2015 magic compendium

Transcription

2015 MAGIC
COMPENDIUM
THE 78TH GET TOGETHER
Greg Bordner, President
7/4/2015
2
Table of Contents
WELCOME TO THE 2015 ABBOTT COMPENDIUM ................................................................................................... 9
ABBOTT’S HISTORICAL DOCUMENTATION ........................................................................................................... 10
MAGIC – ITS HISTORY – ITS PLACE (BY ABBOTT’S MAGIC) ...................................................................................................11
PERCY’S STORY (BY PERCY ABBOTT) .................................................................................................................................13
HISTORY OF THE GET TOGETHER (BY PERCY ABBOTT) ..........................................................................................................15
Do You Remember?.............................................................................................................................................16
MAGIC CAPITAL OF THE WORLD (BY PATRICK WEST) ..........................................................................................................18
ART OF THE ABBOTT CATALOG ............................................................................................................................ 38
CATALOG 1-2-6-7 .......................................................................................................................................................38
CATALOG 9-13-15-16 .................................................................................................................................................39
CATALOG 17-18-20-21 ...............................................................................................................................................40
CATALOG 22-23-24-26 ...............................................................................................................................................41
ART OF THE GET TOGETHER ................................................................................................................................. 42
1930’S GET TOGETHER POSTERS ....................................................................................................................................42
COMPLETE GET TOGETHER PERFORMER LIST ..................................................................................................... 103
TIMELINE OF ABBOTT’S & THE GET TOGETHER .................................................................................................. 121
1934 PERCY ABBOTT INVENTS SQUASH (BY PERCY ABBOTT) ..............................................................................................121
1934 ABBOTT’S MAGIC FOUNDED (BY PERCY ABBOTT) ....................................................................................................122
1934 ABBOTT’S MAGIC FIRST CATALOG RELEASED (BY ABBOTT’S MAGIC) ...........................................................................122
1934 RECIL BORDNER PARTNERS WITH PERCY ABBOTT (BY PERCY ABBOTT) .........................................................................122
1934 THE FIRST MAGIC GET TOGETHER (BY PATRICK WEST) .............................................................................................122
1935 ABBOTT’S MAGIC RELEASES SECOND CATALOG (BY PERCY ABBOTT)............................................................................122
1935 COLON CALLED “MAGIC CAPITAL” FOR THE FIRST TIME (BY PATRICK WEST) ................................................................123
1936 TOPS MAGAZINE BEGINS (BY PERCY ABBOTT) .........................................................................................................123
1936 GET TOGETHER (BY THE COLON EXPRESS) ..............................................................................................................123
1936 MUTILATED PARASOLS MANUFACTURED (BY ABBOTT’S MAGIC) ................................................................................125
1937 GET TOGETHER (BY PERCY ABBOTT) ......................................................................................................................125
1937 GARDEN OF FLOWERS MANUFACTURED (BY ABBOTT’S MAGIC) .................................................................................127
1938 GET TOGETHER & THE ABBOTT FIRE (BY PERCY ABBOTT) ..........................................................................................127
1939 EIGHT FOOT GUILLOTINE MANUFACTURED (BY ABBOTT’S MAGIC) ..............................................................................129
Abbott Magic Company
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1939 MAGICIAN GUILD PUT ON A SPECIAL GET TOGETHER SHOW (BY ABBOTT’S MAGIC) ......................................................130
1940 RELEASE OF CATALOG #6 (BY ABBOTT’S MAGIC) ................................................................................................130
1940 UF GRANT JOINS ABBOTTS STAFF (BY ABBOTT’S MAGIC) ..........................................................................................130
1940 HOWARD “MEL” MELSON JOINS THE ABBOTT STAFF (BY PERCY ABBOTT) ...................................................................131
1940-MELSON TAKES OVER TOPS EDITOR POSITION (BY PERCY ABBOTT) ............................................................................131
1940 GET TOGETHER (BY MEL MELSON) .......................................................................................................................132
1941 ABBOTT’S RECEIVES “VITAL INDUSTRY STATUS” (BY PATRICK WEST) ...........................................................................135
1941 “ENCYCLOPEDIA OF ROPE EFFECTS” IS PUBLISHED (BY ABBOTT MAGIC) ......................................................................135
1941 GRANT & THORNTON SUFFER INJURIES IN CAR ACCIDENT (BY ABBOTT MAGIC).............................................................135
1941 GEN GRANT MARRIES – MOVES TO COLUMBUS (BY ABBOTT MAGIC) .........................................................................135
1941 GET TOGETHER (BY DEMON REMBRANDT) .............................................................................................................136
1942 JESSE THORNTON LOSES LEG DUE TO AUTO ACCIDENT (BY ABBOTT’S MAGIC) ..............................................................140
1942 ABBOTT’S CELEBRATES JESSE THORNTON RETURN (BY ABBOTT’S MAGIC) ....................................................................140
1942 “SUPER X LEVITATION” MANUFACTURED (BY ABBOTT’S MAGIC) ................................................................................146
1942 “DISECTO” THE HIT EFFECT OF THE YEAR (BY MONK WATSON).................................................................................146
1943 KARSON’S “ZOMBIE” MANUFACTURED (BY ABBOTT’S MAGIC)...................................................................................147
1943 ABBOTT’S PURCHASES TENT THEATRE (BY ABBOTT’S MAGIC) ....................................................................................147
1943 KARRELL FOX MAKES HIS GET TOGETHER DEBUT (BY ABBOTT’S MAGIC) .....................................................................147
1943 GET TOGETHER (BY DEMON REMBRANT) ...............................................................................................................149
1944 ABBOTT’S MOURNS THE PASSING OF JESSE THORNTON (BY ABBOTT’S MAGIC) ............................................................158
1945 GET TOGETHER CANCELLED DUE TO WAR (BY PERCY ABBOTT) ..................................................................................158
1945 ABBOTT’S HOST OPEN HOUSE DUE TO WRITE IN CAMPAIGN (BY PERCY ABBOTT) .........................................................158
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1945 END OF WW2 - 12 GET TOGETHER (BY DEMON REMBRANDT) ...............................................................................158
1946 ABBOTT EXPANSION TO NY, LA, CHICAGO, DETROIT, & INDY (BY PATRICK WEST) ........................................................160
1946 EXCLUSIVE RIGHTS TO JACK HUGHES PRODUCTS (BY ABBOTT’S MAGIC) ......................................................................160
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1947 ABBOTT MAGIC 9 CATALOG DELAYED (BY ABBOTT’S MAGIC) ..................................................................................165
1947 GET TOGETHER MARRIAGE (BY THE COLON EXPRESS) ..............................................................................................169
1948 UNANNOUNCED PERFORMANCE OF EDGAR BERGEN (BY PERCY ABBOTT).....................................................................170
1949 PERCY ABBOTT ON THE COVER OF GENII (BY ABBOTT’S MAGIC) ................................................................................175
1949 ORANGE TREE ILLUSION RELEASED (BY ABBOTT’S MAGIC).........................................................................................176
1950 BILL NEFF MIRACLE ROPE RELEASED (BY ABBOTT’S MAGIC) ......................................................................................179
1950 THE “PUFFEROO INCIDENT” OCCURS IN LA (BY PATRICK WEST) .................................................................................180
1950 GET TOGETHER CANCELLED (BY PERCY ABBOTT)......................................................................................................180
1951 “FRAME OF LIFE” MANUFACTURED (BY ABBOTT’S MAGIC) .......................................................................................182
1952 GET TOGETHER (BY THE COLON EXPRESS) ..............................................................................................................183
1952 CATALOG #13 RELEASED (BY PERCY ABBOTT) .........................................................................................................188
1952 NEIL FOSTER FIRST OF 24 GET TOGETHER APPEARANCES (BY SID LORRAINE) ................................................................188
1952 THE GET TOGETHER TENT IS DESTROYED IN A FIRE (BY ABBOTT’S MAGIC) ...................................................................189
1953 ABBOTT’S BEGINS SALE JEWELRY (BY ABBOTT’S MAGIC) ...........................................................................................189
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1955 BOX OF PAM RELEASED (BY ABBOTT’S MAGIC) .......................................................................................................192
1955 CHAMI KHAN PERFORMS HIS INFAMOUS CRUCIFIXION (BY ABBOTT’S MAGIC) ..............................................................197
1957 GET TOGETHER TO BE HELD IN NILES MI (BY HOWARD MELSON) ..............................................................................199
1958 LAST ISSUE OF TOPS MAGAZINE PUBLISHED (BY PATRICK WEST) ................................................................................200
1958 ABBOTT’S MOURN THE LOSS OF HOWARD “MEL” MELSON (BY GENE GORDON)..........................................................200
1959 PERCY ABBOTT RETIRES (BY PATRICK WEST) ...........................................................................................................200
1959 RECIL BORDNER PURCHASES PERCY’S HALF OF ABBOTTS (BY PATRICK WEST) ...............................................................200
1960 GET TOGETHER CANCELLED – PERCY ABBOTT MEMORIAL (BY REV BODLEY) .................................................................201
1960 ABBOTT’S PUBLISHES PERCY’S BOOK (BY ABBOTT’S MAGIC) ......................................................................................203
1960 ABBOTT’S CATALOG #15 RELEASED (BY ABBOTT’S MAGIC) .......................................................................................203
1961 NEW TOPS PUBLISHED, NEIL FOSTER EDITOR (BY NEIL FOSTER) .................................................................................203
1961 NEIL FOSTER CENTER TEAR CREATED (BY HARLAN TARBELL) ......................................................................................204
1961 BLACKSTONE SR BOOKED FOR 1961 GET TOGETHER (BY PATRICK WEST) ....................................................................204
1961 BIRTH OF THE MODERN GET TOGETHER (BY RECIL BORDNER) ....................................................................................205
1961 GET TOGETHER (BY JOHN BRAUN) ........................................................................................................................208
1963 OVER A DOZEN ABBOTT EFFECTS ON JACKIE GLEASON SHOW (BY NEIL FOSTER)............................................................226
1964 ABBOTT’S RELEASE CATALOG #16 (BY ABBOTT’S MAGIC) .........................................................................................227
1964 FIRST GET TOGETHER APPEARANCE FOR BLACKSTONE JR. (BY JOHN BRAUN) ................................................................227
1964 ABBOTT’S “TWIN DI BOX” IS RELEASED (BY ABBOTT’S MAGIC)...................................................................................231
1965 ABBOTT’S MOURNS THE LOSS OF BLACKSTONE SR. (BY ABBOTT’S MAGIC) ..................................................................231
1965 GET TOGETHER (BY MONK WATSON)....................................................................................................................232
1966 ABBOTT’S MAKES PROPS FOR ICE CAPADES SHOW (BY ABBOTT’S MAGIC) ...................................................................233
1967 RECIL SUFFERS A STROKE AS GET TOGETHER CANCELLED (BY PATRICK WEST)...............................................................239
1969 THE JACK GWYNNE AWARD MOVES TO ABBOTT’S (BY ABBOTT MAGIC) ......................................................................252
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1970 ABBOTT’S 18 CATALOG RELEASED (BY ABBOTT’S MAGIC) .......................................................................................252
1970 GET TOGETHER (BY SENATOR CLARKE CRANDALL)....................................................................................................253
1971 GET TOGETHER (BY AL SCHNEIDER).......................................................................................................................256
1972 “DEN O ZEN” MANUFACTURED (BY ABBOTT’S MAGIC) ............................................................................................256
1972-“FAKINI MULTIPLYING GOLF BALLS” INTRODUCED (BY ABBOTT’S MAGIC)....................................................................257
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1972 ABBOTT’S RELEASES 20 CATALOG (BY ABBOTT’S MAGIC) .......................................................................................257
1972 GET TOGETHER (BY FRANCES MARSHALL)..............................................................................................................257
Magic Benefit Matinee at Abbotts 35th Get-Together Big Success ..................................................................260
1973 GET TOGETHER – DUKE STERN MEMORIAL (BY NEIL FOSTER) ....................................................................................261
1973 AC ADDED TO HIGH SCHOOL, ABBOTTS PAYS HALF (BY PATRICK WEST) ......................................................................263
1974 GET TOGETHER (BY FRANCIS MARSHALL) ...............................................................................................................263
1975 BUD WEST & ABBOTT’S RELEASE BLARNEY DIE (BY ABBOTT’S MAGIC) ........................................................................268
1975 GET TOGETHER (BY NEIL FOSTER) .........................................................................................................................268
1976 GET TOGETHER (BY FRANCES MARSHALL) ..............................................................................................................269
1976 KARRELL FOX WINS FIRST CRANDALL AWARD (BY ABBOTT’S MAGIC) ..........................................................................273
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1977 THE GREATEST TALENT CONTEST (BY NEIL FOSTER)..................................................................................................279
1977 HISTORICAL MARKER UNVEILED AT GET TOGETHER (BY TOPS/STURGIS JOURNAL) .........................................................280
1978 EARL RAY WILCOX WINS FIRST BAIRD/FOSTER TROPHY (BY ABBOTT’S MAGIC) .............................................................285
1980 FIRST CLOSEUP CONVENTION FEATURES HARRY LORAYNE (BY ABBOTT’S MAGIC) ..........................................................290
All Time Closeup Convention Performers List ....................................................................................................291
1980 LORAYNE & FOX ENGAGE IN MAGIC DUEL (BY ABBOTT MAGIC) .................................................................................292
1981 GET TOGETHER RECIL BORDNER MEMORIAL (BY FRANCES MARSHALL) ........................................................................296
1981 FIRST ACTION AUCTION FLEA MARKET (BY ABBOTT’S MAGIC) ....................................................................................301
1982 LANCE BURTON & BLACKSTONE HEADLINE GET TOGETHER (BY JAY MARSHALL) ............................................................302
1985 GET TOGETHER (BY BRUCE POSGATE)....................................................................................................................320
1987 GET TOGETHER (BY KARRELL FOX) ........................................................................................................................326
Neil Foster Eulogy by Gordon Miller..................................................................................................................335
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1989 ABBOTT’S CELEBRATES 10 CLOSEUP CONVENTION (BY ABBOTT’S MAGIC)..................................................................342
1990 FIRST COLON GOLF TOURNAMENT (BY AL THE ONLY) ..............................................................................................347
1990 GET TOGETHER (BY GORDON MILLER) ...................................................................................................................347
ND
1991 CONGRESS DECLARES COLON MAGIC CAPITAL (BY 102 US CONGRESS) ....................................................................354
Curlys Says Thanks ............................................................................................................................................362
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1993 ABBOTT’S 24 CATALOG RELEASED (BY ABBOTT’S MAGIC) .......................................................................................362
1993 GET TOGETHER (BY RON JAXON) ..........................................................................................................................373
1994 LAST ISSUE OF NEW TOPS PUBLISHED (BY DAVID SEEBACH) .......................................................................................374
1997 GET TOGETHER BLACKSTONE MEMORIAL (BY GORDON MILLER) ................................................................................379
1998 ABBOTT’S CATALOG #25 RELEASED (BY ABBOTT’S MAGIC) .......................................................................................383
1998 GET TOGETHER (BY MAC KING) ...........................................................................................................................383
1998 ABBOTT’S MOURNS THE LOSS OF KARRELL FOX (BY ABBOTT’S MAGIC) .......................................................................386
2000 THE “BLACKSTONE LEGACY” PRESENTED AT GET TOGETHER (BY ABBOTT’S MAGIC)........................................................387
2001 ABBOTT’S FIRST WEBSITE (BY ABBOTT’S MAGIC).....................................................................................................388
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2001 CALVERT CELEBRATES 90 BIRTHDAY AT GET TOGETHER (BY ABBOTT’S MAGIC) ...........................................................389
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2004 ABBOTT’S CELEBRATES ITS 25 CLOSEUP CONVENTION (BY HANK MOOREHOUSE) ........................................................391
2004 GET TOGETHER (BY RON JAXON) ..........................................................................................................................392
2005 GET TOGETHER( BY JOHN STURK) .........................................................................................................................393
2007 MAGICGETTOGETHER.COM CREATED (BY ABBOTT’S MAGIC) .....................................................................................395
2007 GET TOGETHER (BY JOHN MOEHRING) ..................................................................................................................396
2007 IBM & SAM HONOR ABBOTT’S MAGIC (BY ABBOTT’S MAGIC) .................................................................................397
2008 COLON “MAGIC” PARK HAS GROUNDBREAKING CEREMONY (BY ABBOTT’S MAGIC) ......................................................398
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ST
2008 GREG BORDNER HOSPITALIZED FOR 71 GET TOGETHER (BY ABBOTT’S MAGIC) ...........................................................399
2008 GET TOGETHER (BY JOAN CAESAR)........................................................................................................................400
2009 RETRO ABBOTT PROJECT BEGINS (BY ABBOTT’S MAGIC) ...........................................................................................404
2009 GET TOGETHER (BY DAVID SEEBACH) ....................................................................................................................405
2010 GET TOGETHER MEMORIES (BY JEFF HOBSON)........................................................................................................408
2010 FIRST COMPENDIUM RELEASED (INTRO BY SENOR RAI) .............................................................................................409
2010 NEW ILLUSION LINE INTRODUCED (BY ABBOTT’S MAGIC) ..........................................................................................411
2010 MARK HOLSTEIN WINS FIRST CONKLIN AWARD (BY ABBOTT'S MAGIC)........................................................................412
2011 SECOND COMPENDIUM RELEASED (INTRO BY SUE HOLSTEIN) ....................................................................................413
2011 ABBOTT’S MOURNS LOSS OF HANK MOOREHOUSE (BY ABBOTT’S MAGIC) ...................................................................416
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2011 JOHN CALVERT 100 BIRTHDAY AT GET TOGETHER (BY ABBOTT’S MAGIC)..................................................................417
2012 THIRD COMPENDIUM RELEASED (INTRO BY GREG BORDNER) .....................................................................................418
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2012 FAMILY REUNION 75 GET TOGETHER (BY DALE SALWAK)........................................................................................421
2012 “VIRTUAL SANTA” DEMONSTRATION DURING CELEBRATION (BY ABBOTT’S MAGIC) .......................................................427
2012 ABBOTT’S CHRISTMAS GIFT TO THE WORLD (BY ABBOTT’S MAGIC) ............................................................................428
Holidaze - Happy Holidays From Abbott Magic ................................................................................................428
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2013 ABBOTT’S FIRST CATALOG IS 1000 DOWNLOAD (BY ABBOTT’S MAGIC).....................................................................436
2013 FLEA MARKET RENAMED AFTER HANK MOOREHOUSE (BY ABBOTT’S MAGIC)...............................................................436
2013 FOURTH COMPENDIUM RELEASED (INTRO BY GREG BORDNER) ..................................................................................437
2014 “SUBJECT ILLUSION” ARTICLES RELEASED ONLINE (BY DAVID SEEBACH)........................................................................438
2014 THIRTY FIFTH CLOSE-UP CONVENTION (BY ABBOTT’S MAGIC) ....................................................................................438
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2014 ABBOTT’S 80 BIRTHDAY AT GET TOGETHER (BY ABBOTT MAGIC) .............................................................................438
2015 MAGIC CAPITAL EVENTS ............................................................................................................................ 440
WHERE TO DINE AT THE MAGIC CAPITAL ........................................................................................................................441
Nibbles at the Palmer Lake Lodges ...................................................................................................................441
Kiwanis Hot Dog Sale ........................................................................................................................................441
Colon American Legion .....................................................................................................................................441
Shell Gas Station ...............................................................................................................................................441
Colon Deli at Marathon Gas Station .................................................................................................................441
Dawn & Phil’s Cafe ............................................................................................................................................442
Legend Dairy .....................................................................................................................................................442
River Lake Inn ....................................................................................................................................................442
Curly’s................................................................................................................................................................442
M & M Grill .......................................................................................................................................................442
WHERE TO BUY MAGIC IN THE MAGIC CAPITAL?..............................................................................................................443
Abbott’s Dealer Room .......................................................................................................................................443
Sterlini Magic Shop ...........................................................................................................................................444
Fab Magic Shop.................................................................................................................................................445
Beggars Alley ....................................................................................................................................................446
COLON COMMUNITY PARK (THE MAGIC PARK)................................................................................................................447
COLON STREET PERFORMERS........................................................................................................................................448
FRIDAY FIREWORKS SHOW AUG 7TH ..............................................................................................................................449
CURLY’S CLOSE-UP CONTEST ........................................................................................................................................450
AFTERNOON MAGIC SHOWS AT ABBOTTS .......................................................................................................................451
ARTS & CRAFT FAIR ....................................................................................................................................................452
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MAGIC STARS WALK OF FAME .....................................................................................................................................454
THE HISTORICAL COMMITTEE MUSEUM .........................................................................................................................455
PALMER & STURGEON LAKES........................................................................................................................................457
HISTORIC RECOGNITION ..............................................................................................................................................458
Michigan Historical Site P24712 .......................................................................................................................458
US Congressional Record ..................................................................................................................................459
Michigan Congressional Resolution 154 ...........................................................................................................460
UNUSUAL SIGHTS YOU MAY ENCOUNTER .......................................................................................................................461
Card Throwing or Scaling and the Street of Cards ............................................................................................461
ISORZ .................................................................................................................................................................463
Silly Shirt Society ...............................................................................................................................................464
Expect The Unexpected .....................................................................................................................................465
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78 GET TOGETHER AUG 5-8 2015 .................................................................................................................... 468
2015 GET TOGETHER PRESS RELEASE ............................................................................................................................468
2015 GET TOGETHER PRICES .......................................................................................................................................469
ABBOTT'S 78TH GET TOGETHER SCHEDULE .....................................................................................................................470
26TH COLON OPEN GOLF CLASSIC ................................................................................................................................472
History of the Colon Open Golf Classic ..............................................................................................................473
Open Colon Golfer of the Year ..........................................................................................................................474
ABBOTT’S LEGENDARY TALENT CONTEST.........................................................................................................................475
Application for Abbott’s Magic Talent Contest – 2015 .....................................................................................476
Rules for the Contest .........................................................................................................................................477
DEALERS ROOM .........................................................................................................................................................478
VENT-O-RAMA WITH GEORGE SCHINDLER .....................................................................................................................480
MAGIC MINISTERS SESSIONS WITH JERRY BURGESS ..........................................................................................................481
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78 ABBOTT’S GET TOGETHER SHOWS ..........................................................................................................................482
Seating Chart ....................................................................................................................................................483
Wednesday Aug 5th Evening Show 8pm ...........................................................................................................484
Thursday Aug 6th Evening Show 8pm ...............................................................................................................486
Friday Aug 7th Closeup Show 2:30pm...............................................................................................................488
Friday Aug 7th Evening Show 8pm....................................................................................................................490
Saturday Aug 8th Benefit Matinee Show 2pm ..................................................................................................493
Saturday Aug 8th Evening Show 8pm ...............................................................................................................495
GET TOGETHER PERFORMANCE AWARDS & TROPHIES.......................................................................................................497
Jack Gwynne Trophy For Excellence In Magic ...................................................................................................498
Clarke Crandall Traveling Trophy For Comedy ..................................................................................................499
Baird/Foster Trophy For Manipulation .............................................................................................................500
Jerry Conklin Abbott Family Award ...................................................................................................................501
LAKESIDE CEMETERY TOUR WITH AL THE ONLY ...............................................................................................................502
The Magic Graveyard Book (by Al The Only) .....................................................................................................513
Colon Cemetery Narrative .................................................................................................................................514
THE PEOPLE BEHIND THE SCENES ..................................................................................................................................516
Abbott Owners and Get Together Founders .....................................................................................................516
Abbotts Producers, Managers, Administrators .................................................................................................517
Abbotts Sales & Demonstrations ......................................................................................................................518
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Abbott Coordinators .........................................................................................................................................519
Abbotts Stage Crew...........................................................................................................................................520
Putting It All Together .......................................................................................................................................524
BONUS STORY–WHY THE SKELETONS? .............................................................................................................. 527
PRINT THIS COUPON TO SAVE MONEY AT ABBOTT’S DEALERS BOOTH AUGUST 5TH ......................................... 552
Morgan – “Escape Artist Of The Year” performs at the Wednesday Aug 5th Evening Show
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Welcome To The 2015 Abbott Compendium
Here is a recipe for magic conventions.
First, a healthy serving of CLOSE-UP PERFORMERS, those talented people who amaze you right
under your eyes. It could be at the formal Close-up Show, or any of the local eating
establishments, bars, picnic tables, the American Leion, etc.
Next, a select helping from THE LECTURERS, those professionals who share their magical
expertise and valuable advice, always with the aim of making magic better.
For many, the big attractions are the STAGE SHOWS. Here in Colon we have seen hundreds of
the best: All the Blackstones (Harry Sr., Inez, Harry Jr. and Gay, all the daughters plus Pete and
Millie), the incomparable George Goebel, and lets not forget Neil and Jeanne Foster.
Whats missing from this list? How about THE FUNNY PEOPLE! Remember Karrell Fox, Duke
Stern, Jay Marshall, Clarke Crandall, Mike Caldwell and many, many more.
And we always look forward to Ventriloquists, Jugglers and other variety artists.
And the most important ingredient – THE AUDIENCES! A healthy blend of magicians and non
magicians enjoying these small town extravaganzas (hopefully, in great weather). Thank You
Colon … It Must Be Magic
We hope to see you Aug 5,6,7,8 to help celebrate our 78th Get Together!
Gordon Miller
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Abbott’s Historical Documentation
The Abbott Compendium Series is not the first attempt to document Abbott’s history. Several excellent
books and documents have come along in the past 80 years including (of course) Tops and New Tops
magazines. Trouble is, the Abbott history keeps getting bigger and better with age and no one is able to
fully capture it because it continues each year with new and exciting challenges that add to its history.
However, each time a new document was written it would stand on the shoulders of these older
documents and suddenly what was once considered obsolete becomes a very important foundation for
future documents categorizing Abbott’s history. One can only marvel at the earlier documents made
before word processors and digital cameras and truly wonder what if these authors would have had the
same resources that we now take for granted.
That being said, where do we start our history for Abbott’s? How about 1929 - when the Blackstone
Magic Shop with Percy Abbott as manager was going full steam. Soon a disagreement between these
two friends would result in a lifetime of bad feelings that would never be reconciled, but would also lay
the foundation for the Abbott Magic Company.
History certainly has a sense of irony as both individuals are revered at Abbott’s to this day.
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Magic – Its History – Its Place (by Abbott’s Magic)
The origin of Magic stretches so far back into the annals of history that it is difficult to trace.
Many hundreds of years before Christ, Magic held sway. The early Magi were the learned men
among the people. These Magi had not only the ability of treating the native's physical ailments, but
also those of the mental and spiritual as well. These were the times when "Black Magic" was used
to induce either good or evil. The medicine man or Magi of his tribe treated ailments through his
knowledge of herbs and roots coupled with his knowledge of the occult. He employed the
incantation of various prayers and rituals. In ancient Greece and Rome, these men were foremost in
the history of their time. In the mysterious land of Egypt, these were the ones who through the
media of Astrology, Astronomy and Necromancy wrote many of the pages of history of that land.
The Bible makes numerous mentions of the Wise Men. They have played a great part in the
spreading of truth and wisdom down through the ages.
True it is that there have been many changes and the great Art that is Magic has changed with the
times. In the early European history of Magic,' traveling entertainers were known by the name
"Jugglers". Italy, the land of great music and art produced many of the early Magicians.
The country of India has always been regarded as a great Mecca for Magic. The land itself conveys a
mystical atmosphere. Here, for many centuries the Magic has been presented by "fakirs" in the
street bazaars. The secrets of these "fakirs" were always carefully guarded and handed down from
one generation to another. This same procedure and presentation was prevalent in China. Chinese
Magic however was of a different type. It was always well presented – the working very well
understood by the Magician. In this field, as in many others, Western civilization has crept in and
shown its influence. Although the Street Fakir still exists, there are in these countries today,
outstanding professional Magicians, presenting their entertainments in much the same way as that
employed by the Western World Magicians, often too, using apparatus purchased through the
Western World markets.
Always, from time beginning, the secrets of these men were jealously guarded and preserved. This
is a significant factor in the modern Magician's practices. Today, the reason lies, not because of the
superstition that originally surrounded the Art, but because of the fact that there is a degree of
study and practice associated with it, and when knowledge of the Art is betrayed it loses much of
Its appeal as an entertainment medium which is one of its main functions in the modern world.
Magic has many functions. First of all, it is a clean, wholesome type of entertainment, for the good
performer of Magic need not employ coarseness or vulgarity. His is entertainment that the entire
family can witness together without embarrassment. To the young beginner, it furnishes many
things - the expansion of his mind, and exercise of his mental faculties - learning and practicing. It
furnishes the answer to "busy hands and busy minds" engaged in a wholesome and creative
activity. It supplies also to this beginner, self-confidence - the knowledge and assurance that
enables him to appear before an audience, which, in itself can be a great asset to him through his
school years and a good foundation for public work in later life.
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Magic becomes, to the hobbyist, the spur of inspiration. It provides relaxation from a busy
humdrum day. It carries him away into a large and beautiful world of fantasy that rests and
rejuvenates his mind.
Then, unlike many hobbies, it has its lucrative side as well. Many people have found degrees of
livelihood from this Art, depending upon their ability and the amount of time they have had to give
to it. Many young boys have more than earned their education through their ability to entertain
with Magic. Many men are able to thank Magic for their success in whatever field of work or
endeavor they were engaged. Magic seems to have a hidden lure which opens the doors of
opportunity in the business world.
There is another world where Magic plays an important role. This is in the field of religion. In recent
years, many ministers have seen the advantage in logically using Magic to illustrate the various
lessons of the Bible. It appears to be a very successful procedure.
Up until a few years ago, it was a most difficult task for one interested in the Art to be able to
obtain apparatus, secrets, knowhow, etc. However today there are available many sources of
knowledge and apparatus.
One of the most outstanding of these sources is the organization that has made these delightful
shows possible for you, an organization that was originally started for one great purpose - to invent,
manufacture and sell to those interested in the Magic Art the products that would help their
dreams come true. In this organization, ABBOTT'S MAGIC MANUFACTURING CO., Percy Abbott and
his partner, Recil Bordner have successfully accomplished these objectives. They have invented,
manufactured and sold thousands of effects during their twenty-three years of operation. Their
wares consist of small Magic tricks, to carry around in your pocket for just that "special occasion",
costing as little as twenty-five cents, to large and spectacular illusions, to be used on stage, costing
hundreds of dollars.
It would seem that in addition to all the above mentioned benefits of Magic that it has attained two
rather miraculous things; the first and greatest, I believe, is the wealth of happiness it brings, not
only to the beholders of the Art, but to the doers as well. The other miracle - the great brotherhood
that Magic has made possible. Those who love this ancient Art can easily forget the barriers of
color, race and creed when they are lost in the admiration of the ability of anyone to amaze, baffle
and bewilder them with a feat of Magic.
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Percy’s Story (by Percy Abbott)
1956
There have been many stories from various walks of life on "starting from scratch" and "building a
successful business." This is my own personal and intimate story in that respect and I trust that you will
find in it, not only a general interest, but the knowledge that there are always the heights to climb.
There are many times in life when through what we accept as an unfortunate occurrence, if rightfully
used, can become our greatest asset. I believe this is true with most misfortunes of life, if we but knew
how to make use of them. They are a prod to greater achievements.
This occurrence in my life was not misfortune, merely a change in my way of life, but one which required
adjustment. I had been in show business for many years, had travelled over much of the world's surface,
seeking, not alone business and money, but adventure and knowledge as well. Then suddenly, my life
changed and another person became important in my scheme of things. In a small village in Michigan
where I had gone for a lazy carefree fishing trip, I met the lady who was to be the future Mrs. Abbott.
We were married two years later, but already I was enjoying, for the first time in my life, the lazy luxury
of a small town. After our marriage, for a period of nearly five years, we were quite content to work a
few shows (she became part of the act), in not too distant pastures and to return again to the "home
town". Money was not an easy commodity to obtain - these were the depression years - but we were
happy and healthy and there were few requirements. Then, I learned that I was to become a father!
Needless to say, this was a responsibility that would require more effort, time and money, so what was
"papa" to do.
Show business was all I had ever really known and I was convinced that I did not want to attempt the
difficult task of raising a child while trouping. Neither did I wish to leave what was now my world to
travel around alone, missing much of the companionship which I had enjoyed.
It has always been my habit, when required to do any deep thinking, to play around with ideas in Magic.
For me, this has been a beneficial way of clearing my mind. So, having something to think through, I
went alone to our bedroom and there proceeded to look over an accumulation of odds and ends - bits
of string, rope, playing cards, thimbles. Safety pins - all those little gadgets with which all Magicians are
familiar. Suddenly an idea struck! I saw the idea for a new trick - in fact a new principle in Magic.
Hurriedly I set about constructing "the thing". It soon emerged in a very crude state. Now, to try it out.
My good wife was, of course, the chosen victim for this ordeal. If I could fool her, I really had a good
trick. I located her in the kitchen, preparing a meal, and I am certain that when I suggested she cease her
labors "to look at a trick", she could have gleefully thrown straight at me the skillet which she was
holding. However, being a fairly amicable individual, she stopped and watched the “miracle”. AND SHE
WAS FOOLED! My conversation went something like this. "We're going to start a Magic business,
manufacturing tricks, and THIS is the first one". The trick was named "Squash". It consisted of the
instantaneous disappearance of a glass of liquid. Many people have asked me, why the name "Squash"?
The naming of the effect was a snap decision, as have been all my decisions through the years, in this
crazy business. The name had sprung up from the recesses of my mind - a hangover from childhood, for
in my native country of Australia, I had had many times as a child partaken of a soft drink known as
"Squash".
Thus, a business was born. Our bank account was well under a hundred dollars and I could see many
future bills looming, but in small quantities we purchased the needed articles to produce the little trick.
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Another and another trick was added from my mental storehouse. (Now I knew the reason for the many
years of travelling the world, of seeing Magic in India, China, of going into out-of-the-way places to see
Magic never seen by white men before.) This coupled with the kindness of other people made it possible
for us to hold on until the business started to build up. In passing, I want especially here to mention the
kindness of a good friend, one I had met and known in many countries throughout the world, a great
Magician and a great man, Will Nicola. It was to Will I wrote for a small loan to tide me over a short
period. Needless to say, my request was immediately granted- His loan gave me not only money, but
courage and faith as well.
The business had been started only a short time when a young man, interested in this strange thing
called Magic, came to me and asked to toss in his lot with mine to further the interests of this new
venture. Thus, the partnership between myself and Recil Bordner got its start, and together, without
ever an argument or critical word, we have operated this unique factory for twenty-three years. His
patience and ability have been a great balance wheel for my rather stormy and rapid fire nature.
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History of the Get Together (by Percy Abbott)
1956
It all happened in the year 1934. Originally the business was conducted in upstairs quarters,
rented at a very nominal fee. After Recil Bordner joined forces and expansion was the aim, we
began looking around hopefully for more space. Within a very short time a building of sorts was
available. It was a building in which had been housed for many years, a Buggy factory. The
"buggy" referred to here is the horse-drawn vehicle of the B. A. (before automobiles) era. In
fact, when we took over the building there still remained, wrapped and stored up against the
uppermost rafters, a fancy "cutter", the winter substitute for the buggy. The renovating and
moving to this building, an operation which took a great deal of OUR labor and efforts, was
accomplished during the spring and early summer months.
Already, news of this new venture had reached the ears of the initiated and we were beginning
to see the arrival of many interested Magicians.
Because we were proud of our accomplishment and our expansion we wanted to celebrate, so
it was decided to invite a number of those followers of the Art to view our handiwork. The
week of Labor Day was chosen for the occasion and that first year the great number of
approximately fifty persons arrived. Shows were planned for their entertainment. Gayety,
laughter, comradeship and enthusiasm were the order of the day.
That initial affair was such a happy success from the viewpoint of the guests as well as the
hosts that, on the spur of the moment, a suggestion was voiced, "Let's make this a yearly
affair." So came the Get-Together. Like a tiny child, nurtured by happy associations, memories,
the bond of true brotherhood, it grew and grew and grew, until in recent years, despite
constant improvements, changes, etc., it was impossible to contain itself in the cramped
environment of a small town. Housing facilities, eating problems became acute, and thus it has
moved on seeking the most desirable atmosphere. It shall always seek for its guests the most
that can be offered.
Throughout the many years of its existence THE GET-TOGETHER has remained non-politic,
non-partisan, and very much nonconformist. There are no barriers erected here. All are
welcome - the young, the old, the rich, the poor, the black, the white . . . dwellers all, for a
short time each year in the sharing of secrets, friendships and memories.
Both Recil and myself have established homes in this community. (Recil has two boys and I two
boys and two girls.) We have been able to provide a good living for our families, but most of all
we have found delight and happiness in the thing we were doing and we have, I believe, given
much to Magic and its followers throughout the world.
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Do You Remember?
When we had the first Get-Together in the original old building, with the theatre upstairs. The
only possible entrance and exit for the acts was by means of a ladder to the ground from a side
window off the stage?
That during these early Get-Togethers in this building - (this may even amaze those very early
Get-Together goers) that Recil always made it his business to check the foundations of the old
structures and see that ample supports were there, just in case! ?
That we had a really truly wedding on our stage?
The year - 1948 to be exact, when Jim Sherman brought Edgar Bergen for his first appearance
on our stage. Quietly executed, no one, not even the stage electrician, knew that he was to
appear. It was a thrill long to be remembered.
The year that our youngest, Linda, aged four, decided that she too should appear on the stage.
Daddy tried to explain that he was not doing an Act and she would not be making a much
coveted appearance. But, oh, she did. and how! On one of the evening shows, during a musical
Act (one which had, incidentally stayed on stage a little too long), Percy heard constant
laughter. Sneaking around back stage for a look at the cause, he discovered his smallest,
perched on the top of the steps leading to the stage, facing the audience and proceeding to
make ridiculous faces - being careful to keep exact time to the music! Needless to say "Daddy"
removed her forthwith, and said young lady was severely reprimanded. Arthur Buckley felt very
fortunate to have caught this complete "act" with his movie camera.
The Get-Together when Gene Bernstein and several other equally charming rogues framed a
poor defenseless Hypnotist. This unsuspecting young novice had done entirely too much
bragging about his abilities as a Hypnotist, so the frame-up consisted of allowing him to put a
young man (already wise to it) in a deep sleep. Everything worked fine until it came time to
wake him up. In desperation and fearfulness the inexperienced Hypnotist tried again and again alas to no avail. He then called on the help of one who really knows - Gene. Gene explained that
the outcome of the test rested in the hands of the man who put the victim to sleep and he,
Gene, would suggest that if the young Hyp failed, he had best call an ambulance and rush his
victim to the hospital as fatal results might ensue. This was, of course, the final straw that
almost literally "scared the pants" off the performer, who on the pretext of dashing madly for
an ambulance, instead dashed madly out of town - never to return!
In 1955, a peculiar series of events, a disappointment on an overseas act and an exchange of
letters brought to the Get Together one of the most unusual acts in existence. A Genuine
Crucifixion – done by one, Chami Kkan, a Peruvian Inca. By many, we were criticized for having
this attraction because of it being REAL. If this had been an illusion , we are certain that the
presentation of it would have been a mere trifle when compared to illusions depicting bodies
sawed in half, heads severed, etc., but due to the fact that it employed the little understood
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Yogi philosophy – to some, it became difficult to accept. Strangely enough, it was the one
remembered and talked of act for many months after the affair and we received letters with
quotes such as “I would have gone a thousand miles to have seen just the Crucifixion” or “The
Crucifixion alone was worth the price of the Get Together”, or “Never will I ever have the
privilege of seeing anything like the Crucifixion again”. A debatable and controversial act it is
true, but the one redeeming feature was that to those who had the opportunity to meet Chami
Kkan personally, they found him to be a most charming individual.
Almost a volume could be filled with the incidents that have occurred over the years. We are
sure that all of you have your little pet memories which are very dear to you. We sincerely hope
that all the memories of our affairs have been happy ones. These are the 'things' "which moth
and rust do not corrupt", nor men “breaks through and steal" and let us say that we hope these
will be part of your celestial luggage.
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Magic Capital of the World (by Patrick West)
1976 Thesis
In the study of history, one of the most interesting questions to investigate is, "How did it
happen?" In this paper the writer will consider the unique subject of how Colon, Michigan came
to be known by magicians and laymen alike as the "Magic Capital of the World".
The task of determining how any situation or event happens, necessarily involves an
investigation of the past occurrences leading to the particular event chosen for study. In this case,
these past events comprise the history of a small southwestern Michigan community located in
St. Joseph County. Specifically, the study will concentrate on the years of 1926 through 1975,
and on one aspect of the community’s history, namely; the development of the magic business.
A topic such as this leads one to the investigation of the public lives of the individuals directly
responsible for the establishment and operation of the unique business of manufacturing magical
effects for magicians. An historical account will also be given of the development of the Abbott
Magic Get-Together, an annual convention for magicians from around the world which is staged
in Colon. There will be a discussion of the legitimacy of the claim that Colon is the "Magic
Capital of the World".
Throughout the investigation, an attempt has been made by the writer to be objective in relating
the true and factual story of the magic business in Colon. Before examining the arrival of
Colon’s first magician, it is prudent to look at the physical features of the area, the founding of
the community, and its early history. In order to do this, one must begin with the year 1829.
In that year, 1829, Roswell Shellhous traveled from Ohio to the newly organized St. Joseph
County where he built a two-room log cabin on the Nottawa prairie. His cabin was used as a
hotel by land-lookers who came into the county to observe what was described as: "...the best
county in the state .... The soil is exceedingly fertile, and consists principally of oak openings and
prairies with innumerable water privileges."
Roswell Shelhous moved on to Illinois, but he had encouraged his brother Lorancie to come to
the area.
Lorancie Shellhous arrived at the present-day location of Colon in 1830, and bought the land on
Swan Creek which later became the mill site. Lorancie went back to Ohio after purchasing the
land and returned with his family and two other brothers (George and Martin) in May of 1831.
That spring he built a cabin at the mill site and, after making his own plow, planted six acres of
prairie" ... growing vegetables, melons, and broom corn". In the fall of 1831, Charles Palmer
arrived and purchased 300 acres east of Swan Creek. Palmer, his wife and six children lived out
the winter of 1831-32 with Lorancie and his wife and their five children. The following spring,
Palmer built his own cabin, alleviating what must have been, at the least, a tense situation for the
two families.
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Colon’s first industry began that spring when Shellhous constructed a saw mill at the dam where
Palmer Lake flows into Swan Creek. Shellhous’s mill produced 1,200 feet of lumber before the
dam was washed out that year. Lorancie sold his mill site to his brother Martin, in order to
finance the building of a new dam.
After surviving a severe attack of the "fever and ague", the tiny settlement progressed toward
becoming a village. In 1832 George Shellhous and a man known as Indian Trader Hatch survey
that plat of land that was later to become the village which lies between Palmer Lake and
Sturgeon Lake. It was then that the name for the new village was decided upon. Lorancie
Shellhous turned randomly in a dictionary to the word "colon" and remarked, "We will call it
Colon, for the lake and river correspond in their relations exactly to the position of the colon."
Colon grew and developed much
in the usual fashion of many rural
Michigan
communities,
progressing
in
population,
agriculture and industries through
the second half of the 19th
century. By 1839, Colon had a
post office which received mail
once a week. In 1837, Colon could
boast of a log school house, 24
feet square. A frame school had
been erected by 1847. The
villagers were very conscious of
their duty to provide higher
education for their children.
Following a common practice of
the day, they sold stock to local
citizens and established a seminary. The school was organized in 1858 and operated until 1867
when the brick structure housing the school was rented to the school board.
Businesses in Colon also grew in number during the years of 1830 through 1900. The E. Hill and
Sons bank was established in 1870. By 1889 colon had a flour mill, a tannery, a canning factory,
a machine shop for repairing windmills, a daily stage run to Leonidas, and "two good hotels"
with telephone connections through Michigan Bell Telephone Company. The village was linked
to the major cities of Michigan, Indiana and Illinois by rail through the Air Line division of the
Michigan Central Railroad which had been completed to Colon from Jackson on July 3, 1871.
The medical needs of the community were being met in the early 1860s by the community’s own
doctor and druggist. The social and spiritual aspects of community life were served by a Masonic
Lodge and four churches; the Baptist, Methodist, Presbyterian, and Universalist. The trappings of
civilization had come to Colon.
Colon developed into a vigorous agricultural community in the latter half of the 19th century. In
1876 agricultural products shipped from Colon on the Michigan Central Railroad were listed as
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follows: 745 barrels of flour, 26 cars of hogs, six cars of sheep, five cars of cattle, 46,450 bushels
of grain. The first decade of the 20th century found Colon a well-developed village and the
community was incorporated as such. Another industry had come to town ... a knitting factory
which in the year 1903 produced 58,457 dozen pairs of knit gloves and mittens. Social life in the
community was further augmented during the first and second decades of the 20th century by
road show companies performing at the Hill Opera House which had a seating capacity of 800.
Further entertainment was provided in the early 20’s when the people were treated to silent
movies at the Dreamland Theater. Educational opportunities were increased by the construction
of a library and a new high school. A fire department was established in 1904 following a fire
which destroyed two major buildings. In short, Colon developed in much the same way as other
farming communities in Michigan. Colon’s history, however, was to take a unique turn in the
summer of 1926 when a man by the name of Harry Blackstone visited Colon.
Harry Blackstone was one of the more
prominent stage magicians of the 1920’s and
30’s. Harry Bouton (Blackstone was his stage
name) was born in Chicago, the son of a hat
maker. He and his brother Peter began their
stage careers doing comedy magic. Gradually,
the art evolved into a full evening show of
illusions with Harry doing the performing and
Peter working behind the scenes building the
illusions. Blackstone’s show grew in size and
by 1927 a crew of a dozen people worked and
traveled with Blackstone.
During the off-seasons of the early 20’s, Blackstone and his troop traveled to West Lake near
Kalamazoo to refit old equipment, build new effects, and relax. The company grew too large for
the accommodations at West Lake and Blackstone looked elsewhere for a summer place. In the
summer of 1926, his wife, Inez, drove her car south (by chance) from Kalamazoo through
Leonidas and into Colon. At the western edge of the village she noticed Angel Island in Sturgeon
Lake. Upon investigation, she found that the island was for sale, and she placed a down payment
on the property. Harry found that the island was ideally suited for his purposes. There was a
frame house and a large barn where the stage equipment could be stored and many animals
which were used in the show could be kept. The barn would also serve as a worship. There were
several cottages which could be used to house the crew. Blackstone purchased the island that
summer and from then until 1949 Blackstone called Colon his home. Blackstone moved to
California (for health reasons) in 1949. However, he always claimed that he would rather live in
Colon than anywhere else in the world.
Colon’s romance with magic began that summer of 1926. Blackstone gave many of the
townspeople their first taste of magic at a local citizens’ club lawn party that first summer. The
impression Blackstone made on the people that afternoon was very favorable. The local
newspaper reported that his performance at the lawn party was the surprise of the afternoon and
referred to him as the world’s greatest magician. The townspeople enjoyed having a celebrity in
their midst.
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Blackstone Island, as it was renamed, formed a fairy-tale setting in those days. There was only
one dirt road of access which crossed a small land bridge between the village and the island.
There were row boats for fishing Sturgeon Lake and the St. Joseph River which flowed through
the north end of the lake. It was like having one big family for the members of the troop.
A typical day on the island began at about 7:30 a.m., with lazy smoke circling out of the chimney
from the kitchen cook stove in the main house signaling that it was time for the entire crew,
sometimes as many as 22 people, to come for breakfast. Afterwards, each person would go about
his assigned duties.
The stock boy’s duties included looking after the livestock which included a camel, a horse, and
many smaller animals and fowl such as: ducks, geese, doves, and, of course, rabbits. Those
involved with the actual presentations of the show had to rehearse, particularly the new tricks.
Set designers and stage hands were busy building and designing stage equipment and painting
the backdrops, curtains, and other stage scenery. Everyone put in a full day’s work.
Another large meal would be served at the main house in the evening. On many occasions, the
generous Blackstone would add to
the numerous table guests by
inviting friends from the village to
dinner. Frequently, other magicians
came to the island to visit the wellknown magician and, they too
became members of the household
for the duration of their visits.
Colon’s summers were from this
time on transformed by the many
unusual and exciting happenings
related to magic.
Such was the spring and the
summer of 1927, which found
Blackstone at home in Colon after
closing his road show in South Bend, Indiana for the season. The month of May was a busy one
for the crew, taking care of the "carloads" of equipment. It should be mentioned here that the
show traveled by rail; Blackstone rented an entire Pullman car for his troupe and a box car for
the equipment. Extra space for magical equipment was gained by using the passengers’ luggage
space in the baggage car. Each member of the show was allowed to take only carry-on luggage.
That May the crew was especially preparing new illusions to be presented by Blackstone at the
second annual convention at the International Brotherhood of Magicians, of which he was vicepresident. It was at this convention in Kenton, Ohio that Blackstone renewed an
acquaintanceship with an Australian magician, Percy Abbott. Blackstone invited Abbott to return
to Colon with him to enjoy some fishing and the relaxing environment of the small town. The
local citizens were so preoccupied and awed by Blackstone’s underwater escape in Sturgeon
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Lake, that the man who would be most responsible for making Colon the "Magic Capital of the
World" went unnoticed. The local newspaper stated that a crowd of nearly 2,000 was on hand for
the feat, which created a traffic jam on the island. Blackstone was bound up in rope by " ...local
and well-known people who were sure they could bind Harry so that he could not loosen the
shackles ..." He was then placed in a box and the lid nailed shut. The box was lowered into
Sturgeon Lake and a short time later Blackstone appeared on the dock. Publicity for the event
was well done and "Two moving picture operators were on hand to film the feat ..." Blackstone
certainly was the "world’s greatest magician" as far as the people of Colon were concerned.
When Percy Abbott arrived in Colon that summer, he intended to relax, visit with Blackstone, do
a little fishing, and then resume his tour of the United States. Instead, he stayed a life-time in
Colon. He married a local girl, raised four children, and founded what was to become the largest
magic manufacturing company in the world. Over the course of the next 30 years, Abbott was to
become a name known the world over by magicians. Though Percy Abbott never took the place
of Harry Blackstone in the hearts of his fellow "Colonites", he did as much or more to put Colon
"on the map".
At this point, it is proper to include a
little background material on Percy
Abbott. Abbott was a native
Australian, came from humble origins.
He lost his parents early in life and
was raised by a strict aunt. Percy
struck out to make his own way while
still in his early teens, doing odd jobs
in Sydney. It was in Sydney where
Percy became interested in magic and
opened a magic shop called the Abbott
Magic Novelty Company. Throughout
the early 20’s he toured the Orient,
playing many small theaters and
sometimes earning only enough for
passage to the next island. He returned to Sydney and his shop periodically, when bookings
and/or income failed. It was such a tour that brought him to the United States, where he enjoyed
moderate success. His passport listed England as his destination, but he was not to arrive there
until 32 years later.
A few days after his arrival at Blackstone Island, Percy met Gladys Goodrich, a local girl, and
decided to make Colon his home. During the year 1927, Colon’s first magic business was
"established and arranged" between Abbott and Blackstone. The Blackstone Magic Company, as
it was called, was dissolved after only 18 months and the men never met publicly or privately for
the rest of their lives. The great Blackstone never appeared at a Get-Together until after Abbott’s
death. In his biography, Percy preferred to "...skip over this particular era ..." because it held
unpleasant memories which were not good for him nor would they be good for the reader.
Actually, there was no real scandal behind the split. It was more of a misunderstanding which,
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because of the personalities of the two men, became an irreproachable breach. While on the road,
Blackstone "traded" an amount of merchandise from the magic shop to a magician for an
illusion. (An illusion differs from a trick in the size of the presentation, and might be referred to
as a big trick.) The magician promptly sent to the Blackstone Magic Company the illusion and a
list of merchandise promised to him by Blackstone. Percy sent the merchandise and assumed that
the illusion then belonged to the company. Later, Percy sold the illusion to another magician.
Blackstone finished his tour and returned to Colon, only to find that "his" illusion had been sold.
The situation simmered for a short time and then a verbal storm erupted when the two men met
in a local store. Percy closed up the shop and that was the end of Colon’s first magic company.
The history of the magic manufacturing business in Colon from this point on coincides with the
life of Percy Abbott, rather than Harry Blackstone. While Blackstone brought fame to his name
as a great magician, "Abbott built a magic manufacturing company which has become world
famous for its quality-built magical effects.
Following the closing of the magic shop, it was back to the road shows for Abbott. He accepted a
job working with Jean Huggard in the spring of 1929. Huggard produced a show which had been
playing at Coney Island, New York successfully for years. 1929 was the year of the stock market
crash and people had no money to spend on Coney Island or magic shows. After trading an
illusion for a spare tire, Percy returned to Colon.
Abbott married Gladys Goodrich and they began playing schools and auditoriums. They
continued this for the next five years, earning a reliable income in a time of financial disaster.
The couple added to their school dates with theater bookings and two summer sessions with a
carnival. In February 1934, Abbott’s first child was born. This brought a halt to road shows for
the couple. Percy felt it was not a good idea to raise children "en route" and the couple settled
permanently in Colon.
In January of 1934, Abbott opened his second magic company in Colon and named it after the
shop he had owned in Sydney, Australia. The Abbott Magic Company was located above the
A&- Grocery. Percy went to the local printer on credit. In order to supplement the income of the
business during its infancy, Percy continued to play shows at local schools and nearby theaters.
In March of 1934, a young magician from Eaton, Ohio came to Colon to see Abbott about
enlarging his act. Recil Bordner was that magician and had received one of Percy’s catalogues in
the mail. The two men had met before in 1931 in Montpelier, Ohio. Percy had been working with
the Skippy LaMore Show, a road company that did three-act plays. He did magic tricks during
intermission.
Bordner was the son of a thrifty Ohio farmer. Farming, however, did not appeal to the young
man and he decided to become a "mind reader" in order to earn enough money to go south for
the winter. With a cousin as a partner and a home-built radio set, Bordner performed his first and
last mind-reading act in Hicksville, Ohio. It was his last mind-reading act because people asked
question which could not be answered. The questions pertaining to the stock market were
particularly hard. In one incident, a woman followed Bordner back stage, demanding an answer
to her question concerning stocks. This experience convinced Recil that it would be safer to
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become a magician. He has seen a hand bill that a magician by the name of Abbott would be
appearing in Montpelier and decided to attend, hoping to pick up a few pointers from a
professional.
Following the performance, Recil
went back stage to meet the
magician and ask questions. Abbot
recognized an economic opportunity
and promptly sold the amateur
magician three lessons in magic for
ten dollars.... quite a sizable amount,
considering the fact that the country
was in the midst of the Great
Depression. Bordner received lesson
number one that night along with a
small trick. Lesson number two was
given the following week at the
same theater in Montpelier when the
road show returned on its circuit.
That night the attendance was so
low that the theater manager canceled the company’s engagement for the rest of the season.
Bordner had to travel to Colon in order receive the third lesson. This was Recil’s first visit to
Colon, where, two years later he was to become a partner in a magic business destined to be the
largest in the world.
Bordner spent 1932 and 1933 doing small magic in Ohio and Indiana. He enjoyed enough
success to make him consider enlarging his act to include illusions. He thought this would enable
him to book carnivals and county fairs. With this in mind, Bordner traveled again to Colon in
March of 1934 to see Percy Abbott.
Abbott was in debt to the local printer for printing the 20-page catalogue of tricks and again
recognized an economic opportunity in Recil Bordner. He convinced Bordner that if he wanted
to invest in magic, it would be wiser
to buy into the business of
manufacturing magic, specifically,
the
Abbott
Magic
Novelty
Company.
Bordner
borrowed
$1,000 from his father and bought
half interest in the company, and a
partnership was formed which
lasted until 1959.
The new business remained above
the grocery store until Labor Day of
1934, when the partners leased a
building which had been a carriage
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factory from Atty. Jay Peters. The two-story frame building was well suited for the new business
with the first floor serving as an office and workshop while the second floor was converted into
"...a beautiful little theater with proper setting for performing the new magic ...." which the firm
was to build. During working hours, the second floor was also used as a paint shop. The partners
painted the building black. Recil used a stencil which he had cut for an illusion and painted white
skeletons on the structure. The present-day factory is painted in the same eerie fashion.
In an attempt to increase lagging sales, the partners decided to hold an open house on Saturday,
Sept. 15, 1934. Advertisements were placed in trade journals. The event was attended by 80
magicians and sales totaled $88.00. Magicians came from Kalamazoo, South Bend, Detroit,
Grand Rapids, Cincinnati, Toledo, and Fort Wayne to watch two hours of magic performed by
several magicians including Recil Bordner. Abbott acted as master of ceremonies, and his wife,
Gladys, accompanied the performers on the piano. Following the show, a buffet luncheon was
served to the performers and audience. The open house was closed to the public in general.
However, several local dignitaries were invited, including Dr. Niendorf and his wife and the
Superintendent of
Schools, A. Jaffe
and his wife.
Considering the
one day’s sales of
$88.00,
the
occasion had been
a financial, as well
as
a
social,
success for the
new
partners.
Encouraged by the
success of their
open house, the
partners
gave
public performances on Nov. 3 and 4 that Autumn. Children were admitted for 10 cents and
adults for 35 cents. The show was again two hours in length, but this time only two outside acts
were booked. Abbott and Bordner were the main attractions. Bordner performed "Paintings from
the Great Beyond" and Percy presented the company’s "latest magic creations". The success of
the two public shows and that of the open house convinced the partners to host the first annual
Abbott Get-Together in the autumn of 1935. That year it was still a one-night affair, held in the
tiny Abbott Theater which could accommodate an audience of only about 100 people. Again,
only magicians were invited. It was during this convention that Lester Lake (Marvelo), an escape
artist, coined the phrase "Magic Capital of the World". He chose this phrase to describe Colon
because Abbott’s Magic Novelty company was fast becoming a leading producer of magical
apparatus in the United States; because the Great Blackstone made his home in Colon; and
because the Abbott Get-Together was becoming a major attraction for magicians. The phrase
caught on and is still being used today.
The 1936 Get-Together was held Sept. 12th at the Abbott factory and was referred to as the
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Third Annual Get-together. The partners counted the open house of 1934 as having been the
first. The Saturday night show had been increased to 14 acts and the theater was enlarged. Some
of the more famous magicians of the day were present in 1936, including the "Great Nichola
Marvelo", Lester Lake, who had the "biggest show in America" that year. Lake, a good friend of
Abbott, directed an impromptu performance outside the magic shop on Saturday afternoon,
which the public was allowed to view. The following acts appeared: Geo. Paxton, Ed Little, Bob
Gysel, Al Saal, John Skinta, Percy Abbott, F. W., Thomas, Dr. Zola, Jimmy Trimble, L. L.
Ireland, Joe Bert, C. L. Breindenstien, Mahendra, and Dave Coleman.
In that year another aspect of the Get-Together developed when there was an extemporaneous
performance for early arrivals on Friday evening. This became a standard feature of the GetTogether and is now called the Night Before Party. Two hundred and fifty magicians registered
for the 1936 convention. The Saturday night show, the largest yet, included the following acts:
Sid Loraine, emcee; Bob Wedertz, Recil Bordner and Percy Abbott, creations; Harry Cecil,
George Paxton, illusions: Ralph W. Hull, cards; Lyman, originalities; Kathryn Elliott and
Marvelo of "Burned Alive" fame; Doc Coleman in Hokum; Jimmy Trumble, artist magician; The
Great Nicola.
The popularity of the Get-Together was growing at a rapid rate and Colon’s name was becoming
associated with magic by a growing number of magicians. Following the Get-Together of 1936,
the local newspaper, The Colon Express, referred to Colon as the "Magic Capital of the World"
for the first time. The paper justified the boast stating that, "Abbott’s original made magic is
supplied to magicians in all parts of the world, and through the activities of the Abbott Magic
Novelty Company, Colon, Michigan is recognized as "The Magic Capital of the World."
The Abbott Theater proved to be inadequately small in 1936 and the Saturday evening show was
followed by many impromptu performances on the sidewalks and in the street in front of the
magic factory. Because of the increase of attendance and public interest, the partners rented the
high school gymnasium for the 1937 Get-Together.
Over 500 magicians were
registered in 1937 and the
pubic was invited for the first
time to an Abbott GetTogether. There was a special
performance staged at the
auditorium for the public on
Saturday afternoon. A portion
of the public must have
obtained admittance to the
evening performance as well,
because there were over 1,000
spectators crowded into the
auditorium, which had an
official capacity of only 800.
There were many "on the spot"
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antics that year, including one magician who was suspended upside down from a downtown fire
escape in a straight jacket from which he escaped.
In addition to the Night Before Show, which was held at the factory for magicians only, there
were lectures, discussions, and demonstrations at the Abbott factory all day Saturday and late
into the night following the evening performance. The Abbott Get-Together had come of age as a
major convention for magicians from all over the United States.
Obviously, the influx of 500 people into a village with a population of 1,000 was an exciting
event and the local merchants and residents of Colon looked forward to the Abbott Get-Together.
Many of the magicians arrived a day or two early and stayed until late Sunday. While some of
the magicians stayed in motels in Sturgis, Coldwater, and Battle Creek, a large proportion rented
rooms from local residents at one dollar per night. Merchants naturally enjoyed good business
during the festive week end and the event was given much coverage by the local newspaper.
The success of the 1936 and 1937 Get-Together was augmented by the establishment, in January
of 1936 of The Tops - An Independent Magazine of Magic. The monthly magazine was printed
by the Abbott Magic Novelty Company on a press purchased from Frank Damon, publisher of
The Colon Express. Paul Goss, who worked for Damon, set type for the magazine at night. Percy
was the editor of the magazine until 1941, when he turned the job over to Mel Melson, an artist
from New York who was hired in 1940 to do the artistic illustrations for the Abbott catalogue.
The magazine, which was from 40 to 60 pages
in length, was filled with articles written by
magicians giving instructions for performing
their favorite tricks; gripe columns;
advertisements for all types of tricks; and
written materials concerning the presentation
of magic. The magazine differed from other
magic magazines in that membership in a
fraternal magician’s organization was not
necessary in order to obtain a subscription.
Subscription for the year was reasonably
priced at one dollar. The magazine brought to
the company increased status as a leading
producer of magical effect. It has continued to
be published to the present time with the
exception of a four-year period, 1957 through
1960, which will be discussed later.
In the seventies, Tops had a circulation of
more than 4,000 and was mailed to countries
throughout the world with the exception of
Red China and the Soviet Union. The
magazine is now under its third editor, Neil
Foster. Foster, a professional magician, settled
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in Colon following the 1959 Get-Together to work for Abbott’s as the artist for the catalogue,
which had grown to over 400 pages in length. When Tops resumed publication in January of
1961, Foster became the editor. The present $9.00-a-year subscription and advertisement sales
do not make the magazine a profit-making venture, but the president of Abbott’s (Recil Bordner)
feels that it is worthwhile because it distinguishes Abbott’s Magic company from all other
smaller manufacturers of magic and provides valuable publicity for the company.
Following the financial success and expansion of the business in 1936 and 1937, Abbott and
Bordner anticipated an equally good year in 1938. The first eight months of 1938 did bring good
fortune. The partners purchased the building that they had been leasing since 1934. The 1938
Get-Together was a repeat of the successful 1937 Get-Together with over 500 magicians in
attendance. There were hours of magical performances at the factory and impromptu acts on
main street of Colon all day Saturday, culminating with the big public show at the high school
auditorium on Saturday night. Then fortune changed for the Abbott Magic Novelty Company.
The week end after the 1938 Get-Together found Recil Bordner and Percy Abbott both out of
town on well-deserved vacations. That Saturday night disaster struck when fire gutted the frame
building housing the magic company. Nothing but a shell was left. The local fire department was
able to save some of the files, but the loss of stock and the building was still estimated at
$10.000.
The partners were faced with a grim, but not hopeless, situation. The loss was only partially
covered by insurance, but the Abbott Magic company’s reputation and credit were both very
sound. Percy was able to negotiate a loan from a personal friend in Jackson, Michigan. Jessey
Dowly, a magician and a owner of a spring factory, loaned the money for rebuilding, with the
understanding the Percy would teach Dowly’s two sons to be magicians.
During the days immediately following the fire, the partners received many offers from
surrounding cities to relocate their business. Some proposals were very generous, offering such
inducements as free rent on building that could be occupied by the firm. However, for various
reasons, the partners never gave serious consideration to these proposals. Most of the employees
were local residents. Abbott and Bordner themselves had established homes in Colon and had
become personally attached to the village. Therefore, once the loan had been acquired, a
contractor was hired immediately to construct a new cement block building on the site of the
original shop.
During the interim, the Abbott Magic company was relocated in temporary quarters. The office
and showroom were set up in the warehouse of the Lamb Knit Goods Company and the
workshop and printing shop in the vacant S. G. Snyder building across town. The conditions of
these buildings were less than ideal. Because of insurance difficulties, there could be no fire for
heat in the warehouse and the only warmth that October and November came from a hotplate
beside the typewriter of the office manager. The situation was only slightly better in the
workshop where a small wood stove was installed. These hardships were of short term, however,
and the new $3,600.00 cement block building was ready for the company to occupy by
December.
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The year of 1939 was a hectic one for the magic firm which had to rebuild its inventory of tricks,
fill standard orders, and make preparations for the coming Get-Together. The sixth annual GetTogether was a one-day affair and somewhat smaller than the previous year with the
demonstrations and impromptu performances taking place in the basement of the new building.
The year of 1940 found the Abbott Magic Novelty Company on the road to recovery from the
setback of 1938, and the Get-Together that September was attended by nearly 500 magicians.
The Night Before Show was held at the Abbott plant and Percy demonstrated the latest Abbott
effects with such intriguing titles as "Phantasmo: an illusion in which a girl’s head became
invisible. The first year of the new decade indicated good things to come for the magic business
in Colon.
December 1941, however, brought bad news for the nation and difficult times for the Abbott
Magic Novelty Company. Young men volunteered for the armed forces and others were drafted.
Abbott’s lost several craftsmen, including Paul Goss, the printer, and Wake Drake, business
manager. Unlike other builders of magical apparatus at that time, however, Abbott’s managed to
adjust and improvise. Retired men who had worked at Abbott’s returned to help out. While some
companies had trouble obtaining raw materials, Abbott’s did not. The Magic company had
obtained a government rating as a vital industry. The special rating was granted because the
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company supplied books on slight-of-hand for the Army, which used the books in their
recreational programs for soldiers.
Because of this, the company was able to buy surplus and scrap metal. The firm improvised and
many tricks were built from materials that would not have been considered worth using before
the war. The company "made do" and survived the war years.
During the war years, Abbott’s continued to host the Get-Togethers, which had become too large
for the high school auditorium. In 1942, there were three public shows held in the opera house.
Also in that year Skippy LaMore died, and Abbott’s purchased the tent theater used by the road
show. The 1943 and 1944 Get-Togethers were hosted in this tent. The tent theater was set up on
a vacant lot. The work was supervised by the "boss canvas man" who had worked with the
Skippy LaMore Show, Harley Otis from Hodunk, Michigan.
In 1945 the Get-Together’s public performances were canceled due to "uncertain conditions"
concerning the end of the war. However, there was a one-night open house, for magicians only,
at the Abbott plant where a small tent was set up to accommodate the crowd. With the end of the
war, the partners anticipated a return to the pre-war prosperity which the company had
experienced.
The post-war era proved to be one of boom and expansion for the Abbott Magic Novelty
Company. Abbott and Bordner increased the size of their building almost once and again with a
$2,600.00 addition. The Get-Together, which had grown to three public shows, plus the Night
Before Show for magicians only, was more successful than ever before. The big tent was
especially suited for the Get-Together activities, and helped to create a carnival atmosphere.
Saturday night performances were followed by special midnight spook shows. The official
capacity of the tent was 1,100, consisting of 700 folding canvas seats and 400 bleacher seats.
Actually, however, by show time, the audience surpassed this number when an extra 100 folding
chairs were crowded into the tent and standing admissions were sold.
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The gross sales for the business
surpassed $200,000 for the first
time in 1946. This increase in
sales was due in part to a
renewed interest in magic
following the war and more
directly to the expansion
activities of the Abbott firm
which had opened branch retail
shops across the country. The
New York shop was managed by
Jim Renaux and Ken Allen.
Karrell Fox and Ron Kissell ran
the Detroit shop. In Indianapolis,
Duke Stern was manager and
salesman. George Coon and
Doug O’Day operated the
Chicago outlet. The Los Angeles store was managed by Geo. Boston. The late forties were
indeed exciting and prosperous years for the partners in magic.
The hopes and expectations of the late forties dispersed in the first years of the fifties. The magic
business declined for assorted reasons to the end of the decade. In 1950, a dance instructor in Los
Angeles purchased a device called "Pufferoo" from Abbott’s branch store located there. The
device was operated by a foot pedal which ignited black powder producing a harmless puff of
smoke. It was used by magicians for flash appearances. This Pufferoo was to be used to enhance
a dance recital. It seems that the customer was not satisfied with the amount of smoke produced
and, thus, a stage hand added either more powder that was recommended or perhaps some other
material to increase the flash. The result was a large flash of fire which badly burned the legs of a
13-year-old student dancer. The student’s parents filed a damage suit against Percy Abbott and
Recil Bordner for $52,000. The suit dragged out over the next two years. The partners had no
insurance to cover such an incident. They could not find a carrier for their unusual business.
Only Lloyds of London would consider a policy and the partners had found the premium too
expensive. Needless to say, such a sum as asked for in the suit would have been a great loss to
the company and Percy feared that it would actually mean the end of the business. This
uncertainty led the partners to cancel plans for the 1950 and 1951 Get-Togethers. Finally, the
case was settled out of court with a considerably smaller judgment award to the family.
With the anxiety of the law suit behind them, the partners decided to host a Get-Together once
again in 1952. The convention, which was held in the tent theater, was well attended with over
600 magicians registered. Magicians were eager to attend, and those appearing on the programs
for the public performances were happy to have been booked. Following the event, however,
Percy vowed not to have another Get-Together in Colon because he felt the local citizens had
taken advantage of the magicians by raising room rents from $1.00 to $2.00 a night. Percy also
expressed disappointment with the lack of cooperation on the part of local businessmen, whom
he felt should cosponsor the event. After all, the local businessmen did benefit by the tourist
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trade during the week of the Get-Together. Businessmen in nearby towns had made offers to
cosponsor the event, and in October, 1952 Percy and Recil accepted such an offer from the Three
Rivers Chamber of Commerce for the 1953 Get-Together. The "Magic Capital of the World" had
lost the most prestigious gathering in magical circles.
Misfortune again struck the
Abbott Magic company in the
early morning hours of Saturday,
November 15, 1952. Once again,
it came in the form of a fire
which leveled a building that had
been recently purchased to house
the metal shop. In addition to
losing the stock and some of the
metal working equipment, the
firm lost the tent theater and stage
equipment which had been stored
in the building. The cause of the
fire was never fully discovered,
but faulty wiring was suspected. The building was only partly covered by insurance and, because
of the faltering financial situation of the business, the partners decided not to replace the
structure. The metal shop tools were moved into the basement of the cement block building.
A period of decline in the popularity of magic set in, and the expansion of the late 1940’s were
contrasted by the atrophy of the business in the early 1950’s. The business was failing to get the
orders it had in the past. Magicians were not buying new tricks. Some magicians were not even
replacing worn out equipment. Magicians, in general, were finding it difficult to find bookings.
Some professional magicians were forced into other lines of work to earn a living. One major
reason for all this, as explained by Percy, was the advent of television. When he found out that
one of his employees had purchased a television set, he exclaimed, "Don’t you know that is bad
for business?" In his opinion (Bordner concurred), people would simply not turn out to see a live
entertainment when they could sit in the comfort of their own homes and be entertained by the
"magic box". He was correct. Working magicians became fewer and fewer. The ultimate "trick"
could be purchased at the electrical appliance store. How could pulling a rabbit out of a hat
compete with a magical tube that could transport the viewer into fantasy land?
The orders continued to decline and business fell off. The branch and retail stores were closed.
Gradually, Abbott and Bordner were forced to lay-off many of their employees. Though not a
large number, under normal circumstances about 30, the number of employees dropped to an alltime low in 1957. There were two people in the wood shop, one painter, one printer, and one
employee in the sewing department. Recil and Percy handled all the office work, including the
shipping. In March of 1957, the last issue of Tops was published and the following year the
annual Abbott catalogue was simply a reissue of the 1957 edition with no new material. Gross
sales in 1959 had dropped to $55,000.00.
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The only bright spot for the
magical enterprise during
these years was the Gettogether, which brought
many magicians into contact
with Abbott merchandise.
These Get-Togethers were
held in various nearby cities
including Sturgis in 1955,
Battle Creek in 1956, Niles
in 1957 and 1958, and
Coldwater
in
1959.
Regardless of the good
attendance at the GetTogethers,
Colon
had
suffered greatly during the
decade which some writers
now characterize as the
"Good Times" era.
Percy Abbott had arrived in the United States in 1926, enroute to England. He had never
completed his journey. Following the Get-Together of 1959, he decided the time had come, not
only to finish the journey, but also to retire from the business which he had founded. Percy’s
partner from the beginning, Recil Bordner, purchased Abbott’s half of the business and became
sole owner of the world’s largest magical apparatus manufacturing firm. Percy Abbott, with his
wife, Gladys, left for the long-awaited visit to England.
In an effort to re-vitalize the business, Bordner embarked on an advertising campaign in several
magic magazines. He made plans to resume the Get-Together in 1960. He planned to host it once
again in Colon, but canceled the event when his former partner died in August. Throughout the
remaining months of 1960, Bordner continued his advertising campaign, and in January of 1961
the company resumed publication of its magazine under the title of The New Tops.
At the same time, Bordner had a catalogue printed with over 450 pages containing more than 100
magical items, including a substantial number of new effects offered for the first time. All of this
activity pointed toward August of 1961 and the resumption of the Get-Together. Bordner had
patched the breach between the company and local businessmen. Plans were made to stage the
event in the gymnasium of the new high school with the Lions Club as cosponsor. The stage of
the new facility was adequately equipped and extra bleachers set up at the rear, making the
seating capacity nearly 2,000.
The success of the 1961 Get-Together was insured when Bordner made arrangements for Harry
Blackstone to perform for the first time at a Get-Together. The elderly Blackstone, as previously
stated, had not been invited to past Get-Togethers because of the long standing disagreement
between him and Percy Abbott.
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Blackstone’s appearance at the 1961 Get-Together was a smashing success, as the magicians
watched him with nostalgia as he re-created the illusion of the "Dancing Handkerchief".
The Great Blackstone received a standing ovation from the audience of conjurers and laymen.
The Get-Together had returned
as the greatest magic convention
of them all and Colon was truly
the "Magic Capital of the
World". Blackstone died a short
while after the 1961 GetTogether and was buried in the
Colon Lakeside Cemetery. Thus,
the first two giants of Colon’s
magical experience were gone,
but the third carried on with
renewed vigor. The 1961 GetTogether was a great success and
Recil
Bordner’s
magic
manufacturing company was on
the road to economic recovery.
Bordner continued to invest in
advertising and throughout the
1960’s the company received additional free advertising from the local and national news media.
The company was featured on television in a program called, "Industry on Parade". The Saturday
Evening Post ran a story on the business, and Recil Bordner appeared on the television program
"To Tell the Truth". The publicity for the company was tremendous and sales continued to rise.
By the mid-sixties, Abbott’s business was back to its previous level of prosperity and continued
to grow. Each year brought more magicians to the Abbott convention than the previous one. New
attendance records were set at the public shows. The magic business, in general, experienced a
renaissance.
Magicians were being booked to entertain at all types of events, from children’s parties to
business trade shows, where magical effects are used to demonstrate new products. Television,
one the enemy of magic, now proved to be a tremendous promoter for conjurers. There were
weekly children’s magic shows and magicians appeared on late night talk shows.
A great boost to Bordner’s business was the building of the props for the "Ice Capades" show
which featured Harry Blackstone, Jr. in a magical extravaganza. The special equipment which
had to be custom built, took several weeks to construct and the total income to the company was
several thousand dollars. Just as the business was thriving and new goals were being considered,
Recil Bordner was hospitalized in the spring of 1967. He had suffered a stroke as the result of
pain from ulcers. The 1967 Get-Together was canceled, but Bordner’s recovery was swift and
the 1968 Get-Together was a complete success. By 1970, Recil was again looking forward to
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expanding the business.
Bordner purchased a building on the main
street of Colon to use as a retail outlet,
but more important as a diversionary
device to keep the curiosity seekers at bay
during the chaotic month of August when
tourists swell the population of the town
to twice its normal size. It was not that
Recil did not like people to visit the
showroom at the factory, but August is
the month when preparation for the GetTogether is at its frantic peak. Unless a
"customer " is seriously interested in buying magical equipment, there is little time for sales
people or Recil himself to spend time socializing. Therefore, Recil decided it would best suit his
purposes to open the store "downtown" during the summer months to accommodate the curiosity
seekers and beginning magicians. It was better to have one salesman occupied than disrupt four
or five employees at the main showroom.
In 1973, Bordner decided to make another sizable investment by paying one-half the expense for
having the high school gymnasium air-conditioned. His share was $9,000. The other half of the
money came from the school board, the Lions Club, American Legion, and individual
contributions. The air-conditioning system was installed in record time and was ready for use
during the 1973 Get-Together, making conditions in the gymnasium much more comfortable.
Previously, the audience and performers had suffered greatly as the August temperatures had
made the gymnasium virtually a giant sauna. The spectators for the public performances, by
1973, numbered over 1600 each night, and they did not seem to mind paying more for their
tickets, considering the new comfort of the gymnasium.
In 1974, Bordner began to make plans for further physical expansion, by purchasing a relatively
new building just outside the city limits. This building, recently vacated by a plastics molding
company, was twice the size of the original factory. Bordner’s plan was to relocate his wood
shop, which makes the custom-built illusions, in the new building. This would allow the metal
shop to expand into the space previously occupied by the wood shop. The new building would
also be altered to accommodate a paint room, where spray-painting and silk-screening could be
done. All painting had previously been done in a small two-room building beside the original
factory. This building, by 1974, was simply not large enough to do all the work being produced
by the metal, plastic and wood departments. Now, painting would be done at both locations. A
great deal of new equipment, such as power table saws, band saws, drill presses, drum sanders,
and routers, was purchased and installed. The new building was occupied in June of 1975.
Today, Abbott’s Magic Manufacturing Company is in better financial shape than ever before.
The 1975 Get-Together set new all-time records for both magicians registered and public
attendance at the four evening performances, where over 1800 people were entertained each
night. The elementary gymnasium was packed from early in the morning until late afternoon
each day, with magicians watching demonstrations of new tricks, discussing old and new
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techniques, and remembering the
greats and near greats.
Author Update: Since Patrick
wrote this thesis over 35 years ago,
much has changed in the Magic
Capital but the one constant has
been Abbott Magic and the Magic
Get Together. In 1977, Abbotts had
perhaps
their
best
talent
competition when teenagers Lance
Burton, Jeff Hobson, and Mac King
won 1st, 2nd, and 3rd place
respectively. In 1979 Abbotts added
a Close-up Convention to its annual
events and brought in famed
entertainer Harry Lorayne to
lecture. In March of 2012 the
Close-up Convention celebrated its
33rd anniversary and is going
strong.
Throughout the eighties, Abbotts
attracted top talent to the Magic
Capital such as Lance Burton,
Karrell Fox, Harry Blackstone,
Franz Harary, Jeff Hobson, Gen
Grant, Mac King and Brett Daniels
just to name a few.
The 90's brought Abbotts into the digital age, in about the middle of the decade it ceased
publication of its popular magazine "The New Tops". In addition to many of the stars from the
eighties who also performed in the nineties, Abbotts brought in a new generation of Get Together
performers such as DARYL, Kevin James, Simon Lovell, Tom Mullica, and Tina Lenert. A usual
Get Together will have about 20 different acts just for the evening stage shows which allows
Abbotts a wonderful combination of the old and new. It was also during the 90's that the US
Congress recognized Colon and Abbotts Magic as the Magic Capital of the World, confirming
what Lester Lake had said nearly 70 years ago.
At the turn of the century, legendary Get Together performers such as Harry Blackstone Jr and
Karrell Fox had passed on, joining past generations of magicians such as Blackstone Sr., Don
Alan, Jack Gwynne, and many other famous magicians in the Colon Cemetery. The Colon
Cemetery has now become a tourist destination, so much so that a tour of the cemetery (by Al the
Only) was added to the Get Together's already tight schedule in 2008.
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Abbotts continues to bring the best talent in Magic to Colon each August for the Get Together.
New Get Together performers such as The Rhythm of Magic, David Sandy, and Oscar Munoz
join Get Together veterans such as Mac King, Kevin James, and Tom Mullica. This year’s Get
Together takes place Aug 1,2,3,4 2012 and we hope to see you all there!
The City of Colon also continues its growth
and evolution into magic history. In 2008
Colon broke ground on a new "Magic" park
that would feature a pavilion, boardwalk, and
kid’s playground in the center of the park. To
find out more about Colon be sure to visit its
site, www.colonmi.com where you will find
many galleries of pictures of this amazing
town.
Tops magazine returned for a few years in
2009 as “The Newest Tops” which served as
an interactive online magazine with many
popular writers including Jeff Hobson, David Seebach, Senor Rai, John Sturk, Tim Wright,
Sandy Marshall, Richard Hughes, Julie Sobanski, Ron Jaxon, Steven Spill, Steve Chezaday, Greg
Bordner, Henry Marchand, Magic Bob Zoerman, and Roger Magic Bus.
Today Abbotts is under the leadership Greg Bordner and where many brick and mortar magic
shops have become a thing of the past, Abbotts continues to thrive bringing its own
manufactured magic into the 21st century.
In 2011 Abbotts had a huge Virtual
Halloween/Magic event online that went on for two months! In 2012 Abbotts completely
digitalized their inventory making nearly 800 items available for instant download. The most
amazing thing about this is that each download cost is $4, whether it be a 1 page instruction or
500 page magazine.
It is indeed a bright future for Abbotts and the Magic Get Together
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Art of the Abbott Catalog
Catalog 1-2-6-7
The 1934 catalog was our 1000th download
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Catalog 9-13-15-16
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Catalog 17-18-20-21
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Catalog 22-23-24-26
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Art of the Get Together
The Get Together began in 1934, however our earliest record of art promoting the event begins 2 years
later in 1936. Below in chronological order is the promotional art of Abbotts Get Together
1930’s Get Together Posters
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Complete Get Together Performer List
Thanks to all the performers below who helped make 80 years in magic possible
ALL TIME GET TOGETHER PERFORMERS
Abbott, Bill
Abbott, Percy
2006
1934,1935,1936,1937,1938,1940,1941,1942,1943,1946,1952,1955,1959
Abrams, Stan
Adams, Don
Adams, Graham
1942
1980
1952
Adams, Ralph and Co.
Airjazz
Al The Only
Alan, Don
1969,1972,1988
1984,1987
2002
1961,1973
Aldrich, Steve
Alex, Lee
Alexander, Scott
1980
2015
2013
Alexander, The Great
Allen, Clive & Tracy
Allen, Kenneth
1953,1955,1957,1968
2013
1947,1949
Allen, Stan
Ammar, Michael
Anderson & Christine
Anderson, Doug
1984,1992,2012
1988
1959
1984,1990
Anderson, Gene
Andost
Andrews, Carl
1971,1976,1986,1990,1993,1996,2003
2007,2008
2001
Andrews, jeanette
Andy (Germany)
Antonio
Archer, Danny
2011,2013
1999
1949
2007
Archer, John
Arlene, Madam
Arnold, Les (and Dazzle)
2003
1973
2011
Arthur, Dirk
Arturo
Atkins, Jeffery
Aubrey
1977
1962,1964,1965,1966
1992
1949
Baaron, Dr Van
Bailey, Jim
Baker, Harry
1966
1955
1940
Ballantine
Balsters
Baney, Jason
1959
2000,2005,2010
1993,2000
Banjo, bob
Barans, The
Bargatze, Stephen
Barnett
1955
1987
2000,2005,2009
1958
Barron, Jim
Barrows, Jack
Barry, Ron
1991,1994
1976
1965
Bass, Jonathan
Bauer and Co.
Baum, Ed
1996
1957,1962,1966,1970
1943
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Baxt, Robert
Beck, Stuart
Becker, Fred
Becker, Linda
1986,1992
1988,1990
2001,2009,2014
1975
Bedwell, Ray
Belmont, Al
Ben, David
1949
2004
1985
Bengel, Robert
Benjamin, Arthur
Bennett, Dr. Zina
Bennett, Nils
1996
1980,1984
1942
2004
Bentley, Ward
Berg, Joe
Bergen, Edgar
1942
1936,1944,1946
1948,1952
Bergor, Ben
Berland, Sam
Berlin Brothers
1944
1972,1976
1969
Berry, Jay Scott
Bev Bergeron aka Rebo the
Clown
Bibik, Jeff
Biller, Steve
1990
Biro, Pete
Bishop, Jason
Chris Blackmore
1970,1980
2007,2015
2014
Blackstone Ladies
Blackstone, Gay
Blackstone, Harry Sr.
2007
2000,2004,2012
1964,1971,1974,1976,1977,1978,1979,1981,1982,1983,1984,1985,1986,1987,1988,
1989,1990,1991,1992,1993,1994,1995
1961
Blagg, Bill
Blaney, Becky
Blaney, Walter Zaney
2011
1975
1965,1977
Bloch, Rich
Block, Bruce
Bloenk, Bob
Bloom, Gaetan
2000
1987,1990,1996,2002
1991,1999,2006
2002
Bobo
Bode, Walt & Bev
Bogunia, Sean
1938,1947,1948,1949
1966
2001,2004
Boley, Bill (Colonel)
Bondreau, Dr.
Bongo, Ali
Booth, Ken
1973,1974,1976,1978,1992,1995
1953
1983,1995,2001
1959
Bordner, Recil
Borsh, Barry
Borst
1934,1935,1936,1937,1965,1970,1975,1978
1957
1958
Boston, George
Bouton, Pete
Bowen, T.L.
1949
1961
1948
Boyce, Alex
Boyer, Jeff
Brandyberry, Mark
Braun, John
2014
1993,2003,2009
1980,1986
1939,1943
Blackstone, Harry Jr
1962,1975
1998
1980,1982,1984
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Brazy
Breindenstien, C.L.
Brent, Lu
Britten, Noel
1937
1936
1947
2002
Brizendine, Bob
Brodien, Marshall
Brook, Jerry
2010
1978
1946
Brooks, Glenn
Brown, James Chantler
Brown, Randy
Brown, Russell
1983
1995
1977,1988
1952,1955
Bryan, John
Buckley, Arthur
Buddy Big Mountain
1977
1948
1986,1988,1991
Bundy, John & Morgan
Burden, Adam
Burger, Eugene
1998,2004,2013,2015
1993
2012
Burgoon, Tom
Burton, Lance
Burton, Nathan
Buss, Eric
2003,2008
1977,1982
1995
1996,2001
Bybee, Paul (Pablo)
Cairy, Dr. Clyde
Caldwell, Mike
1949
1942,1946,1952
1968,1970,1972,1976,1980,1987,1991
Calvert, John
Camagini
Campbell, Loring
Canapp, Earl
2001,2011
1946,1947
1938,1941
1969,1986
Cannon, Mark
Capehart, Chris
Caplinger, Lonnie & Wanda
2010
2002,2006
1994
Cardini
Carey, Chris
Carey, Vin
1939
1984,1989
1941,1949
Carmen, Vince
Carney, John
Carr, Vernon
Carrer, Charles
2005
1989,2010
1948,1953
1941
Caspian, David
Caveney, Mike
Ceasar, Ben
1993
1970,1975,1977,1978,1982,1985,1989,1992,1998,2010,2011,2012
1998
Cecil, Harry
Cedric of London
Cervine, Scott
Chambers, Lloyd
1936,1937,1942
1952
1986,1989
1946
Chang
Chapek, Tony
Charles, Tod
1953
2005
1997,2001,2006
Charvet, David
Chaudhuri, Arial and Damara
Chavez, Marian
2012
2003
1971
Chen, Juliana
Chen, Liu
Cheney & Mills
1998
2005
1991,1997
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Chezaday
Christian & Katalina
Chronos, Dr. & Ellen
Church, Jim
1992,1999,2003,2009,2013
2008,2013
1972
1965
Circus Boy
Clark, Tony
Cleve, Van
2007
1990,1992
1977
Clintons, The
Close, Mike
Cohen, Al
Cokendall
1949,1953,1956
1997
1989,1994
1957
Cole, Danny
Coleman, Dave and Pauline
Collins, Harry
1997,2004
1936,1937,1938,1942,1943
1972,1973,1977,1980
Colombini, Aldo
Coluzzi, Bob
Commins, William
1993
1974
1983
Conklins, The Amazing
Contento, Marcelo
Cook, Bill
Coon, George
1961,1964,1965,1966,1969,1971,1975,1976,1979,1982,1986,1999,2003
1993,1998
2014
1948,1949,1953
Copper, Ger
Cordays
Cornelius, John
1977
1978
1980,1984,1993
Cossari, Joe
Cox, Raymond
Cramer, Stuart
Crandall, Barbara (Miss
Michigan)
1964
1946
1957
Crandall, Clarke (The Senator)
Craven, Tom
Cresey, David
1955,1956,1957,1959,1961,1962,1964,1966,1968,1969,1970,1971,1972
2002
1990,1991,1995
Cripe, Tim
Cummings, Clare
Cunningham, Jason
Curtain, Tommy
2014
1959,1962
1991
1978
Cyprian, Father
D'Rey, Phil
DARYL
1982
1953, 1958
1982,1996
Daikitanaka
Daley, Rose Mary
Dallas, Andy
2005
1953
1996,2007,2013
Dameon
Dance of Illusion
Dancing Magical Models
Daniel, T.
2015
2009
1966
1991
Daniels, Brett
Daniels, Dana
Daniels, Danny
1986,1988,1991,1992,1994
1984,1998,2012
1959
Dante, Domenico
Darnell, Nani
2002
1962
Darst, Nancy
Davenport, Roy
David and Dania
1997
1989
2005,2012
1987
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Davis, Earl
Davison, Pat
Davison, Peter
De Fakers
1952,1953
2014
1995
1947
De La Torre, Jose
De Yip Loo & Co
De Young, Dick
1975,1977,1994
1965,1970,1973,1975,1981
1956,1966,1974
DeVries, John
Dean, Douglas
Deeble, David
Deholt, Jack
1969
1971
1984
1968
Del Arno
Deleta
Dell Davis Girls
1948
1958,1959
1953
Dello, Karr
Demar, Bill
Derringers, The
1952
1990
1995,2000,2005
Devlin, Joe
Devon, Dave
Dew, Daniel
Diamond, Joe
2002,2008
1986
1940
2004, 2013
Diamond, Ken
Diamond, Paul
Dickson, Abb
1965,1972,1974
1986
1973,1974,1975,1977,1978,1980,1982,1983,1985,1988,1990,1992,1993,1997,2000
Dickson, Craig
Didomenico, Mike
Dillies, Lyn
Dimmare, James
1998
1999, 2000
1998
1984,1987,1992,2011
Dinon, Jack
Dirksen, Beth
Divad & Co.
1978
1973
1972,1980,1981
Domzalski, Walter
Doolittle, Mark
Dowley Brothers
1942
1973
1937,1942,1943,1953,1961,1962,1964,1965,1968,1969,1971,1972,1973,1974,1976,
1978,1979
1936
Dowley, Junior
Downey, Robert
Driscoll, Paul and Co.
1938
1965,1969,1972,1975,1978
1978,1979,1983
DuBois, Richard
Dunn, Ricki
Duraty, Les
1962
1959,1970,1988
1984
Dynamike
Eberhardt, Joan
Eckam, Elmer
Eclipse Illusion
2015
1942,1944
1949
1984
Eddie, Joe & Betty
Elliott, Katherine
Elliott, Lyle
1985,1986
1936,1937
1946
Elton, Terry
Emmett, Cal
Emmick, Paul
Enslows, The
2006
1966
2007,2010
1944
Estes, Lt Lee Allen
1943
Dornfield, Werner (Dorny)
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Evans, Celeste
Evans, Mark & Marlynn
Evanswood, Terry
Fable, Ron
1964,1970,1971
1981
1988,1990
1962,1966
Fabulous Mr Lyle
Fairchild, Magic of
Falkenstien, Glen
1968
2004
1979,1989
Fantasio
Farrell, Dick
Faulkner, Leland
Faust, Dr.
1966,1980
1957,1958
2015
1964
Fernandez, Ed
Fetsch, Hen
Fields, Keith
1983,1984
1955
2010,2015
Finney, Michael
Fisher, Rick
Fitzsimmons, Jim
1996,1999,2004,2012
1998
2003,2009
Flint, Howard
Flosso, Al
Foan Family Circus
Fogo, Dave
1976,1977,1985,1987
1947,1958
1979,1980
1942
Forget, Richard
Forton, Piet
2000,2007
1985
1952,1953,1956,1957,1958,1959,1961,1962,1964,1965,1966,1967,1969,1970,1971,
1973,1974,1975,1977,1979,1981,1982,1983,1984,1986
Foster, Neil
Fox, Karrell
1943,1947,1948,1949,1952,1961,1962,1964,1965,1966,1968,1969,1970,1971,1972,
1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,
1988,1989,1990,1991,1992,1993,1994,1995,1996,1997
Fox, Lynn
Fox, Peggy
Foxwell, Phil
1964,1973
1999
1940,1941
Frack, Julius
Franko
Franzen, Ivan
2002
1997
1964,1965
Freer, Winston H
Frewin, Greg
Frisbie, Hugh
Fu Ching
1940
1994,1998
1955,1994
1977
Fujisawa, Mayuko
Fukai and Kimika
Furiyama, Hikari
2005
1987,1992,1995,2002,2006
2004
Gabbay, David
Gamesters
Gancia, Mike
Garray & Tomio
2015
1998
2000
1976
Garray, Carl
Geoffries, Ron
Gerard, Glen
1974,1993
1998,2005
2001,2007
Gerber
Germain, Lee
Gertner, Paul
1943
1997
1975,1979,1994
Gillam, Aaron & Denise
Ginn, David
Giordmaine, Johnny
Glinski, Tom
2009
1978,1988,2008
1944,1961
1980
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Gloviczki, Peter
Goebel & Co.
Goldfinger & Dove
Goodliffe of Birmingham
1983,1984
1971
1994
1952
Gordon, Gene
Gorens, Linda
Gorham, Ace
1940, 1958
1975
1955
Gorky
Goshman, Al
Grabel, Lee
Graff, Rosalind
1982
1973
1955
1971
Grant, General
Grant, U.F.
Griffin, Ken
1982,1989
1940,1941
1968,1972,1974,1976
Griffith, Tony
Griswold, Stephanie
Groves, Ken
1981
1993
2000, 2013
Grundy, Fred
Gustafson, Bert
Gustafsons, The
Gwynne, Jack
1953
1938
1972,1973,1995
1961,1962,1965,1969
Gydeson, Walt
Gysel, Bob
Hahne, Marty & Brenda
1948
1936
2004,2006,2009
Haist, Carl
Hale, Howard
Hamners
Haney, Denny
1944
1979,1984,1985,1992
1993
2013
Hanning, Jim
Harary, Franz
Harris, Tom
1965
1980,1987,1988,1991,1993,1998,2003,2008,2012
1952
Harris, Walter
Harrison, Joe
Harrison
1941,1947
1993,2000
1956
Hart, Chris
Hart, Steve
Haxton, Francis
Haywood, Glenn
1992,2010
1995
1952
1974
Heitler, Joyce
Heller, Kevin
Helms, Mercer
1972
2000,2003,2008,2011
1966,1968,1970,1991
Henri, L.L.
Herbert, Jack
Herbert, Terry
Herman, John
1976
1941
1988,1992
1949
Higa, Bob
Hill, Rich
Hill, Tim
1974,1984,1988,2002,2010
1980
2000,2011
Hillburger, Mike
Hindman, Dale
Hirose, Johnny
1992
1991,2004
2005
Hite, Leo
Hobson, Jeff
Hodgson, Joel
1957,1966
1976,1977,1979,1980,1990,1991,2002,2007,2014
1989,1992
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Hoefert, Nevin
Holiday, Joe & Sharon
Holmes, James
Holsteins, Mark and Sue
1948,1964
2002
1985
1992,1994,1997,1998,2003,2006,2009,2011,2013
Hopman, John
Hopman, Marien
Hopper, Marilyn
1981
1981,2010
1943
Howard, Paul
Hoy
Hudy, Jason
Hugard, Jean
1962,1964,1969
1958
2014
1944
Hughes, Richard
Hull, Burling
Hull, Ralph W
1992, 1996, 1997, 2003, 2006, 2009
1943
1936,1937
Hummer, Bob
Hurd, Fred
Hurt, Bob
1941
1940
1955
Huston, Roy
Hutchinson, Reeder
Hyams, Jim
Invisible Inc
1959,1964
1940,1959
1990
1994,1998
Ireland, Laurie
Isaacs, Peter
Jacobs, Jackie
1936
1985
1975
Jacobson, Magical Matt
Jade
Jaks, Stanley
Jakway, Chris
1985
1992,2006
1955
1980,1981,1984,1987,1994
James, Ardan
James, Jacqueline
James, Kevin
1998,2003,2009,2012
1942
1984,1996,2002
James, Stewart
James, Trent
Jansen, Lindsey
1946,1982
2013,2015
1990
Jaronas
Jarvis
Jason, George
Jaxon, Ron
1974
1946
1956
2011
Jay, Joshua
Jaye, Aye
Jaye, Eddie
1997,2014
1998
1994
Jean Kettell Dancers
Jean, Barbara
Jepson, Bob
Jisun, Shin
1971
1994,2004
1986,1988,1993,1996,1997, 2002
2011
Johnsson, Rick
Johnston, Rory
Johnstone, George
1978
1982
1964,1970,1972,1971,1975,1986,1990,1992,1996,1998
Jones, Davey
Jones, Don & Co.
Jones, Little Johnny
1949
1988,1996
1964
Joseph, Eddie
Josephine
Joy, Bill
1952
1986
1964
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Jue Fong, Frank
Juggler Bob
Junge Junge
Jupiter, Mr
1947
2003
2001
1999
Kalin, Mark
Kalver, Bruce
Kaplan, David
1977
2008
1994,1996,2000,2006,2009
Kardyro, Tony
Karr, Todd
Karson, Joe
Kaschube, Mark
1962
1986
1946,1948,1949
1999
Katayama, Kazu
Katsatos, Jorgos
Kee, Kim
2010
2004
1955,1956,1968
Keeler, Steve
Kepner,Nathan
Keyes, Jamahl
1984
2005, 2011
1992,1994,1996,1999,2006,2013
Kidwell, Artie
Kikuchi
King and Zerita
King, Chuck
1987,1990,2003,2009,2013
1980,1983,1986,1988
1962,1966
1982,1984
King, Kevin
King, Mac
Kirk, Gene
2001
1989,1995,1998,2012
1965
Kirkham, Chuck
Kirkpatrick
Kissell, Roy
Kkan, Chami
1943,1949
1948
1962,1964,1965,1966,1971,1977
1955,1958
Kohl and Co.
Kole, Andre & Aljeana
Komar
1985,1987,1993
1971
1972
Koran, The Fantastic
Korst, Jeff
Kosky, Gerald (Mr. Oso)
1971
1982,1988
1949
Kovac, David
Kovari
Koyama, birdie
Kramer, Bob
2007
1985,1992,1997
2003
1970,1971,1974,1978,1981
Kramien, Stan and Co.
Kurtz, John and Maria
Kurzman, Al
1976,1979
1977,1980,1984,1990,1996,1999
1955
Kutch, Tim
Kyoka
Laflin, Duane and Mary
Lair, Michael P
2004
2008
1994,1996,1998,2005,2009
1990,2004,2006
Lake, Lester (Marvelo)
Lancaster, Brad
Larsen, Bill & Irene
1936,1937,1938,1940,1942,1943,1949
1999, 2004,2008
1980
Larsen, Geraldine (Gerrie)
Latimer, Jason
Lawrence & Co. (Mysterious)
1949,1956
2004
1940,1947
Lawrence, Reggie
Le Vries
Lee and Rosa
1962,1965
1957,1966,1967,1971
1956
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Lee, Stan
Leikert, Howard
Lenert, Tina
Lesta, Cliff
1943
1988,1989
1978,1982,1985,1989,1992,1998,2010,2012
1970
Leveridge, Mark
Levkovich, Amos
Lewis, Bill
1992
1993,1997,2009
1949
Lewis, Bob and Ginny
Lewis, Martin
Lewis, Trevor
Lim, Shin
1953,1955,1956,1957,1959,1961,1964,1965,1969,1971,1973,1975,1977,1981
1982
1980,1985,1992,1999
2015
Lines, Phyllis
Linn, Chris
Linsell, David
1943
2001
1981,1987,1991,2012
Little, Bob (Devino, Wiz)
Little, Ed
Lockman
1973,1986,1987,1990,1992,1995,1998
1936
1937
London, Ron
Losander, Dirk
Loomis, Dennis & Co.
Loon, T.R.
1993,2000
2014
1972,1975
2008
Lotz, Bob
Louine, Harry
1936,1937,1938,1939,1944,1946,1947,1969,1972,1973,1974,1979,1984,1985,1987,
1988
1942,1943
1949
Lovell, Simon
Luka, John
Lupo, Vito
Lupton, Sunny
1994,1997
2007,2011
1983,1991,2003
1969
Lyell, Edwin
Lyle, Mr.
Lyman
1965
1968
1936,1937
Mabelle
MacDonald, Stuart and Lori
MacDonald, Todd
Macdonald, Stuart
2014
1985,1986,1989,1993,1996,1999,2002,2012,2015
1995
2006
Madam Pinxy
Madden, Dave
Madsen Brothers
1942
1989,1991
1966,1974
Madsen, Bill
Magee, Ruth Ann
Magic Plumbers, The
1966
1955
1993
Mahendra, Doc
Majax, Gerard
Mallen, B.J.
Marcom, Ralph
1936,1937,1938,1939
1975
2009,2012,2015
1981
Lorraine, Sid
Marlo, Edward
1965
Marotta, Rich (and Twila Zone) 2011
Marquis, George & Co.
1937,1947
Marrax, Dr
Marsh, Dick
Marshall, Jay
Martin, Andrew
2001
1949
1959,1962,1964,1965,1971,1974,1975,1976,1977,1980,1986,1987,1990,1995,1999,
2003,2004
2004
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Martineau, Francis B
Mason, Bob (Punch & Judy)
Mate, Ken
Mattioli, Jay
1969
1968,1970,1972,1976,1979
2000,2006,2011
2000,2004,2007
Maverick, Bobby
Maxine
McAllister, Bob
2015
1949
1995
McBride, Jeff
McComb, Billy
McDade, Mike
McDonald Birch and Company
1993,2000,2013
1994,2002
1974,1975
1962
McDonald, Ice
McDonald, Ronald
McGill, Ormond & Co.
1999, 2005
1987
1952
Measner, John
Medina, Tomas
Melson, Howard
1988
2006
1941
Melson, Mel
Menotti, Francis
Merchant, Mark
Merdrake & Company
1940,1942,1946,1953,1955
2015
2005,2010,2015
1959
Merrill
Merry, David
Metz, Dennis & Peg
1957
2002,2009
1980,1983
Michaels, Pete
Miller, Brian
Miller, Mike
2000
2015
1959,1965,1966,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,
1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,
1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,
2011,2012,2013,2014,2015
1998
Milliken, Clint (The Millikens)
Mincone, Howard
Minder, Al
1949,1957
1999, 2008
1943,1944,1946
Minemura, Kenji
Mis, Richard
Mister E
Mitchell, Chris
2001
1961
1974
2003,2014
Mitton, Mark
Monsieur Brunard
Moore, E.J.
2003
1980
1938
Moore, Fred
Moorehouse, Buddy
Moorehouse, Hank
Morehead, Bob
2001,2005
2000,2010
1970,1974,1990,1991,1995,1996,1997,1998,2004,2008
1949,1953
Moreland, Reuben
Moretti, Hans
Morris, Phillip
2011
1985
1958, 1968
Morrison, John
Morrissy, John and Merry
Mulbarger, Earl
1956
1956
1937
Mulcay, Jimmy and Mildred
Mulholland, John
Mullica, Tom
Munoz, Oscar
1942
1939,1943,1944,1949,1957,1965
1971,1973,1975,1976,1977,1979,1992,1997,2012,2015
2003,2007
Miller, Gordon
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Muto, Keiko
Muzel, Ken
Myers, Bob
Myrick, Charlie
2002
1973,1981
1978
1995
Mysterious Manndott
Nabors, Dave
Nagy The Great
1962
1993
1959
Nardini & Nadyne
Neff, Bill
Nellar, Bob
Nelson and Montrose
1946
1944,1952,1953,1956,1961
1968
1942
Neuber, Brian
Nichol, Al
Nichols, Eldon
2005
1938,1948
1941
Nicola, The Great
Nicolet Magic Revue
Nielsen, Norm
1937,1942
1975
1968,1974,1990,1999
Nortons, The
O'Day, Dan
O'Days, Lucky
O'Dell, Dell
1959
1948
1959
1941,1948
O'Dowd
Oakes, Ruth
Oakley, Jim
1977
1942,1943
1994,2005,2010
Obrien, Obie
Odow and Sandra
Ogawa, Shoot
Ogden, Tom
2004,2009
1968
2014
1978,1987,1993,1997
Oliver, David
Olson, Howard
Olson, Rev. Bob
2001,2008,2014
1970
1973
Olympia Girls
Onosaka
Osborne, Tom
1955
2005
1943
Oslund, Dick
Otaski, Mickey
Otto, Greg
Otto, Harry
1975,1976,1977,1995,1999
1947,1948
1978,1984,1986,2009
1943,1944,1946
Outerbridge
Pabon, Abel & Marina
Pack, Bill
2014
1976,1987
1988,1989
Page, Pat
Palen, Joe
Palmer, Tom
Park, Jonathan
1997,2003
1976
1962,1965,1969
2002
Pasha, Gocia
Paul Le Paul
Paul, Howard
1956
1947
1962
Pavel
Paxton, George
Penn, Dale
1986,1990,1994,2000,2008
1936,1937
1973
Petrick & Mia
Pfannerstill, Larry
Pierce, Ralph
1988,1990,1996
1975
1966
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Pingali and Pinella
Pittman, Woody
Pitts, Billy
Platt, Johnny
1943
1997
1940,1942,1953,2010
1946,1952,1962
Plough, Alvin
Pollock, Kerry
Pollock, Hi
1939
2002,2007,2011
1957, 1959
Pomerance, Lee
Portala, Eli
Posgate, Bruce
Powell, Billy
1975
2002,2004,2011
1956,1961,1969,1984,1972,1974
1938
Powers, Mike
Pressley, Betty
Presto, Elvis
1989,2005
1957
2006
Preston, Theodore
Prince Zombie
Pryor, Randy
1990
1944
1984
Przysiecki, Pattrick
Puck, The Magic Of
Pullin, George
Pyle, Jack
2004,2011
2013
1938
1961,1978,1982
Rabit, Elwood
Radatz, Aaron
Rai, Senor
1977
2001,2006,2011
1986,1987,1991,1993,1996
Rainey, Tom
Ramer, Rex & Eilene
Ramm, Harold
Rapp, Gus
1947,1955
1966
1942
1949,1955
Rappa, Michael
Rauch, Matthias
Raye, Rita
1996
2001
1959
Raymond, Gene
Read, Bob
Rebecca
1974
1989
1997
Reberski, Jason
Reed Sisters
Reed, Shayna
Rench, Jack
2000,2004
2004,2009,2013
2005
1952
Reneaux, James
Rene
Rhythm of Magic
1952,1962,1964,1968,1970,1974,1979
1961
2012
Rice, Hank
Richards, Kent & Dottie
Ricketts, Jack
Riding, Joe
2005
1970,1972,1973
1943,1983
1981
Ries, Doug
Rinehart, G.R.
