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List of Exhibits
❷ 1757 ❸ paper, persimmon tannin ❹ 20.7×42.4 ❺ Tokyo University of the Arts ❻染織 207-5 ❼ T, K List of Works − Legend • The data on each work are listed in the following order: catalogue number, name of the artist, title of the work, ❶ place of production, ❷ date of production, ❸ materials, ❹ dimensions (in centimeters), ❺ owner, ❻ registration number＊ acquisition data and ❼ Initials (T. K. M.) indicate the sites at which the work will be exhibited (Tokyo, Kyoto, Mie). • The works included in each chapter are divided into eight categories and presented in the following order: katagami, woodworking, metalworking, ceramics, glass, textiles, graphics, and reference materials. • Within each category, works are organized by date of production. • The number in brackets [ ] after the title of a book is the date of its accession by the Bibliothèque Nationale de France and not necessarily the publication date. • K atagami are organized by date of production, if known; undated katagami are organized alphabetically by the name of the institution in whose collection they are found and the registration number. • The date stated for a katagami is the date in the inscription on it. • The name of each work is given in English, except for posters and books, for which the titles are given in the original language. • The place of production is given in the original language. • The dimensions are given as length × width for two-dimensional works; for three-dimensional works, they are usually given as depth × width × height or height × diameter; for exceptions, the place measured is indicated in parentheses. Part 1. The World of Paper Stencils Their history and development in Japan 1001 Paper Stencil with Pattern of “Ichôtachibana”, Ginkgo Leaves and Mandarin Oranges ❷ 1707 ❸ paper, persimmon tannin ❹ 21.6×41.3 ❺ Suzuka City ❻ O85 ❼ T − 1002 Paper Stencil with Pattern of “Toritsunagi”, Connected Birds ❷ 1710 ❸ paper, persimmon tannin ❹ 20.5×40.6 ❺ Suzuka City ❻ O89 ❼ K − 1003 Paper Stencil with Pattern of “Ichômatsuba”, Ginkgo Leaves and Pine Needles ❷ 1715 ❸ paper, persimmon tannin ❹ 21.5×40.8 ❺ Suzuka City ❻ J38 ❼ M − 1004 Paper Stencil with Pattern of “Hishikôshi-niJû”, Diamonds and Crosses ❷ 1715 ❸ paper, persimmon tannin ❹ 18.3×40.7 ❺ Suzuka City ❻ O84 ❼ K − 1005 Paper Stencil with Pattern of “Hanetsuki”, Shuttlecocks ❷ 1725 ❸ paper, persimmon tannin ❹ 25×41.1 ❺ Suzuka City ❻ O82 ❼ M − 1006 Paper Stencil with Pattern of “Shimadori-niMatsuba-ni-Hana”, Stripes, Pine Needles and Flowers ❷ 1727 ❸ paper, persimmon tannin ❹ 26.3×40.7 ❺ Suzuka City ❻ O83 ❼ M − 1007 Paper Stencil with Pattern of “Mugura-BaikaÔgi”, Tangled Weeds, Japanese Apricots and Folding Fans ❷ 1730 ❸ paper, persimmon tannin ❹ 20.7×41.3 ❺ Suzuka City ❻ O80 ❼ T − 1008 Paper Stencil with Pattern of “Kôrin’umeUguisu”, Japanese Apricots in Kôrin Style and Japanese Bush Warblers ❷ 1734 ❸ paper, persimmon tannin ❹ 21.3×40.7 ❺ Suzuka City ❻ O81 ❼ K − 1009 Paper Stencil with Pattern of “RyûsuiChidori”, Streams and Plovers ❷ 1737 ❸ paper, persimmon tannin ❹ 20.5×41.3 ❺ Suzuka City ❻ O78 ❼ M − 1010 Paper Stencil with Pattern of “Takarazukushi”, Treasures ❷ 1738 ❸ paper, persimmon tannin ❹ 20.8×41.2 ❺ Suzuka City ❻ O77 ❼ T − 1011 Paper Stencil with Pattern of “Saya”, Key Frets ❷ 1751 ❸ paper, persimmon tannin ❹ 20.9×40.2 ❺ Suzuka City ❻ O75 ❼ K − 1012 Paper Stencil with Pattern of “Hishi-niYotsuhana”, Diamonds Enclosing Four-Petal Flowers ❷ 1773 ❸ paper, persimmon tannin ❹ 20.8×41.5 ❺ Suzuka City ❻ O36 ❼ M − 1013 Paper Stencil with Pattern of “Kôshi-niKarakusa”, Arabesque Patterns on Lattice ❷ 1777 ❸ paper, persimmon tannin ❹ 26×41 ❺ Suzuka City ❻ O21 ❼ K − 1014 Paper Stencil with Pattern of “Tori-ni-Arare”, Birds and Hailstones ❷ 1792 ❸ paper, persimmon tannin ❹ 20.8×41.6 ❺ Suzuka City ❻ Q48 ❼ K − 1015 Paper Stencil with Pattern of “Koborematsuba”, Pine Needles ❷ 1794 ❸ paper, persimmon tannin ❹ 20.7×41.3 ❺ Suzuka City ❻ O33 ❼ T − 1016 Paper Stencil with Pattern of “Shippô-niYotsuhana”, Linked Circles Enclosing Four-Petal Flowers ❷ 1796 ❸ paper, persimmon tannin ❹ 25×41.1 ❺ Suzuka City ❻ O31 ❼ T − 1017 Paper Stencil with Pattern of “Tai”, Sea Breams ❷ 1812 ❸ paper, persimmon tannin ❹ 27.2×41.7 ❺ Suzuka City ❻ O9 ❼ M − 1018 Paper Stencil with Pattern of “Kawaridake”, Bamboos ❷ 1819 ❸ paper, persimmon tannin ❹ 25.8×40.6 ❺ Suzuka City ❻ O3 ❼ T − 1019 Paper Stencil with Pattern of “Toridasuki-niDaishôarare-to-Chô”, Butterflies and Hailstones on a Wavy Lattice ❷ 1842 ❸ paper, persimmon tannin ❹ 20.9×41 ❺ Suzuka City ❻ O29 ❼ M − 1020 Paper Stencil with Pattern of “Waritsukegara”, Geometric Patterns ❷ 1713 ❸ paper, persimmon tannin ❹ 22×43 ❺ Tokyo University of the Arts ❻染織 207-1 ❼ T, M − 1021 Paper Stencil with Pattern of “Kawarachidori”, Plovers and Streams ❷ 1718 ❸ paper, persimmon tannin ❹ 21.2×41.8 ❺ Tokyo University of the Arts ❻染織 207-369 ❼ T, K − 1022 Paper Stencil with Pattern of “Kôshiji-nitsuta”, Vines on Lattices ❷ 1722 ❸ paper, persimmon tannin ❹ 22×42.8 ❺ Tokyo University of the Arts ❻染織 207-3 ❼ K, M 1023 Paper Stencil with Pattern of “Tsuta”, Vines ❷ 1725 ❸ paper, persimmon tannin ❹ 21.2×43.4 ❺ Tokyo University of the Arts ❻染織 207-164 ❼ T, M − 1024 Paper Stencil with Pattern of “Midaregôshini-take”, Bamboos on Lattices ❷ 1731 ❸ paper, persimmon tannin ❹ 20.5×43.1 ❺ Tokyo University of the Arts ❻染織 207-115 ❼ T, K − 1025 Paper Stencil with Pattern of “Tessen-niKikukarakusa”, Clematis with Chrysanthemun Arabesques ❷ 1747 ❸ paper, persimmon tannin ❹ 27×43.2 ❺ Tokyo University of the Arts ❻染織 207-221 ❼ K, M − 1026 Paper Stencil with Pattern of “Tabanenoshi”, Bundles of Noshis (Folded Gift Papers) ❷ 1752 ❸ paper, persimmon tannin ❹ 19.6×42 ❺ Tokyo University of the Arts ❻染織 207-103 ❼ T, M − 1027 Paper Stencil with Pattern of “Waritsukegara”, Geometric Patterns 1028 Paper Stencil with Pattern of “Aoikarakusa”, Arabesques Pattern of Mallows ❷ 1758 ❸ paper, persimmon tannin ❹ 20.6×42.2 ❺ Tokyo University of the Arts ❻染織 207-86 ❼ K, M − 1029 Paper Stencil with Pattern of “Unryû”, Dragons and Clouds ❷ 1761 ❸ paper, persimmon tannin ❹ 20.6×41.9 ❺ Tokyo University of the Arts ❻染織 207-69 ❼ T, M − 1030 Paper Stencil with Pattern of “Inaho-niSuzume”, Ears of Rice and Sparrows ❷ 1765 ❸ paper, persimmon tannin ❹ 20.4×41.3 ❺ Tokyo University of the Arts ❻染織 207-218 ❼ T, K − 1031 Paper Stencil with Pattern of “Yuinawa”, Tied Ropes ❷ 1767 ❸ paper, persimmon tannin ❹ 24.8×41.4 ❺ Tokyo University of the Arts ❻染織 207-15 ❼ K, M − 1032 Paper Stencil with Pattern of “Kikukarakusa”, Chrysanthemun Arabesques ❷ 1778 ❸ paper, persimmon tannin ❹ 26.7×42 ❺ Tokyo University of the Arts ❻染織 207-27 ❼ T, M − 1033 Paper Stencil with Pattern of “En-no-Mijin”, Minute Circles ❷ 1782 ❸ paper, persimmon tannin ❹ 20.2×42 ❺ Tokyo University of the Arts ❻染織 207-30 ❼ T, K − 1034 Paper Stencil with Pattern of “Arareji-niKotori”, Birds on Hailstone Patterns ❷ 1788 ❸ paper, persimmon tannin ❹ 20.5×41.8 ❺ Tokyo University of the Arts ❻染織 207-32 ❼ K, M − 1035 Paper Stencil with Pattern of “Ichô”, Ginkgo Leaves ❷ 1796 ❸ paper, persimmon tannin ❹ 20.8×42.7 ❺ Tokyo University of the Arts ❻染織 207-161 ❼ T, M − 1036 Paper Stencil with Pattern of “Karigane”, Wild Geese ❷ 1807 ❸ paper, persimmon tannin ❹ 20.2×42 ❺ Tokyo University of the Arts ❻染織 207-43 ❼ T, K − 1037 Paper Stencil with Pattern of “Take-ni-Tora”, Tigers in Bamboo ❷ 1808 ❸ paper, persimmon tannin ❹ 26.5×41.8 ❺ Tokyo University of the Arts ❻染織 207-366 ❼ K, M − 1038 Paper Stencil with Pattern of “Same”, Sharkskin ❷1813 ❸ paper, persimmon tannin ❹ 20.4×42.5 ❺ Tokyo University of the Arts ❻染織 207-133 ❼ T, M − 1039 Paper Stencil with Pattern of “Misujikôshi-niRan”, Orchids on Lattices ❷ 1830 ❸ paper, persimmon tannin ❹ 21.7×40.8 ❺ Tokyo University of the Arts ❻染織 207-154 ❼ T, K − 1040 Paper Stencil with Pattern of “Hachirashi”, Scattered Leaves ❷ 1840 ❸ paper, persimmon tannin ❹ 25.2×41.4 ❺ Tokyo University of the Arts ❻染織 207-58 ❼ K, M − 1041 Paper Stencil with Pattern of “Waritsukegara”, Geometric Patterns ❷ 1850 ❸ paper, persimmon tannin ❹ 20.2×41 ❺ Tokyo University of the Arts ❻染織 207-344 ❼ T, M − 1042 Paper Stencil with Pattern of “Kikukarakusa”, Chrysanthemun Arabesques ❷ 1856 ❸ paper, persimmon tannin ❹ 25.8×41.5 ❺ Tokyo University of the Arts ❻染織 207-67 ❼ T, K − 1043 Paper Stencil with Pattern of “Koi”, Carp ❷ 1864 ❸ paper, persimmon tannin ❹ 30.6×41.1 ❺ Tokyo University of the Arts ❻染織 207-199 ❼ K, M − 1044 Paper Stencil with Pattern of “Hishikôshi-niNanamejû”, Rhombuses and Crosses ❷ 1812 ❸ paper, persimmon tannin ❹ 25.5×43.5 ❺ Kunstgewerbemuseum, Staatliche Kunstsammlungen Dresden ❻ Kasten 32, Nr. 153 ❼ T, K, M − 1045 Paper Stencil with Pattern of “YabureHishikôshi-ni-Takedabishi-ni-Yotsuhana”, Broken Rhombushes, Four Diamonds and Four-Petal Flowers ❷ 1812 ❸ paper, persimmon tannin ❹ 24.4×43.5 ❺ Kunstgewerbemuseum, Staatliche Kunstsammlungen Dresden ❻ Kasten 72, Nr. 54 ❼ T, K, M − 1046 Paper Stencil with Pattern of “Inaho”, Ears of Rice ❷ before 1829 ❸ paper, persimmon tannin ❹ 20×41.6 ❺ Museum Volkenkunde, Leiden ❻ 1-3448＊bought from Ph.F.B. von Siebold in 1837 ❼ T, K, M − 1047 Paper Stencil with Pattern of “Omodaka-niTsubushi”, Sagittaria Trifolias and Drops ❷ before 1829 ❸ paper, persimmon tannin ❹ 19×42.5 ❺ Museum Volkenkunde, Leiden ❻ 1-3448-b＊bought from Ph.F.B. von Siebold in 1837 ❼ T, K, M − 1048 Paper Stencil with Pattern of “TazunadoriIchimonji”, Geometric Patterns ❷ before 1829 ❸ paper, persimmon tannin ❹ 23.3×40.5 ❺ Museum Volkenkunde, Leiden ❻ 1-3448-c＊bought from Ph.F.B. von Siebold in 1837 ❼ T, K, M − 1049 Paper Stencil with Pattern of “Yuri-niKawarishima”, Lilies on Stripes ❷ before 1874 ❸ paper, persimmon tannin ❹ 55.5×41 ❺ Musée de l’Impression sur Etoffes, Mulhouse ❻ 874.6.15 ❼ T, K, M − 1050 Paper Stencil with Pattern of “Hagi-to-Ichôni-Tsuyushiba”, Japanese Bush Clovers, Ginkgos and Grasses with Dewdrops ❷ before 1874 ❸ paper, persimmon tannin ❹ 30.5×41.5 ❺ Musée de l’Impression sur Etoffes, Mulhouse ❻ 874.6.32 ❼ T, K, M − 1051 Paper Stencil with Pattern of “Sakura”, Cherry Blossoms ❸ paper, persimmon tannin ❹ 23.8×44.8 ❺ Japan Women’s University ❻ 3 ❼ T, K, M − 1052 Paper Stencil with Pattern of “Tsuzumi”, Hand Drums ❸ paper, persimmon tannin ❹ 24.6×44.3 ❺ Japan Women’s University ❻ 8 ❼ T, K, M − 1053 Paper Stencil with Pattern of “Shida”, Ferns ❸ paper, persimmon tannin ❹ 24.1×44.1 ❺ Japan Women’s University ❻ 9 ❼ T, K, M − 1054 Paper Stencil with Pattern of “Shokkô”, Linked Circles and Squares ❸ paper, persimmon tannin ❹ 23.7×44.6 ❺ Japan