を感じる暮らし - JAPAN QUALITY REVIEW
Transcription
を感じる暮らし - JAPAN QUALITY REVIEW
8 2011August vol. 04 FREE QUALITY REVIEW SPECIAL Transparent Black – The Ultimate in Elegance JQRファッション 涼 Dressing Up [ F E A T U R E ] “Chilling”the old-fashioned way を感じる暮らし RYO Eco-friendly options for beating this year's summer heat QR Quality Review Breathable, Cool “Airweave Cool 016” Airweave Cool A Unique Bag with a Flexible Shape Bao Bao Issey Miyake eng.jqrmag.com C O N T E N T S August 2011(distributed 7.7, 2011) 涼 NEW OPENING 05 Sake Hall Hibiya Bar Photograph (Spread)/ Hiroyuki Kiseki JQR REPORT 07 Following 3/11 The Great East Japan Earthquake: a volunteer’s DisasterReconstruction Report 26 New Series STREET SNAP “Chilling”the old-fashioned way を感じる暮らし 08 RYO JQR FASHION 29 Eco-friendly options for beating this year's summer heat Dressing Up QUALITY REVIEW 1 20 Breathable, Cool Quality Japanese Inns and Hotels[Final Installment] 46 Akan Tsuruga Besso Hinanoza “Airweave Cool 016” Continuing serial [Essay] Japan and Me: The Modern is in the 48 Traditional Francoise Morechand, Essayist QUALITY REVIEW 2 A Unique Bag with a 22 Flexible Shape Bao Bao Issey Miyake 24 We asked smartly dressed passers by how they are feeling right now. In Praise of Fine Sake 50 Hakurakusei QUALITY REVIEW SPECIAL Shozo Izuishi Selection A black-japan ring Transparent Black – The Ultimate in Elegance Publisher and Editor-in-Chief Jun Shinozuka Editors Jun Nakaki Editorial Committee Syozou Izuishi [Fashion Critic] Tanehide Egami [Executive Producer, Ecole De Cuisine Egami] Kyoko Ohtsu Shinichi Hanawa [Joint Representative Director Ramsar Network Japan] Maki Taguchi Ryuichiro Matsubara [Economist, Professor at the University of Tokyo] Fashion Director Souta Yamaguchi Humio Maruyama [High-Tech Industry Innovation Agency] Assistant Dai Furusawa Yumi Yamaguchi [Travel Writer] Web Director Tokuhisa Maruyama Additional Editing High-Tech Industry Innovation Agency Designer Wakako Kawasaki Advertising Masaya Mutoh (No Design) Editing Digital Lights Inc. Akari Sugawara(No Design) Digital Lights Inc. (JQR editorial department) 2-1-14 Sarugakucho, Chiyoda-ku Tokyo 101-0064 03-3518-2270 Integral Corp.(JQR advertising department) 2-1-14 Sarugakucho, Chiyoda-ku Tokyo 101-0064 03-3518-4488 Integral Corp. eng.jqrmag.com This Month’s New Opening Sake Hall Hibiya Ba Photography/ Susumu Nagao… Text/ Jun Nakaki ROOM URL www.hibiya-bar.com/shop/sake_hall/ Each room has a display of sake from a different brewery, and photographs showing the sake-making process. The seven breweries currently featured are: Tsukasa Botan (Kochi), Ichinokura (Miyagi), Kato Kahachiro (Yamagata), Sakai (Yamaguchi), Yoshinogawa (Niigata), Bunraku (Saitama), and Imanishi Seibei Shoten (Nara). Seats 111. The set menu of three cocktails plus three limited-period dishes is priced at 3,200 yen. Choose a different brewery each time you go, and you can enjoy different food and sake every time. The round objects hanging at the entrance (pictured above), are genuine sugi-dama — globes made of Japanese cedar that symbolize sake breweries and hang from their eaves. MAP SAKE o Toky E xp ress way Sukiyabashi entary Elem i e Taim l Mosaic o Scho Ginza Hankyu So to b or i-d or i Ginza-nishi 5-chome Ginza-nishi 6-chome Ha ru m i-d or B3 exit i Ginza Ginza Station Mitsukoshi Ginza 4-chome New Melsa SAKE HALL HIBIYA BAR Located very conveniently about one minutes walk from the Ginza Station B3 exit. But take care, its location in the basement of an office building makes it easy to miss at first. When you step inside you enter a retro-modern atmosphere, one that brewery workers apparently often like to visit as well. The Sake Espuma Style cocktail is popular. Aromatic sake is turned into a mousse that lightly tops a cocktail made in front of the customer. Pictured is Mousse On The Peach, a summery cocktail made from sake combined with blue Curacao, peach nectar and espuma foam. (680 yen) Enjoying Sake Bar-Style half tonic water garnished with orange of drinking sake together with delicious peel. The bar’s own ice-cubes are made food accompaniments. The Sake Hall Hibiya Bar opened on of mineral water frozen over three days, April 20 in Ginza, Tokyo. It’s the first which do not melt easily and thus do bar in the world devoted to cocktails not dilute the taste. The fresh fragrance made from sake. The usual method of of orange and pleasant feel in the drinking sake is to have it warm or cold, mouth imparted by the soda water make from sake cups and special ceramic this a popular drink that can be enjoyed bottles called tokkuri, but here it is even by customers drinking sake for the drunk from wine glasses, and on the first time. rocks. The menu also offers dishes made from The bar is divided into seven rooms, ingredients available in the areas where the idea being to enjoy sake from a each brewery is located. Sake lees different brewery in each room. Every (sediment) are used in almost all room also serves the Sake Nic (580 dishes, and are a distinguishing feature yen). This cocktail is made with the of the food here. Naturally it goes well breweries’ sake as the base, and with the sake cocktails. This bar is a contains a mix of half soda water and place you can experience a new style Pictured are dishes made with sake lees, which are called “Kojo Sozai” at this bar. Sake Hall Hibiya Bar Miyuki Building B1, 5-6-12 Ginza,Chuo-ku,Tokyo Tel. 03-3572-7123 17:00-23:00 (last order) Table charge 500 yen 2 011 August 5 REPORT from ISHINOMAKI On-the-spot report from a volunteer in disaster-relief activity for the Tohoku Earthquake. Embracing 3.11 Photography and Text / Julian Ross Destruction beyond belief. Even after blanket TV coverage of horrific images, I was not prepared for the abject misery that is Ishinomaki. [ NO.1] They, one of the devastated household, showed a little smile on their face after we helped them clean up their home. me it was time to meet her parents again after so long, then silently slipped away. And my wife soon followed her.” “When the first tsunami receded before the second bigger wave came, I could get up the stairs to the As we drove slowly through the mounds of rubbish on second floor. After a freezing night, the next morning either side of the street, the sides of every house I could see my daughter on the roof of the house carried the high water mark of the tsunami. Here it opposite, clinging onto her daughter. Their feet had was 2 meters, far short of the maximum 37 meters, frozen in the icy water during the night, so I swam but enough to destroy the entire ground floor of every across and hauled them back to my second floor. I house in the area. Those who had returned to what could see another two neighbors on their roof, but was left of their houses were methodically throwing they weren’t moving.” out all their possessions onto the street. “When cars started floating past my house, I dropped everything to save my wife, mother and myself,” said the brawny sixty-something year old. As he spoke quietly, his fingers restlessly writhed with unvoiced tension. “The water was already above my waist. Our only hope was to get up the stairs to the second floor, but the water was rising too fast. I grabbed my mother in one arm and young grandchild in the other, but the It appeared, after the waters receded, that the rubble piled up to the second floor. water ripped the toddler out of my grip. When the “That morning, we saw something floating toward our water receded four days later, I found her lying face house, and realized it was a woman clinging to the up.” As the words came tumbling out, our team of five top of a tatami mat. We managed to