See the Playbill - Warehouse Theatre

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See the Playbill - Warehouse Theatre
SAFFRONS
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864.241.0401
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PROUD MEMBERS OF THE GREENVILLE COMMUNITY
Our mission is to provide exceptional banking services while caring deeply for
the communities we serve. We are passionate about our neighbors and we are proud
to support The Warehouse Theatre’s production of “Christmas On The Rocks”.
Member FDIC. ©2015 United Community Bank | ucbi.com
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ATTENDING THE THEATRE
•When coming to the theatre, at The Warehouse or anywhere else, you
are taking part in a 2,500+ year old tradition that engages you with the
community in which you live. With this in mind, please be courteous to the
other audience members. You are part of their experience and they are
part of yours.
•Watching a play requires you to think. Enjoy yourself with your brain ON.
You can’t go back if you miss something—this is live and in the flesh.
•There are many different types and styles of plays. We offer you the
opportunity to attend a pre-show talk before our Sunday matinees which
will put the play you are about to watch into context, and we also have
information about our production available to you in our lower lobby, but
do your own homework. You will enjoy the experience more if you do a little
bit of research into the play and the playwright. The Internet is your friend!
•Don’t be afraid to laugh...there are laughs even in tragedies. It’s ok!
Latecomers: Latecomers will be seated at the discretion of management
and in seats that avoid disrupting other patrons and the performance.
Refunds are not available except in the case of performance cancellation.
If you cannot attend, we can accept your unused ticket as a donation.
Please return your ticket to the box office to obtain a tax receipt.
Smoking: Smoking is NOT PERMITTED anywhere in the building. Those who
must smoke should do so on the public sidewalk away from the building, so
as not to bother other patrons. Please do not smoke just outside the doors
as the smoke drifts back inside; instead, go to the end of the ramp to the
“patio” area.
Cameras and recording devices: It is ILLEGAL to record a performance, with
any media, in whole or in part. If you record a performance in whole or in
part we will ask you to stop recording during the live performance. You will
be embarrassed. The videotaping or other video or audio recording of this
production is strictly prohibited.
Cell Phones, Beepers & Alarm Watches: Please turn them off BEFORE the
performance begins. Please do not use the vibrate option but, instead, turn
them completely off.
Lost and Found: Found items should be given to the House Manager. Queries
regarding lost items may be made by calling 235-6948.
Recycling & Trash: Please help us keep the theatre clean by discarding trash
in the lobby trash cans or by handing it to us for recycling. Thank you!
Your Image: Attendance at The Warehouse Theatre is your tacit permission
for us to use your still image for marketing and/or fundraising purposes.
Attendance at The Warehouse Theatre is your tacit permission for us to
use your moving image and recorded comments for marketing and/or
fundraising purposes.
CHRISTMAS ON THE ROCKS
Cast
Bartender...........................................................................................David Sitler*
Scenes One, Seven....................................................................... Brock Koonce
Scenes Two, Six................................................................Anne Kelly Tromsness*
Scenes Three, Five..............................................................................Matt Reece
Scenes Four, Seven......................................................................... Amanda Sox
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
Production Crew
Director..................................................................................................Chip Egan
Stage Manager....................................................................... Louise M. Ochart*
Scenic Designer............................................................................ Genesis Garza
Lighting Designer.............................................................................. Kevin Frazier
Costume Designer............................................................. Allison M. Steadman
Sound Designer............................................................................. Jim Breitmeier
Technical Director.........................................................................Mat Pellegrino
Production Manager..................................................................... Edie Weichert
Props Master.........................................................................Talmadge Swanson
Assistant Stage Manager.........................................................Kira Lynn Bowers
Charge Artist...................................................................................Sarah Sullivan
Light Board Operator...........................................................Kelsey Kasianowicz
Sound Board Operator................................................................ Olivia Huffman
Dramaturg...................................................................................Elisa M. Golden
Set Crew.......................... David Ryder, Stevie Griffith, Eli Carnahan, Tiger Lily,
Jason Lord, Talmadge Swanson
Paint Crew........................................................................................Eli Carnahan
Electricians.................................................................Montana Kern, Jason Lord
Staff
Executive & Artistic Director............................................................... Paul Savas
Director of Development.....................................................Katie Leckenbusch
Director of Education.............................................................Mallory Pellegrino
Technical Director.........................................................................Mat Pellegrino
Operations & Front of House Manager....................................... Andy Croston
Director of Marketing...............................................................Jason D. Johnson
CHRISTMAS ON THE ROCKS
INDEX OF SCENES
Scene 1
All Grown Up by John Cariani
Scene 2
The Cane in the Corner by Jonathan Tolins
Scene 3
Say It Glows by Jeffrey Hatcher
Scene 4
Going Green by Matthew Lombardo
Scene 5
God Bless Us Every One by Theresa Rebeck
Scene 6
Still Nuts About Him by Edwin Sanchez
Scene 7
Merry Christmas, Blockhead by Jacques Lamarre
SPECIAL THANKS
Velo Fellow
Patrick Cox
Charlie Stabile
Francis Marion
University
COTR Street Team:
Annette Garver
Erin Barnett
Jason D. Johnson
Emily Wilson at
Wilson’s on
Washington
David Sitler
Productions
Unlimited
Actors’ Equity Association (AEA) was founded in 1913 as
the first of the American actor unions. Equity’s mission is
to advance, promote and foster the art of live theatre
as an essential component of our society. Today, Equity
represents more than 40,000 actors, singers, dancers
and stage managers working in hundreds of theatres
across the United States. Equity members are dedicated
to working in the theatre as a profession, upholding the
highest artistic standards.
