Sunday 17th January 2016, 2pm

4th NOVEMBER 2012
CORK
Sunday 17th January 2016, 2pm
1
Arthur K Maderson (Lot 45 detail)
17th JANUARY 2016
CORK ART & ANTIQUES AUCTION
Rochestown Park Hotel, Cork
SUNDAY 17TH JANUARY 2016, at 2pm
n
Auctio
Starts
2pm
AUCTION
Rochestown Park Hotel
Rochestown Road
Douglas
Cork
ENQUIRIES / BIDS
Dolan’s Art Auction House
Lissarulla
Carnmore
Co. Galway
Tel: +353 (0)91 798 647
Email: [email protected]
PREVIEW
This catalogue is available to view
or download from our website
www.dolansart.com
VIEWING
Rochestown Park Hotel, Cork
Friday 15th January 2015, 12.30pm - 8pm
Saturday 16 th January 2015, 10am - 8pm
Sunday 17th January 2015, 10am - 2pm
www.facebook.com/dolansart
All lots are sold subject to the terms and
conditions of sale printed in this catalogue.
Buyers premium 20% plus VAT on each lot.
Purchasers will not be charged the 4% artist resale levy.
DOLAN’S
Niall Dolan
Melinda Hardiman
Conor Dolan
Dolan’s have dedicated saleroom telephone lines for all
enquiries and bids during the viewing and auction:
Telephone
091 798647
086 4098015
Email [email protected]
Website www.dolansart.com
ROCHESTOWN
PARK HOTEL
DOUGLAS, CORK
FROM LIMERICK
FROM
DUBLIN
FROM
WATERFORD
JACK LYNCH TUNNEL
South Ring
Road
TO MAHON
South Ring
Road
Kinsale Road
Roundabout
Kinsale Road
N28
R610
Douglas
Village
Rochestown
Road
N28
TO RINGASKIDDY
2
17th JANUARY 2016
INFORMATION FOR PURCHASERS
BUYERS PREMIUM
Buyers are reminded that there is a premium payable on the final bid price for each lot. The buyer shall pay a commission to the auctioneer, viz. a
Buyer’s Premium, of 20% + VAT on the hammer price of each lot. The auctioneers are happy to execute bids on behalf of the buyer, but if successful,
the purchase price payable will be the final bid price, together with the VAT inclusive premium chargeable thereon.
VIEWING
Please note that viewing finishes at 2pm on the day of sale, Sunday 17th January. It will not be possible to view lots after this time. Please note that
imperfections are not stated. It is the responsibility of the purchaser to inspect and ascertain the condition of any or all goods offered for sale in the auction.
Ample opportunity for inspection of goods is given to buyers, and each buyer, by making a bid for a lot, acknowledges that they have satisfied themselves
fully before bidding, by inspection or otherwise, as to the Conditions of Sale and the physical condition and description of the lot, including but not
restricted, to whether the lot is damaged or has been repaired. All electrical and mechanical items are sold ‘as is’, and no warranty or guarantee comes
with these items. It is up to the buyer to satisfy themselves as to whether or not they are in working order. In relation to light fittings, furniture and garden
furniture, buyers are reminded that removal of all items is solely at the buyer’s risk and expense.
YOU DON’T HAVE TO ATTEND THE SALE TO BID
If you are unable to attend the auction, Dolan’s offer the following ways in which you can bid before the sale:
ABSENTEE BIDDING
If you are unable to attend the auction you may complete an Absentee Bid form, and we will bid on your behalf subject to our Terms and Conditions
of Sale. Tel. 091 798647 for further details.
TELEPHONE BIDDING
You may choose to bid by telephone during the course of the auction (subject to our Terms & Conditions of Sale and the availability of telephone lines).
Adequate notice is required in order to arrange telephone bidding. Tel 091 798647 for further details.
VAT REGULATIONS
No VAT is charged on goods sold in the auction. VAT is only applicable to the auctioneers’ commission charged to the purchaser (i.e. the buyers
premium). All lots are sold within the auctioneers’ VAT margin scheme. Revenue regulations require that the buyers’ premium must be invoiced
at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyer.
COLLECTION OF LOTS
Lots purchased at the sale may be collected on the sale day and the following morning, 10am - 2pm, from the Rochestown Park Hotel,
thereafter from our office at Lissarulla, Carnmore, Co. Galway.
ALL LOTS ARE SOLD SUBJECT TO OUR TERMS & CONDITIONS OF SALE
Dolan’s Terms & Conditions of Sale are printed at the back of this catalogue and are available online at www.dolansart.com.
Purchasers will NOT be charged the artist’s resale levy, known as the droit de suite.
DOLAN’S GUARANTEE OF AUTHENTICITY
Dolan’s Art Auction House takes special care to ensure that all works of art offered are as described and are the work of the artists to whom they are
attributed. In the event of any work sold from this catalogue to be subsequently proved to be a ‘deliberate forgery’, subject to our Terms and Conditions of
Sale (and in particular Condition No 5), as printed in this catalogue, Dolan’s will cancel the sale and refund to the buyer the total amount paid by the buyer
to Dolan’s for the item. This guarantee is provided for a period of seven years after the date of the auction and may be extended at Dolan’s discretion.
SPECIAL NOTICE TO PURCHASER
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but
not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to
bidding , if they intend to import such items into another country.
COPYRIGHT © 2016 DOLAN’S ART AUCTION HOUSE. ALL RIGHTS RESERVED
3
DOLAN’S
Lawrence 19th Century Irish Topographical Scenes
These two lots are all photographs from the Lawrence Studio in Dublin, the photographer believed to be a Mr ffrench
and this collection of photographs was sold in the 19th century to a dealer in Chicago, USA.
1
19th Century Lawrence
Photographs of Co Cork,
bound volume of black & white
photographs of Glengarriff,
Blarney, St Finbar’s Cathedral,
Fermoy, The Lake Hotel,
Inchigeala Bridge,
Queenstown, Pass of
Keamaneigh, St Colman’s
Cathedral, Youghal, Shandon
Chrurch, Round Tower near
Ballycotton, Passage on the
Lee, Steam Boat Docked in
Cork City, Queens College,
Queenstown Harbour, Patrick’s
Street Cork, the City from
Blarney Hill, Gougane Barra
Lake, etc. Bound volume, with
all faults, each Photograph
approx 4.5"x6.5"
1
Patrick Street
1
Lake Hotel, Inchigeala
1
Queenstown
1
Queenstown
1
Inchigeala Bridge
1
Blarney
¤400 - ¤500
2
19th Century Lawrence
Photographs of Co Meath,
bound volume of black & white
photographs of Trim, Bective
Abbey, Kell’s Church, Ruins at
Skreon, the River Boyne
at Beauparc, Hill of Tara,
St Columbkille’s House Kells,
Round Tower at Kells, Tara
Village, Ruins of Slane Abbey,
Steam Boat below Slane Castle,
Kilmessan Hunt, St Mary’s
Abbey, etc. Bound volume,
with all faults, each photograph
approximately 5.5"x7.75"
¤350 - ¤450
2
4
Tara Village
2
Slane Castle
2
Kilmessan Hunt
17th JANUARY 2016
3
An Irish Florilegium, Wild and Garden
Plants of Ireland, Volumes I & II,
Illustrated by Wendy Walsh, with
sucscribers list to volume II, Signed
by Wendy Walsh and Charles Nelson
(No 50), with an original ink & wash
drawing on the subscribers list.
Published 1983 and 1987 respectively,
with all faults, illustrated throughout,
with original dust jackets
¤950 - ¤1,250
4
James Joyce, Finnegan’s Wake,
first edition, published 1939, with
all faults, orignal dust jacket
¤900 - ¤1,100
5
The Atlantic Telegraph by WH Russell,
illustrated by Robert Dudley,
Published c.1865, large volume,
attractive colour lithographs,
half calf binding, with original
gilt cloth, with all faults,
interesting volume
¤1,000 - ¤1,200
6
James Joyce, Exiles,
Second Edition, Published
by the Egoist Press, London
1921, bound volume, with
all faults. Interesting book
plate Ex Libris R.E. Pond
¤300 - ¤400
7
James Joyce, Giacomo Joyce,
Published by the Viking Press,
New York 1968, in its slip case,
with all faults, bound volume.
Interesting Cork book plate of
Declan O’Riordan.
¤300 - ¤400
8
Cork Maritime & Railway
Interest: Bantry Pier,
A Proposal, 1866 (2 volumes);
Crookhaven Lighthouse,
Correspondence 1861; Papers
Relating to the Valuation of
Cork County 1825; Report
Upon...the Wreck of the
‘San Francisco’ in Clonakility
Bay, West Cork Railway Bill
1867, etc, & Cork Harbour Bill,
with all faults, 5 volumes.
¤400 - ¤500
3
3
4
5
5
5
8
6
9
9
9
9
Cuala Press, 3 Broadsides for April, August & December 1909.
Each printed on both sides and hand coloured, with all faults.
Limited Editions, 300 copies
¤350 - ¤450
7
5
NO RESERVES
DOLAN’S
The following 18 lots, are a single owner collection and will be sold Without Reserve.
An interesting collection, assembled over years, most of these pieces bare signatures, but none
are accompanied by certificates of authentication and all are offered for sale on that basis.
As a whole, the collection has many interesting, sought-after and collectible lots.
