docHouse Programme - Hong Kong Arts Festival
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House Programme - Hong Kong Arts Festival
ࠗ ಋᖚ ຝ̯ܰ Δʥԓʪਂ ؿʼ ʝ ଞ ԑeסಳም ɃɍɊɍ՚ αc˚ፒዀ T he Hong Kong Arts Festival is a prominent arts event in the cultural calendar of Hong Kong and the Asia Pacific region. Proudly stepping into its 33rd year, the Festival continues its vigorous pursuit of innovative development; the presentation of new works and the provision of quality arts. ࿚ᆅʘুұณcɺᒾ˞၀ٻ ࠷ؿຝ͌ȹณᜮଠϦ͌e ʌαᖚຝʑࢀҡᔔఒΛۜcஃ ᅡɾɣዃαӢӮcࣵݯʑ̔Ρ ԞਝΊࡼၤ̯Δ၀ߜᐰϳᖚ ࠭Ͳؿ൚ɓˮcผ˥ࠗಋ ਝʼʝผࠛቤɈe In terms of the number and diversity of programmes, the 2005 Festival is one of the largest festivals to date, offering a wide variety of inspiring art, music and cultural programmes by prestigious international artists and leading local talents. I am sure that the Festival will further enhance Hong Kong’s status as an international cultural metropolis. ᔑϊᚭٴΈϽᖚࡼၤܰωଞ ผcԎूࣵʑ̔ᜮଠʶ̈́d သጙϤᓊe I extend our warmest welcome to all participating artists and wish all local and overseas members of the audience a most enjoyable time. ࠗಋऋПϷਂܧϷٽܧւ TUNG Chee Hwa Chief Executive Hong Kong Special Administrative Region ˚ᘆᖽ Message from the Chairman ၤɍɊɍ։ࠗಋᖚ ᚭ ٴຝcܰࠗಋʼʝވʥԓʪΔ ਂ߬ࠇؿʼʝଞԑcමၙਝԓʪ ਂᖚ၀ߜc˞ʥ̯Δ෮ؿึݗᖚ ɮАّe ̯Ɂটʶᑢ༦ᅥʥʼʝԑ৻ອ ༅Х҈ࠨࠗؿಋ֚ܧc˞ʥࠗಋᑩ ผ෯ഁڌপਥټԭɣ˚߬༅Хዀ࿚c ˢࠨΛαԞྦྷࠗಋᖚຝྐྵؿషʻ ܛc҈ࠨ૯ߎᑢ҃e ϊ̔cࠗಋᖚຝྦྷֺτᖳХዀ࿚d ᖚ྆˞ʥɁ༅Хc͛ߎ˞টʶ ᑢ෮e ȹΣ˞֡cࠗಋᖚຝ༦˸ძነ́ య˞ʥڇʭαɾʤི߮cߎɈ རነ́ʥαႦᜮଠઅᘩΈᗘᖚe ɐ߸ི߮ΛαԞᏵଠΛዀ࿚ʥɁ༅ Хcɻነʥɣነነ́ɖʦᎶᆅईe 2005α ࠗ ಋ ᖚ ຝ ຝ ͌ ᔔ ఒ d ˳ ᖓ ຒτcٴɺᜮଠؿ௩ΡʥɟՈc Ϣ̢ڻփe ʹωᑢჇɎؿʻܛc౨શၤ੬Ε 2005αࠗಋᖚຝɻӮࠍe I warmly welcome you to the 33rd Arts Festival. As a premier event in the Hong Kong cultural calendar as well as the Asia Pacific region, the Festival presents the finest international and regional artists in an intense series of concerts and performances, as well as showcases the creativity of artistic talent in Hong Kong. Appreciation and thanks are due to our main subventing organisations – the Hong Kong Government, through the Leisure and Cultural Services Department, and the Hong Kong Jockey Club Charities Trust. Their long and continued patronage are what make these cultural presentations possible. In addition, we gratefully acknowledge the generous support of many corporate sponsors, arts institutions and individuals. The Festival has always made our programmes accessible to students and young audiences through half-price student tickets and our Young Friends Scheme. These schemes are funded by the generous donations from numerous corporate and individual donors. The 2005 Festival offers a rich and stimulating programme, with a variety of captivating performances and choices, presenting a diverse range of tastes with artistic excellence. We hope to offer something enjoyable and of interest to everyone. Above all, I would like to thank you, our patrons, for your support and participation in the 2005 Festival. ңพᄤ Charles Lee ࠗಋᖚຝؿ༅ХԞϬ The Hong Kong Arts Festival is made possible with the funding support of: Ϸܧᐢဟᘆᖽ Message from the Executive Director 2 005α ࠗ ಋ ᖚ ຝ ؿຝ ͌ ˞ ु ັ ၤ ˖ ˚ ݯ ڙᕀ e ु ັd˖ڙԭඖʏॖcܰΈိ ᖚѼβؿӮᕀҥၤݖ cʌ։ຝ͌గऋПॶਪʦܮ ෮֨e҈ࠨѴશԭඖޚܫᗐ Ɍྦྷ͓ؿʏॖcॶݯɣࡼొԜҡ ৽Ɂdҡᗒѿؿᜮሌe ȿࣵ̔ᖚɮАّc҈ࠨ۾࿘ ֗ॶᑼᇼ̯Δᖚ၀ߜcΣࠗಋ ဳ֞ᅥ྆dࠗಋჱ྆d̯Δ ˮαႦ፡ೄۗࡼਜ਼ᆼdࠓ Ⴛဳʄࠇۗᘆᖚeԯˢၤˮ ̯ؿΔᖚ၀ߜ˳ܢຣჱΊД ுʥң᎘d7AऒᎻჱୂdɻߜ ჱ ྆ d 89268d ټ ܖɩ մ d ࠗ ಋ ᇁၦࡼฦܬϐcᑹτɈݵႇ ؒлྡྷؿɈୂݢ ңᔪ ݘdષഥࠦdңɻͲʥ֍e ᖚຝᘗᙩዶรկ̯Δၤࣵ̔ ˮϳؿАɁc̯։ณА˳ܢ ುރdէᚗdʌէၦק ̡dټܖਝ࠭ᅥdཫ҈ ᅚؿȹ̟ےdؒлd ˚τ௩ʥɩ˔ɥనʊতe 2005αࠗಋᖚຝݯᜮଠᘆɐȹ ϛɀɊ̒ˮcၤٲ྆ ༠ ̒ Ɋ ɀ ˳ ܢɍ Ɋ ɀ ࣵ ̔ ʥ Ɋ ̯ Δ ྆ c ᑹ τ ԭ ࢄ ᙴc˞ʥɺࢀ፟༦ؿᖚຝ˱ࢿ ຝ͌iᑟdᇹผʥᖚɁᇹe T he starting point for the programming of this 2005 Festival was the idea of contrasting opposites – ‘sacred and profane’. Both of these elements are rich sources of creative impulses for the performing arts in most cultures and this thematic link is evident in much of our programming. We hope these connections and contrasts will make your Festival experience more engaging and memorable. Alongside all of our international artists, we are proud to present many outstanding Hong Kong artists. For example, the Hong Kong Philharmonic Orchestra and the Hong Kong Repertory Theatre, as well as the fine young Hong Kong musicians, pianist Rachel Cheung and the Fresh Air Brass Quintet. Other important Hong Kong artists taking part include Cantonese opera stars Mui Suet-see and Lee Lung; Class 7A Drama Group; Chung Ying Theatre; Group 89268; the Material