Equity negotiates wages and working conditions and
provides a wide range of benefits including health and pension plans for its
members. Through its agreement with Equity, this theatre has committed to the
fair treatment of the actors and stage managers employed in this production.
AEA is a member of the AFL-CIO and is affiliated with FIA, an international
organization of performing arts unions. For more information, visit www.
actorsequity.org.
Because of generous grants from The Metropolitan Arts
Council, The South Carolina Arts Commission and The
Wachovia Foundation, The Warehouse Theatre proudly supplies
its audience with assistive listening devices free of charge. If you
would like to use a device please return to the box office and
check one out. Just leave your ID and listen to theatre afresh!
We have hearing aid loop devices, ear buds and headphones!
We give you a choice so you can be comfortable!
THE WEST END PASSPORT
The West End Passport gives our Season Subscribers discounts at the
following restaurants and retail shops. More details about the
discounts are located on our website www.WarehouseTheatre.com,
but here’s the little secret: One could earn their subscription fee
back via the savings below. You could say it pays to be a Season
Subscriber. Thank you to our participating partners for supporting
the Arts and making our Subscriptions even more valuable!
RESTAURANTS
American Grocery
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Blueberry Frog
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Local Cue
Mellow Mushroom
Pomegranate on Main
SHOPPING
The Cook’s Station
Custard Boutique
The Emporium
Joe’s Place
Supercuts
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OTHER
Upstate Forever / B-Cycle
A SOBERING HOLIDAY TRIVIA QUIZ
How many times have you been channel surfing and unexpectedly found
yourself caught up in that marathon of A Christmas Story on cable until
it begins to feel like Groundhog Day? And you keep going back even
though you’ve already watched it, or at least pieces of it, like a million
times? And now you have some of the dialogue down, right? Well, it’s
time to stretch those all-important trivia movie-quotation muscles.
See if you remember these quotes well enough to identify which movies
they came from. The answers are at the end. (No cheating now. Santa’s
watching.)
1. “Every time a bell rings, an angel gets his wings.”
2. “You’ll shoot your eye out, kid.”
3. “Seems we’re all so busy trying to beat the other fellow in making things
go faster and look shinier and cost less that Christmas and I are sort of
getting lost in the shuffle.”
4. “Who gave you permission to tell Charlie there was no Santa Claus? I
think if we’re going to destroy our son’s delusions, I should be a part of it.”
5. “You guys give up yet? Or are you thirsty for more?”
6. “Mother always taught me: ‘Never eat singing food.’”
7. “My dear partner, when what’s left of you gets around to what’s left to
be gotten, what’s left to be gotten won’t be worth getting, whatever it is
you’ve got left.”
8. “Blast this Christmas music. It’s joyful and triumphant.”
9. “How do you like that? Even among misfits you’re a misfit.”
10. “This place reminds me of Santa’s Workshop! Except it smells like mushrooms and everyone looks like they want to hurt me.”
11. “A gentle smile often breeds a kick in the pants.”
12. “Well I really wouldn’t care to scratch your surface, Mr. Kralik, because
I know exactly what I’d find. Instead of a heart, a handbag. Instead of a
soul, a suitcase. And instead of an intellect, a cigarette lighter — which
doesn’t work.”
