connemara

Transcription

connemara

BALLYCONNEELY
CONNEMARA
Monday 1st August &
Tuesday 2nd August 2016
12.30pm daily
CONNEMARA
ART AND ANTIQUES AUCTION
Ballyconneely, Connemara
BANK HOLIDAY MONDAY 1ST AUGUST 2016
& TUESDAY 2ND AUGUST 2016
at 12.30pm daily
DAY ONE: Paintings, Antiques & Collectables
Commencing at 12.30pm. Lot 1 – 278
DAY TWO: Paintings, Antiques, Silver, Books, Collectables & Rugs
Commencing at 12.30pm. Lot 280 - 490
ENQUIRIES / BIDS
Dolan’s Art Auction House
Lissarulla, Carnmore, Co. Galway
Tel: +353 (0)91 798 647
Email: [email protected]
PREVIEW
View online at www.dolansart.com
ns
o
i
t
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u
A
start
12.3i0lypm
da
VIEWING
Ballyconneely, Connemara
Thursday 28th July, 12.00 noon – 7.00pm
Friday 29th July, 10.00am – 7.00pm
Saturday 30th July, 10.00am – 7.00pm
Sunday 31st July, 10.00am – 7.00pm
Monday 1st August, 10.00am to start of auction
Tuesday 2nd August, 10.00am to start of auction
All lots are sold subject to the terms and
conditions of sale printed in this catalogue.
Buyers premium 25% including VAT on each lot.
Purchasers will not be charged the 4% artist resale levy.
DOLAN’S
Dolan’s have dedicated saleroom telephone lines for all
enquiries and bids during the viewing and auction:
Telephone
091 798647
086 4098015
Email [email protected]
Website www.dolansart.com
56
N
N56
Letterfack
Clifden
1
Maam
Cross
N5
6
44
Oughterard
N84
Galway
R336
Spiddal
Ballyconneely
2
DIRECTIONS
6
N5
R336
Carna
R3
40
Roundstone
R3
Lough
Corrib
N56
R3
R34
45
Recess
41
Cong
R3
N56
Ballinrobe
N84
Ballyconneely
Lough
Mask
Leenane
Barna
From Clifden, take
the R341, signposted
for Ballyconneely and
Roundstone, and
follow the road for
9km until you reach
Ballyconneely village.
1st AUGUST 2016
IMPORTANT INFORMATION FOR PURCHASERS
BUYERS PREMIUM
Buyers are reminded that there is a premium payable on the final bid price for each lot. The buyer shall pay a commission to the
auctioneer, viz. a Buyer’s Premium, of 25% including VAT on the hammer price of each lot. The auctioneers are happy to execute
bids on behalf of the buyer, but if successful, the purchase price payable will be the final bid price, together with the VAT inclusive
premium chargeable thereon.
VIEWING
Please note that viewing finishes at 12.30pm on sale days, Monday 1st August & Tuesday 2nd August. It will not be possible to view
lots after this time. Please note that imperfections are not stated. It is the responsibility of the purchaser to inspect and ascertain the
condition of any or all goods offered for sale in the auction. Ample opportunity for inspection of goods is given to buyers, and each
buyer, by making a bid for a lot, acknowledges that they have satisfied themselves fully before bidding, by inspection or otherwise, as to
the Conditions of Sale and the physical condition and description of the lot, including but not restricted, to whether the lot is damaged
or has been repaired. Please note that all books are sold ‘with all faults’ and not subject to return. All electrical and mechanical items are
sold ‘as is’, and no warranty or guarantee comes with these items. It is up to the buyer to satisfy themselves as to whether or not they are
in working order. In relation to light fittings, furniture and garden furniture, buyers are reminded that removal of these items is solely
at the buyer’s risk and expense.
YOU DON’T HAVE TO ATTEND THE SALE TO BID
If you are unable to attend the auction, Dolan’s offer the following ways in which you can bid before the sale:
ABSENTEE BIDDING
If you are unable to attend the auction you may complete an Absentee Bid form, and we will bid on your behalf subject to our Terms
and Conditions of Sale. Tel 091 798647 for further details.
TELEPHONE BIDDING
You may choose to bid by telephone during the course of the auction (subject to our Terms & Conditions of Sale and the availability
of telephone lines). Adequate notice is required in order to arrange telephone bidding. Tel 091 798647 for further details.
ALL LOTS ARE SOLD SUBJECT TO OUR TERMS & CONDITIONS OF SALE
Dolan’s Terms & Conditions of Sale are printed at the back of this catalogue and are available online at www.dolansart.com.
Please note that lots 148-168 are being sold on behalf of the Dolan family.
VAT REGULATIONS
No VAT is charged on goods sold in the auction. VAT is only applicable to the auctioneers’ commission charged to the purchaser
(i.e. the buyers premium). All lots are sold within the auctioneers’ VAT margin scheme. Revenue regulations require that the buyers’
premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyer.
PAYMENT
All goods must be paid for, in full, before collection. All accounts must be discharged by certified cheque, bank draft or cash.
The auctioneer reserves the right not to release goods until cheque payments have been cleared by the bank. Credit cards are also
accepted with a 2.5% surcharge. Non-Irish debit cards will incur a 2.5% surcharge. Payment may also be made by electronic transfer
of funds to Dolan’s bank account, full details on request. In certain circumstances, the Auctioneers may require payment to be made
by account transfer. Purchasers will NOT be charged the artist’s resale levy, known as the droit de suite.
COLLECTION OF LOTS
Lots purchased at the sale may be collected on both sale days and on the following day Wednedsay 3rd August, 10am - 5pm and
thereafter from our office at Lissarulla, Carnmore, Co. Galway.
DOLAN’S GUARANTEE OF AUTHENTICITY
Dolan’s Art Auction House takes special care to ensure that all works of art offered are as described and are the work of the artists
to whom they are attributed. In the event of any work sold from this catalogue to be subsequently proved to be a ‘deliberate forgery’,
subject to our Terms and Conditions of Sale (and in particular Condition No 5), as printed in this catalogue, Dolan’s will cancel the
sale and refund to the buyer the total amount paid by the buyer to Dolan’s for the item. This guarantee is provided for a period of
seven years after the date of the auction and may be extended at Dolan’s discretion.
SPECIAL NOTICE TO PURCHASER
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered
species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves
with relevant customs regulations prior to bidding, if they intend to import such items into another country.
FURTHER INFORMATION www.dolansart.com
COPYRIGHT © 2016 DOLAN’S ART AUCTION HOUSE. ALL RIGHTS RESERVED
3
DOLAN’S
1
2
4
A MARITIME MAP OF
GALWAY BAY, THE ARAN
ISLANDS, CO CLARE
AND CO GALWAY
Limited Edition Reprint, 2009
26"x38" (66x96.5cm)
¤250 - ¤400
2
After Lionel Edwards RI
1878 - 1966
HELLO, WHAT'S THE HURRY
Monochrome Print
¤50 - ¤70
3
After Lionel Edwards RI
1878 - 1966
MY IRISH SKETCH BOOK
Pair of Monochrome Prints
¤80 - ¤100
4
Irish Life & Landscape
by J Crampton Walker,
illustrating the work of early
20th Century Irish Artists,
numerous colour and black &
white illustrations, signed by
Ciaran MacGonigal, with all
faults [1 volume]
¤60 - ¤80
5
Portfolio of Photographs
of Famous Scenes,
Cities and Paintings,
with all faults, Interesting
Bound Volume [1 vol]
¤80 - ¤100
6
Graham Crowley
ROOFTOPS
Limited Edition Coloured Print
28.25"x20.75" (72x53cm)
Signed and Inscribed
Together with a matching
smaller limited edition print,
also signed
¤100 - ¤200
7
Joe Boske
THE WORLD & NIGHT FLIGHT
Pair of Limited Edition Prints
14.5"x14.25" (37x36.5cm)
and smaller
Both Signed
¤80 - ¤120
8
MAP OF GALWAY,
CAPITAL OF CONNAUGHT
Coloured Reprint
18.25"x27.5" (46.5x70cm)
¤30 - ¤50
3
4
6
1
5
7
7
IMPERFECTIONS NOT STATED
1st AUGUST 2016
9
9A
9
A World War II Group of Medals, to “Flight
Lieutenant W.H. Brown”, medals not stamped,
with Air Ministry London letter
¤160 - ¤180
9A
The Art Of Jack B Yeats by Rosenthal & Hilary
Pyle, illustrated throughout, with all faults [1 vol]
¤40 - ¤60
10
Sotheby’s Art At Auction, for the Years 1967 - 68,
1969 - 70, 1976 - 77, 1978 - 79, as a collection,
with all faults [4 volumes]
¤20 - ¤40
11
Renoir & Monet, a collection of volumes,
illustrated throughout, with all faults [6 volumes]
¤20 - ¤40
12
The Impressionists, from Cezanne to Van Gogh;
Essential Surrealists; Essential Picasso; Manet,
¤20 - ¤40
13
Sotheby’s Annual Review 1961-1961, together
with The Ivory Hammer, The Year at Sotheby’s
1962-63, 1964-65, 1965-66, as a collection, with
all faults [4 volumes]
¤20 - ¤40
14
Bernie Prendergast
W.B.YEATS
Charcoal Drawing
18.25"x12.25" (46.5x31.5cm)
Signed & Inscribed & Dated Nov ’89
¤180 - ¤250
15
Anne Yeats
1919 - 2001
MEN WORKING
Pencil Sketch
9.5"x7" (24x17.5cm)
Signed with Initials
Anne was the daughter of WB Yeats
Exhibition Label Verso
¤250 - ¤350
16
A Dictionary of Irish Artist’s,
by Theo Snoddy, with all faults [1 vol]
¤50 - ¤70
9
11
10
12
13
14
15
5
DOLAN’S
17
17
John Schwatschke
b.1943
"MARRIAGE OF CONVANIENCE"
Oil on Canvas
29.5"x39.5" (75x100.5cm)
Signed with Monogram and Dated 2011
Signed and Inscribed Verso
¤1,200 - ¤1,500
18
Jack Donovan
1934 - 2014
NUDE ON BED
(Pinkie Downey Series)
Oil on Board
48"x44.25" (122x112.5cm)
Signed with Initials & Dated (20)01
18
6
¤800 - ¤1,200
1st AUGUST 2016
20
19
19
Sculpted Figure of a Female Torso,
Ceramic Glaze on Terracotta,
approx 15" (38cm) high
¤300 - ¤400
20
After Sir William Russell Flint
RA, PRWS, RSW, ROI
1880 - 1969
STUDY OF YOUNG WOMEN
Coloured Print
11.75"x23.25" (30x59cm)
Signed in Pencil by the Artist
¤100 - ¤200
21
22
21
Tailor’s Dummy,
adjustable height, on stand
¤120 - ¤160
22
Carved Stone Figure,
Nude Female, raised on a plinth,
approx 11.75" (30cm) high
¤140 - ¤200
23
Thomas Ryan PRHA
b.1929
SEATED NUDE
Mixed Media
11.5"x10" (29x25cm)
Signed
¤280 - ¤380
24
After Sir William Russell Flint
RA, PRWS, RSW, ROI
THE DANZA MONTANA
Coloured Print, Published 1960
19"x25" (48x63.5cm)
Signed in pencil
¤150 - ¤200
23
7
DOLAN’S
25
Cynthia Moran
YOUNG MAN
Bronze Sculpture
Approx 12" (30cm) High
Signed
¤800 - ¤1,000
25
26
26
8
Louis le Brocquy HRHA
1916 - 2012
27
Louis le Brocquy HRHA
1916 - 2012
THE TAIN, WARRIOR
Lithograph on Paper
15"x21.25" (38x54cm)
Signed and Dated 1969
THE TAIN, WOMAN
Lithograph on Paper
20.5"x14.5" (52x37cm)
Signed by the artist
¤800 - ¤1,200
¤300 - ¤500
27
1st AUGUST 2016
29
28
Mark O’Neill
Mark O’Neill was born in 1963 and lived in
Mauritius, South Africa and Malta before he settled
in London. He studied at the Kingston College
of Art and graduated with first class honours in
Fine Art. He became an illustrator and worked
for many companies such as Harrods, Guinness
and Warner Brothers. He subsequently moved to
Ireland in 1988 and established himself as an artist
of outstanding ability, with many successful sellout
exhibitions. His success is richly deserved.
28
Mark O’Neill
b.1963
29
Mark O’Neill
b.1963
DIANA’S POSE
Oil on Board
10.5"x7.5" (26.75x19cm)
RUBEN’S POSE
Oil on Board
8.5"x6.5" (21.5x16.5cm)
Signed and Dated (20)10
¤500 - ¤800
¤500 - ¤800
9
DOLAN’S
30
33
Norman Teeling
b.1944
Vintage Child’s
High Chair,
approx 40" high,
which converts to
a Low Chair
THE BLUE ROOM
Oil on Board
19.5"x23.5"
(49.5x60cm)
Signed
¤600 - ¤800
31
George III Walnut
Twin Drop Leaf Table,
with drawers, on legs
terminating in pad feet,
approx 44" wide
¤250 - ¤350
32
30
Dachshund Figurine
by Goebel,
approx 10" long
¤40 - ¤60
¤60 - ¤100
34Attractive
19th Century
Long Footstool,
upholstered in
William Morris
Style Fabric,
the frieze with
geometric shaped
studs, upon
rosewood
cabriole feet,
approx 45" long
¤280 - ¤320
35
Persian Style
Floor Rug,
decorated with
various scrolled
floral panels upon
a red ground,
approx 142"x97"
¤250 - ¤350
31
31
32
34
33
35
33
10
1st AUGUST 2016
36
Victorian Marquetry
Display Cabinet,
mahogany with single glazed
door, fitted interior with shelves,
decorated with applied ormolu
mounts, on cabriole legs,
approx, 64.5" high,
26.5" wide, 18" deep
¤400 - ¤600
37
Attractive Edwardian
Tortoiseshell Oak &
Silver Plated Vessel,
with lid, complete with
figure of a Tortoise,
approx 5.5" diameter
¤80 - ¤120
38
Mahogany Queen Anne
Style Serpentine Fronted
Side Table, fitted with
a single drawer and raised
on cabriole legs, with pad feet,
approx 23.5" wide, 14" deep
¤100 - ¤200
39
37
38
36
Henry John Sylvester Stannard
1870 - 1951
AUTUMN SUNSET, SHEPHERD
& FLOCK, SEPTEMBER 1900
Watercolour
19.5"x35.75" (49.5x91cm)
Signed
In Original Ornate Gilt Frame,
Original Label Verso, Inscribed
An Autumn Evening After a Rainy
Day & Dated September 1900
¤700 - ¤800
39A After John O’Connor
DUBLIN FROM THE
PHOENIX PARK
Coloured Engraving
8"x15" (20.5x38cm)
¤180 - ¤250
40
A Large Deep Brass
Fender, with gallery,
internal measurement
62", return 24"
¤150 - ¤250
41
Square Mahogany
Envelope Folding-Top
Card Table, opening
to reveal A linedinterior
with counter wells,
single frieze drawer,
on cabriole legs,
terminating in castors,
approx 21.5"x21.5"
¤400 - ¤600
39
39A
40
41
11
DOLAN’S
42
Five Sets of Boxed
Vintage Mecano
¤100 - ¤200
43
An Early 20th Century
Spelter Figure , an
archer, raised on a
plinth, approx 15" high
¤120 - ¤180
44
Bronze Mortar
& Pestle,
approx 9cm high
¤40 - ¤60
42
45
A Pair of Brass
Candlesticks,
early 19th Century,
barley sugar twist with
detachable sconces,
approx 12" high
¤70 - ¤100
46
An Edwardian Brass
Bound Oak Planter,
quarter barrel shape,
approx 14" diameter
¤80 - ¤100
47
A Chinese Champleve
Style Bronze Vase,
decorated with birds
and ornaments,
approx 11.5" high
¤60 - ¤100
48
Two brass
preserving pans,
16" & 13" diameters
¤60 - ¤80
49
A Victorian Walnut
Brass Bound
Writing Box,
with tooled leather
writing surface,
approx 13.75" wide
¤80 - ¤100
50
Boot Scraper
¤40 - ¤50
51
A Victorian
Helmet Shaped
Brass Coal Scuttle,
approx 17"
high overall
¤60 - ¤80
45
44
43
48
46
47
49
50
12
51
49
1st AUGUST 2016
52
A Collection of Vintage
Teddy Bears
¤60 - ¤100
53
An Indian Brass Topped
Occasional Table,
probably Benares, and with
folding mother of pearl inlaid
support, approx 23" diameter
¤60 - ¤100
54
A Brass Gong,
raised on wooden stand with
beater, approx 8" high
¤80 - ¤100
55
An Air Raid Precaution
Bell, stamped ARP
& dated 1939,
approx 9.5" high
including handle
¤40 - ¤60
56
A 19th Century
Brass Coal Helmet,
approx 20" high overall
¤50 - ¤70
57
A Silver Topped Cane,
Birmingham 1919,
approx 32" long
¤40 - ¤60
58
Brass Postal Scale,
approx 9.5" wide
¤40 - ¤60
59
A Vintage Crocodile
Skin Suitcase,
circa 1920, with brass
fittings and partially
fitted interior,
makers Barkers
of Kensington,
approx 16" wide
¤180 - ¤250
60
61
62
63
52
Vintage Cased
Erika Typewriter
¤40 - ¤60
55
54
53
57
58
56
A Pair of Brass Fire Dogs,
and a three piece Brass
Campanion Set
¤80 - ¤100
59
60
Pair of Door Stops,
in the form of cannonballs,
with looped handles
¤40 - ¤50
Vintage Sweet Afton
Games Board & Clock,
each approx 20" high
¤40 - ¤60
61
62
63
13
DOLAN’S
64
65
68
67
66
69
71
70
74
73
72
14
1st AUGUST 2016
64
65
66
67
68
Edwardian Mahogany
72 Set of 4 good
Breakfront Desk,with tooled
Hepplewhite
leather writing surface and
style chairs,
fitted with five drawers with
each with
drop handles and raised on
upholstered horse
foliate carved cabriole legs
hair seats
terminating in claw & ball feet,
¤280 - ¤350
approx 48" wide, 27" deep
73Attractive
¤600 - ¤800
Oriental Carved
Edwardian Mahogany
Hardwood Table,
Occasional Table,
carved with
pearl-chasing
shaped with piecrust edge,
snap action, on turned
dragons,
column with 3 downswept
approx 16" wide,
legs terminating in paw feet,
23.5" high
the top approx 24"x17.75"
¤60 - ¤100
¤120 - ¤180
74 Victorian Copper
Pair of Regency Style
Preserve Pan,
Rosewood Occasional Chairs,
approx 15" diameter
each with turned and bowed
¤150 - ¤250
top rail,
75 Attractive Dinner
drop in seat and raised
Service, Ashworth
on sabre legs
Bros, partial service
¤100 - ¤150
comprising meat plate
Brass Bound Oak Barrel
with reservoir, soup
Shaped Umbrella or Stick
tureen, smaller tureens,
Stand, with looped handle,
plates, bowls & sauce
approx 22" high overall
boat etc.
