Available May 5, 2015
Transcription
Available May 5, 2015
2015 #5: April Metz II Available May 5, 2015 Ceschi Fake Four Broken Bone Ballads An album 5 years in the making; Broken Bone Ballads from Fake Four Inc. front man Ceschi Ramos. Entirely produced by Canadian beatsmith Factor and features some of Ceschi’s most raw and viceral lyrics to-date. Select vocal features include Sage Francis, iCON The Mic K!ing, David Ramos and Shosin. Release Date: Apr. 7, 2015 File Under: Rap/Hip-Hop CD: 34457-6831-2 LP: FFINC054 CD: $13.75 LP: $20.81 Creature Automatic CD UPC: 634457683129 LP UPC: 634457683112 Telegraph Harp Dust Clouds May Exist Turn on ‘Dust Clouds May Exist,’ the debut album by Creature Automatic, and hear something familiar and something completely new. This is pop music that makes pop music strange again. At its core, ‘Dust Clouds May Exist’ is classic songwriting: flawlessly crafted, featuring catchy hooks and memorable riffs, exuberant and melancholy. But it’s also an experimental opus, with Lee playing some of the fabulously unusual instruments he’s become known for: mellotrons, crumhorns, and portatif organ alongside the usual guitars, drums, and piano. For fans of Brian Eno’s early songs, Robert Wyatt, Richard Youngs, and raucous experimentation. Release Date: Apr. 7, 2015 File Under: Rock/Pop CD: 03610-8761-9 LP: THR006 CD: $12.70 LP: $17.56 Jerry Paper CD UPC: 703610876194 LP UPC: 703610876187 Bayonet Records Carousel Jerry Paper is the sonic caricature of New York-based musician Lucas Nathan. Brought into the world after Nathan’s previous, more abstract projects dissolved into the ether, Jerry Paper represents a cartoonish vision of Self materialized through Jerry’s bizarre vision of pop music. Nathan’s latest full-length under the Jerry Paper moniker, Carousel, combines his fascination with synthetic reproductions of “real” instruments with his own brand of philosophical meditations. The album furthers the effort to make “goofy” sounds into “serious” music through the juxtaposition of idiosyncratic lyrics, sounds, and structures within the “grammar” of pop music. That being said, the album is much more than the sum of it’s parts. Like his other releases, Carousel is meant to be taken not so much song-by-song but as a complete piece. Weaving through themes of greed, corruption, waste, impermanence, and belief, the listener is presented with a world of piggies, cockroaches, and garbage people set to a soundtrack of quasi-orchestral synth madness, a kind of saccharine sheen that you’re not sure is cleanliness or grease; all you can be sure of is that you’re riding out Jerry’s trip. Release Date: Mar. 31, 2015 CD: 59575-0050-2 File Under: Rock/Pop LP: BR004 CD: $10.00 LP: $12.50 Dinner CD UPC: 859575005022 LP UPC: 859575005015 Captured Tracks Three Eps, 2012-2014 Dinner is the alias for Danish singer and producer Anders Rhedin. Since 2012, Dinner has released two EPs (Girl and You Are Like LA) and a guided meditation tape. This Fall, in collaboration with Texas label Red Eye Transit, we will be releasing his latest effort Oui!, a four-track EP that serves as a powerful introduction to this idiosyncratic musician. Dinner’s songs seem to be inspired by his own life - in the lyrics you find references to cities, parties and girls (the latter sometimes referred to as the “divine feminine”). Dinner himself claims that “All the songs are about death and transcendence.” Release Date: Apr. 14, 2015 CD: 17949-0106-0 File Under: Rock/Pop LP: CT215 CD: $10.00 LP: $13.13 CD UPC: 817949010607 LP UPC: 817949010591 Marker Starling Tin Angel Rosy Maze A sanguine dream of McCartney pop, Brazilian bossa nova, 1960s movie soundtrack sparkle and stoned Beach Boys baroque melodies, Rosy Maze is the latest album from cult Toronto troubadour Chris A. Cummings. Known as Mantler since 2000, this is the first record for Cummings