Rings, Sandy
2001
1944
1977,1979
Riviere, Marie De
Robbins, Todd
Robbins
1943
1977,2000
1958
Roberts, Whitey
Rocco
Rockhill, Tom
1977
1995
1949
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Rodgers, Joan
Rogers, Rick
Romaine
Ross, Jon
1949
1962,1966
1995,2003,2007
1998
Ross, Nels (aka Cremean)
Rossini, Rick
Rowan, Jerry
2001,2004,2011
1985
1999
Roxanne (Germany)
Roy, Marvyn & Carol
Roydens, The
Rumba, Bob
1999
1991
1952
2006
Rush, Marvin
Russ, Frank
Russ, Rob
1942
1957, 1958
2001,2005
Russian Fantasy
Ryan, Dick
Ryan, Jim
1982
1944,1971
1953,1971
Saal, Al
Salisse, John
Salwak, Dale
Samelson, Peter
1936,1938,1941,1942,1959
1983,1987
1968,1970,1973,1975,1976,1980,1981,1984,1986,1990,1993,1997,2002,2005
2015
Sands, George
Sandy, David
Saterial, George
1993
2007
1998,2006,2010
Saxon, Lucille
Scalzo, Frank
Scarlett, Peter
Schick, Matt
1944
1969,1971
1989,1997,2006
2014
Schindler, George
Schneiderman, Bob
Schofields, The
1982,1999,2008
1942,1943
2001
Schoke, Charles
Schuette, Paul
Schultz, Greg
1943
1962
1979
Schwieter, Maria
Scorpio & Linda
Scorpio and Fantasy
Scott, Derek
2010
1975
1990
2002
Scott, Gil
Scotti, Vito
Seabrooke, Terry
1987,1990,1993
1978,1979
1979,1983,1985,1987,1991,1995,2004
Seebach, David
Sefton, Brian
Selden, Josh
Serbiak, Paul
1983,1987,1991,1997,2003,2008,2012
1986
2014
1975
Shafton, Sol
Shang
Shannon, Jim
1974
1957
1955,1958,1959,1961,1962,1964
Shaw, Barclay
Shaxon, Alan
Shelly, Ali
1971,1972,1975
1997,2007
2014
Sherman, Jim
Sherms, Amazing
Shimada
1952
1964
2003
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Shirley, John
Shryock, John
Silly Billy
Skinta, John
1966,1971
2005,2014
1999
1936
Skiver, Ryan
Smalley, Lucy
Smiley, Josef
1999
1984,1987
1965,1970
Smith,
Smith,
Smith,
Smith,
1977
1939,1940,1941, 1958
1981
1999
Bill
H. Adrian
Landis & Co.
R.G.
Smith, Virginia
Smokini, The Great
Snyder, Joseph
1942
1955
1956
Snyder, Pep
Sommers, Jim
Souza, Marc De
1953
1965,1968,1976,1980
1996
Spain, Steve
Spangler, Bruce and Kathy
Spangler, Noel
Sperry, Dan
1978
1964
1942
2001,2004,2014
Spurlock & Co.
Stacey & Steven
Stadelman, Paul
1970,1973
1985
1943,1961,1967,1969
Stanley, Matthew David
Stap, Don
Stapleton, Dan
Star, Tim
2003, 2008
1996
2011
1980
Steele, Margaret
Steelgraves, The
Steinmeyer, Jim
1997
2015
1989,1992
Sterling, Jay
Sterling
Sterlini, John
1998,2008
1938
1993,1995,2014
Stern, Duke
1940,1942,1943,1946,1948,1958,1962,1964,1965,1966,1967,1968,1969,1970,1971,
1972
Stickley, Keith
Stoil & Kate
Stoner, Dick
2009,2015
2009
1994,2003
Stoner, Richard
Strange, Glenn
Straub, John
1947
1995
1953
Straw, Max
Strickler, Howard
Stunt Johnson Theater
Sturk, John
1959
1940,1942,1943,1946,1964
1990,1993,2000,2003,2007
2005,2006,2011,2013
Suey, Richard & Maria
Summers, Ken
Sundmans, The
1976,1977
1977
1972
Svetlana
Swan, Doc
Swann, Russell
Sweet, Don
1996
2013
1947
1941,1942,1943,1947,1953
Sweet, Neil
1947
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Sydney and Marilyn
Sylvester, Dan (The Jester)
Tadlock, Bill
Talent, Bill
1955
1992
1969,1978
1953
Tappan, Peter
Tarbell, Harlan
Taylor, Jania
1976,1984,1993,2004
1943,1949,1956,1958
1989, 1999
Taylor, Mark
Tazzi
Tendo, Mahka
Terhune, Max
2000
1957
1999
1957
The Great Ovette
The Henneberrys
Theobald, Don
1943
1956
1973,1974,1977,1996
Thiet, Dr.
Thomas, F.W.
Thomas, Phil and Kay
1993,1995
1936
1943
Thomas, Ward
Thompson, George
Thompson, Jimmy Kator
Thompson, Johnny (The Great
Tomsoni)
1983,1987
1949
1948
Thornton, Jesse
Thumm, Manfred
Timothy
1940,1941
1993,1995
2003
Tippen, Dale
Todmans, John & Betty
Toeller, Tom
Tom and Sherrie
1946
1975,1985
1975
1968,1970,1973,1974,1976,1980,1984,1986
Tomio
Topas
Tophat
1974
1999
1993
Torino, Senor
Toritto
Torkova
Tornquist, Craig
1962,1966,1969,1972
2007
1996
2007
Torrentis
Trace, Arthur
Trent, Bob & Roscoe
1948
2003,2007
1966
Tressler, Bill
Trimble, Jimmy
Troyans, The
1959,1997
1936,1937,1938,1940,1942,1943
1991
Uebele
Valentines Birds
Valentino, Clemens
Vampira
1955
1955,1961
2001
1962
Vee, Larry
Viano, Don
Victor & Diamond
1982
1971
1997,2012
Victorsberg
Virgil & Julie
Volta
Voronin
1961
1978
1943
1996
Voss, Lynn
1969
1988,1992,2008
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Wadsworth, Kip
Walker, Rick
Walker, Steve
Wandas, Suzy
1964
1975,1983,1984,2000,2008
2008
1953,1961
Warner The Magician
Watson, Bill
Watson, Monk
1942
2002,2008
1942,1944,1946,1957,1962,1964,1965,1966,1968,1970,1971,1972,1973,1974,1979
Watson, Trigg
Wawrzaszek, Jeff
Wear, Jimmy
Webber, Professor W.
2014
1977,1978,1995,2014
1961,1964,1972
1955
Weber, Jorg A.
Weber, Michael
Webers, The Deceptive
1989
1984
1972
Wedertz, Bob
Weeks, Larry
Weirdo
1936,1937
1958
1958,1959
Wellburn, Doc
Wells, Scott
Wenk, Tim
Wessely, Otto
1942
2014
1989
1982
West, Fielding
West, Marjorie
Whitcomb, Bob
2013
1942
1990
White, Joe
Whitehurst, Jim
Wiberg, Don
Wilcox, Earl Ray
1962
1942,1943
1974
1970,1976,1979,1986,1991,1994
Wilcox, Shirley
Wild, Boris
Willard, Frances
1942
2013
1979,1989
Williams, Adam
Williams, Geoff
Williams, Mitch
1996,2000
2013
1982,1983,1984,1986,1994
Williamson, David
Williston, Bill
Willmarth, Phil
Willow, Chad
1992,2010
1944
1984
1980
Wilson, Mark
Wilson
Windley, Chuck
1962
1937
1965,1972
Windsor, Jeanne
Windsor, Tommy
Witkowski, Ray & Deborah
Woodward, Mike
1943,1946
1944,1946,1962
2002
2002, 2007
World of Fantasy
Worpel, Charles
Wright, Tim (Skilldini)
1968
1948
1974,1975,1976,1977,1980,1983,1985,1987,1995,1998,2003,2009,2012,2015
X
Yamamoto, Yugi
Yedid, Meir
2004
2005
1988,1992
Yen, Rebekah
Yo Master Zeemo
Young, Jeff
1997
2000,2005,2010
1977
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Young, Joseph
Younger, Mike
Yumi
Ziegler, Don
2005,2011
1980,1981,1983,1994
2000,2005,2008,2011
1972
Zihao, Liu
Zimmerman, Diana
Zimmerman, Dick
2010
1971
1991
Zink, Al
Zodiac & Co.
Zola, Dr.
Zolot, David
1942
1973
1936,1937
1975
Zorch, Pernell
Zubrick Magic & Illusion
Zucchini Brothers
1994
2006
1989
Zwartz, Mark
1987
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Timeline of Abbott’s & The Get Together
1934 Percy Abbott Invents Squash (by Percy Abbott)
It has always been my habit, when required to do any deep thinking, to play around with ideas in Magic.
For me, this has been a beneficial way of clearing my mind. So, having something to think through, I
went alone to our bedroom and there proceeded to look over an accumulation of odds and ends – bits
of string, rope, playing cards, thimbles. Safety pins. - all those little gadgets with which all Magicians are
familiar. Suddenly an idea struck! I saw the idea for a new trick - in fact a new principle in Magic.
Hurriedly I set about constructing "the thing". it soon emerged in a very crude state. Now, to try it out.
My good wife was, of course, the chosen victim for this ordeal. If I could fool her, I really had a good
trick. I located her in the kitchen, preparing a meal, and I am certain that when I suggested she cease
her labors "to look at a trick", she could have gleefully thrown straight at me the skillet which she was
holding. However, being a fairly amicable individual, she stopped and watched the “miracle”. AND SHE
WAS FOOLED! My conversation went something like this. "We're going to start a Magic business,
manufacturing tricks, and THIS is the first one". The trick was named "Squash". It consisted of the
instantaneous disappearance of a glass of liquid. Many people have asked me, why the name "Squash"?
The naming of the effect was a snap decision, as have been all my decisions through the years, in this
crazy business. The name had sprung up from the recesses of my mind - a hangover from childhood, for
in my native country of Australia, I had had many times as a child partaken of a soft drink known as
"Squash". Thus, a business was born.
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1934 Abbott’s Magic Founded (by Percy Abbott)
Our bank account was well under a hundred dollars and I could see many future bills looming, but in
small quantities we purchased the needed articles to produce the little trick. Another and another trick
was added from my mental storehouse. (Now I knew the reason for the many years of travelling the
world, of seeing Magic in India, China, of going into out-of-the-way places to see Magic never seen by
white men before.) This coupled with the kindness of other people made it possible for us to hold on
until the business started to build up. In passing, I want especially here to mention the kindness of a
good friend, one I had met and known in many countries throughout the world, a great Magician and a
great man, Will Nicola. It was to Will I wrote for a small loan to tide me over a short period. Needless to
say, my request was immediately granted- His loan gave me not only money, but courage and faith as
well.
1934 Abbott’s Magic First Catalog Released (by Abbott’s Magic)
The first Abbott catalog was a little over 20 pages in size and included an advertisement for “Squash”
which began as follows. “The most sensational vanish of a glass of liquid ever invented. A right up-tothe-minute mystery for a pocket or platform trick. Original! Clean! Foolproof! Perfect! Listen in on this
and chance a dollar bill and you will have a novelty that you will use plenty.”
Note: The first (and second) catalogs are available in pdf format at Abbotts.
1934 Recil Bordner Partners With Percy Abbott (by Percy Abbott)
The business had been started only a short time when a young man, interested in this strange thing
called Magic, came to me and asked to toss in his lot with mine to further the interests of this new
venture. Thus, the partnership between myself and Recil Bordner got its start, and together, without
ever an argument or critical word, we have operated this unique factory for twenty-three years. His
patience and ability have been a great balance wheel for my rather stormy and rapid fire nature.
1934 The First Magic Get Together (by Patrick West)
In an attempt to increase lagging sales, the partners decided to hold an open house on Saturday, Sept.
15, 1934. Advertisements were placed in trade journals. The event was attended by 80 magicians and
sales totaled $88.00. Magicians came from Kalamazoo, South Bend, Detroit, Grand Rapids, Cincinnati,
Toledo, and Fort Wayne to watch two hours of magic performed by several magicians including Recil
Bordner. Abbott acted as master of ceremonies, and his wife, Gladys, accompanied the performers on
the piano. Following the show, a buffet luncheon was served to the performers and audience. The open
house was closed to the public in general. Considering the one day’s sales of $88.00, the occasion had
been a financial, as well as a social, success for the new partners.
1935 Abbott’s Magic Releases Second Catalog (by Percy Abbott)
GREETINGS, BROTHER MAGICIANS! In buying goods from this catalogue, we can assure you of the same
attention, service and satisfaction that you would receive were you to pay us a visit. We have the largest
factory, showrooms and magic theater in America. We also operate our own printing plant. Our
Mechanics are Magician Mechanics. Percy Abbott has had a lifetime experience in Magic, not only as a
performer, appearing in the leading Theatres in all parts of the world, but as an originator and
manufacturer. We know the needs of present day Magicians and produce effects accordingly, at
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reasonable prices, consistent with quality and high grade workmanship. Our service is the fastest in the
world. An inquiry receives equally as much attention as an order. We have visitors from all over
inspecting our plant. You are always welcome. Come and see how magic is made. If we advertise a trick
then it is good! Remember: Your money is no good to us without your good will and confidence. Your
first order will only be the beginning of a lasting business friendship with this Friendly Firm.
1935 Colon Called “Magic Capital” For The First Time (by Patrick West)
The success of the two public shows and that of the open house convinced the partners to host the first
annual Abbott Get-Together in the autumn of 1935. That year it was still a one-night affair, held in the
tiny Abbott Theater which could accommodate an audience of only about 100 people. Again, only
magicians were invited. It was during this convention that Lester Lake (Marvelo), an escape artist, coined
the phrase "Magic Capital of the World". He chose this phrase to describe Colon because Abbott’s Magic
Novelty company was fast becoming a leading producer of magical apparatus in the United States;
because the Great Blackstone made his home in Colon; and because the Abbott Get-Together was
becoming a major attraction for magicians. The phrase caught on and is still being used today.
1936 Tops Magazine Begins (by Percy Abbott)
As one of our magic friends said "Out of a clear sky came the announcement of the publication of the
Tops'. What is the big idea?" So perhaps a little something in this first issue on the Whys and Wherefore
should not be amiss. We know that many lovers of magic have thoughts, ideas, criticisms, etc., that may
be of help to others and to the advancement of magic. Then, again, you may have a grievance. You may
have been gypped in a magic deal; you may think that the Magic Club or organization to which you
belong can be improved upon, etc. The "TOPS", then is your magazine ... Use its columns. If you have a
logical reason for keeping in the background, sign your article "not for publication, but for our records,"
and use a pen name. Let it be understood right HERE and NOW that this magazine will positively not
cater to an individual or an organization. Other reasons for the entrance of the "TOPS" into the arena of
magic are that our business has progressed to the extent of the need of an advertising medium for our
products, etc. At the same time, ANY ONE dealer or individual may advertise—with one exception— we
hold the right to refuse an advertisement, if in our opinion, the advertiser is not sincere in his claims,
and one who has not proven trustworthy in the past. And again, we have tricks and ideas that we
believe will be of value and will be appreciated by the magic fraternity. In the course of the year 1936,
weigh up what you receive from the pages of the "TOPS" in proportion to what you pay. Our aim is to
have you say at the end of the year, "100 per cent satisfied."
1936 Get Together (by The Colon Express)
They came from North, South, East, West, and Canada to the third annual Get-Together at the plant of
Abbott's Magic Novelty Co.
LaMar, the magician from Chilicothe, Ohio, was the first to arrive at noon on Thursday, closely followed
by Alvin Richard Plough, manager of the Artists Bureau of Radio Station WLW, Cincinnati, accompanied
by Stewart Judah and John Braun, also of Cincinnati, and from then on, magicians from everywhere kept
on coming.
The Great Nicola, who has the biggest magic show in America, and recognized as the most traveled
magician living, was present, accompanied by two members of his company.
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An impromptu performance took place in the Abbott Magic Theatre Friday evening, and the following
took part: Percy Abbott, Stewart Judah, John Braun, Lyman, Ed Little, and Mahendra. The last named
gentleman created nothing less than a sensation with his uncanny mental feats.
Another performance was given outside the Abbott plant Saturday afternoon, under the direction of
Lester Lake (Marvelo). The following acts appeared: George Paxton, Ed Little, Bob Gysel, Al Saal, John
Skinta, Percy Abbott, F.W. Thomas, Dr. Zola, Jimmy
Trimble, C.L. Breidenstein, Mahendra, and Dave
Coleman.
There was magic everywhere. No matter what part
of the plant you would go, you could find the art of
deception in full progress.
Although the Abbott Magic Theatre had been
enlarged, it was far too small for the big night
show. Percy opened, and then handed the stage
over to that capable Master of Ceremonies and
Magical Entertainer, Sid Lorraine of Toronto,
Canada. The order of the program was as follows:
Bob Wedertz, Recil Bordner, Kathryn Elliott, George
Paxton, Harry Cecil, Lyman, Sid Lorraine, Al Saal,
Jimmy Trimble, Bob Gysel, and Lester Lake
(Marvelo). Mrs. Percy Abbott, pianist, furnished the
music for the performance, assisted by Miss
Kathleen Carpenter.
Space does not permit giving a detailed description
of each act; however, it was unanimously voted to
be the "Tops" in every respect, the mystery and the comedy being well balanced.
Immediately after the show was over, a buffet lunch was served out-doors. And then again more magic
here and there and everywhere, way into the small hours of the morning.
The Abbott show room was the center of attraction, and Percy and his staff were kept busy
demonstrating their many features.
One hundred and twenty visitors stayed over Saturday night, and the Abbott plant was again the scene
of much activity all through Sunday, the last of the visitors departing Monday noon, leaving Percy and
his staff tired but extremely happy.
This third annual Get-Together proved beyond a shadow of a doubt the popularity of the Abbott
Company with their friends and customers.
Prizes were given to LaMar for being the first visitor, and to R.D. Denbo for coming the greatest
distance, 853 miles.
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Abbott's Magic Novelty Co. is the largest manufacturer and dealer in magic in America, and it is the only
magic company with complete modern workshops, printing plant, magic theatre and the largest magic
show rooms anywhere.
Abbott's original made magic is supplied to magicians in all parts of the world, and through the activities
of the Abbott Magic Novelty Co., Colon, Michigan is recognized as "The Magic Capital of the World".
1936 Mutilated Parasols Manufactured (by Abbott’s Magic)
One Parasol used, creating the effect where silks, placed in a lady's handbag, change places with the
parasol cover. Our outfit is a beauty. Specially made variegated parasol cover, lady's handbag, silkseverything complete – nothing more to buy. Price 21.50, we pay the postage Comment at the last IBM
convention "How can you sell such a beautiful outfit at such a low price?" Answer: "You always get real
value for your money at Abbott's."
1937 Get Together (by Percy Abbott)
It's all over now until 1938. The date from now on will be the first Saturday after Labor Day, with
possibly the Friday before, or the Sunday after, being the second day.
There is no need for us to exaggerate in this brief account of the Abbott's Fourth Annual Magic GetTogether. It was 100% successful from every angle. The attendance was good (430 magicians and their
wives present); the free acts were good and not over done; the night show was good, starting promptly
at 8:00 o'clock and closing at 10:25 o'clock, only five minutes over time on a thirteen act magic show.
This was made possible by the efficiency of Ted Banks, stage manager, and the full cooperation of all the
acts taking part. The buffet lunch was not a minute late. The weather was great. Everybody was happy,
lots of fun, lots of magic, good fellowship, friendships renewed. We are proud of our friendships in
magic.
We appreciate to the full the cooperation of all who took part in the general activities. We thank Uncle
John Davison and Caryl S. Fleming for telegrams of congratulations.
Loring Campbell and Daniel Dew arrived first on the scene on Monday, September 6th. Doc Mahendra
was the last to leave, on Wednesday, September 15th.
The following acts appeared on the night program:
Sid Lorraine—Master of Ceremony
Kathryn Elliott
George Paxton
Dave Coleman
W. F. Dornfield
Lester Lake
Bob Wedertz
E. J. Moore
Anne Mahendra
Doc Mahendra
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Harry Cecil
Sid Lorraine
Jimmy Trimble
Percy Abbott
Mrs. Percy Abbott—Pianist
The free acts were performed by Lyman, Dave Coleman and Lester Lake. Standing room only at the start
of the show at 8:00 p.m. More than 100 turned away. The night show money was split up pro rata
among the performers and all expressed their entire satisfaction.
Bigger next year, and you are all invited. --Percy Abbott.
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1937 Garden Of Flowers Manufactured (by Abbott’s Magic)
Performed for the first time by Abbott at the I.B.M. High Point Convention. The title is by John
Mulholland. The perfect trick for the ‘all around you audience’. Beautiful, Showy, Spectacular. A foulard
is shown on both sides, then held by its center. A slight shaking of foulard and a wire basket is filled with
flowers. Magician next reaches up under foulard and removes a beautiful bouquet of flowers. A second,
third and fourth bouquet are produced in the same way, Making a gorgeous display. The flowers
supplied with this effect are of the highest quality, flexible and will last a life-time. The entire effect is
self contained. No body loads. Can be done anywhere. We supply the complete trick in its original form
as first introduced by Percy Abbott, consisting of foulard, 4 full sized feather bouquets and one basket of
flowers. Price $25.00 - We pay the postage.
1938 Get Together & The Abbott Fire (by Percy Abbott)
There was a "hot" time in the old town of Colon on Saturday, Sept. 10th, as the big show and other
"doings" of that evening climaxed the several days of visiting
with magician-friends, glutting ourselves with magical
demonstrations, and the dozen other activities which
constituted our annual Get-together. We had 283 magicians
registered. Counting the ladies and friends who
accompanied them and the twenty or so magicians who
came late Saturday and failed to register, we had over 500
visitors. At the big public show on Saturday night, literally
hundreds were turned away. We plan for two performances
next year ... We had meant to tell you more about this
enjoyable affair but our time and magazine space are
cramped by factors over which we had no control.
Sid Lorraine
We also meant to devote more space to Chester Morris and
his grand act which we caught at Flint, Mich. Everything
about both performer and performance was top-notch ...
And there was Chester with another very prominent theatre
manager, almost literally on his knees, begging him to play
just any dates which he could in his theatre. But Chester's
time was so fully booked that there was nothing for him to
do but hurry on to his bookings in large eastern cities.
Such things as these loomed large in our minds a couple of weeks ago. But now a bit of tough luck and a
tremendous load of extra work to be done have crowded all these thrills from our immediate thoughts.
You see on Saturday night, Sept. 17th, just one week after our big night, there was another hot time-too
literally a "hot" time-around the Abbott plant. At 9 P. M. with all of the staff off for Saturday evening,
fire broke out in the rear of the magic factory and gained much headway before it was discovered by
neighbors. The fire department was on hand in double-quick time and did a very remarkable job. Office
records, though smoky and damp, are still intact. More than half of the tools and heavy machinery
around the shop were salvaged without appreciable damage. All illusion cabinets, piano, curtains and
stage effects in the theatre upstairs were completely destroyed. The stock loss we estimate at $10,000.
But thanks to the fact that we had a very large supply of magic equipment- the largest, in fact, to be
found anywhere in this country-the remaining $20,000 stock enables us to ship almost all orders on
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time. Shipment of merchandise was resumed on Wednesday, with the office and the shipping
department in one "borrowed" building and the workshops located in an available building some few
blocks distant. We anticipate having everything strictly on schedule within a very few days.
Because we are printing this "Tops" on a smaller press than usual, and because much salvaging of
equipment and materials must he handled by our regular employees who understand the value and care
of the damaged articles, we feel much hampered and are compelled to omit some items which we had
hoped to give you in this issue. But we are getting "Tops" out AT THE USUAL TIME. Any of you who have
been thru this "fire and salvage" experience will understand how much effort is entailed in doing that.
Gerber the Magician was our first customer after the fire. Mr. Gerber came in at 8:30 o'clock Monday
morning. He found us already more or less 'established in new quarters and before he left he purchased
several pieces of magical apparatus. Mention of this is by way of convincing you of the most important
fact which we wish to get over that we are doing business as usual, and with our customary prompt and
careful service.
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1939 Eight Foot Guillotine Manufactured (by Abbott’s Magic)
The first one was developed and made expressly for Will Rock and now with his approval, we release
this feature to the Magic Fraternity for the first time. The Outstanding hit illusion of the Will Rock
Thurston Show. Prior to the decapitation the solid steel blade is raised and locked into position. A large
vegetable is placed in the head position in stock - The lever is operated BAM! the blade falls, cutting the
vegetable into two halves. The blade is again raised, the victim's head is secured in the stocks, a small
basket is placed in position to catch the falling head. The lever is operated. Down comes the blade! The
audience will swear that they saw the head severed from the body. As the magician removes the head
from the basket, they can plainly see the body lying flat on the platform, minus the head.
The 1939 Get Together is now past history, but the memory lingers on. Doc Mahendra was the first to
arrive on September 4th, and Guy Stanley was the last to leave on September 14th. The 310 present
found plenty to occupy their time in impromptu activities, the night-before show and the Saturday
afternoon show in the Abbott magic theatre at the Abbott plant. The Saturday night show attracted the
usual big crowd with the "Standing-Room-Only" Sign in evidence at 8 p. m. Mysterious Lawrence opened
with a juggling, balancing and musical act - and very good, too.
Next Jesse Thornton with tapes, coins and chopper. Jesse is a showman, and his act registered solid. No.
3 spot was held down by Walter Harris who held the interest of all with his nonchalant presentation of
miscellaneous effects. Paddy Hopkins in full Scottish regalia, used the Doll House in castle form to
introduce Miss Curly Hopkins in her very clever sword dance. Next was E. J. Moore in a cabinet act that
was fast moving and presented in the usual E. J. showmanship style. Moore was followed by Madame
Litzka, solo harpist, who literally stole the show. In private life Litzka is Mrs. Maurice Raymond. Come
again, Litzka, the boys voted you “Tops". Monk Watson closed the first half with a comedy magic act
that was really funny.
Norman Cummins opened the second half with Trouble Wit and his original door-to-door salesman
patter. A distinct novelty well received. Next came Winston Freer in knife through wrist, Maxam rope
and levitation. A most original magician. His levitation of a spectator convinced magicians present that
last month's write-up on this illusion was in no way exaggerated. "Litzka" next in a magic act that went
over very nicely.
Next in order in magic acts that went over very nicely was Majah (Jim Miller, President of the Magicians
Guild of America) in Seeing With the Finger Tips. It was put over very nicely, and in record time. Then
appeared L. L. Ireland and Frances Vandevier. Laurie's Cups and Balls was better than ever. Frances did a
novel chapeau presentation. A real act that was fully appreciated by the customers. George Paxton
followed with hat load combination and milk effect and clicked 100%. John Braun, next to closing act,
with dyeing silks and eggs from hat. John's act held the interest of the audience throughout, registering
many laughs. Percy Abbott closed with an act cut to two minutes, presenting Levante's Spectacular
Production and the Chests of Mystery. Sid Lorraine MC’d in his usual inimitable manner. His wine and
water trick being unusually good and really funny. The consensus of opinion was "A Great Show" —
capably stage managed by Lyman, assisted by Clyde Forrest.
A buffet lunch was then served at the Abbott plant, managed by Audrey Eggstaff, Mrs. Drake and Mrs.
Freer assisting. The plant closed at 3 :30 a. m. and re-opened at 7:00 Sunday morning. More magic all
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through the day! We were agreeably surprised at this year's attendance, for it must be remembered
that about 300 visited the plant at the time of the Battle Creek Convention.
1939 Magician Guild Put On A Special Get Together Show (by Abbott’s Magic)
In the auditorium of the Abbott plant, on Saturday afternoon, September 9th, the Magicians Guild of
America produced a magic entertainment, which from all reports was well accepted by the magi who
had gathered to enjoy Abbott's Sixth Annual Get-Together
The show was M.C.'d by the organization's president, Jim Miller, who also presented a chain escape
using the actual chain from which his elephant had escaped in Battle Creek. If an elephant can release
himself from the chain, it should be easy for a magi. Jim Miller was followed by Dr. C. F. Cairy with a
mental card problem. Don Seth presented the linking rings while under the scrutiny of two members of
the audience (H. A. Smith and Howard Strickler). It will be noted that these same names appear later in
the program. The execution of the ring effects was very good. Abe Warsaw, the only past president of
the Guild, was next with a giant card effect illustrating the unreliability of witnesses in court trials. A very
novel effect with an exceptional story. Alladin demonstrated his new "Milko" which is definitely
different. This effect had been seen the night before, but received a nice hand from the audience.
Delano repeated by request his nonsensical story accompanied by magical moves which never produce
any effects. This act was well liked. Duke Stern thoroughly entertained those present with his imitation
of the average magician. The absence of props of any kind made the act a positive riot. Howard Strickler
then appeared and called for two assistants from the audience. It was obvious that he intended to do
the linking rings so Don Seth and H. Adrian Smith volunteered. It was very fortunate that these experts
came to the stage, otherwise the whole act would have passed without the magical linking or unlinking
of the rings. It seemed that the spectators could link and unlink them easily, but the performer had
some difficulty. All in all it was very comical. Percy Abbott closed the show with one effect, Levante's
"Block and Ribbon" trick, which was such a hit at Battle Creek. As you may expect, it was also a hit at
the Guild show.
1940 Release of Catalog #6 (by Abbott’s Magic)
Honestly, preparing this book has been a job - but the result will be a job, too - a catalog that every
Magician will glad to own. Originally we planned a 500- pager. Then with a flood of new tricks coming
along, the thing called for expansion - and then more expansion - until the completed book as it comes
to you - and containing many tricks never before advertised - carries 544 pages with more than 1000
illustrations. Virtually every trick or effect in the book is illustrated. We feel that this Number 6 Catalog is
“Tops” in Magic catalogs, and that our friends in the fraternity will be glad they waited to get a bigger
book than we originally planned.
1940 UF Grant Joins Abbotts Staff (by Abbott’s Magic)
We wish to announce that we have taken over all of the U. F. Grant effects and that Mr. Grant is now
here in Colon and a definite part of our organization. We are proud of this acquisition, and that "Gen"
has at his disposal skilled mechanics to follow out his ideas - You can look forward to Startling Magic
Creations of the usual Abbott Quality, AT REASONABLE PRICES.
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1940 Howard “MEL” Melson joins the Abbott Staff (by Percy Abbott)
Howard Melson of New York has just arrived in Colon and is joining the Abbott staff for the next six
weeks as our staff artist . Mel will be doing drawings in that time for our upcoming catalog. Mel formerly
made the drawings for Grant's Gazette.
Note: Mel’s six week stint would turn into 18 years as he stayed on at Abbott’s till his death in
1958.
1940-Melson Takes Over Tops Editor Position (by Percy Abbott)
Next month Artist Howard Melson takes over the "TOPS." Mel knows Magic - and Magicians - and along
with his artistic endeavors has labored in the editorial field for several magazines... by the way, many of
his drawings will be seen in our new Number 6 Catalog... so, in handing over this job to "Mel", I know
that our "TOPS" enthusiasts will enjoy the change.
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1940 Get Together (by Mel Melson)
With a registered attendance of 473, the Seventh Annual Magic Get-Together staged by the House of
Abbott at Colon on September 7th passed into history as one of the most successful affairs of this kind.
Every feature of the convention was well attended and enjoyed by the visiting Magicians and their
wives. And the public show on Saturday night, the climax of the program, played to a packed house,
standing room being at a premium and more than a hundred being turned away.
The success of the public show this year was such indeed, that Percy Abbott announced that at next
year's get-together - the dates September 5th and 6th — there will be two public shows, one each night.
The extra show will be in addition to the regular features of the program.
The crowd began arriving on Wednesday and from then until Saturday night every hour brought in its
quota of visiting mystifiers.
Among the visitors this year were some of the outstanding professional and amateur Magicians of the
country, among them H. Adrian Smith, president of the S.A.M.; Doc Mahendra, Russell Swann, Judge
Frank Carter, Stewart Judah, Bob Anderson, Paul Rosini, Loring Campbell, James Kater Thompson, Dr. B.
Zola, Stewart James, Paul Ricketts, Jim Miller and Abe Warsaw.
Noticeable to those who have attended these affairs in the past was the absence this year of Sid
Lorraine of Toronto, Canada, who was unable to attend because of war time restrictions on Canadians
crossing the border. Heretofore Sid has acted as master of ceremonies for the various shows.
Of course the real center of activity was the Abbott plant. There was a veritable beehive, with Magicians
and their friends milling about, inspecting the Abbott stock, viewing the demonstrations of various new
tricks and apparatus fabricated by the Abbott artisans, and keeping the sale force busy supplying their
needs for winter programs.
Three shows featured the Get-Together program, one on Friday night, an impromptu "night before"
Magic show; one Saturday afternoon, presented by the Magicians' Guild; and the public show Saturday
night.
The public show truly was an entertaining performance, in as much as it was a real vaudeville bill, which
even though it did lean heavily on the Magic side - and good Magic, too - contained several novelty acts
to give it good balance.
Lester Lake, well known to all who attend the Abbott Get-Togethers, appeared as Master of Ceremonies,
introducing the acts and doing a trick or two himself.
Opening the show was George Boston of Chicago, who produced various pictorial scenes with rags to
good applause.
Following came Reeder Hutchinson and his company with a rapid succession of Magic with silks, flowers
and live stock. His combination of paper tearing, the Weller egg on fan, and the dove pan closed the act
and went over well.
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Loring Campbell, assisted by the charming Kathryne and a lad from the audience, featured the guillotine,
which half way through proved too much for the youngster and he ran from the stage. Campbell also did
the repeat bill trick, ABC card trick, and glass of water from bag.
Adrian Smith then appeared with a neat and clever presentation of the linking rings.
He was followed by Melba Dew who produced several beautiful sand pictures, closing her act with a
winter scene with an iridescent snowfall.
Jimmy Trimble then came on with a floating cane and then into several silk routines, each with a rabbit
finish, the bunnies in each case being handed out to his several youthful assistants who came from the
audience.
The first half was closed by Lawrence, who danced and juggled, at the finish balancing himself on a
teeter over a rolling log, playing a harmonica and juggling three balls at the same time.
Opening the second half came Daniel Dew, who after several magical effects which went over well,
broke into a musical act, playing several numbers on the saw and at the end producing tunes from an
inflated toy balloon. "Monk" Watson then appeared with the comedy act of the bill, doing an imitation
of a tight rope walker, clever and screamingly funny. Monk then introduced Csuri, a young magician
from Cleveland, who produced and manipulated coins and presented a number of difficult card fans.
Foxwell, the mentalist, came next with some Magic, a hilarious bit with two men from the audience and
the cut and restored necktie, closing with his memory act with the Saturday Evening Post.
Mel Melson then came on to draw in rapid succession a series of chalk cartoons, one of them upside
down and finishing with a beautiful poster of a Red Cross Nurse.
The show was closed by Percy Abbott, assisted by U. F. Grant and Kathryne Campbell. This was the high
spot of the show from the Magicians' standpoint, and each effect was greeted with loud salvos of
applause. Shown were the new Neonistic Silk Fountain from which came an almost endless supply of
silks; the Rod Through Girl; Cut and Restored Light Cord, and the latest creation of the Abbott plant,
Phantasmo, billed as the Zombie illusion, in which a girls head encased in a small cabinet is made
invisible. Duke Stern and his violin and Gladys Abbott at the piano supplied the musical accompaniment
for the acts.
Following the show the Magicians and their guests repaired to the grounds of the Abbott plant where a
buffet supper was served. Afterwards the plant was reopened and demonstrations presented for the
Magicians until the "wee sma' hours."
The "night before" party on Friday night was held in the Abbott Magic Theatre, and with Lester Lake as
M. C, a score of Magicians appeared briefly.
Those on this bill included the following: Leonard Eva of Saginaw; Jim Whitehurst, the boy Magician
from Fort Wayne; Howard Strickler of Toledo, who had some fun with cards and kids from the audience;
Winston Freer, who performed Crazy Time; Paul Schuette doing the Chinese Bottle and Rope trick, a fast
routine and with clever patter; (This trick was first announced by Percy Abbott in Magic for Magicians,
and cataloged by him as the Mystery Vase of the Orient. He first saw the effect in Japan); Teddy
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Strickler, with her hilarious impersonation of Mrs. Roosevelt as a Campfire Girl; Loring Campbell with the
repeat cigar trick; Doc Mahendra with his mental stunts; Jimmy Trimble, Stewart Judah, Adrian Smith, E J
Moore,Bob Anderson, Mysterious Lawrence, Lyman and his floating light bulb with gag finish, and Percy
Abbott and Gen. Grant presenting the latest Abbott effects and illusions.
Sometime after this show, on the stroke of midnight, to be exact, a séance was held in the Magic
Theatre, with Percy Abbott, Howard Strickler, Doe Mahendra, Judge Carter, Paul Ricketts, U. F. Grant,
Adrian Smith, Jimmy Trimble, Stewart Judah, Loring Campbell, Jimmy Kater, Bob Anderson and Lester
Lake seated around the table. With crystal balls and slates and other appliances to invoke the spirits, this
group of thirteen sought to get an answer to the question, "Who will be the next President?" After
twenty minutes, the answer was plainly written on one of the slates: Willkie. The Saturday afternoon
show was given over to the Magicians' Guild and the various acts were presented by Jim Miller of Grand
Rapids.
It was a short but entertaining program, the following performers appearing:
Kay Elliott with a thimble routine with a story in Southern dialect about her Aunt Martha; Hudson Cady
with a comedy pantomime act showing a kid witnessing an old-time movie thriller; Harry Gilbert, paper
tearing; Wayne Van Zandt with card prediction, various knots and a silk production; Bob Backus, clever
silk effects; Lawrence in a novelty musical number; Dr. C. F. Cairy with a rising card trick that fooled most
of the boys; Duke Sterns doing a clever imitation, sans apparatus, of a Magician doing a billiard ball
routine, cigarette production, and the vanishing bird cage, which brought a lot of laughs; Bob Haynes
with a floating color changing light bulb, an original effect which was very well received; and Abe
Warsaw closing the show with a clean torn and restored paper trick.
1940 Abbott Logo
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1941 Abbott’s Receives “Vital Industry Status” (by Patrick West)
December 1941, however, brought bad news for the nation and difficult times for the Abbott Magic
Novelty Company. Young men volunteered for the armed forces and others were drafted. Abbott’s lost
several craftsmen, including Paul Goss, the printer, and Wake Drake, business manager. Unlike other
builders of magical apparatus at that time, however, Abbott’s managed to adjust and improvise. Retired
men who had worked at Abbott’s returned to help out. While some companies had trouble obtaining
raw materials, Abbott’s did not. The Magic company had obtained a government rating as a vital
industry. The special rating was granted because the company supplied books on slight-of hand for the
Army, which used the books in their recreational programs for soldiers.
Note: Some of these small books have survived and are still available at Abbott’s – see Greg for more info
on these rare collectible items.
1941 “Encyclopedia Of Rope Effects” Is Published (by Abbott Magic)
Printing of the long-awaited Encyclopedia of Rope Tricks, that comprehensive compendium of rope
effects, is now under way and will be ready for distribution by the time the next "TOPS" is out.
Compilation of the book has taken a long time and Stewart James has done a good job of it. Each effect
is fully illustrated with drawings by Sid Lorraine and Howard Melson, each move being carefully
portrayed. The Encyclopedia of Rope Tricks will be a stiff clothbound volume and aside from its intrinsic
value as a comprehensive rope textbook, will be a definitely attractive addition to any Magician's
bookshelves.
1941 Grant & Thornton Suffer Injuries in Car Accident (by Abbott Magic)
Gen Grant and Jesse Thornton, both ace members of the Abbott staff, were the victims of an automobile
accident while on their way from Colon to Kalamazoo, Monday afternoon, May 19th. Both were taken
to Three Rivers Hospital, where it was found that Gen was suffering from possible internal injuries,
various bruises about the body and cuts and bruises on the face, while Jess suffered a broken left leg
and severe cuts on the face and hands which required much stitching. The accident happened about two
miles along the highway between Centreville and Three Rivers. The car swerved from the right side of
the road and before it could be stopped smashed into a tree on the left side. The car was practically
demolished.
The Abbott company, on behalf of the boys, wishes to thank the many friends for the numerous offers
of contributions for a hospital fund for the boys. However, fortunately, such a fund was not necessary,
as every member of the Abbott staff is fully protected by the company's group insurance and full salaries
are being paid the boys through the periods of their convalescence.
Several have written in asking how it happened. It was due to a bee flying into the car and sitting down
on Gen Grant, who stepped on the gas instead of the brake.
1941 Gen Grant Marries – Moves To Columbus (by Abbott Magic)
For weeks he said he was going to do it, and then he did. Speaking about U. F. (Gen. to you) Grant. He
said he needed more relatives, so he up and got married. So Magicians all over will be interested in
knowing that Gen's wedding with Miss Mary Dolores Barr, daughter of Mr. and Mrs. Arthur Barr of
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Columbus, Ohio, was the big event in Columbus on October 2nd. The ceremony was performed by the
Rev. Father William Maloney of St. Aloyisius Church, with Miss Eleanor Barr attending her sister and
Percy Abbott as best man. Following the ceremony, the principals and the immediate family of the bride
along with Mr. and Mrs. Abbott and "Mel" Melson partook in the wedding breakfast at the Hotel
Virginia, after which Mr. and Mrs. Grant left on a honeymoon trip to points in the East.
1941 Get Together (by Demon Rembrandt)
With one of the greatest of Magic conventions a matter of history, Percy Abbott, impresario of his
Eighth Annual Magic Get-Together at Colon, took a deep breath, and immediately started making
preparations for the Ninth Annual next year. "Bigger and better than ever" is still his slogan for these
affairs.
And not only Percy, but many of the departing Magi had thoughts of next year's conclave at Colon,
announcing that they would be back again next year, and some even went so far as to engage rooms for
the Magic Week of 1942.
The crowd this year surpassed all similar affairs staged by Abbott, the attendance figure being placed at
530, calculated on the number of cards signed by the visitors, with no account taken of those who came
in the last night and did not call for badges and tickets.
And among that crowd were many distinguished members of the profession, some of them attending
for the first time, all of them voting it the greatest convention ever. Among these were Charles Larson,
well known collector of magical items and a consistent conventioneer, although this was the first time
he attended an Abbott affair; Ed Reno, beloved patriarch of the profession; Dr. Harlan Tarbell, and
presidents and past presidents of most of the major magical associations. Three past presidents of the
S.A.M. were there - Werner Dornfield, Eugene Bernstein, and H. Adrian Smith the president of the I. B.
M., Bob Anderson, and the past president of that organization, John Snyder, Jr.; Judge Frank Carter, past
president of the Houdini Club; and all four presidents of the Magicians Guild of America - A. Warsaw, Jim
Miller, Clyde Cairy and Walter Z. Harris, now heading the Guild.
The large crowd taxed the housing facilities of Colon, but all were taken care of, and many were the
expressions lauding the folks of Colon for their splendid hospitality.
Early Birds Arrived Early
Magicians began rolling into town Sunday afternoon, the first to arrive being Loring and Kathryne
Campbell, who came from California with a brief stop at Lakeside, Ohio, and Bellcamp the Magician,
who had just completed a successful summer tour of Michigan summer resorts. Although the
programmed activities of the Get-Together did not begin until Thursday night, there were enough "early
birds" in town to have a show Wednesday night, so one was arranged. Lester Lake was introduced as M.
C. and he introduced Dr. M. D. Overholser of the University of Missouri faculty, who did a novel giant
card routine; followed by Loring Campbell and his pop up cigars; then Charlie Larson, who exhibited
some of his pet effects; Roy Hall with a rope trick, and Percy Abbott showing some of his latest
creations. Ray Cox also broke into the proceedings to demonstrate the Abbott Shrunken Head illusion.
Demonstrations in the Magic Theatre and showroom made the Abbott plant hum with activity Thursday,
with more and more visitors coming in. By this time the convention was in full swing and the keynote of
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"Fun" was being sounded intermittently by Howard Strickler, who was general chairman n charge of
extraneous entertainment (whatever that is). Incidentally, he did a good job of it, as always.
The new enlarged and revamped Abbott showroom was a revelation to the visitors and when Percy
cried "Demonstration" there was a rush for the chairs to see the mysteries he had to unfold. The Magic
Theatre's stage, a part of the showroom, was ideal for good presentation of every effect, all being
shown under actual "show" conditions.
One of the features Thursday afternoon was the appearance outside the plant of an ambulance which
brought Jesse Thornton from the hospital where he had been confined since his accident last May. This
gave his many friends at the convention a chance to say "Hello" and chat with him briefly.
Razzle Dazzle Night a Riot
Thursday night came the fun feature — the scheduled night before party — Razzle Dazzle Night — and
this was a riot of fun as well as a good Magic show. Howard Strickler of Toledo, abetted by Ray Cox and
Bill Williston of New York, all zanies of the first water, kept the thing going at a rapid pace with crazy
stunts interspersed between the scheduled acts.
After Percy Abbott had greeted the assemblage, Strickler, Cox and Williston took over and to start the
fun sold prize packages of candy, and later prize Magic packages, the funds obtained in this way being
used later to finance a crazy auction staged by Strickler and Percy, a hilarious bit which closed the
evening.
Percy then introduced Lester Lake as M. C. and after Mervin Goode of the Abbott staff sang "God Bless
America" with audience participation, the program was on. Programmed were many Magicians who had
appeared on Abbott shows before along with many who were participating for the first time.
Early in the proceedings, Bill Williston, featured performer on the public shows and a premier gag artist
himself (he and Ray Cox arrived from New York wearing fur coats and straw hats — and it was hot in
Colon!), was given an oversize golden key to Colon, Chuck Elliott posing as the Mayor to make the
presentation.
Bill responded to this with a neat acceptance speech, in which he expressed embarrassment at not
being prepared for the presentation. He recalled one other embarrassing moment, the time he peeked
through a keyhole and saw another eye.
Williston Loses Shirt
Insistent demands came then for Bill to do a trick, so he came out with the bird cage. Someone called
out "Do it again," and as he got set, Bill called for a committee and offered dough to any of them who
could find the bird cage on his person after he had vanished it. The bird cage went, and so did the
committee — to work on Bill. His coat came off, so did his shirt - in shreds - and the four committeemen
each emerged with a bird cage in his hand.
On the Magic side, Arnold Furst came on with Fresh Fish; Joe Brown was on and off with a half-minute
feather fan production; Frank Csuri appeared in uniform and presented a smooth orange and silk
routine and the card fans that made such a hit last year; Ray Cox did Bank Nite; Dr. Cairy, glass of water
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production and his Do-As-I-Do rope trick. Then came the Zilch Sisters in their Dance of the Veils, a very
funny bit with Percy and Loring Campbell at their crazy best.
Vin Carey followed with a neat presentation of a bullet release; then came Billy Pitts, with ping-pong ball
manipulations; and Loring Campbell with Lorraine's A. B. C. trick.
Following the intermission which Percy killed with the sale of the prize Magic packages, with the
assistance of his screwball super-salesman, Dr. Daley came on with his blindfold poker deal; and Percy
did a vent bit. At this point the M. C. called for a vote whether the show should go on, the night being a
hot one. The response being unanimously "pro", Charlie Larson exhibited his card wheel and the king
and queen; Don Reaser appeared with the vanishing cane, Levante cabinet and razor blades; George
Boston with a ribbon trick; and finally Lester Lake with his Money Blocks and Chinese Siamese Twins.
Closing the evening came the crazy auction, which put the house into an uproar.
The Magicians Only show came on Friday afternoon and this was staged under the canvas in front of the
plant. Lester Lake appeared again to handle the show and introduced Si Stebbins, who performed his
amazing card tricks; Joe Berg with a blank deck. Arnold Furst, Fresh Fish; Mike Zens, two-card prediction;
Doug Harrison, card frame penetration; Jack Bradley, milk vanish; Monk Watson, some unusual card
work and gags; Dornfield with four fast stories; Jimmy Trimble, Hindoo wands; Frank Caesar, rope
through neck; and Eugene Bernstein with a hypnotic act. Lester Lake closed with his spirit pictures and
Siamese twins. The Show of Shows
The first public show on Friday night was the last word in all Magic shows and the consensus was that it
set the pace for some time to come. With Dorny doing a splendid job as M. C, the program moved along
at a rapid pace, each act vying with the others for top honors on the bill. Vin Carey opened with an
entertaining paper tearing routine along with his Chinese rings and other Magic. Then Loring Campbell
appeared with his beautiful rag picture act. Don Sweet with clean cut Magic including the Twentieth
Century and razor blades; Bob Hummer in a pantomimic Magic act that was a comedy hit; the first half
closing with Ray Cox and his fast presentation of Magic with the assistance of George Boston.
Opening the second half came Al Saal with cigarette and watch effects done in Saal's usual smooth
manner. Si Stebbins then moseyed from the wings in the rube character he created in the vaudeville
days and baffled the Magi and others in the chairs with his card tricks. Plato and Jewell were next in the
class act that has made them nite club favorites; then came Percy Abbott with the Up-and-Down
illusion, a beautiful and baffling presentation, followed by the closing riot staged by Magic's "Hellz-aPoppin", Bill Williston, who did Magic, fired pistols, gagged, had fun with a couple ol boys and a large
piece of ice, and otherwise turned the opera house into a bedlam.
Both public shows were sell-outs long before curtain time and many availed themselves of the standing
room both nights. Williston appeared as M. C. on the Saturday night show and between the acts did his
minute-and-half Linking Ring routine and other Williston tricks and gags. Opening were Plato and Jewell
with cards, diminishing cards and the sucker egg; then Jimmy Trimble with a beautiful presentation of
Troublewit; Dr. Tarbell in a short but satisfying demonstration of his Eyeless Vision; Buss Walsh in his
well known Magic game of golf, a real hit; with Ray Cox closing the first half with his dove circus, a
beautiful presentation.
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In the intermission, Williston appeared and gave out alleged door prizes, the winners - or victims - being
presented items ranging from a string of sausages to a sack of flour and a metal wash tub.
On the second half, Eldon Nichols showed a fine rabbit vanish and some spectacular effects; followed by
Loring Campbell with Here, There and Everywhere, cut and restored bands. Bob Lotz with some smooth
cigarette and watch manipulations; Dorny with some crazy card tricks with the assistance of Monk
Watson; Bob Hummer in a repeat of his comedy act; and Hay Cox closing with Clippo, rod through
woman and the Rose Bush.
Music for the two shows was provided by an orchestra made up of boys from the Abbott plant, Warren
Conklin, saxophone; Bob Dougherty, bass; and Don Bubb, director, at the piano.
After the show each night refreshments were served in front of the Abbott plant, the Saturday night
repast assuming the proportions of a buffet supper. Then the plant was opened and there were
demonstrations for a few more hours. When the plant closed, many of the conventioneers adjourned to
the Abbott annex under the canvas to chat and do card tricks until the dawn. By Sunday noon, most of
the visitors had departed.
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1942 Jesse Thornton Loses Leg Due To Auto Accident (by Abbott’s Magic)
After battling for many months with an injured leg caused by an automobile accident nearly a year ago,
Jesse Thornton recently submitted to an operation at University Hospital in Ann Arbor, Mich., his left leg
being amputated halfway above the knee. To the many friends Jesse has in Magic, this news will be
somewhat of a shock, but there is a silver lining in the prospect that the operation accomplished, the
healing process has been speeded. According to reports from the hospital, Jesse will be up and around
in plenty of time to be on hand to greet his friends who will come to the Abbott Get- Together this fall.
1942 Abbott’s Celebrates Jesse Thornton Return (by Abbott’s Magic)
Celebrating the return of Jesse Thornton to activities in magical circles after more than a year's absence,
75 members of the Magicians' Guild of America and their families gathered at the Abbott plant on June
8th and gave him a grand welcome. Jesse underwent an operation on his left leg about two months ago
terminating a hospital sojourn of more than a year as the result of an automobile accident In the past
few weeks, however, he has been able to get down to the plant several afternoons a week The meeting
also marked the first appearance of President Howard Strickler of Toledo since his election in February,
war work activities having kept him away from previous meetings.
By this time the good folks of Colon have come down to earth after all the razz-ma-tazz incident to
having close to 400 Magicians in town for Abbott's Ninth Annual Magic Get-Together the last three days
of Labor Day week. The official registration was 379, but there were many who came in for the Saturday
night show and left without registering. Under normal conditions the registration figure would doubtless
have been a record-breaker.
Howard and Teddy Strickler were the first to arrive, coming in Saturday night before Labor Day.
However, they remained only until Monday, then Howard had to get back to Toledo for his defense
activities, but they returned to Colon in time for the opening doings on Thursday night. Bob Fultz and his
family of Waterville, Ohio, came in Sunday and spent the week.
By Thursday night there were enough Magicians in town to fill the Abbott Magic Theatre to overflowing
for the opening show.
From then on, there
was continuous stream
of Magicians and their
guests pouring into
town.
And the whole affair
was truly up to the
standard- set by the
host, Percy Abbott,
now affectionately and
generally
known
among Magicians as
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"The Caliph of Colon." The Caliph's Capers
The formal opening of the conclave was the usual "night before party" on Thursday night which was in
the nature of a fun fest calculated to get the convention off to a good start, and it really set a fast pace.
Under the general title of "The Caliph's Capers", a number of hilarious stunts were staged, interspersed
between the Magic acts.
Lester Lake officiated as M. C. and introduced the acts in quick succession. Noel Spangler came first with
cards and clever presentation of a hand rabbit with card sense; then came Warner the Magician with
silks, die box, Puttin' in the Pocket — good comedy; Ward Bentley, billiard balls and silks; Duke Stern,
with his clever, amusing and educational impersonations of "Mr. Average Magician"; then Walter
Domzalski ("Dom"), wine to water presentation, and some spirit stuff; Madam Pinxy with her puppets
presenting "Aladdin and his Servant"; Monk Watson with a comedy bit.
There was a break here for a disturbance in connection with a drawing for a tire (a miniature) won by
Oscar Hackler, and a rising ovation for Nicola, world renowned Magician, who by this time had entered
the auditorium.
Dave Fogo then came on with some coin tricks; then Bob Schneiderman, diminutive trickster, with a
smooth presentation of the silk box and Victory Blendo; another interruption — this time a suggestion
of the average ghost show; then Dr. Clyde Cairy with his bushel basket card trick in which he was
assisted by nine spectators; then a grand presentation of cups and balls by Marvin Rush; John Braun's
swell routine with the linking rings; and Doc Wellburn with his bible, almanac and calendar monologue.
Lester Lake then presented his newest creation, a sword box, then brought on Howard Strickler to do his
paper tearing act. Closing was Percy Abbott, who came on as the Caliph to do his Magic bit. This was the
signal for the closing roughhouse, the Magician doing his work seriously, despite the audience's interest
being distracted and interrupted by various "plants" selling drinks and popcorn, calling to one another,
crowding down front, asking folks for chairs and otherwise disturbing the meeting.
Throughout the daytime and after the public shows with the exception of the time taken by the
Magicians Only show Saturday afternoon, there were demonstrations in the Abbott Magic Theatre and
Showroom. These sessions lasted until 2 a. m. each day.
The Saturday afternoon show was presented on a special platform in front of the paint shop building
adjoining the main building at Abbott's. Lester Lake handled this show and introduced the acts, among
them Madame Pinxy, who presented her grand Punch and Judy act; Harry Cecil with a trick he got from
Jim Miller years ago, "Stop and Go"; Stan Abrams with coin and card tricks; Billy Pitts, silks; Ruth Oakes,
card fans; Jim Whitehurst, sympathetic silk routine; Jimmy Trimble, some rope tricks; and Dr. Zina
Bennett with fans with giant cards, using first one deck, then two decks and three decks.
Both the public shows were staged at the Colon Opera House, taxing the capacity of that playhouse, and
inasmuch as all of the seats were reserved and most of them taken in advance, many — even those who
had made long trips to Colon and without reserving their seats in advance — found there were no
tickets to be had. Most of these were glad to stand throughout both performances.
The quality of the entertainment provided at these shows was well up to the standard set by previous
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Abbott's shows and there were many indeed who were of the opinion that this year's bills topped
anything ever presented at any magical convention.
Greeting a full house on Friday night, Percy Abbott gave a welcome to all and then introduced "Monk:'
Watson, who officiated as master of ceremonies to introduce the acts and incidentally to do a few tricks
himself. After Monk had had some fun with the Chinese sticks, he brought on Billy Pitts of Fort Smith,
Ark., who came on, immaculate in tails, to do a fast act with clean and showy Magic, closing with a
beautiful production of many silks. Billy set the pace for the show and when 12-year-old Jo Ann
Eberhart, of Mishawaka, Ind., state and national champion high school baton twirler, almost stopped
the show with her brilliant exhibition, the pace was definitely established and throughout the show did
not diminish.
Monk did the cut and restored necktie, then
introduced Jack Ricketts of Battle Creek,
who presented his milk routine, flag and
other productions, with a number of
comedy gags, particularly his production of
giant men's lingerie, which made a hit with
the audience.
Lester Lake came next with a variety of
Magic, all of it with an unusual twist —
sponge ball to rabbit — the "Green Family"
silks — Tip-see with Coca-Cola — closing
with his original puppet, a hanging effigy of
Herr Schicklegruber.
Opening with a thimble routine, Dave Coleman performed the Chinese Linking Rings,
and then proceeded to hypnotize his
charming wife, petite Pauline, finally using
her for his subject in his Anvil and Spike
effect, he and Lester Lake with heavy
sledges pounding the anvil 'til the sparks
flew. Pauline was brought out of the spell
and the act closed to thunderous applause.
Closing the first half were Jimmy and
Mildred Mulcay, the best harmonica team in
the business, friends of the M. C. and the
House of Abbott, and they appeared with
their instruments playing a varied program
of tunes that brought down the house.
These folks, resting from a vaudeville
season, really provided a treat with their
harmonica harmonies.
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Following the intermission, Bob Lotz came on and with the assistance of nine youngsters from the
audience, presented his magical fantasy, "Snow White's Christmas Party," the gifts for each of the
youngsters, disguised with appropriate masks, being used for some sort of a magical effect,. A delightful
kid act.
Then after Monk had worked Oscar, his
reptilian card wizard, to the merriment
of the crowd, came Al Saal who
repeated the baffling manipulative act
he presented here last year. Cigarettes,
billiard balls, silks and cards were
vanished, made to appear and multiply
at will at the hands of this clever
performer.
The next act was Mel of the Abbott staff
who rapidly sketched with colored
chalks a series of caricatures and trick
pictures, closing with a portrait of Gen.
MacArthur and a Red Cross nurse
poster,
all
well
received.
Mel then introduced a surprise, a
stranger who would do one trick. He
turned out to be Monk with an eccentric
make-up and baggy suit. He did the
paper hat and pants trick to introduce
Shirley Wilcox, a lovely little dancer who
made a hit particularly when she went
into a platform cabinet and did a tap
dance standing on her head. From then
on the act was a riot, for Monk did his
well known wire-walking stunt which
always is grand clowning.
1942 Acts as shown in Tops Magazine
The closing act was one they had been
waiting for, Percy Abbott and his three assistants, Gladys Abbott, Virginia Smith and Marjorie West
doing a full stage illusion act with Find the Lady Cards, the Super-X Levitation, the Upside-Down Cabinet,
then Percy's old vaudeville act, Chapeaugraphy, and a final illusion, "Where's the Caliph?"
On the Saturday night show, Magic gave away to comedy and novelties somewhat, yet there were
enough Magic to make it a well-rounded and entertaining bill. Bill Dornfield ("Dorny" to you) who
handled the Friday show last year, was the master of ceremonies, after the comedy motif was set by a
turbaned Magician (it could have been Don Sweet) who was interrupted in his paper tearing act by stage
hands and scene shifters.
Dorny introduced Nelson and Montrose, who did tricks with doves and rabbits, a streamlined egg-bag
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trick and produced almost an endless quantity of silks — a clean and smoothly presented act. Al Saal
followed with a swift moving and clever act which he called "Trick Shadows", a shadowgraph novelty
that went over well.
Then came Harold Ramm, Detroit nite club entertainer, who did some aerial fishing, did Abbott's new
Making a Tire and ended with a beautiful silk and flag production.
Dorny followed with his clever stooge-for-the-night, Don Sweet, for a comedy bit, then introduced
"Monk" Watson, who appeared in uniform as the disgruntled soldier, did a milk trick and presented his
well-known "Letter from Home", then brought Jimmy Mulcay from the audience to do a hard tap dance,
Monk joining in at the finish — well, almost the finish, for he landed in someone's lap in one of the
lower
boxes.
The next act presented some fast Magic — Percy Abbott and his assistants producing a shower of silks,
Percy doing the blooming rose bush, clipping off the buds and throwing them into the audience, closing
with the vanish of two doves and catching them in a net swung in the air, all of which the audience liked.
Jo Ann Eberhart then came on to repeat her hit of the previous night, adding illuminated baton and a
musket-baton routines that brought rounds of applause.
The first half closed with a "crazy" interlude between Dorny and Don Sweet.
Al Zink of Detroit opened the second half with some clever coin tricks and his creations, the Daylight
Frame, and Abbott's Coke Surprise. Then came Doc Hokum, otherwise Dave Coleman, who along with a
comedy street faker spiel, did some Magic of a high quality, amusing the audience no end.
Lester Lake then brought in his three brain children, the chopper series, all produced at the Abbott plant
— the Guillotine, the Chinese Chopper and Disecto — and with the aid of Don Sweet and a lady from the
box, who turned out to be the charming magicienne, Jacqueline James, proceeded to demonstrate
them. He closed with a Hawaiian scene painted with colored sands.
The next act was one of the features of last year, Bob Lots and his deft manipulative act with cigarettes
and watches, and then Doc Wellburn and his Hollywood party act, in which he impersonated various
well-known screen stars at the same time pouring out different drinks from a pitcher that seemed to
hold Only water,
Dorny closed the show with a hilarious burlesque bit showing the Magician of the future — a chap who
sat on a throne and described what he was going to do while assistant (again Don Sweet) did all the
work, even submitting to a black eye when he and a spectator (Tom Libonar, and he did a grand job)
wrestled in the aisle for the possession of the spectator's hat which Don wished to borrow and later
ruined when the trick (pudding in the hat) failed. The audience got their money's worth in laughs from
this act.
Music for the public show was provided by Don Bubb's Syncopators — Don at the piano, Duke Stern
with his fiddle, and Jimmy Hansen at the drums.
After each public show there were eats at the Abbott plant, then the crowd filed into the Abbott plant
and watched demonstrations until a late hour, the last session ending at 3 a. m. Sunday morning.
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While most of the crowd got away early Sunday morning many remained until afternoon, and there was
a sort of a forum session in the showroom of the Abbott plant until about 3 o'clock, when Percy and
Gladys left for a bit of a rest.
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1942 “Super X Levitation” Manufactured (by Abbott’s Magic)
Playing a date in Coldwater, Mich. - a Christmas party given by the merchants for a couple of hundred
employees - Percy Abbott stopped the show with his presentation of the new Super-X Levitation. The
crowd was apparently completely baffled and as they left, many were still talking about it. On the show
with Percy was Mel with his chalk sketches.
1942 “Disecto” The Hit Effect Of The Year (by Monk Watson)
Lester Lake was due for a surprise. He was there and asked me what I was going to do, and I told him all
but one trick, and that one was the new Abbott Disecto Illusion, invented by none other than "Marvelo"
who is Lester Lake on the stage. I used that trick for the last one and asked Lester if he would act as a
stooge for me. He came up, and then I pulled out the trick. It was the hit of the show I was told, and I
asked Lester what he thought of it, and he said, "Monk, it is the finest bit of workmanship I've seen in a
long time”. It seems that he gave Percy the idea and it was worked out by Recil Bordner, so Lester had
never seen one in action before. I understand that his arrived the following day, Haw!
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1943 Karson’s “Zombie” Manufactured (by Abbott’s Magic)
Mr. Magician: We would like to have you know some facts. We urge you to take every statement for its
full value. There are no threads used. This is a one man stunt, two people are NOT needed. The
performer has absolute control over the ball at all times. The cloth is unprepared. Every demonstration
has been a sale. This is the most amazing floating ball effect ever produced.
1943 Abbott’s Purchases Tent Theatre (by Abbott’s Magic)
To accommodate what promises at this writing to be a record breaking crowd at Abbott's 10th Annual
Magic Get-Together at Colon, Sept. 9, 10, and 11, Percy Abbott has bought the big tent theatre formerly
used by the late Skippy LaMore for his summer season of dramatic shows.
Thus Magicians and other visitors to the Get-Together will be assured a chance to see the two big public
shows this year without the up-to-the-curtain anxiety about getting seats as some experienced in the
past.
There will be plenty of seats for Magicians and plenty for the public too, for the tent can handle a bigger
audience than any other auditorium in Colon. And from the production viewpoint, the shows will appear
much as they would in a theatre, for the wide stage, curtains, lighting, speaker system and other
appointments make it a real theatre under canvas. Reservations for rooms and tickets are coming in
daily and by the time this appears, tickets will be in the hands of all who have ordered them in advance.
Among those who have written they will attend the Get-Together are Charlie Larson, Tommy Windsor,
Ray Newton, and a large number of regulars including John Braun, Stewart Judah, Doc Mahendra, Bert
Allerton, Dr. Zina Bennett, Al Munroe, Al Zink, Russ Walsh, and Boris Zola, to name a few. Plans for the
entertainment of several hundred visitors also goes on - and while the bills for the public shows are
pretty well set, Percy and Howard Strickler and other stunt promoters are arranging the various
surprises without which an Abbott's Get-Together would not be an Abbott's Get-Together. Mainly these
will be brought out at the grand and glorious "night before" party, which this year is styled "Victory
Night," and will be featured by a group of patriotic effects.
Those who have been reading the advertisements will know who will be on the bills for the public
shows, and these acts will be as advertised, but it is safe to say that there will be some additions to their
ranks, performers who at the last minute find they can stop over at Colon between dates "or
something." The bills as arranged so far include some of the best performers in Magic and several
novelty vaudeville turns. Both will be top-notch programs.
1943 Karrell Fox Makes His Get Together Debut (by Abbott’s Magic)
The public shows this year will be well worth while as the following line-up of talent will suggest: Don
Sweet, Bill Williston, Harlan Tarbell, Tom Osborne, Judge Carter, Jack Herbert, Ruth Oakes, Lester Lake,
Karrell Fox, Harry Cecil, Chuck Kirkland, Al Minder, and Pingalli and Pinella. Karrell Fox, 16-year-old son
of R. I. Fox, Penny Lunch proprietor, may not be a strictly orthodox waiter, but he is one of Hillsdale's
most popular because of his mastery of legerdemain. A veteran Magician, although just out of high
school, Fox can and does stage a 45-minute show that is definitely above the amateur class. His
stepmother, pretty Mrs. Pauline Fox, has her arm cut off and glued back together at every show. She is
there to take the bouquets young Karrell pulls out of the air. From Percy Abbott's laboratory in Colon,
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young Fox has purchased a wide variety of Magic, including some of the latest patriotic tricks. For
example, he will take paper swastika and rising sum flags, tear them up, fold the pieces and thrown
them in the air. When they come down, they have been transformed into a war bond poster.
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1943 Get Together (by Demon Rembrant)
Colon is back to normal again after a very busy week playing host to the 524 Magicians and their guests
who attended Abbott's 10th Annual Magic Get-Together. The three-day conclave closed Saturday, Sept.
11.
This event, officially scheduled for the last three days of Labor Day week, spread out this year to
embrace the entire week, a good crowd of "early
birds" coming in the week end before.
On Labor Day it looked as though there might be a
spell of bad weather, but aside from a little rain,
there was no difficulty for the visitors in getting
around the town. It was chilly, however, and more
so at night, but it was comfortable in the tent for
the shows and in the Abbott plant for
demonstrations. Ordinarily, Get-Together week
requires fans and air-conditioners on the job.
Most of the visitors departed immediately after the
public show Saturday night, but many remained
over until Sunday morning.
All were unanimous in their acclaim for the
foresight shown by Percy Abbott in staging the
public shows in the "Big Top" theatre, for even the
tent's capacity was taxed to the limit. The
combined audience for the Friday and Saturday
night shows totaled nearly 3000, and although both
shows were extra long, few left the tent before the
final curtain.
It was quite a problem lodging and feeding the
large crowd of visitors, although those who
reserved rooms were taken care of easily and the
others in the future will doubtless heed the warning
"Make your room reservations early".
The Get-Together was a success from every
viewpoint. The attendance was very close to the
record set two years ago, when traveling and other
conditions were a bit easier; everyone at Abbott's
was kept busy showing new and old effects and
buying was brisk; and to top it all off, the shows
were the best ever presented here and with
attendances the biggest of any previous gathering
in Colon. One chap reported he counted three
hundred cars in the vicinity of the tent theatre Friday night.
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Three persons were definitely glad they came to the Get-Together, for regardless of the entertainment
or other benefit they had, each was presented a $25 War Bond. They were Howard Strickler, who won
the award for the best patriotic trick presented Thursday night, Mrs. John Mason of Centreville, and Joe
Berg, Chicago Magic dealer, each of whom held a lucky ticket for the door prizes on the public shows.
Although the official opening of the Get-Together was not until Thursday night, many came in ahead of
time and there were several impromptu shows at the Abbott plant Tuesday, Wednesday, and Thursday.
The "early birds" in order of arrival included Howard and Teddy Strickler, Lyle and Opal Lantz of Elkhart;
Mr. and Mrs. O. Lawson of Fort Wayne; Al and Ann Minder of Maplewood, N, J.; Tommy and Jeanne
Windsor of Marietta, Ohio; Mr. and Mrs. R. McGreevy of Shreve-port, La.; and Joe and Fran Ovette of
Buffalo. They came from all points of the country and later arrivals included Charlie Larson, Stewart
Robson, John Mulholland, and Dorothy Wolff of New York; Phil and Kay Thomas of Baltimore; Stanley
Wagg of Mill-town, N. J.; Jerry Sorenson of Denver, Colo.; Doc Mahendra of San Antonio, Texas; Ren
Clark of Fort Worth, Texas; Ray Newton of Des Moines; Bill Schreiber of Minneapolis; Paul Stadelman
and Lt. Lee Allen Estes of Louisville; John Braun, Stewart Judah and a gang from Cincinnati; and Dr.
Harlan Tarbell, Bert Allerton, Earl Adcock, Zippy, Russ Walsh and others from Chicago.
By the time the "night before" party opened in the Magic Theatre — the big tent — Thursday night,
there were a couple of hundred Magicians in town and many others came in from Battle Creek,
Kalamazoo and other nearby points just for the evening's jamboree. In addition to the several hundred
Magicians and their guests, the "night before" crowd included 200 soldiers from Fort Custer, guests of
Abbott's, the invitation having been extended through Pvt. Richard Marks, now stationed at the Fort but
who before he entered the service was prominent in magical circles in New York.
While the "night before" program was largely impromptu, it was a good show with a number of novelty
acts interspersed with the Magic. It was "Victory Night" and featured a contest of patriotic tricks. Dorny
was the master of ceremonies and he presented Bob Schniederman, boy Magician, with his card frame;
Lester Lake with a series of illusions, closing with the March of Time, a patriotic piece; Jeanne Windsor,
ventriloquist; Dave and Pauline Coleman with Magic, including the famous linking ring routine; Mack
Rush with various magical effects; Lt. Lee Allen Estes of the Kentucky State Police with a paper tearing
bit which he uses in his safety programs; Jack Ricketts and Ed Baum, the former acting as "straight" to
the latter's swami-dressed character in a comedy chalk act; Paul Stadelman with a rope trick, his Rooster
egg bag routine and the Tipsy-Turvy bottle trick; Burling Hull with his Victory cocktail stunt; H. J. Bonnert
making animals and other objects from toy balloons; Charles Schoke, assisted by the M. C. in a patriotic
bit in which Schoke as Hitler got it in the neck; Miss Audrey and her partner acting out songs on a
phonograph including the hilarious "Sow Song"; then Howard Strickler with his prize winning Victory
Bond trick; Gerber with several magical and juggling effects; the program closing with two violin solos by
Duke Stern, Magi-musician, now with Abbott's.
The public shows in the tent theatre were both excellent and while both ran much longer than the usual
Get-Together shows, it was noted that the vast audience "stayed put" until the final curtain each night.
It was a long time to sit on hard seats, but the eye and ear appeal of the performances made folks forget
any discomfort.
On Friday night, Percy Abbott appeared on the stage promptly at 8 o'clock and greeted the assemblage,
then introduced "Dorny" Dornfield as master of ceremonies and the show was on. First off came Chuck
Kirkham, boy Magician of Battle Creek, who assisted by Miss Phyllis Lines, deftly produced silks and
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flowers in a beautiful presentation.
Then came Ruth Oakes with three
tricks including the Fantastic Fan
and Abbott's Perplexity; Stan Lee
with Miser's Dream, card fans, coin
sleights and Hummer's Whirling
Card; Jimmy Trimble in a clever
chalk
talk
and
character
impersonation act; Don and Louise
Sweet in a fast series of magical
tricks, among them the 20th
Century silks, razor blades, and a
rope trick, all with plenty of
comedy; Pingali and Pinella, with a
mind reading act, closing with a
hypnotic bit; Volta with his cocktail
bar, who with the assistance of Miss
Marie de Reviere, produced any
drink called for; and Tom Osborne,
who did some amazing Magic with a
comedy touch — color changing
hank, ring on wand, cut and
restored tie and the vest and shirt
removing stunts with a couple of
assistants, closing the first half.
There was a short intermission in
which candy was sold by a group of
prominent Magicians, including Percy
Abbott, John Mulholland and Tommy Windsor who started "the pitch", giving the performance the true
atmosphere of a tent show.
The show then went on with Al Minder doing his comedy drunk act in which he produced silks,
cigarettes and liquor glasses and otherwise behaved magically, all the while garnering plenty of laughs
with his tipsy antics; Judge Frank Carter and his dummy in a fine show of Vent, stunts; Phil and Kay
Thomas with their Yogi rabbit production and vanish, a rope trick, card in frame, closing with a beautiful
alarm clock vanish; Paul Stadelman with a group of comedy effects; Dr. Tarbell with the vanishing wand,
traveling clock, laundry ticket and the rice bowls; Harry Otto, old time vaudeville artist, juggling billiard
balls as the human billiard table, and closing with the Diabolo sticks; the long show closing with the
appearance of The Great Ovette, international Magician, presenting silk and flower effects and his Magic
in the Chinese manner.
The Saturday night show was handled by Tom Osborne as master of ceremonies and in the intervals
between acts, Tom did some manipulations and his cups and balls routine. Again the program opened
with a clever boy Magician, Jim Whitehurst, assisted by Miss Marilyn Hopper in a flashy act which
featured the Disecto illusion, and a Foo Can routine in which John Braun, assisting with Zippy, got wet.
Jimmy Trimble appeared next with his floating cane and a rabbit production, then went into his cigarette
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act, one of the best. Then followed Volta and Company with a flag trick, cut and restored turban, card
suspension, Soft Soap and the mutilated parasol;
John Mulholland, with the assistance of youngsters from the audience, doing sympathetic silks, cut and
restored hank, and his classic presentation of the bird cage; Paul Stadelman and Windy Higgins in a
hilarious ventriloquial turn.
The show was then interrupted by the candy peddlers, and the announcement that main prize given
with the candy — a set of Passe-Passe bottles — was won by Doc Mahendra.
Two more acts in the first half followed this break, Gerber with his beautiful presentation of silk effects,
knot ties, and giant card fans, and Lester Lake with his story of the Bs, and his puppets, in the working of
which he was assisted by Virginia Smith and Marjorie West of the Abbott staff.
Dr. Carroll Ritchey appeared after the intermission with his "black light" act doing some Chinese Magic,
silks and water fountain, the costuming and apparatus all glowing in beautiful luminous colors. Then
came Dr. Tarbell with Abbott's Phantom Clock, egg in newspaper, and several rope tricks, including a
rope version of Soft Soap; Don and Louise Sweet in a comedy singing and talking act, featured by Don's
imitation of Eddie Cantor; Phil and Kay Thomas again appearing with a beautiful presentation, Kay doing
a difficult juggling stunt with a hoop and a glass, and Phil giving a cooking lesson with a rabbit pan and
repeating the vanishing alarm clock; Harry Otto doing Magic this time, a confetti and water trick, stamp
album, and Sands of Sahara; Bob Lotz one of the stars of last year's show, doing his smooth cigarette
and watch manipulative act; and lastly, The Great Ovette with some card effects including Cards to
Pocket, egg manipulation, the Squared Circle, and his knots off the rope (advertised in this issue by
Abbott's) again closing with his Chinese Magic.
Music for all of the shows was furnished by an orchestra composed of Duke Stern, Don Bubb and Jimmy
Hanson. Backstage activities were in charge of Lyman Hug, with Bill Auten and Kelvin Gilbert assisting.
Fred Merrill was the ticket taker and other members of the Abbott staff handled the job of seating the
big crowd each night.
After each of the public shows a snack lunch was served outside the Abbott plant.
Through each day of the conclave, the activities centered largely in the Abbott plant, more so this year
because of the chilly weather. There the visitors saw Magic to their heart's content, Percy Abbott doing
most of the demonstrating, but being relieved at times by Lester Lake, Stuart Robson and others. On
Saturday afternoon, Charlie Larson appeared with a presentation of several effects and Zippy the Clown
presented his kiddie show. In addition to all this activity, Dr. Tarbell gave his Course No. 2 to nearly 50
Magicians in the "Big Top" Saturday morning.
It's a long way off to the next Get-Together, but already Percy Abbott and his staff are planning on
making it even bigger and better than the one just closed. Get your reservations in early.
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What started out to be a three-day magical conclave ended up by taking the entire week including Labor
Day — speaking about the 11th annual Abbott Magic Get-Together in Colon.
As promised, it was the biggest and best Percy has ever staged. Ask any of the 590 — official count —
who were here. That's a big crowd of Magicians, and a big crowd to foist upon a little place of less than
1000 population, but they all were taken care of in the matter of lodging and eats, and they all had a
good time.
And it seemed that there were more "names" in
the field of Magic in attendance this year, many
of them here for the first time. Large groups
from New York, Baltimore, New Jersey and
Canada, as well as the usual groups from
Cincinnati and Ohio points, St. Louis, Chicago,
Indiana, and Wisconsin, came in early to enjoy
the affair. All voted it the best of the gatherings
Percy Abbott has staged.
Virtually of the regulars were here — Al Saal,
Howard Strickler, Bert Allerton, Russ Walsh, Bill
Schreiber, Al Minder, John Braun, Stewart
Judah, Harry Cecil, Walter Domzalski, Dr. Harad,
Al Munroe, Earl Adcock, Frank Carter, Dr. Zola,
Dave Coleman, Jimmy Trimble, Eddie Mario, Joe
Berg, Dr. Bennett, the Nicolas, 2-10 Daniel, Tom
Libonati, Adolph Boldt, Ray Newton and others
— several returning after a couple of years
absence — Sid Lorraine, Monk Watson, Vin
Carey, Loring Campbell, Al-pi-gi-ni, Dr. Daley —
and in addition many attending their first Get-Together at Colon — John Booth, T. J. Crawford, Dai
Vernon, Bob Nelson, Wallace Lee, Leslie Guest, Sgt. Jack Makepeace, Tom Bowyer, Bert Douglas, Ross
Bertram.
Every element combined to make this year's Get-Together enjoyable. Good weather prevailed for all the
sessions, the rain coming on Wednesday when only the "early birds" were on hand, the gods smiling on
the visitors the balance of the week.
Of course, most of the Magicians' activities were centered at the Abbott plant, where from Monday on,
there were almost constant demonstrations of the magical effects produced there and elsewhere,
together with impromptu shows and exhibitions of the various skills of the visiting Magicians.
At the plant on Monday night, the floor of the showroom was taken over by Strickler, Allerton, Saal,
Watson, Campbell, Minder, Virgil Anjos and Bill Neff and much clever close-up card work was seen.
Strickler, at the end, entertained with most of his regular show, all from his nite-club table. Tuesday and
Wednesday nights, Bert Allerton and his clever close-up Magic was the feature on the floor.
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By Thursday, most of the crowd was in and so many of the Magicians were in town that by the time the
"night before" party started on Thursday night, many were unable to-crowd into the showroom theatre
where the program was staged.
The "night before" party, styled "Fakirs' Fun Festival" was opened by Percy Abbott, who greeted the
crowd, then brought on the M. C, Monk Watson, just returned to Colon after his morale building stint
for embryo Army pilots
at Coleman, Texas.
Monk did a good job,
handling the show with
the able assistance of Al
Minder, who by now is
one o£ the regulars, and
between them, they
produced a lot of fun. It
was a good show, opening with the act
presented by Copie of
the Abbott staff, a junior
who did the rice bowls
and silks to bouquet in
good style. Then came
Cal Emmett, who did a
good job of cigarette
manipulation,
and
Kelvin Gilbert, also of
Abbott's who did the
repeat cigar, Liquid
Appear in connection
with silks, a card effect
and a Triple Sponge
Surprise variation — an
act that went over well.
Virgil Anjos came on
next as a comedy juggler
and made a hit with his
hair balancing, then
topping the hair with a
billiard
ball.
Dave
Coleman followed with
his Doc Hokum routine,
always good for laughs,
then Percy Abbott with the Abbott Bathing Beauty, a honey of an effect, and Al Saal with his
incomparable manipulation of thimbles, cigarettes and cards. After Monk and Al did a hilarious mindreading bit, Bud Saal, Al's boy, presented his puppets and stopped the show; then Percy again, this time
with the Magic sensation of the year, the talking skull. Vin Carey then appeared with his A-l version of
the Chinese sticks and the linking rings, and Dr. Bennett did some stunts with giant cards. Percy then
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made a pitch for his latest book — a limited edition — which was eagerly bought and by this time is a
collector's item. This done, Howard Strickler and Monk staged a crazy auction, and with money realized
from the sale of Percy's book, paid exorbitant prices for common articles, the top price being $16 for a
brassiere.
The shows in the Magic Tent Theatre, which were open to the public as well as the Magicians, were well
attended and all seats in the tent — 1200 of them — were taken by the time the entertainment
provided by Percy Abbott began, with many standing. For better than three hours each night, the Magic
and other entertainment went on, and mighty fine entertainment it was, too.
To provide the proper atmosphere for the tent performances, the show both nights was started with a
prize candy sale, and this caused a lot of fun as the boxes were opened to disclose the prizes. Some of
the prizes were valuable silks and other paraphernalia useful to Magicians.
On Friday night, after the candy sale, Percy Abbott greeted the crowd and then Monk Watson, Colon's
own Magi-comedian, rambled on the stage and in his inimitable manner proceeded to entertain and
announce the various performers. Between acts, Monk did some hilarious bits, among them the lady
driving the car, the cadet taking his first solo flight, and others. One of them, his imitation of an
orchestra conductor, stopped the show.
The first act was put on by Carl Haist of Buffalo who appeared as the slightly tipsy Magician and did a
variety of deft manipulations, rope ties, paper tear, haunted hank, and cane to silk; then Harry Otto,
juggler, remembered from last year, who repeated his human billiard table and devil sticks stunts; Tim
Kee and Tinka in a series of beautiful Chinese effects — silk and flower productions, rice bowls, water
fountain; then John Giordmaine of Toronto, Canada, who stopped the show with his clever comedy
presentation — cane to silk, flags and flowers productions, repeat knot on rope, wand vanish, and sun
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and moon effect in connection with cut and restored necktie. The audience could have taken more of
this act. Vantine and Cazan came next with a "shooting a woman" bullet-through-plate-glass illusion,
closing the first half.
After intermission, Dr. Harlan Tarbell did a masterly act with a four-Kings card effect, his version of the
rice bowls, rabbit in hat and silks vanish. Then came Sid Lorraine, back on an Abbott show after an
absence of several years because of wartime restrictions, and he made a hit with his clever chatter along
with a repeat silk trick and a grand presentation of Troublewit.
Closing the show was the feature act presented by Bill Neff and Co., in which he worked several
illusions, among them the Broom Suspension, Cremation, Substitution Trunk, and a "spook" cabinet
which utilized several local boys who apparently were harassed no little by the spooky gentry, much to
the amusement of the crowd. Bill opened with a flash appearance from a mummy case, and also did
some small Magic — gloves to dove, dove vanish, mutilated parasol, passe passe bottles, turban, and an
effect which made the Magicians' eyes bug out, his handling of the linking rings.
On the Saturday night show, Sid Lorraine appeared as M. C. and in his usual dry manner, quipped
through the introduction of the various performers and between acts did bits of Magic, among them an
amusing and knotty session with a rope sash, and an impersonation of Maurice (so-called French
Maurice) that was "tops" — moustachio, accent, exaggerated pronunciation and everything.
Opening the show was Dick Ryan, a young lad from Indianapolis, with a snappy personality and a snappy
act of various magical effects (just what all he did I cannot enumerate now for I was too busy directing
traffic at the entrance to take notes); then Dave and Pauline Coleman, doing tricks with thimbles, paper
hats, Arabian bead mystery, and the parasol in their usual finished manner; Al Minder, the inebriated
prestidigitator, who was even better than last year, doing the serpent silk, cane to silk, rabbit
production, rabbit wringer and vanish, billiard balls and cigarettes as he staggered around the stage — a
fine act. Lucille Saxon appeared next and with her patter in rhyme (and she reads it well) did the egg bag
and cut and restored ribbon which went over well. Loring Campbell assisted by Kathryne, closed the first
half with part of his regular school show, doing pudding with a rabbit, egg production, and got a merry
session with his wrist chopper and two boys, one of them Jules Abbott, Percy's eldest, who decided he
didn't care to play and ran off the stage for a good laugh.
G. R. Rinehart of Louisville opened the second half with cane to silk and an egg trick which ended with a
tiny chick in his hand. After diminishing cards (starting from giants) he introduced his trained love bird,
Superman, to do a card trick and then went into a smooth cigarette routine. Joe Berg came next, first as
an Oriental doing Magic in reverse with paper, rope and the paper hat, then roller-skating off stage to
reappear in his own person with a torn card effect with a card frame and a gag with giant cards. Then
came Vantine and Cazan with flower productions which filled the stage, including two giant Botanias
and the blooming rose bush made especially for them at Abbott's. John Mulholland, editor of The Sphinx
was next with an amazing card trick and a milk effect. Then Monk Watson appeared doing a comedy
milk trick and a repeat of his hit of the night before, the orchestra director imitation, which because of
an improved sound system (thanks to Earl Schnoor and Lyman) went over even better than the first
time. The show closed with the act of Fu Yu and Co., a comedy Chinese act presented by the Don
Sweets, regulars at Abbott's affairs. Don with the assistance of the whole family, did flower productions,
laundry ticket, a grand 20th Century, dove catch, pincushion illusion in good style, turban, and productions of silks, rabbit and flowers. Added up, it was a very funny act and a good closer.
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Ralph Greer of Des Moines, at the piano, played both public shows.
At the close of the last show, Sid Lorraine called upon the man who made the Get-Together and the
shows possible, Percy Abbott. In a short speech, Percy expressed his gratitude for the co-operation
given, not only by his staff, but by the townspeople of Colon who so generally opened their homes for
the accommodation of the hundreds of visitors, and the several Colon women who served dinner for the
Magicians throughout the week to augment the services given by the City Cafe and the Magicians'
Sandwich Shoppe (run by Abbott's for the Get-Together crowd only) next door.
On Saturday afternoon, outside the plant, a Magicians Only show was staged by Eddie O'Brien, who also
officiated as M. C. What acts were on this impromptu program, no one told the ol' Demon, and I was
busy supplying books to a clamoring horde in the studio all afternoon, and did not see the show.
Not only was Colon the site of a Magicians' gathering, but there was a session staged by Fred Merrill of
the Abbott staff, a former vaudeville juggler, in which several visiting jugglers participated. The one
session of this gathering was an impromptu rehearsal in Depot Park on Saturday afternoon. The jugglers
beside Merrill were: Harry Otto, George DeMott, Reggie Lawrence and Dick Williams.
As in the past two years, Dr. Harlan Tarbell conducted a Saturday morning class in Magic at the tent. This
was well attended and all who took the No. 3 course enjoyed the session and returned to the plant to
buy Tarbell books to get more of his instructions, also his autograph.
One of the special services arranged for visitors this year was the mass for the Catholic Magicians
attending the Get-Together. This mass was offered by Father Paul Lloyd of St. Louis, himself a
practitioner of the magical art, who came over with the St. Louis group.
With the last visitor out of town by Sunday afternoon, plans for next year's Get-Together started to
germinate, and already there is a fine start, for seats for the shows and rooms already have been
reserved and Percy tells me he has several fine acts booked for next year's programs.
Closing Notes: Otto Curl had a lot of fun with his "ring on spring" puzzle .. . Bill Neff offered to give his
linking ring routine to TOPS — yes, he did! . . . Joe Berg so interested in food and Magic, he left his
overcoat in the restaurant and didn't miss it until he was back in Chicago . . . Wallace and his double talk
got around, and caused a lot of hilarity .. . Dai Vernon delivered a complete and crushing verbal
trouncing to an annoying heckler at one of the card sessions in the Magic Sandwich Shoppe. And did the
crowd cheer! . . . Father Lloyd's "think of a card" with his always correct prediction of one's favorite card
— and in Chinese!
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1944 Abbott’s Mourns The Passing Of Jesse Thornton (by Abbott’s Magic)
The sudden passing of Jesse D. Thornton on the morning of Dec. 23 saddened the Christmas holiday of
the entire Abbott staffs and the news will doubtless be a shock to his many, many friends in Magic. Jesse
had not been ill and had come to work as usual, although he complained of a pressure in his chest and in
an offhand way suggested he was probably getting the flu now prevalent in Colon. He was taken home,
and a few minutes later his wife called the office reporting his death. We of Abbott's have lost a good
personal friend and a valued artisan and deeply grieve at Jesse Thornton's passing.
1945 Get Together Cancelled Due To War (by Percy Abbott)
In 1945, the Government requested that there be no conventions in order to relieve transportation and
housing facilities and make them available for necessary use. Below is the actual cancellation notice that
Percy Abbott issued in the May of 1945.
After careful consideration we have arrived at a decision. For the past eleven years we have held our
annual Magic Get-Together. Although this meant months of planning and plenty of hard work for us
here at the Abbott Plant, we loved it! It gave us a chance to get better acquainted with our customers,
to meet old friends, and make new ones. And the fun and excitement we have of bringing you into the
town, arranging accommodation and even opening a restaurant for you. We know that we made good,
for you come back every year. Last year we had 590 of you.
However, this year we feel that it would only be right to forego this much looked forward to event -world conditions being what they are, therefore this will serve as a CANCELLATION of this year's
ABBOTT'S MAGIC GET-TOGETHER which was scheduled to be held September 7, 8 and 9 at Colon, Mich.,
The Magic Capital of the World.
It is our intention to prepare now for a BANG-UP MAGIC GET-TOGETHER in 1946!
1945 Abbott’s Host Open House Due To Write In Campaign (by Percy Abbott)
We were agreeably pleased and surprised to receive so many letters from our Magician friends on the
subject of this year's Magic Get-Together cancellation. We could not fail you entirely, and so the "open
house" idea is our answer. It will be necessary for all those who had reservations in for the Get-Together
to again send reservations in for the week of Magic Open House.
1945 End Of WW2 - 12th Get Together (by Demon Rembrandt)
The plans for the regular Get-Together had been abandoned because of the tightening of travel
restrictions and the uncertainty of general conditions due to military expediency. Even though Germany
was out of the war picture at the time we ordinarily would be starting to arrange this year's GetTogether, there was still Japan, and with the imminence of increased troop travel from Europe en route
to the Pacific war theatre, it seemed best to pass up the annual conclave of Magicians at Colon. That
was all right up to the middle of August, but when Japan folded and gas rationing was called off, many
who were uncertain about making the trip to Colon decided to motor in. So Percy and the entire Abbott
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staff had to jump around a bit and get set for "come what may." And in view of the probability of the
larger crowd than was originally expected, the tent will go up - will be up by the time you read this - so
the shows will be under canvas as usual, and the gathering promises to be a grand and colorful magical
assemblage as of earlier years.
NOTE: Abbott's "little" open house would become the biggest party of all as it attracted over 400 people
one day after Japan formally signed the surrender document, officially ending World War 2. It would
later be classified as a Get Together in the official count.
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1946 Abbott Expansion To NY, LA, Chicago, Detroit, & Indy (by Patrick West)
The gross sales for the business surpassed $200,000 for the first time in 1946. This increase in sales was due in part to a
renewed interest in magic following the war and more directly to the expansion activities of the Abbott firm which had opened
branch retail shops across the country. The New York shop was managed by Jim Renaux and Ken Allen. Karrell Fox and Ron
Kissel ran the Detroit shop. In Indianapolis, Duke Stern was manager and salesman. George Coon and Doug O'Day operated the
Chicago outlet. The Los Angeles store was managed by Geo Boston.
1946 Exclusive Rights To Jack Hughes Products (by Abbott’s Magic)
The Jack Hughes era begins at Abbotts as they obtain exclusive American
manufacturing rights to many of his products which brought some
exciting magic from England to the Abbott magic family including Attaboy,
Cabinet of Foo, Card Rise Chest, Double Television Card Frame, Harbin’s
Imagino, and Improved Last Card to name just a few. Many of these
effects became all time best sellers for the Abbott Magic Co.
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The thirteenth annual Abbott Magic Get-Together is now but a brilliant item in magical history, but aside
from the chronicling, visitors will remember it as one of the most enjoyable of all magicians1
conventions It was the largest gathering of its kind ever to be held in Colon, the official count of the
visitors being given as 620, although there were many who came in for the last show who did not sign
the book.
And the weather was grand throughout the week, rain holding off until the last show was over.
Otherwise it was mild with cool nights, although midsummer came back for the last two days.
The visitors started to come in the week end before Labor Day, and indeed Audley Dunham of
Indianapolis arrived in Colon Friday night, thus qualifying him for the first arrival medal presented him
on the "night before" show.
Every section of the country was represented at the conclave, a large delegation coming from the East,
and a number of Magicians came in from Toronto and other parts of Canada. Among the visitors were
some of the top notch performers — amateur and professional - in the field of Magic. To name some of
them: Bert Allerton, president of the Society of American Magicians; John Braun, president of the
International Brotherhood of Magicians, and editor of the Linking Ring; John Mulholland, editor of The
Sphinx; Gene Bernstein, Sid Lorraine, Harlan Tarbell, Ralph Head, Milbourne Christopher, Leslie Guest,
Howard Strickler, Dave Coleman, Adolf Boldt, B. C. Buff, Loring Campbell, Dick DuBois, Paul Stadelman,
Bob Nelson, and the performers on the various shows.
While most of the crowd were regular attendants of the Abbott affairs — many of them having
participated in all thirteen — quite a number of new faces were seen this year.
All the Magicians5 activities centered in the Abbott plant and the "big top" theatre this year pitched in
Railroad Park just down the street from the plant.
Demonstrations Crowd Showroom
In the Abbott showroom, there was hardly room to
turn around as the frequent cry of “Demonstration”
went out over the loud speaker. The
demonstrations went on constantly and after each
there was a rush to the counters, for the wonders
performed this year were such that the Magicians
were eager to buy the equipment necessary.
Many new effects were offered to Magicians for the
first time in the Abbott showroom and all visitors
were enthusiastic as they were presented by Percy
Abbott and his corps of demonstrators — Duke
Stern, Karrell Fox, Bob Magune, Lloyd Chambers,
Joe Karson and Menge.
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Demonstrations continued throughout each day and one of the tricks that made at hit with all was
Lester Lake's latest creation, “Water Lu” which sold like hot cakes even though delivery was purposely
held off until the day before the close.
While the formal program of the Get- Together did not begin until Wednesday night enough of the
crowd was in on Monday and Tuesday nights to warrant demonstrations and shows of an impromptu
nature in the Abbott showroom.
“Slap Happies of 1946”
The scheduled shows of the conclave got under way on Wednesday night, when "The Slap-Happies of
1946" was presented for an all-Magician audience, This was the usual “night before party” which is the
traditional opening for any large gathering of Magicians. Most of this show was given over to hilarious
gags and blackout skits, introducing a new team of magical wags — Duke Stern, manager of Abbott's in
Indianapolis, and Karrell Fox, manager of the Abbott Branch Store in Detroit. Lester Lake was master of
ceremonies and he did some Magic, while introducing Delmont, a youthful trickster with good Magic
and patter; an illusion burlesque by Carlo, Milton Kort and Jeanne Windsor; Dolores Robinson, in a
contortionist specialty; Freddie Brandt with a guillotine presentation; Dr. Zina B. Bennett presenting his
fans with regular and giant cards in beautiful black light; a comedy coin catching interlude by Howard
Strickler, a mind reading gag by Phil Thomas, which Karrell Fox crossed up with double talk, and a
comedy Magic act by Reichenbach and Minder, in which the former appeared on his Magic horse and
the latter as his glamorous assistant in ballet costume and curls.
On Thursday afternoon there was an educational program in which various lecturers explained phases of
Magic and kindred arts in which they were adept. Those who participated in this program were Percy
Abbott himself, Duke Stern, Tommy Windsor, Monk Watson and Mel, all closing with an interesting talk
on Magicians and Magic of India by Jack Gwynne, who spent a couple of years on USO shows, most of
that time in the Orient and India.
Thursday Night Show
The first of three public shows was given in the tent theatre on Thursday and a capacity crowd of 1200
was in the tent, sitting and standing to greet the performers. As the footlights came on, Percy appeared
and welcomed the crowd and then introduced Monk Watson as M, C. As usual, Monk was in good form
and he brought on the first act, Stewart James, manager of Abbott's Canadian branch store, who
presented the Magic with which he entertained soldiers overseas as a member of the Canadian Army,
among other effects doing the six-card repeat, bathing beauty and the linking rings. Lester Lake came
next with his new Chinese act, featuring several tricks of his own creation, the Siamese-Chinese twins,
and several liquid tricks, including Water- Lu; then Joe Karson with various card tricks and comedy
patter; Phil and Kay Thomas with a flash act — their usual smart Magic — spurting rice bowls, television
frame, rabbit vanish, mutilated parasol and an alarm clock vanish. John Giordmaine closed the first half
with his comedy pet in which he did a whale of a lot of Magic for the time he was on with ropes, silks,
vanishing wand and alarm clock production.
Opening the second half was Al Minder, long a favorite with Colon audiences, and as usual he scored as
the inebriated Magician, his Magic featuring the light bulb trick "Electra" Then came the closing act, an
elaborate affair presented by Ray Cox and his company, which included Jeanne Windsor. In this act
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along with smaller Magic, Cox presented several illusions — Doll House, various escapes, A Spooky
Substitution, and Sawing a Woman in Half.
Friday Night Show
The Friday night show was handled by Jim Sherman of Chicago, a gracious M.C., appearing for his first
time on a Colon show. The opening act was Mysterious Lawrence who started the show off with a bang
with his magical, musical, and juggling stunts. Dr. Clyde Cairy of Lansing followed with a presentation of
card tricks, then petite Jeanne Windsor appeared with a cute little ventriloquial doll and made a terrific
hit with the audience as she walked down the aisles, the doll singing all the while. Duke Stern then came
on to do some burlesque Magic, Karrell Fox acting as his clumsy assistant, then Duke went into his
pantomimic impersonation of Mr. Average Magician. For the Magicians it was grand clowning as he
went through the motions of doing card, cigarette and billiard ball manipulation, and the vanishing bird
cage, all without a piece of apparatus in his hands. The first half was closed by The Johnstones (George
and Betty), a youthful pair who presented their Magic in a very smooth manner, their routines dealing
mostly with silks and flowers — a very colorful act indeed.
After the intermission, Al Saal, a
popular performer at Abbott
affairs, came on with a clean-cut
manipulative act with cards,
cigarettes, and the multiplying
lighted candles. Following Saal
was Tommy Windsor, who
appeared as a street pitchman,
expounding the virtues of various
powders vocally while
he
produced several magical effects.
Then came Les Hunt and Juliette
with a neat act in which silks and
flowers
were
effectively
displayed. The closing act was
Harry Otto and Company in which were presented many Chinese and Oriental mysteries. Otto and his
assistant, both dressed in Chinese costumes did the fire ball, Sands of the Desert, a pigeon cabinet trick
and their closing number a square circle effect in which silks, flowers, and finally several bird cages were
produced.
Saturday Night Show
On the Saturday night show, Dorny appeared as the M.C. and as usual turned in a fine job in the role.
First on the bill was Harry Otto, this time appearing alone with his juggling act which went over big. Then
came Guy Gerber with card fans, knots and silks, a grand Magic turn; Joe and Ann Karson, featuring his
“Turning Back Time”; Nardini, the Magical Bartender, who presented his bar act, in which he poured out
various drinks as various members of the audience called for them, Then came one of the zaniest acts
that has ever appeared in Colon — Karrell Fox, who calls himself “King of Korn” and he ably lived up to
the title with a fast succession of gags and a little Magic. His snake basket bit with Waldo Logan and Al
Mack assisting was a scream. He closed the first half — he “stopped the show” anyway.
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Opening the second half was The Great Alexander with an act made up of various effects
with watches and ringing clocks, concluding with an illusion, the Grandfather Clock, from which emerged
ol Father Time himself, Johnny Jones appeared next with the act he has been presenting on USO shows
in several of the war theatres, particularly in the C-B-I theatre. Then came Mel with his chalk act,
drawing a half dozen pictures in rapid succession. The closing act was that of Monk Watson, doing two
comedy stunts which the Magicians clamor for each year Monk appears on the Get-Together shows the orchestra director and the tightrope walker, both of them hilarious caricatures of the
respective performers.
Much credit for the smooth running of the various shows goes to the unseen and unannounced
members of the Abbott staff who handled the back stage and the music. On the last night Dorny
brought them out for a brief Introduction - Lyman Hug, stage manager, and his assistant, Bill Auten; and
the orchestra, Mrs. Abbott, piano; Duke Stern, violin; and Bob Magune, drums. They all did a good job.
After each of the night shows, there was a buffet lunch served on the Abbott grounds, followed by
another session in the showroom which lasted until l a m .
Ovette Memorial Show
On Friday afternoon there was a show as a memorial to Joe Ovette, beloved member of the magical
fraternity, who died early in August. Proceeds from this show at which the sum of $509.90 was realized,
were turned over to the widow, Fran Ovette. The Ovettes were to have been on one of the shows this
year. John Mulholland appeared as the M, C. and in greeting the audience, paid a grand tribute to the
memory of Joe Ovette. He then introduced the following who appeared briefly with a pet trick; Bill Pitts,
cards, Disecto; Jimmy Trimble, cigarette manipulation, and the Rabbit in the Hat; Paul Stadelman, Tipsy
Turvy Bottles; Doc Dougherty, Fink Elephants and Purple Cows and a rabbit production; Dave and
Pauline Coleman, Tears of Buddha, thimble routine, paper hat, parasol and the famous Linking Rings;
Loring Campbell, whose trick it was to introduce the presidents of the major Magicians organizations,
Bert Allerton and John Braun; Lieut. Lee Estes, a safety trick and The Pig That Looks Round; the Menges
in songs and Magic; Melbourne Christopher with knots and stretching a rope; closing with the Lestas
and their Story of the American Flag — a magical production.
Saturday afternoon. Dr. Tarbell conducted his third class in Magic in the tent theatre and
more than 60 Magicians availed themselves of the opportunity to learn from this master easier ways of
producing their effects. As usual the housing facilities of Colon were taxed to the limit and many of the
visitors were placed in rooms out of town. With no hotel in town, the Magicians were taken care of in
various private homes, and in this way many new friendships were made with the townspeople through
the week.
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1947 Abbott Magic 9th Catalog Delayed (by Abbott’s Magic)
There has been an unavoidable delay on the printer's part in the production of the new No. 9 Abbott
Catalog promised for January delivery, but you may be sure that when it does arrive in your mail, it will
be well worth waiting for. Two months ago, our printer assured us that we would have the first
shipment in January and acting on his word we advertised "January delivery" to our customers. That was
two months ago. Since then, things have happened. Several difficulties arose, among them a breakdown
of the big press on which the catalog was to be printed, and as this is written, the replacement of the
missing part has not been made by the parts manufacturer. The necessary break in the production
schedule allowed us to make additions - more items - so that when it comes to you, the catalog will be
832 pages. That’s a mess of Magic.
It was a grand week of magical activity for the hundreds of Magicians and lovers of Magic when they
assembled for Abbott's 14th Annual Magic Get-Together in Colon the first week of September.
Registration figures on the gathering bettered last year's attendance, but at least a hundred Magicians
came in for the Saturday night show and did not bother to register and this number would bring the
attendance figure up to well over 700.
It was an international gathering this year, as Magicians were here not only from all parts of the United
States, but from Canada, England, China and South America.
The Magicians started to stream
in over the Labor Day week-end
so that they might spend a few
days visiting before the scheduled
program began on Wednesday.
And too, there was much Magic
to be seen in the showroom at
the Abbott plant, where Percy
Abbott, Recil Bordner, Neil Sweet,
and the managers of the four
Abbott branch stores — Duke
Stern, Karrell Fox, Tom Rainey,
and Kenneth Allen — were kept
busy demonstrating new effects.
And the sales staff, augmented by
Howard Strickler, Al Saal, Herb
Borin, Phil Thomas and others
were likewise kept busy.
Among the distinguished visitors were Arthur Dowler, English eccentric Magician, who, accompanied by
Mrs. Dowler, made the trip from England especially to be on the Get-Together shows; Cardini here with
his wife and son for the wedding of his brother (The De Fakas) Wednesday night; Dell O'Dell "Queen of
Magic", and her husband, Charles Carrer, top notch juggler; The De Fakas, John Braun, editor, Linking
Ring; John Mulholland,' editor, The Sphinx; Edward W. Dart, editor, Conjuror's Magazine; Arthur
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Buckley, Paul le Paul, John Brown Cook, Eugene Bernstein, Adolph Boldt, Bert Allerton, Jimmy Trimble,
Dave and Pauline Coleman, to name a few. A number of the regulars were absent and were missed.
In addition to the usual programmed features, the opening event on Wednesday, the "night before
party" in the tent theatre was climaxed with the wedding of the De Fakas, a British magical team, whose
act headlined the Saturday night public show. Preceding the wedding, the night was given over to a
rapid succession of hilarious bits, contributed by Percy Abbott and Recil Bordner (two very funny skits,
"The Lion Tamer" and (The Magician"), Neil Sweet, Alexander with two new wand effects (Abbott's);
Arthur Dowler, who at the conclusion of his turn was presented a key to the city by Monk Watson,
Juggler Fred Merrill, George Thompson in a side splitting street faker act, and Monk Watson, doing
impersonations of Al Jolson and a musical director, with Dorny doing his usual swell job as master of
ceremonies.
By Thursday, most of the crowd had registered and kept the showroom well filled every time a
demonstration was announced over the loud speaker. Some remained outside the plant to watch fellow
Magicians display their talents with cards, coins, hypnotism, or to pose for pictures. It seemed as though
every visitor had a camera of some sort, and in addition newspaper and newsreel lens wizards were on
the job posing groups near the plant and all over the downtown section. The newspapers in Battle Creek
and Kalamazoo were generous in space given the Get-Together. Pictures of the wedding were released
all over the country and wire photoed to England.
The early part of the week was given over solely to Magicians' activities, but on Thursday night came the
first public show with Arthur Dowler as the headline feature. When the lights went up, Percy Abbott
appeared and greeted the crowd of 1300 which filled the tent to capacity, then introduced Sid Lorraine
of Toronto as master of ceremonies, and the show was on. Richard Stoner, a juvenile Magician of Fort
Wayne, opened with a variety of Magic; then came the Lawrence’s with rope spinning and juggling;
Gene Gordon, with his hand puppet Fido, Find the Lady with giant cards, and an entertaining presentation of Chapeaugraphy; Al Saal, doing hand shadows which were well received, then Dowler. Dowler
did his tricks of Magic in fine style, but it was his comic antics while on the stage that captivated the
audience and brought roars from the crowd. Particularly funny was his apparent clumsiness as he
bumped into various pieces of stage furniture to make skeletons and other grotesque figures pop up. His
presentation of Hippity-Hop Rabbits was a masterpiece.
After the intermission, Lester Lake presented the act which he performed as a member of a USO unit in
Europe through the war. Bill Baird followed with his amazing manipulative act with silks, cards, billiard
balls and the Chinese rings; then Florine, who with the help of Dr. Zola, John Braun, John Mulholland,
Jack Lippincott, and Elmer Eckam, put on her Truth and Consequence act, which had its moments.
Closing the show was Marquis, illusionist, who showed several illusions, among them the dancing
handkerchief, and the buzz saw, and then a series of spook effects.