¤150 - ¤250
¤300 - ¤400
Edwardian Satinwood
Occasional Chair,
with pierced splat back,
stuffover floral seat,
serpentine front rail and
raised on turned front legs
¤100 - ¤150
76
77
69
70
Good Victorian Copper
Preserve Pan, approx 17"
diameter
¤180 - ¤280
Alfred Grey RHA
1845 - 1926
HIGHLAND COW
Watercolour
9.5"x11.5" (24x29cm)
Signed
Inscribed Verso
71
Oak and woolwork foot
stool, the top decorated
with various floral sprays,
upon faceted tapered
supports and baluster
stretchers, approx
17.5"x17.5" wide & deep
¤100 - ¤200
A Royal Doulton
Tea Set,
comprising plates,
cups, saucers, milk jug
and sugar bowl
¤100 - ¤150
76
A Royal Albert Moss
Rose Tea Set,
comprising cups,
saucers, plates,
milk jug, sugar bowl
& cream jug,
together with a
matching teapot
¤100 - ¤150
78
Matching Pair of
Victorian Glass Table
Lamps, with depictions
of Napoleon &
Josephine, on gilt metal
bases, approx 15" high
¤150 - ¤250
79
Pair of Ornate Plates,
decorated with Birds,
Butterflies, Flowers
& Foliage, each approx
10.5" diameter, with
maker’s mark verso
¤30 - ¤50
¤300 - ¤400
75
77
78
78
15
DOLAN’S
1st AUGUST 2016
Mat Grogan
Born in Dublin in 1947, Mat Grogan
began his artistic career while away
working in Australia, where he
became a member of The Wildlife
Artists Society. The recipient
of various awards, he has been
influenced by the work of Chardin
and Vermeer, and his work is now
increasingly sought after.
80
Mat Grogan
b.1947
SUMMER BOUQUET
Oil on Canvas Board
16.25"x14.25" (41.5x36cm)
Signed
¤900 - ¤1,200
81
Mat Grogan
b.1947
YELLOW ROSES IN SUNLIGHT
Oil on Board
4.5"x6.5" (11.5x16.5cm)
Signed
¤380 - ¤480
80
82
Victorian School
RED, PINK AND YELLOW ROSES
Oil on Board
10.25"x31.5" (26x80cm)
Signed
In Original Attractive Gilt Frame
¤280 - ¤350
83
Thomas Ryan PRHA
b.1929
RED ROSE & JEWEL
Oil on Board
5.5"x7.5" (14x19cm)
Signed
Signed & Inscribed & Dated 2007
Verso
¤1,200 - ¤1,500
81
84
James Cahill
b.1956
THE PEARL NECKLACE
Oil on Canvas Board
11.75"x9.75" (30x24.5cm)
Signed
82
16
¤900 - ¤1,200
1st AUGUST 2016
85
83
84
85
86
Mat Grogan
b.1947
SUMMER ROSES
Oil on Canvas Board
9.5"x7.5" (24.5x19.5cm)
Signed
¤680 - ¤750
86
Mat Grogan
b.1947
SUMMER FLOWERS
& FUSCHIA
Oil on Board
8.5"x6.5" (22x16.5cm)
Signed
¤680 - ¤750
87
Mat Grogan
b.1947
ROSES IN THE
DRAWING ROOM
Oil on Board
4.75"x6.75" (12x17.5cm)
Signed
¤380 - ¤450
88
Mat Grogan
b.1947
PEACHES AND ROSES
Oil on Board
6.5"x4.5" (16.5x11.5cm)
Signed
¤350 - ¤450
87
88
17
DOLAN’S
89
Mark O’Neill
Mark O’Neill was born in 1963 and lived in Mauritius, South
Africa and Malta before he settled in London. He studied at the
Kingston College of Art and graduated with first class honours
in Fine Art. He became an illustrator and worked for many
companies such as Harrods, Guinness and Warner Brothers. He
subsequently moved to Ireland in 1988 and established himself
as an artist of outstanding ability, with many successful sellout
exhibitions. His success is richly deserved.
18
89
Mark O’Neill
b.1963
DUTCH LEMON
Oil on Board
13.5"x9.5" (34x24cm)
¤1,800 - ¤2,500
1st AUGUST 2016
90
91
92
90
Raymond Campbell
b.1956
91
Mat Grogan
b.1947
93
92
Mat Grogan
b.1947
FRUIT & WINE
Oil on Board
11"x7" (28x18cm)
Signed
WINE AND PEARS
Oil on Board
6.75"x4.75" (17x12cm)
Signed
ROSES & PEACHES
Oil on Board
14"x11" (35.5x28cm)
Signed
¤600 - ¤1,000
¤350 - ¤450
¤500 - ¤750
93
Tony Robinson
b.1954
JAPANESE CHERRY
Oil on Board
15.5"x11.5"
(39.5x29cm)
Signed
¤280 - ¤380
19
DOLAN’S
94
Brian Dennington
STREET CAFE
Oil on Canvas Board
30"x37.25" (76x94.5cm)
Signed and Dated
¤2,400 - ¤2,800
94
95
Norman Teeling
b.1944
COLLEGE GREEN,
LIGHT & SHADE
Oil on Canvas
16"x20" (50.5x40.5cm)
Signed
95
20
¤600 - ¤800
1st AUGUST 2016
96
Norman Teeling
b.1944
O’CONNELL STREET
& THE GPO
Oil on Board
19.5"x23.5"
(49.5x59.5cm)
Signed
96
¤700 - ¤800
97
Maurice Henderson
b.1944
UNION HALL IN BLUE
Oil on Canvas
28"x36" (71x91cm)
Signed & Dated (20)06
Signed & Inscribed Verso
97
¤450 - ¤750
21
DOLAN’S
98
98
Robert Egginton
b. 1943
THE OLD HARBOUR
ROUNDSTONE
Watercolour
14.5"x22" (37x56cm)
Signed
¤700 - ¤900
99
Robert Egginton
b.1943
BOATS NEAR
ROUNDSTONE
Watercolour
17.75"x23.5"
(45x59.5cm)
Signed
99
22
¤700 - ¤900
1st AUGUST 2016
100
100 Robert Egginton
b.1943
THE OLD BRIDGE, NEAR KYLEMORE ABBEY,
CONNEMARA
Watercolour
17.75"x23.5" (45x59.5cm)
Signed
¤750 - ¤1,000
Robert Egginton
Born in 1943, into an artistic family, Robert Egginton
is the nephew of Frank Egginton (1908–1990) and
the grandson of Wycliffe Egginton, R.I. (1875-1951).
Robert’s artistic lineage has stood him well and he
has developed his own distinctive style. A superb
watercolourist, strong on composition and technique,
his depiction of the Irish landscape is vivid and robust,
bridging the traditional and the contemporary.
23
DOLAN’S
101
101 Jerry Marjoram
b.1936
STONE WALLS,
NEAR KILLARY,
CONNEMARA
Oil on Canvas
19.5"x29.5" (49.5x75cm)
Signed
103 Robert B Higgins
b.1943
104AMargaret K Murphy
FARM COTTAGES IN
THE MOURNES
Oil on Canvas
15.5"x19.5" (39.5x49.5cm)
Signed
MOUNTAIN LIGHT,
CONNEMARA
Oil on Canvas
19.25"x29.5"
(49x75cm)
Signed
¤300 - ¤500
¤400 - ¤600
¤700 - ¤1,000
b.1943
b.1943
CHILDREN IN THE RIVER
Oil on Canvas
17.5"x23.25" (44x59.5cm)
Signed
THE FURROWED FIELD,
MOUNTAINS OF MOURNE
Oil on Canvas
15.5"x19.5" (39.5x50cm)
Signed
¤400 - ¤600
¤400 - ¤600
104BMargaret K Murphy
WATERFALL
Oil on Canvas
29.5"x19.5"
(75.5x50cm)
Signed
¤300 - ¤500
24
1st AUGUST 2016
102
104
103
104A
104B
25
DOLAN’S
105 Hamilton Sloan
b.1945
TEA BREAK ON THE BOG
Oil on Canvas
27.5"x27.5" (70x70cm)
Signed
105
¤800 - ¤1,000
106 June Brilly
b.1956
SUMMER FIELDS
Oil on Board
9.5"x15.5"
(24.5x39.5cm)
Signed
¤400 - ¤600
106
26
1st AUGUST 2016
107
107 Cecil Maguire RUA
b.1930
BEN BULBEN, CO SLIGO
Oil on Canvas
19.5"x29.5" (49.5x75cm)
¤3,000 - ¤5,000
Cecil Maguire RUA
Cecil Maguire was born in Lurgan in 1930 and graduated from
Queen’s University Belfast in 1951. Following a career as Senior
English Master in Lurgan College, Maguire retired in 1981 to
concentrate on painting full time. In 1967 he became an associate
of the Royal Ulster Academy and began exhibiting at the RHA in
1971. Cecil Maguire now lives and works for a great part of the year
in Roundstone, Co. Galway, where he feels very much at home
in an area which has always been the inspiration for much of his
work - an area of tranquility and ever changing landscape. His
work is part of many public, private and major national collections
including The National Self Portrait Collection and The Ulster
Museum, and The United Nations Headquarters, New York.
107ACecil Maguire,
Towards a Retrospective,
Illustrated Volume,
Signed by the Artist [1]
¤60 - ¤100
27
DOLAN’S
108
108 Elizabeth Cope
b.1952
SNOWDROPS &
ACONITES, FIRST
SPRING FLOWERS
Oil on Canvas
29.5"x39.5" (75x100cm)
Signed
¤2,500 - ¤3,500
109 Phoebe Cope
b.1981
LIME HOUSE
Oil on Canvas
23.5"x29.5" (60x75cm)
Signed
109
28
¤1,000 - ¤2,000
1st AUGUST 2016
110 Elizabeth Cope
b.1952
WHITE LILAC AND BUTTERFLY
IN THE STUDIO
Oil & Mixed Media on Board
29.5"x23.5" (75x60cm)
Signed
¤1,800 - ¤2,500
110
111 Phoebe Cope
b.1981
PINK ROSES
Oil on Canvas
27.75"x22" (71x55.5cm)
Signed
¤1,400 - ¤2,000
111
29
DOLAN’S
112
Graham Knuttel
Jack Donovan
The Irish figurative painter and artist Graham Knuttel was born in
Dublin in 1954 of German and English parents. Knuttel considers
himself to be Irish or more specifically ‘A Dubliner’. He attended
the Dun Laoghaire School of Art and Design, where he gained
a Diploma in fine art painting and sculpture. Knuttel has now
emerged as a painter with an international reputation, using colour
and form to express the emotion of his figures, with work in many
collections worldwide, including the Arts Council of Ireland,
University College Dublin and the Hugh Lane Gallery.
An important contemporary artist, born
in 1934, Jack Donovan was Headmaster of
Limerick School of Art from 1962 to 1978,
and included John Shinnors among his many
former students. His unusual subject matter
and strong bold use of colour combine to
produce striking and unique work and it is no
surprise that he firmly established a reputation
nationally and internationally.
112 Graham Knuttel
b.1954
SHEEP
Oil on Canvas
36"x60" (91x152.5cm)
Signed
SUNFLOWERS & PINK
ON BLUE
Oil on Canvas
22"x15.75" (56x40cm)
¤5,500 - ¤6,500
¤1,700 - ¤2,200
113 Jack Donovan
1934 -2014
RED POPPIES IN A WHITE
GRAVY BOAT
Oil on Board
17"x15" (43x38cm)
Signed with Initials & Dated (20)04
Signed and dated verso
¤800 - ¤1,200
30
114 Brian Ballard RUA
115 Markey Robinson
1918 - 1999
VIEW FROM THE STUDIO
Mixed Media
24.5"x19.5" (62.5x49.5cm)
Signed
¤2,400 - ¤3,400
116 Jack Donovan
1934 -2014
FLOWERS IN A WHITE JUG
Oil on Board
15.5"x13.5" (39x34.5cm)
Signed with Initials & Dated
(20)04
Signed and dated verso
¤800 - ¤1,000
117 Elizabeth Cope
b.1952
PIGGY BANK
Oil on Board
6.25"x24" (16x61cm)
Signed
¤800 - ¤1,000
1st AUGUST 2016
113
114
115
116
117
31
DOLAN’S
118
118 Brian Ballard RUA
TULIPS REFLECTED
Oil on Canvas
19.5"x23.25" (49.5x59cm)
¤3,800 - ¤4,500
32
Brian Ballard RUA
Born in Belfast, Brian Ballard trained at Belfast College of Art, and later at
the College of Art, Liverpool. He still lives in Belfast but spends long periods
of time living and working in his house on the remote and rugged island of
Inishfree off the coast of Donegal.
His contemporary approach to painting alternates between figurative
treatment of nudes, landscape and expressionistic still life, all of which he
practices in equal measure and intensity.
Brian has exhibited widely in Ireland and England ever since his paintings
were first hung in the Arts Council Gallery in 1967. His work can be found in
many collections such as The Ulster Museum, U2, and the National Trust.
1st AUGUST 2016
119 Brian Bourke HRHA
b.1936
OWER SPRING 2001
Oil on Canvas
24"x20" (60.5x50.5cm)
Signed & Inscribed & Dated Verso
¤1,000 - ¤1,200
b.1936
MAYO TREES, APRIL ’93
Mixed Media
20.75"x14" (53x36.5cm)
Signed, Inscribed and Dated
¤600 - ¤800
b.1936
BELMONT, CO OFFALY
Mixed Media
20"x16" (51x40.5cm)
Signed, Inscribed and Dated 2010
¤600 -¤800
b.1936
STUDY OF A FEMALE NUDE
Mixed Media
24"x17" (61x43cm)
Signed and Dated Sept ’70
Taylor Galleries Dublin Label Verso
¤300 - ¤500
119
120
121
122
33
DOLAN’S
123
123 Kenneth Webb RWA FRSA ARUA
b.1927
POPPIES AND ORANGE TIP
Oil on Canvas
18.5"x22.75" (46.5x57.5cm)
Signed
Original Blue Door Studio Label Verso
¤10,000 - ¤12,000
34
1st AUGUST 2016
124
Kenneth Webb RWA FRSA RUA
b.1927
Established with an international reputation and represented worldwide,
Kenneth Webb is now 89 years of age. He has painted all of his life and
has produced an outstanding body of work. Born in London, Webb came
to the Ulster College of Art in 1953 as Head of the Painting School.
In 1957 he founded the Irish School of Landscape Painting. He has
exhibited at the RA, the RI and the RUA. In all of his works, there is real
sense of place, a sense of the most subtle aspects of Ireland’s magical
and mysterious landscape fused with sensuality and colour.
b.1927
CONNEMARA FIELDS,
EVENING GLOW
Oil on Canvas
9"x13.25" (23x33.5cm)
Signed
Inscribed Verso
¤2,700 - ¤3,000
35
DOLAN’S
125
125 Markey Robinson
1918 - 1999
POTATO DIGGERS
& SHAWLIES
Oil on Board
20.75"x27" (53x68.5cm)
Signed
¤2,500 - ¤3,500
126 Markey Robinson
1918 - 1999
CLOWN IN YELLOW
& BLUE
Mixed Media
20"x12.5" (51x31.5cm)
Signed
126
36
¤1,000 - ¤1,500
1st AUGUST 2016
127
127 Markey Robinson
1918 - 1999
RETURNING HOME
Mixed Media
4.25"x11.5"
(10.5x29.5cm)
Signed
¤2,800 - ¤3,200
128 Markey Robinson
1918 - 1999
GALWAY CITY STREET
& CURRACHS BY THE
SEA, CONNEMARA
Mixed Media, A Pair
Each 6.25"x6.25"
(16x16cm)
Both Signed
¤800 - ¤1,200
128AMarkey Robinson
1918 - 1999
Markey Robinson
A primitive painter, a colourful
character, a man of great complexity
- these are all descriptions which
have been used to describe Markey
Robinson over the years. Born in
Belfast in 1918; Markey Robinson
is regarded as one of the great
Northern Masters. In a sixty
year career, Markey’s unique and
vibrant paintings fully demonstrate
his genius for composition. His
signature style and his range of
themes are readily identifiable rural landscapes, women in shawls
and sad-looking clowns. His work
was collected by Queen Elizabeth
II and he is represented in many
public and private collections
around the globe. Art Historian,
Susan Stairs in her biography on
Markey probably summed him up
best when she said of him, ‘there is
a genius in our midst’.
128
128
MOUNTAIN & LAKE
Mixed Media
4.5"x6.5" (11.5x16.5cm)
Signed
¤200 - ¤300
128BMarkey Robinson
Volume, Maverick Spirit,
by Michael Mulreaney,
with all faults [1 vol]
¤30 - ¤50
128CThe Irish Figurists by Susan Stairs,
limited edition volume, with all
faults, published 1999 [1 vol]
¤30 - ¤50
128A
37
DOLAN’S
129
b.1927
b.1927
POPPIES
Oil on Canvas
11.5"x15.5" (29.5x39.5cm)
Signed
SWEET PEA
Oil on Board
11.75"x13.75" (29.5x34.5cm)
Signed
SWEET PEA
Oil on Canvas
9.5"x13.75" (24x35cm)
Signed
¤4,800 - ¤5,500
¤3,500 - ¤4,000
¤3,500 - ¤4,000
b.1927
b.1927
Established with an international reputation and represented worldwide,
Kenneth Webb is now 89 years of age. He has painted all of his life and
has produced an outstanding body of work. Born in London, Webb came
to the Ulster College of Art in 1953 as Head of the Painting School. In 1957
he founded the Irish School of Landscape Painting. He has exhibited at the
RA, the RI and the RUA. In all of his works, there is real sense of place,
a sense of the most subtle aspects of Ireland’s magical and mysterious
landscape fused with sensuality and colour.
38
2nd AUGUST 2016
130
131
39
DOLAN’S
132
b.1927
WILD POPPIES
Oil on Canvas
12"x18.25" (30.5x46.5cm)
Signed
Inscribed & Dated 2005 Verso
¤3,800 - ¤4,500
40
b.1927
Established with an international reputation and represented worldwide, Kenneth
Webb is now 89 years of age. He has painted all of his life and has produced an
outstanding body of work. Born in London, Webb came to the Ulster College of
Art in 1953 as Head of the Painting School. In 1957 he founded the Irish School
of Landscape Painting. He has exhibited at the RA, the RI and the RUA. In all
of his works, there is real sense of place, a sense of the most subtle aspects of
Ireland’s magical and mysterious landscape fused with sensuality and colour.