under his new moniker Marker Starling. Rosy Maze was written mostly in the late 2000s “in my house in the east end of Toronto”. Synthesisers in the living room, letting songs drift into life organically, though inspiration would occasionally come to him elsewhere. “I wanted to capture the feeling of weather changing, the moodiness of the sky,” says Cummings. On the back of this strident, smart, infectious album, the forecast ahead is good for Marker Starling’s Rosy Maze. Release Date: Mar. 31, 2015 CD: 52571-0527-2 File Under: Rock/Pop LP: TAR045 CD: $11.00 LP: $17.56 Pale Blue CD UPC: 5052571052723 LP UPC: 5052571052716 Captured Tracks The Past We Leave Behind Mike Simonetti has decided to split from Italians Do It Better to focus on his new project, Pale Blue, as well as his new venture: the freshly minted label 2MR (Two Mikes Records). A collaboration between Simonetti and Captured Tracks, 2MR is an opportunity for Simonetti to start from a blank slate and release music he believes in. The first release on 2MR will be The Past We Leave Behind, the debut album from Pale Blue. Pale Blue, referencing the term “Pale Blue Dot” , coined by Carl Sagan to refer to a photograph of planet Earth taken by the Voyager 1 space probe in 1990, was originally conceived around the time that Hurricane Sandy hit New York and came to completion with Simonetti’s severance from Italians. Thus, many of the tracks that make up The Past grapple with themes of loss and new beginnings. The Past¦ encompasses a myriad of sonic elements, ranging from rhythmic, melodic techno to atmospheric ambient productions, while also incorporating Simonetti’s varied background in noise, drone, and even experimental dream pop. Above it all though, Wight’s vocals remain the focal point, saturating the record with a lush melodic warmth that’s so often missing in the electronic world. Musically, Pale Blue is a response to modern dance music and its constant fluctuations. It intentionally bears no obvious singles, nor club hits. Release Date: Apr. 14, 2015 CD: 17949-0113-0 File Under: Rock/Pop 2xLP: CT219 CD: $10.00 2xLP: $21.25 Robert Aiki, Aubrey Lowe & Ariel Kalma CD UPC: 817949011307 2xLP UPC: 817949011062 RVNG Intl. FRKWYS Vol. 12 We Know Each Other Somehow For the twelfth volume of FRKWYS, Robert Aiki Aubrey Lowe and Ariel Kalma offer We Know Each Other Somehow. Recorded outside of Mullimbimby, a remote community on the eastern Australian coast, the album pairs two synth voyagers for six extended evocations of environmental ambience and entrancing naturalism. Accompanied by Sunshine Soup, a feature length documentary based on the intergenerational collaboration, We Know Each Other Somehow summons another world in an otherworldly part of the planet. Release Date: Apr. 14, 2015 CD+DVD: 98295-5122-9 File Under: Rock/Pop LPx2+DVD: FRKWYS12 CD+DVD: $14.38 LPx2+DVD: $17.50 CD+DVD UPC: 798295512291 LPx2+DVD UPC: 798295512284 Stranger Cat Joyful Nose In The Wilderness Stranger Cat is the new project from Cat Martino, Sufjan Stevens’ right hand woman for the Age of Adz tour and record, as well as All Delighted People. Cat was also a recording and touring member of Sharon Van Etten’s band circa Epic. She appeared with The Shins on SNL and Williamsburg Park, played in Passion Pit at Governor’s Ball, and sings on the Son Lux record Lanterns. Cat retreated from Brooklyn, NY to winter in the Sierra Foothills in a small cottage. She explored the gamut from ethereal to turbulence. Simple melodies or beats became powerful walls of sound melting through snowstorms, howling winds and stark silence nestled inside gargantuan oaks and the infinite starry dome. Joined by Sven Britt for a week, each of them traded making beats, or melodic parts on casios, synths, guitars, branches and spoons, while the other recorded. Out of this adventure was born “In The Wilderness”, the duo’s