Girls; choreographer Daniel Yeung and the remarkable combined talents of Lee Chun-chow, Faye Leong, Gabriel Lee and Chong Mui-ngam in The French Kiss. In addition, our commitment to commissioning new work from Hong Kong and around the world continues, with pieces such as Amber, The Nightingale, All That Shanghai Jazz, Material Girls, i-City, The French Kiss, Come Out & Play and Little Prince Hamlet. The 2005 Festival will offer a total of 124 performances with 42 performing groups (32 overseas and 10 local), two exhibitions and our Festival Plus programme of talks, seminars and meet-the-artist sessions. ̯։ຝ͌ΛٻΛۜcࠓࣟΛʏ ʝcܰࠗಋዃԞஃᅡɣd˥ Ɂሌʶࢧ͌dԮઢೕֲؿᖚ ຝɾȹcᑢჇɎيၤe This is one of our largest Festivals to date, in terms of the number and the diversity of programmes. I am sure too, that it will be one of our most enjoyable and inspiring. We are delighted that you could join us. ঢ়ᄨᓤ Douglas Gautier 18 Amber ɻਝჱdࠗಋᖚຝၤณ˱գᖚຝᐲկ commissioned by the National Theatre Company of China, Hong Kong Arts Festival and Singapore Arts Festival ɻਝਝࡼჱၤࠗಋᖚຝᐲႇАcณ˱գᖚຝԾႇ Co-produced by the National Theatre Company of China and the Hong Kong Arts Festival in association with the Singapore Arts Festival 5 ౝˮcڃɻߜʼΥྭ Performed in Putonghua with Chinese and English surtitles ˮٽ2ɩࣂ20ʗᘸc ɺஉɻͤࢠ Running time: approximately 2 hour and 20 minutes with no interval ࠗಋʼʝɻʶɣჱ Grand Theatre, Hong Kong Cultural Centre 3 - 8.3.2005 ݯȿᜑɣࡼྦྷωˮजɎΡͿോcᇼʘতΕຝ͌کᗐઌʹdಲᇃཋʥඨՓዀؿᚊባ ສeผʑᇼʜኞϬᙘᄧd፣ࠑֶ፣ᄧc͛ɺ˿ඝࠕмํcΛᑢАk To make this performance a pleasant experience for the artists and other members of the audience, PLEASE switch off your ALARM WATCHES, MOBILE PHONES and PAGERS. Eating, drinking, smoking, unauthorised photography and audio or video recording are forbidden in the auditorium. Thank you for your cooperation. 10 ႇАʥˮ Credit List ˮۂɁ ဟႇ ႇАɁ Ⴁτڋ ᗲუೇ ʷɣ͓ АɁࡗ ᇁჱ ኒ ࠑᅥᐢဟ ၦᑰஉ߮ ၦ̎உ߮ Λఌஉ߮ ͮஉ߮ ێஉ߮ רஉ߮ ഼ᘨஉ߮ Ѽஉ߮ ྱȹ սԕሣ ۢ ᑞ ܱ ټ ਜ਼ ᔔϐϱ ᖭგႩ ஹڈdஹρɁɁ Ⴁ ᝉ ஹρɁɁ ರࡄd˔ع ࡗ ঢ়ᑵ ҵɩ ᄺڇؿ܅α ۢѝѝ ३ɥ ᄧၦّ Ϣᒓ ᔢ́ ɡ ᙶɡ ॺ͊; ၦّ ނ क তّ ჳ ⴴ ঠ ݖ ஹצע ਜ਼ ѻ ჳኮኰ ರ ࡄ Ⴁ ਜ਼ቧȹ ჳ ɽ Ⴁᑈ ˔ኮᴀ ˔ ع ң්් ˔ 㘥 ഠᗫ ႇАɁࡗ ႇАᘐ ၦ̎ဟ ၦ̎ဳଉ ၦ̎ဟХଉ ၦஉ߮Хଉ ࠑᚊஉ߮ ʝїஉ߮ ר ʝї ಾ ࡸԓӘ আᚁ֍dʼͮ ਜ਼ᗸ ஹ ڋ ᗲൔ ਜ਼ྒࠑ χ୧ણ ჳ ඈ ႇАʥˮ Credit List ͮ ສ ჱ৻ ᙬኮ׳dਜ਼ۺ༜dሳʼdʿೈ ५ຒӪ ਭۺሣ ৹ኒ ኒХଉ ᄧːᙘ ΛఌႇА ࠑᚊႇА ჳኮኰdஹצע ׳٠ ᔔϐϱ ያڰᏟdඖೞˬdಝȹٯdʷሣdφജ ڠɥ ჱ̯ᓺᘭ Ӻ g˺ऋ ল৻ဳଉ ̔ԑဳଉ Ϸဳܧଉ ႇАХଉ ̡ࠍஉ߮ ࡗɁཫᙘᄧ ˔ ዷ ჳ ዷ ς̳၊dஈᏟ ❽ዘdңૠژ ᓼᘏϜ ੌ ࢈ ၦ̎ᙘᄧ ᙘᄧХଉ ᙘᄧԾሁ ஹρɁɁ ዸ྇̚dဈеdᚋʔ ᒚ ♶ 11 ࠑᅥ ࠑᅥᐢဟ ࠑᅥႇА ɣొೄ ۢ ᑞ ၘቊdᗲɥൗ কࡑ ς ುރɾ ς ஈᙕ ീ ྱȹþۢᑞ ჳⴴ ԅͧရӔؿɩԑ̉ෲੱ ς ˔ଢ଼ɾ ീ ˔ଢ଼ɾþྱȹ ঠݖ Σ҈ࠨׂभଉ ς ᗲɥൗ ീ ۢᑞ Ͳࡗ ುރ ς ׳ȹࢋ სᑢ ീ ۢᑞ սໆ ࣵᅼɝמᖚʼʝೕࢄτࠉʔ̇ ˵ԕ෯ʼʿᖚτࠉʔ̇ 4.3.2005ʄFri ܃ᖚɁᇹMeet-the-Artist (Post-Performance) ᚭٴᜮଠˮ܃जүcၤАɁʥࡗӮࠍ If you would like to meet the artists, please stay behind in the auditorium after the performance ۬ࠍdჱ๑dАɁࡗdჳⴴʥঠݖ๑ː © ஹρɁɁ ԯˢࡗɁཫ๑ © ੌ࢈ 14 ႇАʥˮ Credit List Chief Producer Producer Executive Producer Zhao Youliang Yan Fengqi Ge Dali Creative Team Playwright Director Orginal Music Concept Choreographer Set Designer Multi-media Designer Lighting Designer Image Designer Costume Designer Visual Designer Movement Designer Liao Yimei Meng Jinghui Yao Chien Jin Xing Zhang Wu Feng Jiangzhou Tan Shaoyuan Chen Fei, Chen Xu Renren Zhao Yan Chen Xu Renren Jiao Gang and Wang Mei ႇАʥˮ Credit List Cast Gao Yuan Shen Xiaoyou Angry Youth Yao Yaoyao Rat Shadow Dancer Woman Shopkeeper Doctor Professor Nurse Smelly Tanner Dancer Jeanne Pearl Reporter Liu Ye Yuan Quan Chen Minghao Zhang Tong Liu Xiaoye Jiao Gang Zhao Rui Zhang Luyi Liu Dan Zhao Hongwei Wang Xiaoshen Wang Mei Li Yuanyuan Wang Xin Rossella Ferrari Production Team Production Manager Stage Manager Stage Management Stage Manager Assistant Guo Qi Sun Yanan Jing Tieyan and Ma Wengguang Zhang Dengbao Assistant Stage Designer Sound Designer Make-up Designer Costume Make-up Lighting Chen Liang Yan Guihe Zhang Mengyin Zhu Limin Liu Yang Lan Xiaolin, Zhang Jianyun Deng Wen, Fang Kunhao Geng Wanliang Lou Jianhui Installation Stage Assistant Assistant Directors Director’s Assistant Film Making Multi-media Production Sound Production Liu Xiaoye and Chen Minghao Lin Zhi Feng Jiangzhou Lu Jintao, Xiang Yandong Tang Yihu, Ge Hui, Pu Hua Yu Zibo Translator Cindy Carter Budget Management External Affairs Management Administrative Management Production Assistants Graphic Designer Cast Portrait Photographer Wang Ying Liu Ying Qu Zhenggang and Xu Tao Jin Yan and Li Shujun Nie Jingzhu Cui Jun 15 ႇАʥˮ Credit List Stage