 01 4 in celebra tion of h is cen ten a r y yea r. Ava ila ble in both an al l
wood a n d s teel fra med vers ion , th e gen erous sea t a n d ba ck ma ke th is a n i deal
ch oice for a n y d in in g a rea .
In th e Na ra series , we worked togeth er with Lon d on ba sed Ja pa n ese d esi gner
Sh in Az umi to crea te a n a ll wood ch a ir a n d ba rs tool, ba sed upon th e h a n d craf t i ng
prin ciples of cla s s ic Da n is h d es ign to crea te a mod ern s h a pe with mini mal
wa s ta ge by us in g th e offcut s of th e ba ck res t to crea te th e bra n ch es of a coat
s ta n d of th e sa me n a me.
Op p os i te Pag e : Na r a Ba r s to o l — Mo d e l 18 3 2 — B l a c k l a cq ue re d a s h / l e a t h e r ( Bl a ck 8 8 ) .
Sø b o rg Ch a i r — Mo d e l 3 06 0 — O a k / b l a c k p a i n te d s te e l .
Ta ro Ta b l e — Mo d e l 6 11 0 — O a k .
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T his p age : Na ra Bars to o l — M o d el 1832 — Black lacq uered a s h / l ea t her (Bl a ck 88).
St ingray Rock ing Chair — M o del 3500 — White / whi te p a i nted s teel .
Ne ck Cushion — M o d el 3503 — Leather ( Warm Grey 7 7).
L am b skin — Mo del 3505 — Silver lo ng hair.
At Frederi ci a , we d on’ t j us t p roduce fur n i t ure. We nur t ure upcom i n g
desi g ners a nd i n cor por ate our 1 00 plus ye ar s of h an d c r aft i n g ex p e r i e n ce
w i th the la tes t te c h n ol ogy an d e co- fr i e n d l y s t an d ard s i n to c re at i n g tr ul y
Mo dern O ri g in al s .
T he Sti ng ray roc ke r, l aun c h e d i n 200 2, was a fi n al ex am proj e c t by youn g
desi g ner T ho mas Pe d e r se n at t h e Sc h ool of D e s i gn i n Aar hus , D e n m ar k .
A va cuu m , ra t h e r t h an h e at i n j e c t i on , m ol d was d e s i gn e d to produce
the cha i r, resul t i n g i n a h i gh s h i n e, sc r atc h re s i s t an t sur face t h at can
b e u sed i n o r outd oor s . A 3 D ve n e e re d m ol d was c re ate d seve r al ye ar s
la ter to b e a b l e to al so offe r t h e n ow i con i c c h ai r i n a ful l y up h ol s te re d
versi o n.
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Newly in troduced for 201 6, and roundi ng out
th e Spin e collect i on, i s t he Sp i ne dayb ed by
Sp a ce Co p e nh agen. Topped with a sumptuous
upholstered 190 cm cushi on wi t h head cushi on
secured with leat her str ap p i ng, and t he same
solid wood frame and l egs as t he ot her model s
in th e Spin e ser i es.
With lea th er p i p i ng and hand st i tched
uph ols ter y, the Sp i ne dayb ed i s a st unni ng
exa mple of Fre der i ci a’s commi tment to det ai l
a n d qua lit y.
T h is Page: Spine Daybed — Model 1 700 — Lea t her (Bl a ck 88) / b l a ck l a cq uered oa k .
Oppo s ite page: Spine Petit Lou ng e Cha i r — M odel 1 7 1 1 — Fa b r i c (Ha r a l d 1 82 ) / b l a ck l a cq uered oa k .
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“Mogensenʼs designs are
i n t e n t i o n a l ly d i s c r e t e ,
he didn’t set out to
design anything eye
c at c h i n g o r i c o n i c ,
a lt h o u g h s o m e o f
his designs are quite
radical. I believe
t h at ’ s t h e c l u e t o
u n d e r s ta n d i n g a n d
a p p r e c i at i n g t h e q u a l i t y
o f h i s d e s i g n .”
— Jasper Morrison
T h is Page: Po n Co ffee Ta b l e — M odel 1 2 95 — Bl a ck l a cq uered.
Wing Chair — M o del 2204 — Lea t her ( Wa r m G rey 7 7) / b l a ck l a cq uered oa k .
Po n Co ffee Ta b l e — M odel 1 2 90 — Bl a ck l a cq uered.
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T his Pag e : Søb org Chair — Mo del
3 05 1 — Fab ric ( Sunniva 1 0 7 9) /
b lack lacquered .
6 2 8 4 Tab le — Mode l 6284 —
Sm oke d oile d o ak.
T h i s Pag e : Swo o n Lou n g e Ch a i r — Mo d e l 1 7 70 — Le a t h e r ( B l a c k 8 8 ) / fa b r i c ( Ba l d e r 19 2 ) / b l a c k l a cque re d oa k.
2 2 13 So fa — Mo d e l 2 2 13 — Le a t h e r (G rey 7 8 ) / b l a c k l a cq ue re d o a k .
Po n Co ffe e Ta b l e — Mo d e l 1 2 80 — B l a c k l a cq ue re d o a k .
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Po n Co ffe e Ta b l e — Mo d e l 1 2 80 — B l a c k l a cq ue re d o a k .
Børge Mogen sen d esigned the Sø b o rg Cha i r i n 1950. H i s i n te n t i on was to
fuse t he in dustrial prop er ti es o f p ly wo o d w i th ca b i ne tm ake r s’ pr i n c i pl e s
a nd a touc h o f h is sig n atu re fu ncti o na li sm .
A combin ation th at resu lted i n a rem a rka b ly si m p le, ye t ae s t h e t i cal l y
e ndu ring d esign th at e a rned the a wa rd “Co m eb a ck of t h e Ye ar ” by t h e
D a nis h Desig n press.
O p p osite Page: Sø bo rg Ch air — Mo del 3050 — Oak.
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T he No. 1 so fa by Børge M oge n se n was d e s i gn e d i n 1 95 5 as t h e fi r s t
m o del to b e p roduce d by t h e n ew l y purc h ase d Fre d e r i c i a Fur n i t ure. T h e
so fa wa s a n i n n ovat i on i n i t se l f w h e n i t was re l e ase d , as i t was on e of
the f i rst to u se i n d i vi dual l y up h ol s te re d cus h i on s for e as i e r c l e an i n g an d
re-u p ho lsteri n g. Re l aun c h e d i n 201 4 i n ce l e b r at i on of M oge n se n’s 1 00 t h
a nni versa r y, it h as n ow be com e Fre d e r i c i a’s m os t succe s s ful sofa l aun c h
i n the hi sto r y of t h e com pan y.
Up ho lstered wi t h m on oc h rom e or con tr as t i n g fabr i c s on t h e oute r fr am e
a nd i nner cu sh i on s , al on g w i t h sol i d oak l e gs i n a var i e t y of fi n i s h e s , t h e
No. 1 so fa ser i e s i n c lud e s t h e t h re e se ate r as s h ow n , as we l l as a t wo
sea ter a nd si n gl e se at e asy c h ai r. W h e t h e r you are l ook i n g for a s t an d out
p i ece o r to b l e n d i n to an ex i s t i n g e n vi ron m e n t , al l of t h e m od e l s i n t h e
ha ndcra f ted N o. 1 se r i e s w i l l b e i d e al w h e n up h ol s te re d w i t h an y of t h e
tex ti les f ro m Fre d e r i c i a’s ex te n s i ve s t an d ard fabr i c col l e c t i on .
T h i s Pag e : N o. 1 So fa — Mo d e l 2 003 — Fa b r i c (O u t b a c k 15 1) / fa b r i c (O u t b a c k 15 1) / b l a c k l a cque re d oa k.
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T he re are m an y sim i la ri ti es b et ween the
phil osoph ies of Bø rg e Mo g ensen a nd Bri ti sh
de s igne r Jasper Mor rison. B oth desi g ners ha ve
a s t y l e th at reveres simp li ci t y, yet i ncredi b le
be au t y is foun d in th e la ck o f o rna m enta ti o n.
M oge nsen was an ex trem ely p ro ducti ve
de s igne r, o ften sketc h in g desi g ns o n a ny thi ng
within ar m’s reac h , in c ludi ng ser v i ettes a nd
ma tchbo o ks. I t was a sketch o n the b a ck o f
a pie ce o f sc r ap paper i n Mo rri so n’s Lo ndo n
s tudio durin g a so c ial ca ll tha t the Ta ro ta b le
wa s conceived .
Morrison had the idea for a longer length solid
wood table with th e leg s fa r enoug h u nder the
t a bl e so as n ot to o bstr uct the sea ti ng sp a ce
of the perso n sittin g at the end o f the ta b le.