debut full-length out April 14th on Joyful Noise Recordings. Release Date: Apr. 14, 2015 CD: 56605-4860-2 File Under: Rock/Pop LP: JNR163 CD: $10.00 LP: $12.00 Ava Luna CD UPC: 656605486024 LP UPC: 656605486017 Western Vinyl Infinite House While on a writing retreat in the sleepy southern town of Benton, Mississippi, the members of New York’s Ava Luna came across an abandoned house while on a walk through the woods. Overgrown, rotting, and littered with evidence of its past inhabitants, the maze-like dwelling would haunt their psyches throughout the writing and recording of their third full-length Infinite House. Like Borges’ “Library of Babel”, the seemingly endless rooms and hallways in the old house felt like a metaphor for the invisible, internal labyrinths, which the band explores lyrically and sonically on their new album. By questioning, or maybe just forgetting the rules of the real world, on their new album the band has grown beyond the “nervous soul” descriptor they’ve been tagged with in the past, delivering an album on which nightmarish moments can phoenix into revelations that help us reconnect with the surreal magic in our everyday lives. Release Date: Apr. 14, 2015 CD: 56605-4664-2 File Under: Rock/Pop LP: WV136 CD: $10.00 LP: $12.00 Flash Bastard CD UPC: 656605466422 LP UPC: 656605466415 Metropolis Wild Flash Bastard have raided the closets of yesteryear’s most forgettable acts to bring you a K-Tel quality masterpiece, where the forgettable becomes unforgettable then forgettable once again. The post-punk, post-disco, pass the bong spirit of 81’ will be born again in the new millennium, and Flash Bastard’s new record “WILD” is here to give it a sonic cesarean section. Lost somewhere between ABBA and the Misfits, this is disco ruffied Glitter Rock at its least culturally redeeming and most rewarding. This is Flash Bastard. Release Date: Apr. 14, 2015 CD: 82388-0969-2 File Under: Rock/Pop CD: $11.00 Wumpscut CD UPC: 782388096928 Metropolis Blut Spuker Tavern In the realm of dark, harsh EBM, no artist is as prolific and enduringly popular as :Wumpscut:. April of 2015 mastermind Rudy Ratzinger returns once again with the new release BlutSpukerTavern. As evidenced by standout tracks such as Gangreaen, Rattengift, the new album shows that having released twenty two albums and counting, :Wumpscut: is still the master of evil electro. Release Date: Apr. 14, 2015 CD: 82388-0974-2 File Under: Rock/Pop CD: $11.00 CD UPC: 782388097420 The Loodies Indica The Loodies The Loodies, jeune groupe alternatif montréalais, dont le nom s’inspire du mot russe désignant “le peuple”, sortira son second album le 31 mars. Edgy Ground, premier opus du groupe, réalisé et mixé par Howard Bilerman (Arcade Fire, Godspeed Black You Emperor!) et Jace Lasek (Patrick Watson, Wolf Parade), aura emmené la formation à deux reprises en Allemagne, en Autriche et en Suisse en 2012 et 2013 pour une vingtaine de représentations. On notera aussi quelques ouvertures prestigieuses pour Half Moon Run et Plants and Animals au Québec. Le nouvel album au nom éponyme a été réalisé par Warren C. Spicer (Plants and Animals). The Loodies fait preuve d’une grande maturité musicale en proposant un mélange d’indie, de pop et de folk aux mélodies délicates incluant des lignes de guitare riches. Ce second album nous fait pénétrer à nouveau dans l’intimité d’un univers musical tout en apesanteur, le temps de dix morceaux savamment ficelés. La juste touche de romantisme et la candeur mélodique du vocal enivrant de Ludovic Alarie y peignent des fresques mélancoliques. The Loodies s’affirme et affine ses sonorités dans ce nouvel exercice très prometteur. Lancement spectacle au bar Ritz le mercredi 1er avril. Ludovic Alarie (voix et guitare, Sasha Woodward (drums), Lysandre Ménard (piano, voix), Jérémy Delorme (guitare, trompette) et Etienne Dextraze (basse) s’imposent