Photographer Assistant Photographers Photographic Coordinator 17 Chen Xu Renren Mu Tatu, Xi Cheng, Gu Gong Han Xiao Music Music Director Music Production Cello Yao Chien Tony Wen and Ed Yen Kenneth Kuo Songs Amber’s Song Music Xu Wei Lyrics Liu Yimei / Yao Chien Vocals Liu Ye That Craziest Little Thing Called Love Music White Wang Lyrics White Wang and Liu Yimei Vocals Yuan Quan If We Reject the Truth Music Ed Yen Lyrics Yao Chien Vocals All cast Amber Music Chet Lam Vocals Mai Meng Lyrics Yao Chien ಋ᎘ॾݯيɻਝਝࡼჱιࡗొԜॾ৻רي Members of the National Theatre Company of China are flown in by Cover, production shots, creative team, Liu Ye and Yuan Quan portraits © Chen Xu Renren Other cast portraits © Cui Jun 18 ܨԑ About the Story ܨԑ About the Story 19 ȹωӮࠍcঢ়ᑵ˞ܰݯϬɯ႖ఫȿɩcྡྷɐˢܰɩ႖ఫȿeАݯȹض ˖ɺ࢞dτϬɯȹࡨɁ́ࡑነࡌؿዠβɁذcঢ়ᑵɺٛڌޚȹᒨeЎˢؿᆢ ၤଠɺؿɤۦмʵȿcΕ২ෲک২ෲ܃cᐢܰߵΕˢॳɟᚹˢؿʶ༐e ɩܰȹϬಳዃ̌ذᎂؿ႓ࡗcኬˀၤ࢜᎘АЂc̡፷ٲ̔ؿɎᒔᔀ㠥Σ ˌؿውੱȹɺݯɁؿكोeܨؿԑᔴթϤɌᓯ௰cΕ̰ʩϋ܃cȹق Εᗐ؇ԅ̉ঢ়ᑵؿӘɁc܃҂ɺϾ߬˾႖ఫˢcඩඩܰݯȿΕˢॳؿɟᚹȹᚹ ̰ʩؿʶ༐e ᅚؿԭɁcȹᒛʶடΕȹcΕय़ඤᙒdᇻ಄Ⴗݠ́ؿɻɐˢࠨؿෲ ੱܨԑeȹටྺಲ࢛cʇფɺڌޚh̊ȹ߬ڈΕॲ́ؿ՜㛾ೕଊթᔚeˢ ࠨӰɺͅটcˢࠨ༢ʦȿϬɯ̯ؿ෮cˢࠨʃޚҗዱcЎԗಳ૯૯ΔாɃෲ ੱe When they first met, Gao Yuan thought he seduced Xiaoyiu. Actually, he was the one being seduced. A light-hearted man who toyed with others affections, someone with a Don Juan outlook on life, Gao Yuan was unwilling to accept this impression of himself. Yet he was truly attracted by this unusual girl. Before and after making love, she would always sprawl on his chest, listening to his heart beat. Xiaoyiu is a guide at a museum of natural history. She spends her days with dinosaurs as her companions. Her tranquil appearance hides a churning inferno of emotions and a never-to-be-revealed secret. Her story is a strange yet simple one. After her fiancé died, she has been keeping a close eye on a man named Gao Yuan. Finally, she cannot resist seducing him, all for the sake of listening at his chest, listening to the beating of the heart of her late fiancé. These two people, united by a single heart, play out their love story in a life of chaotic clamour and absurd cruelty. The one is arrogant and unfeeling, entirely bereft of belief; the other is persistent in finding a miracle in a fragile life. They both speak with words that come not from the heart; they both go against their own natures and torment each other. Nevertheless, they fall deeply in love. ᇁჱؿ Playwright’s Notes 21 ΐݯБc҈ࡻְϋ˾ ྱȹ ˾α͓࠰ࣂؿܬc҈ђΕཋکᄘುܨؿރԑcӸɐȹޮق㠥ٓɣؿԉፍࢂ̔ ϸe҈དԷ҈̳Εնȹိ૯ԳϤᆅईؿੱc҈̰༦ؿෲc̋ܰ̚ࢡࢡ ቌٶc҈ɰԷȿᅘࠓچԞᐽکԅိؿࣩيᛌ৽c̦̚ੀԷԞc̦ੀҐ҈ંc ҈Ԏɺ㠥܈c҈೩㠥c೩㠥Ɂ́Ґ҈ׇΉԅಜc೩㠥́՜Ή҈ࢄᚉ̚ณȹረؿ ٦׃cࢄ͐̚૯ɺ˿ಡؿɈ൴e ȹdҰɁܰȹ૯૦c҈ࠨࠝӸ࠰ࣂؿ˾ޜผຑɺϾท͌ફe Εುܨؿރԑ㛾c҈ᑟ߸Ɂᗘੱᇲᔵؿȹࠍe௰क़Ϥਨടੱؿܰࢀמ ଐܷ́Ɉؿcగཫ༏עעΕᛞෲؿಸ˒ɻԅᅚcЎܰ҈ɖ૯كੱΣ ᅵˋcȹଶҳɥໃ൬ˋ㛾ɖผҝᛰˋϽcቱဳ̚ޜԞ̡፷ԗᓿ ௰क़ ੱؿɖτ̚૯ɺ˿ಡؿȹࠍe ᄗ഼Ϭɯੱؿc҈τᅚؿဘఫiܰʇფΕᄧᚊ҈ࠨؿෲᄷjውೕ҈ࠨؿ ્શj̞́҈ࠨؿ഼ᇃjʵೕ҈ࠨؿෲੱjိɈ൴כʇფjʇფᅚؿɁd ʇფᅚࢠࣩؿdʇფᅚؿॐ෮dʇფᅚؿใ۹Ꮶ۹dʇფᅚؿ႒ผ̝dʇფ ᅚؿϨრdʇფᅚڋ˂ؿᅸϒjБ˞ݯϬɯ௩ᚭؿcڳಲ˜ՈhБႏݯ Ϭɯཱུబؿcڳ૯ԮቤɈeਐᕀcཫɁֺ́τؿਥ̯ਐᕀȹᅚc̷ႩӀτ ೮࣐cڳଐ́ȿಲᆯ߸ٲؿಲᅕ৽Ɂٲؿ༠e ುܨؿރԑכȹ̏ᓯ௰ੱؿi҈ʶෲؿe 22 ᇁჱؿ Playwright’s Notes ɀd ࡗࠨᚾჱ̯࠰ࣂؿcਐȿ҈۾Λਐᕀc҈ȹȹΑ೮ȿeԯɻȹΑ೮ෳˢ ࠨۃਦɣॐcԅΑ೮ܰi҈௩ᚭ٦٦ʔɥe ෲੱɺ̷ܰؿcুෲੱ̷ܰؿcԅԒੱັcֶّ႓ԅԒੱັcԅԒ௩ ᚭ႖ఫؿɥcȹ҈ܰقጙመؿɁذeಳc҈̋ৱෲԅԒᄯඬؿcদཱུ ԅԒ෮ؿݗݗeࡌؿ࠷ܖዠܰ҈ɻነࣂˤ௩ᚭ࣊ؿcϭʌᑹতˢؿ ̏ ҈ྦྷБؿෲగܰྦྷɁᗘ܍ؿcΐݯෲɐȿɁᗘڏɺॶਿʶෲБe ഁࠓੱܰȹိʨልcሌʶࢧ͌eЎ߬Εˢࠨʶ㛾ఖұभෲcగΣΕҳɻ ҒˋcҒԷȿᎴӷނൔcҒɺԷcڏಞϋΕ༏ɐe ֺτؿෲੱܰభؿڷc˿ቱဳభڷcԗಳܰ҈ࠨك༞ؿΡؿԑe ɍd Εჱɻঢ়ᑵᕤටྺΔ႓í՜ܰȹ༝Ꮋc҈ɺᗙࠍྦྷ˖ވc҈߬། ̚ܛړ൝ᔴc҈߬ཫȹᆃᆻؿϢʹԅᅚుో˖ވcΕ̚ࠍܛړکಲ৽כɻc ɺ̖ଉౣcಲሃ́ݠΕ҈ࠍکคʇფ٦ᅚeˢϬီܰϋəࠍؿکԔᅥ˚ຮ ّcྦྷכಲϤ̦ੀӶΉၛύؿ՜cˢႏݯටྺܰˢֺॶઔՅؿڭౘؿ ۜྸeܰ҈ݯঢ়ᑵ২ˮؿፕእe ҈ȹܰقభᜮ˚ຮّcྦྷ́՜ྸ۹ಳcႏݯΉֺ҈ڈᗙϤԞcӀτ͌ ؿcɌॠ˜෮ຮ́ؿ՜দΡᘆఊcς෮˿ܰٴॐؿᐾ৽eࠍྦྷ́ݠcࠍྦྷ՜ ༜c҈ࠨ˞ܰکಲॶݯɈؿc˞܃ɖȹᅚಲॶݯɈeȹ˿২ؿగܰသɈܛړ ȹᒨకᗲeಳcᜑϬɯྦྷ˖ވ́՜ɺΦਫұ۾ᗒcɺಞશ֗ါҡܰȹ̏ي cЎτȿభᜮ״ৈྌ֛c২Ɂɖผτȹᒨࠓ۹e Ўܰc˾αޭؿʨնc҈ࠓ۹Ͳ̖cཫɩ̵̟ȹᅚୄˀኝኝcɩʶ ᐮᐮcᕤਫશe҈ׂᚹɺ֗ࢠࣱؿcׂؿຸ϶ޜࠍcభ྾ܨؿԑᒀ ࠊؿѼോҡɺΕɎe҈ɺʘྡྷΔѴશϬɯЩੀˮ˖ۦؿɥႩᔴᒀబߕ ᗒcɺʘྡྷΔѴશˢܰȹ֗༜ԫeᕤ̙c҈ɺʹޜంफ़ཋ഼cΐݯ ॶီɐณၘࢠࣱؿΛ˸ܰӎᗒzzڜᖓؿᕶݴdඣྠਯؿనʊdነ࣎ؿ dȹؿᘊᗒdਆؿɣˌdࠇᄪؿʂᄂdͿ۹ˌؿӹˮ߷dရ˒ञd ߎɁϋ՜ؿຓݚdณαɥէּ͠Кؿৈ֙㛾ᕶݴcϬֲᚻᎾdɎݓdമ ˚̵ؿፕᐾdΔݞ㛾ˮԞؿᔁ༠ճdϝঢ় g ዶႫؿᑖԫ೧࣐d҈ࡼࣀᖾ ෑᅢ྇ͬؿϬّdȹωɌȹωֲؿᒀၘd͂ቡАؿᔣؖdτˌؿݓၠࠗ ືdΌɁؿཋɮೡ עځgࠏಞશˢΌؿɀϛ̳Ɂc҈̉ ᗰ㠥ᜑࡼɁᗐɐཋ഼cɏʩЊʹࢱϾ҈ؿଡcΕᅚȹ˖܉ވᅚɷ့ ܰ֗༜ԫj ࠰ࣂؿࡧٱc҈ۦؿɥˮ́ȿé՜Ε҈ؿӸ㛾cΕ҈ؿଡکѧιȿ̚২ȿ ɐყωؿɩᚓe҈ཫвۦؿɥcኬʨђΕฎᘑکcޜ㠥̡ɺ༦ ؿթᔚe҈౦ЦɈΕ˖ވ҈ɾංۺ࿚ȹ༞ۮcଊΕ҈ฟΔك༞c༞ ۮߎؿ՜ॠɟˮଊȿcɩɩؿॠɟผʵԞ่ʨˋݙᗚᔍ҈ؿɁ́cҐ҈ ȹϬͅϬΕֲͨؿɤɁcᛰιȹ૾ືӨ̴ؿጱe ᇁჱؿ Playwright’s Notes 23 ̡́ȹωc҈ྦྷϋəଐ́ȿ࢜ᙖe҈ಳଐ́ȿ̷߬Ⴉݠ㠥ؿ෭ᙯ֨c ɺܰΐݯஓᛞcϤܰΐݯ֨e҈౦˞ݯෲੱܰɺଉౣؿੱcࡈԞᑹτ Пؿe ́՜ܰȹթᔚcΉӀτዃ༦թᔚؿɁᘷ̚cగΣΉӀτΌ༦ૉؿɁ ᘷૉɥؿಥՈé՜ܰȹթᔚcЩԚ̚ॲಲcЩԚ̚ॠ˜ᘷc̚ԗಳ ܰթᔚe ɩᜑঢ়ᑵޜԷȿթᔚcగΣฎᘑ҈ؿکȹᅚe ̒d ΕᎻؿѮcঢ়ᑵ႓iΐݯБc҈ࡻְϋ˾e Ε҈ؿАۂɻcᎶܰᅥᜮؿѫe 2005α͓˵כܬԕ ᇁჱؿ Playwright’s Notes 25 Because of You, I am afraid of Dying Liao Yimei At the end of winter last year, wearing a bulky anti-radiation coat, I sat at the computer writing Amber. I had the feeling that I was beginning some sort of heated affair of the heart, that I was experiencing a never-before-felt love. It was coming closer and I was already feeling the quivering in the air that foretells the arrival of a violent storm. It was bound to come; it was sure to sweep me up. But I was not worried. I waited, waited for life to draw me into the whirlwind, for life to reveal something new to me – its immeasurable force. 