the european culture channel

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, by Olivier Assayas
© Jean-Claude Carb
Grbavica,
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by Jasmila Zbanic
Marmorera, by Mar
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INTRODUCTION
PROGRAMMES
LEVISION
MORE THAN TE
THE CHANNEL
CHRONOLOGY
04
06
28
38
60
Christmas in Vien
The
Jean Lemire ©
Last Continent, by
sbeck.com
na 2008 © www.luka
Jean Lemire/JL
Dr. Gottfried Langenstein
Chairman
Jérôme Clément
Vice Chairman
Berlinale, 2008 © Richard Bellia
Jérôme Clément © Martin Bernhart
Dr. Gottfried Langenstein © ZDF/Carmen Sauerbrei
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Introd
It’s already been twenty years! France and Germany showed great foresight on 2 October, 1990 by
signing a trans-national agreement and laying the foundation for a European cultural TV channel.
Today, ARTE is the outstanding cultural brand in the television and media landscape. For
many young European film-makers, ARTE has been the first port of call for their projects and a
springboard to success. The channel is a platform and workshop for European culture, offering
intelligent and appealing television to inquisitive and cosmopolitan citizens.
In this global age, ARTE is also a gateway to different cultures, social systems, and worldviews.
Europe, at its best, has always been influenced by ideas and inventions from around the world.
Providing access to a variety of world cultures is a key commitment for the channel.
The audiovisual landscape has changed significantly since ARTE was founded. The amazing success
of the Internet has revolutionised viewers’ habits, especially among the young. The digital revolution
constantly offers new user features and is transforming the once passive viewer into an active
participant. For this reason, ARTE has placed the Internet and new media development at the heart
of its strategies from the beginning. New ground was broken, for example, with the ARTE+7 television
on demand service. In the coming months, a creative platform will be launched in conjunction with
European film schools. Partnerships with YouTube and Facebook are also in the pipeline.
But even in this rapidly evolving digital age, innovations in conventional television retain their intrinsic
value. This is why ARTE has embraced HDTV from its inception and is currently in the process of
completely converting its broadcasting operations to HDTV.
ARTE remains a major platform for film-makers and creative minds from all over Europe.
For our viewers, ARTE continues to astonish.
© X Filme Creative
Zap around the World – In Afghanistan © ARTE France
The Wayward Cloud, by Tsai Ming-Liang
© ARTE France
The Yes Men fix the World, by Andy Bichlbaum
and Mike Bonanno © Arte France
Les Voies de l’Est – In Bangladesh, by Rob Hof © Arte France
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m
Progra
by Vanessa Jopp
Pool
Dr. Christoph Hauser
© ARTE/Fréderic Maigrot
Messy Christmas,
A STRONG LINE-UP
FOR DISCERNING VIEWERS
ARTE is based on quality and innovation.
In an age when the latest technological
developments and increasing competition
are leading to fundamental changes
across the media landscape, our viewers
appreciate that we keep our editorial
promises and continue to offer highquality programming. In Germany, ARTE
is successfully attracting and retaining
an ever greater number of viewers,
particularly with its daytime and prime
time schedules. In France too, ARTE’s
share of the DVB-T market is continually
increasing, although the launch of new
channels has had a serious impact on
the French television landscape.
ARTE is reacting to the dynamic changes
occurring within the media environment
in both countries by introducing a new
approach to its programme line-up that
will give a particular boost to the prime
time and late evening slots. Since its
launch, ARTE has provided its viewers
with the stories behind world affairs
as well as explaining their significance.
Innovations to news reporting are also
being introduced, with ARTE Journal,
The Blogger and Yourope outlining current
events from a European and international
perspective. ARTE is producing more
science-based documentaries and
magazine programmes for peak viewing
hours. ARTE is also approaching its goal
of reaching a younger target audience
with a new style for culture and music
programmes that features the stars
of yesterday and tomorrow. In 2010,
ARTE will continue to plan programmes
from an event-oriented perspective.
Some highlights of this year’s
programmes include: Frédéric Chopin’s
200th anniversary, the outstanding works
of the Japanese cartoonist Hayao
Miyazaki, biodiversity, and of course
Africa, site of this year’s Football World
Cup, and a summer of music from the
sixties, to name merely a few. Join us
for these programmes and more on
ARTE, and it’s even more amazing in HD!
Dr. Christoph Hauser
Programme Director
Annie-Claude Elkaim © Frédéric Maigrot
Thomas Kausch © Frédéric Maigrot
THEManAd
Discovering
understanding
the world
08-09
While entertaining the family on Sunday
and tackling social and political issues
on Tuesday, ARTE’s theme evenings
feature a set of films, documentaries and
discussions devoted to a single topic.
Exploring and investigating a huge range
of subjects, they are always entertaining.
Following the same concept, Morning
Thema offers daytime viewers a selection
of the channel’s best documentaries.
Jean-Pierre Sinapi
© Daniel Tonachel
la
Daniel Leconte © Kate Barry
Vive la bombe!, by
THEMA ON TUESDAY
MORNING THEMA
Tuesday at 8:35 pm
Presented by Annie-Claude Elkaim,
Thomas Kausch or Daniel Leconte
Weekdays at 10:10 am,
weekends at 9:45 am
Thema on Tuesday stays in tune
with current events by examining
today’s society and debating major
political, socio-economic
and scientific issues. Whether
the subject is Japanese whalers,
the Anthrax-Dealers, or the uprising
in Burma, ARTE gives experts and
witnesses a chance to have their say.
Every day of the week has its Morning
Thema: Culture, History, Discovery,
International Affairs, Society, Knowledge,
and the Performing Arts. Monday
through Sunday, ARTE has something
for every viewer’s interest, from politics
to science or from distant cultures
to the intimacy of an artist’s studio.
THEMA ON SUNDAY
Meurtres en série
Sunday at 8 :35 pm
Thema on Sunday centres around
a major feature film screened early
in the evening. ARTE entertains family
audiences with a range of evocative
and imaginative subjects such as:
the intimate portrait of a film star
in Isabella Rossellini, my wild life,
or an excursion into the world
of wealthy industrialists and the
Von Bülow mystery with La saga
des grandes familles, or a journey
to far horizons with Les héros
de l’Himalaya.
au pays de Poutine,
Kalter Krieg am Nord
Letters to the Pres
ident a film about
President Ahmadin
pol, by
by Manon Loizeau
© SWR
Alexander Stenzell
ejad, by Petr Lom
/ARTE F © Petr Lom
© ARTE France
MOVIE CLASSICS
Monday at 8:35 pm
ers, by Flor
The Lives of Oth
ian Henckel von
Donnersmarck ©
Wiedemann & Berg
Filmproduktion
Monday’s prime time Movie Classics
screens original version cinema classics,
old and new, spanning several decades
of film history from Josef von Sternberg’s
The Blue Angel to Fellini’s Casanova
and from Blake Edwards’ Breakfast
at Tiffany’s to Going Places
(Les Valseuses) by Bertrand Blier.
CONTEMPORARY MOVIES
Thursday at 8:35 pm
FILM
Experiencing
emotion
Mammuth, by Ben
© ART
Torremolinos 73
ARTE welcomes all categories of film from
the essential cinema classics to ambitious
new creations and inventive shorts. There’s
something exciting for everyone and for
serious film buffs there are great film
masterpieces, broadcast in the original
version with subtitles. Given ARTE’s strength
as a co-producer and commitment to
supporting talented film-makers,
co-productions account for nearly twenty-five
percent of all films shown.
10-11
oît Delépine and
Gustave Kervern
© Gérard Martron
E France
Catherine Deneuv
e, belle et bien là,
by Anne Andreu
© Cinétévé
Thursday’s films are mostly television
premieres chosen for their original,
imaginative, humorous and sensitive
style. Many Contemporary Movies
titles have been award winners at
leading international festivals such as:
In the Mood for Love by Wong Kar-Wai,
Bad Education by Pedro Almodovar,
The Beat that my Heart Skipped
by Jacques Audiard, and The Lives
of Others by Florian Henckel von
Donnersmarck.
MOVIE DISCOVERIES
Wednesday at 10:35 pm
Leaving the box office hits behind,
Movie Discoveries delights real film
buffs with little known works from every
corner of the globe. This showcase for
independent film-makers from Europe
and the US features such works as:
Amos Gitaï’s Free Zone, Marion Hänsel’s
Sounds of Sand, Matthias Glasner’s
The Free Will, and others.
ARTE, FROM SILENT FILM
TO B MOVIES…
ARTE strives to encourage film-makers
and offers a platform for young talent
on Short Circuit, the film magazine that
gets behind the scenes of moviemaking. Trash provokes and amuses
viewers with what might be called
B movies. Emphasis is placed on rather
extravagant films that offended good
taste and moral sensibilities when first
released but later came to be seen
as pioneering works of world cinema.
Medium Length Films presents the first
works, often highly individual, of young
directors past and present. ARTE
also remains faithful to the classics,
with a monthly Silent Movie session.
Short Circuit
Wednesday at 12:20 am
Trash
Friday at 12:30 am
Medium Length Films
Monday (once a month) at 12:10 am
Silent Movie
Monday (once a month) at 12:10 am
DRAMA ON FRIDAY
SERIES ON ARTE
Friday at 8:35 pm
Featuring ARTE co-productions and
television premieres the films on Drama
on Friday draw viewers into the lives
and dreams of their characters. Many
of these television films, like Jean-Paul
Lilienfeld’s Skirt Day and Kai Wessel’s
March of Millions, have won festival
awards for their strong storylines, subtle
narration, and emotional intensity.