By Friday, the demonstrations in the plant showroom were fast and furious, and in the afternoon a set
program of demonstrations of the latest Abbott effects, as well as some new ones brought over from
England by Dowler to be manufactured by Abbott's, was staged by Percy and his corps of assistants,
including Dowler. Many sales were made on these effects as soon as they were demonstrated and in
some cases a limited number of orders were taken after a demonstration of the original model.
Another capacity crowd filled the tent for the second night show, which featured Dell O'Dell and Charles
Carrer. Two zanies, Duke Stern and Karrell Fox, clowned through the master of ceremonies assignment,
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starting the show off with Walter Harris and his Punch and Judy act, which was more or less a novelty
for most of the crowd. Then came Marquis, who astounded the crowd with his "sightless vision",
reading numbers of borrowed bills, names on business cards and such while blindfolded. Carrer followed
with the fastest juggling act ever seen in these parts and the crowd cheered him at the end of every
feat, bringing him on for an encore bit and even then being reluctant to see him leave the stage. The
first part was closed by Al Flosso, the Coney Island Faker, who with the help of one of the small boys in
the front row, kept the audience howling all the while he did his Magic. Al could be on the Get-Together
shows every year and still wow 'em.
Kenneth Allen of New York opened
the second half with a neat
presentation of effects utilizing silks
and flowers. He was followed by
Tom Rainey of Chicago, doing a
cigarette to dove effect, aerial
fishing, and a flower production;
then Nancy Marilyn in a dance bit.
Dell O'Dell then appeared and for
the next thirty minutes the crowd
was regaled with the wonders the
"Queen of Magic" performed for
them — rabbit productions, passe
bottles, an umbrella trick, sand and
sugar, the blooming rose bush
(from which she cut a dozen or
more real roses to pass out to ladies
in the audience), winding up with a clock production with a giant alarm clock as a climax.
Saturday, a group of Magicians were rounded up by Percy Abbott and Al Saal of Toledo and were taken
to Battle Creek where they performed in the auditorium and in the wards at Percy Jones hospital for the
war veterans there. In this group were Jimmy Trimble, Gene Bernstein, the Lawrences, Harry Solomon,
Al Zink, and Saal, who was M. C. on the auditorium show.
In the afternoon, while demonstrations were going on in the show room, Dr. Harlan Tarbell conducted
his class in Magic in the big tent and about 50 Magicians spent a couple of hours at a real educational
session.
On the closing night, a capacity house again filled the tent for the show on which the De Fakas and
Arthur Dowler were featured. Mel opened the show with his rapid chalk sketching act, at the conclusion
of which all lights were turned off and he drew two pictures in colors that glowed in the dark. He was
followed by G. Ray Terrell, top flight night club performer, who presented a very smart act featuring
magical cookery and started the Magic portion of the bill off in fine style; then Kim Kee in a colorful
Chinese act featuring new wand and silk effects; the Mysterious Lawrences in a barrel escape and
various bits of Magic. Belle and Roy De Faka, in a magical-musical act which the audience immediately
appreciated, closed the first half. Giving an able rendition of the Greig Concerto on the grand piano to
open the act, as well as providing musical accompaniment throughout, Belle showed herself to be an
accomplished pianist. Roy appeared as the inebriated roisterer who on his night out had collected a lot
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of paraphernalia and it was all draped on his person until he was ready to make Magic with it. He made
a hit with his rope tricks, particularly the stretching rope bit. They were recalled for many bows.
Following the intermission, Lester Lake presented several dancing puppets, finally bringing on a life-size
puppet which turned out to be Nancy Marilyn, the dancer. Then came Arthur Dowler in his second
appearance and his cry of "Recitation" and his stumbling antics brought the house down. Dowler has a
fine sense of comedy and while his Magic is incidental, he did do a repeat of the Hippity-Hop
Rabbits and duplicated his previous hit with it.
When the curtains parted for Mickey Ostasky, the
audience saw a fine looking 16-year-old lad in tails
who proceeded to do a grand act of Magic in
graceful fashion, and he stopped the show with his
presentation of "The Zombie". Karrell Fox, His Royal
Slyness, "King of Korn" (and incidentally, Mickey's
magical mentor and advisor) closed the show in a
bedlam of just "dippy-mad" didoes, with the help of
Vic Torsberg, Al Mack, Duke Stern and other
helpers. The audience was still laughing as they left
the tent.
Music for all the shows was provided by Gladys
Abbott at the piano and Duke Stern and his violin,
and they did a grand job. And as usual Lyman Hug
handled the stage in his capable manner, with the
help of Irene Hug, Bill Auten and Neil Sweet, so that
every show was moved along smoothly.
After each night's show, the Magicians lined up on
the Abbott campus for "coffee and" and then the
showroom was opened for more demonstrations until as late as 1:30 A. M. This after-show snack was
taken in leisurely fashion except for the first night, when a shower hastened the feeding process a bit.
The last event of the week was in the tent Sunday morning when Father Paul Lloyd of St. Louis
conducted mass for the Magicians who remained in town. Many Colonites also attended this service.
By Sunday afternoon all the Magicians with the exception of Dell O'Dell, Charles Carrer, Audley Dunham
and his wife, and Nevin and Helen Hoefert, who remained until Tuesday to rest up a bit after the
strenuous week.
Sunday too, Percy left for Detroit for a few days rest after all the excitement. He was accompanied by
Mrs. Abbott, Arthur and Mrs. Dowler, Sid Lorraine and Al Flosso.
The week's activities were tiring for the entire Abbott staff, but it was worth it, and we all look forward
to next year's Get-Together, which will be bigger and better than ever, as Percy says each year — and
makes good.
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1947 Get Together Marriage (by The Colon Express)
The wedding group on the stage of the Tent Theatre, left to right - Percy Abbott, Linda and Marilyn
Abbott, Cardini, Roy Pitchford, Isabelle Pett Pitchford, the Rev. Frank Wright, Martin Bordner (the
minister obscures Mrs. Cardini). Photo by Griffin, Three Rivers Commercial.
One of the surprise features of the Abbott Get-Together this year was the wedding of the De Fakas,
European Magic act, on the stage of the tent theatre after the conclusion of the "night before party"
Wednesday night.
Townspeople as well as the visiting Magicians had been invited to witness the ceremony and by the time
the bridal overture was played by Mrs. Percy Abbott, and then a vocal solo, "I Love You Truly" by Miss
Marie Eggstaff, the tent was pretty well filled.
As the curtains parted to reveal the lone figure of the groom, Robert King Pitchford in the attractive
trellis and floral setting, Mrs. Abbott began the Mendelsohn Wedding March. Two little flower girls,
Marilyn and Linda Abbott, and the ring bearer, Martin Bordner, preceded the bride, Miss Doris Isabelle
Pett, who stepped down the stairway in the center of the trellis on the arm of Percy Abbott, who was to
give her in marriage. Behind them came Cardini, world famous sleight-of-hand artist and brother of the
groom, as best man, and Mrs. Cradini who was matron of honor.
The ceremony was performed by the Rev. Frank Wright of the Methodist church, and then the wedding
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party moved to the Abbott showroom where the reception was held and the wedding cake cut and
distributed among the Magician friends of the bride and groom.
Mr. and Mrs. Pitchford have worked together for the past six years as The De Fakas, doing their magicalmusical act throughout Europe and through the war years in service entertainment units. They wished
to be married in America and when they finally received their passports and obtained passage to this
country, their visit seemed timed to coincide with the Get-Together dates and they decided to be
married here among their fellow workers in the field of Magic. They arrived here just the day before the
wedding and thanks to County Clerk John Marvin, who waived the usual five-day waiting requirement,
the wedding went along as scheduled. The De Fakas expect to remain in the United States for six months
visiting the Cardini's and playing dates in the East.
1948 Unannounced Performance Of Edgar Bergen (by Percy Abbott)
I wish it known to the Magic Fraternity at large that only
through the unceasing efforts of my friend, Jim Sherman, was
it possible to have the privilege and the honor of having Edgar
Bergen at our Magic Get-Together, and Jim knows I am
deeply appreciative. Bergen’s appearance with Charlie
McCarthy and Mortimer Snerd on the Saturday night program
was something long to be remembered by the Magicians and
all those of the public who were lucky enough to be there
that night. The ovation given Bergen and his pals, and Pat
Patrick and Jim Sherman, was spontaneous and tremendous,
and I know that Edgar was sincere when he told me that he
had had a wonderful time and enjoyed every minute of his
stay here. We of the Abbott's Magic Novelty Co. are indeed
very grateful to this great artist for voluntarily appearing on
the show.
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A surprise climax marked the closing of the 15th annual Abbott Magic Get-Together at Colon Sept. 11,
after a gala week of magical activity. This surprise was the unheralded and unannounced appearance on
Saturday night's show of Edgar Bergen, famed ventriloquist and radio and screen star, together with
Charlie McCarthy and Mortimer Snerd, and his fellow travelers, Pat Patrick and Jim Sherman.
Surprises are not an uncommon thing at the Abbott affairs, but this one was so sudden and unexpected
that even forewarned that afternoon, Percy was almost pinching
himself to see if it was all real. And the several hundred
Magicians - there were more than 700 of them at the Saturday
show - and another several hundred of the public who crowded
into the big tent were extremely glad they were there and gave
Bergen a real ovation, a great number rising in tribute - to this
splendid artist.
All this brought to a brilliant close a full week of Magic, fun, and
general good fellowship, and many were heard to say that this
Get-Together was the best of all of Percy's parties.
The Magicians come to Colon for a good time - good fellowship,
good magic, and good shows - and they have it; and they come
back each year, bringing a few newcomers. Thus the registration
figure increases each year and this year it reached 676, but as
Edgar Bergen
usual many came in the last day who did not register, maybe a
hundred of them, so it's safe to say the attendance was more than 700.
Of course the arrival of Bergen and his associates intrigued all and hit the high spot but the gathering
was otherwise featured with the usual high standard shows, excellent educational features, and good
demonstrations of magic throughout the week.
Opening on Labor Day, many of the early visitors came in for the few days of the long week end. Others
brought their house trailers In prepared to stay the week. Dell O'Dell, Magic's first lady, and her
husband, Charles Carrer, top-notch juggler, who were featured on the public shows, arrived the
Saturday before in their "super-dooper" house on wheels, and with the trailers of the Hoeferts and the
Prestons, all located on the-Abbott corner lot, and with the extra tents outside the plant, produced a
truly carnival atmosphere.
Well not list here the well known’s in the field of Magic who attended, It would be a veritable "Who's
Who in Magic." Suffice it to say that but few of the regulars were missing and the usual quota of
"names" were on hand for the doings.
Although the regular Get-Together program did not open until Wednesday night when the "night before
party" was staged, the "first two days of the week were occupied by a convention of junior Magicians,
who call themselves The Counts of Conjuring. These lads, some thirty of them, got together Tuesday and
elected a new president, Paul Anton of Nashville, Tenn., the retiring president, George Thompson of
Cincinnati, being elected vice-president. Other officers - all from Cincinnati - are: John Herrmann,
secretary; Ray Bedwell, membership chairman; and Edwin Ireton treasurer.
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The Counts of Conjuring also staged the show on Tuesday in the auxiliary demonstration tent just
outside the plant. George Thompson was M. C. and opened the show with Michael Franks, a diminutive
12-year-olderf who showed fine skill with billiard balls; Ken Allen with ring on silk and the Last Card;
Charles Schutz - Deuces Wild; Davy Jones, who made an individual hit with his comedy Magic, and
whose "Oh, Percy!" when his candle tube trick failed to work, became almost a by-word for the rest of
the week; John Herrmann - cards; George Thompson - Disecto; Paul Anton - cards; Ray Bed well squared circle, silks, Kuller Deck, and Soft Soap; Antonio - sucker passe bottles, and brassiere; Lee
Henneberry - cigarettes; Date Brandon - cards; and Marko - silk productions, billiard balls and a fake
mental act. For the "night before party" Wednesday night several hundred Magicians and invited guests
sat through two hours of clever vaudeville skits mostly of the comedy nature with just enough Magic for
atmosphere - and all of the Abbott troupe of zanies participated - Percy himself in another of his
burlesque Magic acts, assisted by Recil Bordner; Dorny, who also emceed the show; Monk Watson,
Howard Strickler, Carlo Summers, Karrell Fox, Joe Karson, Gene Gordon, and Duke Stem.
One of the treats for Magicians was the opening number - Percy Abbott in a colorful Magic act with his
family, Jules, Sydney, Marilyn, and Linda in bright costumes assisting. Otherwise the Magic on the
program was contributed by Vernon Carr, who did some tricks with ropes and his version of Zombie,
Antonio in a variety of Magic, Davy Jones, who repeated his comedy hit of the previous night, and Bert
Allerton, who presented his Atta boy Poker Deal (TOPS, April, 1947).
Halfway through the proceedings, Dorny introduced the first visitor to this year's gathering, Arthur Nimz
of Los Angeles, who came to Colon on August 12 and camped on the shore of Palmer Lake, awaiting the
opening He was presented the usual wooden medal, gilded a bit, and a trick from the House of Abbott.
Demonstrations continued throughout the daytime and after the shows at night, and from time to time
in the special demonstration tent just outside the main building. There also was a smaller tent, where
devotees of the hanky panky type of Magic - close-up stuff - were continually passing the time away
trying to fool their fellow tricksters. Stars on these impromptu programs were Bobo, Harry Louine, Louis
McBride, Frank Drobina and Eddie Mario. Also in the demonstration tent at intervals on the last three
days were clever exhibitions of Punch and Judy in the hands of Augustus Rapp, veteran Magician and
show man.
Another feature of the affair was the radio program staged in the Abbott showroom by Ed McKean of
the Kalamazoo station on Thursday afternoon. This program was turned over to Dorny who introduced
Percy Abbott, Dell O Dell, Bobo, Bill Neff, Dr. Saa, Ed Dart and Mel, closing with a fast trick by Duke
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Stern. The first public show was given in the big tent in Central Park, and there was an overflow crowd
long before Percy Abbott appeared on the stage to open the proceedings with the traditional tent show
opener - the candy sale which was fast and furious for five minutes, and many of the Magicians received
some fine prizes. The candy sale was also repeated on the other nights.
Percy then introduced Dorny as master of ceremonies and he carried on from there, bringing on the
opening act, Danny 0'Day one of the Chicago Abbott managers who performed a variety of Magic - glass
penetration, silks, and newspaper tear - to give the show a good start. Bobo Wak next with a fast act
with ropes and silks; then Earl Davis, a talkative juggler, who made a hit as much with his patter as with
his juggling which was very entertaining. Merv Taylor then appeared as a professor who dabbled in
Magic and did a razor blade trick, and some of his original creations, including the comedy linking rings
with a lot of comedy patter; then Louis Mc- Bride, ventriloquist had a few hilarious moments with his
pal, Silas. The -first half was closed by Chan Lee, otherwise Joe Karson, assisted by Ann Karson, doing
their version of Chinese Magic.
Gene Gordon opened after the intermission with his magical quiz, then Percy Abbott appeared and
introduced Arthur Buckley, who was a boyhood chum and magical confrere in Australia, and Buckley
showed his manipulative skill with billiard balls and cards. Then Monk Watson, Colon's own, who had
been busy with a raft of funny bits with Domy throughout the show, came on to do his orchestra
director and Jolson impersonations and "stopped the show' Professor Cheer then appeared for an
accordion solo but before it was over, the instrument exploded and from then on it was a comedy act
with a musical saw, imitations, and a bit in which he played "Nola" using his head as an xylophone. The
show closed with a brilliant and colorful act by Nivelli, who went through a gamut of silk productions,
liquid tricks, closing with a clever presentation of Zombie.
The Friday night show was featured by the return appearance of Dell O'Dell, premiere magicienne, who
repeated her success of last year, and Chas, Carrer, juggler, who did likewise. Dorny was again M. C. and
introduced Louis McBride, who did some coin magic and a rope escape and then an encore with a Vent
bit, a drinking scene with Silas George Coon, the other Chicago Abbott manager, then came on to do
tricks with liquids and an egg bag from which he produced not only eggs but a wild rooster, and then a
rope escape. The stage cleared then for Karrell Fox who clowned his way through an hilarious routine
and no one cared whether it was Magic or not - it was fun. Charles Carrer closed the first half with his
magnificent juggling of glasses, plates, and bottles; and cocktail shakers a la Devil Sticks.
Opening the second half was Doris King of Quiney, with two numbers on her marimba; then Duke Stem
in his pantomimic act impersonating the young Magician with various tricks, concluding with the
disappearing birdcage; then Arthur Buckley again for a masterly presentation made up entirely of coin
manipulation. Then came Dell O'Dell to close the show with her fast and unusual Magic, the hit of which
to Magicians and public alike were her parasol trick, rabbit production, and Sands of India, which in the
hands of this performer seemed like miracles. She also presented in her own inimitable fashion the
chopper guillotine, rose bush, linking rings, duck pan production. Opening the show Saturday, with
Dorny still in the M. C. role, was Kirkpatrick, former police chief of Fort Wayne, whose father was
Frederick La Dell, well-known Magician of another day. He produced and vanished doves at will, and a
variety of colorful Magic. Bobo appeared next, assisted by his wife, with dyeing silks, bewildering blocks,
jap box productions and a rabbit vanish; then Joe Karson doing his comedy Magic act with a fast
appearing and vanishing fish bowl which the audience never saw and some crazy card stuff. An illusion
act, presented by Charles Worpell of Detroit and three assistants, came next - a cabinet vanish, Super-X
levitation, cane through body being his best. Dorny then introduced three boys from the J Lamb Knit
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Goods Co. of Colon, who had been practicing Magic. They turned out to be Bergen and his cohorts - Pat
Patrick and Jim Sherman. Patrick appeared first and introduced Jim Sherman as Abner Crotchworthy,
and Jim did a swell job of babbling the linking rings and was hustled offstage. Then Patrick came on to do
his Ercil Twing bit which is one of the features of the Bergen-McCarthy air show, and finally Bergen was
announced as a lad who imitated Edgar Bergen. When he appeared with Charlie McCarthy, however,
there was no doubt in the mind of anyone that he was no imitator, and he was given a tremendous
ovation. He performed his act with Charlie and then encored with Mortimer Snerd, That act was enough
to stop any show, and after Percy came on to voice his appreciation, Dorny had to wait until the
applause subsided before he could announce the intermission.
The second half was opened by Nevin who took the audience around the world with brilliantly colored
rag pictures. Walter Harris and his wife then presented their puppet act in which a trapeze artist, a
jitterbug team, a clown, and dancing skeletons vied for top honors. The next act was Monk Watson who
repeated his show-stopping with the tight rope walker impersonation, the Wabbit Song, and a Jolson
number for an encore. The show was closed with a fast and brilliant Magic act in the hands of Harrison
and Lina from Montreal. Harrison produced flowers, doves, live gold fish, did an "any drink" trick, and a
spectacular needle trick.
Music for the three public shows was provided by Gladys Abbott at the piano and Duke Stern on the
violin, Handling the stage was Lyman Hug, assisted by Bill Auten. Aside from these performances, there
were two fine educational sessions in the hands of Arthur Buckley - on Friday he explained the sleight
workings of his act with billiard balls and cards, and on Saturday afternoon a similar program explaining
his act with coins. Also, Sgt. Herbert German of the Detroit Police Department gave his "safety first'*
Magic show for Colon school pupils on Thursday. There also was a session of the minister- Magicians and
others interested in doing Magic in object lessons in Sunday school and other work in the church. The
members present of this organization - the International Religious Magicians Assn. - elected the
following officers: Preston, president; Dr* Harlan Tarbell, Mrs. Zina Bennett, Rev. Paul Lloyd, vicepresidents; Richard Watson, secretary- treasurer; and Sherrill Nunnelly, publicity director. The highlight
of the meeting was Dr. Tarbell's inspiring stories about the prominent part religion has played in the
lives of the world's greatest Magicians, and part of this was used by the local Methodist pastor, Mr. W.
E. Tunms, also a Magician, in his sermon the Sunday following the affair.
Most of the crowd left Saturday night after the buffet supper on the Abbott grounds but there were
many still in
town
Sunday
and attended
the
mass
conducted by
the Rev. Father
Paul Lloyd of St.
Louis in the big
tent. Many also
stayed 6ver for
last looks and
purchases in the
showroom, and
to meet Bergen,
Patrick,
and
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Sherman, who spent several hours in the showroom and mingling with the Magicians outside the plant,
also signing autographs and posing for numerous snapshots. The Bergen party, after a dinner at the
Schuler Hotel in Marshall as guests of Mr. and Mrs. Percy Abbott, at which Marian Nicola also was a
guest, left for Chicago Sunday night. Did I forget to tell you to get your reservations in early for the 1949
Get-Together? Labor Day, you know!
1949 Percy Abbott On The Cover Of Genii (by Abbott’s Magic)
In June, 1949, Percy Abbott was on the cover of Genii magazine. The cover was a photo of Percy with
the following handwritten quote “To my good friends Bill and Gerrie Larson” and then signed “Percy
Abbott”.
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1949 Orange Tree Illusion Released (by Abbott’s Magic)
We consider this to be one of the most startling and spectacular effects ever to be offered Magicians.
Magician displays a small plant growing in a flower pot, also a cover open at both ends, so that audience
can, see through it. Cover is placed over the small plant in the pot, held there a moment - a few seconds
only – and when the cover is removed, a startling change has taken place. In place of the small plant is a
full blown orange tree — huge in size — and growing on the tree are seen eighteen full-sized ripe
oranges. The transformation of the small plant to the full-sized tree bearing oranges is sensational.
NOTE: The effect faded into history until 2006 when Edward Norton performed a cgi version of the effect
in the movie "The Illusionist".
The 16th annual Abbott Magic Get-Together passed into history with the closing show on Saturday,
Sept. 10. Later Percy Abbott* announced that there would be no Get-Together in 1950, although he
gave some promise that the affair would be resumed the next year if certain annoying conditions were
corrected by that time.
The Get-Together as usual attracted visitors from every part of the country — 38 states — and Canada,
and the official registration was given as 790, the largest attendance for any of the Colon gatherings.
Many of the visitors came in for a few days over
the Labor Day week end, others dropped in on
the way to their next engagement, but the bulk
of them stayed for the better part of the week.
Among the prominent personages in the Magic
world, aside from those appearing on the shows,
attending part of the sessions were: Cardini and
Swan, in for the first few days before opening at
the Edgewater Beach Hotel in Chicago; Paul and
Trudy Stadelman, Ed Dart and Bob Lund,
publisher and editor respectively of Conjuror's Magazine; Arthur Buckley, Russ Walsh, president of the
IBM; John Mulholland, editor of The Sphinx; R. C. Buff, editor, The Modern Magi; John Platt, Bert
Allerton, the Prestons, Inez and Bob Kitchen, C R. Eaton, Bellcamp, the Lestas, Dr. Zina Bennett, Addoh
Boldt, Bill Baird, Al and Ann Minder, Arthur Reichenbach, Don Ausman, E. J. Moore and others.
Although the official program did not get under way until Wednesday night with the traditional "night
before" party, there was a show in one the tents Tuesday night staged by the Counts of Conjuring, the
junior organization which held its annual convention in conjunction with the Get-Together.
On this junior show, nine youthful performers appeared and gave the tent full of Magicians and their
friends an amusing evening although their show as a whole did not come up to the one presented last
year.
Introduced by George Thompson, one of the founders of the group, most of the acts were of the zany
type, the outstanding Magic performance being that of Ray Bedwell, who last year contributed a fire-
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eating act, and Thompson in his impersonations of different types of Magicians. Those appearing were:
Pablo (Paul Bybee) who did Hippity Hop Rabbits, Linking Rings, and Cake in Hat, and also appeared as
MC for a couple of acts; Davey Jones as a bewildered Magician; Antonio in a Vent act and later a Magic
act in which several good effects suffered; John Herman, golf ball manipulation; Dick Marsh; Ray
Bedwell, silks and a dandy rope trick; and Bill Lewis.
When Wednesday came, so did the rains and the projected "night before" party, originally set for the
ball park and was to include a ball game, had to be shifted to the "big top". The word was passed along
through the day and by the time the curtains parted, the big tent was filled with Magicians, their friends,
and townspeople. Of course there was the usual prize package candy sale to take up a fast five minutes,
then Percy Abbott introduced George Boston, manager of the Abbott Hollywood branch, as M.C. and
the show was on.
After a couple of numbers by the Colon High School Band
under the direction of Mel Flowers, Boston brought on Bob
Morehead with a nice variety of magical effects, including
the Linking Rings; a very funny pantomime act by Tom
Rockhill, in which he gave an exhibition of Magic with the
instructions given him a la wire recorder; Chuck and Phyllis
Kirkham with the new Abbott's Sawing a Woman illusion;
Mel with his chalk act, and finally some fast Magic — even
illusions — by Percy Abbott and family, the best part of the
act they recently presented at the PCAM convention. In
addition, Percy did Multiplying Passe Bottles, which later in
the showroom was a sell-out trick. Zany stunts in the hands
of Ken Allen and George Coon interspersed throughout the
performance, and a presentation of a cup to Arthur Nimz of
Los Angeles, for being the first arrival — he came in Aug. 15
— completed the program.
Filing out of the tent, the crowd formed a hollow square
around the lot across the street and soon were thrilled with
the spectacular illusion presented by Lester Lake in which
Geraldine Larsen
Lake permitted himself to be encased in a box with gasolinesoaked straw piled high on it, and then "burned alive”. When the fire was extinguished, Lake came out
of it smiling and unharmed, however.
With the better part of the crowd in Thursday, there was a sell-out house for the opening public show in
the Magic Tent Theatre. Indeed, many were turned away for lack of seats as was the case on Friday and
Saturday nights.
Following the usual candy sale which seemed to put the audience into a gay mood to enjoy the
evening's program, Percy Abbott introduced Lester Lake as the M. C, and he in turn introduced the
opening act, Ken Allen, Abbott's New York branch manager. Allen presented a fast act, doing his Magic,
mostly floral effects, while dancing. Harry Louine, known in the vaudeville days as the King of Coins,
followed with some dexterous coin manipulations and the egg bag and the elusive shot glass; then
Maxine, petite lady from Fort Wayne, with her blooming bouquet and razor blade presentations; and
Davey Jones, the "early" young man who made good fun for all with his Magic and by poking fun at
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himself. Frank Clinton and Co. closed the first half with the new Karson Dancing Handkerchief, twin rose
bushes, Rod through Girl and Chinese butterflies, a beautiful effect of vari-colored paper flies glowing in
the dark.
After the intermission, Joan Rodgers appeared for a brief toe dance routine, then Percy Abbott
appeared with a trick which he described as only for Magicians and then after breaking an egg in a small
Magic pan extracted from it a huge (bigger than Percy) comic duck. Elmer Eckam then appeared with his
Chinese act, with variations of the rice bowl effect, followed by Janet, eight-year-old daughter of the
Clintons, who gave a delightful presentation of four magical effects, closing with a large flower growth.
Closing was the feature act of Aubrey, the youthful Magician from Hollywood, who truly lived up to all
the advance reports of his act. He was as good as any other professional Magician ever seen in Colon,
and the crowd gave plenty with applause. He was assisted by Miss Lois Houston and George Boston.
Aubrey's effects came in rapid succession and were beautifully presented — a rabbit production and
vanish, billiard ball manipulations, a beautiful floating balls presentation, multiplying lighted candles,
Shooting Through a Lady, a sand trick, and his own version of The Girl Without a Middle.
Rapp Provides a Treat!
Friday afternoon, the Magicians were given a real treat when they visited the tent and saw a special
performance, that of Augustus Rapp of Kalamazoo, a veteran professional Magician and entertainer,
who showed his present day colleagues the Magic he did 50 years ago. He appeared in the costume of
that time, knee britches and all, and delighted his audience with his presentation of Magic using his oldtime equipment. He also did a ventriloquial bit and closed with a "spirit cabinet" act, and when he
appeared free from his bonds, the audience to a man (and woman) arose and applauded him until he
begged off. A grand performance by a grand performer. The night show was handled by George
Boston, and he brought on the Millikens of South Bend, who presented a beautiful act with cigarettes,
flowers, and bubbles, and climaxed it by producing a lighted cigarette from a bubble. Vin Carey then
came on and performed silk tricks and ties, tore paper designs in keeping with the stories he told and
closed with a dramatic presentation of the Linking Rings. The next act was an entertaining shadowgraph
act by Al Saal, then Joe Karson, a serious-faced comedian who with the assistance of Karrell Fox, did a
hilarious act — and out of nothing. A beautiful presentation closed the first half — that of Geraldine
Larsen, editor of the Genii, who did the mutilated parasol, and various silk and flower effects.
Mr. Oso (Gerald Kosky from Los Angeles) did his Magic in the manner and with the patter of a very polite
Japanese gentleman, to open the second half. He was followed by George Boston who told the story of
Diamond Jack with a pack of jumbo playing cards — an entertaining bit. Aubrey then appeared and
produced and vanished doves and repeated the candle and billiard ball routines, then vanished a clock
from a foulard. Closing the show were Chuck and Phyllis Kirkham with various magical effects, climaxed
by their version of Abbott's Canvas Covered Box illusion. The substitution was very quickly and expertly
done.
On Saturday afternoon, many of the Magicians — many more could have benefitted greatly from itattended the demonstration lecture by J. B. Bobo, This was fine educational feature, each listener being
provided with a typescript description of each effect, John Mulholland reading from it as Bobo
proceeded to demonstrate the moves. Those who did not attend the lecture, spent the time milling
around the plant doing tricks for each other or taking pictures.
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There also was the annual meeting of the International Religious Magic Association, organized at last
year's Get-Together, discussing plans and electing officers. Preston was reelected president for another
year with the following staff: Lisle Shackleford, Rev. Paul Lloyd, Dr. Harlan Tarbell, vice-presidents;
Richard Watson, secretary-treasurer; and Mrs. Zina Bennett, publicity director.
On Saturday night, Bobo was the master of ceremonies and the opening act by Charles Worpel and Co.
was a scary affair presented in green light, and in the role of a Frankenstein monster, Worpel burned a
girl alive and laughed at it in fiendish glee. Geraldine Larsen then appeared with her ventriloquial doll,
doing the bit she has presented in television and coached Betty Hutton in for one of the latter's pictures.
Chuck Kirkham then presented the Great Leon's Haunted House illusion
which was very mystifying to all the Magicians present; Mickey Otaski
did a comedy juggling act, but missed too many times; and the first half
was closed by Kim Kee with a beautiful presentation of Chinese Magic
with a startling finale including his version of the Abbott Pagodas.
Opening the second half, Bobo came on to do a short effect with Magic
Embroidery, then introduced Don and Thelma Greenwood in a clever
act in which they manipulated silks, cards, balls and cigarettes. The
Debonnaires followed with a three-piece musical act which caught the
fancy of the crowd and then Aubrey closed With his big act, including
the Doll House3 a fishing trick, the Vampire (or Galatea) illusion in
which he was assisted by George Boston and Miss Houston and then
the feature illusion, his version of the Asra Levitation.
Musical accompaniment for the acts each evening was furnished by
Richard Judd of Colon on the Hammond organ. Many of the audience
did not know this as he was hidden from view until the last night when Bobo introduced him to the
audience. Other hidden workers were Lyman Hug, stage manager, and his assistants, Bill Auten and Fred
Smith.
The Kirkhams
By Sunday morning most of the visitors had already departed. Some of those who remained attended
the mass conducted by Father Lloyd in one of the Abbott tents or other services in the Colon churches.
1950 Bill Neff Miracle Rope Released (by Abbott’s Magic)
One of the latest Abbott releases. "Neff's Miracle Rope." Here is something that is out of this world, if it
is presented properly. Yes, it is another cut and restored rope trick but what an effect. We saw Bill Neff
do this a number of years ago. We know how it has driven Magicians crazy by the many many letters
that have been sent into our question department asking for the "how." If you don't know the effect,
here 'tis: The Magician displays a length of rope. An assistant cuts it in the center. The two cut ends hang
down, a piece of rope in each hand. The Magician starts swinging the rope so the severed ends touch,
then he separates them. He keeps this action up for a while until suddenly the ends are seen to join and
IMMEDIATELY the Magician tosses this rope to the customers. They can examine it all night and be no
nearer the solution of a truly great bit of Magic. That is the effect exactly as I saw it. It is good. It is
marvelous!
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1950 The “Pufferoo Incident” Occurs In LA (by Patrick West)
A dance instructor in Los Angeles, purchased a device called "Pufferoo" from Abbott’s branch store
located there. The device was operated by a foot pedal which ignited black powder producing a
harmless puff of smoke. It was used by magicians for flash appearances. This Pufferoo was to be used to
enhance a dance recital. It seems that the customer was not satisfied with the amount of smoke
produced and, thus, a stage hand added either more powder that was recommended or perhaps some
other material to increase the flash. The result was a large flash of fire which badly burned the legs of a
13-year-old student dancer. The student’s parents filed a damage suit against Percy Abbott and Recil
Bordner for $52,000. The suit dragged out over the next two years. The partners had no insurance to
cover such an incident. They could not find a carrier for their unusual business. Only Lloyds of London
would consider a policy and the partners had found the premium too expensive. Needless to say, such a
sum as asked for in the suit would have been a great loss to the company and Percy feared that it would
actually mean the end of the business. This uncertainty led the partners to cancel plans for the 1950 and
1951 Get-Togethers. Finally, the case was settled out of court with a considerably smaller judgment
awarded to the family.
1950 Get Together Cancelled (by Percy Abbott)
As stated in last month's TOPS, there will be no Get-Together in Colon in 1950.
Here are the reasons: Outside interference — local price raises — peddling of Magic — vulgar pictures.
Through the past few years, a clique of Magicians has formed, headed by Chic Schoke of Chicago, who
stated that this group consists of Magicians from other cities as well as Chicago (he specifically
mentioned Detroit and New York). Clique may not be the right word, but for this story it will suffice. This
group got together and held impromptu shows, mostly after our regular night shows.
There is no reason in the world why we should object to Magicians getting together and having a good
time — and we never have — but this group invited only certain people and whenever we had a
celebrity or a newcomer "name" Magician they would grab him. They have never given any thought or
consideration to the majority of visitors who might have seen these same celebrities in the after-show
sessions in the showroom. Many of these visitors protested to me — Why couldn't they get in on these
affairs! Wasn't this an Abbott Get-Together? Did some have special privileges, etc? The complaints were
many.
So, before this Get-Together just passed, I went to Chicago and explained in detail to Mr. Schoke our
objections to these affairs the way they were being conducted. Mr. Shoke stated that there was never
any intention of doing anything to cause us trouble, etc. And I believed this was so. Then I offered him
our small tent to be set up near the large tent so that these affairs could continue, but be open to
anyone, and he would be in charge. Mr. Schoke said he would see the other fellows and let me know. A
couple of weeks before the Get-Together he came to Colon and said the tent idea was okay.
So up went the tent — with stage, piano, etc. The first part of the Get-Together week, I took Mr. Schoke
to look at the tent to see if everything was to his liking. He was enthusiastic over the set-up — but
neither he nor his crowd ever used the tent. If for any reason Mr. Schoke was unable to run things in the
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tent, he surely had others to substitute for him. We know that we had cold weather this year, but have
you ever heard of weather stopping Magicians from watching a Magic show?
Thus, the only conclusion I could come to was that there was no intention on their part to co-operate
toward the general success of the affair. Many Chicago Magicians did not participate in the activities of
this group and personally applauded my stand. We have been successful in providing for our guests
through the years — and it must be remembered that they are our guests. We work hard before and
during the affair to make sure that everyone will enjoy it, and if we cannot run our party our way — and
that is to please and satisfy the majority, then it is foolish to continue to have so many dissatisfied
because a clique develops.
Right in the early days of this affair, the outstanding features were — no cliques — no politics — no
meetings, etc.
Do we have to tell you of the hard work, months ahead of time, and the thought put into the planning of
an ever bigger and better Get-Together? But all that is nothing. We all look forward to these gatherings,
always striving to make each one better, searching out new faces, new personalities for the shows. It's
not an IBM or SAM affair — just a friendly Magic Get-Together. If conveniences are not up to city
standards, aren't there other compensations to offset this. No high registration fee to pay, just
admission price to the shows.
Are we wrong to wish to run our affair our way without outside opposition and interference?
Now the local angle — Mrs. Abbott personally checks rooms and cottages in advance and rates are set
and recorded. .We go to this trouble for the protection of our guests. And yet some room rents have
soared when the guests checked in. Let me relate one incident. Joe Karson was set at the rate of $3.50
(the double rate). When he checked in he was charged $5.00. I learned about it next day and I checked
him out and into another place where the rate was right. Joe didn't squawk — he co-operated all the
way and moved at no little inconvenience.
Two restaurants raised their regular prices. I have taken this up with the local council and they have
promised to co-operate in any future affairs of this kind. This condition can be straightened out.
Peddling of Magic — This too can be stopped with the co-operation of guests — and also by the city
council. Are we out of order in restricting the sale of Magic to ourselves. We work hard demonstrating
and we bear the expense of promoting the Get-Together. We sell no space and grant no selling rights to
dealers. In all this, we are not taking exception to Magicians swapping or making deals between themselves.
Now can you imagine anyone offering vulgar pictures for sale at the Get-Together — or any gathering of
Magicians! Yes it was done, and we say emphatically that this kind of thing does not belong at any
Abbott Magic Get-Together.
Do you know that we always have a number of youths present and we personally promise their parents
that there will be nothing but good clean fun for them — and we try to get them to their rooms at a
reasonable hour. You might say, "Why worry about things like this?" Believe it or not, we do our best to
think of all our guests. We want them to be satisfied.
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We must have had a fair measure of success with this formula, because, year after year, they come back.
You all might be interested to know how the financial end of an Abbott Get-Together is operated. Here
it is: We try to make the "take" at the shows at the main tent balance the expenditures for these shows
only. The show expense consists of putting up and taking down the tent, wind and storm insurance and
$100,000 liability/ insurance, advertising, and the payment for the acts. It doesn't always balance but
near enough to satisfy us. The Abbott Company pays for the night lunches and some other incidental
expenses such as hourly pay for car drivers making runs to nearby towns for guests, etc.
We have received a lot of letters since the closing
of the last Get-Together and we are happy to say
that everyone has upheld our stand and hoped
that the Abbott Get-Together would be resumed.
We would like to hear from you. Suggestions and
ideas will be very much appreciated.
But don't think that business has anything to do
with our decision. This year's attendance was the
biggest — the same applies to our sales.
In closing let me say that I have no enmity in this
matter. I still consider Magicians from Chicago,
Detroit, New York and all other cities and villages
my friends. I have no axe to grind with any
individual. I try the best I know how to do my job,
realizing to the full that none of us is perfect. I
have referred to Mr. Schoke in this story. Well,
Chic, I hope that you have no hard feelings toward
me and that all this can be straightened out.
There is plenty of time before we can have the
next Abbott Get-Together, and when we do, we
want it with all mistakes and misunderstandings cleared up. There will be no Get-Together in 1950 —
but 1951 — after all, that's just around the corner.
1951 “Frame Of Life” Manufactured (by Abbott’s Magic)
Actually 12 months in its perfection. Here is an illusion that is small in size - tremendous in effect.
Another advantage - you can use a member of the audience, man or woman, boy or girl. They are seated
with head in small cabinet that is attached to a gold frame. The front is fitted with dials. You manipulate
the dials and in plain view, the person's head starts to change. You can see the color leaving the cheeks the flesh seems to fall away - and this living head changes to a skull of death. No angles to worry about work it close-up or on the largest of stages. Created by Bill Neff and Recil Bordner.
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1952 Get Together (by The Colon Express)
Magic week in Colon came to an end in the wee sma' hours of last Sunday morning. From every quarter
it was deemed the best and most successful of all the Magic Get-Togethers Percy Abbott has staged
here.
Such distinguished visitors as Edgar Bergen, famed ventriloquist of radio and the screen; Eddie Joseph
and his family from India; five magical entertainers headed by Goodliffe from England; Senor Maldo
from Mexico; to say nothing of notable magical personages from the United States and Canada, tended
to give the festivities an international flavor.
More than 604 magicians — that is the official registration figure — enjoyed the activities of the week,
and all went home hoping that there might be still another.
For the general public as well as the visiting magicians, the shows in the big tent theatre in Railroad Park
provided the best in magical entertainment that has ever been seen here. These shows included the
"Night before party" on Wednesday night, the evening shows on Thursday, Friday and Saturday, then
the midnight show Saturday night.
By Sunday afternoon all of the visitors except Bergen, Joseph, and the Englishmen, had departed for
their various homes.
Among the attendants at this year's affair were many prominent in the field of magic, among them
Adrian Smith, Russ Walsh, John Braun, Gene Bernstein, and Dick DuBois, all past presidents of national
magical societies; Howard and Teddy Strickler, Carl Jones, publisher of magical books; Dr. Harlan Tarbell,
Sid Lorraine, Gerrie Larson, editor of Genii; John Mulholland, editor of The Sphinx; Leslie Guest,
president of the Society of American Magicians; Marian Nicola, Dr. Zine Bennett, Al Saal, Harry Cecil,
Arthur and Helene Buckley, John Brown Cook, George Ludington, Stan Noxon, Tommy and Jeanne
Windsor, Bill Pitts, Gene Gordon, Carlo, Harry Louine, "King of Koins", and many others.
All were enthusiastic over all the events of the program which in-eluded not only the shows, lectures by
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Eddie Joseph and Augustus Rapp, octogenarian magician, now with Abbott's, who spent 50 years of his
life as a professional magician; session of close-up effects by Joseph, and the demonstrations in the
showrooms afternoons and after every night show, including the one at midnight Saturday night.
As early as Sunday morning, the visiting magicians began arriving and from that time on they streamed
in almost hourly. Indeed the crowd had swelled to fill a large part of the Abbott showroom by Monday
evening, so a trick session was arranged in connection with the first demonstration of late Abbott
effects, in the hands of Percy Abbott, and three of the managers of the Abbott branch stores— Ken Allen
(New York), Cedric of London (Detroit), and George Coon (Chicago). These demonstrations continued
throughout Tuesday until close to midnight.
By Wednesday, there were several hundred
magicians on hand to take part in the opening event
on the scheduled program—the night before party—
and this was a real night of magic and fun. Percy appeared as master of ceremonies and brought on Jim
Reneaux of Jackson who performed with silks;
Weeton of Canada with cards; and Dickie Dean and
Marjorie, Canada's youngest magicians, silk
productions and a rabbit vanish. Karrell Fox, former
manager of the Abbott Detroit store, who has
provided plenty of fun for those who attended GetTogether shows of other years, and who had arrived
from Fort Leonard Wood as the show was starting,
was then introduced. Percy asked him to do a trick but he didn't even have a deck of cards in his uniform
pocket. Percy supplied that, however, and started the trick, a matter of passing three cards to Karrell's
pocket, but it seems the trick was not ended there for Karrell kept producing cards from his pocket at
intervals throughout the show. Cedric of London was then brought on and started his act, but just at
that moment Percy decided to sell candy and there was a mad scramble for the prize packages. A few
minutes later, Cedric appeared again and went through his act which was featured by his razor blade
trick.
Then for his first appearance before an American audience came Eddie Joseph of Bombay, India, and he
proceeded to give an exhibition of billiard ball manipulation and some startling effects while his wrists
were tied. It was just a sample of what was to follow on succeeding nights, however, as this was an
impromptu showing for the assembled visitors, and all gave him enthusiastic applause.
The show broke into motion pictures at this point and movies of native magicians in India working their
effects were shown, followed by several movies in color of Percy Abbott presenting several of his
illusions and effects.
Two of the English magicians then came on for a trick each, Graham Adams with the ring on a stick, and
Tom Harris, a very funny comedy magician, mystifying two young boys, to say nothing of the audience at
large, by removing a block through a stick by which is was held in a small cabinet.
Jack Rench and his mystery maids followed with a variety of magic and illusions, featuring the Arabian
Tent from which one of the girls was vanished only to appear later running down the aisle to the stage.
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Then came some juggling in the able hands of Earl Davis of Elkhart, who did some weird things with his
juggling skill all the while chattering in an amusing fashion a la Herb Shriner, and Johnny Piatt who
performed the famous cups and balls trick and then went into a bottle trick in which he produced bottle
alter bottle in what appeared to be a futile search for an elusive glass.
The first part of the first big public show was given over to Ormond McGill and Company who broke into
a tour of Canada to be here.
Percy Abbott was again the master of ceremonies and conducted the candy sale and then chatted with
the audience until a lighting disturbance could be righted and allow the show to go on.
McGill opened by bringing on Shalimar, the girl who for the previous hour or so had been lying
hypnotized on a bed of nails in front of the theatre, and waking her in front of the audience. He then
went into a fast series of effects, a baffling rope trick, rising cards, a cremation trick, a floating ball
illusion, a manipulative bit with lighted candles, then a blindfold act in which he demonstrated what he
calls his X-Ray eyes. A card trick followed and then he presented the Phantasy of Bubbles, a beautiful act
with bubbles and silks, closing by transforming large white plumes into colored ones and vice versa.
After the intermission, the Roy-dens of South Bend came on with their vanishing television set and this
made everyone's eyes "bug out", for Roydon tore up the cardboard container which only a moment
before had contained the television cabinet showing a tuneful and moving scene.
John Piatt in Egyptian robes appeared with his fine act with silks, and closed with, a sensational vanish of
a dove. This was a beautiful act and led up to the second appearance of Eddie Joseph.
Joseph opened with a silk production. He then caused a rabbit to disappear, removed lighted bulbs from
a standard, placed them in his mouth with a bit of wire and then brought them out of his mouth strung
on the wire and still lighted. He closed by bringing several men on stage to manacle his hands with an
Indian style handcuff and did some amazing stunts with his wrists so bound.
Russell Brown of Vassar, Mich., and three assistants closed the show with an act that was a laugh
throughout even through one or two illusions, both of a serious nature. He did various bits of magic,
then proceeded to saw a woman in two, to the accomplishment of laughs, but his last illusion, a
levitation, brought forth genuine and solid applause from the audience, particularly from the magicians,
for they realized that here was a young lad of possibilities.
In the midst of the demonstration at the plant that night, Bergen, accompanied by Jim Sherman, former
Chicago magic dealer, and Scotty and Bert, two camera men, were brought into the showroom and
Bergen greeted the gang and introduced his companions. He explained that he was to make a series of
"hobby" pictures for his television show and decided Colon was the place to shoot the scenes for the
one on magic. He invited the crowd to join in the pictures and the next day and part of Saturday were
spent in taking scenes in front of the Abbott plant, in the showroom and in and out of the tent, with
Charlie McCarthy very much in evidence at all times.
Friday afternoon, Eddie Joseph presented his lecture in which he stressed the importance of concealing
the methods of trickery in presenting magical effects and then illustrated his points by actual
demonstration. Also on the lecture program was Augustus Rapp, who told of some of the worst features
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and disappointments of his 50-year career in professional magic, and Francis Haxton of England on card
technique.
Friday night was British night in the big tent, and after the candy sale, Percy introduced Goodliffe of
Birmingham, England, editor of the magic weekly, "Abracadabra", as the master of ceremonies. In a
suave manner, Goodliffe acknowledged the introduction and made a short but witty opening speech,
then opened the show with Tom Harris, seen first on the Wednesday night show, who with the
assistance of two young lads, proceeded to convulse the audience with his antics and his talk,
particularly his talk, which was intelligible only part of the time, but hilarious all the time.
Before the next act could be introduced, Percy interrupted and brought on Edgar Bergen who greeted
the crowd and promised to come back again the next night with his pals.
Goodliffe then introduced the second act, Francis Haxton, who demonstrated his skill with cards,
producing a multitude of the pasteboards, one by one. He was followed by Sid Lorraine of Toronto, no
stranger to Colon audiences, and he entertained with his humorous chatter all the while performing his
effects, the rising cards, a bill that disappeared in a flash and a vanishing silk.
Eddie Joseph closed the first half with a startling production of two long silk streamers on flag staffs and
did various effects with drinks, flowers and bills.
Opening the second half, Karr Dello had some fun with a committee, shocking them with a handclasp or
otherwise and then went into a continuous card production. Donald Crombie followed with diminishing
cards, a slate trick, silks on tape, all done with a bright line of patter which brought him applause.
Next was the sensational act of Neil Foster, a young man who performed one of the prettiest manipulative acts seen here, and then the closing act, that of Graham Adams, with a series of card effects.
On Saturday night, Jim Sherman was master of ceremonies and with a brief introduction brought on the
opening act, Resor, who effected a release after being bound to a board with chains. Clyde Cairy
followed with a few effective card tricks, then Cedric of London came on with his club act, in which his
toppers were finding a previously vanished dollar bill in a tea bag and an amusing difficulty with two
mutilated handkerchiefs. Jim Reneaux again worked with silks presenting many colorful effects.
Edgar Bergen was then introduced and after greeting the audience brought on Charlie McCarthy and
then Mortimer Snerd — 'nuf sed — the audience howled and applauded the sallies and quips of these
two characters.
Eddie Joseph opened the second half with a mind-reading act with his wife Sarah, he working in the
audience and she, blindfolded on the stage, making very quick identification of various articles offered
by members of the audience. He was followed by Maldo, who in colorful Mexican costume, performed
two tricks, tearing and restoring tissue papers and then a card trick. Ormond McGill closed the show
with his hypnotic act and with the help of a stage full of members of the audience, produced some
hypnotic phenomena which was amusing and entertaining.
But that was not all the entertainment. After the tent had been cleared, the seats were set again for a
midnight performance—the Madhouse of Mystery show of Bill Neff, which was attended by more than
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500 magicians and townspeople. Bergen introduced Neff and from then on it was a fast succession of
mystifying illusions interlarded with just enough spook antics to make the hour more eerie.
The fine musical accompaniment for all the shows was provided by Wilma Rench of Athens at the organ.
Bud West, with Sydney Abbott and Ronnie Ward, made up the backstage crew.
Percy had too much show lined up on Saturday night and was forced to eliminate several acts — Adrian
Smith, Emerald, Roydon, Gus Rapp, and Ken Allen — all of whom graciously agreed to step aside to keep
the show to a two-and-a-half-hour length, and Clyde Cairy limited his act to three minutes. Percy said, "I
sure appreciate their co-operation."
As the week of festivity drew to a close, Percy was besieged by magicians urging him to rescind his
decision that this would be the last get-together in Colon. Ail visitors liked the small town atmosphere
and the compactness of the activity area and the friendliness engendered here.
That the week was a success is due to the untiring efforts of Percy and his staff and the fine cooperation
of the townspeople.
This week Percy is ready to admit being tired and so he and Gladys are whisking Eddie Joseph and his
wife and daughter off to a little hideout in northern Michigan for a bit of rest—and some fishing —and
while there will also do a couple of shows.
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1952 Catalog #13 Released (by Percy Abbott)
We are overwhelmed with the number of Magicians who have already sent in two bucks for the Abbott
Catalogue No. 13, some copies of which will be out in August. Thanks a million for your confidence and
we repeat that you will be pleased with what you get for $2.00. All orders received in advance will be
the first to be mailed.
1952 Neil Foster First Of 24 Get Together Appearances (by Sid Lorraine)
Neil Foster wowed them with his ultra smart manipulative act. His silk to cane
must be seen to be believed. A twirling silk that visibly changes its physical
appearance. It is real Magic! The artistry of his presentation of the Zombie
floating ball surpasses anything I have ever seen with this much abused prop.
Note: Sid Lorraine makes reference to the Zombie as a “much abused prop”
way back in 1952. One might observe from this that the more that things
change, the more they stay the same. Neil Foster would go on to become one
of the most important figures in Abbott’s history and the face of Abbott’s for
decades to come.
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1952 The Get Together Tent Is Destroyed In A Fire (by Abbott’s Magic)
No doubt by this time many of our friends and Magicians have learned of the happening at our plant
here - the fire which destroyed our metal shop on Nov. 15. Those of you that have visited us here in
Colon know that our buildings are separated, the metal shop being approximately 300 feet from the
main building. At 4:00 a. m. on the date mentioned a fire broke out and, although the local and out-oftown fire brigades worked to save it, the building was completely demolished. This building housed the
tent theater and stage equipment, all our lathes, milling machines, and equipment, partly completed
stock, supplies of metal, etc. - in fact, it was a complete loss.
1953 Abbott’s Begins Sale Jewelry (by Abbott’s Magic)
Magicians, here is something unusual in specially designed Costume Jewelry. Made entirely of copper
highly polished and treated so it will not tarnish - the light and dark shades accentuating the designs.
Each piece is quality plus and obtainable only at Abbott's.
Another successful congregation of Magicians came to a close with the final show of the 18th annual
Abbott Magic Get-Together at Three Rivers, Mich., Sept. 1-5, exceeding all expectations as to
attendance and excellence of its magical and entertainment fare. The official registration figure was 652.
And Three Rivers, gave the visitors a royal welcome with banners lining the streets throughout the
business section and "Welcome, Magicians" on store windows. All this and the general friendliness of
the townspeople were greatly
appreciated by the Magicians.
Of course there was a
nostalgic remark here and
there from some of those who
had enjoyed previous Abbott
affairs, wishing it had been
held
in
Colon,
but,
nevertheless, to coin a phrase,
"a good time was had by all.
Prominent in the interest of
the visiting Magicians was the
entertainment fare offered
and this was of the usual high
order, with Suzy Wandas of
Belgium, making her first
appearance before American
audiences; Bill Neff, Chang, and Fred Grundy of New Zealand being featured. ,
Visitors began arriving the first part of the week and demonstrations on the stage in the elaborate
showroom set up in the High School gym were the principal entertainment feature. By Wednesday
night, however, a large part of the crowd was there and along with members of the Chamber of
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Commerce, who handled the local details for the affair, and other guests, they enjoyed the opening
event of the scheduled program — a cabaret "night before" party. There was a snack lunch, entertainment and dancing, although the intense heat discouraged much of the latter. Dorny emceed the show
which included acrobatics by the Dell Davis Girls, Magic by George Coon, Jim Ryan, John Straub and his
family; stories by Bob Lewis, Mel's chalk act, a cute Monkey in the Basket by Janet Clinton, juggling by
Earl Davis, and a dancing and Magic specialty by Rose Mary Daley.
The Thursday show was staged in the High School Auditorium, as were all the public
shows — a sellout and many availed themselves of standing room. Percy Abbott appeared promptly at 8 P. M. and was given an ovation which swelled as the curtain
was unintentionally pushed aside to reveal the boxes for the candy sale. No Abbott
show would be complete without Percy's candy pitch and this traditional opener.
Percy then introduced Dorny as the M. C, who was in fine form and after greeting
the crowd, introduced the opening act, John Straub and family to do a series of silk
productions. Phil D'Rey, ventriloquist, came on next and wowed them with his
handling of a small monkey hand puppet playing a trumpet, and his hilarious dialog
with a big ape he called Gangrene. Don Sweet and Louise followed with a smart
Magic act in which figured a dove vanish, flower production. 20th Century and Mutilated Parasol all
presented in the deft Sweet manner. Bill Talent on next kept up the pace of the show with his fast
juggling act, performing with balls, plates and clubs, closing with his famous egg stunt and got a
tremendous hand.
Then came Suzy Wandas to close the first half with her beautiful presentation of manipulative Magic —
superlatives are futile here, for this lady entranced all, Magicians and lay audience alike, with the
perfection of her manipulative gestures with cigarettes and cards, card fans, the cane to silk, some silk
capers and a neat paper tear. The applause that followed each bit was sufficient verification of the
advance reports on Suzy from abroad proclaiming her to be "The Lady with the Fairy Fingers."
The second half was taken over by Bill Neff and for the Magicians who have seen his show, that should
be sufficient. Bill and his "Madhouse of Mystery" is grand entertainment. His dramatic presentation of
every illusion and his comedy interludes with kids and others from the audience are "tops."
The Friday show also opened with a candy sale, and then Dorny introduced Bob More-head who did
cups and balls, silks on tape, and the card sword in fine fashion, then the Dell Davis Girls dashed in for a
second appearance with their tumbling, and Al Saal, always a good performer, did shadowgraphs that
brought him plenty of laughs and a big hand. Then came a Dorny interlude in which he and Frances
Ireland, posing as his wife, visited a Hindu wonder worker, otherwise Don Sweet, who vanished the lady
neatly and when he declared he was the only one to bring her back, was promptly shot — by Dorny.
Alexander, the Magic Chef, then came on with an amusing act with duck pan with a comedy duck, a
paper tear which resulted in a chef's hat and an apron for his assistant, and other tricks with a culinary
touch. Neil Foster closed the first half with his smart and graceful manipulative act. His maneuvering of
the Zombie and his tricky handling and production of cards were beautiful to see and were roundly
applauded.
The Chang show filled the second half and ran long so that it was edging on toward midnight when he
presented the blooming rose bush as his closing feature. His program ran the gamut of magical effects,
Egg on fan, tipsy-turvy bottles, clocks to watches, aerial fishing, shooting through a woman, wrist tie and
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a fast substitution trunk. Costume changes were one of the highlights of his act and they were frequent;
it seemed there was a new robe for each trick — and they were all dazzling.
Saturday night there were two shows and with a couple of exceptions, they were identical. Seats for the
early show were sold only to the public and on this show came the climax of one of the promotion
features. A chest containing predictions on news events made by Bill Neff three weeks previously and
displayed in a store window since, was opened on the stage in the presence of Mayor Frank Warner,
Chief of Police Merle Godber and a stage committee. What? Certainly the predictions were found to jibe
with the current headlines.
With the exception of John Straub who, assisted by his family, did a
neat double exchange bit, and Earl Davis, comedy juggler, who had
previously made a hit with the Magi audience, the acts on the first
Saturday show appeared later for the Magician-public show. The
second show opened with Dr. Bondreau, who put a spirit bell
through its paces, and the Dell Davis Girls appeared again. Then
came Foo Ling Yu (Don Sweet in Chinese character) doing a fast and
amusing turn with turban, Chinese laundry ticket, dove catching, rice
bowls, silk and rabbit production and a fast and hilarious
presentation of the head sword box. Fred Grundy of New Zealand,
making his first American appearance, performed three effects —
and well — Soft Soap, a 20th Century idea adapted to three spools
of thread (reels of cotton, he said) and a ribbon, and the Chinese
sticks with interesting patter that held the audience throughout and
sent him off with a spontaneous hand. Bill Pitts did a flower and
bowl production, head chopper and then an exchange illusion in
which he posed as a photographer. Vernon Carr did a neat job with
several rope tricks, his Buddha Temple effect, and silks and bowl
productions. Jack Rench followed with a flag staff production and a
mystifying girl vanish. Then came Dorny's interlude (only on this
show) "Magic of 1999" in which he as the Magician sat on a throne
and directed his assistant, Don Sweet, who did all the work. The laughs were plenty as this skit was
presented by two ace fun makers. Phil D'Rey, appearing for the second time, came out with a violin and
did a Vent solo on the thing, then again brought out Gangrene. From that time on he and the ape had
everything their own way with an audience weak from laughing.
Suzy Wandas
Suzy Wandas closed with her beautiful manipulations and a clever arrangement of different and
startling rope tricks, all climaxed with a fast production of silks from a square circle, the last one a huge
flag which covered the entire back wall.
The shows were all interesting, entertaining and enjoyable. Dorny, who handled the M.C. chore for all
the shows, kept them moving at an even pace, and individually did the job even better than ever. And
not the least of the performers was Wilma Rench at the organ. Hers was no mean accomplishment, for
the musical accompaniment which means so much to a show, was tricky and diversified on all the
shows.
The scenic investure of the shows was more elaborate this year and this was due to Bill Neff, who
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labored manfully to augment the backstage facilities so that the various curtains supplied by Chang,
Dorny and Abbott, could be hung. Bill and his helpers, Sydney Abbott and Bob Trayling, worked days on
this, and the results were rewarding.
Aside from the evening entertainment, there were two afternoon lectures — one by Chang and the
other by Bill Neff. Chang showed some interesting motion pictures, some in color, of strange people and
customs which he shot in India, Burma, the Philippines and elsewhere in the Orient, all delightfully
described in Chang's accompanying commentary. Bill Neff's lecture was most unusual and was
unanimously approved. Many said it all too short. It dealt with the proper preparation for a Magic show,
and Bill appealed to the Magicians present to do decent shows, shows that indicated they had been
properly pre-pared. He decried the lack of preparation practiced by many who attempt to entertain with
Magic.
Many ladies were present this year, some of them interested in Magic, others accompanying their
Magician husbands. All of them, however, enjoyed the fur fashion show arranged for them on three
afternoons and a luncheon at the country club.
1955 Box Of Pam Released (by Abbott’s Magic)
Over the years we have given the Magic Fraternity many original boxes and cabinets for vanishes and
productions. We honestly believe that the BOX OF PAM, originated by Gerald Taylor of Australia to be
the greatest and fairest of them all. Shown on all sides - it opens out all the way. Remember, both sides
of all parts are shown. No hanging bags - no body loads. A self-contained piece of apparatus with the
cleverest gimmick ever devised! And for such an outstanding piece of Magic we have given it an
outstanding piano-smooth finish in lacquer in a three-color combination design. It's Abbott Quality Plus.
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Well, it truly was a grand affair and a good time was had by all. That would be the 1955 edition of the
Abbott Magic Get-Together which filled the week of August 22-27 at the new Sturges-Young Civic
Auditorium in Sturgis, Mich. And Percy Abbott, impresario of the affair, proclaimed it the most
successful in its 20-year history — good attendance, good shows, good lectures, good accommodations
for all activities, good business in the showroom, good weather and good reception by the people of
Sturgis. This year it was sponsored by the local Chamber of Commerce.
And the more than 500 wand wielders who were there agreed it was the best ever. They saw a lot of
Magic in the shows and lectures in addition to the many close-up sessions they arranged for themselves
in the comfortable atmosphere of the spacious lounge adjoining the ballroom — ballroom transformed
into the show room.
The visiting Magicians were unanimous in saying that the Sturgis
auditorium was a perfect sitting for the Get-Together as every activity
was carried on in this one building, and except for regular meals,
shopping and sightseeing trips and slumber, there was no necessity to go
outside.
Howard Strickler
The ballroom with its stage was an ideal place for the showroom and
being air conditioned was "the hangout" when no other activity was
scheduled. There they saw much Magic from Abbott's demonstrated as
well as some brought in by Gene Gordon and Lloyd Chambers, who along
with George Coon, Howard Strickler, Jackie Gould, and Recil Bordner
served as Percy's staff in handling the sales after the frequent
demonstrations.
When time came for the lectures the Magicians moved directly downstairs to a similar room where the
educational programs were conducted by three outstanding experts. The first on Thursday was "Hen"
Fetsch, making his appearance as a lecturer before a convention group, and this lecture many said was
worth the registration fee; then on Friday, Rev. Don Bodley gave his lecture on Magic in connection with
scriptural lessons which was instructive not only to Magi-ministers but held the same sort of interest for
the entire assemblage for they all remained to the end and really learned some things; and Saturday
morning, Clarke Crandall lectured on "Comedy Magic", which entertained and at the same time gave his
audience much information on the subject — "The Senator" is a past master in this line.
The week's scheduled program opened with the traditional "night before" party and this was more or
less impromptu even though most of tine performers had been "tapped" previously for their
appearance. Howard Strickler, Tom Rainey, George Coon, Gene Gordon, Russ Brown and Dr. Zola, all
familiar to Get- Together audiences, appeared briefly to do favorite bits, Earl Davis gave an entertaining
sample of his juggling and comedy; Percy Abbott went through a rapid-change act with chapeaugraphy;
Vallie Parker presented his juggling stunts; Hen Fetsch gave a sample of his silk Magic and John Straub
and his family presented manipulations and other Magic. Following an intermission, Professor W. C.
Weber appeared entertaining with several interesting experiments in hypnotism.
Thursday Night Show
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Thursday night brought the Magicians the first opportunity to see the beautiful auditorium where the
first public show opened with the Abbott family, on for only 45 seconds to produce a profusion of silks
and flowers. Then Bob Lewis came on as M. C. to introduce Tom Rainey with his comedy Magic, getting
a lot out of Abbott's Good Shot and Hippity-Hop Rabbits; Valentine's Birds, eight wonderfully trained
Australian cockatoos, that were put through a series of amusing and entertaining stunts by Nevin and
Helen Hoefert; and Smokini, a debonair young man in "tails", who chewed up matches and lighted
cigarettes3 then proceeded to do magical tricks with ropes, silks and balls, all the while puffing smoke
from his mouth. Next came Dr. Jaks who performed his mental act which included a demonstration of
his amazing ability to reproduce signatures of members of the audience — and quickly -— one of them
written in Greek script. Closing the first half was Ruth Ann Magee, petite manipulative artiste, who
entertained with cigarettes and cards and a birdcage production. Bob Lewis returned after a brief
intermission to do some comedy Magic — he got his Linking Rings all balled up — and his trick banjo
playing. He then introduced the Four Olympians a quartet of teen-age girls who went through a fast
routine of acrobatics and balancing. Next came Clarke "The Senator" Crandall with his hilarious
pitchman act and he "wowed" 'em. Closing the show was Percy Abbott and his four assistants, Gladys,
Marilyn, Linda, Sydney and John, and this was a mélange of Magic, presented in rapid fashion, with silks
and ducks and liquids and illusions. In the latter were the Twin Boxes and Temple of Benares.
Chami Kkan Appears
The show over, the lights were dimmed. It was time for the appearance of Chami Kkan, flown from
Venezuela for this performance, to present for the first time in the United States his dramatic portrayal
of a crucifixion.
In a hushed auditorium — the audience had been requested not to
applaud — and after brief explanations by Percy Abbott and Rev. Don
Bodley of Detroit, the curtains were pulled back and Chami Kkan was
brought on and introduced to the audience. The introduction over,
he divested himself of his robe and walked to the heavy timbered
cross, the head of which was elevated at a considerable angle. He
mounted the cross and got himself into position for the crucifixion
ordeal. A doctor, who with three nurses, was in attendance, picked
up the spikes and affixed the feet to the cross and then, one by one,
the hands.
Chami Kkan
It was a thrilling experience to see this man Chami Kkan submit
himself to such a certainly painful ordeal. It was noticeable that while
he steeled himself each time for the introduction of the spike, there
was only a slight flinch as the spike was driven completely through
the foot or hand and into the wooden cross.
At the finish, as requested, there was no applause, but as the audience passed out of the auditorium,
there were many whispered comments, indicating the awesome effect this spectacle had on the
spectators.
The Friday Night Show
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On Friday night, a lot of Magic was displayed. Ace Gorham was M. C. and "Hen" Fetsch came on to open
the show with a fast and entertaining routine with silks, cards, ropes and flower growths. The applause
he received as he concluded each trick indicated the audience appeal of similar items he had described
in his lecture the day before. He was followed by Al Kurzman, young accordionist, who presented three
lively numbers; then Smokini, repeating his act to the great delight of his magical audience; and Gus
Rapp, the lovable octogenarian Magician and entertainer, reviving an old-time act new to most of the
audience, the musical tumblers, producing familiar melodies by simply stroking the rims of the tumblers.
Bob and Ginny Lewis then did their club comedy act, in which Bob did some tricks with ropes and silk
and closed with his fine trick banjo playing.
The second half was given over to Lee Grabel and his full company who presented his famous "Floating
Piano" (curtailed a bit by some difficulty backstage) and "The Girl Shot from a Cannon", among other
illusions and various bits of Magic. His program included dove productions from the air, a cage
production from silks, wrist tie, and other small Magic and the Twin Boxes and Divided Lady illusions.
Special Saturday Matinee
On the Saturday matinee, Gray Sidwell of the Abbott staff was
M. C. and for the audience of more than 800 children,
townspeople and many Magicians, introduced the following
performers: Bob Hurt, who appeared in full clown regalia and
special backgrounds and, with the assistance of Mrs. Hurt, also
dressed grotesquely, did some amusing Magic that made a hit
with the kids; Jim Shannon, youthful Magician from Kalamazoo,
who handled his presentation of manipulations and small Magic
in an entertaining manner; Mel Melson with his chalk act that
offered may surprises, closing with a picture of Davy Crockett
that was quickly recognized by the youngsters; Kim Kee
(Alexander) doing Magic especially slanted for children, but
entertainment for all; Jim Bailey and Margo from WKZO-TV
presenting some novel Magic in a clean-cut manner; "Senator"
Crandall doing two tricks with the assistance of a couple of kids
from the audience and they all had fun; then with an
introduction by Percy Abbott, Sydney and Marilyn in the Abbott
illusion, "Flight of Life" (Canvas Covered Box) which was
mystifying and brought a great response from the onlookers.
Senator Crandall
The Saturday Night Show
Saturday night, the Abbott family again appeared with their 45-second flash act, then Percy introduced
"Senator" Crandall to do the M. C. chore. Smokini, making his third appearance, opened, blowing more
smoke as he proceeded with his Magic and clicked big with both the magical and lay audience. The next
act was that of Professor W. C. Weber, appearing as "Dr. Maji" in a Magic act which featured the needle
threading trick, rising cards, silk in egg and a couple of tricks with which he and a couple of youngsters
from the audience had some fun. Crandall came on to do his version of the Six-Card Repeat. The Great
Alexander was next with his "timely5 * act, in which he produced a stage full of watches and clocks of all
sizes, ending with a giant alarm clock. All the superlatives have been used to describe the first-half
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closing act, that of Neil Foster, who again clicked with his fine manipulations of the Zombie, silk to cane,
and cards.
After the intermission, Percy Abbott appeared and expressed his thanks to the Magicians and to the
public for their attendance with a particular bow to those who had helped in the conduct of the affair,
then presented a bouquet to Edna Harloff, organist, who played the musical accompaniment for all the
shows; and gifts to Frank Killian, secretary of the Sturgis Chamber of Commerce, and to Rufus Shepherd,
manager of the auditorium, for their part in making the week successful. He then introduced Chami
Kkan, recovered and smiling after his Thursday night ordeal, and Chami greeted the audience and
thanked them for their reception — all this in Spanish and interpreted through the mike by Roberto Cruz
of Colon, who had been his English spokesman for the week.
The second half was opened by John Straub and his family with billiard ball manipulations and silk and
flower productions, followed by Crandall with a bit of manipulation, and then Hugh Frisbie doing a fast
routine of juggling with balls, kitchen utensils, clubs and plates, and finally atop a "teeter" board tossing
balls and tennis rackets about in the air. "The Senator" then came on for a fine line of comedy patter
and had some fun with an assistant who was almost an exact double, Dr. Carlo, as the assistant
attempted to please with various tables. This hilarious bit brought on Russ Brown, who did a production
of a parakeet from silks, a rabbit production and then his rabbit vanish. He dosed with two illusions, a
Sawing a Woman in Two (and then some) and his version of the Levitation, which while elaborately
staged, did not operate as smoothly.
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1955 Chami Khan Performs His Infamous Crucifixion (by Abbott’s Magic)
"One misguided year, the feature was a crucifixion." quote by Frances Marshall at the 50th Get Together
celebration.
The show over, the lights were dimmed. It was time for the appearance of Chami Kkan, flown from
Venezuela for this performance, to present for the first time in the United States his dramatic portrayal
of a crucifixion. In a hushed auditorium - the audience had been requested not to applaud - and after
brief explanations by Percy Abbott and Rev. Don Bodley of Detroit, the curtains were pulled back and
Chami Kkan was brought on and introduced to the audience. The introduction over, he divested himself
of his robe and walked to the heavy timbered cross, the head of which was elevated at a considerable
angle. He mounted the cross and got himself into position for the crucifixion ordeal. A doctor, who with
three nurses, was in attendance, picked up the spikes and affixed the feet to the cross and then, one by
one, the hands. It was a thrilling experience to see this man Chami Kkan submit himself to such a
certainly painful ordeal. It was noticeable that while he steeled himself each time for the introduction of
the spike, there was only a slight flinch as the spike was driven completely through the foot or hand and
into the wooden cross. At the finish, as requested, there was no applause, but as the audience passed
out of the auditorium, there were many whispered comments, indicating the awesome effect this
spectacle had on the spectators.
Battle Creek, Mich., was the location for this year's affair and the consensus of the registrants was that it
was a good "set-up". The showroom in the Post Tavern Hotel was spacious and it also served for the
lectures.
The lectures, by the way, were particularly good — Bruce Posgate, Harlan Tarbell, "Hen" Fetsch, and Neil
Foster. Bruce Posgate dealt with the entertaining of children; his Magic and talk made good sense. As
usual, Harlan Tarbell did a great job with his novel magical ideas and his advice is of the priceless kind.
Hen Fetsch worked for two hours and the customers wanted more. Neil Foster, as expected, made
terrific hit with his talk on the working of the Zombie and climaxed the talk with his regular Zombie
routine. To sum it up, the lectures were a decided hit.
Another enjoyable affair was the buffet lunch served by the hotel on Wednesday night after the Night
Before Party. Clarke "The Senator" Crandall handled the MC end of that program. This guy Crandall is so
funny, he doesn't need any acts to make an affair of this kind enjoyable. With the exception of Bruce
Posgate, who did a character act, the Senator and myself, the talent consisted of young performers
coming up. The idea was to give them a showing. I'm always looking for talent for the big shows, but as
previously stated, Crandall was really the show. The laughs and fun were plentiful.
Monday, August 20, was the opening day and the early birds were on hand. Each succeeding day saw
the registration swelling, finally over the 400-mark. This was up to our expectations.
We had decided to skip this year, then the Battle Creek Chamber of Commerce requested the affair and
so we thought it would be an interesting experiment to try a bigger town than heretofore. By the way,
Sturgis also wanted us back, but when they requested one thousand dollars rental, we figured we were
being "squeezed" and naturally turned it down. We only go to towns close by on request.
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The Post Tavern Hotel in Battle Creek made excellent headquarters and they cooperated 100 per cent.
The showroom was the general hangout and meeting place.
Demonstrations behind the counters and on the stage kept things busy.
Yours truly was forced to slow up some on account of being in the grip of the ol' virus. Another
disturbing factor was that our eldest daughter, Marilyn, who was working at the registration desk, took
ill and, after examination, finished up in the hospital at Three Rivers. An operation was necessary. All
this during the busiest time of demonstrations and shows. However, all's well that ends well and she is
now away at school. So that's the way it goes. Cards and gifts sent to Marilyn at the hospital were
appreciated by all of us.
The three big public shows were held at the Kellogg Auditorium, which seats 2500, and every seat was
reserved.
This year's shows were not as strong as a whole as compared to past years, but notwithstanding, we
believe that we accomplished an objective that we have held to for every Magic Get-Together and that
is to make the lay public Magic-conscious and to be boosters for Magic in general. For instance, every
act is not intended to check 100 per cent with Magicians; there are acts that appeal more to the general
public, and of course, some acts appeal to both. We have tried out some new faces. Through the years,
some have proved to be just acts, others outstanding, but at least new acts got a chance of proving
themselves.
As usual Bob and Ginny Lewis and Clarke Crandall were terrific hits as MC's and also with their specialty
acts. The third MC was George Jason, whose contrasting style made appeal to many. ,
Gogia Pasha headlined the Thursday show — his act was a big success — very colorful and every effect
had the authentic Hindu touch. A great personality who made a host of friends.
Neil Foster was great with apparatus Magic and closed the Saturday night show with card manipulations
and the Zombie. This was in response to requests from Magicians present .. . Harrison from Canada did
well except that his act was too long. He made up for it the next night with an outstanding blindfold...
Tarbell as usual was good with both Magic and Mental effects . . . Newcomers John Morrison and Carol
in a manipulative act clicked . .. Bob Lewis emceed, did comedy Magic and played the banjo — always a
show stopper. Friday Show Harrison took the headline honors with his blindfold act Friday... Kim Kee
worked a fast colorful Chinese act. His stage setting was most attractive … The Henneberrys in small
Magic and they juggled on the Saturday show … Gerrie Larsen was very pleasing and a welcome addition
to the Friday show … George Jason did comedy Magic and a number at the piano .. . Janet Clinton
presented a very novel Magic offering, including Magic, illusion and rag pictures in black light.. . Frank
and Ruth Clinton closed the show and, although the performance ran overtime, held the customers all
the way — a good, strong act, well presented.
Saturday, George Jason emceed … Dick De Young held the feature spot — 45 minutes of Magic and
illusions. Here is a young fellow that will go places in Magic. His act was well rehearsed and ran
smoothly. .. Pep Snyder worked comedy and Neil Foster closed the show and knocked them cold.
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Space does not permit listing every trick done but plenty of Magic was seen and enjoyed by both the
attending Magicians and the general public.
For the first time we had a souvenir program. This made a decided hit and those of you who couldn't
attend this year's affair would enjoy a copy. Gladys Abbott is responsible for the entire job (see
advertisement elsewhere in this issue).
Now that 1957 is on the way, we already have requests for the Abbott Magic Get-Together from other
towns. Battle Creek wants it again. If you have thoughts on the matter, why not let us know?
1957 Get Together To Be Held In Niles MI (by Howard Melson)
There's good news this month - the Abbott Magic Get-Together for 1957 Is to be held in Niles, Mich., the
week of August 26, and we are enthusiastic about the set-up. The affair will be held in a new and
modern 1300-seat auditorium. It will be sponsored by the Niles Chamber of Commerce and the
committees are already working to make it a success.
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1958 Last Issue Of Tops Magazine Published (by Patrick West)
A period of decline in the popularity of magic set in, and the expansion of the late 1940's were
contrasted by the atrophy of the business in the early 1950's. The business was failing to get the orders
it had in the past. Magicians were not buying new tricks. Some magicians were not even replacing worn
out equipment. Magicians, in general, were finding it difficult to find bookings. Some professional
magicians were forced into other lines of work to earn a living. One major reason for all this, as
explained by Percy, was the advent of television. When he found out that one of his employees had
purchased a television set, he exclaimed, "Don't you know that is bad for business?" In his opinion
(Bordner concurred), people would simply not turn out to see a live entertainment when they could sit
in the comfort of their own homes and be entertained by the "magic box". He was correct. Working
magicians became fewer and fewer. The ultimate "trick" could be purchased at the electrical appliance
store. How could pulling a rabbit out of a hat compete with a magical tube that could transport the
viewer into fantasy land?
NOTE: After 22 years Tops Magazine’s run would come to an end, but it would be resurrected a few years
later by Neil Foster as “The New Tops”.
1958 Abbott’s Mourn The Loss Of Howard “Mel” Melson (by Gene Gordon)
Magicians are always intimating that the spirits do return to the scenes of their past triumphs. If such a
thing is possible, then our new Editor, Neil Foster, can be sure that he will have spiritual aid in publishing
this magazine from its former Editor, Howard Melson or as he was known to all of us, Mel. He loved his
work as editor and he should be very happy to know that it will be carried on by a young man that he
admired very much. Mel passed away on December 12th, 1958, in the Veteran’s Hospital at Ann Arbor,
Michigan. Mel’s association with the Abbott Company begin in 1940 when he left the excitement of New
York to go out to Colon on a six week’s assignment to do art work for the next catalog. The six weeks
stretched out to eighteen years. He was a sophisticate and remained one to his death … but he was
charmed by the small town life of Colon and was never happier than being there with real friends.
1959 Percy Abbott Retires (by Patrick West)
Percy Abbott had arrived in the United States in 1926, enroute to England. He had never completed his
journey. Following the Get-Together of 1959, he decided the time had come, not only to finish the
journey, but also to retire from the business which he had founded.
1959 Recil Bordner Purchases Percy’s Half Of Abbotts (by Patrick West)
Percy’s partner from the beginning, Recil Bordner, purchased Abbott’s half of the business and became
sole owner of the world’s largest magical apparatus manufacturing firm. Percy Abbott, with his wife,
Gladys, left for the long-awaited visit to England.
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1960 Get Together Cancelled – Percy Abbott Memorial (by Rev Bodley)
On August 30, 1960, it was my sad duty to officiate at the funeral rites of a great friend and faithful
citizen, Percy Abbott. The sermon which was preached on that occasion is here reproduced as a tribute
to his life and work: The Rev. Donald E. Bodley
Words are poor tools with which to fashion the appreciation which all our hearts would like to express
today. To speak abstractly of a man who lived intimately with us and who gave much of his life to some
of us presents a problem of baffling proportions. In one way or another, we have all known the man,
Percy Abbott-and to each of us, in varying degrees and in diverse ways, a little bit of himself has been
imparted to us.
I suppose the question comes to all our minds at one time or another: What are we put here on earth
for? What are we to do? How is our life to be lived? What is the contribution we are expected to
make?.. .and each one of us in our own way and experience makes an answer consistent with what we
believe about the basic purpose of
life. Some spend countless years
and hundreds of pages of writing
in defining the meaning of life and
its ultimate purpose. Others, only
a moment and a few words. Not
because the people of few words
are careless with life; but because
life to them has a peculiarly clear
direction and channel to it and the
only logical thing to do is to pursue
it with energy and zest.
The writer of the book of Proverbs
put it most succinctly when he
penned: "The spirit of man is the
candle of the Lord." This simple
thought of the writer of Proverbs
suggests what I want to say about
Percy Abbott this morning - and
perhaps your experience will attest with mine, that Percy was a man who was like a mighty fire - willing
to ignite all with his energy and zest - willing to share his light with all who would come close to it.
His light has been seen by and ignited many; as a husband, a father, a business associate, a community
servant, a tutor, a confident, a warm and generous friend. I remember well my first contact with Percy
Abbott. I came to Colon to see if I could purchase a "Crazy Mummy" for a cousin of mine whose partially
paralyzed hands from a siege of Polio got exercise and enjoyment from trying to manipulate the
"Mummy". On that visit I met Percy, and some way, somehow, I caught his fire.
This I'm certain, is the story of many of us who are here today to pay him tribute. His willing and
generous giving of himself, his skill, his talent, has lighted a light in our lives that cannot be
extinguished. Many of us here must say, "It was with him I got my start." - "Through him my show
picked up." - "He helped keep me going." - "He gave me the breaks."
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"Greater love hath no man than this, that he lay down his life for his friends."
Words are poor tools with which to fashion the appreciation which all our hearts would like to express
today ... in one way or another, we have all known, and in our own way loved, Percy Abbott, the man.
And to each one of us in varying degrees and in diverse ways, a little bit of himself has been imparted to
us ... I know! Because some of his light lives in me!
"Yet love will dream, and Faith will trust,
(Since he who knows our need is just.)
That somehow, somewhere, meet we must."
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1960 Abbott’s Publishes Percy’s Book (by Abbott’s Magic)
NOTE: Percy Abbott's book "A Lifetime In Magic" is first published by the Abbott Magic Company, below
is the dedication of the book by Percy to his wife Gladys.
Consistently through the years the ABBOTT MAGIC CO. used the slogan "We make the tricks, you take
the bows." The material in this book is mine, talked over with my wife Gladys. She is responsible for the
assembling and composition of the material. For this, she is entitled to "the bows”. As in the founding of
the Abbott Magic Co., and all through our association she has been all important. Gladys, I dedicate "A
Lifetime of Magic" to you.
1960 Abbott’s Catalog #15 Released (by Abbott’s Magic)
The new Abbott catalog contains over 450 pages and contains a substantial number of new effects
offered for the first time. The cost to our customer is $3 for the catalog, but we are including a $3 gift
certificate for any order over $10 so in this way the catalog is free to you. This is Abbott’s greatest
catalog ever!
1961 New Tops Published, Neil Foster Editor (by Neil Foster)
Welcome to the New Tops! This first issue is not the magazine, only the beginning. We wish to express
our sincere appreciation to all subscribers, and it is our hope that this new Editor and Subscriber
relationship may continue through the years. The New Tops is dedicated to two men, the late Percy
Abbott, its Founder...and the late Howard "Mel" Melson, its Editor. Its purpose is to better serve and
inform Magicians everywhere. We are proud to present our staff of twenty feature writers.
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1961 Neil Foster Center Tear Created (by Harlan Tarbell)
Originated by Neil Foster, an Abbott Exclusive "Give my thanks to Neil Foster for bringing out this fine
practical, easy working professional mystery. You can bet that whatever Neil Foster creates and puts his
name to is going to be extra good"…Harlan Tarbell
1961 Blackstone Sr Booked For 1961 Get Together (by Patrick West)
The success of the 1961 Get-Together was insured when Recil Bordner made arrangements for Harry
Blackstone to perform for the first time at a Get-Together. The elderly Blackstone, as previously stated,
had not been invited to past Get-Togethers because of the long standing disagreement between him
and Percy Abbott. Blackstone’s appearance at the 1961 Get-Together was a smashing success, as the
magicians watched him with nostalgia as he re-created the illusion of the "Dancing Handkerchief". The
Great Blackstone received a standing ovation from the audience of conjurers and laymen. The GetTogether had returned as the greatest magic convention of them all and Colon was truly the "Magic
Capital of the World".
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1961 Birth of the Modern Get Together (by Recil Bordner)
Excerpts from Recil's article “From the Magic Capitol of the World” in 1961
Feb 1961 - This year, the Magician's Get-Together will be held here in COLON for the first time in nine
years. The dates are August 24th, 25th, and 26th, and it will be held in the new High School Auditorium.
The visiting Magicians will be housed, for the most part, in the homes of the citizens of Colon. The
rooms are to be made available through the colon Junior Chamber of Commerce. The reason for this
early announcement is to make it possible for you to plan your vacation. Anyone wanting to rent a
cottage for that week should write to me soon, as these cottages on the lake are reserved many months
in advance.
Mar 1961 - Already 31 registrations have been sent in for the 1961 Get-Together to be held here in
Colon on August 24th, 25th & 26th. This makes me feel that you really want to see the 'old meeting'
held back in the MAGIC CAPITOL OF THE WORLD. It would help us, when you send in your registration,
if you state what you want for rooming accommodations: a single room; double room; or motel
reservations in a neighboring town. Next month we will publish the motel rates and their distances
from Colon. If you have attended one of the Colon affairs in the past and would like to stay with a
particular friend again, let us know who it is and we will do our best to try to accommodate you.
This year the Get Together should be more economical for you than other conventions. First; the
registration fee is only $15, which entitles you to all the Big Shows, Night - Before Party, Lectures, and
other features. Second: the Junior Chamber of Commerce has informed me that the rooms here in
Colon will rent for $3 to $4 single and from $4 to $5 double each night. Third: the meals are all
reasonably priced and hair-cuts are only $1.25!
May 1961 - We are in the midst of booking acts for the Magic Get Together to be held here in Colon
between August 23rd and 26th. The variety of talent already booked promises that this will be the
BIGGEST & BEST magical convention in the Mid-West. Registrations are coming in from all over the
country and everything indicates the attendance for this year’s Get Together will be the largest in its
history! All seat reservations are being made in the order that the registrations are received. The big
public shows will be held in the new Colon Senior High Auditorium.
We have received several lots of old magic to be exchanged for new. Many of our readers have
suggested that instead of having the ‘Sealed Package Bargain Sale' that we hold a fast Auction instead.
This appeals to us as there are many rare pieces of apparatus along with the good 'old' magic, this would
give everyone a better opportunity to get what they want.
How many of you are interested in Ventriloquism? Paul Stadleman says that he can make a
Ventriloquist out of anyone who is willing to try in just one week! He would like to get a number of the
magicians together for the week of the Get Together and prove it! So if you are interested write us and
perhaps we can arrange for this program.
Before this column was squeezed out in the last issue of the New Tops (Editor's note, HMPHH!!) I
promised to have some data on the motels in the surrounding towns, here it is: BRONSON MICHIGAN
(12 miles from colon) Bronson Motel, White Swan Motel COLDWATER, MICHIGAN (18 miles east of
colon) Chester Motel, Crescent Drive Cabins, Dar-Bee Motel, Little King Motel, Coldwater Motor Court,
New Michigan Motel, Rest Well Motel, Strong’s Motel, Swartz Motel, Town & Country Motel ...
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June 1961 - Enthusiasm is running high all through the Magic Capitol for the success of this year’s Gettogether! We have received more registrations than ever before at this early date. More 'name' acts
have agreed to work including HARRY BLACKSTONE! All magicians, young and old alike, will be able to
see three of the best 'Convention' Magic Shows of the year right here in the little town of Colon.
Besides this, we will have a Night-Before "Magicians Only" Show in the old Colon Opera House, with all
its old theatrical atmosphere. We are printing tickets for the Night-Before because there are only 500
seats in the Opera House.
The Tops junior Magicians Contest is scheduled for Friday afternoon preceding the Close-Up performers.
The New tops will award the following prizes:
First Prize $25.00 in Merchandise. Winner will also present his act on the Saturday Night Show.
Second Prize $15.00 in Merchandise
Three Third Prizes !!! $5.00 in Merchandise to each winner.
Since 1952, when the last Get-Together was held here in Colon, the Church situation has changed
considerably. therefore it should not be necessary for anyone to have to drive out of town to attend
Church Service.
ATTENTION MAGIC MINISTERS
We are attempting to plan a special seminar on Magic for Ministers at Abbotts Get Together in August If
you are planning to attend this event and would be willing to contribute to the program by
demonstrating your favorite Scripture Magic application, please drop me a line in the next week or ten
days and I will be happy to work you into the presentation. I feel that a variety of applications and
demonstrators would be of significant aid to those who attend. It is always a pleasure to hear from you
...Rev Donald E Bodley
Oct 1961 - John Braun has done such a good job of writing up the shows and activities of this year’s GetTogether that I will skip all that and just say thanks to all the acts and all the rest who worked to make it
such a success. I want to thank all of you good friends who came and contributed to the good fellowship
and general atmosphere of an old fashioned reunion. There will definitely be another Get Together,
however, it is too soon to set a date or make an announcement.
I have visions of what would be an ideal set-up here regarding the show room and sales room as well as
some improvements in the auditorium. Then there is the dream of the perfect line up of acts and
lectures, but all these dreams will have to be tempered in the light of reality. If you readers who were
here have any constructive suggestions that you would like to see incorporated into the next gathering
of magicians here in the Magic Capitol of the World, please send them in.
I want to thank Mr. Blackstone for appearing at the Get together. I also want to thank him for his
patience in posing for the many photographers and his interviews with the press concerning his return
to Colon. I hope that the stories and photos will appear in the Nationally known magazines that covered
the gathering. John Kobler, feature writer for the Saturday Evening Post, seems quite certain of having
his article published sometime this year. His photographer, Bill bridges, surely must have some prize
pictures as he used what seemed to be miles of film. Charles Reynolds, who is an Abbott customer of
long standing, covered the Get Together for Show Business Illustrated, the new magazine which he is
now associated.
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Epilogue: The Get Together would never again leave Colon and the evening shows are still performed
in the Colon High School. Harry Blackstone Sr. would pass away in 1965, but his son Harry Blackstone Jr.
would appear at 22 different Get Togethers, usually multiple days and always to sold out audiences.
The ‘Sealed Package Bargain Sale' did evolve into an auction and is currently done after the Friday and
Saturday evening shows.
Paul Stadleman won his bet and eventually coined the term Vent-O-Rama for his 1 week ventriloquial
school, which is currently performed by George Schindler on Thursday August 6th at 11am. Rev Don
Bodley seminar is now called Magic Ministers and is currently performed by Jerry Burgess and is
scheduled this year for 9am Friday, Aug 7th.
The Colon Opera House did not survive the years, but the show that played there, known as the “NightBefore Magicians Only Show” was also moved to the Colon High School, opened to the public, and is
now the Wednesday 8pm Evening Show.
The forum for these articles, New Tops Magazine, was in its first year and would continue until 1994 in a
printed format.
The Tops junior Magicians contest has evolved into the Talent Stage Contest with significant increase in
prize money (at the time of this writing, the 2015 prizes total $1,100.00)
The brash editor who “squeezed” Recil’s article out of the April 1961 edition would go on to be the face
of Abbott’s for the next 25 years, Neil Foster.
Recil Bordner and the Bordner family would continue to be sole owners and operators of Abbott Magic
for the next 50 years and going strong.
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1961 Get Together (by John Braun)
Four unforgettable days in Magic were enjoyed by more than 600 enthusiasts who gathered at Colon,
Michigan, the Magic Capitol of the World, August 23 to 26, for Abbott's 1961 Magic Get-Together.
Colon is a little village rich in magical memories, for it was here that the late Percy Abbott called the first
of these conclaves back in 1936; They grew so large as the years rolled along that bigger cities nearby
were called upon to accommodate the crowds. this year, Recil Bordner, long associated with Percy as a
partner, and Neil Foster, newest member of the firm carrying the Abbott Magic Company to new
heights, brought the affair back to Colon, and with it came an array of talent and a crowd that will go
unequalled for years to come! It was a reunion - a reunion of the magic clan of the Western Hemisphere
- and it was a home coming too, for the Great Blackstone, a "native son" of Colon, said it himself - "I'm
glad to be home!" The ovation he received will go down in the annals of Magic as one of the important
magical memories of modern times - and fortunate you were if you experienced that thrill! but I'm
getting way ahead of the story - let's just take it in chronological order and begin with...
The Nite Before Party
Scheduled originally for the
Colon Opera House - but
moved to the Junior High
School
Auditorium
to
accommodate the 500 early
arrivals! However, the Opera
House scenery transformed the
auditorium stage into a
roomier facsimile of the Opera
House, and MC Monk Watson
soon had things going in fine
style, especially when he and
Karrell Fox became entangled
in a version of the Professor
Cheer Rope Trick never
envisioned in the Professor's
wildest imaginings. The Colon
German Band, in costume,
opened the bill, much virtuosity
on the trumpet being displayed
by their leader, Walter
Chestnut, who certainly had a
few variations on "Carnival of
The Great Blackstone
Venice" that were showstopping. Jack Ricketts, with "Ricketts Revelations" kept things moving; Karrell Fox brought on his new
"draggin silk"; Monk romped through the "Tipsy Turvy Bottles", assisted by Chuck Kirkham; then
youthful Jimmy Shannon was on with rope knots, a beautiful three-ring linking ring routine, the
blooming bouquet with lovely assistant; silk to cane, acrobatic cane, and suddenly cane changing back to
silk! Very nice work! The Whistlers (a "whistling sailor" duo) proved to be a laugh riot, but I believe they
prefer to remain anonymous; Karrell Fox "shot" Watson's picture; Watson retaliated with a PassePasse-Bottles-Too-Many tubes routine, to bring on Gordon Miller, a Colon lad, doing manipulative
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specialties and a giant flag on staff. Then Watson again with Rice, Checkers and Apple combination, to
set the stage for the beautiful magic of Neil and Jeanne Foster - that opener with the top hat and gloves
changing to bowl of goldfish will find its way into many acts; Center Tear, card fans, a Block Escape, card
manipulations, split fans, interlocked fingers card production, and then - Zombie - a work of art in Magic.
Monk brought the evening to a close with his Xmas carol, which turned out to be the hilarious "Sow
Song" and the orchestra leader conducting poor Orpheus (hapless wight!) through the Underworld, and
somehow the railroad yards. If you haven't seen this, your magical education has been sadly neglected!
If I recall, it was at this point that the Great Blackstone said: "I'm glad I came home!"
Harry Cecil, MC at the first Abbott Get Together, spoke briefly
about the first Get-Together, held in the loft of the magic
shop; the balance of the evening was given over to
"demonstrations" a pattern which was followed during any
spare moments that opened up, for the display center was
right there in the school auditorium which served as
headquarters.
Bruce Posgate lectured on his favorite topic, "Kid Shows" and
he knows quite a lot about the subject too for he has written
a guide book on this phase of our art, "Kid Show
Showmanship". His demonstrations were enjoyed as much
by the adults as the kids!
Jay Marshall, recently back from Australia and a "trip around
the World," spoke about his experiences abroad, and told us
some interesting things about the Sorcar show. Says Jay,
"Sorcar IS the World's Greatest Magician."
Neil Foster
Don Alan's lecture could best be described as a treasure chest
of heartwarming magic. A spinning linking ring jumps onto
the arm, then off and back onto the ring held in the hand; the real know-how on "How to Powder
Cards"; The D.A. giant fan; the Road Sign Routine; the Bowl routine move, called by Don "the Retention
Vanish" move; loading the bagel, in the bowl routine; the uses and proper sizes of the close-up mat; and
a card trick they'll go away talking about, "How come you dealt the card that matches this one?"
Russ Walsh followed with a fine display of his special items- a Cane to Banner and Production of Stand
with Top Hat and Rabbit; Appearing Wand, Multiplying Golf Tees, Acrobatic Cane, and Silk to Cane
performed by Neil Foster.
Gene Gordon demonstrated Hen Fetsch's Silk Epic, the Professor's Rope Trick, and his own very
entertaining Snake Basket routine - good, solid magic!
Neil Foster followed with a "demonstration" that turned out to be an act - Top Hat to Fish Bowl, Golf Ball
Routine, the "Three Foreign Magicians" routine, Full Light Séance, Vampire Block and Haskell's
Diminishing Cards.
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Those who were famished attended the Church Supper given by the Ladies of the Lutheran Church, for
after a day of such intensive work on magic, the body had to be fortified for the big show in the
beautiful new High School Auditorium seating some 1,400 people, and sold out for all performances!
With Mrs. Wilma Rench at the organ console, the lights dimmed and Dorny's voice over the speaker
system introduced Jay Marshall as the MC. Jay, one of "the better cheaper acts" decided to open "with
the second act first," and brought on the Amazing Conklins - flowers, Doll House, Umbrella, Hindu
Basket which yielded both mother and little daughter as a surprise, Broom Levitation, Wrist Chopper,
and a disappearance with vanished girl running in from the audience for a finale.
The next act? The one and only Don Alan with
his stage act - Little League Bull Fighting,
chicken sandwich, a soft drink, Worm in Apple
finding selected card, Invisible deck card trick,
a giant card trick the audience sees through?
Guillotine trick with Howard Bamman
stooging, spot card trick, the Hold-up Trick,
and silk production with bowling ball finish.
What an act!
Baron La Valle (Lawrence Jones) in a very
smart act seen on Ed Sullivan’s show produced
card fans, goldfish, cigarettes, more fish - until
the big fish bowl was crowded with swimming
fish!
Karrell Fox as a "big game hunter" produced
his doll like wife from a grass hut Doll House,
and she promptly undulated into a Hula dance
with a lively finish that pleased everyone. Now
Jay again - one hasn't seen much of him, nor heard much from him. Fearing his fate at the hands of the
audience, he proposes to do his encore effect now, and he does - the hanky that unties itself. the fellow
is amazing! But he is topped by zany Mr. Fox in person who fills the stage with debris and feathers in
the wackiest magical nonsense I ever hope to see, and which I will never be able to describe.
Don Alan
After intermission, the bright Mr. Marshall bobs up again with some remarks about "tricks that are
handed down from "degeneration to degeneration", and introduces Jack Gwynne and his Royal Family
of Illusionists in a feast from the magic marts of the World - Cut Turban, Dove Vanish, Zombie glasses
levitation, the Colored Sands of India, table lifting séance, and that very puzzling illusion, Vivisection.
wonderful!
It was at this point that Mr. Marshall stopped the show with two items - but WHAT ITEMS! His five ring
routine and his puppet friend Lefty. Superb entertainment! And then - The Great Blackstone, a "local
act" who still has a whole bag of tricks stowed away in his sleeve - silks, canes, fountain of silks, the
Vanishing Bird Cage with all the trimmings as well as a stage full of children, the Floating Light bulb, then
the rope escape routine and the card tricks with a stage full of men from the audience. A grand
showman of the old school, and the applause from the standing audience moved him deeply.
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Now who could expect to top a show like that? But we didn't worry, for Friday was another day, and
there were demonstrations on over at the conclave headquarters and plenty of talent yet to appear!
Friday August 25
Friday morning the Magi-Ministers held a "Gospel Magic" demonstration with Joe White as MC. bill
Oberg of Wheaton University talked on the Fellowship of Christian Magicians, their aims and objects,
and demonstrated some of his favorite object lesson magic. Kenneth Turner followed with his magic
"Noah's Ark" routine, then Rev. Sherman Epler presented an interesting demonstration based upon
"what comes through the eye remains long after the spoken word is forgotten". His lessons were
delivered with telling effect. Joe White closed the hour with "the gospel in a Magical nutshell" one of
the best magical sermons I've ever attended. A question and answer period followed.
At 2 in the afternoon the Junior magicians Contest was staged by Vernon Lux of Mount Morris, Illinois as
MC, and these "magicians of tomorrow" displayed their well rehearsed acts: Bernie Trueblood, Tim
Walter, Tom Volenik, Howard Decker, Bob Ve Verka, Samuel Jackson, John Giffin, Toby Roebuck, Ray
Snoddy, Dave Suits, and Richard Mis. The winner with the best stage act was Richard Mis, whose
rewards was to present his act on the evening show and a merchandise certificate; second prize was
won by Bernie Trueblood, and third prizes settled into the clever hands of Tom Volenik, Sam Jackson,
and Ray Snoddy. these kids will make your eyes pop!
Close-up performers Senator Clarke Crandall, Jack Pyle, Don Alan and Nick Trost delighted the crowds
congregated about four tables in the crowded auditorium, with a display of table magic that would have
lured sultan Haroun Al Raschid himself right out of the Thousand Nights and One Night!
Ya say yer not satisfied? Ya say yer not full of magic right up to yer chin? Tellya what I'm gonna do! I'm
gonna' turn ya over to Senator Clarke Crandall, who is now taking his bow before Friday Nights magical
enthusiasts and the good people of Colon, the 1,400 now gathered in the new HS auditorium!
Crandall, resplendent in perfectly groomed mustachios and dinner
jacket, and loaded - with quips and jests that started a ripple of
laughs and soon had the crowd in an uproar - introduced Jack
Larkin, whose doves, rings, salt bowls and dove to bunny
transformation please everyone. The Junior Contest winner - a C.
Foster Fenner pupil, Richard Mis - worked like a professional, and
his stage display was real "class"! At this point the Senator himself
took over with his famous 6 card Repeat routine, always uproarious
fun. When the Senator subsided, John Giordmaine came on something like a whirlwind - and the magic was so rapid fire I
couldn't even keep pace with it! He delighted young and old, as
always!
What are you going to follow Johnny's act with? Well Recil Bordner
and Neil Foster and Crandall picked on Nevin Hoefert, known
professionally as Captain Valentine and his Birds. The birds are
trained Cockatoos, and what they can do is unbelievable! you've seen them on TV many times!
Senator Crandall
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Jack Pyle, injured and hobbling on a peg leg, but a firm believer in the adage "the show must go on"
showed the folds a thing or two about phenomenal memories by recalling everything in a current
Saturday Evening Post - then wowed them with the biggest rabbit outside of Rabbittville! After Jack
Pyle, again the audience had the pleasures of the Great Blackstone and his Mysteries - the old master
still going strong! Crandall tried to restore order with his cut rope monologue, and it was sure fire served well to bring on Bill Neff whose special stage act was built for this Get Together. A stage filled
with apparatus, beautiful girls, Evelyn herself, many surprises, and the Goddess of Voodoo, a levitation
playlet. What an act that was!
Bill Neff
After the show the magicians adjourned to the display room for a showing of the Don Alan Magic Ranch
TV show, to be seen this Fall on ABC Network Stations. The Don Alan-Karrell Fox film, and the Richard
Himber film were "sneak" previewed, and the feeling was that Don had struck the magical gold in "them
thar TV hills"
Saturday August 26
Lectures began 1 o'clock, Jack Gwynne opening. His experiences with the magicians in India are most
entertaining - one wishes Jack could talk on and on!
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Jack Larkin explained the dove portion of his routine. How simple it seems when explained! But what a
deal of work it must have taken to put together this routine! It looks like magic even when he shows
you how!
Vic Torsberg, long famous in Magic as the No. 1 Convention Show Stage manager, a student of both
Magic and the Theater, lectured about Oriental Magic - and it was surprising to know that so many
magicians, few of them Orientals by birth, became famous as Orientals magicians. Vic explained makeup, defined the scope of Oriental magic, explained many tricks, and closed with an act in which he
impersonated a Japanese Magician.
Bill Neff held the attention of the crowd with his "Bonanza Magic" lecture - stressing the do's and don'ts
and how's of getting publicity, booking shows, the things that will make the papers, advertising, and
finally demonstrating tricks. Bill has material enough to go on for days, and only the lateness of the hour
closed this fine educational feature.
Dorny, the "one and only" was MC for the final show - and the opening was a familiar Dorny opening John Platt on stage when the curtains go apart, pantomiming a trick; two stage hands drag a screen
across in front of John and as they pass by Dorny steps out, complete with flash paper, cigar and big
smile. The curtains open to show a stage full of posters of famous magicians - Thurston, Dante, Birch,
Grabel - this was the cast Dorny wanted, but what a cast he got! After this skit, the big show was
opened by Bruce Posgate, who, as "Uncle Bruce," gave a sampling of the manner in which he entertains
children - and since everyone liked it, the house must have been full of children! Jimmy Wear followed,
featuring his Pillory Escape - effective and flashy. Paul Stadelman entertained with Windy Higgins; his
feature bits and the voice in the bottle. The voices in the little boxes are unusual displays of "vent"
virtuosity and registered well. the Rene's pleased with liquid magic, dove production, Dovan, and other
colorful specialties, and Dorny, who had been interluding all evening with his favorite gags, closed the
first half with "Why Dance" aided by Mrs. Rene.
Vic Torsberg (made up as Charlie Chan) opened after intermission with his Black Art act - well done, and
some unusual effects. Bob and Ginny Lewis did everything even stopping the show - magic, monologue,
banjo solos on an $850 banjo. The audience didn't want to let them go. Bob is a GRAND entertainer he could make a wooden Indian laugh!
A "Dorny - Jim Ryan" sketch came on here, titled "It Could Happen to You" secretly I'm glad it didn't;
nevertheless we have some hidden "Oscar" talent in the fraternity!
Suzy Wandas pleased with her skill and showmanship. Her act? Magic of the manipulative variety cigarettes, card fans, split fans, card juggling, card palming, even a three-tiered fan! The blooming
bouquet with Dorny was a nice build-up for the beautiful roses she received.
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After calling upon Recil Bordner and Neil Foster to take bows and receive the thanks of the "GetTogetherites," Dorny brought on Blackstone, who presented three of his most famous tricks - he entire
Vanishing Birdcage routine, the Floating Light
Bulb, and the Dancing Handkerchief. He was
never in better form, and the audience
reaction was a standing ovation and cheers the applause must have continued over five
minutes! I've never seen such a gesture of
appreciation accorded any
magician!
Blackstone was deeply moved, and when
order was finally restored, he introduced his
brother Pete, with him through all his years in
show business, and the lights went up again
as the audience regretfully left the
auditorium. A great Artist with three magical
master works to close a wonderful show!
Old friends were there - many of them; space
permits naming but a few - Dr. "U-No-Me"
Walters, Oscar Hackler, George DeMott, Carlo
Sommers, Arnold Krastin, Dr. Wierdo, Sally
Banks, Harry Otto, Doc Mahendra, Chick
Schoke, Doc Harad, Inez Blackstone Kitchen,
Joe and Mary Palen, C.L. Schmitt, Al Saal, bill Heisel, Howard Strickler, chuck Kirkham, Adrian Overstreet,
Bob Parrish, Dr. Zina Bennett, Harry Garrison, Marie Dornfied, Dave Lustig, Jerry Furman, Bob Sherman,
Charles and Patricia Vance, Stewart Judah, Phil Craig, Doc Zola, Verne Bloch, Harold Martin, Bob Hurt,
Johnny Platt, Roy Kissell, Joe Scott, Bruce and bunny Elliott, Stewart James, John Hamilton, Woodrow
Carpenter, Norman Houghton, John W. Frye, The Great Lyle, Ray Hackman, Steve Krasny, Everett Lydia,
Bob Nelson, Bill and Betty Dodson, Don Redmon, Vern Peterka, and so many more! What a pleasure it
was to see Gladys Abbott again, and her two pretty daughters; and to visit Monk Watson's office and
talk over the things that happened long ago!
Recil Bordner, Dorny, Neil Foster
As I grow older the friendships made at these wonderful gatherings grow more precious. Neil and Recil,
and all your fellow workers, this Get-Together was one of the best yet, and I cannot thank you enough
for staging it! I hope to see you both at the next Get-Together!