grab her as she volunteers could only listen. passed and hauled her in, but she was severely “My mother, half paralyzed, couldn’t get up the stairs lacerated and weak from the cold, and she soon died. on her own. The freezing water rose fast, carrying us Like my wife and mother, I guess she was lucky not and the furniture toward the roof. I gripped her tightly to die on her own.” in one arm and punched a breathing hole through the there we stayed suspended for 30 minutes as the There are hundreds of thousands of similar, untold stories. They do tsunami reached its peak with just a little air-gap left. not appear in the media. approaching living room ceiling with my other. And But my weak mother couldn’t take it. She softly told Julian Ross Julian Ross has lived in Japan since 1990 and works as a freelance technical editor. (When not working, he can usually be found hiking in the mountains with his dog, also from the UK.) 2 011 August 7 涼 Special feature RYO Eco-friendly options for beating this year's summer heat “Chilling” the old-fashioned way For centuries the Japanese have been experts at incorporating nature in everyday living. As serious efforts to reduce power consumption and save energy gather momentum, this summer is the perfect opportunity to remind ourselves of the wise ways of our forebears, hone our senses and test some time-honored techniques for combating soaring temperatures. Photos (spread) Hiroyuki Kiseki (products/people) Satoru Naito Text Kyoko Ohtsu 8 2 011 August 2 011 August 9 Long, narrow uchiwa 涼 made from Tosa washi paper, oval-shaped “Chilling” ¥1,500 the old-fashioned way Designer uchiwa ¥1,000 Marugame fans A shibu-uchiwa , a well-known example of a Marugame fan. Fishing line reinforcing makes the fans robust and hard to tear, while a coating of kakishibu (persimmon tannin juice) helps to ward off insects. The souvenir “kon ” (gold) character marking a visit to the Konpira shrine remains a favorite motif. ¥500 うちわ UCHIWA Along with the Kyo uchiwa of Kyoto and supplement their incomes. Originally Boshu uchiwa of Chiba, Marugame- made with a round handle (i.e. of uchiwa constitute one of the three main un-split bamboo), in 1882 examples types of uchiwa fan made in Japan. The with a flat handle formed by splitting brilliant red shibu-uchiwa fan with a the bamboo and planing it flat began marukin design shown here was to appear. These days, the term originally designed as a souvenir for Marugame-uchiwa generally refers to Shikoku's Konpira shrine. Fan a flat-handled fan. manufacture appears to have become Uchiwa are produced all over Japan, established in Marugame in the mid-Edo but Marugame accounts for by far period, when the local lord's retainers the most of any single location: were encouraged to take it up to an impressive 90 percent of the total. Komangetsu fan made from yukata (cotton fans kimono) fabric White ¥300 The story goes that round uchiwa fans were originally used to swat away insect pests such as flies and mosquitoes. They are also believed Uchiwa no Minato Museum to have been used to ward off sickness. While the rise of electric fans 307-15 Minato-machi Marugame-shi, Kagawa Tel: 0877-24-7055 Fax: 0877-43-6966 Website: http://www16.ocn.ne.jp/~polca/polca_1.html and air conditioning means there are now fewer opportunities for day-to-day use of uchiwa, there's no doubt their natural breeze makes for a softer, 10 2 011 August more soothing cooling sensation. Komangetsu Aizome indigo-dyed fabric ¥1,200 2 011 August 11 Uchiwa made from medake (Simon bamboo) Mangetsu type From ¥2,600 Uchiwa manufacture in action Masao Uyama of the Uyama Kobo studio is the only fan maker able to complete in person all twenty-one steps in the fan making process from bamboo harvesting to final finishing, making him a true master craftsman of the ancient province of Awa-no-Kuni. 1 2 Boshu uchiwa Chinese calendar motifs are popular, and ideal for decorative use. From ¥800 Black bamboo uchiwa are highly prized. Mangetsu type Awa-no-Kuni (Minami-Boso in present- From ¥4,000 day Chiba) was a source of highquality bamboo in the Edo period, supplying it to the uchiwa fan makers of Edo (Tokyo). However, with the razing of most Nihonbashi uchiwa wholesalers in the blazing inferno accompanying the Great Kanto 3 Earthquake of 1923, craftsmen were 1. Bamboo splitting. summoned here from Edo and went A single stalk of bamboo on to make it the caenter of Boshu is split into 60-64 equal uchiwa production. Minami-Boso is strips, in this case using also a fishing port, and the techniques an old razor blade. of fan making are said to have been 2. Several of the tools passed down as a source of extra used by Uyama-san. The cutting board is handmade. 3. The bamboo is flexed income among women waiting for the 4 return of their men who were out fishing. Once a workforce of around a and spread to make the thousand, now there are only a andful window at the base. of fan makers left. 4. All ten fingers move in Boshu uchiwa , with their characteristic concert to perform the job. cylindrical handles, are distinguished 5. With the cutting by their rounded grips and attractive complete, the edging is semi-circular “windows” made by attached. 5 binding bamboo split into 48-64 equal ribs with thread. 2040 Moto-ori Minami-Boso-shi, Chiba Tel: 0470-36-2130 12 2 011 August *Prices are a guide only, and vary between retailers. 涼 Uyama Kobo Uchiwa made from the root of the bamboo. The wider shape is known as “Yamato pattern” From ¥8,000 2 011 August 13 涼 Square lantern wind chime with plover motif ¥2,625 Nanbu-tetsu wind chimes Nanbu-tetsu wind chimes The manufacture of Nanbu-tetsu ware, the best-known examples of which include iron kettles and sukiyaki pans, dates back over 900 years. Around the year 1962 Nanbutetsu wind chimes suddenly experienced an explosion in popularity, with production reaching over four million at its peak. 風鈴 The classic lantern-shaped chimes are now joined by designs to suit modern homes FURIN Wind without eaves, but that soul-striking sound chimes The tinkle of wind chimes (furin) wafting from nowhere in particular is a classic sound of the Japanese summer, resonating refreshingly in a way that soothes the soul. Changing wind to sound and enjoying that elegant transformation is a way of Round lantern wide clime with mountain stream motif ¥2,625 rings eternal. Oigen Juzo 45 Horinouchi Hada-cho Mizusawa-ku Oshu-shi Iwate Tel: 0197-24-2411 Fax: 0197-25-3619 Website: http://www.oigen.co.jp/ ● Visit http://eng.jqrmag.com/ to hear an online version of the Nanbu-tetsu wind chime. savoring summer breezes that is very much in tune with Japanese sensibilities. 14 2 011 August 2 011 August 15 Edo wind chimes Wind chime manufacture in action We visited the main store of Shinohara Furin, a manufacturer synonymous with Edo wind chimes. Here chimes are individually fashioned by a team of dedicated craftsmen. 