10
11
10 Muhammad Ali (Cassius Clay) & Elvis,
colour photoprint, with inscription,
19.5"x15.5" (49x39cm)
12
Katie Taylor, Signed Boxing Glove,
complete with Photographic Portrait,
all framed as one, 19.25"x19.25"
(49x49cm) overall
14
Bernard Dunne, Signed Boxing Glove,
complete with Photographic Portrait,
all framed as one, 23.25"x16"
(59x40cm) overall
¤400 - ¤600
¤300 - ¤400
11
Muhammad Ali (Cassius Clay) &
The Beatles, Muhammad Ali Knocks
Out The Beatles, photoprint, with
inscriptions, 15.25"x19.25" (39x49cm)
¤400 - ¤600
13
Framed Boxing Glove, Inscribed
‘Jake La Motta, Raging Bull’,
with photo images of Robert de Niro,
playing the film role, all framed as one,
31.75"x22.5" overall
¤300 - ¤400
6
¤300 - ¤400
15
Mike Tyson Photograph,
9.25"x7.25" (23.5x19cm), framed
¤70 - ¤100
NO RESERVES
17th JANUARY 2016
12
13
11
14
15
7
NORESERVES
RESERVES
NO
DOLAN’S
17
16
16
Irish Soccor Jersey (1995), variously signed, squad
members, Roy Keane, Packie Bonner, Steve
Staunton etc,
¤100 - ¤150
17
Eric Cantona, large coloured print on canvas,
37"x40"
¤100 - ¤150
17A Victor Cirefice, ANDY LEE, Oil on Canvas,
unframed, 12"x16" (30x40cm), Signed
¤100 - ¤150
18 Henry Cooper, Prince Naseem, Frank Bruno,
a pair of photographs, unframed
¤75 - ¤100
17A
22
Christina Aguilera, Tori Amos and
the Hansons,
three photographs, framed
¤75 - ¤100
23
Penelope Cruz, Kim Basinger,
Gillian Anderson, Elle Macpherson
etc, five photographs, framed
¤75 - ¤100
19 Tiger Woods, colour photograph, framed
¤75 - ¤100
20 Steffi Graf & Anna Kournikova,
a pair of photographs, framed
¤75 - ¤100
21 Brad Pitt & Gwyneth Paltrow, Sharon Stone &
Michael Douglas, a pair of photographs, framed
¤75 - ¤100
8
24 John Cleese, Chevy Chase and Joe
Pesci, three photographs, framed
¤75 - ¤100
25 Eric Clapton and Air Supply,
pair of photographs, framed
¤75 - ¤100
26 Charlton Heston, James Coburn
and Henry Fonda,
three photographs, framed
¤75 - ¤100
27 Billy Crystal, Lou Gossett Jnr
and Nick Nolte, three photographs,
framed
¤50 - ¤75
NO RESERVES
18
18
21
19
20
21
23
22
23
24
26
17th JANUARY 2016
23
24
26
26
24
27
20
22
22
23
23
25
25
27
27
9
DOLAN’S
29
28
10
30
17th JANUARY 2016
31
28
John Schwatschke
b.1943
THE CELLIST
Oil on Canvas
39.75"x29.75" (101x75cm)
Signed with Monogram
Signed & Inscribed Verso
29
Kate Walsh
MA’S EX WITH HIS
FRENCH FANCY
Handcoloured Etching,
Limited Edition
15.75"x11" (40x27.5cm)
Signed & Inscribed
with Title
¤600 - ¤800
30
Modern School
FIGURE STUDY
Oil on Canvas
23.75"x19.75" (60.5x50cm)
31
Val Byrne
b.1936
David Hendriks Gallery
Label Verso
WALKING HOME,
ARDGROOM, WEST CORK
Watercolour
11.75"x15.75" (30x40cm)
Signed
¤250 - ¤350
¤450 - ¤650
¤300 - ¤400
11
DOLAN’S
32
Syra Larkin
b.1951
THE BLUE NOTE
Oil on Linen
35.25"x23.5" (89.5x59.5cm)
Signed & Dated
¤900 - ¤1,200
32
12
17th JANUARY 2016
33
Brian Ballard RUA
SUNFLOWERS
ON BLUE & PURPLE
Oil on Canvas
17.5"x13.5" (44.5x34cm)
Signed
¤1,400 - ¤1,600
33
13
DOLAN’S
Arthur K Maderson
Born in 1942 in London, Arthur
Maderson studied Fine Art from
1959 to 1963 at Camberwell
School of Art, London, where
in 1963 he won the Anna Berry
Award in open competition with
graduates from all leading art
schools in England. Although
Maderson continued to paint on
a regular basis, it was only in
1982, at the age of 40 that he felt
sufficiently confident to exhibit.
From this period, he has enjoyed
considerable success, and this
success has been replicated in
Ireland, where his reputation
as a painter of distinction and
passion is firmly established.
He works at a frantic pace with
dedication, determination
and unflagging vigour, and
now divides his time between
his home in Ireland and a
small hamlet high in a largely
unpopulated mountainous
region of the Cevenne, in
the South of France. Arthur
Maderson has exhibited at the
Royal Hibernian Academy, The
Royal West of England Academy
and the Royal Academy and he
has represented Ireland in many
prestigious exhibitions. Arthur
Maderson is an outstanding
artist of his generation.
34
Arthur K Maderson
b.1942
SUMMER DAYS,
THE WEIR NEAR LISMORE
Oil on Board
41.75"x28" (106x71cm)
Signed
Signed & Inscribed Verso
¤2,500 - ¤3,500
34
14
17th JANUARY 2016
35
35
Arthur K Maderson
b.1942
36
36
Arthur K Maderson
b.1942
SUMMER PICNIC
Oil on Board
14.25"x14.25" (36x36cm)
Signed
Signed & Inscribed Verso
TOWARDS INNISFREE
Oil on Board
10.75"x10.75" (27x27cm)
Signed
Signed & Inscribed Verso
¤1,000 - ¤1,500
¤800 - ¤1,000
15
DOLAN’S
37
37
Norman Teeling
b.1944
GRAFTON STREET
Oil on Board
19.5"x23.5" (49.5x59cm)
Signed
¤600 - ¤800
16
Norman Teeling
Dubliner Norman Teeling graduated from the National College
of Art and Design in the early 1960’s and is well known for his
commissioned series of paintings depicting the 1916 Easter Rising,
which now hang in the GPO on O’Connell Street, Dublin. In
addition to painting, Teeling also works as a film animator and
illustrator. He has had numerous exhibitions of his work, including
his one man show’s in Dublin’s Prestigious Gorry Gallery.
17th JANUARY 2016
39
38
38
Edward Freeney
ROMAN SUMMER, THE PANTHEON
Oil on Canvas Board
15.75"x11.5" (40x29.5cm)
Signed
39
Norman Teeling
b.1944
40
40
Norman Teeling
b.1944
O’CONNELL STREET & GPO
Oil on Board
9.5"x11.5" (24.5x29.5cm)
Signed
WINTER SNOW
Oil on Canvas
9"x11" (22.5x28cm)
Signed
¤350 - ¤450
¤300 - ¤350
¤500 - ¤800
17
DOLAN’S
41
Mark O’Neill
b.1963
LITTLE RIALTO
Oil on Board
16"x13" (41x33cm)
Signed & Dated
Signed & Inscribed Verso
41
18
¤1,400 - ¤2,000
17th JANUARY 2016
42
42
George Campbell RHA RUA
1917 - 1974
CONNEMARA FORESHORE, WINTER
Oil on Board
19.75"x23.75"(50x60cm)
Signed
Ritchie Hendriks Gallery Label Verso
dated August 1967
¤3,000 - ¤4,000
19
DOLAN’S
43
43 Mark O’Neill
b.1963
THE LITTLE PADDOCK
Oil on Board
14"x22" (36x56cm)
Signed & Dated
Signed & Inscribed Verso
¤2,400 - ¤3,000
20
Mark O’Neill
Mark O’Neill was born in 1963 and lived in Mauritius, South
Africa and Malta before he settled in London. He studied at the
Kingston College of Art and graduated with first class honours
in Fine Art. He became an illustrator and worked for many
companies such as Harrods, Guinness and Warner Brothers.
He subsequently moved to Ireland in 1988 and established
himself as an artist of outstanding ability, with many
successful sellout exhibitions. His success is richly deserved.
17th JANUARY 2016
44
44 Mark O’Neill
b.1963
IN THE PEN
Oil on Board
11.25"x18.25" (28.5x46cm)
Signed & Dated
Signed & Inscribed Verso
¤1,400 - ¤2,000
21
DOLAN’S
45
45 Henry Morgan
b.1952
AUTUMN SUNLIGHT
Acrylic on Canvas
19"x26.75" (48x68cm)
Signed & Dated
¤1,000 - ¤1,500
22
Henry Morgan
Born in Adare, Co. Limerick in 1952, Henry Morgan studied at the Limerick School
of Art and was awarded a scholarship to Oslo University. Since his return to Ireland,
having completed a BA in Fine Art, he has exhibited extensively both at home and
abroad and has been a regular exhibitor at the Irish Exhibition of Living Art, The
Royal Hibernian Academy, EVA in Limerick, among many others. Henry has been
inspired by the local landscape from the Burren to the Clare Glens and the coast
of Clare and beyond. These rugged landscapes feature strongly in his work, and he
continues to carve his niche among the higher echelons of Irish Art. A contemporary
artist of substance, his work is now included in many public and private collections.
17th JANUARY 2016
46
46 Henry Morgan
b.1952
WOODLAND STREAM
Oil on Canavs
19.5"x23.5" (49.5x59.5cm)
Signed & Dated
¤800 - ¤1,200
23
DOLAN’S
47
47 Robert Egginton
b.1943
ATLANTIC SURGE,
TOWARDS ARAN MOR
Watercolour
21.75"x29.25" (55x74cm)
Signed
¤900 - ¤1,200
24
Robert Egginton
Born in 1943, into an artistic family, Robert Egginton is the
nephew of Frank Egginton (1908–1990) and the grandson of
Wycliffe Egginton, R.I. (1875-1951). Robert’s artistic lineage
has stood him well and he has developed his own distinctive
style. A superb watercolourist, strong on composition and
technique, his depiction of the Irish landscape is vivid and
robust, bridging the traditional and the contemporary.
