Pordenone

Pordenone
Town guide.
is relived through its historical
centre. The elegance of the buildings, the richness of
the frescoes, the suggestiveness of the ancient walls,
and the gentle flowing of the river all have a story
to tell about a city that for many centuries has been
a crossroad of different peoples and cultures.
Connected to the Adriatic Sea by the Noncello,
Meduna and Livenza Rivers, Pordenone has been
the most southern river port in Italy since Roman
Times, as it was a strategic point of communication
and commerce with Central Eastern Europe.
The ancient centre of the city, surrounded by modern
buildings, has remained substantially intact and,
through careful protection, today
offers an important example
of how it is possible to unite
efficiency and functionality whilst
respecting the environment.
Pordenone’s identity
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Monuments
and places
of interest
Piazzetta San Marco, formerly
Piazza di Sotto, is the area
where the first settlement was
founded as a gateway on the
Noncello river. It gave direct
access to the two towers of the
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majestic Porta Furlana,
demolished in 1837, with its
drawbridge over the ditch and
the closing system on the stone
bridge over the river. The torre
maggiore used to hinge the city
walls, which today still ascend
eastwards to the cathedral and
used to run alongside the ditch
and the adjoining houses as far
as the Codafora tower.
Flanking the entrance is the
historic residence of Giovanni
Antonio De Sacchis, commonly
called Il Pordenone (1483-1539),
a leading Friulian Renaissance
painter. Some edifices in the
square show remnants of
frescoes, and one façade on the
town hall building bears the
shield of Austria, once the
familiar mark of state property.
Il palazzo comunale, or town hall,
was built in red brick between
1291 and 1395, with a threearched loggia and two Gothic
triple lancet windows.
The forepart jutting out in the
middle was built in the latter half
of the 16th century. It was erected
in four distinct parts: the entrance
arch surmounted by the stone
civic coat of arms; the balcony
accessible from the hall; the clock
showing the months and the
zodiac, and the coping with the
lunar phase peephole. Two
statues of white Moors strike the
hour on the town bell, which
stands between two curious spires
erected on either side.
CORSO VITTORIO
EMANUELE
Palazzo Ricchieri
(14th century) is
the seat of the
Museo Civico
d’Arte,
located
alongside
the town hall and the
Concattedrale. On both the first
and the second noble floors,
the southeast side halls have
restored rather vast fragments
of Gothic-period mural
paintings, mostly representations
of secular allegories and scenes
of battles and duels; these
paintings make up part of
various decorative cycles.
It is believed that the edifice
was originally made up of the
right-hand portion alone, which
formed a squat square tower.
From here, the construction was
extended both in length and in
height, with two noble floors
rising up above the ground
floor, as well as the loft which
still sweeps across the whole
building.
Palazzo Montereale Mantica
(18th century), today houses the
Chamber of Commerce. It is well
worth a visit: following a refined
restoration, it reveals the
aristocratic grace of a great hall
decorated in the second half of
the 18th century with stuccoes by
Francesco Antonio Re.
Palazzo Mantica Cattaneo
(16th century). The palazzo was
formed by joining two buildings
erected between the 14th and 15th
centuries; the left-hand building
features blind windows, which
may have been the original
ones, and remnants of plaster
and frescos; it bears traces of
geometric and stylized floral
decorations. Allegorical figures
can be recognized in the
monochrome episodes between
the spaces of the undereaves.
Palazzo Gregoris - Bassani
(18th century) The three-storeyed
façade has two window axes, an
added attic and sills and cornices
in moulded stone.
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The Gothic portico presents two
arches, a central column and
capital and lateral pillars.
The decorations of brightlycoloured mock damask tapestry
are double-levelled. On the
column panels to the sides, three
friezes act as a string-course with
masks, dolphins, sirens, tritons
and hippogriffs. Fastened to the
nail is the Gregoris arm bearing
Francesco’s initials.
Palazzo Gregoris (17th century)
Remnants of frescoes and of a
window testify to the 13th century
origins of this ancient edifice.
The present-day palazzo is a
splendid example of mainland
Venetian architecture. The façade
features balconies, spacious
windows, arches and mascarons
and is surmounted by the large
stone family coat of arms and
underlying dedicatory cartouche.