1st AUGUST 2016
133
b.1927
WILD FLOWER MEADOW
Oil on Canvas
13.75"x9.75" (35x24.5cm)
Signed
¤4,000 - ¤5,000
41
DOLAN’S
133A
133B
133C
133ADesmond Hickey
1937 - 2007
133BJerry Marjoram
b.1936
42
133CJerry Marjoram
b.1936
SUMMER PATIO WITH GERANIUMS
Oil on Canvas Board
19.5"x23.5" (49.5x59.5cm)
Signed
WILD FLOWERS, CONNEMARA
Oil on Board
11.75"x9.75" (30x25cm)
Signed
PINK FLOWERS, CONNEMARA
Oil on Board
7.75"x9.75" (20x25cm)
Signed
¤750 - ¤950
¤400 - ¤600
¤300 - ¤500
1st AUGUST 2016
134
134 John Morris
b.1958
SPRING FLOWERS
Oil on Board
38.75"x47" (98.5x119cm)
Signed
¤1,500 - ¤2,500
134ASaskia Bremer
b.1954
FLOWERS IN THE SUNSET
Acrylic on Card
11"x14.5" (27.5x37cm)
¤180 - ¤280
134A
43
DOLAN’S
135 Val Byrne
b.1936
INTENSIVE
CARE UNIT
Oil on Canvas
19.25"x23.25"
(48.5x59cm)
Signed
Signed &
Inscribed Verso
¤750 - ¤1,000
135
Val Byrne B.ARCH, FRIAI
b. 1936
Val Byrne was born in
Dublin and now lives and
works in Bray, Co. Wicklow.
He paints the landscapes of
Ireland in his own particular
style with an emphasis
on recording today’s built
environment and his training
as an architect always comes
through in his work.
136 Val Byrne
b.1936
THE GOOD WIFE
Oil on Canvas on Board
9.5"x7" (24x18cm)
Signed
¤400 - ¤600
136
44
1st AUGUST 2016
137 Arthur K Maderson
b.1942
THE NIGHT
MARKET
Oil on Board
14"x14"
(35.5x35.5cm)
Signed
Signed &
Inscribed Verso
¤1,000 - ¤1,500
137
138 Gladys Maccabe
HRUA ROI
b.1918
FRUIT & WINE
Oil on Board
9.25"x13.25"
(23.5x33.5cm)
Signed
¤400 - ¤600
138
45
DOLAN’S
139
139 John Shinnors
b.1950
SCARECROW
Oil on Canvas
13.75"x15.75" (35x40cm)
Signed
140 Tony O’Malley Exhibition Catalogues,
at the Irish Museum of Modern Art,
the Kilkenny Art Gallery Society,
the Butler Gallery Kilkenny & the
Crawford Gallery Cork, as a collection,
¤20 - ¤40
¤2,000 - ¤4,000
46
1st AUGUST 2016
141
Tony O’Malley
Tony O’Malley was born in Callan, Co Kilkenny in 1913. He worked for many years as a clerk with the Munster & Leinster Bank,
retiring from the bank in his forties to become a full time artist and moving to St Ives in Cornwall in 1961, where he came into
contact with many of the leading artists of his day, including Patrick Heron, Peter Lanyon and Brian Wynter. In 1973, he married
Canadian artist Jane Harris and together they made regular visits to the Isles of Scilly, the Bahamas, Lanzarote and Clare Island,
Co Mayo, where his father was born, before returning to live in County Kilkenny in 1990, where he lived until his death in 2003.
One of the most important contemporary artists of his day, he exhibited widely and was bestowed with numerous honours
including an Honorary Doctorate by Trinity College, Dublin. During his lifetime he had numerous one man shows at home
and abroad and in 2005 a retrospective exhibition of his work was held at the Irish Museum of Modern Art in Dublin. A major
contemporary artist, of international standing, his work is to be found in many important collections worldwide.
141 Tony O’Malley HRHA
1913 - 2003
THE STUDIO,
NEW ROSS, 1959
Oil on Board
18.5"x18.75" (47x47.5cm)
¤4,000 - ¤6,000
Provenance: All three paintings by Tony O’Malley
(Lots 141, 142 & 143) were acquired by the
vendor’s mother directly from the artist in the
1950’s. At the time, O’Malley had his studio
at Delia Kelly’s on Conduit Lane in New Ross,
where the vendor’s family also lived, striking up a
close relationship with the artist. Tony O’Malley
had worked for the Munster and Leinster Bank in
Enniscorthy and New Ross, Co Wexford, leaving
the bank to concentrate on his painting and it was
at the instigation and assistance of the vendor’s
mother, that Tony decided to move to St. Ives in
Cornwall to further develop his artistic career.
47
DOLAN’S
142
1913 - 2003
BURNING OF THE KELP STORES
ON CLARE ISLAND, 1950’s
Oil on Paper
6.5"x8.75" (16.5x22cm)
Signed
Inscribed Verso
¤1,500 - ¤2,500
143
1913 - 2003
BENNETTSBRIDGE MILLS IN APRIL
Watercolour
7.75"x12.5" (19.75x32cm)
Signed with Initials, Inscribed and Dated
Spring (19)52
Together with another watercolour
study verso, inscribed Grand March
Near Leighlin verso
¤800 - ¤1,200
143
48
Provenance on Lot 142 & 143 as per the
THE STUDIO, NEW ROSS 1959 (Lot 141)
1st AUGUST 2016
144
144 Norah McGuinness HRHA
1901 - 1980
AUGUST FIELDS
Mixed Media
8"x11.25" (20x28.5cm)
Signed with Inititals
Inscribed Verso on Original
Dawson Gallery Label
¤1,200 - ¤1,600
145 Mary Breach
MOUNTAIN LANDSCAPE
WITH FLEETING SHAPES
Oil on Canvas
19.25"x23.25" (49x59cm)
Signed
¤600 - ¤800
145
49
DOLAN’S
146
146 Barbara Rae RA RSA RWS
b.1943
RONDA HILL FARM
Mixed Media & Collage
31.5"x 43.5" (80x111cm)
Ib Jorgensen Label Verso
¤2,500 - ¤3,500
50
Barbara Rae RA RSA RWS
Barbara Rae was born in 1943 and studied at Edinburgh College of Art from 1961 to
1965 where she was awarded a travel scholarship, taking her, in 1966, to France and
Spain. She taught in Edinburgh until 1972, going on to lecture in Drawing, Painting
and Printmaking at Aberdeen College from 1972 to 1974 and in Drawing and Painting
at Glasgow School of Art from 1975 to 1996.
Rae’s work has been included in many solo and group exhibitions both nationally
and internationally. Her first solo show was held in 1967 at the New 57 Gallery,
Edinburgh. In 1994 and 1999, she won tapestry commissions for The Festival Theatre
and for the Royal Scottish Museum in Edinburgh. She has won many awards from,
among others, the Scottish Arts Council and the Royal Scottish Academy. Rae’s work
is included in many private collections in Britain, Europe and the USA, as well as in
many important public and corporate collections.
Rae was elected President of the Society of Scottish Artists in 1983. She was
made a Member of the Royal Scottish Academy in 1992 and of the Royal Academy in
1996. She has been a Member of the Royal Fine Art Commission for Scotland since
1995 and was a Member of the Board of the British School at Rome. In 1999 she was
awarded a CBE and received an Honorary Doctorate from Napier University. She is a
leading member of the Royal Academy.
1st AUGUST 2016
147
147 Carina Scott
b.1963
MANHATTAN SKYLINE
Oil on Board
24"x20" (61x51cm)
Signed
¤1,000 - ¤1,500
Carina Scott
Born in 1963, Carina Scott is both artist and musician, and all the while a breeder
of quality Irish sport horses. With a strong musical background, Carina, as an
artist & painter, is largely self taught and her pedigree as a creative artist mirrors
her success with her horses at the RDS and with her Connemara ponies at the
French Championships. Painting in both Ireland and France, her adopted country,
Carina Scott is continually inspired by the landscape & light, by the seasons and
the sensuality of nature all around her. Her work is distinctive and vibrant, an Irish
palette, influenced by the strong light and colour of southern Europe. With her bold
use of paint, Scott captures the light and mood of the landscape and of the creatures
she portrays. Her use of paint and her palette knife work are exquisite, testament to
the flair, vigour and enthusiasm with which she constantly works. Her reputation
as an artist has grown steadily, with successful shows in Ireland and abroad and the
success she has enjoyed is well deserved.
51
DOLAN’S
b.1927
Established with an international
reputation and represented
worldwide, Kenneth Webb is now 89
years of age. He has painted all of his
life and has produced an outstanding
body of work. Born in London, Webb
came to the Ulster College of Art in
1953 as Head of the Painting School.
In 1957 he founded the Irish School
of Landscape Painting. He has
exhibited at the RA, the RI and the
RUA. In all of his works, there is real
sense of place, a sense of the most
subtle aspects of Ireland’s magical
and mysterious landscape fused with
sensuality and colour.
b.1927
148
HARVEST MOON
Oil on Board
15"x39" (38x99cm)
Signed
Ritchie Hendriks Gallery label verso
52
¤5,000 - ¤7,000
1st AUGUST 2016
149
b.1927
POPPIES
Oil on Canvas
18"x14" (45.5x35cm)
Signed
Original Blue Door Studio Label Verso
¤6,000 - ¤8,000
53
DOLAN’S
William J Leech RHA
1881 - 1968
Born in Parnell Square, Dublin in 1881, William Leech was educated in Dublin and later under
private tutors in Switzerland. Returning to live in Clontarf in 1898, he studied at the Dublin
Metropolitan School of Art and later at the Royal Hibernian Academy Schools, coming under the
influence of Walter Osborne who, Leech said, taught him ‘everything I needed to know’. In 1901,
he moved to Paris, further developing his skills as an artist. Leech first exhibited at the Royal
Hibernian Academy in 1899 and was appointed an associate of the RHA in 1907 and a full member
in 1910. Earlier he had returned to Dublin from Brittany, exhibiting in 1907 with Constance
Gore-Booth and Casimir Markiewicz and the Irish Times noted that this was ‘the first time that a
collected exhibition of Mr Leech’s work has been shown in Dublin’. In the following years, 1908 and
1909, he again exhibited in Dublin, in the company of Dermod O’Brien, Markiewicz, Gore-Booth
and George Russell. Much influenced by his time in France, he continued to exhibit and was an
admirer of the work of Paul Cezanne.
Moving to London in 1910, Leech continued to be a faithful exhibitor at the RHA and in a period
of 68 years, missed only 10 exhibitions. In 1912 he exhibited ‘Visions of Switzerland, Venice, etc’
in London, earning the attention of The Times of London. Leech won a bronze medal in 1914 at
the Paris Salon and exhibited also at the Royal Academy, at the International Society of Sculptors,
Painting and Gravers, the London Salon and the Royal Society of Portrait Painters. He continued to
exhibit in Paris, London and Dublin and later in Brussels in 1930 and in Wellington, New Zealand
in 1939. He supported the Irish Exhibition of Living Art in 1945 and exhibited at the Oireachtas
Exhibitions from 1945 to 1952. He exhibited at the Dawson Gallery in Dublin in 1945, with further
one man shows in 1947 and 1951, later exhibiting with Evie Hone. His work is included in the
collections of the National Gallery of Ireland, the Hugh Lane Municipal Gallery, the Ulster Museum
and the Crawford Gallery Cork.
The Artist’s second marriage was in 1953 to May Botterell, and from 1958, they lived at Candy
Cottage, where Leech built a studio. This present work shows a view across the window sill into
the garden at Candy Cottage. This cottage was an idyllic Tudor-style cottage with diamond-paned
mullioned windows and a pretty garden, in which Leech had built his studio. This work was
painted during the final happy decade of his life, when he was in his late seventies, and he manages
‘to capture the light and vibrancy of colour’ in this intimate work. A retrospective exhibition took
place at the National Gallery of Ireland in 1996 and then moved to Musée des Beaux-Arts in
Brittany, followed by the Ulster Museum. This exhibition was accompanied by a significant book
on the artist, William John Leech; An Irish Painter Abroad, by Denise Ferran, who comprehensively
documented this most significant of Irish Artists.
54
1st AUGUST 2016
150
150 William John Leech RHA ROI
1881 - 1968
WINDOW SILL
Oil on Board
17.5"x14.5" (44.5x37cm)
Signed
Inscribed Verso on original artist’s label,
together with Dawson Gallery label,
in original frame
¤24,000 - ¤28,000
55
DOLAN’S
Robert Taylor Carson HRUA
1919 - 2008
Born in Belfast in 1919, Robert Taylor Carson
studied art in Belfast where he specialized in
drawing and painting the human form. After
the Second World War he spent a year in the
United States painting portraits and making
a name for himself as an artist. Taylor Carson
was a war artist for the American Airforce and
exhibited with success in the United States. He
broadened his style and subject matter, being
most renowned for his character studies and his
landscapes. He lived and worked near Downings
in Co. Donegal and exhibited widely, including
the Royal Ulster Academy and the Royal
Hibernian Academy.
Robert Taylor Carson was made a member of
the Royal Ulster Academy (1975) and the Ulster
Water Colour Society (1983), exhibiting regularly
throughout Ireland, America and Europe. His
work is held in various notable collections,
including The National Self Portrait Collection.
56
1st AUGUST 2016
151
151 Robert Taylor Carson HRUA
1919 - 2008
LOBSTER MAN
Oil on Canvas
19.25"x23.5" (49x59.5cm)
Signed
¤5,000 - ¤8,000
57
DOLAN’S
152
b.1927
EVENING LIGHT ROUNDSTONE
Oil on Canvas
11.5"x9.5" (29x24.5cm)
Signed
Inscribed Verso
¤3,000 - ¤5,000
58
1st AUGUST 2016
153
b.1927
Art in 1953 as Head of the Painting School. In 1957 he founded the Irish School
of Landscape Painting. He has exhibited at the RA, the RI and the RUA. In all
of his works, there is real sense of place, a sense of the most subtle aspects of
Ireland’s magical and mysterious landscape fused with sensuality and colour.
b.1927
THE CLADDAGH
Oil on Canvas
9.5"x11.5" (24x29cm)
Signed
¤3,000 - ¤5,000
59
DOLAN’S
154
154 Donald Teskey RHA
b.1956
SUNLIGHT & SHADOW,
STREET WITH POSTBOX
Oil on Paper
13.5"x16.5" (34.5x41.5cm)
Signed
Inscribed & Dated 1994 verso
¤4,000 - ¤6,000
60
1st AUGUST 2016
155
Charles Harper RHA
Born on Valentia Island, Co. Kerry in 1943, Charles Harper studied art at the
Limerick School of Art and the National College of Art, as well as film making in
Bonn. He has exhibited widely, in countries such as India, Switzerland, Italy, Latvia,
England, France, the US and Sweden and is the recipient of many National Awards.
He was a founder of the EVA exhibitions in Limerick and also a founding
member of Aosdana. Harper has been a member of the Royal Hibernian Academy
since 2002, and for many years a Lecturer at Limerick School of Art and Design.
His work is included in many important public and private collections including
The Irish Museum of Modern Art, San Francisco Museum of Modern Art, RTÉ,
Limerick City Art Gallery, Allied Irish Banks, and in many Irish Embassies
throughout the world.
155 Charles Harper RHA
b.1943
FACES AND LANDSCAPE
Oil on Board
24"x32" (61x81cm)
Signed
Signed Verso, in original frame,
with Emmet Gallery Label
¤4,000 - ¤6,000
61
DOLAN’S
156
156 Manus Walsh
b.1940
THE NIGHT SHIFT
20"x14.75" (51x37.5cm)
Signed
¤500 - ¤800
62
Manus Walsh
Born in 1940, Manus Walsh began his career in the field of stained glass, working for
the Abbey Stained Glass Studios in Dublin, in the sixties. It was during his time there
that he met artist, George Campbell, who became his mentor and friend, and also
encouraged him to take up painting full time. Among Manus’s many stained glass
designs are five windows for Galway Cathedral, and more recently in St John’s Church,
Ballyvaughan. The landscape of the Burren has been a constant inspiration to him for
the past thirty years and more, and its barren limestone landscape continues to be a
major influence on his work. Manus has travelled widely, spending considerable periods
of time, in both Spain and Chile, and the Spanish landscape, together with the city of
Valparaiso continue to be a significant influence. Walsh has exhibited widely at home
and abroad, including four exhibitions in South America and numerous one man shows
and he is widely regarded as an important contemporary artist.
1st AUGUST 2016
157
157 Manus Walsh
b.1940
PUEBLO ANDALUCIA
13.75"x18.25" (35x46.5cm)
Signed
¤500 - ¤800
158 Manus Walsh
b.1940
RIOT
18"x11.5" (46x29.25cm)
Signed
¤400 - ¤600
158
63
DOLAN’S
159
b.1942
MARKET DAY
Oil on Board
13.5"x17.25" (34.5x43.5cm)
Signed
¤1,200 - ¤1,600
64
Arthur K Maderson
Born in 1942 in London, Arthur Maderson studied Fine Art from 1959 to 1963 at
Camberwell School of Art, London, where in 1963 he won the Anna Berry Award in
open competition with graduates from all leading art schools in England. Although
Maderson continued to paint on a regular basis, it was only in 1982, at the age of 40 that
he felt sufficiently confident to exhibit. From this period, he has enjoyed considerable
success, and this success has been replicated in Ireland, where his reputation as a
painter of distinction and passion is firmly established. He works at a frantic pace with
dedication, determination and unflagging vigour, and now divides his time between
his home in Ireland and a small hamlet high in a largely unpopulated mountainous
region of the Cevenne, in the South of France. Arthur Maderson has exhibited at the
Royal Hibernian Academy, The Royal West of England Academy and the Royal Academy
and he has represented Ireland in many prestigious exhibitions. Arthur Maderson is an
outstanding artist of his generation.