Women’s University ❻ 19 ❼ T, K, M − 1055 Paper Stencil with Pattern of “Kikukarakusa”, Chrysanthemun Arabesques ❸ paper, persimmon tannin ❹ 24.7×43.5 ❺ Japan Women’s University ❻ 14 ❼ T, K, M − 1056 Paper Stencil with Pattern of “Ume-niMatsuba”, Japanese Apricots and Pine Needles ❸ paper, persimmon tannin ❹ 24.4×41.6 ❺ Japan Women’s University ❻ 1 ❼ T, K, M − 1057 Paper Stencil with Pattern of “Takarazukushi”, Treasures ❸ paper, persimmon tannin ❹ 23.5×39.2 ❺ Japan Women’s University ❻ 25 ❼ T, K, M − 1058 Paper Stencil with Pattern of “Kawarisandôni-Sakura”, Cherry Blossoms on Mountain Paths ❸ paper, persimmon tannin ❹ 24.9×40.8 ❺ Japan Women’s University ❻ 17 ❼ T, K, M − 1059 Paper Stencil with Pattern of “Yatsufuji-niSakura”, Wisteria Wreaths and Cherry Blossoms ❸ paper, persimmon tannin ❹ 25.1×40.8 ❺ Japan Women’s University ❻ 15 ❼ T, K, M − 1060 Paper Stencil with Pattern of “Tsuzumi-niSakura”, Hand Drums and Cherry Blossoms ❸ paper, persimmon tannin ❹ 30×38.7 ❺ Japan Women’s University ❻ 30 ❼ T, K, M − 367 1061 Paper Stencil with Pattern of “Sasa-ni-Umeto-Shima”, Bamboo Grasses and Japanese Apricots on Stripes ❸ paper, persimmon tannin ❹ 24.4×40.6 ❺ Private Collection ❼ T, K, M − 1062 Paper Stencil with Pattern of “Iseebi-niRokuyatagôshi”, Giant Shrimps on Interwoven Squares ❸ paper, persimmon tannin ❹ 25.4×40.8 ❺ Private Collection ❼ T, K, M − 1063 Paper Stencil with Pattern of “Nijû-shi-Kô”, Twenty-Four Paragon of Filial Piety ❸ paper, persimmon tannin ❹ 22×39.5 ❺ Private Collection ❼ T, K, M − 1064 Paper Stencil with Pattern of “Mimasumonni-Tsubushi”, Piles of Three Boxes and Drops ❸ paper, persimmon tannin ❹ 25.3×41 ❺ Private Collection ❼ T, K, M − 1065 Paper Stencil with Pattern of “Chô-ni-Nami”, Butterflies on Waves ❸ paper, persimmon tannin ❹ 24.1×40.6 ❺ Private Collection ❼ T, K, M − 1066 Paper Stencil with Pattern of “Tori-niSenbokashi”, Birds and Lines with Gradation ❸ paper, persimmon tannin ❹ 25.2×41 ❺ Private Collection ❼ T, K, M − 1067 Paper Stencil with Pattern of “Yokodan”, Patterned Horizontal Stripes ❸ paper, persimmon tannin ❹ 24.7×39.9 ❺ Private Collection ❼ T, K, M − 1068 Paper Stencil with Pattern of “Kakutsunagini-Yosemoyô”, Combination of Angles with Motives ❸ paper, persimmon tannin ❹ 26.2×40.9 ❺ Private Collection ❼ T, K, M − 1069 Paper Stencil with Pattern of “Chidori-niNami”, Plovers on Waves ❸ paper, persimmon tannin ❹ 31.6×42.1 ❺ Private Collection ❼ T, K, M − 1070 Paper Stencil with Pattern of “Yûkakuki”, Stories of Red-Light Districts ❸ paper, persimmon tannin ❹ 30.3×40.3 ❺ Private Collection ❼ T, K, M − 1071 Sample Book of Kimono Designs “Tôryû Shippô Tokiwa Hiinakata” ❷ 1700 ❸ paper ❹ 26×19 ❺ & ❻ Tokyo University of the Arts, University Library 10/61-3, Matsuzakaya Collection T-031 ❼ T, K, M − 1072 Sample Book of Stencil Designs “Matsu Jirushi Kata Mihon-cho” ❷ 1758 ❸ paper ❹ 30.8×21 ❺ Japan Women’s University ❼ T, K, M − 1073 Sample Book of Stencil Designs ❷ 1854 ❸ paper ❹ 14.2×20 ❺ Private Collection ❼ T, K, M − 1074 Sample Book of Stencil Designs “Matsu”, Pine Tree ❷ 1831-45, the Tempô era ❸ paper ❹ 26.8×18.2 ❺ Suzuka City ❼ M − 1075 Sample Book of Stencil Designs “Fuku”, Good Fortunes ❷ 1855-60, the Ansei era ❸ paper ❹ 25.7×17.8 ❺ Suzuka City ❼ T, K, M − 1076 Sample Book of Stencil Designs “Take”, Bamboo ❷ 1855-60, the Ansei era ❸ paper ❹ 24.6×17.5 ❺ Suzuka City ❼ T, K, M − 1077 Sample Book of Stencil Designs ❷ 19c., the Edo to Meiji period ❸ paper ❹ 24.4×15.7 ❺ Private Collection ❼ T, K, M − 1078 Sample book of stencil designs including chūgata fabrics ❷ 19c., the Edo to Meiji period ❸ paper ❹ 27.9×18 ❺ Private Collection ❼ T, K, M − 1079 Paper Stencil for Bingata with Large Pattern and Edge Pattern of Phoenix and Clouds ❷ 19c., the Ryûkyû Kingdom period ❸ paper, persimmon tannin ❹ 57×42.5 ❺ Suntory Museum of Art ❻染 63-38 ❼ T, K − 1080 Paper Stencil for Bingata with Large White Ground Pattern of Flowing Water, Miscanthus, Hemp, Arrowhead, Hollyhock, Shells, Waterweeds, and Flying Birds ❷ 19c., the Ryûkyû Kingdom period ❸ paper, persimmon tannin ❹ 54.5×41.5 ❺ Suntory Museum of Art ❻染 63-35 ❼ K, M − 1081 Paper Stencil for Bingata with Oversize White Ground Pattern of Pines and Japanese Apricots ❷ 19c., the Ryûkyû Kingdom period ❸ paper, persimmon tannin ❹ 55.9×42.2 ❺ Suntory Museum of Art ❻染 63-7 ❼ T, M − 1082 Paper Stencil for Bingata with Large White Ground Pattern of Stripes, Chrysanthemums and Flowing Water ❷ 19c., the Ryûkyû Kingdom period ❸ paper, persimmon tannin ❹ 55.8×42 ❺ Suntory Museum of Art ❻染 63-11 ❼ T, K − 1083 Paper Stencil for Bingata with Large White Ground Pattern of Pine-Bark Lozenges, Crane Roundels, Japanese Apricots, and Banana Plants ❷ 19c., the Ryûkyû Kingdom period ❸ paper, persimmon tannin ❹ 53.3×41.5 ❺ Suntory Museum of Art ❻染 63-9 ❼ K, M − 1084 Paper Stencil for Bingata with Large Pattern of Flowing Water with Scattered Camellia Flowers, Cherry Blossoms, Peonies, and Maple Leaves ❷ 19c., the Ryûkyû Kingdom period ❸ paper, persimmon tannin ❹ 57×42.2 ❺ Suntory Museum of Art ❻染 63-33 ❼ T, M − 1085 Kamishimo Vest and Trousers, Design of Overlapping Rings on Dark Blue Ramie Ground ❷ 19c., the Edo period ❸ ramie ❹ sleeveless jacket: 67×78.7 trousers: 102.9×23.5 (width of waist) ❺ Kyoritsu Women’s University ❻ Y1620626 ❼ T, K − 1086 Kamishimo Vest and Trousers, Design of Linked Lozenges on Dark Brown Ramie Ground ❷ 19c., the Edo period ❸ ramie ❹ sleeveless jacket: 64.8×67.7 trousers: 89×22.5 (width of waist) ❺ Kyoritsu Women’s University ❻ Y1620625 ❼ K, M − 1087 Kamishimo Vest and Trousers, Design of Repeated Lozenge Pattern on Blue Ramie Ground ❷ 19c., the Edo period ❸ ramie ❹ sleeveless jacket: height 68×75 trousers: 176.7×25 (width of waist) ❺ Kyoritsu Women’s University ❻ Y1620626 ❼ T, M − 1088 Suo Kamishimo Vest and Trousers, Design of Chrysanthemum Flowers on Black Ramie Ground ❷ 19c., the Edo period ❸ ramie ❹ jacket: height 65.5×84 (width between center back to sleeve opening) long trousers: 163×24.5 (width of waist) ❺ Japan Art Counsil, National Noh Theater ❼ K, M − 1089 Suo Kamishimo Vest and Trousers, Design of Genji Wheels on Blue Ramie Ground ❷ 19c., the Edo period ❸ ramie ❹ jacquet: 81×100 (width between center back to sleeve opening) long trousers: 165×25 (width of waist) ❺ Japan Art Counsil, National Noh Theater ❼ T, M − 1090 Suo Kamishimo Vest and Trousers, Design of Jagged Diamonds and Leaves on Light Blue Ramie Ground ❷ 19c., the Edo period ❸ ramie ❹ jacket: 67.5×86 (width between center back to sleeve opening) long trousers: 159×24.8 (width of waist) ❺ Japan Art Counsil, National Noh Theater ❼ T, K − 1091 Kimono, Design of Pine Needles on Black Silk Crepe Ground ❷ 19c., the Meiji period ❸ silk ❹ 158×59.6 (width between center back to sleeve opening) ❺ Japan Women’s University ❻染 -3827 ❼ T, M − 1092 Kimono, Design of Interlocked Circles on Dark Gray Silk Crepe Ground ❷ 19c., the Meiji period ❸ silk ❹ 158×59.5 (width between center back to sleeve opening) ❺ Japan Women’s University ❻染 -3822 ❼ T, K − 1093 Kimono, Design of Cherry Blossoms and Maple Leaves on Purple Plain Woven Silk Ground ❷ 19c., the Meiji period ❸ silk ❹ 145.8×62 (width between center back to sleeve opening) ❺ Private Collection ❼ K, M − 1094 Yukata, Design of Pine, Bamboo and Plum Trees on White Cotton Ground ❷ 19c., the Meiji period ❸ cotton ❹ 129×63.5 (width between center back to sleeve opening) ❺ Private Collection ❼ K, M − 1095 Yukata, Design of Chrysanthemum Branches on White Cotton Ground ❷ 19c., the Meiji period ❸ cotton ❹ 133×63.3 (width between center back to sleeve opening) ❺ Private Collection ❼ T, K − 1096 Under Wear, Design of Stencil Samples on White Cotton Ground ❷ 19c., the Meiji period ❸ cotton ❹ 62×63.2 (width between center back to sleeve opening) ❺ Private Collection ❼ T, M − 1097 Bingata Robe, Design of Weeping Cherry Blossoms in Mist and Flying Birds with Running Water and Plants on Yellow Cotton Ground ❷ 19c., the Ryûkyû Kingdom period ❸ cotton ❹ 134.5×60.7 (width between center back to sleeve opening) ❺ Joshibi Art Museum ❻ 2209-32 ❼ T, K, M − 1098 Bingata Robe, Design of Wave Creasts and Small Flowers on Purple Cotton Ground ❷ 19c., the Ryûkyû Kingdom period ❸ cotton ❹ 120×63 (width between center back to sleeve opening) ❺ Joshibi Art Museum ❻ 2209-13 ❼ T, K, M − 1099 Bingata Robe, Design of Drying Fish Nets, Creels and Chrysanthemums on Blue Cotton Ground ❷ 19c., the Ryûkyû Kingdom period ❸ cotton ❹ 130×57.8 (width between center back to sleeve opening) ❺ Joshibi Art Museum ❻ 2209-38 ❼ T, K, M − 1100 Bingata Robe, Design of Flying Geese, Flowing Water, and Cherry Blossoms and Maple Leaves on White Cotton Ground ❷ 19c., the Ryûkyû Kingdom period ❸ cotton ❹ 131.8×69.3 (width between center back to sleeve opening) ❺ Joshibi Art Museum ❻ 2209-28 ❼ T, K, M − 1101 Kitagawa Utamaro Futatsu Makura, A Beauty and a Young Man ❶ Unknown ❷ c.1793-94 ❸ woodcut on paper ❹ 37×25.5 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ K.I.10672 ❼ T, K, M − 1102 Utagawa Toyokuni Bando Mitsugoro III no Yamazaki Yoshihei, Bando Mitsugoro III as Yamazaki Yoshibei ❶ Yamamotoya Heikichi ❷ 1818 ❸ woodcut on paper ❹ 28.7×27.3 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ K.I.10500-009 ❼ T, K, M − 1103 Utagawa Kunisada Oatsurae Tôsei gonomi Yanagi Nezumi, Colours in Fashion ❶ Kawaguchiya Uhei ❷ c.1818-20 ❸ woodcut on paper ❹ 37.5×25 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ K.I.07627-047 ❼ T, K, M − 1104 Utagawa Sadakage Yucha o Hakobu Onna, Woman Bringing Tea ❶ Kawaguchiya Chôzô ❷ c.1818-30 ❸ woodcut on paper ❹ 38×25 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ HM 11486-102 ❼ T, K, M − 1105 Utagawa Kunisada Enmusubi Myouto Hyôban, Affinity Judgement, Blacking Teeths (Element Metal) and Gargling (Element Water) ❶ Yamamotoya Heikichi ❷ c.1821-23 ❸ woodcut on paper ❹ 37.3×26 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ HM 11486-082 ❼ T, K, M − 1106 Keisai Eisen Mutamagawa, Hagi no Tamagawa, Six Tama Rivers in Japan, Tama River in Hagi ❶ Etsuki ❷ c.1822-25 ❸ woodcut on paper ❹ 37.5×26 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ HM 11485-049 ❼ T, K, M − 1107 Utagawa Kuniyoshi Hanaawase Tôsei Bijin Awase, Current Beauties, Woman with Brazier ❶ Kawaguchiya Chôzô ❷ c.1830-34 ❸ woodcut on paper ❹ 37.7×25.6 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ HM 11486-109 ❼ T, K, M − 1108 Utagawa Kunisada I Edo Hashi Zukushi, Azuma Bashi, Bridges in Edo, Azuma Bridge ❶ Takenouchi Magohachi ❷ c.1830-34 ❸ woodcut on paper ❹ 36.5×25.6 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ HM 11486-054 ❼ T, K, M − 1109 Utagawa Kunisada I Ukiyo Ninjyō Tengan Kyô Nakachô, Temporary Genre Scenes, Courtesan in Fukagawa - Nakamachi ❶ Moriya Jihei ❷ c.1830-44 ❸ woodcut on paper ❹ 36.3×27 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ HM 11486-099 ❼ T, K, M − 1110 Utagawa Kunisada I Nisemurasaki-Inakagenji, Tasogare, Character from the Story Series Nisemurasaki Inakagenji ❶ Tsuruya Kiemon ❷ c.1830-44 ❸ woodcut on paper ❹ 37.7×25.5 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ K.I.07719-a035 ❼ T, K, M − 1111 Utagawa Toyokuni III (Utagawa Kunisada) Shijyôgawara Yûsuzumi no zu, Arashi Kichisaburô III, Enjoying the Evening Cool on the River Side near Shijo Street, Arashi Kichisaburô III ❶ Sakanaya Eikichi ❷ 1858 ❸ woodcut on paper ❹ 36×25.5 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ K.I.15053-b ❼ T, K, M − 1112 Utagawa Toyokuni III (Utagawa Kunisada) Shijyôgawara Yûsuzumi no zu, Bandô Hikosaburô V, Enjoying the Evening Cool on the River Side near Shijo Street, Bandô Hikosaburô V ❶ Sakanaya Eikichi ❷ 1858 ❸ woodcut on paper ❹ 36×24.8 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ K.I.15053-c ❼ T, K, M Part 2. Paper Stencils and the Arts and Crafts Movement The response to paper stencils in Great Britain and U.S.A. 2001 Paper Stencil with Pattern of “Kawarigiku”, Chrysanthemums ❸ paper, persimmon tannin ❹ 26.5×41.5 ❺ Brintons Carpets Ltd. Archive ❻ js429 ❼ T, K, M − 2002 Paper Stencil with Pattern of “Kogiku”, Chrysanthemums ❸ paper, persimmon tannin ❹ 24.5×41.5 ❺ Brintons Carpets Ltd. Archive ❻ js706 ❼ T, K, M − 2003 Paper Stencil with Pattern of “Ume-niKawarishikanshima”, Japanese Apricots on Stripes ❸ paper, persimmon tannin ❹ 25×36 ❺ Liberty Ltd. ❻ ar.A.592 ❼ T, K, M − 2004 Paper Stencil with Pattern of “Tori-ni-Hana”, Birds and Flowers ❸ paper, persimmon tannin ❹ 25×37 ❺ Liberty Ltd. ❻ ar.A.607 ❼ T, K, M − 2005 Paper Stencil with Pattern of “Hujiwa-niChô”, Wearths of Japanese Wisteria and Butterflies ❸ paper, persimmon tannin ❹ 24×40 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ K2.62 ❼ T, K, M − 2006 Paper Stencil with Pattern of “Yukiwabishini-Hana-to-Bashô”, Rombuses of Snow Grains, Flowers and Japanese Fiber Banana Plants ❸ paper, persimmon tannin ❹ 24×40 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ K2.93 ❼ T, K, M − 2007 Paper Stencil with Pattern of “Kikukarakusa”, Chrysanthemum Arabesques ❸ paper, persimmon tannin ❹ 36.2×20.5 ❺ Musée des Arts décoratifs, Paris ❻ PR 2011.7.264 ❼ T, K, M − 2008 Paper Stencil with Pattern of “Mimasukôshi”, Piles of Three Measures ❸ paper, persimmon tannin ❹ 37.5×67.5 ❺ Victoria and Albert Museum ❻ 10248 ❼ T, K, M − 2009 Paper Stencil with Pattern of “Shôbu-niTsubame”, Sweet Flags and Swallows ❸ paper, persimmon tannin ❹ 25.5×43.2 ❺ 369 Victoria and Albert Museum ❻ 3-19-1879 ❼ T, K, M − 2010 Paper Stencil with Pattern of “Kakitsubatani-Shima”, Irises on Stripes ❸ paper, persimmon tannin ❹ 23.5×40.5 ❺ Victoria and Albert Museum ❻ D.922-1891 ❼ T, K, M − 2011 Paper Stencil with Pattern of “Tori-ni-Hijiki”, Birds on Hizikia Fusiforme Motives ❸ paper, persimmon tannin ❹ 24.5×40.5 ❺ Victoria and Albert Museum ❻ D.954-1891 ❼ T, K, M − 2012 Paper Stencil with Pattern of “Futabaaoi” Asarum Caulescens ❸ paper, persimmon tannin ❹ 32.5×41 ❺ Victoria and Albert Museum ❻ E.2669-1916 ❼ T, K, M − 2013 Paper Stencil with Pattern of “Sakura-niKôshi”, Cherry Blossoms on Lattices ❸ paper, persimmon tannin ❹ 31.5×40.8 ❺ Victoria and Albert Museum ❻ E.2672-1916 ❼ T, K, M − 2014 Paper Stencil with Pattern of “Saya”, Key Frets ❸ paper, persimmon tannin ❹ 24.6×40.5 ❺ Victoria and Albert Museum ❻ E.3672-1916 ❼ T, K, M − 2015 Paper Stencil with Pattern of “Ume-ni-Sasa”, Japanese Apricots and Bamboo Grasses ❸ paper, persimmon tannin ❹ 43×63 ❺ Victoria and Albert Museum ❻ E.620-1899 ❼ T, K, M − 2016 Edward William Godwin Sideboard ❶ Art Furniture Company, London (?) ❷ 1867 (manufactured 1869) ❸ pine, black lackered, painted gold linear decor, silver plated, hardware ❹ 48×153×171 ❺ Die Neue Sammlung, - The Internatinal Design Museum Munich ❻ 470/93 ❼ T, K, M − 2017 Ernest Gimson Cabinet on Stand ❶ Daneway House Workshops ❷ 1902 (manu factured) ❸ veneered walnut, ebony with gilt gesso ❹ Overall: 47.2×118.8×188 Upper: 34.8×91.3× 127.5 Lower: 47.2×118.8×60.5 ❺ Victoria and Albert Museum ❻ W.27-1977 ❼ T, K, M − 2018 Charles Rennie Mackintosh Chair for the Writing Desk of the Hill House ❷ 1904 ❸ oak, silk ❹ 40.6×43.2×101.9 ❺ Toyota Municipal Museum of Art ❼ T, K, M − 2019 Charles Rennie Mackintosh Writing Cabinet, for 120 Mains Street, Glasgow, or 6 Florentine Terrace (78 Southpark Avenue), Glasgow ❷ reproduced in 1909-10 ❸ mahogany and sycamore, ebonised with peartree, mother-ofpearl, ivory, glass inlays, metal fittings ❹ 45.8×120.1×94 ❺ Hida Takayama Museum of Art ❼ T, K, M − 2020 Thomas Jeckyll Fireplace Surround ❶ Bishop Barnard and Norwich Barnard ❷ c.1876 ❸ cast iron ❹ 53×97 ❺ Michael & Mariko Whiteway ❼ T, K, M − 2021 Charles Robert Ashbee Tray ❶ Guild of Handicraft ❷ 1896-97 (manufactured) ❸ silver ❹ 32.3×20×1.6 ❺ Victoria and Albert Museum ❻ CIRC.471-1962 ❼ T, K, M − 2022 Charles Robert Ashbee Biscuit Barrel ❶ Guild of Handicraft ❷ 1903 ❸ silver, brass ❹ 20×14.2 ❺ Cheltenham Art Gallery & Museum ❻ 1982.1123 ❼ T, K, M − 2023 Ernest Gimson Candle Sconce ❶ Alfred Bucknell ❷ c.1917 ❸ brass ❹ 9×18×25.4 ❺ Cheltenham Art Gallery & Museum ❻ 1952.106 ❼ T, K, M − 2024 Christopher Dresser Vase ❶ Minton & Co. ❷ 1861-62 ❸ porcelain ❹ 14.3× 9.2 ❺ Victoria and Albert Museum ❻ 8089-1863 ❼ T, K, M − 2025 William Frend De Morgan (Joe Juster, painter) Vase ❶ Fulham Factory (manufacture) ❷ c.1895 ❸ earthenware and slip with lustre decoration ❹ 19.4×18.7 ❺ Victoria and Albert Museum ❻ C.417-1919 ❼ T, K, M − 2026 Walter Crane Tile ❶ Maw & Co. ❷ Second half of 19c. ❸ lead-glazed earthenware ❹ 15.3×15.3 ❺ Victoria and Albert Museum ❻ C.67-1980 ❼ T, K, M − 2027 Christopher Dresser Textile Sample « Mooltan » ❶ Liberty & Co. ❷ c.1880 ❸ cotton ❹ 25.4×80.5 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ ST3600 ❼ T, K, M − 2028 William Morris Decoration Fabric « Kennet » ❶ Morris & Co. ❷ 1883 ❸ woodblock print, cotton ❹ 138×97 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1973.15 ❼ T, K, M − 2029 Liberty & Co. Pattern Book ❶ Liberty & Co. ❷ Before 1889 (Sample) ❸ paper, cardboard, textile ❹ 46×34×9 ❺ Liberty Ltd. ❻ ar.B.048 ❼ T, K, M − 2030 Christopher Dresser Textile Sample ❶ Liberty & Co. ❷ c.1890 ❸ cotton ❹ 31×32 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ ST286A ❼ T, K, M − 2031 Arthur Silver Textile Sample ❶ Liberty & Co. ❷ 1891 ❸ indigo discharge print, cotton ❹ 32.5×34 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ ST918 ❼ T, K, M − 2032 Textile ❶ Liberty & Co. ❷ 1894 ❸ cotton ❹ 81.5×92 ❺ The Whitworth Art Gallery ❻ T.1985.55 ❼ T, K, M − 2033 Charles Voysey (?) Decoration Fabric: Poppy Flower ❶ The Rendlesham Great Britain ❷ c.1894 ❸ woodblock print, cotton ❹ 183×82.5 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1895.303 ❼ T, K, M − 2034 Silver Studio Cover Design, Rottmann’s Catalogue ❶ Rottmann’s ❷ 1895 ❸ distemper on woven jute ❹ 30×12 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ SE602 ❼ T, K, M − 2035 Silver Studio Textile: Water Iris ❶ Liberty & Co. ❷ c.1895 ❸ cotton ❹ 29×18.5 ❺ Liberty Ltd. ❻ ar.T.2664 ❼ T, K, M 2042 Walter Crane Wallpaper: Almond Blossom and Swallow ❶ Jeffrey & Co. ❷ 1878 ❸ woodcut on paper ❹ 54.3×72.5 ❺ Victoria and Albert Museum ❻ E.4037-1915 ❼ T, K, M − 2043 Walter Crane Wallpaper Design: Blossom and Wallflower ❷ 1878 ❸ body colour on paper ❹ 37.8×53.3 ❺ Victoria and Albert Museum ❻ E.641-1952 ❼ T, K, M − 2044 Walter Crane Wallpaper ❶ Jeffrey & Co. ❷ c.1878 ❸ color woodblock print on paper ❹ 46.6×53.5 ❺ Victoria and Albert Museum ❻ E.4021-1915 ❼ T, K, M − 2045 Bruce James Talbert (?) Decorator’s Wallpaper Specimen Panel ❶ Jeffrey & Co. ❷ c.1875-78 ❸ woodcut on paper ❹ 181×52.7 ❺ Victoria and Albert Museum ❻ E.662-1953 ❼ T, K, M − 2046 Wallpaper ❶ Jeffrey & Co. ❷ c.1877-80 ❸ colour print on paper ❹ 269×52.5 ❺ Victoria and Albert Museum ❻ E.661-1953 ❼ T, K, M − 2036 Textile ❶ Liberty & Co. ❷ c.1890-07 ❸ cotton ❹ 76×79 ❺ The Whitworth Art Gallery ❻ T16.1986 ❼ T, K, M 2047 T.W. Sharp Wallpaper « Albion » ❶ Jeffrey & Co. ❷ c.1882 ❸ woodcut on paper ❹ 53.8×48 ❺ Victoria and Albert Museum ❻ E.1852-1934 ❼ T, K, M − − − 2037 Liberty & Co. Sirang Silk Sample Book ❶ Liberty & Co. ❷ c.1900-05 ❸ cardboard, textile ❹ 31×21.5×2 (t) ❺ Liberty Ltd. ❻ Sb.03 T2003.622 ❼ T, K, M − 2038 William Morris Wallpaper « Trellis » ❶ Morris & Co. ❷ 1862 (1864 manufactured) ❸ block-printed in distemper colours on paper ❹ 61.8×57.8 ❺ Victoria and Albert Museum ❻ CIRC.247-1964 ❼ T, K, M − 2039 Walter Crane Wallpaper: Iris and Kingfisher ❶ Jeffrey & Co. ❷ 1877 ❸ woodcut on paper ❹ 43.5×53.4 ❺ Victoria and Albert Museum ❻ E.4035-1915 ❼ T, K, M − 2040 Edward William Godwin Sketchbook ❷ 1876-78 ❸ pencil, pen, ink, watercolour and gouache on paper ❹ 10.8×15.9 closed ❺ Victoria and Albert Museum ❻ E.241-1963 ❼ T, K, M − 2041 The Morning Room of H.R.H. The Prince of Wales pavilion ❷ 1878 ❸ photography ❹ 24×22 ❺ Michael & Mariko Whiteway ❼ T, K, M − 2048 Arthur Mackmurdo Cover Design (Wren’s City Churches) ❶ Hazell, Watson and Viney Limited, London ❷ 1883 ❸ book ❹ 30.5×24 ❺ Michael & Mariko Whiteway ❼ T, K, M − 2049 Design Paper, Chrysanthemum Flowers ❷ 1889 ❸ watercolour on paper ❹ 41.5×44 ❺ Brintons Carpets Ltd. Archive ❻ m5200 ❼ T, K, M − 2050 Design Paper, Chrysanthemum Flowers ❷ 1889 ❸ watercolour on paper ❹ 23.5×46 ❺ Brintons Carpets Ltd. Archive ❻ M5217 ❼ T, K, M − 2051 Arthur Silver Design for Printed Textile ❶ Silver Studio ❷ c.1890 ❸ gouache, heavy paper ❹ 53.5×67 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ SD1262 ❼ T, K, M − 2052 Arthur Silver Bordered Design ❶ Silver Studio ❷ c.1890 ❸ gouache, cartridge paper ❹ 36.1×37.9 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ SD2588 ❼ T, K, M − 2053 Arthur Silver Design for Wallpaper ❶ Silver Studio ❷ c.1890 ❸ gouache, heavy paper ❹ 57×45 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ SD8496 ❼ T, K, M Manufactures ❶ Longmans, Green & Co., London ❷ 1882 ❸ book ❹ 23.4×17.3×4.3 (t) ❺ Bunka Gakuen University Library ❻ KC531/702.1/D ❼ T, K, M − − 2054 Lewis Foreman Day Low-Price Wallpapers for Staircase Decoration « Memphis » ❶ Jeffrey & Co. ❷ c.1887-1900 ❸ machine print, paper ❹ 57.7×41.3 ❺ Victoria and Albert Museum ❻ E.23131-1957 ❼ T, K, M − 2055 Aubrey Vincent Beardsley Illustration « The Climax » (Oscar Wilde, Salome) ❶ John Lane, The Badley