17th JANUARY 2016
48
48 Frank Egginton RCA FIAL
1908 - 1990
A SUNNY EVENING, CO. MAYO
Watercolour
14.5"x21" (37x53cm)
Signed
Original Artists Label Verso
¤800 - ¤1,200
Frank Egginton
Born in 1908, Frank Egginton is the son of Wycliffe Egginton 1875-1951 and the uncle of Robert
Egginton. Frank first visited Co Donegal in 1930 and exhibited in the Royal Hibernian Academy in
1932 and the Royal Scottish Academy from 1936. During the second World War, he worked in Mackies’
Foundry in Belfast which was converted to produce military aircraft. In 1952, he held a joint exhibition
with Howard Knee at the Victor Waddington Galleries, Dublin. An outstanding watercolour artist,
Frank occasionally worked in oils, but watercolour was his true strength and always his first choice.
His father, Wycliffe, was a member of the Royal Institute of Oil Painters and he too was a very fine
watercolourist. Frank lived much of his life in Dunfanaghy, Co Donegal and died in 1990.
25
DOLAN’S
49
49 Robert Egginton
b.1943
COTTAGE AT LOUGHROS MOR
Watercolour
17.5"x23.5"(44.5x59.5cm)
Signed
¤750 - ¤900
26
17th JANUARY 2016
50
50 Jerry Marjoram
b.1936
KILLARY HARBOUR
Acrylic on Canvas
24"x35.75" (61x91cm)
Signed
¤1,000 - ¤1,500
51 Frank Egginton RCA FIAL
1908 - 1990
THATCHED COTTAGE
Watercolour
10.25"x14.5" (26x37cm)
Signed
¤600 - ¤800
51
27
DOLAN’S
52
52
Edwin Hayes RHA RI ROI
1819 - 1904
FISHING FOLK ON THE BEACH
Watercolour
8.5"x19" (21.5x48cm)
Signed & Dated (18)63
In Original Inscribed Mount & Gilt Frame
¤800 - ¤1,000
53
Thomas Frederick Collier
1823 - 1885
APPLES AND BERRIES
Watercolour
10.75"x15" (27x38cm)
Signed & Dated 1871
53
28
¤250 - ¤400
17th JANUARY 2016
54
54
Laszlo Neogrady
1896 - 1962
WINTER SUNLIGHT
Oil on Canvas
25.5"x38.5" (65x98cm)
Signed
¤6,000 - ¤8,000
Laszlo Neogrady was born in Budapest, Hungary in 1896. He was
the son of the artist Antal Neogrady and he studied painting at the
Hungarian Academy of Fine Arts under the artist Ede Ballo.
From 1922 Laszlo Neogrady exhibited his work at the Hungarian
Art Gallery. He specialized in painting naturalistic landscapes many of
which depicted forest scenes in the snow. The artist’s extensive use of
impasto creates an almost three dimensional effect in his paintings. His
use of light is usually dramatic and his landscapes are very atmospheric.
Laszlo Neogrady died on August 27th, 1962.
29
DOLAN’S
55 A Victorian Mahogany
Toilet Mirror, rectangular,
with scroll supports and
raised on short bun feet,
approx 23.5" wide
¤150 - ¤200
56 Attractive Oriental
Carved Hardwood Nest
of Three Small Tables,
carved with pearl-chasing
dragons, the largest approx
16" wide, 23.5" high
¤250 - ¤350
57 A Victorian Rosewood
Framed Footstool,
rectangular, with stuffover
top, with studded edge and
raised on foliate and scroll
carved end supports, with
turned stretcher between,
approx 21" wide
¤240 - ¤280
56
55
58 Cased Pair of Plated
Berry Spoons
¤30 - ¤50
59 Famille Rose Octagonal
Dish, with bird perched
amongst fl owering trees
enclosed by blue ground
borders, possibly Japanese,
with all faults, approx 32cm
¤30 - ¤40
58
60 A George III Mahogany
Toilet Mirror, rectangular,
set between angled
supports, with brass fi nials,
the base fi tted with a a
series of three drawers with
wooden knob handles and
raised on bracket feet,
approx 22.75"wide
¤150 - ¤200
57
60A Assorted Silver Plated Items
¤100 - ¤150
59
60
30
17th JANUARY 2016
61 William John Baker
1865 - 1938
LOCH KATRINE
Watercolour
16.5"x24" (42x61cm)
Signed & Dated 1906
In Original Ornate Gilt Frame
¤400 - ¤600
61
62 Alexander Williams RHA
1846 - 1930
HEATHER IN BLOOM
BY THE LAKE
Watercolour & Gouache
11.25"x19" (28.5x48.5cm)
Signed
¤280 - ¤350
62
31
DOLAN’S
63 A Pair of George III
Provincial Silver
Serving Spoons,
Willian Woodman,
Exeter 1814, Old
English pattern,
engraved with a crest,
approx 8.5" long
¤240 - ¤280
63
64 Pair of Silver Plated
Corinthian Column
Candlesticks,
with detachable sconces,
approx 8.25" high
¤150 - ¤200
65 A Victorian Silver
Christening Mug,
by James Dixon &
Sons, Sheffi eld 1866,
baluster shaped,
with embossed
acanthus leaf and
foliate swag design, with
double scrolled handle,
approx 3.75" high
¤140 - ¤180
64
65
66
66 Silver & Rose Gold
Cigarette Case,
approx 3"x3.75"
¤140 - ¤180
67 A Pair of Silver Salts,
London 1911
¤120 - ¤180
67
68 A Victorian Silver
Plated Wine Coaster
with rococo type borders,
approx 7" diameter
¤50 - ¤70
68
69
32
69 An Ornate Silver
Plated Fruit Basket,
of shaped oval outline,
pierced with swing
handle, approx 12.5"wide
¤80 - ¤120
17th JANUARY 2016
70 Silver Hip Flask,
Sheffield 1940,
with pull-off base,
approx 5" high
¤360 - ¤380
71 Bronze Mortar
& Pestle,
approx 9cm high
¤60 - ¤80
72 Cased Set of Six
Silver Grapefruit
Spoons, maker HH,
Shefield 1958,
each approx 5.5" long
¤100 - ¤140
73 A Pair of Victorian
Silver Plated
Entree Dishes,
of shape outline,
in the Rococo style,
each approx 11.5" wide,
both engraved with a
family crest of a cat/lion
¤150 - ¤200
71
70
72
73
74 A Travelling
Dressing Case,
complete with
fi ttings, glass jars etc,
approx 18.5x26.5cm
¤50 - ¤70
75 Collection of Six
Various Silver
Coffee Spoons
¤60 - ¤80
74
75
33
DOLAN’S
James Cahill
James Cahill studied at the Crawford
College of Art, Cork and later at the
Putney School of Art, London, where
he lived and worked as an artist, before
returning to Cork to take up a three
year post as resident artist in the Cork
Public Museum, and later moving to
Dublin, while continuing to exhibit
throughout Ireland.
Mat Grogan
Born in Dublin in 1947, Mat Grogan
began his artistic career while away
working in Australia, where he became
a member of The Wildlife Artists
Society. The recipient of various awards,
he has been influenced by the work of
Chardin and Vermeer, and his work is
now increasingly sought after.
76
76
James Cahill
b.1956
BRUSHING HER HAIR
Oil on Canvas Board
12"x11.5" (30.5x29.5cm)
Signed
¤800 - ¤1,000
77 Mat Grogan
b.1947
DUTCH BLUE
Oil on Canvas Board
6.75"x4.75" (17x12cm)
Signed
¤350 - ¤450
34
78 Mat Grogan
b.1947
ROSES IN THE DRAWING ROOM
Oil on Board
4.75"x6.75" (12x17.5cm)
Signed
¤350 -¤450
79 Mat Grogan
b.1947
BOUQUET OF LIGHT
Oil on Canvas Board
6.75"x4.75" (17.5x12cm)
Signed
¤350 - ¤450
80 Mat Grogan
b.1947
AUTUMN
KITCHEN
Oil on Canvas Board
6.75"x4.75" (17x12cm)
Signed
¤350 - ¤450
81 Mat Grogan
b.1947
YELLOW ROSE
Oil on Canvas Board
6.75"x4.75" (17x12cm)
Signed
¤350 - ¤450
17th JANUARY 2016
77
79
78
80
81
35
DOLAN’S
82
Kenneth Webb RWA FRSA ARUA
b.1927
POPPIES, LADEN WITH SUMMER SMELLS
Oil on Canvas
23.5"x15.5" (59.5x39.5cm)
Signed
The Blue Door Studio label verso
82
36
¤7,800 - ¤8,500
17th JANUARY 2016
83
83
Kenneth Webb RWA FRSA ARUA
b.1927
POPPIES WILD & FREE
Oil on Canvas
12"x18.25" (30.5x46.5cm)
Signed
Inscribed & Dated 2005 Verso
¤4,000 - ¤6,000
Kenneth Webb RWA FRSA RUA
b.1927
Established with an international reputation and represented worldwide, Kenneth
Webb is now 89 years of age. He has painted all of his life and has produced an
outstanding body of work. Born in London, Webb came to the Ulster College of
Art in 1953 as Head of the Painting School. In 1957 he founded the Irish School of
Landscape Painting. He has exhibited at the RA, the RI and the RUA. In all of his
works, there is real sense of place, a sense of the most subtle aspects of Ireland’s
magical and mysterious landscape fused with sensuality and colour.
