Holmen Paper
Transcription
Holmen Paper
Holmen’s paper 2 – 2009 “For centuries, books have captivated people and played a part in changing societies. As well as broadening views, they have also been a source of entertainment and a way of sharing experiences; and they are likely to continue to play these roles during the digital era as well. Because what medium allows your eyes to read in a relaxed way? What can communicate the written word best on a clean and even surface? What conveys a feeling of intimacy and quality? Paper.” Håkan Falck Deputy Managing Director, Holmen Paper Central Europe GmbH 2 Papers are in order for carbon footprints Pages 4–5 Of course there is room for both! Would you like a nice, sensual experience? Pages 6–9 First machine bought by correspondence Page 10 SWOT analyses are well known. Let’s do one for paper and the printed word in the digital era. Of course there are both threats and weaknesses because technology, forms of distribution and the media habits of readers are changing so rapidly. However, we should definitely not underestimate the opportunities and strengths. Paper books are easily available and easy to read, and the prices of a paperback are affordable for most people. And we shouldn’t forget the soft values that paper books represent. Or, as Wolfgang-Michael Hanke, Director of Production at the Verlagsgruppe Random House in Munich puts it: “Reading a book is a total sensual experience.” So of course there is room for both paper books and e-books in the information society that we all live in. Pages 6–9 Blue boats stand for green transport Pages 11–13 Simpler choice gives heavier weight Pages 14–15 TEXT: Strateg Marknadsföring and Anders Thorén PHOTOGRAPHY: Andreas Hylthén and Hans Jonsson GRAPHIC DESIGN: Strateg Marknadsföring PRINTING: Norrköpings tryckeri PAPER: Holmen Ideal Volym 100 g Holmen’s paper is issued by Holmen Paper and produced in collaboration with Strateg Marknadsföring. EDITOR: Henrik Sjölund Holmen Paper AB 601 88 Norrköping, Sweden Tel.: +46 (0)11-23 50 00 Website: www.holmenpaper.com 3 Papers in order Carbon footprints for all product groups Holmen Paper is now able to report its products’ carbon footprints to its customers. “The climate is an extremely important issue and our customers are becoming more interested in carbon footprints, so I’m even happier that we can do this for them,” says Anders Lindström, Technical Director at Holmen Paper. 4 The carbon footprint is a measurement of direct and indirect emissions of carbon dioxide and other greenhouse gases caused by the manufacture of a product, see below. Carbon footprint calculations have been made for all of Holmen Paper’s product groups, and are an interesting supplement to the environmental information that customers already receive in Paper Profile and the group’s sustainability report ‘Holmen and its World’. Interest in carbon footprints has increased considerably, particularly among British retail chains, but also in other countries and industries as well. Different kinds of marks for carbon footprints are now appearing on an increasing number of goods in stores, including home electronics, hygiene products, drinks and food products. This means that carbon footprints are used as a competitive tool, and this has also affected the products from the forestry industry. For example, cardboard is now being compared with other packaging material such as plastic, metal, glass and aluminium; and the quality of cardboard is also being compared between different suppliers. A similar development is also taking place in the printing paper sector. For example, The Times, a newspaper in Britain, has calculated the carbon footprint of its newspaper; a trend that is set to become even more common among newspapers, magazines and printed advertising material. To ensure that these comparisons are fair different organisations are working to produce standardised methods to calculate carbon footprints. In the autumn of 2007 CEPI, the Confederation of European Paper Industries presented its guidelines for calculating the carbon footprint of paper. Following this, Cepiprint worked alongside Cepifine to produce a calculation manual for writing and printing paper and this is the manual that Holmen Paper uses. “Holmen Paper products from Hallsta and Braviken have generally reported low carbon footprint values. In Sweden, Holmen uses its own forests and its own hydro power, which means that we can base our production on renewable raw materials and energy that provides low climate impact,” says Anders Lindström. Holmen Paper Madrid, like other continental mills, is more dependent on fossil fuels, which obviously results in higher carbon footprint values. However, in Madrid, our energy supply is primarily based on natural gas, which has advantages for the climate compared with other fossil fuels. 