DRAMA ON SATURDAY
Saturday at 10:30 pm
DRAMA
AND SERIEinSg
Experienc
emotion
12-13
Les invincibles ©
ARTE’s ambitiously wide range of drama
includes detective stories, historical dramas,
and psychological thrillers. More than half of
the titles featured are ARTE co-productions,
drawing their inspiration from the social
realities, little daily pleasures, excitement,
action, and sometimes major crises of real
life. The recent arrival of series on ARTE will
please fans of suspense and those nostalgic
for their favourite cult series.
Benoit Linder-Makin
gprod
Crime scenes, scandals, conspiracies,
and the quest for justice, The Tuesday
Evening Series holds its audience
spellbound with television premieres
of productions such as KDD –
Kriminaldauerdienst and Les Invincibles.
The Afternoon Series provides
an opportunity to watch or re-watch
such cult series as The Avengers
and Vier Frauen und ein Todesfall.
The Tuesday Evening Series
Tuesday at 10:20 pm
The Afternoon Series
Monday through Friday at 6:05 pm
Saturday’s films may carry us off to
new horizons or suprise us as we to
rediscover the everyday and familiar.
These often audacious and sometimes
puzzling works like Amos Gitaï’s Carmel
or Im nächsten Leben by Marco
Mittelstaedt inspire and amuse with
their freewheeling style.
Skirt Day, by
© Mascare
Jean-Paul Lilienfeld
Ellas Geheimnis,
t Films
Manhunt, by Lau
rent Jaoui © Elze
vir Films
by Rainer Kaufma
nn © ZDF/Charlie
Sperring
Les voyageurs de l’espace,
by Jean-Pierre Larcher © CNES
Citizen King – 1963-1968, by Orlando Bagwell and
Noland Walker © Hulton-Deutsch Collection/Corbis
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Understanding
the world
14-15
islaw Muc
Zigeuner, by Stan
ha © HR/U5 Film
produktion GmbH
& Co KG
ARTE’s in-depth and well-researched documentaries, both
cultural and scientific, account for a full third of the channel’s
programmes. They form a vast animated encyclopaedia
inviting the viewer to better understand the world,
share culture, and discover new horizons.
HISTORY ON WEDNESDAY
GRAND FORMAT
Wednesday at 8:35 pm
Providing a real space for collective
and individual memory, History on
Wednesday focuses on the 20th century,
scouring the archives and drawing
on individual testimonies to create
a fascinating view of history. Nanking
1937 – Chronicle of a Massacre, Andrei
Dmitrievich Sakharov – a free man and
the documentary series The War are
a few examples of the windows
the viewer is given on today’s world.
68, année zéro
an © ARTE Fran
, by Ruth Zylberm
BIOGRAPHY
Friday at 11 pm
Sunday at 5 pm
A flagship format for ARTE, Grand
Format showcases some of the
world’s most talented and committed
documentary makers. Their films tend
to be highly individual works. Whatever
the subject, from Shahida: Brides of
Allah, on failed female suicide bombers
in Palestine, to William Karel’s My Dad
Is Into Terrorism, these documentaries
always enhance our understanding
of mankind and the human condition.
ce
Dalaï Lama, une
vie après l’autre,
by Franck Sanson
© ARTE France
Leading figures from the worlds
of culture, politics, and sport open
up to ARTE. The director Volker
Schlöndorff, author Mario Vargas Llosa,
the Dalai Lama, and ex-magistrate Eva
Joly are among those talking about
their careers, sharing their hopes
and fears, revealing what drives
them, and describing the obstacles
they’ve overcome.
De la culture en Amérique, by Frédéric Laffont
und Frédéric Martel © ARTE France
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Sharing culture
KA“ - Cirque du Sole
THE CULTURAL
DOCUMENTARY
Monday at 11 pm
The Cultural Documentary takes
an original look at classical and
contemporary culture. Viewers
encounter artists as varied as
Caravaggio and J.M.W. Turner.
Literature and the history of ideas
are also explored in such features
as a documentary on Walter Benjamin
and the Literary Horizons evening
on world literature.
16-17
il in Las Vegas, by
David Mall
du Soleil Imag
et © ZDF/Cirque
ARTE FOR NIGHT OWLS
ARTE devotes two Sunday programmes
to artistic creation in our time. Each
week, Art & Culture shines a spotlight
on a particular work, artist or cultural
movement. Creation visits artists
at work in their studios for an insight
into art, in all its forms, in the making.
Art & Culture
Sunday at 8:10 pm
Creation
Sunday at 1 pm
Night-time is the right time on ARTE
for viewers with a taste for cinema
that’s innovative and experimental.
The Skylight leaves the beaten track
behind by showcasing highly personal
and original screen gems from
independent film-makers worldwide.
Night Owls documents a late night
walk through various city centres
with two people from different horizons
or cultures.
Into the Night features experimental
film and video.
The Skylight
Sunday at 11:55 pm
Night Owls
Tuesday at 12:10 am
Into the Night
Tuesday at 12:10 am
es
POP CULTURE
Claude Lévi-Strauss
Thursday at 10:20 pm
Steeped in the late 20th century,
Pop Culture is a cultural and musical
narrative on the entire pop culture
phenomenon from counterculture to
mass culture, from the Hollywood
legends to the secrets of the manga.
It takes viewers behind the scenes
at a Jean-Paul Gaultier fashion show
and has another look at Stephenie
Meyer’s bestseller and film in
Twilight Fever.
La vie cachée des œuvres: Rembrandt, by Stan Neumann and Juliette Garcias
© Camera Lucida Productions
CLASSICAL AND
CONTEMPORARY ART
Femmes asiatiqu
es, femmes fantasm
es, by Sophie Bred
ier © ARTE France
, by Pierre Beucho
tt © ARTE France
Country Cooking/ZDF © Fernsehbüro/Michael Dreyer
Miracle Body, by Yoriku Koizumi © NHK
THE HUMAN ADVENTURE
Saturday at 8:35 pm
ARTE DISCOVERY
Monday through Friday at 7:50 pm
The Human Adventure explores
our planet and its past, looking
for traces of ancient civilisations
and the discoveries that have shaped
human history. From prehistory,
with Stonehenge: The Ultimate
Experiment Live, to the documentary
series We shall remain – a native
American anthology to 20th century
history in Napoleon und die Deutschen,
no page of the human saga is left
unturned. Combining historical rigour
with a thrilling story, each documentary
is a memorable expedition
and experience for the whole family.
ARTE whisks the whole family off
to new horizons with its many ambitious
documentary series. Leben am Mekong,
for example, invites us to travel while
telling the story of the people who live
along this great Asian river. Other
programmes explore nature and the
animal kingdom, with films such as
Das Jahr des Wildnis. ARTE Discovery
also looks at recent history, most notably
with a series of programmes featuring
the lives of German emigrants who
made America what it is today, from W.E.
Boeing to H.J. Heinz.
COUNTRY COOKING
Saturday at 6:30 pm
Country Cooking sets the viewer’s
taste buds tingling with culinary visits
to our European neighbours.
FAR AWAY PLACES
Monday through Friday at 4:55 pm
Far Away Places gives viewers
a chance to explore some of the globe’s
least known regions and learn about
their local traditions and religions.
It also provides an opportunity
for people living in these places
to voice their own unique worldviews.
SCIENCE
Friday at 10:05 pm
S
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Discovering
new horizons
Leben auf dem Flus
s – Ticket nach Tim
buktu, by Holger
Preu
obald © Ank
sse and Valérie Thé
e Möller
Leben auf dem Flus
s – Ticket nach Tim
buktu, by Holger
Preusse and Valé
rie Théobald © Ank
e Möller
Both informative and entertaining,
Science showcases the latest
discoveries and trends in science,
technology and medicine. What causes
fear? Do plants have a soul? Is the
Earth’s magnetic field weakening? Taking
the viewer from the laboratory to the
field, complex phenomena are revealed
and challenging questions are answered.
360° – GEO REPORT
Saturday at 8 pm
The reporters on 360° – GEO Report
criss-cross the planet looking for
unusual stories and colourful encounters
in places like Vietnam, Russia or Eritrea,
from the remotest countryside
to the largest cities.
18-19
Sarah Wiener et
les marmitons/Arte
© zero one film
LIVE AND
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ARTS
Sharing culture
20-21
Blanche Neige –
From prestigious opera house
to summer rock festival,
ARTE presents theatre, dance,
the performing arts, music
for every taste, and profiles
of the artists at work.
Angelin Preljocaj
© J.C. Carbonne
Manu Chao – Baionarena © Jamie James Medina
Viewers get ringside seats on Maestro
for performances by both established
artists and young prodigies of classical
and modern dance, music and song.
The programme also devotes cycles to
some of the greatest names in the music
world such as Spanish soprano Victoria
de Los Angeles, conductor Herbert
von Karajan, violinist Gidon Kremer
and Rodolfo Mederos, master of
the bandoneon.
MUSICA
Monday at 10:25 pm
Musica gives pride of place to music
and dance and takes a behind-thescenes look at how they are created with
documentary profiles of artists such as
Ravi Shankar, a bridge between east
and west; Mahler, with measured tread,
Palestrina – Prince of music, and Sylvie
Guillem, on the edge.