37
DOLAN’S
84
Graham Knuttel
b.1954
BIRD TABLE
Oil on Canvas
30"x24" (76x61.5cm)
Signed
84
38
¤2,800 - ¤3,800
17th JANUARY 2016
Graham Knuttel
The Irish figurative painter
and artist Graham Knuttel
was born in Dublin in 1954
of German and English
parents. Knuttel considers
himself to be Irish or more
specifically ‘A Dubliner’. He
attended the Dun Laoghaire
School of Art and Design,
where he gained a Diploma
in fine art painting and
sculpture. Knuttel has now
emerged as a painter with
an international reputation,
using colour and form to
express the emotion of his
figures, with work in many
collections worldwide,
including the Arts Council
of Ireland, University
College Dublin and the
Hugh Lane Gallery.
85
85
Graham Knuttel
b.1954
NIGHT CAT
Oil on Canvas
10"x14" (25.5x35.5cm)
Signed
¤950 - ¤1,250
86
Graham Knuttel
b.1954
ORANGE CAT
Oil on Canvas
11"x14" (28x35.5cm)
Signed
¤950 - ¤1,250
86
39
DOLAN’S
87
87
Carol Ann Waldron
b.1948
PERFECT COMPANY
Oil on Canvas Board
11.5"x15.5" (29x39cm)
Signed
¤400 - ¤600
40
Carol Ann Waldron
Born in Dublin in 1948, Carol Ann Waldron was reared in Wexford, in the
village of Oulart, where she spent her childhood and where her father was
the local Garda Sergeant. Carol Ann has been exhibiting for the past 20
years. Mainly self taught, she has a keen interest and love of art and works
mostly in oils, with skilful manipulation of paint and bold use of colour, in a
distinctive and recognisable style which challenges the imagination. Colour,
light and atmosphere are a constant team in her work, as she commits to
canvas her dreams and thoughts. Her success is richly deserved.
17th JANUARY 2016
88
88
Carol Ann Waldron
b.1948
89
89
Carol Ann Waldron
b.1948
CITY WAYS
Oil on Canvas Board
9.5"x7.5" (24x19cm)
Signed
WHEN THE DAY IS SPENT
Oil on Canvas Board
9.5"x7.5" (24x19cm)
Signed
¤300 - ¤500
¤300 - ¤500
41
DOLAN’S
90
David ffrench le Roy
b.1971
KITCHEN TABLE
Oil on Board
11.5"x16.75" (29.5x43cm)
Signed & Dated 2007
¤600 - ¤800
90
91
David ffrench le Roy
b.1971
PANTRY SHELF
Oil on Board
7.75"x9" (19.5x23cm)
Signed & Dated 2004
91
42
¤400 - ¤600
17th JANUARY 2016
92
92
David ffrench le Roy
b. 1971
KITCHEN TABLE
Oil on Board
11.5"x19.25" (29x49cm)
Signed & Dated
¤700 - ¤900
David Ffrench Le Roy
Born in 1971, David Ffrench Le Roy is a self taught
artist who began painting at the age of twenty four.
In 1996 he held his first exhibition at the Wexford
Opera Festival, which consisted of mainly
contemporary work. Then in 1997, his work changed to
a more traditional style of painting and he has become
very well known for his classical still-life work.
43
DOLAN’S
93
93
Mark O’Neill
b.1963
SUNLIGHT ON THE MEADOW
Oil on Board
7.5"x13.5" (19x34cm)
Signed & Dated
Signed & Inscribed Verso
¤1,450 - ¤1,850
44
17th JANUARY 2016
94
94
Maurice C Wilks RUA ARHA
1910 - 1984
MORNING LIGHT NEAR
ROUNDSTONE CONNEMARA
Oil on Canvas
13.5"x17.5" (34.5x44.5cm)
Signed
Signed & Inscribed Verso
¤2,000 - ¤2,500
45
DOLAN’S
95
95
Father Jack Hanlon
1913 - 1968
ROUNDSTONE HARBOUR
Watercolour
8.5"x11" (24.5x27.5cm)
Signed
¤750 - ¤850
46
17th JANUARY 2016
96
96
Fergus O'Ryan RHA
1911 - 1989
THE OX THAT TREADS THE CORN
Oil on Board
10"x13" (25x33cm)
Signed & Inscribed
Signed & Inscribed Verso
¤800 - ¤1,000
47
DOLAN’S
97
97
Robert Egginton
b.1943
CASTLE COVE, NEAR WATERVILLE, CO KERRY
Watercolour
17.5"x23.5"(44.5x60cm)
Signed
¤750 - ¤1,000
48
Robert Egginton
Born in 1943, into an artistic family, Robert Egginton is the
nephew of Frank Egginton (1908–1990) and the grandson of
Wycliffe Egginton, R.I. (1875-1951). Robert’s artistic lineage
has stood him well and he has developed his own distinctive
style. A superb watercolourist, strong on composition and
technique, his depiction of the Irish landscape is vivid and
robust, bridging the traditional and the contemporary.
17th JANUARY 2016
98
Robert Egginton
b.1943
WINTER SNOW
Watercolour
11.75"x15.75" (30x40cm)
Signed
¤450 - ¤550
98
99
Robert Egginton
b.1943
SHEEP IN A WINTER
LANDSCAPE
Watercolour
9.75"x13.75" (25x35cm)
Signed
¤350 - ¤450
99
49
DOLAN’S
101
100 Arthur K Maderson
b.1942
FARMERS AT THE FAIR
Oil
23.5"x12" (60x30.5cm)
Signed
Signed & Inscribed Verso
100
50
101 Arthur K Maderson
b.1942
EVENING SUN,
TALLOW HORSE FAIR
Oil
12.25"x7.25" (31x18.5cm)
Signed with Initials
Signed & Inscribed Verso
¤1,000 - ¤1,500
¤800 - ¤1,200
17th JANUARY 2016
102
102 Markey Robinson
1918 - 1999
WATCHING THE BOATS RETURN
Mixed Media
12.75"x19.75" (32x50cm)
Signed
¤1,800 - ¤2,400
Markey Robinson
A primitive painter, a colourful character, a man of great complexity - these are all
descriptions which have been used to describe Markey Robinson over the years. Born
in Belfast in 1918; Markey Robinson is regarded as one of the great Northern Masters.
In a sixty year career, Markey’s unique and vibrant paintings fully demonstrate
his genius for composition. His signature style and his range of themes are readily
identifiable - rural landscapes, women in shawls and sad-looking clowns. His work
was collected by Queen Elizabeth II and he is represented in many public and private
collections around the globe. Art Historian, Susan Stairs in her biography on Markey
probably summed him up best when she said of him, ‘there is a genius in our midst’.
51
DOLAN’S
103
103 Douglas Hutton
b.1950
HORSE TRADING
Oil on Canvas
28.25"x39" (72x99cm)
Signed with Initials
Signed & Inscribed Verso
¤800 - ¤1,000
52
Douglas Hutton
Doulgas Hutton was born in 1950
and attended Edinburgh Art College
where he was influenced greatly by
the Scottish Colourists. Hutton is
living and painting in Ireland for
nearly 30 years, and is inspired by
the rugged landscape of Donegal,
Connemara and Achill.
17th JANUARY 2016
Bridget Ryan
Bridget Ryan was born and
raised in the Connemara
village of Cornamona
on the northern shores
of Lough Corrib. She is
intrigued by the abandoned
farmhouses that surround
her in Galway and Mayo.
Many of these have survived
since famine times and she
is inspired by their thick
stone walls and their simple
solid structure. From such
desolation, Bridie, in a bold
and primitive style, captures
a sense of mystery, and
portrays a beauty in these
abandoned structures.
104
104 Bridget Ryan
THE COW SHED
Oil on Canvas Board
15.5"x18.5" (39x47cm)
Signed
¤300 - ¤500
105 Bridget Ryan
FARM ON THE HILL
Oil on Board
13.5"x15.5" (34x39.5cm)
Signed
¤300 - ¤500
105
53
DOLAN’S
John Morris
Born in 1958, John Morris is
known for his distinctive style
and has exhibited widely for
many years, culminating in a
recent publication, and his work
is included in many private
and corporate collections. Well
known for unique contemporary
work, his style has developed and
his range broadened in subtle
and skillful ways and Summer
Light is a good example of this
developing style and shows his
suberb artistic ability.
106 John Morris
b.1958
SUMMER LIGHT
Oil on Board
23"x23" (58x58cm)
Signed
Signed & Inscribed Verso
¤600 - ¤900
107 John Morris
b.1958
SHALLOW WATERS,
DUBLIN BAY
Oil on Board
9"x33" (23x83.5cm)
Signed
Signed & Inscribed Verso
106
107
54
¤500 - ¤800
17th JANUARY 2016
108
108 Douglas Hutton
b.1950
109
109 Douglas Hutton
b.1950
SHORELINE
Oil on Canvas
19.25"x19.25" (49x49cm)
Signed with Initials
Signed & Inscribed Verso
SUNSET NEAR ROUNDSTONE
Oil on Canvas
19.25"x19.25" (48.5x48.5cm)
Signed with Initials
Signed & Inscribed Verso
¤400 - ¤600
¤400 - ¤600
55
DOLAN’S
Michael Morris
110
Born in Dublin in 1979,
Michael Morris is a self
taught painter whose travels
have helped in honing
a unique style that is
individual and immediately
recognizable. Following
his own path, he gained a
clear perspective on what he
wanted to create. His travels
took him through France,
Rome, Venice and Spain,
and while Ireland remains
his main subject matter,
his work has a vibrancy,
which seems to be suffused
with both French flair and
Mediterranean light. He has
exhibited widely throughout
Ireland, including the Royal
Ulster Academy Exhibition. It
is little surprise that his work
has been received to critical
acclaim, he is clearly an
emerging artist of substance.