13. “The only people who grow old were born old to begin with.”
14. “I never thought it was such a bad little tree. It’s not bad at all, really.
Maybe it just needs a little love.”
15. “Forgive me, Mr. Claus. I’m afraid I’ve made a terrible mess of your
holiday.”
ANSWERS: 1. “It’s a Wonderful Life” 2. “A Christmas Story” 3. “Miracle On
34th Street” 4. “The Santa Clause” 5. “Home Alone” 6. “The Muppet Christmas Carol” 7. “White Christmas” 8. “How the Grinch Stole
Christmas” 9. “Rudolph the Red-Nosed Reindeer” 10. “Elf” 11. “Holiday Inn”
12. “The Shop Around the Corner” 13. “The Bishop’s Wife” 14. “A Charlie
Brown Christmas” 15. “The Nightmare Before Christmas”
Compiled by Elisa Golden, Dramaturg
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annual operations. The Medici Family of 15th century Florence was
largely responsible for the flowering of arts during the height of
Florentine and European Renaissance. The Medicis gave ample
patronage to the arts and literature in order to encourage a
prosperous city. When you give to The Medici Society, you join a rich
history of giving to the arts. List updated bi-annually. Reflects gifts given by 6.30.2015.
Generous Support From:
Bank of America
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Elbert W. Rogers Foundation
Greenville Hospital System
Greenville Kiwanis Foundation
Jean T. and Heyward G. Pelham
Foundation
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Communities
The Derrick Family Foundation
The Graham Foundation
The Harriet Wyche Endowment Fund
for Professional Artistic Excellence at
The Warehouse Theatre
The Jolley Foundation
The Metropolitan Arts Council
ScanSource, Inc.
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Endowment for Educational
Programs
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Sharron and Norman Glickman
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BMW Manufacturing Co., LLC
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Delivery
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This
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with grants received from
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Commission, which receives
support from the National
Endowment for the Arts and
private donations.
This organization is funded
in part by the South Carolina Arts Commission which
receives support from the
National Endowment for the
Arts.
THE HARRIET WYCHE
ENDOWMENT FUND
for Professional Artistic Excellence at The Warehouse Theatre
The purpose of the endowment fund is to provide financial support, in
perpetuity, to WHT in its ongoing mission to provide Greenville, The Upstate
and South Carolina the highest quality professionally produced theatre
art possible. This fund helps finance efforts to maintain and continually
augment the level of professional artistry on The WHT’s main stage.
The Harriet Wyche Endowment was established in August 2013 with a
generous gift from Mimi Wyche in honor of her mother. The endowment is
managed by The Community Foundation of Greenville.
In December 2013 The Graham Foundation awarded the theatre a
$50,000 challenge grant to support the endowment. The foundation
matched, dollar for dollar, gifts given to the endowment. The campaign
was completed in November and we cannot say thank you enough to
all who have supported the endowment, enabling WHT to excite, amaze,
and challenge generations to come!
Chairman’s Circle
Benefactors
C. Thomas Wyche
The Graham Foundation
Jackie and John Warner
David Ryder
Shirley Sarlin
Alexandra Whitley
Christopher Evans
William Fuller
Director’s Circle
Genevieve and Basil Manly
Oliver and Nancy Mowry
Minor and Hal Shaw
Debra and Tom Strange
Playwright’s Circle
Harry Wilkinson and
Cecily Mango
VidiStar, LLC
Grand Benefactor
Juanita and Steve Acres
Jan and Ken Bruning
Ronn Carroll and Anne Calhoun
Susan and Randy Clark
Anne and Mark Fernandez
Bev and Bob Howard
Crissy and George F. Maynard, III
Productions Unlimited, Inc.
Sharon and Adrian Steinmann
Lorraine and Robert Wooten
Wallace Foundation
Cheri and Dennis Tesolowski
Barbara and Don Willoughby
Donna Reiss and Arthur Young
Debora Faulkner
Lewis Walker III
Patrons
Marilyn and Paul Jones
Alice and Jerry Lenz
Helen B. Maish
Partners
Pat and David Borenstein
Alice and John Claggett
Harry and Judy Curtis
Valerie and Timothy Estes
Susan Cyr and Mark Johnston
Rebecca and Thomas Faulkner
Pamela Fjeld
Lucy Foxworth
Anne Garrett
Jackie Highley
Carol and Walter Hinton
John and Elinor Mioduski
Kathy and Greg Nielsen
Paul Savas
Diane Perlmutter
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schools
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Juilliard
Drama
acceptances
since 2003
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Student Poets
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Finalists
in 2015
8
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the Arts
since 2008
Meet the
NEW
[ PRESIDENT ]
D r. C e d r i c A d d e r l e y
G O V E R N O R ’ S S C H O O L F O R T H E A R T S F O U N D AT I O N , I N C .