City wall alley
The narrow lane
leading below the
palazzo on the right
takes you from the
Corso to what
remains of the
ancient city walls,
reduced to stumps
by the French
authorities under
Napoleon. In 1499, these walls
helped save the city from
Turkish invasions. The lane
leads to the present-day public
gardens, near the site of the
former Porta dei
Cappuccini.
15th century
Palazzo
(dei Capitani)
The palazzo rises
up three storeys,
plus the attic, and
features a threearched portico.
The left-hand arch is
wider than the other
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two, hence the edifice is
believed to be the unification
of two dwellings.
The composed architectural
layout of the current façade was
levelled off and treated with
Marmorino, a special Italian wall
plaster, during the 18th century;
this concealed underlying fresco
decorations ascribable to the
15th century. It is hard to explain
the presence of so many coats
of arms on the façade of which
there were at least seven
originally, judging by the
remnants and sizes.
CORSO GARIBALDI
CHURCHES
Palazzo Pera
Restoration completed in 2004
has verified that the building
gradually incorporated a series
of pre-existing constructions
from the end of the 15th century.
The restoration of the façade
brought to light some decorative
fresco fragments, some in mock
brick, coeval to the oldest wall
in the building which rose up
two storeys.
The Duomo-cattedrale di S.Marco,
whose construction began in the
13th century is well worth visiting.
In the 15th century it was
extended to include the great
polygonal apse with windows
between the two minor apses
and, in 1593 with six side
chapels. The façade features an
elegant portal, carved in 1511
by Antonio Pilacorte, and four
semicolumns built to a design
by Francesco Lazzari, which was
interrupted in 1840. Inside there
are valuable handmade articles
from its secular history, stone
and wood sculptures, frescoes
from the 14th century onwards
and 16th century paintings by
Pordenone, Amalteo, Calderai
and Fagolino. The bell tower
rises up almost 80 metres,
and is in a decorative GothicRomanesque style, with elegant
triple lancet windows and
terracotta pensile arches.
Palazzo Sbrojavacca and Palazzo
Pera house the Pordenone
Provincial Administration offices.
Here, too, restoration has brought
to light remnants of ancient
frescoes, by Gianfranco da
Tolmezzo: cornices and floral
decorations with faces and
vestitures in the lower
Renaissance edifice, dating back
to the end of the 15th century.
The building’s present-day
appearance is due to 18th century
remodelling, inside and out,
following the changing tastes.
Casa Simoni
This small building was formerly
state property, as can be seen
from the large civic coat of arms
between the two Gothic
windows on the small but
well-proportioned façade.
The original 13th century
structure was formed by two
storeys, the first
storey featuring
two single lancet
trilobal-arched
windows.
The façade has
conserved its
simple mockbrick decorations,
bordered in the
undereaves by two
bands of flower and
fruit motifs.
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Chiesa di S. Maria degli Angeli
o del Cristo
It was erected in 1309 as the
hospital chapel and underwent
Gaspare Nervesa in 1611.
The entrance portal retains three
notches, carved to mark three
devastating floods.
Major
museums in
Pordenone
Chiesa del Beato Odorico Recent
architecture by Mario Botta,
inaugurated in 1992.
a fair amount of remodelling,
most notably in the 18th century
and after the Second World War.
The main portal is by the
Pilacorte school (1510).
Inside it contains interesting
fragments of 14th century frescoes
and a large wooden crucifix.
Chiesa della SS. Trinità
(16th century)
Located beyond the Adam and
Eve bridge, on the far side of
the Noncello river, the church
is octagonal-shaped externally
and round inside.
The apse is entirely covered in
frescoes by Calderari (1540-45
ca) and the altarpiece at the
high altar was painted by
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Chiesa di S. Giorgio
Enlarged in 1625 and totally
remodelled to a design by
G. B. Bassi between the end
of the 19th century and the
beginning of the 20th century,
the church features an unusual
bell-tower in the shape of a
fluted Doric column in white
stone, surmounted by a
huge statue of Saint
George. It contains a
painting attributed to Gasparo
Narvesa depicting Saint
George killing the dragon
(17th century).