1st AUGUST 2016
b.1942
TOWARDS THE
LAKE ISLE OF
INNISFREE
Oil on Board
11"X11"
(27.75x27.75cm)
Signed
Signed &
Inscribed Verso
¤1,000 - ¤1,200
160
b.1942
SUMMER FIELDS,
SOUTH OF FRANCE
Oil on Board
6.5"x6.5"
(16.5x16.5cm)
Signed
Signed &
Inscribed Verso
¤750 - ¤850
161
65
162
DOLAN’S
b.1927
THE OLD QUAY, CLIFDEN
Oil on Canvas
11.5"x27.5" (29x69.5cm)
Signed
¤3,500 - ¤4,500
66
1st AUGUST 2016
163
b.1927
GALWAY HOOKER
Oil on Canvas
9.5"x15.5" (24.5x39.5cm)
Signed
¤2,500 - ¤3,500
67
DOLAN’S
Rosemary Carr ROI
164
Rosemary Carr has been painting in
Ireland since 1965, and since 1989
has been a full time member of
the Royal Institute of Oil Painters.
She has exhibited in London
and Dublin, including the Royal
Hibernian Academy, and of course
in Connemara, where she lives.
She always paints in the open air,
and her use of paint and her palette
knife work is exquisite. She captures
the light and colour and mood of
Connemara through each season,
choosing her titles in a careful and
considered manner.
164 Rosemary Carr ROI
DOG’S BAY ON A WARM MAY DAY
Oil on Board
8.75"x11.5" (22.25x29cm)
Signed
Inscribed verso on Original Artist’s
Label & Dated (20)08
¤500 - ¤750
165 Rosemary Carr ROI
165
DOG’S BAY DUNES ON A SOFT
GENTLE DAY
Oil on Board
8.75"x11.5" (22.25x29cm)
Signed
Inscribed verso on Original Artist’s
Label & Dated (20)08
¤500 - ¤750
166 Anne Tallentire
b.1949
CURRACHS NEAR ROUNDSTONE
Oil on Canvas
15.75"x23.5" (40x60cm)
Signed
¤300 - ¤500
166
68
1st AUGUST 2016
167
167 Frank McKelvey RHA RUA
1895 - 1974
THE LAST LOAD
Watercolour
9.75"x13" (24.5x33cm)
Signed
¤1,400 - ¤1,800
168 Tom Nisbet RHA
1909 - 2001
SPRING OUTING
Watercolour
10.5"x14.5" (27x37cm)
Signed
¤450 - ¤650
168
69
DOLAN’S
169 William Percy French
1854 - 1920
BOGLAND
CONNEMARA,
EVENING LIGHT
Watercolour
6.5"x9.5" (16.5x24cm)
Signed
Provenance:
James Adam Auctioneers,
28th Sept 2011, lot 189;
Thomas Agnew & Sons,
Liverpool label verso
¤2,000 - ¤3,000
169
170 William Percy French
1854 - 1920
WINTER SUN
IN THE ALPS
Watercolour
8"x11.5" (20x29cm)
Signed
¤1,800 - ¤2,500
170
William Percy French
Famous for his songs, William Percy French was born in 1854, near Tulsk in Co Roscommon. He
qualified as an engineer from Trinity College and took up an appointment with the Board of Works
in Cavan. He began exhibiting in 1872, and exhibited widely throughout his lifetime, including the
Royal Hibernian Academy, the Watercolour Society of Ireland and the Dublin Sketching Club. In
1907, he held a joint exhibition at the New Dudley Gallery in Piccadilly with Midred Butler, Claude
Hayes and Bingham McGuinness. This watercolour of a Connemara cottage and stream is typical
of the work that he is famous for.
70
1st AUGUST 2016
171
171 Eva Hamilton
1876 - 1960
CLIFDEN
MARKET
Oil on Board
7"x9" (18x23cm)
Signed and
Inscribed Verso
¤3,000 - ¤4,000
Eva Henrietta Hamilton
Born in 1876, Eva Hamilton lived at Hamwood,
Dunboyne Co. Meath with her sister, the artist
Letitia Hamilton. Eva attended Alexandra
College in Dublin, before going on to study at
the Dublin Metropolitan School of Art and at the
Slade School of Fine Art in London. She earned
her living, for a period, painting portraits and
included Lady Gregory among her subjects.
When Hugh Lane organised the exhibition of
work by Irish artists at the Guildhall in London
in 1904, she was represented by her work, A Lady
in Pink. In that same year, she showed portraits
of her sisters at the Royal Hibernian Academy,
where she continued to exhibit for some 40 years,
a total of 121 works. A 1913 portrait of her cousin
Rose is in the collection of the National Gallery
of Ireland. In 1924, she exhibited in Dublin
alongside her sister Letitia, and their work was
warmly received.
Theo Snoddy reports that Mary Swanzy
described Eva as having ‘red hair and a temper
to match’. Eva continued to exhibit with Letitia,
whom we are told, was the dominant personality.
From 1898 to 1950, Eva showed more than 90
works at the Watercolour Society of Ireland
exhibitions, while also exhibiting in Belfast
in 1927 and at the Exhibition of Irish Art in
Brussels in 1930, again in Dublin in 1937,
alongside her sister Letitia and also at the New
Burlington Galleries in London.
Paintings of Connemara and Roundstone
feature among her exhibited work during the
1930’s and 40’s. The present work of a Fair Day in
Clifden may be from a slightly earlier period and
depicts the centre of Clifden, looking up towards
the Church of Ireland church, on a busy fair day.
Eva was closely associated with the Dublin
Painters and many of her exhibitions with Letitia
were held at 7, St. Stephen’s Green, even as late
as 1951. She also exhibited at the Irish Exhibition
of Living Art, at the Fine Art Society in London
and the Walker Art Gallery, Liverpool. Her work
is included in many important public collections,
including the Ulster Museum, the Crawford
Gallery in Cork, Aras an Uachtarain, Trinity
College, NUI Galway, Kilkenny Arts Society, the
Niland Centre Sligo, Limerick City Gallery and
the National Gallery of Ireland.
71
DOLAN’S
172
172 Thomas Ryan PRHA
b.1929
FOUR COURTS IN SUNLIGHT
Oil on Canvas
15.5"x19.5" (39.5x49.5cm)
Signed
¤2,500 - ¤3,500
72
1st AUGUST 2016
173
Albert Julius Olsson
1864 - 1942
Albert Julius Olsson was a British maritime artist
and keen yachtsman, born in Islington, London,
to a Swedish father and an English mother.
From 1890 to 1912, despite having little or
no formal artistic training himself, he taught
alongside Louis Grier and later Algernon
Talmage at the St Ives school of artists. His
work was first accepted at the Royal Academy in
1890, and he joined the New English Art Club
in 1891. In 1912 he returned to London and in
1914 Olsson was elected ARA, becoming a full
member of the Royal Academy in 1920. During
the First World War he had served as a lieutenant
in the Navy, giving him the opportunity to paint
naval ships in action.
He married Edith Ellison in 1925, the
daughter of an Irish horse breeder, and thereafter
made frequent painting trips both to Ireland and
to Sweden, always concentrating on the effects of
light on water.
In the Second World War he was bombed out
of his London studio. He died at Dalkey, in South
Dublin, in 1942. His works may be found in
museums and collections, particularly in the UK.
This present work, Sunlight on the Beach
near Roundstone, was painted during one of his
many trips to Ireland and has remained in a
Connemara collection to the present day.
173 Julius Olsson
1864 - 1942
SUNLIGHT ON
THE BEACH NEAR
ROUNDSTONE
Oil on Board
9.75"x13.75" (25x35cm)
Signed
¤1,000 - ¤1,500
73
DOLAN’S
174
174 Maurice C Wilks RUA ARHA
1910 - 1984
SUMMER SAILING
Oil on Canvas
15.5"x19.25" (39x49cm)
Signed
¤2,500 - ¤3,000
74
Maurice C Wilks RUA, ARHA
A landscape and portrait painter, Maurice Canning Wilks was
born in Belfast in 1910. He attended Belfast School of Art. Still in
his teens, he exhibited at the RHA and also at the Oireachtas. He
was elected an associate of the Ulster Academy of Arts in 1935. He
exhibited all over the world and is represented in many public and
private collections including the Ulster Museum, Armagh County
Museum and the Ulster Folk and Transport Museum.
1st AUGUST 2016
175
b.1927
ROUNDSTONE, CONNEMARA
Oil on Canvas
14.5"x35.5" (37x90cm)
Signed
¤3,500 - ¤4,500
176 Father Jack Hanlon
1913 - 1968
ROUNDSTONE HARBOUR
Watercolour
8.5"x11" (24.5x27.5cm)
Signed
¤700 - ¤800
176
75
DOLAN’S
177
177 Richard Kingston RHA
1922 - 2003
BURREN COUNTRY 1958 - 65
Oil on Board
23"x38.5" (59x97.5cm)
Signed
Inscribed with title Verso
¤2,500 - ¤3,500
177A Richard Kingston,
Causeway, volume
¤20 - ¤30
177A
76
Richard Kingston
1922 - 2003
Richard Kingston was born in 1922 and left school at
the age of nine to work on the family farm. A self-taught
artist, he studied arts and engineering at Trinity College
before moving to London, where he worked as a teacher
and designer. In the late 1950s he returned to Ireland and
took up painting full time. He was a sensitive artist, who
was mostly inspired by nature and the Irish countryside
where he grew up.
Kingston exhibited at the Hendriks Gallery, Dublin,
and the Leicester Galleries, London, and represented
Ireland in several international shows. In the 1970s
he founded his own gallery, the Wellington Gallery in
Ballsbridge, where he held numerous solo exhibitions.
His Causeway series of paintings were shown in Dublin
at the RHA Gallery and the Solomon Gallery in 2001.
He was influenced by Abstract Expressionism and
was one of the first Irish artists to embrace aspects
of American Abstract Expression in the 1950s. The
structure and colour in his paintings were unlike that of
his contemporaries.
He was an active member of the Royal Hibernian
Academy from 1980, and served on the board of
governors of the National Gallery of Ireland from 1982
to 1989. His work is held in major public and corporate
collections, and private collections at home and abroad.
1st AUGUST 2016
178
Carina Scott
Born in 1963, Carina Scott is both artist and musician, and all the while
a breeder of quality Irish sport horses. With a strong musical background,
Carina, as an artist & painter, is largely self taught and her pedigree as a
creative artist mirrors her success with her horses at the RDS and with her
Connemara ponies at the French Championships. Painting in both Ireland
and France, her adopted country, Carina Scott is continually inspired by the
landscape & light, by the seasons and the sensuality of nature all around
her. Her work is distinctive and vibrant, an Irish palette, influenced by the
strong light and colour of southern Europe. With her bold use of paint, Scott
captures the light and mood of the Irish landscape and of the creatures she
portrays. Her use of paint and her palette knife work are exquisite, testament
to the flair, vigour and enthusiasm with which she constantly works. Her
reputation as an artist has grown steadily, with successful shows in Ireland
and abroad and the success she has enjoyed is well deserved.
178 Carina Scott
b.1963
PURPLE BOG
Oil on Board
19.25"x29.5" (49x75cm)
Signed
¤1,000 - ¤1,500
77
DOLAN’S
179
179 John Morris
b.1958
SEAPOINT CO DUBLIN, EVENING LIGHT
Oil on Board
47"x47" (119x119cm)
Signed
¤2,000 - ¤4,000
78
1st AUGUST 2016
180
John Morris
Born in 1958, John Morris is known for his distinctive
style and has exhibited widely for many years, culminating
in a recent publication, and his work is included in many
private and corporate collections. Well known for unique
contemporary work, his style has developed and his range
broadened in subtle and skillful ways and Seapoint Co Dublin,
Evening Light is a good example of this developing style and
shows his suberb artistic ability.
180 John Morris
b.1958
SUMMER DAYS
Oil on Board
39"x59" (99x150cm)
Signed
¤2,000 - ¤3,000
79
DOLAN’S
181 Alan Kenny
b.1959
CONNEMARA,
MUSIC IN THE AIR
Acrylic on Canvas Board
13.5"x17.5" (34.5x44.5cm)
Signed
181
¤500 - ¤800
182 Paul Guilfoyle
b.1950
BURST OF LIGHT,
DOOLAGH, CO MAYO
Oil on Canvas
19.75"x29.75" (75.5x50cm)
Signed
182
¤600 - ¤800
183 Susan Mary Webb
b.1962
MARE AND FOAL,
ABOVE KILLARY
Oil on Canvas
19.5"x23.5"
(49.5x59.5cm)
Signed
183
80
¤600 - ¤800
1st AUGUST 2016
184
b.1927
AUTUMN MIST ABOVE THE LAKE
Oil on Canvas
23.5"x35.5" (59.5x90cm)
Signed
Original Blue Door Studio Label Verso,
¤5,000 - ¤7,000
81
DOLAN’S
185
185 Carina Scott
b.1963
REFLECTIONS,
LAKE & MOUNTAIN,
CONNEMARA
Oil on Board
19.25"x29.5" (49x75cm)
Signed
¤1,000 - ¤1,500
82
Carina Scott
Born in 1963, Carina Scott is both artist and musician, and all the while a breeder of quality
Irish sport horses. With a strong musical background, Carina, as an artist & painter, is
largely self taught and her pedigree as a creative artist mirrors her success with her horses
at the RDS and with her Connemara ponies at the French Championships. Painting in
both Ireland and France, her adopted country, Carina Scott is continually inspired by the
landscape & light, by the seasons and the sensuality of nature all around her. Her work is
distinctive and vibrant, an Irish palette, influenced by the strong light and colour of southern
Europe. With her bold use of paint, Scott captures the light and mood of the Irish landscape
and of the creatures she portrays. Her use of paint and her palette knife work are exquisite,
testament to the flair, vigour and enthusiasm with which she constantly works. Her
reputation as an artist has grown steadily, with successful shows in Ireland and abroad and
the success she has enjoyed is well deserved.
1st AUGUST 2016
186
186 Carina Scott
b.1963
APPROACHING STORM
Oil on Canvas Board
16"x12" (40x30cm)
Signed
¤500 - ¤800
83
DOLAN’S
187
187 Carina Scott
b.1963
THE WHITE STALLION
Oil on Canvas
21"x28.5" (53.5x72.5cm)
Signed
¤800 - ¤1,000
84
1st AUGUST 2016
188
John Morris
Born in 1958, John Morris is known for his distinctive
style and has exhibited widely for many years,
culminating in a recent publication, and his work is
included in many private and corporate collections.
Well known for unique contemporary work, his style
has developed and his range broadened in subtle and
skillful ways and Summer Light Near Roundstone is a
good example of this developing style and shows his
suberb artistic ability.
188 John Morris
b.1958
SUMMER LIGHT
NEAR ROUNDSTONE
Oil on Board
29"x29" (73.5x73.5cm)
Signed
¤800 - ¤1,200
85
DOLAN’S
189
189 Manus Walsh
b.1940
NIGHT FALLS, BURREN
Acrylic on Canvas
31.25"x31.25" (79.5x79.5cm)
Signed
¤1,000 - ¤2,000
86
Manus Walsh
Born in 1940, Manus Walsh began his career in the field of stained glass, working for
the Abbey Stained Glass Studios in Dublin, in the sixties. It was during his time there
that he met artist, George Campbell, who became his mentor and friend, and also
encouraged him to take up painting full time. Among Manus’s many stained glass
designs are five windows for Galway Cathedral, and more recently in St John’s Church,
Ballyvaughan. The landscape of the Burren has been a constant inspiration to him for
the past thirty years and more, and its barren limestone landscape continues to be a
major influence on his work. Manus has travelled widely, spending considerable periods
of time, in both Spain and Chile, and the Spanish landscape, together with the city of
Valparaiso continue to be a significant influence. Walsh has exhibited widely at home
and abroad, including four exhibitions in South America and numerous one man shows
and he is widely regarded as an important contemporary artist.
1st AUGUST 2016
190 Manus Walsh
b.1940
MOONLIGHT PUEBLO
Acrylic
13.25"x13.25" (34x34cm)
Signed
¤500 - ¤800
190
191 Manus Walsh
b.1940
OLIVE GROVES
OF ANDALUCIA
Acrylic on Board
18"x15" (46x38cm)
Signed
¤500 - ¤800
191
87
DOLAN’S
192
192 Henry Morgan
b.1952
WHERE THE BURREN
MEETS THE SEA
Oil on Canvas
21"x27" (53x68cm)
Signed & Dated
¤800 - ¤1,200
193 Henry Morgan
b.1952
ATLANTIC COAST
Pair of Oils
Each 21"x9.25"
(53.5x23.5cm)
Both Signed & Dated
193
88
193
¤450 - ¤650
1st AUGUST 2016
194
194
195
195
Henry Morgan
Born in Adare, Co. Limerick in 1952, Henry Morgan studied at
the Limerick School of Art and was awarded a scholarship to Oslo
University. Since his return to Ireland, having completed a BA in
Fine Art, he has exhibited extensively both at home and abroad
and has been a regular exhibitor at the Irish Exhibition of Living
Art, The Royal Hibernian Academy, EVA in Limerick, among
many others. Henry has been inspired by the local landscape from
the Burren to the Clare Glens and the coast of Clare and beyond.
These rugged landscapes feature strongly in his work, and he
continues to carve his niche among the higher echelons of Irish
Art. A contemporary artist of substance, his work is now included
in many public and private collections.