1 5 U n i v e r s i t y S t r e e t | P. O . B o x 8 4 5 8 | G r e e n v i l l e , S C 2 9 6 0 4 | 8 6 4 . 2 8 2 . 1 5 7 0
w w w. G S A F o u n d a t i o n . n e t
BMW
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The Ultimate
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Proud to support the arts.
As one of the largest employers in South Carolina, BMW Manufacturing is
helping push the state forward — not only by contributing billions of dollars
to the economy, but by playing a positive role in the community. That’s why
we are engaged in many cultural partnerships throughout South Carolina.
Our platform of commitment ranges from support of the performing arts to
architecture and design. Together, we are helping to make South Carolina a
better place to work and live. To learn more about our cultural commitments,
please visit bmwusfactory.com.
©2011 BMW Manufacturing Co. The BMW name, model names and logo are registered trademarks.
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supporting our local art and
music scenes online for six years
WHOIS WHO
Brock Koonce (Scenes One, Seven) is once again excited to be back onstage at
The Warehouse Theatre after having last been seen in August: Osage County. Previous
Warehouse credits include November, Laughter on the 23rd Floor, The 39 Steps, Who’s
Afraid of Virginia Woolf?, Macbeth, Cat on a Hot Tin Roof, The Turn of the Screw, Sight
Unseen, The Three Cuckolds, and Mother Hicks. As always, his work and happiness could
never be possible without the love and support of his beautiful wife, Staci, whom he sends
all his love to...
Matt Reece (Scenes Three, Five) has been involved with The Warehouse for over
a decade now. Recent WHT performances include The Rocky Horror Show (Narrator),
Richard III (Rivers), Angels in America: Parts I & II (Louis), Laughter on the 23rd Floor (Ira),
Eurydice (Father), The Merchant of Venice (Antonio), and The Elephant Man (Ross).
Directing credits include The Santaland Diaries at WHT. Other local roles include Twelfth
Night (Malvolio) with The Distracted Globe and A Christmas Carol (Scrooge) and Two
Rooms (Michael) at Centre Stage. Regional credits include Measure for Measure (Provost)
and Charlotte’s Web (Templeton) at the Orlando Shakespeare Theater. For Chad.
David Sitler* (Bartender) is thrilled to be making his debut here at The Warehouse
Theatre and to be reunited with Chip who also directed David in the critically acclaimed
Red at South Carolina Rep on Hilton Head Island. He was last seen in Bus Stop at Bristol
Riverside Theatre and has been on Broadway (An Inspector Calls), National tours, lots of
Off and Off-Off Broadway Theatre companies and regionally from Maine to California in
over 120 productions in roles from Atticus to Scrooge. TV credits include Zero Hour, Law
and Order - SVU and most of the now defunct NYC soaps and films include 2nd season of
the web series Plant, Ghetto Dawg, In Session and The Tupelo Roar. Thanks to an amazing
cast and crew, Chip, Paul, all at Judy Boals, and wife/actor Carolyn Popp. More info at
www.davidsitler.com. Proud member of AEA.
Amanda Sox (Scenes Four, Seven) was seen last season in Richard III (Lady Anne)
and A Streetcar Named Desire (Nurse). Regional Theatre: Rough Magic (The Hangar
Theatre); Night of the Iguana (Berkshire Theatre Festival); A Christmas Carol (Virginia Stage
Company). She trained at The Groundlings School and Upright Citizens Brigade L.A. in
Los Angeles and holds a BFA in Acting (Elon University). Thanks to Chip and Paul for this
opportunity, and to the family at WHT and at home for the support!
Anne Kelly Tromsness* (Scenes Two, Six) is delighted to be back on the WHT stage.
Favorite WHT roles include: Angels in America: Parts I & II (Hannah / Ethel Rosenberg),
August: Osage County (Barbara), November (Clarice), Something More Than a Game
(Philadelphia), A Midsummer Night’s Dream (Titania / Helena), and The Clean House
(Ana). Recently she played Corryn in Centre Stage’s production of Gidion’s Knot. Anne
teaches drama to middle and elementary students through the Fine Arts Center’s ARMES
program, and serves as teaching artist in residence at Sterling School. Many thanks to
Chip and Paul, Jayce and Mae.