Museo Civico d’Arte,
housed in Palazzo Ricchieri.
Besides a conspicuous collection
of 13th century wooden
sculptures and items of Gothic
jewellery, the museum also hosts
various paintings by Giovanni
Antonio de’ Sacchis, known as
il Pordenone, who is deemed
to be the most important Friulian
painter ever. In addition to
a 15th century crucifix by a
Tuscan sculptor and a 16th
century wooden altar
by Valeriano (Pinzano
al Tagliamento), the
museum also presents
works by Nicola
Grassi, Odorico Politi,
Giuseppe Bernardino
Bison, Giuseppe
Tominz and various
other Venetian and Friulian
artists from the 18th and 19th
centuries.
Museo Civico delle Scienze,
founded in 1970, this science
museum is housed in the 16th
century Palazzo Amalteo,
in Piazza della Motta.
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Museo archeologico
del Friuli Occidentale
The archaeological museum is
in the castello di Torre, about 3
km north of the town centre.
It currently includes: the new
prehistory halls (from middle
Palaeolithic and Neolithic times
to the early Bronze age); some
halls dedicated to Count
Giuseppe di Ragogna, the
castle’s last landlord; and some
areas reserved for the valuable
archaeological materials from
the nearby Roman villa di Torre,
can be used for concerts, plays,
conferences, meetings and the
screening of arthouse films, and,
lastly, a rehearsal room, seating 99
people, fitted out for audience
participation shows.
discovered in the fifties on the
left bank of the Noncello river
by Giuseppe di Ragogna.
A stroll along the banks of the
Noncello river is a must from
a naturalistic point of view.
Besides the vegetation, you can
also see various species of
aquatic animals. Several cotton
mills were placed at different
points along the Noncello in the
19th century; these had a great
influence on the history of
Pordenone’s economy and are
important examples of
“industrial archaeology” today.
Museo Diocesano di Arte Sacra
Situated up on a small hill not
far from the Noncello river, the
museum of sacred art designed
by Othmar Barth was
inaugurated in 1989.
It houses works from a vast
area, between the Livenza river
and the Tagliamento river,
which was under the jurisdiction
of the Bishop of Concordia.
Teatro Comunale Giuseppe Verdi
The town theatre has been
erected on the former site of the
Cinema Teatro Verdi, which was
closed down on June 30th 1999
and later demolished.
The building contains a main hall
seating a total of 998 people
in the stalls and three galleries.
There is also a “ridotto”, a smaller
hall seating 146 people, which
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In the
surroundings
of Pordenone
PIANCAVALLO
Piancavallo, a pleasant town
nestled in a spacious and sunny
valley, is not only an important
skiing resort. The wide choice
of activities on offer and the
suggestiveness of its open spaces
make it a pleasant and
unexpected surprise to the
visitor. The view is straight out
of a postcard: from the highest
peak, on a sunny day, you can
see as far as the Adriatic Sea,
while all around the landscape
that stretches before you is that
so typical of the Dolomites.
This is an ideal destination
for any type of skier, from
professional to beginner, from
freerider to cross-country skier
and for families in search of
safe places for their children,
Piancavallo offers comfortable ski
lifts and safe slopes with a 100%
availability of programmable
modern snow cannons. During
the summer it is possible to take
part in theoretical and practical
lessons of dog trekking,
mountain bike, horse trekking,
archery and Nordic walking, as
well as taking part in a wide
variety of activities from mini-golf
to roller-skating, from tennis
to football or to go on the
numerous excursions to discover
the highest peaks of the
Pordenone Foothills.
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THE FRIULIAN DOLOMITES
The characteristic landscape
of the Eastern Prealps is defined
by the outline of the Dolomites
and their long narrow valleys.
This area is rather like a
wilderness, and its harsh,
rugged environment and lack
of tourist facilities at altitude
attract mountain climbers,
hikers and nature lovers alike.
IL PARCO DELLE
DOLOMITI FRIULANE
The Natural Park of the Friulian
Dolomites stretches from the
province of Pordenone to the
province of Udine, embracing
Valcellina valley, the upper
Tagliamento Valley and
the territories converging
in Val Tramontina.