196
194 Henry Morgan
b.1952
195 Henry Morgan
b.1952
196 Henry Morgan
b.1952
BURREN COAST I
Pair of Oils on Card
Each 7"x10.75" (17.5x27.5cm)
Both Signed & Dated
BURREN COAST II
Each 7"x10.75" (17.5x27.5cm)
Both Signed & Dated
BURREN CLIFFS
Oil
21.25"x11.5" (54x29cm)
Signed & Dated
¤600 - ¤800
¤600 - ¤800
¤350 - ¤450
89
DOLAN’S
197
197 Robert Egginton
b.1943
MANNIN BEACH
Watercolour
13.75"x19.75" (35x50cm)
Signed
¤600 - ¤800
90
1st AUGUST 2016
198
198 Geraldine O’Brien
1922 - 2014
ROUNDSTONE VILLAGE
Oil on Canvas
13.5"x17.5" (35x45cm)
Signed
¤1,000 - ¤1,200
91
DOLAN’S
199
199 Charles Harper RHA
b.1943
SKELLIG MICHAEL MONKS
Acrylic on Linen
27.25"x23.5" (69x60cm)
Signed, Inscribed & Dated 2011 Verso
RHA Exhibition Label Verso
¤3,000 - ¤5,000
92
1st AUGUST 2016
200 Mairead O’Neill Lahar
SUNSET
Oil on Canvas
31"x31" (79x79cm)
Signed & Dated verso
¤700 - ¤1,000
200
201 American School
IT’S A MAN’S WORLD
Oil on Canvas
36"x30" (91.5x76cm)
¤300 - ¤500
201
93
DOLAN’S
202 John Shinnors
b.1950
FIGURE WITH UMBRELLA
Oil on Canvas
9.75"x9.75" (25x25cm)
202
¤1,800 - ¤2,500
203 John Shinnors
b.1950
CHINESE WAITRESSES
Oil & Oil Pastel on Board
8.75"x9.75" (22x25cm)
Signed
Provenance Taylor Galleries
Dublin & Lavit Gallery Cork,
Signed & Inscribed with
Original Label & Letter Verso
203
94
¤1,800 - ¤2,500
1st AUGUST 2016
204 John Behan RHA
b.1938
CREATURE OF THE WILD
Pencil and Wash on Paper
18"x21.5" (45x54.5cm)
¤250 - ¤400
204
205 John Kingerlee
b.1936
EARS HAVE WALLS
Mixed Media
8"x11.25" (20x29cm)
Signed with Kingerlee
Ideogram and Dated
¤400 - ¤600
205
206 John Kingerlee
b.1936
MAN ON HORSE
Mixed Media and Collage
5.5"x8" (14x20cm)
Signed with
Kingerlee Ideogram
¤300 - ¤400
206
207 John Kingerlee
b.1936
ANIMAL FIGURE STUDY
Mixed Media
3.75"5.5" (9.5x14cm)
Signed with
Kingerlee Ideogram
¤280 - ¤350
207
208 Valerie Joyce
DAPPLED HORSE
Mixed Media
6.25"x7.75" (16x20cm)
Signed with Initials and Dated (19)91
¤80 - ¤120
208
95
DOLAN’S
Mark O’Neill
Mark O’Neill was born in 1963 and lived in Mauritius,
South Africa and Malta before he settled in London. He
studied at the Kingston College of Art and graduated
with first class honours in Fine Art. He became an
illustrator and worked for many companies such
as Harrods, Guinness and Warner Brothers. He
subsequently moved to Ireland in 1988 and established
himself as an artist of outstanding ability, with many
successful sellout exhibitions.
His success is richly deserved.
96
1st AUGUST 2016
209
209 Mark O’Neill
b.1963
INFORMAL BOUQUET
Oil on Board
18.25"x28.25" (46x71.5cm)
Signed and Dated
¤4,500 - ¤6,500
97
DOLAN’S
210 A Pair of Carved
Walnut Armchairs,
with exposed moulded
frames and unholstered
in foliate patterned
material, against a blue
ground and raised on
cabriole legs
¤1,000 - ¤1,200
211 A Large West
Persian Carpet,
with crimson ground,
approx 139"x216"
¤600 - ¤800
212 Pair of George III
Mahogany Hepplewhite
style dining chairs,
with stuffover seats
and raised on tapered
legs of square section
¤150 - ¤200
210
213 Attractive 18th Century
Oak Side Table,
with moulded edge
and drawer, raised
on bobbin turned
supports with low
stretchers, approx
34.5" wide, 21.75" deep
¤350 - ¤450
214 Satinwood Bedroom
Chair, by Gillows,
with pierced splat
backs, upholstered
floral seat and
raised on tapered
legs of square section,
terminating in
spade feet
¤100 - ¤200
211
213
212
98
214
1st AUGUST 2016
215Good
19th Century
Settee,
with exposed
frame and shaped
back, on castors,
attractively
upholstered,
approx 92" wide
¤500 - ¤800
216 Victorian Oval Walnut
Breakfast Table,
with well figured quarter
veneered top, with moulded
edge and recessed frieze,
with snap action to
turned column, and four
downswept legs, with
castors, approx 53" long,
40" wide
¤750 - ¤850
215
217 Good Victorain Walnut
Duet Music Stand,
the raised dual stand
pierced with lyre supports,
upon a turned stand and
acanthus carved swept
tripod base, approx 48" /
54" adjustable height
¤750 - ¤850
218 A Mahogany Cellarette,
2nd quater 19th century,
of square tapering form,
the hinged lid enclosing
a fitted interior, lion
mask side handles,
above a secret
cupboard door,
raised on a plinth
base, approx
24"x18"x25.5"high
¤800 - ¤1,200
216
218
217
218
99
DOLAN’S
219 Good 19th Century
Mahogany Sideboard,
with shaped threequarter gallery, above
frieze drawers and
cupboard doors,
with rope twist
divisions, raised
on turned reeded
legs, terminating in
castors, with brass
lion mask & ring
handles, approx 89"
wide, 24" deep
¤600 - ¤1,000
219
220 Pair Victorian
Rosewood Balloon
Back Salon Chairs,
with stuffover seats
and raised on front
cabriole legs
¤150 - ¤250
221 19th Century Long
Footstool, attractively
upholstered,
on turned legs,
approx 40.5" long
¤200 - ¤300
222 The Walton Harp,
made in Dublin,
No 290,
approx 48" high
¤150 - ¤250
220
223 Tony Robinson
b.1954
222
221
KILLINICK VILLAGE,
CO WEXFORD
Oil on Board
10.5"x13.5"
(27x34.5cm)
Signed
¤280 - ¤350
223ATony Robinson
b.1954
MORNING SUN,
KILLINICK,
CO WEXFORD
Oil on Board
10.75"x13.75"
(27.5x34.5cm)
Signed
¤280 - ¤350
223
100
223A
1st AUGUST 2016
224 Mark O’Neill
b.1963
PONTOISE INTERIOR
(Paul Cezanne’s House)
Oil on Board
9.5"x13.5" (24x34cm)
Signed & Dated
¤1,000 - ¤1,500
225 Booths Dinner Service,
partial service comprising
oval platters, tureens, plates,
bowls & gravy boat etc
¤100 - ¤200
226 Attractive Pair of Inlaid
Mahogany Plant Stands,
with Pots, approx 37.5" high
¤300 - ¤500
224
227 Good Silver Plated Drinks Tray,
with carrying handles and
gadrooned border,
approx 26.25" wide
¤130 - ¤160
228 A Victorian
Copper Coal
Bucket,
with loop
handle
and riveted
body,approx
16" diameter
¤280 - ¤350
225
229 Edwardian Walnut
Wall Shelf and
Cupboard Unit,
with fretworkcarved
side, approx 23" wide,
35" high
¤80 - ¤120
226
227
230 Regency Style
Mahogany
Octagonal
Cellarette,
with carrying
handlesto either
side with lion
mask backplates
and raised on
four angled legs,
terminating in
brass castors,
approx 15" wide
¤280 - ¤350
226
229
228
230
101
DOLAN’S
231
231 Mark O’Neill
b.1963
PATIENT ROTHKO
Oil on Board
27"x16" (68.5x41cm)
Signed and Dated
¤4,000 - ¤6,000
102
1st AUGUST 2016
232
232 Mark O’Neill
b.1963
IN THE PEN
Oil on Board
11.25"x18.25" (28.5x46cm)
Signed & Dated
¤1,400 - ¤1,800
233 Eilleen Meagher
b.1946
SHEEP GRAZING,
CONNEMARA
Oil on Canvas
9.5"x11.5" (24x29cm)
Signed
¤900 - ¤1,400
103
DOLAN’S
234 William Tatton Winter RBA
1855 - 1928
A STREET CAUDEBEC-EN-CAUX,
NORMANDY
Watercolour
13.5"x 9.5"(34x24cm)
Signed
Provenance: Walker’s Galleries,
London, Original Label Verso
234
¤600 - ¤750
235 Irish School
ROUNDSTONE VILLAGE
Watercolour
9.75"x12.5" (25x32cm)
Signed with Initials E.A.M.
¤300 - ¤400
235
104
1st AUGUST 2016
236 Kenneth Steel RBA
1906 - 1970
DAWSON LANE,
DUBLIN
Pencil & Watercolour
15.5"x10.5"
(39.5x26.5cm)
Signed
¤800 - ¤1,000
236
237 Kenneth Steel RBA
1906 - 1970
CITY WALL BY
ST AUDEON’S,
DUBLIN
12.5"x13.75"
(31.5x35cm)
Signed
¤600 - ¤800
237
105
DOLAN’S
238
238 Susan Mary Webb
b.1962
240 Carina Scott
b.1963
242 Carina Scott
b.1963
CROSS COUNTRY
Oil on Canvas
29.5"x39.25" (74.5x100cm)
SLEEPING GIANT
Limited Edition Print
19"x15.75" (48.5x40cm)
¤1,400-¤1,800
¤150 - ¤250
SILHOUETTE I & II
Pair of Limited Edition
Colour Prints
Each 21"x16" (53.5x40cm)
Both Signed & Inscribed
¤250 - ¤350
239 Paddy Lennon
b.1955
106
241 Janice Linden
20th Cent
243 Janice Linden
HORSE STUDY
29.5"x26.5" (75x67cm)
Signed in Pencil
YOUNG HORSES I
Oil on Canvas
23"x35" (58x89cm)
Signed
YOUNG HORSES II
Oil on Canvas
23"x35" (58x89cm)
Signed
¤600 - ¤800
¤300 - ¤500
¤300 - ¤500
Susan Mary Webb
Janice Linden
Daughter of Kenneth Webb, Susan was born in 1962
in Newtownards, Co. Down, and has long established
her reputation as an equestrian artist. She had her first
exhibition in London in 1978 and in the intervening
years, Susan has gone from strength to strength,
regularly exhibiting alongside her father.
Janice Linden grew up on her father Frank Latham’s
thoroughbred stud farm at Blackrath where her interest
in horses began. She first studied at NCAD, and
later under George Collie RHA for ten years. Janice
continues to explore and capture light, atmosphere and
movement in her work.
1st AUGUST 2016
239
240
241
242
242
243
107
DOLAN’S
244
244 Douglas Hutton
b.1950
LAUNCHING THE CURRACH
Acrylic on Canvas
29.25"x39.5" (74.5x100cm)
¤800 - ¤1,200
108
Douglas Hutton
Doulgas Hutton was born in 1950 and attended Edinburgh
Art College where he was influenced greatly by the Scottish
Colourists. Hutton is living and painting in Ireland for
nearly 30 years, and is inspired by the rugged landscape of
Donegal, Connemara and Achill.
1st AUGUST 2016
245 Alexander Williams RHA
1846-1930
HEATHER IN BLOOM
BY THE LAKE
Watercolour & Gouache
11.25"x19" (28.5x48.5cm)
Signed
¤300 - ¤400
245
b.1943
BIRDS RISING ALONG
THE BEACH
Watercolour
21.75"x29.5" (55x75cm)
Signed
¤400 - ¤600
246
b.1943
COTTAGES, CO DONEGAL
Watercolour
21"x29" (53x73.5cm)
Signed
¤300 - ¤500
247
109
DOLAN’S
Markey Robinson
248
248 Markey Robinson
1918 - 1999
THE BOXER
(Self Portrait?)
Mixed Media
18.25"x12.75"
(46.5x32.5cm)
Signed
¤1,000 - ¤1,500
110
A primitive painter, a colourful
character, a man of great complexity
- these are all descriptions which
have been used to describe Markey
Robinson over the years. Born in
Belfast in 1918; Markey Robinson
is regarded as one of the great
Northern Masters. In a sixty year
career, Markey’s unique and vibrant
paintings fully demonstrate his genius
for composition. His signature style
and his range of themes are readily
identifiable - rural landscapes, women
in shawls and sad-looking clowns.
His work has been seen far & wide,
as far back as 1956, Markey exhibited
work at the Salon des Independants in
Paris and he is represented in many
public and private collections around
the globe. This present work is in all
likelihood a self portrait, as Markey
was a keen and capable boxer in his
youth. Art Historian, Susan Stairs
in her biography on Markey probably
summed him up best when she said of
him, ‘there is a genius in our midst’.
1st AUGUST 2016
249 Val Byrne
b.1936
GALWAY DOCKS
Oil on Canvas
12"x12"
(30.5x30.5cm)
Signed
¤400 - ¤600
249
249AVal Byrne
b.1936
GALWAY HOOKER
Oil on Canvas
11.75"x9.5"
(30x24cm)
Signed
¤300 - ¤500
249BMarkey Robinson
1918 - 1999
CITY BUILDINGS
Mixed Media
19.5"x12.25"
(49.5x31cm)
Signed
¤450 - ¤750
249A
249B
111
DOLAN’S
250 Bernard Reynolds
b.1952
IRISH LANDSCAPE
Oil on Board
21"x29" (53x73.5cm)
Signed
250
¤350 - ¤500
251 Bernard Reynolds
b.1952
IRISH LANDSCAPE
Oil on Board
21"x29" (53x73.5cm)
Signed
251
112
¤350 - ¤500
1st AUGUST 2016
252
252 Neal Greig
SUMMER MEADOW
Oil on Board
27"x27" (69x69cm)
Signed and Dated
2nd August 13
¤800 - ¤1,000
113
DOLAN’S
254
253
253 Anji Allen
BROWN & GOLD ON WHITE
Mixed Media
17.5"x13.5" (44.5x34.5cm)
Signed
¤500 - ¤800
254 Lisa Sweeney
BARE FOOT
Mixed Media on Board
25"x27" (63.5x68.5cm)
Inscribed verso
255
¤300 - ¤500
255 Sean McSweeney HRHA
b.1935
LANDSCAPE
5.75"x8.25" (14.5x20.5cm)
¤300 - ¤500
256 Siobhan Cuffe
THE DAY’S PROGRESSION
Limited Edition Colour Print
16.75"x20.75" (42.5x52.5cm)
Signed & Inscribed by the Artist
¤250 - ¤350
256
114
1st AUGUST 2016
257
258
257 Jay Murphy
BEACHED SHIP & BLUE
Mixed Media
31"x21.75" (78.5x55cm)
Signed & Dated 2009
¤300 - ¤500
258 Piet Sluis
1929 - 2009
YELLOW MAN WITH ANIMALS
Oil on Board
27.5"x23.5" (70x60cm)
Signed and Dated
Oisin Gallery label verso
¤300 - ¤400
259
259 Bernard McDonagh
BELOW BEN BULBEN
Oil on Board
23.25"x29.25" (59x74.5cm)
Signed
¤180 - ¤280
260 Gerald Davis
1938 - 2005
BLUE OVER BOG
Oil & Mixed Media
11.5"x15.5" (29.5x39.5cm)
Signed & Dated
Original Artist’s Label verso
260
¤250 - ¤350
115
DOLAN’S
261
261 Douglas Hutton
b.1950
YELLOW LIGHT, RENVYLE
Oil on Canvas
29.5"x39.5" (74.5x100.5cm)
¤600 - ¤800
116
Douglas Hutton
Doulgas Hutton was born in 1950 and
attended Edinburgh Art College where he was
influenced greatly by the Scottish Colourists.
Hutton is living and painting in Ireland for
nearly 30 years, and is inspired by the rugged
landscape of Donegal, Connemara and Achill.
1st AUGUST 2016
John Schwatschke
Born in Dublin in 1943, of an Austrian
father and Irish mother, the family
lived in Carlow for over fifty years. He
studied Art and Architecture in Dublin
and Munich and originally made his
name as a portrait painter, including
many prominent individuals: Ingrid
Bergman, Robert Mitchum, Harold
Robbins, the Duke of Edinburgh and
Eamon de Valera to name but a few.
Having worked in Saudi Arabia, he
kept an art studio in Provence in the
1970’s, where he was a neighbour of
Picasso, and Le Musee Schwatschke
was established, while his work was
promoted by noted Paris dealer Iris
Clert. He later moved his studio to
Santa Barbara, before finally returning
to Ireland. Schwatschke is well known
for his caricatures, which as works of
art, are always intensely personal and
somehow universal.
262 John Schwatschke
b.1943
262
BREAD VAN, NEAR BLACKHALL PLACE
Oil on Canvas
23.75"x17.75" (60x50cm)
Signed with Monogram & Dated
¤350 - ¤450
263 John Schwatschke
b.1943
THE MORNING AFTER
Oil on Canvas
13.5"x17.5" (34x44.5cm)
Signed with Monogram
¤350 - ¤450
263
117
DOLAN’S
264 After Paul Henry RHA
1877 - 1958
ROADSIDE COTTAGE,
LOUGH INAGH
Coloured Print
16"x18"
(40.5x45.5cm)
¤60 - ¤80
265 After James
Humbert Craig
ARRANMORE FROM
THE ROSSES
Coloured Print
16"x21"
(40.5x53cm)
Signed
265
264
¤80 - ¤100
266 After Peter Curling
b.1955
CALLING UP
THE HOUNDS
20"x17" (51x43cm)
Singed by the Artist
267
266
¤120 - ¤180
IN FULL FLIGHT
16"x32" (40.5x81cm)
Signed by the Artist
¤100 - ¤200
269
268
1877 - 1958
IN CONNEMARA
Coloured Print
11.75"x15.5"
(30x39.5cm)
¤60 - ¤80
1877 - 1958
270
271
270 After Charlie Johnson Payne (Snaffles)
271 CARRIED UNANIMOUSLY,
Shell Poster, 16.5"x25.5" (42x64.5cm)
A POINT TO POINT
19.75"x30" (50x76.5cm)
¤150 - ¤250
118
¤80 - ¤120
CONNEMARA
COTTAGES
Coloured Print
11.5"x15.5"
(29.5x39.5cm)
¤60 - ¤80
1st AUGUST 2016
272
273
272
273
274
273
274
273
274
274
274
272 A Royal Stafford China
Partial Tea Set, together
with another partial tea
set by Aynsley
¤30 - ¤50
273 A Coffee Pot and
matching Cups
& Saucers, together
with a Tazza Cake
Stand & Tea Pot
¤30 - ¤50
275
275
275
275
274 Assorted Quantity of
Miniature Prints
¤30 - ¤50
275 Set of four
Stevenograph Silk
Hunting Pictures,
each approx 2"x6"
¤30 - ¤50
276 Assorted Quantity
of China, Ornaments
& Ceramics
¤30 - ¤40
277 Ornate Gilt Framed Bevelled Mirror
¤60 - ¤80
278 Pair of Stone Door Stops
¤20 - ¤40
119
DOLAN’S
TERMS & CONDITIONS OF SALE
1. Definitions
In these Conditions, West of Ireland Art Auctions
Limited, trading as Dolan’s Art Auction House, who
act as auctioneers and agents for the vendor, are
called ‘The Auctioneers’ (which expression shall be
deemed to include their servants and agents) and
the representative of Dolan’s Art Auction House
conducting the auction is called ‘The Auctioneer’.
As auctioneers, Dolan’s act as agent for the seller.
A sale contract is made directly between the seller
and the buyer. However, Dolan’s may own a lot (and
in such circumstances act in a principal capacity as
seller) and/or may have a legal, beneficial or financial
interest in a lot.
2. Third Party Liability
Every person at or on the ‘Auctioneers’ premises or
at any premises being used by the Auctioneer at any
time shall be deemed to be there entirely at his/her
own risk and shall have no claim whatsoever against
the Auctioneers or their servants or agents in respect
of any accident or incident which may occur, nor
any injury, damage or loss howsoever arising and
whether or not same is the subject of any allegation
of negligence.