déjà sur la scène musicale comme l’un des groupes les plus prometteur de la relève. Montreal ‘s The Loodies’ self-titled sophomore album was produced by Warren C. Spicer (Plants and Animals). The band demonstrate solid musical maturity with their unique blend of indie, rock, pop and folk layered by delicate melodies and rich guitar lines. This album draws us back to the band’s most intimate musical universe, making us glide through the ten dreamy and cleverly poignant tracks of the album. Singer Ludovic Alarie’s intoxicating voice paints a picture with its perfect dose of romance and melodic grace. The Loodies bring a confident but refined sound to their latest release. The band’s first album “Edgy Ground”, produced and mixed by Howard Bilerman (Arcade Fire, Godspeed You! Black Emperor) and Jace Lasek (Patrick Watson, Wolf Parade). The Loodies are Ludovic Alarie (guitar, vocals), Sasha Woodward (drums), Lysandre Ménard (piano, vocals), Jérémy Delorme (guitar, trumpet) and Etienne Dextraze (bass) Tracklisting: 1- Intro 2- Dry 3- Myodesopsia 4- Ballade 5- Light-year 6- Coasting 7- Interlude 8- Tell-Tale 9- Shift Key selling points: Social media and National press campaign (Indica Records) - Postering and Street promo scheduled from mid-March to release date - Tour dates confirmed for 2015 Release Date: Apr. 14, 2015 CD: 23339-3147-2 File Under: Rock/Pop CD: $11.99 CD UPC: 623339314725 Rani Arbo & Daisy Mayhem Signature Sounds Violets Are Blue Violets are Blue is Rani Arbo & daisy mayhem’s fifth release, a collection of rollicking, wistful and wise “love songs from the hill.” Seven originals and five covers look at partnership through the kaleidoscope of midlife, finding forgiveness, perseverance and self-awareness in funny, mindful, longing, and satisfied songs with a wide range of moods. Where some pulse with drums, bass, accordion, electric guitar, fiddle and rich fourpart harmony, others hang like spacious webs from the shimmering thread of Arbo’s alto. Confident, diverse, reflective, and loving, Violets are Blue is a bouquet from an Americana band in its prime. Release Date: Apr. 7, 2015 File Under: Folk CD: 12372-0742-6 CD: $13.75 Tal National CD UPC: 012372074268 FatCat Records Zoy Zoy When the NY Times placed Tal National’s Kaani on their year-end Top 10 list, the Culture Minister of Niger organized a televised ceremony to honor the band. But it didn’t stop there. The Guardian, The Independent, Mojo, Vice, The Wire, The Financial Times, Chicago Reader and others all sang exuberant praises. NPR, KEXP and WBEZ hosted live sessions. What they all recognized was the band’s entirely new approach to West African music - that Tal National is a rock band. - Well, sort of. - The songs on Zoy Zoy are a mix of traditionals and originals, and they are intense. They are extraordinarily sophisticated. The band speak French, but use the expression “very rock and roll” quite seriously, implying their awareness that the loud guitars and bewildering rhythmic complexity separates them from their peers. They are proud that their members represent the different cultural groups of Niger, some of which haven’t always been on the best of terms (the group includes Tuareg, Hausa, Fulani, and Zarma). Still, they are aware that Western ears may not fully grasp their self-proclaimed “rock” label, and we sure don’t know many rock bands that keep folks dancing in a trance-like state for 5 hours at a time. Release Date: Apr. 14, 2015 CD: 00116-5137-2 File Under: World LP: FAT0137 CD: $10.00 LP: $12.00 East Cameron Folkcore CD UPC: 600116513724 LP UPC: 600116513717 Nine Mile Kingdom Of Fear The new full-length Kingdom Of Fear from 8-piece Austin folk-punk ensemble East Cameron Folkcore is an ambitious 14-track call to action against greed, against hypocrisy, and most of all, against fear. Release Date: Apr. 7, 2015 File Under: Rock-Pop CD: 