1 2 Edo wind chimes Glass wind chimes came to Edo in the mid-Edo period (from 1700 onward) following a demonstration by a Nagasaki glassblower. By the late Edo period (1800 onward), peddlers balancing poles of chimes on their shoulders could be found plying their trade in every corner of the city. Legend has it that not one of them ever called out to advertise his wares, yet still a constant stream of customers came: drawn instead by the harmonious tinkling of their chimes. Modern times have seen this staple 3 scene of Japan's summer landscape 4 1.Yoshiharu Shinohara, second-generation disappear. glassblower; Edogawa-ku Preserver of Every Edo wind chime, handmade by glass Important Intangible Cultural Properties blowing, ends up with a different shape. and Tokyo Honorary Citizen. Differences in the way the bulb expands, 2. After winding glass heated to 1,320 ºC the cut opening, and the weight ensure that onto the rod, Shinohara blows a bulb. each resonates in a different way. 3. Picking up more glass, he inflates the Time-honored designs such as goldfish and bulb slightly more, then after making a morning glory flowers are perennial hole to pass thread through later, gives a favorites, but this year pictures of the Tokyo single large puff. The method is referred to Sky Tree are also popular. Before you buy as freeform glassblowing, i.e. without the be sure to first check not just the design, use of molds. but the sound. Shinsui Longer and narrower than modern-day wind chimes, giving a more mellow tone. ¥2,835 Komaru Pre-war wind chimes were red, and usually featured some sort of play on words. This example has a pine tree (matsu ) on the reverse of a treasure ship, meaning “to wait (also matsu ) for riches”. ¥1,470 4. Once it is cool enough to touch, the bulb is severed. The edge is left rough to 5. The bulb is painted. Illustrating from the inside is a distinguishing feature of Edo 5 wind chimes. Shinohara Furin main store 4-22-5 Minami-Shinozaki-cho, Edogawa-ku, Tokyo Tel: 03-3670-2512 Fax: 03-3677-2552 Website: http://www.edofurin.com/ ● Visit http://eng.jqrmag.com/ to hear an online version of the Edo Furin wind chime. 16 2 011 August Utamaro Replica of a wind chime made 300 years ago, with a long thin gourd shape. ¥5,250 涼 ensure a unique tone for each chime. 2 011 August 17 涼 打ち水 UCHIMIZU Uchimizu, the sprinkling of water for cooling purposes, is no longer a common sight in urban areas. Over 300 years ago the working-class citizens of Edo already knew that sprinkling water on the ground had a cooling effect, and were putting that knowledge into practice. Sprinkling water on and then ventilating areas of the house such as the entrance hall and veranda also helps bring a cool breeze indoors. Why does sprinkling water cool things down? The answer lies in the process of vaporization, in which water takes heat from the surrounding air as it evaporates. Japan faces impending power shortages this summer, a repeat of a similar crisis in 2003. It was during this earlier crisis that ideas were conceived to combat the phenomenon of heat islands in densely built-up areas of the city. The focus was on the effect of sprinkling water, via a social experiment aimed at lowering the air temperature in the CBD through uchimizu: the “Oedo Uchimizu Dai- sakusen ” or “Great Edo Water Sprinkling Operation”. Thanks to an estimated 340,000 participants across the twenty-three wards of 1 Tokyo, a temperature drop of 1ºC was recorded, making the campaign a huge success. Now the project has extended outside Japan to other countries such as France, and uptake is steadily growing. In 2010 an estimated 7.95 million people across Japan took part in this coordinated uchimizu. According to Midori Matsumura from the 2 Uchimizu Dai-sakusen office, “One can of 3 course perform uchimizu in isolation, but if we all do it at a particular time then it's likely to be more effective. We also recommend this because coordinating in this way encourages people to communicate with each other.” The time-honored ritual of sprinkling water for purification is now proving a valid means of alleviating, even if only temporarily, a serious 4 5 present-day situation. 1. Ambassadors and their spouses from various embassies donned yukata to take part in uchimizu at Asakusa. 2. and 3. Demonstrations in front of the Paris city hall in 2005 and 2006 were a huge hit with crowds of locals and tourists. 4. In Sugamo, women dressed in yukata sprinkle water in flamboyant fashion. 5. Women dressed as maids also took part in an event at Kanda Meijin shrine near Akihabara (all photos courtesy of the Uchimizu Dai-sakusen HQ) The iron rule of uchimizu 1. Never use tap water. This is the iron rule. Use rainwater or water recycled from bathwater or the exterior units of air conditioners, etc. See the Uchimizu Dai-sakusen website for further hints on getting the best out of uchimizu. ● Uchimizu Dai-sakusen office:http://uchimizu.jp/ 18 2 011 August QR 1 Quality Review Photo at left shows steam being applied. The Airweave material allows heat to escape, providing for comfortable sleep even when perspiring. Photo at right shows water being poured through the mat. Both pad and cover are washable and easy to keep clean. Single 33,600 yen, semi-double 40,950 yen. The Airweave Cool 16 is a limited-time product, available only through August 31. Regular Airweave products are available year-round. Airweave cool Airweave Cool Breathable, Cool “Airweave Cool 016” Photography/Hiroyuki Kiseki, Text/Jun Nakaki Athletes love the environmentally-friendly, comfortable Airweave Cool mattress pad. As everyone works to save energy, it pad also makes turning over in bed Today, Airweave mattress pads have more comfortable, and even pressure even found their way into use in first distribution puts less stress on the class cabin service on All Nippon body. The polyethylene fibers mean the Airways international routes. The mattress pad is also completely Airweave Cool 016 features an washable, giving it all the qualities improved mattress cover made of a people look for in a mattress. cooler fabric. This limited edition is available only this summer. gets harder to find a place to cool off. Wouldn’t it be nice to at least get away While the product did not sell well from the heat at night…? A slew of when first introduced, no sooner was it Airweave is used with bedding in the personal cooling products has hit the put into use at accommodations run by guestrooms at Kagaya, a famous and market this summer, but one bedding the Japan Institute of Sports Sciences exclusive hot springs resort in product that really stands out is the than the Olympic athletes staying at Wakura, Ishikawa Prefecture. This Airweave Cool 016 mattress pad. Easy the facilities began talking about it. mattress pad is good for the body and to use, it goes right on top of your Word soon spread that the Airweave beats the heat—the perfect existing bedding. mattress pad provided a good night’s prescription for a good night’s sleep sleep regardless of the temperature, over the hot summer nights to come. The secret to how this mattress pad and left the body feeling rested the next keeps its cool lies in its unique day. Athletes such as swimmer Kosuke “airweave” filling. Polyethylene material Kitajima and members of Japan’s track is melted and extruded into water as and field team brought their own thin filaments, hardening into a mat of mattress pads to the Beijing Olympics fibers. The resin forms a three- the following year, and soon Mao dimensional, interwoven pad that is Asada and other figure skaters, composed more than 90% of air, giving members of the Japanese national it outstanding breathability and soccer team, and other athletes began preventing build-up of heat and taking the mattresses to competitions dampness. With just the right amount of overseas as a way of combating back spring and a highly stable shape, the pain. ● Inquiries: Weava Japan: Tel. 0120-824-811 http://airweave.jp 20 2 011 August The Airweave mattress pad is composed of intricately intertwined polyethylene threads, with a durability of over seven years. Once used, the pads can by heat fused for recycling into PET bottles and other items. Folds compactly for storage during the winter or when not in use. 2 011 August 21 QR 2 Quality Review Bilbao Prism 2 – 28,350 yen. Stretch it lengthwise or longwise ; one bag with an infinite variety of shapes. Bao