110 Michael Morris
b.1979
SUBURBAN VILLA I
Acrylic on Board
13.5"x17.5" (34.5x44.5cm)
Signed
¤400 - ¤600
111 Michael Morris
b.1979
SUBURBAN VILLA II
Acrylic on Board
13.5"x17.5" (34.5x44.5cm)
Signed
111
56
¤400 - ¤600
17th JANUARY 2016
Orla Egan
Orla Egan’s distinctive
style as a figurative
painter in the primitive
tradition, gains her
instant recognition. She
lives in Donegal and her
childhood in the West of
Ireland and Donegal has
been a dominant influence
in her portrayal of Irish
town and village life.
Orla’s work was allowed
to develop at the Glebe
Gallery in Donegal under
the influence of, among
others, Derek Hill. She has
exhibited widely and with
the RHA and the RUA.
Her work can be found in
many public collections
including those of the
ESB, and Duchas, while
private collectors include
Jean Kennedy Smith and
Michael D. Higgins.
112
112 Orla Egan
THE CIRCUS COMES
TO TOWN
Oil on Board
8"x10" (20x25cm)
Signed
¤400 - ¤500
113 Orla Egan
THE OLD HARBOUR,
CLIFDEN
Oil on Board
8"x10" (20x25cm)
Signed
¤400 - ¤500
113
57
DOLAN’S
114
114 John Schwatschke
b.1943
ALL CHANGE AT CARLOW
Oil on Canvas
19.75"x29.5" (50x75cm)
Signed with Monogram
Signed & Inscribed ‘I can’t go
back to Carlow - ever again’ Verso
¤900 - ¤1,400
58
John Schwatschke
Born in Dublin in 1943, of an Austrian father and Irish mother, the family lived in Carlow
for over fifty years. He studied Art and Architecture in Dublin and Munich and originally
made his name as a portrait painter, including many prominent individuals: Ingrid
Bergman, Robert Mitchum, Harold Robbins, the Duke of Edinburgh and Eamon de Valera
to name but a few. Having worked in Saudi Arabia, he kept an art studio in Provence in the
1970’s, where he was a neighbour of Picasso, and Le Musee Schwatschke was established,
while his work was promoted by noted Paris dealer Iris Clert. He later moved his studio
to Santa Barbara, before finally returning to Ireland. Schwatschke is well known for his
caricatures, which as works of art, are always intensely personal and somehow universal.
17th JANUARY 2016
115 John Schwatschke
b.1943
THE THRESHING FAIR
Oil on Canvas
17.5"x21.25" (45x54cm)
Signed with Monogram
Signed & Inscribed Verso
¤700 - ¤850
115
116 John Schwatschke
b.1943
THE MORNING AFTER
Oil on Canvas
13.5"x17.5" (34x44.5cm)
Signed with Monogram
Signed & Inscribed Verso
¤400 - ¤500
116
59
DOLAN’S
117 John Schwatschke
b.1943
THE RECITAL
Oil on Canvas
17.25"x23.25" (44x59cm)
Signed with Monogram
Signed & Inscribed Verso
¤500 - ¤750
118 John Schwatschke
b.1943
THE NEW MORRIS MINOR
Oil on Canvas
19.5"X23.5" (50x60cm)
Signed
Signed & Inscribed Verso
117
¤400 - ¤600
119 John Schwatschke
b.1943
DAVID BECKHAM
Oil on Canvas
9.5"x7.5" (24x19cm)
Signed & Inscribed Verso
¤60 - ¤80
120 John Schwatschke,
Colour print, Next Please,
24"x20", signed by the Artist
118
60
¤60 - ¤80
17th JANUARY 2016
121
121 Ken O’Neill
b.1967
122 Ken O’Neill
b.1967
MIND HOW
YOU GO
Oil on Canvas
16"x20"
(40.5x51cm)
Signed
THE BLACK
DAHLIAS
Oil on Canvas
15.25"x19.25"
(39x49cm)
Signed
¤400 - ¤600
¤400 - ¤600
122
122ADeclan Chambers
b.1971
URBAN
LANDSCAPE
Oil & Acrylic
on Canvas
12"x12"
(30.5x30.5cm)
Signed
¤250 - ¤350
122A
61
DOLAN’S
123
125
124
124
126
127
127
128
62
17th JANUARY 2016
123 A Victorian Mahogany Framed Rectangular
Hearth Long Footstool, raised on turned legs,
approx 55" long
¤240 - ¤280
124 A Pair of Carved Mahogany
Bedroom/Nursing Chairs,
circa 1900, in Chippendale style
¤140 - ¤180
125 Pair of Pewter Cannisters with lids,
approx 10.75" high,
each numbered & inscribed.
Unusual pair with interesting inscriptions,
Provenance Lissadell House Sale 2003
¤100 - ¤200
126 Louis XVI Style Circular Occasional Table,
in kingswood & parquetry on turned
fluted legs, with gilt metal mounts,
approx 24.25" diameter
¤450 - ¤550
127 A Victorian Walnut Writing Slope,
with navy blue tooled leather writing surface
and brass bindings, approx 19.75" wide
¤250 - ¤350
128 Three Victorian Brass Candlesticks,
approx 10" high & smaller
¤60 - ¤80
129 A George III Rectangular Mahogany Cellarette,
the chamfered hinged lid opening to reveal a
partitioned interior, the corners decorated with
fluting, fitted with a pair of brass loop handles,
raised on chamfered square legs wtih slender
bracket supports, the underside stamped
‘Repaired 1920 W. Vest’, complete with drain
hole and plug, 16"x11"x26" high
¤600 - ¤800
129
63
DOLAN’S
132 Copper Bed-Warmer,
approx 46" long
¤40 - ¤60
133 A 19th Century
Pierced Brass Fender,
approx 46" wide
¤120 - ¤140
134 Chinese Polychrome
Jardiniere, decorated
with panels of figures
on floral backgrounds,
approx 13" diameter
¤100 - ¤200
131
130
130 A Chinese Polychrome Vase,
with various depictions of
figures in domestic and
garden settings,
approx 24.5" high
¤280 - ¤350
131 A George III Mahogany
Stool,rectangular,
with stuffover top
upholstered in red
velvet type material and
raised on turned legs.
Approx 14" wide
¤120 - ¤160
135 Mahogany Coal Scuttle
with Brass Handle & Liner
¤60 - ¤100
132
133
136 Pair of Cast Iron
Door Stops,
each fashioned
with Bird,
together with
3 Mice (a lot)
¤30 - ¤50
134
135
136
136
64
17th JANUARY 2016
137
137 William Tatton Winter RBA
1855 - 1928
138
138 Thomas Tayler Ireland
Exh 1894 -1921
A STREET CAUDEBEC-EN-CAUX, NORMANDY
Watercolour
13.5"x 9.5"(34x24cm)
Signed
AUTUMN WOODLAND
Watercolour
20.5"x13.5" (52x34cm)
Signed
Provenance: Walker’s Galleries,
London, Original Label Verso
¤300 - ¤450
¤600 - ¤800
65
DOLAN’S
139 Portfolio of
Photographs of
Famous Scenes,
Cities and Paintings,
with all faults,
Interesting Bound
Volume
¤100 - ¤150
139
139
139
140 National Gallery
of Ireland,
by James White,
Published 1968,
with 223 plates,
32 in colour,
In Original
Dust Jacket
¤80 - ¤100
141 The Spirit of Ireland,
by Lynn Doyle,
Published 1935,
with all faults,
Illustrated
Throughout
140
¤40 - ¤60
141
141
142 Charlie Johnson
Payne, Snaffles,
1884 - 1967,
RED LETTER DAYS,
Illustrated Volume,
with all faults,
Published 1933.
This was Snaffles
only Irish Volume,
featuring Hunting,
Shooting & Fishing in
Ireland from Wexford
to Galway, together
with ‘Leaves From My
Sketch Book’, with
many of the amusing
images for which
Snaffles is famous.
141
¤140 - ¤180
142
66
142
142
17th JANUARY 2016
143
143
143 Mason’s Ironstone
Jug & Sugar Jar with Lid,
5.5" high and similar
¤60 - ¤80
144 Brass Fire Companion Set
on Stand, approx 38"high
¤40 - ¤60
145
144
145 Brass Fire Fender incorporating
an oval bevelled mirror,
approx 28" high
¤40 - ¤60
146 J Hamilton Hay, attributed
ARTIST IN HER STUDIO
Watercolour
11.25"x8.75" (28.5x22cm)
¤280 - ¤350
147 Spiralled Libraray Steps,
on turned supports,
approx 46.5" high overall
¤100 - ¤200
148 Brass Fender,
adorned with
scalloped shells,
approx 52" wide
¤60 - ¤80
146
147
148
67
DOLAN’S
149 William Bradley
COTTAGE IN
ROCHEFORT-EN-TERRE,
BRITTANY
Watercolour
8.75"x11.25" (22x28.5cm)
Signed
Inscribed on mount
¤250 - ¤350
150 Continental School
THE FLOWER MARKET
Watercolour
12"x9.5" (30.5x24cm)
¤100 - ¤200
151 Patience Arnold
1901-1992
149
FAIRY TALES
Mixed Media
13.75"x13.75" (35x35cm)
Signed
¤140 - ¤180
151A Jane Meyler
OUR LADY’S ISLAND,
WATERS EDGE
Oil on Canvas Board
7.5"x9.5" (19x24cm)
Signed
¤120 - ¤160
150
68
151
17th JANUARY 2016
152
152 Pat Cowley
STEPPING STONES
Oil on Canvas
17.5"x23.5" (44.5x59.5cm)
Signed
¤450 - ¤650
69
DOLAN’S
153
153 John Murphy
b.1979
IN THE LONG GRASS,
NEAR KILLALOE
Oil on Canvas
29.75"x35.75" (75.5x90.5cm)
Signed & Dated
¤2,400 - ¤3,600
70
John Murphy
Born in 1979, John Murphy is a Limerick artist,
whose artistic training also included studies
in classical animation. He has had sell out solo
exhibitions at James Adam’s in Dublin and he has
exhibited in many leading contemporary venues
including Limerick City Gallery and the Fredrick
Gallery. His work is quite striking, full of light,
movement and colour. It is little wonder that his
work attracts significant attention.