43906-4174-3 LP: NMR0291 CD: $12.70 LP: $19.25 Mitski CD UPC: 643906417437 LP UPC: 643906417420 Nine Mile Bury Me at Makeout Creek Since releasing Bury Me at Makeout Creek in November 2014, Mitsku has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics. Release Date: Apr. 7, 2015 File Under: Rock-Pop CD: 34457-6862-2 LP: DG099 CD: $12.70 LP: $14.50 CD UPC: 634457686229 LP UPC: 634457686212 Railroad Earth Black Bear Live At Red Rocks New from Black Bear Records, Railroad Earth – Live at Red Rocks, documents the band’s sold out performance at the iconic Red Rocks Ampitheatre in Morrison, CO on 8/4/14, and is the first live concert DVD presentation by Railroad Earth. The DVD contains the entire performance uncut – almost 3 hours of music, capturing a crowning moment in the band’s relationship with the Rocky Mountain region. As the film reflects, it was a night to be celebrated with those fans.. Live at Red Rocks is the perfect addition for fans of Railroad Earth that couldn’t be there in person, and for those who were a chance to relive the occasion, offering a full-length concert experience with 5.1 surround sound. For anyone new to Railroad Earth, it offers a glimpse of an American band at its finest hour in a one of a kind setting. This release also features a horn section playing arrangements created for the occasion. This is a concert film, with no additional narrative to break the flow of the actual performance as it was. Live at Red Rocks was produced by Colorado based NoCoast, and features audio production by Jon Altschiller (Phish, Dave Matthews Band) and Scott Hull (Sting, Bob Dylan). It contains many classic songs from Railroad Earth’s collection, while featuring many from its most recent studio release, Last of the Outlaws. Railroad Earth will return to Colorado for the launch of the DVD, with three performances at the Ogden Theatre on 1/22-24, as well a premiere of the film in the works for 1/21 in Denver or Boulder – details to come. The band will be on the road for much of the winter and spring, making appearances throughout the country. For tour dates, visit http://railroadearth.com/tour. Customers in Québec, please place your DVD / video orders via UNIDISC MUSIC in order to receive product with Regie du Cinema stickers - Tel: 514 697 6000 Fax: 514 697 6864, email: [email protected] Release Date: Apr. 7, 2015 File Under: Rock-Pop DVD: 44295-0195-8 Au Québec, pour obtenir ce(s) produit(s) avec les timbres de la Régie du Cinema, vous devrez commander chez UNIDISC MUSIC - Tel : 514 697 6000 Fax : 514 697 6864 Courriel: [email protected] DVD: $23.75 John Krautner DVD UPC: 844295019589 Burger Records Fun With Gum Vol. 1 Super catchy solo bubblegum full-length from Detroit legend John Krautner of the Go & Conspiracy of Owls!!! Release Date: Apr. 7, 2015 File Under: Rock-Pop CD: 34457-6762-2 LP: BRGR577 CS: BRGR577CS NEW ON VINYL & CASSETTE CD: $13.75 LP: $20.00 CS: $7.10 CD UPC: 634457676220 LP UPC: 634457676213 CS UPC: 634457676244 Please note that vinyl & cassettes are non-returnable. All releases are in stock now unless noted otherwise. Cheena Sacred Bones Cheena Citing wildly diverse influences - Gary Glitter, Slade, uppers, (cartoonish) depression, Iggy Pop, ‘70s iron-on font, Sex Pistols, booze and Hawkwind -Cheena’s unifying theme is defiantly one of late ‘70s/ early ‘80s New York glam and cow-punk. Eschewing the genre boundaries in which their other projects are so deeply entrenched, the band manages to channel a pre-internet spirit painfully nonexistent in this age of Tumblr fashion and Discogs record collectors. Release Date: Apr. 14, 2015 7”: SBR137 File Under: Rock-Pop 7”: $4.00 7” UPC: 616892272441 Sufjan Stevens Asthmatic Kitty Carrie & Lowell Carrie & Lowell sounds like memory: it spans decades yet does not trade on pastiche or nostalgia. Stevens’s gauzy double-tracked vocals wash across the