Bao Issey Miyake Bao Bao Issey Miyake A Unique Bag with a Flexible Shape Photography/Hiroyuki Kiseki, Text/Jun Nakaki Have fun adding gussets to and folding this bag gores (shaped fabric segments that summer vacation. As an added bonus, facilitate folding and expansion to the surface is mostly stain-resistant. create 3-D shapes). Taking on various This one versatile bag, which can shapes and contours depending on the be folded into a mini-bag or used as a This unique bag – part of the accessory- contents, the bag never looks the same large bag, is ideal for everyday use or brand series Bao Bao Issey Miyake, twice – no matter how you try – because when traveling. Most importantly, this which debuted last autumn – resembles the shape alters slightly each time. The fun bag can be adjusted to a 3-D puzzle made from pieces of fabric. colors of the metallic-look bag slightly complement your outfit. The beautiful design has smooth, shiny, differ depending on the light. The design inter-connected triangular pieces on the of a studded or patterned bag will look outside with a black mesh fabric on the different every time. This makes carrying inside. this ever-changing bag exciting. This summer the stud-covered Bilbao The handles can be adjusted to two Lucent Studs and check pattern Bilbao different lengths. Lengthen the handle Lucent Check were added to the to slip it over your shoulder. The pocket straightforward and popular Bilbao on the inside is handy for holding Prism 2 series. lipstick or other small items. These bags are unique in that their Of course, when folded small, the shape can be freely changed by folding bag can be carried around without being along the triangular pieces or by making bulky. Slip it in your suitcase for your ● Inquiries: Issey Miyake Inc. Tel: +81-3-5454-1705 http://www.isseymiyake.com/ 22 2 011 August The black mesh visible between the triangular pieces is also part of the design. The fabric is soft and pliable. Bilbao Lucent Studs (35 × 35cm), a white bag with silver studs, also comes in black – 36,750 yen. Bilbao Lucent Check (35 × 35cm), a checked patterned bag with studs comes in blue or red – 38,850 yen each. The Bilbao Prism 2, at bottom right, comes in light purple (28 × 28cm) – 19,950 yen. A large-sized Bilbao Prism 2 (bottom right) in the same series in bordeaux (39.5 × 39.5cm) – 28,350 yen. The products at the top of the page on the left are shown here in different colors. 2 011 August 23 QR SPECIAL Selection The Shozo Izushi Selection No.5 A black-japan ring Transparent Black – The Ultimate in Elegance Photography/Satoru Naito The earliest use of the word “japan” humid climate is perfect for creating mere chance, I realized, that our to mean Japanese lacquer in English lacquerware. ancestors, having discovered lacquer, “But in the still dimmer light of Japan knew of the beauty of lacquer the candle stand, as I gazed at the objects finished in it.” (In Praise of long before then. trays and bowls standing in the Shadows , Junichiro Tanizaki) shadows cast by that flickering point In Praise of Shadows is a rare and Lacquerware was produced in Japan as far back as the Early Jomon unparalleled classic on Japanese period (6,000-5,000 BCE), as aesthetics. In this essay, Tanizaki exemplified by a vermillion likens the beauty of lacquerware to “a lacquerware comb discovered at the depth and richness like that of a still, Torihama ruins in Mikata, Fukui dark pond.” Is there much more I can Prefecture. The bold design of this add to that? approximately 6,000-year-old piece of Showzi Tsukamoto is the leading lacquer work has horn-like protrusions expert in Japan for kintaishitsugei , the rising up on both ends. Some teeth technique of applying lacquer on the are missing, but the vermillion lacquer surface of precious metals. Once, shines like new. Tsukamoto was fortunate to encounter Lacquerware shines black, and is other chemicals, vulnerable only to ultraviolet rays. Thanks to this the comb still looks alive after being buried for 6,000 years. The main probably never see again. Upon Decorative ring (gold lacquer, motherof-pearl inlay, black lacquer, mirror coating) K18YG, black japan, limpet, K24YG 2,100,000 yen incl. tax component of lacquer is urushiol, and seeing it, he realized the appealing contrast of crimson on black – the transparent black lacquer unique to Japan and known as ‘black japan’, applied 20 times in repeated layers. good-quality lacquerware contains of flame, 70% urushiol. While various types of I discovered in the gloss of this “depth and richness like that of a still, lacquerware can be found across lacquerware a depth and richness like dark pond.” If Tanizaki were alive, he Asia, pieces of this quality are only that of a still, dark pond, a beauty I would most definitely have chosen found in Japan, where the hot and had not before seen. It had not been one of Tsukamoto’s pieces as a gift. Shozo Izuishi 2 011 August Ring (garnet, black japan, mirror coating) garnet, K18YG, black japan 1,050,000 yen incl. tax a giant garnet of a size he will strong and impervious to acid and 24 had conceived such a fondness for is circa 1688. Yet foreigners visiting His works have an undoubted Born 1944. Izuishi has forged a career as a fashion designer, consultant, and critic. Author of numerous books including Bruu Jiinzu no Bunkashi (“Blue Jeans: a Cultural History”) (NTT Shuppan). His recent work Suutsu no Hyakka Jiten (“An Encyclopedia of Suits”) (Banraisha) lecturing males on how to wear a suit properly has attracted favorable reviews. (from left) Ring “Tortoiseshell” (emerald, gold lacquer, mother-of-pearl inlay, black japan, mirror coating) K18WG, black japan, limpet, K24YG 892,500 yen incl. tax/Decorative ring (vermilio n lacquer, black japan, mirror coating) K18YG, vermilion lacquer, black japan 1,155,000 yen incl. tax/Ring (vermilion lacquer, mirror coating) K18YG, vermilion lacquer 210,000 yen incl. tax/Ring “Tortoiseshell” (gold lacquer, mother-of-pearl inlay, black japan, mirror coating) K18YG, black japan, limpet, K24YG 525,000 yen incl. tax ● Enquiries: Zivaco Inc. <http://urushiart.com> 2 011 August 25 [This Month’s Questions] We asked smartly dressed passersby how they are feeling right now. Street Snap Q1 Who do you think epitomizes Japanese quality? Q2 What do you think is a waste of electricity? Q3 What was the biggest change within you after the recent earthquake? [Morika’s Answers] Q1 My grandfather who runs a farm and leads a selfsufficient lifestyle Q2 Sleeping with the lights on Q3 A feeling of belonging [S’s Answers] □ Name:Saya □ Occupation:Hairdresser □ Age:19 26 2 011 August □ Name:Akane □ Occupation:Student □ Age:21 Jacket: American Apparel Shorts: H&M Shoes: Converse Watch: MARC BY MARC J Bag: Bought at a flea market Jacket: Dior Skirt: American Apparel Shoes: UNBILICAL Bag: miu miu □ Name:Morika Sugiyama □ Occupation:KINSELLA employee □ Age:23 Dress: Bought at a local boutique Inner shirt: Forever21 Shoes: Katharine Hamnett Sunglasses: Forever21 Bag: Bought at a vintage shop Belt: H&M Q1 All craftsmen Q2 Pachinko parlors Q3 Understanding □ Name:S □ Occupation:Black MiQuri □ Age:23 [Saya’s Answers] ? Q1 Pachinko parlors Q2 I Q3 contact my parents in Iwate more frequently. Jacket: Black MiQuri Inner shirt: Black MiQuri Pants: Bought at a vintage shop Shoes: CELINE Bag: London [Akane’s Answers] Kiko Mizuhara Q1 Shop windows Q2 I unplug appliances I’m not using. Q3 2 011 August 27 OMEKASHI Dressing Up JAPAN QUALITY REVIEW JQR FASHION Worldwide Online Media Publication 2011 August Vol.2 RIN 凛 The Language of Dressing Up Rin is like power concealed in the tranquil beauty of elegance Text / Hiroshi