A LITTLE HOUSE PRODUCTIONS` FILM Written by David Baddiel
Transcription
A LITTLE HOUSE PRODUCTIONS` FILM Written by David Baddiel
A LITTLE HOUSE PRODUCTIONS' FILM Written by David Baddiel and Peter Bradshaw To be Directed by David Baddiel When Fran’s suburban idyll is torn apart by vicious accusations, she forms a group of similarly accused women for support. But their solidarity soon gives way to suspicion… Fran Holmes lives a predictable life with her husband and children in suburban Cornwall. She starts suffering poisonous intimidation from locals who believe she is Alice Bell: a notorious killer’s ex girlfriend reportedly relocated somewhere in the UK. Using social media, Fran befriends other similarly accused women - their mutual-help group offers solidarity but unexpectedly becomes an overnight media sensation. But what if one of them actually is Alice Bell? Based on true life events inspired by the demonisation of women presumed to be Ian Huntley’s girlfriend Maxine Carr, I AM NOT ALICE BELL is a female-centric satirical thriller and modern day witch-hunt with a dark humorous heart. David Baddiel is a comedian, novelist, columnist and screenwriter. His TV career includes a number of acclaimed comedy shows in the 90s including The Mary Whitehouse Experience, Fantasy Football League, and Baddiel and Skinner Unplanned. Since then, he has made documentaries for the BBC and Horizon including Who Do You Think You Are? and Baddiel And The Missing Nazi Billions. On radio, he created and hosted Radio 4’s comedy discussion programme Heresy as well as the acclaimed series Four Thought. He has written four novels that have been translated into over 30 languages: Time For Bed (1996), Whatever Love Means (1999), The Secret Purposes (2005), and The Death of Eli Gold (2011). In 2010, Baddiel wrote, and was a producer on, The Infidel. The film has been released in over 60 countries and has grossed over five million dollars to date - having cost just over one and a half to make. Viacom has picked up the rights for a Bollywood remake and the musical version, which Baddiel has written, opens in Stratford East in Autumn 2014. In 2011, Baddiel wrote and directed a Little Cracker for Sky and most recently a BBC4 comedy pilot, Puppy Love, written by and starring Joanna Scanlan and Vicky Pepperdine. He is about to direct his own sitcom for Channel 4, Sit.Com. In addition to directing, Baddiel has feature scripts in development with Bwark Productions, Montecito Picture Company and Chris Weitz’s production company, Depth of Field. DIRECTOR’S STATEMENT I AM NOT ALICE BELL is a film that will speak to us about how we live now. In the digital information age, so much of how we relate to each other depends on what we can find out - what we think we know about each other - before we even meet. Rumour, suspicion and conspiracy theory have far more power than they used to have, which was always a lot; and the mob convictions, however absurd, that result from these, can now feel unstoppable. I want to make a film about women. I AM NOT ALICE BELL gives a rare chance for four women to play as an ensemble: a darker, grittier and more British Bridesmaids perhaps. I have been lucky enough to work with a number of brilliant British female comic actresses in their 30s and 40s and I AM NOT ALICE BELL would enable them to be on screen together for the first time. This film puts those actresses at centre stage. I AM NOT ALICE BELL is genuinely cross generic, treading a deliberately delicate line between psychological thriller and satire, in the modern Black Mirror manner: funny where it should be and chilling in others. As such, it is breaking some artistic filmic boundaries which is what draws me to the material so deeply. I want to create something that feels tonally in the region of the Coen Bros’ small-town films, particularly Fargo. Funny, but also disturbing, relevant and deeply cinematic. Peter Bradshaw is the film critic at The Guardian and has been shortlisted four times for the British Press Awards Critic Of The Year. He has published three novels: Lucky Baby Jesus (1999), Dr Sweet And His Daughter (2003) and Night Of Triumph (2013) and one work of non-fiction: Not Alan Clark’s Diary (1998) about his experiences of being sued by the late Conservative MP Alan Clark. He has written and performed in the TV sitcom Baddiel’s Syndrome with David Baddiel, and costarring Morwenna