Beaverton Ukulele Club `NIFTY FIFTY` SONGBOOK

Transcription

Beaverton Ukulele Club `NIFTY FIFTY` SONGBOOK
 Beaverton Ukulele Club ‘NIFTY FIFTY’ SONGBOOK Please leave this songbook here ­ to print your own copy ­ visit http://beavertonukulele.weebly.com * ​
Beginner/Easy Songs 1 ​
Beach Boys Duo * C,G7,F ­ D,A7,G,A 26 ​
My Little Grass Shack * G7,C7,F,A7,D7 2 ​
Beautiful Kaua’i * D7,G7,C,F 27 ​
Octopus’s Garden * ​
C,Am,F,G 3 ​
Camptown Races * C,G7,C7,F 28 ​
Ode To Uke * G,​
Am,C 4 ​
Coconut Medley * C7 29 ​
On The Road Again F,G7,C,E7,Dm 5 ​
Country Roads D,Bm,A,G,C,A7 30 ​
Pearly Shells * G,C,D7,A7 6 ​
Day­O:Banana Boat Song * F,C7 31 ​
Ring Of Fire * G,C,D 7 ​
Deep In The Heart Of * F,C 32 ​
Rock Around the Clock * C,G7,C7,F Texas 33 ​
Rockin’ Robin G,Am7,D7,G7,C7,C 8 ​
Dock Of The Bay G,B7,C,A,E7,D,F 34 ​
Route 66 * G,D,C,D7,G7 9 ​
Don’t Worry, Be Happy C,Dm,F 35 ​
Side by Side * C,F,A7,D7,G7,E7 10 ​
Five Foot Two C,E7,A7,D7,G7 36 ​
Singing In The Rain F,Am,Gm6,C7 11 ​
Hanalei Moon F,Dm,Gm7,C7,G7,Bb 37 ​
Sloop John B G,D7,G7,C,Am 12 ​
Home On The Range C,C7,F,D7,G7,Fm,Am 38 ​
Somewhere Over the C,Em,Am,F,G,E7 13 ​
Hukilau Song * D7,G7,C,A7 Rainbow & What A 14 ​
I Can See Clearly Now * D,G,A,C,F Wonderful World Medley 15 ​
I Hope You Dance F,Bb,Gm,C 39 ​
Splish Splash G,A7,D7,G7,C,C#dim,C7 16 ​
I’ve Been Working On C,C7,F,D7,G7,E7 40 ​
Stand By Me C,Am,F,G ​
The Railroad 41 ​
Sway Am,E7,G7,C 17 ​
Irish Celebration Duo C,F,A7,D7,G7,C7,F7,G 42 ​
These Boots Are Made A,D,C 18 ​
Jamaica Farewell * ​
C,F,G7 For Walking 19 ​
Keep on the Sunny Side * G,C,D 43 ​
This Land Is Your Land * C,F,G7 20 ​
Leroy Brown F,G7,A7,Bb,C7 44 ​
Three Little Birds * C,F,G7 21 ​
Life’s Been Good F,C,Am,G,Dm,A 45 ​
Under the Boardwalk * C,G7,C7,F,Am,G 22 ​
L­O­V­E C,Dm7,G,C7,F,D7,G7 46 ​
Wake Up, Little Susie * D,F,G,A 23 ​
Lovely Hula Hands C,G7,C7,F,A7,D7 47 ​
Wimoweh * F,Bb,C 24 ​
Margaritaville * C,F,G7,C7 ​
(Lion Sleeps Tonight) 25 ​
The Marvelous Toy D,A,G,E7,A7 48 ​
Yellow Submarine G7,C,Dm 49 ​
Zip­A­Dee­Doo­Dah / * C,F,G,G7,D Happy Birthday D,A,G 50 **​
Happy Trails F,C7,Bb,D7,G7 Aloha! Welcome to the Beaverton Ukulele Club’s Ukulele Jam/Song Circle! Please turn off your ​
cell phone​
/other electronic devices. There is a ​
water fountain ​
­ go thru the inside doors to the hallway, turn left, it’s on left side. ​
Bathrooms​
are in the same hallway, across from the water fountain. Formal instruction is not part of our jam/song circle ­ ​
we just make music​
! Our jams are just that ­ jam sessions for those who can already play a few chords. You can do this on your own, without lessons, in a short time. (lots of internet resources available) But you ​
don't​
have to be an expert player to take part in our jam sessions and have ​
fun​
. Beginners are very welcome. We do informally share techniques, so you will, hopefully, learn a thing or two. We also welcome ​
singers​
! (as it's not easy to play & sing at the same time :­) ​
Experienced players​
are invited to stay for an "advanced" jam session starting at 11:00 am. We start by having someone tell us their ​
name​
and ​
picking a song​
from the songbook. The person who picks the song generally ​
leads​
the song. You can also pick a song and ask if someone else is willing to lead it. OR ­ you can ​
pass​
and let the next person pick. The leader will tell us the ​
song number​
and then ​
share their thoughts​
about the time signature/rhythm/tempo­singing key­suggested strum pattern (tell & show). Be sure to give everyone a ​
few minutes​
to find the song and read the first line or two. Then ​
count in​
the song so everyone can start strumming & singing at the same time. We’ve discovered that it’s important to have only one person lead the song ­ so if you’re not leading the song, please try to ​
harmonize​
with the song leader. When the harmonies ring, it's truly magical! Sometimes we found that it’s ​
hard to start a song​
­ so if a song is not going well ­ ​
stop and sing & strum the chorus​
­ and then go back and start from the beginning. After we finish the song, ​
we’ll move to the next person​
in the circle and repeat. We usually play/sing about 18 songs. So if we have more than 18 people, everyone will not be able to choose a song. (but everyone will have had so much fun singing & strumming along that it won’t matter :­) Jam Tips: * ​
Tune your instrument​
before the jam starts. Clip­on tuners that sense vibration work best in noisy group settings, and are inexpensive. Ask to borrow a tuner if needed. Arrive late? Please tune up in the hallway. * ​