100% of our production is based on recycled paper, which is also positive as it means that the electricity consumption of our products is extremely low. Anders Lindström stresses that the climate work is being carried out throughout the group and that good results have been achieved in all business areas. Oil use has fallen by 25 percent since 2005 among the Swedish units of the Holmen Group and the aim is to phase oil out completely in the long term. Other important climate targets are to increase growth in the company’s own forests, produce more biofuel and increase the group’s own production of fossil-free electric energy. This will result in a further fall in the carbon footprint of our products. “Calculating and following up the carbon footprint of our products is an important part of the Group’s overall work on sustainability and climate issues,” says Anders Lindström. Definitions: Cepiprint is an association for producers of woodcontaining printing paper. www.cepiprint.com Cepifine is an association for producers of woodfree paper. www.cepifine.com Paper Profile is an environmental declaration that is used when buying paper. www.paperprofile.com ”Climate and energy issues are central for Holmen Paper. The carbon footprint calculations will allow Holmen and Holmen Paper to give our customers a transparent report on the climate impact of our products,” says Anders Lindström. ‘The ten toes’ – how to calculate carbon footprints Holmen forests are good for the climate Two kinds of carbon dioxide Carbon dioxide is carbon dioxide – however, when talking about the climate there is every reason to make a distinction between where it comes from. Biogenous carbon dioxide is released when trees decompose or when you burn fuel from the forest and this is already part of the carbon cycle of the atmosphere. These biofuels are ‘climate neutral’ and do not increase the greenhouse effect. Fossil carbon dioxide is released when oil or other fossil fuels are burnt, which supply the atmosphere with new amounts of carbon dioxide. Oil has of course been in the earth’s crust for millions of years. Fossil carbon dioxide is seen as the villain in climate issues. Source Holmen and its World 2008. www.holmen.com The annual growth in Holmen’s forests is around four million cubic metres, of which 80 percent is felled. For each tree that is felled, at least three new ones are planted. The forests are therefore growing at a higher rate than they are being used, which means that the timber stock is increasing all the time and even higher amounts of carbon dioxide are being taken and stored in the trees. In recent years, Holmen has carried out studies into the Group’s role for the climate. The result of these studies and from research carried out at the Swedish University of Agricultural Sciences, the Forestry Research Institute of Sweden and the LUSTRA research programme have shown that Holmen’s forests annually remove 560,000 tonnes of carbon dioxide from the atmosphere. This corresponds to around 200 kg per tonne of paper, cardboard or wood products that are produced within the Holmen Group. The analysis is described in Holmen’s sustainability report ‘Holmen and its World 2008’ (www.holmen.com) “Unfortunately, in accordance with the Carbon Footprint manual, we are not able to include this positive climate effect. However, when we report on the carbon footprint of our products for our customers, we will also provide information about the positive climate effect of Holmen’s forests. So in actual fact the climate impact of our products is even less than what is set out in the values that are now being reported,” says Anders Lindström. The carbon footprint is a measurement of the emissions of carbon dioxide and other greenhouse gases caused by the manufacture of a product, see below. Holmen Paper has used the calculation manual that Cepiprint and Cepifine produced as a standard for writing and printing paper. It covers the whole chain from the forest and the collection of recycled paper to the products being produced and sent to the customers. This manual is based on CEPI’s guidelines and its ten points or ‘toes’: 1. Carbon sequestration in forests 2. Carbon in forest products 3. Greenhouse gas emissions from forest product manufacturing facilities 4. Greenhouse gas emissions associated with producing fibre 5. Greenhouse gas emissions associated with producing other raw materials 6. Greenhouse gas emissions associated with purchased electricity and steam 7. Transport-related greenhouse gas emissions 8. Emissions associated with product use (e.g. printing) 9. Greenhouse gas emissions associated with product end-of-life 10. Avoided emissions. A value is calculated for the emission of greenhouse gases per tonne of products for each of these points (calculated as carbon dioxide equivalents). The total is the product’s carbon footprint, expressed as a kilogram of carbon dioxide equivalents (CO2eq) per tonne of paper. 