Working c lo sely w ith Frederi ci a , ra i ls were
a dde d to fully suppor t the so li d o a k ta b leto p
a nd l e gs , w ith lin es routed i nto the to p to g i ve
t he t a bl e a m o d er n voice. New ly relea sed fo r
2 01 6, a nd stun n in gly b eau ti fu l w hen p a i red
with Børg e Mo g en sen’s J 39 cha i r a nd 31 7 1
be nch or w ith an y o f the Mo dern O ri g i na l
cha irs in th e Fred eric ia co llecti o n.
T his p age: J39 Chair — M o d el 3239 — Oak / na t ur a l p a p er cord.
31 7 1 B ench — M o d el 31 7 1 — Oak / leather (Na t ur a l 90).
Taro Table — M o del 61 05 — Oa k .
Ha ns J. Weg n er d esigned m a ny cha i rs i n hi s lo ng an d produc t i ve l i fe,
a nd wa s even co n sid ered to b e the ‘m a ster o f ro c k i n g c h ai r s’. O f al l
t he se, th e J1 6, d esign e d i n 19 44, i s co nsi dered to b e n ot j us t h i s fi n e s t
work in th is area, but a si g ni f i ca ntly i co ni c cha i r i n Dan i s h d e s i gn .
Ins pire d by tr ad ition al Wi ndso r a nd Sha ker fu rni tu re, t h e J 1 6 fe at ure d
t he re cogn isable d owe lled b a ck rest o f tha t era , a n d com b i n e d w i t h
se nsu a l ly cur ved arm s , a si g na tu re tra i t o f Weg n e r ’s fur n i t ure. T h e
e l e ga ntl y h ig h bac ked ro cker i nv i tes the u ser to ful l y re l ax i n to t h e
ge ne rou s an d co m for ta b le p a p erco rded sea t. T he J 1 6 roc ke r, avai l abl e
in both beec h an d o ak, i n a va ri et y o f f i ni shes, i s a lso avai l ab l e w i t h an
opt iona l fo ot stool an d u p ho lstered hea drest.
O p p osite Page: J1 6 Ro cking Chair — M o del 1 6 000 — Oa k / na t ur a l p a p er cord.
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T his Pag e : Swoon Lounge Chair — M o del
1 7 70 — Fa br ic ( Haakon 25 86) / s mo ked o ak.
O p p o s ite Page : Pato 4 Le g Ar mchair —
M od e l 42 1 2 — Le at he r (Gre e n 76 ) / black
p a i n ted ste e l.
Sø b org Studio Tab le — Mode l 3030 —
O a k / b l a c k p ainte d ste e l.
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In h is firs t colla bora tion with Freder i ci a, Hugo
Pa s sos h a s crea ted th e P iloti t ab l e ser i es. A
collection of s ma ll ta bles with top s t hat seem to
floa t un suppor ted a bove th e legs i n a var i et y of si zes
a n d h eigh t s th a t ca n be used a s eit her si de or coffee
ta bles . Th e collection , n ew for 2 01 6, i s avai l ab l e i n
oa k in a va riet y of fin is h es to coordi nate or contr ast
with oth er furn iture in th e room.
In a beautiful blen d of old a n d n ew, Passos’ t ab l es are
fea tured h ere with th e 1 789 Spoke b ack sofa by Børge
M ogen sen , a n d th e 1 788 ch a ir by Hans J. Wegner. The
sofa , with it s h in ged s id e to lower i t i nto a dayb ed
wa s d es ign ed in M ogen sen’s summer house, however
it wa s con s id ered too mod ern to b e fashi onab l e at
th e time a n d d id n ot go in to product i on unt i l 1962.
Sh or tly a fter, in 1 96 3, Ha n s J. We gner desi gned t he
Spokeba ck ch a ir wh ich lied quie t l y i n t he archi ves
un til it wa s laun ch ed by Fred ericia i n ear l y 2015 as a
compa n ion to th e Spokeba ck sofa. B ot h model s are
a va ila ble in beech a n d oa k in a var i et y of b eaut i ful
fin is h es in a va riet y of fin is h es to enhance room i n
th e h ome.
T h i s Pag e : 1 7 8 8 Ea sy Ch a i r — Mo d e l 1 7 8 8 — O a k / fa bric ( Ba l de r 98 2) / l e a the r bu ttons
( Wa l nu t 95 ) .
Op p os i te Pag e : Sp o ke b a c k So fa — Mo d e l 1 7 89 — O a k / fa bric ( Ba l de r 98 2) / l e a the r
bu t to n s ( Wa l nu t 95 ) .
P i l ot i Co ffe e Ta b l e — Mo d e l 6 7 1 0 — O a k .
P i l ot i Co ffe e Ta b l e — Mo d e l 6 700 — O a k .
P i l ot i Co ffe e Ta b l e — Mo d e l 6 705 — O a k .
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“MY GOAL IS
T O C R E AT E T H I N G S
T H AT W I L L S E R V E
MAN AND GIVE HIM
THE LEAD ROLE,
I N S T E A D O F, BY
THE FORCE OF THE
DEVIL, ADAPT MAN
T O T H E T H I N G S .”
— Børge Mogensen
T h i s Pag e : 2 2 0 7 Ea sy Ch a i r — Mo d e l 2 2 0 7 — Le a t h e r ( Wa l nu t 95 ) / o a k .
Sp i n e Co ffe e Ta b l e — Mo d e l 1 74 0 — O a k .
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Na nna Dit z el’s Tr in id ad cha i r, w hi ch wa s i nsp i red by t h e ‘G i n ge r bre ad
a rchite cture’ an d fret wo rk tha t she sa w o n ho li day i n t h e Car i bbe an ,
wa s a n in stan t success w hen i t wa s lau nched i n 19 93. A te c h n ol ogi cal l y
impor ta nt c h air, as it wa s the f i rst ti m e the 5 a x i s m i l l h ad b e e n use d i n
D e nma rk, an in n ovation tha t wa s a b le to p ro duce the b e aut i ful fre t wor k
cu tou t s in th e seat an d b a ck .
T he l igh t an d air y c h a i r i nterp lays w i th li g ht, m ak i n g i t a b e aut i ful
a ddition to an y ro o m . T he cu r ved b a ck a lso m a kes i t on e of t h e m os t
comfor t able c h air s an y w here. 2 3 yea rs la ter, i t i s s t i l l as re l evan t for
today ’s mo d er n h om e. Ava i la b le i n a selecti o n o f on tre n d wood s , as
we ll a s an upd ated standa rd co lou r p a lette a nd f ra m e fi n i s h m ake s t h e
Trinida d a beautifully ico ni c a ddi ti o n fo r a ny env i ro n m e n t .
Trinidad Chair — M o d el 3298 — Ocean painted as h / b l a ck p a i nted s teel .
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T h i s Pag e : Tr i n i d a d Ch a i r — Mo d e l 3 2 98 — Mou n t a i n p a i n te d a s h / b l a c k p a i n te d s te e l .
6 2 8 4 Ta b l e — Mo d e l 6 2 8 4 — Smo ke d o a k .
Op p os i te Pag e : Pa to Lou n g e Ch a i r — Mo d e l 4 3 70 — Fa b r i c ( Su n n i va 24 2 ) / b l a c k p a i n te d ste e l .
Op p os i te Pag e : Pa to 4 Le g Ch a i r — Mo d e l 4 2 0 2 — Fa bric ( Sta r 35 7 ) / bl a ck pa inte d ste e l .
6 2 8 4 Ta b l e — Mo d e l 6 2 8 4 — Smo ke d o a k .
T h i s Pag e : Po n Co ffe e Ta b l e — Mo d e l 1 2 95 — B l a c k l acque re d.
At Fred ericia , we en d ea vour to s tay a h ea d of t he trends and keep ever y
piece in our collection releva n t for mod ern times. W i t h t he remar kab l y
h i-tech Pa to series by Wellin g/ Lud v ik, we crea ted not j ust a p l ast i c chai r,
but a piece of furn iture th a t could suit a n y po ssi b l e envi ronment ; f rom
th e ba s ic s ta ckin g vers ion for a la rge con fere nce room, to up hol stered
with la v is h tex tiles to suit th e mos t elega n t di ni ng room. Launched i n
2 01 3, th e Pa to series h a s expa n d ed in to on e of t he most ver sat i l e ser i es
in th e world , in clud in g a ba r a n d coun ter s tool model , al ong wi t h opt i ons
for supers ta ckers , executive offices , loun ges , meet i ng rooms, homes,
a n d ma n y more.
Combin ed h ere with Børge M ogen sen’s 6 2 84 tab l e, up dated i n 2015 wi t h
a s moked oa k option , crea tes a rich , wa rm d i ni ng atmosp here for any
h ome. Acces sorise with Ja s per M orrison’s Pon t ab l e i n b l ack l acq uer to
crea te a tr uly M od ern Origin a l h ome.