3. General
Whilst the Auctioneers make every effort to ensure
the accuracy of their catalogue and the description
of every lot:
a) Each lot as set out in the catalogue or as divided
or combined with any other lot or lots is sold by the
vendor with all faults, imperfections and errors of
description.
b) The auctioneer shall not be responsible for any
discrepancies between the colour in the catalogue
illustration and that of the original work being
offered for sale.
c) Any claim under any Statute must be received in
writing by the Auctioneers within three months of
the sale.
d) The Auctioneers shall not be liable for
consequential or resultant loss or damage whether
sustained by a Vendor or a Purchaser or the owner
of any item or their respective servants and agents
arising in any circumstances whatsoever and
irrespective of any claim made by any party as to
negligence or lack of care of the Auctioneers or any
party acting on their behalf.
e) All lots are made available for inspection for a
reasonable period prior to auction. A buyer who
makes a bid for any lot thereby acknowledges that
he has satisfied himself as to the physical condition,
state of repair or restoration, age and catalogue
description of such lot and also that he accepts these
conditions of sale.
Dolan’s knowledge, in relation to each lot, is
partially dependent on information provided by
the seller and Dolan’s are not able to, and do not,
carry out exhaustive due diligence searches on
each lot. Bidders acknowledge this fact and accept
responsibility for carrying out inspections and
investigations to satisfy themselves as to the lots
they may be interested in buying. Bidders also
acknowledge the fact that many lots are of an age
that they may not be in perfect condition. All lots are
offered for sale with any imperfections. Catalogue
descriptions and condition reports may on occasions
make reference to particular imperfections of a lot,
but Bidders should note that lots may have other
faults not expressly referred to in the catalogue or
condition report. Illustrations are for identification
purposes only and will not convey full information as
to the actual condition of lots.
4. The Auction
a) The Auctioneer has absolute discretion to divide any
lot, to combine any two or more lots or to withdraw
any lot or lots from the sale, to refuse bids, regulate
bidding or cancel the sale without in any case giving
any reason or previous notice. He may bid on behalf
of the vendor for all goods which are being offered
subject to reserve or at the Auctioneer’s discretion.
b) The highest bidder shall be the buyer except in the
case of a dispute. If during the auction the Auctioneer
considers that a dispute has arisen, he has absolute
discretion to settle it or to re-offer the lot for sale. The
120
Auctioneer may at his sole discretion determine the
advance or bidding or refuse a bid.
c) Each lot is put up for sale subject to any reserve
price placed by the vendor. Whether or not there is
a reserve price the seller has the right to bid either
personally or by any other person (who may be the
Auctioneer).
d) All conditions, notices, descriptions, statements
and other matters in the catalogue and elsewhere
concerning any lot are subject to any statements
modifying or affecting the same made by the
Auctioneer from the rostrum prior to any bid being
accepted for the lot.
5. Rescindment
Notwithstanding any other terms of these Conditions,
if within 12 months after the sale, the Auctioneers
have received from the buyer any notice in writing
that in his view the lot is a deliberate forgery and
within twenty one days after such notification the
buyer returns the same to the Auctioneers in the
same condition as at the time of sale and by producing
evidence, the burden of proof to be upon the buyer,
satisfies the Auctioneers that considered in the light
of the entry in the catalogue the lot is a deliberate
forgery, then the sale of the lot will be rescinded and
the purchase price of the sale refunded. In the event
of a dispute then the matter shall be settled by the
President of the Institution of Chartered Surveyors in
the Republic of Ireland. Both the buyer and the vendor
agree to be bound by the decision.
6. Default
The Auctioneers disclaim responsibility for default
by either the buyer or the vendor because they act as
Agents for the vendor only and therefore do not pay
out to the vendor until payment is received from the
buyer. Instructions given by telephone are accepted
at the sender’s risk and must be confirmed in writing
forthwith. In the event of a sale by private treaty both
the vendor and the buyer agree to be bound by these
conditions and any other special conditions of sale.
7. Retention of Title
All goods remain the property of the vendor until
paid for in full. The Auctioneers will not assume
liability to discharge net proceeds arising from the
sale of goods until those goods have been paid for
in full.
8. Instructions
All goods delivered to the Auctioneers’ premises
will be deemed to be delivered for sale by auction
and will be catalogued and sold at the discretion of
the Auctioneer and accepted by them subject to all
the Sale Conditions. By delivering the goods to the
Auctioneers for inclusion in their auction sales the
vendor acknowledges that he or she has accepted and
agreed to be bound by all these Conditions.
9. Collection and Deliveries
The Auctioneers do not normally undertake the
packing, collection or delivery of goods but will if
requested use their best endeavours as Agent of the
Owner to arrange for an independent contractor on
the owner’s behalf to deal with packing, collection
and/or delivery. The Auctioneer will not in any
event arrange insurance of the goods and will
accordingly not be liable for any loss or damage to
goods howsoever arising including breakages or for
any damage to premises, fixtures or fittings therein
caused by such contractor or otherwise and the owner
is responsive for all arrangements to verify that any
such contractor and the goods is/are appropriately
insured. Unless instructions are received to the
contrary, charges (including VAT) for such services
will be charged to the vendor’s account or discharged
through the Auctioneers by the purchaser as the case
may be. The Auctioneers’ liability (if any) will arise
only where they themselves carry out packing and
collection/delivery and only in the case of breakage
or loss caused through deliberate negligence of their
employees and in any event in one single contract
and the Auctioneers’ liability will not exceed C = 500.
Provided further the Auctioneers will not be liable for
consequential loss in any circumstances whatsoever.
10. Loss or Damage and Storage
The Auctioneers reserve the right to store or arrange
for the storage of goods held by them or delivered
to them either on their own premises or elsewhere
at their sole discretion and entirely at the owner’s
risk. The Auctioneers shall not be liable for any loss
(including consequential loss) howsoever caused or
damage to goods of any kind including breakages, or
for unauthorised removal of goods.
11. Right to Re-sell
The Auctioneer reserves the right to re-sell any item
that has not been collected within fourteen days.
12. Telephone bidding
Every effort will be made to facilitate persons wishing
to bid by telephone at auction but the auctioneer
disclaims responsibility for any failures for whatever
reason, in this regard.
13. Absentee Bidding
Every effort will be made to facilitate persons wishing
to leave commission bids with the auctioneer but the
auctioneer disclaims responsibility for any failures
for whatever reason, in this regard.
14. Droit de Suite
The artist’s resale levy, the droit de suite, where
applicable, will be deemed to be the responsibility
of the vendor. Dolan’s Art Auction House will not
charge this levy to the purchaser. The vendor by
entering his goods for sale with Dolan’s Art Auction
House acknowledges that he/she is responsible for the
payment of this artist’s resale levy. Dolan’s Art Auction
House will not be responsible for payment of the droit
de suite and the vendor by entering his/her goods for
sale acknowledges that he/she has accepted and agreed
to be bound by this condition of sale. Furthermore
Dolan’s Art Auction House accepts goods for sale
from the vendor on the condition that the vendor
authorizes Dolan’s Art Auction House to withhold
monies due for payment of the droit de suite from the
auction proceeds due to the vendor, and the vendor
further authorizes Dolan’s Art Auction House to pay
the droit de suite, on the vendors behalf, to the artist.
Furthermore the vendor acknowledges that the droit
de suite payment where applicable will be charged
to the vendors account in addition to the vendors
commission charged by the auctioneer and any
illustration or other charges applicable to the account.
15. Special Conditions
PURCHASER:
a) The purchaser shall pay a commission to the
auctioneer, viz. a Buyer’s Premium, of 25% including
VAT on the hammer price of each lot.
b) The Purchaser acknowledges that the auctioneer
may also receive a commission from the vendor.
c) All accounts must be discharged by certified
cheque, bank draft or cash. The auctioneer reserves
the right not to release goods until cheque payments
have been cleared by the bank. Credit cards are also
accepted with a 2.5% surcharge.
Non-Irish debit cards will incur a 2.5% surcharge
d) Responsibility for items purchased passes
to the purchaser on the fall of the hammer.
The Auctioneers reserve the right to look for
a 25% deposit on all goods.
e) The buyer authorises the Auctioneer to use
any photographs, drawings or illustrations of any
lot purchased by the buyer, and, to indicate the
price paid at auction for the lot, and the buyer
acknowledges that same may be used for any
advertising, promotional or other such purposes.
16. P
urchasers will NOT be charged the Artists
Resale Levy.
17. VAT Regulations:
All lots are sold within the Auctioneers VAT margin
scheme. Revenue regulations require that the buyers
premium must be invoiced at a rate which is inclusive
of VAT. This VAT is NOT recoverable by any VAT
registered buyers.
18. Special Notice To Purchaser
Prospective purchasers are advised that several
countries prohibit the importation of property
containing materials from endangered species,
including but not limited to coral, ivory and
tortoiseshell. Accordingly, prospective purchasers
should familiarize themselves with relevant customs
regulations prior to bidding , if they intend to import
such items into another country.
1st AUGUST 2016
CONNEMARA
DAY TWO
Tuesday 2nd August 2016
12.30pm
121
DOLAN’S
280
282
280
282
281
282
284
287
287A
122
281
283
285
287
287A
287
287A
286
287
287
287B
2nd AUGUST 2016
288
289
280 Danger! Women Artists at Work;
Irish Women Artists, Illustrated
throughout, with all faults [2 vol]
¤30 - ¤50
281 The Silent Companion,
An Illustrated history of the
Watercolour Society of Ireland;
National Gallery of Ireland,
Acquisitions 1982-1983,
¤30 - ¤50
282 The World of Cezanne;
The World of Goya; Seven
Centuries of Art, illustrated
volumes, each in their own slip
case, with all faults [3 vol]
¤20 - ¤30
283 French Art at the Hermitage;
Blumen-Brueghel; French
Impressionists, all illustrated
volumes, with all faults [3 vol]
¤20 - ¤30
290
284 The Paintings of L.S. Lowry;
HRH The Prince of Wales
Watercolours, illustrated
throughout, with all faults [2 vol]
¤20 - ¤30
285 Great Masterpieces, illustrated,
together with 7 other similar
volumes, with all faults [8 vol]
¤20 - ¤30
286 Monet; Renoir; The Work of Henry
Ospovat, illustrated volumes,
¤20 - ¤30
291
287BIrish Numismatics, Coin Magazines
1970 - 1973, various copies, with all
faults, as a lot ¤20 - ¤30
288 The Beatles at Dublin Airport,
7th November 1963, Black & White
Photoprint, approx 8.5"x12.5"
¤300 - ¤400
289 After Hilda Roberts HRHA
THE GPO, DUBLIN
Hand-coloured Cuala Press Print
5.25"x4.25" (13.5x11cm)
¤50 - ¤70
287 Irish Arts Review, 1998; Two RHA
Volumes; Sean McSweeney; Felim
Egan, with all faults [5 vol]
¤20 - ¤30
290 After Harry Kernoff RHA
THE RED ROSE
5"x5" (12.5x12.5cm)
¤50 - ¤70
287AVintage Children’s Annuals,
The Schoolgirls Own 1938, School
Friend 1958 & Billy Bunter’s Own,
¤15 - ¤25
291 After Hilda Roberts HRHA
COLLEGE GREEN, DUBLIN
5.25"x4.5" (13.5x12cm)
¤50 - ¤70
123
DOLAN’S
292
292 Graham Knuttel
b.1954
ORANGE CAT I
Oil on Canvas
11"x14" (27.75x35.25cm)
Signed
¤900 - ¤1,200
293 Graham Knuttel
b.1954
FISH
Oil on Canvas
9.25"x9" (23.5x23cm)
Signed
¤400 - ¤500
294 Ken O’Neill
b.1967
MONDRIAN CLOCHE
Oil on Canvas
17.75"x13.75" (45x35cm)
Signed
293
124
¤400 - ¤600
2nd AUGUST 2016
294
295
296
295 Annie Robinson
297
296 J.P. Rooney
297 Ken O’Neill
b.1967
297AKen O’Neill
b.1967
COTTAGES
AT SUNSET,
GALWAY BAY
Oil on Canvas
5"x7"
(12.5x17.5cm)
Signed
CLOWN
WITH
SAXOPHONE
Mixed Media
23.5"x7.5"
(59.5x19cm)
Signed
MONDRIAN
GIRLS
Oil on Canvas
13.75"x17.75"
(34.5x45cm)
Signed
PLUM
CLOCHE
Oil on Canvas
9.75"x8"
(25x20cm)
Signed
¤350 - ¤450
¤400 - ¤500
¤400 - ¤600
¤140 - ¤200
297A
125
DOLAN’S
298 Frank Lyons
SUMMER MEADOW
Oil on Board
28.5"x37.5" (72x95cm)
Signed
¤600 - ¤800
298
299 Micheal Morris
b.1979
SUMMER VILLA
Acrylic on Board
13.5"x17.5" (34.5x44.5cm)
Signed
¤400 - ¤500
299
300 Thelma Mansfield
GALWAY HOOKER
Oil on Canvas Board
7.5"x9.5" (19.5x24.5cm)
Signed
¤250 - ¤350
300ABernard McDonagh
THE SEA CAPTAIN
Oil on Board
16"x20.25" (40.5x51.5cm)
Signed
¤100 - ¤200
300
126
2nd AUGUST 2016
CHILDREN ON THE BEACH
Oil on Canvas Board
15.5"x19.5" (39.5x49.5cm)
Signed
¤400 - ¤600
301
302 Mark Joyce
b.1973
ISLAND VILLAGE
Oil on Board
7.25"x15.25" (18.5x38.5cm)
Signed
302
¤350 - ¤450
THROUGH THE FIELD OF POPPIES
Oil on Canvas Board
15.5"x19.5" (39.5x49.5cm)
Signed
¤400 - ¤600
303
127
DOLAN’S
304
Ivan Sutton
Known throughout Ireland, Ivan Sutton
spent much of his working life in Limerick.
He portrays life in contemporary Ireland
with strong use of the palette knife and great
emphasis on the coastal landscape. He has
exhibited widely across the country for many
years and fine examples of his work are to
be seen in the 2004 publication ‘Sutton at
Sixty’.
304 Ivan Sutton
b.1944
305
CURRACH MEN, INISHEER, ARAN
Oil on Canvas Board
19.5"x29.5" (49x75cm)
Signed
¤1,000-¤1,500
305 Markey Robinson
1918 - 1999
COTTAGE AND SHAWLIE
Pen & Ink & Watercolour
5.25"x6" (13x15cm)
Signed
305ABridget Ryan
THE COW SHED
Oil on Canvas Board
15.5"x18.5" (39x47cm)
Signed
¤300 - ¤500
305A
128
¤400 - ¤600
2nd AUGUST 2016
306
306 Douglas Hutton
b.1950
POINT TO POINT,
THE LAST FENCE
Acrylic on Canvas
29.25"x39.5" (74.5x100cm)
Signed
¤600 - ¤800
307
307
307 Orla Egan
DUBLIN CASTLE, MOORE
STREET & FOUR COURTS
Set of 3 Oils on Board
Each approx 3"x7" (7.5x17.5cm)
All signed
¤300 - ¤400
307
129
DOLAN’S
308
308 Norman Teeling
b.1944
FIGURES IN ABSTRACT
LANDSCAPE
Oil & Collage
20"x23.75" (50.5x60.5cm)
Signed
¤300 - ¤400
309 Norman Teeling
b.1944
STUDY IN ABSTRACT
Oil & Collage
23.75"x20" (60.5x51cm)
Signed
¤300 - ¤400
309
130
2nd AUGUST 2016
310
310 Norman Teeling
b.1944
URBAN LANSCAPE
Oil & Collage
20"x23.75" (50.5x60.5cm)
Signed
¤300 - ¤400
311 Norman Teeling
b.1944
URBAN LIGHT
Oil on Board
20"x20" (50.5x50.5cm)
Signed
¤300 - ¤400
311
131
DOLAN’S
312 Norman Teeling
b.1944
PATRICK KAVANAGH
ON THE GRAND
CANAL
Oil on Board
19.5"x23.5"
(49.5x59.5cm)
Signed
¤700 - ¤800
312
313 Paul Guilfoyle
b.1950
MOONLIGHT
Oil on Canvas
11.5"x15.5"
(29.5x39.5cm)
Signed
313
132
¤400 - ¤500
2nd AUGUST 2016
314 Norman Teeling
b.1944
GIRL IN
SUNLIT
WOODS
Oil on Canvas
27.5"x27.5" (70x70cm)
Signed
¤700 - ¤800
314
315 Connor (Irish School)
AN EVENING PINT
Oil on Board
7.25"x11.25"
(18.5x28.5cm)
Signed
¤300 - ¤400
315
133
DOLAN’S
316
316
316 Mark O’Neill
b.1963
TRADITION I & II
Pair of Oils on Board
8.5"x11.5" (21.5x29cm) & smaller
Both Signed & Dated
Both Signed & Inscribed Verso
¤1,400 - ¤2,000
134
317 Folio of Engraved Views Of Dublin,
set of 4 coloured engravings,
each approx 10"x14",
with all faults, bound
¤80 - ¤100
317A British Field Sports, Folio Volume of
Coloured Sporting Prints, reproduced
from the original, After Samuel Howitt
¤50 - ¤80
2nd AUGUST 2016
318
b.1927
Art in 1953 as Head of the Painting School. In 1957 he founded the Irish School of
Landscape Painting. He has exhibited at the RA, the RI and the RUA. In all of his
works, there is real sense of place, a sense of the most subtle aspects of Ireland’s
magical and mysterious landscape fused with sensuality and colour.