Head, London ❷ 1920 (1894 1st edition) ❸ ink on paper ❹ 26×20.2 ❺ Bunka Gakuen University Library ❻ 726.5/B ❼ T, K, M − 2056 Charles Rennie Mackintosh Meister der Innen Kunst: Haus eines Kunst f reundes II a. P erspective of the Reception and Music Room b. Perspective of the Dining Room ❶ Alexander Koch Verlag ❷ 1901 ❸ lithograph on paper ❹ 54.6×40.4 (each) ❺ Toyota Municipal Museum of Art ❼ T, K, M − 2057 Charles Rennie Mackintosh Stencil for Hous’hill, Nitshill, Glasgow ❷ 1904 ❸ paper, dark pink paint, white paint ❹ 48.3×60.7 ❺ The Hunterian, The University of Glasgow ❼ T, K, M − 2058 Charles Rennie Mackintosh Stencil Design for Vestibule, Hous’hill, Nitshill, Glasgow ❷ 1904 ❸ pencil, watercolour, paper ❹ 60.2×67.5 ❺ The Hunterian, The University of Glasgow ❼ T, K, M − 2059 Charles Rennie Mackintosh Design, Order Desk Chair for the Willow Tea Rooms, Glasgow ❷ 1904 ❸ pencil and watercolour on paper ❹ 57.9×39.6 (The 1/12 scale of a chair) ❺ Hida Takayama Museum of Art ❼ T, K, M − 2060 Margaret Macdonald Mackintosh Menu Card for Miss Cranston’s “White Cockade Restaurant” ❷ 1911 ❸ lithograph and postercolour, paper ❹ 21.2×31.5 ❺ Hida Takayama Museum of Art ❼ T, K, M − 2061 Design Paper, Chrysanthemum Flowers ❷ 1908 ❸ watercolour on paper ❹ 18.5×61 (above) 19.5×75 (below) ❺ Brintons Carpets Ltd. Archive ❻ L7691 ❼ T, K, M − 2062 Stencil Proof ❶ Silver Studio ❷ c.1890 ❸ ink, cartridge paper ❹ 30×50 ❺ Museum of Domestic Design & Architecture (MoDA) ❻ K02.62 ❼ T, K, M − 2063 Christopher Dresser Japan: It’s Architecture, Art, and Art 2064 The Liberty Product Catalogue ❶ Liberty & Co. ❷ 1884 ❸ book ❹ 21.7×29×1.7 (t) closed ❺ Victoria and Albert Museum ❻ 38041800018368 ❼ T, K, M − 2065 Katagami Design, Decorator and Furnisher, vol. 6, No. 5, pp. 150-151 with Anotation by Lewis F. Day ❷ 1885 ❸ paper ❹ 38. 3×24.9 ❺ The Downing Collection, The Manchester Metropolitan University ❼ T, K, M − 2066 Sigfried Bing (ed.) Artistic Japan ❷ 1888-91 ❸ books (36 issues, 3 vols.) ❹ 33.5× 25.5×4 (t) each ❺ Private Collection ❼ T, K, M − 2067 Andrew W. Tuer The Book of Delight ful and Strange Design Being One Hundred Facsimile Illustrations of the Art of the Japanese Stencil-Cutter ❶ The Leadenhall Press Ltd., London; F. A. Brockhaus, Leipzig; Liberty & Co., London, Paris, Yokohama; Simpkin, Marchall, Hamilton, Kent & Co. Ltd, London; Charles Scribner’s Sons, New York; Baudry et Cie, Paris. ❷ [1892] ❸ book ❹ 20×22 ❺ Mitsubishi Ichigokan Museum, Tokyo ❼ T, K, M − 2068 Mrs. Ernest Hart “Some Japanese Industrial Art-Workers (Crepe Printers)”, Transactions and Proceedings of the Japan Society, vol. 1, 1892 ❶ Kegan Paul, Trench, Trübner and Co., Ltd., London ❷ 1893 ❸ book ❹ 25.3×17×4.8 (t) ❺ International Research Center for Japanese Studies ❻ 001424142 ❼ T, K, M − 2069 E.F. Strange “Stenciling as an Art”, The Studio, vol. 3 ❶ C.Holm, London ❷ 1894 ❸ magazine ❹ 29.2×21.5×2.3 (t) ❺ Bunka Gakuen University Library ❻ KC421/705/S/3 ❼ T, K, M − 2070 Liberty & Co. Yule-Tide Gif ts (Mail Order Catalogue) ❶ Liberty & Co. ❷ 1903‐04 ❸ book ❹ 18×25 ❺ Liberty Ltd. ❻ L.Cat.34 ❼ T, K, M − 2071 Aubrey Vincent Beardsley Cover Design (Oscar Wilde, Salome) ❶ John Lane, The Badley Head, London ❷ 1907 (1894 1st edition) ❸ book ❹ 22×17.9×1.5 (t) ❺ Bunka Gakuen University Library (Kodaira) ❻ 726.5/B ❼ T, K, M − 2072 Henry T. Wyse Fif ty Japanese Stencils with Descriptive Letterpress ❶ Henry T. Wyse, Edinburgh ❷ 1911 ❸ book ❹ 21.1×14.1×1.1 (t) ❺ International Research Center for Japanese Studies ❻ NH/8665/Wy 000365841 ❼ T, K, M − 37 1 2073 Katagami Sample Album ❷ c.1885-1900 ❸ gelatine silver photographic prints mounted on card ❹ 37.7×22.8×2.4 (t) (24 sheets 90 pieces) ❺ The Downing Collection, The Manchester Metropolitan University ❼ T, K, M − 2074 Paper Stencil with Pattern of “Hatô”, Waves ❸ paper, persimmon tannin ❹ 52×42 ❺ Collection Blanche & Bertrand Bellon, Paris ❼ T, K, M − 2075 Herter Brothers Ottoman ❷ c.1881-82 ❸ rosewood, cedar, brass, leather, upholstery not original ❹ 41.9×48.2×42.2 ❺ The Museum of Fine Arts, Houston ❻ 89.III＊Museum purchase with funds provided by the Agnes Cullen Arnold Endowment Fund ❼ T, K, M − 2076 Adler & Sullivan Friese for the Chicago Stock Exchange Building ❷ c.1893 ❸ iron ❹ 45×169.5×5.1 (t) ❺ Toyota Municipal Museum of Art ❼ T, K, M − 2077 Louis Comfort Tiffany and Tiffany Studio Picture Frame of ‹ Etched Metal and Glass › Design in Pine-Bough Pattern ❷ c.1905-20 ❸ gilt bronze, favrile glass ❹ 25.4×20.3 ❺ The Metropolitan Museum of Art ❻ Gift of Estate of John F. Schaffenberger. 1900 (1900.314.8) ❼ T, K − 2078 Louis Comfort Tiffany and Tiffany Studio Covered Box of ‹ Etched Metal and Glass › Design in Grapevine Pattern ❷ c.1905-20 ❸ gilt metal, favrile glass ❹ 10.2× 16.4×5.4 ❺ The Metropolitan Museum of Art ❻ 1900.314.1a, b/1900.314.1a Body/1900.314.1b Lid ＊Gift of Estate of John F. Schaffenberger. 1900 (1900.314.1a, b) ❼ T, K − 2079 Frank Lloyd Wright Sconce for the Avery Coonley House, Riverside, Illinois ❷ c.1908 ❸ glass, bronze ❹ 22.9×27.9×18.3 ❺ Toyota Municipal Museum of Art ❼ T, K, M − 2080 Louis Comfort Tiffany and Tiffany Studio Pen Tray, Calendar Frame, Paper Rack ❷ c.1910-20 ❸ bronze, favrile glass ❹ Pen Tray: 7.1× 23.3×1.9 Calendar Frame: 16.5×19.4 Paper Rack: 8.9×31.8×21.9 ❺ The Metropolitan Museum of Art ❻ Pen Tray: 62.233.3/Calendar: 62.233.9/ Paper Rack: 62.233.14＊Gift of Mrs. H.S. Mesick, 1962 (62.233.3) / (62.233.9) / (62.233.14) ❼ T, K − 2081 Louis Comfort Tiffany and Tiffany Studio Table Lamp: Poppy ❷ c.1900-10 ❸ glass, bronze ❹ 62×51 ❺ Kurokabe Museum of Art ❼ T, K, M − 2082 Louis Comfort Tiffany Lamp: Dragonfly ❷ c.1900-10 ❸ glass, bronze ❹ 49×38 ❺ Kurokabe Museum of Art ❼ M − 2083 Associated Artists Textile: Nets-and-bubbles ❷ 1883-1900 ❸ silk, cotton ❹ 41.6×22.9 ❺ The Metropolitan Museum of Art ❻ 28.70.9＊Gift of Mrs. B. Keith, 1928 (28.70.9) ❼ T, K − 2084 Cheney Brothers/Associated Artists Textile: Pinecones-and-needles ❷ 1883-1900 ❸ silk ❹ 76.2×62.2 ❺ Metropolitan Museum of Art ❻ 28.70.6＊Gift of Mrs.Boudinot Keith, 1928 (28.70.6) ❼ T, K − 2085 William H. Bradley Poster « The Chap-Book » ❷ 1894 ❸ lithograph on paper ❹ 50.5×35.5 ❺ Musée de la Publicité, Paris ❻ 21319 ❼ T, K − 2086 William H. Bradley Poster « Springfield Bicycle Club Tournament » ❷ 1895 ❸ lithograph on paper ❹ 53×35.5 ❺ Musée de la Publicité, Paris ❻ 9735 ❼ T, K − 2087 William H. Bradley Poster « The Ault & Wiborg Company, Printing Inks » ❷ c.1895 ❸ lithograph on paper ❹ 31.5×24 ❺ Musée de la Publicité, Paris ❻ 10381 ❼ K, M − 2088 William H. Bradley Poster « March Issue Ready. The Inland Printer » ❷ 1896 ❸ lithograph on paper ❹ 32×25.5 ❺ Musée de la Publicité, Paris ❻ 10219 ❼ K, M Part 3. Paper Stencils and Art Nouveau The response to paper stencils in France and Belgium 3001 Paper Stencil with Pattern of “Yosemoyô”, Combination of Geometric Motives ❸ paper, persimmon tannin ❹ 29.5×41 ❺ Collection Blanche & Bertrand Bellon, Paris ❼ T, K, M − 3002 Paper Stencil with Pattern of “Ryûsui”, Streams ❸ paper, persimmon tannin ❹ 50×40 ❺ Collection Blanche & Bertrand Bellon, Paris ❼ T, K, M − 3003 Paper Stencil with Pattern of “Taki”, Waterfalls ❸ paper, persimmon tannin ❹ 31.2×40.2 ❺ Collec tion Blanche & Bertrand Bellon, Paris ❼ T, K, M − 3004 Paper Stencil with Pattern of “Sasa”, Bamboo Grasses ❸ paper, persimmon tannin ❹ 32.4×42 ❺ Musée de l’Ecole de Nancy ❻ 005-4-116＊Former Prouvé Collection ❼ T, K, M − 3005 Paper Stencil with Pattern of “Nami-niItogiku”, Chrysanthemums on Waves ❸ paper, persimmon tannin ❹ 63.5×43.5 ❺ Musée de l’Ecole de Nancy ❻ 005-4-94＊Former Prouvé Collection ❼ T, K, M − 3006 Paper Stencil with Pattern of “Ôgi-ni-Nami-niSeseragi”, Folding Fans on Waves and Streams ❸ paper, persimmon tannin ❹ 31×41 ❺ Musée de l’Impression sur Etoffes, Mulhouse ❻ 874.6.34 ❼ T, K, M − 3007 Paper Stencil with Pattern of “Take-niGamajima”, Bamboos on Stripes of Cattails ❸ paper, persimmon tannin ❹ 30×41 ❺ Musée de l’Impression sur Etoffes, Mulhouse ❻ 874.6.142 ❼ T, K, M − 3008 Paper Stencil with Pattern of “Nami-niChidori”, Plovers on Waves ❸ paper, persimmon tannin ❹ 31×42.5 ❺ Musée de l’Impression sur Etoffes, Mulhouse ❻ 979.204.1 ❼ T, K, M − 3009 Paper Stencil with Pattern of “Shidarezakurani-Kawarijima”, Weeping Cherries on Stripes ❸ paper, persimmon tannin ❹ 35.7×37.5 ❺ Musée des Arts décoratifs, Paris ❻ PR2011.7.262 ❼ T, K, M − 3010 Paper Stencil with Pattern of “Sawarabisuji” Stripes of Young Bracken Sprouts ❸ paper, persimmon tannin ❹ 26.6×42.3 ❺ Musée des Arts décoratifs, Paris ❻ CD9099 ❼ T, K, M − 3011 Paper Stencil with Pattern of “Kiku-ni-Susuki”, Chrysanthemums and Japanese Plume Grasses ❸ paper, persimmon tannin ❹ 21×36 ❺ Musée des Arts décoratifs, Paris ❻ PR2011.7.263 ❼ T, K, M − 3012 Paper Stencil with Pattern of “Yanagi-niKemari”, Willows and Kemari (Japanese Traditional Balls to Kicking) ❸ paper, persimmon tannin ❹ 22.9×42.4 ❺ Musée des Arts décoratifs, Paris ❻ CD9100 ❼ T, K, M − 3013 Paper Stencil with Pattern of “Kumonosu-toSakura-ni-Takegaki”, Spider Webs, Cherry Blossoms and Bamboo Fences ❸ paper, persimmon tannin ❹ 31.5×41.5 ❺ Musée des Arts décoratifs, Paris ❻ CD9049＊Former S. Bing Collection ❼ T, K, M − 3014 Paper Stencil with Pattern of “Sawarabi-niGenjikô”, Fresh Bracken Sprouts and Symbols for Incenses ❸ paper, persimmon tannin ❹ 42.5×56.5 ❺ Musée des Arts décoratifs, Paris ❻ CD9015＊Former S. Bing Collection ❼ T, K, M − 3015 Paper Stencil with Pattern of “Kiku-niKasumi”, Chrysanthemums and Haze ❸ paper, persimmon tannin ❹ 26.6×42 ❺ Musée Lorrain, Nancy ❻ 2006-0-3555＊Former Wiener Collection ❼ T, K, M − 3016 Paper Stencil with Pattern of “Nagare-ni-Ayu”, Ayu Fish in Running Water ❸ paper, persimmon tannin ❹ 25.8×41.2 ❺ Musée Lorrain, Nancy ❻ 2006-0-3554＊Former Wiener Collection ❼ T, K, M − 3017 Paper Stencil with Pattern of “Hatô”, Waves ❸ paper, persimmon tannin ❹ 30.2×40.3 ❺ Musée Lorrain, Nancy ❻ 2006-0-3501＊Former Wiener Collection ❼ T, K, M − 3018 Paper Stencil with Pattern of “Sawarabi-niKasumi”, Fresh Bracken Sprouts in Haze ❸ paper, persimmon tannin ❹ 30×41.2 ❺ Nancy, musée des beaux-arts ❻ 204.0.208＊Former Cartier-Bresson Collection ❼ T, K, M − 3019 Emile Gallé Card Table ❷ 1880’s ❸ wood ❹ 40.8×70.5×75.8 ❺ Hida Takayama Museum of Art ❼ T, K, M − 3020 Emile Gallé Decoration Shelf ❷ 1896-98 ❸ wood ❹ 47×66×151 ❺ Matsue Kitahori Museum ❼ T, K, M − 3021 Emile Gallé Work Table ❷ 1899-1900 ❸ wood ❹ 41×73×76 ❺ Matsue Kitahori Museum ❼ T, K, M − 3022 Eugène Grasset, Henri Vever Comb « Naiad » ❷ c.1900 ❸ tortoiseshell, gold, enamel ❹ 16×8 ❺ Petit Palais, Musée des Beaux-Arts de la Ville de Paris ❻ OGAL00496 ❼ T, K, M − 3023 Lucien Gaillard Comb ❷ c.1904 ❸ horn, opale, gold ❹ 20.8×7.4×1.4 (t) ❺ Musée d’Orsay, Paris ❻ OAO 43 ❼ T, K, M − 3024 Louis Majorelle Buffet: Wheat ❷ c.1904 ❸ wood, bronze ❹ 56×123×151 ❺ Kurokabe Museum of Art ❼ T, K, M − 3025 René Lalique Choker Plaque: Woman with Flowing Hair ❷ c.1898-1900 ❸ gold, diamond, chrysoprase, ❹ 5.5×7.2 ❺ Lalique Museum, Hakone ❻ 1171 ❼ T, K, M − 3026 René Lalique Choker Plaque « Véronique » ❷ c.1899 ❸ gold, bronze, enamel, artificial pearl ❹ 5.7×23.5×2.1 (t) ❺ Musée d’Orsay, Paris ❻ OAO 47 ❼ T, K, M − 3027 René Lalique Choker Plaque: Chrysanthemums ❷ c.1900 ❸ gold, enamel ❹ 6.3×9.8×3.2 (t) ❺ Lalique Museum, Hakone ❻ 667 ❼ T, K, M − 3028 Eugène Feuillâtre Bonbonière: Cherries ❷ c.1901 ❸ gold, enamel ❹ 2.2×4.8 ❺ Musée d’Orsay, Paris ❻ OAO189 ❼ T, K, M − 3029 René Lalique Pendant: Female Profile and Sycamore ❷ c.1901-02 ❸ gold, enamel ❹ 9.6×3.2 ❺ Lalique Museum, Hakone ❻ 370 ❼ T, K, M − 3030 René Lalique Powder Case « Fleurs d’amour » (Roger & Gallet) ❷ 1922 ❸ aluminium ❹ 2.8×7.5 ❺ Lalique Museum, Hakone ❻ 505 ❼ T, K, M − 3031 Unknown Brooch ❷ c.1925 ❸ white gold, diamond, enamel ❹ 2.5×4.4 ❺ Musée des Arts décoratifs, Paris ❻ 2001.126.1 ❼ T, K, M − 3032 Hector Guimard Decoration for Balcony ❶ Fonderie de Saint-Dizier ❷ 1905-07 ❸ cast iron ❹ 35×93.5 ❺ Musée d’Orsay, Paris ❻ OAO 636 ❼ T, K, M − 3033 Round Iron Table ❶ Sabino ❷ 1920’s ❸ glass, iron ❹ 40×70 ❺ Museum and Archive of the Kyoto Institute of Technology ❻ AN. 1909 ❼ T, K, M − 3034 Frédéric Boucheron Flacon ❶ Rodolph Dinée (Metal), M.Berquin-Varangoz (Cristal) ❷ c.1886-88 ❸ cristal glass, gilt silver ❹ 14.5×7.5 ❺ Musée des Arts décoratifs, Paris ❻ 7843 ❼ T, K, M − 3035 Emile Gallé Small Bowl: Arabesque ❷ 1890-97 ❸ glass ❹ 8.5×12.5 ❺ Kurokabe Museum of Art ❼ T, K, M − 3036 Emile Gallé Vase with Two Handles: Flowers and Butterflies ❷ c.1895 ❸ glass ❹ 28.5×17.6 ❺ Kurokabe Museum of Art ❼ T, K, M − 3037 Emile Gallé Vase: Chrysanthemum ❷ c.1900 ❸ glass ❹ 72.5×24.7 ❺ Kurokabe Museum of Art ❼ T, K, M − 3038 René Lalique Chalice: Pinecones ❷ c.1900-02 ❸ opalecent glass, silver ❹ 18.8×10.6 ❺ Lalique Museum, Hakone ❻ 562 ❼ T, K, M − 3039 Daum Frères, Louis Majorelle Lamp « Dandelions » ❷ c.1902 ❸ glass, wrought iron ❹ 62×28 ❺ Kitazawa Museum of Art ❼ T, K, M − 3040 Daum Frères Vase: Trees ❷ c.1910 ❸ glass ❹ 32.5×11 ❺ Kurokabe Museum of Art ❼ T, K, M − 3041 René Lalique Vase: Grasshoppers ❷ 1912 ❸ glass ❹ 26.5×25.8 ❺ Lalique Museum, Hakone ❻ 359 ❼ T, K, M − 3042 René Lalique Vase: Marguerites ❷ 1923 ❸ opalecent glass ❹ 20.8×16.5 ❺ Lalique Museum, Hakone ❻ 602 ❼ T, K, M − 3043 René Lalique Vase: Berries ❷ 1924 ❸ glass, black enamel ❹ 26.6×25.8 ❺ Lalique Museum, Hakone ❻ 378 ❼ T, K, M − 3044 René Lalique Flacon « Red Coral » (FORVIL) ❷ 1925 ❸ glass, enamel ❹ 10.8 (h) ❺ Hida Takayama Museum of Art ❼ T, K, M − 3045 René Lalique Vase: Aigrettes ❷ 1926 ❸ glass ❹ 25.5×20 ❺ Lalique Museum, Hakone ❻ 218 ❼ T, K, M − 3046 Suzanne Lalique Vase « Lagamar » ❷ 1926 ❸ glass, black enamel ❹ 18.8 x18 ❺ Lalique Museum, Hakone ❻ 357 ❼ T, K, M − 3047 Unknown Textile Pattern: Bamboo ❶ Unknown ❷ 1879-80 ❸ cotton ❹ 11×15 ❺ Musée de l’Impression sur Etoffes, Mulhouse ❻ 783.56 ❼ T, K, M − 3048 Unknown Textile Pattern ❶ Unknown ❷ 1896-1900 ❸ wool ❹ 17.5×22 ❺ Musée de l'Impression sur Etoffes, Mulhouse ❻ 1546.57 ❼ T, K, M − 3049 Unknown Textile Pattern ❶ Unknown ❷ 1886-90 ❸ cotton ❹ 14×14 ❺ Musée de l’Impression sur Etoffes, Mulhouse ❻ 1549.52 ❼ T, K, M − 3050 René Lalique Stole « Field of Daisies » ❶ Bianchini-Férier et Cie. ❷ 1906-07 ❸ silk ❹ 305× 55.5 ❺ Lalique Museum, Hakone ❻ 158 ❼ T, K, M − 3051 Suzanne Lalique Textile: Plum Blossoms ❶ Prelle ❷ 1920 (reproduction) ❸ silk ❹ 111×96.5 ❺ Japan Women’s University ❼ T, K, M − 3052 Georges de Feure Textile: Butterflies 37 3 ❶ Prelle ❷ c.1920 (reproduction) ❸ silk ❹ 111×131 ❺ Japan Women’s University ❼ T, K, M − 3053 Mariano Fortuny Coat ❷ c.1920 ❸ silk ❹ 92.4 (l) ❺ Kyoritsu Women’s University ❻ Y1631082 ❼ T, K, M − 3054 Mariano Fortuny Jacket ❷ c.1930 ❸ silk ❹ 100.7 (l) ❺ Kyoritsu Women’s University ❻ Y2010802 ❼ T, K, M − 3055 Mariano Fortuny Cape ❷ c.1930 ❸ silk ❹ 117 (l) ❺ Kyoritsu Women’s University ❻ Y1600440 ❼ T, K, M − 3056 Mariano Fortuny Coat ❷ c.1920 ❸ silk ❹ 116 (l) ❺ Kyoritsu Women’s University ❻ Y1620617 ❼ T, K, M − 3057 Mariano Fortuny Delphos Dress ❷ c.1920 ❸ silk ❹ 141.2 (l) ❺ Kyoritsu Women’s University ❻ Y2012048 ❼ T, K, M − 3058 Mariano Fortuny Delphos Dress ❷ c.1920 ❸ silk ❹ 152 (l) ❺ Kyoritsu Women’s University ❻ Y1630396 ❼ T, K, M − 3059 Mariano Fortuny Delphos Dress ❷ c.1920 ❸ silk ❹ 150.8 (l) ❺ Kyoritsu Women’s University ❻ Y2040937 ❼ T, K, M − 3060 Mariano Fortuny Delphos Dress ❷ c.1920 ❸ silk ❹ 151.5 (l) ❺ Kyoritsu Women’s University ❻ Y2032047 ❼ T, K, M − 3061 Maurice Denis « Regattas at Perros-Guilec » ❷ 1892 ❸ oil on canvas ❹ 41×32 ❺ Musée d’Orsay, Paris (deposit in Le musée des Beaux-Arts de Quimper) ❻ RF2001 9 ❼ K, M − 3062 Maurice Denis Wall Paper « Rose Boats » ❷ 1893 ❸ lithograph on paper ❹ 95×65 ❺ Mitsubishi Ichigokan Museum, Tokyo ❼ T, K, M − 3063 Maurice Denis Project for Wallpaper: Trains ❷ 1893 ❸ gouache on paper ❹ 109.5×63 ❺ Private Collection ❻ 893-1204 ❼ T, K, M − 3064 Frank Brangwyn Stencil for the Exterior of “Salon de l’Art nouveau” ❷ c.1895 ❸ carton ❹ 37.5×58 ❺ SIAF/ Cité de l’architecture et du patrimoine/ Archives d’architecture du XXe siècle ❻ 035 Ifa I8. BONLO-C-1895-2, 35-035-018 ❼ T, K, M − 3065 Frank Brangwyn Stencil for the Exterior of “Salon de l’Art nouveau” ❷ c.1895 ❸ carton ❹ 49×76 ❺ SIAF/ Cité de l’architecture et du patrimoine/ Archives d’architecture du XXe siècle ❻ 035 Ifa I8. BONLO-C-1895-2, 35-035-017 ❼ T, K, M − 3066 Félix Vallotton Poster « L’Art nouveau, Permanent Exhibition » « L’Art nouveau » ❶ Impies. Lemercier, Paris ❷ 1895/96 ❸ lithograph on paper ❹ 62×45 ❺ & ❻ Musée de la Publicité, Paris, 14548; Museum für Kunst und Gewerbe Hamburg, EP2008.308 ❼ T, K, M − 3067 Félix Vallotton « Laziness » ❷ 1896 ❸ woodcut on paper ❹ 17.7×22.2 ❺ Bibliothèque Nationale de France, départment des Estampes et de la photographie ❼ T, K, M − 3068 Alphonse Mucha Poster « En l’honneur de Sarah Bernhardt » ❶ F. Champenois, Paris ❷ 1896 ❸ lithograph on paper ❹ 70.5×50.1 ❺ & ❻ Crafts Gallery, The National Museum of Modern Art, Tokyo, Gd0405/Sakai City Cultrual Hall, 178 ❼ T, K, M − 3069 Francis Jourdain Design: Fish ❷ 1896-1910 ❸ ink on paper ❹ 13×25.2 ❺ musée d’art et d’histoire - Saint-Denis ❻ 77 06 203 ❼ T, K, M − 3070 Alphonse Mucha Poster « Job » ❶ F. Champenois, Paris ❷ [1896/1897] ❸ lithograph on paper ❹ 65.8×46 ❺ & ❻ Suntory Poster Collection (deposited in Osaka City Museum of Modern Art, Planning Office) /Sakai City Cultrual Hall, 179 ❼ T, K, M − 3071 Alphonse Mucha Byzantine Head, Blonde ❶ F. Champenois, Paris ❷ 1897 ❸ lithograph on paper ❹ 60.4×44 ❺ Sakai City Cultrual Hall ❻ 224 ❼ T, K, M − 3072 Alphonse Mucha Byzantine Head, Brunette ❶ F. Champenois, Paris ❷ 1897 ❸ lithograph on paper ❹ 60.4×44 ❺ Sakai City Cultural Hall ❻ 223 ❼ T, K, M − 3073 Alphonse Mucha « Rêverie » ❶ F. Champenois, Paris ❷ 1898 ❸ lithograph on paper ❹ 71.5×53.8 ❺ Sakai City Cultural Hall ❻ 227 ❼ T, K, M − 3074 Alphonse Mucha Poster « Job » ❶ F. Champenois, Paris ❷ 1898 ❸ lithograph on paper ❹ 141×94 ❺ Mie Prefectural Art Museum ❼ T, K, M − 3075 Alphonse Mucha « Dance » ❶ F. Champenois, Paris ❷ 1898 ❸ lithograph on paper ❹ 56.5×35 ❺ Hida Takayama Museum of Art ❻ 229 ❼ T, K, M − 3076 Hector Guimard Design for Grid of Canalisation for Concert Room Humbert et Romans, 1st plan ❷ c.1901 ❸ pencil, watercolour, white chalk, tracing paper ❹ 54.5×104.5 ❺ Musée d’Orsay, Paris ❻ GP 807 ❼ T, K − 3077 Hector Guimard Design for Grid of Canalisation for Concert Room Humbert et Romans, 2nd plan ❷ c.1901 ❸ pencil, watercolour, white chalk, tracing paper ❹ 52.5×57.8 ❺ Musée d’Orsay, Paris ❻ GP 810 ❼ K, M − 3078 Maurice Denis « Family Portrait » ❷ 1902 ❸ oil on canvas ❹ 82×94 ❺ Private Collection ❼ T, K, M − 3079 Francis Jourdain Textile Design ❷ c.1910-40 ❸ gouache on paper ❹ 40×50 Private Collection ❼ T, K, M ❺ − 3080 Georges Lepape Poster « Vogue » ❶ Unknown ❷ c.1920 ❸ relief print on paper ❹ 49×32.5 ❺ Takeo Poster Collection ❻ 1146 ❼ T, K, M − 3081 Stencil Proof: Fresh Brackens Sprouts and Incenses ❷ 19c. ❸ paper ❹ 14.2×35.5 ❺ Musée des Arts décoratifs, Paris ❻ PR 2011.7.261＊Former S. Bing Collection ❼ T, K, M − 3082 Charles Bellon Textile Design: Stream ❷ First half of 20c. ❸ gouache on paper ❹ 28×44 ❺ Collection Blanche & Bertrand Bellon, Paris ❼ T, K, M − 3083 Charles Bellon Textile Design: Waterfall ❷ First half of 20c. ❸ gouache on paper ❹ 29×43.7 ❺ Collection Blanche & Bertrand Bellon, Paris ❼ T, K, M − 3084 Siegfried Bing (ed.) Le Japon Artistique ❷ 1888-91 ❸ books (36 issues, 3 vols.) ❹ 33×26×4.5 (t) each ❺ Bunka Gakuen University Library ❻ KC414/702.1/J/1 KC414/702.1/J/2 KC414/ 702.1/J/3 ❼ T, K, M − 3085 Maurice P. Verneuil Etude de la plante: son application aux industries d’art ❶ Librairie centrale des beaux-arts, Paris ❷ [1908] ❸ book ❹ 34×28.3×4.8 (t) ❺ Kyoto Institute of Technology Library ❻ 9853032384 ❼ T, K, M − 3086 Maurice P. Verneuil L’ornementation par le pochoir ❶ Schmid, Paris ❷ [1898] ❸ book ❹ 47.6×35.1×1.9 (t) ❺ Bunka Gakuen University Library ❻ KB033/757.7/V ❼ T, K, M − 3087 Théodore Lambert Pochoirs Japonais: Motif s Décoratif s ❶ CH. Massin, Paris ❷ [1909] ❸ portfolio (50 leaves with reproductions of stencils) ❹ 42.8×32.9×2 (t) ❺ International Research Center for Japanese Studies ❻ 001257468 ❼ T, K, M − 3088 Paper Stencil with Pattern of “Yatsuhashi”, Irises and Bridges (Motif from “Tale of Ise”) ❸ paper, persimmon tannin ❹ 24×41.5 ❺ MAK Österreichisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ Handel 16806/2789 ❼ T, K, M − 3089 Victor Horta Chair ❷ 1898 ❸ mahogany, silk ❹ 44×45.5×79.5 ❺ Musée Horta, Brussels ❻ CH18 ❼ T, K, M − 3090 Gustave Serrurier-Bovy Wardrobe ‹ Silex › ❷ 1905 ❸ wood, iron, stencil paintings ❹ 45×96×225 ❺ Musées royaux d’Art et d’Histoire/ Koninklijke Musea voor Kunst en Geschiedenis ❻ M104 ❼ T, K, M − 3091 Philippe Wolfers Vase « Magnolia » ❷ c.1899 (before 1907) ❸ silver, enamel ❹ 12.5×10.9 ❺ Design museum Gent ❻ 1451 ❼ T, K, M − 3092 Philippe Wolfers Chalice with cover « Honesty (Monnaie du pape) » ❷ c.1899 (before 1907) ❸ silver, enamel ❹ 20.7× 11.3 ❺ Design museum Gent ❻ 1452 ❼ T, K, M − 3093 Philippe Wolfers Box for Makeup ❷ 1916 ❸ silver, gold, wood ❹ 16.3×18.2×6.8 ❺ Musées royaux d’Art et d’Histoire/Koninklijke Musea voor Kunst en Geschiedenis ❻ 7758 ❼ T, K, M − 3094 Victor Horta Stained