17th JANUARY 2016
154
154 John Murphy
b.1979
FARMERS AT DROMINNER,
NEAR LOUGH DERG
Oil on Canvas
31"x39" (79x99cm)
Signed & Dated
¤2,400 - ¤3,600
71
DOLAN’S
155
155 Rosemary Carr ROI
HAYCOCKS BEHIND THE
WALL, BALLYCONNEELY
Oil on Board
8.75"x11.5" (22.5x29cm)
Signed
Original Artist’s Label Verso
¤500 - ¤600
72
17th JANUARY 2016
156 Norman McCaig
1929 - 2001
VILLAGE IN SUNLIGHT
Oil on Canvas
9.5"x11.5" (24.5x29.5cm)
Signed
¤600 - ¤700
156
157 Henry Morgan
b.1952
SUNLIGHT THROUGH THE
WOODS
Oil on Canvas
11.5"x15.5" (29x39.5cm)
Signed & Dated
¤300 - ¤500
157
73
DOLAN’S
Henry Morgan
Born in Adare, Co. Limerick
in 1952, Henry Morgan
studied at the Limerick
School of Art and was
awarded a scholarship to
Oslo University. Since his
return to Ireland, having
completed a BA in Fine
Art, he has exhibited
extensively both at home
and abroad and has been a
regular exhibitor at the Irish
Exhibition of Living Art, The
Royal Hibernian Academy,
EVA in Limerick, among
many others. Henry has
been inspired by the local
landscape from the Burren
to the Clare Glens and the
coast of Clare and beyond.
These rugged landscapes
feature strongly in his
work, and he continues to
carve his niche among the
higher echelons of Irish Art.
A contemporary artist of
substance, his work is now
included in many public and
private collections.
158
158 Henry Morgan
b.1952
74
159 Henry Morgan
b.1952
COAST NEAR KILKEE
Oil on Canvas
15.75"x19.75" (40x50cm)
Signed & Dated
BOATS MOORED
Oil on Canvas
11.5"x15.5" (29x39cm)
Signed & Dated
¤600 - ¤800
¤280 - ¤380
160 Henry Morgan
b.1952
161 Henry Morgan
b.1952
WHERE THE BURREN
MEETS THE SEA
Pair of Oils
Each 21.25"x9.25" (54x24cm)
Both Signed & Dated
LIMESTONE FIELDS,
THE BURREN
Oil
7.5"x12" (19x30.5cm)
Signed & Dated
¤400 - ¤600
¤280 - ¤380
17th JANUARY 2016
159
160
160
161
75
DOLAN’S
162
162
162 Henry Morgan
b.1952
163 Michael Hanrahan
ATLANTIC COAST
Tryptych of Oils
Each 11.75"x7.75"
(29.5x19.5cm)
All signed
ATALNTIC WAVES
Oil on Board
20"x30"
(50.5x76cm)
Signed
¤400 - ¤600
¤200 - ¤400
162
163ADouglas Hutton
b.1950
MARE & FOAL,
CONNEMARA
Oil on Canvas
11.75"x8.75"
(30x22cm)
Signed with Initials
Signed & Inscribed
Verso
¤180 - ¤250
76
164 Deirdre Brennan
b.1963
ADAM & EVE,
OFF GLANDORE
Oil on Canvas
¤200 - ¤300
164ADeclan Chambers
b.1971
URBAN
LANDSCAPE II
Oil on Canvas Board
6.75"x6.25"
(17.5x16.5cm)
Signed & Dated
¤140 - ¤180
17th JANUARY 2016
163
164
163A
164A
77
DOLAN’S
165
165 Mabel Young
1889 - 1974
SUNSET ON THE HILLS
Oil on Canvas
11.5"x15.75" (29x40cm)
Signed
Signed Verso
¤400 - ¤600
78
17th JANUARY 2016
166
166 Manus Walsh
b.1940
RAIN CLEARING,
BURREN SHORE
Acrylic
13.5"x13.5"
(34.5x34.5cm)
Signed
¤400 - ¤600
Manus Walsh
Born in 1940, Manus Walsh began his career in the field of stained glass, working for the Abbey
Stained Glass Studios in Dublin, in the sixties. It was during his time there that he met artist, George
Campbell, who became his mentor and friend, and also encouraged him to take up painting full time.
Among Manus’s many stained glass designs are five windows for Galway Cathedral, and more recently
in St John’s Church, Ballyvaughan. The landscape of the Burren has been a constant inspiration to him
for the past thirty years and more, and its barren limestone landscape continues to be a major influence
on his work. Manus has travelled widely, spending considerable periods of time, in both Spain and
Chile, and the Spanish landscape, together with the city of Valparaiso continue to be a significant
influence. Walsh has exhibited widely at home and abroad, including four exhibitions in South America
and numerous one man shows and he is widely regarded as an important contemporary artist.
79
DOLAN’S
167
168
Philip Ryan
167 Philip Ryan
A Tipperary based artist, Philip Ryan
has been producing interesting,
figurative and landscape work in oils.
His has exhibited work at VUE at the
RHA, Contemporary Galleries and
Limerick City Gallery of Art, together
with a solo show in 2013.
80
168 Philip Ryan
ROOKS OVER THE ROAD
Oil on Board
15.75"x15.75" (40x40cm)
Signed
Signed & Inscribed Verso
DARK ROAD
Oil on Board
15.75"x15.75" (40x40cm)
Signed
Signed & Inscribed Verso
¤400 - ¤600
¤400 - ¤600
17th JANUARY 2016
169
169 Sarah Longley
THE WALLED GARDEN
Oil on Board
21.75"x15.75" (55x40cm)
Signed
Signed & Inscribed Verso
169A
169AJay Murphy
CHILD IN A LANDSCAPE
Mixed Media
29.5"x21.5" (75x55cm)
Signed
¤80 - ¤120
¤400 - ¤600
170 Conor Deere
BEACH AND HEADLAND
Oil on Canvas
23.5"x31.25" (59.5x79.5cm)
Unframed
Signed
¤300 - ¤400
170
81
DOLAN’S
171 Elizabeth Brophy
BLUE HYDRANGEA
Oil on Board
13.5"x17.5" (34x44.5cm)
Signed
¤1,000 - ¤1,500
171
171A John Francis Skelton
b.1954
JARVEY
Oil on Canvas
11.5"x15.5" (29x39cm)
Signed
171A
82
¤250 - ¤500
17th JANUARY 2016
172 Douglas Hutton
b.1950
IN THE SNOW
Acrylic on Board
13.5"x17.5" (34x44.5cm)
Signed with Initials
Signed & Inscribed Verso
¤350 - ¤500
172
173 Henry Morgan
b.1952
FIRST SNOW
Acyrlic
7.75"x9.75" (20x25cm)
Signed & Dated
¤200 - ¤300
173
83
DOLAN’S
174 Jimmy Bingham
PADDLING IN CO DONEGAL
Oil on Board
19.25"x28.75" (49x73cm)
Signed
¤200 - ¤300
174
175 Jack Cudworth RHA
1930 - 2010
VILLAGE OF BELLEEK
Oil on Board
13"x15.5" (33x39.5cm)
Signed
¤300 - ¤500
175
176 William Cunningham
b.1946
ST STEPHENS GREEN
Oil on Board
16.5"x16.5" (42x42cm)
Signed
¤140 -¤180
176
84
17th JANUARY 2016
177 Annie Robinson
COASTGUARD COTTAGES
Oil on Canvas
8"x16" (20x40cm)
Signed
¤300 - ¤500
177
178 Hugh McCormick
RIVER LANDSCAPE,
SHADES OF SUMMER
Oil on Canvas
19.5"x29.5" (49.5x75cm)
Signed & Dated 1992
¤300 - ¤400
178
179 Dennis H Osbourne
STILL LIFE WITH RED ROSE
Oil on Canvas
15.25"x19.25" (38.5x49cm)
Signed & Inscribed Verso
Provenance: Whyte’s
November 2002
¤250 - ¤350
179
85
DOLAN’S
181
180
182
180 Conor Deere
SPRING BLOSSOM
Oil on Canvas
23.5"x19.5" (60x49.5cm)
Signed
181 Conor Deere
STRING OF PEARLS
Oil on Canvas
23.5"x35.25" (59.5x89.5cm)
Unframed
Signed
¤300 - ¤400
GETTING READY
Oil on Canvas
19.25"x27.25" (49x69cm)
Signed
¤300 - ¤400
¤300 - ¤400
86
182 Conor Deere
17th JANUARY 2016
183 Royal Doulton Floral
Pattern Tea Set,
Cups, Saucers, Plates,
Milk Jug, Sugar Bowl
& Cake Plates
¤70 - ¤100
183
184 19th Century
Blue & White
Meat Plate,
decorated with
pagodas
and gardens,
approx 18.25" wide
¤80 - ¤140
184
185 Waterford Crystal Cut
Glass Flower Vase,
approx 17cm high,
together with another
Cut Glass Jug,
approx 15cm high [2]
¤30 - ¤50
185
87
DOLAN’S
186 Giant Size X-Men
#1 (1975).