Ashida “Before everything else I’ m a human francaise of the Rococo period were they made. Probably because they being”(A Doll’ s House, Henrik Ibsen) certainly splendid and beautiful, but you made clothes in accordance with existing do not perceive any sense of elegance socially accepted idea of dress at the time. More than just a few Japanese words in them. If you think about it, excess are difficult to translate into Western is unmistakably one reason for this. progressed for some time after the war Women’ s social advancement languages. Wabi and sabi are well- Enormous amounts of time, money and and inevitably changes in fashion also known examples, and kawaii is another skill were lavished on the extravagant emerged. In the eighties the likes of Yoji one that has recently gained currency embroidery with its abundance of gold Yamamoto and Comme des Garçons in English. Rin may well be another of and silver thread, intricate lace and other broke away from the mannish pantsuits these words. Maybe it’ s because of an trimmings. However, the purpose of insufficient knowledge of languages apart such clothing was largely to symbolize from Japanese on my part, but I have the status and power, and it is difficult to present styles that went beyond existing feeling that there is no real equivalent say honestly that it had any refinement. notions of women’ s clothing as dresses. for rin in Western languages. It’ s difficult The empire style emerged at the end These styles, which made a difference enough to explain in Japanese, but the of the eighteenth century after rococo, to the way women defined themselves, impression that the word conjures up for and was by contrast a style with a projected an easily comprehensible me personally, is of strength concealed simple silhouette and no excessive visual strength, that also appeared as behind a beautiful, quiet demeanor. ornamentation. But when you consider a kind of swaggering pose. But from Something in short, that seems to have aspects of it such as the tendency the nineties onwards unisex styles a transparent kind of strength. Follow towards over-simplification, and the became widespread, and rather than this line of thought and it seems that rin transparency of the clothing which lead women’ s fashions incorporating more may have things in common with the to more sex appeal than was perhaps male sexuality, things went in a neutral Western concept of“elegant.”Elegant necessary, it seems clear that it deviated direction. That’ s when you could say is often used in connection with dress from any sense of elegance. that more relaxed fashions with a supple and deportment, but let’ s think about the subject of elegant dress a little more. Tracing the history of clothing, of Yves Saint Laurent and western-style “beautiful fashion”of the seventies, to strength, came on the scene. But with it is possible to see the emergence brands like COSMIC WONDER, for of elegance in the work of Madelaine example, with its insistence on organic It’ s linguistic origins are in the Latin Vionnet at the beginning of the twentieth materials, and designing not just clothes elegantem (fine); e (out of) and - legant century. Known for inventing the bias but living spacing and environment as (select), meaning to select with care. cut, Vionnet’ s clothing was flawless. well, or ASEEDONCLOUD, which spins In other words, it is not a simple In comparison to other couturiers and stories through its clothes and tends to equivalent for yuga —the Japanese word couturières of the same period, she come across as a brand with natural, corresponding to elegant—but rather trimmed away all that was unnecessary light touch, the designers’ ideas and points to something that is minimal in from the garments she made, which concepts are integrated into the brand’ s design yet carefully chosen. This closely exuded an air of tranquility. In a later garments, so that you have a sense parallels Antoine de Saint-Exupery’ s generation clothing by Grès gave the of a firm will behind them. It’ s not an idea that perfection is achieved not when same impression. However, while each ostentatious strength that you find in there is nothing left to add, but when of these women had her own individual these, but a quiet, inner strength which there is nothing left to be taken away. sensibility, you don’t feel the full strength could, quite appropriately, be called rin . To begin with, what is elegance? Dresses such as the robe à la of their personalities in the garments Hiroshi Ashida: Born 1978. Ashida quit his Ph.D. research program at the Kyoto University Graduate School. He is now assistant curator at the Kyoto Costume Institute. Watch Silk Dress Citizen Nocturne #22 in C Sharp Minor, Op. Posth. Glasses Label,. The wearer cuts an even gives a clear field of vision and an more beautiful figure as the front intellectual look. section sways in synch with her Titanium frame (left) 79,800 yen movements. Titanium frame (center) 79,800 yen The dark-colored print graphically 47,250 yen Metal frame (right) 35,700 yen expresses the texture of knit Nocturne #22 in C Sharp Minor, alain mikli (mikli japon) Op. Posth. (RE.BIRTH information tweed. Simply wearing an elegant accessory. Silver/ Black each 26,250 yen Kii (Citizen Watch Co.) desk) Panama Hat jacket makes one straighten up. touch. Wear the watch like an formerly designer with Y’ s Red The narrow-framed classy design John Lawrence Sullivan any clothing and add a classy A new brand from Michiko Suzuki, alain mikli Jacket Simple designs go well with 66,150 yen Borsalino John Lawrence Sullivan (John Lawrence Sullivan) A stark white hat with an air of Choker distinction handmade by craftsmen. Look and feel elegant simply by YOSHiKO CREATiON putting it on. The shape of a necklace blown 44,100 yen Borsalino (test,) by the wind is captured in this Accoutrements choker. Its lightness of form is exquisite. Silver/ Black each 17,325yen Shawl YOSHiKO CREATiON (RE.BIRTH information desk) Hiroko Hayashi Carrying around these beautifully matched leather accessories with functional and textured embossed designs, will make you Tank Top Tricker’ s Thom Browne This white tank top projects a leather shoes. Wear these fine articles clean image. The linear Henley from an old established maker and neck in the wide open neckline your step will naturally become gives it that extra something. dignified. 15,750 yen 58,800 yen Thom Browne (Loveless) Tricker's (Trading Post Shibuya Shop) Clutch bag 48,300 yen Long purse 30,450 yen Card case 11,550 yen Delicate yet Strong. Hiroko Hayashi (Hiroko Hayashi) Belt Amboise Light and Composed. Gently swaying blue feathers Photography/ Satoru Naito, Takemi Yabuki (Femme) bring out elegant aspects of the wearer’ s carriage. Text/ Dai Furusawa 31,500 yen Amboise (United Arrows, Harajuku Shawl for Women)) Miyao A designer with experience at Comme des Garçons, Miyao starting out in the Spring/Summer 2011 collections. From the black lace you can sense Pins delicacy, and from the wool a contrasting lightweight strength. 13,125 yen Miyao (Miyao) JAM HOME MADE and ready made The safety pin, once a symbol of punk fashion, is the motif here in a simple silver accessory. Wear it to show an unwavering attitude. Nagagi Shirt Basket matohu United Arrows The traditional Japanese nagagi A basket to tote around casually as an (long kimono) reworked in Western- eco-bag. The black coloring and tassels bring style is a trademark item by elegance to even an informal outing. matohu. With its simple straight L 2,520 yen / M 2,310 yen / S 2,205 yen lines, the kimono-like design United Arrows (United Arrows, Harajuku for confers a dignified mien on the Women) wearer. 