1. Every person is an abyss. When we lean over to take a look, we cannot but grow dizzy. In Amber I wanted to portray the complexity of human feelings. Pure and tightly held emotion is easily infectious. Yet I also know that emotion is like water in a pond; a single grain of sand will change it even though it may still look the same. The purest emotion also has this unfathomable aspect. 26 ᇁჱؿ Playwright’s Notes When I examine my own emotions, this doubt often arises: What is it that arouses my love or hate? That instigates our desire? That interferes with our line of vision? That leads us to love? From where does this force come? What sort of person, what kind of smell, what joke, what temperature and humidity, what misunderstanding or coincidence, what type of physical being or soul, what phase of the moon? You think that what you like is actually aimless and boring, and that what you dislike is full of magical charm. And this, just like all basic issues of humanity, can never have an answer, yet it creates unbounded expression and countless moving examples. Amber stems from the most simple of endearments: My beloved. 2. Love is not eternal; the pursuit of love is eternal. Those Don Juans, or perhaps those false Don Juans, those inveterate seducers – I’ve always been interested in these personalities. Of course, I tend to like the vulnerable ones and dislike the braggers and boasters. Don Juan was one of my favourite books as a schoolgirl. To this very day I remember him saying that his love was no more than hatred for mankind, because love for humanity meant that he could not concentrate love onto a single beloved. Shedding the ties of love is a pleasing talent. But to seek true love from those with this talent is like finding water in the desert. If you find it, it’s extremely precious; if you don’t, then you die of thirst. So it is that love is sorrowful, and sorrowful though it may be, it is still the best story we know. 3. In the play, Gao Yuan arrogantly claims that life is a game. He says that when he faces the world, he wants to keep his distance. He wants to grasp the world like an old-timer and face it impassively whichever way it takes him. He claims to be a hedonist even in the face of death or the inevitable decay of life. He feels that arrogance is the bravest stance he can take. This is the choice that I made for Gao Yuan. I’ve always been a pessimist and been lukewarm in my attitude towards life. I did not come into this life voluntarily with its purposelessness. Meaningless life is ingratiating; to go out of your way to welcome it is laughable. We are powerless to influence life and fate; we have always been powerless to influence them. All we can do is maintain some dignity. Of course, it’s difficult to keep desires and demands in check; not to hope for good fortune. Yet, with pessimism as our bottom line, that is good enough for life. However, starting from last autumn I changed. I became just like everyone else – fearful, cautious, full of wild hopes. I refused to listen to bad news, look at bloodstains, or hear sad stories, still less to glance at ugly images. I unrealistically hoped that this would keep my newborn infant at a distance from the ugly and the suffering. I wanted the child to have that luck. From the time I was pregnant, I stopped reading the newspapers or watching television, because anything that merits being called news mostly involves ᇁჱؿ Playwright’s Notes 27 disasters or distressing news. I shouted for the television to be turned off, or my husband would use his hand to hide the screen from my eyes. How could my child be considered fortunate in a world like this? In early summer, my child was born. In my body, before my eyes, millions of tiny miracles occurred. I was like a stunned child, sitting all day beside