Features the first
appearance of the
New X-Men team,
the first appearance
of Nightcrawler,
Storm, Thunderbird,
and Colossus and
the second appearance
of Wolverine
¤500 - ¤600
186
187
187 Amazing Spider-Man
#129 (1974).
This issue marks the
first appearance of
The Punisher, one of
Marvel’s most popular
characters who will
be appearing in the
Daredevil TV Show
in 2016.
¤500 - ¤600
188 Amazing Spider-Man
#300 (1988).
Features the first
appearance of
Spider-Man’s
deadliest enemy,
Venom.
¤150 - ¤200
189 Ghost Rider
#1 (1973).
Features Ghost
Rider’s first issue
in his own series.
¤150 - ¤200
188
88
189
17th JANUARY 2016
190 Ultimate Spider-Man #1
& Ultimate Spider-Man #2.
The first two issues of
Marvel’s modern re-design
of Spider-Man.
¤80 - ¤140
191 Ultimate Spider-Man #1/2
& Ultimate Spider-Man #5.
¤80 - ¤140
192 Amazing Spider-Man
Volume 2 #36.
Iconic 9-11 black cover.
A piece of history reflected
in a Marvel comic as Spider-Man
rescues victims from the
World Trade Centre.
190
191
192
¤50 - ¤80
193 Collection of approx 50 issues
featuring Marvel’s most popular
characters… Iron Man, Thor,
Avengers, Spider-Man &
Fantastic Four.
194
¤50 - ¤80
194 12 Superman Comic books
from the 1970’s & 80’s. 193
¤15 - ¤25
195 12 assorted DC Comics
featuring the darker side
of the DC universe.
¤15 - ¤25
196
196 8 Swamp Thing comics from
the 1970’s, 80’s, and 90’s.
195
¤15 - ¤25
197 Set of 3 Marvel
Ultimate #1 comic
books featuring
X-Men, Avengers
and Spider-Man.
¤15 - ¤25
197
89
DOLAN’S
199
198
198 An early 19th Century Sampler, worked by Elizabeth Ann Johnson,
dated December 24th 1816, with a peom by Isaac Watts
‘How fair is the rose, what a beautiful flower, the glory of
April and May, but the leaves are beginning to fade in an
hour, and they wither and die in a day’, with buildings, flowers
and animals below, surrounded by a floral border, framed,
approx 12"x13" (30.5x32.5cm)
¤400 - ¤600
90
199 April 24th 1916, curious item,
small plated silver box containing
a miniture prayer book, inscribed
To Lizzie - With all good wishes
on her marraige, from Florence
Drury, April 24th 1916, which was
the date of the Easter Rising.
¤40 - ¤60
17th JANUARY 2016
200
201
203
202
200 The Entrance into
Glan Flesk, beteween
Kenmare and Killarney,
aquatint, 11.75"x16.5",
framed
¤150 - ¤200
201 Walter Till
THE COLLEEN BAWN
ROCK, KILLARNEY
Watercolour
7.25"x10.75" (18.5x27cm)
Signed
With early picture postcard
of the Rock verso
202 Panoramic View of the
Lakes of Killarney,
1837, with key to the
important houses,
colour lithograph,
with all faults,
19"x23", framed
¤300 - ¤400
203 After James Humbert Craig
ARRANMORE FROM THE
ROSSES
Coloured Print
16"x21" (40.5x53cm)
Signed
¤80 - ¤140
¤250 - ¤300
91
DOLAN’S
204
204 Robert Egginton
b.1943
COTTAGE NEAR
FALCARRAGH, CO DONEGAL
Watercolour
14.5"x21.75" (37x55cm)
Signed
¤400 - ¤600
206 Irish School
208 Basil Shaw
COLLEGE GREEN
Mixed Media
11"x15.25" (28x39cm)
Signed
CROAGH PATRICK
Oil on Board
19.25"x23.25" (49x59cm)
Signed
¤40 - ¤60
¤40 - ¤60
207 George Pheonix
210 Style of Richard
William Halfnight
1855 - 1925
MOUNTAIN
LANDSCAPE WITH
COTTAGES
Watercolour
9.5"x13.75" (24x35cm)
209 Bernard Reynolds
¤50 - ¤80
205 Victorian School
AVERY HILL
Watercolour
6.5"x13" (16.5x33.5cm)
Inscribed exstensively verso
with details of the Boyd Family,
who lived in Avery Hill
COUNTRY RESIDENCE,
MARCH 1904
Pen & Ink Drawing
14.25"x22" (36x56cm)
Signed
CAVAN FIELDS & LAKE
Watercolour
15"x19" (38x48cm)
Signed
¤40 - ¤60
¤40 - ¤60
211 A Baxter Print,
Figures in a
Continental Landscape,
10.25"x14.75" (26x37.5cm),
in Original Ornate Gilt Frame,
Inscribed & Dated 1857
¤40 - ¤60
¤120 - ¤180
92
17th JANUARY 2016
205
206
207
208
209
210
93
DOLAN’S
212
213
212 CARRIED UNANIMOUSLY,
Shell Poster,
16.5"x25.5" (42x64.5cm)
¤100 - ¤200
213 Study for IMPERIAL
AIRWAYS USE SHELL,
Shell Poster,
16.5"x24.5" (42x62.5cm)
¤100 - ¤200
214 MY GOODNESS, MY
GUINNESS, JUST THINK
WHAT KINK- AJOU CAN DO,
colour lithograph,
31.5"x22" (80.5x56cm),
Guinness Poster, with art
work by Gilroy
214
215
215 Cuala Press
216 Snaffles, Pair of Coloured Prints
¤60 - ¤100
THE FAIRY HILL
Handcoloured Print
9.5"x7" (24x18cm)
¤100 - ¤200
94
217 Ornate Gilt Framed Bevelled Mirror
¤60 - ¤80
218 Assortment of Picture Frames
¤30 - ¤40
¤300 - ¤400
17th JANUARY 2016
TERMS & CONDITIONS OF SALE
1. Definitions
In these Conditions, West of Ireland Art Auctions Limited,
trading as Dolan’s Art Auction House, who act as auctioneers
and agents for the vendor, are called ‘The Auctioneers’
(which expression shall be deemed to include their servants
and agents) and the representative of Dolan’s Art Auction
House conducting the auction is called ‘The Auctioneer’. As
auctioneers, Dolan’s act as agent for the seller. A sale contract
is made directly between the seller and the buyer. However,
Dolan’s may own a lot (and in such circumstances act in a
principal capacity as seller) and/or may have a legal, beneficial
or financial interest in a lot.
2. Third Party Liability
Every person at or on the ‘Auctioneers’ premises or at any
premises being used by the Auctioneer at any time shall be
deemed to be there entirely at his/her own risk and shall
have no claim whatsoever against the Auctioneers or their
servants or agents in respect of any accident or incident which
may occur, nor any injury, damage or loss howsoever arising
and whether or not same is the subject of any allegation of
negligence.
3. General
Whilst the Auctioneers make every effort to ensure the
accuracy of their catalogue and the description of every lot:
a) Each lot as set out in the catalogue or as divided or combined
with any other lot or lots is sold by the vendor with all faults,
imperfections and errors of description.
b) The auctioneer shall not be responsible for any
discrepancies between the colour in the catalogue illustration
and that of the original work being offered for sale.
c) Any claim under any Statute must be received in writing by
the Auctioneers within three months of the sale.
d) The Auctioneers shall not be liable for consequential or
resultant loss or damage whether sustained by a Vendor
or a Purchaser or the owner of any item or their respective
servants and agents arising in any circumstances whatsoever
and irrespective of any claim made by any party as to
negligence or lack of care of the Auctioneers or any party
acting on their behalf.
e) All lots are made available for inspection for a reasonable
period prior to auction. A buyer who makes a bid for any
lot thereby acknowledges that he has satisfied himself as to
the physical condition, state of repair or restoration, age and
catalogue description of such lot and also that he accepts these
conditions of sale.
Dolan’s knowledge, in relation to each lot, is partially
dependent on information provided by the seller and Dolan’s
are not able to, and do not, carry out exhaustive due diligence
searches on each lot. Bidders acknowledge this fact and accept
responsibility for carrying out inspections and investigations
to satisfy themselves as to the lots they may be interested in
buying. Bidders also acknowledge the fact that many lots are
of an age that they may not be in perfect condition. All lots are
offered for sale with any imperfections. Catalogue descriptions
and condition reports may on occasions make reference to
particular imperfections of a lot, but Bidders should note
that lots may have other faults not expressly referred to in the
catalogue or condition report. Illustrations are for identification
purposes only and will not convey full information as to the
actual condition of lots.
4. The Auction
a) The Auctioneer has absolute discretion to divide any lot, to
combine any two or more lots or to withdraw any lot or lots
from the sale, to refuse bids, regulate bidding or cancel the sale
without in any case giving any reason or previous notice. He
may bid on behalf of the vendor for all goods which are being
offered subject to reserve or at the Auctioneer’s discretion.
b) The highest bidder shall be the buyer except in the case
of a dispute. If during the auction the Auctioneer considers
that a dispute has arisen, he has absolute discretion to settle
it or to re-offer the lot for sale. The Auctioneer may at his sole
discretion determine the advance or bidding or refuse a bid.
c) Each lot is put up for sale subject to any reserve price placed
by the vendor. Whether or not there is a reserve price the seller
has the right to bid either personally or by any other person
(who may be the Auctioneer).
d) All conditions, notices, descriptions, statements and other
matters in the catalogue and elsewhere concerning any lot are
subject to any statements modifying or affecting the same
made by the Auctioneer from the rostrum prior to any bid
being accepted for the lot.