T his Page: Pato Lou ng e Chair — M o del 4 3 70 — Fa b r i c (Sunni va 1 52 ) / b l a ck p a i nted s teel .
O p p o s ite Page: Pato Lou ng e Chair — M o del 43 70 — Fa b r i c (Sunni va 1 52 ) / b l a ck p a i nted s teel .
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T his Page : Spine Daybed — M o del 1 700 — Veg etable t a nned l ea t her (Na t ur a l 90) / oa k .
O p p osite Page: Nara Co at Stand — M o d el 1880 — Oa k / w hi te p a i nted s teel .
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O pp osite Page : 3 23 6 Chair — M o del 3236 — Oak / leather ( Wa l nut 95).
6 2 84 Tab le — Mode l 6 284 — Oak.
T he k i tchen ta bl e i s t h e h e ar t of an y h om e. M e al s are s h are d , i m por t an t
co nversa ti o ns h e l d an d d e c i s i on s m ad e, som e eve n fi n d t h e k i tc h e n
ta b le a n i dea l wor k s pace. T h e sol i d oak 6 284 t ab l e by Børge M oge n se n
wa s desi g ned to be t h e ce n tre pi e ce for t h e se t ype s of m om e n t s . T h e
ha ndcra f ted t abl e top s an d l e gs p rovi d e a be aut i ful m i n i m al i s t s h ape t h at
f i t s i nto a ny k i tc h e n , an d i s s t un n i n g i n an y of t h e var i e t y of fi n i s h e s
a va i la b le. Wi t h opt i on al ex te n s i on l e ave s , t h e 6 284 t abl e i s abl e to
a cco m m o da te an y s i z e fam i l y.
T he 32 36 chai r, al so by Børge M oge n se n , i s a m ore ge n e rous s i z e d
i nterp reta ti o n of h i s e ar l i e r J 3 9 c h ai r. W i t h e l e gan t l y cur ve d bac k re s t an d
w i der u p ho lste re d se at , t h e c h ai r i s a s i m pl e, ye t luxur i ous com p l i m e n t
to not ju st the 6 284 t abl e, but an y t ab l e i n t h e Fre d e r i c i a se r i e s .
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Ha iku by Gam Fratesi d e bu ted a s a hi g hb a cked
sofa in 2011 to international acclaim. With
be au tifully fluid cur ves a nd a n i nner str uctu re
as stro n g an d supp o r ti ve a s the hi g h
ba cke d or igin al versio n, the Ha i ku Low i s a
comfor t able an d in viti ng sta tem ent so fa fo r
t h e home.
The Ha iku Low features a n i njecti o n m ou lded
f ra me a nd con trastin g u p ho lster y, m a k i ng the
sofa not just an oth er pi ece o f ho m e fu rni tu re,
bu t t he talkin g po in t o f the ro o m . Frederi ci a’s
w ide var iet y o f stan da rd fa b ri cs m a kes i t
pos sibl e to custom ise the so fa fo r a ny i nteri o r.
Combined w ith th e Sp a ni sh Cha i r w i th ri ch
cogna c leath er an d J a sp er Mo rri so n’s Po n
t abl e s, t he Haiku Low is a co m p li m ent to other
fu rnit u re, tr uly brin gin g to li fe ow ner T ho m a s
Gra ve rsen’s m otto ‘all g o o d thi ng s ca n b e i n
t h e sa me room’.
T h i s Pag e : Ha i ku Low So fa — Mo d e l 1 6 4 2 — Fa b r i c ( Mo l l y 119) / fa b r i c (Co l l i n e 118 ) .
Po n Co ffe e Ta b l e — Mo d e l 1 2 90 — O a k .
Po n Co ffe e Ta b l e — Mo d e l 1 2 80 — O a k .
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Op p os i te Pag e : Sp a n i s h Ch a i r — Mo d e l 2 2 2 6 — Co g n a c co l ou re d sa d d l e l e a t h e r / oa k.
T he Hu n tin g Ch air by Bø rg e Mo g ensen wa s desi g ned i n 1 95 0 an d i s on e
of his more unusual, alb ei t i co ni c, m o dels. It wa s o ri g i n al l y d e s i gn e d for
t he Copen h agen Cabinetm a kers Gu i ld ex hi b i ti o n u n d e r t h e t h e m e ‘ T h e
Hu nt ing Lo d ge’. With the f ro nt o f the cha i r ju st a m e re 3 0 c m from t h e
grou nd, it presen ted a co m fo r ta b le, a nd ra ther u ni q ue, se at i n g pos i t i on .
T his a lso m arked th e fi rst ti m e tha t Mo g ensen b egan wor k i n g w i t h an
ex pose d solid wood fr a m e w i th sa ddle lea ther a nd b r as s buc k l e s , a
t he me he would repeat 8 yea rs la ter w i th T he Sp a ni sh Ch ai r. Con s tr uc te d
with the h ig h est qualit y q u a r ter sa w n o a k , the fa i rly com p ac t s i z e an d
scu lpt u ral sh ape m akes i t ea si ly m ovea b le f ro m ro o m to room , m ak i n g
t he cha ir an id eal piece to a dd a touch o f the u nex p e c te d i n to an y are a
of the hom e.
H unt ing Chair — M o d el 2229 — Oak / veg etable tann ed na t ur a l sa ddl e l ea t her.
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T h is Page: Haiku Low So fa — M o del 1 643 —
Leather ( Walnu t 95) / fabric (Noi se 2 2 2 ).
Oppo s ite Page: Spanis h Chair — M o d el 2 2 2 6 —
Co g nac co lou red sad dle leather / oa k .
Spine Co ffee Table — M o d el 1 74 0 — Oa k .
T h is Page: Pato E xecu tive O ffice Cha i r — M odel 4072 — Lea t her ( Ta n 9 2 ) / b l a ck p a i nted s teel .
M esa Table — M o d el 4 62 0 — Bl a ck l i nol eum / b l a ck p a i nted a lum i ni um .
Oppo s ite Page: Spine Lou ng e Chai r — M odel 1 7 1 0 — Lea t her (Bl a ck 88) / b l a ck l a cq uered a s h.
Po n Co ffee Ta b l e — M odel 1 2 80 — Sm oked oa k .
Po n Co ffee Ta b l e — M odel 1 2 90 — Sm oked oa k .
Spine Lou ng e So fa — M o del 1 7 1 2 — Lea t her (Bl a ck 88) / b l a ck l a cq uered a s h.
Po n Co ffee Ta b l e — M odel 1 2 95 — Sm oked oa k .
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In 1 96 2 , Børge M ogen sen h a d a un ique s pa ce pla n n ing chal l enge i n hi s
h ome. He h a d t wo en d ta bles a n d n eed ed to d es ign sofas to f i t i nto t he
s pa ce bet ween th em. Th e en d result, th e 2 2 1 3 sofa , not onl y comp l eted
th e s pa ce in M ogen sen’s h ome, but wen t on to become t he crown j ewel
in th e Børge M ogen sen Select Collection .
Ea ch sofa is h a n d cra fted by our s killed ca rpen ters , leat her master, and
uph ols terers , a n d it ta kes more th a n 6 la bour h ours to up hol ster one sofa
before bein g ca refully pa cked for d is pa tch . At 2 2 0 c m, t he 22 13 sofa i s
lon ger th a n a s ta n d a rd 3 sea t sofa , a n d th e exquis te d et ai l i ng such as t he
d ouble a rm, 9 ch a mber cus h ion s , cotton filled pipin g make t he 22 13 t he
ultima te a n d fa vourite sofa of th e mos t pres tigious emb assi es and homes
a roun d th e world . V is it our webs ite a t fred ericia .com to see t he ent i re
a s sembly proces s of th e 2 2 1 3.
T h is Page: 22 13 So fa — M o del 2 2 1 3 — Veget a b l e t a nned l ea t her (Na t ur a l 90) / oa k .
78
79
T h is Page: Spanis h Chair — M odel 2 2 2 6 — Bl a ck sa ddl e l ea t her / s m oked oa k .
Oppo s ite Page: Spanis h Ch a i r — M odel 2 2 2 6 — Bl a ck col oured sa ddl e l ea t her / s m oked oa k .
Po n Co ffee Table — M o del 1 2 90 — Sm oked oa k .
Po n Co ffee Table — M o del 1 2 80 — Sm oked oa k .
81
Th e 2 2 07 ea sy ch a ir by Børge M ogen sen . Desi gned i n 1963 as p ar t
of a series th a t in clud es a 2 a n d 3 seater sofa, and j ust one of
th e exquis ite mod els in th e Børge M og ensen Sel ect Col l ect i on.