5 Facts about Random House With over 11,000 new publications and 500 million books sold per year, Random House is the world’s largest publishing group. The Group has 120 publishing companies in 19 countries, including Doubleday and Alfred A. Knopf (USA), Ebury and Transworld (United Kingdom), Plaza & Janés (Spain), Sudamericana (Argentina) and Goldmann (Germany). Random House is also a global leader in ebooks. In 2008 Random House reported a 6 turnover of around EURO 1.7 billion and employs around 5,800 people. Its German operations, Verlagsgruppe Random House, comprise 40 publishing companies that publish around 60 million books per year. Its head office is in Munich. Part of Bertelsmann Random House is part of the international media group Bertelsmann, with operations in TV, radio, books, magazines, online services, online sales, etc. The Bertelsmann Group includes Europe’s largest magazine publishers Grüner+Jahr; the media and communication services supplier Arvato, which is one of Europe’s largest suppliers; and Random House, which is in a class of its own as the largest supplier of printing services. In 2008 the Bertelsmann Group reported a turnover of EURO 16 billion and employs around 105,000 people. “Printed books have special values, which I hope and I believe future generations will appreciate,” says Wolfgang-Michael Hanke, General Production Director at Verlagsgruppe Random House in Munich. Books are hard to beat “Books are weathering the storm, despite the economic crisis and the advance of new media. Reading books is a total experience that is difficult to replace,” says WolfgangMichael Hanke at Random House in Munich. “Cautiously optimistic – with an emphasis on the word ‘cautiously’”. This is how Wolfgang-Michael Hanke describes his view of the current situation on the German book market. Hanke has more than 20 years’ experience in the publishing industry and is the General Production Director of the German operations of Random House, one of the world’s largest publishing companies. Has not noticed the crisis The German company, Verlagsgruppe Random House, enjoyed a financial year that saw good growth and stable market positions. “Even at the end of 2008, we didn’t notice the crisis that everyone was talking about. Our annual turnover increased because we acquired the publishing houses Prestel and Hugendubel during the year. But even if we don’t count the figures from these acquisitions, we have still reported growth,” says Wolfgang-Michael Hanke. 2008 was therefore a good year for Verlagsgruppe Random House. The picture was gloomier on the other side of the Atlantic and the market in the United Kingdom was quite shaky. On the other side of the Alps, there were worrying signals of a continuing fall in book sales. Deep-rooted reading habits It is difficult to find one simple explanation as to why Verlagsgruppe Random House went against the trend, but a contributing factor is definitely the fact that Germany is a conservative market. A large proportion of German book readers are 50-plus, are financially stable and have deep-rooted reading habits. Their book-buying behaviour is not particularly affected by tough economic times. “In 2008 Random House also had a number of successful titles, which helped push up figures considerably in Germany, including Helmut Schmidt’s memoirs; Elizabeth George’s, Charlotte Link’s and Stieg Larsson’s popular novels; the third book in Christopher Paolini’s Eragon series, and the surprising success of Richard David Precht’s “Who am I – and if so, how many?”. Forty publishing houses At the moment, Verlagsgruppe Random House has 40 publishing houses, which publish everything from fiction, children’s literature, and non-fiction, to theology, self-help books, audio books and ebooks. This breadth of range contributes to its stability. Of around 60 million books that Random House sells in Germany, two thirds are paperbacks. Holmen Paper is a partner in this key market segment, supplying Holmen Book paper from Hallstavik. Despite tough competition and squeezed margins, the quality requirements for the paper used in paperbacks are high in Germany. It is important for the paper to be easy-to-read and thick Encouraging children to read is an important thing to do. In conjunction with Unesco’s World Book Day on 23 April Verlagsgruppe Random House, along with Holmen Paper Gmbh and several other companies, sponsored this book, which had a circulation of more than 1.2 million and was distributed free to book stores throughout Germany. 