TRACKS
Thursday at 12:15 am
The musical magazine Tracks follows
the latest trends in experimental
and avant-garde music looking at the
work and lifestyles of artists as diverse
as Iggy Pop, Jerry Lee Lewis, Guillermo
del Toro and Terry Williams, and
phenomena like the fake blood of
Rock’n’Roll Wrestling Bash and Orlan’s
automatic kiss.
OPERA, THEATRE,
AND LIVE EVENTS
ARTE schedules specials several times
a year bringing the viewer major events
in the worlds of music, opera and theatre
like the Folle Journée classical music
festival in Nantes, and the festivals
in Salzburg and Aix-en-Provence.
2010 will be a year of specials
celebrating Chopin’s 200th birthday.
Performing arts fans can count on ARTE
for the best in live and pre-recorded
broadcasts of both great classics
and lesser known works.
Opera
Six times a year on Monday at
10:25 pm
Six times a year live and prime time
Geburtstagsfest für Herbert von Karajan, ZDF © Unitel
Carmen, Live in Teatro alla Scala, Milan © Marco Brescia – Teatro alla Scala
Sunday at 7:15 pm
Comedia
Twelve times a year on Monday at
10:25 pm
Six times a year on Sunday afternoon
Events broadcast live
Six times a year at prime time
A l’Est avec Sonia Wieder-Atherton, ARTE F © Jean-Baptiste Mondino
MAESTRO
22- 23
Eco-Crimes
Ozonkiller, by
- Auf der Spur der
Thomas Weidenbac
h and Heinz Greu
ling © Längengrad
Filmproduktion
ARTE REPORTING
Saturday at 7:15 pm
Presented by Nathalie Georges
and Andrea Fies
ARTE Reporting looks at countries
as varied as the Caucasus, Niger,
Pakistan, and others while seeking
to advance our understanding of
the most pressing issues and tensions
affecting our planet. Detailed historical
background as well as geopolitical
analysis expand the viewer’s knowledge
and understanding of current events.
METROPOLIS
ARTE looks in-depth
at today’s major issues
in Europe and the world.
Saturday at 12 am
Presented by Rebecca Manzoni
and Anja Höfer
This cultural magazine takes an original,
critical, and sometimes a touch to
intellectual and cultural life in Europe.
Anja Höfer © SWR/Jacqueline
Krause-Burberg
Rebecca Manzoni
© Jean-Philippe Baltel
THE BLOGGER
Saturday at 2 pm
Presented by Anthony Bellanger
Permanently online, Anthony Bellanger
does the rounds of websites across
Europe uncovering the issues
under discussion in the EU.
Independence of the judicial system,
freedom of the press, stagnating upward
social mobility, and violence in schools
are just some of the topics offered.
The Blogger trawls the Internet
examining the problems and various
political solutions being applied
across the continent.
YOUROPE
Sunday at 5:45 pm
Presented by Andreas Korn
Interactive and dynamic, Yourope looks
at the mood, trends, and changes
underway in European society. Andreas
Korn relies on frontline reports from
across the EU as well as neighbouring
countries like the Ukraine and Turkey.
Upbeat and innovative, the programme
shows Europe’s own inventiveness
and closeness to its citizens.
Andreas Korn © ZDF/Kerstin Baensch
ARTE News covers current events
in Europe and the world with particular
attention to culture. Daily news focuses
provide in-depth coverage of a chosen
cultural or political theme supplemented
by interviews, guests in the studio,
and background information.
NEW EUROPEAN
PROGRAMMES
Anthony Bellanger © Xavier Bellanger
Daily at 7 pm
Presented, alternately, by Annette
Gerlach and William Irigoyen,
or Marie Labory and Jürgen Biehle;
Monday through Friday at 12:45 pm
Presented by Meline Freda
or Susanna Dörhage
Pain, pétrole et corruption, by Denis Poncet and Rémy Burkel © Maha Productions
Anette Gerlach and William Irigoyen © William Alix
Marie Labory and Jürgen Biehle © William Alix
Understandin
today’s world
Nathalie Georges and Andrea Fies
© Stéphane Louis
NEWS
MAGAZINESg
ARTE NEWS
On GLOBALmag, journalist Émilie Aubry
uses investigative reporting, contributions
from well informed bloggers, analysis
of satellite photos and animations
to diagnose the ills afflicting our planet.
Her direct, dynamic, and interactive
approach makes it easy for the viewer
to see and understand environmental
problems that are of common concern
while addressing possible remedies.
X:ENIUS
Monday through Friday at 5:35 pm
Presented, alternately, by Dörthe
Eickelberg and Pierre Girard or
by Caro Matzko and Gunnar Mergner
X:enius travels Europe in a minibus
laboratory looking for answers
to questions about anything and
everything that may have ever occurred
to the viewer. Presented in a playful but
also scientific way, the programme sets
out to answer such questions as: What
are the real powers of the Moon? Where
does the wind come from? Is there some
way of increasing one’s chances in
the lottery? Experts join the discussions
and help to satisfy our curiosity.
PHILOSOPHY
Sunday at 1:30 pm
Presented by Raphaël Enthoven
Raphaël Enthoven and his guests embark,
with an admirable lightness of touch,
on a challenging search for meaning.
KOLLISION
Sunday at 8 pm
ARTE has a playful look at the
differences – large and small –
between the French and
the Germans.
GIORDANO WEEKLY
Friday at 7:30 pm
Presented by Isabelle Giordano
Isabelle Giordano discusses current
events with her guests in hard-hitting
interviews that reveal their core
convictions and deepest feelings.
ARTE JUNIOR
Sunday at 8 am
ARTE caters to kids who like
to get up early at the weekend
with series, cartoons, games,
and science.
ZAP AROUND THE WORLD
Saturday at 5:45 pm
Zap around the World takes a
light-hearted look at television elsewhere
and makes some surprising discoveries,
from Siberia to Belgium and from
Los Angeles to Teheran.
IF MAPS COULD TALK
Wednesday at 10:20 pm
Author & presenter:
Jean-Christophe Victor
If Maps Could Talk provides
geopolitical analysis of conflict situations
and international issues like climate
change refugees, the fall of Berlin Wall,
the institutional crisis in Belgium,
and the rebellions in Iran.
© Jean
Isabelle Giordano
Kollision © ARTE France
ARTE’s innovative and original magazines
focus on philosophy, the sciences,
the environment, society, and lifestyle,
presenting daily life in Europe in all
its diversity.
Monday through Thursday at 7:30 pm
Presented by Émilie Aubry
Jean-Christophe Victor © Philippe de Beukelaer
Emilie Aubry ARTE F © LCP-An/Sébastien
Rabany
24-25
Caro Matzko and Gunnar Mergner © BR/chartmann
Dörthe Eickelberg and
Pierre Girard © AVE
Discoverin
European life
X:enius © AVE
Raphaël Enthoven © Philippe Pavans
NEWS
MAGAZINESg
GLOBALMAG
Philippe Baltel
As a French/German co-operation,
ARTE produces and broadcasts
all programmes in both languages.
French- and German-speaking viewers
automatically receive broadcasts
in their own language but also have
access to the second language
version as well as original language
versions with subtitles for some films.
This creates a daily challenge for the
ARTE staff. The Subtitling/Dubbing
Service supervises subtitling, dubbing
and re-versioning of voice-overs and
narration. Language Service
provides simultaneous translation
for studio productions, as well as
multilanguage versions of live events
such as opera, theatre and festivals.
26 - 27
Lady Chatterley, by Pascale Ferran, ARTE F © Ad Vitam
Awards 2007 – 2009
Pool of Princesses
by Bettina Blümner (RBB)
German Television Award
for Best Documentary, Berlin
FILM / DRAMA
2009
2009
2007
Antichrist
by Lars von Trier (ZDF/ARTE France)
Award for Best Actress (Charlotte
Gainsbourg), Cannes International
Film Festival
Skirt Day
by Jean-Paul Lilienfeld (ARTE France)
Golden Nymph Award for Best Actress
in Television Films (Isabelle Adjani),
Monte-Carlo TV Festival
Waltz with Bashir
by Ari Folman (ARTE France)
Golden Globe Award for Best
Foreign Language Film, Hollywood
César Award for Best Foreign Film, Paris
BIFA (British Independent Film Award)
for Best Foreign Independent Film,
London (2008)
Ophir Award (Israeli Film Academy)
for Best Film and Best Director, Tel Aviv
(2008)
DOCUMENTARY
PERFORMING ARTS
2008
2007
Taxi to the Dark Side
by Alex Gibney (ARTE/ZDF)
Oscar for Best Documentary,
Los Angeles
Knowledge is the Beginning
by Paul Smaczny (ZDF/ARTE)
Best Arts Documentary, Banff World
Television Festival, Canada
FIPA d’Or Grand Prize (Performing
Arts), Biarritz
Emmy Award for Arts Programming,
New York (2006)
Selection
Lady Chatterley
by Pascale Ferran (ARTE France)
César Awards for Best Film,
Best Actress, Best Cinematography,
Best Writing-Adaptation and Best
Costume Design, Paris
4 Months, 3 Weeks and 2 Days
by Cristian Mungiu (ZDF)
Golden Palm, Cannes International
Film Festival
European Film Award for Best Film
and Best Director, Berlin
2008
The Lives of Others
by Florian Henckel von Donnersmarck
(ARTE/BR)
César Award for Best Foreign Film, Paris
Award in Gold for Best German Film,
Berlin (2006)
Oscar for Best Foreign Language Film,
Los Angeles (2007)
Cloud 9
by Andreas Dresen (RBB)
Bavarian Film Award for Best
Actress (Ursula Werner)
and Best Cinematography
(Michael Hammon), Munich
Charlotte Gainsbourg at the Cannes International Film Festival
© Hans Heinz/colourpress
PROGRAMMING
IN TWO LANGUAGES
Taxi to the Dark Side, by Alex Gibney/ZDF © Jehad Nga/Corbis
The On-Air Department is actually four
departments: Pre-Broadcast,
Broadcasting, Broadcast Continuity,
and Onscreen Design – sound and text.