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Magic's votaries and neophytes to the record-breaking number of 624 converged upon Colon, Michigan,
August 22 to 26, for the annual carnival of mystery. When the call to a Get-Together goes out from the
Magic Capitol of the World, these pseudo-wizards flock in from everywhere, for they are loyal
legerdemainists to a man - or boy - yes, to a woman, too! They heard the call way over in New Zealand,
and its echoes sounded from Canada down to Texas, from California across to Florida. There were
acolytes accompanied by parents; there were those who had garnered world renown, and many who
appear on the TV networks of the Nation. And there were many more who keep the banner of Magic
flying in the towns, villages and hamlets of North America, aficionados ranging in age from 8 to 80. But
"like I said", they're loyal to the Goddess Maja, and when they meet, they have FUN. And they depart
laden with the latest devices developed in Abbott's "Laboratory of Legerdemain," the biggest in the
business, ready for another season of the "now-you-see-it-now-you-don't" Art the public never tires of.
Yes, it was a time for FUN. And to many of us, it was a happy reunion unique among the multifarious
gatherings of mankind down through the ages!
The fun began officially Wednesday
evening, August 22, at the elementary
school auditorium, where the capacity
crowd was treated to a stage filling,
spectacular
"Welcome
Magicians"
opening. Abbott's Catalog describes it
(page 237) as a "spectacular finale", but it
makes a "welcome" like a fireworks
display-pagodas, flags, streamers, ribbons
and confetti completely filling the stage.
Add to that Dorny as MC, big cigar, flash
paper et al, Wilma Rench at the organ, a
welcome by Colon's "mayor" Grant
Baughman, and the program was on!
Wow—eee! What an opening!
Rick Rogers of Milwaukee featured the
borrowed bill in cigarette and a canvas
covered box substitution to a good hand;
Reggie Lawrence juggled and trickbicycled through some laugh-getting
antics; Arturo's magic was varied and
entertaining, with attractive apparatus;
Jim Shannon and Joanne pleased with
ropes, three linking rings, blooming
bouquet and some nice cane magic. After
intermission the Amazing Conklins, a
magical family of four, performed magic
small
and large, featuring the Doll House,
Wilma Rench
Disappearance of a girl who reappeared at
the back of the house and came running down the aisle, and the East Indian Basket Trick with a surprise
finish. Jim Hanning, official photographer, displayed versatility with some very nice "antique" apparatus
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we'd like to be able to buy today; Gordon Miller, a Colon lad, opened with hat and cans to table, worked
smoothly through an entertaining routine to the big banner en staff finale and then — Gail Fyhrie — tall,
attractive, blond, and a Chicago prize winner, with Parasol, Handkerchief "Poke Thru" Color Change,
Blendo, Rabbit production, and multiplying billiard balls which change into a large ball that splits into
two bouquets - pulchritudinous prestidigitation!
The Close-Up Entertainers followed after the seating had been rearranged for four tables, the audience
remaining seated and performers moving on every 15 minutes.
Jim Ryan of Chicago entertained skillfully with dice, cards and Cups and Balls. Outstanding in his hands
were LePauls "A Quadruplicate Mystery." the revealing of 5 peeked-at cards each in a different way, the
Rising Cards and the Cups and Balls.
Signor Torino (Tony Kardyro) befuddled with sleight-of-hand card magic - the Ambitious Card, Four Ace
Control, Slop Shuffle Aces, and Aces dealt to the chosen hand in a five-handed game. For some reason,
an assisting spectator could draw a red-backed card from a blue deck; even a black card drawn from a
blue deck would unexplainably have a blue back!
Karrell Fox interlarded his magic with "gag"
stuff - FUN was his goal. The BIG ring, cards
with "Marx" on the backs, finding selected
card with a "Key" card, a routine with the
novelty shop ball vase and explanation,
then some nice work with the Aces. You
never knew where they were. Red Aces
under your finger became black, and kept
jumping around until you gave up trying to
follow them. And that "Foxy" wit kept you
laughing till the last twist went into the
silver foil giraffe.
Johnny Piatt used Cups and Balls, Dai
Vernon's "Triumph", Black Jack deal, Ring
on Stick, color changing knife, glass through
table, and Brain Wave invisible deck
routine, all smoothly performed. Sure, it
was over much too soon!
Meanwhile, back at the ranch — 'scuse,
please — I mean back at the Abbott plant,
the demonstrations had been going on all
Karrell Fox & Monk Watson
day. The showroom and auditorium had
been enlarged and completely redecorated this summer, and we adjourned for goings-on there that
kept up long after I "called it a day." Duke Stern and Howard Strickler were on hand to liven things up
and Neil Foster, Recil Bordner, Gordon Miller, Duke, Arturo and others of the staff continuously paraded
tricks from stock that kept you drooling.
The Magician's Rendezvous was open all night for those who wanted to take cards and find them, or
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swap cherished secrets, and believe me, this went on and on for four days! The American Legion opened
the doors to those seeking food and conviviality, so everyone had a good time. THURSDAY, AUGUST 23
The day began with demonstrations at the plant, and little groups of enthusiasts under the tents in
front, a pattern followed throughout the conclave. Messers Torino, Persi, Stewart Judah, Jim Ryan,
Monk Watson, Felix Greenfield, Al Goshman, Chic Schoke, Russ Walsh, Bob Nelson, Arnold Krastin Jerry
Lukins, Stewart James and countless others were to be found here as interested participants in the
"miracles" displayed.
The first programmed event was the Magi-Minister's show in the elementary school auditorium, in
charge of Joe White as M.C.
Rev. Bill Oberg, Past President of the Fellowship of Christian Ministers, was first with "My Soul Needs A
Band Aid"; Felix Lorenz, Jr. sang a hymn during his demonstration of a lesson built around the 20th
Century Handkerchief trick; Rev. Larry MacAllen "chalk talked" for his spiritual lesson, drawing a bunch
of bananas, picking one to peel and eat, then tossing out a dozen or more from the crumpled drawing!
Rev. David Allen had name cards representing New Testament characters in his object lesson; Rev
Sherman Epler used the Chinese Prayer Vase, the Broken and restored Pop-it Beads, then a presentation
based upon Hawthorne's famous story, "The Miraculous Pitcher," the lesson being "Give, and get more
than you give - share, and you shall possess !"
Clarke Crandall, Karrell Fox, Jack Gwynne
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During this contest, Joe White prefaced each introduction with a lesson. His subjects were Creation, the
parable of the Mustard Seed, and several scriptural texts, illustrated with the Linking Ropes, Vanishing
and Appearing Candle, Alarm Clock Box, and Sand Frame.
Rev. John DeVries used "The Professor's Nightmare," grapes to juice, and balloon to dove very
effectively for his lessons. Ray Hackman presented "Turning Back the Hand of Time," a theme which
goes back to the time of King Hezekiah. Rev. Kenneth Turner's lesson was aptly illustrated by the sucker
vanish of a glass of milk.
Prize winners were: First, John DeVries; second, Rev. Sherman Epler; third, Rev. Larry Mac-Allen; and
three winners of fourth prizes, Ray Hackman, Rev. Kenneth Turner and Rev. Bill Oberg.
Jack Gwynne's lecture proved to be one of the highlights of the Get-Together, covering such points as
Personality and Audience Appeal; Look Like a Magician; Project Your Voice; Personal Mannerisms; Come
to Conventions to Find Out What Not to Do; To Get Anything From Magic You Have to Give Something
to it; Entertain First, Mystify Second, Third, Make People Like You; Stage Magic - tricks are performed
but illusions are presented; Showmanship, Details of Dress, Ways of Presenting to Overcome Prejudices,
and finally, "Magic is an ART - not merely a hobby or pastime!" Jack has a rich background of experience
both as a performer, world traveler, and student of magic, and we look forward to that book he plans to
complete — someday!
After dinner at one of Colon's churches, or restaurants, or at a nearby farmhouse (the townspeople
make this a community project, you know, and do everything they can to accommodate the crowd)
everyone was ready for the big public show at the New High School Auditorium seating 1400 people and
sold out!
An offstage voice introduced the MC for the evening - Senator Clarke Crandall. Wilma Rench at the
organ played a magical overture, of music associated with Herrmann, Kellar, Thurston, Houdini, Downs,
Dante, Okito, Laurant, Sorcar, Nicola and Blackstone; and portraits of these famous magicians by the late
Paul LePaul appeared in a large easel on the stage.
Opening the show was Signor Torino and Faye with a smart act - doves, multiplying candles, cigarettes,
card fans, the bead trick and a fast dove vanish. Crandall in excellent form, kept things moving and the
crowd laughing, bringing on Reggie Lawrence with rope spinning and an entertaining assortment of
juggling feats climaxed by playing the harmonica while juggling three balls and teetering on a board
balanced on a log. Sound complicated ? It was!
At this point the Senator completely disrupted things by trying to count six cards for a trick, and his
remark "Your very kind — may you have a short memory!" seemed entirely too modest, for you haven't
been entertained until you've seen this!
Milky the Magic Clown (Clare Cummings) followed in an act slanted for the children, and the little girls
from the audience helped him do wonders with a rope, Forgetful Yogi Bear and the linking rings.
Crandall's Banjo monologue, the story of Ivan and Olga in old Russia (Olga is the boy), and that touching
little ballad about "Me Mudder" had everyone rolling in the aisles. Jack Bauer with some serious magic
came on next to restore mental balance - large fire bowl to flowers, then to doves; dove vanish in tear-
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apart box, big rabbit surprise, the razor blade trick, the Indian Basket feat, Guillotine (in one) and Bauer's
levitation, which has many points of interest!
After intermission Joe White injected much variety into his "Beetle Bomb" pitch act, using many tricks;
he could have sold out of the stuff, but instead introduced six-weeks old Brenda Lee Bauer to her first
big audience and presented her with a magical bouquet.
Dick DuBois' magic was off the beaten path the Chewing Gum trick, Rising Camel Cigarettes, the
Computer Wheel (Dick, is it really a telepathic Computer Wheel?), and Cecil the Serpent, "the only
radar-controlled reptile in the entire-world." A very enjoyable act!
Crandall’s Initialed Card on Scimitar entertained well, and gave Monk Watson time to set his sound
laboratory for the "orchestra conductor rehearsing the men in "Orpheus in the Underworld" down at
the railroad station." Monk wore a brand new band coat, and carried on as one inspired. He "wowed
'em!"
TV STAR Mark Wilson, with Nani Darnell and Rebo the Clown from the "Magic Land of Allaka-zam,"
closed the show with a sampling of the fine feats presented these many months on coast to coast
networks. Seeing the show in "living color," adds SO MUCH to the enjoyment of the magic! Mark's
program was Vanishing Cane in newspaper, confetti to doves, Tear-Apart Dove Vanish, catching the
doves from the air in a net, the vanish of the doves and large cage, production of Nani from a crystal
chest suspended from chains, the 20th Century Handkerchief Trick with boy from the audience. Rebo's
enormous Botania, Pop-Eye Pips (in one) a fast Substitution Trunk with Nani Darnell, and large scarf to
cane for walk off. Merely listing the tricks gives you no idea of the smartness and dash of the presentation. These "Alakazamers" are good!
Two innovations were programmed - a Bingo for the ladies, with many prizes, and the Senior Magician's
Contest at the elementary school auditorium, MC'd by Dick DuBois. My wife attended the Bingo and
won one of the prizes, and Mrs. Ray Hackman won the door prize, a dress!
In the Senior Magician's contest, Roger G. Moore featured flashes of fire and balloon to dove, building to
a good finish. Don Wiberg's Snake; Basket proved a vehicle for clever patter; Bobby arid Mary Jane
Wonder displayed novel "silk" magic and fire-eating - spectacular! Chet Chyll's routine included Water to
Wine, an elaborate Cords of Phantasia with a girl escaping from the bonds, and a bowl of water to dove.
Bob Singer, Parkersburg, W. Va., read ESP cards in a box in the audience, following with a divination
experiment titled "Mental Radio." Betty Hawkins, Toronto, Canada, next with handkerchief Magic, a test
with jumbo ESP cards, Miss White and Mr. Green, and dressed a doll by magic.
At this point Dick DuBois presented a George Cooke origination wherein Neil Foster as the marksman "in
mime" shot a bouquet and its trapings to bits before he dislodged the selected card from the houlette.
This is hilarious and should prove a winner for those who can afford it!
Rev. Sherman Epler entered just two tricks -first, a "Monte" with a wine glass of coffee and three tin
cans. The soldiers in the story could not pick out the tin can with the coffee, and finally all three cans
proved to be empty! The second effect was the Rice Bowls used in a breakfast scene, with Puffed Rice
which multiplied and supplied plenty of milk. A good presentation.
Paul Schuette, Euclid, Ohio, said he was a speech expert; he had advice, inventions, and Insurance Policy
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to save his card trick, and "Everywhere and Nowhere" by Hofzinser to establish himself as a magician.
Robert Ford, Amarillo, Texas routined a "silk" production, rope restoration, Center Tear with silk
streamer finish, production of handkerchiefs, streamers from box, and bowl production into a pleasing
sequence. Joe White performed feats of Mental Magic with slants all his own. My notes say he called it
"The Question Mark" trick, and it was in three phases.
After a "Mental "effect by the MC, the Fyhrie Family illusion act closed the show. Father, three
daughters and one son gave a well rehearsed performance with the Sword Cabinet, and Transmogrification (see _ GREATER MAGIC page 978) ; little Carl Fyhrie proved he was the strongest boy in Colon,
in a tug of war with four adults; they bowed off with the Super-X Levitation embellished with nice
touches that really "window-dress" this favorite.
Winners were: First, Paul Schuette; second, the Fyhries; third, Roger Moore; fourth, Don Wiberg, and
three fifth place awards, Betty Hawkins, Sherman Epler and Robert Ford.
The second public show was M.C.'d by Howard Bamman, a clever Chicagoan who goes by the name of
Paul Howard. Johnny Piatt had the opening chore, and put across effectively the Vanishing Cane in
newspaper, Fire Eating, Human Volcano, streamers from mouth, cut and restored rope, Prof. Cheer
Rope Trick, Alarm clock Box, Sword with invisible deck, Himber's Disappearing Bottles, a mystifying glass
penetration, and the Kuma Tubes with puzzling finish. Paul Scheutte, Senior Magician's Contest winner,
tried to tell the audience how to put a talk together. A funny act. Mysterious M and Anndot did
everything possible in magic with flowers, and filled the stage with feather blooms in pleasing colors and
in black-light. The fourth act - Ron Fable, youthful Escape Artist, with Rick Rogers as lecturer. Ron
escaped from a strait jacket while suspended by the heels-and set a new record of 25 seconds!
Jack Gwynne & Company
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Jack Gwynne and Company
presented A "Few Mysteries
From China" as only this maestro
can. Opening, the Jam Cabinet to
produce two girl assistants; the
big bowl production; "Hong
Kong" Dove Production with
screen panels instead of paper;
fast vanish of four doves in a
take-apart box on table; the
Gwynne version of the Rice Bowls
(the rice REALLY multiplies) ; the
"Problem in Slow Motion" in
which a Sat Eve Post page is torn
and
restored
while
the
performer's hands only are
visible through a black velvet
screen, one of Jack's vaudeville
favorites, and the explanation
which leaves everyone in the
dark. The production of a bowl of
water and from it "art" silken
banners brought the famous
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Gwynne Stack of Fish Bowls for a climax - the stack that towers over ALL bowl productions!
After intermission, Paul Howard made some coat hangers disappear, then brought on Reneaux, no
stranger to Abbott Get-Togethers. Jimmy's magic is smart, entertaining and mystifying, with cards,
doves, billiard balls, multiplying candles, and balloon to two doves. The "toss away" vanish of a dove was
especially well handled. King and Zerita of Chicago presented a well-received Mental Telepathy turn fast, good comedy, and fun at the finish with a spectator's wallet.
And then — Mark Wilson and Company! Rebo with his comedy levitation floated on stage; Mark's Egg
Bag routine (in one) with small boy and girl from the audience cleared up when the bag changed to a
chicken; the full stage presentation of the "Castle" Sword Cabinet with Nani Darnell closed the act. Silver
wands tipped with stars are used instead of swords, and the illusion takes on fresh appeal. Mark brought
on Bobby Fenton for a well deserved bow. At last — Paul Howard's act - unhurried, wacky, very funny
lines and situations, and crazy tricks-with the collapsing stool finish. This boy gets-LAUGHS!
To close, Tom Palmer and Gloria, in an act to END all comedy acts! After the curtain opens on the
pleasing stage setting, and Tom makes his entrance resplendent in cape, tails, top hat and gloves, one is
completely taken in by the little annoying things that befall him - one feels sorry things are not going
right. But calamity builds upon calamity until complete devastation is the only logical end - and complete
it is. The Sawing a Woman will never again get such howls as these two get! I cannot describe the act or
the tricks -you'll just have to see it!
Fourteen acts and two MC's made it
necessary to begin the Junior Talent Contest
at 1 o'clock, so Monk Watson, No. 1 MC
recounted some unusual incidents in the life
of a character named Oppornockity, a man of
such caliber he could not be replaced even if
he DID only tune once! The little church
across the street from the school, where
Monk did his first show, still stands: perhaps
shudders at times, now; I stayed in the house
his grandfather built in 1867, and wasn't
disturbed once by the ghost of Oppornockity!
Monk dropped in, though!
Mark Wilson & Nani Darnell
Dave Tolman, Chicago, opened the contest
with a smooth pantomime routine - cane to
scarf’s, billiard balls, split fans, coins, bouquet
from scarf and dove production. David Taylor,
Battle Creek, pattered through Center Tear,
Professor's Nightmare (the pieces are
restored to a long rope), Multum in Parvo in
reverse, evaporated milk, Appearing Cane
and Square Circle, George Sefler, Berwyn,
Illinois, pantomimed with card productions,
diminishing cards, Card star, glass of wine
from hanky, dove vanish in Jap Box, picture
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card transferred to scarf, the plume trick and a slow motion block penetration. Eric Dany, Cleveland,
produced three balls from a fire bowl and juggled, then C'est Terrifique, 20th Century with fish pole,
scarf to cane, cane juggling, Square Circle, bowling pin from the "silks" produced, Peterka's Color
Changing Snowflake, Hank Box, and production of assistant from Moon Rocket. Ray Snoddy, St.
Louis, routined some "different" magic - balls from color spots on a plaque, triple restoration newspaper
tear, rigid rope, catching ping pong balls from the air in a paper bag, 20th Century with sucker business,
Zot Rope, a milk trick, and "the silks are tied" from TIDE box. Marvin Merillat, Toledo, used the Adam
and Eve patter story with billiard balls (see Tarbell Course), the Blue Phantom, Zombie produced from
Square Circle, nice routine with Zombie, and vanish of Zombie in flames. John Nash, St. Louis; Silken
Bombshell, fast golf ball routine with big ball finish, "silk" production box, vanish in a bag, production of
a glass of milk, and threading razor blades.
At "half time," Dick DuBois took over the MC role and brought on Tim Walters of Battle Creek with the
Snake Basket reversed card trick, materialized and dematerialized elephant, and the Leg Chopper. Gil
Scott, Grand Rapids, followed with the Gizmo glass, golf ball routine with repeat production of balls from
mouth, and a big "silk" production from a hat.
Joey Shulkin, Sioux Falls, S.D., worked in pantomime. Probably the youngest contestant, he acquitted
himself very well in a routine built around a cage production, "silks" from tube, rabbit from pan, rabbit
wringer, vanish of rabbits in a tube, and a "The End" art silk from the tube. Jack Brewer, Terre Haute,
inspired by TV "doctor" programs and wearing a Ben Casey coat, as a "medic" - brain surgery and other
allusions to "clinic stuff."
At this point, the MC told a story, then introduced Bob Cervas, Cleveland Heights, "The Sorceror's
Apprentice." This little fellow has been well tutored, and displays a precocity in manipulative skill that is
most surprising. His coin routine, including coins to glass and coin star, and linking rings with six rings,
have a strong Dai Vernon flavor; the interlude, a one-man (one-boy?) floating handkerchief was
professionally handled. Wm. Gorski, Grand Rapids, did a flower production, rice to silver ribbon, and the
Chopper. Alien Ackerman, Chicago, was produced from the Oriental Door illusion; he extracted many
"silks" from newspaper, doves from a scarf, and a pile of paper ribbon following the vanish of two doves,
The Egg Producing Bag yielded a chicken, and a truck load of articles came from a hat - even a mixing
bowl and all the ingredients for a cake!
The boys have evidently been doing some magical thinking and some practicing, which is a good sign.
Winners were, 1. Bob Cervas; 2, David Tolman; 3, Marvin Merillat; 4, Eric Dany; and 3 5th place winners,
Joey Shulkin; George Sefler; and Dave Taylor.
While the offstage voice was announcing Jay Marshall as MC for the final show, Jay drew the curtain and
exposed "the voice" in action - Dorny! Diminutive Bob Cervas, winner of the Junior Contest, opened the
show like a veteran with his linking ring routine, and judging from the frequent bursts of applause,
pleased magicians and laymen alike.
Neil Foster delighted everyone with beautiful manipulative magic with canes, cigarettes, card fans and
card productions, arm spreads and catches with cards, a giant fan (two decks) opened with one hand,
card palming and reproductions, the interlocked fingers card production, split fans and the most artistic
Zombie routine ever presented. Prolonged applause voiced unanimous approval!
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Duke Stern, long famous for his pantomime! characterizations of magicians doing favorite tricks, and
much too long away from the Get-Togethers, did five minutes of this side-splitting mimicry, saving the
Vanishing Birdcage for the finale; then Karrell Fox, "the masked conjurer", took the stage with the Fox
brand of comedy magic - the vanishing balloons, Yo Yo production, bowl of water production that
became a vanish, the hanky that unties itself, the Square Circle, a 30-inch crystal Zombie ball which died
offstage in a loud crash. Forgetful Freddy (with Duke as Freddy!) Too Multum in Parvo, Mr. Birch — tree,
the Vanishing Egg and cut and restored necktie with Roy Kissell, then the chosen card found at, and in,
selected destination - apple, banana or large Bermuda onion. Monk Watson selected the card, went
onstage, and chose to have card appear in the onion. In fact, he insisted on the onion. The suffering and
crying of the two as the onion was peeled and sliced to reveal the card had everyone laughing till sides
hurt. Funniest thing I've seen in an age, and George Jason would have been proud of 'em!
Jay Marshall had to follow this laugh riot, and did it well by coaxing his little pal Lefty to sing "If I had My
Way . . ." Mark Wilson closed the first half with an "in one" performance of the Parasol trick, assisted by
Nani Darnell, and a nice thimble routine, while the stage was readied for McDonald Birch, Master
Magician and Company, making his first appearance at a magic convention in his 40 years as a
performer,
For his Get-Together appearance, Birch's program consisted of "selected" affects from his two and onehalf hour show. Opening full stage with fast productions of flowers, bowls, live stock, etc., one was
reminded of the days of the Thurston and Blackstone shows. Then came Bird in Light Bulb, the Mismade
Flag, the illusion "Mysterio" (a clockwork head and hands automaton? that became endowed with
intelligence and performed "tests" with the audience); a large duck was extracted from a boy's jacket; a
hat disgorged ringing alarm clocks, a
cannon ball and a guinea pig, which
when put in a bag and given to a
little girl, changed into a box of
candy. Two doves, Rachel and
Minnie, were the star performers in
a "sucker business" passe-passe
effect; a paper napkin was torn and
restored, and "the how" explained,
but to no avail; the famous Birch
Torture Illusion, in which Mrs. Birch
is transfixed with swords and
apparently sliced into four parts
with a huge cleaver, looked very
real and left one wondering how it
could even SEEM to be; and the
Birch Challenge Packing Box Escape,
from box made by the Tomlinson
Lumber Co., Colon, and some
additional
nailing done by a
McDonald Birch
committee
onstage
before
performer is nailed in, was most effectively handled - you almost believed something had gone wrong
and the box had to be smashed open with an ax, when Birch strode onstage asking "What's going on
here?"
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During a brief intermission, Jay Marshall did Trouble Wit, wearing monocle, and told us about a sexton
who minded the keys and pews, and that the squaw on the hippopotamus hide was equal to the squaw
on the horsehide and some other squaw or something.
It's a good thing Birch was ready just then, Oh, I say! A-haw, HAW!!
Part 2 of the Birch show opened with the production of ducks from a large tray-covered tub, and there
followed a "Where Do the Ducks Go?" vanish like in the days of Doc Nixon. The Mystery of the Green
Box was a stage-filling "borrowed ring in nest of boxes" routine, a favorite with magicians since the days
of Kellar, performed by Birch in the classic manner. Three Card Monte, stage size, and in one, served to
set for Birch's famous Vanishing Pony; the stage filled with children reminded one of Howard Thurston.
The kids saw to it that the pony was real before Birch "counted down" and caused it to vanish in a puff
of smoke! Fun with a boy and the Neck Spiker illusion (in one) served to get ready for "The Silken
Mirage." in which the Birches filled the stage with miles of silken streamers, art squares, banners, and
hand-painted hangings the size of backdrops. Nothing like it since Thurston's "Mallinson Silk Girl!" I
recognized many of the hand-painted hangings as the work of the late Sheldon S. Henry, which are
priceless now. Mac, how did you preserve them all these years? The first time I saw this gigantic silk
production (in its infancy then) was back in the early-20's and Virgil Mulkay was with the show.
Remember?
Jay Marshall Introducing the Abbott Family
Back at the plant, demonstrations, auctions, card tricks and adieus went on till daylight. Many old
friends were there, among them Oscar Hackier, Ed Mario, Ron Bauer, Dr. Wierdo, Sally Banks, Doc
Mahendra, Doc Harad, Inez Blackstone Kitchen, Gladys Abbott and her grown-up children, C. L. Schmitt
and family, Horace Marshall, Ronald Haines, Adrian Overstreet, Johnny Brown, the Tadlocks, Bob Parrish
and family, Phil Craig, Joe Scott, Bruce Elliot, the Auers, Frances Ireland Marshall, George Lydiatt, Vera
Peterka, Bob Veverka, Bob Kurtz, Dr. Zina and Suzy Wandas Bennett, Bob and Ginny Lewis, Earl Voelker,
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Don Alan, the Hoeferts, Jack Rickets, Stan Noxon, Olaf Gylleck, the Frank Carters, the Hustons, Phil
Willmarth, Gene Bernstein, the Reeder Hutchinsons, Adam Hudzinski, Pete Bouton, Charlie Romig, Bob
Ellis, Al Snyder, Harold Martin, Dr. Zola, and the young man who came all the way from Christchurch,
New Zealand - Burns Scandrett. Neil and Recil, this one topped them all for me, and I cannot thank you
and your wives and your fellow workers enough for staging it! I hope to see all of you at the next GetTogether!
Early Vent O Rama Picture
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1963 Over A Dozen Abbott Effects on Jackie Gleason Show (by Neil Foster)
Thousands of television viewers were treated to an hour long magical presentation December 22 on the
Jackie Gleason Show. Milbourne Christopher was the man Gleason called upon when he decided to do
an all-magic-show as his special Christmas program. Christopher staged the entire production except for
the dance numbers. Mark Wilson, of "The Magic Land of Allakazam" fame, submitted the magic
numbers for the June Taylor dancers which were incorporated into the production.
Jackie Gleason protrayed his classic characterization of 'Reggie Van Gleason the III,' and in keeping with
the magic theme he doffed his high stove-pipe-hat in favor of a turban. From three 'Modern Cabinets'
he produced the June Taylor dancers ! The girls, costumed in abbreviated 'tails' and wearing top hats,
vanished their canes ; changed handkerchiefs into canes ; four of the girls, each with a 'Duck Pan',
produced eight rabbits: four more girls each produced bowls of water simultaneously ; four more
performed the 'Twin Doves in Balloon', as each balloon burst two white doves appeared making a total
of eight doves ; four girls simultaneously vanished milk in paper cones. All the dancers then formed a
line by standing one in front of the other. Gleason shot a long white ribbon through the entire line of
girls, the ribbon being impaled in a target behind the last girl! The June Taylor dancers are to be
commended for their excellent handling of the magic props.
Note: Based on this episode a huge promotion began in early 1963 promoting Abbott effects featured on
the Gleason Show. It included Modern Cabinet, Super Duck Pan, Oriental Frames, Twin Doves in Balloon,
Spurting Rice Bowls, Vanishing and Appearing Cane, Champagne Bouquet, Super Botania, Club Bowl of
Water Production, Miracle Tumbler, Basket Girl Illusion, Asra Levitation and Vanish, Sawing a Woman in
Halves, Slick Post Illusion. Below is a rare “centerfold” of the promotion in New Tops Magazine
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1964 Abbott’s Release Catalog #16 (by Abbott’s Magic)
Abbotts New Catalog of Magic, Now in preparation. Number Sixteen will be the world’s greatest array
of quality magic. Included with each catalog is a merchandise certificate good for $3.00 worth of
merchandise on any $10.00 order from Catalog No. Sixteen. In this way your catalog is FREE!
1964 First Get Together Appearance For Blackstone Jr. (by John Braun)
Wednesday, august 19th through Saturday August 22nd were the days (and nights, too) and man, I'm
tellin YOU, the town of Colon, Michigan, "The Magic Capital of the World", was REEALLY JUMPIN! when
680 magic fans of assorted ages from 5-85 descent upon a quiet, minding its own business little
community whose population is about 1,000, things are poppin at the seams all over the place! But
everybody had a good time-even the ladies-and I'm going to try to recapture the highlights for you.
There were magical celebrities there in profusion from California to New York, from Canada to Mexico,
from Florida to New England, There were acts to please every taste-even ventriloquists and fire-eaters!
And there were old friends-so many the affair was like a family reunion-and I'm amazed when I'm told
this was the 28th such gathering staged by The Abbott Magic Company. Long may they continue!
With Wilma Rench at the organ, the show
opened Wednesday evening in the elementary
School Auditorium. Duke Stern drew the
opening assignment, for this was "Magic
Capitol Nite" starring Abbott company talent in
everything from small magic to illusions. Arturo
and Company, Karrell Fox, monk Watson, Kip
Wadsworth presenting "Cutting An Assistant in
Sixths"(this proved to be a baffler Selbit would
have been proud of), the inimitable Neil Foster
featuring card manipulations and Zombie, Duke
Stern in hi Pantomime Magic, the Frantic
Franzens - 7 people and a beautiful Collie dog
with productions and vanishes of people,
doves, enormous ducks-a most enjoyable act, it
was their 19th wedding anniversary! Roy
Kissell impersonated the magician whose tricks
don't work, and the Amazing Conklins another
magical family, presented pleasing magic and
Roy Kissell
illusions, featuring the famous Hindu Basket
trick.
Monk Watson, assisted by Duke Stern, brought out the mindreading act he did years ago with Bert
Wheeler-a burlesque that moved from hilarity into puzzlement-until the under the table assistant Karrell
Fox could no longer see the articles Monk held up in the audience, and blew the whole thing by
proclaiming "I can't see-you're too far back!" A riot!
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Demonstrations went on at the Abbott showroom before, between and after all scheduled events till
midnight, and many were the bargains auctioned off by Messers, Fox , Stern, and Strickler. The place
was so crowded most times one had difficulty squeezing in! Outside and across the street at "The
Magician's Retreat", the close-up workers had a real ball swapping miracles. magic was discussed and
displayed everywhere.
Thursday afternoon, August 20th, Frances Ireland Marshall lectured on Kid Show Magic, covering such
important points as getting dates, the Kid Show Case, types of tricks to use, pleasing mothers, keeping
the show bright and happy and light, and getting applause. she pointed up her advice with actual
demonstrations of Ribbon Through Body, Run Rabbit Run, and Paper Hat, then introduced Maggie the
Clown who provides games for the kiddies-no prizes, just games they can all enjoy. An excellent lecture
by an experienced children's entertainer. jay Marshall, Frances' leprechaun husband, demonstrated his
case and table for kids shows, and such favorites as Jack and the Bean Stalk and the Ladder and Fly Trap
made from rolled newspapers-a demonstration reminiscent of the beloved Al Baker.
Mystic Craigs movies of the Kalanag Show
and the Jack Miller Lecture followed. To see
the late Jack Miller's Cup and Ball moves, his
Linking Ring routine and his rope tricks was
well worth anyone's time.
Thursday evening's show was M.C.'d by Jay
Marshall, and as the British say, "Jay was in
top form". Bruce Spangler and Kathy, with
their own stage setting, lights and music
opened the show with magic and fire eating.
Paul Stadelman, vocal illusionist, and pal
Windy Higgins did exceptional vent work;
Valentine and his Birds (Nevin and Helen
Hoefert and the Cockatoos) are always
entertaining; there is only ONE Clarke the
Senator Crandall, but this time he was
Stanislaus Istashu (or was it STASHUE). With
his beautiful matched luggage and the
hilarious magic he extracted there from, he
Roy Huston & Company
had them "rolling in the aisle", and finished off the job with a handcuff escape to end ALL handcuff
escapes. Celeste Evans (who but a lovely girl could follow Stashue) closed the first half with a beautiful
act featuring card fans, doves, billiard balls, silk and dove magic in black light, and the white poodle
production.
After intermission Ricky Dunn, Paul Howard, Duke Stern, and Karrell Fox produced "peddling ordinance"
skits, then Joe Cossari, King of Cards, displayed his card fans act, featuring a triple deck wheel and a two
deck waterfall like the Dai Vernon Notis Waterfall in Inner Secrets of Card Magic-Lovely!
Jay Marshall can stop ANY show with Lefty, and he stopped this one.
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Roy Huston and Company closed the show with illusions-the Palanquin Illusion, Rod Thru Girl, Drum
That Can't Be Beaten, Watch in Nest of Boxes, Cremation, Blooming Rose Bush, and Flight Through
Outer Space. A very good show, and over all too soon!
Friday morning, August 21st, the Rev. John DeVries lectured for Magi-Ministers and a sizable group
gathered in the school auditorium to learn about object lesson magic, its applications and value. I
particularly enjoyed this lecture. That afternoon, Joe Palen, "The Story telling Magician" presented his
lecture on magic for children, stressing "Proper routines, properly presented, properly staged. Joe used
the Walsh Production Wand, The Professor's Rope Trick, Chinese Sticks, Mr. and Mrs. Green, Atomic
Energy, Elmer the Mindreading Chalk, Aladdin's Magic Vase, and Forgetful Freddie to illustrate his
points. His Method for producing presents for the birthday child will no doubt be adopted by many. An
informative lecture.
Monk Watson mastered the ceremonies Friday evening, featuring such acts as Jim Shannon and Joanne,
Get Together favorites; Jimmy Wear with Houdini's famous pillory escape, and the Tiger release; Lynn
Fox danced; Monk imitated the high wire act; Karrell Fox unlimbered a whole new assortment of his
burlesques on favorite magic-far out zany stuff, very funny! Monk closed the first half with his
Orchestra-Leader-rehearsing-the-boys-at-the-railroad-station, and only an intermission CAN follow that
act!
Little Johnny Jones, now an artist about to stage a one man exhibition of his paintings, did his act of
years ago: vanishing cane, thimbles, egg on fan, three to one rope, stretching a rope and cigarettes.
Lynn Fox danced again, Hawaiian style this time with some stitchery unknown to our 50th state.
Harry Blackstone Jr., star of this Get-Together, opened with the Vanishing Bird and Cage, just like his
father does it; the Six Card Repeat routine, the Floating Light Bulb, and card tricks with a committee on
stage. You'd swear it was Harry Blackstone, Sr. out there doing the tricks, for the style, the voice, the
mannerisms are the same to a degree that is uncanny! this boy has EVERYTHING!
Harry Blackstone Jr
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Bob Sherman-Sherms and Company-closed the show with the production of flags from ribbons-a
tableau of flags of all nations building up to big
American flags on staves; then his Atomic Glass, an
unbelievable penetration effect; in Chinese costume,
the famous colored sands trick; Anti-gravity with
three glasses and silks on glass plate, and finally, his
Girl in Cabinet pierced by so many blades and swords
the title must be "Where Was the Girl While All This
Was Going On?"
Saturday’s show in the beautiful auditorium of Colon
Senior High school George johnstone is the M.C. and
he's a handsome rascal even without a beard! Witty
lad, too! Joe Cossari opened with his Fantasy in Color,
done in black light, and pretty. Dave Hoy next, with
predictions of things to come, Voodoo magic, a
Brainwave effect with an honest deck, and the Tossed
Cut Deck. Dave had only recently closed at Al Hirt's
Club in New Orleans. His mentalism is direct and the
most entertaining I've ever seen.
George Johnstones' act of burlesqued magic is a
lesson in what can be done in this area, just as funny
to laymen as to magicians. Bill Joy and Company, with "How's Tricks" closed the first half with Cane
Thru Body, Vanishing Glass of Milk, Pigeon Vanish, and Pigeon Catching in Net, the Parasol, The Haunted
House, Orange Tree, Hindu Basket and the Broom Illusion.
George Johnstone
After intermission, Dorny, assisted by Joe Palen and Mr. Serar in the audience, presented Magic in the
25th Century. I can assure you it will be humorous, mostly. The Preview was!
Johnstone's between acts bits were enjoyed by all, for they were clever and funny. The sharp shooting
thing with Kathy Spangler, and the performer who gets all tangled up in his Afghan Bands were
outstanding. Yes, and my brother had to marry the girl. All this yet!
Bob Lewis and Ginny on next, and Bob is a show stopper. The
monologue, the Linking ring routine, Ginny’s walk on bits, and the
banjo numbers are grand entertainment.
Harry Blackstone Jr. closed the show with tricks we'll all rememberthe Vanishing Bird Cage with committee of children surrounding the
cage, Mental Epic, the Stretching Handkerchief, the Knot Untying Bit,
and the Spirit handkerchief-just like "pop" does it. I'll bet Uncle Pete
Bouton was as proud of his nephew as a man can be. As I said
before, this boy HAS it!
As the years go by I enjoy magic Get-Togethers more and more.
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Jack Gwynne
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Abbott's is particularly enjoyable, for there's a relaxed atmosphere, warm friendliness, and plenty of
vacationland potential in the area. I've missed only a few of the 28 Get Togethers, and I speak from
years of happy experiences. Seeing old friends again often means more to me than seeing the shows,
but at Abbott's one sees plenty of magic and gets these other bonuses besides! So I look forward to the
next such gathering in Colon. To Recil and Neil, the Chamber of Commerce, and all the others who
made it possible for us to enjoy this magic festival again this year I give my best thanks-and please book
my reservation now for the next Get-Together!
1964 Abbott’s “Twin Di Box” is released (by Abbott’s Magic)
A handsome oriental chest is seen resting upon a platform. A large wooden die and an empty hat are
freely shown. The die is placed in one side of the chest. The performer tilts the chest and a loud “clunk”
is heard. The door on the side which held the die is opened and the box is seen. Now follows the same
routine as a regular Die Box. But then, the surprise! The performer separates the two halves of the chest
and his assistant holds one half on the other side of the stage (if working alone, this half may be placed
on another table). Again the die is caused to pass from one half of the chest to the other and vice versa.
Finally, the die disappears from both chests - the sliding front doors are removed and the tops of the
chests are opened - showing both chests unmistakably empty. The die is now produced from the hat!
1965 Abbott’s Mourns The Loss Of Blackstone Sr. (by Abbott’s Magic)
Harry Bouton Blackstone passed away November 16, 1965, at his home in Hollywood California at the
age of 80. Graveside services were held Saturday afternoon, November 20, in Lakeside Cemetery at
Colon Michigan. Mr. Blackstone was born in Chicago on September 27, 1885, a son of Alfred and
Barbara Bouton.
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1965 Get Together (by Monk Watson)
Another year, and another Get-Together is folded back into the storehouse and book of memories. Russ
Walsh and Watson were at the old stand in front of the Magic Factory, saying another goodbye to a few
whom we've said 'goodbye' to so many times in the past many years. Russ is looking good again after
his stay in the hospital, after driving into a tree, and Watsons lookin as well as possible after a couple of
days with the great guy, Clarke "The Senator" Crandall.
To look good after these days of the funniest humor is only natural. More people should be able to be
entertained by Crandall. One had to catch him at the right time, in the right place and in the right
environment. That was made easy this year because my son Bill and Bill Tadlock were my guests at the
Apartment of "The Senator."We found Clarke relaxing in a big chair, playing his banjo (and he can play it
very well too). My son had read some of Crandall's tirades against his father and had a dim view of the
great man, even after I had told him it was all in fun. However, after several hours of side-splitting
laughs, he now has a top man in his book for the rest of his life.
To show the heart of Crandall, and the way he "puts a person on," read this over a couple times ere you
pass on through the rest of the column. Crandall from where I'll never know, found after a long and
hard search, a recording of Elsie Janis singing a song from the starring role in "The Hoyden." 1907. He
had put it on tape so that, out of a clear sky, he could give me a thrill like I have never enjoyed in my
lifetime. As long as he lives he'll never top this bit. I couldn't help but have a tear in my eyes and voice
as I heard this great child-star of seventeen. Crandall had proven that he has a big, big heart. bill
Tadlock and my son will never forget that afternoon in the apartment of "The Senator".
While I'm on the subject of Crandall, I'll have to give a plug to a tape he has made, just for his close
friends at this writing. it's "Uncle Clarke's story of the banjo, how
to tune and play it" This is a gem that will give hours of
entertainment if he ever puts it on the market. At this time I can
think of nothing that will make a boy give up the banjo any faster
than hearing this tape. I have a copy of it and so has Bob Lewis,
who also plunks the instrument. While playing the tape, Bob lays
on the floor like a kid with a windup toy. If some of the fans of
The Senator can just get him to settle down and be serious in
making some tapes of his favorite stories, he will be known as
one of the great wits of our time.
ENOUGH FOR CRANDALL
Jay Marshall & Lefty
The convention shows were very good and the audiences
showed their feelings with big sound applause. I'm not going
into details of the different shows, but I would like to say a few
words about the Saturday night show. first, to make it one of the
outstanding shows of all conventions we had Bob Lewis as MC. I
opened the show with some comedy magic, then introduced Neil
Foster, from my heat as I always do. Neil finished with a standing
ovation. bob then came back and introduced me in a new sort of
setting called "The Dreamer, A Mr. Mitty." I did my pantomime
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act to a very nice hand. Then we had an intermission, which was needed
at this time in order to set up the fastest magic act I have ever seen, The
Smileys.
After intermission, Bob introduced Jay Marshall, who did his same great
show-stopping act with 'Lefty.' ...just great...Then for the act to be
remembered, one of our greatest performers, Bob Lewis, who did the
same act you have all seen on the Sullivan Show some twenty times (or
more). Bob was in great form with Wilma Rench at the Lowrey organ.
Wilma seems to get right into the act and plays like she wants to help.
There was just a rehearsal, but no music, before the show. She has a
memory like no other musician I have ever known. Never missed a cue,
but did think of little swells that would help in spots. We're lucky to have
such a grand girl living in Colon.
I was changing my clothes back stage when the music started for the
Smileys, and for the next forty minutes it never lagged for a moment, but
just tore ahead without as much as a rest. the Smileys were simply great, keeping everyone on their
toes so as not to miss a trick.
Duke Stern
Even though the Convention is over, I still have to get busy with new
shows coming up all over the country. I tried a couple of tricks that I'll
keep in, after being forgotten for years. The 'Blue Phantom' is a very
good trick and the bent ring will add to the 'Linking Rings' again. Never a
bigger laugh for my act! Before I forget it, I must write that we had the
SRO (Standing Room Only) sign hanging out for the Saturday night show,
with big crowds at every show.
Note: This would be Gordon Millers first official performance at a Get
Together show. He had performed in 1961 at the “earlybird” show which
eventually turned into the Wednesday show. Gordon holds the record for
appearances at the Get Together with an incredible 50 appearances. An
amazing fact especially when you consider he took time out to serve his
country during the Vietnam war.
Gordon Miller
1966 Abbott’s Makes Props For Ice Capades Show (by Abbott’s Magic)
A great boost to Recil Bordner’s business was the building of the props for the "Ice Capades" show which
featured Harry Blackstone, Jr. in a magical extravaganza. The special equipment which had to be custom
built, took several weeks to construct and the total income to the company was several thousand
dollars.
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The more devout of Maja's followers turned out 807 strong for the 30th Annual Abbott's Magic GetTogether, August 17 to 20, 1966, arriving early and staying late in the little town of Colon, population
1001. How the town ever held them was a feat of magic in itself. Warm, sunny days and cool nights
prevailed; there was something doing every minute - lectures, demonstrations, shws, an Art Exhibit,
Radio Station WMRR with a big mike set up next door to the Abbott showroom; a "snack" tent manned
by the Methodist right next to the plant; Duke's "New Lamps for Old" Bazaar; good fishing on Lake
Palmer and motor boat races on Sunday, if one stayed for them. More excitement than a week at the
county fair.
The program opened officially with "Abbott-cadabra Night," Wednesday, August 17 at 8 P.M. in Colon
Elementary School Auditorium, and a capacity crowd was there to see the colorful and welcome
presided over by Neil Foster and Recil Bordner. Roy Kissell opened the show with a variety of
entertaining magic. Lee Hite and Juanita featured a Cabinet haunted by a poltergeist with entertaining
ideas. Mercer Helms and his pretty assistant Judith performed showy, colorful magic with silks, doves,
and Vanishing Cage of Doves finale. A pretty act.
Karrell Fox and Duke Stern provided 'gassers,'crazy bits and zany magic, between the acts. One of their
highlights was when Duke helped Karrell produce a 50-foot streamer from a hat. They became so
"wrapped up" in their work they had to be carried off stage!
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Neil Fosters New Trix for 66 included gloves tossed onto thin topped table and changing instantly to a
live dove; small animals produced from the "Surrounded Production Box" vanished when placed into the
"Surrounded Livestock Vanish." He closed with a combination reminiscent of Okito - a Cabinet, stack of
large Checkers and Silk transpostion, a new effect by Arturo. Nicely done!
The foxy Ones interlude at this point was a riot. He got his assistant from the audience all set for the
"shirt removed without taking off the coat" trick; he took a firm hold on the victim's shirt collar and
yanked - and tore the shirt into shreds. The man he enticed on stage wasn't the one he had talked to
before the show - just looked like him!
Dr. Hans Van Baaren and the girls produced Sunny from a screen and offered a variety of magic
including the Chinese cabinet trick, a levitation and the Blooming Rosebush. Six girls in the act: as the
Doctor said, "a r-r-real Dutch Treat!"
After intermission, Duke became involved with the Chinese Sticks, and many laughs came of that. Then
Gordon Miller with a routine of pleasant magic which included a clever "switch" on Center Tear, and
closing with the production from a "topper" of two large flags on staves.
Stern and Fox slyly "segued" into the "Handy dandy Hearing Aid" routine, always very funny, then
brought on The Amazing Conklins to close the show with a fast moving, entertaining act of magic and
illusions. Demonstrations at the Display Room held the crowd until the "wee" hours. and everyone was
happy.
Mercer helms opened Thursdays activities with his lecture at the Elementary School auditorium,
explaining how he went about becoming a professional magician. The risks one assumes are similar to
those of a man starting a small business; one becomes an individual contractor and must make market
surveys, have a stop gap job until he gets going, and must expect to work hard, sell, and follow through.
It IS possible to become a professional magician!
George McAthy, New Tops columnist, introduced Paul Stadelman and Windy Higgins for the afternoon
Vent lecture which was both entertaining and educational. Preconditioning the audiences, voices in
bottles and boxes, voice going down ten feet then coming back up, and two voices at once, all were
explained. Teaching a spectator to do a vent dialog was a surprising demonstration. Pauls son Ron
Barry and "Danny Hogan" closed with tongue twisters and the telephone voice - a most enjoyable
session.
The 8 PM public show Magical Moments at the Colon Senior High Auditorium, was billed as a two hour
extravaganza Extraordinaire with girls, magic, music, comedy, puppets, illusions, etc. and was all that.
Featured were Jack Bauer and Donna, "Master Illusionist;" The Dancing Magical Models; Bob Trent &
Roscoe, "The Crow Ventriloquist;" Ron Fable, "Modern Day Houdini;" Rick Rogers, "Continental
Conjuring;" Walt Bode & Bev, "Abdul the Magician" and Rex Ramer & Eilene, "English Comedians." The
puppet act captured the audience with "Windy the Closen" who blows up a balloon, the "Professor"
who plays the piano, and "Hazel the Witch." The Fabulous Fable escaped in record time from the strait
jacket while suspended by the ankles above the stage. "Magical Moments" was produced and directed
by Jack Bauer, who featured his levitation and the Hindu Basket trick in his act.
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On Friday, August 19, John de Vries lectured on magic adapted for use in Gospel Lessons and Object
Lessons. His magical apparatus is nicely designed and decorated and his lessons were pointed up in such
a way as to hold attention.
Clarke 'The Senator' Crandall's "Cavalcade of Comedy" was an occasion long to be remembered. the
senator answered written questions, Karrell acting as a moderator; during the audience participation
session Clarke kept his audience in stiches, drawing from a vast store of premiditated nonsense you
won't find anywhere else, not even in the Orben books; he is never at loss for words - words always put
together so they drip and ooze and slop over with real humor. There was an organ grinder interlude
with Duke, Jay Marshall, Harry Garrison; the "choir boy" procession; the coke belch bit; Mike Caldwells
famous flip and all the crazy bits by Bob Lewis, Roy Kissell and Bobby Wonder. I laughed till my sides
ached. 'The Senator' was given a standing ovation at the finish, and he well deserved it.
Monk Watson mastered the Ceremonies for Friday night's "Trixapoppin" at Colon High auditorium, and
the "trix" really popped. John Shirley and Bonnie, who have appeared on the Ed Sullivan Show many
times (they toured the Soviet Union with Ed in 1959), opened the show with their "Marionette Revue".
Their ten beautifully costumed puppets included dancers, a clown juggling a ball, a dancing "sister act,"
the dog and the fireplug, the grotesque stretching clown, a clown that performs on the trapeze (Yes, it
swings, and he swings, too), and a dancing skeleton (the original Go Go girl). After a Watson interlude,
De Young and Company presented an act of magic and illusions called "The Show Where the Impossible
Becomes Possible." A flower opening, Rabbit Production and Vanish, The Boy, The Money Machine and
the No Cut Scissors, Milk and Lamp, Guillotine, Blooming Rose Bush, Haunted Doll House and Ghost;
then Magic from Egypt, Pyramid Mystery and the Disembodied Princess were highlights.
After intermission, Inez Kitchen's portrait of Blackstone (to hang in The Magic Castle) was unveiled.
Then came Monk Watson's unforgettable performance of "The World’s Fastest Card Trick." Sally
Tadlock assisted and stole the show - hours of rehearsing must have gone into this one trick! Senor
Torino and Faye in "Dovetail Deceptions" presented a smooth routine of manipulative magic with cane,
multiplying candles, cigarettes, doves, restored beads, and card fans.
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M.C. Watson walked the tight wire, then brought on the Madsen Brothers with the Great Andre, a most
unusual French poodle who could do unbelievable things. Six footer Ralph Pierce, veteran sorcerer,
delighted everyone with the Egg Bag, assisted by a young lad, and his Head Sword Cabinet with a Girl
Scout from the audience. At this point the one and only Watson impersonated an orchestra conductor
rehearsing "Orpheus in Hades" in the railroad station, braving such interruptions as trains arriving and
departing, switch engines, dive bombers, et al, to the delight of everyone. If you haven't seen this,
you've missed a classic!
John Shirley and Bonnie closed the show with balloons - entertaining balloon animals, crazy ways of
blowing up balloons; one balloon when released zig zagged into the basketball basket - there were crazy
hats, and a swan that laid an egg, then the Balloon Barrage spectacle, which brought the audience to its
feet and had everyone shooting balloons with unbounded enthusiasm. What an exciting way to close a
show!
Saturday arrived all too soon, Dorny presented his "Voice of Experience" lecture in the morning, and at 1
P.M. came the Talent Scout Show, with Wilma Rench at the organ and each act introduced in true Talent
Scout fashion by a well known sponsor. Gordon Miller as M.C. presented Allen Ackerman (doves, coins,
billiard balls); Jim Arnold (Vanishing and Reappearing Cane and balls; some ball juggling, well done, and
Zombie). tom Mullica had routined the acrobatic cane, cigarettes, card fans, and Zombie. Gene Lee &
Co. offered lovely dove productions, silk color change, another surprising dove production, the Toss
Away Dove Vanish, and Vanishing Cage of Doves.
After intermission the "Sleepwalkers" played and sang three Beatle type numbers with a stage full of
drums, electric guitars, and electric equipment - four boys, ages 13 -17: Barry and Gary Gross, John
Wagner, and Bob Brandt. They show much promise. Dennis Loomis and Bonnie followed with 'Fantasy
in Red and Black' - pretty magic; To close, Dennis escaped from a U.S. Navy Straight Jacket. He did it
quickly, even though it looked impossible to move in such a restraint.
Act 7 was Dale Salwak, Nice appearance - cane vanish, ball manipulations climaxing with four white balls
in each hand; card fans, catching fans of cards, the interlocked fingers card production and Zombie,
wherein the Zombie vanishes at the finish. That he has worked hard is very evident.
Next to closing was Claire Manley. Smartly dressed, her magic with silks, doves, flowers was colorful
and just as smart. A record was twirled on a large silk and the silk changed to a cane; The Acrobatic
Cane followed. Paper butterflies were fanned onto a bouquet, and the petals of the flowers were blown
about like a cloud of colored confetti, Very Pretty! Dick Cady closed the show. Each act had been
auditioned and many agreed that some deserved positions on the evening shows! Many were
teenagers so there’s no scarcity of topflight talent so long as Talent Scouts can bring in acts like these.
This was another 'first' for Abbott's, an innovation for future Get Togethers.
30th Anniversary Show. Now it’s Saturday evening, August 20, at Colon High - Wilma Rench has finished
the overture - Recil Bordner has made his welcome speech, Messrs. Stern and Fox have presented him
with the big 30th Anniversary cake - and the 30th Anniversary Show is on, with Clarke 'The Senator'
Crandall as M.C.
Neil Foster opened the bill with manipulative magic - cane, cards, and Zombie - magic that was sheer
beauty, and a standing ovation showed him how the audience felt about it. Dr. Clutterhouse (Elmer
Gylleck) followed with some ludicrous magic - ball manipulations, shirt removal, a table that insisted on
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collapsing, then some expert bag punching to finish in a serious vein. When Crandall and sober faced
Roy Kissell did the famous bullet catching trick (their version), Crandall "fahrred" the rifle. Roy caught
the bullet in his mouth and spit it onto the plate which immediately shattered. The bullet was a steel
ball about 1.5" in diameter. The bare description of these interludes cannot convene any idea of the
resulting hilarity, for there is much funny business before the climax is reached. You just have to be
there to SEE!
Cal Emmett's "Symphony in Smoke" proved to be sensational, for this veteran from Lone Star State does
some unusual magic with cigarettes.
Arturo & Co. closed the first half with magic and illusions - Doves from Nowhere, Dove Vanish in Break
Away Box, Giant Devils Sticks, Where and Everywhere, Vanish of five Doves, Chinese Water Vase, and a
beautiful Asrah, "The Flight of the Princess," who came running back through the audience.
Bill Madsen, Editor of The New Jinx, opened after intermission with his "Magical Charades," nicely
routined magic in pantomime that included a Linking Ring routine with six rings.
Senator Crandall's "olio" act included a very funny monologue while performing beautiful card fans, the
Cut and Restored Clothesline (assisted by Jay Marshall and Duke Stern) and the Torn and Restored Card.
The corner fit, but corner and restored card had different backs!
King & Zerita, "King and Queen of Mentalists" gave an expert exhibition of thought transmission, the
mindreading act that has amazed audiences since Robert Houdins day. For a finish, with a committee of
ladies and gentlemen on the stage, King, blindfolded, "read" with his finger tips and transmitted names
on cards and licenses correctly to Zerita, also blindfolded.
King & Zerita, "King and Queen of Mentalters" assisting, closed the show. He travestied the tricks and
happenings of the Get Together; he introduced Abbott's new Bathing Beauty, who looked strangely like
Jay Marshall; he did the Box Trick; his assistant "cut" the pack, and in doing so hacked the table to
pieces. The Ten Card trick worked fine, but the overzealous Duke didn't stop counting in time and got
shot for his pains. Later he returned as an angel wearing a halo, still counting cards - up to 157 at that
time. The girl who vanished from a box on the Wednesday night show came running through the
audience with a cheery "Here I am!" The Vanishing Cage of Doves thudded to the stage and laid there;
the Snake Basket trick worked - Duke arose with the card (giant variety) in his mouth. I've probably
missed some of their goodies for my sides ached from laughing when the curtain descended.
The folks at Abbott's, the townspeople, the merchants, the churches, the American Legion = everyone
does a grand job of making one welcome, and somehow they manage to make room for the crowd.
Demonstrations were "on" at the Abbott plant whenever time permitted and many excellent tricks,
illusions and books were on sale. There were also bargain packages galore. The ladies enjoyed a tour
through the Lamb Knit Mill, a luncheon, and "MAGIC" (BINGO is illegal in Michigan). It was great fun to
meet old friends and talk to the people one meets only at these gatherings. I've been attending these
Get-Togethers for many years, and I hope it will be my good fortune to make it for many more. Each
year one comes away with happy memories to treasure. I'm glad I could say "Hello" to you again, and I
look forward to seeing you again next year.
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1967 Recil Suffers A Stroke As Get Together Cancelled (by Patrick West)
Recil Bordner was hospitalized in the spring of 1967. He had suffered a stroke as the result of pain from
ulcers. The 1967 Get-Together was canceled, but Recil’s recovery was swift. Recil’s swift recover set the
stage for the Get Together Class of 1968 which Featured Alexander the Great, Mike Caldwell, Clarke
Crandall, Jack Deholt, Werner Dornfield, Fabulous Mr. Lyle, Karrell Fox, Ken Griffin, Mercer helms, Kim
Kee, Bob Mason, Gordon Miller, Phillip Morris, Bob Nellar, Norm Nielsen, Odow and Sandra, James
Reneaux, Dale Salwak, Jim Sommers, Duke Stern, Tom and Sherrie, Monk Watson, World of Fantasy.
We don't know how Recil and Neil do it, but they DO — year after year! Each year we go away saying
"This Get-Together was the best I can remember. What will they do for talent next year?" But each year
they come up with a Get- Together that tops all previous years! Before the week had ended on August
17th, over 900 magical enthusiasts had registered, and this is a crowd to put into a community of
around 1,200 population; you get the feeling you're at the State Fair on a day that breaks all attendance
records!
Top Row – Clarke “The Senator Crandall”, Nick Trost (crouching), John Sherwood, Stewart James, Robert Nelson
Bottom Row – Bruce Posgate, Sid Lorraine, Duke Stern, Karrell Fox, Neil Foster
Many groups came on Sunday, rented cottages on the lake, and made the affair a vacation week. But
the magical activities began officially on Wednesday evening, Aug. 14th, with Phillip Morris and his'
'Wonderful World of Fantasy" as the "Night Before" show in the High School auditorium. After Recil
Bordner's welcome, and Dorny's "backstage voice" introduction, Phillip Morris's first half, "The Wizard of
Oz," Dorothy, the Tin Man, the Scarecrow and the Cowardly Lion, swept through a kaleidoscope of
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magic which included a Head Chopper, a Headless Girl illusion, a Trunk Substitution and entertaining
magic with special appeal for children. The show is nicely mounted, draped and costumed, and Phillip
has a way of capturing his audience.
The one and only Monk Watson came on after intermission with some of his specialties - rope and
handkerchief magic, then his Orchestra Rehearsal down at the railroad station. The orchestra has been
augmented; the effect, riotous hilarity - and Recil presented him with a trophy as Colon's Magic
Ambassador of Good Will, which was seconded by a rising vote of approval by the audience, for this was
pure entertainment - Monk was never better!
The second half of the Phillip Morris Show,
"Here Comes the Circus," nicely costumed,
featured the Vanish of Tille the Tiger; a spelling
routine wherein the little girl spells her words
correctly and the little boy always misses;
Chapeaugraphy; the Land of Araby; large goose
in Sword Cabinet emerges unharmed, and a
pretty girl is produced from the same cabinet; a
girl is levitated; after the Chinese Sticks, the
show closes with a nicely costumed patriotic
tableau which includes the production of the
Statue of Liberty, flags and stirring music.
(Tommy Windsor wrote a very good review of
the show in the June, 1968 TOPS).
The Elementary School auditorium had been
converted into a display and sales room, and
demonstrations and auctions of bargain
packages went on there until the wee hours.
Stan Lobenstern., Bob Lynn, George Kirkendall, A
& B Magic Co. (Alexander Great) also had
displays, and Paul Stadelman had a special
display of Vent figures and books. Across the hall
was the "Book Room" with Gordon (Mike) Miller
in charge. And Magic went on and on, until
dawn, for this was a partying crowd.
While demonstrations took place as usual on
Thursday morning at the Elementary School, the
first Vent-O-Rama session was held in the
Abbott plant auditorium, with Paul and Ron
Stadelman and the Berlin Brothers (publishers of
Monk Watson
Vent-O-Gram) in charge, and an interesting
session it was. Mike Stratton won the "Under 16" Paul Stadelman Trophy, and Gary Collins the "Over 16"
Trophy. The Berlin Brothers outdid Abbott and Costello with the "Who's on First" routine; one
contestant's vent figure did bird calls and imitations, distant voices, and all sorts of unusual things. A
most interesting session, for the "art of throwing the voice" is fast gaining in popularity.
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The showroom was a busy place all afternoon, what with demonstrations and auctions conducted by
Duke Stern, Karrell Fox, Roy Kissell, Neil Foster, and others.
Thursday evening, Aug. 16th brought the famous Ken Griffin Show to the High School auditorium, and
what a treat it was. After a fast, colorful opening a variety of magic followed at a fast pace, then Roberta
with "Artistry in Cloth;" the Buzz Saw illusion, in which a section of Roberta's arm is cutaway and lifted
out, replaced and miraculously restored; much fun with two boys, followed by pop corn trick and a
whistling contest. One lad wound up with "water on the brain."
The Head Chopper in Ken Griffin's hands takes on new dimensions, for his pretty girl assistant gets her
head chopped, and the boy runs off stage when SHE screams. Ken and Roberta do a fast Trunk
Substitution, Ken emerging with a costume change. After a ludicrous dance by Jack DeHolt, Ken
performs a Linking Ring routine with a stage full of youngsters, and closes the first half with The Floating
Princess – one of the best levitations I've ever seen.
After intermission, Ken opened
with a silk production, then the
Disembodied Princess, Sawing a
Woman in Half (new version - you
just can't believe it even though
you KNOW what happens!), Rice
Bowls, Visible Block Thru Hat, and
Roberta's E. S.P. demonstrations,
wherein, eyes sealed and taped,
she describes and reads articles
during a' 'round trip" through the
audience. Jack DeHolt's unicycling
and juggling interlude was entertaining; Ken manipulated cards in
the Thurston manner; then the
Stamp Album trick, ladies hanky
from ink bottle to potato, and the
final mystery, the " Haunted Totem
Lodge" illusion. Ken packs more magic into his show than one would believe possible; I haven't named
half the tricks he did. The show is a polished job, moves fast, and always, entertainment is the goal. Even
little Tina DeHolt, who celebrated her 8th birthday on August 15th, works like a veteran trouper in her
role as an assistant!
"Back at the ranch" demonstrations and auctions held forth, and many were the bargains carried away;
there was much "meeting of old friends" one sees only at these gatherings; and two characters, Stewart
James and John Braun who had heretofore spent so much time in the "Book Room" the customers
began to suspect they were shills, found themselves dispossessed. The "Book Room" didn't open that
night, and Messers James and Braun had to repair to other quarters to continue their gabfest.
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So much went on Friday morning that I was
unable to get around to all of the goingson. I went to the Vent-O Rama session,
where Bill DeMar lectured, stressing handling the dummy, and demonstrating his
Luke the Reluctant Lion, the Frog who
sneezes, belches , wipes his nose on the
operator's sleeve, and injects much other
humor into his antics. Paul Stadelman then
acted as M. C. for a panel of experts - Bill
DeMar, Bob Neller, Howard Olsen, Jack
Coates and Earl Gotberg. Mr. Gotberg
answered questions about figures and
vents; Bill DeMar demonstrated his bit
where he whistles in a bottle, imprisons the
sound by capping the bottle with his
thumb, then lets the sound escape; Bob
Neller demonstrated the pronunciation of
difficult words; Olsen and Coates answered
questions, but I became so intrigued that I
forgot to take notes. I'll never be a vent,
but don't ever think the art isn't based on
scientific rules and knowledge, for it
definitely IS! The Berlin Brothers IVA Trophy
Roy Kissell and Duke Stern
was presented to John Arvites for
originality, and the Dummy prize went to Curt Erickson, adjudged the most deserving lad. The session
closed with the Berlin Brothers doing a double vent act- two performers, two dummies, and some
unusual effects - even four part harmony!
While the Vents were meeting, the Magi-Ministers were also meeting at a church auditorium across the
street from the Elementary School, and later that day, Rev. John de Vries gave me a special showing of
some of the apparatus he has designed and built for the more than 800 Gospel lesson performances he
gives for the schools in Michigan each year. His Dove Cage Vanish, Levitation (built around Daniel in the
Lion's Den), the special brass lota that holds two quarts yet looks unbelievably small, his Square Circle,
the Noah's Ark, the Egyptian Frog God and Snake that turns into a Rod, -each piece specially designed
and beautifully built and decorated — enough to make one's mouth water!
Mercer Helm's Lecture at 2PM in the Showroom held a large crowd in spite of the heat, and Mercer
knows his business. His approach to a career in magic has been built on sound principles, and the novice
who looks to magic for a career would do well to follow Mercer's advice.
While Mercer lectured, the ladies held a Coffee Klatch at the Colon Grange Hall, and attendance must
have been good, for not many came to the showroom. I was at the showroom, not at the Coffee Klatch,
so if I'm wrong about any of the details, please excuse it, for I'm going by what it says on the back of my
badge!
When it came time to eat, one had a number of choices. The Lutheran Church held smorgasbord dinners
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each evening; the Eastern Star had a turkey dinner; the Legion held the traditional fish fry, the M & M
Cafeteria served meals constantly and there was The Magic Carpet; there were restaurants in Sturgis,
Coldwater, and Nottawa, and others even I don't know about. No one went hungry — at least not for
very long. And the food was good, too!
The Friday evening show was one of those the magical enthusiasts dream about and seldom see. Clarke
"The Senator" Crandall was M.C.; Miss Wilma Rench was at the organ - her 17th year as Get-Together
musical director; Dorny was stage manager, and the house was packed. Dale Salwak opened the show
with a manipulative act - golf balls, card fans and manipulations and a very nice Zombie. Crandall,
interrupted by Jay Marshall and Len Carrion, managed a nice card fanning routine before he brought on
Bob Neller and Reggie, a vent act to end all vent acts, for Reggie sneezes, whistles, sings, yodels like a
professional yodeler, recites tongue twisters that give the experts trouble, and for a closing number
Neller sang a song without the dummy just as a ventriloquist would sing it ~ "Oh Johnny, Oh Johnny,
Oh!" He brought down the house.
Crandall’s Card on Sword with lady from the audience assisting, turned out to be a masterpiece, and
Mrs. Maifeld will long remember it, I'm sure! Tom and Sherrie delighted with dove catching in net, then
half a dozen more appeared from nowhere; the Dove Through Glass
Plate, the Dove Cage Vanished into "thin air", and the act closed with
the Temple of Benares. A fast, entertaining and flawless
presentation.
After intermission, Crandall presented his Cards and Plate routine.
He contributed this to Tarbell Vol. 6, but you just have to see him do
it to realize what a gem it is. Kim Kee, who is really Mr. Alexander
Great of A & B Magic Co., then came on as a kindly old Chinese
conjurer with some unusual magic -paper turned into goldfish, a
seemingly endless paper chain was produced from his mouth; then
the Dove Plates produced a dove which changed to silk scarf’s on
being placed in a little dove cote. His Candle to Bouquet and a
"Dream of Wealth" presentation closed the act.
Karrell Fox
Crandall's Cut Rope routine fooled everyone, including the Senator himself, but this interlude served to
ready the stage for Jim Sommers, with novel magic and sophistication - Stretched Rope, Changing Spot
Card, the Diminishing Cards, a "Bunny" version of the Bathing Beauty, the Miser's Dream, the Thought
Projector, Eddie Joseph's unusual padlocked chain release, and an expanding clock production for the
finish. Explaining that his club act usually ends at this point, he next presented the famous Zig Zag
illusion, a most puzzling illusion seen heretofore only on TV.
Crandall’s Borrowed Rings and Pretty Can routine proved hilarious, as might be expected, and again he
had a charming lady as volunteer assistant.
The show concluded with the fabulous act of Norm Nielson - card fans and manipulations, interlocked
finger card productions, more fans and a veritable whirlwind of cards produced from both hands; then
the superb Floating Violin and Bow, which plays as it performs its Zombie-like gyrations on a large
foulard, finally coming to rest on his arm. His Miser's Dream climaxed with a coin ladder that tinkled
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musically as the coins were poured down the steps of the ladder, and Norm received a standing ovation,
for we had seen magic we will remember for a long, long time!
There were auctions and demonstrations after the show, and "The Late Show", provided by Suzy
Wandas Bennett — movies of previous Get-Togethers, the late Dr. Bennett and his Card Fan act,
Kalanag, and other films of interest, projected by Jim Hanning at the Abbott plant auditorium. And there
was much close-up magic at the Legion Hall. Stewart James and John Braun found themselves still
dispossessed, but they found another loitering place, for they are resourceful "shills".
Saturday morning, the merchants of Colon were holding sidewalk sales; there was an Art Fair on the
village common; 900 magicians plus the townspeople were milling around, trying to get breakfast, get to
the showroom or to the Abbott plant, or to obtain from someone the secret of that trick that fooled
them, and which they couldn't go home without; they were taking pictures, movies, and the place really
looked like the State Fair going full blast. And the weather was just right.
Saturday afternoon, while the ladies were attending a
matinee at the Opera House in Coldwater, "Senator" Clarke
Crandall presented his "Stroll In" to a packed house. This
was a monologue loaded with a kind of humor you won't
find anywhere else in this troubled old world we live in, and
the Senator has a special knack for brightening up ones' outlook and making him laugh until he hurts. I hope the tape
recorder addicts got this on tape for it should be preserved
for posterity!
Mike Caldwell was M.C. for the Saturday Night show; his
somersaults must be seen to be believed, and he's a very
funny guy, too!
Norm Nielson
Bob Mason opened the show with the best Punch and Judy
show I've ever seen. He brings up a little boy to act as
Punch's helper, and the way the lad gets drawn into the act
is something to see. An excellent act that plays very well to
young and old.
Mercer Helms next, with dove from balloon, Center Tear and dove from the crumpled paper; the
Twentieth Century, and two more doves; the Multiplying Candles; Zombie; another dove - then the dove
bag and cage of doves vanish. Silks from opera hat and big flag on staff climaxed a clean, well presented
act.
At this point the Great Michael exhibited "another quality Abbott product;" a cut and restored
handkerchief routine wherein the hanky expands, shrinks, and does everything except become restored;
then he juggles, does the apple eating bit, and leaves you limp with laughter. The Great Lyle and Barbara
followed - lovely appearance, smart act - cigarettes, cane, silks, red silk, green bag,— no, green silk, red
bag - the Bathing Beauty, Candle Color Change, Blooming Bouquet, Balloon to Candle to Cane, and the
Vanishing Radio. Fast and entertaining magic!
Mike's "segue" into the intermission via camera was novel, and after intermission Reneaux came on
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with some of the smartest dove magic I've seen. There's the Flame to Dove, Card Manipulations, card
fans, more doves from nowhere, a dove vanished by being tossed away into the air, multiplying candles,
hat coil production, dove from hat, dove bag production in which the bag is tossed into the audience,
and the final production of two doves under impossible conditions. Never saw anything like it!
Karrell Fox assisted by Duke Stern were next to closing, and as one might surmise, the act was riotous
burlesque from start to finish. The Norm Neilson
Floating Violin, but the cloth came away revealing
Duke crouched behind it doing the fiddling; then
Dove-O the Great, the father of Modern Dove Magic;
the Torn and Restored Newspaper; Vanishing Bowl of
Water; the Change Bag; the Bullet Catching Trick, in
which Recil assisted and finished with teeth missing so much fumbling with the Cabinet of Benares that
Jack Gwynne jumped on stage and indignantly
wheeled it off; the Lota Bowl, and the ill-fated
Vanishing Glass of Milk, in which Duke was virtually
drenched with milk; and the closing number, the card
in the pie. The pies were meringue pies, and you've
guessed it - Duke repeatedly got the pie in his face until finally Karrell made one ill calculated move and
dived into a face full of pie (quite by accident?) I have
never seen a funnier pie-in-the-face routine, even by
the experts of days gone by! The boys received a
standing ovation, and there was much cleaning up to
be done before O'Dowd and Sondra could close the
show with their nicely presented illusion act. The Doll
House - first their little daughter, then Sondra; big
Botania; Rabbit Production; Silk Production,
Comedy Team Duke Stern & Karrell Fox
Umbrellas and Flag; Rabbit Vanish; the new Sawing
Through, and the Trunk Substitution. A whirlwind of color and speed! Then back to the showroom for
the final session, saying good-by to old friends, and preparing to leave, tired out but happy, with a
notebook full of notes that will take until next year to decipher!
As usual, I came away with pleasant memories, and wondering where the talent for the next GetTogether will come from. I met many I had known only by correspondence; I saw old friends again fellow enthusiasts I have known for 40 years. I saw new tricks, and learned a few that delighted me. I
find myself deeper in debt than ever to the Abbott staff, for I caused them unplanned trouble in getting
me to Colon. They are most efficient, dependable, and hard-working, and all of this so visitors like me
can enjoy a magical holiday the like of which cannot be found elsewhere.
The good Lord willing, I'll be back for the next Get-Together, and for now, my best thanks to all who
made my visit memorable!
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The Amazing Conklins
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They've done it again! Yessir, Recil and his staff have staged a Get-Together that TOPS all the others, and
that's SOMETHING, for over the years we've seen Get-Togethers we felt just COULDN'T BE topped! The
weather was just right the week of August 17th - cool nights and warm, sunny days. Those who made a
vacation week of it in cottages by the lake had good fishing and boating; there was something for
everyone - the Vent-O-Rama, a Lecture for Magi-Ministers, interesting lectures for the magicians,
excellent stage shows, special events for the ladies; there was good magic aplenty, and fun - REAL FUN!
Programmed festivities began Wednesday evening, August 20th, at the High School auditorium with a
welcome by Recil Bordner; Wilma Rench at the organ (her 18th year on the job!), and Abbott's Gordon
Miller as M. C. Francis Martineau opened the show with chatter, card fans, shuffles, a two-tiered fan
with Jumbo cards, rope routine and an unusual Swords Through Neck Illusion. Sunny Lupton attired as a
chic French maid seemed to be preparing for a party, and in so doing mystified with fruit productions,
magic with liquids, and a "smoker's dream" routine. After the M.C's. "bag" routine, the Trophy for
Magical Excellence (the Jack Gwynne Trophy) was displayed; Paul Stadelman, "Mr. Ventriloquism of
1969" displayed some Vent virtuosity (voices in bottles, voices in boxes, a baby crying,) and a dialogue
with his pal Windy Higgins. Senor Torino and Faye delighted with a fast moving and colorful act with
cigarettes, doves, beads, card fans and expert card manipulation. An act "hard to follow."
After intermission, Gordon explained why he didn't get his raise, and gave a showing of his modern art
collection, a clever interlude that "builds" as it goes along, The Amazing Conklins, Colon's magical family,
did the entire second half with illusions nicely presented, featuring the Hindu Basket, the Vanishing Girl,
Flag Vase, Floating Princess (Asrah), Checker Cabinet, an Oriental Fantasy, the Divided Girl, then the big
Tableau Finish, pretty and colorful.
The auditorium at the grade school had been converted into a very attractive Showroom with plenty of
seats available for all. Apparatus formed the back drop for the stage; in front of the stage and along one
entire wall were show cases and shelves of apparatus, tricks and books; along the wall on the opposite
side were dealers Crandall, MagiFects (Ken Alfredson), Paul Stadelman with Vent dummies, Tony Torino,
and George Kirkendall. Francis Martineau had set up an easel at one end of the room, to make cartoon
style sketches for those desiring them. Alexander Great had some of his specialties on display. There
were demonstrations, auctions, and plenty of entertainment to keep you up until "the wee small hours,"
for the proceedings were in the capable hands of Duke Stern, Karrell Fox, Roy Kissell, Bob Mason, Jerry
Conklin, Jim Clark, Neil Foster, Arturo, Warren Stephens, Gordon Miller and others. From time to time
talented young magicians would present acts - I recall seeing Thessalonia Jackson do his unusual
manipulative act. (This enlivened the "something doing every minute" atmosphere of the affair.)
At the Thursday morning Vent-O-Rama held in the Abbott plant auditorium, much was accomplished in
a short time under Paul Stadelman's guidance. Contest winners were Sally Gates, Pete Nolan, Beth Ann
Dirkson and Rock Gursbach, one of the junior Vents.
Bruce Posgates' lecture on "Kid-Show Showmanship" was the Thursday afternoon feature. What to do
for them, how to DO IT for them, a valuable list of DON'TS, illustrating with tricks from his own program
- practically a condensation of his book KID SHOW SHOWMANSHIP.
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The "one and only" Dorny was M.C. on Thursday evening, and what an array of talent he presented! For
"openers" there was Lynn Voss (Mrs. Karrell Fox) with two peppy dance numbers - a dance of "the
roaring 20's" then one titled "the roaring 60's." These Foxes are talented people!
Neil Foster and Jeanne delighted with some of the prettiest magic we'll ever see. A cane changes to a
pretty scarf, then back to a cane again; a flawless performance of the Tenkai Cut Silk trick; Ball
Manipulation; a " silk fountain" to end ALL silk fountains; cigarette manipulation; Center Tear; wine
vanish from paper cone; the Miser's Dream; Cords of Fantasia; Lucky Loops; Hindu Rope in miniature;
Spirit Seance in full light ; color changing plumes; Botania, a thing of beauty; card manipulation and fans
par excellence, and a masterly presentation of the Zombie. He brought down the house and received a
standing ovation!
After intermission Jack Gwynne gave the Traveling Trophy into the keeping of Recil Bordner for
awarding annually to the one bringing excellence to Magic; then Paul Howard, a very droll fellow,
convulsed one and all with his chatter, linking rings, torn newspaper, egg to handkerchief and bar stool.
This gentleman knows what is funny; his timing is a lesson in "the art of timing;" and under another
name, he's the Editor of THE LINKING'RING. I can't STAND such gifted people!
If you haven't seen Chan-Jak work, you've missed something. Everything in pantomime, Chinese in style
and costume, even to robe-changing; his fire - eating harks back to the days of Ching Ling Foo, and his
finale, the long streamer production, climaxes the act in fine style. Sans make-up he is Jack Chanin.
Earl Canapp as "The Senile Magician" just HAS to be seen by everyone. There's a mixture of pathos and
comedy in his efforts to "magick" entertainingly; he is handicapped by infirmities, perversities, and
barely escapes disaster, but his tricks DO come off and all ends well.
Lynn Voss on again with two Hawaiian dances - one a graceful hula, the other an energetic number that
put the audience in the mood for the lovely act that closed the show - Frank Scalzo and Company. This
act is magic as the legendary Ziegfeld would have produced it - striking colors in the sets, apparatus and
costumes; colored doves; a huge macaw that looked like an eagle; a sizable dog produced from
nowhere; more colored doves, and finally the vanish of the towering cage of doves. The cage revolved
like a merry-go-round, yet vanished like the wind! What a flawlessly pretty act!
Friday began with the Magi-Minister's Lecture by John deVries, and it was well attended. Mr. deVries
has built a collection of effects to illustrate the gospel lessons he brings to his audiences - apparatus
many would like to obtain for their "purely for entertainment" uses.
Vent-0-Rama followed at the Abbott plant auditorium - an interesting lecture by Paul Stadelman,
"Ventriloquism Through the Ages." The art of voice throwing is very old, indeed. Even certain birds and
animals are expert practitioners!
'Senator' Crandall's Stroll-In filled the Showroom, as one would expect, for he is a treat not to be missed.
The "Mark Twain of Magic" (he was thus introduced by Karrell Fox, and most aptly, too) held forth (and
part of a fifth, too) on a variety of topics. I tried to take notes, but soon found I was losing too much of
his text, which had to do with classifications of magicians, pet abhorrences, the place of women in
magic, waking in the morning with ones' eyes open, good magic done bad and bad magic done good,
and a motley of other delightfully unrelated topics, all of which seemed most apropos. Monk Watson
did a "stroll-in" of his own which interrupted the 'Senator', drawing repartee and comment no amount
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of rehearsing could have produced. It was a delightful hour, and notes or no notes, I'll never steal THIS
act!
Ralph Adams & Company presented the entire show Friday evening. (Shades of Cagliostro - Friday
evening, and only one more day left? I never knew Time could fly so fast!) Mr. Adams' program was
divided into three parts, Part 1 including the production of his assistants, the most unusual Dancing
Handkerchief routine you'll ever see, the Sword Basket with a surprise finish, egg bag routine, rope
magic, a rope tie, and a Trunk Escape.
Part 2 opened with the famous illusion "The Door," used to produce two assistants. In rapid succession
Mr. Adams presented Haunted House in full light, Haines' Split Deck, Alexander Herrmann's Knotted
Handkerchief; removing the shirt of an assisting spectator while his coat was buttoned, he used the shirt
for the Stanley Collins Rings and Coat Release. Mr. Adams' son closed this section with a Guillotine which
"acted up" in a manner that could have been part of the show, but all came off as expected at the finish.
The spectator was unharmed!
Part 3 opened with what I'm going to call the Protean Cabinet, because Professor Hoffmann called a
similar looking cabinet that in his famous book MODERN MAGIC. From this cabinet a lovely girl was
produced, and a levitation followed. Then a Hindu boy was produced from a screened piece of
apparatus that the late Dr. Harlan Tarbell called the "Phantom Black Art Platform" in Lesson 52 of the
ORIGINAL TARBELL COURSE, copyright 1927. It was most effective! A rope rose up cobra-like from a
snake basket, ready for use in the Hindu Rope Trick. The rope rose mysteriously in the arched alcove,
remained rigid, and the boy in turban and loin cloth climbed to the top; there was a dramatic pause, a
puff of smoke, and the boy was gone! Nicely costumed, nicely presented "big" magic - the kind we love
to see!
Saturday morning - beautiful weather; the Annual Art Fair getting under way, the merchants holding
sidewalk sales, townspeople and magicians everywhere; the church suppers, Legion Fish Fry, the Magic
Carpet all memories now, and the M & M Grill trying valiantly to feed the crowds. The Vent Jam Session
at the Abbott factory featured Charley Kohrs, former vaudevillian and master of "the distant voice;"
Howard Olson did his "challenge act" where the audience names a subject and Howard "tosses his
voice" accordingly, very entertaining.
The Saturday afternoon feature was a lecture "Tricks, Tips & Talk" by Sid Lorraine, Associate Editor of
TOPS MAGAZINE, author of a number of patter books, inventor of many clever tricks, illustrator
emeritus (all the illustrations of Abbott's Catalogue No. 18 will be by Sid), and one of our top magical
idea men. He performed and explained much good magic, some of it from books and magazines, all of
which he cited so those interested could dig them out later. Clever ideas, off the beaten path magic,
new faces for old tricks, novel advertising pieces - the lecture was knowledge and entertainment
skillfully blended, and over MUCH too soon!
All good things must come to an end, and now it's Saturday evening at the High School; Dorny, "the
backstage voice" has just announced Clarke 'the Senator' Crandall, and we know we're in for a pleasant
evening. Bill Tadlock & Sally open the show with magic smartly and neatly done. They "reach right out
and grab you!" Jasper Marshall followed with "The Golfer's Nightmare," and mixed it with a generous
portion of "old Guzzler's Gin;" Crandall promised that Jay would redeem himself later with Lefty. Then
'the Senator', relatively quiet until this moment, stepped right into a routine of beautiful card fanning,
for he can do serious magic "good." Then he brought on Bob Downey, a young fellow we were all
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anxious to see again. His magic with doves, cigarettes, handkerchiefs, billiard balls, more doves, "Where
Do The Doves Go?" and the polka dot dove routine is of the strictly-for-beauty-and-entertainment-kind
we love to see, and he KNEW we liked it by the standing ovation he received.
After intermission, the good 'Senator' counted six cards onto a plate, a routine he has single-handedly
built into one of the modern card conjuring classics. Then he brought on Francis B. Martineau with his
smart night-club act. Flowers, billiard balls, juggling, cigarettes, multiplying candles, and large Chinese
Rings were blended into enjoyable magic at his fingertips, very nice work! Jay Marshall and his friend
Lefty scored solidly, as always. Then came the masters of magical satire and "takeoffs" - Messers. Fox
and Stern. They've been doing this sort of thing for years; they have a positive genius for it. This time
they featured "the card in the egg" with disastrous results to Duke, and followed it with "Multum in
Parvo." I don't know whether Duke played "Multum" or "Parvo." Maybe it didn't matter which for he
wound up besmeared with eggs and drenched with milk, a sorry but laugh provoking figure. They
brought down the house and received a standing ovation.
Said 'Senator' Crandall, as he carefully waded to his post at the mike, "Backstage it looks like the
explosion of a garbage dump." While the clean-up job proceeded, Crandall did his "catching the selected
card on the point of a scimitar," with a lovely young lady from the audience assisting. The trick was a
complete success for the audience and all concerned.
Now the last act is on - Bob and Ginny Lewis, favorites with audiences everywhere. Bob is a sort of Will
Rogers- Herb Schreiner-banjo-virtuoso-magician, and he is assisted by a talented wife. That's a
combination pretty hard to beat. To the accompaniment of a monologue that absolutely "breaks you
up," the man does a routine of indescribable rope knots, and Ginny does her fracturing bits. (Never
underestimate the power of a woman.) Bob finishes with the banjo, and the things he can do with that
banjo would give Beethoven trouble. He rates high as a musician, a comic and a magician, and "you can't
hardly get them kind no more!" The audience wouldn't stop applauding!
The Jack Gwynne Trophy for Excellence in Magic was awarded to Frank Scalzo & Company; they were
surprised and pleased, and so was the audience that accorded them a standing ovation. But alack and
alas! Now everything was over but the goodbyes!
The ladies attending were well entertained by a committee headed by Frances Marshall and Jeanne
Foster. There were two afternoons for them at Colon's Grange Hall. The first, a "Swap Boutique" was
held at 2 P.M. Thursday, with prizes for all and delicious refreshments. On Saturday afternoon the ladies
gathered for a "Magic Housekeeper Hour," another afternoon replete with prizes and refreshments.
Frances promises the recipe for the cookies everyone liked - look for it soon in her column in TOPS. And
the merchants of Colon received a vote of thanks for the nice prizes they so kindly donated.
Many things keep recurring as I think back over that pleasant week in Colon. The Hospitality of the
people, their warmth and friendliness; the good times we had; meeting old friends again; the hard work
of the Abbott staff to set up and tear down the displays, and take care of all the clerical work involved;
the cooperation of the police department, the life-saving squad, the handling of traffic; the cook-outs,
the little get-togethers of the various groups in the lake cottages, the exchanging of tricks and moves
and magical "goodies"; in my own case, the reminiscing with magical scholars and sages about matters
of history, little known facts about the magicians of the past, and knowledge for the record. I never fail
to learn something, or get to meet someone I wouldn't have missed for anything, and I thank everyone
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concerned who made things so enjoyable for me. Recil and Neil, I hope to be with you again next year,
but right now I'm more puzzled than ever before about "what you're going to do for an encore!"
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1969 The Jack Gwynne Award Moves To Abbott’s (by Abbott Magic)
1968 Otto Kluba, 1969 Frank Scalzo, 1970 Celeste Evans, 1971 Goebel the Magician, 1972 Kent Richards,
1973 Tom & Sherrie, 1974 Norm Nielsen, 1975 Dale Salwak, 1976 Richard Suey, 1977 Jeff Wawrzaszek,
1978 Paul Driscoll, 1979 Kramien & Co, 1980 David Seebach, 1981 Landis & Company, 1982 Harry
Blackstone Jr, 1983 Ed Fernandez, 1984 Bob Higa, 1985 Joe & Betty Eddie, 1986 Senor Rai, 1987 Franz
Harary, 1988 Ralph Adams, 1989 Stuart & Lori, 1990 Norm Nielsen, 1991 Vito Lupo, 1992 Brett Daniels,
1993 Jeff McBride, 1994 Greg Frewin, 1995 Fukai and Kimika, 1997 Victor & Diamond, 1998 Ardan
James, 1999 Jerry Conklin, 2000 Jeff McBride, 2001 The Beckers, 2002 Joe Devlin, 2003 Shimada, 2004 Al
Belmont, 2005 David & Dania, 2006 Mark Holstein, 2007 Jason Bishop, 2008 Jay Sterling, 2009 Sarlot &
Eyed, 2010 Bob Higa, 2011 Aaron Radatz, 2012 Tom Mullica, 2013 Denny Haney, 2014 Dirk Losander.
1970 Abbott’s 18th Catalog Released (by Abbott’s Magic)
The greatest catalog of magic ever printed! It contains all of the classic tricks of magic plus many new and exclusive Abbott
effects not to be found elsewhere. To keep this catalog out of the hands of the general public, we are offering it to the Magic
Fraternity for a small charge of $2.00
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1970 Get Together (by Senator Clarke Crandall)
Neil, before I forget I want to thank you and Recil for the booth space and congratulate you again on
your Zombie presentation on the Friday nite show. Why you keep showing up the other Zombie-ites I'll
never know. How do you expect to sell any when you are the only one who does it well.
I don't know the exact Get-Together registration but
it seemed larger this year. There was more
repetition on the shows, at least it looked that way
to me. Perhaps it was because I was confined to my
seat during the four public performances. I wanted
to do a good reporting job for the senior Larsen.
Tom and Sherrie, Celeste Evans, Jimmy Reneaux and
flashes of Spurlock made it worthwhile. Celeste,
with her unique black lighted streamer production,
the integrated doves and the little poodle from the
big duck pan won the Jack Gwynne Trophy. did you
get a chance to visit with Ann Gwynne? She tells me
the job of trying to catalog all of Jack's stuff has her
almost stopped. I'm glad she decided to attend the
Get-Together. Tom & Sherrie practically stole the
entire four shows. These two fast moving, talented,
mod kids and Mike Caldwell, the greatest pratt faller
of them all, will be here in November to appear on
Milt Larsen’s annual It's Magic show at the Wilshire
Ebell Theatre. You may know about it, Neil, but just
thought I'd remind you.
I was real proud of Monk Watson this year. His shortened version of the 'Symphony Orchestra Leader'
bit clicked with its smooth segue into the old soft shoe prance. I lost a buck, tho, when he mentioned
Elsie Janis. I got good odds on the bet, I figured he'd be so busy with the MC chores he'd forget to
mention her. I've been upstaged many times but only one man can 'backstage' me anytime and that's
Dorny. My wife remembers him from 1939 when he and Marie stopped by late one night on the way
home from a show. It was chilly in the house and I called Ruth to come from work and shake up the
furnace. It was downstairs and it would be impolite to leave the guests, besides furnace shaking is a
woman’s work. The way Marie Dornfield carried on you'd have thought it was a crime. We had a coal
burning furnace and always put the ashes in a bushel basket. Although my wife was a big healthy
woman I still didn't want her to lift that heavy basket and carry it out, so I got four little ones to make it
easier for her. I don't know what the worlds coming to with all this women's liberation stuff...what do
they want anyway, Neil?
We didn't get to the Church Ladies chicken supper, even missed the Legion fish fry this year. Ruth
bought some groceries and we ate at the cottage. I hadn't seen much of her in the last eight months so
we sat around listening to me talk and things like that. She liked the shows, Neil, but thought too many
tricks were repeated. She thought De yip Louie and his chickens were good. She's a Nebraska girl and
likes chickens, they remind her of home. I asked her to take notes on the first half of Thursday nite's
show. I was back stage adjusting the big concealed sword for my card stab trick. I must remember not
to sit down when it's in place. She said Mike Caveney's thimbles were nice but the ventriloquist was
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very bad. Beside my name she had written "Lawsey." I questioned her on the use of the old plantation
expression of surprise. "That's Lousy'," she explained. She kids around a lot, Neil.
I tried to cover everything, all the acts and events, but just couldn't do it. Occasionally I'd check and
compare notes with John Braun who is very meticulous and misses little. We had a pancake breakfast at
the Braun's. That is the real good part of the Get-To-Gether...visiting with old friends. Bob and Ginny
Lewis, Clare and Peg Cummings and all the regulars. the little freckled faced Cummings kid, Peggy Jr.
and her Clark will soon make grandparents out of Clare and Peg...and it’s about time. Two good friends
from Florida, Cliff and Avis Lesta, were there this year. You may have noticed Cliff had trouble tying the
'Birds' legs together on the Birds of Burma. A backstage breeze blew the cover off too soon and also
blew the Birds of Burma. Cliff brought an old banjo along. He would take it out and plunk on it now and
then...just long enough for either Lewis or myself to take it away from him and play it.
I was just thinking, Neil, how patient the Colon townspeople are with the annual horde of strange folk
who swoop down on them each year. At least it gives them a chance to clean out their basements and
attics. main street always seems well supplied with tables of odds and ends for sale. I bought a couple
of nice things real cheap to give you and Jeanne next Christmas. One thing about Colon...it's just as busy
at noon as it is at midnight. I didn’t attend all the lectures. I looked in on a few. I listened for a while to
Monk but he was talking about me, but being very modest...I left. Bud Dietrich is a professional
entertainer and his lecture was the most practical of them all according to the general consensus. The
Moorehouse lecture might have had more impact had he taken his own advice. My wife thought he was
cute but anyone without a mustache is cute to her.
I wasn't really disappointed
in Spurlock and his big show.
It
was
a
mammoth
undertaking and with the
tons of stuff and an apparent
lack of rehearsal it's a
wonder it went as well as it
did. the theme was original
anyway. I never see you at
the shows, Neil, I think its
cowardly to purposely avoid
them.
who knows, you
might
even
pick
up
something useful to use in
your act. My wife fell apart
at the Fox-Stern Follies. I'm
tempted to say she fell apart years ago but it would be partially untrue. We get along well, she and I,
after all these years...because we stay apart a lot. Karrell Fox thrilled her when he told her he'd met our
son in Germany after a 'troop entertainer' show. He asked Karrell if he knew a "Senator" Crandall.
Naturally one hesitates before admitting anything like that. Joel and his family are stationed in Germany
while Joel takes over where I left off in 1945. He came home from Vietnam to help arrange my funeral
three years ago when I nearly lost my head. He's been in the army 11 years but doesn't write his mother
like he should. Anyway, we were happy to hear they were all well.
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Several things grated in Colon this year. No programs seemed to irk most. The television crew shining
bright lights in the faces of the audience drew gripes from those who weren't in the picture. A faulty
mike was hardly excusable. The two little claques who jumped up after every act and briskly applauded,
looked around and kept clapping until most of the audience lazily got up and simulated a standing
ovation should have been tossed out. You've had them, Neil, and you know when you get a real
spontaneous standing ovation. It's frightening, a few years ago in Colon, after a Stroll-In, I received one
and it scared me...I thought they were coming after me...all those people suddenly get up and
applaud...It's really something. The following year it was milked a little by an exuberant MC and it was
not the same. I think a performer is embarrassed when the folks are coaxed into a stand up
demonstration.
You probably didn't see Jack Bauer's
Blooming Petrie Rose bush, Neil, but
it was real pretty. When his wife
flings a bud it stays flung. Do you
remember when they first appeared
on an Abbott Get-Together? Maybe
you were still in Chicago working for
what's her name...you know, the
wife of that left handed white glove
talker-into...anyway Jack hadn't
married his assistant then...at least
they appeared too friendly to be
married. The stage was set like a
real woods and this beautiful damsel
was lying on a rustic bench, her
fluffy gown flowing. jack Bauer, a
wood cutter at the time, was on his way thru the forest with his ax looking for a 'Little Red Riding Hood'
molesting wolf to give him a few lumps. Suddenly he saw this recumbent beauty, relaxed and resigned.
Everyone in the theatre knew he was faced with one of three choices, hit her with the ax, make love or
run off. Certainly no one expected him to levitate her but he did and she floated while he stood there, ax
against a tree, and just stared...it was beautiful, Neil, I hope you saw it.
I could have written a more orderly account of the affair I suppose, I took notes, but you know how it
is...I only saw you around a few times but you were busy. We didn't get a chance to visit. I wish you and
Jeanne could come out here and see us at the Castle. When the first snow falls in Colon take a dog sled
to the nearest airport and come out and rest awhile watching magic in its natural habitat. Just had a
nice write-up in today’s Los Angeles Times. Dick Buffum, a Castle member, ran out of subjects and I
made his column. I'll send you a copy. Take care, you and Jeanne, and tell Recil and all it was nice to see
them again.
All the best,
The Senator
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1971 Get Together (by Al Schneider)
One year I took my zombie routine to "Abbotts Get Together" in Colon, Michigan. At the time I was
driving a motorcycle, which everyone thought was very strange. Every time I bump into Jay Marshall, he
asks me if I still drive one. After awhile that question became quite irritating as I assume it was intended
to be. Anyway, since I didn't have a car and I am not good at planning I had nowhere to sleep during my
stay at the convention. After bumping into a few people and asking where I might crash, I ended up
sleeping on the floor in some large room with about ten other magicians. One of them was Abb Dickson.
This is when the trouble began.
We were all sitting around late at night chatting and Abb says to me in a rather surly way, "Al, I hear you
can do Zombie surrounded?" I replied to the affirmative. He said something about that not being
possible. One thing led to another and everyone voted that I should be put to a test. Hmmmm. Maybe it
was Abb that decided that. Anyway, the plan was to have all ten guys surround me while I did Zombie. If
anyone saw anything they would sound the alarm. No one said what would happen if someone sounded
the alarm. However, no one said what I would win if no alarm was offered. Anyway, I did Zombie
surrounded. By the end of the routine no one said anything.
I guess they were impressed. But things got worse. Abb pulled me aside and asked me if I would do him
a favor. I said, "Sure". He asked me to get up on the stage in the showroom the next day and do Zombie.
He said there would be someone to announce me. However, I had to wait until he gave a signal.
The next day I carried my Zombie ball with me to the stage and waited for a bit. Someone came up to
me and said they would announce me. They did and I did the routine. No one seemed to notice what
was going on. Later I found out what had happened.
Here is the story Abb told me later with a mile wide grin on his face. He said he was hanging around Neil
Foster. Neil was quite busy so Abb had to wait for the right time. When Neil had a spare moment for
Abb, Abb gave the signal for me to do Zombie. So Abb and Neil were watching me do the routine
together. Abb says to Neil, "Hey what do you think of that?" "You know he does it close-up!" "You know
he does it SURROUNDED!" Abb said that Neil turned his back and walked away saying, "Well, someone
had to do it someday."
1972 “Den O Zen” Manufactured (by Abbott’s Magic)
Unquestionably the cleverest self-contained dove and silk production ever offered to the magic world!
Another example of ingenious mechanics plus high grade workmanship. Extremely practical. Abbott’s
“Den-O-Zen” is easy to do, no practice. May be performed completely surrounded. Today, more than
ever, audiences want to see showy and spectacular effects - Den-O-Zen stands way out in front in this
category. The magician shows a beautifully decorated box - open at the top and bottom - the audience
can see right through it. The box is unmistakably empty and is placed on a thin wooden base.
Immediately, a large production of silks is made. The box is once again shown empty and this is followed
by production of two live doves!
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1972-“Fakini Multiplying Golf Balls” Introduced (by Abbott’s Magic)
Almost two years of experimenting have gone into the development of these balls and the shell. New
Tournament Golf Balls are not mass produced. Each set is made in Frank Radtke's shop. These balls are
exactly the same size as regular golf balls and are made of a specially compounded rubber which is solid
white all the way through and will always stay white. They will not get hard or go to sleep as some other
types of rubber golf balls have done. They have beautiful balance, are hefty, and have a feeling of
clinging for greater ease in palming and manipulating. They are non toxic, washable, and bounce better
and higher than a regular rubber ball.
1972 Abbott’s Releases 20th Catalog (by Abbott’s Magic)
Measures 8.5" x 11" - 1 inch thick - weighs 2 pounds - over 1,000 illustrations. The greatest catalog of
magic ever printed! It contains all the classic tricks of magic plus many new and exclusive Abbott effects
not to be found elsewhere. To keep this catalog out of the hands of the general public, we are offering
it to the Magic Fraternity for a small charge of $2.00. Outside the U.S. include .50 cents additional.
1972 Get Together (by Frances Marshall)
As always, the biggest trick at the Get Together is the phenomena of a thousand people gathered from
the ends of the earth into a town whose total population is only around a thousand. Every year, Recil
Bordner pulls this one out of the hat and every year it works. Some of the people who screamed the
loudest about the housing last year had such a dream place this year that they arranged guided tours.
Nobody is ever seriously inconvenienced, and after all, thats just talking about a place to sleep. The
other sixteen to twenty waking hours are spent in such delightful magical pursuits that some magicians
leave their next years registration money in Recil's hand as they say goodbye.
Making comparisons between Get-Togethers of various years is like trying to decide which of your
children you love best. 1972 could be called the "Year of the Cape," or the "Year of the Legs and long
hair." It was the year in which the young magicians stood out, being predominant on every show, and
none was complete without a long swinging cape, a few illusions, and girls, girls, girls, with shining veils
of waist length hair, long slim legs seen to the crotch. Body shirts completed most of the costumes,
sparked with various clever ideas like a long, silver tie around skirt that left plenty of leg and thigh
showing. The male magicians among the younger set tossed hair out of their eyes as is the mode, and
succeeded, in some degree, in doing what they set out to do -- show up the Establishment.
Unfortunately, the establishment had the experience, born of having to eat off their profession. When
the young crowd gets hungry - that's when they'll get great!
So much for general observance. Judging by the applause, by the quick return to their steamy seats
after gulps of cool Michigan air, the crowd loved it, from kickoff Wednesday evening until the beginning
of early morning hours on Sunday.
Regulars know that the Wednesday night show is partly made up of Abbott personnel and selections
from the various guest artists. Gordon Miller, who after an introduction and welcome from Dorny,
whose association with Get Togethers extends over decades. Opening with the McComb Table, Gordon
combined magic with his Doodles act. Dorny next introduced Jimmy Wear and his daughter. After some
small magic, including a version of the passe bottles, Jimmy went into a handcuffs escape, a Tiger
escape, and a Pillory escape. The latter used four men from the audience holding a tent. Joyce Heitler,
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known to TOPS readers due to mentions of her magical womens rights campaigns in Chicago, now had
her chance to show that she could do magic, too. In her ten minutes, she did several effects building up
to a finish which no man could do. Holding a small cloth screen in front of her for an instant, she
changed from a prosaic school teacher type into the Cinderella princess at the ball -- complete with
"Coach."("Coach" is a play on words. When she calls for it, her husband, Frank, who is really a high
school coach, comes out in his working clothes and whistle). We have had several magicians performing
from wheel chairs, one, a South American, with only one arm, some deaf mutes, but seldom one who is
entirely blind. The next act was Dr. Chronos, who has no sight and yet managed to perform, with his
wife Ellen, a Flash Appearance, Twin Boxes to produce a girl, Arturos Girl in Sixths, Botania, and other
bouquet productions, ending with a slatted cabinet production of flowers that was followed by the
production of a girl. In all, he had a company of five.
After intermission, Harry Collins, assisted by Gail Martin, presented a night club style act with various
dove effects spotted through a routine fo silks, cards, "Out Of My Hat" rabbit, Twentieth Century,
Miser's Dream, flowers, etc. Harry Collins is the Frito Lay magician, who with Gail or another girl
assistant, travels thousands of miles each year appearing at various trade shows, grocers conventions,
etc. in the name of Frito Lay and Pepsi Cola. The next act was Millicent Zeek (Thoroughly Magical Millie)
from Florida, where she has been active entertaining women's clubs and other local parties. She kept
her ten minutes very feminine, presenting various silk effects, the paper hat, flowers from cone,
Mutilated Parasol, etc., and ending with Dukes Dye Tube. Dennis Loomis and Bonnie wound up the
show with Color Change Plumes, Fish Bowl productions, various other silk effects and ending with the
Zig Zag girl. After which many conventioneers repaired to the American Legion where Ralph Geer
played the piano and Roy Krizan the banjo. Many others went off to the grade school to watch the
demonstrations. Since everybody did one of these things each night after the show (except for a tiny
few who went to bed) this is the last time I will mention it.
On Thursday night, George Johnstone was the M.C. Don Ziegler opened the show in white leather with
a gal in hot pants and gold lame shirt. They worked their way thru a Temple of Benares with a poodle,
Balloon to Dove, Plume trick, Mutilated Parasol, Zombie, the Zig Zag, Streamer and Flag Production. Bob
Mason followed with Reggie Dixon, "Red" in his ventriloquist act. Bob was most conservative in a black
tux. George then introduced Ken Diamond and Louise. They produced doves, put them into a purse,
and changed them into a big butterfly silk. They followed with other silk effects, the Sands of India, and
would up with the Sub Trunk. The two helpers were Kent Richards and Hank Moorehouse. Since the
"Crucifixion" which rocked an Abbott Get-Together years ago, not many torture acts have been used.
Komar changed all that with his Walking on Nails, Jumping on Nails, Guys Jumping on Him, Walking on
Four Swords, Eating Fireballs, and Breaking a Paving block. It may set a new trend. George Johnstone,
who made himself entertaining between all the acts, threw in the Razor Blades at this point (not to be
outdone by Komar) and with a slightly cut tongue, introduced the Deceptive Webers. This team from
South Bend worked their way efficiently thru doves, canes, silks, candles, balloons, eggs, tambourines,
chickens and winding up with a Botania. Sid Lorraine, long a popular figure at Abbott's, cleverly
presented a Then and Now version of "Frasnia", first as a street pitchman, then as a TV pitchman. The
show ended with Ken Griffin and Roberta doing pieces from their full evening show and proving what
they put into print in the book of that name.
Jack Pyle, pro from Chicago, emceed the Friday night show. He introduced the visitor who had come the
farthes - Ken Robinson of Australia - on his way around the world. After a few Pyle specialties, he
introduced Kent Richards and Dottie. Kent, with two girls costumes as described earlier, surprised
everyone with one huge goose production. An innovation with the huge Rabbit on Broomstick
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Levitation, followed by a Haunted House complete with wild sound effects ( A Temple of Benares in
disguise, I think). Act ended with an escape effect. They won the Gwynne Trophy for excellence. Randy
Brown and his paddle ball act has been the hit of Sports Shows everywhere, and added a nice touch of
variety to this magic show. The Sundmann's followed with their unusual and unrivalled silk act, in strong
contrast to the riotous Randy. Then in another pleasing change, Jack introduced Barclay Shaw. This
nationally famous puppet act, with the little clown and the wicked hen, has no competition. Back again
to magic, we next saw Torino and Faye, with doves, cigarettes, beads, cards, and more doves. They
showed the young crowd how it should be done, when it came to the tricks where years of practice
made all the difference.
Like Dorny, like Neil, like Duke, Senator Crandall is a sort of fixture at Abbott Get-Togethers, and hard
put to know what to do to make it different. This time he did a routine with a rope ala clothesline, plus
an irate washing lady. Jack Pyle was busy between all the acts, emceeing as only a pro knows how to do
it. At this spot in the show he did his magazine memory bit, plus other things that led up to his BIG
rabbit production. The resulting scream of surprise, even from those who knew what was coming, must
be most gratifying to him. the show ended with a young crowd called Divad and Company (Dave
Seebach of Milwaukee who has done some college shows). More capes, hair in the eyes, gals with legs,
the whole scene. Divad, aware of the generation gap even in magic, told the audience he was going to
try to show them that the "kid from Milwaukee" knew what he was doing. This, because of his articles
in TOPS. The Company worked its way thru a stage full of props, including another Temple of Benares.
Divad spoke well and clearly, with good sentence construction, which added much to the presentations.
The Saturday night show, with the weather no cooler, began with Mike Caldwell as M.C., which made
for the fourth fully professional emcee that week, and all doing great jobs. Uneven shows take a really
experienced man to handle and get the best out of. you can't lose by bringing on a favorite like Monk
Watson, and he can't lose by doing his winners, all of them. This was followed by Professor Noodle,
with whimsical pseudo magic, prize winner of the contests. Chuck Windley and Company, complete
with Temple of Benares, Fire Eating, Tear Apart Vanish, Wrist Tie and many other numbers brought the
Abbott Catalogue to life. Sam Berland, Chicago lecturer and performer, kept the audience intrigued with
his own variations of cigarettes, coins, silks, etc., including a fascinating coin ladder. Something
gorgeous, with a smile, more legs, and a knowing swing of the hips that could only be pure Gwynne,
turned out to be the late Jack Gwynne's granddaughter, Beth Cole. She carried off Sam's gear and got a
big hand of her own.