7 Reading a book is a total sensual experience. This is difficult to copy digitally.” enough for the book to be sturdy, and have a pleasant surface. There is also a requirement for the paper to be environmentally certified. “We have a policy to only buy FSC-certified paper, as this is the certificate that is most well-known on the international market. FSC certification guarantees that the raw material comes from sustainable forests.” Major changes You might get the impression that the German book market is quite idyllic; a stable market where quality and environmental aspects are important and where established players are guaranteed a relatively secure future. However, Herr Hanke thinks that this kind of conclusion is both wrong and dangerous. The reality is that technology, distribution forms and particularly consumer’s media habits are changing rapidly. Of course, the ‘world’s largest publisher’ is working not only to adapt itself to the new conditions, but also trying to guide developments. The revolution is primarily from the Internet and e-books. In the USA, Random House multiplied its sales of e-books in 2008. At the same time, the Internet and digital technology have fundamentally changed the sales and distribution channels for paperbacks. This development is definitely not as strong in Germany, but the pattern is the same and digital literature is definitely gaining ground, even in Goethe’s and Schiller’s homeland. New business opportunities One important feature is the fact that key consumer groups in Germany are not constantly connected to the Internet and prefer to buy their books in traditional book stores, even though Amazon and other online stores have been gaining ground for several years. Wolfgang-Michael Hanke counts himself in this category. He still buys most of his books from his favourite book stores and enjoys the ex- change with a book dealer that he knows. Just like many others from the older and middle generations who have grown up with ‘proper books’, he thinks that he would find it difficult to get used to mobile phones or e-book readers, particularly when reading a long novel. However, as a publisher, he has a completely different attitude... “Digital technology is opening up exciting business opportunities and it’s strategically important for Random House to head this development. The Group is a world leader in e-books and we believe that we have to offer good books to our readers in the format that they want. This is particularly true for young people.” Books survive However, what will happen to paper books? There is, of course, a striking parallel to the daily newspaper’s fight against digital media, which has not been very successful. But Wolfgang-Michael Hanke believes that books will cope much better. Reading a book is a total sensual experience, with long traditions and many dimensions, and this is difficult to copy digitally. In addition, collecting books is a key part of people’s identity and is a strong feature of the cultural environment we live in. Books that have been downloaded might be deleted after you have read them, and would then lose their permanence. “Finally, I think it’s important to think about what it would be like to lie on a beach, enjoying a good book in my mobile phone or Kindle (e-book reader). In these situations and in many others, I believe that books are still unbeatable.” “However, the development of e-books on the market will continue rapidly in the coming years. Just as when audio books were introduced a number of years ago, I think that we will appeal to a new target group with e-books,” adds Wolfgang-Michael Hanke. The FSC environmental mark is important on the German book market. Many readers also want the paper to be easy to read, have a light cream colour and a pure and even surface. The paper should also be thick enough and have a high bulk to ensure that the book feels sturdy. In 2007, sales of the Holmen Book book paper increased in Germany by more than 20 percent. 8 E-books: 400 percent increase Reporting sales of more than half a billion books per year, Random House is one of the world’s largest publishing companies for printed books. However, Random House also enjoys a leading position on the e-book market. In the USA, which is heading the field, Random House increased its sales of ebooks by almost 400 percent in 2008, although this was admittedly from a low level. More than 15,000 e-book titles are now offered to the company’s customers in the USA and more are on the way. When new printed books are launched, it will become normal to produce e-book versions as well. In the United Kingdom the e-book had its breakthrough during the Christmas holidays in 2008, when the e-book readers from Sony were high up on people’s Christmas lists. During the Christmas and New Year period, British people downloaded 1,000 e-books from Random House’s range every day. The e-book is also starting to gain a foothold in Germany and Verlagsgruppe Random House is at the forefront. More than 1,500 titles are now being offered in an e-book version on the German market and this number is growing rapidly. On the Group’s website, you can test read 50 pages for all available e-books – a marketing device that consumers appreciate. This