the cradle, looking at the very ordinary miracle. I tried to set up a screen between myself and the world. I now know clearly that there was a fissure in the screen. This tiny opening brought floodwaters to drown my life and changed an independent, headstrong woman into a hamstrung mother. For the first time in my life, I grew fearful of death. I started to think that I wanted to live forever in ignorance, not for the sake of change but through solicitude. I have always thought that love is the most irrational of feelings, but there are other things involved. Life is a sort of miracle. To try to explain this to someone who has never experienced a miracle is like trying to explain the taste of a pear to someone who has never eaten one. Life is a miracle. Even if it is fragile and ordinary, even if it cannot be explained, it is still a miracle. Xiaoyou makes Gao Yuan see this miracle, just like I saw the miracle of life sitting in front of the cradle. 4. At the end of the play, Gao Yuan says that because of her, he fears dying. This work of mine, this must be the most optimistic of endings. In Beijing on the first day of Spring 2005 28 ീ Lyrics ುރɾ Аീ ྱȹþۢᑞ Аς ஈᙕ 㠥Б~ؿʨ~ي ൬Ƀ҈~ؿଡ~ ҈Փм~Б~ؿՓм Ў҈ɺϾ~Εԅ~㛐 τӀτɁॶཫ҈ࠨ ޚෲಳ܃ιݯϘᓔ Σպᗙ෮ Σպᗙ෮ ჳⴴ պᗙ෮ ́ ࠍٴ~ݠϤԞ ɺં㠥~҈ࠨ ̋ॶਪ೩ۿ㠥 چ ໃԷঃঃྈɠ ɐʿ ѿতࠔം ȹҶҶဣ˾ ௫ Σպᗙ෮ ௫ Σպᗙ෮ պᗙ෮ గᜑ҈ ཫȹૈ ไ༦ȿ БؿΊΥ ᜑ҈Εԅ~ज ᜑ҈Εԅ~ࢠ Σպᗙ෮ Σᗙ෮ Σպᗙ෮ Σᗙ෮ ҈ᗙ෮ 㠥Б~ؿʨ~ي ൬Ƀ҈~ؿଡ~ ҈Փм~Б~ؿՓм ΕպΊΥ~ࢠ Σ҈ࠨׂभଉ ς ᗲɥൗ ീ ۢᑞ Ͳࡗ Եˑݟᐻȹʨն Ұȹʨ ɐӹɎӹԞ˾ ΛಲcʨʨΣϊ ሂ҈ȹᒨԶው ሂగτ༞ଉ ҈֗ؿါ ̚Ε࡚㛾 ཋ഼ంफ़ᔵႌֶ၉༏ࢠࣱؿ㛐 Coffee or teaፕእն Ұȹʨ यଡᆙޛՓм ΛಲcʨʨΣϊ ሂ҈ȹᒨԶው ሂగτ༞ଉ ҈֗ؿါ ̚Ε࡚㛾 ཋ഼ంफ़ᔵႌֶ၉༏ࢠࣱؿ㛐 ീ Lyrics ঢ়ᑵi ᜑ҈ԞႇˮᙔכБؿթᔚ ᜑ҈˞ᐱעౣᄫႇभଉ ۢѝѝi ҈˿˞ˮБֺ߬ؿᗫඨթ ΕɁʁ͛ʁؿᔒ˖ ވɩʶ ҈֗ؿါ ̚Ε࡚㛾 ཋ഼ంफ़ᔵႌֶ၉༏ࢠࣱؿ㛐 ਈਈਈਈਈ ԅͧရӔؿɩԑ̉ෲੱ Аീ ˔ଢ଼ɾþྱȹ Аς ˔ଢ଼ɾ ঠݖ You and me under the tree You looked innocent I looked too naive We’re holding hands indeed Silent because the sky was raining hard Leaves kept falling down Both hearts were shivering Was your mind really that empty? Only if you knew why we’re lost in this black hole of mine I can’t see But I saw your face before everything went astray Maybe I should tell you what really happened, okay Summer days all flowers bloomed You asked me for an afternoon Carried away a drink or two and lay down talked about your blushing thing I was lovely and sweet So attracted to you For a lifetime you’d wanted me So hiding in the backyard we did what we’d wanted in our dreams Words of love and promises Cherishing moments were all I had to make myself carry on ޜʨؿྞܰڋԑ ᛞෲࣂ҈ࣱྺྺڏᆕ БᐢܰΉ㠥҈ॐ㠥 ɺᎷෲܰߕؿԑ БΉ҈߬ʇფՙ ใ̷ֶܹܰ ΛფရӔؿʲ ~τိရӔԑ ɺࠤȹొɩԑΊΥ̉ෲੱ గᅚէէޜ㠥 ʨ~ྺྺڋؿԞ 㠥Бɺࠤȹొؿෲੱ 29 ჱʍଽ Company Profile 33 ɻਝਝࡼჱ ɻਝਝࡼჱܰɻജɁ̵ͳਝؿਝࡼٲᖚ྆e2001α12˂25ˀcͅɻਝڇ αᖚჱɻ̕ྡྷჱԡϤιe ɻਝਝࡼჱඑɻȿȹғӞؿჱၦ̎ᖚɁɷᄧ഼ᖚɁɷcܰȹᘗֻඨ dЦɈ൬Յdఒכॗcুұঢ়ˋๅჱٲᖚcჱᖚ၀ؿۂჱe ɻਝਝࡼჱ˞Аˮঢ়ሔ൴dঢ়ۂϽؿɻ̔ӞჱᖚАݯۂɯͨcɺ ᒾুұᎻჱၦ̎ؿֲྡྷֲcնୄଊ˖ވ̵પͱؿ൬ʼʝιe 2002αcჱАˮȿʄ̎ɣᎻi㛾ؿቭע፷ࢡࢡ کᘣᐲdᔁּճؿɤ ѳ ਝdϢਯᑹ൰ ɡdᗐכෲੱᓊ਼ؿณᜮ֨d̉҈ȹᐰࡐcԎ ୂᓱͫړजჱ͌߳ɐࣵdࠗಋdዌپdˀ̯೩Δˮcన˱ਝᖚຝࢄؿ ɻ̔Ꮋჱ৽ݠݚ͚ؿe ɻਝਝࡼჱੀ͓ۺѧഁȹࡨఒτޫነֲdֲؿᖚ༜ᏪዀԹcЦɈݯτ ɷജؿᎻჱᖚࡼొԜȹؿיАɣၦ̎cߎɈׅჱᖚೕࢄؿณѼβd ณეਟcɈұˮณɁdˮณᎻdˮ၀ۂe ɻਝਝࡼჱଊͨ࠹ٽᙉկ࣊তႡτڋc৹࠹ٽᙉկ৹࣊তᗲუೇc৹ٽ ˔ኮᜡd݅ࡑעcᖚᐢဟฦրᗂe The National Theatre Company of China The premier national performing arts theatre group of the People’s Republic of China, the National Theatre Company of China, was formed on 25 December 2001 by the amalgamation of the China Youth Arts Theatre and the Central Experimental Theatre. The company brings together superior artists of the stage, and talents from the visual and film arts. It continues tradition, strives for progress, and is intent on exploration to achieve the highest standards and to create excellence in the dramatic arts. The National Theatre Company of China’s mission is to create and perform high quality and highly regarded drama. It unceasingly pursues both the classical and the experimental in stage drama, so as to display both native Chinese and worldwide progressive culture. In 2002, the Company mounted five major productions, and also took its established repertory to international arts festivals and cultural exchange performances in Shanghai, Hong Kong, Macau and Japan. The Company has set up a systematic and creative mode of operations that works hard to provide an open stage for the creativity of dramatic artists. The aim is to open up new forms and new territory for the development of the dramatic arts and to produce new talent, new dramas and excellent productions. The present President and