Together, they are responsible for all
stages of the programming and
broadcasting process, from technical
conformance to advance promotion
with international award winning trailers
harmoniously designed to reflect
channel branding and identity.
Knowledge is the Beginning, by Paul Smaczny © Nyika Jancsó
Rendez-vous franco-allemands du cinéma, November 2009 © Michel Nicolas
ON-AIR DEPARTMENT
2008
Patti Smith: Dream of Life
by Steven Sebring (ARTE France)
Cinematography Award, Sundance
Film Festival, State of Utah, USA
Open Air Kino in Dresden, 2009 © ARTE Deutschland
n
a
h
t
e
r
Mo
n
o
i
s
i
v
Tele
ARTE goes well beyond the confines of the small screen. As a publisher of
books and DVDs, producer of web documentaries and organiser of cultural
events, the channel makes a lively contribution to public debate, scouts
new talent, and fosters artistic creativity in all its forms.
Always true to its cultural and European mission, ARTE diversifies while keeping
its own identity. Off screen, it complements and enhances its programming
with quality products, responding to the ever-increasing increasing curiosity
of viewers who are at the same time Internet users, readers, museum and
theatre goers.
VIDEOS ON WWW.ARTE.TV
Offering viewers both a library and the
chance to catch up on what they’ve
missed, the video portal at www.arte.tv
hosts content produced by or for ARTE,
along with bonus features, live
performances and trailers.
The portal is a one-stop video shop
offering easy online access to ARTE.
It offers viewers a chance to indulge
their varied interests and experiences –
from sculpture to movies, science to
European history, and the environment to
youth programmes.
MISSED A PROGRAMME?
V
T
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.
W
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Videos online
30-31
Catch up with ARTE programmes or see
them again. Find out more about exclusive
videos and bonus offers and all at your
own convenience at www.arte.tv. ARTE
gives you the television you want, when you
want it. Given increased viewer demand,
ARTE is upgrading its website and will
launch a new video portal in 2010, with
new content and many more features.
www.arte.tv streams many
programmes free, enabling you to
watch them when and where you want.
In addition, the ARTE VoD service
offers over 2.000 programmes for
download in French or German on
www.artevod.com, as well as on
iTunes. A DVD on Demand service
is also available.
ARTE LIVE WEB:
LIVE PERFORMING ARTS
Music from all over the world,
theatre, opera, pop, rock and dance,
with some 400 free videos online,
www.arteliveweb.com showcases
up-and-coming talents and top-ranked
artists performing live. Featuring ARTE
co-productions, exclusive content,
and recordings supplied by partner
broadcasters, ARTE Live Web provides
Internet viewers with a space for
discovery and contact with other users.
A BRAND NEW FORMAT:
THE WEB DOCUMENTARY
ARTE introduces new ways to tell a
story. In 2008, the resounding success
of Gaza / Sderot, Life in Spite of
Everything spotlighted an entirely new
genre: the web documentary. Live
and interactive, the web documentary
takes viewers into an unknown world,
allowing them to navigate along multiple
pathways featuring narration, interviews,
portraits, etc.
In 2010, ARTE will continue this
adventure with further experiments
in the new genre like Africa: 50 Years
of Independence (Afrique: 50 ans
d’indépendance), Prison Valley and
Havana / Miami: Times are changing
(Havana / Miami: les temps changent).
ARTE RADIO
V
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Innovative
web formats
32-33
ARTE is a force for change and innovation
on the web. An early Internet pioneer
with the launch of www.arteradio.com
in 2002, ARTE continues to be a proactive
player online, utilising social networks and
introducing many new experimental features.
Acknowledged as a benchmark
for creativity with sound,
www.arteradio.com offers over
1.300 short - and medium-length
features. News and special reports,
dramas and documentaries are available
for online listening or as podcasts.
ARTE AND SOCIAL
NETWORKS
ARTE keeps a high profile both on the
web and on social networks such as
Facebook, YouTube, Twitter, MySpace,
and StudiVZ. ARTE initiates discussions
and networking groups and keeps users,
especially the youth audience, up
to date on programmes and events.
THE CREATIVE PLATFORM
The concept of the creative platform
is to provide an inspirational environment
for interested users as well as a place
for discussion and exchange of ideas
in an editorially managed context
where both young creative talents
and acknowledged experts in
their fields can join in producing
audiovisual content.
FOR INDUSTRY USERS…
On www.artepro.com, audiovisual
and media professionals will find ARTE
magazine, press kits and releases,
stills from programmes, a directory
of producers and distributors,
an audiovisual rights catalogue
and also details on how to
submit projects.
L’Apocalypse, by
Jérôme Prieur and
Gérard Mordillat/AR
TE France © Arch
ipel 33/François
Catonné
The book catalogue now has almost a
hundred titles, including such bestselling
successes as the book If Maps Could
Talk (Atlas du Dessous des cartes) series,
based on the programme with JeanChristophe Victor, a book version of The
World According to Monsanto (Le monde
selon Monsanto) by Marie-Monique
Robin and the graphic novel Waltz with
Bachir, inspired by Ari Folman’s first
animated documentary feature.
In DVD and Blu Ray, ARTE Editions
has won over audiences with box sets
of The War by Ken Burns and Lynn
Novick and Architectures by Richard
Copans and Stan Neumann. Performing
arts are also a strong point, with titles
such as Louise Bourgeois, Ariane
Mnouchkine – The Adventure of the
Théâtre du Soleil and Peter and the Wolf,
the musical fable by Sergei Prokofiev.
All ARTE publications are available
at www.arteboutique.com.
34-35
Europas Erbe - Die großen Dramatiker,
by Matthias Schmidt/ZDF © MME/Stefan Schmitz
Art, history, society, literature, philosophy,
or social investigation…
the range and depth of ARTE
programming has expanded into other
media through ARTE Editions, a joint
label for both DVD and book publishing
since 2008. An ambitious editorial policy
ensures a wide variety of subjects and
styles, providing food for thought and
material for debate. True to the channel’s
spirit of openness, ARTE Editions
engages primarily in joint ventures,
seeking proactive partnerships to bring
works into publication and ensure
their ongoing sales and distribution.
In the ten years of its existence, the
publishing arm has become a preferred
partner in the industry, initiating original
projects that reflect the commitment
and enthusiasm of ARTE, as well as
its high standards and spirit of enquiry.
36-37
ARTE Rock in the
City, October 200
8 © Frédéric Maig
rot
TRADE FAIRS
AND FESTIVALS
There is a high level of awareness in
the media of ARTE’s exacting standards
as a quality cultural network open
to the world, and so the channel’s
programming and top features attract
extensive press coverage in France,
Germany and throughout Europe. The
full range of TV magazine programmes,
daily press, radio and new media
thus represent a major public relations
vehicle for ARTE, to which the channel
attaches enormous importance. The
press offices in Paris, Strasbourg and
Baden Baden co-ordinate ARTE’s public
relations efforts, organising numerous
initiatives across Europe that provide
an opportunity for liaison and exchange
of ideas with journalists and industry
professionals.
A much sought after producer, ARTE
maintains a high profile at all the
important festivals in Germany, France
and other European countries. Meetings
are held with journalists and film-makers
at the Berlin and Cannes Film Festivals,
two major cinematic events, but ARTE’s
efforts do not stop there.
The channel also participates in the most
important television trade fairs such as
FIPA, MIPTV, MIPCOM, MIDEM and
Media Forum NRW and ARTE is present
and highly regarded at the Paris,
Frankfurt and Leipzig book fairs.
ARTE stand, Frankfurt Book Fair © ARTE Deutschland
N
O
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T
A
C
I
N
U
M
COM
AND EVENTS
PRESS AND
PUBLIC RELATIONS
PROMOTION
AND MARKETING
ARTE supports its special programming
and flagship titles – especially new
programmes and live coverage
of the Cannes and Berlin film festivals
– with energetic and original publicity.
The channel’s marketing teams
in France and Germany design and
run major promotional campaigns
in print media and on the radio.
CULTURAL INITIATIVES
ARTE plays an active role in the cultural
life of France, Germany and Europe
as a whole, providing creative space
for artists and encouraging contact
with the public. ARTE France has set
up a special commission for its cultural
initiatives, which has led to numerous
events in France and Europe,
in particular the Temps d’images
Festival of the performing and moving
image arts. In Germany, ARTE
Deutschland co-operates with several
major cultural institutions, including the
“Houses of Literature” (Literaturhäuser),
and Franco-German events such as
the Perspectives theatre festival.
l
e
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n
a
The ch
trol, ARTE GEIE ©
Shooting © Michel Nicolas
Shooting © Benoit Linder/French Co
Shooting © Benoit Linder/French Co
Digital Master Con
Frédéric Maigrot
ARTE is a European cultural public service channel. Subdivided into three main
companies: ARTE France, ARTE Deutschland, and ARTE GEIE, the group
employs staff from France, Germany and other European countries.