has also had a positive effect on sales of printed books. The fact that e-book consumers are no longer restricted to their PC has opened up new business opportunities and created new alliances. In the USA, UK and Germany, more titles are now being offered in formats that are compatible with the iPhone and iPod touch. New e-book readers have been launched and this has given the e-book market a boost. In the spring, Sony Reader received a major launch in Germany with the slogan Das Buch der Bücher (the Book of Books). It is still difficult to determine how much impact this campaign has had, but it is clear that many major players are ready to invest heavily in the digital book market for the long term. Although modern versions of hardware and ebooks might not be that impressive, the technology has great potential. The next generation of e-book readers will work wirelessly with the Internet, be integrated with emails, allow for blogging, etc. E-books will become more interactive and will be able to be upgraded with films, games, music etc. When this has been fully developed, the e-book will make an even deeper impression on the market - even though it will never quite become ‘the book of books’... Internet and food stores are challengers The traditional book store still enjoys a stronger position in Germany than in many other countries. However, they are being squeezed even more by competition, not only by online stores, but also by other retailers such as hypermarkets, local shops and kiosks. However, there is still a way to go before the situation mirrors the situation in Britain and Sweden, where paperbacks can be bought virtually anywhere where there are people. Sony Reader RPS505 9 Trozelli, Swartz, Donkin and Captain Krook made sure that Holmen got its first paper machine On 10 August 1836, 155 crates arrived at Norrköping harbour. The documents said that they contained ‘paper processing machinery’. It was almost half a year later when the machine was put into operation. Holmen had left its era as a manual paper mill behind it once and for all. This investment for the future amounted to 18,000 riksdaler banco, which was the Swedish currency at that time. Although we would now smile if we looked at the machine, which was eight metres long and had a paper web that was 135 cm wide, it was something of a technical miracle at that time. After it had been in operation for three years, production had increased fivefold compared to production during the final year of the manual paper mill. Swartz paved the way Holmen bought the machine by correspondence from Bryan Donkin & Co in England. Lars Magnus Trozelli, who owned Holmen at that time, understood that it was necessary to keep up with the technical developments in paper production, which had gained real momentum in the 1820s. The reason it took such a long time from the idea to actually buying the machine was because Trozelli could not speak English and did not have any business contacts with England. But another person from Norrköping, Johan Swartz, did. He was doing business with the colonial goods company T W Smith & Co in London and helped the dialogue with Donkin get off the ground. This took place through correspondence and after some exchanges of letters, Donkin and his colleagues received the information they needed to move forwards. However, the price tag for the proposed delivery made Trozelli think twice. chine to arrive, a building was constructed at Valsverksholmen in Strömmen which would later house this technical miracle. The delivery from London came on the ship ‘Arfprinsen af Gefle’ with Captain Krook (!) at the helm. On 10 August 1836 she arrived at Norrköping harbour. A month later a mechanic and a papermill foreman from Bryan Donkin came to Norrköping. This meant that everything was in place and at the beginning of 1837 production was able to start using Holmen’s first paper machine. Partnership solved the problem Footnote However, the solution was close at hand; Donkin and Swartz became partners. And so on 6 May 1835 a formal order was placed for the machine. While waiting for the ma- This article is based on Lars Klingström’s jubilee book ‘Holmen – a journey in four centuries’. At the beginning of 1837 production started at Holmen’s first paper machine. A technical miracle at the time, it was eight metres long and had a paper web that was 135 cm wide. The machine was bought by correspondence from Bryan Donkin & Co in England. In 1837 production was able to start using Holmen’s first paper machine. 