dashboard of long-finned, drop-top Americana, yet as we race towards the coast we are reminded that sunshine leads to shadow, for this is a landscape of terminal roads, unsteady bridges, traumatic video stores, and unhappy beds that provide the scenery for tales of jackknifed cars, funerals, and forgiveness for the dead. Each track in this collection of eleven songs begins with a fragile melody that gathers steam until it becomes nothing less than a modern hymn. Sufjan recounts the indignities of our world, of technological distraction and sad sex, of an age without neither myths nor miracle - and this time around, his voice carries the burden of wisdom. Carrie & Lowell accomplishes the rare thing that any art should achieve, particularly in these noisy and fragmented days: By seeking to understand, Sufjan makes us feel less alone Release Date: Mar. 31, 2015 CS: AKR99CS File Under: Rock-Pop CS: $6.67 Grateful Dead CS UPC: 656605609942 Future Days Three From The Vault Following on the heels of Light In The Attic’s vinyl LP release of One and Two From The Vault comes the final release in the trilogy of From The Vault releases by the Grateful Dead. These releases are distinguished from the more abundant Dick’s Picks series in that Dick’s Picks are “direct from the soundboard” recordings, while the From The Vault series were professionally recorded on multi-track tape and then mixed down (decades) later for release. Recorded live at the Capitol Theatre (Port Chester, NY) in 1971, this is the worldwide vinyl debut release of this seminal show featuring the 5 piece line-up of Pigpen, Garcia, Weir, Lesh, and Kruetzmann (Mickey Hart had temporarily left the band at that point), freshly remastered in 2014 by Joe Gastwirt for your pleasure. 20 classic songs on 8 sides of wax, this show has previously only been available on CD; this is the first ever vinyl LP release! The band played six shows over the course of seven nights at the Capitol Theatre in February of 1971, and this was the second of that run, recorded on the 19th. Their previous two studio albums had been their landmark recordings of Workingman’s Dead and American Beauty, and while songs from those albums were certainly featured, the Dead debuted seven brand new songs on this night–all of which went on to become Dead “standards” including “Playing in the Band,” “Greatest Story Ever Told,” and two absolute classics: “Bird Song” and “Deal.” Essential Dead. Release Date: Mar. 31, 2015 4xLP: FDR609 File Under: Rock 4xLP: $77.00 Uncommon Nasa 4xLP UPC: 826853060912 Fake Four New York Telephone As an emcee, Nasa is inspired by the words of the famed screenwriter and playwright Rod Serling. In response to a question about how he’d like to be remembered 100 years from now, Serling simply said “as a “writer.” Nasa’s music is a story of self—often focusing on defining moments in his life and current events that strike a chord. Nasa has a love for New York like a child loves its mother. Raised on Staten Island, Nasa reps NYC with a ferocious pride. When New York’s indie hip-hop boom hit in the 90s, Nasa was there as a devoted attendee of events, listener of late night radio and buyer of vinyl … then, he became involved. And as the scene has evolved and the city has changed, Nasa has been dedicated to it every step of the way. His newest album, New York Telephone, reflects his love for his home, the way it has nurtured the indie hip hop art form, and how it continues to be most the most influential city in the world. Release Date: Apr. 7, 2015 File Under: Hip-Hop/Rap LP: UND42 LP: $24.50 LP UPC: 888831479116 Mykki Blanco UNO NYC Mykki Blanco Presents Gay Dog Food Gay Dog Food is the fourth musical release from artist Mykki Blanco and the first in a campaign of releases leading up Blanco’s debut album in 2015. Recorded in far eastern Russia, London, Berlin and New York City with