Specified by Da n is h emba s s ies a n d luxur y ret ai l venues around
th e world , th e 2 2 07 is on e of th e fin es t examp l es of Dani sh desi gn.
However, wh en ch osen for th e h ome, t he 2207, or any of t he
mod els in th e Fred ericia collection , tell s t he wor l d t hat you do
n ot s imply live in a h ouse, but you h a ve created a home. It says
th a t you h a ve ma d e a n in ves tmen t in you r l i fe, an i nvestment t hat
will be th e foun d a tion for ma n y s tories a nd memor i es. It al so says
th a t you live a life les s ord in a r y, th a t you have a st yl e t hat i s a cut
a bove th e oth ers a n d is a ll your own . It says t hat you are, i n fact ,
a M od ern Origin a l.
T h is Page: 2207 Easy Chair — M odel 2 2 07 — Fa b r i c (Ha r a l d 982 ) / b l a ck l a cq uered oa k .
Icicle Co ffee Table — M odel 1 2 2 0 — Bl a ck l a m i na te / b l a ck l a cq uered oa k .
82
83
O U R H E R I TA G E D E S I G N E R S
Børge M ogen sen
(1 91 4 — 1 972 )
Bø rg e Mo g e n se n wa s o n e o f t h e mo s t i n f lue n t i a l d e s i g n e r s i n s h a p i n g Da nish M ode rn de sign a nd
p re se n t d ay Fre d e r i c i a’s fou n d i n g d e s i g n e r f ro m 195 5 u n t i l h i s d e a t h i n 197 2. He fou nd inspira tion
a l l ove r t h e wo r l d i n h i s q ue s t to c re a te eve r yd ay o b j e c t s t h a t wou l d e ndu re for ge ne ra tions.
Mo g e n se n ' s mo s t re co g n i se d p i e ce s we re d eve l o p e d du r i n g h i s co l l a bora tion a nd frie ndship
wi t h Fre d e r i c i a Fu r n i t u re A /S fou n d e r An d re a s G r a ve r se n .
Na n n a Dit z el
Na n n a Di t ze l , wi t h h e r p o s tmo d e r n i s m a n d re b e l l i o n a ga i n s t tr a d i t i o n , be ca me a l e a ding figu re
(1 92 3 — 2005)
we l l a f te r h e r 70 t h b i r t h d ay, i n t h e re n ewa l o f Da n i s h d e s i g n i n t h e 1 990 ' s. He r works ve r y
o f te n h a d a su b j e c t i ve s t a r t i n g p o i n t , wh i c h wa s co n tr a r y to s p e c i f i c probl e ms to be sol ve d.
H oweve r, s h e h a d a ma g n i f i ce n t a b i l i t y to tr a n s fo r m h e r a r t i s t i c d re a ms into ve r y fu nctiona l a nd
pu r p o se fu l d e s i g n s .
Ha n s J. Wegn er
(1 91 4 — 2 007)
Wo r l d -re n own e d d e s i g n e r o f i co n i c Da n i s h c h a i r s , We g n e r i n s i s te d to infu se his fu nctiona l
d e s i g n s wi t h a p o e t i c a n d p l ay fu l e d g e. We g n e r ' s e s se n t i a l ro c k i n g c h a ir for Fre de ricia wa s de s i g n e d a s p a r t o f a p ro g r a m to p o pu l a r i se t h e i d e a s o f s i mp l e mo d e r n i s m l e d by Børge M oge nse n
du r i n g t h e 19 4 0 s i n De n ma r k .
Ejv in d A. Joh a n s son
(1 92 3 — 2 002 )
E j v i n d A . Jo h a n s so n bu i l t u p o n Bø rg e Mo g e n se n ' s a mb i t i o n to fu r n i s h the home s of D a ne s with
fu n c t i o n a l mo d e r n i s m. I n g e n e r a l , Jo h a n s so n wa s p e rce i ve d a s u n o r thodox in his me thods
a n d p h i l o so p h i e s . N eve r t h e l e s s , h i s J 6 4 c h a i r p ays h o ma g e to t h e principl e s of M oge nse n' s
me t h o d o l o gy.
Niels Jørgen Haugesen
(1 93 6 -2 01 3 )
Haug e se n u se d t h e h i g h -te c h move me n t wi t h t h oug h t -t h roug h fu n ctiona l it y a nd imme nse
a t te n t i o n to ma te r i a l to c re a te wi d e l y re co g n i se d Da n i s h d e s i g n . I n h i s work with Fre de ricia , he
p e r fe c te d t h e d e t a i l s o f t h e 198 4 Haug e se n t a b l e to a c h i eve a tr u l y o ptima l de sign.
A lth oug h Frederi ci a wa s fou nded i n 1911, i t was ac t ual l y w h e n Børge M oge n se n j oi n e d force s w i t h
An d reas Gra versen i n 195 5, tha t the her i t age i n w h i c h Fre d e r i c i a c re ate s tod ay’s M od e r n O r i gi n al s
was bo rn . B esi des Bø rg e Mo g ensen, Fre d e r i c i a produce s exce pt i on al , s p e c i al l y se l e c te d d e s i gn s
from Ejvind A . Jo ha nsso n, Ha ns J. Weg n e r, an d Nan n a D i t z e l t h at are i n h ar m on y w i t h Fre d e r i c i a’s
trad itio n s, a s well a s ha v i ng i nsp i red the wor k s of arc h i te c t s aroun d t h e wor l d .
84
85
O U R C O N T E M P O R A RY D E S I G N E R S
Jasper Mo rr i so n
Jasper Morrison is a British multi-disciplinar y designer, well known for creating the ‘Supernormal’
co ncept to g ether w i t h Ja p a nese des i gner Na oto Fukosa wa . Li ke Børge M ogensen, M or r i son i s
a ver y pro ductive des i gner, s p l i t t i ng hi s t i m e b et ween s t udi os i n London, Tok yo a nd Pa r i s . In a
wo rld where many des i gner s use new technol ogi es to a dd sup er f luous det a i l s to t hei r des i gns ,
M o rriso n do es th e op p os i te, us i ng m a chi ner y to ref i ne hi s des i gns i nto crea t i ons t ha t do
not d is tract, bu t l i ve i n ha r m ony w i t h t he user ’s env i ronm ent . Al t hough hi s s t y l e i s i ns t a nt l y
reco g nisable, all of hi s des i gns a re ex trem el y uni q ue. Ja s p er des i gns for som e of t he l a rges t
des ig n hou ses in the wor l d, a nd Freder i ci a i s M or r i son’s f i r s t D a ni s h col l a b or a t i on.
Space Copenha g en
Co penhag en des ig n duo Sp a ce Cop enha gen m a ke hea dl i nes w i t h t hei r s i gna t ure s t y l e of el egant, yet clas s ica l des i gn l i nes i nfused w i t h a contem p or a r y edge t ha t em erge f rom i nt ui t i on
and emotio n. In th ei r wor k w i t h Freder i ci a , Sp a ce Cop enha gen seek to ret hi nk t he up hol s ter i ng
traditio ns held at our fa ctor y for m ore t ha n 1 00 yea r s .
Gam fr atesi
Danis h-Italian d esi gn duo G a m f r a tes i i s q ui ck l y b ecom i ng a r i s i ng s t a r i n t he des i gn wor l d w i t h
their po etic and orga ni c s t y l e t ha t b r i dges nor t her n a nd sout her n des i gn cul t ure. Contr a s t s
are the central source of t hei r i ns p i r a t i on a nd w i t h Freder i ci a t hey b a l a nce tr a di t i ons w i t h t he
u nexpected.
Hug o Passo s
Po r tug ese bo rn Hugo Pa s sos’ connect i on to Freder i ci a b ega n l ong b efore Ja s p er M or r i son
intro duced him to us . Thum b i ng t hrough a v i nt a ge D a ni s h des i gn m a ga z i ne, he found a p hoto
o f the 31 7 1 bench a nd he fel t com p el l ed to l ea r n m ore a b out t he des i gner, a nd com p a ny, b ehi nd
it. Pas so s has self p roduced a num b er of fur ni t ure m odel s a nd a cces sor i es , w i t h m a ny of t he
same principles as Børge M ogensen ha d, a ddi ng a b i t of a n up da ted t w i s t w i t h a n a l m os t b r ut a l
appro ach to it. Th e P i l ot i t a b l e ser i es i s Pa s sos’ f i r s t col l a b or a t i on w i t h Freder i ci a .
Wellin g / Ludv i k
Danis h-Icelandic d es i gn duo H ee Wel l i ng a nd Gudmundur Ludv i k p rove t ha t t he b a s i cs ca n a l ways
be reinvented. Wit h Freder i ci a , t hey com b i ne t hei r funct i ona l a nd hum a n- centered des i gns w i t h
ou r experienced a t tent i on to det a i l a nd m a ter i a l i nt ui t i on t ha t crea tes q ua l i t y a nd l ongev i t y.