10 Three generations of the Pettersson family have transported paper for Holmen Paper The message comes in at 20.40; loading is complete. Mats Pettersson, the captain of the Baltic Bright, makes all the necessary functional checks, gets the go-ahead from the engine room and gives the order to start the engines. Around ten minutes later, the Baltic Bright is heading out on the glassy Bråviken bay. Mats and his crew have set off on another week-long trip. It will take them from Braviken Paper Mill, outside Norrköping, via the mill in Hallstavik to Gdynia and Lübeck. Over the years Mats and his crew have transported countless tonnes of paper from Holmen Paper to terminals and customers in Europe, and they have crossed the Baltic Sea and the North Sea countless times. “The Baltic Bright has the capacity to transport 5,500 tonnes of paper. If you rolled all the paper out, it would be enough to go around half the equator.” Third generation Mats has never even thought about how many tonnes he and his family company Charterfrakt have transported throughout the years. The company received its first charter from Holmen Paper back in 1966 and they have had a contract with Ro-Ro boats for 16 years. “I’ve grown up transporting paper for Holmen,” says Mats, who already did various jobs for the ‘boat people’ when he was a young boy in Norrköping harbour. “It was a natural thing for me to tag along during the summer holidays.” It remains to be seen whether there will be a fourth generation transporting paper over the sea – Mats’ children are still only eight and five years old. However, sea travel has already had an influence on them. Here is the proof of this: one day his son was suffering from earache, so they went to the clinic. When the doctor asked which ear hurt, he answered straightaway, “The starboard one…”! Close to the sea and to each other Mats started work as a deck-hand, went to an upper-secondary school that focused on shipping and worked as a seaman for one year in the family business. He then studied a three-year degree in nautical sciences in Göteborg. After his studies, he progressed through the ranks from second mate and first mate to become captain. He has now been the captain for 16 years. However, his time on the ship pales in significance compared to some others in 11 the crew. The cook, John Berglund, has been with the company since 1982; but Sten Bjurgaard, the engineman, has been with Charterfrakt even longer, since 1968. “We have employees who are both loyal and skilled. We all like the closeness that this family company stands for.” There are a total of eight men in the crew – the captain, first mate, second mate, two seamen, a cook, a technical manager and a mechanical engineer. Emil Kanefur is a student who is on the vessel at the moment. He is 18 and is studying at the Maritime College in Skärhamn. The course includes an internship of 32 weeks on board. “Unfortunately, it’s difficult to recruit young people to the industry, even though there is a guaranteed job at the end of their studies,” says Mats Pettersson. High-tech At midnight Jan Gauffin, the first mate, takes over from Mats. He checks the radar, the electronic navigational chart and all of the other high-tech instruments that help him to steer the Baltic Bright to where she needs to go. Jan is now on duty for four hours, after which he will rest for eight hours. There is a lot to keep him active in his free time, as the- 12 re is both a gym and a sauna onboard. If people want to jog, they can also run a few circuits around the deck. You can quickly clock up a few kilometres! Morning walk on deck As the night falls, the Baltic Bright continues on her journey, going through the archipelago outside Stockholm and reaching Roslagen at dawn. By this time, John Berglund has already prepared a breakfast which would not be out of place at a good quality hotel. “Food is important,” says John and Holger Pettersson, who works in the engine room, agrees. Holger has also already found time to walk around the deck a few times before his morning meal. “Good to have some fresh air,” is his short, concise comment. He works in the engine room along with Anders Lindquist. He is the technical manager, went to the Maritime Academy in Kalmar 1978 and has been working for Charterfrakt since 1988. “I’ve been here for 19 years, so I obviously enjoy it,” says Anders who has a wife and children on dry land. Anders does not see any problems in working for a month and then being at home for a month. “The wife of a sailor has to be able to make and be responsible for her own decisions. We also have access to email and mobile phones, so nowadays we don’t have any problems keeping in touch with family and friends.” Sea eagle appears Just an hour before reaching Hallstavik, they spot a sea eagle, gliding majestically over the water at Galtgrynnan. “I’ve actually seen 20 in one single journey before,” says Mats who soon has other things to focus on than animals and nature. It is time to make dock at the paper mill in Hallsta. Slowly and surely, Mats makes sure that the Baltic Bright enters the harbour and can be moored so that the next load can be put on. When this is finished, they have a long journey over the Baltic Sea to Gdynia and then Lübeck