production credits from Gobby, Sasha DZA, Low Concept, Naked & Supreme Cuts, Gay Dog Food is a record that perfectly encapsulates the past, present and future of Mykki Blanco in its genre splicing and choice of production collaborators. Mykki Blanco’s roots in industrial noise music are ever present on Gay Dog Food. Release Date: Apr. 7, 2015 File Under: Hip-Hop/Rap 12”: UNO033 12”: $14.50 Part 1 12” UPC: 634457674714 Sacred Bones Funeral Parade Part 1’s underground deathrock classic Funeral Parade is finally seeing a reissue after years of being out of print. This edition is a remastered 12” vinyl in a deluxe gatefold sleeve with accompanying horror zine I... Paraworm, packed with never-seen text and unpublished artworks from the pen of guitarist Mark Ferelli, all contemporaneous to the original 1982 release. Release Date: Apr. 14, 2015 12”: SBR3016 File Under: Rock-Pop 12”: $12.50 Cuushe 12” UPC: 616892261643 Cascine Night Lines 10” Cuushe returns with the Night Lines EP, her fourth proper release and first for the Cascine label. Night Lines is presented as a noir storybook, unfolding along four tracks to expose a haunting Japanese soundscape, complete with bad guys, funeral processions and skyscraper-sized floral arrangements. The lyrics were penned by Cuushe with underlying productions composed by aus. Many sounds were sourced from films, animations and field recordings, with designs of obscuring timelines and the perception of reality. Night Lines is set for release on April 7 on 10” vinyl as a collaboration between Cascine and flau. North American tour dates are currently being routed. Release Date: Apr. 14, 2015 10”: CSN054 File Under: Hip-Hop/Rap 10”: $11.73 Sunatirene 10” UPC: 639667198586 Ehse Trepanning Sunatirene is the evolving alter-ego of Baltimore-based musician and performance artist Sydney Spann. Trepanning reflects stage one in her growth process. In this stage, she is a hybrid breed of witch. She’s from the sea, but also from southern swamps, from oceanic mangroves, from Scotch moors and marshlands, tropical tundra, from the brine lakes and subterranean rivers’ banks. Trepanning is an aural interpretation of those colliding visual environments and paradoxical imaginary biomes. Collaging found samples with field recordings, adopted folk songs set to rewritten melodies, and stream of-consciousness turned into lyrical passages to navigate through shifting soundscapes are all forms of research. Texture is vital. She wields the ukelin, testing its range of fragility and harshness. A sonic backdrop sets a scene for Sunatirene, and music becomes a way for her to speak. Release Date: Apr. 14, 2015 CS: EHSESS013CS File Under: Electronic CS: $7.10 CS UPC: 634457686441 Shilpa Ray Northern Spy Make Up EP The former backup singer for Nick Cave steps out from his shadow to release the Make Up EP, a pair of imaginatively adapted covers. On Lou Reed’s quirky “Makeup,” described by Rolling Stone as an “image of the…sissy traipsing around and lisping about effeminacy,” Shilpa Ray filters the story through the antithetical lenses of explosive noise and charming cabaret. Next, Dinah Washington’s legendary “What A Diff’rence A Day Makes” is given a seventies soft-rock makeover, and you find yourself completely bewitched by Shilpa’s captivating vocals and dreamy wurlitzer piano. Only a brief taste of what’s in store on her brilliant upcoming LP, Last Year’s Savage (May 19th on Northern Spy), these songs are sure to whet the appetites of long time fans and new ones alike. In Shilpa Ray’s words: I had an epiphany about “Make Up” (written by Lou Reed) when I was in Palermo around Christmas time after the Bad Seeds tour. Lou had died late October. I found out 10 minutes before I had to play solo before a sold out crowd at the Hammersmith Apollo in London. Needless to say, his passing had a massive effect on me. He was my