_______________________________________________________________________________
Chip Egan (Director) is dean emeritus of the College of Architecture, Arts and
Humanities at Clemson University and interim director of the Emeritus College. He received
his BA from Hanover College and his MFA from Northwestern University. His first directing
credit at The Warehouse Theatre was Kennedy’s Children in 1980. More recent credits
include Strange Snow, 4000 Miles, A Little Night Music, The 39 Steps, Something More Than
a Game, Almost Maine and Cat on a Hot Tin Roof. He also played George in Who’s
Afraid of Virginia Woolf? and Charles in August: Osage County. He thanks Diane for her
constant love and support.
WHOIS WHO
Louise M. Ochart* (Stage Manager) graduated from Rutgers University with her
MFA in Stage Management in 2007. Since then she has had the pleasure of working on
several regional shows including Seven Brides for Seven Brothers, Footloose, and White
Christmas on Tour, as well as the off Broadway Production of What To Do When You Hate
All Your Friends. Some of her favorite shows have been right here at The Warehouse
Theatre including: Amadeus, Sada, Macbeth, Elvis People and The Rocky Horror Show.
She is very excited to be at The Warehouse Theatre working with such wonderful artists.
Mat Pellegrino (Technical Director) graduated from the Southern Connecticut State
University with a B.A. in Theatre with concentrations in Set Design and Construction. Mat
has worked at The Shubert Theatre, The Toyota Oakdale Theatre, The Whitney Players,
Elm Shakespeare Company, and ESPN while studying at Circle in the Square Theatre in
NYC. After opening his own theatre company, becoming part-marketing for Long Wharf
Theatre, he became a United States Marine. While working at Long Wharf, he met his
beautiful and talented wife Mallory Pellegrino before he was deployed to Afghanistan.
His claim to fame is he is believed to know more Disney trivia than anyone.
Genesis Garza (Scenic Designer) is currently an Assistant Professor of Design at North
Greenville University (NGU), holds a MFA from Michigan State University (MSU) in design, is a
recent transplant from Michigan, and is excited to return to scenic design. Recent scenic
credits include Boom and Drunken City with Summer Circle Theater. Lighting design Tuna
Does Vegas (Honorary Wilde Award mention), Shirley Valentine, Frankie and Johnny in the
Clair de Lune, The Dead Guy, Miracle on South Division Street (Wilde Award nomination)
at Williamston Theater, Driving Miss Daisy at the Performance Network, The Producers
and Death of a Salesman at Saginaw Valley State University (SVSU). Video design credits
include And Then They Came for Me and The Grapes of Wrath at SVSU, Hundred Dresses
at Central Michigan University, and Evil Dead: The Musical at MSU.
Kevin Frazier (Lighting Designer) is excited to return home to The Warehouse Theatre.
Favorite Warehouse credits include The Whipping Man, Evil Dead: The Musical, Stones in
His Pockets and Krapp’s Last Tape. His other credits include: Actors Express, Synchronicity,
7 Stages, Fabrefaction, Pinch N’ Ouch, the Gainsville Theatre Alliance and Serenbe
Playhouse (GA), Merrimack Rep and Stoneham Theatre (MA), Glow Lyric Theatre, The
Distracted Globe and Centre Stage (SC), The Peterborough Players (NH) and both the
New York and DC Fringe Festivals. Sound design credits include 7 Stages, The Warehouse
Theatre, and 3 seasons in residence at the Peterborough Players, where he won the
2011 NH Theatre Award in Sound Design. Thanks to God and his family for their love and
support. www. kevinfrazier.net
Allison M. Steadman (Costume Designer) holds a MFA in Costume Design from
the University of Tennessee, has been a professional Costume Designer for 20 years and is
currently Associate Professor of Costume Design at Francis Marion University. Professional
design credits include: Once on This Island: Stagedoor Manor; A Year with Frog and Toad
and Quilters: MUW Theatres; A Midsummer Night’s Dream and The Threepenny Opera:
Clarence Brown Theatres; Lend Me A Tenor and Godspell: St. Michael’s Playhouse; I Love
You, You’re Perfect, Now Change: Theatre By The Sea; 1940’s Radio Hour and Always,
Patsy Cline: Rocky Mountain Repertory Theatre; Grapes of Wrath and Taming of the Shrew:
Theater at Monmouth; Dirty Blonde and A Doll’s House: North Carolina Stage Company;
Singin’ in the Rain and Spamalot: Lees-McRae Summer Theatre; Richard III and Avenue
Q: The Warehouse Theatre.