Ralph Adams was seen at Abbott's several years ago and caused a big stir with his illusions, but little
score with his small tricks. This time he showed to much better advantage because he did a tight,
compact little routine with his very best numbers. His opening was the silks dancing in and out of a
huge bottle, followed by various illusions worked out by well trained young people. He built the act thru
to a finish in which he had a huge trellis of bouquets produced, seemingly solidly filling the back wall.
Suddenly, before it, there appeared a live woman, enhancing her appearance with huge butterfly wings.
This sort of thing is seldom seen these days, and was most spectacular. Bob Downey followed, with a
dove, cigarette and card act full of surprises, and skill one expects from a man who has played half way
around the world. The last act was the Gustafsons, who also won the Blackstone trophy for
showmanship. Their act was a melange of candles and silks and other pretty things, with one surprise
on top of another. Gustafson has the greatest assortment of tricky flame effects ever seen by these
audiences, and each one is good for a hearty round of applause. It takes an engineer to devise an act
like his, and it takes a good magician to present it. Gustafson has the best of both professions, plus a
smile that wins the audience. What that act could have done in vaudeville!
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Duke Stern and Karrell Fox have built a tradition of doing a zany show to end each Get-Together. They
lampoon the acts, dirty up the stage beyond belief, as well as each other. This year was no exception. It
was wild and wet, with Abb Dickson in the only clothes suitable for such an act - turban and loincloth. If
there was a high point, to such a skyrocketing piece of business as this, it happened at the moment
when Karrell carefully laid one dozen eggs on a chair, one by one. A moment later he called Duke over
and that unsuspecting buffoon sat down on the eggs. He didn't sit down fast. He sat down slowly, and
as the eggs crunched beneath him they ran out thru the holes in the seat of the chair. It was beautiful to
watch. The amusement level of that audience was immediately apparent -- we knew what we liked! So
much for the nights. Following the show, on one evening excerpts from the Mark Wilson "Magic Circus"
were run off, and of course endless demonstrations, auctions, etc., at the showrooms.
Daytime events included close up magic, lectures by Karrell Fox, Richard Gustafson, and Bruce Posgate, a
talent contest, Magi-Ministers Lecture, Vent-O-Rama, and on Friday, a special benefit matinee featuring
Neil Foster and the Amazing Conklins. On two afternoons, the ladies were entertained, once by a sweet
Adeline’s quartet, and on Saturday by the Big Prize Party. Everyone left loaded down with gifts and filled
up with cold drinks and goodies.
The audiences were the usual combination of celebrities, well known pros, enthusiastic amateurs and
folks wide eyed at their first experience at living intimately with magic. The complaints, although few,
were the same as always - why don't they build a Hilton in Colon, why doesn't Maxim's open up on Main
Street, why doesn't Colon have the climate of Bar Harbor? When I left, I understood that Recil was
taking all these thing under advisement, and by Get-Together, 1973, he expects to have some solutions.
Ha!
P.S. One more thing -- if ever there was a long suffering, sweet natured, co-operative member of the
Musicians Union, it is one Wilma Rench who plays for all the shows. The most inept act gets the most
helpful treatment from her music, the most scintillating pro gets as good as he would from the Boston
Pops -- There's nobody like Wilma, even when she gets sprayed on or squirted on -- she still smiles and
plays on.
Magic Benefit Matinee at Abbotts 35th Get-Together Big Success
The Friday afternoon Benefit Matinee was a huge success both artistically and financially. As emcee,
Duke Stern explained to the almost packed house, that the matinee was for the benefit of the charitable
works of the local Colon Lions club in their work for the blind.
Neil Foster's 45 minute show in which several new and original tricks were seen comprised the first half.
Even in the hot auditorium the afternoon audience gave him a standing ovation.
The second half of the show was presented by Colon's Magical Family, the Amazing Conklin’s, Jerry and
Shirley, daughter Cindy and son Mike. The polished professionalism of this family stood out in
everything they did. The Amazing Conklin's are booked solid for October. Wilma Rench was at the
organ and played the show in grand style.
The Abbott Magic Company and their co-sponsor, the Colon Lions Club, wish to thank everyone who
attended this matinee for such a worthwhile cause.
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1973 Get Together – Duke Stern Memorial (by Neil Foster)
On Friday morning, during Abbott's 36th annual Get-Together, tribute was paid to the late Duke Stern at
a Memorial service held at eleven o'clock in the colon High auditorium. It was a solemn occasion as
hundreds of friends and admirers quietly filed in. Karrell Fox was filled with emotion as he spoke to the
people about his friend and partner in their comedy act. Werner Dornfield officiated at the Broken
Wand Ceremony of the Society of American Magicians. The Rev. Robert Olson, of Monroe, Wisconsin,
led the group in prayer. Each of these men were life time friends and fellow columnists for the Tops
magazine.
Duke Stern was born in Trenton, New Jersey, on October 13, 1913 as Maxwell Phillip Stern, eldest son of
Sam and Frances Stern. His interest in magic began at the age of five. when he was eight he started
taking lessons on the violin. These were to be the tools of his trade, as it were, in later life. His parents
encouraged his interests in show business and at the age of twelve he performed his first professional
show in Detroit.
Duke graduated from high school in Detroit and played the violin in the school orchestra. He was also
performing magic. duke was accepted by the University of Chicago, and completed his freshman year.
It was 1931, the depression was biting deeply into the economy, and that summer with work scarce he
took a job with a string trio, playing a series of one month stands. When autumn came he took the job
on a permanent basis. Later he went on the road with the quartet, performing magic and singing to
increase the programs appeal.
Duke continued to advance in show business working as a magician, a violinist, a comedian, and for a
season as a circus barker and side-show supervisor. Each summer, however he attended the Abbott
Get-Together's and for the first ten years he and Mrs. Percy Abbott were THE orchestra, she at the
piano, and he on the violin. In 1943 he came to Colon and worked full time at the Abbott Magic
Company. In August of 1946 he became manager of Abbott's branch store in Indianapolis. There he had
his own weekly television show, "Duke's Magicland" This was duplicated when he moved to Shreveport,
Louisiana.
At the start of World War II Duke tried in vain several times to convince the army doctors that just
because he could not see the eye chart - let alone the letters - was no reason to reject him. A very
serious attack of scarlet fever in childhood had damaged his eyes permanently, causing uncorrectable
vision problems. Finally he went to work in a defense plant, and invented a method whereby the
company could increase its daily output from 3,000 to 10,000 grenades per day. "With my kid brother
fighting in the Pacific, I kept thinking that one of those extra grenades might go to him, maybe even save
his life," explained Duke.
With hostilities ended Duke worked for a large clothing firm and traveled throughout the country. He
returned to Abbott's in 1964 as sales manager and took displays to magic conventions. In 1970 he
moved to Ft. Lauderdale, Florida, and a year later he joined the Harris Magic Company in Atlanta,
Georgia, where he was employed until his death. This occurred suddenly while displaying at a magic
convention held in St. Louis on July 29. He was laid to rest in the Lakeside Cemetery in Colon on July 31,
1973.
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It seems that Duke Stern's mission in life was to make his fellow humans laugh, to forget their cares and
worries. In so many ways, mostly unknown to everyone, he gave generously of his time and talents.
Success for Duke was the smile or giggle of little tots in their sincere appreciation. His name was never
emblazoned on big theatre marquees...for this is not always the true measure of success. Instead, he
won the hearts of many. As the Wizard of Oz said..."Your heart is not judged by how much you love, but
rather how much your heart is loved by others." I'm sure he had Duke Stern in mind.
Duke is survived by a brother, Sid; three daughters, Judie, Pam, and Steffi; two nieces and a nephew,
and several grandchildren. His name is known throughout the world of Magic. His friends are legion.
He was one of a kind. May he find eternal peace.
Duke Stern and Jerry Conklin Working The Abbott Showroom
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1973 AC Added to High School, Abbotts Pays Half (by Patrick West)
Recil Bordner decided to make a sizable investment by paying one-half the expense for having the high
school gymnasium air-conditioned. His share was $9,000. The other half of the money came from the
school board, the Lions Club, American Legion, and individual contributions. The air-conditioning system
was installed in record time and was ready for use during the 1973 Get-Together, making conditions in
the gymnasium much more comfortable. Previously, the audience and performers had suffered greatly
as the August temperatures had made the gymnasium virtually a giant sauna. The spectators for the
public performances, by 1973, numbered over 1600 each night, and they did not seem to mind paying
more for their tickets, considering the new comfort of the gymnasium.
1974 Get Together (by Francis Marshall)
A customer stopped me on the street in Colon to tell me how much he enjoyed being there. "I'm new in
magic," he said, "and this is my first time here. I also went to other conventions, but none of them are
like this. Everybody's glad to see you in Colon!"
Bill Baird, Karrell Fox, Little Johnny Jones, Dr. Zola
When you know a lot of people and have been around a long time, you forget how it feels to be a
stranger. A gathering that can make a stranger feel that he is home at last can feel it has succeeded. The
Abbott Get-Together did just that in 1974 - and 3 -- and back for a lot of years. Fun-town had something
for everybody, and it looked as though everybody was there to get it. Over 1,200 piled into Colon.
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Private homes took care of many, as did the motels a short drive out of town. Houses are getting harder
to come by, but what were available were filled up, and reservations put in at once for next year.
An effort was made to change the format of the shows, and proved a good idea. We had come to expect
to see house acts on Wednesday night, so it was refreshing to find an excellent bill of new faces, an
accent on youth, and a good, solid family act. Gordon Miller, M.C., did a professional job in introducing
Bob Higa, a young man who has spent the summer working a resort; Tim Wright, comedy and sleight of
hand; Mike McDade (newlywed ventriloquist); The Reneaux's (more newlyweds); The Shaftons, (dogs,
unlimited!); And Dick DeYoung and his
family in their big act. The DeYoungs are
experienced and fortunate in having good
looking youngsters who enjoy being part of
the show. When they lose one to marriage,
another one grows up. The audience was
very pleased with the opening night show.
On Thursday, the M.C. was Glenn Haywood.
When you first see Glenn, he strikes you as
a sort of country singer type, perhaps not
too bright. You resolve to be kind to him
and give him more applause than he
deserves. This is in the first 3 minutes of
watching
him. By the time he finishes with
Bob Higa
you, you are limp, helpless with laughter,
dripping with admiration for a man who can do THAT to an audience. Great though many of the acts at
Colon were, if this was the first time you ever saw Glenn Haywood, you got your full money's worth.
What does he do? It would be easier to tell you what he doesn't do. He has nipped into everything in
magic and ventriloquism, and does it all well. His vent figure has got to be a midget in a suit — nothing
without life could ever behave the way that figure does. And how about the production of glasses of
liquor from the Malini Egg Bag? Enough! There's a lot more show to talk about. Congratulations, Recil,
on having Glenn.
Riding high on the show Glenn introduced was Gene Raymond, a superlative manipulator from Australia.
Thunderous applause greeted his work. The Great Andre and the Madsen Brothers were familiar to the
crowd, but none the less loved. This beautiful dog-magic act is classic. Ken and Louise Diamond looked
very elegant and performed in the swank style their clothes suggested. Their act was graceful and well
rehearsed. They had a few bad seconds with a dove, but overcame it skillfully -- and with that particular
audience, that always goes for extra credits. Sid Lorraine on next with a chart explaining how one
becomes a magician, hilarious!
Jay Marshall and the Heitlers presented their Black Art Act, which was very well received. This novelty is
seldom seen any more --in fact, many spectators said they had never witnessed this type of act. The trio
put a lot of manual labor, and rehearsal time into the act, which they will probably only present a half
dozen times, due to the weight and transportation problems. Don Wiberg and Joyce presented their version of the Tom Palmer madhouse magic act, and it never looked better. Here, too, the analytical
spectator could see how much effort, work and planning had to go into it, to end up with just a brief act.
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That evening ended with the Reneaux's and their doves. I have known Jimmy since he was a young
magician working on his first dove. As I watched the perfect manipulation and the really thrilling
surprises of his act that night, I pondered again on what power magic has over people. How it brings out,
in a performer, the tremendous desire to do something no one else can do - and to do it best.
Ken & Roberta Griffin
Friday night couldn't go wrong,
because every card was an Ace.
When you put together a show
consisting of Neil Foster doing his
45 minute "Concert of Magic", Col.
Bill Boley, Ken Griffin and Roberta
and their illusions, Bob Kramer and
Judie and their illusions, with Jay
Marshall as M.C., there's no way it
can avoid being good, solid entertainment. These people have
been seen before at Abbotts Get
Togethers, but they all managed to
do something unexpected, and
because the audience liked them
all personally, even before they
came on stage, the show took on a
happy aura.
On Saturday, Recil took chances. He had some new people with big reputations lined up - always a risk.
It is hard sometimes to live up to your advance notices. But Recil has been taking chances on shows for
years, and his luck never seems to run out. Carl Garray, like Glenn Haywood, sneaks up on you. He
comes out with a round faced smile, looking like the guy next door, and since very few had seen him
before, we didn't know if this was THE Garray, or the local fire chief with a message about smoking. I am
a perfect audience. These guys mow me down like summer grass.
Carl Garray built and built, as I watched him work, and let me tell you that everything you ever heard
about him and his act is true. It is deserving of all its Las Vegas and around the world bookings. In some
column last spring, I referred to this act of Garray and Tomio (having heard about it from someone else),
and suggested that convention committees might look into it. Now that I have seen it, I think everybody
in our profession ought to see what is possible in the ventriloquial/puppeteer field. Carl introduced Bob
Coluzzi, a Chicago act featuring various tricks with fire, always well done and many surprises. Monk
Watson performed for, as he announced firmly, the last time, but he put away his railroad lantern rather
carefully for a guy who never intends to swing it again. Tom and Sherrie were excellent, as we have
come to expect of this thoroughly professional act, and Norm Nielsen couldn't be followed. It was the
great good fortune of the Get-Together that Norm happened to be in this country at the right time.
Every magician owes it to himself to see what a perfect act looks like. The flute vanished in a shower of
diamonds, the coins tinkled in tune down the ladder, and the violin played by itself in space -- true
rhapsody in magic.
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The printed program didn't list someone who
was there that Saturday night for the next act.
Karrell Fox and his Michigan Shenanigans took
over, and somewhere on that stage, unseen,
but felt, was a little guy with a white sheet, and
a foil-wrapped halo on a stick. Duke was there.
He even spoke once, but nobody heard him. He
said, "Come on, You (expletive deleted), be
funny!" And they tried. They tried very hard and
they almost succeeded. Karrell, Kissell,
Witkowski, (the one in the pink rabbit suit),
Marshall (the shooting gallery target), Oslund
(Sherrie-a-la-mode), Darin, Abb Dickson, Tim
Wright -- they kept things moving, breaking,
dripping, running down, chaos. And as the
curtains closed, Duke said softly, "I'll teach you
how to squirt milk and break eggs my way, if it
takes eternity!" And he probably will.
That's the way it was with the evenings at
Colon, but the rest of each 24 hours was equally
busy. There was time allotted for selecting
talent winners. This year the winners were Jack
Hill and Graciela Binaghi, a brilliant mime act
which appeared on the Saturday night show,
excellent match for the company it was in. The
judges in the contest apparently made a tactical
error in this case, however, because public
opinion was a bit ruffled. Everyone thought the
Tom & Sherrie
act was great, and should certainly have been
contracted for. But the feeling was that a mime act should not be selected to win a magic contest, and
no act that is professional should be allowed to even enter the contest. Naturally, the amateurs don't
stand a chance. This is purely a matter of putting down good substantial rules regarding entries, awards,
etc., and then sticking to them. I could have left his paragraph out and not mentioned it, but I never saw
a magic convention yet that somebody didn't get miffed at somebody else, and I don't want you to think
Abbott's is any different. Tom and Sherrie, last year's Gwynne Trophy winners, presented it this year to
Norm Nielsen, with the unanimous blessing of everybody in colon.
The matinee for the benefit of the Lion's charity fund was put on by Mister "E" and Co., and the Jaronas.
Special interest groups who held meetings during the week were the Magi-Ministers, the ventriloquists,
the close-up enthusiasts, and the Bull Shooters who met nightly at the American Legion and went home
with the dawn. Tom Mullica, Tim Wright, Bruce Florek, and Don Hudson performed on the close-up
show.
The lectures were exceptionally good, judging by comments from every side. Hank Moorehouse
discussed working for children in such a way that everyone knew he was well experienced in that field;
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Glenn Haywood also delivered from his vast experience; and of course Sid Lorraine and Bruce Posgate
are already known far and wide for their magic knowledge.
With well over a thousand registrants, there was hardly a
moment when someone didn't want to buy something,
and business was brisk. If you didn't want to buy, you
could wait a little while, and they'd run off an auction. The
showroom was open at all hours, except during shows,
and Recil has a stable of salesmen second to none.
When I write a report on an event of this kind, I don't like
to set myself up as a critic, so bear with me while I make
one last point. I observed something strange happening
during the evening shows -- I saw it beginning a couple of
years ago, and noticed it again in 1973. It has to do with
the audience. I think the Abbott Get-Together is a very
professional affair, but I wonder if we don't have amateur
audiences? I have been in theatres where some of the
greatest names in show business have delivered
Hank Moorehouse
tremendous performances. A solid round of applause,
sustained, repeated, greeted them. Far less often, I have heard some "bravos!" here and there, for
someone especially fine. Practically never have I seen an audience rise to its feet. This year, I saw an
audience that got to its feet after five acts out of six, and even for that one, made a start. What do we
do if we ever get the really superlative, A No. 1 Hotsy-Totsy Act????? Get to our knees? For what it's
worth, I suggest we let the acts know we think they're wonderful by clapping enthusiastically - but let's
remain seated. That way, we have something else to offer when the right man comes along. If we give a
rising ovation to everybody, it means nothing to anybody.
Or is this just a ploy to get Recil to cushion the chairs, now that he's air-conditioned the auditorium? Oh,
you sly ones!
(Editor's notes by Neil Foster: I have to play the devil's advocate here. Today’s audiences are television
oriented and are not used to applauding, and anyone presenting live entertainment tries to break this
habit. A standing ovation is the highest tribute an audience can pay an artist and it still a strange
happening. On behalf of Abbott's Magic Company I would like to say that we at Abbotts are very proud
of the standing ovations awarded our performers, especially the six acts that received them on Saturday
night. This was a MAGIC CONVENTION FIRST! At no time in the history of magic conventions has there
ever been six standing ovations during one show! When you count the one Recil Bordner received that
same night, as he was introduced from the floor, the total rings up to SEVEN.
Over the years Abbotts have introduced many innovations to magic and have had many firsts. We prefer
to feel that instead of our audiences being 'amateur' that they appreciate real talent when they see it.
Unlike all other magic conventions (which do not sell quantities of tickets to the general public for each
night, nor pay for press, television and radio advertising) Abbotts can afford higher budgets for their
shows. When you can afford the best, you get the best. . .and the standing ovations are justly deserved.
The acts that received them this year have all worked very hard and in some cases most of their lives to
reach the point where they are.)
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1975 Bud West & Abbott’s Release Blarney Die (by Abbott’s Magic)
A large die (approximately 3 1/2" cubical) is freely displayed. A box, with open sides, top and bottom is
shown and may be examined. A metal blade is then introduced and may be examined, if desired. The
magician places the die in the box and slowly slides it back and forth. It may be viewed from every angle.
The blade is then dropped in position, trapping the die at the top of the box. Again, the entire apparatus
may be viewed from every angle. The box is held upright with the die visible in the box above the metal
blade. SLOWLY and VISIBLY the die penetrates through the blade! The blade is then removed, the door is
opened and the die drops from the box!
1975 Get Together (by Neil Foster)
The boom that Magic has been enjoying these past few years was quite evident when the Junior
contestants out-numbered the Seniors by over five to one...twenty seven to five. So many Juniors
entered that we had to move our deadline up a week and carry several over from Thursday to Friday. It
was my pleasure to conduct the contests, taking over for Monk Watson who so capably handled them in
past years.
First place in the Senior division was Steve Ryder of Monroe, Michigan. Second place was David James
White III of Jackson, Michigan. In the Junior Division the winner was Jeff Hobson, 12 years old, from
Detroit. Second place was Jeff Skinner, 13 years old, assisted by Becky Kaiser, both from Grand Rapids,
Michigan. Third place was Gerry Kurtz, 13 years, from Toledo, Ohio. The awards were presented just
before the start of the Saturday night public show.
Other contestants in the Junior division were: Andy Bennett of Beulah, Mich; Gary Losey of Saline,
Mich.; Al Ulman of Hamtramck, Mich.; Bret Beudry of Fenton, Mich.; Drake Smith of Pittsburgh, Penna;
Greg Otto of Windsor, Canada; Art Bloom of Ann Arbor, Mich.; Danny Wiley of Denver, Colorado; Dan
Rymsza of West Chester, Penna.; Kevin Demery of Detroit; Jim Ostrowski of Ottawa, Ill.; Doug Huston of
Van Wert, Ohio; David Brock of Sandusky, Ohio; Don Hillebands of Holland, Mich.: Mike Fonger of
Lansing Mich; Ed Viksne of Detroit; Stuart Hayner of Essexville, Mich.; Dave Mathews of Dowagiac, Mich;
Donald Issitt of Fairfax, Virginia; Jim Deak of Warren, Mich.; Tom Kirkpatrick of Kalamazoo; Bob Redmon
of Crawfordsville, Indiana; Larry Clapp of Toledo, Ohio; and Dave Paulou of Bay City, Mich. Besides the
three winners in the Senior division there was David Allen III of Battle Creek; and the only lady
contestant, Marie Klycinski of Napa, California.
The contests were presented as though it were a regular show. Being a contest there were, of course,
many repetitions yet the audience of registered magicians applauded each act as though seeing it for
the first time. I lost count of how many doves were produced and after seeing so many Zombie routines
I went home and started to practice in earnest. I must thank our stage crew who arrived each morning
at 7:30 to get the show going at 9:00 A.M. Three of the Abbott crew, Archie Capman, his brother James
Capman, and Eric West. From Colon, Tom Lindstrom and Vince Capman (Archies son). From New jersey,
Bob Smith, grandson of Monk Watson. These gentlemen helped set the acts and strike props so we
were able to turn out 22 acts on Thursday morning and 10 on Friday prior to matinee time. Connie
Pelham was there each morning for those who needed organ music.
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The National Observer gave it a big half page, with photos, and called it the largest ever, which it was.
The reporter for the Observer elected to avoid the ”names” and sought out opinions from the magical
man-on-the-street. As a consequence, Chicagoan Terry Nosek, semi-pro with a mental act, received
two columns of quotes. If Terry had known his remarks were to go into that much lineage, he would
probably have been too flustered to speak. As it was, magic came off fine and so did Terry. Bob Little
was caught by the Observer’s camera, and also showed up in the article.
As always, it is amazing how well 1314
plus human beings can settle down into
the limited facilities of Colon and
environs.
No place seemed too
crowded – I saw an empty seat near me
in the auditorium. The temperature,
always a subject of remark, was a direct
ratio between the struggling airconditioning and the packed-in
humanity. They had it worse backstage, and even worse inside the
monkey-suits. Since only monkeys get
into fur suits on hot nights, that seems
to be THEIR problem.
1976 was the year of the women and
more specific, the year of the
platformed bosom. One of the things
that turned St. Paul off when he went
to Rome was the bare-bosomed gals. In
the centuries since then we have come
close, but never quite, to that fashion. I
am beginning to wonder what’s just
ahead. I was proud of the ladies in the
shows this year ---they were just great.
Sometimes they WERE the show.
The ladies had sparkle, movement,
audience rapport, beauty, and lots of theatrical know-how. And there were lots of them –all sizes, all
kinds of costumes, blondes, brunettes, red heads, you name it, the gal was there…and the audience
loved them. After sitting thru the shows at Colon, I can firmly say, “I enjoy being a girl!”
Wednesday night again this year was kept important and exciting-no longer the slow start into the GetTogether. This year, as befitted 1976, there was a tremendous, flashy, dropping down of a big colorful
back curtain, explosions, smoke, fire, confetti, bursting bouquets, and general excitement, all designed
by Gordon Miller of Abbott’s. And this was before anything else had happened. How could they follow
that? Well they sure tried, and many times they succeeded.
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To begin: Howard Flint was M.C., with a fine bill, Gordon Miller; Tom Mullica; Tim Wright; Gene
Anderson; Jack Barrows; Neil Foster, recovering from his heart attack of last February had gone into an
extensive month of rehearsals polishing the act he took to Argentina two years ago. He sported a
handsome Goucho hat. The crowed showed their appreciation
with a standing ovation. After intermission, Howard introduced
Jay Marshall; Jim Sommers; Janine: and Harry Blackstone Jr.
who appeared for a section of the program each of the four
nights, each time in a stunning bugle-beaded tuxedo of
different color and obvious astronomical price. He is a living
lesson to the up-coming magician –THIS is how you must look,
dress, talk, act, perform. The audience was very appreciative of
the Wednesday night bill, enjoying the new things, and
welcoming whole-heartedly the familiar things they demand at
these shows.
Gay & Harry Blackstone
Dorny was M.C. Thursday night, and since we cut a birthday
cake with him most years, we know he left 80 behind a while
back. He was also stage director for all the shows. Here he was, standing straight and tall, delivering
lines, making quips, bringing on the acts and getting hands for them with vigor. His acts were Tim
Wright, a young man on his way up, and proved it to his many friends in the audience; Sam Berland;
Abel and Marina Pabon, who are professionals from Puerto Rico and dazzled all with their smooth style
of presentation; Harry Blackstone, Jr.; and Kramien and Company. We wrote about Stan Kramien in
these pages before, but this was his first Colon appearance. Roll Buffalo Bill, Barnum and Flo Ziegfeld
into a ball and you’ve got Stan Kramien. He is a born performer – A Mr. Show-biz in voice, delivery,
performance, and stage craft. His girls were so well-trained it was beautiful to see. Kramien is goodlooking in a John Wayne manner ---just rugged enough to smack of the West, where indeed he comes
from. I was impressed by the fact that although he didn’t do any tricks I hadn’t seen some time or other,
he sold them like a real pro.
Let’s digress a moment here. If Recil were to say to the registrants at the Get Together: “You can buy
your entire ticket for only $5 if you will submit to being unable to discuss anything that happens for the
entire week,” nobody would come. I am convinced that the thousands of hours of conversation that
are engendered by what is seen and heard at Colon are a prime attraction. People love to talk. For $35
they get four full days of talk inspiration, and they can start after they have only been there for an hour.
By Sunday, Oh! Brother!.
On this premise, the end of the Kramien act gave everybody a shot in the arm, talk-wise. Kramien
announced he was selling his entire show, routes, props, everything in fact but those gorgeous
assistants, to Dennis Loomis. He was using this stage to do a sort of “Kellar Thurston” type of thing.
Dennis came out in a blue and white beaded costume, looking a little slight in stature alongside the
really big Kramien. Kramien wished him well, shook hands with him, and being a Westerner, offered
him a peace pipe to seal the bargain. Dennis, being of another culture, waved a handkerchief printed
with a Marijuana leaf over the peace pipe, and the gesture was over. Dennis ended the show by doing
one illusion of his own.
For the rest of the week, countless yards of conversation were unrolled on the subject of Stan and
Dennis, conjecture how it would work out, wonderment about it all. Stan left a little zinger in his last
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remark to the audience, “I’m going back to the State of Washington, take a year off, and build a big, new
show.”
Friday night brought a new subject of conversation. Mike Caldwell emceed a program of Dale Salwak,
Bob Mason, Harry again, Richard and Marie Suey (former South Americans now living in Puerto Rico),
L.L. Henri, Ken and Roberta Griffin. Dale Salwak was the recipient of last year’s Jack Gwynne Traveling
Trophy. Bob Mason’s Punch and Judy act rolled the people in the aisles when he asked the boy
volunteer (Darin Fox) what his father’s occupation was…answer, “A car salesman.” Richard Suey has to
own all the Merv Taylor cages still in existence. He says he bought them one by one, years ago, and
treated them very kindly. They looked new and really filled the stage. On Saturday night the Sueys were
awarded the Gwynne Trophy. The Sueys and Pabons performed during the ten day Festival of Magic in
Argentina with Neil Foster two years ago. The Griffins are well known to Abbott audiences and were
welcomed back as old friends.
M.C. Mike Caldwell had to fill the chinks here and there by
doing a trick. At one of these points, he began one of his pet
routines, “The Mexican Hat Dance,” and called up a small boy
from the front row. Twenty minutes later, Mike was panting
from exhaustion, the kid had been on every square foot of that
enormous stage, he countered every remark Mike tried to
make. And the audience was torn between wanting to laugh,
and wanting to deliver a good spanking. They got a great
lesson in how to handle an obstreperous show-off child who is
only one fifth your height and a tenth your weight. You can’t
kill him and the act must go on. Mike doggedly kept the trick
going and emotion ran high in the crowd. He got a standing
ovation and a wave of applause that threatened to bring down
Mike Caldwell
the basketball stands. I am not keen on standing ovations but
this one was what standing ovations are all about. And Mike showed what being a professional is all
about.
Peace returned by Saturday night, when the show ran without incident. Carl Garray was M.C., returning
by popular demand after his appearance here two years ago. He was excellent – professional and crowd
pleasing. He brought on Earl Wilcox, Tom Mullica, Tom and Sherri, and Harry Blackstone Jr. Harry and
his beautiful wife, Gay, presented the Floating Light Bulb that would have made Harry Sr. right proud.
Garray and Tomio followed with their act and received a well deserved standing ovation. Karrell Fox
finished off the Saturday Night Fox Frolics. Tom Mullica broke in a new comedy routine which went
well. The only really different trick in the entire week was performed on this program by Pete Tappan
and Joe Palen, doing “The Eclipse.” This strange illusion delighted the audience and got a great
response.
Karrell had worked out a laughable series of lampoons on the weeks shows and had the audience
relaxed and happy during his segment. His troupe of comedians don’t mind getting squirted on, thrown
at, or knocked down, and this year many of them were stripped down to make it easier. One poor
fellow sat in a monkey suit for part of the hot time. Karrell worried some of the audience, because he
wore a beautiful summer suit in a light color, and milk, eggs, ink, etc., are handled very loosely and
freely during this Saturday night fling. He came thru unscathed for a well deserved standing ovation
from a delighted audience, and now he has a year to think up something new for 1977.
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Daytimes are busy at the Home-coming. Lectures were given by Stan Kramien, Ben Tallman, and Gene
Anderson. The Vent-O-Rama for those interested was held three mornings, as was the talent contest, a
meeting of the Magic Ministers, and of course the continuous demonstrations and sales at the
Elementary School. The ladies enjoyed two afternoons of bingo, prizes and refreshments, activities led
by Jeanne Foster, Merrillyn Merrill and myself with the aid of Kathy Ryan. Among other things, a gross
of panty hose were given away to happy winners.
The Colon Lions Club special matinee featured this year school performer Dick Oslund and Bi-Centennial
showman, and his company, the Amazing Conklins. Harry Blackstone Jr. acted as M.C. and since
everybody concerned was a pro, the show went well. The Conklins were showing The material they had
been using this Bi-Centennial year, and which will be replaced with a new show this winter. Dick Oslund
was a one man seminar for those studying for a future in working for the school children. His day to day
work in this field shows and was profitable to watch.
Special Benefit Matinee – “Spirit of 76”
Top Row Harry Blackstone Jr, Dick Oslund, Dick & Troublewit, The Amazing Conklins
Bottom Row Cindy Big Mountain, Neil & Cindy, Finale of Show
Close-up performers, arranged by Gordon Miller, worked in the air conditioned auditorium on Saturday
afternoon working at four tables with spectators on raised bleachers in front of each table. They were
Obie O’Brien, Bruce Florek, Gary Pattee, and Gordon Miller.
For the first time the Clarke Crandall Traveling Trophy for comedy was presented to a very surprised
Karrell Fox by Neil Foster.
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1976 Karrell Fox Wins First Crandall Award (by Abbott’s Magic)
1976 Karrell Fox , 1977 Mike Caveney, 1978 Vito Scotti , 1979 Foan Family Circus, 1980 Trevor Lewis,
1981 Gordon Miller, 1982 Otto Wessely, 1983 Terry Seabrooke, 1983 Terry Seabrooke, 1984 Les Duraty,
1985 Kohl & Company, 1986 Bob Jepson, 1987 Sid Lorraine, 1988 Terry Herbert, 1989 Mac King & Joel
Hodgson (tie), 1990 Jeff Hobson, 1991 Bob Bloenk, 1992 Johnny & Pam Thompson, 1993 Stunt Johnson
Theatre , 1994 Simon Lovell , 1995 David Cresey , 1997 Todd Charles, 1998 Dana Daniels, 1999 George
Schindler , 2000 Stephen Bargatze, 2001 Ali Bongo, 2002 Chris Capehart, 2003 John Archer, 2004
Michael Finney, 2005 Stephen Bargatze, 2006 Ken Mate, 2007 Oscar Munoz, 2008 Tom Burgoon, 2009
Stephen Bargatze, 2010 David Williamson, 2011 Les Arnold & Dazzle, 2012 Dana Daniels, 2014 Doc
Swan.
1977 Get Together by Ford March
The shows at Abbott's 40th Annual Get-Together, August 10 - 13, exhibited the same high quality that
has marked these affairs over the past 40 years. Recil Bordner and his stalwart staff again proved that
good entertainment is the rule - not the exception. The shows built from the very first night, and it
becomes difficult to single out any one show for the top spot.
Gordon Miller worked as emcee for the Wednesday night offering and introduced the Miller "highlife"
style of humor to a packed house. His opening bit of byplay brought on the "great white hunter," Bostwick (Tom
Mullica), and a demonstration of the use of a blowgun.
The comedy closed with a flash display of the traditional
hanging banners welcoming magicians, and the show was
underway.
Tom Mullica
Ger Copper, Holland's manipulator, demonstrated some
of the finest manual dexterity seen in a long time. Cards,
balls, cubes, and candles seemed to come alive under
Copper's nimble fingers. His final production of a large
candelabrum, with lighted candles, left the audience
asking for more.
Gordon Miller took his turn offering his own bits of sly humor and magic. He has a friendly and personal
delivery well-suited for the family-type audiences drawn to these Get-Togethers.
Ching Fu & Co. (Bourasseau) of Puerto Rico, presented his act in full Chinese garb along with similarly
costumed assistants and a stage full of props. Any language barrier that may have existed disappeared
as the troupe moved through the various magical offerings. The rice bowls, with a triple repeat - without
the water, caught even the visiting magicians off-guard. Ching Fu obviously enjoys his work and that
enjoyment was contagious. A fine hand from the crowd was evidence.
Ken Summers & Kim followed with a quick run-through of some smaller magic offered in an almost offhand manner and a closing using two Botanias and a bouquet. A generous hand from the audience
showed its appreciation for the change of pace.
Maria Suey closed the first half with a demonstration of paper-cutting - an almost lost art. Deft fingers
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and a sharp scissors created a series of intricate cutouts that were pleasing to the eye. This unique and
novel act, along with Maria's warm personality, drew an appreciate hand.
The second half of the show was billed as Neil Foster and his "Concert of Magic." And what a concert!
Conceived, directed and produced by Neil, the concert revealed magic in all its forms. From its opening
to the finale, this master of the prestidigital art instilled magical life into everything he touched. Midway
through his work, the curtains parted to spotlight that very special assistant - Jeanne Foster. Statuesque
and lovely, she stood watching as Foster worked his way around in a presentation of silken sorcery. To
all who know this pair, the real magic was in the tender glances that passed between them as they
worked.
Following his card manipulative act the curtains closed to a standing
ovation. Graciously accepting the tribute, he proposed one more
"mystery" and began his own impeccable presentation of the Zombie.
The entire floor of the stage was covered with fog, the clouds
remained throughout this effect. In his hands, the silver sphere
moved as a living thing. Sheer beauty for those who know the secret confounding mystery to those who don't. And the show closed with
another standing ovation. Neil Foster and his "Concert of Magic" must
be seen to be believed. When an audience offers two standing
ovations to the same performer, on the same show, you know they
were
"believers!"
And
they
were
entertained!
Neil Foster
Thursday's performers were put through their paces by an emcee
well-suited for a magic show - a rabbit! Elwood Rabit, writer, columnist, and raconteur, along with his
assistant, Van Cleve, tickled the audience's funny bones and set a happy mood while introducing the
acts that followed.
Jeff Wawrzaszek (Elwood even pronounced that one!), opened with a simple yet beautiful stage and
offered equally beautiful moves with three rings, the dancing ring-on-a-rope, and thimbles. Obviously a
student of mime, Jeff's actions reflected the long hours of study and practice. And he drew a great hand
from an audience that appreciated both along with the entertainment.
Harry Blackstone, Jr., came home to offer bits of his own program that has played so well in shows and
clubs around the country. His "ghost hank" brought back memories for many and his own "Six Card
Repeat" took a new turn and gave the crowd a glimpse of Harry's handsome family. His closer was a
"transformation" illusion involving a gorilla and a disgruntled "Merlin." The surprise finish, with Harry as
Merlin, drew a standing ovation from the packed house.
Ken Summers & O'Dowd followed with some slapstick magic presented in their style. The bits of
"shtick," with O'Dowd as the hapless foil, have long been classics in magical satire and are sure-fire
laugh-getters. Spilled milk and pie-in-the-face makes a mess and the audiences find hilarious. And the
mess on stage requires clean-up during intermission.
Walter Zaney Blaney and Sandy Rings took over the second half. Zaney offered his Texas style of magic
and fun to a ready audience and enjoyed a good hand and laughs with his audience participation bits. He
also enjoyed a good hand for his efforts.
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Sandy Rings, a former Miss Kansas, assisted Blaney and took her own solo turn. Her excellent vent work,
a field long dominated by male performers, proved her mastery of the art. Using a second vent figure, a
clown, she sang "Toyland" and provided a poignant interlude that earned her a standing ovation. Sandy
concluded her turn with her own version of the Abbott & Costello classic baseball routine that somehow
seemed anti-climactic in spite of her command of both roles. But she did entertain - and that's what the
audience enjoyed!
Blaney returned to center stage to present his own levitation using an assistant from the audience. Even
the magicians were impressed when they saw the hoop pass completely off. Blaney handles the illusion
well, and it provides a puzzle for every audience. The curtains fell to a great hand and the end of the
show.
Friday night's offering was under the table guidance of Mike Caveney whose pleasant manner and sharp
wit were most fitting for his emcee role. He has style and delivery that keeps any show rolling smoothly.
Opening were John & Maria Kurtz with some clean dove productions and a variety of other club effects.
The pair presents their effects with confidence and smoothness and provides an example of what
thought and ruining can accomplish. A good turn.
Van Cleve came on with an hilarious presentation as an "ancient wizard" in full regalia. The audience
could almost hear his joints creak as he moved. His "little pink mouse" and "floating table" are laughprovoking bits made effective by his own patter and delivery. The audience responded with a great
hand.
Tim Wright offered some of his own ideas on magic. They're great and so is he. He includes a variety of
manipulative effects all styled to his personality. He lets his dexterity speak for him - and it speaks well.
He makes it all look so easy. And he entertains. The audience was generous in responding. Tim later said
he wasn't satisfied with his work - too many little slips. If there were, he managed to cover them well.
And being dissatisfied with one's own work is the mark of a real professional.
Harry Collins closed the first half with an array of magical effects taken from his Mr. Magic trunk. Harry
plays that role for the Frito Lay Co. and is busy throughout the year. Spotless props and attire along with
well-routined magic kept the audience awed and appreciative. He's been in the business a long time and
has learned what it takes to keep an audience happy. His ability to do just that has kept him on his
sponsor's payroll for years. Collins closed with his "sawing through" illusion and brought gasps from the
lay people. That's part of the entertainment. And Harry provides it.
The second half opened with Mike Caveney explaining his "three arm" juggling and demonstrating how
coat hangers reproduce. His lines kept the audience laughing and happy and were delivered with timing
and emphasis in all the right places. Mike's magic goes beyond mere props and the crowd loved it.
The closing act was made up of members of the Long Beach Mystics Club from California. Caveney
prefaced their presentations with a brief history of the club whose members range in age from 9 to 21.
Former members include many who've made it in the world of show business either as magicians or
performers. The group is highly respected on the West Coast, and its members produce and perform in
their own shows which are sell-outs.
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Representing the club, in order of their appearance, were Mark Kalin, Bill Smith, Todd Robbins, Jeff
Young, and Dirk Arthur.
And if these young men are examples of the product of the Long Beach Mystics, magic has a greater
future than ever before.
Mark Kalin presented a routine with multiplying billiard balls, dancing pool cues, and linking billiard ball
racks. Set and costumed in the early 1900's style, and accompanied by Duane Methvin at the Ragtime
piano, the act revealed the imagination and creativeness that has won so many awards for Mark.
Bill Smith & Gaylord was billed as a Duck Act - with Gaylord being the duck. Moving quickly through his
patter lines, Bill produced Gaylord from an empty wooden bucket; went on with a sharp routine with a
head chopper and a member of the audience; and closed by making Gaylord disappear. The last bit
fooled a good number of magicians and was equally puzzling to the lay people.
Todd Robbins, introduced as the "Magnificent Charles," presented an interlude of well-routined magical
mishaps. In a great tramp-clown costume, Todd kept the audience laughing with his efforts to live up to
his billing. Good clown is difficult for anyone. But Todd has mastered the art and proved it.
Jeff Young, the club's president, presented a pitch act loaded with comedy and magic. Pushing his
"SUMMA DIS" and "SUMMA DAT" product sales kit, his rapid-fire delivery was interrupted constantly by
laughter and applause from the crowd. Ah, youth! It's a shame such talent is wasted on the young!
Dirk Arthur, closing the turn, came on to produce doves! Now these were not the ordinary variety - but
huge, brilliantly colored birds. Neither were the productions of the ordinary type. Try to imagine
BAREHANDED productions! That's Dirk's style. And he doesn't stop with two, four, or six birds either.
There haven't been so many birds seen outside an aviary. . . and the count doesn't include the huge
chicken and duck he produced at his close. Birdmen beware! Dirk has everything going for him including the ability to entertain!
The troupe provided a fitting close for the show. Such youthful talent, enthusiasm, and showmanship
deserved every bit of the applause that resounded through the auditorium. Remember their names!
Bob Lewis, everyone's favorite banjo-plucker, emceed the grand finale show on Saturday. A fully-packed
house welcomed him and enjoyed his comments from the start. Bob has a way with words and delivery
that has made him one of the top performers in the club-date field. And he demonstrated his prowess
for an appreciative crowd.
First on was John Bryan, a sharp-looking young man who ran through his act with verve. A lot of candles
appeared and disappeared before he produced a candelabrum. His Zombie worked, and he produced
flowers and doves. In closing, John did the now familiar disappearing doves in the cage. He earned and
received a good hand.
Randy Brown provided an interlude of comedy and expert paddle-ball handling during his turn onstage.
Randy is a professional from the word "go," and his handling of the material proved it. Some fantastic
control of the ball and paddle brought applause along with laughter. He's a tough act to follow especially
when the audience is so pleased with his work.
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But O'Dowd and Sondra did follow him with some fine illusions - "Split Personality," the Sub-Trunk, and
the Cremation Cabinet - all were well-presented and received. O'Dowd's interlude with two children
provided laughs galore. Producing eggs from a hat, he had a small boy trying to hold them all in his arms.
After the first dozen, the lad began running into problems and his expressions were priceless. O'Dowd
does well with the bit and the audience rewarded him with a great hand.
Jose de la Torre has a penchant for producing tall glasses of liquid from the most unlikely props:
balloons, silks, and newspapers. The productions were always a surprise. His version of the Professor's
Nightmare sent many magicians scurrying for their own ropes hoping to duplicate it. Jose's coin handling
drew great applause, and the crowd went wild when he brought out two large brandy snifters, filled
with liquid, for his finish.
Richard and Maria Suey presented their Chilean style of legerdemain and produced birdcages galore
from nowhere. The Mutilated Parasol, Linking Rings, and silk productions were delightfully presented
and they went off to a great hand from the crowd. The Sueys have been cruise ship favorites for many
years.
Bob Lewis and Ginny opened the second half of this extravaganza and had the crowd breaking up with
his first words. Finely honed humor is Bob's trademark and his style is unmatched anywhere. More than
that, he's a fine magician as well but never attracts attention to his work. His handling of a piece of rope,
while commenting on the state of the world, is almost thrown away. It's that casual. For those who saw
it, it was evidence of a great deal of practice, and it paid off.
Ginny adds to the act in her own way. Her timing, combined with Bob's, offers a clue as to why this
popular team is such a success. She provides bounce and verve as a contrast to Bob's more deliberate
delivery. And the two complement each other. And about the only thing she doesn't throw - or drop - is
Bob's "old faithful" banjo.
You have to hear and see him play to fully appreciate the music he coaxes from this drum with strings.
Foot-tapping rhythms are hard to beat. And his closing number has every audience clapping hands in
time to the music. This crowd was no different, and they rewarded the Lewis' with prolonged applause.
They deserved it!
Karrell Fox & Abb Dickson
Karrell Fox closed the show. What can be said about the magical
mayhem he produces every time? Quick-witted Fox has that rare
ability to recognize the humor in most every situation. And he
makes the most of it when he lampoons the little slips and flaws in
acts that have gone on before. But his madness is never derisive only fun. Even the acts break up with his antics. Some have been
known to feel hurt if Karrell doesn't include them in his satire. The
stage becomes crowded with his assistants Dickson, Kissell, Flint,
Oslund and others - even Recil Bordner. And the mess grows
deeper as the troupe follows Karrell's lead. While the lay audience
may not understand it all, the sheer bedlam created brings laughs
to everyone. The Foxy one and his crew received a well-deserved
standing ovation.
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Thus the 40th Get-Together closed. There were other activities too - lectures, close-up work, contests,
Bingo for the ladies, and a luncheon for the senior citizens. There was also the matinee performance, at
an extra fee, for the benefit of the Colon Lions' work with the blind. Karrell Fox emceed in great style
and along with Abb Dickson convulsed everyone with their Hearing Aid routine. Don Theobald, as TBone the Clown, performed his 50 minute presentation of comedy, magic and puppets. Well staged and
planned. Jay Marshall and "Lefty" were in top form and are perennial favorites every time they appear
on the Get-Together. Whitey Roberts did a turn to great applause. Dale Salwak, who had just returned
from a month’s tour in Japan, presented his smooth-as-silk sleight-of-hand. And the crowd now awaits
Abbott's offering for next year!
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1977 The Greatest Talent Contest (by Neil Foster)
In every issue of The NEW TOPS appears the slogan, EVERY PROFESSIONAL WAS FIRST AN AMATEUR, it's
there to encourage the novice and to prevent the professional from becoming conceited. The future of
Magic is in the hands of the beginners, and you can take it from an old guy, the future sparkles. Running
the contests each year at the Get-Together for two mornings is my pleasure; it's akin to gardening,
which I love, watching things grow and mature is the name of the game. For instance, in 1966 we held a
talent contest with nine contestants. . .here are four of the nine whose names you will recognize
immediately. . .Tom Mullica, Dennis Loomis, Dale Salwak and Claire Manley. Yes, every professional was
indeed first an amateur.
I am glad to see that our talent contests have grown where we can now give 36 young magicians a
proving ground under professional conditions to try their wings. Each year our audience of early
morning risers increases and thanks to them they are on hand to encourage these new people. They
also see some great work and enjoy themselves at the same time.
Our three judges this year were Bill Vande Werken of Kalamazoo, TOPS columnist Walt Hudson of
Baltimore, and that great professional, George Goebel of Baltimore. Connie Pelham was at the organ.
The contestants gave our judges a hard time because 80% of them were all winners as far as I was
concerned. Here are the winners: First place, Lance Burton, 17, from Louisville. Second place, Jeff
Hobson, 15, from Detroit. Third place, Mac King, 17, from Louisville. Fourth place, Todd Simpson, 17,
from Mason, Ohio. Fifth place, John Colletti, 12, from Grosse Pointe, Michigan. The judges also gave
Honorable Mention to Gerry Kurtz and Larry Clapp, both from Toledo, Ohio.
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1977 Historical Marker Unveiled at Get Together (by Tops/Sturgis Journal)
Recil Bordner, owner of Colon's Abbott Magic Co., was
honored with a legislative proclamation Friday night,
forwarded by State Rep. Dan Angel. The citation was
presented by Tom Sullivan of Marshall, an amateur
magician. The presentation was made at a midnight
unveiling of a double historic marker honoring the Village
of Colon and its most famous resident, Harry Blackstone.
His son, Harry Jr., presided at the ceremony before a crowd
of about 300 people, including magicians gathered for the
annual Magic Get Together and members of the ColonBlackstone Society.
Following cocktails and dinner, certificates of membership
in the Blackstone Society and a gold engraved deck of cards
were given to each guest. A number of presentations were
awarded to Harry Blackstone and his family. Among them
were several framed certificates, two from Governor
William Milliken; a special contribution certificate to Blackstone, Jr., and a certificate signed by the
Governor proclaiming Colon August 10-13, 1977 as Magic Days in Colon.
The Blackstone Society members then traveled in a caravan of over 60 cars to the Colon Township
Library where they were joined by magicians and friends for the unveiling of the State of Michigan
Historical Marker by the Blackstone family. Harry Blackstone, Jr. read the bronze letter tablet on both
sides which tells of his father, Harry Blackstone, Sr., Colon’s heritage as the Magic Capital, the history of
magic, and Abbott’s Magic Manufacturing Co.
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If you think that title lacks dignity, you may be right. But let me tell you that a comment along that line,
using the same words, uttered by Bill Boley's chicken, got the biggest laugh of the entire Get-Together.
Plus it got Bill Boley a contract for 1979...at another convention. The reason the crowd laughed so loud
and long was because it was in entire empathy with the statement. I am sure Recil doesn't know how
important his personal influence is at the conventions. He keeps a low profile but people know he's
there. They know he has - if you will - busted HIS tail on their behalf, and has done it for many years. His
one moment in the limelight - on Saturday night, when he makes the annual refund for the annual
malfunctioning trick, is about the only time everybody sees him at once.
People enjoy working to make the Get-Together a success, and if we have to move our tails a little in the
effort, that's all part of the fun. And 1978 was (another) success - verbal comment was at least 98%
favorable.
Many, many people considered Virgil and Julie, the high point of the week - and I agree. A few (mostly
younger people) sighed for one more long haired kid vanishing one more cane, producing one more
dove, repeating over and over the same tricks ad nauseam.
Sensible people were pleased to see tricks, by Virgil, they had never seen before. Julie is a marvel in her
field - I know of no one who duplicates her performance. The act didn't move at flash speed -' how could
it ? The spirit seance was an education in magical history, as were the other tricks, the Spirit Paintings,
the Chess Knight's Tour, etc. Someone like Henning will come along, take one of those tricks, revamp it
to suit television, and every magician in the country will lust after it . Meanwhile, those who witnessed
the Virgil and Julie act saw magic as it was in the days of its previous greatness, at the time of its last
peak. They also saw a man and woman who know their trade, who have worked around the world, who
have been on more stages than almost any living magician you can name. Recil, you picked a winner in
that act, and we want you to know we appreciated it.
On the opening night show, popular Rick Johnsson was M.C., to introduce Gordon Miller who again
performed an original "welcoming" act. Bob Little, who could stand a few more feathers on his plucked
dove costume, Tina Lenert, very capable mime, Tom Ogden just back from a Mississippi River Gambling
Boat Show and in fine fettle, Paul Driscoll and Company. The trouble with magic conventions is that the
same acts go round and round and you start to see the same ones over and over. To most people I
talked to, Paul Driscoll was a "new face". Since he is a sharp boy with good looks, pretty assistants, lots
of nice looking magic, he will not stay new, because conventions and shows desperately need talent.
But, this time, he was new. He obviously had spent a lot of time with his assistants and tried for new
angles, fast bits of business (like the lid of the big dove pan being tossed into space over the girl's head,
for another girl to catch). Everybody looked very show-biz, with lots of smiles and choreography. In the
Sub Trunk, his version of it , a smiling girl in blue went in, and at the climax of the trick, apparently the
same smiling girl in blue came out. It was not the same girl, but back of the sixth row in that huge
auditorium, they all looked the same. Paul Driscoll has a lot of money tied up in the act, and he hauled
all the props and people up from Texas. It was a good showing by a newcomer and we wish him lots of
luck in getting where he wants to go.
On Thursday night, Dorny Dornfield acted as M.C. - and here again the audience showed how much in
favor of this booking they were. The years sit lightly on Werner, and he went thru his jokes and gags like
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the pro he is, with no hesitation and go groping for names. If he had a minute's trouble, he turned it into
a laugh. Magic needs its patron saints - and Dorny is surely one of them. Dorny introduced Steve Spain,
Guel pa Corday and Company, Greg Otto, and Tommy Curtin. I would never want to follow Tommy
Curtin -- this guy is such a great juggler he carries the audience in the palm of his hand. We always say
that the variety acts always stop the shop, no matter how great the magic acts are -- and in this case, it
was true. The applause was loud and long. Nothing could follow but the intermission.
Virgil and Julie took over the second half, with outstanding results, as we have mentioned. Guel pa
Corday were another of those substantial professional acts with substance -- definitely something to
offer, that you knew at once had played vaudeville circuits and location engagements where
management was tough, and you had to produce. The young people did great - beautiful manipulation,
well routined acts in the Ger Copper tradition, but as you watched them, you knew the difference. I
think it is a flow of confidence that exudes from the long experienced performer -- and it can only be
gained by serving your time on stage. Guelpa and Corday did a piano act that everybody loved - a real
novelty by a fine musician. (She played again at the Never- Too-Late party). Then Guelpa did, like Virgil,
some tricks never seen before by the under thirty crowd. Laurie Ireland used to do a watch routine close
to this one, but Guelpa had ideas of his own and they all clicked with this audience.
On Friday, Mike Caveney did the honors. Earl Ray Wilcox is no newcomer to this crowd, but he works so
hard and so very, very well, no one worries about having seen him before. One can only consider the
countless hours he must have put into that superb manipulation and marvel. We might say the same for
Bob Downey, on the same bill. He, too, is an-every-3-or-4 regular for Recil, but it takes that many times
to try to imagine not only "where do the doves go?", which he invites you to do, but where in the devil
they come from in the first place.
Vito Scotti, people tell me, has been in movies and on TV. He did a pantomime act with skill and
smoothness, and proved he was an actor. I see hardly any movies and little TV, so I apologize for not
knowing him. Besides Vito, who was very well received, the bill included Col. Bill Boley, whose black
crow didn't seem to keep the same sex judging by Bill's patter. Some jokes referred to his chasing girls,
some to laying eggs. Or maybe I was laughing too much to get all the lines. Boley is very, very funny and
since he will be appearing at other conventions next year, you will get to see him if you missed this time.
The evening wound up with Bob Meyers & Company, another young man anxious to go the Kramien
route, or follow the Blackstone tradition. An unusual opening had his girls with masks, and some dance
numbers. The act went well and the audience were pleased. The group were well rehearsed, which is
very important when more than one person constitutes an act. The marvel of Karrell Fox's Saturday
Night Instant Replay of the Get-Together is that they are NOT rehearsed - and everybody knows it - yet
nobody has ever yet knocked anybody down, or trod on other folk's toes, or walked off the front of the
stage. They come and go on what seems to be cue, and everybody seems to know what they are doing.
All, obviously, a direct result of bustin' their tails for Recil.
On Saturday night, Jack Pyle (cover boy of the combined August-September issue of TOPS) worked the
"old pro" bit to the hilt by being charming, affable, professional, talented, and entertaining. He
introduced Bill Tadlock, long a favorite on these shows with all different tricks; Jeff Wawrzaszek with a
revised version of his former act, beautifully staged, costumed, and executed; Marshall Brodien and
Cookie, mad men from Bozo Circus with a hilarious act, not to be missed, including the pie in the face of
the debonair M.C.
Sid Lorraine gave the audience a hard time -- caught them so bad it was painful, including yours truly. Sid
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works a funny medicine pitch built around the product "Fraznia," but as everybody knows, Sid has a few
years hung on him, and standing up on that stage, warm in spite of the air-conditioning, a man can get a
little overcome. His voice began to fade out, he cleared his throat, then got hoarse again. Someone near
me said, "Why doesn't that stage crew hand out a glass of water?" and people around me were restless.
I felt very uncomfortable. Sid is ‘my old, dear friend, and what if he brought on a heart attack with
strain? I had to force myself to sit still . Just when a thousand people were about to stand as one, and
yell out, “Water! For God's sake!" that son of a gun Sid took a fast swig of Fraznia, and blasted the
audience with a full-throated line of conversation on the merits of Franzia. They could have killed him!
Of course, later, everybody said they knew it was a gag --- but I was in the midst of that audience and
heard
the
murmurs.
Harry Blackstone, Jr. was the surprise act of the evening, gorgeous in another of those hand-beaded
suits, and Playboy smooth with his tricks. One of them was the Light Bulb Cabinet he introduced
recently, and which is no doubt destined for the full evening tour he will now begin. Karrell Fox and the
Instant Replay of 1978 Revue were their usual hilarious selves, some of it very, very good, some
groaners, and all of it well thought out. Recil paid off when a trick didn't work; Bob Lewis played the
banjo inside the spirit cabinet which collapsed on him. Abb Dickson capered around in Pampers and
turban, Rick Johnsson got laughs for the third time that week, and other happy souls added to the fun. I
think I saw Max Maven darting around the general pandemonium, but you can never be sure unless
they have a speaking line. Karrell insists on several years of apprenticeship in the IRR before he lets
anyone do a specialty gag.
All that is what happened at night! Daytimes were full. Neil Foster conducted what amounted to a week' ferret out the five winners honored Saturday night. The winner's names were: 1st place Jeff Hobson,
2nd Chris Jakway, 3rd Greg Schultz, 4th Larry Clapp and 5th Mark Brandyberry, There were thirty six
entrants, every one striving hard to be the best. Kramien told me he was one of the judges, and he often
found it difficult to decide when the young people had put so much into their entry, ( He also said that
he felt he ought to go over his own show with a cold heart, tossing out the too familiar and the obvious.
After watching so many acts for so many days, and seeing how the same tricks got put into use, over and
over, he had a chance to take the audience's viewpoint on it t . )
Congratulations to Neil for putting himself in the contestant's shoes, and making a real stage production
out of the contests. This is how they do it in Europe, and we all know what truly great acts develop out
of the kids who enter contests.
Karrell Fox, David Ginn, and Rick Johnsson delivered the featured lectures on three separate days. They
all have something of value to impart, and the conventioneers felt they profited by attending these
talks. The ventriloquists held forth each morning in the showroom behind the office, so the visitors
seeing about tickets, etc., also got a good earful of "square on Sundays, round on weekdays" patter.
Among other professional vents attending was Sandy Rings, featured in last year's shows.
Close-up experts included Rick Johnsson, Phil Goldstein, Jack Pyle and Robert Downey. The special
benefit matinee for the Colon Lion's Club featured David Ginn and Bob Kramer and Judie. Ralph Mills
conducted a magic minister's session on Saturday. A great improvement took place this year when the
ladies' parties were moved to St. Barbara's Catholic Church. This gave us the use of a lovely airy building,
air conditioned, plenty of room and facilities.
Bingo was featured on Thursday and Saturday, with a half hour of entertainment each day. On Thursday,
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Max Maven (Phil Goldstein when he's doing card tricks!), presented a program especially arranged for
the ladies, with mental magic and fortune telling intertwined, and lots of lovely ladies t o take part. (A
coterie of cohorts asked and were granted special permission to sit at the back of the room and
observe.) Max Maven was Ted Annemann all over again, charm and all. A very good job. On Saturday,
Kari Hunt, assisted by Doug, charmed the girls with her presentation of masks and costumes depicting
various famous women. The fascinating part about it is that Kari made all the masks she shows, and runs
a short film showing how she did it. The program was an excerpt from her full program which she
presents to women's clubs, etc. She worked for 5 years on "Masquerade Party" on New York Television.
Everyone enjoyed Kari and Doug (who interposed a little magic here and there.). The Grange ladies
served their excellent finger sandwiches and cookies after each bingo session.
St. Barbara's church made a fine location for the "Never-Too-Late" party on Friday. This is a brunch,
served by the Altar Society, followed by a program. Every seat was taken, and this year we were
honored to have Eda Mae and Recil Bordner in the group. A banjo band made up of Bob Lewis, Howard
Bamman (on guitar and one man band), Monk Watson on his wind instrument, Bill Watson, Monk's son,
on banjo, and Roy Krizan on Banjo. Inez Blackstone played piano part of the time, with fill in by Alan
Meldrum and Mrs. Guelpa. Community singing followed the excellent brunch, then gifts for the oldest
lady and gentleman. The program was just great -- because it was very impromptu, and every one on it
was a "Never-Too-Later." Lots of laughs, lots of fun. Participants included Robert Carl son (Bainbridge,
N.Y.), Ernie Covell, Canada, Forrest Kuhns , Vernon Cook (Portland, Ore.) with an original magical theme
poem, Bob Lewis and Florence Guelpa in one heck of a duet on banjo and piano, Howard Bamman,
Armand from Michigan, Martelle from Illinois. Then we had a "down memory lane" series of photos
shown from the opaque projector -- all old magic show biz photos. This aspect of the program can stand
improvement, because the room was too light, and we didn't have a proper base for the projector. If we
repeat this next year (with new photos, of course), we will try to set the machine in a different way. In
any case, the 130 odd people plus the entertainment/steering group didn't mind and everybody left
happy -- urging us to do it again next year.
Did we mention that the Abbott magic showroom moved to the school for the duration, seemed to do a
whirlwind business, with all the clerks and helpers moving their tails for you know who?
And so we wind up another great Abbott Homecoming, as we leave Sturgis and turn West on the Indiana
Toll Road. We stopped en route to say goodbye to Bill Baird who was buried near the Blackstone
monument in the Colon cemetery on August 8th. Mile after mile slants past our windows as the car
proceeds toward Chicago, and the gates to the World's Capitol of Magic close softly behind us for
another year.
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1978 Earl Ray Wilcox Wins First Baird/Foster Trophy (by Abbott’s Magic)
1978 Earl Ray Wilcox, 1979 Jeff Hobson, 1980 Dale Salwak , 1981 Neil Foster, 1982 Lance Burton, 1983
Peter Gloviczki, 1984 Howard Hale, 1985 Stuart MacDonald, 1986 Mitch Williams, 1987 Chris Jakway,
1988 Brett Daniels, 1989 Brett Daniels, 1990 Tony Clark, 1991 Mr Electric - Marvyn & Carol Roy, 1992
Tom Mullica, 1993 Amos Levkovitch, 1994 Earl Ray Wilcox, 1995 Romaine, 1996 Torkova, 1997 Danny
Cole, 1998 Juliana Chen, 1999 Mahka Tendo, 2000 Mark Taylor, 2001 Kenji Minemura, 2002 Julius Frack,
2003 Tim Wright, 2004 Jason Latimer, 2005 Liu Chen, 2006 George Saterial, 2007 Arthur Trace, 2008
Yumi, 2009 Tim Wright, 2010 Liu Zihao, 2011 Reuben Moreland, 2012 Tim Wright, 2013 Trent James,
2014 John Shryock.
"Fifty dollars! What's getting into Recil? Fifty dollars for what?" Even Recil knows that these were the
comments here and there after the Abbott Homecoming 1979 was announced. But nobody stayed away
because of it, and as any thinking person can tell you, if you weren't there - Colon is the big buy in magic
gatherings.
The trend now in magic conventions - in fact the only way they can go - is to move into the new
hotel/convention center complexes. There are no longer any big old hotels that can accommodate
thousand and up attendance. Getting an auditorium close by for the many shows is always a major
problem. So the new complexes, built for this purpose, have to be the answer. Even if the registration
fee is only $35, the hotel rooms are very costly, and meals within the complex equally so. Restaurants
close by keep their rates up, and so it goes.
Only in Colon, out of the whole United States (to say nothing of foreign countries) can one work out a
plan whereby meals are relatively inexpensive, sometimes even on a do-it-yourself-basis , Rooms and
houses, and even the motels are within reach of the average purse. People drive over in groups, so
travel is kept to a minimum.
Only in Colon are two great Bingo parties put on for the ladies. Prizes in 1979 cost over $300 -- and no
lady left without one. Two paid-in-full registrations for the 1980 Get- Together were won by two ladies
who made sure their slips got into the boxes which were offered at the 'ladies' activities. Delightful
refreshments are served and transportation furnished, even the Church is not far.
A lack of location forces the withdrawing of the very popular Senior Citizen's Luncheon - after all ,
Colon's population the year round is only 2,000. In 1980, a strong effort will he made to re-instate this
lovely brunch party.
The 1979 shows were something to talk about. I think Gordon Miller is being missed by show
committees around the country -- he's a clever, resourceful magic thinker and he makes the Wednesday
night show, year after year. He was M.C. of that show, and began with a bit of nonsense about the back
stage fire of last year, when his trousers caught fire from a trick. It was quickly taken care of, but gave
Gordon, this year, the chance to say: "Last year I was the hottest act in show business." This, flanked by
two firemen with helmets and extinguishers. Right away, the exciting banners fell down at the back of
the stage, all hell broke loose, and another Abbott Get Together was underway. (I think one factor that
makes Colon a beloved festival is that it has "tradition." If something is good, they repeat it . Change is
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fun, innovation is desirable, but we are happiest with the expected and the comfortable. Those banners
should keep right on falling down, twice a year! ) Excellent though the Wednesday night show was with
acts like Gordon himself, Jeff Hobson, Vito Scotti and Paul Driscoll and Company - it was John Shirley
that brought the audience to its feet with his wonderful marionettes and balloons. There's something
about a real pro! While the audience was on 'its feet out of admiration, John wowed them still further
by filling the auditorium with balloons in his famous "Balloon Barrage". The second half of the show was
a new presentation of Paul Driscoll . This young man from Texas gives a great deal of thought to his
performance (or he has a very good professional director). This time it was "magic on the waterfront,"
with well coordinated tricks done with fish; well coordinated, appetizing looking girls tossing the tricks
around, or catching them in mid air, and a fast moving Paul doing unusual magic. He went to much
trouble and expense to create the scene, and he had at least a few props that represented much
investment of time and money. I don't know where Paul wants to go with his magic - but he's on his
way. I wish him luck!
Nobody can say it doesn't matter if you get to Colon in time for the Wednesday night show, because if
you miss that one, you might just miss the No. 1 program!
Except, of course, there was Thursday night. (Jay Marshall had work happen to him and couldn't come
until Friday. When he heard what he missed, he was heart-broken.) If you have never seen Terry
Seabrooke, you had the treat of your magic life on Thursday night. If you weren't there, you missed him
again. Of course, he is a certifiable maniac to begin with, which is why he is one of the busiest comedymagicians in Europe. Nobody I ever saw manages the borrowed and burnt and restored dollar bill like
Terry. The fellow whose dollar it was was hysterical . Terry has a voice like none other, and lines that are
only Seabrooke's. it is no use trying to describe it . Spend some money and go see him any place you
hear he is playing. They had lots of Terry that night, because he was M.C. as well. Two young men each
did manipulative type acts, each in their own original style, and each showed much thought and work by
the excellent acts they did. Howard Hale and Greg Schultz deserved the big hands they got.
We've all seen mentions of the fabulous Glen Falkenstein in West Coast magic journals, and I am sure
others, like myself, looked forward to seeing what this paragon was going to do. As is the case with all
mental acts, people later offered explanations that might have been valid, but almost humanly
impossible. A small mob of people came on stage, with cards on which were written names, numbers,
various dates. Glen was multiple-blindfolded including a metal plate across his face. One by one he
repeated back the information off those cards -- and you can say you know how it's done, but the
rattling off of license numbers, social security numbers, dollar bill numbers, etc., etc., plus unfamiliar
names, addresses, etc., instantly, and without hesitation, impresses the devil out of ME! And you, too if
you would only admit it. Never mind the methods - the results brought the house down. (Falkenstein is a
little on the heavy side - so he could afford to lose the several pounds that hot stage and his obvious
sweating caused him to shed. Colon mystery - why doesn't the air conditioning work on the stage?)
The second half of that show was an experience not to be missed. Stan and Kathleen Kramien have been
on Colon shows before -- and one figures a magician has only so many tricks, no matter who he is. Oh,
yeah? Kramien must have a magic-mine out there in Washington, with unfathomed depths of magic. In
the first five minutes of his show, he whirled thru at least twenty fast moving tricks - without a word,
without a lost motion, and with a lovely self-satisfied half-smile on his face. Kathleen furnished a lot of
the action, backed up by the rest of the company. It was superb! Jack Gwynne, master of the "when I
throw it , you better be there to catch it" school of magic in his hey-day must have inspired the then
rising young Stan.
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Then he slowed up a bit , began to talk and moved into a series of bigger effects, including the Cargo
Net. Kathleen became "Alice" for a pretty rendition of "Thru the Looking Glass". They slid her prone
body thru a big round mirror - and again the audience saw an inventive version of an illusion new to
them. Men like Kramien inspire the young crowd, who sit there and wonder if they, too can ever be the
epitome of the magic showman that Kramien is . Why not... if they work as hard as he does at it.
Friday night followed Thursday like always, with Hank Moorehouse as M.C. Bob Higa did a new act in
traditional Japanese costume, very charming and engaging - with the full flavor of delicate Oriental
magic. Glen Falkenstein and Frances Willard presented the Spirit Cabinet to the great pleasure of the
audience. Last year the Virgils did this famous, but seldom seen trick, and completely won over doubtful
spectators to this form of magic. Frances Willard was in every respect as fine a performer as Julie, and
the audience could congratulate itself that they have now seen the two women in the world who know
how to perform one of our classics. (And it all happened at Colon!)
At this point, Neil Foster showed up -- and he gives a reviewer a lot of trouble. What can be said about
Neil that hasn't been said a thousand times? He is magic
personified. He is part of the Abbott tradition, he is expected to
be on the show, and he never disappoints. He inspires people,
he makes them realize what really good magic can be like. And
he walks on stage to a big hand of welcome, right from their
hearts. I think the people love you, Neil .
This show ended with a presentation made by a modern young
group from Colorado - the Foan Family Circus. I t was a mixture
of comedy, music, magic and nonsense, and very well received.
The participants are all very talented and in many ways. A sign
on their table, "Magic, Inc." was never explained to the
audience, but was full of meaning to us. The Foan Family do a
Foan Family Circus
wild and hilarious number in which one - man stands behind a
table laden with magic. The others sing a parody of "The Twelve Days of Christmas" using "Magic" for
"Christmas". As the magic objects are named in the song, the magician picks them up and shows them
and puts them down, but of course "six rubber ducks", etc., can get awfully confused. Plus the finger
chopper into which his finger has to go! For our wedding anniversary, Don Wiberg suggested a group of
guests do this routine, with Jay Marshall as the magician at the table. It was a small riot and hilariously
funny. Now we had a chance to see the original people and the Colon audience felt just the way our
guests did -- this is magic burlesque at it s best.
Saturday night was the time of the awards for the many eager young beavers who took part in the
contests. It's fun to see them come forward, all smiles and pride. This year's winners, with trophies
presented by Neil Foster, were: Chris Jakway, 1st place; Todd Simpson, 2nd place; Mike Younger, 3rd
place; Mac King, 4th place; Rich Hill, 5th place; Ernie Hampson, 6th place; and Bob Redmond, Jr., 7th
place. Stan Kramien won the Jack Gwynne Trophy. Jeff Hobson won the Bill Baird Trophy and The Foan
Family Circus won the Clarke "Senator!' Crandall Trophy.
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Gene Anderson picked up the show
at that point, acting as M.C. and
doing his excellent newspaper act.
Since we last saw him , he has done
this material as far away as Australia,
with many foreign audiences in his
future. Tim Wright, Paul Gertner and
the Amazing Conklins: All familiar,
but very acceptable acts for this
audience. Jim Reneaux, who
followed them originally was a
Michigan boy and often seen at
Abbotts.
Now
he
lives
in
Pennsylvania and is almost a
stranger to us. The act, presented
with his wife, Joyce, was Jim's
beautifully done work with doves,
silks and surprises, and very well
received. Karrell Fox sat behind me
all week, always with pencil in hand.
Now the results of a week of
observation were translated into the
usual Saturday night jamboree of
crazy stuff, aided and abetted by
Karrell's staff of wild men, among
them Abb Dickson, Jay Marshall, Dick
Oslund, Roy Kissell and others. The
make-up and costumes make it hard
to tell who takes part, but they keep
it funny and fast moving, and wet.
Karrell thinks funny - and when I caught him with his pencil, and a frown on his face as he wrote, I knew
he was thinking funny and writing it down. Nobody ever sees the hard-working stage crew who toil away
back there in the heat - being snapped at by nervous performers waiting to go on - getting sour looks for
their attempts to make everybody back stage be quiet - and keeping alert for the needs and running
time of the act that is currently out front. Once a year Dorny, master of stage crew par excellence, sticks
his head out between the curtains and smiles at the crowd. Bill Smetak, his "right arm" never comes out.
But everybody knows they're back there -- the smooth running shows prove it. And everybody is
grateful! Thanks, Dorny and Bill. A big show as exciting and worth-while as any I have described took
place on Friday afternoon for the Lion's Club benefit, in their work for the blind. The packed - house saw
Harry Blackstone, Jr., as M.C. Bob Mason and Punch and Judy, Earl Ray Wilcox with the great
manipulative act, Sandy Rings (bringing tears to every eye, along with the laughter) and De Yip Loo and
Company. In case anybody might think magic would taper off with the present generations, let me tell
you about three people at Colon who insure the future for us. De Yip Loo introduced a new member of
his show, Frances Mei Ling, 4 years old, who did fine in the illusions. Jerry ConKlin and Company carried
an infant across stage, marked "New Grandchild". Behind me all week a super infant sat, never making a
peep. This was the Karrell Fox grandchild, who made his first stage appearance at the end of the
Saturday night show.
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We must not forget the plusses at the Get Together. The lectures included successful club operator, Tom
Mullica, always popular Sid Lorraine and the inimitable Terry Seabrooke. Continual demonstrations went
on at the Elementary School, the ventriloquists had sessions a t the factory, and the Magic- Ministers at
the High School. A close-up show included Tom Mullica, Father Cyprian, Paul Gertner, and a surprise act,
Howard Flint.
If you weren't one of the two people who won paid-up registrations for 1980, start now to save up your
fifty dollars. Year after year, Abbott's outdo themselves, and year after year, it's worth whatever it costs.
Thanks Recil - you're all heart!
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1980 First Closeup Convention Features Harry Lorayne (by Abbott’s Magic)
Harry Lorayne will be the feature at Abbott's first annual close-up convention this March 14th and 15th.
If you have been invited try not to miss it, Harry is a dear friend and one whom you can learn loads from.
Harry is definitely Top Shelf in my book. The books he has written on cards, and especially Apocalypse
magazine are all one needs to study to be an accomplished cardman. Abbott's first close up convention
should be a memorable event and I'm sure will rank high among close up gatherings.
Note: The Abbott Magic Close-Up Convention continues to provide Magicians the chance to expand their
repertoires with the greatest close-up talent in the world performing and lecturing at a reasonable price.
The event happens each March and features the best Closeup Talent in the World.
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All Time Closeup Convention Performers List
1980 Harry Lorayne
1981 Scotty York
1982 David Roth
1983 John Cornelius, Bruce Florek
1984 Tommy Wonder, Mike Powers
1985 Phil Willmarth, Eugene Burger
1986 David Ben, Hank Moorehouse, Dan Garrett
1987 Steve Beam, Johnny "Ace" Palmer
1988 Tommy Edwards, Jay Marshall, Jon Brunelle
1989 Jay Sankey, David Harkey, Tim Wright, Jon Brunelle
1990 Don Alan, J.C. Wagner, Randy Wakeman
1991 Simon Aronson/David Solomon, David Neighbors, John Rachenbaumer
1992 Dan Fleshman, John Luka, Mike Rogers
1993 Tom Carven, Dan Harlan, Mike Powers
1994 Eric DeCamps Obie Obrien, Don England
1995 Robert Bengel, Bob King, Danny Tong
1996 Bill Goldman, Jim Krenz, David Roth
1997 Paul Cummins, Dan Garrett, Carl Cloutier
1998 Steve Bidwell, Doc Dixon, John Luka
1999 Joshua Jay, Steve Draun, Lennert Green
2000 Gregory Wilson, Jim Krzak
2001 Paul Green, Eugene Burger
2002 Manual Murerte, Pit Hartling
2003 Doc Eason, Chad Long
2004 R. Paul Wilson, Carl Cloutier
2005 Bob Sheets, Bruce Bernstein, Tomas Medina
2006 Eric DeCamps, David Solomon, Mike Powers
2007 David Costi, Nathan Kranzo, Dan Fleshman
2008 Marc Oberon, Ed Ellis, Kostya Kimlat
2009 Paul Gertner, Tom Craven, Mike Powers, Gordon Miller
2010 John Bannon, Steve Beam
2011 Stephen Bargatze, Rick Merrill
2012 Richard Sanders, Bill Abbott
2013 Eric Jones, David Regal
2014 Max Maven, Kainoa Harbottle
2015 Garrett Thomas, Caleb Wiles
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1980 Lorayne & Fox Engage In Magic Duel (by Abbott Magic)
Harry Lorayne was the perfect choice for Honored Guest at the first annual Abbott Closeup Convention.
Late Friday a friendly Magic Duel took place at the American Legion between Harry and Karrell Fox
which lasted over three hours long. The winner? Everyone who was in attendance!
That means the Get-Together, the homecoming for well over a thousand magic minded people; the
event of the year for many. A fifty dollar registration; a six dollar bleacher seat; didn't keep people away.
As in all years, many spent the entire week there, waiting for things to happen. When we left mid-day
Sunday; we saw many conventioneers walking about the streets, not anxious to leave.
The important features at Colon are the four evenings of "big" shows, held in the High School. Night
after night, all the extra seats are sold out to those who cannot attend the entire affair - or to locals. This
results in full or almost full houses, a condition envied by most annual show committees in various cities.
Of course, the Bordners have a captured audience. For miles around, there are few movie houses, no
live theatres, so they have little competition.
This was the year, on these big shows, of the "knowing look", the year of the conspiritorial , confidential
wink at the audience, especially right after having done something clever. It was also the year of the
tossed head, sort of indication that "Thank God that one is finished" and a body signal for applause. Tom
and Sherrie and their body language didn't come over as strong in that department, with many other
acts trying it out. Maybe I'm the only one who noticed it, in which case it is good I am the one who is
writing this survey.
This was the year I had four occasions to
get a lump in my throat. FOUR! There
were a dozen, but there isn't room here
for too many sentimental touches.
Karrell Fox, with his symphony of
memories (despite the horrible lighting
situation) touched most of us. Then, due
to some stranger in the wrong seat or
whatever, Howard Bamann sat thru two
shows with an empty seat beside him.
On Saturday night, at the moment when
Recil always stepped on stage to pay off
the refund to Karrell, young Greg
Bordner strode forward and peeled off
the money. ( It was a significant
moment - I hope you caught it.) Even
tho someone else may have been sitting
there, in our minds there was a little empty space on the bleachers to my right, a spot that was always
Millie Bouton's. And so it went. But there are happy lumps too. Like when Chicago-area Mike Younger
went up to get his first place trophy in the contest -- after years of trying. And when 12 year old Chad
Jeff Hobson
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Willow took a trophy, on his first try, laying the ground work for years of trying for the big one. I guess
this is why we call it "homecoming". These are all our dear people with whom we love to be re-united.
The Wednesday night show opened with Gordon Miller doing the big welcome scene that has become
traditional. (Gordon worked in Chicago this past winter with excellent results. He has a fine mind for
working out special event magic.) On the bill were Chris Jakway, Wilhelm Von Larsen and Princess
Brunhilda, Kikuchi, Fantasio and Don Adams and Company. A nice variety, with people who know their
business.
If you never heard of Wilhelm and Brunhilda, that's the hoaxy act perpetrated by Bill and Irene Larsen,
and very well done. When popular personalities try something, they can't help but go over. Irene proved
to be very popular with all the ladies, too, many of whom had not met her before. She was always the
center of a laughing circle, a great ad for the famous Magic Castle which she and her husband operate.
No American performer has any props like Kikuchi , so even tho everybody envied the spectacular act,
few will be able to build another like it . Fantasio was a great ad for his products, which of course were
developed while he and Monica played the world in top spots. His last number (not yet for sale) with a
candelabra with four holders , from which sprang, at arm's length, four tall candles, won him instant
applause. Acts all over the world are using his line of canes and candles , some of them right there in
Colon.
Jay Marshall was the M.C. for Thursday, which was fortunate, He is difficult until he has done the job he
came to do, and then sunshine if it goes well. It did. (Except for the fact that the big rabbit is supposed
to be brought on in full view, with a complaint that people can't see. Instead, the big rabbit was handed
out as a lump thru the slit in the curtain. He kept an angelic calm all thru this, and made the transition
without comment. Is this the ogre I know?)
Tim Star, manipulator from Sweden, now living here, did involved routines as only the Europeans have
the patience to learn. John Kurtz and Maria of Milwaukee
pleased the audience with a well organized act executed with
props and manipulation. Jim Sommers and Jannine performed
illusions, creating a lot of interest in their light bulb
penetration. Dennis and Peg Metz were new to this audience
and very pleasant to watch. Nothing could follow the Foan
Family Circus which ended this show. These six young people
from Colorado sing, dance, do magic, gags, stunts, juggling,
you name it . Everybody in magic should see the Foan Family
at least once in their lives -- if for nothing else than to observe
the creativity and inventiveness of some of our people. They
obviously haven't spent a lot of money - but the end result is
Tim Star
great, and hilarious. At some time or other in their program,
everybody takes a hand at everything, but young Barrett Fellker is their top juggler. Not only their top
juggler -- one of the best I have ever seen. I invite him now to be on my 50th Anniversary Show in 1981 maybe all of them. Incidentally, his juggling brought on the only standing ovation of the evening.
On Friday night, Welshman Trevor Lewis held forth as M.C., with unusual gags and display of talents few
suspected. (He does an English music hall bit with a uke, George Formby style, that's a wow). He fronted
for Mark Brandyberry, Pete Biro, Tom and Sherrie, Monsieur Brunard ( I never saw him before and he
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proved to be something else in the line of a vent!), with Harry Collins and his slick, sophisticated act to
finish.
Californian Mike Caldwell did the M.C. honors for Saturday -- in fact it was too much! With Mike to open
and Karrell to close, the human body can't take all that invitation to laughter. Jeff Hobson, Divad and
Company with illusions, Dale Salwak, (a great ad for the Chavez school!) filled in the first half and then
Karrell took over. Karrell paints with a broad brush, but some of the biggest laughs come from his subtle
reminders of things that happened during the week. The audience laughed loud and long at the milk
streaming around the place, "Doug Henning" burlesqued (that kid is getting tall, isn't he?), the line of
costumed unrecognizable characters trotting across stage ... and many other happenings that could only
be Saturday Night Live at Abbott's. One wonders how Karrell keeps up with it, year after year, always
with the laughter reading at high.
The days were full, too. Early on Wednesday morning, a group gathered at the cemetery. Karrell Fox
read a memorial for Jack and Ann Gwynne, as their urns were buried in close proximity to their old
friends. This was their request and granddaughter Beth carried it out.
The showroom was opened for a dozen hours a day,
and always full of lookers and buyers. Daytime
lecturers included John Cornelius, Trevor Lewis, Ron
Bauer, Mike Caldwell, Pete Biro, a prestigious group
for the advancement of learning among magicians.
Close-up people included, Steve Aldrich, Trevor
Lewis, Pete Biro and John Cornelius.
Stan Kramien
On Friday, for the benefit of the Lion's Club, an
extra matinee featured Stan Kramien and Company,
an 0ld favorite at Abbotts, and a full time
professional who can do no wrong. Neil Foster
conducted the talent contests, winners in which
were
7th Place: Rich Hill
6th Place: Tom Glinski
5th Place: Chad Willow
4th Place: Steve Biller
3rd Place: Art Benjamin
2nd Place: Franz Harary
1st Place: Mike Younger
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Further, the standing trophies and awards were presented on Saturday after the shows. The comedy
trophy must have been a problem for the judges, because Mike Caldwell was so hilarious, but Trevor
Lewis held his own in that field, and
emerged the winner. Dale Salwak earned
the Bill Baird award for manipulation and
the top award, the Jack Gwynne trophy, is
now the honored possession of Dave
Seebach who is the mastermind o f Divad
and Co. As is customary, the Magic
Ministers, the ventriloquists, the Invisible
Lodge, all held their own sessions at
prescribed times. Two ladies parties were
given, with a flurry of prizes, so no lady
went out empty handed. Bingo and
refreshments kept them happy. For the
first time at the American Legion, the
Senior Citizen's Bash was held, beginning
with an excellent brunch and followed by a
wild entertainment made up of seniors
and their friends. Howard Bamman, Bob Lewis and Alan Meldrum were the leading figures in a little
orchestra that involved others in the course of the party. We never did get a drummer, but it would
have been hard to hear him anyhow, at some moments. The only improvement on the event would
have been not to have other events following so closely. However, it was great and we (spoken as a
senior) are appreciative of Eda Mae and Recil setting it up.
Neil Foster and Franz Harary
It is impossible to give you, on paper, a taste of the flavor of Abbott's, a feel of the touch of so many
handclasps in friendship, the warm glow of the streets and restaurants as magicians wander all over,
talking, discussing, eating, drinking, visiting, looking up old acquaintances in the many little cottages
spread along the lakes, in the houses trailers, in attics and spare bedrooms of the villagers. You have to
be there to appreciate the American Legion every night, bars full to capacity, a sea of tables of happy,
noisy people, eating, drinking, joking, and now and then, even doing tricks. Not only the American
Legion, but the Magic Carpet, and various other gathering - watering places.
Only at Abbott's ... a private home like Jerry Conklin's, rented out to private friends, and going public (by
invitation only) on Saturday night. This time, they ran off, in the front yard, a most fascinating
compilation of slides taken over the years at Abbott's and blended together with music as only a
professional (David Linsell) could. It was 2 A.M. and quiet country houses up and down the street were
dark. The noise was bad enough, but the projector shot a bright light into windows. Only at Abbott's! At
the risk of being redundant - there is no magic event like it!!!
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1981 Get Together Recil Bordner Memorial (by Frances Marshall)
When an affair as large as an Abbott GetTogether is over, the big picture fades and
the memories break down into moments
of remembrance-mostly happy, some
poignant. Like the one we laughed at (at
the time) - Greg Bordner going on stage to
accept the rejected trick from Karrell Fox,
digging out the handful of dollars for the
refund. We have watched Recil enact that
"magic shop" bit for decades and this time
it was his son, while Recil watched from
the side-lines. three short weeks later, all
the duties, great and small, would be
handed over to Greg in fact, while Recil
went on to another life. In idle chatter
after the show, we agreed that this simple
bit of fun made us all feel a little sad,
having to acknowledge the changes life
brings. We didn't know the change was so
close. with love and affection, we say goodbye to one old friend and welcome another into the long
history of Get-Togethers.
Recil Bordner 1910-1981
The 1981 edition got off to a good start on Wednesday night, with even the oppressive humidity being
forgotten as the show rolled. Gordon Miller, traditional MC for Wednesday, trying each year for
something new and different succeeded to the point where he won the "Comedy Award". The old
timers in the audience, and there are many of them, enjoyed seeing tony Kardyro and Faye do their
vaudeville turn again - - new to the younger crowd. You can't beat an old pro. Two new young hopeful
pros appeared in two different spots on this show, one with vent, one with magic - John and Marien
Hopman from Canada. We will see more of these boys. Neil Foster made his appearance to the joy of
the audience -- my gosh, that boy has a following! The closing act created much interest and discussion
in the gab sessions later. - Landis and Company presenting a very unusual entertainment.
For this, the stage was arranged with a special higher level in the middle (which must have put
everybody to some effort, putting it up and taking it down). It did make it easy to see every bit of the
Landis show, and of course served whatever purpose it was arranged for in the operation of the various
illusions. Landis bought the Paul Fleming Show, parts of which were based on tricks of Karl Germain.
The resulting Landis show now contains excerpts from the aggregation of wonderful old tricks.
Costuming was opera-like in appearance and added much to the presentation. Landis looked like a
Russian monarch out of Romanoff history. Among the many effects presented were the De Kolta Chair,
the Germain Rose bush, the Levitation which moved forward toward the audience, the Vampire Illusion
- all done with swashbuckling dash and dramatics seldom seen among our current crop of magicians.
On Thursday night, Ralph Marcom was M.C. for a nice evening show of popular figures. This was his first
time at a Get-Together. A high spot of the evening was the David Linsell audio-visual "Memories of Get
Togethers" which has delighted every magic audience who has seen it. He has years of magic
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personalities captured on film, colorfully and imaginatively intermingled in this flow of magic history,
backed by great music. The audience joins in by murmuring the names of old friends as they appear on
the screen - they know them all, and welcome them back. A great idea of David's and a lovely touch to
the Get-Together.
On that show also were the "never-were-better" Conklin family, who did one of their best jobs. Also
Mike Younger, an extremely clever young magician who is a consistent contest winner, tony Griffith
from England, smooth and audience-pleasing, that attractive couple from Puerto Rico, Abel and Marina
Pabon with their excellent magic, and again, "never-better", old favorite, Harry Blackstone.
On Friday night, Jay Marshall, another old favorite, another old pro, made with the funnies while
introducing another smooth bill. Ralph Marcom came back to present his act, Blackstone made a
second appearance, Chris Jakway proved once again that Neil foster is the greatest teacher of magic
ever, Joe riding did his best in the name of Britain, and Mark and Marlynn Evans presented a lengthy
four-people show with small magic, illusions and flash tricks from their West Coast Promotion show.
Friday night had three unadvertised happenings-two good and a third that turned out to be not as bad
as it looked at first. No. 1 consisted of a young Jeff Justice from Decatur, Ga. and his friend, Rocky
Raccoon. jay Marshall watched Jeff and Rocky lay them in the aisles all over colon and brought him on
stage Friday night as a surprise act. Rocky, who is all fur and springs, comes alive in the hands of Jeff.
The act is charming-funny, unpredictable and very entertaining. (We promptly invited Jeff to Chicago for
October...I mean, Jeff and Rocky).
No.2 has a story also. A group of those magnificent people who bring you the Le Grand David Show back
in Beverly, Mass., came to Abbott's. With their charm and great friendliness, they were part of every
magic scene in colon---and one afternoon, ended up at our house on the Island. Cesareo suggested to
the dozen or so who were crammed into the living room that they owed me a song or two...especially in
view of it being my 50th year in magic. Well, I have never been serenaded by such a great double
quartet, plus other voices, backed up by a smiling Cesareo sitting beside me, exuding charisma as only a
good looking man with pizzazz can do. While the wonderful songs were going on, another voice joined
them - a deeper, but just as sweet a voice. It was Harry Blackstone who heard the music at his house
and came thru our kitchen door to check up.
Jay, as M.C. for that night, told the group that they were to do a number on the High school stage. And
that is why that line of boys did the song, and ended up with a chorus line bit of choreography, Super!
(Need we tell you again, whenever you get to Boston, take in the Le Grad David Show in Beverly, just
outside the city.)
And No. 3? Harry Blackstone worked on Friday night on the High School stage, and when the act was
over, and he was going to return to the auditorium, he missed the top step of the short flight of stairs.
He came down on his knee and for a bit, it looked like something big might have happened. the Colon
Emergency Unit (you see them every year out in back of the school, thank God mostly with nothing to
do) rushed in and got Harry to the local M.D. The doctor had been phoned to be ready for an X-Ray and
a possible hospital trip. The injury was very painful, but those of you who weren't there will be glad to
know that those who were there saw Harry all over the place Saturday night (on crutches) taking verbal
"Get Well" messages. (his luck went further. He was to have left for a weekend job on the East coast,
but it was part of a series and they were able to move him to another weekend and replace him with
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another act.) Nobody in the audience was aware that Harry had been injured until the entire show was
over.
Which brings us to Saturday night. Everybody's favorite, Bob Lewis and Ginny acted as M.C. and did the
act. he also brought on Randy Brown, that paddle ball expert from Chicago, Dale Salwak, who is another
of the world’s greatest teachers of magic, David Seebach and Company with the Sophisticated show
they have been travelling around with and featuring a new original illusion.
The evening wound up with Karrell Fox and his wild ones. One offbeat item this year was a MILE of
paper coil, which began as a big flat roll, maybe 60 inches across. Todd Karr held it in place, and one of
the regulars (those costumes do hide 'em;) began to whip the paper out in the prescribed hat coil
fashion. this action lasted all the way thru the second half of the show, with the paper finally winding
around the un-winder, and Todd laughing so hard he could hardly hold up the last of the coil. The usual
string of lampoons were carried out in fine style by Karrell and helpers but as the years go by, they
dribble less milk around the stage, and it has been several years since anybody broke a dozen eggs in
Duke Stern style. For a first however, Karrell opened a pillow case and filled the stage with feathers,
which they are doubtless still picking up.
I don't know who to credit with the bit of psychology that evidenced itself during this section of the
show, but it was a good idea. On the Lion's Club matinee, one of the acts was Ken Muzel, magician and
puppeteer. He had created a sort of cylinder stage with a play board around the top and himself inside.
(Burr Tillstrom of Kukla, Fran and Ollie fame used this type of presentation when they worked our Ritz
Carlton Playhouse.) Unfortunately, thru some error in judgment, from the seats in the auditorium, the
puppets could not be seen except for their heads. The audience got a little annoyed and showed it.
then the tape for the sound and music broke, and Ken had to discontinue, which the audience
applauded. Later, after another act, and the tape repaired, ken made a stab at resuming, but he had
lost this crowd for good. Now, on Saturday night, he showed up with his truly beautiful animal and fowl
puppets, which were carried around by various members of the Fox entourage, and now and then Ken
put one into action. He had long since been forgiven for his matinee troubles, and got a good hand from
a happy audience. It was a good idea to put him back on in this section and remind people that some
days nothing goes right...no matter what.
The other acts on that Lion's Club Matinee Benefit were Hank Moorehouse and Bob Higa and Company.
Hank was there as his first appearance as part of the Abbott Magic Company and bob Higa and Amy are
newly returned to Chicago from a long stint in Las Vegas. These people were all very good and very well
received. Other daytime activity was the Hank Moorehouse Lecture, the Magic Talent Contest, Vent-ORama, the Tony Griffith Lecture, Joe Riding Lecture, Magic Ministers Session.
On Saturday afternoon, a close-up show was held at the high school, with close-up artists featured being
Tony Griffith, Joe riding, Abel Pabon, and Mitch Williams. Two Bingo parties with light refreshments
were held at the Masonic hall for the ladies, most of whom walked away with lovely new garments for
the fall season. On Friday, the Senior Citizens packed the American Legion Hall for their annual Brunch
and Fun Affair. The food was excellent, the music great, the talent just right. We were pleased to have
Recil and Eda Mae there, and Mary Watson (Monk's widow) whose many friends were so glad to have
her be with them. A nice warm sweater for winter was won by Suzie Wandas Bennett and a handy little
picker-upper by William Becker as oldest lady and gentleman present.
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Neil Foster conducted the talent contests and awarded the prizes from the High School stage on
Saturday. Awards were given to: Matt Jacobson, Tim Balster, Lucy Smalley, William Commins, Chris
Collins, Edmond Kuderer, Ray Radelia, and the First Prize to Mitch Williams. Trophies were presented as
follows: The Bill Baird Trophy to Neil Foster, the Senator Crandall Award to Gordon Miller, and the Jack
Gwynne Trophy to Landis and Company.
Despite the transportation problems around the country, attendance figures were down only slightly for
the 1981 gathering. To counterbalance this, Greg and his salesmen reported excellent business in the
magic super-market set up in the grade school. Almost immediately after a Get-together, plans for the
next one begin to be shaped. for the first time ever I encountered vicious mosquito’s in Colon...a trend I
would like to see reversed for 1982. Other than that, we all look forward to same time, same place, next
year.
Recil Bordner 1910-1981
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1981 First Action Auction Flea market (by Abbott’s Magic)
ABBOTT'S FIRST ANNUAL FALL CLEARANCE SALE OCTOBER 17TH - SATURDAY - STARTING 1:00 P.M.
Hundreds of items...Grab bags...Auction...Some New...Some Old...Some Dusty. We've cleaned house,
both here at the plant and in the 'White House' (where Duke used to live) and found a ton of magic
treasure. No phone calls or advance sales. You must be here in person. The sale will start at 1:00 P.M.
and continue until all sale items are sold.
Note: We do not know much more about that first auction except that Abbott’s made $2,400 that day.
Hank Moorehouse (whom the auction was later named after) explained that the first three auctions were
all Abbott inventory and the event was held inside the shop. However, after the third year it was opened
up to other dealers by invitation. A tent was setup next to the Abbott store to handle the expected larger
crowds and the fourth Abbott fleamarket with the additional dealers was scheduled for May.
Unfortunately it snowed that day and Hank and several other dealers spent the day shivering in a tent
during a snowstorm.
The current event is still held in May and is free to attend, you only have to pay if you want to sell magic.
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1982 Lance Burton & Blackstone Headline Get Together (by Jay Marshall)
After decades of successful Abbott Get-Togethers, the reins passed from the sometimes despotic Percy
Abbot to the gentler hands of Recil Bordner -- without a noticeable change of pace. 1982 saw another
change, this time into the hands of youth, and many an old-timer wondered if it might be "different".
Greg Bordner learned his lessons well from his dad. The big crowd, with its high percentage of seniors
and middle-agers, pronounced it one of the best gatherings ever. Of course, Greg had put a little
research into it, studying what people enjoy. Much of this was done at the topless beaches and
swimming pools of Europe - he has become an expert. Ask him to show you his text book.
A different look was given to the Wednesday night show - it was presented as a full evening by one great
artist and his company - Landis Smith. In our day, it is not possible to see a magic show of this type,
except as presented by Landis. We urge you to attend, if he tours anywhere near you.
At the Get-Together Landis did a flash appearance in a throne, performed the Shower of Sparks and did
fire eating in a red velvet suit and Russian make up. There was a flashback of Landis and his partner
Gorky as street performers and an amusing 3 card monte involving Mrs. Smith, leading into a broomstick
suspension.
Highlighting the 2nd of 3 acts was a French
restaurant scene featuring the Organ Pipes.
(The high point of that routine being the
production of dinner plates bigger in
diameter than the organ pipes.) Other items
that got to the audience were Gorky and the
Electric Chair, (his three assistants from the
audience were Harry Blackstone, Karrell Fox
and Abb Dickson.) Dancing hanks in the
Bottles, the Assistant's Revenge, the
Germaine Rose Bush, Sawing Thru A Girl with
a Laser Beam, the DeKolta Chair, the Vampire
Illusion and the Levitation which tracks
forward and has caused much discussion
among out people. These are only some of
Harry Blackstone Jr.
the tricks seen by that lucky Wednesday
night audience.
During the day on Wednesday, people were arriving constantly, and rushing over to catch the afternoon
lectures at the high school. Stewart James presented a lecture which was acclaimed by many as one of
the best they ever heard. He shared the afternoon with Mike Caveney who has numerous chances to
keep his material polished, living as he does in the shadow of the Magic Castle. You can see it is
important to get to the Get-Together early -- you could easily miss one of the top days and nights.
Greg was newly returned from FISM, which is literally built around contests, and has many ideas to
further contests, American style. Abbott's have always had good representation of talent, and Neil
Foster got the first ground work underway at 9 A.M. on Thursday morning.
Later that morning, the ventriloquists gathered for their first session, and that afternoon, New York
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entertainer and magic dealer, George Schindler, passed on a lot of valuable information to the lecture
audience.
At the same hour, the first ladies' Bingo party was
held at the Masonic Hall, led by Merrilyn Merrill
and helpers. An unusually large group attended,
with a count of 67. Many left with attractive
prizes under their arms, anxious to try their luck
at the second party.
The Thursday night evening show at the High
School began to create suspicion in the minds of
the veteran audience. It was delightfully cool
indoors and outdoors on Wednesday - no
performer had to stop to mop his brow. Now, on
George Schindler
Thursday, the crowd walked across the breeze
swept lawns into the big hall, and felt wonderful.
This was Colon. It couldn't last! But it did Nature played right along with the Get-Together and kept it
cool day and night, inside and out. All the way thru to Sunday! But on Thursday, the word was: "How
long is this going to last?"
A comfortable audience watched a group of comfortable actors put on a dandy show. Rory Johnston
from California was M.C., calling on Jeff Korst to open the show. Jeff is one of Chicago's very talented
young performers, great with a manipulative act of doves, silks, cards, fire, candles, a champagne bucket
and everything that goes just right with a spectacular tail suit. He was followed by Martin Lewis, son of
the famous Eric Lewis, and a fine performer in his own right. He did his various British funny things with
rings, rope, silks, etc., and won over the audience.
Rory Johnson borrowed a dollar bill, vanished it and it wound up pinned to the back of his coat with a
large safety pin. A further interesting variation of the torn and restored bill was after identifying the bill
by the retained corner, he restored the corner before returning the bill. The next act was fresh from
winning the comedy award at FISM - Otto Wessely and Christa. As in Lausanne, they had this audience in
screams. A very hard act to follow, so they called intermission to calm them down.
The second act of the evening was taken over by Gen. Grant (of the much talked about dove lecture)
followed by the Jerry Conklin Show, complete with a new castle set background. They did a group of
illusions, including the Arabian Tent, Hindu Basket, Doll House, Down on the Farm, Duck Vanish, Duck
Production, Asrah with a substitution finish involving a big rabbit, dancing on stage. They also included a
number of smaller effects, and for the first time on a Colon stage, enlisted the services of grandson
Shawn. He earned himself a huge round of applause by carrying off a rabbit almost as big as he was, and
losing his straw hat on the way. He manfully regained it and walked off stage in true Conklin tradition in triumph.
After a good night's sleep, people drank their Friday morning coffee amid sweet cool breezes, and
hurried over to the continuation of the magic talent contest. The ventriloquists returned to the Vent-ARama to talk without moving their lips, with many strange little fellows sitting on their knees.
Friday afternoon, most of the conventioneers went to the Special Benefit Matinee, given for the Colon
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Lion's Club Charity Fund for the Blind. Featured on this show were Mitch Williams, Contest Winner from
1981, Larry Vie, Juggler, Otto Wessely with a completely different but equally hilarious act and Harry
Blackstone, who needs no introduction.
On Friday night, the evening show was emceed by George Schindler. It opened with Jeff Wawrzaszek,
popular with this audience who have watched him grow from a boy magician into a sophisticated and
talented professional. He featured a Vow Doo Ring routine in black light and a robot litter can number
with a torn and restored newspaper. In his M.C. spot, George Schindler introduced Cecil, his big rabbit
vent figure, to show another facet of his talents. The fellow with the ears sang "You Are My Sunshine."
Next came Steve Biller, a prize winner at the 1981 Get-Together. Jay Marshall was taken with his "dove
darts" where he took what seemed to be doves from a tube and hurled them to the floor like a flower
dart. They stuck in the floor by their beaks - a crazy concept which must have looked funny to the
audience when this half dozen doves were all lined up, feet pointing skyward. After a lot of "bad gags"
and stooges Steve finally found the Two of Diamonds.
Bob Mason, and his original Punch and Judy routine, using a boy from the audience (this time, Jesse
Millard) followed. With so much on this show, the act would have been better if the introduction had
been shorter. George Schindler was next and Jay told me he did his Chinese Act, "On Too Long". George
did his regular 30 minute funny club date act; but combined with his MC bits it was too much. He did
lots of good audience participation and was assisted by his lovely wife, ending with the Divided Lady
Illusion.
The biggest single feature of the entire affair was introduced next - America's Magic pride, Lance Burton.
He took the highly coveted Grand Prix at FISM and tore this Colon crowd apart. He flew in from his
regular show at the Tropicana Hotel in Las Vegas, just to play this Get-Together show.
The hiring of Lance Burton was a coup on the part of Greg
Bordner, because many of the conventioneers had never seen
him, and even those who saw him at a different convention a
couple of years ago, had not seen the man or the act that won
the most coveted prize in the magic world.
Lance has a new variation on the Zombie finish. He produces a
small white parakeet which climbs up his left arm. He produces
a round metal bird cage, into which he places the parakeet.
This small cage becomes the revolving Zombie. At the end of
the routine he reaches under the cloth, pulls out a silver
streamer, some white confetti and the bird and cage have
vanished!
Lance Burton
The last act of this show was Joe De Lion, star of the shows at
the Pittsburgh Convention a few years ago and known for
excellent work. Unfortunately, during the day that Friday, Joe
was doing some exercising and horse play, resulting in a
wrenched back. He was in pain, but said he could work the
show okay. However, his discomfort got in the way of his good
humor. While doing some good magic, juggling, fire eating and
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sword swallowing, he managed to disparage the audience, the town, the management and himself. It
was rather an unhappy situation, and not at all the professional entertainer many of the people had
seen before and admired.
Saturday came sooner than anyone
wanted it to, but all good things have to
end. That morning, the magic ministers
met for a session conducted by Ralph
Mills. The Vent-A-Rama wound up their
activities at the Abbott Factory.
At noon, the traditional Senior Citizen's
Brunch and Jollies Gathering was held at
the American Legion. Due to some mix-up
in arrangements, and a departure from
DARYL
other years, the American Legion (who
sell the food to the group) decided they
would sell the advance tickets and collect the money direct. People were told to get their tickets at the
Legion, but at the Legion, the designated ticket-seller was never around. It got a little involved, and we
sincerely hope nobody was turned off by all this, and missed attending. A different arrangement will be
worked out for 1983. We value our senior citizen magicians - we want them to be happy in this, their
own special party.
The Senior's party was organized by June Horowitz, and she had lined up a fine bill of performers. Music
is always a part of this party, and people look forward to hearing Bob Lewis, Howard Bamman, Connie
Pelham and Bill Watson, playing their favorite old time tunes. (They were especially delighted to see Bob
and the banjo, after a year of news of his illness. In fact, he had driven from Columbus where he had
done a show the night before. Things wouldn't be the same without Bob and Ginny.)
Jay Marshall, was M.C. He brought on, to enthusiastic applause, Dr. A. Jack Vander Wal, Bob Lewis,
Bruce Posgate, Bob Pinney, Sam Horowitz (with a laughable "Lament of a Magician's Husband"), Stewart
James ("A Tall Tale"), Clare Cummings, Warren Stephens, Howard Bamman with an original song, an
operatic duo featuring Bamman and Lewis, and a prize-winning pastime conducted by June Horowitz,
"Name the Magician'. And so they ate and laughed and ate and talked and ate and enjoyed the show,
and left in high spirits.
From the Senior's party, the dedicated magicians rushed over to the high school to catch General Grant
holding forth on a very informative line of material on working with doves. If you want to learn to
produce doves and know nothing about it now, all you have to do is watch and listen to the General
Grant Dove Lecture. At the same time, the ladies were off to the Masonic Hall for the Bingo game and
more lucky winners.
Saturday afternoon was also the occasion for the big close-up jamboree, with some awfully good
performers at the tables. Close up work was done by Jack Pyle, George Schindler, Chuck King, Martin
Lewis, Father Cyprian, and Daryl (this is Daryl Martinez, who was the Close Up Card winner at FISM).
The Saturday night show is always different from the other nights, in that it features the awards
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presentation - the really big moment for many of the boys - and also the Karrell Fox Wild and Wooley
Magic Nonsense Jamboree.
There were thirty contestants in the contest, judged by June Horowitz, Bill Joy, and Rev. Bob Olson. This
very worthy trio would not be swayed by anything but the merits of the act presented. All the entries
were under 21 years of age, the youngest winner being ten and a half.
Neil Foster presented six hundred dollars in awards and advance 1983 registrations to the following
winners. They are listed in the order of the awards, starting with first prize, and their ages are in
parenthesis. William Commins (19), Crystal Westphal (14), Kip Barry (18), Steve Robinson (19), Matthew
Jacobson (10), Bruce Johnson (19), Bart Pearce (20). Congratulations to all these fine winners and we
hope they develop their acts and come back next year to take still another award. In the Vent-A-Rama
category, awards were given to Paul Broughton (Jr. Award), Robert Baxt (Originality), and Sandy Bednar
(Special Award).