childhood hero. Europe was hard to grasp for me in a lot of ways. The culture, language barriers,the overload of dairy and ghettos of freshly placed refugees from countries, some I had never heard of before. I was exhausted and getting drunk outside a bar where you can get Marsala for a Euro, basically all I could afford. There were tons of kids dancing in the streets getting high and happy, when this stray yellow lab walked up to me and starts swaying back and forth. The song Make Up came blaring through the stereo and I started swaying with the dog. It was one of those rare moments I felt alright. We had decided to go to the Rock n Roll Hall of Fame during a tour stop in Cleveland. I was pretty cynical about the whole thing and tour hadn’t been smooth. I had to send a dude home for being a brat in Kansas City among other places and was feeling pretty exposed as the bad guy. It was a stressful situation and trying to justify my actions in the passive aggressive world of music where no one’s making any money felt daunting. I seperated myself from the group, the costumes, the Katy Perry and the Beyonce and hung out in the listening booth for hours. Dinah Washington came on and put every wannabe singer, myself included, to shame. What a voice! She draws her breath so long and never loses the listener. I had to challenge myself with this one. I hope I can sing like her someday. Release Date: Apr. 14, 2015 CS: NS065CS File Under: Rock-Pop CS: $5.35 RP Boo CS UPC: 703610876101 Planet Mu Classics Vol. 1 Planet Mu are honoured to be invited to look back through RP Boo’s archives and present the cornerstones of his style, which would emerge from Chicago’s Ghetto House in the late nineties and develop into the genre of Footwork.These six minimal, repetitious rhythm tracks weren’t officially released at the time, with the exception of the original version of ’11-47-99’ (The Godzilla Track) which came out under DJ Slugo’s name in 2001, but was actually written and produced by RP Boo. Others were white labels for Dance Mania, never fully released, but which are remembered locally as key tracks in the cementing of the genre at the end of the nineties.’Baby Come On’, often cited as the first ever Footwork track, was recorded back in 1997 – says RP Boo “I got the idea from a Radio DJ who was going nuts over the phrase, and I got busy on the R-70, which I had just started to use, to create the track – it got played out at the clubs and the DJ’s and dancers loved it!” The sample has since become a Footwork staple and almost every producer has made their own version of it.’Party Motion’, built around vocal samples looped into angular patterns and offbeats over a sharp drum machine, was first played at a gym room party in 1998 and got its name from another footwork original – Traxman. ‘02-52-03’ is a remix of the classic ‘11-47-99’ (The Godzilla Track). It is so named because February = 02, 52 = The 52 Hundred Street RP lived on at the time and 03 is the date the remix was made, February 3rd 2003. ‘Night & Day‘, made in 1999, further develops the footwork template with relentless toms and demented pitch shifted vocals. It is the most notable of RP’s many songs that sample Larry Levan favourite, Class Action’s ‘Weekend‘. Since then, snippets of that song have sneaked into many of RP’s production as something of a camouflaged signature.‘Try To Break (Original)‘. From 1997, this is another track that made use of a chipmunked sample from ‘Weekend’ combined with harmonies and looped into a rushing phrase. Originally this was broken in Club Cavallini’s, Chicago where it was a very popular club track.‘Try To Break (Remix)‘. This is a 1998 remix that was put on the legendary Chicago mixtape that RP Boo and DJ Rashad made called ‘No-Edits-Allowed‘ in 1999. Release Date: Apr. 7, 2015 File Under: Rock-Pop 12”: ZIQ364 12”: $12.70 12” UPC: 5055300382900