In both France and Germany, 95% of funding for the channel comes from
the direct tax on home television sets. The network is not allowed to show
advertising, but may seek additional revenue from other sources, in particular,
corporate patronage.
With its Europe-wide reach, ARTE has also developed a range of successful
partnerships for co-production and exchange of programmes with the major
European public service broadcasters.
The ARTE Group is made up of three
separate bodies: the Strasbourg based
European Economic Interest Grouping
ARTE GEIE, plus two member
companies acting as editorial and
programme production centres, ARTE
France in Paris and ARTE Deutschland
in Baden Baden. These two companies
currently provide three-quarters
of ARTE’s programming in equal
proportion, the remainder being
provided by ARTE GEIE and
the channel’s European partners.
The members are responsible
for submitting programme proposals,
which have to be approved by
the Programme Committee
and are subsequently broadcast
from Strasbourg. They jointly finance
and control headquarters operations
in Strasbourg, while also representing
the interests of French and German
partners before ARTE GEIE’s
decision-making bodies.
Headquarters of
E
R
U
T
C
U
R
T
S The ARTE Group
40 - 41
ARTE GEIE in Stra
sbourg © Frédéric
Maigrot/ARTE
GENERAL ASSEMBLY
Chair: Véronique Cayla
Vice Chairman: Prof. Jobst Plog
Members: representatives of ARTE France and ARTE Deutschland, European associated partners
ARTE FRANCE
ARTE GEIE
MANAGEMENT BOARD
ARTE DEUTSCHLAND
FRENCH MEMBER
President: Jérôme Clément
Chief Executive Officer:
Jean Rozat
Deputy Chief Executive
Officer: Fabrice Rebois
Shareholders: France
Télévisions 45%, State 25%,
Radio France 15%, INA 15%
HEAD OFFICE
President:
Dr. Gottfried Langenstein
Vice President:
Jérôme Clément
Programme Director:
Dr. Christoph Hauser
Administrative Director:
Victor Rocaries
GERMAN MEMBER
Managing Directors:
Dr. Klaus Wenger
Heiko Holefleisch
Associates:
ARD 50%, ZDF 50%
PROGRAMME
COMMITTEE
PROGRAMME
ADVISORY COMMITTEE
Chairman:
Dr. Christoph Hauser
Members:
representatives of ARTE
France, ARTE Deutschland
and ARTE GEIE,
European partners
Chairman:
Jean-Etienne Cohen-Séat
Vice Chairman:
Dr. h. c. mult.
Hans Zehetmair
EUROPEAN
PARTNERS
Partnership Agreements
RTBF, ORF,
TVP
Co-operation agreements
SRG SSR idée suisse,
YLE, ERT
Co-production
agreements
BBC, SVT
ARTE GEIE
42 - 43
ARTE* was founded on 30 April 1991 as
a European Economic Interest Grouping
(GEIE). It is composed of two equal
members: ARTE Deutschland TV GmbH
and ARTE France.
Article 2 of the contract establishing
ARTE GEIE defines its role: “The
purpose of this grouping is to conceive
and produce television programmes
which, in a broad sense, are cultural
and international in character and
conducive to promoting understanding
and rapport between Europe’s nations
and to broadcast these programmes
or to authorise their broadcast.”
ARTE GEIE in Stra
sbourg © Patrick
The Strasbourg headquarters is in charge
of programme strategy, commissioning
policy and scheduling. It is responsible
for broadcasting and on-air promotion
and provides the language services
required for multilingual transmission.
It also produces news, magazine
programmes and some of the theme
evenings. In addition to this, ARTE GEIE
plans and co-ordinates public relations
activities and manages relations with
European partners.
*Association Relative à la Télévision Européenne
Bogner
Programme Director:
Dr. Christoph Hauser
Deputy Programme
Director, Head
of Programme Planning
and Media Research:
Emmanuel Suard
Programme Development
and Events:
Olaf Grunert
Head of News:
Pascal Guimier
Film and Drama:
Prof. Dr. Andreas
Schreitmüller
Documentaries:
Annie Bataillard
Documentaries
and Magazines:
Kornelia Theune
Live and Performing Arts:
Jean Wittersheim
Broadcasting and
Programme Promotion:
Henri L’Hostis
Production:
Peter Felger
Art Director:
Ulli Krieg
Administrative Director:
Victor Rocaries
Deputy Administrative
Director:
Dr. Axel Bussek
Finance:
Laurent Ehresmann
Legal Services:
Jean-Louis Haineaux
Language Services:
Elisabeth Krone
Human Resources:
Fabian Leistikow
Technical Services:
Thomas Palm
Director:
Dr. Hans-Walter Schlie
Marketing and Sponsoring:
Paulus G. Wunsch
Multimedia:
Sabrina Nennstiel
Press and PR:
Claude-Anne Savin
Jérôme Clément © Martin Bernhart
Victor Rocaries © ARTE - Martin Bernhart
STRATEGIC DEVELOPMENT
AND CO-ORDINATION
Dr. Christoph Hauser © Frederic Maigrot
ADMINISTRATION
ENT
THE MANAGEM
BOARD
Headquarters of ARTE GEIE in Strasbourg © Patrick Bogner
Headquarters of
PROGRAMMES
Dr. Gottfried Langenstein
© ZDF/Carmen Sauerbrei
The purpose of a European Economic Interest Grouping (GEIE) is to promote cross-border
co-operation and facilitate or develop the economic activity of its members. Governed
by European and not national law, its flexible legal structure enables its members
to group part of their activities while retaining their legal and economic independence.
The Management Board directs
the channel’s operations and reports
regularly to the General Assembly.
It has four members: the Chairman,
the Vice Chairman, the Director
of Programmes, and the Administrative
Director. Each is appointed for a fouryear term of office. Representatives
of ARTE France and ARTE Deutschland
may be invited to attend extended
meetings of the Management Board.
Chairman:
Dr. Gottfried Langenstein
Vice Chairman:
Jérôme Clément
Programme Director:
Dr. Christoph Hauser
Administrative Director:
Victor Rocaries
Digital Master Control, ARTE GEIE © Frédéric Maigrot/ARTE
BUDGET DISTRIBUTION
Headquarters of
HUMAN
RESOURCEES
IE
ARTE G
44-45
ARTE GEIE in Stra
sbourg © Frédéric
Maigrot/ARTE
BUDGET
A workforce of 430 French and German employees ensures
the smooth operation of ARTE GEIE, which also relies on the
efforts of freelance and independent journalists and occasional
performers, as well as various contractors for miscellaneous
services. The average staff age is forty-two, with around nine
years of service. In an enterprise with dual nationality like ARTE,
the need to establish a common corporate culture and identity
that all staff can identify with is a major challenge faced daily,
in all of its activities. Good communication between, and
co-ordination of, the channel’s three operational centres are
critical elements in this process. An internal forum and a staff
exchange programme enable everyone involved to experience
the varied skills and know-how that go into making the channel
successful while also providing a space for inter-personnel
dialogue within the company.
ARTE GEIE is a financially independent,
self-governing entity. In addition
to management controls exercised
by two controllers from ARTE France
and ARTE Deutschland appointed
by the General Assembly – currently
Fabrice Rebois and Dr. Klaus Wenger –
and the financial controls provided by
the auditors, an external control function
has been created to check on the
implementation of resolutions adopted
by the General Assembly, compliance
with current legislative requirements,
and the effective use of funds.
CONSOLIDATED 2009 BUDGET
FOR THE THREE OPERATIONAL
CENTRES (IN MILLIONS OF EUROS)
Programmes
Documentaries
Drama
Film
Magazines
Live and Performing Arts
2nd language version
News
Theme Evenings
Royalty Payments
Programme Trailers
Human Resources
Broadcasting
Operating Costs
Communication
Multimedia
Total
251.08
71.33
38.44
36.94
31.96
20.64
16.53
13.90
10.98
7.83
2.51
54.74
47.69
33.02
10.00
4.64
401.17
Programmes
Human Resources
Broadcasting
Operating Costs
Communication
Multimedia
63%
14%
12%
8%
2%
1%
PROGRAMME
BUDGET DISTRIBUTION
Documentaries
28%
Drama
15%
Film
15%
Magazines
13%
Live and Performing Arts 8%
2nd language version
7%
News
6%
Theme Evenings
4%
Royalty Payments
3%
Programme Trailers
1%
The General Assembly © Frédéric Maigrot/ARTE
L
A
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E
N
E
G
E
H
T
ASSEMBLY
ARTE GEIE in Stra
sbourg © Patrick
Bogner
Prof. Jobst Plog © Frédéric Maigrot/ARTE
Véronique Cayla © Frédéric Maigrot/ARTE
Headquarters of
THE GENERAL ASSEMBLY
Chair: Véronique Cayla
Vice-Chairman: Prof. Jobst Plog
REPRESENTATIVES
OF ARTE FRANCE
REPRESENTATIVES
OF ARTE DEUTSCHLAND
Véronique Cayla
Chief Executive Officer of the Centre national
du cinéma et de l’image animée (CNC)
Chair of the General Assembly of ARTE
Prof. Jobst Plog
President of EURIMAGES
Vice Chairman of the General Assembly
of ARTE
Patrice Duhamel
Chief Executive Officer for Broadcasting,
Development and Diversification
of France Télévisions
Peter Boudgoust
President of SWR
President of ARD
Chairman of the General Assembly
of ARTE Deutschland
Laurence Franceschini
Director of the government’s Media
Development Department (DDM)
Alexis Kohler
Directeur à l’Agence des Participations
de l’Etat, Ministry for the Economy
The General Assembly, which meets
at least four times a year, makes
fundamental decisions of strategic
importance to the channel, approves
the Business Plan and not only appoints
members but also top managerial staff
to ARTE GEIE. The twelve delegates
– six German and six French – represent
the two members of the ARTE Group.