Sh in A z um i
Mas tering the sci ent i f i c a p p roa ch to des i gn a s di ct a ted by Ka a re K l i nt a nd Børge M ogensen,
A zu mi applies his ow n v i sua l i nter p ret a t i on to funct i ona l s tr uct ures . Toget her w i t h Freder i ci a ,
A zu mi has fu sed J a p a nese a es t het i cs w i t h tr a di t i ona l D a ni s h des i gn p r i nci p l es .
At Fred ericia , we con s ta n tly s trive to pus h th e boun d a ries of tech n ology a n d ba s ic desi gn p r i nci p l es
in ord er to produce th e M od ern Origin a ls th a t with s ta n d th e tes t of time a n d trends. To achi eve
th is , we work in close colla bora tion with a n elite circle of in tern a tion a l d es ign e r s who resp ect t he
Fred ericia h erita ge, yet a re a ble to prov id e a mod ern touch th rough th e use of new technol ogi es
a n d tech n iques .
86
87
Th oma s Ped ersen
Co mb i n i n g u nu su a l i n n ova t i o n s i n ma te r i a l a n d co n s tr uc t i o n wi t h re fe re nce s to historica l
d e s i g n s , Pe d e r se n i s b ot h u n co n ve n t i o n a l , ye t ro ote d i n tr a d i t i o n . Pede rse n' s a wa rd-winning
d e s i g n s a l ways h a ve a fu n c t i o n a l s t a r t i n g p o i n t f ro m wh i c h h i s mo re e l a bora te orga nic sha pe s
e me rg e.
Susa n n e Grøn lun d
G rø n lu n d bu i l d s u p o n t h e Sca n d i n a v i a n tr a d i t i o n o f d e s i g n , a d d i n g a se nse of hu mou r to he r
c re a t i o n s . W i t h t h e 2 00 9 Mu n d o c h a i r fo r Fre d e r i c i a , s h e succe e d e d to cre a te a new l ogica l
s tr uc t u re fo r a p rev i ou s l y ex p l o re d f i e l d o f mou l d e d p l y wo o d c h a i r s .
Cecilie Ma n z
W i t h d i sc re te a n d p l ay fu l a e s t h e t i c s , Ce c i l i e’s wo r k s d e mo n s tr a te t h a t fu nctiona l de ta il s a re
a b l e to c re a te t h e a e s t h e t i c e s se n ce o f a n o b j e c t i n a su bt l e way. H e r e a rl y re cognition of he r
co n tr i bu t i o n to Da n i s h d e s i g n b e ga n wi t h h e r t a b l e " Mi ca d o" , d e s i g n e d for Fre de ricia in 200 4 .
Per B orre
B o r re pu r sue s t h e ex p re s s i ve a n d scu l pt u r a l p ro p e r t i e s o f t h oug h t -t h rough constr uction. T his
a mb i t i o n i s ve r y muc h fu l f i l l e d i n h i s ma s te r p i e ce, t h e 19 7 9 A s tr a l B e n ch for Fre de ricia , whe re
t h e b a s i c l o g i c i s t h e re p e t i t i o n o f t wo b a s i c p a r t s to c re a te a se l f-su p por ting str uctu re.
Ha n s Sa n d gren
Ja kobsen
88
Sa n d g re n J a ko b se n’s d e s i g n b re a k t h roug h h a p p e n e d i n 19 98 wi t h h i s ma ste rpie ce, the highl y
a wa rd e d G a l l e r y s to o l , d eve l o p e d i n co l l a b o r a t i o n wi t h Fre d e r i c i a . By pu shing the prope r tie s
o f mou l d e d p l y wo o d to t h e ma x i mu m l i mi t , a scu l pt u r a l a n d fu n c t i o n a l constr uction e me rge d.
89
MANIFESTO
Y o u c a n n o t p l a n f o r o r i g i n a l i t y.
But you can strive.
Yo u c a n s t r i v e f o r c r a f t s m a n s h i p t h a t
can withstand every use and abuse
…and survive.
Yo u c a n s t r i v e f o r d e s i g n , t h a t i s n o t e a s i l y s e d u c e d
by the cheap tricks or transient trends.
Yo u c a n s t r i v e f o r a q u a l i t y t h a t ,
as it lives and breathes through the ages,
will become more beautiful, more attractive.
Yo u c a n s t r i v e f o r a n u n a r g u a b l e a e s t h e t i c
that transcends any reproach.
Yo u c a n s t r i v e t o m a k e e v e r y d e t a i l i m m o r t a l .
Yo u c a n s t r i v e t o , e v e n i n t h i s d a y a n d a g e ,
to create something truly original.
And with fair winds and dedication, it might just be,
you have created something a little more permanent.
A legacy
A Modern Original.
90
THE
C ATA L O G U E
Overview of the Fredericia collection
92
BØRGE MOGENSEN
BØRGE MOGENSEN
The Søborg Chair — Model 3050
The Søborg Chair — Model 3051
2207 Easy Chair — Model 2207
2208 Sofa — Model 2208
W: 51 cm, D: 48.5 cm
Seat upholstered
W: 69.5 cm, D: 82 cm
L: 128 cm, D: 82 cm
L: 186 cm, D: 82 cm
H: 80 cm, Sh: 45.5 cm
W: 51 cm, D: 48.5 cm
H: 84 cm, Sh: 43 cm
H: 84 cm, Sh: 43 cm
H: 84 cm, Sh: 43 cm
H: 80 cm, Sh: 46.5 cm
Wt: 24 kg, Cbm: 0.53 m3
Wt: 3 7 kg, Cbm: 0.97 m3
Wt : 4 5 kg , Cb m : 1.4 m 3
2332 Sofa — Model 2332
Wt: 5 kg, Cbm: 0.22 m3
2209 Sofa — Model 2209
Wt: 5.5 kg, Cbm: 0.22 m3
The Søborg Chair — Model 3060
The Søborg Chair — Model 3061
2202 Stool — Model 2202
The Wing Chair — Model 2204
W: 51 cm, D: 50.5 cm
Seat upholstered
W: 58 cm, D: 58 cm
W: 69 Cm, D: 88 cm, H: 106 cm
L: 148 cm, D: 78 cm
H: 7 9.5 cm, Sh: 45.5 cm
W: 51 cm, D: 50.5 cm
H: 43 cm, Wt: 9 kg
Sh: 43 cm, Wt: 29 kg
H: 78 cm, Sh: 43 cm
H: 7 9.5 cm, Sh: 46.5 cm
Cbm: 0.2 m3
Cbm: 0.8 m3
Wt: 48 kg, Cbm: 1.09 m3
2334 Easy Chair — Model 2334
Wt: 6 kg, Cbm: 0.22 m3
Wt: 6.5 kg, Cbm: 0.22 m3
S ø b o r g S t u d i o Ta b l e — M o d e l 3 0 3 0
The 2212 Sofa — Model 2212
The 2213 Sofa — Model 2213
2333 Sofa — Model 2333
2335 Sofa — Model 2335
L: 180 cm, W: 90 cm
L: 158 cm, D: 81 cm
L: 221 cm, D: 81 cm
L: 207 cm, D: 78 cm
By Peter Mogensen
By Peter Mogensen
H: 73 cm, Wt: 27 kg
H: 80 cm, Sh: 43 cm
H: 80 cm, Sh: 43 cm
H: 78 cm, Sh: 43 cm
L: 180 cm, D: 78 cm
W: 85 cm, D: 78 cm
Cb m : 0.4 5 m 3
W t : 5 3 k g , C b m : 1 .1 8 m 3
Wt: 73 kg, Cbm: 1.66 m3
Wt: 68 kg, Cbm: 1.53 m3
H: 78 cm, Sh: 43 cm
H: 78 cm, Sh: 43 cm
Wt : 6 0 kg , Cb m : 1.4 1 m 3
Wt: 34 kg, Cbm: 0.63 m3
547
547
009
009
0081
0081
94
95
BØRGE MOGENSEN
BØRGE MOGENSEN
No. 1 Lounge Chair — Model 2001
No. 1 Sofa — Model 2002
No. 1 Sofa — Model 2003
3171 Bench — Model 3171
T h e S h a k e r Ta b l e — M o d e l 6 2 8 6
6 2 8 4 Ta b l e — M o d e l 6 2 8 4
W: 78.5 cm, D: 86 cm
L: 143 cm, D: 86 cm
L: 206 cm, D: 86 cm
L: 171 cm, W: 48.5 cm, H: 77 cm
L : 1 9 5 c m , W : 9 7. 5 c m
L: 180 cm, W: 90 cm
H: 83 cm, Sh: 42 cm
H: 83 cm, Sh: 42 cm
H: 83 cm, Sh: 42 cm
Sh: 46 cm, Wt: 21 kg
H: 71 cm, Wt: 56 kg
H: 70 cm Wt: 40 kg
Wt: 30 kg, Cbm: 0.5 m3
Wt: 42 kg, Cbm: 0.8 m3
W t : 5 4 k g , C b m : 1 .1 m 3
Cbm: 0.82 m3
Cbm: 0.2 m3
C b m : 0.1 8 m ³
The Coupé Sofa — Model 2192
The Spoke-back Sofa — Model 1789
The Spanish Chair — Model 2226
C 1 8 Ta b l e — M o d e l 6 2 9 1
C 1 8 Ta b l e — M o d e l 6 2 9 0
L: 154 cm, D: 89 cm
L: 160/197 cm, D: 76.5 cm
W: 82.5 cm, D: 60 cm
L: 140 cm, W: 90 cm
L: 180 cm, W: 90 cm
H: 106 cm, Sh: 42 cm
H: 86 cm, Sh: 40 cm
H: 67 cm, Sh: 33 cm
H: 71 cm, Wt: 40 kg
H: 71 cm, Wt: 35 kg
Wt: 65 kg, Cbm: 1.8 m3
W t : 3 3 k g , C b m : 1 .1 8 m 3
Wt : 1 2 kg , Cb m : 0.4 1 m 3
C b m : 0.1 4 m 3
C b m : 0.1 8 m 3
HANS J. WEGNER
The Hunting Chair — Model 2229
J39 Chair — Model 3239
3236 Chair — Model 3236
J16 Rocking Chair — Model 16000
W: 70.5 cm, D: 87 cm
W: 48 cm, D: 43 cm, H: 77 cm
W: 53 cm, D: 46.5 cm, H: 75 cm
W: 63 cm, D: 93 cm
W: 52 cm, D: 40 cm
H: 67 cm, Sh: 28 cm
S h : 4 4 . 5 /4 6 c m , W t : 4 . 5 k g
Sh: 46 cm, Wt: 6 kg
H: 107 cm, Sh: 42 cm
H: 45 cm, Wt: 4.8 kg
W t : 9 kg , Cb m : 0.4 5 m 3
Cbm: 0.26 m3 (2 Pcs.)