ahead of them. After the paper has been delivered, the Baltic Bright returns with a cargo of Mercedes cars for Sweden and Södertälje. “In principle, all Mercedes cars that are brought into Sweden come this way,” says Mats while he and his crew have a few hours on land, after John has tempted them with a delicious lunch. Short facts about Baltic Bright Quartet going around Europe Baltic Bright was built by the Karlskrona shipyard in 1996. This vessel is the latest, and probably the last, to be built in this size class in Sweden for Swedish owners and for Swedish charters. The vessel measures 134.40 long, 20 metres wide and 5.70 tall. The two main engines are diesel engines, MAK 6M32, 2640 kW. It also has three auxiliary engines, Volvo Penta TAMD 162C, 390 kW. The engines run on HFO 180 (heavy furnace oil). When both of the main engines are operating at full capacity, they use 0.9 m3/h – which is almost 22 m3 in a 24-hour period. The emissions from the main engines are NOX 11.1 g/kwh and 10.63 g/kwh from the auxiliary engines, which are below the applicable limit values. Holmen Paper currently has four vessels that transport paper. In addition to Baltic Bright, it also uses Baltic News, Baltic Excellent and Lehmann Paper. Baltic News, like Baltic Bright, goes on weekly trips. It goes from Hallsta to Braviken and Amsterdam. Baltic Excellent goes on 34 trips a year to Terneuzen in the Netherlands and Chatham in England. Baltic Excellent picks up waste paper to bring back to Braviken. Her capacity is around 5,100 tonnes divided into two cargo spaces. Lehmann Paper has a capacity of around 3,800 tonnes, and goes on 34 trips a year to Terneuzen and Chatham. She also brings back waste paper. “We used to have five vessels, but we are only going to be using four vessels this year and in 2010. Over the next 12 months, most of our fleet will be replaced and we will only use Ro-Ro vessels,” says Ronny Björklund, logistics coordinator at Holmen Paper. Transport by sea is the best environmental option There are both practical and environmental reasons why Holmen transports its paper by sea. By transporting the cargo by sea rather than by land, countless tonnes of emissions can be avoided by not using lorries. Hallsta and Braviken are also located by the water and both have harbours. “We wouldn’t be able to transport the number of tonnes that the mill produces using lorries or trains. The storage spaces at our mills are not big enough. We have to move a large quantity of paper out of storage at the same time,” says Ronny Björklund. 13 Unique study into paper choice Thinking in a new way can help get your message across and access your market more often Paper certainly has an influence on how successful DM is. If you make a smart paper choice, you can access your market more often – increasing the frequency, without increasing your paper costs – and you can get your message across more effectively using a popular paper. This was the result of a unique study that Holmen Paper commissioned from the research company Icebreak. The company studied how effectively two different kinds of paper communicated – Holmen XLNT and a wood-free paper. 14 “Holmen XLNT showed the same high capacity to convey rational messages – hard facts – as the wood-free paper,” says Tommy Wiksand, Head of the Holmen Paper business group Retailers, Publishers and Printers. One other interesting finding was that the people who received the mailshot printed on Holmen XLNT liked the paper more than those who received the same mailshot printed on wood-free paper. The difference in paper preference is statistically secure. remember receiving the mailshot. Similarly, there was no difference between the papers when it came to conveying rational arguments – facts about the offer. “An extremely interesting result was that people who received Holmen XLNT said that the paper was completely OK and they liked it. Their marks were significantly higher than the marks given by the recipients in the other city, who received the mailshot on wood-free paper.” More popular among the recipients DM gets the message across The study was carried out in conjunction with one of Viking Line’s campaigns in the spring of 2009. As part of the introductory study, 200 recipients in two cities in central Sweden received the same campaign mailshot, but printed on different paper. For one city, they used an uncoated, wood-free 100 g paper, while for the other they used Holmen XLNT 75 with a grammage of 55 g. When they compared the responses from the two cities, it was clear that there was no difference in recall – how well the recipients However, the wood-free paper was better able to create feelings, which was shown in the responses to questions that captured emotional factors. DM was also shown to be the primary source of information in both cities, when people were asked spontaneously if they remembered