Mike Caveney was M.C. for the
Saturday night show. The opening act
was Rory Johnson doing a number of
illustrated slides and live blackouts.
"Definitions of Magic Terms for the
Layman" was the overall title. There
were maybe a dozen -one will give
you the idea. Otto Wessely picked up
his wife and dropped her..."A French
Drop." You get the idea. Following this
was Jonathan Neal Brown, a blonde
youth in striking all-black garb. He did
a number of manipulative effects, his
routine with two rings winning over
the audience to a very big hand.
Mike Caveney has done the "arms
juggling" many places to many
magicians,
but
this
audience
enthusiastically applauded when he
did it again, followed by the knife thru
coat. He introduced the popular
mime, Tina Lenert, always a crowd
pleaser. The next act was another
Californian -Stan Allen. He worked
with a big gray rabbit puppet,
"Stewart". He just about stopped the
show with that number and was
about
to take a bow when Caveney
Mike Caveney
pointed out that the California group
had signed to do an hour and they were still three and a half minutes short.
Mike suggested Stan do something with some of the many props back stage. Stan asked if he could get
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Tina to help. It seems she couldn't but her cousin, Clarissa, in the audience could. Clarissa came on stage
and picked up a broom to start to tidy up. Stan took her broom, stood it on a trash cart, and levitated
the loudly objecting Clarissa. In fact, he wheeled her off stage on the cart, still protesting and still
levitated. Quite a scene. (The audience by then had figured out that Clarissa and Tina were one and the
same.)
Harry Blackstone Jr
After intermission, Harry Blackstone took over as only Harry Blackstone can. The real pro, in his element
in a familiar place among people who think very highly of him. He complained that his radio microphone
was not working and the marvelous Robot which had been seen all week around Colon wheeled onto
the stage and told Harry it would repair the mike with a laser beam. One quick Zap and Harry was back
in action with his wife and daughters assisting.
He breezed thru the Vanishing Bird Cage, the episode with the child and the candy and the rabbit,
finishing with the Floating Light Bulb. The Lion's Club of Colon presented him with a Service Award for
his great help to their organization.
And then there was Karrell Fox and a group of Zanies that always have to be seen to be believed. They
work very hard, not only Saturday night, but from the beginning of the week, figuring out lampoons,
satire, jokes, and visual fun of all kinds. It isn't easy when you figure this audience expects something
entirely different every year. One of the laugh sequences was done with Crystal Westphal and a Hindu
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Basket routine. All the male participants in the show were in girl's outfits, with balloons on all chests.
Crystal is a very well-developed young lady. Karrell pointed out, when he produced her, that this way he
saved on balloons. Another sequence had to do with balloons also. Mocking Otto Wessely's routine in
which he multiplies Zombie balls having his wife secretly holding a ball with a second ball on her head,
Karrell had his two Zombies (really balloons) held by Neil Foster, one in the hand and one fastened to his
hair. Since it is no secret that that is not his hair, the fun ran high. Finally the gags ran out, people got
tired of laughing and Karrell brought another Rollicking Rumpus to an end, along with the- Get-Together
of 1982.
At the showroom after the show Lance Burton was awarded the Bill Baird Manipulation award in
absentia. Blackstone was awarded the Jack Gwynne Trophy and Otto Wessely made a touching speech
about the love and fellowship in magic when he was given the Crandall comedy award.
In this year of Reaganomics, attendance did not seem to be affected by the national economy. Sales
were excellent, with the display room full of people all the time. This was very encouraging not only for
Greg Bordner, but for the many other magic dealers who were present.
So now it's what to do for '83, with everybody planning to come, now that they see that the young folks
can plan, manage and run off just as beautiful a Get-Together as their predecessors.
Nearly a thousand people said "Yes!" to Michigan in August and enjoyed one of the greatest spells of
weather known to any Get-together. After an opening night storm (conveniently occurring during the
evening show - stars out by final curtain) southern Michigan sparkled with sunshine, cool breezes, blue
skies and pure exhilaration. It put everybody in a good mood for an excellent convention.
This affair probably began about three weeks before, when Billy McComb arrived in Colon, the house
guest of Hank Moorehouse. Billy has been everywhere and seen everything magic-wise - everything,
that is, but an Abbott Get-together in the making. Now he had a unique opportunity.
This was a Greg Bordner production, his from start to finish, aided by his good assistants. Percy Abbott
and Recil Bordner had built this huge summer affair into what it is today, and it takes courage for a
young person to take the initiative in such an undertaking. Greg is to be congratulated on the smooth
results. Also on having the most gorgeous airport/pickup service in Michigan. When this beautiful young
woman delivered Dr. Gloviczki to our lakeside cottage I was most impressed. So was he! Greg has taste.
McComb aside, the Get-together was launched Wednesday afternoon with a lecture by Terry
Seabrooke. You don't have to learn anything to enjoy Seabrooke. He's thoroughly knowledgeable in the
field of very commercial magic and he can't tell you about anything without getting laughs.
John Salisse took on the M.C. duties for the opening show. He is the Honorable Secretary of the Magic
Circle in London and it comes through. John has a dry wit, a very English style, and some 'sleepers' in the
way of funny material that sneak up on you. The Paul Driscoll illusion act had been contracted for this
show but circumstances forced them to cancel. This is always a problem with programs already printed
and acts laid out in their best format.
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Billy McComb, Hank Moorehouse and Harry Blackstone filled the gap in smooth fashion. John
announced the changes just as smoothly and, except for a few intermission speculations as to what had
happened to Driscoll, nobody minded. On this show John performed his comedy ventriloquism bit with a
figure in wild abandon. The audience was tickled with the personality change of this dignified
Englishman. Others on the show also pleased them: Neil Foster presenting "Neil Foster", getting huge
rounds of well-deserved applause; Jack Ricketts, a Michigan magician with the kind of comedy they
enjoy in those parts; Tim Wright, former Michigan native and Abbott staffer, back after a hiatus to show
that he is still great at comedy manipulation; all following Gordon Miller's exciting opening curtain
spectacle. If you've never seen hundreds of yards of cloth, all different colors, decorated with big letters
spelling out "Welcome Magicians" and "Abbotts Magic Get-Together", skimming down out of the flys to
form a welcoming curtain, you've missed one of the fun things of magic.
After the show 'everybody' goes to the American Legion Post - or so it seems. We know it can't be true,
because the Legion Hall's rooms, bars and food counters only hold a couple of hundred people. So some
wander out to the Magic Carpet, many have home parties, some go to sleep, and many wander the
town looking for and usually finding magical excitement. Until the elementary school showroom closes,
a couple of hours after each evening show, 'everybody' hangs around there, enroute to the bars and
other jollies. Considerable business is transacted while the magicians are still inspired by what they saw
earlier on the stage, and of course the showroom opens at 10:00 A.M. daily for those looking for early
morning excitement.
Greg made changes this year in the showroom at the school and the very large display of magic looked
most impressive. The ancient jokes about 'Abbott props', if they were ever true, are certainly true no
longer. The tricks were very professional in workmanship, design, decoration and finish.
On Thursday and Friday mornings the talent contest was held at the high school, conducted by Neil
Foster. Much attention is paid by the magic world to the contests held at F.I.S.M. held every three years
in a different European city. The winners are guaranteed certain success in any magic endeavor they
tackle, so prestigious are those awards. But Americans need not worry about these overseas contests,
with their great expense and three-year waits.
Every year Abbotts holds an American contest for which they prepare carefully by studying the F.I.S.M.
methods. Both Greg and Debbie Bordner and Neil Foster were at the last gathering in Lausanne,
Switzerland. Winners there arrive at that goal by study practice, preparation and grooming at home.
Young American magicians can do exactly the same thing; sign up with Neil when The NEW TOPS
announces the dates for talent entries, and then shown up in August, ready to win. This year Neil
handed out the following awards: Seventh place - Kevin Bitzinger, Sixth Place - Scott Meyer, Fifth Place Bruce Johnson, Fourth Place - Jeff Boyer and Jim Fitzsimmons, Third Place - Joseph Lucido Jr. Second
Place - Steve Patient, First Place - Lucy Smalley. The judges are to be congratulated for performing a
difficult, controversial and almost thankless task. Appreciation should also go to the many who roll out
of bed early in the morning and form an appreciative and supportive audience for these young and
talented future stars.
With strict attention to all branches of our kind of show business, Abbotts holds Vent-o-rama in the
main factory building for three morning sessions. The little wooden heads talk up a storm and it's a very
happy group, hosted this year by Howie Olson. I apologize for not finding out if that still-working-at-it
vent, John Salisse attended any of these sessions. He'd have to screw his dummy back together first, of
course.
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On Saturday morning another specialized group of enthusiasts meet - the Magic Ministers. Ralph Mills
conducts this session-, made up of the many people interested in 'gospel magic'. Some of them are
ministers, many are Sunday School teachers, people working with children's groups, and those who
want to observe magic tied in with the Bible. One of the really vital gatherings in gospel magic circles
takes place each summer at Winona Lake, In. where gospel magic in all its aspects is seen, taught,
developed and experienced. I have heard excellent reports.
Ali Bongo presented his very practical and useful lecture on Thursday afternoon. Ali is a talented artist
and effect designer, and in England is much in demand for creative and backstage work on big TV magic
shows like the Paul Daniels specials. He is at his best when devising simple but most effective magic
tricks for his fellow magicians, delivering the material with fun and excitement so that it becomes a
show in itself. Even the magically disinterested enjoy sitting through a Bongo lecture, just for the sheer
fun of it.
Although the Get-together attracts a fair amount of ladies sincerely interested in magic, management
has found that there must be another kind of fun for all the women. The traditional Bingo games
complete with prizes, dainty sandwiches, cake and drinks have a staunch following. The ladies show up
right on time both Thursday and Saturday afternoons and gamble away under the guiding hand of
Merrilyn Merrill.
Ali Bongo brought the Thursday evening show on in style. He had a number of clever M.C. props and bits
between the acts that reminded people to tell their seat neighbors, "Wait 'til you see his regular act!" He
introduced Mitch Williams who does the beautifully stylized manipulation act we have come to expect
at an Abbott affair, and which hopefully may be F.I.S.M. bound. Billy McComb made his second
appearance with plenty of stage savvy, but his effects were a little small for that big place. That is,
except for the stool (McComb's SPIKE BOOK) designed to do him personal injury if he sits on it...also
designed for audience laughs. Bill Commins made a great physical appearance in traditional formal wear
with classic sleight of hand with the emphasis on coins and money. Harry Blackstone is always welcome
at Abbott affairs and he never disappoints. He was in fine fettle and playing to an audience that had just
seen him during the past month doing a tremendous hour long show on Public Television. The evening
wound up with Yutaka Kikuchi, traditional Japanese legendary Shogun spirit character, with big flashing
eyes on a ceremonial mask, miles of costume, huge productions out of nowhere. So much happens and
the stage gets so full of flowers and silks and various size parasols and other things that the spectator is
bewildered. The setting up of such an act is a chore beyond belief, and the performing of it must be a
wearisome job. The applause for the objects and their constant appearance makes it all worthwhile. The
show had to end with Kikuchi...he is not a man to be followed.
On Friday, the Special Benefit Matinee was held. This is staged for the Colon Lion's Club work with the
blind, a good and worthy cause. The auditorium was nicely filled to watch Glen Brooks, Bill Commins,
Becky Blaney and Rick Walker perform a most satisfactory entertainment. Glenn, serving as M.C. is best
known in magic as a close-up worker, but he is also a Chavez graduate and a stand-up comic working the
popular comedy clubs across the nation. This afternoon he showed us his clown character in full
costume and makeup. Bill Commins resplendent in white tie and tails delighted with an act based on silk
and flower productions done at a slick and professional pace. Becky Blaney has been described in these
pages before. She had just won a Miss Pasadena (Texas) beauty contest, partly for her magic talent. The
act is all red, white and blue and carefully routined and nicely presented, Becky is a charming girl whose
good looks come from her pretty mother and whose magical ability come from her long-time
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professional magician father (Walter 'Zaney' Blaney), so she can't lose. This audience loved her. It had
been several years since the Colon bunch had had an opportunity to see Rick Walker at work. Most
commented on the style and presentations in his current show. Rick has polished his routines to Vegasstyle perfection and his audiences enjoy his efforts as much as he obviously does. A super-strong
matinee ensemble!
The Friday night public show had one of England's zaniest as M.C. - the Watford Wonder Wizard - the
Four Eyed Lunatic - Terry Seabrooke. There is no end to the laughs and although he is described as a
professional magician you never know if the crowd is applauding the tricks or the string of gags he builds
into them. The silly 'three seals' remark can make me laugh just thinking about it. Chicago's Mike
Younger, of whom we are very proud, performed his carefully worked out and routined manipulations
to good audience reaction. An act of true skill and originality. John Salisse gave a taste of his typically
British humor earlier in the week, and this time he brought on the side-splitting act with Francis, the
duck. This is an act to be enjoyed more than once - you want to be able to anticipate the gags and then
enjoy them. We hope he returns to this country soon. Award-winning Vito Lupo, a clever magical mime
clown, was most entertaining...pi us showing the Kind of stuff it takes to win at F.I.S.M. The second half
of the show was devoted to Milwaukee's David Seebach and his illusions. David has had the show on
tour, playing nearest Chicago in the restored Paramount Theatre in nearby Aurora with a full evening
show. Many Chicago magicians went out to see him. Here at Abbotts he did some of the select numbers
from that show, including: a slate routine, Crystal Casket, the Girl Thru the Mirror, Modern Cabinet,
Guillotine Thin Sawing, the Lion's Bride and a special item unique to his show. In this, a girl vanishes, is
changed to a two-dimensional cut-out paper doll which is fed back into the machine and the girl
reappears complete with costume change.
On Saturday, Karrell Fox lectured in the high school, always a talk worth attending because Karrell has a
lifetime of experience in every kind of magic. Karrell's efforts were followed by an International CloseUp show featuring Kurt Freitag of Vienna, Austria, Billy McComb of Ireland (and the United States), Glen
Brooks from some country that is yet to be discovered, and Anand Tayade from Bombay, India. Certainly
one of the more varied and unusual lineups of close-up talent at an Abbott conclave! (Close-up magic
also goes on all the time during the week - in the restaurants, in the bars, on street corners, in the
motels and private dwellings and, sometimes, right in the middle of all the demos at the school.)
And so the week drew to an end - the big Saturday night show being the blowoff. Next to magic,
magicians love magic gossip, and for months the word was out that the new regime(?) at the Abbott
Magic Company wanted to try out ideas of their own and depart from some of the long-standing
'traditions' of the past. One of the events they wanted to change was the Saturday night show. If you are
an Abbott regular you know that this show always ended, in its second half, with a burlesque of people,
acts, events, etc., of the entire week. The original idea was launched years ago by Karrell Fox and Duke
Stern, aided and abetted by various crazy types who lent themselves to wild costumes, baggy pants
comic tricks, much spilling of eggs, feathers, milk, etc. But, as the saying goes, you had to be 'inside' to
know what was funny about all this. Some of the audience screamed with laughter, some of the
audience screamed with a feeling of being left out because they only came that one night out of the
entire week. Also, management felt that perhaps even a traditional lampoon reaches a time for a
change - 'funny' can run out of steam. Gossip had it that the Saturday Night Follies would be no
more...and they weren't.
Karrell was faced with a decision. He had been hired to M.C. that show and he had few choices. He could
just ignore the whole thing. He could let the audience know he missed doing the Follies. He could try to
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show them what they missed. Or a combination of all three. So, with Abb Dickson, he did a few minutes
of "shuffling a sticky chocolate cake" with Abb getting full of frosting - a brief replay of what the Follies
were all about. Then Karrell, with emotion sounding in his voice, read a farewell note to the Follies, to
the many magical friends who took part in them, to Duke. Conceding that change happens to us all, he
wiped his eyes and turned back to his job of the moment - the professional M.C. of the Saturday night
show.
It was a very fine show. Ward Thomas was new to many of us, announced as a frequent cruise boat act,
working unusual tricks with umbrellas and flowers and butterfly silks, with a great personality shining all
through it. Abb Dickson followed as the Abb everyone knows - the fat pixie loaded with humor and
talent. It was a real pleasure to see him well recovered from his hand injuries of last spring. Ed
Fernandez, veteran of Las Vegas entertainment circles, the Liberace show, Canadian Forces
entertainments, etc., presented a Vegas-type act replete with gorgeous showgirls, lighted chandeliers of
every size, lots of glitter and splash and the production of a truly beautiful white Samoyed dog. Dr. Peter
Gloviczki, after a startling silk to flower and color-changing cane opening, proceeded with his ball
manipulations ending with large silver spheres. He was his usual perfect self, causing great wonder as to
how he does it. Then there was Ali Bongo. His Pongolian costume (a mixture of Persian and nine other
Eastern countries) wins the audience over right away, and the tricks are like none you've ever seen,
unless you've seen Ali. All in all, a great show to end a great Get-together, with folks looking for a place
to sign up for next year before they took off for home.
Congratulations to Ed Fernandez who won the Jack Gwynne Trophy for excellence; Peter Gloviczki who
won the Bill Baird Trophy for manipulation; and Terry Seabrooke who took home the Senator Crandall
comedy trophy. I don't think Crandall lived to see and enjoy Terry, but he would have called him his
'kinda guy'.
Look forward to innovative and enticing Get-togethers in future years. Greg is looking over the whole
world for fresh and different acts to offer you. The perfect Get-together is a blend of the sweetly
familiar, so we feel a real homecoming spirit; and the brilliantly new and exciting acts of the world,
which even now are preparing for one night at Colon. The best is yet to be.
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Abbott's - 84 ... the Year of the Youth
What's the youth? Who said Youth was wasted on the young? George Bernard Shaw ... me ... and
several hundred of my era ... who sat in the high school auditorium at Colon and watched them, night
after night. Migawd, they're young! And damn, but they're good! The new young owner of the Abbott
Magic Company, Greg Bordner, looked almost middle-aged by contrast when he came out on stage one
night to accept a portrait Karrell Fox had painted of his dad, Recil Bordner.
Let's start at the beginning. Greg phoned a few days before to see if we could arrange transport for
James Dimmere, coming into O'Hare two days before the event. No
problem since we had others in our party and one more didn't
matter. Greg forgot to mention Jim's young lady assistant and Jim's
considerable luggage and Jim's feathered back-up group. It worked
out. the doves and parakeets were turned loose for a field day in
Jay's patio. It took scrambling to get them all together to leave with
George Johnstone and Betty, while the act in a huge anvil case was
crammed into the station wagon. The night before, I took them and
Ali Bongo to see a Chicago off-Broadway musical play, for which I
had passes. jay was already fishing with Sam Horowitz and Tommy
Edwards on Colon's Palmer lake. Next morning, while we were all
wondering if Irving Desfor made it in from Florida he arrived bag,
baggage, new book and camera. So we loaded him into the wagon
and finally we were off.
James Dimmere
Nobody stopped talking for the two hundred mile run. Frank Heitler,
my appointed chauffeur, even said a little. Irv mentioned in a letter a
while back that he found most conventions didn't provide the opportunity for people to get acquainted no time for good conversation and camaraderie. I said that was because he had never been to Colon and
he signed up on the spot. When he finally left Colon on Saturday, it was with dozens of new friends on
his list, miles of good conversation, plus all the other goodies such gatherings bring forth. He plans never
to miss another one.
Soon we were at Colon, driving past the scene of the big supermarket fire which Harding's sustained,
and out to our beautiful lakeside cottages.
The audience was amazed as they walked into the auditorium that Wednesday night - you could have
kept a side of beef at those temperatures! We all snuggled into our sweaters, felt comfy and enjoyed.
We have all seen and heard Gordon Miller before - a dozen times maybe? But that old home-coming
feeling takes over when a familiar figure walks out to greet you and it's the way we want it to be. He got
all the chuckles he wanted and would up with the requisite yardage downpour that first spelled out:
ABT'S
AI E
TGTE
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After Gordon paid off the stage hands, the rest of the material fell from the sky, and spelled:
ABBOTT'S
MAGIC GETTOGETHER
All this to huge applause. Gordon was debonair and relaxed in a sort of Colon leisure suit (jogging outfit).
Abbott's have been selling my two new books ("Those Beautiful Dames" and "Success Book Number
Four") both of which makes a big feature of women's place in magic. then the Democrats put Geraldine
Ferraro at the top of the political scene. So it seemed only right that the '84 Get-Together should be
launched with la bonita senorita, Lucy Smalley. Lucy has completed the Chavez course and adapted
many of the routines to a pretty feminine level. She began in a tuxedo and in the midst of the act did a
quick change to a swank, silky, evening gown. Given a year of working at the professional level, Lucy
could easily become a top star in our profession. Neil Foster is to be congratulated.
Arthur Benjamin is a human calculator, working against mechanical calculators brought onstage by
assistants from the audience. Multiplying huge numbers in his head, it was a different sort of act, and he
managed to get his laughs along with the best of them. Greg Otto was next, in the new 1984 version of
the tuxedo, coatless, ribbon around the upstanding collar and very smart in appearance. He pleased the
girls just by being up there to look at.
The next number was the "Eclipse" illusion, a poignant number for the Chicago group. This trick was
scheduled to be performed by Joe Palen and Peter Tappan, who had done it in other places in the years
since the Chicago originator passed it on to Joe. We all knew that Joe was back in Chicago, too ill to
attend, too ill to just come and watch. So Phil Willmarth took his place and the illusion was beautifully
presented and very well received. (Immediately on our return to Chicago, Joe's daughters phoned to
have Jay, Ali Bongo, George Johnstone and whoever else saw the performance to come over and
describe it to Joe. He was given a real shot in the arm at hearing all about it. Joe left us on August 26th.
A mass and broken wand service were held September 1st, with Fr. Jean Niven, also a magician, and Bob
Parrish doing the wand service.)
Howard hale opened the second half. he was the Bill Baird Trophy winner and is a most capable
performer from Dallas, where he operates "Magicland". He worked with linking rings, billiard balls,
coins, etc., out of a Plexiglas case. for a finale the whole case transforms into a giant mirrored ball!
Every magic show needs a sparkler to set off the magic and, more often than not, it is a juggling act that
does it. This time it was Airjazz, two boys and a girl from Colorado who were more than remarkable. This
night they juggled clubs and were full of surprises and scary bits, like the boy walking between the flying
clubs unscathed.
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The show ended with Harry Blackstone Jr. He explained that he preferred to work later in the week but
he had work happen to him in Atlantic City and that they were leaving directly for there that same night.
those plans didn't prevent him from doing a most relaxed and polished Dancing Handkerchief, the
Birdcage with many, many children; his father’s routine with the boy and the candy box and the rabbit especially good! and the Floating Light bulb. This nights audience couldn't stand it - they clapped and
yelled and got to their feet and told Harry Blackstone that, for their money, he could do those same
tricks every year, from now on. If nothing else, he gave them a chance to observe the absolute epitome
of a professional.
(Harry did go to Atlantic City, do the
shows, and then moved in with Charlie
and Regina Reynolds to work on their
book for a few days. A New York
publisher has ordered a definitive book
on the Blackstone family. It was while
there that the phone call came from the
West coast, the call that took Harry out
there by the first available plane. His
oldest child and only son had been
mortally injured.)
The M.C. for Thursday night was Stan
Allen, a past member and still active in
the Long Beach Mystics organization. He
introduced Chuck King with comedy
magical material. Bob Higa (who won the
Jack Gwynne Trophy) presented his
usually perfect presentations, this time
with the Flexible Glass mirror, a
Snowstorm in China and other things,
closing with a Substitution Trunk. Stan
Allen did his spot at this point, a comedy
routine with Stewart, an enchanting
rabbit puppet. Next was James Dimmere,
Harry Blackstone Jr
a new face to this audience, and of on
the top acts at the Get-together. he
worked closely with his assistant with doves, canes, and other manipulations ending with a strong
number - a cage full of doves which shrinks down to the size of a vanishing bird cage ... which vanishes.
He brought the audience to their feet and they showed their pleasure in him.
The Long Beach Mystics are a lively group of young people from California who were hired to do their
separate numbers to form the second half of this nights show. They included Steve Keeler, Michael
Weber (who is better known than the others and who had recently been on a lecture tour), David
Deeble - a juggler, Dana Daniels - who did an interesting act with a real parrot who performed a rope
escape and the last 'Mystic', Kevin James who was an audience pleaser with a newspaper restoration,
other manipulation, and the item they strongly applauded for, a costume change. (The several (4)
costume changes during the week by various performers created much talk among the conventioneers.
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"How they did it" was heatedly discussed, with a number of interesting theories. European acts seem to
use this stunt much more than Americans and they are very adept at it.)
On Friday night, Doug Anderson as M.C., performed the third instant costume change of the show. He
introduced John Kurtz and Maria, a popular act from Milwaukee. - They work well together, do many
visual routines building up to a big chicken production followed by a giant parrot surprise production.
They won the audience over.
Airjazz followed with their longer set routine, consisting of cigar box juggling, three-ball juggling, 'firefly
lights' ,devil sticks and a unicycle ballet. The choreography of this group is outstanding and the
syncopated rhythm especially during the devil sticks routine was excellent.
Then Sid Lorraine in his classic 'Frasnia' number, an old fashioned medicine show pitch which turns into
a modern television medicine pitch. Always a surprise.. . especially for first-time viewers. Dale Salwak
followed. Dale is Neil Foster's counterpart on the west coast in his involvement as an instructor of the
Chavez course in magic. He works with precision and carefully patterned manipulation. A pleasure to
watch.
After the intermission, Dr. Peter Gloviczki charmed everyone with his ball manipulation act. The balls are
as big as Zombies and he handles their constant multiplication with utmost ease. (Last year, the good
doctor was on the show under the same, conditions and had to rush off early the next morning to
become a father. The child was premature and remained in the hospital until November after which
time he was sent home to successful babyhood. Exactly a year later, on August 15, Peter again had to
rush home from Colon, this time for the full term delivery of his daughter. Asked if he planned to rush
away from Colon for these events on an annual basis, he said that now he is finished - one boy and one
girl makes a nice balance. That's good - now he can work the Saturday night show with an easy mind. )
Doug Anderson and Company, currently employed at Six Flags Over Great America amusement park in
Gurnee, IL., presented a miniature Las Vegas-type extravaganza, complete with girls, illusions and a flash
finish. Among his effects were the Crystal Casket (producing two girls, one at a time), the Double Thin
Sawing with the transposed bodies, a Guillotine routine with a boy from the audience and a very fast
packing crate Substitution Trunk.
Karrell Fox took over as M.C. for Saturday night, introducing two long time favorites who haven't been
seen lately - Tom and Sherrie. Essentially, they perform the same act but with modern haircuts, and the
smooth handling and delivery one expects from them. Abb Dickson fooled around with comedy and a
routine with an egg beater an3 a mentally selected card. Abb is just pixie enough and just heavy enough
so that anything he does gets laughs. Ed Fernandez was scheduled for the next spot but transportation
troubles kept him in Canada (see letter from Ed, included in this report), so Neil Foster performed the
flawless ,beautiful and familiar act we know him for.. .and one hopes that Ed will be able to come
another year.
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Dear Friends, Due to a mechanical failure on my cargo trailer in transit to Colon, I was forced to cancel
my Saturday night performance. I apologize for any inconvenience this may have caused anyone as I
know a few old friends had come to Colon to see me specifically.
I would like to apologize to Greg Bordner, the Abbott Magic Company and the Get-together for letting
you down. Unfortunately, the circumstances were beyond my control.
Hope to see you all next year.
-- ED FERNANVEZ
Les Duraty and partner did the clap-board "Magic Parade" comedy routine they used at FISM a few
years ago. This French team took the Senator Crandall comedy award. Airjazz, in their third appearance
followed with a brief and different juggling show - the high point being when one of the boys ran
through the flying clubs.
On Friday night they got a
standing ovation and on
this night many got to
their feet again - a real
winner, Airjazz.
Karrell Fox brought back
some of the bits from the
Foxy Follies, including the
Cards Across routine with
Roy Kissel who ends up as
an angel with a halo ... still
counting cards from his
pocket. Howard Hale as a
news photographer 'shot'
Karrell's picture. A 'water
from India' routine ended
with Jay Marshall spraying
water all over Karrell 's
face and frontage.
And then Karrell and Abb
Dickson collaborated as
two hard of hearing men
using thimbles as hearing
aids...for good laughs.
Bill Boley with Tom and Sherrie
These 'mini-Follies' get
laughs, but not the actual
pain we suffered from
over-laughter when Duke
(Stern) sat on a basket of eggs and they strained down through the straw seated chair. You had to have
been there. I'm glad I was.
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This column reported, about a year ago, that the John Daniels' famous illusion show was for sale. Rick
Walker bought part of it and presented it to close the convention. In Daniels' hands, it was a beautiful
theatrical production and Rick Walker has managed to capture most of that charisma. After the second
flash opening (the first one blew the fuses), a number of fine effects: Crystal Diamond, Floating Ball,
Costume Trunk, Nest of Boxes with doves, Substitution Trunk with triple exchange and, as a surprise
ending, the production of Rick.
And it was just as cool during the last few minutes of Saturday's show as it had been when we walked in
on Wednesday. Congratulations, whoever's in charge.
Lectures took place through the week, starring John Cornelius, Les Duraty (translated when necessary by
Ali Bongo), Chris Carey (presenting the first Abbott evening lecture), Stan Allen who spoke on the
subject of the cruise ship magician and Mike Weber (who had done a very fine lecture recently in
Chicago).
Ali Bongo, star of the previous year's convention was present as a visitor at this year's Get-together. He
made a cameo appearance on the Saturday night show, dressed in baggy pants and holding a monstrous
vanishing bird cage. The pants, not the cage vanished, leaving Ali in Union Jack underwear, holding the
bird cage and getting a great laugh.
The traditional Matinee performance on Friday, for the benefit of the local Lion's club work with the
blind, featured Chris Carey as M.C. His acts were Chris Jakway, a Chavez graduate of the finest kind and
assistant instructor to Neil Foster, and Canadian Bruce Posgate who performed many old favorites.
Bruce is an authority on working restaurant type shows for family groups. Chris Carey performed 'Warm
Fuzziest out of his book "Do The Things That Are You" and other strong numbers. It was Chris Carey who
sent John Shirley (and others) to entertain working crews in Saudi Arabia, and gave them all
conversational material for years.
The Close-up Show was composed of Mitch Williams doing continuous poker chip routines ala Jack
Chanin; Steve Biller who jumped up on the table to better display his color changing socks (an item from
a book he is doing for Phil Willmarth); Howard Flint wore a black apron over his tuxedo as he did Cups
and Balls and Linking Rings; and Michael Weber with material from his crowd-pleasing lecture, ended his
routine with a borrowed ring being discovered as the prize in a sealed box of Cracker Jacks.
The Abbott Get-together is made up of many events and those we have mentioned are attended by
almost everybody. Besides those, there are specialized gatherings like the Magic Minister session, the
Vent-o-rama held several times during the week, the ladies activities, the unofficial Dutch Treat 0ldtimer' s brunch and entertainment and the magic talent contests. The winners of this year's contest:
Seventh place: Stacey and Steve Smolinski; Sixth place: Ron Martin and Scott Rawlings; Fifth place: Jania
Taylor; Fourth place: Todd Karr; Third place: Joseph Lucido Jr.; Second place: Steve Patient; and, First
place: Stuart MacDonald. Congratulations to all who entered and competed in the contest.
And as far as special events go.. .how about the many hours spent at the American Legion building
where tricks and beer and tricks and burgers and tricks and fun all mix in a beguiling way until the place
closes. There are other places too, where more of the same takes place - spots like the Magic Carpet
restaurant and lounge.
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With so much interest in the past of magic these days, trips to the local cemetery are becoming a must.
Many important performers are interred at the Colon cemetery, of course, and it is part of your magic
education. Forty five minutes in your car takes you to Marshall, MI. and the American Museum of Magic,
operated under the guidance of Bob and Elaine Lund.
Abbotts Magic Company puts on the Get-together once a year, but all the rest of the time they are busy
making, designing, building, and creating magic. with a great deal of effort, all of this is brought over
(cross town) and displayed in the elementary school gymnasium. Many people have not seen that much
magic in their entire lives - and it’s all for sale! Day and night, the showroom is a very popular place.
Now you can see why it is a good thing to be young ...if you are going to take in the Abbott Magic Gettogether in 1985 (Aug 7-8-9-10). Something doing every minute, and it’s you who will be doing it. But
don't forget...loads of old timers are present...Suzie Wandas took time out from a nursing home to get
her front row seat this year, Little Johnny Jones from Bangor, MI, Neil fosters old magic instructor
William Becker (at 97) from Aurora, IL and ... me.
Hank Moorehouse at Auction
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1985 Get Together (by Bruce Posgate)
The 48th Abbott Magic Get Together is now but a memory-but what a memory! The first nights show
included Joe Eddie and Betty with their fast-paced illusion presentation. Ear-shattering pyrotechnics
momentarily jolted the audience as did the intrepid Betty prancing down into the audience with a ten
foot snake draped around her neck! It was fast and furious fun and enjoyed by all. A spontaneous
standing ovation foretold the eventual winners of the Jack Gwynne trophy for all-around showmanship
and presentation.
Another highlight was the full evening show of Blackstone & Co., easily upholding Harry Jr.'s popular
nation-wide reputation for presenting fun, illusion, mystery with colorful costuming, drama and
excitement. just one of the many thrills was his famous glowing light bulb floating freely across the
footlights, right across the heads of the audience - a sight never to be forgotten.
Terry Seabrooke, Trevor Lewis and Karrell Fox each in turn and each in their own inimitable way M.C.'d
different shows, with fun, humor and great entertainment. The audience was particularly charmed with
Tina Lenert's superb miming. It was pure artistry. "Theatre" at its best. Several well deserved curtain
calls were accompanied with enthusiastic applause.
Hans Moretti brought down the house with his sensational act. We watched him squeeze his large
muscular body into a carton barely
large enough to hold him.
volunteers on stage thrust a dozen
or more sharp pointed swords
through the carton from which he
eventually emerged in full clown
costume and make-up, with a live
chicken precariously perched atop
his bewigged bald head, at the same
time producing other livestock
including a duckling. The wildly
cheering audience gave him an
enthusiastic standing ovation.
Only kohl & Company could follow
such an act, to close the last show of
the week. Their hilarious 'spoof' of a
bungling magician was a joyous
conclusion to a record Get-together
of magical entertainment.
I wish I had space to describe in
detail the offerings of a host of high
Kohl & Co.
caliber
talented
artists
who
accompanied
the
foregoing
highlights. These included Abb Dickson's lively company of cooks and chefs amidst a mélange of huge
and colorful (human) garden produce!; Gordon Miller; Howard Hale (the 1985 IBM Gold Medalist);
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Stewart MacDonald, Piet Forton, Kovari, Tim Wright, Mike Caveney; David Ben, Peter Isaacs; Sid
Lorraine, many with lectures, close-up and stage performances, all combining to present four solid days
of such enjoyable entertainment that I cannot see how Greg Bordner and his staff can possibly improve
on it when he comes to celebrate the 50th Get-together! But he's got the 49th ahead of him first, in
1986. We'll just have to wait and see. Meanwhile, keep early August 1986 open and get your
registration in early.
The Kitchen Scene
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With 49 years backed up in the history of Abbott Get-togethers, somebody with time and patience
should sit down with their stacks of "TOPS" and "NEW TOPS" and chronicle a fun record of nothing but
highlights of the various years.
For instance: The time an act made the corn flake people mad because he used swear words (when a
trick didn't work) over in Battle Creek. Or, the fellow who performed a pseudo(?) crucifixion - or Duke
Stern and his long love-affair with broken eggs (like the time he sat on a dozen and they ran through
holes in the chair seat. How about the blue candy in the grab bags which Percy Abbott sold (or gave
away) in the old tent - candy that wouldn't dissolve in the mouth and to which a dog in the street turned
up his nose.
Remember when Jim Sherman was the big man of the year when Edgar Bergen and Charlie McCarthy
and a bunch of other Californians came. Or when the first English party came over with brand new
personalities, voices, and tricks (they were the first of many foreign stars to delight Get-together
crowds). Percy Abbott demonstrating to the conventioneers with his great "win 'em over" ability that
sold out whatever he was showing. I can still see Gerrie Larsen driving off with Russ Walsh in a wild
rainstorm, on her first trip to Colon. There are a million memory pictures of those years. Remember
how mad Percy got a Chick Schoke for taking the guest of honor (whoever it was) to his cottage for
hours and hours to visit with the Chicago people? He made a public announcement that nobody was to
steal away the important people. Events of long ago and far away...
The 49th annual Get-together is already a memory, but a lot of people had a happy time and are already
planning on being at the 50th. Neil Foster jumped the gun on this one, because he was celebrating his
50 years in magic at the 1986 gathering. More on this in a minute.
The big shows got off to a start on Wednesday night with Paul Diamond as M.C. Paul is one of the most
controversial characters in magic, a guy with the ability to make people love him and hate him all in one
breath. He works very hard at maintaining his reputation. The show he introduced featured Gordon
Miller; Todd Karr, showing his prize winning act with roses; Dave Devon, featuring the fine Japanese
Three Card Monte number so popular this year; Earl Ray Wilcox with his familiar sleight of hand act (but
always done to perfection); Bob Little, one of the wild men of our day who did a number in which he
stabbed Paul Diamond to a big round of applause; and Neil Foster, who performed his beautiful act on
this show to a standing ovation which was followed by a plaque presentation to him from Dale Salwak,
commemorating Neil's 50 years in magic. The inscription read; To Neil Foster - Commemorating Fifty
Years in Magic. Your artistry as a performer, your dedication as a teacher, your unconditional love of
others, have made you an inspiration to the magicians everywhere. Abbott's 49th Magic Get-together,
August, 1986. I have been personally acquainted with Neil all those fifty years and I am well aware of his
supreme dedication to this art. The audience was glad to have the chance to show their enthusiasm,
too.
On Thursday night Gene Anderson took over the M.C. spot. If this was your first time to see Gene, you
were in for a treat. Even if you had seen him before, he brought chuckles and laughs and admiration for
his work with a common old newspaper. He has built a career on this material - a career that has made
him famous in many world capitols (at least any place where Dow Chemicals operate!). He sprinkled
special introductory material through the show this night. Mark Brandyberry, who has been working
comedy clubs which gives the magic a little different slant, opened the show. Brett Daniels followed
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with the type of act I enjoy seeing. The combination with the girl being levitated from the microphone
stand - while still singing!
A brand new personality was next, an English girl named Josephine (actually, Mrs. Sefton, wife of Brian,
an English magician who later starred on the Friday matinee performance). Josephine did some fine
manipulation and won the audience over with her pleasing personality. A surprise act was Franz Harary,
originally from Ann Arbor, Michigan but now living on the West Coast. He designs special acts and
equipment for rock music groups. He performed one of these - it might have been one the Jacksons
used - and it was striking. He put several sheets of glass or plastic together to make a sort of cabinet on
a pedestal base. you could see through it and could easily see the girl he led into it. He closed the glass
door,. There was some interplay with lights and color although you could still see into the cabinet - or
could you? When the cabinet was opened the girl was gone and in her place was a gigantic snake! If
you doubted that it was alive you could see it the next day - taking the Michigan sun in the school yard.
No wonder life in rock groups is exciting.
Bob Jepson did both magic and ventriloquism, with lots of comedy and the assurance that comes from
acts who, play schools and colleges regularly. Bob is a crowd pleaser and he later was awarded the
comedy trophy. Stuart MacDonald closed the show performing illusions with a female assistant. At one
point, she took over and did a large size Find The Lady monte effect, aided and abetted by a fake
moustache and a great and genuine smile.
George Johnstone, an old friend to the Abbott crowd, led the Friday night show, getting good results
from his own comedy magic. For a man about to marry off a daughter, with all that that implies, he did
just fine. (As I write this, the wedding is just around the corner.) Greg Otto did comedy material; Mitch
Williams performed the act he showed at Long Beach during the I.B.M. convention. (Jay Marshall goes
on record as saying that if Mitch's act had gone as well in California as it did in Colon, Mitch would now
have the Gold medal) As it was, Mitch was later awarded the manipulation trophy.
Two favorites, not seen for some years, brought strong applause - Tom & Sherrie. With new hair styles,
attractive as always and with great wardrobe and good magic. Earl Canapp, the Senile Sorcerer, brought
back his nostalgic ancient magician number of fond memory, Joe Eddie and Betty, those shockers from
last year, were back with more scintillating material including the production of a live boa constrictor (or
similar), so startling that it made the front page (with photos) of the Battle Creek, Michigan newspaper.
Jay Marshall performed on this show with his hand shadow act and followed with Lefty - both very well
received. He also helped fellow Chicagoan, George Johnstone, with comedy bits and crazy stuff with
toupees.
It isn't every day that the International President of the International Brotherhood of Magicians takes
over an M.C. job but on Saturday night Karrell Fox did just that. He even got some respect - for about
five minutes. The memories of duke Stern and Saturday Night Live (the Foxy Follies) on the Colon stage
makes it hard to be real serious all of a sudden just because a guy won an election. Anyway, he is a good
Master of ceremonies.
He introduced Dale Salwak, long absent from Colon, now living in California, a professor at a college, the
author of a number of books and married to an attractive young lady. Dale performed in the beautiful
style he teaches his students at the California branch of the Chavez school, an activity he handles in his
spare time.
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Then followed Robert Baxt who has been seen on several national convention shows and will,
undoubtedly, be seen on many more. He goes for the big laughs and gets them - a clever fellow. You'd
never suspect he was a potential lawyer. ("Your honor, let my client go free and I'll make you balloon
animals!") Harry Blackstone has become the patron saint of the Get-togethers. He performed, as only
he can, various selections from his shows aided by his wife and daughters. From Switzerland, Pavel was
this year's European contribution. He performed with rope effects which have made him famous. (He
also lectured and performed close-up on this day - a busy man!)
There was still another act on this closing show. One that created interest and excitement all week long,
day or night as he moved among the conventioneers. This was Senor Rai, right out of the circus. He
always wore glittering clothes and greeted you as if you were his long lost best friend. Everybody
enjoyed being included in his circle, especially Bob Lund, to who he presented an old costume, all glitters
and fur which had previously appeared in some of the best circuses and which belonged in a museum.
His parting remark to Bob (ownder and curator of the American Museum of Magic in Marshall Michigan)
was to hang it up in a good spot in the museum and be sure to "fluff up the mink!" On stage, Senor Rai
had a five piece orchestra and did several illusions featuring a lady from the Christian family, a famous
circus line.
On Friday, the Senior Citizens' Luncheon was held, followed by a show of talent M.C.'d by Jay Marshall.
The show was organized by no less than June Horowitz and since her forthcoming Presidency in the
I.B.M. was announced in USA Today newspaper we may lose her as a local drum thumper for the Senior
Citizens. but, by then, maybe Sam (Horowitz) will be looking for some action so I recommend him for
the job.
This time around June had some great assistants: Ginny Lewis, Peg Weikal, Marj Bamman and look at
the line up of the acts: Tommie Edwards, Matt Jacobson, David Allen, Warren Stephens, Frank Dailey,
Dr. Jerry Burgess, Sid Lorraine, Howard Bamman, Bruce Posgate, and Robert Baxt. Robert did a great bit
with a ruler - I'd like to know more about that.
Music was furnished by Connie Pelham (official orchestra of the Abbott Get-togethers) on organ assisted
by Howard Bamman on guitar. Howard did a beautiful eulogy to Bob Lewis (missed very much by this
group especially). He performed Bob's favorite comedy song, "I Want To Go Back To Springfield But I
Don't Know Which One It Is!" Over 200 seniors attended, aged all the way down to twelve years. Ginny
Lewis did a powerhouse job of seating and smoothing over the complaints (and you know how
cantankerous us old people can get!). Everyone said it was the best one yet! Come again next year!
The traditional Special Benefit Matinee staged on Friday featured a newcomer, Brian Sefton from
England. Also on the show was Buddy Big Mountain, a ventriloquist and our old friends, the Amazing
Conklins. Proceeds from this show go to the Colon Lions Club (the co-sponsor of the Get-together) for
their work with the sightless and sight impaired.
Saturday afternoon is also the time for the close-up show. This year's show featured four heavyweights;
Pavel from Switzerland, Paul Diamond from Florida, John Cornelius from Texas and the inimitable Al
Goshman from California. I also must mention that gospel magicians and magic ministers have a special
session on Saturday morning and all through the week Dan Blasius mans the novelty counter for the
benefit of the hundreds of non-magical tourists who flock to Colon for the week. When you add to this
the scheduled and non-scheduled performances of street magicians and entertainers, the sidewalk sales
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and the yard sales, the Saturday Arts and Crafts Fair, you can see why Colon during Magic Week is a
festive occasion!
A special event took place on Tuesday, preceding the official opening. Brett Daniels, who was so
excellent on Thursday nights show, performed the Houdini Water Torture Cell Escape. This was staged
in front of the Abbott plant and drew capacity crowds, including three television news teams and
representatives from all the regional newspapers. Brett, in a highly theatrical and nerve wracking style,
successfully made his escape to the applause and relief of those present.
And so another Get-together was wrapped up, with the exhilarating thought that next time the 50th
Anniversary of this famous magic Company's convention would be celebrated. Plan now to be there!
Paul Diamond - Karrell Fox - Abb Dickson
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1987 Get Together (by Karrell Fox)
th
We are happy to reprint the poem read by Karrell Fox at the 50 Get Together called “Colon Memories”
One night recently
as I sat alone at home
I leaned back in my easy chair
and let my memories roam
to yesterday's Colon Get-togethers
boy, were they fun
and as conventions go
Colon was always number one.
My first was at the Colon Opera House
so many years ago
and yet...as I close my eyes
I can still recall that show.
The emcee was Dorny
and he was really funny
Lester Lake did his guillotine
and chopped off the head of a 'honey'.
Monk Watson did the orchestra leader
at which he had no peer
then Jesse Thornton with his clock act
from Vaudeville's yesteryear.
Intermission came next
and even it was a dandy
as Percy Abbott himself did a pitch
and then sold the candy
Bill Williston did his comedy
then Mel with lightning art
and then a kid named Fox
contributing his part
The band had only two members Gladys Abbott at the piano
and later I was to learn
that the fiddler who worked with her
had the last name of Stern
The memories I have are many
of the Get-togethers past
where hundreds of friendships have been made
and all of them will last
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The suppers at the churches
where the food was always great
the local merchants sidewalk sales
in which we all participate
The names of all the Super Stars
who appeared in Abbott's tent
Blackstone - Gwynne - Crandall
and Recil Bordner, he was quite a gent
For places to visit in Colon
The American Legion is number one
and there’s never a night there
that isn't filled with fun
To the wonderful people of Colon
who have always been so great
and who welcome us in their homes
even when we sneak in late
to all the crew at Abbotts
and Greg Bordner, who runs the store
we thank you for all the memories
and we'll be back for fifty more!
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When the news of an opening of a magic shop in Colon, Michigan reached Chicago in 1934, our people
were surprised! Who could they sell to? Who could they get to work there in such a tiny town? It will
never last! It provided opinionated gossip for weeks, but soon the Abbott Magic Company was "paying
the postage", coming out with new tricks and showing the magic world they meant business. We, as
magic dealers and direct competition, were a little uneasy at the rapid growth of this country cousin. A
few years passed, everything settled down and we were doing business with one another - no problems.
Then the Get-togethers began. Small to begin with, aided and abetted by the beautiful countryside, the
low cost of bed and board, the dynamic prowess of Percy (Abbott), and the general love of magicians for
being "together". Looking back over the years, certain memories stand out like ornaments on a
Christmas tree. There were the years Monk Watson led the orchestra on stage - a comic interlude no
one ever tired of. The antics of Duke Stern, calling out (after vanishing a bouquet), "Come flower! Come
flower!" at which point somebody overhead emptied a sack of flour on his head. Another time he placed
a shallow basket of eggs on a kitchen chair (the kind with holes punched through the wooden seat).
Minutes later, forgetting ( ?) where he had put the eggs he sat down on the chair. Long strands of yellow
yolk and egg white streamed down through the holes while the audience wept with laughter! There was
only one Dukie!
One year Edgar Bergen, then famous nationwide, arrived with other Californians and Jim Sherman as
interlocutor. Chic Schoke and friends had rented a house where they entertained all these celebrities.
Percy had discovered early on that one of the attractions of the Colon convention was the chance to rub
shoulders with the big shots, so he wasn't about to have his "bait" locked away behind closed doors. He
made a public announcement about it, inviting Mr. Schoke to go away and stay away and leave his
guests alone. Chic Schoke' had sold insurance for decades - he had a skin like a walrus - no way could
you insult him. The conventioneers were delighted with the fracas and the weekend ended with a draw.
A little later in time, there was the year of the British visitors (the flying sorcerors) - a year that was
duplicated a number of times, with different overseas visitors each time. The conventioneers could get
them aside and actually visit with these magicians from far away, then watch them work at night - with
their different accents and different kinds of magic. The fun was on both sides and, as the years went by,
Americans began to go to England to try out their conventions, and the magic went round and round.
One misguided year, the feature was a crucifixion. On a much better note, one year brought a wedding right in the heart of the Get-together. Cardini's brother and his bride. Another lovely moment on the big
stage, in another year, was the appearance of the Abbott family, all who were left, to take a bow and
say goodbye. Tears and smiles mingled again.
One year, Dell O'Dell brought her big trailer home to Colon, to show how show business moves about in
New York. She invited friends in for little suppers she cooked herself and won even more Dell O'Dell
fans. What a woman! Another year, the famous John Mulholland was on the bill and was our house
guest. We had a different house every year and this one leaked. In fact, it must have leaked for years
because all the walls were clammy and tomb-like. It was very tiny, so we put John upstairs in the biggest
of the two bedrooms. He had to come downstairs for the bathroom and scared us to death by dropping
a book as he descended the stairs, as we thought he had fallen. I believe John performed his act in
Chinese robes on that occasion.
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One year, the Chicago magicians urged Ed Marlo to come with them. He was very hesitant as Ed was a
Chicago boy and country life was something he had never tried. Farmers in those days rented space in
their houses for a dollar or two a night and Ed won the priority spot on a mattress laid on a wide landin9
on the stairs. Like all true farm house it had outdoor plumbing. One day before the Get-together
officially ended, Ed Marlo returned to his Chicago home by bus, green around the gills and very anxious
to eat "regular" again. I don't think Ed has been back to Colon since. (Editor's note: Since that time,
however, Colon has made the quantum leap forward and most houses have electricity, running water
and interior plumbing! ).
Doc Mahendra and Anne brought their motor home one year and Doc made crepe suzettes for guests. I
adored them but I never learned how to make them. Old timers will remember the year . Stewart James
told the tale of Mrs. Astor's horse - the year Jack Gwynne did a levitation act in the middle of the street Gus Rapp delighting everyone with his talk and fun. One year, bags of candy, with prizes or numbers
were sold, but the candy was a vitriolic shade of blue and hard as a rock. We still had the bag when we
got out on the street so we tried to give a piece to a local dog. He took one smell and vanished. Another
year, much more recently , there was much consternation when a water torture cell was wheeled out on
stage. Everyone was convinced it was going t o crash right through t o t h e cellar. The same kind of
audience fear showed up when Franz Harary (and before him Joe Eddie & Betty) waltzed about with a
monster boa constrictor. Again, just another moment of excitement at Colon. In some of the other early
years, Jesse Thornton ( or his labors) showed up in the shows. His specialty was a clock act, very well
received. His last days were spent in this magic atmosphere, with a drive through t h e town for a last
look at the magic factory and a handshake with his friends before going to the hospital for an operation.
He never returned. This might be the moment to mention the local cemetery. Over the years it has
become the resting place for a number of "name" magicians, with such luminaries as Karrell Fox
measuring off desirable space for future use. One midnight a large assembly of the aging and semi-aging
went out in a group. It was a night for Houdini, if he was paying attention to publicity at the moment. He
was a no-show.
There was the year Jerry Spurlock drove up in a huge trailer, creating great expectations - which didn't
get fulfilled. Always, even until today, the old joke gets repeated. Somebody gets hired for a Gettogether show, doesn't quite create a success, and gets hung with the label that they must have been a
good customer. The acts are NOT hired by how much a man spends, but the joke lives on.
The Foxy Follies lived for a number of years, with a troupe of clowns in crazy outfits. The script is by
Karrell Fox and Duke Stern (until his death), Abb Dickson and any other member of the troupe who had
an idea. Essentially it was a burlesque of what had happened all week. Sometimes it was great, usually
quite funny, sometimes a little repetitive, and always a lot of work by the participants (who would have
killed if you tried to remove them from the fray) . The Follies, as of 1987, became history.
The funniest thing I ever saw on one of the Get-together shows took place when Percy was doing some
illusions of his own make. It was one of those rod through boxes type things. The box turned on rollers.
A girl was inside. An assistant, who was behind the upright cabinet, was to insert a short length of rod at
the right point, as Percy was shoving rods through from the front. The box was spun about to show all
rods through the holes. On another spin, the assistant, now out of sight, was supposed to remove the
short rod, He must have gotten talking to someone and, as the box came past him in it's whirl, he just
barely remembered his job. He did a ballet move in the air, grabbed the short length of rod and then
realized that both he and the length of rod were by now in full view of the audience. Percy was glaring at
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him - people were screaming with laughter - and the poor guy reached into his pocket and pulled out a
handkerchief to wipe his brow! You had to see
Those readers who were present at a Get-together of a few years ago will add this other great moment
of magical history - "the kid and Mike Caldwell saga!" It seems that Mike, a veteran comedy act, asked
for the use of a kid, A little boy came on stage and - took over! He topped (or Mike let him top)
everything that was said. He dashed madly in and out of the curtains. He threatened to bodily assault
Mike (who was at least ten times his size). Mike kept coming up with lines that slayed the audience. If
ever a bit belonged on film, this one did. It is moments like this that cause people to travel hundreds of
miles to get to Colon each summer - "Let's see what goes on THIS year!"
Fifty years ago, Blackstone (Senior) owned island property in Colon and used the place to build tricks,
rehab the show, rest and whatever, assisted by his brother Pete and others. He decided to use his
widely-known name to found a magician's supply company and he hired a newcomer from Australia,
Percy Abbott, to act as general manager. Percy had all the requirements. He knew magic, was a forceful
and dynamic operator and was interested in settling into something with permanence in the United
States.
Rumor has it that Blackstone came back from the road, demanded accountings and an altercation broke
out, followed by a fist fight. Somebody called the cops. Blackstone, ever the actor, stepped into the next
room when he heard the approach of the "fuzz". As they came into the house, he rushed forward with
an outstretched hand to Abbott and said, -"Percy! When did you get back in town"?
Thus the Abbott Magic Company was born in pain and anguish, high hope and resolve, headed by Percy
Abbott - sole owner. That he did a hell of a job is attested to by this recent celebration of over fifty years
in business and fifty annual conventions .
The Bordner family came into the scene because Recil Bordner had become, early on, the partner of
Percy. The passage of time brought everything down to the person of Greg Bordner, President of the
Abbott Magic Company and the genial host of the annual Get-togethers. The decision to have a pictorial
history via photographic slides of a few of the people figuring in the last fifty years was a perfect way to
start off the 50th Anniversary event. The audience was fascinated and alive with whispers as they
recalled the names, the times and the magic delivered by all those folks. No way could it have been a
comprehensive survey - no one knows how many people must have figured in those fifty conventions.
But David Linsell , the photographer, outdid himself with the presentation. Congratulations on a great
job.
Gordon Miller was the M.C. for the Wednesday night opening show that followed the showing of the
pictorial history. Acts included Bob Little, being his own crazy self with his own brand of magic - a real
audience pleaser; Franz Harary presenting many illusions, including the Disembodied Princess, Light Bulb
Cabinet, Mike Stand Suspension, Assistant's Revenge, Guillotine, etc, It was Franz who performed a trick
that caught everybody. A girl is put into a box which is divided by blades into eight pieces. Franz then
took hold of one end and an assistant took hold of the other end. The box is divided or slid apart, like an
accordion at every point where a blade had been placed. There were wide open spaces between the
sections of the box where once there was a living girl! The sections are slid back together, the cabinet
opened and there she was! Nobody topped that one! Chris Jakway followed, working in the attractive
Chavez style. Chris is a co-partner to Neil Foster in the Midwest branch of that famous magic school.
Airjazz followed - that beautiful choreographed juggling material done by two boys and a girl with
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rhythm, style and applause creating the fun. They are unique among jugglers. Also on this evening's
show were special presentations to Little Johnny Jones and Greg Bordner - both awards presented by
the outgoing and. current Presidents of The International Brotherhood of Magicians, Karrell Fox and
June Horowitz.
Harry Blackstone closed this first show as only Harry, a lifetime professional, could. Regulars at the Gettogether expect to see Harry Blackstone at least once during the weekend, even if it is only a cameo
appearance.
That very first Get-together show, decades ago, had an M.C. worthy of any show, any place - Sid
Lorraine. He has made other appearances through the years and he was again the emcee for the
Thursday night show. Ward Thomas, cruise ship performer, got rounds of applause with his colorful flash
act of umbrellas, silks and other objects. A fine example of "magic to look at". A dandy opening act for
any spot in any show.
John Salisse is one of those British imports we mentioned earlier and he was very welcome with his
droll, take-apart ventriloquist figure. Airjazz returned - to surpass themselves and again delight the
audience. Howard Flint managed to get more people in costume on stage at one time than anyone had
in the history of the Get-togethers. When they all began to perform "Snowstorm in China" in unison, it
took over the stage - the orchestra pit - the front rows, etc. It also laid the groundwork for a little
vignette I will tell you about later. Howard did other things on stage that night but he will be
remembered for the "snow".
The next-to-closing act was Jay Marshall, who dug deeper for "something different". This time it was of
World War II vintage, the mop routine, fleshed out with other numbers from his repertoire. If General
MacArthur liked the mop routine as much as this audience did, Jay could have come out of the service
with three stars! Jay still had another surprise up his sleeve. His signature closing is almost always
"Lefty" and so it was this night - coupled with "Righty"! Comment the rest of the week centered about
the fact that everybody had heard of these legendary numbers, but almost nobody had ever seen them.
(Since YOU didn't, I will tell you that Righty looks just like Lefty but he has a different voice and the song
is "We Three" )
Closing this show were The Barans, international trophy winners and veterans of thousands of miles
afloat with Norwegian American cruise ships. No wonder they're good .. . they have so much time to
rehearse while their ship is spinning off the miles. Jennifer Baran dazzled the audience with seventeen
costume changes - one lovely evening gown after another - all adorning one lovely body. These young
marrieds, from suburban Chicago, have had phenomenal success doing what they like doing best performing. They've seen the world at somebody else's expense and have groomed and honed their act
until it shines. And, they are still young, handsome adults with delightful manners, pleasant dispositions
and no bad .. habits. They have the world in front of them and I wish them the greatest. The audience
showed that it agreed. When the show was over, the children in the front rows began to grab up
handfulls of paper (from Flint's act) and toss them about, just horsing around in general. Then, tears and
chagrin. One child said she had had a gift five dollar bill folded in her hand and during the grabbing and
tossing of the paper it had vanished. It was just about hopeless to try. and look for it, but the kids all
tried. Harry Blackstone was observing, standing nearby with friends, and he very kindly dropped a bill
onto the floor, pushed it into a pile of paper with his foot and did a "There it is!'' to the group of kids. It
brought a lot of joy and, after all, that's Harry's main business, isn't it? Keep spreading the joy, Harry.
You're a nice and classy guy.
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On Friday night another overseas personality came to the fore as M.C. - Terry Seabrooke. That is, he
started out as an overseas visitor but now he is in the U.S. of A. more than in Britain. Like Jay, he dug
deep into his cache of tricks in deference t o the many folks who have seen him often. The Seabrooke
delivery pattern always wins out, no matter what the tricks are. He introduced Mark Zwartz who
presents a new idea as a robotic magician. Abel and Marina Pabon, visitors from Puerto Rico, showed
pretty material with silks and doves, etc. Tom Ogden , busy California pro, strives for comedy situations
and succeeds, as evidenced here with his kid in the Hindu Basket illusion. (As it turned out, Franz
Harary's boa was also in the basket!) Tom also presented the Sword Thru Neck and other Ogden jollies.
David Seebach, Wisconsin illusionist, who has a good reputation for presenting big shows sponsored by
automobile manufacturers, did a few numbers from those shows - Bow Sawing, a new Stretcher illusion,
Mismade Girl, Crystal Box and Broom Suspension and others. He's a pro and it shows. Speaking of pros,
so is Lucy Smalley who, some years ago may have done one of her first full stage acts on the Colon stage.
She has now reached a peak in her work. Every inch a class act. A good looking girl who knows what she
is doing. Someone said she was a feminine version of a Chavez act and so she is, with innovations strictly
her own and every move a picture. She did a costume change with a Full Light Seance routine that would
take a first in any contest. Just beautiful. Lucy also has auto show experience under her belt, plus many
other good jobs. I do want to see her on T.V. one day.
If anybody reading this hasn't seen Kohl and Company - they should be ashamed - and should be sure to
catch them the next time they get the chance. The act is indescribable, hilarious, ridiculous, funny and
clever and belongs on convention shows nationwide. Nobody has tried to copy them. There is no way
you could because this acting troupe have built in comedy material that simply could not be done by
anybody else. Something very special.
By Saturday night everyone at the Get-together is pretty beat, what with late nights, early programs and
contests, too much laughter, too much emotion, etc. But every seat was filled and ready for the show
emceed by Mike Caldwell, who is funny, fat and stage-wise. As a special treat he introduced Cindy
Conklin's daughter, Stacy, who presented a brief and charming magic act just perfect for her age, size
and appearance. Stage Manager Cindy must have been bursting with pride. Mike then brought on James
Dimmere and Lisa (she is the daughter of Shimada). This young engaged couple, with marriage in the
offing, have been working nice spots and building a reputation. Dimmere is an excellent magician (in the
Lance Burton tradition). He has developed a number of personal effects uniquely his own that make him
unlike anyone else. Lisa is an important part of the act because they planned it that way. They work with
birds and cages and silks and the same things other acts use but it is all based on a network of precision
and timing and surprise, unlike others, He leaves you gasping when he shrinks a cage full of birds down
to a small size cage and then vanishes it. Great things should be in this couple's future.
John Salisse came back again with his wonderful, coy duck figure who enchants everyone. When the
duck loses his eye and John finds it and slaps it back on again sideways and the poor little duck twists his
head all around trying to see, it is a picture of tragedy and comedy all mixed up. We almost hate
ourselves for laughing. This polished English gentleman was quickly supplanted by a riotous carnival
atmosphere featuring Senor Rai and Company. (He sent me a bouquet at the beginning of the show for
which I thank him. I was one of a dozen or so women so favored, so it was nothing personal.) Senor Rai
also donated a wild looking fur coat to Marshall's American Museum of Magic for an exhibit. He advised
Bob Lund to fluff it up a little now and then.
Senor Rai has an extensive battery of pyrotechnical pieces which explode and flare out and keep you on
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the edge of your seat. Among his effects he presented a number of illusions, including Palanquin, a
fishbowl effect with a girl in a mermaid outfit, the Stack of Bowls, etc. He works with a slap dash fervor,
surrounds himself with pretty women and, in general, maintains the kind of act nobody can copy nobody has the adrenalin for it.
Fukai and Kimika, from Japan, followed with a pretty act built around parasols and umbrellas. Very, very
Japanese. The evening ended with the last edition of The Foxy Follies, headed by Karrell Fox and backed
up by many of the former Follies' "girls".
And that was only the evening activities! Daytime lectures were given by Abel Pabon, Terry Seabrooke,
Karrell Fox and Sid Lorraine. The Magic Talent Contests were held at the high school on several mornings
and the winners are: Junior Contest - Third Prize: Dave Sutherland, First Prize: (Tie) : Joe Spiller, Stacey &
Steven (Smolinski) . Senior Contest - Third Prize: David Gower, Second Prize: Richard Aimes and First
Prize: David Peck. David Peck's performance also earned him a spot on Saturday's evening show - a thrill
for him and a treat for that night's audience.
Howard Olson supplies the following report on .the ventriloquist's activities. "The Vent-o-Rama was held
in conjunction with Abbott's 50th Magic Get-together this year, as usual. Winners of the Olson trophies
were Eddie Adams of Metairie, LA. in first place. Second place went to 'Great' Scott Dietrich of
Kitchener, Ontario, Canada. The Originality Trophy was earned by Mike Yavorsky of Toledo, OH.
"Mike McDade and Gerard Dietrich added to the entertainment in the mornings. Host Howie Olson gave
demonstrations, routines and lectures on the art of ventriloquism. Many in the audience said they were
inspired and were going t o put together an act for next year's Vent-o-Rama. "Ventriloquism has been
enjoying a renewed popularity recently. It is a form of magic that many magicians have added to their
presentations. A ventriloquist's figure is one- of the best ways of using misdirection. Hope to see all of
you at the 1988 Vent-o-Rama at Abbott’s Magic Get -together!"
The ladies were treated to a Bingo Party on Thursday and on Friday the Senior Citizen's Party took place
at The Magic Carpet lounge. This popular party was well attended by young and old alike. A brunch was
included with music by Howard Bamman and Connie Pelham. I (Frances Marshall) served as M.C. and we
had a goodly number of short acts making their appearance. Organization was done (by mail) by June
Horowitz and the results were well worth it. Other daytime events included visits to the cemetery, the
Colon Museum, the Colon Historical Society's Treasure Chest Sale, performances by street magicians
Artie Kidwell, Howard Flint and Todd Karr, the, Magic Ministers Session and, I understand, Franz Harary's
boa constrictor created a little show of his own whenever he was allowed outside to soak up a little
sunshine.
The Matinee (held this year on Saturday) sees the benefits from ticket sales going toward the work done
by the Colon Lion's Club to aid the blind and visually impaired. Performer's on this year's show were:
M.C. Gil Scott, juggler Bruce Block, Barbara Crandall (a ventriloquist and a former Miss Michigan) and
Ronald McDonald. Friday's Close-Up Magic show was entrusted to the capable hands of Tim Wright,
Abel Pabon, Cil Scott and Mitch Williams. Events at the Showroom followed all the big evening shows. At
the local American Legion Clubhouse, holding forth every night, were such sterling close-up workers as
Tommy Edwards, Karl Norman and dozens of others, famous and not-so-famous. Some great magic
happens here.
In an effort not to leave anything out I must add that one night, under the stars, and on the shore of the
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lake a real Colon Luau was held. It featured burning firebrands throwing flames up high, a roasted pig,
plates of fruit and other good edibles, Hawaiian style decorations and a background of a very nice house
with a balcony deck on which the musicians and others sat. This was a private party (staged by
magicians) to which we were invited. I do thank them for their hospitality. It was certainly a first for
Colon. I understand the roast pig came all the way from Chicago,
Finally, it was all over and once again we began the long trek home via the Indiana Turnpike. Another
fifty years have begun for the Abbott Magic Get-togethers and we here at Magic Inc., wish them the
greatest. One last thought to the folks at Abbotts - just don't move to Chicago!
Thinking Ahead
After the 50th Get Together 100 programs were
preserved in a sealed container at Abbotts with the
instructions that 50 were to be sold at the 75th
Anniversary and 50 were to be sold at the 100th.
These are available at Abbotts and also online.
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Nothing stays secret long in this magic world! Just about the time the news reached me that I looked
"awful" during the Colon Get-together this year, I realized it myself. So, I was, as they used to say in my
old neighborhood, "Sick in bed with the doctor", for quite a few days. Pneumonia is now one of my
specialties and I know how to get over it. It is with a pretty good return of my health that I launch this
report - after all, it will soon be 1989!
The trip over to Michigan was full of uncertainties and changes. Jay (Marshall) and Tommy Edwards had
gone over on Sunday to catch fish with Sam Horowitz. I debated about flying over, taking a Greyhound,
the Amtrak or whatever. During this thinking, George Johnstone called with an offer: Go along with him
and his passengers, Ricki Dunn and Terry Herbert. The rules: Don't bring much luggage and be ready on
time. So, we four sailed off into the sunrise. Talked continued at a rapid pace, replete with stories
about agents, Las Vegas spots, the old days, braggadocio and jokes with hardly anyone yelling out "b--s---" at the end of statements made by the other passengers. A very nice trip with over 175 miles of
midwestern scenery - and, all of a sudden, we were there.
We had missed the Wednesday lecture by Stuart on which we heard only good reports. I joined my
house party and left George, Terry and Ricki at their posh hotel. We had a houseful of magicians and
welcomed them. We sponged off June and Sam Horowitz for some supper and then went downtown to
the high school auditorium. For decades, almost the first person I would see in this auditorium was my
lifelong friend, Neil Foster. I could still feel his presence, but the hug and the kiss were missing.
Neil Foster Eulogy by Gordon Miller
I deem it an honor to have been asked and to be allowed to deliver this eulogy for
my friend, Neil Foster.
A eulogy is nothing more than a personal recollection. During his lifetime, Neil
Foster touched everyone here in attendance, and thousands more who are here in
spirit, with his presence. To some he was a casual acquaintance or a customer or a
neighbor. to others he was a co-worker, a teacher, a relative or a friend. He was all
these things and more.
Any man fills many roles during his lifetime. He is first a boy and then a man and, if
providence allows, a husband and possibly a father. My first recollection of Neil
was in the role of The Idol. Neil was an almost legendary figure in his chosen field
of magic. He was respected and revered for his high level of skill, his masterly
presentations and his superb showmanship. I knew of him first only through the
writings of others.
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While Neil and his wife Jeanne were traveling the school assembly entertainment
circuit, a complex series of circumstances resulted in their retiring from that
nomadic life and ended with them settling here in Colon. The Fosters joined the
staff of the Abbott Magic Company. My idol now stood across the showroom
counter from me. We were now Casual Acquaintances.
During one of our conversations I managed to convince Neil to act as my instructor
- a dream come true for a young man bewitched by the art of magic. And Neil's
role changed to that of The Teacher. I shall always remember those evenings, first
at the little house on Romine Street and later at the house on Goodell Avenue. I
paid for one hour's instruction and usually spent over three hours each night once a
week, talking, listening and learning. As others had discovered before me and still
others had discovered after me, Neil Foster was incomparable as a teacher. Just as
he was as a performer = he was the best.
It was certainly during this time that Neil became my Friend. When Neil became
the Editor of The New Tops magic magazine, I joined the staff of the Abbott Magic
Company and we became Co-Workers - a condition that lasted until his retirement
in 1979.
All his life Neil pursued a variety of interests, in addition to those we have briefly
touched upon. He was an artist and an illustrator whose talents ranged from
catalog line drawings to oil portraits. He edited a magazine, which his wife typeset,
for over nineteen years. Both he and his wife were voracious readers; Jeanne
favored detective mysteries, Neil devoured biographies and travel books. both
were addicted to late night television, especially favorite old movies. The house on
Goodell Avenue was justly famous for the gardening and landscaping efforts that
Neil created. the lush flower arrangements, the thick shrubbery and hedges and
the great variety of trees formed a safe haven for all the neighborhood birds,
squirrels, and rabbits - and a natural and relaxing retreat for the Fosters and their
friends.
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I am grateful for my privileged position. I was a friend to both Neil and Jeanne for
over a quarter of a century. I saw them as man and woman, as husband and wife
and as surrogate father and mother. We traveled together frequently and often
performed on the same shows. What an advantage to see the best in the business
hundreds and hundreds of times! What a collection of memories!
This, then, was Neil Foster. Idol, acquaintance, Co-Worker, Teacher, Role Model,
and Friend. I often had the enjoyable task of introducing Neil to an audience. It
was the easiest job in the world. All I had to say was: "Ladies and Gentlemen ...
Neil Foster ... the Best!"
It was a joy to find Bill and Ce Joy in that same area, though, smiling and strong. Then there were just
too many old friends on every side and greetings abounded.
Gordon Miller paid tribute to this summer's weather by being discovered, as the curtain opened, in a
reclining lawn chair, umbrella hat on his head, sunglasses in place, electric fan beside him and a long
cold drink on the floor. He conducted his traditional welcome from this prone position and all the
expected greeting banners fell from the battens. He then hopped up and introduced the fellow who was
to be our MC. for the remainder of the evening
The opening night show had a fellow Chicagoan as MC, - one Randy Brown. Randy is a "professional
Texan”, with a white western suit, a white Stetson hat, cowboy boots and a wondrous act that combines
paddle balls and regional jokes.
He quickly introduced New Englander, Dave Cresey. Dave worked with his daughter on producing a
seemingly inexhaustible supply of silks, flower bouquets and other production pieces - and had the
audience on his side most of the way. (When you make the throw-out streamers and the mouth coils
you can afford to be lavish with them - and he was!)
Following was Kovari, originally from Hungary, now a professional magician and magic dealer from
England with his lovely English wife, Susie* He had several new illusions - a head twisting effect and a
blade box. He also showed his big Indian rope trick which looks great on stage. (Kovari had the blade box
on display later in the dealers room and sold it the following day for a high price.)
Ralph Adams, from California, is known by reputation for his wonderful routine where silk handkerchiefs
leap in and out of big bottles. He performed this fascinating number (the Ralph Adams Dancing Hanks)
and introduced a young man and a young woman who assisted him in other effects new to this
audience. In the course of his act he vanished from the stage and reappeared at the back of the Colon
Gymnasium. Ralph has always been a winner and this year he ended up being awarded the Jack Gwynne
Award for Excellence.
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Randy Brown and his paddles batted rubber balls on elastic strings out over the heads of the audience,
all the while doing his joke routine. Randy winds up catching three of these flying balls in his mouth, too
much laughter and applause.
Bob Jepson has taken ventriloquism and working with "dummies" to a new high in his laugh-making
routine with a boy figure who gets into trouble and is put into a box to be sawed into halves. You find
out how his sawing is done when a second figure shows up. That gives Bob two figures, plus two distant
voices on the telephone. the jokes make you laugh, even if you don't want to - and some of them are
terrible, as jokes go. One day, I hope to bring bob Jepson to Chicago for some gathering.
Franz Harary, in black leather (actually Neoprene) and with his blonde hair, is always coming along with
something different. This year he introduced "Walking Through A Girl" and it had everybody talking. It
is probably the cheapest illusion you could put together (there is almost nothing to build!) except that it
requires four people. We suggest that Franz put out a manuscript on this subject right away to get his
just returns from it. Magicians are, by definition, acquisitive by nature and an inexpensive illusion is
something they would like to acquire.
And so the Wednesday night show ended with a
high note and slipped off into history. Everybody
was happy. Some went back to the showroom to
watch and buy magic, while others went over to
the American Legion building to give their
opinions on the evening show and to watch
close-up magic, washing down their late night
snacks with various drinks.
The Thursday lecture was by David Ginn. It was
well attended and appreciated by those who also
entertain children for a living. David really knows
his field.
Brett Daniels
Brett Daniels was next and, as always, performed
a beautiful act featuring doves that seemed to be
trained to his touch. The last production turned
out to be a big wide-winged colorful bird of
tropical nature. When tossed into the air, he
made a circuitous trip out over the audience and
back onstage to Brett. (I can't get my dog to do
that!) At one point, Brett dropped a glove and
when he made the move to scoop it up with his
foot it visibly changed to a dove that flew in
pattern, back to the display stand like the other
birds. Brett also did a fine routine with a huge
patterned Zombie ball, which disappeared at the
finish. (And there was more of Brett to come,
later in the week.)
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Buddy Big Mountain showed up next with a funny act of ventriloquism - which was technically excellent
as well. In his routine Buddy s figure (which is a cowboy character) produced a little Mexican figure and
the minority jokes flourished. Buddy got a good hand from the ventriloquists present for his fine
technique and he certainly had the audience laughing.
Certain acts do certain tricks so well that they are always closely associated with them. So it was with
the next act. Bob Higa and his attractive wife wear oriental masks during their dramatic presentation of
Japanese style effects. The act concludes with a stage-filling "Snowstorm in China" Bob's biggest effect is
an Asrah wherein the floating lady revolves completely before being vanished into thin air.
Harry Blackstone vanished the bird cage amid a host of little assistants and then took advantage of the
presence and popularity of a couple of great people in the audience. Harry performed a cards across
routine in which he was assisted by (look-alikes?) Sid Lorraine and Ralph Adams. Harry then successfully
predicted a magical madcap menu and concluded with what has become his signature - the astonishing
"Floating Light Bulb".
On Friday, Meir Yedid took the place of Terry Herbert as the featured lecturer. Terry felt his lecture was
too similar to that of David Ginn's so he opened the door for Meir - who delighted all with his approach
to card and close-up magic. Meir made many friends all week long in Colon.
On Friday night, Michael Ammar emceed, showing another facet of this young star who is into
everything. the audience vocally chided his discretion when he dismissed Bellamie Blackstone as his
volunteer assistant (taking a little boy, instead). Michael pleased all, however, with his rope and ring
handlings and his sensational card on the ceiling!
The show opened with Petrick & Mia, the popular and well known team who are now settled in as
Americans. Anything Mia does is pretty and so is she. Perhaps this is why we tend to discount Petrick's
skill in this act featuring coins and ribbons and picture frames.
Ricki Dunn was next. He is one of the few entertaining pickpockets extant, in this country or any other.
He worked over a line of men he brought up on stage and ended up with most of their possessions. the
laughs are built in - the guys are really fooled - and Ricki ends up on top, to our delight.
In his second appearance of the week, Brett Daniels' pretty blonde assistant is put into a spiker illusion
of a sort. She is in the middle of a framework containing a number of rods on both sides. The front
panel is closed up. Brett and his assistants shove from both sides and the rods obviously have to mesh
at the middle, leaving no room for anything. The front and back panels are removed and she has
disappeared. Panels are put back and the rods are pulled back. When the panels are removed she has
reappeared. Brett also featured an escape from a falling bed of spikes, the three sword suspension and
more. All good, solid magic that the Colon audience ate up - for that's what they came for!
Somewhere along the way Brett managed to slip in a substitution trunk and he ended with the Water
Torture Cell. In the sub trunk presentation, he changed places with his pretty lady and when he emerged
from the bag inside the trunk he had changed from a formal tail suit to a red, white and blue bathing
costume - setting him up for the torture cell. Two assistants locked his ankles into stocks and he was
hoisted up, hanging head downwards over the large clear plastic tank of water. He was lowered into the
cell and the stocks were locked at the top. A large cloth cover was held in front of the illusion for a full
minute. This cover was temporarily removed so that the audience could see that Brett was still
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struggling with the handcuffs around his wrists. The cell was once again covered from view and within
the next thirty seconds Brett Daniels appeared, dripping wet, for an ovation. A hundred kids in the
audience began to scheme - how could they get such a trick? That Colon crowd is crafty
"The Great Fiasco" is Terry Herbert's comedy act, well done in the familiar tradition of tricks going wrong
and the magician going crazy. You knew he had done it before! (Many times!) His last item involved
starting a fire in his top hat and having the table base and top hat head for the wings, puffing up smoke
to the appropriate sounds of a railway train!
Satanic themes were big this year and showed up well in the multi-person act of Don Jones & Company.
He is from Detroit and is a newcomer to the Get-togethers. his people were mysterious and hooded and
produced him from a coffin-like device with lots of fire flashes and billowing smoke clouds. Among
other items they performed a sword basket illusion in the same mood. the girls in the group were all
good dancers and a little short of wardrobe. You will see them all again, I am sure.
Saturday morning found the assembled
magicians listening and learning from
the lecture of Michael Ammar. Michael
is TOPS in his field and his words of
wisdom were well heeded (and his
books, manuscripts, tapes and tricks
were quick sellers).
That
Saturday
afternoon,
the
auditorium was taken over to present a
benefit matinee for the co-sponsor of
the Get-together, The Colon Lions Club.
This show featured David Ginn and his
charming company of performers from
Atlanta, GA. David is a veteran of such
shows and was a good man for the job.
Karrell Fox & Abb Dickson
And so we come to the Saturday night
show - the final show of the week. Karrell Fox took over as M.C. and sprinkled some new ideas in among
some of the more familiar stuff. Jeff Korst opened the show, having just returned from six months of
performing in Japan. He also tries to work out spare time to be with his bride, an opera singer in
California. His hectic lifestyle didn't show as he began his usual flawless manipulation of objects,
including doves. It is one surprise after another, with constant bursts of applause.
Petrick & Mia made a final appearance on this show, this time with their classic act. Graceful Mia
wandering around Petrick with wicker baskets that were soon filled with big, shiny 8" balls, all of which
were produced from Petrick's top hat, and tastefully set out on display by Mia. He also does some
excellent small ball manipulation. Finally, the hat is shown empty and a large silver ball is produced.
Mia brings Petrick his cape and the silver ball doubles in size. This, of course, brings an outburst of
applause as they bow.
Someplace on this show, Karrell and Abb (Dickson) went through a card routine (Joe Karson's World's
Fastest Card Trick) with Abb getting the worst of it, due to Karrell liking to work with a heavily powdered
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deck of cards. It was the real half-witted comments from both sides that this pair do so well that proved
so funny. Just like the old Saturday nights when Duke (Stern) was around.
Franz Harary and Company came back to a small sound problem. He stopped and waited for the right
music cue to start again. He then performed his version of the neon light bulbs through a girl's body and
other original illusions including a different type of stretching a girl illusion. These master magicians are
really masters when it comes to finding pretty girls who also have the talents to make their tricks look
great. How do they do it so consistently?
I have known Johnny Thompson for, maybe, 25 years. He
has gone a long way since he left Chicago. It was fun seeing
him and his wife, Pam, doing the comedy act - The Great
Tomsoni - that they have performed in sophisticated rooms
on several continents.
He ended with his famous
"Babushkas of Warsaw" which ends with the production of
a bowling ball! (What else would you expect from the
Wizard of Warsaw?) It also set the stage for the next and
final act.
Definitely Japanese in concept was the absolutely
overwhelming magic of Kikuchi. The heavily costumed
character of the Samurai magician moved from one
impossible thing to another, Beautiful and colorful parasols
multiplied, dragons appeared, fire and smoke shot out and
Johnny & Pam Thompson
the stage became more and more crowded with Kikuchi
and his numerous properties. Rolling silk panels, falling folds of decorated paper and four smoking
dragons wind up this extravaganza. It takes hours to set up, effort to perform, hours to pack up and
trucks to move it away. Nothing seems to be too much trouble for Kikuchi - but this is an oriental
philosophy that few American magicians have time for.
Howard Olson conducted the Vent-O-Rama sessions each morning in the old showroom on St. Joseph
St., and delighted the ventriloquists. There were 85 in attendance one morning® More details on this
event are included in this month's Vent Views column by Col Bill Boley.
The backstage people were guided by Bill Smetak and Cindy Conklin and everything seemed to go
smoothly in that department* There were magic auctions at the elementary school showroom each
evening after the shows.
On Saturday night, after the show they announced that the Clarke "The Senator" Crandall Comedy
Award had been presented to Terry Herbert; the Neil Foster Award for Manipulation (formerly called
the Bill Baird Award) went to Brett Daniels; and the Jack Gwynne Award for Excellence was presented (in
absentia) to Ralph Adams.
There were goodbyes and hopes that we'd all make it to next year. The general comment was that it
didn't seem like a great lineup of talent on paper - but that it had indeed been a year of really great
shows.
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1989 Abbott’s Celebrates 10th Closeup Convention (by Abbott’s Magic)
All expectations were exceeded at Abbott's tenth annual Close-Up Convention. More lectures, more
guest artists, and more people in attendance! Many took the time before leaving for home to proclaim
that "this was the best convention ever"! So no, all we (Abbotts) have to do is dream up a way to top
ourselves next year. As at all past gatherings, the opening artist was Hank Moorehouse. Our special
guests included Jay Sankey, David Harkey, Tim Wright, and Jon Brunelle.
The major magic conventions: the I.B.M. in San Diego, CA., the S.A.M. in Tampa, FL., and Abbott's Magic
Get-together in Colon, MI., are now history for this year. Attendance was big at all three, with the
Chicago area being well represented. Our folks brought back the word that Florida was a mistake for a
summertime convent ion, since Chicago in mid-summer has its own ghastly merits.
In Colon the weather was perfect - day after day. Don't ask me about San Diego. I was there but ill most
of the time. I apologize to old friends, whom I merely waved to on my way back to bed. (Why don't
these old people have sense enough to stay home?) Reports from Tampa were that Hank Moorehouse
(as show producer) presented some fine entertainment. The Amazing Randi presented a ninety minute
lecture - before which he was presented (served) with a suit from Uri Geller who is sueing for 35 million
dollars. An Amazinq amount of money - so watch your newspaper for further explanation of the whys
and wherefores. You do the watching - that much money is way out of my league.
Upon entering Colon this year we viewed the attractive new village limits signs, with the magic theme
used throughout (including the flower beds that surround the signs on the ground). All this plus the
official notification that Colon achieved the 1989 Class D State High School Baseball Championship!
Late afternoon saw the first official function of this year's meeting - the lecture of Peter Scarlett. Peter is
a clever gent and pleased the assemblage with both his effects and their presentation. This was a great
start to what would be a great week.
An exciting trend at the Abbott Get-together was the use of comedy acts (a trend frequently mentioned
in my column). Magic blends in very nicely with this type of entertainment. Starting on Wednesday, we
witnessed Gordon Miller, laying down on the job, just prior to tripping the traditional welcoming
banners. All this served to introduce that night's master of ceremonies - Dave Madden. Dave is a
television comedian and comic character actor and was credited by Jay Marshall (and many others) as
one of 'the funniest monologists of the week.
Dave is a veteran of such situation comedies as: Camp Runamuck, Rowan and Martin's Laugh-In, and the
Partridge Family.
Dave presented Al Cohen, popular magic dealer from Washington, D.C., in his guise as Pernell Zorch.
Right on schedule every right thing went wrong and every wrong thing went worse - to loud laughter
and applause. Al proved a hard-working delight, and a true professional, the entire week.
Bill Pack, in hi tramp/magician characterization was next with an act that showed several original
touches and ideas.
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Brett Daniels had fully intended to debut his new bird act at this year's convention. After a late Tuesday
night rehearsal, he determined that the exotic birds were just not ready for public viewing. So, he
loaded up that act, drove back to Wisconsin, re-loaded his original dove act (which he hadn't performed
for over one month!) and journeyed back to Colon. On this night's show, the "old" act was presented
flawlessly and to great reception.
After intermission, Dave Madden ventured forth with an original offering based on comedy mentalism.
All the ideas were novel and unique and greatly enjoyed by all the folks invited up on stage and all those
who were privileged to watch. Dave said he was nervous-but it surely didn't show!
Don Jones & Company closed the show with his monster illusion show. All the usual productions,
vanishes, transformations, but each with a special presentation setting, complete with a costuming
choreography, lighting and sound effects.
On Thursday afternoon, Chris Carey lectured. many of the items were from his first book, "Do The Stuff
That's You. And the bulk of the lecture was from his latest hardbound book "Find The Stuff That's You."
A large gathering walked away discussing the various points brought out during the lecture.
Thursday nights show was in the capable hands of Peter Scarlett as master of ceremonies (or compeer).
Peter's debonair approach and his unique viewpoint on magic and magicians kept this show moving
along at a brisk pace.
The opening act was a distinct novelty. Howard Leikert presented Simply Grand Magic - a magical
adventure based upon music. Musical notes jumped from here to there, batons floated, and the bust of
Beethoven(?) came to life, kibitzing through part of the act. An act filled with novel ideas.
Peter Scarlett skillfully entertained the audience, highlighted by his presentation of Fogel's "Cheating
The Gallows". Glen Falkenstein, looking fit and healthy after a life-threatening illness last year,
presented his standard act to perfection, concluding with the spectacular X-ray eye sequence. then he
introduced Frances Willard (Mrs. Falkenstein) and the two proceeded to present a fast and up to date
two person mindreading act. Something not seen here in Colon since the days of King and Zerita! Next
up was that suave old master of the feathered variety of magic, General Grant. Mr. Grant proved to be
smooth and flawless and eminently entertaining.
Intermission gave everyone time to prepare for our first act upon returning to the air conditioned
auditorium - The Zucchini Brothers. (Note: They are not brothers and they are not Zucchini's! We think!)
Soon the air was filled with balls, clubs, hats, hairdos, gentility, and decorum. Certainly the young lady
volunteer from the audience will always remember the phrase - "Penalty!"
Harry Blackstone offered a varied program featuring new effects like the sheet of glass penetration and
the balloon suspension and old favorites like the vanishing bird and cage and the exquisite floating light
bulb. his usual high standard of excellence was maintained. In addition to the daily lectures, various
other daytime activities included sessions for ventriloquists (Vent-O-Rama), magic demonstrations,
strolling magicians, the Close-up Show, the Special Benefit Matinee performance and, of course, the
hours and hours of gossip and conversation among the widely spread out visitors.
Jim Steinmeyer, once a Chicago resident and now employed as a consultant for the Disney Corporation,
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attracted much attention at his Friday lecture. He is an excellent speaker, with excellent credentials and
is full of ideas. Abbotts used good judgment in having him on the program.
The Close-Up Show is a two-edged sword at the Get-together. Everyone looks forward to the excellent
roster of talent assembled each year - and everyone wishes that they could see and hear better at their
particular location in the "gymatorium". all four artists were well received, and they included:
Michael Powers with mostly original card magic, presented in a low-key, self-effacing style. Timothy
Wenk is the driving force behind Metempirical Magic (creator of E Pluribus Unum, Peanut Butter & Jelly,
and the new Punchline effect). Timothy is living proof that "the mind is a terrible thing to waste!" (But
his audiences loved laughing with him.)
Jorg A. Weber of Nurnberg, Germany proved to be a delight with his continental sense of good fun and
his immaculate close-up creations. Very novel, very original and very mystifying!
John Carney is certainly well known in magic. His early instruction came at the feet of Fawcett Ross and
he later learned from The Professor - Dai Vernon. he has the ability to make the "hard stuff" look easy
and effortless and now blends in his own touches of wit and humor.
Friday night proved to be a magic and comedy lover's treat! Master of ceremonies Mike Caveney had
assembled a stellar cast and kept the show moving at a break neck pace.
He first presented Christopher Hart - "The Master Blaster", "The Ayatollah of Rock 'n Rolla." An excellent
opening act, full of surprises and action (including an excellent torn and restored sheet of music).
"Hi ... I'm Mac King!" This opening line (which proved to be a catch phrase throughout his act), served to
introduce a young man who has been working comedy clubs all over the country.
He was heartily applauded for his material - both magical and comedy. you have to see his "paper bag
over the head" to appreciate it (and the way Mac King keeps working nationwide you will)!
Tina Lenert provided the biggest transformation of the week during her stage performance. Imagine a
dowdy washerwoman who, during a dream sequence, blossoms into Cinderella! And, all this
accompanied by small magic effects coupled with impeccable mime artistry.
John Carney joked his way through several audience volunteers and, at the same time, presented
several magic classics, including The Miser's Dream and The Egg Bag. You could see why John works
steadily on the comedy club circuit.
The situation in Colon is such that, day or night, people are wandering about, or having meals, or doing
magic - and it means that celebrities are easy to keep track of and make contact with. this makes a very
attractive situation, as compared to a convention in a big city hotel where one can get lost easily and
people cannot be easily located.
After Friday night's show, the contest prize winners are announced at the elementary School Showroom.
This year, in the Junior Contest the winners are: Third Prize - Lindsey Jansen, Second Prize - T.J. Clancy,
First Prize - Stuart Beck & Co. The 1989 winners in the Senior Contest were: Third Prize - Greg Frewin,
Second Prize - Joe Spiller, First Prize - Mehdi Talki. And, speaking of contests, the ventriloquists (at their
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Vent-O-Rama) awarded some prizes as well: Second Prize - Helen Hammett, First Prize - Buddy Big
Mountain.
The early lecture on Saturday morning was skillfully delivered by young (17 years old!) Roy Davenport of
England. That name should sound familiar, as the Davenports are one of Englands (and the worlds)
greatest family names. Many kind and appreciative comments were heard following this educational
session.
The Special Benefit Matinee (a charitable fund raiser for Abbott's co-sponsor The Lions Club) featured
Jania Taylor, a young magicienne who specializes in sleight of hand magic. the audience warmly
applauded her skill and artistry.
Chris Carey fronted The Fun Factory Show (direct from Six Flags Over Georgia amusement park). This is
the show he created for the theme park market and he was ably(?) assisted by Bugs bunny and Daffy
Duck. Chris is an accomplished children's entertainer with lots of great routines and clever ideas and the
audience quickly got into the swing of things.
The Saturday night show started out with an echo from the past - a pitch! No, not the Candy Pitch made
famous by Percy Abbott at the early Get-togethers, but Hank Moorehouse with a pitch offering Abbotts
Big Box Of Terrific Tricks (A.B.B.O.T.T.), a magic set. The sales were frantic and fun as several purchasers
discovered a cash refund hidden inside their package!
Karrell Fox (supported by helium balloons) assumed control of the stage (as he has done for so many
years here in Colon). Karrell has more appearances and more consecutive appearances in Colon than
any other performer, and it’s easy to see why. He has a very relaxed style and always something novel
and original in the way of effects.
Roy Davenport exploded onto the stage with his manipulation act. Roy works at a MTV-like pace, all the
while performing difficult sleight of hand effects. He certainly gets high marks for dynamics and
enthusiasm.
Glenn Falkenstein and Frances Willard presented the Willard the Wizard Spirit Cabinet Act, as only they
can. This act provides a charming and nostalgic interlude on any program, on a theme seldom seen.
Another fine (and entertaining) choice for this famous convention.
Karrell Fox, assisted(?) by Abb Dickson attempted (on several occasions) to cause some milk to
disappear - but the milk only went to waist (Abb's).
With all the acts listed this far, and with all the credits, you would have to admit that the convention
sounded like a huge success - and it was. But wait - we haven't even begun to mention the creme de la
creme - Paul Daniels! He held down the featured spot on the Saturday night roster with only three tricks
- but hundreds of situations, routines, humorous interludes, gags, bits, laughs, and more laughs. He is
recognized as Englands top entertainer in his field and he proved this to the Colon audience. Away from
the performing stage, in the showroom or at a house party he is, at once, surrounded by anyone within
hearing. He is just bursting with old memories, stories, bits and pieces about the people he's known and
the places he's been. Treat yourself to a session of Paul Daniels if you get the chance. He lives in England
but he's bound to come this way again.
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And then to cap off this nights entertainment, the audience was treated to Brett Daniels presenting
what he calls "The Most Dangerous Act in Magic." he successfully evaded a falling bed of spikes, caused
an assistant to remain suspended on the point of a sword, exchanged places with that same assistant in
a Substitution Trunk and, finally, escaped from the Water Torture Cell to thunderous applause - and all
this at a breakneck pace!
After the Saturday night show, everyone assembles in the Showroom for the presentation of trophies
and awards (plus last minute purchases and good byes). this year, Harry Blackstone received several
honors. Flanked by Society of American Magicians officers Margaret Dailey and Al Guenther he accepted
his official notification of his Life Membership in the S.A.M. and also assumes his new position as
"Ambassador Of Magic" for the S.A.M.
In addition, Harry accepted the 1989 Dragon Award, presented by J. Marberger Stuart and Marjorie
Stuart. Previous winners include: Petick & Mia, Marvyn & Carol Roy, Mark Wilson & Nani Darnell, Duo
Absolon, and Chuck & Jan Jones. The six requirements that must be met to win the Dragon Award are:
Drama, Romance, Artistry, Glamour, Originality, and Necromancy. All of these criterion have been more
than fulfilled by Harry and Gay Blackstone.
Winner of the Bill Baird Award (for excellence in manipulation), was (for the second year in a row), Brett
Daniels.
Winners (a tie for the first time in history) of the Senator Clarke "The Senator" Crandall Award (for
excellence in comedy) were: Mac King and Joel Hodgson.
Winners of the Jack Gwynne Award (for excellence in showmanship and presentation) were: Stuart and
Lori. The MacDonalds were working an engagement this evening and picked up their award the
following week.
So, another Get-together takes its final bow!
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1990 First Colon Golf Tournament (by Al The Only)
Tuesday, Aug 7th, 1990 (the day before the Abbott's Magic Get Together) Tee-off time 1 pm at St.
Joseph Valley Golf Club (near Colon MI). $45 includes 18 holes of golf, a golf cart, and a steak dinner.
$25 for dinner only (for those who like to drink but don't drive). Dinner is at 5pm with a cash bar. For
more information call Al The Only.
1990 Get Together (by Gordon Miller)
Welcome to the 90s! A new decade has begun and with it a new series of Abbott Magic Get-togethers.
This year's edition took place over August 8-11 and proved to be four sun-filled days and four fun-filled
nights! The weatherman was very magical this year. Not too hot, yet not too cold -and no rain! Official
activities are kept to a strict minimum on the opening day, which allows for late arrivals. Wednesday's
lecture was presented by Doug Anderson. He presented his ideas to a packed house with the questions
and answers following him out into the parking lot! Doug knows magic and the amusement/theme park
business and he is very willing to share these ideas with all.
The Wednesday night show started
on time with what has become
somewhat of a tradition - Gordon
Miller (the M.C.) presenting the
Welcome Magicians skit. This year's
had a distinct Copperfield influence
preceding the falling of the message
banners and the show was under
way. Plus, this year, we had a
television celebrity to guide us
through the singing of the Star
Spangled Banner - Rose Abner Barr!
As usual, Abb Dickson garnered big
laughs without a word!
The magic began with Theodore
Preston. Theodore is from Rice
Lake, Wisconsin and was a former
student of the late Neil Foster. He
has blended his Chavez training
with his own theatrical staging in an
act featuring the production,
flotation and envanishment of
flowers. In addition, Theodore
composed the background music used throughout his act. Theodore Preston, an act that marches to his
own music and tempo.
As if to prove that he knows what he was talking about that afternoon, Doug Anderson took the stage.
He presented portions of the acts that he has featured on cruise ship bookings and theme park
engagements. He rapidly zipped through card effects, rope effects and a super (Whit Haydn) Linking Ring
routine with a spectator (Bill Tresslar) from the audience. A true professional entertainer.
David Cresey
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And then everybody caught their breaths (and covered their heads) for the grand entrance of David
Cresey - assisted by Leah. David is quickly becoming one of the maddest of magic's madmen. The stage
begins cluttered and ends littered! There are explosions of smoke, fire, confetti and paper streamers.
There are enormous silk and flower productions. Everything is visual and everything is funny. (David
appeared on the first night's show so that he would have three more days to clean up and pack up!)
Master of Ceremonies Gordon Miller welcomed us back from intermission with an offering of What's
Next? (with a twist); his own version of Mark Leveridge's Cut & Restored Credit Card and closed with
Professor Cheer's Comedy Rope.
Our next attraction was a distinct novelty to most in the Colon audience. Tony Clark (originally from
Connecticut) now lives and works out of Los Angeles. He
rehearses on a regular daily basis and it has paid off! He now
works on a regular nightly basis. The act appears flawless and
seamless. It involves cards, candles and doves (as do many
acts) but there is a difference. And that difference is attitude.
Tony is a good-looking and theatrical young man. His effects
are presented and highlighted. There are many, many
original touches and surprises throughout the act. In a short
few minutes Tony took the audience from casual interest to a
state of excitement.
The closing feature of tonight's show was in the capable
hands of Terry Evanswood. With a stage full of special effects,
special lighting, special music and staging, Terry ran through a gamut of standard illusion fare. There
were productions and vanishes, levitations and transformations, substitutions and transpositions. We
saw beautiful girl assistants, choreography, costuming and even that magician's best friend the rabbit!
For a very young man, Terry has shown that, in a few short years, he has grasped what it takes to
present a Vegas-style, Vegas-paced illusion spectacle. The audience showed their appreciation with loud
and long applause.
Tony Clark
Following the evening show, many return to the Showroom to look over possible purchases. Others
make their way to private parties and sessions. Most congregate downtown at the American Legion (the
unofficial night time headquarters) for an extended evening of card tricks, jokes, stories (lies?) along
with a favorite beverage and a late night snack.
Early risers on Thursday (and Friday) morning took advantage by attending the Talent Contests. These
contests are becoming increasingly popular and the competitors from past contests are now appearing
regularly at magic conventions and the like. Others like to beat the crowd at the Showroom and get
there shortly after the 10:00 A.M. opening time.
The Thursday afternoon lecture slot was capably filled by Jay Scott Berry. Jay has developed a highly
original professional act and has so many ideas that they overflow into his lecture. There are tricks with
rings and ribbons and ropes; tricks with dry ice smoke and fire; and many other novelties utilizing space
age materials and ideas. Jay's lecture assured him of crowds before his dealer's booth for the rest of the
week.
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Thursday night opened with a mild surprise. Hank Moorehouse appeared, filling in for the originally
scheduled Jay Marshall. Jay was facing possible heart surgery (since successfully completed) and wasn't
sure he would be able to attend. So Hank very quickly and very professionally took command of the
show. And what a great show!
Always pleasing ... always dependable ... and always magical. Those phrases aptly describe John and
Maria Kurtz. They have crafted and honed their stage offering to its current state of pleasing perfection.
Doves appear, change shapes and color, and then vanish - like magic! This act is colorful and builds to a
surprise double (or triple) climax with the surprise productions. John S Maria walked off winning both
applause and friends.
Michael Lair is a lecturer, an author and a creator of original magic. His books on cane and candle magic
and his books on coin magic are welcomed by magicians everywhere. His stage act is a curious amalgam
of styles: Samurai oriental, old west gambler and Kabuki mask performance. The magic is sometimes
sensational and sometimes secondary to the overall effect. There are candles and fire and showers of
sparks and confetti and paper streamers - but no underlying central theme or core.
The shows in Colon are held in the high
school auditorium. Perhaps it was fitting,
then, to present, as the next act, a graduate.
No, not a Colon graduate but a previous
winner from the Get-together Talent
Contest. After several years of competition
(each year finishing a little higher than the
previous year), last year Stuart Beck won it
all - First Prize. This year he parlayed that
opportunity by presenting his brand of
magic on an evening show. Stuart (and his
parents, friends and supporters) have
collected and produced an excellent stage
presentation.
It
combines
youthful
enthusiasm, dance, light and color with the
best in magic. The illusions were smartly
framed, rapidly paced and completely
compatible to the ages and appearances of the performing troupe. A living tribute to the mixture of
magical dreams and hard work! (And that works continues. Stuart is currently taking Chavez instruction
to strengthen his manipulative skills.)
Hank Moorehouse greeted those coming back from intermission with some comical by-play with two
audience spectators prior to his justly well-known Strait Jacket Escape presentation. The physical
gyrations and the raucous Minskey's music allowed Hank to, once again, successfully make his escape.
Bruce Block returned to the Colon stage after a few year's absence. The intervening years have allowed
him to polish his juggling skills (in the Sugar Babies musical revue, for instance) and it showed! The finale
to his turn was, as usual, the fantastic balancing stunt with the cigar boxes on his chin, that earned him a
spot in the Guinness Book of World Records.
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Next came one of those special Get-together moments - the surprise appearance of Jay Marshall! With
his doctor's permission, Jay decided to earn a dosage of magical medicine (that's applause) by
presenting the Tale of Juan Escadero and, of course, Lefty! (Jay also cleverly wired all the seats in the
auditorium! At the end of his act he must have turned on the switch for they all stood up!)
Every few years a leprechaun from Switzerland(?) appears in the United States. He sells all the American
magicians his clever rope and silk tricks and then flies home to his happy banker! He is Pavel. Onstage
Pavel presents one clever idea after another - always assuring us "Don't worry, I have plenty of rope!"
The new finish with the two-colored walking knot fooled a lot of magicians.
And then it was time for the premier act of the night - Blackstone! From the traditional presentation of
the Vanishing Bird and Cage (and its repeat presentation with the stage full of children) through the
charming interlude with the Vanishing Milk in the Newspaper (featuring daughter Bellamie) to the
sensational intensity of the Floating Light bulb and finally into the Rope Tie sequence with the
assistance(?) of audience volunteers, Blackstone was in complete command. When the history of magic
is finally written there will be two chapters titled Blackstone!
Also of note was the presence of a PBS film crew in Colon during much of the Get-together. They were
gathering material for a proposed half hour television special. This will be tentatively scheduled for
spring of 1991. We're sure everyone who was asked to appear on camera will be looking to see if they
made the final cut!
Friday is a busy day. In the morning is the second of three meetings of Vent-O-Rama (for puppet masters
and voice throwers) and also, the second and last of the Talent Contests. The lecture on this day was
presented by Petrick & Mia. This delightful couple present a novel and colorful educational session, filled
with ideas that others can use. (We'll bet more than one performer will be using the ingenious Coke
bottle vanish from this lecture.)
Immediately following the lecture was the Close-Up Show. Each year, four (or more) highly skilled
intimate magic workers are invited to appear. The conditions are tough (elevated seating but large
groups with applause and laughter overlapping from group to group), but somehow each performer
seems to register. This year we saw four of the best: Pavel, Petrick (this time without Mia), Jay Scott
Berry and Tony Clark. The offerings were widely varied and widely appreciated.
Friday night's show was placed into the capable hands of Gene Anderson. Gene is a clever fellow and he
had a clever lineup of talent to introduce. And he began with Dale Salwak. Dale is certainly no stranger
to the Colon conclaves. His act is pure entertainment - precision manipulative magic presented with
style and confidence. Dale successfully keeps fresh an act that he has probably presented a thousand
times - the true mark of a professional.
Another old friend was presented next - Bill DeMar. And yet, this was Bill's first appearance in Colon.
That's what happens with an act that works and works and works! Bill's ventriloquial skills were shown
with a number of figures and through a wide variety of styles and types of material.
And then the stage and the theater darkened. Clouds of fog appeared -then a shower of sparks! It was
time for Jay Scott Berry. This act is technically very busy. Lots of special effects and stage movement.
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The magic is streamlined and almost underplayed. Jay is selling, through the use of all the theatrical arts,
his image of the modern magic maker.
Gene Anderson then presented his tribute to the newspaper industry. All the old favorites: newspaper
chapeaugraphy, special cut-outs, paper fir trees, the much honored C.A. Newspaper Tear and the
monstrous special lace-like design honoring the Abbott Magic Get-together. What a finish!
The curtains closed (to clean up Gene's litter) and we were introduced to a young man who had made a
previous appearance in Colon - ten years earlier! Then he presented a classical and sophisticated sleight
of hand act. A fine act. An award winning act. His name is Hobson (first name, Jeff, but he no longer uses
it). And the act is now outrageous! Uproarious! Impossible to describe without laughing! This is a funny,
funny young man who has captured the comedy club approach and had made it his own. Yes, there is
fire eating. Yes, there is magic. Yes, there is comedy. But, mainly, there is entertainment! Look for him in
your hometown - Hobson!
To close tonight's stellar showcase, we met Scorpio & Fantasy. This attractive young couple presented
many standard illusions - each presented with original touches. These included a Guillotine
presentation, the Assistant's Revenge and Scorpio's favorite (and his first illusion purchase) the Hindu
Basket Illusion, This is an act that obviously works for real people on a regular basis.
Friday night, after the show, the awards for the Talent Contest are made in the Showroom. Talent
coordinator Chris Jakway presented the following awards in the Junior Division: Third prize = Phillip Leja;
Second prize = Larry Maples; and First prize = Jason Cunningham. In the Senior Division the winners
were: Third prize = Christopher Scott; Second prize = Joe Spillers; and First prize = Greg Smith.
Congratulations to all the contestants and continued luck in the future.
Saturday morning, in addition to all the other activities, includes the Magic Ministers Session. Then
everyone rushes over to the high school for the final lecture. This year that task fell to Pavel, who, for
over an hour delighted the audience with a diverse display of rope, silk, card and mirror magic. The ideas
never seem to stop from this creative wizard.
The Special Benefit Matinee performance is held on Saturday afternoon. The proceeds of this show go
to the Abbott co-sponsor, The Lions Club, for their work with the blind and those with sight impairment.
This year's edition had everything. Hank Moorehouse put the show together and acted as master of
ceremonies. Young Lindsey Jansen captured the hearts of the audience with her delightful magical
presentations. Lindsey has been a consistent talent contest winner at many magical conventions and she
fit it well on a show packed with all-stars.
Gil Scott has appeared on several previous convention shows, both onstage and in close-up. This year he
offered selections from his regular club show and received a warm and enthusiastic response.
Several years ago some students at the University of Michigan were attending a comedy club show.