The Tourist Office is located
near Cimolais, a town offering
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the most typical dolomite
landscape, with peaks of over
2000m. The greatest attraction is
the bell tower in Val Montanaia,
a 200m tall spire with a 60m
base. There are plenty of wellmarked nature trails in the area.
Andreis, known as the eagle
village, has a rescue centre
for wounded birds and a
Ethnographic museum
of art and rural culture.
In Claut you can visit the Museo
della Casa Clautana. It portrays
the life of the women from
Valcellina, devoted to
housework, working in the
fields, in the stables, and on
the road selling wooden
utensils. The aim of the
Museum is also to recover old
structures built for using water,
stone and wood. In addition to
the skating and curling rink, the
ice stadium of Claut also has an
ice park, a tall tower made of
ice where you can try your
hand at climbing, with the help
of an ice axe and crampons.
This region has plenty of nature
paths, of varying levels of
difficulty, for walking or
cycling, which take you to
very interesting spots.
Erto and Casso, which are
unfortunately famous for the
1963 tragedy of Vajont, are
characterized by long, narrow
stone houses, national
monuments recognized by
the Monuments and Fine Arts
office. The Palestra della
Moliesa is a famous climbing
practice wall used by beginners
and expert free climbers alike.
Leaving the park, we come
across another spot in Valcellina
called Barcis, which is famous
for its artificial lake where
you can go sailing, canoeing,
rowing, windsurfing, kajaking
and scuba diving. The lake is
also used for Italian and
international motorboat races.
VAL D’ARZINO - VAL COSA
VAL TRAMONTINA
Green valleys enriched by
hamlets of ancient origin are
an ideal destination for walks,
excursions, bicycle rides,
horse-riding or just for pure
relaxation. Furthermore, the
historical-artistic values allow us
to take a look at the area’s rich
and diverse past, which can still
be seen in its traditions,
handicrafts and food and drink
products, as well as in its
buildings which have been
restored and well preserved
(churches, buildings, manor
houses, villas, castles).
In Clauzetto, the Pradis Caves
offer a more suggestive
destination. By descending the
207 steps of the Grotta Verde
one reaches the bottom of the
spectacular ravine named after
Don Bianchini. The turbulent
Cosa torrent flows through
the deep gorge and there
is a beautiful bronze crucifix
made by Prof. Gatto ideally
to calm the rush of the waters.
The artistic heritage in the
numerous churches is also
of great interest.
The parish church of San
Giacomo, the first place to
be kissed by the morning sun,
is at the top of a wide flight
of 89 steps.
VAL COLVERA
Poffabro is listed in the Club
of the 30 most beautiful villages
in Italy. Its “magical power”
lies in the enchanting effect
of the sharply cut stones and
the wooden balconies: simple,
austere architectural elements,
which nevertheless give a sense
of intimacy and meditation in
the internal courtyards which
you reach through a narrow
arch, or in the long rows of
16th and 17th century houses.
MANIAGO
Known as the “Città dei Coltelli”
or Town of Knives, it hosts the
Museo dell’Arte Febbrile that
recalls various moments of
the centuries’ old tradition
of wrought iron working and
in particular, of knife-making.
Above all, the museum includes
instruments and products that
tell the important history
of the Maniago blacksmiths.
The Duomo di San Mauro, of
Gothic character, is the town’s
principal monument, and
hosts the altar-piece with the
glorification of Christ and
the Saints of Amalteo wing.
Forming three large arches,
the Palazzo d’Attimis Maniago
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and the Public Loggia look out
onto Piazza Italia, and should
certainly be admired.
POLCENIGO
The small and suggestive village
set against the green of the
mountains and the blue of the
waters that cross it, behold
true marvels of nature.
The Gorgazzo Springs, that gush
from a Karstic hollow form a
small lake, that is emerald in
colour and whose depths
remain unexplored to date.
The Livenza River Springs,
that host the Santuario della
Santissima, instead have another
special feature: the peculiarity
of these springs lies in the fact
that although the water wells
up at only a few dozen metres
above sea level, it suddenly
gives life to a remarkably large
stream which can be navigated
starting right from the springs
themselves. Documents and
traditions testify to the place as
a site for fertility rites and a
destination for pilgrimages
heading for a nearby votive
chapel built, according to a
legend, in memory of the Holy
Trinity appearing before a local
denizen. The area is dominated
by the Renaissance Chiesa della
Santissima, erected between
the 14th and 16th centuries.