WHOIS WHO
Jim Breitmeier (Sound Designer) has been creating sounds for theatre for over
ten years. Jim received his BA in production studies in performing arts from Clemson
University. Most recently, he worked on Strange Snow and A Streetcar Named Desire
at The Warehouse Theatre. A sampling of other work includes The Really Big Once, Ten
Blocks on the Camino Real and A Family of Perhaps Three with Target Margin Theatre
Company and Tripod Vs the Dragon at MassMoCA. He is the Senior AV Engineer and
Project Manager at Productions Unlimited. Jim would like to thank his wife for her support
and everyone involved with this production.
Kira Lynn Bowers (Assistant Stage Manager) is a photographer and theatre-goer
residing in Greenville. Having served as Second Assistant Stage Manager for The Rocky
Horror Show and performed photography for previous productions such as Angels in
America: Parts I & II and Strange Snow, she is excited to be working with The Warehouse
Theatre once more. Kira has had several photos published in local fashion magazines
and has shot for The Greenville News, including several published shots for The Warehouse
Theatre.
Elisa M. Golden (Dramaturg in Residence) is a native New Jerseyan. Elisa attended
Kean University, graduating with a BA in Visual Arts. She moved to Greenville in 1990 and
received an MS in Education from Furman University. Elisa continues to pursue her art
(mostly watercolor and drawing), and has had her paintings on display at a number of
Artisphere Juried Exhibits. Her love of literature and theater brought her to The Warehouse
Theatre in 1999. Elisa is often asked, “What is a dramaturg?,” to which she replies, “Although
it may sound like something scooped up in a thespian dog park, a dramaturg, or literary
manager functions a lot like a theater’s own Sherlock Holmes---always searching for
answers, turning up new evidence, and drawing conclusions---in hopes of uncovering
the secret to a killer play.”
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BOARD OF DIRECTORS
President
Linda Archer
Controller, BMW Manufacturing
Company
Vice President
Norman Glickman
Attorney and Counselor at Law
Treasurer
Susan Bichel
Health Care Consultant
Secretary
Ingrid Erwin
Attorney
Member-at-Large
Claire Blake
Community Volunteer
Immediate Past President
Tom Strange
Senior Director Research &
Development, St. Jude Medical
PAST PRESIDENTS
1974-75 J. Lake Williams, Jr.
1975-76 Jourdan Jones Newton
1976-77 Aubrey Bowie
1977-78 Tom Brodnax
1978-79 Keller Freeman
1979-80 Bill Wheless
1980-81 Jane Mattson
1981-82 Don Koonce
1982-83 Brad Wyche
1983-84 John Huebner
1984-85 George Corell
1985-86 Rita McKinney
1986-87 George Fletcher
1987-88 Nancy Muller
1988-89 Bob Cooper
1989-90 Tom Bruce
1990-91 Rob Wagner
1991-92 Jackie Warner
1992-93 Karen Lawton, Bond
Isaacson, Warren Mowry
1993-94 Warren Mowry
1994-95 Jan Bruning
1995-96 Susan Reynolds
1996-98 Brad Parham
1998-99 BJ Koonce
1999-00 Brad Parham
2000-01 Kelle Corvin
2001-02 Bill Pelham
2002-03 Sherm Rounsville
2003-04 Tami McKnew
2004-05 John Rose
2005-07 Wade Cleveland
2007-09 Travis Seward
2009-11 Nicole Pascoe-Ream
2011-13 Bianca Walker
2013-15 Tom Strange
BOARD MEMBERS
Ken Betsch��������������������� Managing Principal, Betsch Associates, Inc.