The associate partners, RTBF, ORF
and TVP have an advisory role.
Prof. Markus Schächter
President of ZDF
Vice Chairman of the General Assembly
of ARTE Deutschland
Nicolas Seydoux
President and Chief Executive Officer
of Gaumont Productions
Prof. Dr. Carl-Eugen Eberle
Head of Legal Services at ZDF
Jean Rozat
Chief Executive Officer
of ARTE France
Dr. Frank D. Freiling
Director of International Affairs
at ZDF
ASSOCIATE MEMBERS IN AN ADVISORY CAPACITY
RTBF:
Jean-Paul Philippot
General Manager
46-47
Fritz Raff
President of SR
TVP:
Romuald Orzel
President
ORF:
Dr. Alexander Wrabetz
Chief Executive Officer
The Programme Committee sets
the channel’s editorial policy and drafts
the programme agenda for submission
to the General Assembly.
The Assembly convenes once a month
in the Strasbourg headquarters, studies
members’ and headquarters’ proposals
and decides which of these programmes
will be screened on ARTE.
The Programme Committee is chaired
by the Programme Director and
includes three further representatives
from the headquarters in Strasbourg,
two representatives each from the
French and German members and,
in an advisory capacity, a representative
from each associate partner.
Chairman: Dr. Christoph Hauser
48-49
Dr. Christoph Hauser
Programme Director, Member
of the Management Board
Emmanuel Suard
Deputy Programme Director
Head of Programme Planning
and Media Research
Pascal Guimier
Head of News
Olaf Grunert
Head of Development
and Events Department
REPRESENTATIVES
OF ARTE FRANCE
Pierre Chevalier
Project Management Director
Alain Wieder
Deputy Project Management Director
REPRESENTATIVES
OF ARTE DEUTSCHLAND
Dr. Klaus Wenger
Managing Director
ARTE-ARD Co-ordinator
Heiko Holefleisch
Managing Director
ARTE-ZDF Co-ordinator
EUROPEAN PARTNERS
IN AN ADVISORY CAPACITY
ERT: Irene Gavala
ORF: Petra Gruber
RTBF: Carine Bratzlavsky
SRG SSR idée suisse: Alberto Chollet
TVP: N.N.
YLE: N.N.
PROGRAMME
ADVISORY
COMMITTEE
The Programme Advisory Committee
advises the Management Board
and the General Assembly on
programming issues. Its members,
eight from Germany and eight
from France, are leading personalities
from civil society and the arts world.
The associate partners participate
in an advisory capacity.
Chairman: Jean-Etienne Cohen-Séat
Vice-Chairman: Dr. h. c. mult. Hans Zehetmair
MEMBERS (FRANCE)
Françoise Benhamou
Economist and Professor at the
University of Paris I
Jean-Etienne Cohen-Séat
Publisher
Consultant of Chief Executive Officer,
Hachette Livres
Bernard Faivre d’Arcier
Former senior civil servant
in the Ministry of Culture
Dan Franck
Writer and scriptwriter
Hind Meddeb
Film maker and journalist
Jean-Michel Meurice
Painter and film-maker
Hélène Waysbord
Honorary General Inspector
for the Ministry of Education
Expert on literature
Patrick Weil
Historian and political expert
Prof. Michael Schmid-Ospach
Member of the ZDF Broadcasting
Council
Journalist
Dr. Wolfgang Stöckel
Member of the BR Broadcasting Council
Journalist
Andrea Urban
Member of the ZDF Broadcasting
Council
Director, Youth Protection Office
of Lower Saxony
Dr.h.c. Hans Zehetmair
Member of the ZDF Broadcasting
Council
Former Bavarian Minister of State and
Chairman of the Hanns Seidel
Foundation
ASSOCIATE PARTNERS
IN AN ADVISORY CAPACITY
ORF: Dr. Peter Pawlowsky
RTBF: Carine Bratzlavsky
TVP: N.N.
MEMBERS (GERMANY)
Prof. Dr. Dr.h.c. Wolfgang Jäger
Member of the ZDF Broadcasting
Council
Principal (retired), University of Freiburg
Prof. Dr. Werner Lohmann
Member of the WDR Broadcasting
Council, Principal (retired),
Musikhochschule Köln
Thomas Mann
Member of the HR Broadcasting
Council
Member of the European Parliament
Wolfgang Marr
Member of the MDR, Broadcasting
Council, Journalist
Meeting of the Programme Advisory Committee © Frédéric Maigrot/ARTE
COMMITTEE
Meeting of the Programme Committee
© Frédéric Maigrot/ARTE
Meeting of the Programme Committee © Frédéric Maigrot/ARTE
PROGRAMME
REPRESENTATIVES
OF ARTE GEIE
Headquarters of
ARTE FRANCE
50-51
ARTE France in Issy
-les-Moulineaux
(Paris) © ARTE
ARTE France produces, co-produces
and purchases programmes for ARTE.
Production policy focuses primarily
on promoting original, high-quality
audiovisual work. Commissions from
ARTE France contribute to sustaining
a network of independent producers,
while its co-productions ensure
that the company is a major player
in the film and television industry,
both in France and Europe-wide.
ARTE France has a permanent
workforce of 220 professionals with skills
in programming, communication,
multimedia, development, international
relations and management,
all contributing to the objectives
of the channel. Two subsidiaries have
also been set up: the film production
company ARTE France Cinéma,
and the audiovisual production
and publishing company ARTE France
Développement, one of whose main
tasks is marketing books and DVDs
under the brand name ARTE Editions.
A video-on-demand download service
is also offered on www.artevod.com.
A shareholder in TV5MONDE and
the Canadian cultural channel ARTV,
ARTE France boosts the distribution
of its programmes worldwide by making
them available, on a co-operative basis,
to these and other channels. ARTE
France organises and supports
professional training programmes
outside France, sometimes in association
with Canal France International,
of which it is also a shareholder.
SUPERVISORY BOARD
Chairman: Bernard-Henri Lévy, Writer and philosopher
Vice Chairman: Nicolas Seydoux, Chairman, Gaumont
EXECUTIVE BOARD
Chairman:
Jérôme Clément
Development:
Marie-Laure Lesage
Internet:
Joël Ronez
Public Relations:
Marie-Danièle Boussières
Cultural Development:
Angélique Oussédik
Institutional Relations:
Muriel Guidoni
International Relations:
André de Margerie
Chief Executive Officer
Director of Strategy:
Jean Rozat
Project Director:
Pierre Chevalier
Deputy Project Director:
Alain Wieder
PROGRAMME DEPARTMENTS
Current affairs, society
and geopolitics:
Alex Szalat
Film: Michel Reilhac
Culture and performing arts:
Gabrielle Babin
Discovery and knowledge:
Hélène Coldefy
Documentaries:
Pierrette Ominetti
Drama:
François Sauvagnargues
Research Unit:
Claire Doutriaux, Paul Ouazan
Deputy Chief
Executive Officer
Director of Administration:
Fabrice Rebois
Quality Control:
Jean-Pierre Leoni
Finance:
Éric Garcin
Legal Services:
Pascale Ottavi
IT Services:
Robert Eusèbe
Human Resources:
Pascale Baron-Galampoix
Logistics:
Christophe Fouquières
SUBSIDIARIES OF ARTE FRANCE
ARTE FRANCE CINÉMA
Chairman: Jérôme Clément
Deputy CEO: Michel Reilhac
ARTE FRANCE DEVELOPMENT
Chairman: Jérôme Clément
Chief Executive Officer: Marie-Laure Lesage
The structure of the Baden Baden based
company is identical to that of federal
public broadcasting stations throughout
Germany. Its shareholders are the state
broadcasting corporations ARD* and
ZDF**. The entire German contribution
to ARTE consists of programmes,
often television premieres, which
have been either purchased or
produced by ARD and ZDF.
The ARTE liaison officers at ARD
and the ARTE co-ordinator at ZDF are
responsible for programming proposals
and their realisation. They work in close
collaboration with their respective
editorial departments, the ARTE
Deutschland Programme Co-ordination,
and editorial departments at ARTE GEIE.
ARTE Deutschland is represented
on the Programming Committee
and other executive boards
by its managing directors.
Headquarters of
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52-53
ARTE Deutschland
TV GmbH in Bad
en Baden © ART
E
ARTE Deutschland is predominantly
concerned with the co-ordination and
contract settlements of the German
programme contributions for both
television and Internet. They are also
responsible for programme-related
communication in Germany as well
as for expanding and maintaining
a large network of partnerships with
cultural and media organisations in
the fields of literature, theatre, music, fine
arts and audiovisual media. With regards
to multimedia administration, ARTE
Deutschland, in collaboration with its
shareholders, has editorial responsibility
SHAREHOLDERS’
MEETING
MANAGEMENT
Chairman:
Peter Boudgoust
Managing Director of SWR
Managing Directors:
Dr. Klaus Wenger
Heiko Holefleisch
Vice Chairman:
Prof. Markus Schächter
Director General of ZDF
Programme Co-ordination
and Multimedia:
Dr. Thomas M. Salb
Programme Management
and Legal Affairs:
Christoph M. Weber
PROGRAMME ADVISORY
COMMITTEE
Communication
and Marketing:
Thomas P. Schmid
Chairman:
Michael-Andreas Butz
ZDF
Administration, Human
Resources and Finance:
Armin Breger
Vice Chairman:
Hans-Peter Strenge
NDR
for themed files and content on certain
parts of the ARTE website. Together
with ARTE France, ARTE Deutschland
supervises the organisation and editing
of live streaming for the concert
and event platform, ARTE Live Web.