The church features a wide
portico in front of the façade
and inside it houses a majestic
17th century wooden altar with
an aedicule by Domenico
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da Tolmezzo, dated 1496,
a valuable wooden chancel,
a variety of altarpieces and
numerous frescoes.
The Polcenigo area abounds in
springs and streams and it was
already a favourable place for
human settlements in ancient
times. The inhabitants built their
huts and palafittes between
Polcenigo and Caneva on the
banks of the Livenza river in a
place called “Palù”, the most
ancient settlement built on piles
in Friuli Venezia Giulia and one
of the most important in Italy.
It is a Neolithic village with
finds dating back to the 4th
century BC. The archaeological
material collected in the area
includes ceramic potsherds,
stone artefacts and wooden
finds preserved thanks to the
exceptional environmental
conditions in Palù. Bronze
articles, lances, earthenware
and buckles were found in the
locality belonging to groups
of Paleovenetians who probably
inhabited the area about 3000
years ago.
SACILE
One of the most beautiful
towns in the region, Sacile is
linked to a river, the Livenza,
which has defined its history,
culture, and important
decisions, as well as its name:
Sacile derives from the Latin
word saccus, meaning a creek,
a river recess or a meander.
The settlement originated
on two small islands formed
by the Livenza river.
The castle and the church were
on the first, which was enclosed
by walls, whereas the second
island housed Piazza Maggiore
and was called the Port, as the
landing for merchant boats
travelling up the Livenza was
located near the bridge of the
port tower, called the ponte
dei Mori.
In 1411, the town asked the
Republic of St Mark for
protection and became one
of its most loyal subjects,
both in terms of its politics,
economy, town planning and
architecture. There is a real
Venetian atmosphere in several
corners of the town (earning
it its title of “Giardino della
Serenissima”), with its wellbalanced relationship between
land and water and graceful
noble and bourgeois lagoon
buildings. The town became
the starting point for the timber
destined for the Venice
dockyard, where it was used
to build ships and other craft.
Its function as a transit port,
connected to the exploitation
of lowland and mountain woods,
enabled it to keep the river
navigable even in the shallows.
It has been established that it
the Chiesetta della
Madonna della
Pietà; the Chiesa di
S. Gregorio; Piazza
Popolo and all
the spots along
the Livenza river.
Sacile is a
Renaissance town
due to its host of
16th century palazzos:
the Loggia
Comunale, Palazzo
Carli, Palazzo Ettoreo and in
particular Palazzo Ragazzoni
Flangini Billia, built in the 16th
century for Giacomo Ragazzoni,
an extremely powerful Venetian
merchant who entertained
Popes, Kings and Emperors
in his residence in the city of
Livenza. His success is celebrated
in the emperors’ hall with a cycle
of frescoes by Montemezzano
(from the Veronese school).
was indeed possible to travel in
small crafts from Sacile up to
Polcenigo (Fonti del Gorgazzo)
and as far as Portobuffolè in the
other direction, and subsequently
on as far as the open sea. After
its architectural restoration, the
town boasts careful renovation in
the historic centre. The main
landmarks are the ancient Duomo
dedicated to Nicholas, the patron
saint of river navigation, which
houses the masterpieces of Pino
Canarini, 1946; the rectory;
There are many houses featuring
Renaissance or Baroque
ornamental motives, some
of which have elegant porticoes
of great architectural interest.
SPILIMBERGO
The town grew up around the
ancient castle, and is one of the
most important cities for art and
history in Friuli Venezia Giulia.
It underwent a period of great
glory between the Middle Ages
and the Renaissance period,
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testified by its fortifications, its
churches abounding in works
of art and by its numerous noble
palazzos, many of which still
preserve their frescoed façades.
The 12th century castle was
formerly called “girone” meaning
round, due to its circular shape.
There is a series of buildings
constructed in a ring around
the internal courtyard: the most
striking is the 14th century palazzo
depinto (painted palazzo) with
frescoes by Bellunello and stone
balconies by Pilacorte.