Cbm: 0.28 m3 (2 Pcs.)
Wt: 11 kg, Cbm: 0.58 m3
C b m : 0.1 m 3
96
J16 Stool — Model 16002
97
NANNA DITZEL
JASPER MORRISON
Tr i n i d a d C h a i r — M o d e l 3 2 9 8
Tr i n i d a d C h a i r — M o d e l 3 2 9 6
Tr i n i d a d A r m c h a i r — M o d e l 3 2 9 9
P o n C o f f e e Ta b l e — M o d e l 1 2 8 0
W : 4 7. 5 c m , D : 5 7 c m
Seat upholstered
W: 61 cm, D: 57 cm
Ø: 35 cm, H: 36 cm,
Ø: 40 cm, H: 41 cm
H: 83 cm, Sh: 44 cm
W: 48.5 cm, D: 57 cm
H: 83 cm, Sh: 44 cm
Wt: 3,5 kg, Cbm: 0.07 m3
Wt: 4,6 kg, Cbm: 0.09 m3
H: 83 cm, Sh: 45 cm
Wt : 5 kg , Cb m : 0.4 6 m 3 ( 2 Pc s . )
W t : 4 kg , Cb m : 0.4 m 3 (4 Pc s . )
P o n C o f f e e Ta b l e — M o d e l 1 2 8 5
ø400
ø350
Wt : 4 . 5 kg , Cb m : 0.4 m 3 (4 Pc s . )
ø400
408
356
356
408
ø350
Tr i n i d a d A r m c h a i r — M o d e l 3 2 9 7
Tr i n i d a d B a r S t o o l — M o d e l 3 3 0 0
Tr i n i d a d B a r S t o o l — M o d e l 3 3 0 1
P o n C o f f e e Ta b l e — M o d e l 1 2 9 0
Seat upholstered
W: 45 cm, D: 50 cm
Seat upholstered
Ø: 45 cm, H: 46.5 cm
Ø: 90 cm, H: 48 cm
W: 61 cm, D: 57 cm
H: 112 cm, Sh: 76.5 cm
W: 45 cm, D: 50 cm
W t : 5 , 9 k g , C b m : 0.1 3 m 3
W t : 1 9, 6 k g , C b m : 0.1 1 m 3
H: 83 cm, Sh: 45 cm
Wt: 5 kg, Cbm: 0.34 m
H : 1 1 2 c m , S h : 7 7. 5 c m
3
W t : 6 kg , Cb m : 0.4 6 m 3 ( 2 Pc s . )
P o n C o f f e e Ta b l e — M o d e l 1 2 9 5
ø900
ø450
Wt: 5.5 kg, Cbm: 0.34 m3
ø450
460
380
380
460
ø900
B e n c h Fo r Tw o — M o d e l 2 6 0 0
Ta r o Ta b l e — M o d e l 6 1 0 0
Ta r o Ta b l e — M o d e l 6 1 0 5
Ta r o Ta b l e — M o d e l 6 1 1 0
L: 150 cm, D: 70 cm
L: 180 cm, W: 80 cm
L: 220 cm, W: 93.5 cm
L: 280 cm, W: 93.5 cm
H: 98 cm, Sh: 40 cm
H: 72 cm, Wt: 33 kg
H: 72 cm, Wt: 47 kg
H: 72 cm, Wt: 65 kg
Cbm: 0.27 m
Cbm: 0.33 m
Cb m : 0.4 5 m 3
0082
539
027
027
027
99
027
027
027
98
0082
3
539
539
3
0022
539
008
3
0022
0081
008
Wt: 20 kg, Cbm: 1.32 m
0081
S PA C E C O P E N H A G E N
S PA C E C O P E N H A G E N
Spine Chair — Model 1720
Spine Bar Stool — Model 1730
Spine Stool — Model 1735
W: 46.5 cm, D: 58 cm
W: 45 cm, D: 51 cm
W: 42.5 cm, D: 35 cm
Swoon Easy Chair — Model 17 70
W: 90 cm, D: 88,5 cm
H: 76 cm, Sh: 46.5 cm
H : 1 0 4 c m , S h : 6 8 / 74 c m
H : 6 8 / 74 c m , W t : 5 .6 /5 .7 kg
H: 83,5 cm, Sh: 41,5 cm
Wt: 8 kg, Cbm: 0.3 m³
Wt: 10.2 kg, Cbm: 0.34 m³
C b m 0.1 4 m ³
Wt: 17 kg, Cbm: 0.93 m3
870
G A M F R AT E S I
Spine Lounge Chair — Model 1710
Spine Lounge Sofa — Model 1712
Haiku — Model 1632
W: 65 cm, D: 70 cm
W: 80 cm, D: 81 cm
L: 160 cm, D: 81 cm
L: 156 cm, D: 92 cm
Haiku — Model 1633
L: 228 cm, D: 92 cm
H: 69 cm, Sh: 41 cm
H: 71 cm, Sh: 41 cm
H: 71 cm, Sh: 41 cm
H: 104 cm, Sh: 45 cm
H: 104 cm, Sh: 45 cm
W t : e s t . 2 2 kg , Cb m : 0.4 m ³
Wt: 25 kg, Cbm: 0.56 m³
W t : 4 5 k g , C b m : 1 .1 4 m ³
Wt: 56 kg, Cbm: 2.03 m3
Wt: 81 kg, Cbm: 2.9 m3
1000
Spine Lounge Petit — Model 1711
1000
1000
870
870
1500
1500
1000
870
2200
2200
Spine Daybed — Model 1700
S p i n e C o f f e e Ta b l e — M o d e l 1 7 4 0
S p i n e C o f f e e Ta b l e — M o d e l 1 7 5 0
Haiku Low — Model 1642
L: 190 cm, W: 85 cm
L: 60cm, W: 60 cm
L: 120 cm, W: 60 cm
L: 156 cm, D: 88 cm
L: 228 cm, D: 88 cm
H: 45 cm, Sh: 35 cm
H: 45 cm, Wt: 20 kg
H: 45 cm, Wt: 35 kg
H: 76.5 cm, Sh: 44.5 cm
H: 76.5 cm, Sh: 44.5 cm
Wt: est. 45 kg
C b m : 0.1 9 m ³
Cbm: 0.38 m³
Wt: 41 kg, Cbm: 1.54 m3
Wt: 50 kg, Cbm: 2.2 m3
100
Haiku Low — Model 1643
101
WELLING/LUDVIK
WELLING/LUDVIK
Pato 4 Leg Chair — Model 4200
Pato 4 Leg Chair — Model 4201
Pato 4 Leg Chair — Model 4202
Pato Sledge Armchair — Model 4110
Pato Sledge Armchair — Model 4111
Polypropelene
Seat upholstered
Fully upholstered
Polypropylene
Seat upholstered
Pato Sledge Armchair — Model 4112
Fully upholstered
W: 55 cm, D: 52 cm
W: 55 cm, D: 52 cm
W: 55 cm, D: 52.5 cm
W: 55.5 cm, D: 51.5 cm
W: 55.5 cm, D: 51.5 cm
W: 55.5 cm, D: 52 cm
H: 79 cm, Sh: 46.5 cm
H : 7 9 c m , S h : 4 7. 5 c m
H : 8 0 c m , S h : 4 7. 5 c m
H: 79 cm, Sh: 46.5 cm
H : 7 9 c m , S h : 4 7. 5 c m
H : 7 9 . 5 c m , S h : 4 7. 5 c m
W t : 5. 2 kg , Cb m : 0.4 8 m 3 (4 Pc s . )
Wt : 5.4 kg , Cb m : 0. 3 6 m ³ ( 3 Pc s . )
Wt: 5.7 kg, Cbm: 0.36 m3 (3 Pcs.)