Party Secretary of the National Theatre Company of China is Zhao Youliang. The Vice President and Deputy Party Secretary is Yan Fengqi. Wang Xiaoying and Cha Mingzhe are Vice Presidents, and the Artistic Director is Yang Zhongjing. АɁࡗʍଽ Creative Team Biographies 35 ྱȹ ᇁჱ ྱȹܰɻਝٶαԞௐՇ͌ؿαႦᇁჱАࡼeଓพכɻ̕ Ꮋჱነcଊݯɻਝਝࡼჱᇁჱe1999αАؿჱ ᛞෲؿಸ˒ 1999αɻ̕ྡྷჱˮc2003ʥ2004αɻ ਝਝࡼჱᇲખˮܰɻਝɩჱᎻჱ̌ɐՇᚭؿٴА ۂɾȹcˮ༩ϛe ᇁჱؿཋᄧཫᔸˉȹᅚࠔᏵΛਝཋᄧຝፕᘏᑩ༅ ࣟcɌᏵࠗಋਝཋᄧຝਝᄧിɁɣᆉdያ˺ጻਝཋᄧຝ ڇαിկผऋПᆉhȹςܹੱᏵਝսഥਯɤཋᄧຝټᆉeടτٽᆵɩ႓భ ᜮ˚ຮؿ٦ψc̊τྦྷᒔӝd᎘ਦ೩Λཋ഼ჱඑe Liao Yimei Playwright Liao Yimei is a graduate of the Central Theatre Academy and the resident playwright of the National Theatre Company of China. Her 1999 drama Rhinoceros in Love (premiered by the Central Experimental Drama Theatre and re-staged in 2003 and 2004 by the National Theatre Company of China) was the most popular play in the history of China’s small theatre productions. Her film The Chicken Poet was accepted for screening at numerous international film festivals and won the International Film Critics Federation Award at the Hong Kong International Film Festival, and the special prize awarded by the Youth Panel at the Locarno International Film Festival. Liao’s A Tender Song won the Gold Medal at the Memphis Women’s Film Festival in the US. She has also written novels and scripts for television dramas. 36 АɁࡗʍଽ Creative Team Biographies սԕሣ ኒ սԕሣܰکɻਝჱኋԮᄧᚊɈؿടΊڇαͱቂᎻჱኒd ཋᄧኒeଓพכɻ̕Ꮋჱነኒӡcଊݯɻਝਝࡼჱ ኒeϬɄɊαˤcˢնߎɈͱכቂᎻჱؿॗcٶɊడ αԞcઐˮȿɣ൴ӞؿᎻჱАۂcΣiӟɤd೩ۿ ʷΛd܆ɓdඈ̎d҈ෲXXXdځQҁdෲੱጨ ᖠdȹಲ˚֚ܧຮّؿ෮̔ϋədᛞෲؿಸ˒dخ ࣺɡᄨdॺ ᔋdᗐכෲੱ ᓊ਼ؿ ณᜮ֨ ࠹ͨᇁჱdใѷdɊɀ էdྡྷଡ଼ɡˈԓɾңဍ˔d়ࡾ೩e ˢਨኒؿཋᄧཫᔸˉȹᅚࠔᏵΛਝཋᄧຝፕᘏᑩ༅ࣟcనᏵࠗಋਝཋᄧ ຝਝᄧിᐲᆉcያ˺ጻਝཋᄧຝڇαിկผऋПᆉe АݯรԮكΊ۹ؿɻਝᎻჱኒcսԕሣ̍Ώɻਝჱኋc˞ዟԮֲؿɈdΛ ʏʝؿᖚࠓࣟcɺඩׅȿɻਝˤᎻჱؿณѫࠍcϤ˘ɰιݯ͌ͱؿቂʼ ʝଊോeˢਨኒ܆ؿɓdȹಲ˚֚ܧຮّؿ෮̔ϋədᛞෲؿಸ˒೩Аۂ ʵȿੜईؿʦᚊcԚɻਝͱቂྡྷᎻჱΕነؿঢ়۹ɐˀጘѧഁcࣂɖቔ ȿɣғؿᆅෲᎻჱؿᜮଠcݯɻਝᎻჱၦ̎Λʏʝؿณѫࠍ؇ɃȿݠɈe Meng Jinghui Director The most influential among the young vanguard of Chinese theatre and film directors since the 1980s, Meng Jinghui is a graduate of the Central Theatre Academy where he studied directing. His most recent work includes The Bald Soprano, Waiting for Godot, Si Fan, The Balcony, I Love XXX, Comrade Ah Q, Love Ants, Accidental Death of an Anarchist, Rhinoceros in Love, Bootleg Faust, Bedbug, Twelfth Night and Labyrinth. He directed the film of The Chicken Poet, which was invited to numerous film festivals and won the International Film Critics Federation Award at the Hong Kong International Film Festival, as well as a special award at the Locarno International Film Festival. Meng Jinghui is renowned in Chinese dramatic circles for his creative and versatile arts identity, which has opened up new aspects to contemporary Chinese drama. His direction of the plays Si Fan, Accidental Death of an Anarchist and Rhinoceros in Love aroused vehement reactions exposing audiences to experimental theatre in China. At the same time, he has injected new vitality and versatility into China’s theatre. АɁࡗʍଽ Creative Team Biographies 37 ۢᑞ ࠑᅥᐢဟ ۢᑞܰԭɍΔรԮكΊ۹ࠑؿᅥࡼdිീɁࠑᅥဟႇcଊ ͨၐԕࠑᅥ̎˵ʗʔ̇࿒˵ԕʗʔ̇ᐢଉeˢԑݚϷࠑᅥ ɀɊαcᄘȿஈΛcగȿஈΛʹeˢؿˤٲАۂτ׳ኙ ᇘ ؿϭ ʭ ᑹ τ Бd ጣ ԓ শ ೩ ؿෲ ̨ ˚ ؿd ң ؿ ظ DiDaDi೩eͅˢ˳ઐˮؿңظdጣԓশ೩ʹΣʌܰജ ႍᅥኋؿʨज़ɁذeޜȿɍɊαჱcುܰރˢȹωͲ ӸҙɃɾ୮ɤАcኝኝcЎʑʶው৽e Yao Chien Original Music Concept Well-known as a musician, lyricist and music director throughout Chinese communities in Asia, Yao Chien is the managing director of both the Beijing and the Taipei office of Virgin Music. Active in popular music for 20 years, he has created many tunes and lyrics for numerous singers including Sandy Lam and Coco Lee. ܱټၦᑰஉ߮ ܱܰټɻਝଊˤၦᑰࡼcΕਝၦኋԔτ۾ঢ়ᐰશeכܱټ ߶יᖚነၦᑰӡଓพc܃͓ܱټଊˤၦ྆eΕਝʑ̔ ྨᏵᆉඖcԎ߳ख़ነୌଊˤၦc౦ͨਝၦᑰຝࠖᇁၦd ෮ɣСཋ഼ȹ̎ᇁၦcԎˈכСࣂࡼޒၦᑰነઠଊˤ ၦeΕˈСࣂࠓ͉ۺଊˤၦ྆c౦ᐾፒԭωɁАۂય ผe 1993αcՇາכɻജɁ̵ͳਝʼʝcᐾፒͲਝၦ ᑰᇁኒਥফऒʥͲਝଊˤၦࡗফᆻऒe ܱټȹߎقɈכଊˤၦʥᎻჱၦᑰჱؿೕࢄc౦ၤΛᎻჱАؿۂˮၤྭ܃ АɮАe2000αੀܱټଊˤၦ྆૾ϭɐࣵcԎၤߜdᄨ೩ΛਝАၦᑰАe 2005α۹Аۂᗐכੀ˱݇׳ᖚຝˮe Jin Xing Choreographer Chinese contemporary dance specialist Jin Xing is a graduate of the Liberation Army Arts Academy’s in dance. She set up the Jin Xing Contemporary Dance Company and has toured throughout China and abroad. She also studied contemporary dance in New York and was the principal choreographer of the American Dance Festival. Jin Xing has served as resident choreographer for RAI-uno, the Italian television company. She taught contemporary dance at the Royal Dance Academy in Belgium, where she also established the White Wind Dance Company and her works were