These ventures all serve to demonstrate
ARTE’s commitment to Franco-German
partnership and to Europe.
ARTE
CO-ORDINATORS
AT GERMAN TV
CHANNELS
ARD
Co-ordinator:
Dr. Klaus Wenger
ARTE Liaison Officers
at ARD Channels:
BR: Prof. Jochen Kölsch
HR: Manuel Meyer
MDR: Ingrid Hofmann
NDR: Ulrike Dotzer
RBB: Søren Schumann
RB: Mechthild Lehning
SR: Natalie Weber
SWR: Peter Latzel
WDR: Prof. Dr. Sabine
Rollberg
ZDF
Co-ordinator:
Heiko Holefleisch
* ARD: Arbeitsgemeinschaft der öffentlich-rechtlichen Rundfunkanstalten
der Bundesrepublik Deutschland (“Consortium of public-law broadcasting
corporations of the Federal Republic of Germany”)
** ZDF: Zweites Deutsches Fernsehen (“Second German Television”)
Partnership Agreements commit
ARTE and its associate members to
a substantial number of co-productions
as well as programme exchanges.
Associate members participate in ARTE’s
decision-making and advisory bodies,
in a consultant capacity. Agreements
have been entered into with:
RTBF
Belgium, February 1993
Radio Télévision Belge
de la Communauté Française
Since September 2006, RTBF has
its own window in the ARTE programme
in Belgium with ARTE Belgique.
www.rtbf.be
www.arte-belgique.be
TVP
Poland, January 2001
Telewizja Polska
www.tvp.pl
© European Com
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ARTE GEIE has entered into a number
of agreements with other European
public service broadcasters. This
demonstrates ARTE’s commitment
to produce and broadcast
programmes that bring Europe’s
creativity and diversity to the fore.
mission
ORF
Austria, March 2001
Österreichischer Rundfunk
www.orf.at
CO-OPERATION
AGREEMENTS
Under Co-operation Agreements,
partner channels and ARTE strive
to develop a large number of
co-productions spanning all audiovisual
genres. Partner channels take part
in Programme Committee meetings
in an advisory capacity. Agreements
have been signed with:
SRG SSR idée suisse
Switzerland, July 1995
Schweizerische Radiound Fernsehgesellschaft /
Società svizzera di radiotelevisione/Societad svizra
da radio e televisiun
www.srg-ssr-idee-suisse.ch
YLE
Finland, February 1999
Yleisradio Oy
www.yle.fi
ERT
Greece, April 2009
Ellinikí Radiofonía Tileórasi
www.ert.gr
CO-PRODUCTION
AGREEMENTS
In addition, ARTE GEIE, together
with ARTE France and ARTE
Deutschland (ARD and ZDF),
have signed Co-production
Agreements with:
BBC
United Kingdom, October 2001
British Broadcasting Corporation
www.bbc.co.uk
SVT
Sweden, June 2002
Sveriges Television
www.svt.se
ARTE WORLDWIDE
ARTE France has established various
forms of partnership that increase
the channel’s visibility worldwide,
in particular in Central Europe,
the Balkans and the Caucasus,
as well as Africa and South America
with programme supply, programming
slots, screenwriting workshops, etc.
European Institutions © Photo Parlement Européen
PARTNERSHIP
AGREEMENTS
BRINGING ARTE
TO EVERY SCREEN
TV via ADSL
ARTE features in several triple play
packages (Internet / telephone / TV)
offered by ADSL providers.
Shooting © Fréd
D
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TRAN
RECEPTION
éric Maigrot
Hybrid Broadcast Broadband TV
The idea of HBB-TV is to merge
broadcast audiences with Internet
users in front of a single screen,
enabling viewers to surf the web and
watch TV on the same set. All ARTE’s
programming, free-to-air and on
demand, is available via broadband
with excellent picture quality.
On mobile phones and iPhones
In Germany, the latest mobile phone
models allow reception of ARTE
via DTTV. In both Germany and France,
special iPhone packages offer access
to ARTE using 3G streaming technology.
56-57
SAME PICTURE,
DIFFERENT LANGUAGES
Thanks to digital transmission,
ARTE programmes are always
available in stereo and in both local
languages. French and German
speaking viewers automatically
receive broadcasts in their own
language but also have access to
the second language version as well
as original language versions with
subtitles for some films.
SUBTITLES FOR HEARINGIMPAIRED VIEWERS AND
AUDIO DESCRIPTION
Every year ARTE broadcasts
about thirty cinema titles
and television dramas with
Audio Description on the second
channel via DTTV, satellite and
over-the-air. The AD feature,
available in both French
and German, makes visual
and narrative content accessible
to the blind and visually impaired.
The channel is also increasingly
offering programmes for the hard
of hearing: up to 50% of its broadcasts
can be accessed in a subtitled
version via teletext, or by using
the “subtitles” function on TNT,
satellite, ADSL and cable
decoders.
Cutting room © Frédéric Maigrot
Since 2007, ARTE has broadcast
programmes in HD via ADSL, cable,
the ASTRA satellite, and on Digital
Terrestrial Television (DTTV).
The number of HD productions
is growing constantly and all ARTE
programmes are being converted
to a technical quality that is ideally
suited to flat widescreen televisions.
Shooting © Nicolas Michel
HDTV
New transmission technologies are constantly
expanding the number of viewers in Europe
who can receive ARTE programmes. In 2009,
the total reach of the channel was 190 million
viewers in 80 million households.
Atlantic Bird 3 Secam (60 cm)
ASTRA 1 (60 cm)
Hot Bird digital (180 cm)
BROADCASTING VIA SATELLITE
ATLANTIC
BIRD 3
ASTRA 1
HOT
BIRD
ASTRA 1
ATLANTIC
BIRD 3
ASTRA 1
ASTRA 1
IN FRANCE
AND GERMANY
IN EUROPE
AND WORLD WIDE
Standard
SECAM
PAL - PALplus
DVB
DVB
DVB
DVB
MPEG 4 HD
ARTE can be watched by about
95% of the population in the two
countries.
As a European cultural network,
ARTE is relayed by numerous cable
networks and satellite services
Europe-wide and overseas:
• In Belgium 98% of households
receive ARTE (total 4 million
households).
• In Switzerland ARTE is broadcast
(in French and German) on all
cable networks – a total of 3
million households.
• In the Netherlands ARTE
is available to 3 million cable
households.
• In Spain ARTE is accessible
via cable networks. A selection
of ARTE programmes is also
shown by the state owned
national network La 2.
• In Austria 85% of cable networks
relay ARTE programmes to 1
million households. ARTE is also
received by 1.5 million households
with satellite dishes.
• In Finland 1 million households
receive ARTE via satellite.
The signal is also carried
by numerous cable networks.
Position
5° West
19. 2° East
13° East
19.2° East
5° West
19.2° East
19.2° East
Frequency (MHz)
12606 V
10994 H
11623 V
11568 V
11590 V
10744 H
11362 H
27 500ksymb/s
FEC 3/4
22 000 ksymb/s
FEC 5/6
20 000 ksymb/s
FEC 2/3
22 000 ksymb/s
FEC 5/6
22 000 ksymb/s
FEC 2/3
8PSK (DVB-S2)
In France 5.3 million households
have a satellite dish, 2.9 million
are cable subscribers, 7.4 million
receive DTTV and 3.6 million
are still using the analogue
terrestrial network, on which
ARTE is broadcast from 7 pm
daily. Nearly all of France and
its territories now receive DTTV
and the transition from analogue
will be complete by the end
of 2011. Almost 3 million
households are ADSL subscribers.
In Germany 15.8 million
households are cable
subscribers and 14.7 million
have a satellite dish. 3.6 million
households have access
to DTTV. 300.000 households
are ADSL subscribers.
58-59
SATELLITE COVERAGE
Data Format
• In Poland 440.000 households receive
ARTE via satellite.
• In Luxembourg 90% of households
can receive ARTE.
• Via satellite, ARTE is watched
by an extensive viewership all over
Europe (Denmark, Norway, Sweden,
Iceland, Estonia, Latvia, Portugal,
Hungary, Slovenia, Bulgaria, Albania,
Bosnia-Herzegovina), as well
as around the Mediterranean rim.
• In Africa ARTE is broadcast
via satellite, cable, BRS and ADSL
in twenty French-speaking countries
as part of the digital service
CANALSATELLITE HORIZONS.