b.1927
FARM HORSES, MORNING MIST
Oil on Canvas
15.5"x23.5" (39.5x59.5cm)
Signed
¤2,400 - ¤2,800
135
DOLAN’S
319
320
320
319 Henry Morgan
b.1952
AUTUMN SUNLIGHT
Oil on Canvas
19.25"x27"
(48.5x68.5cm)
Signed & Dated
320 Henry Morgan
b.1952
SUNLIGHT IN
THE WOODS
Each 7.5"x11.5"
(19x29cm)
Both Signed & Dated
¤750 - ¤850
¤500 - ¤750
136
Born in Adare, Co. Limerick in 1952, Henry Morgan studied
at the Limerick School of Art and was awarded a scholarship
to Oslo University. Since his return to Ireland, having
completed a BA in Fine Art, he has exhibited extensively
both at home and abroad and has been a regular exhibitor
at the Irish Exhibition of Living Art, The Royal Hibernian
Academy, EVA in Limerick, among many others. Henry has
been inspired by the local landscape from the Burren to the
Clare Glens and the coast of Clare and beyond. These rugged
landscapes feature strongly in his work, and he continues to
carve his niche among the higher echelons of Irish Art. A
contemporary artist of substance, his work is now included
2nd AUGUST 2016
321
321 Henry Morgan
b.1952
MOUNTAIN STREAM
Oil on Canvas
19.25"x27" (49x68.5cm)
Signed & Dated
¤750 - ¤850
322 Henry Morgan
b.1952
DAPPLED LIGHT
Acrylic
11"x13.5" (27.5x34cm)
Signed & Dated
¤400 - ¤500
322
137
DOLAN’S
323
323
324
324
Born in Adare, Co. Limerick in 1952, Henry Morgan studied
at the Limerick School of Art and was awarded a scholarship
to Oslo University. Since his return to Ireland, having
completed a BA in Fine Art, he has exhibited extensively
both at home and abroad and has been a regular exhibitor
at the Irish Exhibition of Living Art, The Royal Hibernian
Academy, EVA in Limerick, among many others. Henry has
been inspired by the local landscape from the Burren to the
Clare Glens and the coast of Clare and beyond. These rugged
landscapes feature strongly in his work, and he continues to
carve his niche among the higher echelons of Irish Art. A
contemporary artist of substance, his work is now included
323 Henry Morgan
b.1952
138
324 Henry Morgan
b.1952
ATLANTIC COAST I
Each 5.75"x7.75" (15x20cm)
Both Signed and Dated
ATLANTIC COAST II
Each 5.75"x7.75" (15x20cm)
Both Signed and Dated
¤500 - ¤700
¤500 - ¤700
2nd AUGUST 2016
325 Henry Morgan
b.1952
BURREN COAST I
Oil on Canvas
11.75"x15.5"
(29.75x39.5cm)
Signed
¤400 - ¤600
325
326 Henry Morgan
b.1952
BURREN COAST II
Oil on Canvas
11.75"x15.5"
(29.75x39.5cm)
Signed
¤400 - ¤600
326
139
DOLAN’S
327 John Morris
b.1958
WALKING IN SHALLOW WATER
Oil on Board
23"x23" (58x58cm)
Signed
327
¤600 - ¤800
328 Roger Dellar ROI RI
b.1949
ON THE BEACH
Gouache
10.5"x12.5" (27x32cm)
Signed
328
¤280 - ¤350
329 John Morris
b.1958
CHILDREN PADDLING
Oil on Board
6.75"x6.75" (17x17cm)
Signed
329
140
¤300 - ¤400
2nd AUGUST 2016
330
330 Henry Morgan
b.1952
WHERE THE BURREN
MEETS THE SEA
Oil on Canvas
19.5"x23.5" (49.5x59.5cm)
Signed and Dated
¤700 - ¤800
141
DOLAN’S
331 Fergus O’Ryan RHA
1911 - 1989
THE OX THAT TREADS
THE CORN
Oil on Board
10"x13" (25x33cm)
Signed & Inscribed
331
¤700 - ¤800
332 Fergus O’Ryan RHA
1911 - 1989
ST PATRICK’S & THE
COOMBE, DUBLIN
Oil on Board
11.5"x15.75" (29x40cm)
Signed
332
¤700 - ¤800
333 Colin Gibson
b.1948
CHRISTCHURCH
CATHEDRAL, DUBLIN
Oil on Board
11.5"x15.5" (29x39cm)
Signed & Inscribed
333
142
¤350 - ¤450
2nd AUGUST 2016
334
b.1942
SUMMER POOL
Oil and Mixed Media
26.5"x27.5" (67.5x69.5cm)
Signed
¤2,800 - ¤3,500
143
DOLAN’S
335 Markey Robinson
1918 - 1999
VIEW FROM
THE STUDIO
Mixed Media
10"x17" (25.5x43cm)
Signed
¤700 - ¤900
335
336 Desmond Carrick RHA
1928 - 2012
SUMMER DAYS
Oil on Board
17.5"x23.5" (44.5x60cm)
Signed
¤900 - ¤1,200
336
336ANancy Bailey
CLIFDEN & THE TWELVE
PINS
Oil on Canvas
15.75"x21.5" (40x54.5cm)
Signed
336A
144
¤300 - ¤400
2nd AUGUST 2016
337 Joe Magill
JAMES JOYCE
Watercolour
15"x11.25"
(38.5x29cm)
Signed
¤500 - ¤700
338 Carol Ann Waldron
b.1948
NIGHT LIFE
Oil on Canvas Board
9.5"x7.5" (24x19cm)
Signed
337
338
339
340
¤300 - ¤400
339 Carol Ann Waldron
b.1948
CITY WAYS
Oil on Canvas Board
9.5"x7.5" (24x19cm)
Signed
¤300 - ¤400
340 Jay Murphy
ROLLING WAVES
Pastel
15"x12.5"
(38.5x31.5cm)
¤100 - ¤200
341 Anne Donnelly
POULTRY & URNS
Mixed Media
11.5"x11.5" (29x29cm)
Signed & Dated
(20)03
¤350 - ¤500
Carol Ann Waldron
Born in Dublin in 1948, Carol Ann Waldron
was reared in Wexford, in the village of Oulart,
where she spent her childhood and where her
father was the local Garda Sergeant. Carol
Ann has been exhibiting for the past 20 years.
Mainly self taught, she has a keen interest and
love of art and works mostly in oils, with skilful
manipulation of paint and bold use of colour,
in a distinctive and recognisable style which
challenges the imagination. Colour, light and
atmosphere are a constant team in her work,
as she commits to canvas her dreams and
thoughts. Her success is richly deserved.
341
145
DOLAN’S
342 Desmond Tallon
THE PIGEON LOFT,
CO KILDARE
Oil on Canvas
15.75"x11.75" (40x30cm)
Signed
¤700 - ¤1,000
343 J F MacArthur
AUTUMN LANDSCAPE
WITH DEER
Oil on Canvas Board
15.5"x11.5" (39x29cm)
Signed
¤250 - ¤350
344 Carrie O’Duinn
342
WOODLAND PATH
Watercolour
20.75"x10.75" (53x27.5cm)
Signed
¤140 - ¤180
345 Kay Brennan
WATER FALLING,
TOURMAKEADY
Oil on Canvas
9.5"x11.5" (24x29cm)
Signed
343
146
344
¤80 - ¤100
2nd AUGUST 2016
346
346 George Gillespie RUA
1924 - 1995
ACHILL ISLAND COTTAGES
Oil on Board
11"x13.25" (28x33.5cm)
Signed
¤600 - ¤1,000
347 Patrick Copperwhite
KILLARY HARBOUR
Oil on Board
9.5"x11.5" (24x29cm)
Signed
Original Artist’s Label verso
¤300 - ¤400
347
147
DOLAN’S
348 Norman Teeling
b.1944
SUMMER’S DAY
NEAR SUTTON
Oil on Board
12.25"x19.5" (31x50cm)
Signed
¤500 - ¤700
349 Norman Teeling
b.1944
348
THE RIVER LIFFEY
NEAR MAYNOOTH
Oil on Board
7.75"x10.75" (19.5x27.5cm)
Signed
¤300 - ¤500
350 Norman Teeling
b.1944
ON THE HILL OF HOWTH,
DUBLIN BAY BEYOND
Oil on Board
9.5"x19.5" (24.5x50cm)
Signed
¤400 - ¤600
351 After John McNulty
349
PASSING SHOWERS,
THE 15th, BALLYCONNEELY
15.5"x23.25" (39x59cm)
Signed in Pencil
¤60 - ¤80
352 Mary Grogan
b.1960
ORIENTAL POPPY
Oil on Canvas Board
10.5"x15.25" (26.5x39cm)
Signed
¤80 - ¤100
350
148
2nd AUGUST 2016
353
353 Elizabeth Brophy
ARRANGING THE FLOWERS
Oil on Board
14.5"x18.25" (37x46.5cm)
Signed
¤900 - ¤1,400
Elizabeth Brophy was born in New South Wales,
Australia and now lives in Co. Wicklow. She has
exhibited in Australia and Portugal, and of course,
in Ireland. Her work can be found in many public
art collections, including the Museum of Natural
History, New York, and the Bank of Ireland and
Ulster Bank collections, and she has become one of
Ireland’s best known impressionist painters.
354 Jay Murphy
OLD HOMESTEAD
Pastel
15.25"x12" (39x30.5cm)
¤100 - ¤200
354
149
DOLAN’S
355
355 Maurice C Wilks RUA ARHA
1910 - 1984
COASTAL SCENE WITH
SAILING BOAT
Oil on Canvas
7.25"x9.5" (18x24cm)
Signed
¤800 - ¤1,200
356 Douglas Hutton
b.1950
GORTEEN BEACH
Oil on Canvas
23"x32.75" (59x83cm)
¤500 - ¤800
357 Claude Hayes RI ROI
1852 - 1922
356
THE HAYWAIN & 2 others similiar
Set of 3 Watercolours
9.75"x13.75" (25x35cm) & smaller [3]
Signed
357
150
357
357
¤100 - ¤200
2nd AUGUST 2016
358 Tom Greaney
DOOEGA COAST,
ACHILL CO MAYO
Oil on Canvas Board
19.5"x23.5" (49.5x59.5cm)
Signed
¤500 - ¤700
358
359 Tom Greaney
OLD BOG ROAD,
CO MAYO
Oil on Canvas Board
19.5"x23.5" (49.5x59.5cm)
Signed
¤500 - ¤700
359
360 Sara Sue McNeill
CORAL STRAND,
BALLYCONNEELY
Oil on Canvas
11.5"x27.5" (29x70cm)
Signed
¤400 - ¤600
360
151
DOLAN’S
361
362
152
2nd AUGUST 2016
363
364
365
365
366
361 Robert Egginton
b.1943
AASLEAGH FALLS, CO MAYO
Watercolour
17.5"x23.5" (44.5x59.5cm)
Signed
¤700 - ¤900
363 Charles McNeill Caldwell
WESTERN LANDSCAPE
Oil on Board
15.25"x23.25"
(38.5x59.5cm)
Signed
¤200 - ¤300
362 Elizabeth Audigier
THE MAUMEEN MOUNTAINS
CONNEMARA
Watercolour
20.25"x27.5" (51.5x70cm)
Signed
¤400 - ¤600
364 Tom Greaney
CONNEMARA COAST,
NEAR RENVYLE
Watercolour
14"x21" (35.5x54cm)
Signed
¤200 - ¤300
366
365 Richard Haworth
RENVYLE BEACH & CONNEMARA HARBOUR
Pair of Watercolours
Each approx 14"x20.5" (35.5x52cm)
Both Signed
¤300 - ¤400
366 Tom Nisbet RHA
1909 - 2001
AVONMORE RIVER, NEAR LARAGH
& HERBERT PARK
Pair of Watercolours
Each Approx. 10.5"x14.5" (27x37cm)
Both Signed
¤300 - ¤400
153
DOLAN’S
367 James Cahill
b.1956
BRUSHING HER HAIR
Oil on Canvas Board
12"x11.5" (30.5x29.5cm)
Signed
¤750 - ¤900
368 Interesting black & white
print of Thornhill House,
Co Derry together with an
interesting small study,
Paris la Nuit [2]
¤40 - ¤60
369 Edmond Amedee Heuzé
1884 -1967
TOILETTE APRES
L’EXHIBITION AU CIRQUE
Pastel
14.5"x19" (37x49cm
Signed
Original Label Verso,
exhibited Wildenstein & Co,
New Bond St, London,
May 1963, cat. no. 28
367
¤280 - ¤350
b.1926
368
MOTHER & CHILD
Oil on Board
11.5"x9.5" (29x24cm)
Signed
369
¤600 - ¤700
371 Patience Arnold
1901 - 1992
FAIRY TALES
Mixed Media
13.75"x13.75" (35x35cm)
Signed
370
154
371
¤120 - ¤160
2nd AUGUST 2016
372
373
374
372 Graham Knuttel
b.1954
MR PUNCH
Oil on Canvas
19.25"x15" (49x38.5cm)
Signed
¤800 - ¤1,000
373 Gladys Chalmers
b.1918
HAUTE COUTURE
Oil on Board
12.75"x9.5"
(32.5x24cm)
Signed & Dated
1934 Verso
374 Paki Smith
FIGURE IN A BOAT
Mixed Media
Approx 15"x18"
(38x46cm)
¤150 - ¤250
375
375 Graham Knuttel
b.1954
GODDESS
Oil on Canvas
17.25"x15.25"
(44x38.5cm)
Signed
¤400 - ¤600
¤300 - ¤400
155
DOLAN’S
376
376 David ffrench le Roy
b.1971
STILL LIFE WITH BUBBLES
Oil on Board
15.25"x21.75" (39x55cm)
¤500 - ¤800
377 Liam Jones
MOONLIGHT
Oil on Canvas
15.5"x19.5"
(39.5x49.5cm)
Signed
¤300 - ¤400
377
156
2nd AUGUST 2016
378 John Woodfull
EVENING
REFLECTIONS ON
THE GRAND CANAL
Mixed Media
16.75"x12.75"
(42.5x32cm)
Signed
¤300 - ¤500
379 Val Byrne
b.1936
PURTEEN HARBOUR,
ACHILL
Watercolour
10.25"x11.25"
(26x28.5cm)
Signed
378
379
¤300 - ¤500
380 Val Byrne
b.1936
RACING OFF KINVARA
Watercolour
12"x16" (30.5x41cm)
Signed
¤400 - ¤600
380
381
381 Val Byrne
b.1936
SUNSET AT
DUGORT, ACHILL
Oil on Board
8.5"x11.5" (22x29cm)
Signed
¤400 - ¤600
382 Val Byrne
b.1936
382
383
MAN & DOG, KEEL
STRAND, ACHILL
Watercolour
11"x14.75" (28x37.5cm)
Signed & Dated
¤350 - ¤500
383 Roland Byrne
384 Roland Byrne
385 Roland Byrne
384
385
OFF BULLOCK
HARBOUR, DALKEY
Watercolour
14"x20.5" (35.5x52cm)
Signed
THE FURROWED FIELD
Watercolour
6.5"x21" (16.5x53.5cm)
Signed
THE HOOK LIGHTHOUSE, CO WEXFORD
Watercolour
7"x7" (18x18cm)
Signed
¤350 - ¤500
¤180 - ¤280
¤180 - ¤280
326
157
DOLAN’S
386 Gerard King
BIRDS OF PREY
Pair of Mixed Media
Each 18.5"x22.5" (47x57cm)
Both Signed and One Dated 1982
¤250 - ¤350
387 Victorian School
WOODLAND PATH
Oil on Canvas
21.75"x15.5" (55x39cm)
In Ornate Gilt Frame
386
¤60 - ¤100
388 John Francis Skelton
b.1954
PONY & TRAP
Oil on Canvas
11.5"x15.5" (29x39cm)
Signed
¤180 - ¤280
386
387
158
388
2nd AUGUST 2016
389
389 Tom Greaney
TRAVELLING THROUGH
CONNEMARA
Oil on Board
20.5"x36.25" (52x92cm)
Signed
¤400 - ¤500
390 A Colles
A MOUNTAIN STREAM
Oil on Board
7.75"x12" (20x30.5cm)
Signed
390
¤120 - ¤160
391 John Farquharson
BOYS FISHING
Watercolour 13.5"x19.25" (34.5x49cm)
Signed & Dated
¤100 - ¤200
391
159
DOLAN’S
393
393
392
395
396
396
394
397
397
395 Pair of Silver Plated Entree Dishes
¤80 - ¤100
398
397
392 Silver Water Jug, Chester marks,
approx 9.75" high
¤250 - ¤350
393 Silver Tea Pot & Coffee Pot,
matching, Sheffield Silver
¤300 - ¤400
394 Silver Sugar Caster, Bermingham
marks, rubbed, approx 8.75" high
¤100 - ¤150
160
396 Late Victorian Silver Sugar &
Cream, ormately embellished,
Sheffield marks
¤80 - ¤120
397 Silver Plated Sugar and Cream,
a small plated pierced bowl and
two unusual silver egg holders
¤40 - ¤60
398 Pair of Silver Plated Corinthian
Column Candlesticks,
with detachable sconces,
approx 8.25" high
¤150 - ¤200
398A
398AA Pair of Silver Salts,
London 1911
¤100 - ¤150
2nd AUGUST 2016
399 Set of Four Silver Salts,
each with spoon,
in a case, Chester 1907
¤220 - ¤260
400 Pair of Silver Napkin
Rings,in a presentation
case, Birmingham
circa 1918
¤80 - ¤120
400
401 A Cased Set of Six
Silver Teaspoons,
Birmingham1944
¤60 - ¤80
Silver Handled
Tea Knives
¤60 - ¤80
402ASet of Fish Knives and
Forks, Elkington Plate,
in Oak Case
¤50 - ¤80
403
399
403 Silver Plated Knife,
with embellished
blade, in presentation
case, approx 11" long
¤20 - ¤40
Plated Cake Knives
¤30 - ¤40
405 A Cased Set of Silver
Plated Lobster Crackers
¤30 - ¤40
401
402
402A
Silver Seal Topped
Coffee Spoons,
Sheffield 1922
¤60 - ¤80
407 A Cased Set of
Six Silver Gilt
Coffee Spoons,
London 1923
¤60 - ¤80
404
Silver Teaspoons,
Birmingham 1933
¤80 - ¤100
405
406
Silver Coffee Spoons,
Sheffield 1964
¤40 - ¤60
EPNS Cake Forks
¤30 - ¤40
407
408
409
410
161
DOLAN’S
411
411
412
413
416
414
415
417
418
420
419
162
419
2nd AUGUST 2016
421
422
424
423
411 Attractive pair of Giltwood
Marble Topped Console Tables,
approx 22.25" wide, 31" high
¤600 - ¤1,000
416 Edwardian Oval Mahogany
Toilet Mirror, with scroll supports
and feet, approx 24.5" high overall
¤80 - ¤120
412 A pair of Champleve
Enamel Candlesticks,
late 19th/early 20th century,
approx 6" high
¤140 - ¤180
417 Levade Porcelain Figure of a
Rearing Stallion, approx 8.5" high