Laura Blume������������������� Creative Director, Blume Shine Studio
Richard Bradshaw��������� President, Specialized Lending, United Community
Bank
Charles Brewer�������������� Operations Manager, The Poinsett Club
Ronn Carroll������������������� Actor / Writer
John Creech������������������ Attorney, Retired
Donnell Drummond������ Banking Professional
Stinson Ferguson������������ Attorney
Sky Foster������������������������ Department Manager, Corporate Communications
BMW Manufacturing Company
Chip Lee������������������������� Trustee, The Elbert W. Rogers Foundation
Ruth Mansure����������������� Owner, Mansure & Company
George Maynard���������� Vice President, Greenville Health System
Scott McMillan��������������� Owner, F. Scott McMillan Design, LLC Heidie Miller������������������� Community Volunteer
Eric O’Toole�������������������� Market Commercial Credit Manager, UpstateMidlands, TD Bank
Diane Perlmutter����������� Non-Profit Organization Management Professional
Meghan Riordan����������� Associate, Haynsworth Sinkler Boyd, P.A.
Ken Rogers��������������������� Chairman, Department of Psychiatry, Greenville
Health System
Glenn Sawicki���������������� Owner, Saffron’s Catering and Delivery
Eric Schmid�������������������� Shareholder, Elliott Davis LLC
Jennifer Z. Snow������������� Director of Accountable Communities, Greenville
Health System
Greta Somerville������������ Community Volunteer
Trish Springfield��������������� Executive Vice President Retail Banking, Southern
First
Russell Stall���������������������� Organizer, TEDx Greenville
Nancy B. Stanton���������� Arts Advocate and Volunteer
Robin Stilwell������������������ President, Chippendale Properties, LLC
Fabian Unterzaucher���� General Manager and Partner, The Westin Poinsett
Hotel
Alan Weinberg��������������� Community Volunteer
Marsha White����������������� Community Volunteer
Robert (Bob) White������� Vice President, Relationship Banker, Bank of
Travelers Rest
Susie White��������������������� Managing Member, Susie White Consulting, LLC
From corsets to cloaks,
collars to caps,
The Warehouse Theatre
constructs its costumes
with fabric from
Mansure &
Company
864.282.1900
fine fabrics and trims
Thank you for bringing the arts to all
Bank of America honors The Warehouse Theatre for its success in
bringing the arts to performers and audiences throughout our
community.
Visit us at bankofamerica.com/local
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©2015 Bank of America Corporation | ARB8SPB6
THE BEST OF TOWN
WHILE ON THE GO
(& with guided shortcuts)
flip through
OUR M
OST
CURR
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ISSUE
GET ON THE LIST: TOWNCAROLINA.COM/EMAIL-SIGNUP
2015/2016 SEASON
4000
MILES
by Amy Herzog
“A funny, moving, altogether wonderful
drama. . . a heartening reminder that
a keen focus on life’s small moments
can pay off in a big way onstage.”
– The New York Times
OCT 7 - OCT 25 • 2015
SOMEONE
ELSE
An award-winning comedy about
marriage, responsibility and
Ukrainian escorts.
by
Charlotte Cohn and
Jason Odell Williams
A World Premiere Production.
NOV 4 - NOV 29 • 2015
ALL
IS CALM
The Christmas Truce of 1914
by Peter Rothstein
Musical Arrangements:
Erick Lichte and Timothy C. Takach
“These miracles are what make All Is
Calm such a pure example of what was
meant when angels first declared, “Peace
on Earth.” – Star Tribune
DEC 9 - DEC 27 • 2015
Featuring an Ensemble from Cantaria;
The Gay Men's Chorus of Asheville
VES
JEE ENES
RV
ether
et Ra
rgarf
a
INTteE
M
y
o
d b ries
odeho
P. G. W
p he sto
adam
t
fro
WHO'S AFRAID OF
VIRGINIA WOOLF?
by EDWARD albee
APRIL 6 - MAY 1 • 2016
use
“Vivid wordplay and snappy, sugarcoated insults... Margaret Raether’s droll
adaptation is as dry as a well-made martini
and equally potent.” – Daily Herald
with
Iver
n-Mc
Flyn adway
e
li
Char cott Tre
S
and
JAN 27 - FEB 21 • 2016
“…though the play presents a picture
of a desperate marriage, and is fueled
by prodigious quantities of alcohol, it
is also wonderfully funny.” – Telegraph
presented in partnership with
IMMEDIATE THEATRE PROJECT
Bad Dates
by Theresa Rebeck
“ Is Hayley the staid matron of the below-the knee
black sheath or the hot tootsie of the shiny bustiered
minidress? And what, by the way, is that shoebox
crammed full of cash all about?” – New York Times
MAY 11- JUNE 5 • 2016
www.ncstage.org
828.239.0263
NC Stage • 15 Stage Lane • Asheville • NC • 28801
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