115,500 yen matohu (Lews Ten) L 52,500 yen/ M 31,500 yen/ S 15,750 yen Akira Naka The beautiful flowing line of the drape that extends from the shoulder along the side, combined with the linear shape of the shirt suggests a light, yet strong beauty. 36,750 yen Akira Naka (Esteem Press) JAM HOME MADE (JAM HOME MADE) 02 - 03 Beauty for the feet with pure white want to smarten up your deportment. ITEM Shoes Necklace: In a design suggestive of an ancient gladiator’ s breastplate, this necklace Bangle: The design looks as if it could be ethnically inspired, or part of the costume made of transparent acrylic conveys an impression of lightness and sophistication. for an anime heroine. Because of the transparent material the effect is not too hard, Care has been paid that the attachable parts made of flexible materials, are and this bangle could be worn in a pop or modish. comfortable to wear. 22,050 yen mame (Maiko Kurogochi Design Office) 53,550 yen mame (Maiko Kurogouchi Design Office) No.2 mame Fun Dressing Up Mask 60,900 yen mame (Maiko Kurogochi Design Office) Photography/ Satoru Naito (p. 4), Takemi Yabuki (Femme) (p. 5) Text/ Kyoko Ozawa fashion. of 2011 and is an up-and coming majority of‘ordinary’women. Whether presence on the fashion scene. The it was as a reflection of these social that mame presents is not, however, brand concept is the combat uniform for conditions, or a simple reaction against simply a regression to earlier generations. women in modern society. The kind of the minimalist and conceptualist modes Designer Maiko Kurogouchi worked thing that might make you think of suits of the nineties, whichever the case, in the at the Miyake Design Studio, and has with power-shoulders. In contrast to the 2000s feminine, and even more girlish background experience with the A-POC textures that provide camouflage in the fashions, became popular in the form of (a piece of cloth) design concept, and giant metropolis and type of designs intersecting“tribes.” collection planning and design. Working generally regarded as being for‘fighting “Girly culture”—as this trend was The image of the“combat woman” in cooperation with the network of artisans women`—neutral colors to blend in with called—along with the emergence of she made connections with during that concrete and straight-line silhouettes to a cultured class“young girl”trend, time plays a large part in underpinning replicate the shape of high-rise buildings continues as a type of underground the delicateness that she has perfected — mame’ s clothing is delicate, with subculture. However the“girly”culture of which is imbued with her own style. She ornamental detail. Minimal yet elaborately the 2000s had a stronger introspective, dares to use artificial materials such as calculated patterns, lace delineated in conservative and self-protective nature plastic and chemical fibres in traditional complicated and gorgeous designs, plastic to it. The espousal of motekawa —a new designs. She blends classical and folk accessories incorporating methods from fashion ideal backed by the so-called designs with a futuristic texture, and leathercraft, and the masks… if anything, akamojikei fashion magazines aimed at in doing so produces a mysteriously these evoke the accomplishment and young women—which dispensed with sophisticated and distinctive world. With sophistication attained by diligent hand- the notion of women dressing to please its delicacy of detail, refusal to hide or working in traditional arts and crafts. themselves and instead bluntly embraced distort the lines of the body, design that Formerly, aspirations to be a‘strong the notion of dressing to attract men; the traces inherent beauty, and a respect for woman’—at least in Japan— went hand Lolita fashion that played out a more old- the classical coexisting with a futuristic in hand with soaring economic expansion. fashioned girlishness and“princess” consciousness, mame’ s collection hints Of course not everyone became a -style while maintaining the nature of a at the awe-inspiring qualities of women career woman, but it was a period ‘s line counterculture; and the aomojikei living in a new age, one in which their light when women aspired to be‘strong’ on the yurufuwa (fluffy, buoyant) style, graceful strength bears no relation to the were uniformly incompatible with the thorns and poison aimed at others, and Lace Dress: A striking dress made of exquisite dainty lace in deep midnight blue. Lace Blouse: Lace on the blouse like milky-white mist, captures the eye. With and even if they weren’ t, they could at The cascade of chiffon sways elegantly as you move. sportive elements concealed in the cutting of the back and motif around the chest, it least look the part by dressing in the 86,100 yen mame (Maiko Kurogochi Design Office) can be coordinated into a wide range of styles. fashions. Eventually with the slump in the 90s. Actually, it is also a fact that such 57,750 yen mame (Maiko Kurogochi Design Office) economy and accompanying insecurity trends are now fast becoming clichéd “combat woman”image of the 80s and combines mutually contradictory elements with an all-encompassing flexibility. Kyoko Ozawa: Born in 1976 in Gunma prefecture. Ozawa passed the coursework section for the University of Tokyo Graduate School doctoral course then withdrew. She is a specially appointed researcher at the University of Tokyo Center for Philosophy. 04 - 05 amongst teens, at least in the area of ceased to become good news for the Works in employment, the tides of feminism debuted in the spring/ summer collection Professional The eccentrically-named mame brand The days when hats were a must are a thing of the past. But a capeline will still endow women with grace in any time. Dressed-up People STYLING 06 - 07 The solid strength, At the core of beautiful deportment. A lightness as heavy as this. Photography/ Takemi Yabuki (Femme) (p. 6, 8, 1 0, 12), Maki Taguchi (p. 7, 9, 11, 13 ) Hair and make-up/ Tsukushi Ichikawa Model/ Shohei Yamashita (p. 8, 10), Sayo Akasaka (p. 6, 12) Text/ Hiroshi Asada Hat 44,100 yen Stephen Jones / test, Dress 115,500 yen Yohji Yamamoto / Yohji Yamamoto information desk Pierced stud earrings 8,400 yen YOSHiKO CREATiON / RE.BIRTH information desk Kaori Mochizuki (model/ Omotesando) Hat (display item only) paille d’or by Barairo no boushi A coat is the outmost layer of clothing, it becomes the body’s surface. It’s power lies in the ability to change our image with just one layer. STYLING 08 - 09 Coat (display item only) araisara / Esteem Press Corset (display item only) araisara / Esteem Press Hakama (display item only) araisara /Esteem Press Ring 23,100 yen YOSHiKO CREATiON / RE.BIRTH information desk Ring 21,000 yen YOSHiKO CREATiON / 2 BOY (DJ / Harajuku) RE.BIRTH information desk Coat 72,450 yen Earrings (privately owned) Molfic / Esteem Press Because of its simplicity the white shirt can be influenced greatly by the combination with other items. Maximal contrast with black pants paradoxically produces the best balance. STYLING 10 - 11 Shirt 35,700 yen Yohji Yamamoto / Yohji Yamamoto information desk Vest (display item only) Yohji Yamamoto / Yohji Yamamoto information desk Suspenders 12,600 yen Yohji Yamamoto / Yohji Yamamoto information desk Pants 56,700 yen Yohji Yamamoto / Yohji Yamamoto information desk Choker 39,900 yen YOSHiKO CREATiON / RE.BIRTH information desk Hiroshi Ito (shop attendant/ Shibuya) Shirt (display item only) Luciole_jean pierre / XANADU Blocking the eyeline with sunglasses neutralizes emotion. A hard expression shows neither, anger, happiness nor sadness. STYLING 12 -13 Cut and sew 31,500 