5. Rescindment
Notwithstanding any other terms of these Conditions, if
within 12 months after the sale, the Auctioneers have received
from the buyer any notice in writing that in his view the lot
is a deliberate forgery and within twenty one days after such
notification the buyer returns the same to the Auctioneers
in the same condition as at the time of sale and by producing
evidence, the burden of proof to be upon the buyer, satisfies
the Auctioneers that considered in the light of the entry in the
catalogue the lot is a deliberate forgery, then the sale of the lot
will be rescinded and the purchase price of the sale refunded.
In the event of a dispute then the matter shall be settled by
the President of the Institution of Chartered Surveyors in the
Republic of Ireland. Both the buyer and the vendor agree to be
bound by the decision.
6. Default
The Auctioneers disclaim responsibility for default by either
the buyer or the vendor because they act as Agents for the
vendor only and therefore do not pay out to the vendor until
payment is received from the buyer. Instructions given by
telephone are accepted at the sender’s risk and must be
confirmed in writing forthwith. In the event of a sale by
private treaty both the vendor and the buyer agree to be bound
by these conditions and any other special conditions of sale.
7. Retention of Title
All goods remain the property of the vendor until paid for in
full. The Auctioneers will not assume liability to discharge net
proceeds arising from the sale of goods until those goods have
been paid for in full.
8. Instructions
All goods delivered to the Auctioneers’ premises will be
deemed to be delivered for sale by auction and will be
catalogued and sold at the discretion of the Auctioneer
and accepted by them subject to all the Sale Conditions. By
delivering the goods to the Auctioneers for inclusion in their
auction sales the vendor acknowledges that he or she has
accepted and agreed to be bound by all these Conditions.
9. Collection and Deliveries
The Auctioneers do not normally undertake the packing,
collection or delivery of goods but will if requested use their
best endeavours as Agent of the Owner to arrange for an
independent contractor on the owner’s behalf to deal with
packing, collection and/or delivery. The Auctioneer will not in
any event arrange insurance of the goods and will accordingly
not be liable for any loss or damage to goods howsoever arising
including breakages or for any damage to premises, fixtures or
fittings therein caused by such contractor or otherwise and the
owner is responsive for all arrangements to verify that any such
contractor and the goods is/are appropriately insured. Unless
instructions are received to the contrary, charges (including
VAT) for such services will be charged to the vendor’s account
or discharged through the Auctioneers by the purchaser as
the case may be. The Auctioneers’ liability (if any) will arise
only where they themselves carry out packing and collection/
delivery and only in the case of breakage or loss caused through
deliberate negligence of their employees and in any event in
one single contract and the Auctioneers’ liability will not exceed
C = 500. Provided further the Auctioneers will not be liable for
consequential loss in any circumstances whatsoever.
10. Loss or Damage and Storage
The Auctioneers reserve the right to store or arrange for the
storage of goods held by them or delivered to them either on
their own premises or elsewhere at their sole discretion and
entirely at the owner’s risk. The Auctioneers shall not be
liable for any loss (including consequential loss) howsoever
caused or damage to goods of any kind including breakages,
or for unauthorised removal of goods.
11. Right to Re-sell
The Auctioneer reserves the right to re-sell any item that has
not been collected within fourteen days.
12. Telephone bidding
Every effort will be made to facilitate persons wishing to bid by
telephone at auction but the auctioneer disclaims responsibility
for any failures for whatever reason, in this regard.
13. Absentee Bidding
Every effort will be made to facilitate persons wishing to
leave commission bids with the auctioneer but the auctioneer
disclaims responsibility for any failures for whatever reason,
in this regard.
14. Droit de Suite
The artist’s resale levy, the droit de suite, where applicable,
will be deemed to be the responsibility of the vendor. Dolan’s
Art Auction House will not charge this levy to the purchaser.
The vendor by entering his goods for sale with Dolan’s Art
Auction House acknowledges that he/she is responsible for
the payment of this artist’s resale levy. Dolan’s Art Auction
House will not be responsible for payment of the droit de
suite and the vendor by entering his/her goods for sale
acknowledges that he/she has accepted and agreed to be
bound by this condition of sale. Furthermore Dolan’s Art
Auction House accepts goods for sale from the vendor on
the condition that the vendor authorizes Dolan’s Art Auction
House to withhold monies due for payment of the droit de
suite from the auction proceeds due to the vendor, and the
vendor further authorizes Dolan’s Art Auction House to
pay the droit de suite, on the vendors behalf, to the artist.
Furthermore the vendor acknowledges that the droit de suite
payment where applicable will be charged to the vendors
account in addition to the vendors commission charged
by the auctioneer and any illustration or other charges
applicable to the account.
15. Special Conditions
PURCHASER:
a) The purchaser shall pay a commission to the auctioneer,
viz. a Buyer’s Premium, of 20% plus VAT on the hammer
price of each lot.
b) The Purchaser acknowledges that the auctioneer may also
receive a commission from the vendor.
c) All accounts must be discharged by certified cheque, bank
draft or cash. The auctioneer reserves the right not to release
goods until cheque payments have been cleared by the bank.
Credit cards are also accepted with a 2.5% surcharge.
Non-Irish debit cards will incur a 2.5% surcharge
d) Responsibility for items purchased passes to the purchaser
on the fall of the hammer. The Auctioneers reserve the right
to look for a 25% deposit on all goods.
e) The buyer authorises the Auctioneer to use any
photographs, drawings or illustrations of any lot purchased by
the buyer, and, to indicate the price paid at auction for the lot,
and the buyer acknowledges that same may be used for any
advertising, promotional or other such purposes.
16. P
urchasers will NOT be charged the Artists Resale Levy.
17. VAT Regulations:
All lots are sold within the Auctioneers VAT margin scheme.
Revenue regulations require that the buyers premium must
be invoiced at a rate which is inclusive of VAT. This VAT is
NOT recoverable by any VAT registered buyers.
18. Special Notice To Purchaser
Prospective purchasers are advised that several countries
prohibit the importation of property containing materials
from endangered species, including but not limited to coral,
ivory and tortoiseshell. Accordingly, prospective purchasers
should familiarize themselves with relevant customs
regulations prior to bidding , if they intend to import such
items into another country.
95
DOLAN’S
ARTIST INDEX BY LOT NO.
A
Arnold, Patience
151
B
Baker, William John
Ballard, Brian Bingham, Jimmy
Bradley, William
Brennan, Deirdre
Brophy, Elizabeth
Byrne, Val
61
33
174
149
164
171
31
C
Cahill, James
76
Campbell, George
42
Carr, Rosemary
155
Collier, Thomas Frederick53
Cowley, Pat
152
Cudworth, Jack
175
Cunningham, William 176
D
Deere, Conor
170, 180-182
E
Egan, Orla
Egginton, Frank
Egginton, Robert
112-113
48, 51
49, 97-99, 204
F
ffrench le Roy
Freeney, Edward
90-92
38
G
Grogan, Mat
77-81
H
Hanlon, Father Jack
Hanrahan, Michael
Hayes, Edwin
Hutton, Douglas
95
163
52
103, 108-109, 172
I
Ireland, Thomas Taylor 138
K
Knuttel, Graham
84-86
L
Larkin, Syra
Longley, Sarah
32
169
M
Maderson, Arthur Marjoram, Jerry
McCaig, Norman
McCormick, Hugh
Morgan, Henry
Morris, John
Morris, Michael
Murphy, John
34-36, 100-101
50
156
178
45-46, 157-162, 173
106-107
110-111
153-154
N
Neogrady, Laszlo
54
O
Osbourne, Dennis H O’Neill, Ken
O’Neill, Mark O’Ryan, Fergus
P
Phoenix, George
207
R
Reynolds, Bernard
Robinson, Annie Robinson, Markey
Ryan, Bridget
Ryan, Philip
209
177
102
104-105
167-168
S
Schwatschke, John Shaw, Basil
28, 114-120
208
T
Teeling, Norman Till, Walter
37, 39-40
201
W
Waldron, Carol Ann
Walsh, Kate
Walsh, Manus
Webb, Kenneth
Wilks, Maurice C
Williams, Alexander
Winter, William Tatton
87-89
29
166
82-83
94
62
137
Y
Young, Mabel
165
179
121-122
41, 43-44, 93
96
www.facebook.com/dolansart
GIFT VOUCHERS AVAILABLE
REFERENCES: Theo Snoddy, Dictionary of Irish Artists, 20th Century
96
4th NOVEMBER
2012 2012 4th NOVEMBER 2012
4th NOVEMBER
DUBLIN
Sunday 3rd November 2013, 1pm
LIMERICK
Sunday 9 th November 2014, 2pm
CORK
Sunday 19 th January 2014, 2pm
ENTRIES INVITED
ROSSLARE, KELLY’S HOTEL CLIFDEN, CONNEMARA May Bank Holiday, Sunday 1st May, 2016
Bank Holiday Monday 1st & Tuesday 2nd August, 2016
3
DOLAN’S
Cork
Limerick
Galway
Dublin
Rosslare
Dolan’s Art Auction House
Lissarulla, Carnmore, Co. Galway
091 798 647
[email protected]
www.dolansart.com
4
Connemara