Afterwards they got to talking, thinking that they could also perform comedy under those conditions.
And thus was formed Stunt Johnson Theater. Their appearance for Colon was specially prepared to
include as much magically themed material as possible. They are bright and aggressive and funny - and
you'll see more of them at magical functions.
The original billing was: The George & Jasper Show. This proved to be George Johnstone and Jay (Jasper)
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Marshall - together again, for the first time! Each performed a single turn, then they banded together
for some bits and pieces. Finally, they combined to present the ancient sideshow illusion - The Blade
Box. This was run off exactly like a sideshow pitch - with the proceeds (considerable) again going to the
Lions Club!
Saturday nights in Colon are always special (during the Get-together!). This evening's show began with a
pitch - a magic kit pitch fronted onstage by Hank Moorehouse (and wasn't he busy this week?). As the
hub-bub died down from this frantic activity, it was time to meet tonight's master of ceremonies.
In a flash of sparks and in a cloud of fog we met the be-masked Karrell Fox. Karrell has the record for the
most Get-together appearances (next year's will be his 50th!) and for the most consecutive
appearances. The dazzling duo of Petrick S Mia opened the magical part of the evening. This year they
featured their current act featuring sheer silk scarves, flowers and coins. The ideas are original and the
presentations are fresh and fun.
It takes a strange bird to appear onstage as a strange bird. The act is called Dovino but that is only the
alter ego for the lunatic from Hatboro - Bob Little. For a few brief moments we saw the "dove act" from
the perspective of the dove! George Johnstone then offered several of his magical and comical
conceptions. All the visual quickies followed by an almost straight razor blade threading.
In and about the various acts, Karrell and his band of cohorts cavorted with real magic, comedy magic,
bizarre happenings and visual varieties.
After intermission we met Jim Hyams. It seems that the airline had lost Jim's luggage and his props - so
he just showed colored slides of what we would have seen. (Everywhere that Jim appears, that same
airline always loses that same luggage.) A very clever concept. Bob "Whits" Whitcomb next occupied
the stage (and he can almost do just that!). Bob is a big man and a big juggler. Objects were flying all
over the place - mostly under his control! A fast and colorful act.
And then the man many had waited all evening for! The act runs just seven minutes - and not a second is
wasted! We're talking, of course, of Norm Nielsen. From the opening card productions, the flute vanish,
the coin productions and the musical coin ladder to the climactic and mindboggling Floating Violin, this
act is perfect. It is easy to see why Norm has traveled and performed all over the world. And, of special
note was the final bow during Norm's standing ovation, when the violin zipped onstage under its own
power and took its own bow! The perfect ending to four fun-filled days and nights!
The only remaining business was the awarding of the trophies. This takes place back at the Showroom.
The award for manipulation used to be known as the Bill Baird award. Then it was changed to the Neil
Foster award. For reasons as yet undiscovered, this year it was again called the Bill Baird award! No
matter, under any name it was going to be the sole property of Tony Clark. Tony was genuinely
surprised and genuinely happy receiving this award.
The Clarke "The Senator" Crandall Award is given for comedy. This year it was no contest. The
unanimous choice was Hobson! (If memory serves, Jeff Hobson is the only performer ever to achieve
multiple awards; this year’s Crandall, a previous Baird and twice winner of the Duke Stern Talent Contest
Award!) The final, and most prestigious award is the Jack Gwynne Trophy. This is given for excellence in
showmanship and presentation. After short deliberation the winner was announced - Norm Nielsen! (A
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most popular choice, judging from the audience reaction!) And so, another Get-together passes into the
pages of history.
ABOVE - Greg Bordner (with son Drew) and Tim Wright
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1991 Congress Declares Colon Magic Capital (by 102nd US Congress)
Mr. Levin, Mr. President, Colon MI, the hometown and proud sponsor of Abbott's Magic Get-Together will celebrate the annual
magic spectacular this August 7 through August 10. Colon was first coined the Magic Capital of the World by Lester Lake,
known in his magical incarnation as Marvelo at the first annual Abbott Get Together of 1935. Many professional magicians
moved to Colon to live in the magical atmosphere. The work of these magicians and the magic of the Abbott's Magic GetTogether have made Colon, MI a very special place. Even though there is magic in the air, it is no mystery why Colon, MI is the
Magic Capital of the World.
A magic convention of Olympic proportions! Once again August worked her magic, delivering terrific
weather to complement the outstanding roster of talent available for this year's Colon gathering. And a
near record number of magic enthusiasts showed up:
One thousand two hundred and seventeen, to be exact!
Early arrivals spend their time visiting the showroom
(again at the High School), playing golf in the "Open
Colon" Golf Classic (more on this later) or just relaxing in
preparation for a busy, busy four days.
For the magicians, that busy schedule starts on
Wednesday afternoon with the first lecture. This year
that happy task was ably handled by Mark Leveridge.
Mark is well known as a magic dealer and creator; as a
Gordon Miller
magic performer; and as a magic lecturer. He presents a
wide variety of magic, mostly original, designed for all kinds of trixters: Closeup to stage performers.
Sales were brisk following the lecture (and continued at that pace all week long for Mark in the dealer’s
room).
Things really start to "perk" around 8:00 on Wednesday night - curtain time for the first of four different
evening shows. Gordon Miller appeared briefly to "introduce the introducer" and to welcome everyone
to this year's edition of the Get-together.
And tonight’s show was in capable hands. One of magic's finest acted as emcee: Trevor Lewis. Trevor
brought his musical talents (both vocally and instrumentally) along with his magical and comical talents.
In fine voice, with very clever lyrics, he sent his way onto the stage describing what the Get-together is
all about! A great piece of novel material. And Trevor had a roster of show talent worth singing about!
New Tops readers in general, and ventriloquists in particular, are very familiar with Wednesdays
opening act: Col. Bill Boley. It had been several years since Bill had been able to attend the convention
(let alone appear on the stage) and he once again proved to be a solid and humorous entertainer - a
ventriloquist with a variety of figures, voices and bits of business.
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Another performer who had been absent from our stage for a brief span of time was the tall and
talented Texan: Howard Hale. Howard presented his smooth and skillful manipulative act, spiced with
subtle bits of humor and a quirky style. Howard Hale pleases all audiences, magical and/or non-magical.
Wednesday's show provided a full menu of performing styles, none more distinctive than our next
performer: Kovari. Presenting original mysteries with a continental style, Kovari is like no one else in
magic - his wardrobe, his accent and his wickedly inventive mind! (And possibly the best trick is
preserving a happy working marriage despite cramming his wife into that utterly impossible blade box
illusion at every performance!)
Intermission followed, allowing everyone to catch some refreshments, talk about what they had seen so
far, and to prepare for the second half of the show. One of the special treats for 1992 was the
Wednesday only appearance of Connie Pelham at the theater organ. Connie was a regular feature of
previous conventions, providing musical background for all the acts but she only returns to Colon at
convention time for one reason... and for one performer, and he was to provide all the entertainment in
the second half. We are speaking, of course, of Harry Blackstone. Magic audiences look forward, not
only to the Blackstone "signature" effects but whatever new and novel presentation is added each year
from the Blackstone repertoire. So this year, in addition to the Vanishing Bird & Cage and the
sensational Floating Lightbulb, the Colon audience was treated to the Backstage Illusion with the
surprise appearance of Trevor Lewis in place of the glamorous female assistant. in addition we were
treated to full-blown presentations of the Zig Zag illusion and Sands of the Desert. And as a final treat,
we viewed a "work in progress" with the presentation of the Lazy Magician effect involving two
gorgeous female assistants, a couple of
lengths of rope, some scarves and a
magic principle older than dirt. The
perfect magical finale to a perfectly
wonderful evening of magic!
For those of you who have wondered
what the "Open Colon" Golf Classic is
about, read on. for the past three
years, due to the organizational energy
of Al The Only (Ulman) magic-inclined
golfers (or golf-inclined magicians) have
been arriving one day early before the
convention to participate in a golf
afternoon - complete with food, drink,
prizes, fun and, even, some golf. Each
year more people seem to take part.
During the convention - during the
Harry Blackstone Jr
daytime hours - there is plenty to do.
the local merchants sponsor Sidewalk Sales; the local historical museum is open with a display slanted
towards magic, ventriloquism and show business; almost everyone who owns a garage in Colon is having
a garage sale; the showroom is open and on Friday and Saturday mornings the Talent contests are being
conducted.
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The Thursday lecture slot (there is at least one lecture each day - sometimes more) was conducted by
Trevor Lewis. Trevor is an acknowledged magical expert, specializing in children's entertainment (and
no slouch in the closeup cards department either). Trevors remarks and ideas and routines were
welcomed by a large audience of those eager to learn from "someone who really knows". Another
excellent job by a "W(h)ales of a talent!"
And that evening (Thursday) we were treated to even more talent on the evening show. Early arrivals to
the auditorium, during the Get-together, are treated to the antics and fun of Lark the Closen.
Wandering all around the building, Lark manages to bring a smile to the face of most everyone, young
and old alike. The minutes pass quickly and suddenly, its showtime!
Another favorite import, this time from England, provide our master of ceremonies: Terry Herbert.
Terry brings fun to any program and he certainly had a unique and diverse smorgasbord of performers
to present this evening.
For a dynamic, high energy and enthusiastic opening it would be hard to beat Jamahl Keyes and
Company. These young people zipped and flashed and hipped and hopped through small magic,
illusions and dance routines. They barely give you time to react and the only time the action stopped
was at the end, when it was time for well earned applause!
Imagine what it would be like if, on Sunday evening, the comic strip section of your Sunday papers
suddenly came to life! Bright colors - crazy actions - illogical logic - and painless destruction. That might
also describe the act of Sylvester the Jester. This is an act of wild sight gags, explosive visual and verbal
puns, and, here and there, some puzzling magic. This concept is a one of a kind creation.
Following this mayhem - came more mayhem! All in the
presence of the brought to life logo of the Big Boy
hamburger chain in the guise of Robert Baxt. If you don't
laugh, he threatens to sit on you (but you will anyway,
because he's funny). Magic-wise, we enjoyed the color
changing handkerchief routine with its offbeat handling. (I
still can't shake the mental picture of Baxt, who has a law
degree, standing in front of the judge saying: "If you let my
client go ... I'll make you a balloon animal!")
Chezaday
It fell to Mark leveridge to create order out of chaos and this
he accomplished with a smooth and clever "quiz show" mentalism routine that combined clever
methods (to be expected from Mark) with up to date and sophisticated situations and by play. Great
stuff!
Next, in what was almost a debut for this particular stage offering, came Meir Yedid. Meir is well known
as a magic dealer and as a closeup creator and performer. His stage act is equally as clever, from the
opening bottle production, through the torn & restored newspaper, to the trademark "digital
deceptions".
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To close this evenings show, we were introduced to Chezaday & Company. Chezaday (Steve Cesare) has
been actively building this rock music and magic production for several years. He has combined visual
and audible special effects with modern magical stagecraft. And, it should be stated, the theatricality
and the staging and the music and the special effects and the magic - all work! The act is well costumed,
staged and choreographed.
At a normal Get-together (what's that?) that would have capped off the evening. But this year, there
was much, much more!
As a special added feature, a Midnight Magic Lecture was presented by Tom Mullica. tom is well known
in magic for the Tom Foolery Bar in Atlanta (no longer in operation)
and for his extended engagement at the Crazy Horse Saloon in Paris,
France. In addition , a new book of his magic and methods was
recently published called "Showtime at the Tom Foolery". (Available
from Abbotts of course.) Plus, this was just about the first magic
convention appearance by Tom in a decade.
The auditorium was packed! Professing not to have a lecture, as such,
Tom preferred just to perform. And that he did, to perfection. Those
in attendance will probably not remember one individual item from
the evening, but they will remember the laughs and gags and the
surprises. (And Tom will always remember the assistant who spit the
milk back into the glass!) How many magic lectures can you recall
Tom Mullica
where you probably didn't really learn an actual trick - you paid $45
for the lecture, notes (the new book) - and where you witnessed a standing ovation for the lecturer? It
was a great and goofy night!
In addition to the daytime activities already noted, the ventriloquist meet in the mornings of the last
three days of the convention. This year, Abbotts had erected two large meeting tents on the lawn of the
High School. These served as meeting centers for the magicians during the day - a place to watch or to
display the latest in closeup trickery. During the morning, the ventriloquists used some of this space to
stage Vent-O-Rama.
Friday is a jam packed day! Early in the afternoon Johnny Thompson dispensed wit and wisdom from
the auditorium stage during his lecture. Johnny told stories, explained tricks and routines, did
impressions, answered questions about magic in particular and about show business in general. He
probably could have chatted for hours, but there was the Close-Up Magic Show to present!
At the 1991 Get-together, Obie O'Brien suggested that four members of the Fechter F.F.F.F. convention
group be engaged to present the Closeup show. It was a good idea and it was agreed upon.
Phil Wilmarth has been a closeup aficionado for years. He has lectured and performed at the Abbott's
Closeup Convention (an annual March event) and is, of course, the editor of the Linking Ring magazine
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Hocus Pocus Parade (the trick section). He knows whereof he speaks, as the saying goes, and he
presents many unusual novelties in addition to his established excellence in rope and ring magic.
David Drake is certainly no stranger to the Colon conclaves. He is almost always in attendance. This
year he was able to formally present his distinct brand of magic to the assembled crowd. Highly
entertaining, commercial effects. Again with a good and diverse blend.
Mike Hilburger, another of the F.F.F.F. stalwarts performed everything from standup to sit down from
bowls and sponges to Chapeaugraphy! At this point it was obvious to all that all four performers had
consciously and actively talked to each other about program repertoires, etc. There was no duplication,
just four separate styles.
Last, but not least, was Obie O'Brien who chose to present a program based solely on jumbo sized cards.
All these individual effects were skillfully blended into a continuous routine (including Obie's justly
famous Kolossal Kolored Kards).
And then came the fly in the ointment,
the sand in the gears, the monkey wrench
in the works! When one of the acts
suffered a slight delay a stand in was
called for - someone who was prepared to
work. And a "relief pitcher" was found.
The volunteer calls himself David
Williamson (and the Close Up show might
never be the same). From his crashing
entry through the neatly lined up metal
chairs, bouncing from table to table, the
ongoing verbal and physical wars with
ringsiders
(especially
kids),
David
"winged" his way into our eternal
memories! (As Phil Wilmarth remarked,
after cooling down after the show: "I love David ... but I'm not sure I ever want to try to work in the
same room with him again") (And in answer to a question heard several times that afternoon: "Yes,
David was scheduled all along to work closeup and yes, the other four performers knew about it in
advance and 'gave him their blessing'. Much like inviting the wolf into the henhouse")
Robert Baxt
Certainly one of the highlights of this year’s gathering was the Friday night show. Sometimes things just
seem to fall into place (even with two last minute act cancellations and two last minute replacements).
Moving this supercargo of talent through the evening was cruise director (and M.C.) Stan Allen.
Any magic show would love to open their evening with an act which is strong enough to close a show.
And that describes the act of Tony Clark. in a few short months since we last saw this talented
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performer he has changed bits and pieces within the act and "has improved a good act to a great act." A
smooth and mystifying act - with an attitude!
M.C. Stan Allen next presented a charming few moments with his animated rabbit friend (a hand
puppet). This routine has stood Stan in good stead for many seasons - and it’s easy to see why!
A pleasing change of pace - and a pleasing sight to the eyes - all in the presence of Jade. This lovely
young lady presents (all together now!) standard magic effects - but she presents them with such style
and grace and with a beauty and economy of motion "that everything old seems new again."
The next act (?) entered from the audience,
Pied Piper fashion, trailed by twenty or twenty
five youngsters and assorted musical
instruments. What followed onstage, involved
all the kids (including the big kid), the musical
instruments and an effect called "passe passe
underwear." It also included one of Colon's
"characters", accordion playing Jack Kimble!
And amongst all these characters the most
bizarre was the ringleader: David Williamson.
Jamal Keyes
It is always a pleasure to view the mime and
magic creations of Tina Lenert. the smooth
and magical transformation of a scrubwoman
into a social butterfly is a delicate and
charming slice of magical theatre.
Mike Caveney, master of the moment, presented a wide sampling of items ranging from the torn and
restored toilet paper, through a bow and arrow card sword stabbing, to his spectators coat penetration
and the ensuing production of odd objects - including a live chicken!
To "Top off" this master mixture of magical expertise we were treated to the talents of Bob Higa,
assisted by his wife. Bob presented a program of both small and large magic - some of which
incorporated his new corporate motivation techniques and all this was climaxed by a stage filling version
of the Snowstorm effect, which included air cannons, confetti, paper streamers, shower of sparks,
flagstaffs and a stage full of people (perhaps the wildest curtain call on record!).
Jim Steinmeyer in a lecture situation is a good reason to wake up early on a Get-together Saturday. And
that is just what Jim accomplished - he woke a lot of people up with his creative magical ideas. Jim is
closely associated with all the big name illusionists and, of course, with the Disney corporation.
Everything from small club size magic to illusion ideas.
Thanks to Hank Moorehouse (who assembles the talent) the Saturday Matinee shows have recently
experienced great popularity. This year was no exception.
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Richard Hughes, best known previously for his manufacture of Marshall flower creations, proved that he
knows how to present them onstage as well. It was an act filled with flash and color.
George Johnstone can always be counted on to keep a show moving along at a professional pace.
Nobody seems to have as much fun with his magic and with his audience as does George.
And this show was lucky to have the "Madman of Magic" on the bill:
Bob Little. As "Wiz - The Best There Is" he proved that he knows how
to entertain "ordinary" people as well as magicians in a magic dealers
room.
An ideal closing act for this performance was found in the persons of
Mark & Sue Holstein. This young Chicago couple present an eye
pleasing and stage filling illusion act balanced with superior small
magic, plus special music and lighting and costuming. And nobody
presents the barrel and cane illusion with such flair and style and
originality.
Tina Lenert
By Saturday evening everyone has just enough energy left to sit
through a great magic show - and that is what they received! M.C.
Karrell Fox was in top form and eager to present a star studded
lineup.
And the leadoff hitter in that lineup was Tom Mullica. In a brief eight or nine minutes the audience saw
an act of polished perfection - an act that was featured for more than two years at the famed Crazy
Horse Saloon in Paris, France. Featuring the Mullica "signatures" the eating of cigarettes and napkins,
plus the facial muggings and all the other visual surprises, this was an act of precision comedy.
It would be tough for any act to follow that opening sequence but Jefferey Atkins took up the challenge.
And, unfortunately, it just was not his night. To add to the minor magical mishaps there were problems
with the microphone, with Jefferey saving his spot with his jumbo card effect and the re-stringing tennis
racquet specialty items.
Johnny Thompson - "The Great Tomsoni" - was never in better form! This brilliant parody of the suave
and sophisticated performer is replete with visual comedy - ethnic humor that never degrades and
situation comedy that always surprises! And, as an added surprise, this year "The Wizard of Warsaw"
presented a special feature - the appearance of Huda Putz (who looked suspiciously like Tom Mullica) a
blindfolded mentalist whose head was swathed in tape and bandages and towels and whose chalkboard
message was: "I can't breathe!" With or without his bowling ball, Johnny (and Pam) Thompson scored
strikes!
The merriment continued with our next performer: The Great Fiasco (aka Terry Herbert). Mr. Fiasco
neatly tiptoes through a magical mindfield, dropping laughter (and props) along the way. A strong and
polished characterization.
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After some suitable buffoonery by M.C. Karrell Fox - marvelously assisted (as always) by Abb Dickson, it
was time for the frosting on the cake!
Brett Daniels is a winner! He has been a winner in all the many magical contest he has entered over the
years. He has been a winner on each and every convention show he has ever appeared on. He is a
proven winner in the highly competitive field of variety bookings in Las Vegas, Puerto Rico, Atlantic City,
and elsewhere.
Brett Daniels
And this year, he is presenting his most complex and deceptive offering ever. First there is the rare bird
act, full of productions, changes and vanishes (not to mention the startling card stabbing bird!). And
then things start to take twists and turns. A large bird cage is covered and when uncovered the cage is
filled with a "bird" - an attractive female assistant. A Thin Model Sawing followed, and then Brett's
Zombie presentation - this year with a big difference. The stage was set with an elevated platform set
on decorative columns, with a set of stairs leading up to the platform. the Zombie ball pulled and
guided Brett up the steps and then transformed itself into a large cloth. Brett held this cloth in his
outstretched arms and when it was removed - there, floating in space - was his assistant! The
production of a person floating in mid air! This was followed by a display of levitation. The floating
assistant was then covered with a cloth and when the cloth was whisked away - the young lady had
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vanished. In an evening of great magic - following a week of great magic - this was the greatest magical
highlight.
Curlys Says Thanks
We would like to thank everyone who participated in or witnessed Curlys first annual "Close Up Classic"
which was a success. It was held on Thursday, Aug 6 with many visiting magicians competing. Paul J.
Critelli, a psychologist from Grand Rapids earned first place. bob Brizendine, from Beaver Dam,
Kentucky took second. Each winner received a trophy and cash award for his performance. We hope to
see all those individuals who participated, plus many more magicians next year.
A special thanks to our great judges: Ty Clipfell, Verlon Miller and Art Moyer. They did a super job. Also
a big thanks to Jim Underwood for all his help in getting this organized. - The crew at Curly's
1993 Abbott’s 24th Catalog Released (by Abbott’s Magic)
Its Great! 543 pages, 8.5" x 11", weighs over three pounds, complete cross reference index. $12.50 in the United States.
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Abbott's 56th Annual Magic Get-together was staged for four (official) days, August 11, 12, 13, & 14,
1993. the registration was terrific (1,147), the shows were terrific, and the weather was ... typical (for
Michigan, that is!).
Many convention-goers have gotten into the pleasant habit of arriving early before the official
Wednesday opening. This gives them a chance to settle in, spend some time with friends, participate in
the "Open Colon Golf Class", and make some early purchases before the crowds arrive.
The first official event of any Abbott convention (once you have registered) is the Wednesday lecture.
This year we were fortunate to engage the services of George Sands. George has been in the magic
business for more than fifty years: as a performer, an author, and as a lecturer. He has published many
books and booklets on his specialties and all that wealth of information was available for all who
gathered that Wednesday afternoon. George patiently explained card effects, mental miracles,
impromptu tricks and, of course, some rope magic. it's sometimes hard to remember that George Sands
invented and performed some of the best known effects - including patter - that now may seem "old
hat" to the newcomer in magic. (Editors note: I'll only repeat what the late Neil Foster repeatedly said
to me: "George Sands' Sandsational Rope Mystery is the single greatest rope routine ever created in
magic!" And it was great to see the originator perform his own creation) George patiently "continued"
his lecture for the entire four days - all you had to do was ask him a question and you'd get a personal
lesson right then and right there! What a generous talent!
Everybody is anxious for the festivities to truly "get underway" - and that only seems to happen with the
Wednesday night show. And, for
the past few years, a very special
performer has made the waiting
more fun. his name is Lark the
Clown.
Lark takes special
pleasure in entertaining those
who enter the convention
auditorium those thirty minutes
before the show starts. With a
treasure chest full of funny props,
and funny costumes, and bizarre
characters, Lark has almost as
much fun as those who are
watching ( and participating) in
his hijinks.
Finally it was time. The offstage
announcements
served
to
introduce a visitor from the far
Senor Rai
off planet of Beldar. A visit from
a Conehead (Gordon Miller)! Where else but at the Get-together? After a few well chosen remarks,
following a problem(?) with the microphone cord, the stage was filled with smoke, explosions and the
almost traditional welcoming banners greeting everyone to this year's edition of Abbott's Magic Gettogether. Beldar stayed around just long enough to allow the stage crew to clear up the devastation
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behind the curtain and to introduce this night’s special master of ceremonies - a man from his own
bizarre world of illusion - Senor Rai. The "Million Dollar Ringmaster" was in high humor and fine fettle as
he introduced his gorgeous and flamboyant wardrobe and exposed his satirical sense of humor. And, he
also had a fine lineup of talent to introduce, starting with:
In 1992, at the Junior Talent Contest, one performer was the obvious and clear cut winner. Her name
was (and is) Stephanie Griswold. As a reward for that contest victory (and also because it is nice to start
off any magic show with a talented magical performer) Stephanie was invited back to this year's
conclave - this time as an evening show performer. She proceeded to display the talents which earned
her contest awards (both in Colon and many other magic conventions) as she expanded her contest
repertoire with many additional features and illusions. The end result
is a flashy and colorful performance, presented by an attractive and
personable young perfomer. A splendid start to what would be a
stellar show!
A number of years ago, the Abbott Magic Company invited a clever and
talented Canadian down to our side of the border to participate in our
annual Close-Up Magic Convention (staged in March of each year). His
name was (and is) Davide Ben - and that weekend he brought with him
a talented friend of his: David Peck. that year, David (peck) surprised
and delighted everyone in attendance with his superior close-up
conceits. This year, at the August gathering, David (now) Caspian
displayed his manipulative skill from the big stage with an act that
Stephanie Griswold
included candle productions and vanishes, a Zombie routine, canes and
coin, coins and more coins. David is a smooth and deceptive performer
who displays both skill and subtlety.
In a four day whirlwind of magic, we rarely have time to spend on controversies (real or imagined). And
that was the case with our next performer. Franz Harary was scheduled to perform this evening - but he
didn't receive the cooperation of the airlines freight handlers. In short, his brand new illusion concept
had not arrived. So, after an afternoon of rushing around to gather props and people, Franz managed to
fill the stage with the production of a toy snake which transformed itself into a real (just ask Harriet)
snake! this was quickly followed by Franz's "rap" version of the Three Card monte, accompanied by
upbeat music, talented dancers, lighting and staging - all produced here on Station COLON-MTV!
At various intervals (between the acts) Senor Rai and the members of his vast touring company
presented real (and imagined) illusionary concepts. Call them satires, burlesques, or parodies - the
mood was always light and funny. Senor Rai is a working professional and a good part of that hard work
is done backstage long before the curtains open to the public. Truly, one of magic's unique characters!
A late addition to tonight’s show was the ever reliable Gil Scott (from just up the road in Grand Rapids).
Gil is a polished professional who works (and books talent) all over the midwestern regions. His own act
is bright, modern and fun. Great fun with members of the audience (invited up on stage) and some very
clever concepts and lines for standard magic items.
One of magic's most dynamic duos was next. This is the team of Stuart & Lori MacDonald. When they
are announced - you had better be prepared to watch closely. Things happen immediately - magical
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things. In this case, the introduction of Lori and her immediate visual disappearance! She reappeared
from the audience to assist Stuart with the presentations of the illusion specialties. These include: Zig
Zag, Hindu Basket (with costume change), an animated Burning Alive, and a super-quick Metamorphosis
exchange (with another costume change - this time from Stuart). This talented twosome present an
illusion show at a lightning fast pace - garnished with light touches of humor and sharp, upbeat patter
lines. One of those shows that always changes each time you see it - and the changes always make it
better! Everyone onstage had fun - and so did everyone in the auditorium. A great start to the
convention proceedings.
Thursday the sun comes up in the morning (no matter how late you stayed up the Wednesday night),
and the magic soon is in full swing! Registration is, of course, open and the downtown area of Colon is
soon a bustle with sidewalk sales and other promotions. The local historical society wisely schedules a
magic-related display during this special week and many magicians take advantage of this offering. All
this, plus the first of the Talent Contest (for those over the age of eighteen). As with last year this event
is overseen by master of ceremonies Hank Moorehouse. This year's contest had a goodly number of
contestants with a very close grouping (point-wise) among the top five acts. The winners would be
announced following Friday's evening show.
After a busy day of visiting the dealers (all assembled in the High School again this year), convention
goers were anxious to attend the second of the scheduled lectures. Today’s featured internationally
recognized expert John Cornelius. John is the subject of the just released videotape set: The F.I.S.M. Act
and Creative Magic. Much of the material he covered this afternoon was displayed on one (or both) of
those new tapes. In addition, John displayed some of his marketed miracle creations (including the
justly-popular Pen Through Anything). For those who entered the hall thinking "I could never do that,"
John proved that, with his guidance (and a little practice) that "yes, they could do just that!" John is an
accomplished performer, lecturer and, obviously, thinker and creator of magic.
Just enough time to fool with those new purchases before getting ready for the Thursday night show.
Berlitz translation dictionaries proved to be unnecessary as master of ceremonies Aldo Colombini
proved to have a charming facility to filter his spoken English through his Italian brain and tongue.
Aldo was charming and laid back as he provided just the right amount of variety (and time) between the
many talented acts on tonight’s show.
Again reaching back to last year. John Sterlini was the recipient of last year's Senior Talent Contest. This,
too, was a clear cut victory - and, once again, the act, in a year's time has changed but, again, for the
better. Primarily a silent manipulative act set to music; the magic and special effects hit all the cues.
Magic with cards and candles and doves - sometimes to startling results. And I'll bet this act is sharper
and tighter and more sensational the next time any of us sees it. A young man on the way up.
An older man (who has kept himself young because of magic) was next. This year’s elder statesman,
George Sands, presented his definitive stage act: Magic in Reverse. He performed his "encore" effect
first; followed by his "closing" effect, etc. This is a novel approach and the magic and the appropriate
patter were well received. A solid and dependable performer.
Next was a specialty performer of the first rank. A large, circular white screen was positioned in front of
the main curtain. A strong white light was cast upon this screen from an audience level projector. And
then, Marcelo Contento was introduced. Marcelo is an acknowledged and accomplished master of
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shadows. These shadows are created by his flexible fingers, hands, wrists and arms. What appears up
on the screen are animals, birds, and other identifiable objects - presented within a playlet form. A
most welcome addition to any variety lineup - and especially appreciated by tonight's audience.
next, the staged was approached, invaded and captured by four zanies. Individually they are (in no
particular order): Larry Koch, Matt Hale, Buddy Moorehouse and Brian Kruger. Collectively, they are
known as Stunt Johnson Theater. These post-college age gentlemen are veterans of the comedy club
circuits and have also wisely turned their talents to the strange and perverse vagaries of the world of
magic: Policemen are unsuccessfully "grilling" a
suspect, who refuses to "squeal" until threatened with
a performance of the Zombie floating ball! Needless
to say, the suspect spills his guts! The group then
attempts to put a dramatic acting sequence on film,
with disastrous results to the players and hilarious
results for the audience. Another distinct novelty on a
predominately magic-loaded show - and a convention
highlight.
Another highlight on tonight's show was the
appearance of Joe Harrison and Company. Joe quickly
and professionally presented his standard club act,
consisting of flashes of fire, candle conjuring and the
Joe Harrison
production and vanishes of large and exotic birds.
And then Joe, with the cooperation of his lady assistant, presented a staggering illusion: "The ultimate
Impossibility." In this, a small cabinet is displayed, raised from the floor on an elevated base. The
assistant enters and the cabinet is bisected, top and bottom by solid, hollow tubes. There just can't be
any space for the enclosed assistant. And to top it all off - the bottom section is then slid completely
away from the top half! The illusion, in this position, is then shown on all sides - truly an impossibility! A
winning closing from a wonderful act! And, in true continental style, Aldo Colombini brought back all
tonight’s acts for a curtain call - to tremendous applause!
A popular gathering and meeting place during the four day convention is "under the canvas" - the large
tents covering picnic tables on the High School's front lawn. During the day you can see dozens of
performers and hundreds of effects and the only price of admission is your attention! Early in the
mornings, this tent arrangement also does double duty by providing a focal point for the ventriloquists
as they stage their own event: Vent-O-Rama.
Friday is, by all accounts, a busy busy day! In addition to all the daily activities happening downtown
and within the school, there are: Fridays Junior Talent (emceed by Gordon Miller), an early afternoon
lecture and the close-up magic show. Let us start by discussing the Aldo Colombini lecture.
Aldo Colombini (known earlier in his writing and performing career as Fabian) is a terrific idea man. By
his own admission, most of his concepts are designed for the close-up and smaller audiences. But he
still registered strongly with cards, ropes and, of course, Cups & Balls. All this, intermingled with
charmingly accented English, offbeat jokes and remarks, etc. The audience (of magicians) was
captivated, entertained and educated. While Aldo graciously autographed lecture notes, the room was
quickly re-set for the Close-Up Show.
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Each year four (and sometimes more) close-up conjuring experts are invited to entertain at Abbott's
Magic Get-together. The conditions are less than ideal - more closely approaching stand up club magic,
but somehow every year, the selected quartet comes through with flying colors. This year was no
exception.
For many years. Peter Tappan has been amusing and confusing fellow magicians with his superlative
miniature floating Lady illusion. while this tiny bit of perfect deception still serves as his closing number,
Peter also offers many other unique novelties. Of special mention - the mechanical egg-laying chicken
and the adorable plush mechanical bloodhound dog (who successfully sniffed out the chosen card).
Even the card tricks were more than card tricks! A fine performance by a gentlemanly artist.
The second performer, roaming around the confines of the gymatorium was George Sands. George
certainly never lacks for quality closeup material and he provided a program filled with diverse variety.
Cards, of course. Ropes, of course. Balloons and mental effects, as well. Done with style and a sense of
humor.
Our next visitor was David neighbors. David is certainly one of the most prolific coin magic artist - ever!
His manner and attitude are unique and they make up his personal style. The magic is flawless - and
maybe too rapid-fire for some. So much happens - so quickly - and in so many places! We can only
hope the long in the works textbook of David's material will soon see the publishers light of day. (Of
course, by the time the book comes out - David will have created hundreds of different routines!)
The fourth member of the fabulous foursome was Aldo Colombini. Aldo did not seem to feel any aftereffects from his earlier lecture as he casually drifted from table to table. Always presenting a lot of great
magic with different objects, the piece de resistance is, of course, his Cups & Balls routine. This is a
dazzling mixture of magic and (almost) juggling, as the cups fly from hand to hand, and the balls vanish
and reappear and change color and size with magical ease.
As everyone left the auditorium (talking about his or
her favorite performer or effect, the close-up tables
were "struck" and the folding chairs were realigned
in preparation for that night's spectacular show.
And what a show it proved to be!
Ron London is one of our neighbors - a Hoosier (that
means he's from Indiana). And it was his turn to
take over the mastering of the ceremonies. After
his initial remarks and greetings, it was on with the
show!
As Tom Ogden stated when he made his first
appearance, his act was a "tribute to all the other
Franz Harary
magicians who had done parts of his act earlier in
the week." No matter, there are quite a few things that only Tom Ogden does (or is willing to do) on
stage - things that no other performer even attempts. many performers own and present Sword Thru
Neck, but not with the laugh-provoking lines and situations created by Tom. And nobody (to the best of
our knowledge) performs the Hindu Basket routine with an unprepared, unrehearsed audience
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volunteer - but Tom does! and his reward - a rousing ovation of applause to "chase down" all the
previous waves of laughter.
As the audience settled back into their seats, the next act was introduced. This was Dr. Thiet. he is a
man, small in stature and giant in talent. With his ever-present smile, he presented one of the finest
dove acts seen in recent years. Full of sensational productions and dazzling novelty, plus fire and flash, a
floating ball routine which proved to be much different than most - and the ultimate surprise at the
conclusion when the Vanishing Cage of Doves was first suspended in mid-air before it and its contents
vanished!
More good news! The airline freight finally arrived for Franz Harary. This enabled him to appear on
tonight’s show. The new illusion proved to be a space age version of She, sometimes known as A Rag, A
Bone, and A Hank Of Hair. Basically, it is the production of a female assistant with the entire illusion
being assembled in front of the audience, with all sides of each piece being displayed as it is assembled.
It proved to be an intriguing update of a proven illusion classic theme.
From the sublime to the ridiculous ... in just the amount of time it takes to introduce The Magic
Plumbers. this troupe of comedy illusionists has built a themed magic act around plumbing! Toilets,
plungers, shower stalls, toilet seats and paper, etc. people and porcelain are produced and vanished all
to very broad comedy. There is even a signed toilet seat to wallet effect - featuring the world's largest
zippered wallet!
Emcee Ron London took the stage to present a few of his favorite routines, characters and conceits.
These included a novel and professional Troublewit routine. Ron worked pleasantly and comfortably
between the acts and it was nice to see him earn and receive his own share of the applause.
Those with long Get-together
memories will recall the legendary
performances of: Mark Wilson ... Jack
Gwynne ... George Goebel ... and
Harry Blackstone (both Sr. and Jr.),
and will be happy to add one more
name to that illustrious roster. And
that name belongs to Jeff McBride.
Until this moment, on this Friday
evening, the truth behind "Mask,
Myth & Magic" (the title of Jeff's
show) was hearsay and rumor and
speculation.
But those were all
dispelled as the curtains opened. For
the better part of the next hour magic was performed!
There will be friendly disputes and
aggressive conversations about "the
best part of the show," but only because there was so much to choose from. There was the
pyrotechnical opening with the misty smoke and the masks and the movement and the attitudes. This
was a display of raw energy, almost confrontational at times; challenging. there was the production of
Jeff McBride
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playing cards. (so what, you say, many magicians produce playing cards from the air.) True, but rarely
has each production been framed and highlighted with body posture, cued music and attitude. In fact,
the music to the magic and magic to the music in this performance was absolutely perfect!
Others will choose the interlude with the young lady assistant from the audience. The humor was
generated from the situation. The willingness to share some of the stage and some of the spotlight was
marvelously controlled. Perhaps you were among those who delighted in Jeff's presentation of the
classic Linking Ring effect - with only three rings. A skillful and artistic stage painting using the rings as
primary colors.
Would you have thought (before this Friday night) that you could have been entertained by someone
tapping a magic wand against the side of a metal pail? Ask anyone who was there about this stellar
presentation of the classic Miser's Dream effect. (Editors note: After the show, the remark was heard
from among the magicians:"Wasn't Jeff McBride lucky to have chosen a perfect young lady and a perfect
young man for tonight's show?" We suspect that the truth is, Jeff almost always chooses the "perfect"
audience assistants - and that is the lesson to be learned from those two routines. "Luck" had little to
do with it.)
My choice? That's easy. The picture
of Jeff McBride on the extreme edge
of the stage apron, highlighted by an
overhead "key" light, and two
porcelain bowls. This "tears from
heaven" segment was a close to real
magic as seen in many a year. Not
magic as in tricks or methods, but
magic in concept, approach,
presentation and theatricality.
(Editor's note: Let me cast my own
memory back over previous Gettogethers for one moment. The last
time a performer "owned" the stage
for nearly an hour - without speaking
one word, was the legendary
"Concert Of Magic" as presented by the late Neil Foster. It is not by accident that these two names: Neil
Foster and Jeff McBride are linked by coincidence. Jeff would have been one of the first to understand
and appreciate the talents of Neil; and Neil would have been the first to stand at the conclusion of Jeff
McBride’s tour de force) The audience left the auditorium pleasantly exhausted.
Martin Bordner, Greg Bordner, Hank Moorehouse
After the non-magicians had left the auditorium, the magicians returned for the announcements
regarding the talent contests. Gordon Miller, who emceed the Junior Contest, revealed that Third Place
had been awarded to The Great J.R. & Kelly (John R. McAte). Second place was earned by Chris Linn.
The First Place award winner was Adam Williams. In addition to his award, Adam's name will be
engraved on the "Duke Stern Memorial Trophy" as presented by The Little Johnny Jones S.A.M.
Assembly #103 of Kalamazoo, Michigan. That assembly was represented by John Dudley.
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In the Senior Contest, M.C. Hank Moorehouse delivered Third Place to Michael Ming, Second Place to
Jeff Boyer, and the First Place award to Dave & Denise Hamner. Our thanks to all competitors and to all
those who turned out so early on Thursday and Friday mornings to be present as the audience for these
two important contest events. We also encourage old and new entrants for the contests in 1994. We
would like nothing more than to fill up each available spot on both mornings! Magic Clubs and
organizations: why not sponsor (or encourage) some of your younger members in this effort?
Saturday, as you may have guessed, is the single busiest day of the four day convention. The lawn at the
Colon Library plays host to the Colon Arts & Crafts Fair - one of the largest one day art fairs in the state!
(and next year, in 1994, they are seriously talking about making this a two-day event!) This, plus the
usual sidewalk sales downtown ... and the prospect of staging two shows on this day (the Matinee and
the Saturday Gala Show).
So, in the morning, (almost when the ventriloquists are wrapping up their third and final Vent-O-Rama)
the auditorium fills for the Saturday lecture. And this year there was a guarantee of a big crowd for this
event, since the lecturer was Jeff McBride. by explaining a handful of magic effects, Jeff attempted to
convey what he believes about magic: its conception, its creation and its performance. Instant
credibility from one who obviously "practices what he preaches."
The next scheduled event was Saturday afternoon's Special Benefit Matinee performance. this show
has become a special favorite with many magicians, and they always add its small additional cost to their
Get-together registration fee. The proceeds from this show go to the Colon Lions Club (the co-sponsor
of the Get-together) for their work with the blind and the vision impaired. A great charity and, again, a
great show.
You could call it nepotism if you like,
since Hank Moorehouse usually
coordinates the talent for the
matinee show, which this year
featured Buddy Moorehouse as
master of ceremonies. We prefer to
call it serendipity, as Buddy steps out
of his ensemble comedy troup (Stunt
Johnson Theater) to help move the
show along in comfortable style.
The task of opening this year's show
fell to the youngest ... and shortest
act on the bill - Adam Burden. Adam
proved he was up to the task,
Gene Anderson
displaying a veteran entertainer's feel
for showmanship and presentation as he presented his program. You may not remember the tricks, but
you will remember the personality of Adam Burden.
As promised, this year's Matinee delivered two surprise acts. The first was Jeff Boyer. Jeff, the night
previous, had been awarded the Second Prize in the Senior Contest. This show gave him a second
showcase for his original routine; good magic with good humor.
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We talk about busy days, but probably the busiest person at this year’s convention was Bob Jepson. Bob
(with very little arm-twisting) agreed to head up the sessions at Vent-O-Rama (that's three morning's
work), plus his scheduled booking on the matinee show. (In addition, Bob entertained at the Abbott
Showroom Saturday afternoon show the weekend before the Get-together.) Bob is living (?) proof that
you can successfully blend the allied arts of magic and ventriloquist and an excellent comedy magician.
(now if he'd just start working on those car fans!)
The award for the act which came the furthest distance? The next act on this show: Manfred Thumm of
Magic Hands in Germany. Actually, Manfred was winding up his tour of the states, with Colon as his last
(unscheduled) stop, and he agreed to appear on this show. The audience responded eagerly to his silk,
umbrella and bottle productions, vanishes and transformations.
The concluding act - and also one of the surprise acts (mentioned earlier) - was that of Dave & Denise
Hamner. On Thursday they had convinced the medium-sized audience that they were winners. On
Saturday afternoon they delighted a packed house with their smooth deceptions with cards, silks,
candles - and those marvelous exotic birds. An exciting, top-level act and a tribute to the training they
had received from Brett Daniels. (The Hamners graciously thanked Brett when they accepted their
award on Friday night.) A super-strong matinee show ... one which stood on equal footing with the four
evening shows.
And then, there was only one more event: the Saturday night show. As he has for so many years,
Karrell Fox parted the curtains to warm up the audience and to introduce the great talent hidden
backstage.
To open the show, California’s Dale
Salwak demonstrated why "Chavez
graduates" have that extra edge. A
show of polished prestidigitation,
smooth and flawless.
Skillful
manipulation delivered effortlessly.
Next up was the "Nabob of
newsprint",
the
"Prince
of
Periodicals", the "Titan of the
Times and the Tribune." that's
right, it was time for Gene
Anderson and his "Newspaper
Magic." This act, often seen, was
never sharper than this night.
Gene was having fun! (We almost
sent out for the Sunday editions!)
On Saturday night, there is always
time for a little more nonsense,
Abb Dickson & Karrell Fox
and that's just what we expect when Karrell Fox and Abb Dixon occupy center stage. (I'll never pick up
my staple gun again without thinking of cards fastened to Abb's forehead!)
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And speaking of spectacle, we were happy to see a Get-together favorite ... one which had been too
long absent from our stage: Garray & Tomio. We had
forgotten just how big the four ventriloquial figures were
and how outrageously costumed they are! (Their only rival
in costume sweepstakes would be Senor Rai!) And it is
always fun to see and hear the reaction to those new to
the act of Garray & Tomio. when Tomio (as the gorilla
character) breaks away from the group and starts madly
dancing all over the stage there are always audible gasps of
surprise and pleasure!
The next act was brand new to Colon. He is Amos
Levkovitch; originally from Israel and now from California,
Kohl & Company
he presents a dove act of bewildering originality. this act
"builds" tremendously well, yielding a false climax (the
Carousel Dove Cage vanish minus one bird); to the subsequent vanish of that renegade dove; to the
spectacular reappearance of all the birds flying from the back of the auditorium to land on the
outstretched arms of Amos on stage! The applause was thunderous and deserved.
You always want to send an audience home from a show with a "feel good" feeling. That's an easy task
if, like Abbotts, you have booked Kohl & Company. It may look like chaos and mayhem (and some of the
time it is), but it is no accident that this burlesque of magic and magicians is so popular. The bumbling
magician (who doesn't think he is) and the even more bumbling assistant (who can't be anything else) is
a great combination. Somehow it all turns out all right with a triumphant procession at the end of the
spectacle! (And Kohl &
Company have the most
exquisite taste in drafting
volunteer assistants, too!)
The only remaining formal
function left at this point is
the awarding of the three
major prizes or awards. The
Clarke
"The
Senator"
Crandall award for Comedy
Performance this year went
to Stunt Johnson Theater.
The Neil Foster/Bill Baird
Award for Excellence in
Abb Dickson, Karrell Fox, Jeff McBride, The Jack Gwynne Family, Brett Daniels
Manipulation was awarded
to Amos Levkovitch. And
the Jack Gwynne Award for Excellence in the Performance and Presentation of Magic was delivered into
the capable hands of Jeff McBride. Three popular choices which found favor with the Get-together
audience.
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1993 Get Together (by Ron Jaxon)
It's kind of amazing because a few of the magicians in your image are a part of this story. I think this
happened at my third or fourth get together. I was just starting to have the courage to perform for other
magicians. One night at the American Legion during the get together someone approached me and
asked if I'd perform one of my coin routines for their friends. I said sure so I followed him from the back
room of the Legion to the front of the building. I got caught up on the way as someone else came up and
said hi to me. Then I turned and saw who was sitting with the guy I was following. Who was sitting
there? Karrell Fox, Jay Marshall, Abb and Karl Norman along with a few others that I can't remember
their names but I recognized their faces as fairly known magicians at the time. I remember thinking, "
Why didn't they warn me?" I was so intimidated by magicians then that I felt myself start to sweat. I
don't know how but I made it through and finished my routine. They seemed to like it and talked for a
few minutes about it. After a while I felt less intimidated and had a good time. I still think about that
night from time to time because it was a huge boost in my self confidence.
Another story involves Karrell Fox. I can't remember if it was the same year as the above story or maybe
it was the following year. It was quite a while ago. Karrell waved me over and had me follow the group
he was with. We piled into a couple or cars. I had no idea where we were going but when Karrell says to
come I followed without questions. We ended up at a cemetery. I never knew that there were a lot of
famous magicians in there. I couldn't hear everything that was being said but they walked from grave to
grave and just told stories about that magician. The amazing thing was that it wasn't a sad atmosphere.
There was a lot of laughs.
Anyway, those are a couple of my fondest memories during the get together.
Ron Jaxon
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1994 Last Issue of New Tops Published (by David Seebach)
I am certainly not old enough to remember the original TOPS magazine. The New Tops was well
underway when I discovered it in the mid 1960's, during my formative teenage years. It was edited by
the kind and much loved Neil Foster. His contributors included: Bruce Posgate, Sid Lorraine, Clarke "The
Senator" Crandall, Frances Marshall, John Sherwood, and others, including some fellow named George
Johnstone. On a whim, at Mr. Foster's suggestion in the very early 1970s, I contributed something and
I've been a somewhat regular contributor ever since. I have known for several months that this
magazine's days were numbered and so I sit here in my office on a beautifully bright and
uncharacteristically warm December day to write my final submission.
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Not all the five-star excitement will be in Atlanta this year! This year's edition of Abbott's Magic Gettogether starts July 31st and extends through August 1st, 2nd, and 3rd. Four fantastic and foolery filled
days and nights! ... Magic from all over the world! ... Unworldly magic on every night's show ... An
Olympic-sized menu of the best in wizardry and wacky nonsense.
Wednesday night (July 31st) provides the opening for this annual event. And, with enough talent to
start a circus on tonight's show, show better to master the ceremonies than The Million Dollar
Ringmaster - Senor Rai! This outlandish showman will dazzle and delight with a multitude of spectacular
costumes and scenic effects. And he will have plenty to talk about on tonight's show.
Petrick & Mia, originally from Czechoslovakia, are a dazzling duo who have entertained here in Colon on
at least two other occasions. Each time, they delighted the crowds with original magic, presented with a
continental style. This year they are presenting a brand-new creation - for the first time anywhere here in colon! With Petrick's great magical thinking and Mia's great looks and stage presence we know
it will be an outstanding way to open the entire convention!
Another old friend will be returning to the Colon stage. His name is Bob Jepson and he makes his living
by recycling hot air! No, he's not a balloonist ... he's a ventriloquist! And not only that, but a magical
ventriloquist. With his ever-changing cast of animated characters, you are sure to enjoy the onstage
antics of Bob Jepson and his friends.
Those who live in Colon already know that magicians are sometimes strange. But, have you ever
wondered what happens to a magician during everyday situations? For instance, the simple act of
getting ready to go to bed at night. If that premise intrigues you, then don't miss the award-winning
magic and comedy of Eric buss. This is magic as seen from the viewpoint of a sleepy magician ... but the
laughter will keep you wide awake.
And next, the spooky and spectacular invades
the Colon stage. We are talking about the
menacing Electric Chair demonstration as
presented by Don Theobald.
Imagine
thousands of volts of electrical currents flowing
through your arms and legs. Imagine a light
bulb lighting up in you bare hand! Imagine
giving off enough sparks from your fingertips to
light a torch! All these high energy stunts ...
and more ... are in store when Don rolls out his
execution-style furniture.
Stuart & Lori MacDonald
To close out this evening's night of magic and
variety, who better than Stuart & Lori
MacDonald!
this talented twosome has
traveled all over the world with a whirlwind of
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wizardry. In fact, they now bill themselves as the "fastest" illusion act in magic: 300 tricks in ninety
minutes! You'll only see a generous sampling of that full evening show tonight, but it will include several
never-before-seen illusions. For magic newer than tomorrow, it's the MacDonalds!
All four different evening shows begin at 8:00 P.M. with doors opening at 7:30 P.M. Reserved seats for
the evening shows are $15.00 each. Side bleacher seating (reserved by section only) sells for $10.00
each. Tickets may be ordered from Abbott's Magic Co., 124 St. Joseph Street, Colon MI 49040 or by
phone: (616) 432-3235 or 432 3236 or by FAX: (616) 432-3357. Visa, MasterCard, and Discover credit
cards are honored. But don't delay. Tickets are disappearing faster than clothes in a Demi Moore
movie!
On Thursday night (again at 8:00 P.M.) you will be greeted by a wonderful old friend, George Johnstone.
George has traveled and worked with the Harry Blackstone (Senior) show and has been a stellar
magician and comedian as a solo act here in the Midwest for a number of years. He's just corny enough
to be from Iowa, but he's really from Chicago. And audiences love him.
George has the honor or presenting some of his neighbors to the North, first on this night's program.
From Milwaukee we welcome John & Maria Kurtz. This outstanding couple has represented magic well
on numerous convention shows and at private performances throughout the Great Lakes region. Their
deft and dazzling handling of fire and live birds presents a modern mystical mirage.
How do you present a performer who is an expert at intimate sleight of hand with playing cards on a
giant stage? The answer: You don't! Instead, you ask him to present his novel and original stand-up act
with scarves and ropes )and, maybe, even a trick with cards). And the end result is the magic of DARYL.
DARYL is the internationally acclaimed magician in question and he is known as a performer, a lecturer,
an author, and as a teacher. We know you will enjoy his performance ... because this guy is good!
To conclude this evenings’ show we have something unusual planned. It involves - surprise - a lot of
magic! It also will include some top-notch juggling. And we are sure you will be laughing at some
serious comedy hijinks. And if all this sounds a bit too mysterious and indefinite, let’s just call this
portion of the show "The Great Invisible Mystery." You never know what (and who) will appear (and
also, disappear). We hope to see you in our audiences for either (or both) of these shows.
The Friday night evening show will offer something special for everyone. It include the scientific sorcery
of Gene Anderson who will also serve as master of ceremonies. Gene always dreams up something
unique when he appears in Colon, and this year will be no exception. And he will be introducing a lot of
his friends this evening.
First up are Michael and Karen Rappa. Michael lived for years here in Michigan before seeking his
magical fortune in California. He is now a staple of the cruise ship entertainment business and when he
is on dry land he performs his school assembly show. Though young in years he has a wealth of
experience.
Marc De Souza is brand new to the Colon conclave - but certainly not to magic. This East Coast
funnyman is well known in his own geographic area and is fast becoming famous throughout the world
of magic. On tonight’s show he will display his sleight of hand skills but we're sure at least a little of the
De Souza sense of humor will be in evidence as well.
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From the greater Detroit area we welcome back Don Jones & Company. Don has assembled over the
years, a traveling troupe of talented performers - singers, dancers, specialty artists and magicians.
Together they put on a mind spectacular, featuring illusions of the past now performed with present day
flair and flash.
Returning after a few years absence is master juggler David Kaplan. When he was last in Colon he
astounded the audience with his display of bean bag juggling. No big deal, you say? Lots of people
juggle bean bags, you say? Well, we're talking about bean bag chairs, the big ones, the kind you usually
sit upon! These special talents earned David the right to appear as the opening act for The Smothers
Brothers on their most recent personal appearance tour. Don't miss him!
And to keep you on the edge of your seats, we introduce the closing feature of tonight’s show: Jamahl
Keyes. Jamahl is a young man on the move - in fact, he rarely stops moving, especially onstage. Jamahl
has managed to blend the features of dance and body movement to the traditional skills of magic. The
result is an exciting multi-media experience. You'll ask yourself later how one person could be so busy
and so active on that big, big stage. And the answer will be : Jamahl Keyes.
On Saturday, August 3rd, you have a choice of two - so why not choose both? At 2:00 p.m. the Special
Benefit Matinee performance will be presented. The profits from this show are delivered to the Colon
Lions Club for its charitable work with the blind and vision impaired. Tonight’s show features the emcee
talents of Hank Moorehouse (long a Get Together favorite) and a diverse cast of magical talents. Two of
the acts which will appear on this afternoon are unknowns. That is because they will be the winning
acts from the Magic Talent Contests which are staged on Thursday and Friday mornings. In effect, you
will be seeing the best of the best, since the contests have improved in quality year by year. In addition
to the Junior and Senior Contest winners, you will be entertained by Richard Hughes whose specialty is a
flash act consisting of the production and vanish and transformation of beautiful colored flowers.
Duane Laflin returns this year to this afternoon show and his skills are always welcome. Duane covers
the field of magic - everything from pocket magic to major illusions (which is what you'll probably see on
this show). And to round out the variety on the show we present (for the second time this week) Bruce
Block. But this time Bruce will be featuring his juggling skills, a talent which has landed him in the
Guinness Book of Records. Stop by and see why!
The Saturday night show starts off with a great big surprise! For the first time in colon we welcome the
comedy and magic talents of Michael Finney. Michael is a headliner at any comedy club anywhere in
the world! He is also a favorite at numerous magic conventions. And whenever he likes he works at one
of the major Las Vegas casino shows. He is like no other, and we guarantee you will laugh along with
him!
Like a rocket, young Jason Baney is heading in one direction only straight up the magical ladder. He now
presents an act that is on the cutting edge of the new wave. Magic with props that nobody else uses:
aerosol paint cans and silly putty to name just two. You will marvel at the intricate blendings of the best
of the old magic with the concepts of the new magic. Here is a star just waiting to exploded!
The next artist is just that: an artist! Her name is Svetlana. She is from the former Soviet Union and she
presents a most unusual blending of magic, movement and physical illusion. The best way to describe
her act is to ask everyone you see AFTER you see her act! They'll all give you a different description!
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As a complete change of pace we next present Andy Dallas. Through study and hard work, Andy has
mastered the difficult and demanding art of escapes ... that's right, the very thing that made Houdini
famous. And, Andy has even taken this art a step further. He has brought those traditional talents into
the contemporary era.
Voronia is the second of our two acts who started originally in what we used to call Russia. his gaunt
and bizarre physical appearance lends itself to a magical illusion act that is both bizarre and intriguing. A
touch of the continental style is more than evident at any performance by Voronia.
The third act on tonight’s stellar card who uses a single name for identification is Torkova. he is an
award winner. Other contestants just hate to see his name on the roster, they know what a great talent
they are competing against. Torkova presents difficult hand manipulations, but he makes it look easy,
and all within a framework of style and subtlety and an impish sense of humor. you'll love his magic ...
but you'll love him even more.
It’s a rule (and a good one, too)! If you stage an Abbott Magic Get Together you must find a spot for
Karrell Fox. Karrell holds the distinction of appearing on more Get Together shows than any other
performer in history ... and, on more consecutive shows as well. (Even Karrell can't give you the exact
numbers!) And there are several good reasons for this long and extended run of appearances. Karrell is
magically talented and supremely gifted in
the field of comedy. Several packages of
talent all wrapped up in one great guy!
The closing act to this show (and the closing
act therefore of the convention) has to be
special. And this year he is. A long time
Michigan resident, Kevin James has south
and found his place in the pantheon of magic
by traveling to the west. He is a fixture on all
the West Coast shows: a regular in Las Vegas
reviews; a frequent favorite on the rosters of
shows in Paris, London, Madrid and Rome and this year you don't even have to travel
to see him. he will be right here in Colon.
Kevin James
And, we will not say one word about what he
does; we would rather you were completely surprised on this special Saturday night! See you at the
Get Together.
Tickets for the evening shows are available from the Abbott Magic Company. Don’t delay! We'll miss
you if you're not there!
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1997 Get Together Blackstone Memorial (by Gordon Miller)
Detroit may be "Hockeytown", but for four fun-filled days (and nights) every August, Colon is
"Magictown". Welcome to the 60th edition of this annual gathering, the Abbott Magic Get-Together!
It's that magical time of year when Colon demonstrates its hospitality to thousands of guests from
around the world. They are all here to take part in a super extravaganza featuring the best in our
mysterious art of trickery.
The first thing to disappear...right before your very eyes...just might be your ticket to one of the five
different public shows!
Wednesday, Aug 6 will usher in a truly unique presentation. A team of local film makers has produced a
documentary style film about Colon and magic, entitled "City of Magic". Famous celebrities from the
world of magic are featured, in performance and in on-screen interviews. This video will open the
Wednesday show. In the flesh performers, in order of their expected appearance, are: Colon's Gordon
Miller as master of ceremonies; Kovari, Jr. son of The Great Kovari; Richard Hughes, with old and new
style magical effects: Woody Pittman, an off-the-wall comedian/magician; and Lee Germaian with
theatrical showmanship.
Each evening, during the convention, the auditorium doors are opened at 7:30, in advance of the 8:00
show, and during that half hour early arriving guests are treated to the highly visual comedy of Lark the
Clown. Lark's moniker is Simon Lovell, and he's originally from England.
Thursday nights performers include: Nancy Darst of St. Louis, who features novel tricks: The Great
Kovari, a master illusionist; Cheney & Mills, top-flight jugglers: young Joshua Jay, who has won trophies
at numerous magic convention competitions; and, David Seebach with his original illusions and effects in
his "Wonders of Magic" show.
"Busy" is the key word for Friday's Get-Together. Magicians can attend the second edition of Vent-ORama (dealing with ventriloquism); and the only performance of the Close-Up show which features four
performers who specialize in intimate magic presented under "up close and personal" conditions. This
year we have four of the finest: Mike close, Patrick Page, Tom Ogden, and Peter Scarlett. And late at
night, near the "witching hour", talented Tom Mullica will present his lecture/session/happening
combination for the assembled wizards.
Friday's evening show begins with England's Peter Scarlett as master of ceremonies. Dale Salwak, who
was a student of the late, great Neil Foster, will perform his skillful sleight of hand; Tom Ogden follows
with a lunatic-fringe appearance; Margaret Steele presents ancient mysteries of magic with a modern
flair; Patrick Page of England will appear in full Scottish regalia and a sly and subtle sense of humor; Tom
Mullica, with the strangest sense of humor in captivity; and the program ends with Victor & Diamond,
with live animals in their magic show.
We hope you have been conserving your energy through the first three days of the Colon conclave.
You'll need that reserve power for Saturday. Magic show fanatics (that's everyone we know) are in
double-dip heaven! At 2:00 the Special Benefit Matinee performance is presented. Proceeds go to the
Get-Together co-sponsor, the Colon Lions club, for its charitable work with the blind and visionimpaired. Master of ceremonies is Hank Moorehouse; he introduces Thursday's senior talent contest
winner and Friday's junior talent contest winner; the Great Kovari will make a special appearance; the
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Magic Gypsy, Franco, will attempt Houdini's Chinese Water Torture Cell Escape; and the finale will be an
appearance by Mark & Susan Holstein with a full stage illusion spectacular.
Immediately following the matinee performance, in the same auditorium, a special memorial ceremony
for Harry Blackstone Jr will be held...at approximately 4:00.
For more than a century, the name Blackstone has been synonymous with magic.
Harry Blackstone Jr and his father before him were the great classical magicians.
they brought their spectacular show, complete with floating light bulbs, vanishing
elephants and ladies sawed in half, to town and cities both large and small across
the United States. Without popstar pretentions, the Blackstone
shows were synonymous with fun
and laughter and rabbits from hats.
In 1980, the Blackstone show
played at New York's Majestic
theatre for the longest run of any
magic review in Broadway history.
With a company of dozens of
assistants, colorful scenery and
tons of illusions, the show was
described as "pure magic" (Time
magazine) and as "irresistible
entertainment" (Variety). John
Simon of New York magazine
described his illusions as "more real
than reality" and his patter as "fast and funny". Mel Gussow of the New York
Times proclaimed "Blackstone is a master" and Marilyn Stassio of the New York
Post described his show as "the crème de la crème of magic acts...by the end of
the show there's so much laughing and carrying on that you can't tell the
grownups from the kids". The Broadway show later became a two-hour PBS
television special broadcast from a vaudeville theatre in Minneapolis where Harry
Jr had appeared with his father as a young boy. Calvin Trillin of the New Yorker
described Blackstone as "the leading exemplar of the formal tradition of grand
illusion" and Newsweek described his touring extravaganza as "the largest and
most spectacular travelling illusion show ever".
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Over the years, many younger magicians assumed the trappings of pop stars...the
deafening music and the smoke and laser effects...but Blackstone deliberately
crafted his shows in the tradition of his illustrious father and other grand masters
of illusion. To many in magic, his floating light globe remains a high point in the
stage magic of the last half-century.
Born in Three Rivers, Harry spent his early years in Colon on Blackstone island, his
father's summer headquarters, where he annually refurbished his large illusion
show. Harry junior's career in magic began at the age of six months, vanishing
and re-appearing in his father's act.
No magician in history has been more honored by his peers. In March 1994, Harry
Blackstone was named a recipient of the prestigious Masters Fellowship
presented by the Academy of Magical Arts at Hollywood’s Magic Castle, a private
club with a large international membership of magicians and magic enthusiasts.
In 1979 and 1985 he was named as Magician of the Year by that organization and
was an honorary member of London's prestigious Inner Magic Circle. he authored
several books on the subject of magic including "The Blackstone Book of Magic",
"My Life as a Magician", and "There's One Born Every Minute".
Harry Blackstone dies on May 14th in California. He is survived by his wife, Gay,
and daughters Cynthia Blackstone, Adrenne Blackstone, Tracy Crosby, and
Bellamie Blackstone, and a granddaughter. His son, Harry Blackstone III,
preceded him in death.
There is no admission charge for this gathering and all interested parties are encouraged to attend.
Several speakers and a special video event will honor the memory of one of magic's greatest performers
and also, one of the world's nicest people. This tribute will be all the more special because of the
interlocking of Magic...the Blackstones...and Colon. Doors will be open and seating will be available
directly after the conclusion of the matinee performance.
Saturday night's show, which is always special, opens with Mike Close as master of ceremonies.
Performers include young Danny Cole, a very clever kid: Todd Charles, who blends music with magic
with mayhem; Rebekah yen, with an exotic act; Karrell Fox, a Get Together institution; Alan and Ann
Shaxon with a demonstration of suave and urbane mental dexterity; and, to bring the shows to a close,
Amos Levkovitch with his live doves.
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We will have witnessed four days of magic...of wonder and laughter, and nostalgia, too, remembering
those other showmen and artist we have watched perform who have gone beyond our ken. And we will
have watched and learned from dozens of talented performers...the best in the business talking,
teaching and performing. Many of the magicians who come to learn at these Get-togethers are not full
time performers; they are dedicated to other professions and businesses, from the ministry to laborrelations boards, and they use the skills and arts learned here in their day-to-day work.
And, like all Abbott Get-Together evening shows, there is likely to be an unannounced surprise or two
along the way. Tonight's show will be no exception...so, see you there!
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1998 Abbott’s Catalog #25 Released (by Abbott’s Magic)
Abbott Magic Co. recently released its number 25 catalog. The 500 page catalog offers a wide variety of
tricks, old and new, ranging in price from $2 to $10,000. Greg Bordner, president of Abbott's Magic Co.
and son of co founder Recil Bordner, says magic is for everyone. "Our customers include ministers,
performers, dentist, grand-dads, and anyone who wants to entertain." The Abbott's Magic Catalog is
also used by several well known professional magicians.
1998 Get Together (by Mac King)
Everybody who has any sense knows there's a big difference between a convention and a get-together.
A convention takes place at a Convention Center in a big city. A get-together takes place in your living
room or back yard. A convention has non-stop organized activities. A get-together is more laid-back and
informal. A convention means networking and politics and meeting new prospects. A get-together
means hanging with your old pals. Because a convention sounds like work, and a get-together sounds
like fun, my favorite magic event of the summer has always been Abbott's Magic Get-Together. I went to
my first one when I was 16.
Because it's a get-together, there's no need for a big jam-packed day of events. Oh, they have events at
Abbott's, but they're different events from a magic convention. Does the IBM Convention have a VentO-Rama? Of course not. Can you go visit the graves of Karrell Fox, Duke Stern, The Harry Blackstones,
Percy Abbott, Monk Watson, Little Johnny Jones, and Ken Griffin(sp?) at midnight during the SAM
Convention? Not without a long drive you can't.
But, to me the big difference between Abbott's Get-Together and any other magic convention is
accommodations. At a convention just about everyone stays in the convention hotel. Because The GetTogether takes place in the tiny village of Colon, Michigan, most visitors are obliged to stay in the house
of a stranger. Sometimes the actual residents remain at home and simply rent out a room to a registrant
for a week, and sometimes they leave town and rent out their whole house to a group of folks. That was
the arrangement that my friends and I had.
We had decided to meet at Chicago's O'Hare airport, rent a van, and then make the three hour drive to
Colon together. Since I was arriving first, my job was to get the van and find my four pals. I got the van
no problem. First to arrive would be Dana Daniels, the fine comedy magician and long-time Disney
employee. At the appropriate time I parked the van at the curb and ran into the baggage claim area. I
spotted Dana's fedora right away. I told him to meet me on the curb right outside the door. I ran back to
where I'd left the van, and there it was, up on a tow truck.
"But I was only gone a minute!" I shouted at the grimy old guy behind the wheel of the tow truck.
"Does the sign say, 'One minute parking'?" he wittily retorted.
"Fifty dollars cash to you sir, if you'll just drop her right there where she is!" I pleaded.
"No can do. Once she's up, I gotta take 'er in," sez he. "But hey, hop in and I'll give you a ride to the lot."
He was a friendly sort.
"I can't. I gotta go back in and tell my friend that I won't be here when he comes out."
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A mere seven dollar cab ride and 115 dollar fine later, I had regained possession of the van. An excellent
beginning to our good time.
Dana was waiting for me. Our second passenger was Patrick Albeniece who is the club manager at The
Magic Castle in Hollywood. Being a management type, he was right on time and no trouble whatsoever.
I should say that Patrick was no trouble himself. He did, however, bring bad news. Our final two
passengers, Tina Lenert (past winner of Stage Magician of the Year at the Magic Castle) and her husband
Mike Caveney (past nominee for Stage Magician of the Year at the Magic Castle), had missed their flight
and wouldn't be in for another hour. Our plan was proceeding perfectly. They did finally arrive, and once
they were safely on board the five of us trekked on to Colon without incident.
We passed the sign welcoming us to Colon, "The Magic Capitol of the World" right at 8 o'clock. Just in
time to see Gordon Miller open the show with the traditional Abbott's Spectacular Finale. The show was
typical Abbott's. Some good acts and some stinky acts, all performing in an inadequately air-conditioned
high school gym full of really sweaty, but happy, magicians. We hung around and visited with friends for
a couple of hours, and then it was time to find the house that had been arranged for us by the kind
Abbott's folks.
Tina went away and came back with a map someone had drawn for her. It was not a good map. Most of
the streets weren't labeled, and there was no mention whatsoever of the actual address of the house
we were looking for. Pretty much this map just directed us to find the white house next to the cottages.
How tough could that be, even in the dark, in the rain? Turns out it was pretty tough. We rode around
for literally 30 minutes (which is tough to do in a village) and couldn't find it.
Finally, we found a house with lights on so that we could see there was someone awake inside. Mike
and I went to the door and knocked. A woman came out on the porch. "Can I help you?" she asked.
We were ready to put our feet in our mouths. "Yes ma'am. We're lost. We're looking for a house. Some
idiot drew us this map. By any chance, can you help us figure out where we're supposed to go?" We
showed her the map.
I swear to you that after glancing at the map she said, "I drew that map." She was nice enough to
pretend that we hadn't, just seconds before, called her an idiot right to her face. "You're very close to
the house. One street off. Go back that way, go right and then right again. You're looking for the fancy
mailbox that says Jackson on it. The house is wide open."
We found the fancy mailbox, Patrick jumped out and made sure it said Jackson. And then we pulled in
the driveway. The doors were unlocked and wide open awaiting our arrival. We went inside. We were
shocked. The fine folks at Abbott's had rented us a dump. The dishes from the last folks who stayed
there were still sitting in the fly infested, greasy, cold water in the sink. There were also flies buzzing in
and out the rotting rubbish still in the reeking trash can. It was quite unpleasant. But there were freshly
laundered sheets stacked in the living room floor. And the place was big enough. Two bedrooms, a day
bed on the enclosed porch, and a sofa-bed. While everyone moved their stuff into the house, I bagged
up the trash and did the nastiest sink of dishes I'd ever encountered.
As we were sitting around in the living room having a contest to see who could get the most socks stuck
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on the revolving ceiling fan, in walked a complete stranger. She screamed, "What the hell are you
doing?"
I manage to squeak out, "Are we in the wrong house?"
"You're damn right you're in the wrong house. What's the matter with you?" she blared at us as we
scrambled to gather up our stuff and get out.
As we tripped and fumbled our way out into the garage, we tried to explain our mistake. She wouldn't
hear any of it.
"Don't y'all leave. I gotta call my mother," she said. We weren't going anywhere anyway. Her car had our
van pinned inside the garage.
We just sat in the garage and giggled to ourselves until her mother arrived. Boy was she furious. "How
could you be so stupid!? What made you think that you could just waltz into my house and make
yourselves at home? Are you just complete idiots, every one of you!?"
Finally I asked her to call the police. She refused. Tina told her that she'd left her purse sitting inside on
the coffee table. The woman went in and came back with it. When Tina held out her hand for the purse
the woman threw it on the garage floor at Tina's feet. This kind of hostility went on for 45 minutes! I
have never seen anybody stay so enraged for so long a time. I mean, I can understand her being upset.
After all we WERE in her house. But you'd think after a little while she'd at least listen to our explanation
and figure out that we meant no harm.
Finally Mike asked her to move her car so that we could leave.
"Oh no!" she shrieked. "You're not leaving here until my daughters have gone over every inch of this
place to make sure you haven't stolen anything."
"Ma'am," I said, "The only thing we've done is take out your trash, and do your dishes."
With that she finally almost smiled. But not quite. It was still took about 10 more minutes of her yelling
at us before she finally relented and let us go.
About an hour later, when we finally did get settled into the right house (we were off by one — the
correct house was right next door), and I crawled into bed and stared up at the ceiling thinking about
our little escapade, I found that I couldn't help but just laugh out loud. And then lo-and-behold I heard
more laughter coming from the bedroom across the hall where Mike and Tina were, and down the hall
Dana and Patrick were also laughing.
The rest of the weekend was a typical Get Together. We visited with friends in the American Legion Hall,
we had milk shakes in the M & M Grill, and we sat in the elementary school bleachers and watched
people buy stuff. And if ever the conversation lagged, all that was necessary to get things rolling was for
one of us to mention something like, "Can you imagine what that woman would've done if she'd come
home and we'd been asleep in her beds?" It was a horrible event, but since it's a great story I'm glad it
happened, and truthfully I can't wait 'til my next Get Together.
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1998 Abbott’s Mourns The Loss Of Karrell Fox (by Abbott’s Magic)
Karrell's adopted parents operated a small restaurant in Rainelle, West Virginia. Legend has it a
customer who could not pay his bill left behind a few small tricks. With these, Karrell began his magic
career.
Karrell appeared on The Ed Sullivan Show at the age of 18, was the manager of the Detroit branch of
Abbott Magic, and was co-owner (with Roy Kissell) of The Fox Fun 'N Magic Shop in Detroit Michigan. He
was one of the first Trade Show magicians and billed himself as "King of Korn". Legend has it he
impressed Henry Ford by having his selected card appear in the sky (he hired a sky writer to do this).
Ford hired him on the spot and he created the "Magic World of Ford" for the Ford Motor Company and
toured with it for many years.
He later had his own TV show, performing as Milky the Clown. For many years Karrell wrote the "FOXTALES" Column in "New Tops" magazine and served as the 48th President of the International
Brotherhood of Magicians. He was a regular performer at Abbott's Get Together, surpassed in
appearances only by Gordon Miller. Karrell traditionally MC'ed and performed on the closing (Saturday
evening) show of the Get-Together and the act “Foxes Follies” was a spoof of the other acts of that
year's Get-Together.
Karrell’s appearances at the Get Together were in 1943, 1947, 1948, 1949, 1952, 1961, 1962, 1964,
1965, 1966, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978, 1979, 1980, 1981, 1982,
1983, 1984, 1985, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997
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2000 The “Blackstone Legacy” presented at Get Together (by Abbott’s Magic)
Gay Blackstone, widow of Harry Blackstone Jr., presented a slide show presentation called "The
Blackstone Legacy" after the Thursday night show to an enthusiastic crowd at the 63rd Abbott Get
Together. Two generations of the greatest magicians share the same family name, one that is magic
itself in the village where each call home.
Starting in the summer of 1923, Blackstone Sr. (Born Harry Boughton) and his magic company
summered in Sand Lake Michigan, a small town on the border of Kent and Newaygo Counties. In 1926,
he bought what is now called Blackstone Island in Colon for his home, workshop and headquarters.
For many years afterward, Blackstone spent his time from Memorial Day to Labor Day in this small town.
All his cast members were invited to stay there for the summer as well and many did.
It was here that Blackstone Sr.(who along with Houdini and Thurston formed the three most
recognizable magicians in the world) honed his act, built the props which served him so well and started
a family and business.
Along with Percy Abbott, Blackstone formed
the Blackstone-Abbott Magic company.
Two years later after returning from
touring, the company was bankrupt.
According to Gay, Percy could not find the
company's books, though he had a new car,
a new house, and a new wife. A few
months later, the Abbott Magic Company
started.
Harry Jr. toured with his father until he was
sent to Black Fox Military Academy in 1939.
He attended the academy with Bing
Crosby's sons Phillip and Gary and Charles
Chaplin Jr.
In 1946 he spent one semester at Colon Unified School, cared for by Sally Banks, the widow of
Blackstone's longtime stage manager Ted Banks. The house on the island was not winterized, so they
lived above the bank on Main Street.
Although Harry Jr. was always around magic, he did not make it a career initially. After getting his
Masters Degree in 1961, he worked in radio and TV at WFAA and WBAP.
An interesting event which could have totally changed his fate occurred during that time, according to
Gay. He and his WFAA cameraman were working in front of the Texas School Book Depository on
Novemeber 22, 1963 as John F. Kennedy's motorcade passed in front of them. Blackstone's cameraman
was changing the film magazine at the time of the shooting.
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2001 Abbott’s First Website (by Abbott’s Magic)
Abbott’s entered the new century with its website, AbbottMagic.com . Designed by Joe Bennett, the
first website promoted Abbott’s upcoming events and products and also included screen savers and
Abbott’s playing cards. The 64th Get Together was the first to feature online ordering capability.
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2001 Calvert Celebrates 90th Birthday at Get Together (by Abbott’s Magic)
Legend has it when John Calvert showed up in town, he noticed Abbott President Greg Bordner not
wearing a tie. “The president of Abbott Magic should have a tie on for his big event” claimed Calvert
who went into his room and came back with a tie which Mr. Bordner immediately put on.
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2004 Abbott’s Celebrates Its 25th Closeup Convention (by Hank Moorehouse)
Twenty five years ago I suggested to Recil Bordner that he have a close-up convention somewhere along
the lines of the 4F convention. Here I am sitting here, 25 years later, waiting for the convention to begin
next week. We have for you Paul Cloutier and R Paul Wilson – two world class performers – as our
special guests.
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2004 Get Together (by Ron Jaxon)
I just got back from the Abbotts Magic get together. Some events happened to me while I was there and
I wanted to share my experience with you all.
Two days before the convention - My car breaks down and I have to spend all but $100 of my money I
had budgeted for the convention.
Second day of convention - I took first place in the People’s choice close up contest and second place in
the Curly's close up contest.
Third day of convention - I wake up from my tent to find that all my money has been stolen. If you've
never been to this convention many of us camp and hang out at a fire in the afterhours. When I got
there I emptied my pockets and put everything in my tent. Whoever robbed me must have took it from
my tent while I was at the fire.
The last day of convention - I took first place in the People’s choice Stage contest. So at least I'm not
leaving the convention empty handed. Still, I was out $700. I'm sure many of you know that I've had a
pretty emotional year. When I got robbed it felt really rough as I'm sure you can imagine.
That all changed on the last night. A few magicians found me at the legion and asked me to come with
them to Curly's (These are the two major night hang outs). They brought me up in front of the bar
(Which was packed). Told everyone what had happened to me. Then totally shocked me by handing me
a hat full of money. The magicians and spectators that spent their time at this event actually took up a
collection for me. I couldn't believe it. I just got home today and I gotta say that I haven't felt this good
about life in a long time. It's not the money, it's the fact that they all came together to help a fellow
magician/friend out. I thought the unity that was expressed was worth sharing.
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2005 Get Together( by John Sturk)
I had been involved in my local club for all of two years when I attended Abbott's Close-Up Convention
in 2005. At the last minute, I decided to enter the contest, my first magic competition, figuring that I had
nothing to lose. My nervous energy was channeled into a first place performance - and an invitation to
perform in the Get-Together's close-up show that August.
My senses were overwhelmed when I came
back to Colon that summer. Magic for four
days straight? And people were actually
going to sit and watch me do my pathetic
excuse for an act?
Over those four days I experienced more,
asked more questions, learned more, and
made more friends than I could have ever
expected. On one of the nights, I had
misplaced my close-up case. Fortunately, it
turned up, just before I was informed a
collection was about to have taken place to
John Sturk
help replace my missing props. It was that
gesture that assured me I was now part of a very special group of people who cared about the art - and
each other.
The following year, I looked forward to the 2006 Get-Together with eager anticipation. I was working
that summer as a street performer in Mackinaw City, MI, a gig I had secured through contacts formed
through Abbott's. I received a phone call from Hank Moorehouse, who encouraged me to enter the
Stage Contest. I was primarily a close-up magician, parlor at best, but reluctantly I agreed.
I went into both the Stage Contest and Curly's Close-Up Contest that year with the same attitude I had
at my first contest: that I had nothing to lose from the experience. I won both contests, and from what I
am told, am the first man in history to win both contests in the same year.
2007's Get-Together found me in a familiar place: fresh out of college, I needed a job, something to
make a career. On a whim, I contact FUN Incorporated, America's largest magic manufacturer, whose
owner and a few staff members were regulars in Colon in August. A brief meeting over milkshakes at the
M&M Cafe led to a formal interview in October, and by mid-November I, the puny kid with 5 years of
magic experience under his belt, was hired on full-time and moving to Chicago.
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The Abbott's Get-Together did more than just inspire me to be a better magician - it literally changed
the course of my life. For showing me all the wonder that a magical life can bring, I will be forever
thankful to Colon and her shining jewel that is the Abbott's Get-Together.
Ice MacDonald
David & Dania
Duane Laflin
Dale Salwak
The Balsters
Stephen Bargatze
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2007 MagicGetTogether.com created (by Abbott’s Magic)
th
With the 70 Magic Get Together rapidly approaching, Abbott Magic is proud to announce its second website,
MagicGetTogether.com, which we will use to promote the Get Togethers, past, present, and future, through documentation,
pictures, and videos where possible.
Note: MagicGetTogether.com currently has 6,000 Get Together pictures, many videos, most of the posters and programs, from
the 80 year history of Abbott Magic.
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2007 Get Together (by John Moehring)
I am genuinely surprised how many members of the S.A.M. turned out for the Michigan magic
manufacturer's gathering that's been held each and every year for the past 70 years. Of the 500 people
attending the 2007 Get-Together (which was the only major magic convention east of the Mississippi
this summer), it seemed that at least half of them were S.A.M. members including our National
President Maria Ibanez, Dean George Schindler, S.A.M. Ambassador of Magic Brad Jacobs, S.A.M.
Contest of Magic Chairperson Paul Critelli, and Past National Presidents Andy Dallas, Frank Dailey, and
Hank Moorehouse. Incidentally, Hank is Abbott's show producer and responsible for convincing all that
top international talent to make the trek to the somewhat-hard-to-get-to farming village that still
regards itself the "Magic Capital of the World".
Each evening's show boasted of two or three acts that really had the crowd astonished and abuzz. On
Wednesday night, it was classic manipulator Romaine and wild-'N'-crazy Circus Boy who wowed 'em.
Japan's billiard ball Maven Toritto impressed on Thursday night, along with I.B.M Gold Cups winner
Oscar Munoz, who would add another award to his
arsenal by taking home the Senator Crandall Comedy
Magic Trophy. Friday night's show saw the triple
triumphs of ever clever Kerry Pollock, zany Bob Little,
and brash young illusionist Jason Bishop, who
eventually won the crowd as well as the Jack Gwynne
Award for Excellence in Stage Magic. And Saturday
night's show provided attendees with a grand slam - a
show that headlined 2006 FISM award winner Arthur
Trace, the witty Stunt Johnson Theater troupe, the
sophisticated sorcery of London's Magic Circle
President Alan Shaxon, and the inimitable Jeff
Hobson, who was given one of the grandest and longest standing ovations that I have ever witnessed at
a magic convention. Abbott's continues to put on a fun and friendly convention experience unlike any
other, and if you've never been to a Get-Together you owe it to yourself to get to the next one.
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2007 IBM & SAM Honor Abbott’s Magic (by Abbott’s Magic)
Presidents and representatives from the SAM and IBM were present at the Abbott award ceremony
Saturday night to present Greg Bordner with awards commemorating his 25 years running Abbott Magic
and the 70th Get Together. The Presidential Citation Award was presented by Maria Ibanez, President of
the Society of American Magicians (SAM) and Phil Willmarth, President of the International Brotherhood
of Magicians (IBM) presented Greg with an award. Both Presidents complimented Greg on his
achievements over the past twenty five years!
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2008 Colon “Magic” Park Has Groundbreaking Ceremony (by Abbott’s Magic)
The Colon Community Park officially began with a ground breaking ceremony August 5th, just in time for
the 71st Abbott Magic Get Together which officially begins August 6th. The park plans to include a
pavilion, a playground, a boardwalk, and many other wonderful and fun things to do. The entrance arch
was erected which says Colon Community Park with a top hat and two rabbits above.
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2008 Greg Bordner Hospitalized For 71st Get Together (by Abbott’s Magic)
Greg Bordner, President of Abbott Magic, will not be participating in this year’s Get Together. Greg has
been hospitalized at Rush hospital in Chicago and is awaiting a heart transplant. His wife Debra, along
with Get Together Chairperson Hank Moorehouse, will run the Get Together in his absence.
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2008 Get Together (by Joan Caesar)
Here's my story of my Abbott's Get-Together experience. August and Abbott's are synonymous. People
who attend this convention simply can't think of one without the other. The Bordner family has solely
owned the Abbott Magic Company for over fifty years, and every summer, in keeping with the tradition
set by Recil Bordner and Percy Abbott, they have brought together magicians from around the world to
enjoy the wonders of the area.
When I was a child going to summer camp for a month, I'd come home and immediately number the
days backwards on my calendar until I'd leave again. I thought I'd outgrown the habit until my first
Abbott's convention twenty-one years ago. The first full week of August is simply the most important
week of the year to me - and to a
multitude of people who won't miss that
convention.
David Ginn
The Get-Together takes place in an
unlikely village with the unlikely name of
Colon, in Michigan near the Indiana
border. Try crossing the border and
telling the national security people you're
headed for Colon! The name was given to
the spot for grammatical rather than
anatomical reasons. The pioneers
considered the area a good place to rest,
but not to stop. Someone had a sense of
humor! But Colon is misnamed. It's the
perfect place to stop, at least for a week
each August. It's a village too small to
warrant a motel. There are a few bed and
breakfast houses used mostly by men
who fish the many beautiful surrounding
lakes. There are also motels in nearby
towns. However, during Magic Week, the
village folk open their homes, at a
ridiculously low cost, for magicians to
use.
Some magicians have stayed in the same house for forty years and have developed a special friendship
with their hosts, watching their children grow up and marry, as the older folk age. Others have lived in
homes that have been sold with the condition that once a year the same magicians would be allowed to
stay.
Abbott's doesn't forget the local people and the help they give during the convention. Abbott's provides
a Saturday afternoon matinee to benefit the Colon Lions Club. It is a shorter, specially priced show that
appeals to the senior citizens and children of the area but still includes illusions, comedy, and
manipulation. Many registrants pay the low cost of this extra in order to see more magic, this year
featuring contest winner Jeff Lee, David Ginn, Kevin Heller, and Matthew David Stanley.
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Magic in Colon is ripe with history. This is the place Harry Blackstone, Sr. called his summer home. Each
year he put together his winter traveling show in Colon and encouraged the residents to watch it before
he took it on the road. It was the perfect way to find out what worked - and what didn't. From that less
than humble beginning the now seventy one year old convention was born.
It's not often that the local cemetery takes one of the central roles of the area, except for the families of
the deceased. Naturally Colon defies this rule. Their graveyard is filled with the graves of famous
magicians such as Harry Blackstone, Jr.,
Karrell Fox, Duke Stern, and many
others. There's even a gravestone for the
very much alive John Booth. He will
eventually be buried beside the other
greats. Each year Joe Ganger, a Colon
resident and historian, marks the
gravestones so that visitors can easily
find the resting place of their dead
heroes.
Convention is not the right word for this
event, although it resembles a
convention with the lectures, gala
shows, and contests. It's more than that.
It is truly a Get-Together of friends. One
person I was delighted to see this year
Jerry Conklin with Abbotts Crew
was June Horowitz, one of the most
charming and gracious woman in magic. Not to diminish the quality of magic over the four-day event,
it's the friendships that make this convention special. There are great parties somewhere around the
town every night as well as during the day, and those who don't attend the parties make their own at
the bustling American Legion where beer and spirits cost next to nothing by today's standards, but
where no one feels the need to have more than his fair quota. No drunks in Colon.
Well-known magic legend Jerry Conklin is a resident of Colon. A group of Jerry's closest friends led by
Cindy Conklin (Jerry's daughter) threw a surprise birthday roast to celebrate Jerry's eightieth birthday,
which was emceed by Al the Only. A number of GetTogether regulars shared stories and appreciations of
Jerry. Tom Mullica sent a heartfelt letter that was read
to the group. The party concluded with a "This Is Your
Life, Jerry Conklin" slide show.
The Get-Together has created numerous traditions.
Approximately twenty years ago, Jeff Bibik and Steve
Rider divided up Franz Harary's garage sale purchase, a
pink polyester three-piece suit. The three of them wore
it to the Friday night show. Replacing Franz the
Yumi
following year, Al the Only (Al Ulman) and an expanding
cast of characters decided to extend the tradition by wearing identical outlandish shirts to the Friday
night show. There's a different flash shirt each year. Now known as "The Silly Shirt Society" the group,
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numbering over twenty, still draws attention from the general Get-Together population when all appear
wearing matching flamboyant shirts. It's another example of the bonding and fellowship felt during
"Camp Colon."
Not to be outdone, the Colon Chamber of Commerce annually puts on a huge display of fireworks after
the Friday Gala Show. Imagine coming outside on a warm summer night to watch the skies light up with
different colors and configurations. It's a wonderful finale to the evening.
This year Hank Moorehouse, Abbott's artistic director, brought us magical treats from Australia, Japan,
and Switzerland, as well as many fine performances from within the United States. Yumi, from Japan, is
by far my favorite female performer. She is charming and delicate, with an act that is the most elegant
I've seen. It is always a pleasure to watch her award-winning FISM performance. This year she won the
Abbott's Neil Foster Award for
manipulation.
Comedy magic is making its
presence felt more than ever,
Steve Walker, an Australian
comedy magician and master of
ceremonies of the Thursday Gala
Show, was both charming and
funny, and shared his downunder sense of humor with class
and style. He travels to North
America most years and hopefully
will
be
hired
by
more
conventions. Pavel, known for his
walking knot and other rope
inventions, is also a magician who
shows both style and humor on
stage with an act to music. As
Johnny Thompson as The Great Tomsoni
well, David Oliver performed a
well-received gala finish on Thursday evening. His was a strong, well-thought out performance of high
energy and lots of fun. Our own Tom Burgoon won the Senator Crandall Comedy Award for his outside
the box, wonderfully crazy performance. He's a delight both on and off stage. However, magic wasn't
the only comedy art form at the convention. Howard Mincone stole the Friday show with his juggling
and personality. The Great Tomsoni and Company was the last show on Saturday. There could be no
better way of saying good-bye to another memorable convention than the presentation of his classic
performance.
What is a Gala Show without an illusionist? Devlin, Rick Walker, David Seebach, and Jay Sterling filled the
bill this year, with Sterling being awarded the Jack Gwynne Award of Excellence in Presentation for his
innovative illusions. Lectures by such people as S.A.M. National President Bruce Kalver, children's
entertainer David Ginn, the innovative minds of Pavel and Tom Burgoon, as well as a Magic Ministers
Session with Duane Laflin, several Vent-O-Ramas with George Schindler, and a close-up show rounded
out the something for everyone formula.
One event I usually avoid like the plague at conventions is the woman's event. I.B.M.'s Christy Henson
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has raised the bar at the I.B.M. Conventions, and Micky Pyle has done likewise at Abbott's. Once only a
few yearly bingo games for the women, Micky took over the planning for this event and things changed
rapidly. Micky travels widely, reading palms at corporate events, so it was natural for her to make this
the first of many opportunities for the women. This year she arranged carnival games. It was lots of fun,
with more than a bit of friendly rivalry among friends. Every woman wins a prize, and the largest this
year was a coupon for gas large enough to fill a tank.
A convention isn't the same without a competition. This year Abbott's stage competition was strong.
There were several very good acts and others that hold promise for the future. First place and the
People's Choice Award went to Jeff lee from Taiwan. I predict that you will see him in future
competitions and later as a paid performer in the future. He was nothing short of fantastic. A new kid on
the block, Jake Prosek placed second. This was his
first competition, and talking with him later, he
admitted he was nervous on stage. He certainly
fooled his audience. He had the energy and stage
presence of someone who took performing in
stride. He has what it takes to win. Third place went
to Jeremy June who performed illusions, with an
Asrah effect that was unique and well done.
So another Abbott's Get-Together is over, but the
fond memories will see everyone through until
August 5 - 8, 2009. It's with sweet sorrow that we
drive away from our home-away-from-home, from
the Brigadoon-like village that comes to life not just
Jeff Lee
once each hundred years, but every year. It boasts
one of the best restaurants in the world, if you enjoy watching a plethora of humming birds battle
outside the windows as you eat. After dark, the night is shining above with stars and near the ground it's
alive with fireflies. Colon, Michigan, is a magical place, made better by a great convention.
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BROTHERHOOD OF MAGICIANS (IBM). TO JOIN: www.magician.org
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2009 Retro Abbott Project Begins (by Abbott’s Magic)
The “Retro Abbott” project is under way and will involve re-creating illusions that were popular in the
40′s thru the 80′s but then became either too cumbersome to build or materials to build them became
scarce. The first prop being built is the “Neonistic Silk Fountain” In this illusion the magician produces
silks from a lightbulb. Abbotts has about ten props it wants to re-create and narrowed it down to three
before deciding on the silk fountain (The other two being the “Coke of Plenty” and the “Bathing Beauty”
effects.
Abbott’s plans to build only a few of these props and make them available to Magicians and Magic
Collectors on a “first come, first serve” basis.
Note: The Retro Abbott Project is still moving ahead at full speed and ironically most of the products
made for this sold out so quickly that they have once again become a permanent part of Abbott’s
scheduled inventory.
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2009 Get Together (by David Seebach)
One of the things I do toward the end of every year is order one of those Mylar write-on/wipe-off
calendars that I affix to my office's four-drawer filing cabinet's side. With its black marker I highlight
Colon's "magic week" even though it's more than eight months away. That's how important those four
days have become for me... and lots of folks like me.
Can I admit that performing at the GetTogether has become comfortable for
me without sounding too egotistical? My
first appearance at age twenty-one in
1972 was a little too exciting (you can
read about that as a New TOPS
submission), but I'm so familiar with the
school stage, its limitations, the great
stage crew and everything else that my
shows have become comfortable for me
to produce there over the years.
But, 2009 was different. I was not asked
to perform; I was asked to lecture. I
knew the bar was set high and that I had
David Seebach
to "deliver." I had addressed groups in
my home of Milwaukee about illusions and also gatherings in Chicago, Tacoma, Denver and the Twin
Cities. For Colon, though, I knew I needed to have something to accompany my remarks.
Actually, I needed two things: a lovely assistant to demonstrate the illusions and the points I wanted to
make plus a reference work so attendees would not have to furiously take notes on all my utterances.
Two of my valued crew people accompanied me, but none of my showgirl assistants could afford to join
us in Michigan. That's where Sue Holstein saved me... once again. Sue is Bill Smetak's lovely daughter
and the wife of Get-Together Stage Manager Mark Holstein. If you do not know who Bill Smetak was,
you need to bone up on Abbott's Get-Together lore. To say he was a nice and generous man would be
accurate, but not do him justice.
Sue has assisted me onstage in Colon before and in Aurora (IL) and at a Houdini Club convention, too.
She was a quick study. But, no assistant can do everything especially with only a narrow window of
opportunity to rehearse.
Of course, this wasn't a performance and so I was not expecting that level of polish. But, it was
important that we all looked competent.
To lighten Sue's load, Duane Laflin offered up his enthusiastic and lovely niece as another box-jumping
option. For awhile on Wednesday afternoon we had illusions set up way out in the audience seating
area and I worked with Sue as my two crew people, Nichole and Brian, coached Duane's niece.
We heard the same comment several times: "All this gear is for a lecture? There are more illusions here
than we've seen in some illusion acts on the evening shows."
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Well, you cannot say I do not give my clients their money's worth.
I brought familiar (Broom Suspension), classic (Thin Model Sawing in Halves) and unique (Owen Magic's
Enchanted Temple) among several others. I felt guilty asking Duane's niece to attempt this last
extremely difficult routine. On the illusion-challenge scale of 1 to 10 where Modern Art can come in at
zero (or even less!), the Enchanted Temple is off the other end somewhere. She tried and she tried, but
she could not completely hide in the load area with the impressive 'stone' Buddha.
We reunited on Thursday by going through the routines again and we assured our new recruit that it
was OK to struggle as this was a teaching exercise for everyone.
David Seebach and Sue Holstein
The lecture began with a straightforward performance of the Broom Suspension to polite response.
However, response was much more animated when we repeated it a while later with Sue not wearing
the costume.
This wasn't a salacious 'girlie' show; it was a demonstration of how the act is truly worked by an
experienced illusionist. Sue then removed the mechanism from her body and we passed it out so
everyone could appreciate this clever apparatus. I figured this would be a new experience for some, but
I was surprised when the great Gene Anderson approached me afterwards with effusive congratulations
and admitted, "I've never seen the Broom gimmick before!"
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We arrived at our Waterloo and I introduced the Enchanted Temple, a beautiful prop and an effect that
is not well-known. We placed the Buddha inside the structure and plunged the six gleaming swords
through it. When we opened its front and back doors Nichole and I were amazed. Our brand-new
assistant had done it! She hadn't been able to do it once beforehand, but the pressure of a real
audience ---or something--- was just what she needed. When she appeared at its climax she received a
two-person standing ovation from Brian and Mark. They knew they had just witnessed an impressive --almost impossible--- feat.
She received a second round of applause as she demonstrated the gymnastic contortions required to
pummel the Buddha into submission.
And, like that, it was over and I was happy to sell copies of my lecture-accompanying book, So You Want
to be an Illusionist that I am proud to admit is still available and now is in its second printing. So, if you
missed your chance to obtain a copy, please see me or Greg Bordner during the 2011 Get-Together.
Imagine my surprise, though, when I discovered that the most memorable part of my lecture was an
offhand bit of costuming advice for assistants: "No panties onstage!" It was a sincere suggestion for
practical reasoning, but, of course, sounds oh-so-naughty out of context.
Those are my 2009 Get-Together memories. I think there were some shows at the high school, too, but
I was just happy that my first Abbott's Magic Get-Together lecture had gone so well.
I can't wait to discover what will be memorable in August 2010!
David Seebach
David Seebach's Wonders of Magic
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2010 Get Together Memories (by Jeff Hobson)
I remember. . .my first Abbott’s Magic Get-Together when I was 12 years old. The sites, sounds
and smells of the town are still with me today.
I remember . . .seeing Bob Lewis and Ginny perform. A real treat as I laughed at all of the jokes,
even if I only understood half of them. You see, Bob was a real professional. His timing was
impeccable. When he told a joke, you had to laugh.
I remember . . .hanging around the outside of the showroom during the day when the pros talked
about old-times. Jay Marshall, Howard Flint, Roy Kissell, Karrell Fox. They were all there.
They even took time to talk to the little guys. One of them was me.
I remember . . .the Foxy Follies. Karrell and his gang got the biggest laughs of the week by
poking fun at the acts that went before.
I remember . . .getting sick the morning of the contest when I was to perform. I was so nervous I
was shaking. A few others kids were competing in the contest with me. Mac King and Lance
Burton.
I remember . . .how very nice everyone was. Smiles and handshakes everywhere you turned.
People were happy and excited to be there.
I remember . . .making many great friends I still have today . . . 35 years later.
Foxy Follies
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2010 First Compendium Released (Intro by Senor Rai)
I am so honored and pleased to be asked to write the intro for the new COMPENDIUM! Imagine being
asked to do something about which I love, and have been in love with since I was 14. And now that I’m
almost twenty (watch it Greg!) I find my love for ABBOTTS has not waned one bit in almost 55 years, and
to write about the greatest convention in the world. When I was 14 I received my first Catalog, I still
have it, the book looks worn and tattered,(watch it again Greg) but I still love it! I can still quote the
entire price list! (And Michael keeps telling me I ‘m senile, NOT true! I forgot where I live but I still
remember everything in that book. I bought everything I could. And dreamed of going to the GetTogether, but you see, I was already working night clubs on a regular basis and could not get to any
conventions, in my entire life .Outside of Abbotts I have only attended about 5 conventions. I was asked
so many times to perform, but when doing 2 or 3 shows a night, it was impossible. I hated those
conventions, the phoniness, being unable to connect with the other pros etc. So I said the hell with
them! UNTIL Abbotts! I was enroute to a gig and it was opening day that year, so I stopped by, for a
one day registration. And the love affair began. I was floored by the little high school showroom and all
the folks there, everone was openly kind and warm. I was hooked.
The show that night had me rolling, with Otto Westly’s great act and
all the other great acts. I knew no one, only Harry Blackstone,
because I had met him in New York. Before I left Colon that day, I
felt I knew everyone there and they had been great to little me. I
vowed to return when I could stay for the run. I was to return to
Abbotts as a featured act in the late 80’s and returned 5 more times.
The Get-together is like NO other convention! It takes place in a
small Midwestern town outside of Battle Creek. I was astounded to
see the Amish buggies on the streets, and magic being performed in
the streets everywhere. All the eating places were full of magicians,
doing magic for each other. I was used to being dressed and “on” all
the time. But here every one was dressed in casual summer clothes.
I recognized some famous faces, and then I realized I knew quite a few of them from seeing them
perform in magazines etc. And everyone was mingling together. After the evening shows everyone
would gather at the American Legion for cocktails, I never remembered leaving, but knew I had a great
time! The days were filled with Talent shows, lectures etc. I got to know Greg and Debbie very well,
spent a lot of time in their home, as with Harry and Gay. Greg became a very close friend, he showed
me everything there is about Abbotts. I saw the old catalog coming to life before my eyes, Greg took
me to the workshop, I saw all the patterns for tricks and illusions, and could name every one. I grew to
love Colon. Now they really have no elegant eating spots, but the food is always good, and you’ll see
magic being done at the next table.(Do NOT miss the pancakes at the M and M diner!) I found I was
stopping in Colon every chance I had to take Greg and Debbie to dinner or stop at Jerry Conklin’s (God
Bless him) The great Neil Foster became a close friend, after I got to know him. Then there was my
darling Merrelyn who grew up with Harry. Ah the stories I could tell! I was with Harry in New York
when he was doing his show on Broadway, and all we did was talk about Colon! So, I did my route so I
could always be in Colon for the Get-together. Greg always brought in the greatest acts in magic, even
if he lost money; he wanted to be sure that the public would get the very best in the magic world. The
high school auditorium, where the shows are held is always packed, so always book early. I’m glad to
say I got Shimada for Greg as we were working together that season, and I got him hooked on Colon.
The weather is usually wonderful, you can get to stay in people’s homes or motels in Coldwater or
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Sturgis. There are lakeside cabins for rent, and you can always grab a ride to the day’s activities. People
sell magic out of their trucks, but if Greg catches you, he will beat you senseless. Just kidding, but even I
wouldn’t try it. There is just too much magic all around you. He even has a dealer’s room, and magic is
being demo’ed all day. And now, my great Pal, webmaster Chuck and Greg are planning for the first time
a magic WALK of FAME to honor everyone who has done the get-together. I designed the logo, and will
do everything I can to make this a tourist attraction! Just like in Hollywood. Oh, and I mustn’t forget the
opening day party, and the last day party. Where everyone just lets their hair down and forgets to put
on airs, it’s that kind of convention. The most unique in the world, not too much has changed in all the
years, and I wouldn’t have it any other way! There are very few cliques around. Abb Dickson one year
had a Hawaiian party and invited every one! And everyone came. Colon was never the same. One year
were had all the west coast magi there.
The Get-together is like a rough diamond. You have to experience it to know. I know this year will be
great, and if you still don’t have your tickets, you’d better act fast, as they are always sold out. I’m not
quite sure if I can make it as my problem with the after effects of a broken back will allow me to travel,
But believe Me I will get a blow by blow from pals Richard Hughes, Artie Kidwell, Mark, Jim, Jeff, Steve
and all the great guys on the backstage crew. If this will be your first time, be prepared for the greatest
convention in the world. The Fabulous Abbott’s Get-together! (This was written with all the love and
respect I can muster)
SENOR RAI
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2010 New Illusion Line Introduced (by Abbott’s Magic)
Abbott’s announced in April a new line of magic illusions. Built through a special arrangement by
Chadwick Illusion Fabrications for Abbott’s Magic Company, Abbott’s has released several new illusions
on their online store that combined high quality with an exciting design. Each week more illusions were
added and no you can now view dozen of high quality illusions and download the data sheets
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2010 Mark Holstein Wins First Conklin Award (by Abbott's Magic)
It was fitting that the first recipient of the Jerry Conklin award would be Mark Holstein who then shared
the award with the entire stage crew. For so many years, Jerry had been a part of that stage crew and
we are sure he would approve of our selection.
2010 Winner Mark Holstein sharing his trophy with the stage crew
2011 Winner Gordon Miller
2012 Winner Gay Blackstone
2013 Winner June Horowitz
2014 Winner BJ Mallen
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2011 Second Compendium Released (Intro by Sue Holstein)
Being asked to write this introduction to the Compendium brought a mix of emotions – joy, honor,
sadness. Let me explain .
I’m Susan Holstein, a “box jumper”, married to Mark Holstein ,stage manager of the Abbott’s Magic GetTogether, and daughter of Bill Smetak, the former stage manager. Dad (Bill) was friends with Werner
Dornfield (Dorny) – the stage manager before him. And so the circle of life has continued.
When I was a kid, Dad looked forward
to Abbott’s like a child did to Christmas.
My mother was never interested in
magic so she took my brothers and I to
Wisconsin while Dad journeyed to Colon
– a place that seemed far, far away from
the northwest side of Chicago. It was a
place, I knew even then, that brought
joy to my father and rejuvenated him.
It wasn’t until I began dating Mark that I
actually ventured to Abbott’s. It was, in
fact, magic and friendship that brought
Mark and I together. Little did Dad
realize that when he asked me to assist
his friend Mark with a show that the
rest would become history. You see, I
moved out at age 18, so I did not know
that Dad’s friend Mark was my age. I
assumed that Mark was a doddering old
guy!
I experienced the
Abbott’s Get
Together for the first time with Mark’s
sister, Sonja (his assistant at the time)
and her best friend. Mark and I were
not yet married. I was 24 years old.
Arriving in Colon I felt surprise. A
sleepy, quiet town with Amish
influence, large open fields, huge
evening skies. No hotel, no movie theatre, no department store, one grocery store, a bank, one
restaurant, two cafes, and two gas stations. For one week a year, the townspeople of Colon open their
homes, yards, basement, spare rooms, and hearts to the hundreds of magicians that descend on this
otherwise quiet place.
I knew the shows took place in the high school auditorium. After all, there is no theatre. I remember
helping Dad fold what seemed to be endless yards of curtains before and after the Get Together. We
organized his tool kit, his back stage box and all the assorted things needed to turn that gymnasium into
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a theatre. And all the while, he regaled me with stories from the Get Together – news about friends,
acts, lectures, conversations from “the back room” of the Magic Carpet (the restaurant where my Dad
and his friends gathered after the evening shows).
For the first time in my life, I met the friends my father had talked about for years : Greg and Debbie
Bordner, Hank and Jackie Moorehouse, Gay and Harry Blackstone, Peg Weikal, Harriett Jacobsen,
Gordon (Mike) Miller, Gene Anderson, the Conklin family, Jay and Fran Marshall, Tommy Edwards,
George Johnstone, Neil Foster, Karrell Fox. . . too many friends to mention here. Each and every one of
them embraced me into this truly wonderful family of magic.
I even had the joy of meeting Bob and Elaine Lund, owner of the American Museum of Magic in
Marshall, Michigan. On Sunday after the Get Together, we drove to this incredible collection of magic
and history – and we visited with dear friends who always had time for anyone who visited. I learned a
lot about the history of magic on these tours from both Bob and my father. I also learned about an
important part of my father’s life and friends.
Once I attended the first one, I never missed. Many, many people have shared this very same
experience! Returning year after year often means staying with the same family who graciously open
their home, or in the same cabin or campground with friends. My father rented the same basement, in
the same home, for decades. Mark and I have stayed with the same Colon family for the last 23 years.
We’ve watched their children grow up! They’ve watched us grow up! We’ve shared weddings, the birth
of children and grandchildren, graduations, job changes, retirements, the loss of parents, relocations.
Many attendees and performers make the Get Together a yearly family event bringing their children,
friends, parents, grandparents. . Mark’s family comes every year – his sister, his mother, our niece and
nephew; our brother in law brings his parents, our dear friends bring their children and the
grandparents . . . and so the magic of Abbott’s Get Together spreads.