Banks, Demetri Goritsas, David Walliams, Celia Imrie and Omid Djalili. He was also in the BBC Radio sketch The Skivers and created and performed the English-Gothic radio series For One Horrible Moment, both on Radio 4 Extra. Uzma Hasan is the principal producer at VC backed Little House Productions. Her first feature The Infidel was released internationally to critical and commercial acclaim and has since spawned a Bollywood remake and West End musical. Most recently, she exec produced award winning feature documentary Flying Paper. Her diverse slate includes co productions with the BFI, Maven Pictures and Metrodome Distribution as well as features from Guillermo Del Toro protege Guillem Morales and Bert&Bertie. She consults for international film finds including Eurimages, the council of Europe’s film fund; the Doha Film Institute; and Harvardwood, the official network of Harvard alumni in the entertainment and media industries. She sits on selection committees for the British Independent Film Awards and Mira Nair’s MAISHA Filmmaking Labs. She is producing David Baddiel’s directorial debut I AM NOT ALICE BELL. We want to tell a challenging, frightening, funny and timely story that is a passionate and intimate piece of British cinema. There is a great British tradition of strong ensemble films, be it a warm, fuzzy Richard Curtis rom com or the brooding machinations of John le Carré’s Tinker Tailor Soldier Spy. I AM NOT ALICE BELL builds on and subverts this tradition; a satirical thriller with a female ensemble cast of characters that the audience will grow to love and want to protect. Their lives will resonate and their jeopardy will really mean something. Our script is the starting point for a visually arresting and dramatically gripping cinematic experience. The characters have the depth and complexity to illicit memorable, powerful performances from our female actors. Given the prevalence of the male centered narrative in cinema; I AM NOT ALICE BELL is a rare insight into women as they really are, beyond the ciphers of romantic interest or convenient plot device. These women are the main driving force of our story: with men as the supporting roles. The female ensemble dynamic will be reminiscent of Calendar Girls or Bridesmaids but with a suspenseful edge - although obviously there will be loads of laughs. Our writing is inspired by a very British tradition but also by European cinema which looks at the way society indulges in group-hysteria. We have taken something from Lars Von Trier in his film Dogville - the study of a smug small town descending into paranoid violence and misogynist paranoia. I AM NOT ALICE BELL takes a look at this small town mentality and investigates the way the digital age has turned Britain into a curtain-twitching small town. We have also been inspired by Thomas Vinterberg’s film The Hunt about a man who is wrongly accused of being a child-abuser. He finds that all his friendships and loyalties are useless in the face of growing suspicion. I AM NOT ALICE BELL also takes inspiration from a real satirical classic about paranoia and group-hysteria: HenriGeorges Clouzot’s black-and-white 1940s film The Raven, about a country doctor who suddenly finds he is the subject of anonymous letters sent to village worthies, accusing him of immorality. That film was a satire on the dark side of human nature and the ugly herd instinct in Occupied France. I AM NOT ALICE BELL will be a very contemporary film, tackling the world of 21stcentury Britain, a world in which misogyny and fear of women is never far away, and is given a new and chilling lease of life through the anonymous forces of troll-ism and the web. The film’s satire and comedy will also challenge and upend political correctness and bland liberal verities. This film will be a timeless, disturbing and deeply relevant insight into contemporary society. BUDGET £1.5m (See attached) SHOOT 5 weeks/25 days (See attached) Q3 2015 DELIVERY Q1 2016 FRAN HOLMES | Olivia Colman JULIE Catherine Tate Miranda Hart Sally Hawkins CHARLOTTE Anne Marie Duff Alice Lowe Anna Maxwell Martin VANESSA Natascha McElhone Helen McCrory Maxine Peake NICK Martin Freeman Andy Serkis Riz Ahmed For more information, please contact: Uzma Hasan Little House Productions t 44 20 7535 7233 m 44 7956 686 167 e [email protected] w littlehouse-productions.com a Garfield House 86-88 Edgware Road London W2 2EA