yen Yohji Yamamoto / Yohji Yamamoto information desk Pleated skirt 89,250 yen Yohji Yamamoto / Yohji Yamamoto information desk Sunglasses 43,050 yen Linda Farrow / test, Rings each 23,100 yen Rei Shito (fashion blogger/ Aoyama) YOSHiKO CREATiON / Sunglasses 25,900 yen RE.BIRTH information desk Ray Ban / Reminence Tokyo JAPAN QUALITY REVIEW JQR FASHION Worldwide Online Media Publication 2011 August Vol.2 Editor in Chief and Publisher Jun Shinozuka Fashion Director and Stylist Souta Yamaguchi Art Director Masya Mutoh (No Design) Designer Akari Sugawara (No Design) Assistant Editor Dai Furusawa Planning Integral Corporation 2-1-14 Sarugaku-cho, Chiyoda-ku, Tokyo 101- 0064 Tel. 03-3518-4488 Publishing JQR Editorial Department 2-1-14 Sarugaku-cho, Chiyoda-ku, Tokyo 101-0064 Tel. 03-3518-2270 Shop/Brand Information Esteem Press 03-5428-0928 Hiroko Hayashi 03-3499-7364 JAM HOME MADE 03-3478-7113 John Lawrence Sullivan 03-5428-0068 Lews Ten 03-6805-0573 Loveless Aoyama 03-3401-2301 Miyao 03-6804-3494 paille d’ or by Barairo no Boushi 03-3498-8005 Reminence Tokyo 03-3499-7755 RE.BIRTH information desk 03-6452-3987 test, 03-5775-1537 Xanadu 03-6459-2826 Maiko Kurogouchi Design Office 03-3413-3338 Citizen Watch Co. 0120-78-4807 Trading Post Shibuya 03-3407-0689 Mikli japon 03-3401-7981 United Arrows, Harajuku main branch, Women’ s 03-3479-8176 Yohji Yamamoto information desk 03-5463-1537 jqrmag.com We asked travel writer Yumi Yamaguchi about Quality Japanese Inns and Hotels Bea n a p Ja [Final Installment] Photography/Yuko Iida Q ay t S l utifu Hinanoza Lake Akan Highway bus Sapporo Kushiro the expected power restrictions. For my vacation I've decided to leave Seafood sourced that same day from Kushiro, Abashiri and other local fishing grounds graces the table. Dishes made from local ingredients such as Hokkaido Sika Deer tataki and tempura of smelt caught in Lake Akan make for an unforgettable dining experience. A (Male, 48, restaurant owner) scorcher in Tokyo, especially with The bedroom is separate from the living room and tatami room facing the lake. The spacious sleeping space is partitioned off by paper doors to ensure privacy, also making it perfect for families. Super Ozora Where can I stay to best take in the natural grandeur of Hokkaido? This summer is shaping up to be a The outdoor baths attached to the rooms have a constant supply of fresh running spring water. After a warming soak in the cypress wood tub, take a seat on the terrace overlooking the native forest and cool off in the bracing mountain air. For what you want to do, Hinanoza is the ideal spot. (Yamaguchi) the capital for the cooler clime of Hinanoza in the Lake Akan hot spring region of Hokkaido Hokkaido. Can you recommend is a modern hotel distinguished by indigenous Ainu somewhere to stay that will allow design and handcrafted work with a contemporary twist. me to relax and enjoy the natural The lounge, which features traditional woodcarvings, surroundings? offers picture-perfect views across Lake Akan. Akan is famous for its colonies of marimo moss balls, and in fact apart from the town itself the whole of the lake shore is native forest. This is the place to immerse yourself in the majestic natural splendor of Hokkaido. Tasty cuisine perfect complement to natural splendor On entering Hinanoza one is greeted by a galleria of dramatic design and decoration. First to catch the eye is a shimafukuro (Blakiston's fish owl) perched on a bench, wings spread wide as though it were about to take flight. According to hotel staff, the bird was carved from wood by a group of local craftsmen. Next, guests are lured into the main entrance hall. At first glance the hotel appears to be a conventional Japanese inn. Beyond the tatami matting, however, an exotic space with carved wooden furniture is positioned to perfect effect against the breathtaking backdrop of Lake Akan. Carvings of wild animals are dotted throughout the hotel. The hotel staff members who kindly explain it all 46 2 011 August wear uniforms incorporating Ainu motifs. Judging from its interior, vacuum tube amps. Dinner is served in a private room Hinanoza is a hostelry suffused with at the hotel's “Hina” restaurant, and the very essence of Hokkaido. consists of a succession of delectable Ushered into a room of dishes with a definite seasonal flavor, extraordinary luxury, I find a panoramic sourced from the land and seas of view of Lake Akan. Rooms at Hokkaido. With the sake tasting just Hinanoza also featured in the Chinese as good, it would be a waste to stop film If You Are the One, triggering a these fresh, tasty morsels coming. I boom in Hokkaido tourism in China. decide to forget about calorie- Bathing in the cypress wood outdoor counting just for today. tub attached to the room, I gaze post-breakfast stroll along the nature devoid of human habitation. Soaking trail circling the shores of Lake Akan. in the soothing waters while drinking Bokke (mud pools) bubble out of the in views of the beautiful lakeshore, I ground quite close to the hotel. This feel all that pent-up fatigue dissolve place is also said to have been home away. to the Ainu since ancient times. The sun's rays are powerful, but the find an Ainu pattern resembling sharp breeze blowing through the trees is sword tips decorating a massive cool, tirelessly rustling the fresh natural wood counter, and young leaves. contemplate the setting sun while listening to slow music wafting from Akan Tsuruga Besso Hinanoza The following day starts with a across the lake to indigenous forest Visiting the bar before dinner, I The Amanoza Suite overlooking Lake Akan with interconnecting tatami room, living room and bath. The view opening up across the lakeshore is simply superb. 2-8-1, Akanko Onsen, Akan-cho, Kushiro, Hokkaido, Japan Tel: 0154-67-3050 Prices start at ¥29,000 per person per night including dinner and breakfast http://www.hinanoza.com/ In the listening room guests can enjoy the mellow tones emanating from handcrafted wooden JBL Paragon speakers. The lounge overlooking the lakeshore also boasts a collection of books on Lake Akan, the Ainu and other local subjects. [Getting there] ● By train from Sapporo Super Ozora limited express from Sapporo Station to Tsuruga Station (approx. 230 minutes), then highway bus to Hinanoza (approx. 100 minutes) ● By bus from Kushiro Airport Approx. 80 minutes by highway bus from Kushiro Airport to Hinanoza Yumi Yamaguchi Travel Writer. Author of Teikoku Hotel・Wright kan no nazo (Mysteries of the Imperial Hotel and Wright Buildings), Shueisha Shinsho; Kieta shukuhaku meibo~hotel ga kataru senso no kioku (A Register of Vanished Hotels: Memories of War that Hotels can tell us), Shichosha; Tabi no mado kara (Window Scenes from my Travels), Chihaya Shobo, and others. 