¤30 - ¤50
413 Giltwood X Framed Stool,
with rich crimson upholstery,
approx 22" wide, 16.5" deep
¤400 - ¤600
414 A Victorian Mahogany Toilet Mirror,
rectangular, with scroll supports
and raised on short bun feet,
approx 23.5" wide
¤150 - ¤200
415 A George III Mahogany Stool,
rectangular, with stuffover top
upholstered in red velvet type
material and raised on turned
legs, approx 14" wide
¤120 - ¤160
418 Octagonal Oak Shelves,
approx 26.5" high, 22.25" wide
¤70 - ¤100
419 Two Pairs of Victorian
Brass Candlesticks
¤60 - ¤80
420 Pair of small Occasional or
Bedside Tables, embellished with
Birds & Foliage, aoorox 15" wide,
18" high
¤40 - ¤60
421 An Early 20th Century Mahogany
Queen Anne Style Stool, with drop
in seat, moulded edge and raised
on four cabriole legs, shell carved
at the knees, and terminating in
pad feet approx 21.5" wide
¤130 - ¤160
422 19th Century Blue
& White Meat Plate,
decorated with pagodas
and gardens,
approx 18.25" wide
¤80 - ¤140
423 Antique Oak Hanging
Plate Rack,
approx 50" wide, 48" high
¤140 - ¤180
424 Regency Style
Mahogany Twin
Pedestal Dining Table,
brass strung and with
single leaf, each end
with pedestal and three
downswept legs,
terminating in brass
castors, approx 39.5" wide
& 83" long, when
fully extended
¤150 - ¤200
425 Oak Bookends,
approx 13.5" long
¤10 - ¤20
163
DOLAN’S
426
428
427
429
432
435
164
431
430
434
433
436
434
437
2nd AUGUST 2016
438
438
439
426 Blue & White Jardiniere, decorated
with foliage & Blossom, approx
13.5" diameter, 11" high
¤70 - ¤100
427 A George III Mahogany Toilet
Mirror, rectangular, set between
angled supports, with brass finials,
the base fitted with a a series of
three drawers with wooden knob
handles and raised on bracket feet,
approx 22.75"wide
¤150 - ¤200
428 Chinese Polychrome Jardiniere,
decorated with panels of figures
on floral backgrounds,
approx 13" diameter
¤100 - ¤200
429 Mat Grogan
b.1947
AUTUMNAL FRUIT
& FLOWERS
Oil on Board
11"x12.25" (28x31cm)
Signed
¤550 - ¤650
430 Brass Hanging Light Fitting,
fashioned in the manner of
a suspended oil lamp,
approx 17" diameter
¤250 - ¤350
434 Pair of Victorian Gilt Metal
four-branch Candleabra,
on sqaure bases with gilt metal
feet, approx 16" high
¤100 - ¤200
431 Padraig Lynch
b.1936
435 Rose Patterned Tea Set, partial
set, comprising cups, saucers,
sugar, cream and tea pot
¤20 - ¤40
STILL LIFE WITH
PEAR & GRAPES
Oil on Canvas Board
7.5"x9.5" (19x24cm)
Signed
¤300 - ¤500
432 Pair of Chambersticks,
fashioned as light fittings,
with matching shades,
approx 12" high
¤100 - ¤200
433 Nancy Byrne
GALWAY MARKET
Woolwork
approx 28.5"x19.5"
(72.5x49cm)
¤80 - ¤120
436 Victorian Gilt Metal Table Lamp,
fashioned as a woman carrying an
urn, with ornately embellished base,
on gilt metal feet, approx 19" high
¤150 - ¤200
437 Blue & White Chinese style
Baluster Vase with Lid,bears
stamp to base, approx 19" high
¤70 - ¤100
438 Hornby O Guage Clockwork Train
Set, comprising locomotive, tender,
two wagons, lumber wagon, buffer
stops and a quantity of track
¤150 - ¤250
439 Set of 3 unusual Wooden Blocks
for Decorative Printing
¤50 - ¤60
165
DOLAN’S
441 William Jackson
THE BLUE HILLS
Oil on Canvas Board
15"x19" (38.5x48.5cm)
Signed
¤600 - ¤800
442 Susan Mary Webb
b.1962
CONNEMARA
Oil on Canvas
9.5"x11.5" (24x29.5cm)
Signed
Signed & Inscribed
Verso, Original Blue
Door Studio Label
¤280 - ¤380
443 Kay Brennan
441
FISHING ON
LOUGH MASK
Oil on Canvas
9.5"x11.5" (24.5x29cm)
Signed
¤80 - ¤100
444 Tony Robinson
b.1954
442
443
WALKING ON
THE CLIFFS
Oil on Board
11.25"x8.25"
(28.5x21cm)
Signed
¤200 - ¤300
445 Kay Brennan
AUTUMN ON
THE CANAL
Oil on Canvas
29"x39" (74x99cm)
Signed
¤280 - ¤350
444
166
445
2nd AUGUST 2016
446 Robert Egginton
b.1943
MANNIN BAY,
CONNEMARA
Watercolour
11.25"x15.25"
(28.5x38.5cm)
Signed
¤380 - ¤450
447 Robert Egginton
b.1943
COTTAGES,
BALLYCONNEELY
Watercolour
10"x13.75" (25x35cm)
Signed
¤380 - ¤450
448 Robert Egginton
b.1943
RENVYLE BEACH,
CONNEMARA
Watercolour
14.25"x21.25" (36.5x54cm)
Signed
¤500 - ¤800
446
447
448
449
449 Donald McPherson RUA
1920 - 1986
ACROSS BALLYCONNEELY
BAY, CONNEMARA
Watercolour
14.5"x20.75" (37x53cm)
Signed
¤300 - ¤400
450 Allen Gwynne Jones RA
1892 - 1982
CONNEMARA,
THE TWELVE BENS
Oil on Panel
10.25"x14"(26x36cm)
Signed
¤280 - ¤350
450
451
451 William Redworth PS
b.1873
RIVER LANDSCAPE WITH
COTTAGES & FIGURES
Pastel
19.25"x15.25"
(48.5x38.5cm)
Signed Twice
With original signed
watercolour verso
¤140 - ¤180
452 Jack Cudworth RHA
1930 - 2010
CASTLE ON THE RIVER
Oil on Board
17.5"x23.5" (44.5x60cm)
Signed
¤180 - ¤280
452AAfter Chris Howells
GALWAY RACES 2002,
WITH A CIRCUIT TO GO
13.5"x18" (34x35.5cm)
¤40 - ¤50
452
453
453 Tony Robinson
b.1954
STEAM ENGINE AT TAGOAT, CO WEXFORD
Oil on Board
8.25"x11.25" (21x28.5cm)
Signed
¤280 - ¤350
167
DOLAN’S
454
455
456
458
168
457
459
2nd AUGUST 2016
454 John Dinan
b.1948
TIC-TAC MAN, GALWAY
Oil on Board
13.5"x15.5" (34.5x39.5cm)
Signed
¤400 - ¤600
b.1926
RUE DE RIVOLI, PARIS
Oil on Board
7.5"x5.5" (19x14cm)
Signed
¤500 - ¤800
456 John Keating
PIAZZA SIGNORA, MIDDAY SUMMER
Watercolour
29.75"x22.25" (75.5x56.5cm)
¤300 - ¤400
457 Kevin Simms
b.1932
GRAND CANAL, DUBLIN
Oil on Board
22.25"x30.5" (56.5x77cm)
Provenance; Goodwin Galleries, Limerick
¤180 - ¤280
460
458 Eric Patton RHA
1925 - 2004
VIEW FROM ROSBEG, CONNEMARA
Oil on Canvas
24"x12" (61x30cm)
Signed
¤200 - ¤400
459 Julia Schuit
SPOONBILLS
Mixed Media
18.5"x23" (47x58cm)
¤150 - ¤200
460 Cormac O’Leary
b.1969
COASTAL BLUES
Oil on Canvas, laid on Board
16"x20" (40x50.5cm)
Signed and Dated
¤280 - ¤380
461
461 John Hoar
BOATS IN HARBOUR
Watercolour
12.25"x19.25" (31.5x49cm)
Signed
¤150 - ¤3250
462 Anne King Harman
1919 - 1979
VIEW OF THE GARDEN
Watercolour & Gouache
9.75"x13.5" (24.5x34.5cm)
Signed
¤100 - ¤200
462
169
DOLAN’S
463 Norman Teeling
b.1944
SUNRISE, FIELD
OF POPPIES
Oil on Board
19.5"x23.5" (49.5x60cm)
Signed
¤600 - ¤800
464 Roger Dellar ROI RI
b.1949
SUMMER HARBOUR
Oil on Canvas Board
8.5"x11.5" (21.5x29.5cm)
Signed
¤280 -¤350
465 Ian Cryer ROI
b.1959
STEAM BOAT
Oil on Canvas Board
9.25"x11.5" (23.5x29cm)
Signed
¤280 - ¤350
466 Robert Cochrane
GONE FISHING
Oil on Canvas
11.5"x15.5" (29.5x39cm)
Signed
463
¤280 - ¤400
467 Ian Cryer ROI
b.1959
THE HEN HOUSE
Oil on Canvas Board
13.75"x11.75"
(34.5x30cm)
Signed
464
466
170
¤280 - ¤350
465
467
2nd AUGUST 2016
468
469
470
468 Luda Korol
469 Irish School
471
470 Tina Robinson
CRUSTACEANS
Mixed Media on
Canvas
16"x16" (40.5x40.5cm)
Signed
MAGIC CARPET
DANCE
Mixed Media
12.25"x9" (31x13cm)
Inscribed with Title
BRINGING HOME
THE TURF
Oil on Board
29"x19.25" (74x48.5cm)
Signed & Dated
¤200 - ¤300
¤80 - ¤120
¤40 - ¤60
471 Irish School
RED COW
Oil on Canvas
12"x12" (30.5x30.5cm)
¤180 - ¤280
171
DOLAN’S
472 Iranian Carpet,
in red, blue and beige,
with centre rectangular
panel, repeating line
border and fringed ends,
approx 117"x76"
¤700 - ¤800
472
473 Turkish Patterned Rug,
multicoloued with
geometric patterns and
fringed ends, approx
107"x74"
¤280 - ¤380
473
474 Keshan Navy Ground Rug,
approx 89"x63"
¤280 - ¤380
474
475 Keshan Beige Ground Rug,
approx 76"x56"
¤180 - ¤250
475
172
21ndst AUGUST 2016
476 Caucsian Rug,
with geometric motifs,
on a beige ground,
approx 89"x63"
¤140 - ¤180
476
477 Keshan Rug,
with fringed ends,
beige ground and
foliate pattern,
approx 62"x40"
¤140 - ¤180
477
478 Kum Rug,
with floral motifs
on a blue ground,
approx 76"x56"
¤140 - ¤180
478
479 Floral Patterned Rug,
on a light green ground,
approx. 72"x48"
¤60 - ¤80
479
173
DOLAN’S
480 William Farley
HORSE DRAWN CARAVANS
Pastel
14"x19" (36x48cm)
Signed
¤140 - ¤180
481 Anton Meonan
GANNET
Oil & Mixed Media
11.25"x15.25" (28.5x38.5cm)
Signed
¤100 - ¤150
482 Irish School
STREET MUSICIAN
Watercolour
10.25"x6" (26x15cm)
Signed
¤50 - ¤80
483 Deborah Jones
1921 - 2012
THE SWEEP AND
THE DRESSMAKER
Oil on Board
11.5"x29.5" (29x75cm)
Signed
480
¤150 - ¤250
484 R Harvey
ROCK POOL
Pastel
20.5"x15" (51.5x38cm)
Signed
¤80 - ¤100
485 Grainne Cuffe
SUMMER WOODS
15"x11" (37.5x28cm)
Signed, Inscribed
& Dated 1981
¤40 - ¤60
481
482
486Amour, Bust of a young man,
Monochrome Study, Inscribed,
approx 13"x21", together with
another similar, a matching pair
¤40 - ¤60
487 E Trevor
MOUNTAIN & LAKE
Watercolour
6.75"x10" (17x25cm)
Signed
¤40 - ¤60
483
174
2nd AUGUST 2016
488 Continental School
MILITARY MANOEUVRES
Watercolour
11"x15.25" (28x38.5cm)
¤60 - ¤80
489 Late Victorian / Early 20th Century
Watercolour of Coastal Cottages & Buildings,
approx 10" x 16.75"
¤60 - ¤80
490 After Matthew Kendrick RHA
THE DEPARTURE OF THE QUEEN & THE ROYAL
SQUADRON FROM KINGSTOWN, AUGUST 1849
Handcoloured Engraving
21"x37" (54x94cm
¤250 - ¤350
488
491 F. W. Corner
RICHMOND, EARLY MORNING
Pastel
19.25"x24.75" (49x63cm)
Signed
¤100 - ¤200
492 After John McNulty
LAHINCH, BALLYBUNION,
MOUNT JULIET AND KILLARNEY
Set of 4 Limited Edition Golf Prints
Each approx 15.5"x23.25" (39x59cm)
All Signed by the Artist
489
¤100 - ¤150
493 Richard Ward
DUCKS
Watercolour
10"x14" (25.5x35.5cm)
Signed and Dated
¤100 - ¤120
b.1955
THE BIG DOUBLE,
PUNCHESTOWN
20"x30"(51x76cm)
490
¤80 - ¤120
b.1955
INSTRUCTIONS FROM
THE HEAD LAD
18"x27" (46x68cm)
¤80 - ¤120
491
175
DOLAN’S
ARTIST INDEX BY LOT NO.
A
Allen, Anji
253
Arnold, Patience 371
Audigier, Elizabeth
362
B
Ballard, Brian 114, 118
Behan, John
204
Bourke, Brian
119 - 122
Brennan, Kay
345, 443, 445
Bremer, Saskia
134A
Breach, Mary
145
Brilly, June
106
Boske, Joe
7
Brophy, Elizabeth
353, 370, 455
Byrne, Val135 - 136,
249 - 249A,
379 - 382
Byrne, Roland
383 - 385
C
Cahill, James
84, 367
Caldwell, Charles
McNeill363
Carson, Robert Taylor 151
Carrick, Desmond
336
Campbell, Raymond
90
Carr, Rosemary
164 - 165
Chalmers, Gladys
373
Cochrane, Robert
466
Colles, A
390
Connor 315
Cope, Elizabeth
108, 110, 117
Cope, Phoebe
109, 111
Copperwhite, Patrick
347
Cudworth, Jack 452
Cuffe, Siobhan
201, 256
Crowley, Graham
7
Cryer, Ian
465, 467
D
Davis, Gerald
260
Dellar, Roger
328, 464
Dennington, Brian
94
Dinan, John
454
Donnelly, Anne
341
Donovan, Jack
18, 113, 116
E
Egan, Orla
307
Egginton, Robert98 - 100, 197, 361,
446 - 448
F
Farquharson, John
391
French, William Percy 169 - 170
ffrench le Roy, David
376
G
Gillespie, George
346
Guilfoyle, Paul
182, 313
Greaney, Tom358 - 359, 364, 389
Grogan, Mat80 - 81, 86 - 88,
91 - 92, 429
Grogan, Mary
352
Greig, Neal
252
H
Hanlon, Father Jack
176
Harper, Charles
155, 199
Hamilton, Eva
171
Hayes, Claude
357
Haworth, Richard
365
Henderson, Maurice 97
Heuze, Edmond
Amedee369
Hickey, Desmond
133A
Higgins, Robert B102 - 104,
246 - 247
Hoar, John
461
Hutton, Douglas
244, 261, 306, 356
J
Jackson, William
441
Jones, Allen Gwynne
450
Jones, Liam
377
Joyce, Mark 302
Joyce, Valerie
208
K
Kenny, Alan
181
Keating, John
456
King, Gerard
386
King Harman, Anne 462
Kingerlee, John
205 - 207
Kingston, Richard
177
Knuttel, Graham112, 292 - 293,
372, 375
Korol, Luda
468
L
Lahar, Mairead O’Neill 200
Leech, William John
150
Lennon, Paddy
239
le Brocquy, Louis
26 - 27
Linden, Janice
241, 243
Lynch, Padraig
431
Lyons, Frank
298
M
MacArthur, J F
343
Maderson, Arthur K137, 159 - 161, 334
Magill, Joe
337
Marjoram, Jerry
101, 133B - 133C
Maguire, Cecil
107
Mansfield, Thelma
300 - 301, 303
Maccabe, Gladys
138
Meagher, Eilleen
233
Moran, Cynthia
25
Morgan, Henry192 - 196, 319 - 326,
330
Morris, John134, 179 - 180, 188,
327, 329
Morris, Michael
299
Murphy, Jay
257, 340, 354
Murphy, Margaret K
104A - 104B
McDonagh, Bernard
259
McGuiness, Norah
144
McSweeney, Sean
255
McKelvey, Frank
167
McNeill, Sara Sue
360
McPherson, Donald
449
N
Nisbet, Tom
168, 366
REFERENCES: Theo Snoddy, Dictionary of Irish Artists, 20th Century
176
O
Olsson, Albert Julius
173
O’Brien, Geraldine
198
O’Duinn, Carrie
344
O’Leary, Cormac
460
O’Malley, Tony
141 - 143
O’Neill, Ken
294, 297
O’Neill, Mark 28 - 29, 89, 209,
224, 231 - 232,
316 - 317
O’Ryan, Fergus
331 - 332
P
Patton, Eric
458
Prendergast, Bernie
14
R
Redworth, William
451
Rae, Barbara
146
Reynolds, Bernard
250 - 251
Robinson, Annie 295
Robinson, Markey115, 125 - 128A,
248, 249B, 305, 335
Robinson, Tony
93, 223, 444, 453
Robinson, Tina
470
Rooney, J.P.
296
Ryan, Thomas
23, 83, 172
S
Schuit, Julia
459
Schwatschke, John 17, 262 - 263
Scott, Carina147, 178, 185 - 187,
240, 242
Sloan, Hamilton
105
Sluis, Piet
258
Shinnors, John
139, 202 - 203
Skelton, John Francis
388
Simms, Kevin
457
Smith, Paki
374
Sutton, Ivan
304
Stannard, Henry
John Sylvester
39
Steel, Kenneth
236 - 237
Sweeney, Lisa
254
T
Tallon, Desmond
342
Tallentire, Anne
166
Teeling, Norman 30, 95 - 96,
308 - 312, 314,
348 - 350, 463
Teskey, Donald
154
W
Waldron, Carol Ann
338 - 339
Walsh, Manus156 - 158, 189 - 191
Webb, Kenneth123 - 124,
129 - 133,
148 - 149, 152-153,
162 - 163, 175, 184,
318
Webb, Susan Mary
238, 183, 442
Wilks, Maurice C
174, 355
Winter, William Tatton 234
Williams, Alexander
245
Woodfull, John
378
Y
Yeats, Anne
15
Connemara
Dublin
Cork
Limerick
Dolan’s Art Auction House
091 798 647
086 409 8015
[email protected]
www.dolansart.com
Galway
Rosslare

connemara

Transcription

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