twice performed in dedicated dance recitals. For China’s Cultural Ministry, she has held training classes in choreography and modern dancing. A strong advocate of contemporary dance and dance in drama, Jin Xing has taken part in many dramatic performances. In 2000, she took the Jin Xing Contemporary Dance Company to Shanghai. She has also cooperated in creating dances with companies in other countries, including England and Germany. In 2005, she will be taking her new work About Beauty to the Berlin Arts Festival. АɁࡗʍଽ Creative Team Biographies 39 ਜ਼ ၦ̎உ߮ ਜ਼ٶܰαߎɈכᎻჱˮၦ̎உ߮ؿӞڇα഼ᘨᖚ ࡼcଓพכɻ̕ᎻჱነcଊͨɻਝᎻςነၦ̎ӡኒ eˢ˚߬ؿၦ̎உ߮Аۂτڈଈԑdᗐכෲੱᓊ ਼ؿณᜮ֨dᛞෲؿಸ˒d়ࡾ೩eཋᄧ҈ɊȾܰ ˢΕཋᄧஉ߮ؿˤٲАۂe Zhang Wu Set Designer Zhang Wu is a graduate of the Central Theatre Academy and is currently an instructor at the Chinese Opera Academy. His main contributions to stage design have been for Rhinoceros in Love and Labyrinth. His artistic designs for I,19 is representative of his work for films. ᔔϐϱ Λఌஉ߮ ᔔϐϱܰɻਝടΊΛఌஉ߮ᖚࡼcଓพࣶכϐነc ౦ୂၵᖡᅥඅcኪͨ˚eˢ߬˚ؿၦ̎АۂτͶɤඨd ᗐכෲੱᓊ਼ؿณᜮ֨dᛞෲؿಸ˒d়ࡾ೩e Feng Jiangzhou Multi-media Designer A noted multi-media artist in China, Feng Jiangzhou is a graduate of the Zhejiang Art Institute, and the founder and lead singer of the band, The Fly. His major works for the stage include Rhinoceros in Love and Labyrinth. ᖭგႩ ͮஉ߮ ᖭგႩܰɻਝٶαԞߎɈכᎻჱˮၦ̎ͮஉ߮ؿӞڇα ᖚࡼcଓพכɻ̕Ꮋჱነcଊͨ˵ԕͰ׳ജᎻჱɮА۩ ͨၦ̎þͮஉ߮eˢ߬˚ؿၦ̎ͮஉ߮Аۂτᛞෲؿ ಸ˒dڈௌੀdᙜ්࣠ ࠹ͨၦ̎உ߮hၦ̎ʥ Зౡஉ߮ ʿࠍؿАڬ ۂτᒉ∭dణֺΕԫd˿˞ဣ ᘨdᏢɤࠂ೩e Tan Shaoyuan Lighting Designer Tan Shaoyuan is a graduate of the Central Theatre Academy and currently serves as the resident stage/lighting designer of the Beijing Lin Xiaohua Theatre Workshop. His recent lighting designs were for Rhinoceros in Love and The Cherry Orchard. As a set designer, he was also responsible for Can Sleep Now and Bitter Woman. АɁࡗʍଽ Creative Team Biographies 41 ஹ ڈێஉ߮ ஹڈcɀɊɄัcɩୌೋcଓพɊαc౦ၤɺఌʍؿ ێɮАc˳ܢᄧ഼Аۂ38۹dൣࢪ༞ؿێஉ߮hࠑᅥ፣ ཫАۂΣʹˉԓણd̈́ቊৡ״бcשʤ೩ؿێஉ ߮ɮАeˢᑹၤΛᄧ഼̡ࠍᄤйc˞ʥɣؿ৽ݠێێஉ ߮ɮАe Chen Fei Image Designer Twenty-eight year old, Chen Fei learned painting at an early age. He has participated in creating images in different media, including films, music videos, graphic design for films and television, and gala events. Ⴁᝉ רஉ߮ ႡᝉܰɻਝʑΔᎻჱၦ̎רஉ߮ეਟؿӞڇαᖚࡼcɻ ̕Ꮋჱነʥࠗಋרஉ߮ነଓพcଊݯɻਝਝࡼჱר உ߮dɻਝၦ̎ࡼԾผผࡗcʥɻਝרஉ߮Ծผผ ࡗeؿၦ̎Ꮋჱרஉ߮ᔁּճؿɤѳᏵɻਝɀ։ၦ̎ ࢄАټۂᆉhͨרஉ߮ؿჱಲg ɤ΄ʨɐɁ ංʗПᏵɊ̒։ᖓਝྡྷᎻჱຝͲࠍɣᆉɄ։ɻਝ Ꮋჱຝɩჱˮտၦᆉɾרஉ߮ᆉe Zhao Yan Costume Designer Zhao Yan graduated from the Central Theatre Academy and the Hong Kong Fashion Design Institute. She is currently the costume designer for the National Theatre Company of China and is a member of both the Chinese Stage Artists Association and the Chinese Costume Designers Association. Her costumes designs have won numerous awards including the Gold Medal at the 2nd Stage Art Exhibition; and top awards at the 14th Cairo Experimental Theatre Festival and at the 8th Chinese Theatre Festival. ஹρɁɁ ഼ᘨஉ߮ ஹρɁɁܰɻਝടΊࣂֆᙘᄧcˤ഼ᘨᖚࡼeˢؿАۂ ˨Ɂʼ၀ुੜई഼ᘨՇeɻਝʑΔడ˝ֺτᖚע ܱd˚ࣂݚֆఌ౦ˢАeܰωၤսԕሣኒؿА̳ ܰˢࣂֆ഼ᘨͲؿณྡྷe Chen Xu Renren Visual Art Designer A noted fashion photographer in China and an acclaimed visual artist, Chen Xu Renren is known for works that are full of humanity and create a strong visual impact. He had worked with almost all of China’s top performing stars and fashion idols. 42 АɁࡗʍଽ Creative Team Biographies ರࡄ Ѽஉ߮þᄧၦّ ರࡄܰɻਝʑΔؿӞၦ̎ჱʥࠑᅥჱࡗcࣂ࠹ͨΛᎻ ჱѼܞኒʥၦᑰஉ߮ɮАeˢଓพכɻ̕Ꮋჱነኒӡࠑ ᅥჱऒc౦ͨˀ̯̒տჱ྆ࡗcଊݯɻਝਝࡼჱࡗe ౦ˮͨΛᙌჱؿѼܞኒʥþֶၦᑰஉ߮cɖ౦ਨኒᎻჱe Jiao Gang Movement Designer / Shadow Dancer An actor, Jiao Gang has also been the movement instructor and choreographer for many plays. After graduating from the Central Theatre Academy, where he specialised in the performance of musical theatre, he was a member of the Japanese Shiki Theatre Group before joining the National Theatre Company of China. He also directs plays. ˔ عѼஉ߮ þ ၦّ ˔عଊͨᓻ˵כԕၦჱc˵ԕၦᑰነᇁኒӡଓพc˚߬ ၦჱАܢ˳ۂෞ৺ʨᖾd̽ைh˚߬ᎻჱАܢ˳ۂଉ݅ ɍ˖dॺᔋdࣺɡᄨe౦˱ࠗಋʥዌࠑؿپᅥʥၦᑰ ჱ೩ˮcԎι͓ᅥᏢၦᑰɮА۩c˚߬АۂᅥdᏢe Wang Mei Movement Designer / Dancer Wang Mei is a graduate of the choreography department of the Beijing Dance Academy and a member of the Beijing Song and Dance Theatre Company. She has appeared in the dance dramas Ma and Le Visiting the Sky and Jade Bird, and in the stage productions of Bedbug, Richard III and Faust. She has danced in productions in Hong Kong and Macau. Wang has her own dance workshop and has produced Happiness, Bitter. ࡗʍଽ Cast