2 011 August 47 Françoise Moréchand Japan and Me -The Modern is in the Traditional- VOI. 2 私と日本 Francoise Morechand, Essayist Bamboo and Japan The Epitome of Japanese Elegance I'm not sure what Japanese people think of when they hear the word bamboo, but for the French bambou long possessed the exotic aura that once surrounded everything Asian. From Vietnam and Cambodia (Indochina in the colonial period), to Thailand, Indonesia and China, for people in the West bamboo conjures up visions of faraway Eastern lands. On hearing the word “bamboo” we French are reminded of the distinctive furniture that almost certainly graced our grandparents' parlors: at the very least one or two seats, a few armchairs, and a dainty tea table. Such pieces chimed perfectly with Gallic tastes in furnishings and added a whiff of the mysterious East to the French-style interiors beloved of Europeans. In the 1860s, the advent of steamship travel under the Second Empire of Napoleon I's nephew Napoleon III made distant lands more accessible. Long-term French residents of Asia returned bearing attractive bamboo furniture as souvenirs from the colonies. Europeans found this delicately-wrought furniture irresistible, so French furniture-makers began to produce imitations. For this they employed timbers other than bamboo, but took care to meticulously reproduce the bamboo joints. French-made“bamboo chairs” of this period now fetch enormous sums on the antique market! The image of bamboo is closely linked to Asia. The last wife of the late Serge Gainsbourg—singer, songwriter, composer, and father of actress Charlotte Gainsbourg—went by the stage name of Bambou, a nod to her Vietnamese ancestry. Prior to arriving in Japan in the late 1950s, my image of bamboo was confined to its aforementioned 48 2 011 August French colonial period charms. Japan, on the other hand, had never been colonized, thanks to the (wise, as it transpired) determination of the Tokugawa Shogunate, having observed developments in other parts of Asia, to guard against foreign invasion through the system of sakoku. By the time Iemitsu ruled Japan, this closing of borders was complete. Coming here I discovered a distinctly Japanese bamboo culture that epitomized Japanese elegance and refinement. My first visit to Japan was in 1958, just thirteen years after the end of the Second World War. By now the country was already quite far down the road to Americanization, but its traditions remained robust, and the people's way of life was closer to that of the Edo period than Los Angeles. These were the good days, before the archipelago was swamped in plastic from end to end. The call “Take! take!” still rings in my ears. This was the cry of the peddlers who went from street to street selling long bamboo poles for hanging out laundry to dry. I was renting a small house in Shimo-Meguro, on the property of a Mrs. Okada, who lived in the main house next door. Here, one truly had the sensation of being in Japan, and I was happy to make my home there. Through the woven bamboo door to the garden, the path to my little house passed through a small thicket of bamboo. While it swayed in the spring breezes, and bent under the weight of winter snow, that bamboo never snapped. I often visited Mrs. Okada at the main house, which had escaped the B-29 firestorms of 1945. In her entranceway, the ceiling woven in a lattice pattern for strength was made of bamboo. Ushered into the living room, I spied the tokonoma alcove where the Japanese display prized works of art: here the posts were again made of bamboo, this time a different variety. A Japanese ikebana flower arrangement was displayed in a bamboo basket of splendid spiral weave. Enjoying a chat in the garden, Mrs. Okada and I would sit on the engawa, a kind of veranda or narrow passageway circling the house. At the Okada home, the floor of this veranda consisted of bamboo stalks split in half. This was highly pleasurable to walk on, and a great relief for aching feet. The sharp clack of a shishi odoshi water fountain resonating at regular intervals from the garden was the most pleasant sound imaginable. A shishi odoshi is a device consisting of a bamboo tube open at one end into which water pours, until its weight tips the tube, causing it to hit stone and make a sound. In earlier days, shishi odoshi were used in the fields to scare off animals that came to eat the crops. Calling on the Okadas of an evening I would be met with sake served in a hollowed out bamboo tube. The son would come home late at night after kendo, a bamboo practice sword over his shoulder. When I called the butcher to place an order, it would arrive wrapped in bamboo skin. Visiting the shrine near my house, to purify the soul I would use a bamboo ladle to scoop up spring water and wash my hands. Bamboo features in pictures everywhere. Often portrayed as a symbol of strength (because it flexes but doesn't break), or purity (because a bamboo ladle is used to scoop water and wash the hands or mouth), it is in fact a fitting subject for any artist seeking to pay homage to the attractions of nature with minimal affectation. The beauty of a bamboo grove, the trunks of soft, lustrous green tracing crisp vertical lines, provides the most wonderful inspiration for screens, kimono, and lacquerware, while the crisp contours of bamboo leaves make the perfect motif for the family crests with which the Japanese mark their most precious belongings. Thanks to Japan, bamboo has escaped being a symbol of colonialism. Bamboo is the soul of Japan. I sincerely hope its people do not forget this. 2 011 August 49 Sake to Drink From aWineglass In Praise of Fine Sake Special Junmai 4 Vol. Niizawa Brewery Address: Sanbongi Kita-machi 63, Osaki-shi,, Miyagi Telephone: 0229-52-3002 ● Alcohol content: 15.8% ● Seimaibuai (rice milling percentage): 60% ● Nihonshu-do (Sake Meter Value + dry, -sweet): +3 ● Amino acidity:1.3% ● Acidity:1.5 ● Rice: Yamada-nishiki ● Volume: 720ml ● Price: 1,365 yen (tax inclusive) Hakurakusei Text/ Kaori Haishi (sake sommelier) Photography/ Susumu Nagao The Lucky Sake that Survived Disaster “This sake was rescued safely from the golden-basted meatballs? I also Great Eastern Japan Earthquake.” It recommend Chinese dishes containing makes you want to take great care not oyster sauce, such as green pepper It’s been three months since the Great to waste a single drop when drinking it. steak. Tilt your glass and the somewhat aftermath caused unprecedented golden yellow tinged sake drips slowly solid strength akin to having two feet damage to many sake breweries. down the edge. If this were wine I’d say planted firmly on the ground. Mr. Niizawa Whether they feel that it has been a it belonged in the long legs category, is a man who has faced natural long time or not since the disaster with a light viscosity that covers the disasters many times. I’m sure that he probably depends greatly on present tongue. A fresh aroma reminiscent of will once again overcome any difficulties circumstances. The Niizawa Brewery lactic acid and green apples rises and go on to brew even more delicious sustained enormous damage in the gracefully, and upon taking a sip, it has sake. That might sound presumptuous quake, and has only just taken its first the full-bodied rice flavor you'd expect coming from someone who was not a real step towards recovery. The chief from its appearance. victim themselves, but everyone is brewer there, Iwao Niizawa, is a rising 50 Somewhere in this sake there lies a Eastern Japan Earthquake and its This sake goes very well with hoping for even greater things from him. star of the sake world said to have “the strongly-flavored dishes. It is also good The decision to rebuild the brewery has palate of a god.” The sake he brews in combination with the pleasant tingling already been made. The best support intoxicates even the soul. This Special sensation of green sansho (prickly ash that we sake drinkers can give is to Junmai Hakurakusei sake was in fact pepper), which is now in season. Or how drink the product he put his soul and extremely fortunate to escape the about something like miso-simmered spirit into making. What more can I say? earthquake unharmed. On the reverse mackerel and green sansho, spicy-sweet side of the bottle you’ll find the words flavored burdock in pork loin rolls, or 2 011 August The September edition will be issued on August 8th Read about traveling deep in Kumano and Yoshino, high-quality AERO CONCEPT products, and shops with delicious shaved-ice treats to beat the heat.