It boasts beautiful Gothic and
Renaissance triple lancet
windows, refined stone details
and frescoes covering the entire
surface of the wall, representing
cardinal and theological virtues,
as well as decorative motifs.
The Duomo di S. Maria Maggiore
is one of the most important
Gothic edifices in Friuli. Inside
there is a 14th century fresco cycle
with stories of the Old and New
Testament and a very valuable
16th century organ. The Scuola del
mosaico was officially founded in
1922, but its tradition dates back
to the 18th century, a period when
there was a heavy flow of
seasonal emigration to Venice,
the artistic crossroads between
the East and the West.
The school is very famous today,
and uses advanced working
techniques and avant-garde
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materials. It houses a museum
of mosaic art, where you can see
masters and students at work.
SESTO AL REGHENA
Of Roman origins, it was
founded as a military site and
supply station for travellers
heading north. Its name derives
not only from the Reghena river
but also from its position near the
sixth milestone along that route
(starting from Aquileia).
The 7th century abbazia
benedettina di S. Maria in Sylvis
gained prestige from the
beginning thanks to Carlo
Magno’s donations. An early
Christian community had built a
triapsidal church there, and the
sons of the Lombard Duke Pietro
founded a Benedictine monastery
on the same site a century later.
The monastery had exceptional
privileges throughout the
Lombard and Carolingian rule,
and obtained immunity from
them. Today only the sturdy
entrance tower remains, the only
survivor out of the seven defence
towers erected in the second half
of the 10th century; the bell tower,
formerly a lookout tower;
the chancellery with its wide
Romanesque-style façade; the
abbey residence and the rectory.
Inside, there are materials and
works from the Roman, early
Medieval and Gothic periods.
In the crypt, there is the ossuary
of S. Anastasio (8th century)
featuring deeply engraved
geometric patterns worked with
the sophisticated chiaroscuro
technique by the skilled workers
of Cividale.
SAN VITO AL
TAGLIAMENTO
The municipality boasts
noble traditions
both in history,
culture and art.
The ancient finds
cover a period of
thousands of years from
Palaeolithic and Neolithic times
to the Roman period: the
Medieval structure in the centre,
the features of the city walls, the
moat and the two towers testify
to the epoca comunale in the
12th century. The palazzos are
interesting to visit: Palazzo Altan
Rota, a parish residence, has
a wide garden of naturalistic
interest; the cleverly restored
northern barchessa (service
building) of the palazzo now
houses the offices of the Museo
Provinciale della Vita Contadina;
Palazzo Fancello features
frescoes by Brunello and the
Chiesa di S. Maria dei Battuti
is a gem of Friuli Renaissance.
CORDOVADO
The oldest complex is the striking
Borgo Castello, whose medieval
style intertwines today with the
18th-century style of two noble
mansions: Villa Attimis and
Palazzo Ridolfi also known as
Palazzo del Capitano.
VALVASONE
The town’s main tourist asset is
the excellent conservation of its
historic centre lined with elegant
residences dating back to
between the 14th and 17th
centuries. Of Roman origin,
it became important during the
Middle Ages thanks to its ford
crossing the Tagliamento river.
Its most important monument is
the castle, which, surrounded by
the moat and ancient walls, still
conserves two stuccoed halls,
an 18th century puppet theatre
and a picture gallery.
There is an interesting piazza in
front of the castle and an old mill
nearby, with its wheel still in
place. The whole of the town
centre, however, is of great
historical and architectural interest
with its medieval houses and
large palazzos.
The parish boasts Italy’s only
Venetian 16th century organ.
Where it borders Sesto al
Reghena, there is the famous
Fontana di Venchiaredo,
surrounded by trees in a small
but lovely wood. A theme park is
under construction nearby which
will recall the places depicted in
“Le confessioni di un italiano”
by Ippolito Nievo.
CASARSA
In what was once the house
of his birth, today is the
Centro Studi Pier Paolo Pasolini
which has a permanent theme
exhibition of unpublished family
photographs, Friulian paintings,
political posters of 1949,
a valuable and substantial
collection of manuscripts of the
Friulian period, a rich inheritance
in papers and the frequent
correspondence between Pier
Paolo and his friends and family.