Glass of the Dopchie House ❷ 1899 ❸ wood, lead and stained glass ❹ 86×358×3 (t) ❺ Musées royaux d’Art et d’Histoire/ Koninklijke Musea voor Kunst en Geschiedenis ❻ M.141 ❼ K, M − 3095 Henry van de Velde Carpet ❷ c.1902-03 ❸ wool ❹ 166×166 ❺ Design museum Gent ❻ 76/245 ❼ T, K, M − 3096 Georges Lemmen Frontispiece Design (L’Art moderne) ❷ 1892 ❸ ink on paper ❹ 28×24 ❺ Musée d'Ixelles/ Museum van Elsene, Brussels ❻ OM 122＊Gift Madeleine Maus ❼ T, K, M − 3097 Henry van de Velde Cover Design (Max Elskamp, Salutations, dont d’angéliques) ❶ Paul Lacombe, Bruxelles ❷ 1893 ❸ book ❹ 23×18.5 ❺ Bibliothèque Royale de Belgique/ Koninklijke Bibliotheek van België, Brussels ❻ LP2919A ❼ T, K, M − 3098 Henry van de Velde Illustration (Van Nu en Straks) No. 2 ❷ 1893 ❸ ink on paper ❹ 28×22 ❺ Bibliothèque Royale de Belgique/ Koninklijke Bibliotheek van België, Brussels ❻ II/84.366A ❼ T, K, M − 3099 Jan (Johan) Thorn-Prikker Illustration (Van Nu en Straks) No. 3 ❷ 1893 ❸ ink on paper ❹ 28×22 ❺ Bibliothèque Royale de Belgique/ Koninklijke Bibliotheek van België, Brussels ❻ II/84.366A ❼ T, K, M − 3100 Adolphe Crespin Poster « Gebrande Koffies De Gulden Bie » ❷1893 ❸ lithograph on paper ❹106×83.4 ❺ Victoria and Albert Museum ❻ CIRC.602-1962 ❼ T, K, M − 3101 Henry van de Velde Cover Design (Van Nu en Straks) No. 5 ❷ 1894 ❸ magazine ❹ 28×22 ❺ Bibliothèque Royale de Belgique/ Koninklijke Bibliotheek van België, Brussels ❻ II/84.366A ❼ T, K, M − 3102 Henry van de Velde Illustration (“Rythmus”, Van Nu en Straks) Nos. 8-10 ❷ 1894 ❸ ink on paper ❹ 28×22 ❺ Bibliothèque Royale de Belgique/ Koninklijke Bibliotheek van België, Brussels ❻ II/84.366A‑ ❼ T, K, M − 3103 Georges Lemmen Cover, Endpaper (Georges Rodenbach, Musée de Béguines) ❶ Charpentier, Paris ❷ 1894 (published) ❸ book ❹ 19x 12.5 ❺ Collection Pascal & Louise de Sadeleer ❼ T, K, M − 3104 Henry van de Velde Cover Design (Max Elskamp, En symbole vers l’apostolat) ❶ Paul Lacombe, Bruxelles ❷ 1895 ❸ book ❹ 15.5×23.8 ❺ Bibliothèque Royale de Belgique/ Koninklijke Bibliotheek van België, Brussels ❻ LP2920A ❼ T, K, M − 3105 Henry van de Velde Portfolio Covered with Decoration Paper ‹ Bellflower › ❷ c.late 1895 ❸ portfolio ❹ 43.7×34.1 ❺ Collection Pascal & Louise de Sadeleer (former Henry van de Velde collection) ❼ T, K, M − 3106 Adolphe Crespin Poster « Paul Hankar, architecte » ❶ Ad. Mertens, Bruxelles ❷ c.1895 ❸ relief print on paper ❹ 54×40.3 ❺ Takeo Poster Collection ❻ Inv. No.500 ❼ T, K, M − 3107 Jan Toorop Poster « Delftsche Slaolie » ❶ S. Lankhout ❷ c.1895 ❸ lithograph on paper ❹ 100×62 ❺ Crafts Gallery, The National Museum of Modern Art, Tokyo ❻ Gb0188 ❼ K, M − 3108 T. Privat Livemont Poster « Absinthe Robette » ❶ J. L. Goffart, Bruxelles ❷ 1896 ❸ lithograph on paper ❹ 108×79 ❺ Crafts Gallery, The National Museum of Modern Art, Tokyo ❻ Gb0106 ❼ T, K, M − 3109 Gisbert Combaz Poster « La Libre Esthétique » ❶ J. L. Goffart, Bruxelles ❷ 1898 ❸ lithograph on paper ❹ 74×43.5 ❺ Musée d’Ixelles/Museum van Elsene, Brussels ❻ B163＊Gift Joseph Botte ❼ T, K, M − 3110 Henry van de Velde « Tropon » ❷ c.1898 ❸ lithograph on paper ❹ 46.3×34.9 ❺ Crafts Gallery, The National Museum of Modern Art, Tokyo ❼ T, K, M − 3111 Henry van de Velde Poster « L.Vandevelde & Cie. » ❷ n.d. ❸ lithograph on paper ❹ 37.5×47 ❺ Musée d’Ixelles/ Museum van Elsene, Brussels ❻ Aff. CC432 ❼ T, K, M Part 4. Paper Stencils and Jugendstil The response to paper stencils in Germany and Austria 4001 Paper Stencil with Pattern of “Uzumaki-niHitode”, Whirlpools and Starfishes ❸ paper, persimmon tannin ❹ 25×42 ❺ Kunstge werbemuseum, Staatliche Kunstsammlungen Dresden ❻ 21940 ❼ T, K, M − 4002 Paper Stencil with Pattern of “Ajisai”, Japanese Hydrangeas ❸ paper, persimmon tannin ❹ 41.8×41.8 ❺ Kupferstich-Kabinett, Staatliche Kunstsamm lungen Dresden ❻ KC4141 ❼ T, K, M − 4003 Paper Stencil with Pattern of “Hyôtan”, Bottle Gourds ❸ paper, persimmon tannin ❹ 30×41 ❺ Landesmuseum Württemberg, Stuttgart ❻ 3966-29 ❼ T, K, M − 4004 Paper Stencil with Pattern of “Midaregiku”, Chrysanthemums 37 5 ❸ paper, persimmon tannin ❹ 49.5×41 ❺ Linden-Museum Stuttgart, Staatliches Museum für Völkerkunde ❻ LGM7.187 ❼ T, K, M − 4005 Paper Stencil with Pattern of “Kanzemizu”, Running Water in Kanze Style ❸ paper, persimmon tannin ❹ 23.5×40.2 ❺ MAK Österreichisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ 16806/6098 ❼ T, K, M − 4006 Paper Stencil with Pattern of “Ryûsui-toKaede-ni-Hiziki”, Streams, Maple Leaves and Hizikia Fusiformes ❸ paper, persimmon tannin ❹ 25.8×41.5 ❺ Musée des Arts décoratifs, Paris ❻ PR2011.7.260 ❼ T, K, M − 4007 Paper Stencil with Pattern of “Shôbu”, Japanese Iris ❸ paper, persimmon tannin ❹ 57×40 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1989.26n 8 ❼ T, K, M − 4008 Paper Stencil with Pattern of “Mujinagiku”, Chrysanthemums ❸ paper, persimmon tannin ❹ 31.5×45 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1989.15b31 ❼ T, K, M − 4009 Paper Stencil with Pattern of “Ryûsui-ni-Koi”, Carp in Running Water ❸ paper, persimmon tannin ❹ 39.5×31.4 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1989.61 ❼ T, K, M − 4010 Paper Stencil with Pattern of “Tsunatsunagi”, Combination of Ropes ❸ paper, persimmon tannin ❹ 25×42 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1989.52 ❼ T, K, M − 4011 Paper Stencil with Pattern of “Hatô”, Waves ❸ paper, persimmon tannin ❹ 31.5×42 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 2011.31 ❼ T, K, M − 4012 Paper Stencil with Pattern of “Ume-niIchimatsu”, Japanese Apricots on Checked Patterns ❸ paper, persimmon tannin ❹ 31.2×40.8 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1989.18g ❼ T, K, M − 4013 Paper Stencil with Pattern of “Shôbu”, Sweet Flags ❸ paper, persimmon tannin ❹ 26.3x41.2 ❺ Suzuka City ❼ T − 4014 Paper Stencil with Pattern of “Tokusa-Sandô”, Stripes of Scouring Rushes ❷ 1822 ❸ paper, persimmon tannin ❹ 20.8×41.7 ❺ Suzuka City ❻ R29 ❼ K, M − 4015 Richard Riemerschmid Overdoor Decoration ❶ Deutsche Werkstätten, Hellrau ❷ 1909/10 ❸ carved limewood, white varnished ❹ 56×172×4.5 (t) ❺ Kunstgewerbemuseum, Staatliche Kunst sammlungen Dresden ❻ 37565 ❼ T, K, M − 4016 Richard Riemerschmid Chair, Model ‹ (196) 5a › (from the Dining Room of Karl Schmidt) ❶ Deutsche Werkstätten, Hellrau ❷ 1909/10 ❸ polished solid mahogany, leather ❹ 44×61×92 ❺ Kunstgewerbemuseum, Staatliche Kunstsamm lungen Dresden ❻ 51218 ❼ T, K, M − 4017 Adelbert Niemeyer Sideboard for Dining Room ❶ Deutsche Werkstätten, Hellrau ❷ 1910 (design), 1928/29 (manufactured) ❸ cherrywood ❹ 57×115× 99 ❺ Kunstgewerbemuseum, Staatliche Kunst sammlungen Dresden ❻ 53936 ❼ T, K, M − 4018 Adelbert Niemeyer Mirror for Dining Room ❶ Deutsche Werkstätten, Hellrau ❷ 1910 (design), 1914 (manufactured) ❸ cherrywood, mirror ❹ 73×110×4 (t) ❺ Kunstgewerbemuseum, Staatliche Kunstsammlungen Dresden ❻ 53938 ❼ T, K, M − 4019 Heinrich Vogeler Cutlery Set ‹ Marguerite › ❶ M.H. Wilkens & Söhne, Solingen ❷ 18951905 ❸ silver ❹ Serving Spoon: 23.8×5.3 Serving Fork: 23.9×5.29 Dessert Spoon: 18.1×4 Powdersugar Scattering Spoon: 15.9×4.5 Fruit Knife: 17.6×1.5 Fruit Fork: 14.5×1.7 Sugar Tongs: 11.5×3.9 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1990.427.AB ❼ T, K, M − 4020 Otto Eckmann Candle Stand « Narcissus » ❶ Josef Zimmermann & Co., München ❷ 1896-97 ❸ wrought iron ❹ 39.5×32.7 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1912.22 ❼ T, K, M − 4021 Hugo Leven Dinner Plate for Fish ❶ Kaiser Sohn, J.P.K., Krefeld ❷ 1896-1900 ❸ tin ❹ 28×62.4×3.8 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1959.16 ❼ T, K, M − 4022 Unknown Tea and Coffee Service Set: Ivy ❶ Württembergisches Metallfabrik (WMF), Geislingen ❷ 1902 ❸ semi-precious metal ❹ Coffee Pot: 28×23.5 Tea Pot: 22×21.5 Milk Pot: 11.5×13.5 Sugar Pot: 10.5×16.5 Tray: 38×64×6 ❺ Landesmuseum Württemberg, Stuttgart ❻ 1982-6 a-e ❼ T, K, M − 4023 Hugo Leven Bread Basket ❶ Kaiser Sohn, J.P.K., Krefeld ❷ 1904 ❸ tin ❹ 17.7×34×4.5 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1977.24 ❼ T, K, M − 4024 Albin Müller Coffee Service Set and Samovar ❶ Firma Koch & Bergfeld, Bremen ❷ 1909 (Samovar: 1910) ❸ silver, ivory ❹ Coffee Pot: 13×17.5×24 Milk Pot: 8.5×11.5×10.5 Sugar Pot: 12.5×14.5×11.5 Samovar: 20×20×32.5 (Warmer: 8×16.5×6.5) ❺ Landesmuseum Württemberg, Stuttgart ❻ Coffee service set: 1971-2 a, b, c, Samovar: 1975-129 ❼ T, K, M − 4025 Peter Behrens Fireplace Screen ❶ Louis Hermann, Dresden ❷ c.1910-12 ❸ lead, wood ❹ 69.4×108.3 ❺ Toyota Municipal Museum of Art ❼ T, K, M − 4026 Max Laeuger Vase ❶ Tonwerke, Kandern ❷ 1897 ❸ stoneware, glaze ❹ 32.5×8.6 ❺ Landesmuseum Württemberg, Stuttgart ❻ G 4101 ❼ T, K, M − 4027 Hermann Gradl Wall Fountain ❶ Stoneware: Villeroy & Boch, Mettlach, Tin: Rheinische Bronzegießerei Ferdinand Hubert Schmitz, Köln (Orivit-AG) ❷ c.1899-1900 ❸ stoneware, tin, wood ❹ 32×61×85.2 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1900.43 ❼ T, K, M − 4028 Peter Behrens Dinner Plate and Dessert Plate (for the Behrens House, Mathildenhöhe, Darmstadt) ❶ Porzellanfabrik Gebr. Bauscher, Weiden/ Oberpfalz ❷ 1901 ❸ porcelain, glaze ❹ Dinner Plate: 24.9×2.2 Dessert Plate: 16.2×1.6 ❺ Toyota Municipal Museum of Art ❼ T, K, M − 4029 Henry van de Velde Big Dish and Sauce Boat ‹ Peitschenhieb › ❶ Königliche Porzellan-Manufaktur, Meißen ❷ 1903/04 ❸ porcelain, glaze ❹ Dish: 5×37.5 Sauce Boat: 12×29.5×13 ❺ Die Neue Sammlung - The International Design Museum Munich ❻ 1423/84 (dish), 1185/89 (sauce boat) ❼ T, K, M − 4030 Adelbert Niemeyer Vase ❶ Königlich-Bayerische Porzellan-Manufaktur Nymphenburg ❷ 1905 ❸ porcelain, glaze ❹ 27 (h) ❺ Porzellan Manufaktur Nymphenburg ❻ 816/1679 ❼ T, K, M − 4031 Adelbert Niemeyer Vase ❶ Königlich-Bayerische Porzellan-Manufaktur Nymphenburg ❷ 1907-08 ❸ porcelain, glaze ❹ 18 (h) ❺ Porzellan Manufaktur Nymphenburg ❻ 874/826 ❼ T, K, M − 4032 Albin Müller Cup and Sauser ‹ Weimar › ❶ Porzellanmanufaktur Burgau, Burgau an der Saale ❷ c.1908 ❸ porcelain, glaze, gold ❹ Cup: 6.2×8.7 Saucer: 2.5×15.5 ❺ Landesmuseum Württemberg, Stuttgart ❻ G 10,442 ❼ T, K, M − 4033 Albin Müller Dessert Plate ❶ Porzellanmanufaktur Burgau, Burgau an der Saale ❷ c.1908 ❸ porcelain, glaze, gold ❹ 2.4×19.5 ❺ Landesmuseum Württemberg, Stuttgart ❻ 10,443 ❼ T, K, M cotton ❹ 36×21 ❺ Landesmuseum Württemberg, Stuttgart ❻ G 60,411 ❼ T, K, M − − 4034 Paul Voigt Small Octagonal Plate: Flying Parrot ❶ Königliche Porzellan-Manufaktur Meißen ❷ c.1909 ❸ porcelain, glaze, gold ❹ 13.3×13.3 ❺ Landesmuseum Württemberg, Stuttgart ❻ 1978-176/43 ❼ T, K, M − 4035 Max Laeuger Vase ❷ 1912/13 ❸ stoneware, glaze ❹ 26×23.2 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1965.069 ❼ T, K, M − 4036 Unknown Tea Service Set ❶ Villeroy & Boch, Dresden ❷ c.1920/30 ❸ stoneware, glaze ❹ Tea pot: 16.5×13 Milk pot: 10×8.5 Cup: 6.2×8.2 Saucer: 2×14.8 Dessert plate: 2×19.5 ❺ Kunstgewerbemuseum, Staatliche Kunstsammlungen Dresden ❻ 49616, 49617, 49620, 49622, 49623 ❼ T, K, M − 4037 Unknown Plate: Form ‹ Dresden ›, Decoration ‹ Concord › ❶ Villeroy & Boch, Dresden ❷ 1927-36 ❸ stoneware, glaze ❹ 15×15×2 (t) ❺ Museum für Kunst und Gewerbe Hamburg ❻1997.1591 ❼ T, K, M − 4038 Bruno Mauder Bowl ❶ Fachschule fur Glasindustrie, Zweisel/ Beyern ❷ 1912 ❸ glass ❹ 12×16.2 ❺ Landesmuseum Württemberg, Stuttgart ❻ G 12,424 ❼ T, K, M − 4039 Otto Eckmann Tapestry « Flock of Gulls » ❶ Scherrebeker Kunstwebschule, Scherebek ❷ 1896 ❸ Warp: hemp, Weft: wool ❹ 45×148 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1962.192 ❼ T, K, M − 4040 Henry van de Velde Textile ❶ Deuss & Oetker, Krefeld ❷ 1901 ❸ viscose ❹ 15.5×52.6 ❺ Design museum Gent ❻ 81/11 ❼ T, K, M − 4041 Alfred Mohrbutter Decoration Fabric: Running Wave ❶ Deuss & Oetker, Krefeld ❷ 1902 ❸ silk ❹ 158×55.7 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1966.9 ❼ T, K, M − 4042 Margarete von Brauchtisch Table Runner ❷ c.1902 ❸ linen, silk ❹ 162×46.5 ❺ Landesmuseum Württemberg, Stuttgart ❻ GT 6879 ❼ T, K, M − 4043 Unknown Textile ❶ Färberei Rudolf Martin, Göppingen ❷ c.1904 ❸ 4044 Unknown Textile ❶ Audiger & Meyer, Krefeld ❷ 1908 ❸ silk ❹ 71.5×51.5 ❺ Landesmuseum Württemberg, Stuttgart ❻ G 8,602 ❼ T, K, M − 4045 Unknown Textile ❶ Audiger & Meyer, Krefeld ❷ 1908 ❸ silk ❹ 71.5×51.5 ❺ Landesmuseum Württemberg, Stuttgart ❻ G 8,604 ❼ T, K, M − 4046 Bruno Paul Cover Cloth ❶ Vereinigte Werkstätte, München ❷ c.1908 ❸ cotton, silk ❹ 70×127 ❺ Die Neue Sammlung The International Design Museum Munich ❻ MB 1637 ❼ T, K, M − 4047 Kgl. Kunstschule der Textilindustrie Plauen/ Vogtland Machine Lace ❶ Wilhelm Weindler, Spitzenfabrik, Plauen, i. Vogtland ❷ 1910 ❸ cotton ❹ 95×47 ❺ Kunst gewerbemuseum, Staatliche Kunstsammlungen Dresden ❻ 29814 ❼ T, K, M − 4048 Kgl. Kunstschule der Textilindustrie Plauen/ Vogtland Machine Lace ❶ Wilhelm Weindler, Spitzenfabrik, Plauen, i. Vogtland ❷ 1910 ❸ cotton ❹ 20×102 ❺ Kunstge werbemuseum, Staatliche Kunstsammlungen Dresden ❻ 29818 ❼ T, K, M − 4049 Adelbert Niemeyer Decoration Cloth ❶ Deutsche Werkstätten, Hellrau ❷ c.1911 ❸ half linen ❹ 52×55 ❺ Die Neue Sammlung - The International Design Museum Munich ❻ 719/85 ❼ T, K, M − 4050 Richard Riemerschmid Table Cloth ❶ Deutsche Werkstätten, Hellrau ❷ 1912 ❸ cotton, rayon ❹ 138×133 ❺ Kunstgewerbemuseum, Staatliche Kunstsammlungen Dresden ❻ 50389 ❼ T, K, M − 4051 Otto Eckmann Iris (Pan, 1895, vol. 3) ❶ Gieseck und Devrient, Leipzig (Insel Verlag, Berlin) ❷ 1895 ❸ woodcut on paper ❹ 21.5×12.4 ❺ The National Museum of Modern Art, Kyoto ❼ T, K, M − 4052 Peter Behrens « Kiss » ❷ 1898 ❸ lithograph on paper ❹ 19.7×15.2 ❺ Toyota Municipal Museum of Art ❼ T, K, M − 4053 Emil Rudolf Weiss Poster « Erste Internationale Ausstellung von Kunst Photographien in der Secession » ❶ Lith. Dr. C. Wolf & Sohn, München ❷ 1898 ❸ lithograph on paper ❹ 105×67 ❺ Takeo Poster Collection ❻ 2203 ❼ T, K, M − 4054 Otto Eckmann Typography (Friedrich Bendixen, Briefe an Momme Nissen) ❷ 1899 ❸ book cover ❹ 23.3×18 ❺ Museum für Kunst und Gewerbe Hamburg ❻ EG 2008.3.280 ❼ T, K, M − 4055 Heinrich Vogeler Cover (An den Frühling. Radierungen von Heinrich. Vogeler Wolpswede) ❶ Insel Verlag, Leipzig ❷ 1899-1901 ❸ etching on paper ❹ 35.9×27.3 ❺ Museum für Kunst und Gewerbe Hamburg ❻ B.Z.V. 1902.280 ❼ T, K, M − 4056 Brynolf Wennerberg Poster « Braunschweigische Kohlen-Bergwerke Helmstedt » ❶ Kunstanstalt Grimme&Hempel, Act-Ges., Leipzig-Schleussig ❷ c.1900 ❸ lithograph on paper ❹ 83.7×56 ❺ Suntory Poster Collection (deposited in Osaka City Museum of Modern Art, Planning Office) ❼ K, M − 4057 Franz Hein Endpaper (Maximilian I, Holy Roman Emperor, Teuerdank) ❶ Fischer und Franke, Berlin ❷ c.1902 ❸ book ❹ 33.4×29×2.5 (t) ❺ Museum für Kunst und Gewerbe Hamburg ❻ B.Z.V. 1903.0198 ❼ T, K, M − 4058 Kurt Hoppe Poster « Baden Baden, Renn Jubiläums Fest » ❶ Heinrich Hohlmann, Darmstadt ❷ 1908 ❸ lithograph on paper ❹ 65.5×47 ❺ Crafts Gallery, The National Museum of Modern Art, Tokyo ❻ Gd0174 ❼ T, K, M − 4059 Alexander Baranowsky Poster « Grosse Kunstausstellung Dresden » ❶ Oswald Enterlein, Kunstanstalt, Niedersedlitz i. Sa. ❷ 1908 ❸ lithograph on paper ❹ 90×57.7 ❺ Crafts Gallery, The National Museum of Modern Art, Tokyo ❻ Gd0107 ❼ T, K, M − 4060 Ludwig Hohlwein Poster « Gebr. Rosehthal AG, Künstler Decken Wien » ❶ Graph. Kunstanstalt Ed. Strache, Warnsdorf u. Haida ❷ 1908 ❸ lithograph on paper ❹ 106.5×73.5 ❺ Die Neue Sammlung - The International Design Museum Munich ❻ 5777/82 ❼ T, K, M − 4061 Julius Gipkens (?) Poster « Die Woche, Heute neues Heft » ❶ Hollerbaum & Schmidt, Berlin ❷ c.1912 ❸ lithograph on paper ❹ 71.2×93.7 ❺ Takeo Poster Collection ❻ 66 ❼ T, K, M − 4062 Heinrich Dolmetsch Japanische Vorbilder: Ein Sammelwerk zur Veranschaulichung Japanischer Formenschatz ❶ Verlag von Julius Hoffmann, Stuttgart ❷ 37 7 1896 ❸ book ❹ 34.5×25.5×2 (t) ❺ Private Collection ❼ T, K, M − 4063 Sigfried Bing (ed.) Japanischer Formenschatz ❶ Verlag von E.A. Seemann, Leipzig ❷ 1888-91 ❸ books (36 issues, 6 vols.) ❹ 34.5×26×2.5 each ❺ Deutsches Institut für Japanstudien, Tokyo ❼ T, K, M − 4064 Justus Brinckmann Fernschau - Jahrbuch der Mittelschweizerischen Geographisch-Kommerziellen Gesellschaft in Aarau, 5. Bd. (Japanische Flächemotive) ❶ Druck und Verlag von Emil Wirz, Aarau ❷ 1892 ❸ book (48 reproduction of stencils) ❹ 24×16.5×1.7 (t) ❺ Private Collection ❼ T, K, M − 4065 Friedrich Deneken Japanische Motive f ür Flächenverzierung Ein Formenschatz f ür das Kunstgewerbe ❶ Becker, Berlin ❷ 1897 ❸ portofolio ❹ 39×30x3.5 (t) ❺ Museum für Kunst und Gewerbe Hamburg ❻ B.Z.V.1926.120 ❼ T, K, M 4072 Paper Stencil with Pattern of “Koi-noTakinobori”, Carp Climbing a Waterfall ❸ paper, persimmon tannin ❹ 67×46 ❺ Backhausen Interior Textiles GmbH - Archiv Backhausen, Vienna ❻ DESS 4500b ❼ T, K, M − 4073 Paper Stencil with Pattern of “Hagi”, Japanese Bush Clovers ❸ paper, persimmon tannin ❹ 25.2×39.7 ❺ Kunstgewerbemuseum, Staatliche Kunstsamm lungen Dresden ❻ 21940 ❼ T, K, M − 4074 Paper Stencil with Pattern of “Kogiku”, Chrysanthemums ❸ paper, persimmon tannin ❹ 25×41.5 ❺ Kunstgewerbemuseum, Staatliche Kunstsamm lungen Dresden ❻ 21940 ❼ T, K, M − − 4075 Paper Stencil with Pattern of “Ichimatsu”, Checks ❸ paper, persimmon tannin ❹ 23×41 ❺ MAK Österreichisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ Handel 16806/571 ❼ T, K, M − 4076 Paper Stencil with Pattern of “Ryûsui-niKiku”, Chrysanthemums in Running Water ❸ paper, persimmon tannin ❹ 30×40.5 ❺ MAK Österreichisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ 16806/8590 ❼ T, K, M − − 4066 Artur Seemann Japanische Färbeschablonen ❶ Verlag von E.A. Seemann, Leipzig/Berlin ❷ 1899 ❸ portfolio (100 reproduction of stencils) ❹ Portfolio: 43.2×28.3×2.4 (t) ❺ Bunka Gakuen University Library ❻ KE01/753.8/J/ ❼ T, K, M 4067 Bertha Bake Envelope Handbag ❷ 1910-19 ❸ silk, batik ❹ 15.5×33 ❺ Audax Textile Museum, Tilburg ❻ 6761 ❼ T, K, M − 4068 Cornelis van der Sluys Interior Textil ‹ Opbouw, design No. 740 › ❶ Eindhovensche Trijpfabrieken Schellens & Marto ❷ 1919 ❸ cotton, velvet ❹ 250×119.5 ❺ Audax Textile Museum, Tilburg ❻ 11509 ❼ T, K, M − 4069 Jan (Johan) Thorn-Prikker Poster « Holländische Kunstausstellung in Krefeld » ❶ S. Lankhout & C., Haag ❷ 1903 ❸ lithograph on paper ❹ 85.7×121.1 ❺ Suntory Poster Collection (deposited in Osaka City Museum of Modern Art, Planning Office) ❼ K, M − 4070 Jan (Johan) Thorn-Prikker Poster « Niederrheinisches Künstlerfest, Krefeld 1905 » ❶ Klein’sche Druckerei, Krefeld ❷ c.1905 ❸ lithograph on paper ❹ 75.4×90.2 ❺ Museum and Archive of the Kyoto Institute of Technology ❻ AN. 3297 (AG-28) ❼ T, K, M − 4071 Jacob Jongert Bookcover (Vanden Bergh van Eisinga, Tot het eeuwig zelf ) ❶ Ploegsma, Zeist ❷ 1918 ❸ book ❹ 21×15.5×1.8 (t) ❺ Collection Marjan Groot ❼ T, K, M − 4077 Paper Stencil with Pattern of “Kusarijima”, Stripes of Chains ❸ paper, persimmon tannin ❹ 30.5×40 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ 16806/1060 ❼ T, K, M − 4078 Paper Stencil with Pattern of “Senmen-niKarakusa”, Folding Fans and Arabesque Patterns ❸ paper, persimmon tannin ❹ 30×40.5 ❺ MAK Österreichisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ 16806/7847 ❼ T, K, M − 4079 Paper Stencil with Pattern of “Matsuba”, Pine Needles ❸ paper, persimmon tannin ❹ 23.5×41 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ 16896/5556 ❼ T, K, M − 4080 Paper Stencil with Pattern of “Itogiku”, Chrysanthemums ❸ paper, persimmon tannin ❹ 31.2×40.8 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1989.15b 28 ❼ T, K, M − 4081 Paper Stencil with Pattern of “Kôshi-niMaru”, Dots in Lattices ❸ paper, persimmon tannin ❹ 29×42.2 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1898.5262 ❼ T, K, M − 4082 Paper Stencil with Pattern of “Matsu-niRyûsui”, Pine Trees on Running Water ❸ paper, persimmon tannin ❹ 27×44.5 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1894.21 ❼ T, K, M − 4083 Paper Stencil with Pattern of “Tatamidori giku-ni-Shima”, Chrysanthemums on Vertical Checks with Stripes ❸ paper, persimmon tannin ❹ 23.2×39.8 ❺ Suzuka City ❻ H 5 ❼ K − 4084 Koloman Moser Chair ❶ Prag-Rudnike, Wien ❷ 1902/03 ❸ oak, rush ❹ 42.5×53×122 ❺ Toyota Municipal Museum of Art ❼ T, K, M − 4085 Koloman Moser Armchair ❶ Prag-Rudniker, Wien ❷ c.1903 ❸ beech, cane ❹ 67.3×65.7×71.3 ❺ Toyota Municipal Museum of Art ❼ K, M − 4086 Otto Wagner Cupboard with Four Shelves ❷ 1903 ❸ beech, cut glass ❹ 45.5×73×202 ❺ Osaka City Museum of Modern Art, Planning Office ❼ T, K, M − 4087 Josef Hoffmann Umbrella Stand ❶ Wiener Werkstätte, Wien ❷ 1905 ❸ Bottom/ Edge: Iron Plate, Side: Tin Plate ❹ 31.2×31.2×60 ❺ Museum für Kunst und Gewerbe Hamburg ❻ 1975.015t ❼ T, K, M − 4088 Josef Hoffmann Jardinière ❶ Wiener Werkstätte, Wien ❷ 1908 ❸ silver, glass ❹ 11.5×11.7×8.8 ❺ Private Collection ❼ T, K, M − 4089 Eduard Joseph Wimmer-Wisgrill Vase ❶ Wiener Werkstätte, Wien ❷ 1909 ❸ brass, silverplate ❹ 45.5 (h) ❺ Landesmuseum Württemberg, Stuttgart ❻ G 10,402 ❼ T, K, M − 4090 Koloman Moser Bread Basket ❶ Wiener Werkstätte, Wien ❷ 1910 ❸ silver ❹ 22×22×4.7 ❺ Asenbaum Collection ❼ T, K, M − 4091 Michael Powolny Table Center Piece with Three Cupids ❶ Wiener Keramik ❷ 1901-25 ❸ ceramic, glaze ❹ 23.8 (h) ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ WI 1130 ❼ T, K, M − 4092 Jutta Sika Service Set ❶ Porzellanmanufaktur Jos. Böck, Wien ❷ 1901/ 02 ❸ porcelain, glaze ❹ Tea Pot: 17.2 (h) Milk Pot Jug: 8.6 (h) Cup: 5.6×8.5 Saucer: 16 ❺ MAK Österreichisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ 9655/1-2, 6-8 ❼ T, K, M − 4093 Josef Hoffmann Jardinière ‹ Braun-Bronzit Var. D › ❶ J. & L. Lobmeyr, Wien ❷ 1911 ❸ glass, enamel, gold ❹ 13×18.2×8.5 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwarts kunst, Wien ❻ WI 1679/1915 ❼ T, K, M − 4094 Josef Hoffmann Vase: Campanula ❶ Glasfabrik Johann Lötz Witwe, Klostermühle ❷ 1912 ❸ glass ❹ 20.5×8 ❺ Kurokabe Museum of Art ❼ T, K, M − 4095 Urban Janke & Ludwig Heinrich Jungnickel Jardinière, Part of the Oval Flower Decoration Set ❶ J. & L. Lobmeyr, Wien ❷ 1912 ❸ glass, enamel ❹ 8 (h) ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwarts kunst, Wien ❻ WI 1647-1/1916 ❼ T, K, M − 4096 Hans Bolek (?) Bowl ❶ Glasfabrik Johann Lötz Witwe, Klostermühle ❷ 1916 ❸ glass ❹ 12.5×17.9×8.6 ❺ Hida Takayama Museum of Art ❼ T, K, M − 4097 Koloman Moser Textile « Silence of Evening » ❶ Johann Backhausen und Söhne, Wien ❷ 1898 ❸ cotton, silk ❹ 24.5×16.5 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwarts kunst, Wien ❻ AWW 5/1 WWW 32 ❼ T, K, M − 4098 Koloman Moser Textile « Oracle Flower » ❶ Johann Backhausen und Söhne, Wien ❷ 1901 ❸ historic fabric, silk ❹ 57.5×64 ❺ Backhausen Interior Textiles GmbH - Archiv Backhausen, Vienna ❻ DESS 4110/3 ❼ T, K, M − 4099 Koloman Moser Textile « Playing Wave » ❶ Johann Backhausen und Söhne, Wien ❷ c.1902 ❸ historic fabric ❹ 30×37 ❺ Backhausen Interior Textiles GmbH - Archiv Backhausen, Vienna ❻ DESS 4500 ❼ T, K, M − 4100 Maria Likarz Textile « Portepee » ❶ Wiener Werkstätte, Wien ❷ 1923 ❸ silk ❹ 25.8×31.2 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ WWS 585 ❼ T, K, M − 4101 Josef Hoffmann (form) /Dagobert Peche (pattern) Writing Case ❶ Wiener Werkstätte, Wien ❷ c.1919 ❸ black goatskin, gilded by hand, black moire-lining ❹ 30×23.5 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ Le 540-1/1932 ❼ T, K, M − 4102 Josef Hoffmann (form) /Dagobert Peche (pattern) Wallet ❶ Wiener Werkstätte, Wien ❷ 1928 (form: 1917, pattern: 1922) ❸ black goatskin, gilded by hand, black moire-lining ❹ 21.5×14.5 ❺ MAK - Österrei chisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ Le 542-1/1932 ❼ T, K, M − 4103 Koloman Moser Poster « Secession V. Kunstausstellung der Vereinigung bildender Künstler Österreichs » ❶ Albert Berger, Wien ❷ 1899 ❸ lithograph on paper ❹ 97.6×65.5 ❺ Museum and Archive of the Kyoto Institute of Technology ❻ AN. 3333 (AG-52) ❼ T, K, M − 4104 Koloman Moser Poster « Lesen Sie Österreichische Illustrierte Zeitung » ❶ Gesellschaft für Graphische Industrie Wien (vorm. Philipp & Kramer, Wien) ❷ 1900 ❸ lithograph on paper ❹ 80×108.7 ❺ Suntory Poster Collection (deposited in Osaka City Museum of Modern Art, Planning Office) ❼ K, M − 4105 Koloman Moser Textile Design « Silence of Evening » for Backhausen ❷ 1900 ❸ woodcut on paper ❹ 26×22 ❺ Backhausen Interior Textiles GmbH - Archiv Backhausen, Vienna ❻ Dess. 4016 VINETA ❼ T, K, M − 4106 Koloman Moser Textile Design « Oracle Flower » for Backhausen ❷ 1901 ❸ watercolour on paper ❹ 26.5×32 ❺ Backhausen Interior Textiles GmbH - Archiv Backhausen, Vienna ❻ Dess. 4110 VINETA ❼ T, K, M − 4107 Koloman Moser Textile Design « Fish » for Backhausen ❷ 1902 ❸ watercolour on paper ❹ 68×63.5 ❺ Backhausen Interior Textiles GmbH - Archiv Backhausen, Vienna ❻ Dess. 4500 Ver Sacrum ❼ T, K, M − 4108 Alfred Roller Poster « XIV Ausstellung der Bildender Künstler Österreichs, Secession, Wien » ❶ Albert Berger, Wien ❷ 1902 ❸ lithograph on paper ❹ 91.5×60 ❺ Museum and Archive of the Kyoto Institute of Technology ❻ AN. 3337 (AG-56) ❼ T, K, M − 4109 Koloman Moser Flyleaf: Floral Ornament ❷ c.1903 ❸ lithograph on paper ❹ 26.5×18.5 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ B.I. 13.135 ❼ T, K, M − ❶ K.u.K. Hofl. J. Weiner, Wien ❷ 1908 ❸ lithograph on paper ❹ 125.7×94 ❺ Takeo Poster Collection ❻ 730 ❼ T, K, M − 4112 Josef Hoffmann Textile Design « Waterfall » ❷ c.1910-15 ❸ woodcut on paper ❹ 44.5×48 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ Kl 11899/i ❼ T, K, M − 4113 Max Snischek Textile Design « Niagara Arch » ❷ 1915-32 ❸ guache on paper ❹ 40×41 ❺ MAK Österreichisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ KI 13.112/2 ❼ T, K, M − 4114 Maria Likarz Design for Paper Stencil ❷ 1922 ❸ pencil and watercolour on paper ❹ 43.5×62.8 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ KI 12.306/9 ❼ T, K, M − 4115 Vereinigung der Bildender Künstler Österreichs (ed.) Ver Sacrum ❷ 1898-1903 ❸ Magazine (1. Jg., Heft 9/2. Jg., Heft 9/4. Jg., Heft 9) ❹ 23×23.5 each ❺ MAK Österreichisches Museum für angewandte Kunst/ Gegenwartskunst, Wien ❻ KI 14.309 ❼ T, K, M Part 5. Katagami Style Today Examples of contemporary design incorporating motifs f rom paper stencils 5001 Paper Stencil with Pattern of “Bashô”, Japanese Fiber Banana Plants ❸ paper, persimmon tannin ❹ 26×41.5 ❺ Brintons Carpets Ltd. Archive ❻ js485 ❼ T, K, M − 5002 Paper Stencil with Pattern of “Kikukarakusa”, Chrysanthemum Arabesques ❸ paper, persimmon tannin ❹ 25.5×41.5 ❺ Brintons Carpets Ltd. Archive ❻ js15 ❼ T, K, M − 5003 Paper Stencil with Pattern of “Kikukarakusa”, Chrysanthemum Arabesques ❸ paper, persimmon tannin ❹ 25.5×41 ❺ Brintons Carpets Ltd. Archive ❻ js49 ❼ T, K, M − 5004 Paper Stencil with Pattern of “Kutsuwa-toSakurabokashi-ni-Matsuba”, Bits, Cherry Blossoms with Gradation and Pine Needles ❸ paper, persimmon tannin ❹ 26×41.5 ❺ Brintons Carpets Ltd. Archive ❻ js7 ❼ T, K, M 4110 Josef Hoffmann or Koloman Moser Paper for the Wiener Werkstätte ❷ after 1903 ❸ lithograph on paper ❹ 17.5×22 ❺ MAK - Österreichisches Museum für angewandte Kunst/Gegenwartskunst, Wien ❻ KL 13743-21 ❼ T, K, M − − 5006 Paper Stencil with Pattern of “Kiku-Koban”, Chrysanthemums and Oval Japanese Gold Coins 4111 Ludwig Ferdinand Graf Poster « Kaiser-Jubiläums Hundigungs Festzug Wien » 5005 Paper Stencil with Pattern of “Kawaribana”, Fancy Flowers ❸ paper, persimmon tannin ❹ 25×40.5 ❺ Brintons Carpets Ltd. Archive ❻ js459 ❼ T, K, M − 37 9 ❸ paper, persimmon tannin ❹ 25.5×42 ❺ Brintons Carpets Ltd. Archive ❻ js27 ❼ T, K, M − 5007 Paper Stencil with Pattern of “Yosemoyô”, Combination of Geometric Motives ❸ paper, persimmon tannin ❹ 25.5×42 ❺ Brintons Carpets Ltd. Archive ❻ js19 ❼ T, K, M − 5008 Paper Stencil with Pattern of “Hanmarutsu nagi”, Combination of Half Circles ❸ paper, persimmon tannin ❹ 29.5×42 ❺ Brintons Carpets Ltd. Archive ❻ js83 ❼ T, K, M − 5009 Paper Stencil with Pattern of “Kawarigôshi”, Fancy Lattices ❸ paper, persimmon tannin ❹ 26×42 ❺ Brintons Carpets Ltd. Archive ❻ js55 ❼ T, K, M − 5010 Paper Stencil with Pattern of “Waritsukegara”, Geometric Pattern ❸ paper, persimmon tannin ❹ 30.5×42.5 ❺ Brintons Carpets Ltd. Archive ❻ js192 ❼ T, K, M − 5011 Paper Stencil with Pattern of “Kawarigôshi”, Fancy Lattices ❸ paper, persimmon tannin ❹ 25.5×42 ❺ Brintons Carpets Ltd. Archive ❻ js303 ❼ T, K, M − 5012 Paper Stencil with Pattern of “Matsu-niGamajima”, Pine Trees on Stripes of Cattails ❸ paper, persimmon tannin ❹ 30.5×41.5 ❺ Brintons Carpets Ltd. Archive ❻ js475 ❼ T, K, M − 5013 Paper Stencil with Pattern of “Uzumaki-niKikkô”, Spirals and Hexagons ❸ paper, persimmon tannin ❹ 25×41 ❺ Brintons Carpets Ltd. Archive ❻ js560 ❼ T, K, M − 5014 Paper Stencil with Pattern of “Ran-ni-Shima”, Orchids on Stripes ❸ paper, persimmon tannin ❹ 29.5×41 ❺ Brintons Carpets Ltd. Archive ❻ js402 ❼ T, K, M − 5015 Paper Stencil with Pattern of “Yorokejima”, Stripes with Fluctuation ❸ paper, persimmon tannin ❹ 25.5×41.5 ❺ Brintons Carpets Ltd. Archive ❻ js536 ❼ T, K, M − 5016 Paper Stencil with Pattern of “Sasayoroke”, Stripes of Bamboo Grasses with Fluctuation ❸ paper, persimmon tannin ❹ 30×41 ❺ Brintons Carpets Ltd. Archive ❻ js547 ❼ T, K, M − 5017 Paper Stencil with Pattern of “Yanagisuji”, Willow Stripes ❸ paper, persimmon tannin ❹ 24×42 ❺ Brintons Carpets Ltd. Archive ❻ js711 ❼ T, K, M − 5018 Paper Stencil with Pattern of “NanamedoriKawarikobana”, Small Flowers in Diagonal Lattices ❸ paper, persimmon tannin ❹ 25.5×41 ❺ Brintons Carpets Ltd. Archive ❻ js675 ❼ T, K, M − 5019 Tea service set ‹ Black Felicity › ❶ Burleigh ❷ 1930’s (produced 2011) ❸ earthenware ❹ Tea Cup: 9.2×10.7×6.6 Saucer: 14.6 Tea Pot: 11.5×18.8×11.5 Sugar Bowl: 5.2×9.7 Cow Shape Creamer: 6×18.1×8.8 ❺ Burgess Dorling & Leigh LTD ❼ T, K, M − 5020 Tea Service Set ‹ Blue Calico › ❶ Burleigh ❷ designed 1968’s (produced 2011) ❸ earthenware ❹ Breakfast Cup: 11.2×13.8×8.3 Saucer: 16.3 Tea Pot: 13.5×23.8×14 Creamer: 9×12.5×10.5 Plate: 19 Biscuit Tray: 13×21 ❺ Private Collection ❼ T, K, M ❶ Liberty LTD. ❷ ND (produced 2011) ❸ cotton ❹ 250×136 ❺ Mitsubishi Ichigokan Museum, Tokyo ❼ T, K, M − 5030 Paper Blanks Note Book ‹ Ukiyo-e Kimono Patterns: Hinagiku › ❶ Hartley&Marks Publishers Inc. ❷ 21c. ❸ paper, textile ❹ 9.3×7.2×1.6 (t) ❺ Private Collection ❼ T, K, M − 5021 Tea Service Set ‹ Modern Grace Grey › ❶ Villeroy & Boch AG ❷ designed 2010 (produced 2011) ❸ bone porcelain ❹ Tea Cup: 9.2×12.1×5 Saucer: 13.6×17.5 Tea Pot: 12×28.2×14 Creamer: 5.3×8.2×10.6 Sugar Pot with Cover: 8.2×10.5×6.6 Plate: 23 Serving Plate: 18×35 ❺ Villeroy & Boch Table Ware Japan K.K. ❼ T, K, M − 5022 Koloman Moser Textile « Oracle Flower » ❶ Backhausen interior textiles GmbH ❷ 1901 (produced 21c.) ❸ viscose, cotton ❹ Sofa: 77.3×79.3×71.7 Cussion: 45×45 each ❺ Backhausen interior textiles GmbH ❼ T, K, M − 5023 Josef Hoffmann Textile ❶ Backhausen interior textiles GmbH ❷ 1901 (produced 2011) ❸ viscose, cotton ❹ a. Paradise : 45×45 b. Rosenbogen : 45×45 ❺ Backhausen interior textiles GmbH ❼ T, K, M − 5024 Mariano Fortuny Textile ‹ Papiro › ❶ Fortuny, Inc. ❷ early 20c. (produced 2011) ❸ a. cotton, leather b. cotton, raw silk, glass beads ❹ a. 40.6×51 b. 58.4×58.4 ❺ Mitsubishi Ichigokan Museum, Tokyo ❼ T, K, M − 5025 Carpet ‹ Brintons Katagami Collection › ❶ Brintons Carpets LTD. ❷ 2007 (produced 2007/2008) ❸ wool, nylon ❹ 206×400 ❺ Brintons Carpets LTD ❼ T, K, M − 5026 Gillian Farr Textile ‹ Liberty Art Fabrics « Mitsi » › ❶ Liberty LTD. ❷ 1950’s (produced 2008) ❸ cotton ❹ 250×136 ❺ Mitsubishi Ichigokan Museum, Tokyo ❼ T, K, M − 5027 Textile ‹ Liberty Art Fabrics « Millie » › ❶ Liberty LTD. ❷ ND (produced 2002) ❸ cotton ❹ 250×136 ❺ Mitsubishi Ichigokan Museum, Tokyo ❼ T, K, M − 5028 Liberty design studio Textile ‹ Liberty Art Fabrics « Tomary » › ❶ Liberty LTD. ❷ ND (produced 2011) ❸ cotton ❹ 250×136 ❺ Mitsubishi Ichigokan Museum, Tokyo ❼ T, K, M − 5029 Textile ‹ Liberty Art Fabrics « Stefan » 3 81