Biographies 43 ჳⴴ ঢ়ᑵ ჳⴴݯɻਝਝࡼჱӞڇαࡗcଓพכɻ̕Ꮋჱነ ٲӡeˢܰɻਝٶαԞكΊ۹ঢ়ڇؿαᄧ഼ࡗc ˚ؿȹཋᄧԅɁdԅɬdԅش 1998ᏵၬऋСဍ ਝཋᄧຝՇᜮଠᚭܨٴԑːᆉeԯ܃ንᔂΧ࿘Ᏽ ɍɊɄ։̎ᜪټᆉԙӘ˚ӯᆉcɌንɁউᏵ ɀɊ̒։ɻਝཋᄧټᔸᆉԙӘ˚ӯᆉc˚ΛཋᄧА ۂʥཋ഼ჱඑe Liu Ye Gao Yuan Liu Ye is a graduate of the Central Theatre Academy where he specialised in performance. Probably the best known film and television actor in China, his first film Postman in the Mountain, made in 1998, was chosen as the audience favourite at the Montreal International Film Festival. His acting in Lan Yu won him the Best Actor Award at the 38th Golden Horse Awards in Taiwan, and his role in The Foliage won him the Best Actor Award at the 24th Golden Rooster Awards in China. He has appeared in numerous feature and television film dramas. ঠ ݖҵɩ ঠݯݖɻਝਝࡼჱӞڇαࡗcɻ̕Ꮋჱነٲ ӡଓพeၦ̎ᔔఒcΕჱӔ㒷ɻٲؿ˥ɁͿ ോ૯Գe͛ܰٶαԞᙺݠΕɻਝᄧ഼ؿވᆏᏹณܱc 1999αንཋᄧܬʨؿӔᏵɊȾ։ټᔸᆉԙɤ ӯᆉh2002αንཋᄧᗫؿɣ຺ᏵɀɊɀ։ټᔸᆉ ԙɤӯᆉe Yuan Quan Shen Xiaoyou A graduate of performing arts at the Central Theatre Academy, Yuan Quan is an acclaimed and experienced young stage and film actress. Her performance in the theatre production Strong Wind was critically acclaimed. In 1999, she was named Best Supporting Actress at the 19th Golden Rooster Awards for her work in the film The Spring Rhapsody. In 2002, she won the same honour for her acting in The Big Foot. ࡗʍଽ Cast Biographies 45 ஹ צעᄺڇؿ܅α ஹݯצעɻਝਝࡼჱӞڇαࡗcɻ̕Ꮋჱነٲӡ ଓ พc ˚߬ Ꮋჱ А ॺܢ˳ ۂᔋdᗐכෲੱᓊ਼ؿณᜮ ֨d়ࡾ೩e Chen Minghao Angry Young Man A graduate of the Central Theatre Academy in acting, Chen Minghao is a member of the National Company of China. He has appeared in Bedbug and Labyrinth. ਜ਼ѻ ۢѝѝ ਜ਼ѻݯɻਝʑΔӞڇαࡗcɻ̕Ꮋჱነٲӡଓพc˚ ߬ᄧ഼Аܢ˳ۂɣࡌੱ̌d߱߱d281۬ڌdྦྷᒔ ӝdϭకᔿdᑹඦ೩e Zhang Tong Yao Yaoyao A graduate of the Central Theatre Academy, Zhang Tong has appeared in a number of film and television productions. ჳኮኰ ३ɥ ჳኮኰݯɻ̕ᎻჱነٲӡဨɡޢӠ́cɻ̕Ꮋჱነኒ ӡଓพeˢ߬˚ؿᎻჱАॺܢ˳ۂᔋdɊȼඣฦd ᛞෲؿಸ˒d়ࡾ೩e Liu Xiaoye Rat A candidate for a Master’s degree at the Central Theatre Academy, Liu Xiaoye received his undergraduate degree in directing from the same institution. He has appeared in Bedbug, Rhinoceros in Love and Labyrinth. Ⴁ Ϣᒓ ႡݯɻਝਝࡼჱӞڇαࡗcɻ̕Ꮋჱነٲӡଓพe ߬˚ؿᎻჱАܢ˳ۂdمผѼോdɊȼඣฦd ɊɀէdΕ༏ɐd㛾ؿቭע፷ࢡࢡdႡˊվԫ೩e Zhao Rui Woman Shopkeeper Zhao Rui is a graduate of the Central Theatre Academy where she studied performance. Her recent stage appearances include Horse, Twelfth Night, On the Road and Mr Zhao’s Orphan. 46 ࡗʍଽ Cast Biographies ਜ਼ቧȹ ᔢ́ ਜ਼ቧȹݯɻਝʑΔӞڇαᎻჱࡗcɻ̕Ꮋჱነኒӡଓ พeˢ߬˚ؿᎻჱАܢ˳ۂΪձˀতdᙜ්࣠d܃߇پd ȹಲ˚֚ܧຮّؿ෮̔ϋədயΪಾԫd܆ɓɾ܃೩e Zhang Luyi Doctor A graduate of the Central Theatre Academy, Zhang Luyi has appeared in The Diary of Anne Frank, The Cherry Orchard, Behind the Door, Accidental Death of an Anarchist and Wild Angel. ჳɽ ɡ ჳɽݯɻਝਝࡼჱӞڇαࡗc˵ԕཋᄧነٲӡଓ พe߬ ˚ؿᎻ ჱАܢ˳ۂΥdࠍྦྷࠍdɍˉ፠ ჱd˵ԕᔂʨdˋɾኝ2೩e Liu Dan Professor A graduate of the Beijing Film Academy, Liu Dan is considered an outstanding young actress. Her major appearances have been in The Scarlett Letter, Face to Face, The Threepenny Opera and Blue Skies over Beijing. Ⴁᑈ ᙶɡ ႡᑈݯɻਝਝࡼჱӞڇαࡗcɻ̕Ꮋჱነٲӡ ଓพe߬˚ؿᎻჱАܢ˳ۂཊچdעଝɥdޑɣᚭ ௩dʬȺɯ̳ඨdᛞෲؿಸ˒೩e Zhao Hongwei Nurse Zhao Hongwei is a graduate of the Central Theatre Academy. Her main appearances have been in The Storm, Happy Together and Rhinoceros in Love. ˔ኮᴀ ॺ͊; ˔ኮᴀݯɻਝʑΔӞڇαࡗcɻ̕Ꮋჱነٲӡଓพc ˚߬ჱАܢ˳ۂ100Ɂ೩ۿʷΛ ʷΛಋᘭڀdᛞෲؿ ಸ˒೩e Wang Xiaoshen Smelly Tanner A graduate of the Central Theatre Academy, this young actor has appeared on stage in 100 People Waiting for Godot and Rhinoceros in Love. ࡗʍଽ Cast Biographies 47 ң්් ނ ң්්ݯɻਝԫ೧ᖚჱӞڇαࡗc౦ͨˀ̯̒տჱ྆ ࠑᅥჱࡗc˚߬ࠑᅥჱАڇۂைdɤၤயᕺdɥ ˔dޒ۴ؿณϸdፅdࠗࣟԈּ೩e Li Yuanyuan Jeanne A member of the Chinese Children’s Arts Theatre Company, Li Yuanyuan has also appeared in musicals with the Japanese Shiki Theatre. Her major appearances in musicals have been Beauty and the Beast, Lion King, The Emperor’s New Clothes and Cats. ˔㘥 क ˔㘥ݯɻਝʑΔӞڇαᎻჱࡗcɻ̕Ꮋჱነଓพc˚߬ ᎻჱАࡾ়ۂd100Ɂ೩ۿʷΛ ʷΛಋᘭڀ೩e Wang Xin Pearl A graduate of the Central Theatre Academy, this young actor has appeared in Labyrinth and 100 People Waiting for Godot. ഠᗫ তّ ഠᗫ࠷ݯɣነʿʥޢݘڈӠነؿɡޢӠ́cଓพכ ̛ۤɣነɻʼӡcਿޢپӠɻਝˤͱቂᎻჱc౦ೕٲΛᆵ ᗐכɻਝଊˤdˤᎻჱؿിሃʼe Rossella Ferrari Reporter A doctoral candidate at the School of Oriental and African Studies at London University, Rossella Ferrari is a graduate of the Department of Chinese at the University of Venice, where she studied the avant-garde theatre in China. 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