Wt: 6.8 kg, Cbm: 0.36 m3 (3 Pcs.)
W t : 7. 3 k g , C b m : 0 . 3 6 m 3 ( 3 P c s . )
W t : 7. 6 k g , C b m : 0 . 3 6 m 3 ( 3 P c s . )
Pato 4 Leg Armchair — Model 4210
Pato 4 Leg Armchair — Model 4211
Pato 4 Leg Armchair — Model 4212
Pato Bar Stool — Model 4300
Pato Bar Stool — Model 4301
Pato Bar Stool — Model 4302
Polypropylene
Seat upholstered
Fully upholstered
Polypropylene
Seat upholstered
Fully upholstered
W: 57 cm, D: 52 cm
W: 57 cm, D: 52 cm
W: 57 cm, D: 52.5 cm
W: 45 cm, D: 50 cm
W: 45 cm, D: 50 cm
W: 46 cm, D: 50 cm
H: 79 cm, Sh: 46.5 cm
H : 7 9 c m , S h : 4 7. 5 c m
H : 7 9 . 5 c m , S h : 4 7. 5 c m
H : 9 7/ 1 0 9 c m , S h : 6 6 / 7 7 c m
H: 97 /109 cm, Sh: 66/77 cm
H : 9 8 / 1 1 0 c m , S h : 6 7/ 7 8 c m
W t : 5.7 kg , Cb m : 0.4 8 m 3 (4 Pc s . )
Wt: 5.9 kg, Cbm: 0.36 m3 (3 Pcs.)
Wt: 6.2 kg, Cbm: 0.36 m3 (3 Pcs.)
W t : 7. 1 / 7. 5 k g , C b m : 0 . 3 4 m 3
W t : 7. 4 / 7. 7 k g , C b m : 0 . 3 4 m 3
W t : 7. 7 / 8 . 0 k g , C b m : 0 . 3 4 m 3
Pato Sledge Chair — Model 4100
Pato Sledge Chair — Model 4101
Pato Sledge Chair — Model 4102
Pato Conference Chair — Model 4000
Pato Conference Chair — Model 4001
Pato Conference Chair — Model 4002
Polypropylene
Seat upholstered
Fully upholstered
Polypropylene
Seat upholstered
Fully upholstered
W: 57 cm, D: 51 cm
W: 57 cm, D: 51 cm
W: 57 cm, D: 51.5 cm
W: 63 cm, D: 50 cm
W: 63 cm, D: 50 cm
W: 63 cm, D: 50 cm
H: 79 cm, Sh: 46.5 cm
H : 7 9 c m , S h : 4 7. 5 c m
H : 7 9 . 5 c m , S h : 4 7. 5 c m
H: 79 cm, Sh: 45.5 cm
H: 79 cm, Sh: 46.5 cm
H: 7 9.5 cm, Sh: 46.5 cm
Wt: 6.0 kg, Cbm: 0.36 m3 (3 Pcs.)
Wt: 6.3 kg, Cbm: 0.36 m3 (3 Pcs.)
Wt: 6.6 kg, Cbm: 0.36 m3 (3 Pcs.)
Wt : 8.4 kg , Cb m : 0. 2 5 m ³
Wt: 8.6 kg, Cbm: 0.25 m³
Wt: 8.9 kg, Cbm: 0.25 m³
102
103
WELLING/LUDVIK
WELLING/LUDVIK
Pato Conference Armchair — Model 4010
Pato Conference Armchair — Model 4011
Pato Conference Armchair — Model 4012
Pato Executive — Model 4052
Polypropylene
Seat upholstered
Fully upholstered
Fully upholstered
Fully upholstered
W: 63 cm, D: 50 cm
W: 63 cm, D: 50 cm
W: 63 cm, D: 50 cm
W: 63 cm, D: 55.5 cm
W: 72 cm, D: 70 cm
Pato Executive Office — Model 4072
H: 79 cm, Sh: 45.5 cm
H: 79 cm, Sh: 45.5 cm
H: 7 9.5 cm, Sh: 46.5 cm
H: 86.5 cm, Sh: 48.5 cm
H: 85-95 cm, Sh: 48-58 cm
Wt: 9.7 kg, Cbm: 0.25 m³
Wt: 10.2 kg, Cbm: 0.25 m³
Wt: 10.6 kg, Cbm: 0.25 m3
Wt: 10.5 kg, Cbm: 0.32 m3
Wt: 11.9 kg, Cbm: 0.32 m3
Pato Office Chair — Model 4020
Pato Office Chair — Model 4021
Pato Office Chair — Model 4022
Pato Bench — Model 4330
Pato Bench — Model 4340
Polypropylene
Seat upholstered
Fully upholstered
Polypropylene
Polypropylene
W: 68.5 cm, D: 62 cm
W: 68.5 cm, D: 62 cm
W: 68.5 cm, D: 62 cm
W: 157 cm, D: 51.5 cm
L: 213 cm, D: 51.5 cm
H: 81-91 cm, Sh: 46.5-56.5 cm
H : 8 1 - 9 1 c m , S h : 4 7. 5 - 5 7. 5 c m
H : 8 1 - 9 1 c m , S h : 4 7. 5 - 5 7. 5 c m
H: 78 cm, Sh: 46 cm
H: 78 cm, Sh: 46 cm
W t : 9.7 kg , Cb m : 0.4 2 m 3
Wt : 1 0 kg , Cb m : 0.4 2 m 3
Wt : 1 0. 3 kg , Cb m : 0.4 2 m 3
W t : 2 7. 5 k g , C b m : 0 . 8 m 3
W t : 3 5 . 5 k g , C b m : 1 .1 m 3
Pato Office Armchair — Model 4030
Pato Office Armchair — Model 4031
Pato Office Armchair — Model 4032
Pato Lounge Chair — Model 4370
Polypropylene
Seat upholstered
Fully upholstered
W : 6 3 c m , D : 6 7. 5 c m
W: 68.5 cm, D: 62 cm
W: 68.5 cm, D: 62 cm
W: 68.5 cm, D: 62 cm
H: 72 cm, Sh: 39 cm
H: 81-91 cm, Sh: 46.5-56.5 cm
H : 8 1 - 9 1 c m , S h : 4 7. 5 - 5 7. 5 c m
H : 8 1 - 9 1 c m , S h : 4 7. 5 - 5 7. 5 c m
Wt: 9 kg, Cbm: 0.38 m3
W t : 9. 9 kg , Cb m : 0.4 2 m 3
Wt : 1 0. 2 kg , Cb m : 0.4 2 m 3
Wt : 1 0. 3 kg , Cb m : 0.4 2 m 3
mm027
mm027
104
mm576 mm576
105
mm093
mm093
mm036 mm036
WELLING/LUDVIK
WELLING/LUDVIK
M e s a Ta b l e — M o d e l 4 6 1 2
S o l a C a f é Ta b l e — M o d e l 4 6 7 0
S o l a C a f é Ta b l e — M o d e l 4 6 7 1
S o l a C a f é Ta b l e — M o d e l 4 6 7 2
L: 120 cm, W: 120 cm
Ø: 70 cm
L: 70 cm, W: 60 cm
L: 70 cm, W: 70 cm
H: 73 cm, Cbm: 0.28 m3
H: 71/105 cm
H: 71/105 cm
H: 71/105 cm
W t : 1 8 k g , C b m : 0.1 8 m 3
W t : 1 8 k g , C b m : 0.1 8 m 3
W t : 1 9 k g , C b m : 0.1 8 m 3
M e s a Ta b l e — M o d e l 4 6 1 8
M e s a Ta b l e — M o d e l 4 6 2 0
M e s a Ta b l e — M o d e l 4 6 2 2
S o l a Ta b l e — M o d e l 4 6 7 8
S o l a Ta b l e — M o d e l 4 6 7 9
L: 180 cm, W: 90 cm
L: 200 cm, W: 100 cm
L: 200 cm, W: 120 cm
L: 130 cm, W: 70 cm
L: 160 cm, W: 70 cm
H: 73 cm, Cbm: 0.31 m3
H: 73 cm, Cbm: 0.38 m3
H : 7 3 c m , Cb m : 0.4 5 m 3
H: 71/105 cm
H: 71/105 cm
Wt: 40.5 kg, Cbm: 0.6 m3
Wt: 39 kg, Cbm: 0.7 m3