Over the years my part in magic grew. I’ve had the honor of assisting on stage with many performers –
John Calvert, Senor Rai, Rick Walker, Don Theobold (I was “Miss Electra”), Abb Dickson, David Seebach …
as did other box jumpers (Lori Ulman and Jania Taylor for example). After all, Colon and Abbott’s
became a family and that’s what family does – you help each other in whatever way you can.
Performing on that stage are some of the most cherished experiences I’ve had.
I’ve also had the honor of performing at Abbott’s Get Together with my husband, Mark. Whether
performing on the afternoon matinee or the evening show, performing on this stage is special. It is an
honor to perform where so many great performers have appeared. It feels daunting to perform in front
of so many prestigious magicians, illusionists. For me, this creates more anxiety than almost any other
venue – and then I find myself backstage surrounded by friends and in good hands with the stage crew; I
look into the audience and see cherished friends, feel the support, and remember that I am “home”.
The heart and soul of Abbott’s is Greg and Debbie Bordner. Hank Moorehouse produces the shows.
Mark stage manages. His stage crew is amazing – a professional team committed to the precise
execution of each show and lecture. Dedicated and working long hours to ensure that each act is
perfect because nothing less will do. Each act, every performer, becomes a part of this family. And, the
stage crew is in itself a family. It is now in my father’s honor called, “The Bill Smetak Stage Crew”.
I’ve also had the profound honor of being asked to judge the stage competitions. It is a daunting task.
As one of several judges, I’m charged with evaluating, critiquing, and trying to offer constructive
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feedback and advice to a performer wanting to grow and develop a magic act or routine. Every
participant on that stage is courageous and has spent long hours rehearsing and showcasing their act.
And, as most performers will tell you, if something is going to go wrong, it will usually happen at
Abbott’s! In front of your peers, prestigious performers and guests! They will also tell you that the
audiences are supportive and encouraging. Many of us remember what it feels like to be on that stage!
Even today, as I walk the halls of the high school auditorium, spend time in the exhibit room, enjoy a
peanut butter milkshake (a tradition at the Get Together), spend time backstage, visit at the Legion or
Five Star Pizza (the current gathering places after the evening shows), I feel my Dad’s presence and the
presence of all those wonderful people who shared his life and this place. I still rejoice in hearing stories
about my Dad from friends who have known him for all those years before I started coming to the Get
Together. And that’s what it is all about – more than teaching tricks and technique or sharing routines,
it’s sharing stories and life experiences, sharing time, knowledge and friendship. And so the magic
continues, year after year, from one generation to the next.
And to think I almost missed Christmas.
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2011 Abbott’s Mourns Loss of Hank Moorehouse (by Abbott’s Magic)
Hank Moorehouse passed away of a stroke while on tour in China on July 2nd 2011. Hank was the
current producer of the Get Together and began producing the event during the early eighties. He is
also responsible for creating the Abbott Closeup Convention and Abbott Flea Market (renamed the Hank
Moorehouse Flea Market). Hank was an honorary and life member of the Society of American Magicians
as well as past National President. He was a member of the British Magic Circle and an honorary
member of both the British Ring of the IBM and the Club Magico Italiano. Hank was a dear friend to the
Abbott Magic Family and his presence at Abbott's will be sorely missed.
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2011 John Calvert 100th Birthday At Get Together (by Abbott’s Magic)
All registered Get Together attendee’s are invited to attend John Calvert’s 100th birthday party will be
held after the Aug 5th Friday night evening show (and fireworks) in the dealers room at the elementary
school. The awards for the talent contest winners has been moved up to 4:00 pm the same day and will
also take place in the dealers room. There will be a question and answer session with John that will be
hosted by Phillip Morris at the High School stage.
Notes: The Get Together crowd was treated to a fantastic treat when 100 year old John Calvert came on
stage and performed the Dancing Hank effect. Another one of those pleasant little surprises that you
get from the Abbott Magic Get Together.
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2012 Third Compendium Released (Intro by Greg Bordner)
All of my life the Abbott Get-Together has affected me. There were always stories of the tent, the candy
pitch, Edger Bergen coming to town in a parade, and Duke and Gladys playing the violin and piano for
the shows. There are pictures on the wall here at Abbott’s of my dad selling tickets from a booth, a
levitation being performed, crowds in front of the Abbott buildings, and Mel Melson completing a
drawing that today would not be considered politically correct.
My earliest memories of the get-together are having my grandmother coming to stay with me because
mom and dad had gone to Niles, MI for the week of the convention. Then comes memories of going to
Coldwater and Sturgis to see the magic shows.
The sixties memories start with
reporters coming to town with
cameras with huge glass bulbs to
do stories on Harry Blackstone Sr.
coming back to Colon to perform. I
was playing with plastic army men
as a writer interviewed my mom
on how magic affected her life in
our home.
As I got older, I remember riding
my bike down to the high school to
Roger Lovins - David Seebach - Greg Bordner
see the shows. There was
Blackstone floating a light bulb
over the audience. Bill Neff looked tired because he was fighting cancer and Jack Gwynne was full of life
performing with Ann and doing the Temple of Benares and the basket girl production right there on the
stage in Colon.
After the shows, the magicians all came back to the Abbott factory for auctions and lectures. The smoke
filled the room as that nasty habit was so common then. And I will always remember the look I got when
I picked up Clarke Crandall’s’ (The Senator) banjo without asking first.
The 1970’s brought memories of Neil and Jeanne Foster working on setting up the showroom in the
elementary gymnasium and of course Neil’s Zombie. As the 1970’s started, I was pressed in to helping
out by driving magicians to and from the train and bus depots, parking cars and helping to set up chairs.
My dad would alternate civic groups to sponsor the conventions. One year the band parents did not
show up to set up the chairs in the high school. I will never forget that year as two parents, my dad and
myself put them all up. Soon after that, the Colon Lions club became the permanent co-sponsors.
After graduating from Michigan State University in 1974, the convention became more important to me.
I needed a job and working at Abbott’s, although reluctantly, became a career. The entire year revolved
around Magic Week.
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Production in the factory
aimed at having inventory
for that week. The crew all
pitched
in
to
move
merchandise,
work
backstage and help with the
lighting. This soon changed
as magicians filled in to run
the show. Dorny (Werner
Dornfield) and Bill Smetak
had run things back stage,
but Bill Smetak worked
harder as he took over.
Gordon Miller
I remember one Sunday
watching as Gordon Miller
had to pack a zigzag so a
Canadian with the worlds’
longest
name,
Pepedenshanko could get it
to the bus stop. Gordon was
in charge of inventory,
shipping, editor of the Tops
magazine, and of course,
opening the Wednesday
show with the “Welcome Magicians” banner.
Dad died just after the 1981 get-together. He had heart problems and passed driving back to work after
having lunch at the M & M Grill. So 1982 was my first get-together with myself in charge. As always, Neil
Foster, Gordon Miller, Jerry Conklin, Bill Smetak with the Holsteins and many others were there to help
keep the show going.
The fiftieth get-together was in 1987. This magic number brought extra attention and boosted
attendance. Blackstone Jr., Senor Rai, David Seebach, Sid Lorraine, Franz Harary and so many others
helped make this one a success. Comments like, “if this was the fiftieth, should it have been better”,
were heard. My answer was, “Wait until the 75th!”
Air Jazz, a juggling group was on that year. I’ll always remember the band director wanting to get them
here for a football halftime show. When I told him how much they cost to get here from Colorado, his
mouth fell open. Yes, these performers are professional magicians and they have to be paid.
The 1990’s found Hank Moorehouse producing the get-together. Karrell Fox and Abb Dickson kept the
tradition that Karrell Fox and Duke Stern had of spoofing the acts on Saturday that had appeared earlier
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in the week. Over the years, Terry Seabrooke, Pat Page, Billy McComb, Ali Bongo, John Sallise from
England performed at various get-togethers. The idea that performers come from across the pond
certainly adds to the claim that Colon is indeed, the Magic Capital of the World. Brett Daniels, David
Seebach, Dave Cressey, Gene Anderson, Topaz from Germany, Yumi, Fukai, Kikuchi from Japan, Greg
Frewin from Canada, = the names just go on and on. I know I have left out so many, yet all are listed on
the performance roster and at magicgettogether.com.
In the turn of the century, the Laflins helped in so many ways - as dealers, performers and magic
ministers. Vent-o-rama changed from Bob Jepson to George Schindler and Jay Marshall.
Then my health started to turn for the bad side and my strength started to fade. The get-together is
such a big job and I will always be thankful that my family and the convention family stepped up their
efforts every year to keep the show going, but this was especially true as I became weaker.
Hank Moorehouse stepped up to fill the gap with help from so many others to take over as my strength
waned. 2008 is the only Get-Together I have ever missed. I was in Rush Hospital in Chicago and could
only phone in with best wishes to Hank’s party on Tuesday. The heart transplant done on September
30th, 2008 allowed me to return to help run the 2009 Get-Together. My strength has returned and it will
be wonderful to see the Abbott convention family again this monumental year of the 75th.
And with more than a year of preparation, here we go with “Las Vegas coming to Mayberry”, with the
little sleepy town of Colon, MI becoming Las Vegas for a week and more than tripling in size for four
magical days of fun, memories, and meeting old friends and making new friends that will last a lifetime.
Welcome to the Abbott Magic 75th. Magic Get-Together.
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2012 Family Reunion 75th Get Together (by Dale Salwak)
This article is being "reprinted" here with permission of MAGIC Magazine, © MAGIC Magazine 2012
Few magical destinations have greater allure and brim with more nostalgia than the sleepy, quiet village
of Colon, Michigan — the Magic Capital of the World. Visitors feel this when they pass the secluded
summer home of the late Harry Blackstone Sr. They discover it when they step into the photo-bedecked
Abbott Magic Company’s headquarters. They perceive it when they visit the local cemetery, the final
resting place for many prominent magicians. And they sense it among the 1,200 residents, many of
whom cheerfully open their homes and hearts to everyone attending the annual Magic Get-Together.
This year the Get-Together turned 75, calling for a grand celebration. President Greg Bordner, drawing
from plans left by the late Hank
Moorehouse, delivered four evening
shows featuring some of magic’s biggest
names. Daytime activities included a stage
talent
contest,
lectures,
close-up
performances, benefit matinee, Vent-oRama, Magic Ministers, and much more,
including fireworks on Friday night. Even
the
weather
—
lightning
and
thundershowers one night, a screamingly
intense blue sky the next day — took on a
theatrical grandeur.
What is the secret behind 75 years of
success? The answer is there, like a
phantom, waiting to be discovered.
Unlike most magic conventions that move
into a hotel for a few nights, blaze with a
burst of activities, then fade into black and
leave, here the art is woven into the rich
fabric of Colon’s history. Those silken
fibers shimmer long after the last
How the 6 page article looked in the pages of Magic Magazine
conference attendee has gone, enriching
the town’s culture and beckoning visitors
to come and experience the mystique year-round.
“I just love the town and how the Get-Together fits into it,” said a Pasadena, California, resident who has
been attending for a long time and plans to keep on returning. “How many other high school stages can
you say have featured so much talent over the years?”
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The romance began in the summer of 1926 with the chance arrival of Harry Blackstone and his wife,
Inez. They fell in love with the town’s flavor and its bloom, a peaceful slice of Americana sandwiched
between the summer-cool waters of Lake Palmer and Lake Sturgeon. The couple bought property, which
is still known as Blackstone Island, and spent each summer designing and rehearsing their shows for the
next season’s tour. Lapping waters provided background music.
An unexpected meeting with
Australian-born magician Percy
Abbott led to the opening of the
Blackstone Magic Company in
1927. Although the two dissolved
the partnership eighteen months
later, Percy felt emboldened to
establish his own business with a
small loan from Will Nicola.
Abbott’s first product — Squash,
or
the
instantaneous
disappearance of a shot glass of
liquid — soon catapulted the new
Abbott Magic Novelty Co. into the
front ranks with a simple mission
that continues to this day: “To
provide the best magic products
and service to our customers, at
the lowest prices possible.”
After Percy’s retirement in 1959,
Ohio-born magician Recil Bordner,
who had bought half interest in
the business in 1934, purchased
sole ownership and magically
carried on until his own passing in
1981. Now with his son Greg at
the helm, the company boasts a product line numbering in the thousands and operates an 8,000-squarefoot manufacturing plant. At its peak, Abbott’s provided year-round employment for up to 54 local
workers.
The inspired idea for a Magic Get-Together goes back to 1934, when Percy held an informal open house
for magicians. Fifty attended. The event, including a public show, was such a success that he decided to
make it a yearly affair.
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Percy knew instinctively that magicians want to connect with like-minded souls. Set aside politics and all
other barriers in favor of a relaxed, friendly atmosphere where everyone feels welcome in the sharing of
secrets, friendships, and memories, and people will not only attend, but will coalesce into a community.
It doesn’t matter if the person is a CEO, a former news correspondent, the wife of a famous magician, or
a kid on his way to Idaho — all of them have this wonderful child inside that gives them a joy that they
want to share with others. Magicians are happy people and Colon feeds that happiness.
So this year they returned: magicians, enthusiasts, and interested spectators from around the globe.
They pitched tents, settled into their RVs, stayed at motels in nearby towns, or rented rooms from
residents in the village or by a lake.
Each evening, after the show, dealer
displays at the Emerson Elementary School
showroom drew a full house of the curious,
propelled by the thrill of secrets. The Legion
Hall was alive with magic and chatter well
into the night.
For many aspiring magicians, the GetTogether is the first convention they ever
attend, and they are hooked and hypnotized
from the start. Some leave with the
realization — perhaps nascent, perhaps fullblown — that the entire course of their
personal and professional life has changed.
After seeing performances by Sid Lorraine,
Monk Watson, Dorny, Karrell Fox, and Jay
Marshall, a thought struck Mac King, loud
and clear: “That could be me!” He went on
to become a highly acclaimed and
innovative comedic magician.
After watching the impeccably brilliant
manipulative magic of Neil Foster, many
aspirants, from Tim Wright to myself, picked up their fanning cards and Zombies and sought their own
identity.
After experiencing the camaraderie at the Get-Togethers, Stan Kramien returned to his hometown of
Newberg, Oregon, and in 1987 launched the annual Northwest Magic Jamboree, where participants get
to “mingle with the stars.”
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This year, we can only imagine who in the audience left inspired after seeing, for example, the dove
magic of Victor & Diamond, the electrifying quick-change artistry of David & Dania, the comedy magic of
Mac King, Michael Finney, Ardan James, and Dana Daniels, or the well-produced, full-evening show
featuring members of the Long Beach Mystics.
Eugene Burger’s lecture on how magicians think, and Tina Lenert’s on how she created acts from life
experiences, must have opened many eyes to a performer’s inner world. The close-up magic of Eugene
Burger, Tim Wright, Dana Daniels, Victor Cephas, and Mike Caveney combined the mysterious with the
funny and the puzzling.
Among the lesser-known magicians,
the contestants gave exceptionally
gifted and intelligent performances,
with prizes going to Matt Roberts
(First, as well as the People’s Choice
Award), Patrick Thernes (Second),
and Caleb Boyer (Third).
But this year’s pilgrimage to Colon,
August 1–4, was also a pilgrimage
into sheer nostalgia, beginning with
Gabe Fajuri’s lecture on the history
of the magic capital, and continuing
with David Linsell’s pictorial history
on Wednesday night. To the music of
“The Magic Store” (from The Muppet
Movie), “Over the Rainbow,” and
“Comedy Tonight,” past performers
were projected onto a large screen,
each a frozen moment, a time past
but still present in the memories of
the viewers and thriving in the
careers of so many recipients of that
magical legacy. Images included
Monk Watson, Duke Stern, Mike
Caldwell, Gene Anderson, Recil
Bordner, Neil Foster, Frances and Jay
Marshall, Lefty, Lance Burton, Harry Blackstone Sr. and Jr., and so many more, some still alive, others
passed on. “Hundreds of friendships have been made,” Karrell Fox said years ago, “and all of them will
last.”
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The glance into the past later continued onstage, when Tom Mullica brilliantly revived some of Red
Skelton’s routines, the material as fresh and funny today as it was when Red was alive, and when David
Seebach presented the Willard Spirit Cabinet.
David Charvet appeared as Harry Blackstone Jr., dressed in his trademark sequined tuxedo and
accompanied by original musical arrangements as he performed the Vanishing Bird Cage and the
immortal Dancing Hank.
Gay Blackstone, along with grandchildren Tyler Anne (age 17), Madison (14), Jillian (11), Harry (9), and
Bella (7), recreated the Six-Card
Repeat routine, with the original
wardrobes, as first performed by
Harry Jr. and his family at the 1977
Get-Together.
And guest of honor Adele Rhindress
related how, in 1947 at the age of
eighteen, she was swept into
Blackstone’s world of magic when,
for three touring seasons, she made
the transition from solo song-anddance act to one of Mr. B’s “gorgeous
girls.”
As the accompanying photos
splendidly capture, there’s much
more to a Get-Together, from the
twice-daily shows at the Abbott plant
with BJ Mallen and Gordon Miller to
Magic in the Streets (busking), from
the Ladies Garden Party to the Arts &
Crafts Fair. Every collector and
historian will want to acquire copies
of both the striking souvenir
commemorative program assembled
by Gabe Fajuri and the 480-page
compendium on Abbott’s history.
Given Colon’s rich history — as well as the current owner’s contagiously optimistic conviction that if he
invites people, they will come — no magical gathering resonates in the collective imagination as
powerfully as Abbott’s Get-Together.
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Percy Abbott got it right 75-plus years ago. Recil Bordner, and now Greg and his dedicated staff, have
stayed true to his formula. This is one convention that has matured over the years but has never had to
reinvent itself. May it endure.
Dale Salwak continues to perform internationally while directing the Chavez Studio of Magic in Southern
California. He first attended a Get-Together in 1964 and has been a devotee ever since.
Dale Salwak performing at the 75th Magic Get Together
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2012 “Virtual Santa” Demonstration During Celebration (by Abbott’s Magic)
Abbotts Magic plans to demonstrate one of their
best selling virtual effects at the Colon Christmas
Celebration which takes place Friday, December 7th
from 5pm till 9pm. The effect will be a virtual Santa
appearing in the Abbott window, created with a
special DVD, a special window screen, and a
multimedia projector. Abbotts would like to invite
all its readers as the entire Magic Capital comes
together annually for this Holiday event. Expect to
see Santa, Real Reindeers, Crafts, Sales, and all
sorts of goodies. Abbotts will also be supplying
treats and a free magic trick with any purchase.
Note: This was the second Christmas promotion of
2012 that did not end the way we thought. While
the effect was well received by people driving by the
shop and seeing the virtual Santa effect in the
Abbott window, very few got out of their cars to see
how the effect was being produced. However the next week we sold out of the effect from the video’s
that were made from this event and put on the internet where the entire world saw how effective a
virtual Santa can be. Still a very good seller for Abbotts.
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2012 Abbott’s Christmas Gift To The World (by Abbott’s Magic)
Recently we were going through the Abbott archive when we ran across an effect called Dollar Daze by
Abbott Magic. Greg mentioned that he remembered the effect as a boy (said it used to come in a red
wrapper back then). The effect was printed on light cardboard about 1/16″ – 1/32″ thick and I took one
home and I performed it for my family and they simply loved it. In fact, the effect is so simple it’s easy
for a child to learn since there are no moves to speak of. With today’s computerized world we thought
it would the perfect effect to share with our magic world so we are presenting it here as a free
download. Simply print the design you want (we have one for Christmas, Halloween, Easter, and the
original Dollar Daze design). The pdf file is below and is about 2 megs in size. We hope you and your
family enjoy playing with this effect as much as we did.
Note: The free Christmas gift was so well received our server went down and we had to use a second
server to handle all the downloads. To this day it is the most popular newsletter by far that Abbott’s has
made in the digital era. Below is the effect exactly as we sent it out.
Holidaze - Happy Holidays From Abbott Magic
For several years Abbotts has been including “freebies” with orders, but we wanted
something that the customer would not even have to purchase. A trick with no strings (or
threads) attached. The idea for presenting a free magic trick without strings had to meet
certain criteria.
1) It had to be something that could be emailed. Postage on a free trick would be too
expensive.
2) It had to be something you could do right away.
3) It had to be something tangible rather than just instructions or a book. We wanted an
actual prop(s) that could easily be made with a printer.
4) It had to be something the entire family could play with and learn
5) It had to have something to do with the Holidays
We came up with Holidaze, an online version of an old Abbott effect called Dollar Daze
(which is why there are dollar sign versions included). Greg Bordner, owner of Abbotts Magic
and Novelty Company, remembers it from when he was a child.
Feel free to share this with your friends, we do hope you leave the links to Abbott Magic on
the pages so that people know where this effect came from.
We hope you enjoy Holidaze (and Dollar Daze) and while it may not get you on Conan or
Letterman, it is a lot of fun to perform.
Abbott Magic & Novelty Company
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Print Your Own Dollar Daze and HoliDaze
Included are several different versions of this effect (Letters to Santa, Easter Eggs, and Skullduggery
along with the dollar sign mentioned in the instructions.
1) Print the design of your choice. Remember most printers will allow you to resize the image if
you do not want the full page version. The effect works better with higher quality paper. The
weight of the paper is a very good indicator of how thick and/or how stiff the paper is. I would
think another option would be to glue the paper to cardboard although I personally have not
tried that.
2) Cut out along the outside lines to remove the excess paper not used in the effect. It is
important that you trim off the excess paper outside the rectangle otherwise the pieces will not
match up. You should have a rectangle with the name of the effect at the top.
3) Cut the rectangle along the internal lines paying particular attention to the diagonal line.
4) You should have 5 pieces of paper and should be able to follow the Dollar Daze Instructions
Patter Suggestions
Letters to Santa Suggestions
- 49 letters to Santa were sent, but one child was naughty
- Show how Santa can alter 3 dimension reality with a 2 dimensional effect
- Post Office claims 1 out of every letter they receive goes to Santa then have the letter appear under a
small Santa decoration or drawing.
- Try making the single letter appear in a card box for an enhanced effect.
- Hold the single letter at the bottom of the deck, have spectator select a card and place it on top of the
deck, cut the deck so the selection is in the middle with the single letter right above. Perform the effect
then spread the deck to reveal the letter. Turn over the next card and it’s their selection.
Skullduggery Suggestions
- Explain that on Halloween one out of every fifty spirits returns to the earth.
- Reverse the effect, remove the single skull and destroy it, then show how it returns back to the
graveyard. (I prefer doing the “Dollar Daze” as a vanish rather than a production because the effect
ends with the paper in its natural state, but this routine warrants the exception IMO)
Easter Egg Hunt
-
Explain that there are 49 Easter Eggs but you are going to hide one. Perform the effect and
have it found inside a plastic Easter Egg along with some treats.
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Dollar Daze Instructions and graphics are the property of Abbott Magic and Novelty Company. If you wish to
redistribute this please leave the Abbott header attached to the graphics.
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2013 Abbott’s First Catalog is 1000th Download (by Abbott’s Magic)
When Abbotts uploaded its first download several years back, no one imagined the day that there would
be access to over a 1000 downloads from Abbotts, but that day has come. To celebrate the event
Abbotts waited until it had 999 downloads and then uploaded the 1st Abbott catalog which was
published in 1934 and is an item of legend around here. Legend has it that Percy needed money to
finance this catalog and it led to the partnership with Recil Bordner in 1934. Next year Abbotts will
celebrate 80 years in existence, all of those years having a Bordner family member at the helm (either as
partner with Percy or sole ownership) which makes Abbotts the longest running family owned magic
store in the U.S. (We’re not sure of the world but we are pretty sure of the U.S.). In a sense, the Bordner
family, their association with magic, and perhaps Abbott Magic as a whole is because of this one
catalog! When asked what the future holds in regards to downloads, Greg Bordner said the following “I
think it will be the wave of the future for magic shops! Currently right now we have downloads that are
pdf files, downloads that are audio files, downloads that are html files, and downloads which are video
files.” I really don’t see the download craze slowing down anytime soon”.
2013 Flea Market Renamed After Hank Moorehouse (by Abbott’s Magic)
The entire event has been renamed after Hank Moorehouse who originally suggested the event to Recil
Bordner and produced the event for most of 30 years. Hank enjoyed “pitching” during the Flea Market
and at the Get Together and kept the auctions moving and entertaining at the same time.
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2013 Fourth Compendium Released (Intro by Greg Bordner)
I would like to take this time to try and answer a question that I am so often asked. This question has
been the subject of rumors and many different interpretations. The question is “What is the future of
Abbotts Magic Get Together.”
The goal of the Abbott Magic Get-Together is to put on five excellent shows, please
a full house of customers and do it again next year. Now the logistics of doing this
in a small town is like bringing Vegas to Mayberry, which is a magical feat all in its
own. In addition we have lectures, classes, Vent O Rama, Magic Ministers, Street
Entertainers, Grave Tours, and even a Fire Work Show. We have been doing this
now for 76 years and it has become a true labor of love for myself and my family.
Let me address the short term
plan first. My health is better
now than ever and I plan on
being here several more years. I
have printed the dates for the
next four years on the Abbott
Convention bags for registrants
of this year's get-together. They
are August 6,7,8,9 of 2014;
August 5,6,7,8, 2015; August
3,4,5,6, 2016; and August
2,3,4,5, 2017. This will take us
to the 80th Magic Get Together.
The long term plan simple. We
want Abbotts to have a 100th Get
The “One Horse” Everyone Talks About
Together. In order to do this we
must
adapt
to
meet
the
challenges of the future. This year, I have added Groupon and a huge billboard on
Interstate I-69 to my marketing plans.
Already we have created our own
placemats for the restaurants in our area. We have also gone full throttle into the
digital age with our selection of magic downloads. Incredibly we have nearly 1200
different titles available from Abbotts, everything from Percy Abbott to some of the
latest magic of today (A list is included with this Compendium at the end). With a
Facebook page up that boasts one of the longest time lines in magic, and several
amazing websites ( My two
favorites are www.abbottmagic.com and
www.magicgettogether.com ). We have stepped in to the twenty-first century and
are doing better than ever. So, with international shipping and showroom sales,
Abbotts Manufacturing Company will be here for many years to come.
Greg Bordner, President
ABBOTTS MAGIC CO.
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2014 “Subject Illusion” Articles Released online (by David Seebach)
It is hard for me to accept that it was almost fifty years ago that then editor of Abbott's The New TOPS
Magazine Neil Foster and I talked about me submitting a monthly column covering stage illusions for the
publication. I was an eager ---but very young--- magician who had an avid interest in this field that was,
you should know, not very popular at that time. And so I pecked out my thoughts on a manual
typewriter and sent them over to Colon monthly. I was always honest. That sometimes got me into
trouble (re: the Clowns as Magicians controversy in the 1980s). But, you knew how I felt about
something. Abbott's has gathered all those columns for you so they are all in one place. Within them
are written passages I am proud of and some I'd rather forget (or wish I'd used a Faber typewriter eraser
on!). I believe it is safe to say that I am sure you will find some valuable lessons, still true after all these
years. Enjoy!
2014 Thirty Fifth Close-up Convention (by Abbott’s Magic)
The Abbott Magic Close-up Convention has provided Magicians the chance to expand their repertoires
with the greatest close-up talent in the world performing and lecturing at a reasonable price. The 35th
Annual Abbott Close-up Convention will be held March 14 & 15 2014 with Max Maven and Kainoa
Harbottle as our special guests!
2014 Abbott’s 80th Birthday at Get Together (by Abbott Magic)
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2015 Magic Capital Events
The City of Colon welcomes magicians with open arms.
This is something that you won’t see anywhere else in the
world as the entire town gets involved in the magic
festivities during the Get Together.
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Where to Dine at the Magic Capital
There is no shortage of places to eat in Colon, in fact too many to list here, although we will try.
Everything from street BBQ to Snacks to Fine Dining to Elephant errr Rabbit Ears. Please note some of
the menu items may change between now and the Get Together so for this reason we are not including
prices.
Nibbles at the Palmer Lake Lodges
Join us for brunch at Nibbles and try our freshly baked banana bread and cinnamon rolls! Great
selection of ice cream right on the lake.
Kiwanis Hot Dog Sale
August 7th and 8th at the Village Market.
Colon American Legion
Serving lunch Weds-Sat. 11am-2pm. After the evening shows from 9:00 pm to 12:30 am Ala
Carte Menu.
St Paul's Lutheran Church
Serving baked Steak dinner (mashed potatoes, cold slaw, green beans, dessert & beverage)
Friday August 7th 5:00pm - 7:00pm
Shell Gas Station
Pizza, bosco sticks, corn dogs, chicken tenders, nachos …
Colon Deli at Marathon Gas Station
Cheeseburgers, hamburgers, fish, tenderloin, chicken, BBQ …
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Dawn & Phil’s Cafe - Good old fashion home cooked
meals with good service and the portions are large. Daily
specials!
River Lake Inn - Comedy Magic on Thursday Aug 6th with
Legend Dairy - Premium soft serve ice cream,
authentic Chicago Vienna hot dogs, famous chili & cheese
Ron Carnell. Reservations are recommended, but walk-ins are
always welcome.
Curly’s - We love to work hard and enjoy good friends
and good food. Host of the famous Curly’s Close-up Contest
Thursday night.
M & M Grill - In addition to the fine food the historical
restaurant is known for, they now have an ice cream cooler with
ten different flavors
Five Star Pizza - Made from scratch pizzas, custom
subs and salads appear magically (well after the evening
shows end)
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Where to Buy Magic in the Magic Capital?
We are so glad you asked! In addition to the Abbott’s Magic Dealers Room there are also two more
magic shops on main street, Sterlini Magic and Fab Magic. Both offer many items that simply cannot be
found anywhere else except the Magic Capital. They also put on events of their own during. Be sure to
check them out while you are in town.
Abbott’s Dealer Room
Many people do not realize that Abbott’s Dealers room is open to the public and it is free to “shop
around”. In the past you had to be registered to shop at the Abbott’s Dealer’s Room. This policy was
changed for the 75th Get Together to being open to the public so whether you are registered or not, you
are still welcome in the Abbott’s Dealer Room.
You will find the Abbott’s Dealers room much more than selling of tricks. It is where announcements are
made, awards are presented, and some years cake is served. You will find the dealers room to be the
social headquarters of the Abbott Get Together, with demonstrations on the stage, and people simply
taking a break from it all in the bleachers. Its lots of fun!
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Sterlini Magic Shop
John and Tammy Sterlini own and operate this magic shop and a case could be made that the two of
them are about the friendliest people in magic (outside of the Abbott people of course). Throughout his
career, Sterlini has performed for large audiences, but never so many until he thrilled millions over the
airwaves on the Arsenio Hall and Jerry Springer shows.
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Fab Magic Shop
Fab Magic is owned and operated by Rick Fisher who is a very well known Ventriloquist and Magician.
Fab Magic makes many unique items that you can only find in their shop on Main Street in the Magic
Capital of the World – Colon MI.
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Beggars Alley
On the streets of Colon (usually along Dallas street) you will find Beggars Alley, a place where many
entrepreneurs sell their wares under a garage sales license. Some of the items you will find here are
magic shirts, novelties, used magic, and in some cases new magic,. On a warm summer day this area
can be quite fun and festive and look like a massive flea market going on.
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Colon Community Park (The Magic Park)
Complete with pavilion, playground, volleyball courts, floating dock and board walk. A beautiful place
for family “Get Togethers” to take place.
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Colon Street Performers
There have always been street performers during
the Abbott Get Together but it wasn’t until the last
four years we were able to provide a schedule. Big
thanks to John Sturk who sets this up and is a
noted busker in his own right.
Wed Aug 5 at Noon - outside M&M Grill - Joe Bennett
Thu Aug 6 at 2PM - outside Curlys – Jeremy Pitt Payne
Fri Aug 7 at 11AM - outside Dawn & Phils – Magic of Trino
Fri Aug 7 at Noon - outside Village Market - Jeremy Pitt Payne
Fri Aug 7 at 3PM – at Craft Fair – Jania Taylor
Fri Aug 7 4:30PM - outside Five Star Pizza - Joe Bennett
Sat Aug 8at 11AM - at Craft Fair - Jeremy Pitt Payne
Sat Aug 8 at 12AM - outside American Legion - Jania Taylor
Sat Aug 8 at 3PM - outside Colon Museum – Magic of Trino
Sat Aug 8 at 4PM - outside Five Star Pizza – Joe Bennett
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Friday Fireworks Show Aug 7th
After the show stick around a moment or two outside
and the fire work show will begin. This is sponsored
by Abbott Magic and lasts about 20 – 30 minutes.
The show is truly spectacular and is as good or better
as those that you see at summer sporting events.
After the Fireworks there will be the announcement
of the winners of the Talent Contest which happened
earlier in the day. The 1st place winner will be asked
to join the Saturday Matinee Show
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Curly’s Close-up Contest
Curly's is back, and with it the 24th Curly's Close-up Contest will take on a new meaning as the event will
take place in the new building. As many of you know, the original Curly's building burned down in 2013
(the close-up contest continued in 2013 using a temporary location), but has been rebuilt and it is a
beautiful building that now wraps around the corner of main street.
Minnesota magician Tru DiCanzo once described the Curly's Close-up Contest as follows. "This was
unlike any magic contest I've seen before - The Curly's Classic is like the wrestling cage match of magic.
It's one of the most challenging performance situations in the middle of a bar with the noise of video
games, and pool tables."
Join us after the Thursday show for the 24th Curly's Close-up Contest
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Afternoon Magic Shows at Abbotts
Twice a day during the Get
Together a different magic star
performs a magic show at the
Abbott Plant. These shows are
$5.00 per person and last about
a half hour. Below is the
schedule for 2015.
Wednesday Aug 5 1:30PM
Wednesday Aug 5 3:00PM
Thursday Aug 6 1:30PM
Thursday Aug 6 3:00PM
Friday Aug 7 1:30PM
Friday Aug7 3:00PM
Saturday Aug 8 11:30PM
Saturday Aug 8 2:30PM
Who Will Be Your Magic Host for the Show
Gordon Miller
B.J. Mallen
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Arts & Craft Fair
Friday and Saturday from 9am till 5
pm the Colon Friends of the Library
puts on their annual Craft Fair.
That’s right, there is an Arts and
Crafts Fair on the streets of Colon
during the Get Together so if other
family members are not that
interested in magic, they will be
entertained none the less by all the
other events taking place. Face
Painting, Pumpkin Painting, Leather
Crafts, Wood Crafts, and of course,
Concessions (including our famous
“rabbit ears”).
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Magic Stars Walk Of Fame
Colon’s own Walk of Fame - Cost is only $1275.00 which includes labor to have set in the sidewalk.
The plaques are 16" x 16" as seen above. If you want
to sponsor a magician please include your sponsor
name. The magician's name will go inside of the star
and the sponsor name outside and below the star. We
have a list of magicians that we would like to begin
with as these folks have made a significant
contribution to the art of magic here in Colon and
possibly / were/are residents. We can pick a name for
you or you may suggest one yourself. However, you
may sponsor a different magician. Please note: The
Colon Downtown Development Authority reserves the
right to approve or disapprove names submitted.
Also, we will begin to install these plaques on both
sides of the sidewalk on State Street - starting East and
moving west. We cannot guarantee exact location of
star since we want these to look aesthetically proportioned. If you would like to order one please send
check/money order to Village Of Colon, PO Box 50, Colon, MI 49040
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The Historical Committee Museum
Complete with Magic Artifacts & Magic Displays, the Colon Historical Museum is open from 2pm till 4:30
pm Wednesday, Thursday and Friday during the Get Together. In addition to magic you will find scenes
of Colon as it appeared in its founding days before the Magic came to town. Recreations of school
rooms and local shops can be found on both floors of the museum. Donations are appreciated.
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Palmer & Sturgeon Lakes
August is prime time for the lakes in Colon so take
advantage of natures beauty when you visit. Many
people come to Colon for years and don’t take
advantage of the lakes because they aren’t aware
of them. In fact, the name Colon was inspired
because the two lakes form a colon : with the city
in the middle. A small river joins the two lakes and
you pass over this river when you cross the bridge
into main street. This is also where Palmer Dam is
located and each night the dam provides a light
show of sorts for tourists and visitors to this
beautiful resort town.
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Historic Recognition
For historical significance in Magic it is
impossible to find a more recognized
place on the globe than Colon
Michigan. In the 1970’s a foundation
was formed called “The Blackstone
Society” and its goal was to make
Colon and Blackstone (it requires a
name, a place, and a period of time) a
historical landmark.
The society
succeeded and today Colon is a
historical landmark in Michigan.
Colon and Blackstone Sr. were
declared a historical landmark on
04/15/1977. The marker was erected
3 months later that year on
07/19/1977. The historical time frame
was 1931-1945. Once completed, the
Blackstone Society had a formal dinner
to celebrate and then disbanded.
For years the marker was displayed in
front of the Colon Library. Today you
will find the marker in the new Colon
Park. To the right is a picture of
George Schindler next to the marker,
and below is the text on the marker.
Michigan Historical Site P24712
COLON Known as the "Magic Capital of the World," this small town has gained widespread recognition for the
invention and manufacture of magic tricks. Colon's reputation as a magic Mecca began after Australian Percy
Abbott visited the famous American magician Harry Blackstone who lived in this area. Abbott subsequently
returned to Colon and started the Abbott Magic Novelty Company in 1933. Mainly a mail-order operation, the
company continues to devise tricks which baffle the human eye and mind. In 1934, Abbott sponsored the first
"Magic Get-Together," now an annual event attracting thousands of professional and amateur devotees.
Blackstone himself as well as other famous conjurers have performed at these festivals. HARRY BLACKSTONE One
of America's most notable magicians, Harry Blackstone (1885-1965), lived in Colon. Born Harry Bouton, he began
his professional wizardry career at the age of sixteen in his native city of Chicago. Blackstone's fame grew in the
first three decades of the twentieth century when magic shows were a staple of vaudeville and Broadway. During
World War II millions of servicemen watched him perform at gatherings of the USO (United Service Organizations).
His shows often included the "dancing" handkerchief trick and rabbits which were given to young spectators.
Blackstone utilized split-second timing and "misdirection" of the audience to create illusions. His colorful
personality enhanced the drama of magic and endeared him to Colon which in the early 1960s renamed Main
Street in his honor.
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US Congressional Record
The actual letter is in a frame at Abbott Magic, another reason to visit Abbott’s Magic Showroom.
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Michigan Congressional Resolution 154
Senator Caswell offered the following resolution:
Senate Resolution No. 154.
A resolution commemorating the 75th Anniversary of the Abbott’s Magic Get Together.
Whereas, Since 1934, the village of Colon in St. Joseph County, Michigan, known as the Magic Capital of
the World, has played host to the world-famous Abbott’s Magic Get Together, which draws magicians,
magic enthusiasts, and interested spectators together from around the globe to this southwestern
Michigan town; and
Whereas, The people of Colon will welcome visitors from far and wide to their community to celebrate
the 75th Abbott’s Magic Get Together during the annual Colon Magic Festival this summer. Except for
four occasions when the event was cancelled, the Magic Get Together has continued every year for
more than seven and a half decades, culminating in this year's 75th celebration; and
Whereas, Colon has long held the title of the Magic Capital of the World because of the colorful
magicians and innovators in the magic business who helped found the burgeoning magic industry here
many decades ago. Famous individuals in the magic industry, like Harry Blackstone, Percy Abbott, Recil
Bordner, and Monk Watson, coalesced around Colon to found the magic institutions that remain there
to this day; and
Whereas, Despite the ever-changing state and national economy, the magic supply industry has grown
throughout the years, and it remains alive and strong in Colon. Not even World War II could stifle the
magic industry in Colon, as the United States government during the war years deemed it a vital industry
for supplying the entertainers who served the troops and providing materials for soldiers’ recreation.
Today, Abbott’s Magic Company and The FAB Magic Company still call Colon their home; and
Whereas, The fun, excitement, and mystery of illusions being performed on stage transcends
generations, technological changes, and societal differences to bring people of every age and all walks of
life together to enjoy the skills and showmanship of magicians. Each summer, the annual
Abbott’s Magic Get Together and Colon Magic Festival continue this tradition; now, therefore, be it
Resolved by the Senate, That we join with the people of the village of Colon, St. Joseph County, and all
of Michigan in celebrating and commemorating the 75th Abbott's Magic Get Together;.
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Unusual Sights You May Encounter
Card Throwing or Scaling and the Street of Cards
Most authorities credit Alexander Herrman in the late 19th century with throwing the first playing card.
Howard Thurston also used card throwing in his act. Neither could have managed how this art would
manifest itself annually in the Magic Capital Colon Michigan. Card throwing evolved almost to
mythological proportions due to the impressive speed that magicians could throw the cards. This gave
rise to a myth that a card could kill or seriously injure someone if thrown correctly by a person with
enough force, however a Discover Channel documentary on the subject (MythBusters) examined this
claim and found that a playing card does not have sufficient mass to puncture the skin enough to kill a
person.
After the Saturday show on the main street of Colon you can witness one of the strangest traditions in
all of magic as Colon Michigan becomes the “Street of Cards”. Literally thousands of cards are thrown
on main street throughout the night, and the next morning the Colon main street is literally covered in
playing cards.
Recently this tradition has caused newspaper articles about the mess that it leaves the next day, in fact
on several occasions Colon has had special volunteer committees go out early on Sunday and begin
cleaning up the mess. The flip side of this is that many people consider these discarded cards as
souvenirs and save a few from each year as mementos. The one thing both sides agree on is that it is a
fun event for both the throwers and the spectators. Many claim they have seen the cards not only
travel across to the other side of the street but actually land on the roofs of second storing buildings on
the other side of the street.
In 2007 a documentary called “Street of Cards” was filmed about Colon and the Magic Get Together by a
group of young Get Together veterans. The documentary ran for about an hour and was well received
by the magic community. This same group went on to create a unique (and free) interactive internet
experience based on magic, which they named “Street of Cards” in honor of the city where they had
spent so many summers together..
Ironic when one thinks about it that one of the oldest traditions in magic spawned one of the most high
tech web sites in magic.
Another reason Colon is the Magic Capital of the World.
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ISORZ
Its late in Colon and you wander off the beaten trail. You follow a trail of smoke which masks an
unearthly glow off in the woods. Cautiously you approach a group of people around a campfire drinking
a toast to Duke Stern. You have just wandered into the lair of the ISORZ.
ISORZ is an acronym that stands for the International Sacred Order of the Raccoon Zombie. Each year
they initiate new members midnight on Friday during the Get Together. They meet the potential new
members (known as “Running Sores”) at the American Legion. The “Running Sores” have a brief
initiation then are voted (or “unvoted”) in. The new members (now known as scabs) are moved to a
“secret” location where they attend the annual meeting of the ISORZ.
The Patron Saint of the ISORZ is Duke Stern and the ISORZ salute is done by covering one eye with their
hand.
A Rare Photo of the ISORZ and their salute
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Silly Shirt Society
The Silly Shirt Society
The bit started in 1981
when
Franz
Harary
showed up with a three
piece pink tuxedo.
In
1986
the
shirt
gag
unofficially began with
Steve Ryder, Jeff Bibik,
and Al the Only.
Today we have no idea
who is a member or why.
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Expect The Unexpected
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78th Get Together Aug 5-8 2015
2015 Get Together Press Release
With summer well under way, the
Abbott's Magic Company, the Colon
Lions Club and the Colon Chamber of
Commerce are proud to celebrate the
Annual Abbott's Magic Get-Together.
The dates are August 5th, 6th, 7th, and
8th of 2015. Once again, magicians from
all over the world will migrate to Colon,
Michigan, the Magic Capital of the
World, to be a part of this family
oriented event. Tents and campers will
magically pop up everywhere to swell
this tiny little village until it appears
there is no room for even one more
person. Everyone scampers to be a part
of this fun convention.
Magicians will be performing in the
streets, restaurants and bars. The
annual craft fair will take place on Friday
and Saturday. The yearly fireworks will
go off as in recent years on Friday night
after the show at the Colon High School.
Visit the Colon Historical Museum for a
special Magic adventure or take a
cemetery tour where many famous and
not so famous magicians have chose to
perform their final act and become a
permanent part of the magical history of
Colon.
Each of the four days ends with a world
class magic and variety show held in the
air-conditioned Colon High School
Auditorium. These are not your average
birthday party magicians and each show
is different, with comedy, large illusions, variety acts, and much more. Tickets for the show are $25.00
for reserved seats, $20.00 for a bleacher seat.
For more information, contact the Abbott's Magic Company, 124 S. St. Joseph St., Colon, MI 49040 or at
269 - 432-3235. Or visit us online at www.abbottmagic.com where you can get more information on the
performers or order tickets.
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2015 Get Together Prices
Full Registration - 4 Evening Shows at the Air Conditioned Colon High School Auditorium, 1 Close-up
Show, 1 Talent Show (a vote for people’s choice winner), multiple lectures, George Schindler's Vent O
Rama, Jerry Burgess Magic Ministers, Al the Olney’s Graveyard Tour, Dealers Room Access All Week,
Showroom Specials, etc, etc, etc. (Does not include Saturday Benefit Matinee). $200 After July 6th 2015.
Youth Registration
- Special price for those under 16 years of age! 4 Evening Shows at the Air
Conditioned Colon High School Auditorium, 1 Close-up Show, 1 Talent Show (a vote for people’s choice
winner), multiple lectures, George Schindler's Vent O Rama, Jerry Burgess Magic Ministers, Al the
Olney’s Graveyard Tour, Dealers Room Access All Week, Showroom Specials, etc, etc, etc. (Does not
include Saturday Benefit Matinee). $125 per youth.
Daily Registration - Same as a full registration except it only applies to the events that particular
day. (Does not include Saturday Benefit Matinee) . Wednesday Registration - $75, Thursday Registration
$85, Friday Registration $95, Saturday Registration $75.
Evening Show Tickets - All shows at the Air Conditioned Colon High School Auditorium and start at
8pm and end around 10:30/11:00 pm with an intermission approximately half way. Reserved seats ($25)
and Bleacher Seats ($20) available. Fireworks after Friday show!
Saturday Benefit Matinee - Matinee is at the Air Conditioned Colon High School Auditorium and
starts at 2pm Sat Aug 9 and end around 3:30/4:00. Tickets are $10 per person with a discount for
seniors and children ($8). The matinee is not included in a full registration or a youth registration.
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Abbott's 78th Get Together Schedule
Schedule is subject to change
WEDNESDAY, AUGUST 5th 2015
9:00AM ABBOTT'S COLON GOLF CLASSIC (optional) with Al the Only
9:00AM ABBOTT'S REGISTRATION OPENS at the Abbott Plant
10:00AM ABBOTT'S DEALERS ROOM OPENS at Elementary School
11:00AM SUPER SHOWROOM SPECIALS BEGINS at Elementary
12:00PM COLON STREET PERFORMERS - Joe Bennett outside M&M Grill
1:00PM COLON HISTORICAL MUSEUM OPEN TILL 4PM
1:30PM MAGIC SHOW at Abbott Plant with BJ Mallen or Gordon Miller
3:00PM LECTURE Damien at the High School
8:00PM ABBOTT'S STAGE SHOW at the High School (view seating chart)
Featuring Gordon Miller - MC, David Gabbay, Brian Miller, Morgan - Escape Artist of the Year,
Tim Wright (Skilldini), The Steelgraves
10:00PM ABBOTT'S DEALERS ROOM OPENS at Grade School after show
THURSDAY, AUGUST 6th 2015
9:00AM REGISTRATION OPENS at the Abbott Plant
9:30AM LECTURE Tom Mullica at the High School
10:00AM ABBOTT'S DEALERS ROOM OPENS at Grade School
11:00AM VENT-O-RAMA with George Schindler at the Abbott Plant
1:00PM LECTURE Peter Samelson at the High School
2:00PM COLON STREET PERFORMERS - Jeremy Pitt-Payne outside Curly's
2:30PM (after lecture) DEALERS ON PARADE at Grade School
3:45PM FAMOUS MAGICIANS GRAVEYARD TOUR ushered by Al the Only
6:30PM COMEDY MAGIC SHOW & DINNER at River Lake Inn by Ron Carnell
Featuring Keith Stickley - MC, Stuart MacDonald, Trent James, Lee Alex
10:15PM CURLY’S CLOSEUP CONTEST after show
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FRIDAY, AUGUST 7th 2015
9:00AM MAGIC MINISTERS SESSION at the Methodist Church
9:00AM COLON ARTS & CRAFT FAIR Until 4:00PM
10:00AM ABBOTT'S STAGE TALENT CONTEST at the High School
11:00AM COLON STREET PERFORMERS - Magic of Trino outside Dawn & Phils
12:00PM COLON STREET PERFORMERS - Jeremy Pitt-Payne outside Village Market
1:00PM COLON STREET PERFORMERS - Jania Taylor at Craft Fair
1:00PM LECTURE Shin Lim - at the High School
2:30PM ABBOTT'S CLOSEUP SHOW at the High School
Featuring G Miller - MC, Shin Lim, Bobby Maverick, Peter Samelson, Francis Menotti, David Gabbay
4:30PM COLON STREET PERFORMERS - Joe Bennett outside Five Star Pizza
Featuring Leland Faulkner - MC, Dameon, Keith Fields, Peter Samelson, John Bundy & Morgan
9:45PM FIREWORK SHOW outside High School after show
10:30PM TALENT CONTEST AWARDS at Grade School after show
SATURDAY, AUGUST 8TH 2015
9:00AM COLON ARTS & CRAFT FAIR until 4:00PM
9:30AM LECTURE Francis Menotti - at the High School
11:00AM COLON STREET PERFORMERS - Jeremy Pitt-Payne at Craft Fair
11:30AM MAGIC SHOW at Abbott Plant with BJ Mallen or Gordon Miller
12:00AM COLON STREET PERFORMERS - Jania Taylor outside American Legion
2:00PM ABBOTT'S BENEFIT MATINEE at High School (view seating chart)
Featuring BJ Mallen MC, Talent Contest Winner, Dynamike, Trent James, The Steelgraves
3:00PM COLON STREET PERFORMERS - Magic of Trino outside Colon Historical Museum
4:00PM COLON STREET PERFORMERS - Joe Bennett outside Five Star Pizza
8:00 PM ABBOTT'S STAGE SHOW at High School (view seating chart)
Featuring Mark Merchant - MC, Francis Menotti, Bobby Maverick, Tom Mullica, Jason Bishop
10:00 PM DEALERS ROOM OPENS at Grade School after show
10:30 PM ABBOTT PERFORMER AWARDS at Grade School after show
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26th Colon Open Golf Classic
Begin the 78th Abbott's Magic Gettogether with the most enjoyable, nonscheduled event during Magic Week:
The 26th Annual Open Colon Golf
Classic. If you like to golf, like to party
and like to spend a day with magicians
who golf...YOU CAN'T MISS THIS GOLF
OUTING.
All registrants, of the Get-Together, who
like to golf are welcome. Come with a
foursome or join up with one the day of
the outing. Rental clubs are available at
the golf club.
$10.00 is your cost to Al The Only the day
of the outing.
There is NO pre-registration. Call Al The
Only 808-874-2591 to get a tee time.
If you want to golf, you pay the greens
and cart fee at the course.
If you want to eat, you order what and
when you want and pay for it.
If you want to drink, see the above.
Tee off time is at 9:00 a.m. on Wednesday, August 5th, 2015 at St. Joseph Valley Golf Club (1 269 467
6275) , on M-86 just west of Nottawa, Michigan.
All golfers to arrive between 8:00am and 8:30am.
There will be no drawing, no raffle and no door
prizes. (Talk about no frills.)
Anyone interested can enter a $10.00 skins game
(two flights/96 and below and 97 and above).
We will have a plaque for the Golfer of the Year
(determined by the Callaway system), and a trophy
for Closest to the Pin, both will be awarded at the
course after the outing so plan on staying for a late
lunch or an early dinner with us.
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History of the Colon Open Golf Classic
In 1989 Magician Al The Only, from Hamtramck, Michigan, showed up at the Abbott's Magic GetTogether with new, strange looking magic wands and wizard sticks. He told his buddies they were called
golf clubs.
Friends Bibik, "of Course!" from Chicago and Mike "Tommy" Russo from Atlanta encouraged Al that they
should hold a golf outing and so it was decided to begin the following year. When no one else wanted to
run it, Al The Only was nominated as the Chairperson. Magician/Funny Man Abb Dickson named the
outing "The Open Colon," as a play on words from other outings.
The first annual "Open Colon" was held on Tuesday, August 7, 1990 at the St. Joseph Valley Golf Club,
24953 M-86 in Nottawa , Michigan (approximately 15-20 minutes West of Colon). St. Joe Valley has been
the permanent home of the golf outing since its inception. The outing was moved one year due to
weather conditions and in 2005 was completely rained out.
In its infancy the "Open Colon" was played on Tuesday of Magic Week. It included lunch, door prizes, a
steak dinner banquet and trophies for the Golfer of the Year and Closest to the Pin. With fewer people
being able to arrive a day early the day was changed to Wednesdays. The outing is very informal and a
perfect way for golfing magicians to kick off the Get-Together. It went to a "No Frills" concept with no
lunch, no raffle, no door prizes and no dinner. Also no tricks are allowed to be performed on the course
or you get a stroke penalty.
The outing is still moderated by Al The Only. Each year the champion is determined by using a one day
handicapping system called the Calloway System. The GOTY, Golfer of the Year, is presented with a
plague and his/her name is inscribed on the tournament trophy, which is permanently housed at the
Abbott's Magic Factory.
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Open Colon Golfer of the Year
1990 Jim Hyams, Roanoke, VA
1991 Rob Poole, Troy, MI
1992 Al The Only, Hamtramck, MI
1993 John D. Deter, Farmington Hills, MI
1994 Don Brainerd, Sewickley, PA
1995 Bob Bengel, Atlanta, GA
1996 Michael Finney, Phoenix, AZ
1997 Bob Bonacci, Fraser, MI
1998 Kevin Dickerson, Muncie, IN
1999 Brad Jacobs, Malvern, PA
2000 Jonathan Kaman, Spring Grove, IL
2001 Brad Jacobs, Malvern, PA
2002 David Merry, Toronto, ONT, Canada
2003 Jack Richards, Kalamazoo, MI
2004 rain out
2005 Brad Jacobs, Ambler, PA
2006 Len Radde, Wauwatosa, WI
2007 Don Brainerd, Sewickley, PA
2008 Jim Oakley, Troy, MI
2009 Chuck King, Diamondale, MI
2010 rain out
2011 Al The Only, Lahaina, HI
2012 David Merry, Toronto, ONT, Canada
2013 rain out
2014 Chaz King, Diamondale, MI
2015 ????
If you know of any other golfer/magician types that would like to join us please tell them to call Al The
Only 808-874-2591 to get a tee time. Looking forward to a great day of golf. Please pray for good
weather.
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Abbott’s Legendary Talent Contest
Why Compete At Abbotts Talent Contest?
 Reason number one: Every time you
perform, you learn something! Your relatives
and friends are not impartial and your practice
mirror can't applaud!
 Reason number two: Trophies and cash
awards.
The first three winners receive
handsome cash awards - and sometimes even
more!
 Reason number three: Winning opens
doors! At the October 1977 talent contest the
Third Place winner was Mac King! The Second
Place winner was Jeff Hobson! And the First
Place winner was Lance Burton! Participation
in the talent contest helped to open the doors at
three Las Vegas theaters for these talented
performers!
And all you have to do to enter this year's
contest is to register for the complete
convention and then apply by filling out the
entry form. Don't delay - fame and fortune are
only a few steps away (or in this case, a page
away because the next page is the application
and then the rules from our stage manager Mark
Holstein)!
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Application for Abbott’s Magic Talent Contest – 2015
Note: Each contestant MUST be registered for the FULL Abbott’s Magic Get Together. The contest will
be held Friday morning at the Colon High School Auditorium. The contest will start at 10 a.m. and will
be over by noon. Each contestant will be limited to not more than ten minutes-- however the act may
be less. The contest will be limited to a maximum of twelve contestants and closed after the quota has
been reached. Stage lighting will be used, but we cannot totally darken the auditorium.
Contestants of all ages will compete in the same contest. There will be three cash prizes awarded, plus a
special cash People’s Choice Award. First prize is $300.00, Second prize is $200.00 and Third prize
$100.00. The People’s Choice Award is $500.00. These awards will be presented on the Elementary
School stage following the Friday night show. Winning act(s) may, but will not (necessarily) appear on
the public shows. Address your application to: Abbott’s Magic Company, Talent Contest, 124 St. Joseph
St, Colon, MI 49040 or fax to Area Code 269-432-3357. Or email as an attachment (Microsoft Word
format) to [email protected] Please type or print neatly.
NAME:
ADDRESS:
CITY, STATE & ZIP:
PHONE:
WILL YOU BE USING MUSIC?
STAGE SPACE REQUIRED (Either full stage or half stage):
LENGTH OF ACT (Not over ten minutes):
STAGE NAME OR TITLE IF DIFFERENT FROM YOUR ACTUAL NAME:
ASSISTANT’S NAMES (IF USED):
LISTING OF EFFECTS:
WHAT IS YOUR LAST (CLOSING) EFFECT?
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Rules for the Contest - Dear Contestant,
We are delighted that you have chosen to compete at The Abbott’s Magic Get-Together. We want your
act to look and sound as professional as possible. Therefore, we want to tell you a few things about the
Get Together contest, to help assure this result.
Contests begin at 9:00 am. You may begin loading in your props at 7:30. Do not put any props on the
stage without advance approval from me. There is a large band room upstage left. Please set up your
equipment in this room. Please remember that you are sharing this space with other competitors.
My crew will be available for technical check in at 8:15 am. There is no rehearsal time available. The MC.
will announce this fact to the audience and will explain that any missed cues should not be blamed on
the performer. It will assist us if you can be prepared with the following information:
Light Cues. Please keep in mind that our equipment is limited and manual. Our crew will make every
effort to accommodate your needs and have learned to squeeze a lot of these limited facilities. There
are NO follow spots available during the contests. You may NOT provide your own spotlight operator.
Sound. We provide stereo sound to the house. There are stage monitors. We provide hard wired stand
mics and cassette, mini-disk and CD playback. Please have your music available during check-in. Please
make sure that your tape or CD is clearly marked with your name. Please make sure that your tape is
cued to start immediately! If you require DAT, Show-Tech or special microphones, such as wireless,
please bring your equipment. Our board inputs are “or XLR. Please bring the appropriate connections.
Pyro-technics. For safety reasons, please be advised that we will not allow pyro-technic devices of any
kind. There will be NO exceptions. This will include any devices using igniters, flames, sparks or heat.
Any open flames must be reviewed with and approved by the stage manager. Chemical or dry ice smoke
machines may be used if prior approval is obtained from the stage manager. Failure to comply will result
in disqualification.
Prop Cues. We need to know whether you will work full stage, half stage or in one, and your last effect.
We will have 1-2 stagehands on deck for prop handling. Please be prepared to discuss their cues at
check-in. Keep in mind that your act may not exceed 10 minutes.
Stage Etiquette. All performers must remain in the band room and remain quiet. Immediately before it
is your turn, we will assist you in moving your props to the offstage area. After your performance, we
will assist you in striking your props. You, your friends and your family may not stand in the wings to
watch the contest. Failure to abide by this rule will result in disqualification.
Our stage crew is comprised entirely of performing magicians. They want you to succeed and will do
everything possible to make your contest experience a positive one. They understand your needs (many
have worked on this stage) and will work very hard to accommodate every reasonable request.
We look forward to seeing you in August.
Mark Holstein, Stage Manager
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Dealers Room
In the past you had to be registered to visit here
but now the Abbott’s Dealer Room is open to the
public. Once inside you will find a shopping mall
atmosphere filled with magic and its all for sale
and usually at bargain rates since these dealers
do not want to take it all back home with them.
If you are looking for really really great bargains
be sure to stop in on Wednesday morning as
Abbotts usually has its super showroom special
sale. The dealers room is opened at various
times each day during the Get Together and on
Thursday’s there is a very special event called
“Dealers on Parade” where the dealers take turns
going on stage and demonstrating their best
effects for sale.
The dealers room during the Get Together is a
very friendly and social place to be so don’t be a
stranger.
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The 2015 Dealers Room is scheduled to have the following Magic Dealers
Pat Page Productions
Card Sharks
Lee Alex
David Cresey Products
Latest Magic
BJW Magical Jewelers
Marty Hahne Products
Abbott Magic
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Vent-O-Rama With George Schindler
George Schindler takes you step by step
through the basics of ventriloquism and
demonstrates everything along the way. You
do not need a puppet! You do not need any
special equipment or talent to do this, and
the entire family can learn and be
entertained at the same time. Highly
recommended for everyone who wants to
add a touch of fun to their act!
Once the basics of Ventriloquism are taught,
George introduces a few friends he brought
along to help. You do not have to be a
ventriloquist to enjoy Vent-O-Rama at the
Abbott Get Together!
George is a living legend in the magic community but for
those who do not know him, here is a brief bio. George
is a past national president of the Society of American
Magicians who has also been elected to the SAM Hall of
Fame, George Schindler serves on the board of trustees
of the Society of American Magicians Endowment Fund.
He is the chairman of the Houdini Hospital Fund. He is a
member of the IBM, MAES, the Magic Circle of London,
the Australian Society of Magicians and was awarded a
Lifetime Achievement Award by the Milbourne
Christopher Foundation. George has appeared in
movies such as “Shandu The Great” and Woodie Allens
“New York Stories”. George has authored several books
including “Ventriloquism-Magic With Your voice”
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Magic Ministers Sessions With Jerry Burgess
You don’t want to miss this event. The first
time I saw a Magic Minister Session I
thought to myself, “boy I wish I had that
trick” then I realized I did have that trick, it
was sitting in my drawer back home. I just
never saw it performed in such an
entertaining manner.
This year Jerry Burgess will be your host.
Dr. Burgess is a Christian Evangelist, who
has traveled the world proclaiming the
good news of Jesus Christ for over thirty
years as a preacher, Bible Teacher, and
Illusionist.
Drawing upon his unusual
background as a medical doctor and a
professional illusionist, Jerry is able to
present unique perspectives on the Gospel
in a thoroughly entertaining way.
For those who aren’t familiar with Jerry here is a brief bio.
A professional illusionist since 1969 and in the Gospel
Illusion Ministry since 1970, he is a three-time past
president of the Fellowship of Christian Magicians (an
organization of over 3,000 members in 50 states and at
least 30 other countries who use illusions, ventriloquism,
puppetry, etc. to illustrate the gospel of Jesus Christ).
Jerry has performed throughout the U.S. and Canada,
Europe, Asia, Africa, South America, on cruise ships in the
Caribbean and Scandinavia, and on network television in
39 countries on 5 continents and on national TV in the
U.S. 18 times in the past 25 years.
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78th Abbott’s Get Together Shows
Each evening show, during the convention, the auditorium doors are opened at 7:30, in advance of the
8:00 show, and during that half hour early arriving guests are treated to various pre-show
entertainments.
There are to be absolutely NO flash cameras or videotaping allowed during shows. Under Michigan
State Law there is absolutely no smoking in the building. THESE ARE CAUSE FOR DISMISSAL!
Please turn off all cell phones and beepers. No laser pointers. We ask this to limit distractions for those
around you. Please remain seated until intermission unless it is an emergency.
The parking lot directly behind the High School is reserved for Handicapped parking (the first four rows)
and vehicles bearing the Abbott Staff Parking Pass (this is for acts, stage crew, ticket personnel, etc). If
you do not possess a valid Handicapped Parking Sticker or the Special Abbott Staff Parking Pass, you will
not be allowed to park in this parking lot. No motor homes, travel trailers, recreational vehicles, etc.
may be parked overnight or camped on the paved parking lot in any school location. No parking in any
of the clearly marked and Designated Fire Lanes from the school to the roads. You are subject to
ticketing and/or vehicle removal for failing to properly observe these regulations.
We are always trying to look ahead for the safety of our visitors and acts. Because of this, the Colon
Rescue Squad always has its van posted outside during all of the evening shows in case of an emergency.
MOST IMPORTANT - PLEASE ENJOY THE MAGIC SHOW!!!
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Seating Chart
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Wednesday Aug 5th Evening Show 8pm
Gordon Miller - MC
Gordon has been involved with Abbotts Magic and the Magic Get
Together since the re-birth of the New Tops in 1961. Gordon succeeded
his good friend Neil Foster as editor of New Tops Magazine and has
appeared as a performer at more Magic Get Togethers than anyone else,
breaking the old record set by Karrell Fox. Gordon's smooth style and
gentle humor are displayed each year as he traditionally leads off the
Wednesday evening show with his unique and novel acts which signals
the official start of Get Together Shows. In addition to being one of the
top magic men in his field, Gordon has authored several books on magic
(including one of my favorites, the Abbott Compendium of Card Magic
which is a best seller at the Abbott Magic shop) and also is a Special
Service veteran of the military.
David Gabbay
Los Angeles magician David Gabbay creates magical moments that will
transcend your perception of what magic can look like. A regular
performer at The Magic Castle in Hollywood, David is a top L.A. magician
constantly in demand. Performing across the country and on American
and French Television, David now brings his unique style of
entertainment to the 78th Magic Get Together! David has quickly
become known for his unique style of formal close-up magic. This is pure
close-up sleight of hand magic that culminates in a stunning climax that
must be seen. David blends knowledge of magic classics with modern
approaches to create unique routines never before seen and we look
forward to seeing them this August at the Get Together Closeup Show!
Brian Miller
Brian is a nationally acclaimed corporate event entertainer and keynote
speaker. For over 10 years he has performed in nearly every type of
venue imaginable in 25 states. Brian performs his unique blend of magic
mixed with a healthy dose of humor at 200+ events per year throughout
New England and across the country. He's twice recognized as one of
America's "Best Small Venue Performers" and spent a year as the
resident magician for the largest casino in North America. Brian is
currently the exclusive private event magician for Connecticut’s first and
only Dave & Buster’s. He previously held an exclusive residency at
Foxwoods Resort Casino.
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Morgan – Escape Artist Of The Year
A daring blend of new and classic Escape challenges, audience
participation, mystery and intrigue that creates a thrilling show for the
whole family. Armed with wit and charm, Morgan leaves a lasting
impression. The audience is on the edge of their seats, experiencing the
finest in Theatrical Escapology. At the 2009 World Magic Awards,
Morgan freed herself from descending razor sharp steel spikes while
handcuffed in place within sixty seconds (which left just enough time to
gracefully accept her award for Best Escape Artist). In 2010 Morgan was
named "Escape Artist of the Year" on "The World Magic Awards" TV
special.
Tim Wright
Tim Wright is an experienced entertainer who blends audience
participation with humor and mystifying magic into a people pleasing
performance. Tim also specializes in theme-focused programs designed
to educate, enlighten and entertain. Tim is the only three time winner of
the Neil Foster / Bill Baird Award for Manipulation during the 2003, 2009
and 2012 Get Togethers and also a recipient of the Best Stage Performer
Award at the Columbus Magi Fest in 1995 and the Spellbound Grand
Champion, October 2009. Tim is a regular performing member of The
Magic Castle Hollywood and also an International Brotherhood of
Magicians life member.
The Steelgraves
Markus and Angelique Steelgrave met in 1985 at an audition for a
children’s theatre, and formally began their partnership in 2003. Since
then, they have been charming family and corporate audiences
throughout the Northeast with their magic, illusions, and spousal
dynamics. Markus’ magical background prior to Angelique included
several years touring with a circus, a stint in the Navy, and performing
coast-to-coast as a magician, juggler, fire eater, and variety artist.
Angelique’s background is in music and theatre; she founded and
performed with her own children’s theatre company for nearly two
decades. Magic entered her life during college, when she worked a
second job as a magician's assistant. Since they’ve been together, The
Steelgraves have given hundreds of performances each year throughout
New England, and have won several awards for both stage and close-up
magic. They've been featured performers at NEMCON and the Inner
Circle of Bizarre Magick's "New England Gathering of the Magi". In
addition to performing, The Steelgraves are also the founders and
producers of the Oceanside Magic Invitational, Cape Cod’s new magic
convention.
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Thursday Aug 6th Evening Show 8pm
Keith Stickley - MC
Keith moved to Las Vegas to pursue his career in entertainment and
enroll in college at the University of Nevada, Las Vegas. Throughout
college, Keith gained valuable experience performing at local casinos and
corporate banquets. It is during this time Keith started receiving offers to
perform overseas. He was soon found in airports around the world on his
time off of school bringing his blend of comedy and magic to
international audiences! Keith graduated from the University of Nevada,
Las Vegas in 2004. Keith’s credits include three tours in Hong Kong, five
years as an official magician representing ConAgra (over 200
performances), many years of experience in outdoor fair / festival
entertainment, and corporate and trade show events for some of the
largest automotive, pharmaceutical, marketing, and gaming
organizations in the United States and abroad. Keith's Las Vegas credits
include a run at Fitzgerald's Casino, featured in the review show "Two
Girls and a Guy," followed by five months of performances at the
Flamingo, Las Vegas. His tours take him to over 60 cities throughout the
U.S. annually. Other appearances include concerts featuring The Neville
Brothers and The Charlie Daniels Band as well as appearing on TV for the
Children's Miracle Network Telethon. In addition to his performances,
Keith has also worked as a magic/technical consultant on theatrical
productions with the Nevada Conservatory Theatre, and with legendary
comedian/actor Rip Taylor.
Stuart MacDonald
Magic Stu aka Stuart MacDonald started magic early just like any kid but
never let it go. By the time he was in high school he was competing in
talent competitions all over the USA and Europe. In 1982, he won the
Society of American Magician's national competition and was awarded
the Chavez Cup for manipulation (now in the hall of fame of magic). Stu
ended his competitive career when he qualified for the World
Championships of Magic (F.I.S.M) in Madrid Spain. Following the
competition he was signed to The Kramer International Talent Agency.
Stu's show dominated the college market. The show played to well over
1000 colleges and was nominated campus variety entertainer of the
year. Stu now tours venues from corporate to casinos, performing arts
series, theaters, universities, conventions and trade shows.
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Trent James
Trent James brings a fresh new feel to the “classic magic show”. Trent,
the winner of over a dozen awards for his magic, is quickly becoming one
of the top young magicians in the country. His awards include First Place
People's Choice S.A.M. National Convention, The Bill Baird Award for
Excellence in Manipulation, and a 2015 F.I.S.M Magic Olympics qualifier.
Trent’s performances have left audiences raving from Las Vegas to New
Jersey. His unique sleight of hand and hip approach come together to
form an unforgettable thrill ride!
Lee Alex
London born Lee Alex brings his unique show to audiences all around the
globe. performing in theaters, hotels, arenas and other venues, the
“Magic Dreams” of literally thousands of spectators have been fulfilled.
Lee Alex has been awarded the Merlin “Illusionist of the Year” by the
International Magicians' Society for his achievements, an award shared
with some of the top names in magic worldwide. Lee Alex is foremost an
international performer for public and private venues engaged by top
international corporate companies. Behind the scenes Lee advises on
magic for television, cinema, advertising and other large scale live
events. Lee lectures on the subject of quick change transformations to
magicians worldwide at private member clubs and magic conventions.
Lee has lectured in America on the West Coast at the famous Hollywood
Magic Castle and in Las Vegas at the "World Magic Seminar", as well as in
St. Louis at the Mid West Magic Jubilee. He is excited to be invited for
the first time to "The Magic Capital of the World".
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Friday Aug 7th Closeup Show 2:30pm
Shin Lim
Shin Lim considers himself an international citizen. Born in Canada and
grew up in Singapore. At the age of eleven, Shin has since moved and
lived in Massachusetts. At the age of 16, Shin’s oldest brother showed
him a simple card trick and immediately ignited a passion & drive for
Shin to study the art of magic. At that time, little did we know, Shin
would become one of the most influential & recognizable magicians in
the world! Within a short 4 year span, Shin has won major youth magic
awards & scholarships. Shin has expanded his talents by winning adult
magic awards of international status, recognized by esteemed magicians
& peers for his skill and performance. Here are just a few of Shin’s
Awards and Recognitions in the World of Magic: FISM-NACM North
America Closeup Champ & People’s Choice at the 2014 Joint I.B.M. &
S.A.M. Convention, FISM-NACM Magic Olympics Finalist at the 2012 Joint
I.B.M. & S.A.M. Convention, North America Adult Card Magic Champ at
the 2011 I.B.M. Convention, World Teen Close-up Magic Champ at the
2010 World Magic Seminar, FISM Magic Olympics. #6 at Blackpool in
2012, Society of American Magicians Mystic Craig Award - Milbourne
Christopher Foundation Trudy Monti Scholarship.
Peter Samelson
Christened “the soft-spoken conceptualist of sorcery” by the New York
Times, Peter Samelson has distinguished himself not only as a magician,
but as an artist. Born in Michigan of immigrant parents, as a youth he
was shuttled between Ann Arbor and Princeton, NJ where he played in
Albert Einstein's backyard. At Stanford University Peter turned his back
on a career in physics and followed a long standing interest in theater,
which is how he ended up in New York City. Here he became a resident
magician at the Magic Towne House, became a star of the Revlon Magic
of Color tour and created touring Magic theater shows. Peter Samelson
has performed atop the Great Wall of China, in the jungles of Bali and
the universities of Tokyo. He has performed for Mexican peasants, and
Grand Prix race car drivers. He has entertained Princess Stephanie of
Monaco, the jet-set of Paris and the fishermen mending their nets on the
beaches of Cartagena. From Kenya to the Magic Castle, from television
to trade shows, college campuses to commercials, the New York stage,
night clubs and celebrity events, Peter Samelson has distinguished
himself not only as a magician, but as an artist.
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David Gabbay
Los Angeles magician David Gabbay creates magical moments that will
transcend your perception of what magic can look like. A regular
performer at The Magic Castle in Hollywood, David is a top L.A. magician
constantly in demand. Performing across the country and on American
and French Television, David now brings his unique style of
entertainment to the 78th Magic Get Together! David has quickly
become known for his unique style of formal close-up magic. This is pure
close-up sleight of hand magic that culminates in a stunning climax that
must be seen. David blends knowledge of magic classics with modern
approaches to create unique routines never before seen and we look
forward to seeing them this August at the Get Together Closeup Show!
Bobby Maverick
Bobby began his journey in magic at the young age of eleven. It was after
his grandfather gave him a chemistry-set for his birthday that Bobby
soon found the exact formula capable of blowing a large hole in his
bedroom wall and catching his bed on fire. Needless to say, his mother
(and the authorities) convinced him to get a new hobby... Magic. Bobby
has been entertaining since 11 and brings with him over 20 years of
experience in amazing, and amusing everyone in he comes into contact
with. For the last ten years Bobby has been using his experience as a
street performer, wit, and high energy level to become a much sought
after entertainer for Corporate events, Trade Shows, and Hospitality
Suites. Even though he is fast becoming a premier corporate entertainer,
he still manages to stay close to his roots as a street performer by
appearing on the streets of America and at several Festivals throughout
the year.
Francis Menotti
A performer, creator, writer, and lecturer, Francis Menotti has spent the
past decade and a half working around the world as one of the top most
creative magicians today. He's a frequent performer at the Magic Castle
and Monday Night Magic, has headlined for MAGIC Live, Columbus
MagiFest, World Magic Seminar, London's Magic Circle, and Paris's
Doublefond. Having performed for everything from children's birthday
parties to trade-shows, colleges, cruise ships, and the past two US
Presidential Inaugurations, Francis brings a unique experience to his
creating and directing of magical performances. Francis has proven his
creativity as a designer of custom magic for theatre, television and film
projects. He served as magic producer for the recent Travel Channel
show for Dan White. For the 2013 film The Immigrant, Francis worked
extensively with actor Jeremy Renner and director James Gray to create
realistic period magic of the 1920's. Finally, Francis has enjoyed
spending the past three years as a product reviewer for MAGIC
Magazine.
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Friday Aug 7th Evening Show 8pm
Leland Faulkner - MC
Leland combines magic with performance art to create perhaps one of
the most unique presentations you may ever see. The master of light and
shadows, he uses only his hands and a few simple props to create an
endless number of characters, each of which connect deeply with the
audience. He has vast experience in the arts as a performer, director,
filmmaker, and teacher. He has produced major tours of his own large
scale, Japanese-themed illusion act and other shows. A recent project is
Shadowplay, based entirely around the concept of storytelling with
multimedia shadow. It premiered in 2008 at Virginia Commonwealth
University. Furthermore, his recent experience includes work with the
film The Polar Express and performances at American Idol’s “Idol Camp.”
Leland’s act is one of the most original and unusual in all of magic – he
brings his beautiful artistry of shadows and ordinary objects all the way
from Portland, Maine.
Dameon
With the recommendation of renowned Illusionist, Richiardi, Dameon,
began his professional "magical journey" performing a manipulative act
in Spain, Brazil, New Zealand, Canada, Singapore, North Korea and Hong
Kong. In the USA he appeared on Broadway, Chicago, Miami Beach, with
stints in numerous revues in Atlantic City. Dameon “produced” Will
Smith in front of Tower Records for the “Willenium Album” and has
worked both Houston’s Magic Island and Hollywood’s Magical Castle. Oh
yeah, he cruised too. In the 90’s Dameon partnered with Peter Samelson,
forming the Magic Source, a company devoted to the creation of
entertaining corporate events, trade shows, awards banquets, product
launches, etc. They designed magical moments for commercials, print
ads and special effects for films, Whispers in the Dark and What About
Bob with Bill Murray and Richard Dreyfuss. Between and during gigs
Dameon lectured on the art of manipulation for magic organizations
utilizing his "original" CLEAR set of tails … and he’s the co-creator of the
"SKYLINER” a novelty device which puts custom virtual messages in mid
air. Magicians know it as Boris Wild’s "Mind Scanner”. Dameon is
delighted to perform and lecture at this year’s ABBOTTS 78th Magic Get
Together.
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Keith Fields
Keith started his performing career in London England as a children’s
entertainer and ended up writing and performing for one of the UK’s top
children’s theater companies. One of his shows, after touring for 12
months transferred to the Mermaid Theater in the west end of London.
As a street entertainer he was crowned World Champion Street Magician
at the Covent Garden International Street Entertainers Festival. But it
gets cold in the winter (and the crowds are thin) so another outlet was
needed. Keith has always been a very funny performer so comedy clubs
were an obvious next step. He quickly became a headline act and found
work all over the UK, most of Europe, China, Hong Kong, Singapore, the
UAE, and many other exotic places. He went on to be crowned Club
Entertainer of the Year with a first prize of a series of gigs in the USA.
That was his first trip across The Pond. He won the coveted title of Magic
Circle Close-up Magician of the year and was made a Member of the
Inner Magic Circle with Gold Star. In 2008 the US government called
Keith ‘an alien with extraordinary ability’ because of his expertise and
work as a performing magician. Shortly after that and with many
discussions with Sarah is wife, of many wonderful years, plus their
teenagers Oliver and Felicity… they all moved to the USA to explore new
performing challenges.
Peter Samelson
Christened “the soft-spoken conceptualist of sorcery” by the New York
Times, Peter Samelson has distinguished himself not only as a magician,
but as an artist. Born in Michigan of immigrant parents, as a youth he
was shuttled between Ann Arbor and Princeton, NJ where he played in
Albert Einstein's backyard. At Stanford University Peter turned his back
on a career in physics and followed a long standing interest in theater,
which is how he ended up in New York City. Here he became a resident
magician at the Magic Towne House, became a star of the Revlon Magic
of Color tour and created touring Magic theater shows. Peter Samelson
has performed atop the Great Wall of China, in the jungles of Bali and
the universities of Tokyo. He has performed for Mexican peasants, and
Grand Prix race car drivers. He has entertained Princess Stephanie of
Monaco, the jet-set of Paris and the fishermen mending their nets on the
beaches of Cartagena. From Kenya to the Magic Castle, from television
to trade shows, college campuses to commercials, the New York stage,
night clubs and celebrity events, Peter Samelson has distinguished
himself not only as a magician, but as an artist.
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John Bundy & Morgan
In 1994 John was joined by his performing partner Morgan. John Bundy
and Company became the illusion team of John Bundy and Morgan.
Together they have appeared throughout the Eastern United States,
including appearances at Trump Plaza, Tropicana and Trump Castle in
Atlantic City. In 2010 they appeared in the Paramount Pictures " Morning
Glory" which starred Harrison Ford. Their television credits include two
appearances on The Late Show with David Letterman, Ricki Lake, Gordon
Elliot and The Fox Kids Network. John is often called upon as a consultant
for East Coast film and television projects. These credits include,
"Vanishing Act", a episode on Law and Order Criminal Intent. John is
credited with numerous magical special effects designs and is a sought
after artist for illusions and theatrical props. John has been recognized by
the magic world with cover stories and feature articles in the industry
periodicals: Magic, Magic Manuscript and Laughmakers magazine. In
2010 Morgan was awarded was named "Escape Artist of the Year" on
The World Magic Awards televised special. Morgan has many interest.
She holds a Black Belt in Tang Soo Do and spends some of her free time
surfing and kayaking. She lives with a cat named Tut- Tut. They like
cooking, photography, sculpting and growing Bamboo (although the cat
doesn’t help much).
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Saturday Aug 8th Benefit Matinee Show 2pm
Please note the Matinee is a benefit and is not included in the Get Together Registration
$10 per person ( Senior and Kids receive $2 discounts)
BJ Mallen - MC
BJ Mallen is a true product of Colon MI. Growing up in the Magic Capital of
the World, BJ Mallen has been involved with performing magic most of his
life. At the early age of 16, BJ was hired by the legendary Abbott Magic Shop
in Colon MI as a demonstrator, following in the footsteps of great Abbott
demonstrators such as Neil Foster, Tim Wright, Tom Mullica, and Gordon
Miller. BJ has been with Abbotts for over 15 years and currently works inside
sales for the magic giant, but performing magic is BJ's first passion and many
times you can find him behind the counter at Abbotts performing comedy
magic and doing demonstrations for the customers in the showroom.
TRENT JAMES
Trent James became fascinated with magic at the age of 5. Now 15, he has
already won numerous awards for his craft, including First Place Stage-Texas
Association of Magicians 2012, First Place Stage-International Battle of
Magicians 2012, First place and People's Choice-Abbott's Magic Get Together
2011... Performing from Chicago to Las Vegas to Houston to Norfolk and
many points in between, Trent James is no stranger to the stage. This past
year, he was one of the chosen few youth performers to present his act at
both the International Brotherhood of Magicians and Society of American
Magicians annual conventions. His dynamic personality and original magic
combine to create a memorable experience
DYNAMIKE
Dynamike has the ability to combine comedy with magic to put a sparkle in
the children’s eyes as they watch his amazing act. He also has a way of
interacting with the children so they understand what he is trying to express
– he is truly a kid specialist magician. A veteran of several White House
performances and a past winner of Curly’s Closeup Contest, Dynamike
brings boundless energy to the stage which the kids can respond to.
Dynamike has appeared on every local network television station in the
Detroit area and even baffled Judge Mathis in his own courtroom on the
Judge Mathis Show.
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THE STEELGRAVES
Markus and Angelique Steelgrave met in 1985 at an audition for a
children’s theatre, and formally began their partnership in 2003. Since
then, they have been charming family and corporate audiences throughout
the Northeast with their magic, illusions, and spousal dynamics. Since
they’ve been together, The Steelgraves have given hundreds of
performances each year throughout New England, and have won several
awards for both stage and close-up magic. They've been featured
performers at NEMCON and the Inner Circle of Bizarre Magick's "New
England Gathering of the Magi". In addition to performing, The Steelgraves
are also the founders and producers of the Oceanside Magic Invitational,
Cape Cod’s new magic convention.
TALENT CONTEST WINNER
The winner of Friday’s talent contest will perform at the Saturday Matinee
which means you may see the next David Copperfield or Lance Burton
(Both participated in the talent contest during the 70’s as teenagers).
All you have to do to enter this year's contest is to register for the
complete convention and then apply for an entry form (which can be
found in this Compendium or Online.
Don't delay - fame and fortune are only a few steps away!
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Saturday Aug 8th Evening Show 8pm
Mark Merchant - MC
Mark's first professional engagement as a comedy ventriloquist was on a
USO tour for American service men and women at bases all over Europe.
He continues his association with the USO and has recently entertained
American forces at bases in Georgia and the Middle East. A 30-year
career in comedy ventriloquism has traversed from cruises to casinos
and corporate events all over the world. Atlantic City Magazine awarded
him “Best Variety Act” for his performance. Crystal Cruises gave him the
award for Entertainer of the Year. This was a great honor to Mark and
offered him a balcony stateroom for one voyage! Mark's time on stage
features original material as fresh as the day's news headlines and
political humor with something for everyone.
Francis Menotti
A performer, creator, writer, and lecturer, Francis Menotti has spent the
past decade and a half working around the world as one of the top most
creative magicians today. He's a frequent performer at the Magic Castle
and Monday Night Magic, has headlined for MAGIC Live, Columbus
MagiFest, World Magic Seminar, London's Magic Circle, and Paris's
Doublefond. Having performed for everything from children's birthday
parties to trade-shows, colleges, cruise ships, and the past two US
Presidential Inaugurations, Francis brings a unique experience to his
creating and directing of magical performances. Francis has proven his
creativity as a designer of custom magic for theatre, television and film
projects.
Bobby Maverick
Bobby began his journey in magic at the young age of eleven. It was after
his grandfather gave him a chemistry-set for his birthday that Bobby
soon found the exact formula capable of blowing a large hole in his
bedroom wall and catching his bed on fire. Needless to say, his mother
(and the authorities) convinced him to get a new hobby... Magic. Bobby
has been entertaining since 11 and brings with him over 20 years of
experience in amazing, and amusing everyone in he comes into contact
with. For the last ten years Bobby has been using his experience as a
street performer, wit, and high energy level to become a much sought
after entertainer for Corporate events, Trade Shows, and Hospitality
Suites.
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Tom Mullica
Tom enlisted in the Army at age 18 and after 3 years in Korea and
Germany, moved to the magic capitol of the world, Colon, Michigan,
where he built illusions and demonstrated magic for the famous Abbott's
Magic Company. Tom then moved to Atlanta, Georgia where he
attended bartending school and opened his own nightclub called The
Tom-foolery Magic Bar Theatre. His popularity in Atlanta led to an
appearance on Late Night with David Letterman, World's Greatest Magic,
Penn & Teller, Viva Variety and hundreds of television appearances
throughout the world. With countless hotel and casino performances in
Atlantic City and Las Vegas, Tom Mullica remains one of the greatest
variety acts of our time. Between 1976 and 1987,the Tom-foolery was
visited by countless notables -including a long time favorite of Tom's...
Red Skelton. After 11 years performing at the Tom-foolery, Tom wanted
to move on. He asked Red for his advice and he suggested, "Take 10-15
minutes of your best material and perform it pantomime to music and
you'll be able to work any place in the world - you'll have no language
barrier." Tom took Red's advice and after six months of rehearsal moved
to Paris, France where he was one of the featured acts at the world
famous Crazy Horse Saloon. Tom returned to America in 1991 and
continued his comedy magic career until 1996 when he began writing
'Tom Mullica as RED SKELTON - The Legend Continues', which is now
featured in theaters throughout America and Canada.
Jason Bishop
The 2007 Jack Gwynne Award Winner at Abbott's is back! The Jason
Bishop Show now tours the most dynamic illusion and magic show in the
US. The show currently features exclusive large illusions, award winning
sleight of hand and “close-up” magic that is captured live and projected
onto LCD screens for the audience to have a clear view of every detail.
Bishop is currently the only illusionist in the U.S. to tour with the rare
Double Levitation, Plasma illusion and Op-Art. His performance abilities
have led him from New Mexico to Maine and Florida to New York, as
well as every state in-between. Jason has entertained celebrities like
Chris Penn and Bam Margera, who after seeing a performance said,
“Jason Bishop is the best magician I’ve ever seen.” Bishop’s combination
of modern costuming and music, fast paced illusions, sleight of hand and
audience participation has landed him in several notable venues,
including Norwegian Cruise lines, Caroline’s on Broadway and the
Tropicana Hotel in Atlantic City. More recently Jason been featured in
various Performing Arts Centers and theaters throughout the United
States.
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Get Together Performance Awards & Trophies
After the Saturday evening show make sure you make it back to the dealers room because history is
about to be made. In a tradition that started in the sixties, Abbott’s rewards performers of this year’s
Get Together with awards and Trophies. This section recognizes the past winners of Abbott’s 4 major
trophies which are all named after legendary Get Together performers who have passed on. The Jerry
Conklin Award is a reward for the person or persons who have most helped Abbott’s Get Together and
the Magic Capital. The Senator Crandall award is for comedy performance at each year’s Get Together.
The Bill Baird/Neil Foster award is for skilled manipulation at each year’s Get Together. The Jack
Gwynne award (the oldest of the awards going back to the sixties) is awarded for presentation at each
year’s Get Together.
Many of Magic’s greatest performers have won these awards such as Harry Blackstone Jr., Karrell Fox,
Lance Burton, Neil Foster, Jeff Hobson, and (as shown below) Jeff McBride!
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Jack Gwynne Trophy For Excellence In Magic
2015 ???????
2014 Losander
2013 Denny Haney
2012 Tom Mullica
2011 Aaron Radatz
2010 Bob Higa
2009 Sarlot & Eyed
2008 Jay Sterling
2007 Jason Bishop
2006 Mark Holstein
2005 David & Dania
2004 Al Belmont
2003 Shimada
2002 Joe Devlin
2001 The Beckers
2000 Jeff McBride
1999 Jerry Conklin
1998 Ardan James
1997 Victor & Diamond
1995 Fukai and Kimika
1994 Greg Frewin
1993 Jeff McBride
1992 Brett Daniels
1991 Vito Lupo
1990 Norm Nielsen
1989 Stuart & Lori
1988 Ralph Adams
1987 Franz Harary
1986 Senor Rai
1985 Joe & Betty Eddie
1984 Bob Higa
1983 Ed Fernandez
1982 Harry Blackstone Jr
1981 Landis & Company
1980 David Seebach
1979 Kramien & Co
1978 Paul Driscoll
1977 Jeff Wawrzaszek
1976 Richard Suey
1975 Dale Salwak
1974 Norm Nielsen
1973 Tom & Sherrie
1972 Kent Richards
1971 Goebel the Magician
1970 Celeste Evans
1969 Frank Scalzo
1968 Otto Kluba
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Clarke Crandall Traveling Trophy For Comedy
2015 ??????
2014 Ocean 7 Team
2013 Doc Swan
2012 Dana Daniels
2011 Les Arnold & Dazzle
2010 David Williamson
2009 Stephen Bargatze
2008 Tom Burgoon
2007 Oscar Munoz
2006 Ken Mate
2004 Michael Finney
2003 John Archer
2002 Chris Capehart
2001 Ali Bongo
1999 George Schindler
1998 Dana Daniels
1997 Todd Charles
1995 David Cresey
1994 Simon Lovell
1993 Stunt Johnson Theatre
1992 Johnny & Pam Thompson
1991 Bob Bloenk
1990 Jeff Hobson
1989 Mac King & Joel Hodgson (tie)
1988 Terry Herbert
1987 Sid Lorraine
1986 Bob Jepson
1985 Kohl & Company
1984 Les Duraty
1983 Terry Seabrooke
1982 Otto Wessely
1981 Gordon Miller
1980 Trevor Lewis
1979 Foan Family Circus
1978 Vito Scotti
1977 Mike Caveney
1976 Karrell Fox
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Baird/Foster Trophy For Manipulation
2015 ??????
2014 John Shryock
2013 Trent James
2012 Tim Wright
2011 Reuben Moreland
2010 Liu Zihao
2009 Tim Wright
2008 Yumi
2007 Arthur Trace
2006 George Saterial
2005 Liu Chen
2004 Jason Latimer
2003 Tim Wright
2002 Julius Frack
2001 Kenji Minemura
2000 Mark Taylor
1999 Mahka Tendo
1998 Juliana Chen
1997 Danny Cole
1996 Torkova
1995 Romaine
1994 Earl Ray Wilcox
1993 Amos Levkovitch
1992 Tom Mullica
1991 Mr Electric - Marvyn & Carol Roy
1990 Tony Clark
1989 Brett Daniels
1988 Brett Daniels
1987 Chris Jakway
1986 Mitch Williams
1985 Stuart MacDonald
1984 Howard Hale
1983 Peter Gloviczki
1982 Lance Burton
1981 Neil Foster
1980 Dale Salwak
1979 Jeff Hobson
1978 Earl Ray Wilcox
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Jerry Conklin Abbott Family Award
This is the youngest of the Abbott awards, started a mere 5 years back. It honors the memory of Jerry
Conklin (who did so much for Abbotts and Colon) by rewarding the person who’s contributions have
helped both the Abbott Get Together and the Magic Capital of the World Colon MI
2015 ???????
2014 BJ Mallen
2013 June Horowitz
2012 Gay Blackstone
2011 Gordon Miller
2010 Mark Holstein
Below are photos of last years (the 77th Get Together) winners
Losander Wins the Jack Gwynne Award
Ocean 7 Team Wins the Clarke Crandall Award
John Shryock Wins the Baird Foster Award
BJ Mallen Wins the Jerry Conklin Award
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Lakeside Cemetery Tour With Al The Only
A very popular event at the annual
Magic Get Together is Magic’s Final
Act which is a tour of the graves of
famous magicians. Your usher, errr,
host for this event is magician Al The
Only. The torch for this tour has
been passed from magician to
magician over the years, Al was first
given the tour by Karrell Fox. The
tour is very popular with magicians
and spectators alike and takes about
an hour or so to complete. It is
scheduled annually for Thursday
during the Get Together, and if
rained out will be the following day.
Alan, Don (McWethy) (1926-1999)
and Lois Jean (Proffer) (1932-1989).
Don was a Magician and Entertainer.
Named one of the 100 most
influential magicians of the 20th
century by Magic Magazine. Lois was
a professional ice skater
Babbs, Arthur G (1921-1987) and
Patricia (1934-).
Arthurs stage name was "Arturo".
He had a shop in Ohio where he
designed tricks and received patents
on many. In later years he worked at
Abbotts Magic, building and
designing tricks.
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Baird, Bill (1914-1978).
His stage name was "The
Magnificent Fraud". Known for
multiplying balls dexterity.
Barrows, Ralph (Jack) (1935-2007).
Jack served 2 terms as National
Deputy to S.A.M, formed S.A.M.
Assembly #87 in Elkhart, and was a
former president of M.Y.I. In 1970
he opened a magic shop in Elkhart
called the "Square Circle" and was a
demonstrator of magic in Colon.
Bendix, David (1934-2013).
He was the inventor of the Bendix
Bombshell Wallet. A native of New
Orleans, Bendix was very active in
the New Orleans magic community
from 1950 -1980.
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Blackstone, Harry Jr (1934-1997).
Harry followed in his father's
footsteps in becoming a magician of
considerable renown.
Also buried here is Harry Blackstone
III. For Harry Blackstone Sr. see
Bouton, Harry.
Booth, John Nicholls (1912-) and
Edith Kriger (1907-1982).
John is a Minister, Author, Magician,
Lecturer, and Cinematographer. His
wife passed in 82
Bordner, Recil (1910-1981) and
Donna (1912-1974).
Owned and managed Abbott Magic
Company. Originally teamed with
Percy Abbott.
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Bouton, Peter (1887-1968) and
Mildred (1902-1979).
Peter was the look-alike brother of
Harry (very useful in magic).
Bouton, Harry (1885-1965).
Who changed his name to Harry
Blackstone. He became a wellknown magician and brought Magic
to Colon in 1926. For a time he was
teamed up with Percy Abbott in the
manufacturing and selling of magic
tricks.
Conklin, Jerry (1928-2010) and
Shirley (1934-1987).
They were the "Amazing Conklins" of
magic.
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Coppin, Ted (1886-1942) and Della
(1909-1977).
Their stage names were "Ted and
Sally Banks". Ted, Stan Laurel &
Charlie Chaplin had a vaudeville act
together. Ted was later the stage
manager for Harry Blackstone Sr.
Della was also part of the show.
Dunn, Ricki (1929-1999).
Was a comedian and thief as
"America's Greatest Pickpocket".
Fabek, Vince (1947-1991).
Was involved with magic, balloons
and puppets. His stage name was
"Holiday". He helped organize
"Clown Alley" during the Get
Togethers in the 70's as "Quincy the
Clown".
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Fox, Karrell (1928-1998).
His epitaph reads "It Was Fun". Was
an integral part of the Magic GetTogether of Abbott's Magic.
Gwynne, Jack (1895-1969) and Anne
(1896-1979).
"The Royal Family of Magic". Jack
invented the "Temple of Benares".
He was famous for the appearing
stack of bowls!
Husted, Kenneth "Roy Huston"
(1940-2009).
Roy was a magician for 50 years and
a professional drummer and dancer.
He performed at the Magic Get
Together in 1964
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Jones, "Little Johnny" (1899-1997)
and Catherine (1899-1997).
Married 75 years, he was the
"Conjuring Humorist". His epitaph
read: "Now I have to go and fool St.
Peter." He worked with the USO in
WW2 and was a WWI Veteran.
Kitchen, Inez Blackstone (18891983).
She, with Harry Blackstone Sr.
brought magic to the village of
Colon.
Lamore, Skippy (1893-1942) and
Jean (1888-1962).
He worked with vaudeville tent
shows.
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Lund, Robert (1925-1995) and
Elaine (1926-2006).
He and his wife owned/operated the
American Museum of Magic in
Marshall Michigan.
Merrill, Fred R (1888-1976) and
Caroline E. (1900-1991).
He was a juggler and magician
Moorehouse, Hank (1934-2011) and
Jaculan Joan (1937-).
Past S.A.M. President. Performer,
magic dealer, author and employee
of Abbott Magic Co.
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Rench, Jack (1924-2002).
Magician, Musician, and Circus
Drummer.
Stern, Duke (1913-1973).
He was famous for comedy magic.
He worked for many years with
Karrell Fox on the Magic GetTogether in Colon. Originally was
married to Barbara Maurer, A Colon
girl.
Straw, Marx Edward (1935-2005).
Sleight of hand expert. Marx was a
prodigy of Percy Abbott of Abbott
Magic.
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Thornton, Jesse (1901-1943), Velma
Wagner (1917-1987).
A magician and inventor of some of
today's magic classics. He was
employed at Abbott's for many
years.
Watson, Donald (Monk) (18941981) and Mary.
Humorist, magician and band-leader
who once was teamed with a man
named Benjamin Kubelsky (later
called himself Jack Benny) in
Vaudeville. Monk was very active
with the USO in WW2 and was a
WWI veteran.
Wilmarth, Philip Reed (1931-2014)
Phil was a past President of the
International
Brotherhood
of
Magicians, and was many years the
editor of the Linking Ring, a
magazine for magicians. Born in
New Castle, PA., Mr Willmarth’s
interest in magic began as a young
boy when his father, a physician,
gave him a book on magic. He was
hooked.
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Several magician’s (including your tour
guide Al The Only) have decided they
wish to be a part of Magic’s Final Act at
Lakeside Cemetery and purchased lots
in advance. For information on being
interred at Colon's Lakeside Cemetery
contact Tom Waltke (Township Sexton)
at 269 432 3371. Graves currently are
$500.00 for persons living outside of
Colon Township.
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The Magic Graveyard Book (by Al The Only)
Why would magicians, whose
careers spanned the globe, want
to be laid to rest in a tiny
cemetery in a small farming town
in southwest Michigan?
The Magic Graveyard reveals the
stories and buried secrets of the
entertainers who have chosen
this resting place to perform their
final vanishing act.
Magician Al The Only shows you
the bare bones to a self-guided
tour of Lakeside Cemetery. It has
the most magicians interred in
one place. Read the stories buried
in these pages of their colorful
careers. From the year 1942 to
the present, experience the
histories engraved in stone. This
book has lots of plots portraying
their illustrious lives.
Foreword by Gay Blackstone,
Epilogue by Tom Mullica,
featured articles by Johnny
Thompson, Norm Nielsen and
Gabe Fajuri, cover art by
magicians Chris Blackmore and
John Shyrock and a reprint of
Karrell Fox's "The Heavenly Magic
Show."
Welcome
Graveyard!
to
The
Magic
Available Through Abbott Magic or Click Here
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Colon Cemetery Narrative
1. Kempton, George (1868-1931 and Mattie (1868-1946). Their stage names were the Kempton
Komedy Kompany in vaudeville.
2. Coppin, Ted (1886-1942 and Della (1909-1977). Their stage names were “Ted and Sally Banks. Ted,
Stan Laurel & Charlie Chaplin had a vaudeville act together. Ted was later the stage manager for Harry
Blackstone Sr. Della was also part of the show.
3. Lamore, Skippy (1893-1942 and Jean (1888-1962), He worked with vaudeville tent shows.
4. Thornton, Jesse (1901-1943) Velma Wagner (1917-1987) was a magician and inventor of some of
today’s magic classics. He was employed at Abbott’s for many years.
5. Bouton, Harry (September 7, 1885-November 16-1965), who changed his name to Harry Blackstone.
He became a well-known magician and brought Magic to Colon in 1926. For a time he was teamed up
with Percy Abbott in the manufacturing and selling of magic tricks.
6. Bouton, Peter (March 2, 1887-May 1, 1968) and Mildred (1902-1979). Peter was the look-alike
brother of Harry (very useful in magic).
7. Gwynne, Jack (1895-1969) and Anne (1896-1979), whom he married October 13, 1913. “The Royal
Family of Magic.” Jack invented the “Temple of Benares.” He was famous for the appearing stack of
bowls!
8. Gwynne, Jack (1895-1969) and Anne (1896-1979), whom he married October 13, 1913. “The Royal
Family of Magic.” Jack invented the “Temple of Benares.” He was famous for the appearing stack of
bowls!
9. Robbins, Kenneth (1902-1971 He was teamer with his father Marvin (Dud) as jugglers, slack wire
walkers, comedians, and acrobatics in vaudeville. They still have relatives in Colon.
10. Merrill, Fred R. (1888-1976) and Caroline E. (1900-1991). He was juggler and magician.
11. Baird, Bill (March 4, 1914-August 5, 1978). His stage name was “The Magnificent Fraud.” Known for
multiplying balls dexterity.
12. Bordner, Recil (1910-1981) and Donna (1912-1974). Owned and managed Abbott Magic Company.
Originally teamed with Percy Abbott.
13. Watson, Donald (Monk), (1894-1981) and Mary. Humorist, magician, and band-leader who once
was teamed with a man named Benjamin Kubelsky (later called himself Jack Benny) in vaudeville. Monk
was very active with the USO in World War II and was a World War I veteran.
14. Kitchen, Inez Blackstone (1889-1983). She, with Harry Blackstone Sr. brought magic to the village of
Colon.
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15. Babbs, Arthur G. (1921-1987) and Patricia (1934- ). Arthur’s stage name was “Arturo.” He had a
shop in Ohio where he designed tricks and received patents on many. In later years he worked at Abbott
Magic, building and designing tricks.
16. Fabek, Vince (1947-1991) was involved with magic, balloons and puppets. His stage name was
“Holiday.”
17. Jones, “Little Johnny” (1898-1995) and Catherine (1899-1997) who became his wife in 1920
(married 75 years). He was the “Conjuring Humorist.” His epitaph reads: “Now I have to go and fool St.
Peter.” He worked with the USO in World War II and was a World War I veteran.
18. Lund, Robert (1925-1995)and Elaine (1926-2006) who owned/operated the American Museum of
Magic; Marshall, Michigan.
19. Blackstone, Harry Jr. (1934-1997). Harry followed in his father’s footsteps in becoming a magician of
considerable renown. 4a. Also buried here is Harry Blackstone III. For Harry Blackstone Sr., see Bouton,
Harry.
20. Fox, Karrell (1928-1998). His epitaph reads “It Was Fun.” Was an integral part of the Magic GetTogether of Abbott’s Magic.
21. Alan, Don (McWethy) (1926-1999), and Lois Jean (Proffer) (1932-1989). Don was a Magician and
Entertainer. Named one of the 100 most influential magicians of the 20th century by Magic Magazine.
Lois was a professional ice skater.
22. Dunn, Ricki (1929-1999) was a comedian and thief as “America’s Greatest Pickpocket.”
23. Rench, Jack (1924-2002) Magician, Musician and Circus Drummer.
24. Straw,Marx Edward (1935-2005). Slight of hand expert. Marx was a prodigy of Percy Abbott of
Abbott Magic.
25. Booth, John Nicholls (1912-2009) and Edith Kriger (1907-1982), John was a Minister, Author,
Magician, Lecturer and Cinematographer.
26. Barrows, Ralph “Jack” (1935 – 2007). Magician, Author, Mentor, and Friend. “Always Magic.”
27. Huston, Kenneth Roy (1940-2009) and Yuka Darlene (1941- ) Roy was a magician for 50 years and a
professional drummer and dancer. He performed at the Magic Get Together in 1964
28. Conklin, Jerry (1928-2010) and Shirley (1934-1987). They were the “Amazing Conklins” of magic.
29. Henry Louis Moorehouse (Hank) (1934-2011 ) & Jaculan Joan (1937- ) Past S.A.M. President.
Performer, magic dealer, author and employer of Abbott Magic Co.
30. Bendix, David (1934 – 2013) was inventor of the Bendix Bombshell Wallet. A native of New Orleans,
He contributed many effects, ideas, and satires to various periodicals
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The People Behind The Scenes
Abbott Owners and Get Together Founders
Founders Recil Bordner and Percy Abbott Owned Abbotts from 1934 till 1959, a span of 25 years.
Recil Bordner was sole owner of Abbott’s from
1960 till 1981, a span of 21 years
Recil’s son Greg has been the owner of Abbotts
from 1982 till present, currently over 30 years.
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Abbotts Producers, Managers, Administrators
The Bordner Family Produce the Get Together
Gordon Miller is Abbotts Plant Manager
Abbotts Get Together Administrative Staff
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Abbotts Sales & Demonstrations
Demonstrators working the Abbott Booth During the Get Together
Demonstrator BJ Mallen & Seamstress Karin Milliman
Tim Wright (Skilldini) - Demonstrator
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Abbott Coordinators
Mike Miller Get Together Talent Coordinator
Mary Kleiber Online Projects Coordinator
Gabe Fajuri Art Coordinator (Tickets and Posters)
(Gabe is also Abbott’s Official Historian)
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David Linsell Abbott Photographer
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Abbotts Stage Crew
Are they the Get Together Stage Crew? The Smetak Stage Crew? The Abbott Stage Crew? With nearly
200 years of magic experience among them collectively, we simply call them “The Best” Stage Crew !
Top Row - Sue Holstein, Mark Holstein, Richard Hughes
Bottom Row - Tim Simenc, Artie Kidwell, Jeff Boyer
In 2010 Abbotts added the “Conklin award” to
honor the person who has contributed most to the
success of Abbotts Magic and its history. The first
winner of this award was Mark Holstein who
shared the honor with the rest of the stage crew.
Crew Members Blade Thorton & Steve Chezaday
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Did You Know…
-The stage has an official name. The “Bill Smetak Stage” is actually a gymnasium 51 weeks of the year
but one week a year they turn it into a theatre.
-All of the curtains you see on the stage aren't there the rest of the year, they are hung just for the Get
Together. Most of the curtains were specially made for the Get Together.
-Some of the greatest acts in magic have worked on this stage.
-When the front curtain closes, the AC cannot reach the stage which causes the temperature on stage to
rise 20-30 degrees warmer than that of the audience.
-The Stage right wing is only 8' wide and the Stage left wing is only 12' wide, yet the Abbott Stage Crew
has handled some of the largest stage acts in magic including the Blackstone Broadway Show and Brett
Daniels full illusion show to name a few.
-Rehearsals take place usually after the afternoon events (around 4pm) for the evening shows and
sometimes the rehearsal will last right up until the doors open for the audience right before the show.
-Every member of the Abbott Stage Crew is a performing magician.
-On Wednesday nights you will notice the crew wearing different shirts, that’s because on Wednesday
they are the "Bill Smetak" Stage Crew, the rest of the week they wear Abbott shirts.
William J. Smetak
1927-2002
For over thirty years the stage of the Abbotts
magic get together was Bill Smetak's home away
from home. Bill learned the ropes literally and
figuratively from the legendary Werner "Dorny"
Dornfield. His unassuming and expert stage
management inspired hundreds of performers to
walk out onto the stage and “break a leg”.
However, Bill's legacy lies in the hundreds,
perhaps thousands of lives he touched with his
warmth, humility, and incredible

2015 magic compendium

Transcription

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