17
Numeri utili/Nützliche
Telefonnummern/Useful
Telephone Numbers/
Numéros utiles/Koristne
klicne πtevilke
Stazione Ferroviaria
Viale Mazzini, 82
Numero Verde 892021
Bahnhof/Railway
station/Gare ferroviaire/
∂elezniπka postaja
Azienda Trasporti
Automobilistici Provinciali
P. Risorgimento, 8 Numero
Verde 800-101040
Autobusbahnhof/Bus
Station/Gare routière/
Avtobusna postaja
Taxi: P.zza XX Settembre
Tel 0434 520240;
Zona Fiera/Piscina Comunale/
Autostrada Venezia-Trieste
Viale Mazzini
(stazione ferroviaria)
Tel. 0434 521460
Polizia Municipale
Via Oderzo, 9
Tel. 0434 392811
Städtische Polizei/
Municipal Police/
Police Municipale/
Mestna policija
Carabinieri - Pronto
intervento Tel.112
Via del Carabiniere, 2
Tel. 0434 360131
Bereitschaftsdienst/Public
emergency service/
Urgences/Center za
obveπ≥anje
Questura Piazza del Popolo, 1
Tel. 0434 238111
Polizeipräsidium/Police
Headquarters/
Commissariat/Kvestura
Pronto Soccorso Tel. 118
Notdienst/First Aid/
Urgences/Nujna pomo≥
Azienda Ospedaliera
Santa Maria degli Angeli
Via Montereale 24
Tel. 0434 399111
Krankenhaus/Hospital/
Hôpital/Bolniπnica
Comune Corso Vittorio
Emanuele, 64
Tel. 0434 392111
Stadtgemeinde/Town
Hall/Mairie/Ob≥ina
Provincia L.go S. Giorgio, 12
Tel 0434 2311
Provinz/Provincial
Authory/Province/Pokrajina
Posta Centrale Via S. Caterina,
6 Tel 0434 222252
Hauptpostamt/Central
Post Office/Poste
Centrale/Centralna poπta
Palazzetto dello Sport
Via Fratelli Rosselli
Tel 0434 361332
Sporthalle/Indoor stadium/
Palais des Sports/∏portna
dvorana
Polizia Municipale/Autostrada Ve-Ts
Piscina Comunale
V.le Treviso, 12
Tel 0434 572384
Städtisches Schwimmbad/
Municipal swimming
pool/Piscine Communale/
Ob≥inski bazen
Biblioteca Civica
P.zza della Motta, 4
Tel 0434 522867
Stadtbibliothek/Town
Library/Bibliothèque
Communale/Mestna
knji∑nica
Teatro Comunale
Giuseppe Verdi
Viale Martelli, 2 Tel 0434
247624
Stadttheater/Town
Theatre/Théâtre
Communal/Ob≥insko
gledaliπ≥e
(informazione voli)
Tel. 0481 773224
Flughafen (Auskünfte über
Flüge)/International Airport
(Flight Information)/
Aéroport
(Informations vols)/
Letaliπ≥e - Ronke
(Informacije o letih)
Informagiovani
Piazzetta S. Marco
e Piazza XX Settembre
Tel 0434 392535/247168
Terminal Aeroporto
P. Risorgimento, 8
Numero Verde 800-101040
Flughafen Terminal/Airport
Terminal/Terminal
Aéroport/Letaliπki terminal
Aeroporto
Ronchi dei Legionari, Gorizia
Pordenone
Photographs courtesy of: Valdemarin, Luca d’Agostino, Pordenone Press Office, Aldo Martinuzzi, Assunta Rumor, FVG tourism photography archive
Torre
Cartografia L.A.C. Firenze. Autorizzazione n.7 dell’08/05/2007
Piancavallo/Aviano/Ospedale/Pronto Soccorso
Informazioni Turistiche/
Touristische Auskünfte/Tourist
Information/Informations
Touristiques/Turisti≥ne informacije
Turismo FVG
Via Damiani 2/c,
33170 PORDENONE
T. +39 0434 520381/520974
F. +39 0434 241608
[email protected]
DSF design / Print: la Tipografica Srl