where they had found out about the Viking Line offer. “DM beat TV, newspaper adverts and the Internet, all of which were in the media mix used by Viking Line for the campaign we studied,” says Tommy Wiksand. Twice as much Conclusions? Yes, that it is worth thinking carefully about the choice of paper, for many different reasons. Sticking to a routine can cost money! “In our particular case, if you choose Holmen XLNT, you will receive almost twice as many squared metres of paper to use for your DM products,” says Tommy Wiksand. If you simply focus on paper costs, then the following example speaks for itself: If you send DM on 100 g wood-free paper 12 times a year and have a circulation of 3 million, you could send out 15 more mailshots if you choose Holmen XLNT 75 with a 55 g grammage! “You can work on your market much more often. This increases your chances of commercial success. Daring to choose a noncoated paper is extremely cost-effective – particularly when you are communicating informative messages,” says Tommy Wiksand. “Daring to choose a non-coated paper is extremely cost-effective – particularly when you are communicating informative messages,” says Tommy Wiksand. This conclusion is based on the study that Holmen Paper commissioned from the research company Icebreak about how effectively two different kinds of paper, Holmen XLNT and a wood-free paper, communicated. 15 Two versions of Holmen Bravo Holmen Bravo 80 is the latest addition to Holmen Paper’s product range. We have increased the brightness and the printing gloss compared with the well-established Holmen Bravo 75. Holmen Paper launched Holmen Bravo 80 to meet the wishes of customers, who wanted a recycled LWC paper that combined good printing gloss and good readability in an even stronger way. “These properties mean that the paper is perfect for standard magazines, for example. It also has good runnability,” says Andreas Boo, Commercial Manager, Business Group RPP. Both Holmen Bravo 75 and Holmen Bravo 80 are available in the following grammages: 54, 57, 60, 65 and 70 g/m2. Holmen Bravo 80 is also available in 80 g/m2. “This was also something the market asked for. We are giving them a paper with a grammage that makes Holmen Bravo 80–80 g an interesting alternative to traditional paper choices in this product segment,” says Andreas Boo. The launch of Holmen Bravo 80 means that more companies will have access to Bravo, which is produced at Holmen Paper’s plant in Spain. Bravo used to be marketed mainly in southern Europe, but now companies in the Netherlands, Belgium and Germany are standing in line to buy and say Bravo. Customer’s views have now been turned into concrete development projects It has been around a year since Holmen Paper presented its last customer survey, carried out by Opticom International Research. Work is now in full swing to further develop delivery services, product quality and technical support. All mills and people working centrally are involved in a number of different projects. “A lot of the improvement work is being carried out through quality projects at our mills,” says Fredrik Holgersson who is the project manager of ‘Preferred Supplier’. The aim of this improvement work is to ensure that Holmen Paper is the customer’s first choice. Representatives from the mills have carried out a number of customer visits in order to gain more detailed comments from their customers. In the future, meetings will also be held between the sales offices and paper mills. Representatives from, for example, the mill in Spain will meet employees from the sales offices in Spain, France and Italy. This is being done to listen to any suggestions for improvements and initiate projects that will benefit the customers. “When we carry out our next survey, our customers will be able to say that we have taken their viewpoints into consideration and that they have had a major influence on our development work,” says Fredrik Holgersson. The basis for our improvement work is Holmen Paper’s four key values; customer focus, professionalism, courage and commitment. DHL took home the prize of Direct Marketer of the Year The prestigious title of FEDMA & Holmen Paper Direct Marketer of the Year went to Germany this year. Dr Diane Rinas from DHL Global Mail was named the winner. She received her award at the NextMarketing Conference in Madrid at the beginning of May. The prize was given by Gilberto Mokbel, Sales Manager from Holmen Paper in Spain. Rinas is a specialist in interna- tional direct marketing and was given the award for the high professional level she always achieves when planning and carrying out international campaigns. The prize winner herself said that the prize from FEDMA and Holmen Paper was great recognition for DHL Global Mail’s services and the company’s strategic investment in DM. www.holmenpaper.com
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