Audio
Subcarriers (MHz)
5.80 (J17)
7.02-7.20
(Panda)
7.38-7.56 (Panda)
7.74-7.92 (Panda)
ServPID 10703
VidPID 223
AudPID_fr 233
AudPID_all 243
ServPID 9019
VidPID 167
AudPID_fr 136
AudPID_all 137
ServPID 261
VidPID 520
AudPID_fr 530
AudPID_all 531
ServPID 28724
VidPID 401
AudPID_all 402
AudPID_fr 403
ServPID 11120
VidPID 6210
AudPID_all 6221
AudPID_fr 6222
Language
Version
5.80 F
7.02-7.20 G
7.38-7.56 Dualtone
7.74-7.92 F/OV
F
G / OV
F
G / OV
F
G / OV
F
G / OV
F
G / OV
On-screen
Subtitles
F
G
F
F
F
G
G
Teletext
F+A
G+F
F+G
F+G
F+G
G+F
G+F
Encoded
Subtitles
F (p. 888)
A (p. 150)
G (p. 150)
F (p. 151)
F (p. 888)
G (p. 150)
F (p. 888)
G (p. 150)
F DVBA
G DVB
G (p. 150)
F (p. 151)
G (p. 150)
F (p. 151)
Broadcasting
Times (MEZ)
7 pm - 3 pm
24h/day
24h/day
24h/day
24h/day
24h/day
24h/day
6 Mbit/s MBR
CANALSATELLITE
TNT
ARD-Digital
(Start 19.3.2008)
HD-Sat
(Start 1.7.2008)
Programme
Package
G: German • F: French • OV: Original Version
Chronology
THE CHANNEL
2 OCTOBER 1990
30 APRIL 1991
SEPTEMBER 1991
28 SEPTEMBER 1992
DECEMBER 1994
OCTOBER 1997
Signature by France and Germany
of an interstate treaty establishing
the foundation of a European
cultural channel.
The birth of the European Cultural
Channel ARTE, a European
Economic Interest Grouping (GEIE)
formed by La Sept and ARTE
Deutschland TV GmbH.
La Sept Cinéma established
as a film producing subsidiary
of La Sept.
Broadcasting on the fifth
French terrestrial network
(Telecom 2B satellite). 72%
of French households able to
receive the channel.
Broadcasting via
the ASTRA 1D satellite.
Launch of ARTE Editions by
ARTE Deutschland TV GmbH.
OCTOBER 1996
MARCH AND OCTOBER 1998
ARTE on the Internet at
www.arte-tv.com. In 2006,
ARTE updates its website
www.arte.tv.
Broadcasting from 2 pm
via French (TPS and
CANALSATELLITE)
and German (ZDF-Vision)
digital packages.
30 MAY 1992
ARTE first broadcast in France
and Germany via satellite
(TDF 1-2 and DFS1-Kopernikus)
and on cable from 5 pm.
LEADING
ARTE
ARTE Editions established
by La Sept ARTE.
JANUARY 1989
APRIL 1991
JULY 1995
MARCH 2001
OCTOBER 2001
JANUARY 2003
Jérôme Clément is appointed
President of La Sept.
Dr. Klaus Wenger is appointed
Managing Director of ARTE
Deutschland and ARD Co-ordinator.
Wolfgang Bernhard and Gerd Opitz
are appointed Managing Directors
of ARTE Deutschland TV GmbH.
Dr. Willibald Hilf and Daniel Toscan du
Plantier are appointed Chairman and
Vice Chairman of ARTE’s General
Assembly. Jérôme Clément and
Dietrich Schwarzkopf are appointed
Chairman and Vice Chairman of the
Management Board.
Jérôme Clément is re-appointed
President of ARTE France
for another five years. Jean Rozat
is appointed Chief Executive
Officer of ARTE France.
Heiko Holefleisch is appointed
Managing Director of ARTE
Deutschland TV GmbH
and ARTE’s Co-ordinator
at ZDF.
Jérôme Clément and Dr. Gottfried
Langenstein are appointed
President and Vice President
of ARTE, Prof. Jobst Plog and
Rémy Pflimlin are appointed
President and Vice President of the
General Assembly.
FEBRUARY 1993
JULY 1995
DECEMBER 1996
JANUARY 1998
JANUARY 2001
MARCH 2001
RTBF, Belgium’s French-language
public service broadcaster,
becomes an associate member.
Co-operation Agreement
with SSR, Swiss public service
broadcaster.
Co-operation Agreement
with TVP, Polish public service
broadcaster.
Co-operation Agreement with ORF,
Austrian public service broadcaster.
TVP, Polish public service
broadcaster, becomes an
associate member.
ORF, Austrian public service
broadcaster, becomes an
associate member.
MARCH 1991
EUROPEAN
PARTNERS
MAY 1994
JANUARY 1999
Prof. Jobst Plog is appointed
first German President of ARTE.
FEBRUARY 1999
Co-operation Agreement with YLE,
Finnish public service broadcaster.
DESIGN AND
ADVERTISING
60-61
SEPTEMBER 1992
MAY 1994
SEPTEMBER 1996
SEPTEMBER 1998
JANUARY 2000
JANUARY 2001
OCTOBER 2002
First campaign “Laissez-vous
déranger par ARTE” (Let ARTE
challenge you!) (Audour, Soum,
Larue).
“Ma télé a du talent!” (Television
with talent!) (Audour, Soum, Larue)
“ARTE, sehen Sie selbst!” (ARTE
– see for yourself!) (Castenow +
Partner).
“ARTE - Was für ein Angebot!”
(Look what ARTE has to offer!)
(Michael Conrad & Leo Burnett)
“ARTE et fière de l’être !” (ARTE is
proud to be ARTE!) (Audour, Soum,
Larue)
New design for the channel
brand (Razorfish) including
some lively “idents” linking
the programmes.
Large scale campaign in Germany
to advertise the new analogue
frequency on which ARTE
is broadcast via the ASTRA
1C satellite.
JANUARY 1995
New channel design and graphics:
(Lambie-Naim & Company).
The logo is much clearer
and has a warm orange colour.
MARCH 2000
“ARTE erleben” (Experience the ARTE
adventure!) (McCann-Erickson).
AUGUST 2000
OCTOBER 2003
JULY 2008
La Sept ARTE
is renamed ARTE France.
Inauguration of the new ARTE
headquarters in Strasbourg,
close to the European Institutions.
Arte broadcasts in HD
via the Astra satellite in Germany.
SINCE 2001
Analogue broadcasting
24 hours a day via ASTRA
and from 2 pm via cable
networks in all German states.
OCTOBER 2008
ARTE broadcasts in HD
on DTTV in France.
APRIL 2005
ARTE broadcast 24 hours
a day in France via digital
terrestrial television (DTTV).
JANUARY 2005
MARCH 2006
JANUARY 2007
Dr. Christoph Hauser and
Victor Rocaries are appointed
ARTE’s Programme Director
and Administrative Director.
Jérôme Clément is re-elected
President of ARTE France.
Dr. Gottfried Langenstein is
appointed President of the ARTE
Management Board, Jérôme
Clément Vice President; Véronique
Cayla, CNC Director, is named
President of the General Assembly
and Prof. Jobst Plog Vice President.
OCTOBER 2001
JUNE 2002
SEPTEMBER 2006
APRIL 2009
Co-oproduction Agreement with
the BBC, British public service
broadcaster.
Co-operation Agreement with
SVT, Swedish public service
broadcaster.
ARTE Belgique, RTBF’s ARTE
window in Belgium, begins
transmission.
Co-operation agreement with ERT,
Greek public service broadcaster.
SINCE 2003
JANUARY 2004
JANUARY 2007
SEPTEMBER 2008
Campaign “ARTE on 8”
(McCann-Erickson) to entice
viewers to program ARTE on
channel 8 of their television sets.
Winds of change sweep through
ARTE: new design (Velvet Agency),
new slogan “vivons curieux”
(ARTE, Be Curious!). Large-scale
advertising campaign in France
(Ailleurs Exactement Agency).
ARTE restyles its brand idents
in collaboration with the Swiss
agency Déjà Vu.
The Munich agency LuxLotusLiner
develops a new design, based
on women’s and men’s faces,
accompanied by a new sonic
identity designed by NovaProd.
62-63
Copyrights :
Cover : Le Sacre du Printemps © ARTE France • Fortunes, by Stéphane Meunier © Julien Mokrani / ALP / Terence Films •
Lenny Kravitz, ARTE Summer Tour, Rock Werchter Festival 2008 © Rock Werchter
Page 64 : Prince, Tracks / ZDF / © Kevin Mazur/Theo Wargo/WireImage images • Trails from the east Myanmar & Bangladesh
– Behind the closed border, by Rob Hof © ARTE France • The War, by Ken Burns and Lynn Novick / ARTE /
© Florentine Films • Marie Antoinette, by David Grubin © Marie by Labarre-Cinétévé
Published by ARTE GEIE
Strategic Development and Co-ordination:
Dr. Hans-Walter Schlie
Press & PR: Claude-Anne Savin
Editorial Co-ordination: Cécile Le Martret,
Gaëlle Dietrich
Translation and Rewriting: ARTE’s Language
Services, Bernd Luxa, Gregory Warne
Graphic Design: All Contents, F-75015 Paris
Printed by Fot, Lyon
© ARTE GEIE/Press & PR/March 2010
ARTE GEIE
4, quai du Chanoine Winterer
BP 20035
F-67080 Strasbourg Cedex
Tel. +33 (0)3 88 14 22 22
Fax +33 (0)3 88 14 22 00
ARTE Deutschland
TV GmbH
Postfach 10 02 13
D-76483 Baden-Baden
Tel. +49 (0)7221 93 69 0
Fax +49 (0)7221 93 69 70
ARTE France
8, rue Marceau
F-92785 Issy-les-Moulineaux
Cedex 9
Tel. +33 (0)1 55 00 77 77
Fax +33 (0)1 55 00 77 00
www.arte.tv