M e s a Ta b l e — M o d e l 4 6 2 3
M e s a Ta b l e — M o d e l 4 6 2 6
L: 220 cm, W: 120 cm
L: 260 cm, W: 120 cm
L: 300 cm, W: 120 cm
H : 7 3 c m , Cb m : 0.4 5 m 3
H: 73 cm, Cbm: 0.5 m3
H: 73 cm, Cbm: 0.69 m3
106
M e s a Ta b l e — M o d e l 4 6 3 0
107
SHIN AZUMI
H U G O PA S S O S
Nara Coat Stand — Model 1880
Nara Chair — Model 1810
Nara Chair — Model 1820
P i l o t i C o f f e e Ta b l e — M o d e l 6 7 0 0
H: 180 cm, W: 32 cm
W : 4 7. 5 c m , D : 5 0 . 5 c m
Seat Upholstered
L: 39 cm, W: 31 cm
P i l o t i C o f f e e Ta b l e — M o d e l 6 7 0 5
L: 46.5 cm, W: 75 cm
D: 42 cm, Wt: 10 kg
H: 83.5 cm, Sh: 43.5 cm
W: 48 cm, D: 51 cm
H : 3 5 /4 1 c m , W t : 2 ,4 k g
H : 3 5 /4 1 c m , W t : 4 k g
Cbm: 0.27 m3
Wt: 5 kg, Cbm: 0.22 m3
H: 83.5 cm, Sh: 44.5 cm
Cbm: 0.015 m3
Cbm: 0.022 m3
39
31
35
41
Wt: 5 kg, Cbm: 0.22 m3
39
46,5
Nara Bar Stool — Model 1830
Nara Bar Stool — Model 1832
W: 44.5 cm, D: 44.5 cm
Seat Upholstered
H: 99 cm, Sh: 67 cm
W: 45 cm, D: 45 cm
Wt: 6 kg, Cbm: 0.3 m3
H: 99 cm, Sh: 68 cm
Wt: 6.5 kg, Cbm: 0.3 m
P i l o t i C o f f e e Ta b l e — M o d e l 6 7 1 0
P i l o t i C o f f e e Ta b l e — M o d e l 6 7 1 5
L: 39 cm, W: 46,5 cm
3
H : 3 5 /4 1 c m , W t : 3 k g
L: 39 cm, W: 120 cm
Cbm: 0.02 m3
H : 3 5 c m , W t : 7, 8 k g
39
31
35
35
Cbm: 0.041 m3
75
119
EJVIND A. JOHANSSON
Nara Bar Stool — Model 1840
Nara Bar Stool — Model 1842
J63 Stool – Model 3063
W: 44.6 cm, D: 47 cm
Seat upholstered
W: 48 cm, D: 34.5 cm
W: 59.5 cm, D: 54 cm
H: 108 cm, Sh: 77 cm
W: 45 cm, D: 47 cm
H: 47 cm, Wt: 4 kg
H: 7 9.5 cm, Sh: 45 cm
H: 108 cm, Sh: 78 cm
C b m : 0.1 1 m 3
Wt: 5.8 kg, Cbm: 0.28 m3
Wt: 7 kg, Cbm: 0.3 m3
J64 Chair - Model 3064
W t : 7. 5 k g , C b m : 0 . 3 m 3
108
109
CECILIE MANZ
THOMAS PEDERSEN
M i c a d o C o f f e e Ta b l e — M o d e l 1 2 1 3
Stingray Rocking Chair — Model 3500
Ø: 60 cm, H: 49 cm
High Gloss Plastic
Fully upholstered
Wt: 3.8 kg, Cbm: 0.03 m3
W: 120 cm, D: 114 cm
W: 122 cm, D: 114 cm
THOMAS PEDERSEN
Stingray Rocking Chair — Model 3525
H: 83.5 cm, Sh: 34 cm
H: 86 cm, Sh: 34 cm
W t : 1 7 k g , C b m : 1 .1 m 3
W t : 2 5 k g , C b m : 1 .1 m 3
PER BORRE
NIELS JØRGEN HAUGESEN
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 0 0
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 1 0
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 2 0
Astral Bench — Model 1111
T h e H a u g e s e n Ta b l e — M o d e l 4 7 5 0
Ø : 9 0 c m , H : 4 3 /4 9 c m
L: 70 cm, W: 70 cm, H: 43/54 cm
Ø: 50 cm, H: 43/54 cm
L: ½ Ø 450 cm, D: 225 cm
L: 186/305 cm, W: 92 cm
W t : 1 0 k g , C b m : 0.1 m 3
Wt: 6.5 kg, Cbm: 0.06 m3
Wt : 3.4 kg , Cb m : 0.03 m 3
H: 81 cm, Sh: 42 Cm, Cbm: 8.58 m3
H: 72 cm, Wt: 52 kg
Cbm: 0.2 m3
H A N S S A N D G R E N J A KO B S E N
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 3 0
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 4 0
I c i c l e C o f f e e Ta b l e — M o d e l 1 2 5 0
Gallery Stool — Model 1610
L: 84 cm, W: 63 cm
L: 127 cm, W: 90 cm
L: 150 cm, W: 58 cm
W: 52 Cm, D: 36 cm H: 48 cm
H: 43/54 cm, Wt: 5.7 kg
H : 4 3 /4 9 c m , W t : 1 4 k g
H : 4 3 /4 9 c m , W t : 1 3 k g
W t : 4 k g , C b m : 0.1 2 m 3
Cbm: 0.07 m3
C b m : 0.1 3 m 3
C b m : 0.1 m 3
110
111
SUSANNE GRØNLUND
SUSANNE GRØNLUND
E a s y Ta b l e — M o d e l 1 3 6 2
E a s y Ta b l e — M o d e l 1 3 7 4
E a s y Ta b l e — M o d e l 1 3 8 0
E a s y R o u n d Ta b l e — M o d e l 1 3 0 2
Mundo Lounge Chair — Model 1036
L: 125 cm, W: 60 cm
L: 140 cm, W: 70 cm
L: 195 cm, W: 80 cm
Ø: 120 cm, H: 72.5 cm
W: 78 cm, D: 65.5 cm
H: 72.5 cm, Wt: 24 kg
H: 72.5 cm, Wt: 29 kg
H: 72.5 cm, Wt: 37 kg
Cmb: 0,34 m³
Cbm: 0.08 m3
C b m : 0.1 1 m 3
C b m : 0.1 8 m 3
E a s y Ta b l e — M o d e l 1 3 8 4
E a s y Ta b l e — M o d e l 1 3 8 3
E a s y Ta b l e — M o d e l 1 3 8 6
L: 140 cm, W: 80 cm
L: 125 cm, W: 80 cm
L: 160 cm, W: 80 cm
H: 72.5 cm, Wt: 30 kg
H: 72.5 cm, Wt: 27 kg
H: 72.5 cm, Wt: 32 kg
C b m : 0.1 1 m 3
C b m : 0.1 m 3
C b m : 0.1 3 m 3
E a s y Ta b l e — M o d e l 1 3 8 8
E a s y Ta b l e — M o d e l 1 3 8 9
E a s y Ta b l e — M o d e l 1 3 9 0
L: 180 cm, W: 80 cm
L: 190 cm, W: 80 cm
L: 180 cm, W: 90 cm
H: 72.5 cm, Wt: 35 kg
H: 72.5 cm, Wt: 36.5 kg
H: 72.5 cm, Wt: 36.5 kg
C b m : 0.1 5 m 3
C b m : 0.1 8 m 3
C b m : 0.1 9 m 3
112
H: 79 cm, Sh: 47 cm
Wt: 10 kg, Cbm: 0.54 m³
113
C O N TA C T U S
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Tel: + 4 5 7592 3 3 4 4 sa les @ fred ericia .com
P R, ma rketin g a n d reta il — Fred ericia Furn iture A /S
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