Join or leave​
the circle on a break between songs. * Be mindful of the ​
volume of your instrument. ​
You don't want to drown out the other instruments/singers. * ​
​
Let’s say you are a complete beginner with maybe 3 chords shakily at your disposal. Hang back and ​
watch for a while​
, and get the feel of the jam first. You can simply ​
sing ​
along during this time. * If all you know is the C chord in the song, strum with the ​
Zen chord (strings muted) ​
while waiting for it to come, play the C chord at the appropriate time, then strum with the Zen chord once again when the song moves on to another chord. If your ​
chord changes​
are not quite fast enough to keep up, try deliberately ​
playing every other chord​
, to give yourself more time. * ​
It is OK to ​
quietly​
​
ask​
the person next to you for information, perhaps about seemingly tricky chords, etc. * Try to locate someone who knows the song, and make sure you can ​
see their hand​
well enough to identify chord shapes. If nothing else, you can see when the chords change, if not exactly what chord they are using. * ​
Keep it fun & playful :­) ​
Relax, laugh & have fun! You can always just stop playing & sing along! * Not familiar with a song?​
​
For a link to a ​
YouTube playlist,​
please visit ​
http://beavertonukulele.weebly.com You are welcome to ​
bring a song​
that you then choose when it’s your turn. The song should be well­known. Bring​
15 copies with the words & ukulele chords.​
Please fit the entire song on one page. Recommend using Times New Roman font with a minimum of 12 font size. Highlight the chorus in bold. Need lyrics/chords? Visit Dr. Uke's website at ​
www.doctoruke.com​
or San Jose Ukulele Club at ​
http://sanjoseukeclub.org/ Please leave this songbook here.​
To print your own copy (or store it on your electronic device) ­ visit http://beavertonukulele.weebly.com ­ These songbooks are provided for educational and personal use only. All lyrics & music are the property and copyright of their respective owners. Thanks for coming and adding your voice, instrument music and presence to the circle. 1. Beach Boys Duo 4/4 ­ 1234­1 ­ Sing: C ­ Strum Suggestion: Lively, follow the beat 4/4 ­ 1234­12 ­ Sing: B Surfin' U.S.A. ​
(1963) Fun, Fun, Fun ​
(1964) C G7 D A7 D A7 D NC G7 If everybody had an o­­o­­cean, a­cross the Well, she got her daddy's car ​
G ​
C and she cruised through the hamburg­er stand, now. U­S­­A­aaaaaay, ​
D ​
G7 Seems she for­got all a­bout the li­brary, then everybody’d be sur­­­­fin’ like ​
A C like she told her old man, now. Califor­ni­­a­aaaaaay ​
D ​
F And with the radi­o blastin', goes cruisin' You’d see ‘em wearin’ their bag­­­gies, ​
G C just as fast as she can, now. Huar­a­chi sandals, to­o­o­oo. D A ​
G7 ​
A bushy, bushy blond hair­­­do­o, Surfin’ And she'll have fun, fun, fun, ​
G A ​
​
D C 'til her daddy takes the T­bird a­­way. U­S­­­A­aaaaay ​
D A ​
G7 And she'll have fun, fun, fun, Every­body’s gone su­­urf­i­­in’ Surfin’ ​
G A ​
​
D C 'til her daddy takes the T­bird a­­way. U­S­­­­­A­aaaaaay ​
D A [​
Repeat entire song​
!​
]​
​
then end with… And we'll have fun, fun, fun, ​
G7 ​
G A D Every­body’s gone ​
Uke’n​
, PLAYING OUR UKE’s​
both night and day. ​
C ​
D A IN BEAVERTON TODAY! And we'll have fun, fun, fun, ​
G7 ​
G A D Every­body’s gone ​
Uke’n​
, PLAYING OUR UKE’s​
both night and day. ​
C IN BEAVERTON TODAY! [​
Repeat entire song​
!​
] (Turnaround ­ top of 2nd column) 2. Beautiful Kaua’i Artist: Rudolph “Randy” Haleakala Farden (1967) Kaua’i: Kah waa ­ aah eeeeeeee 4/4 ­ _________ ­ Sing: C ­ Strum Suggestion: Gentle, accents on 2 and 4 D7 G7 C ­ D7 G7 C ​
C F C There’s an island a ­ cross the sea____ C G7 C Beautiful Kaua’i, Beautiful Kaua’i C F C And it’s calling, just calling, to me____ C G7 C Beautiful Kaua’i, Beautiful Kaua’i F C In the midst of Fern Grotto, Mother Nature made her home D7 G7 and the falls of Wailu, where lovers often roam. C F C So I’ll re ­ turn to, my isle across the sea____ C G7 C Beautiful Kaua’i, Beautiful Kaua’i C G7 C Beautiful Kaua’i, Beautiful Kaua’i [​
Repeat entire song​
!​
] D7 G7 C 3. Camptown Races Artist: Stephen Foster (1850) 4/4 ­ 1…2…123 ­ Sing: G ­ Strum Suggestion: Quickly, downstrokes on 2 and 4 C G7 O, the Camptown ladies sing this song, dooda, dooda C G7 C The Camptown race tracks’ five miles long, oh dooda day [​
Chorus​
] C C7 Goin' to run all night, F C Goin' to run all day I bet my money on a bob­tailed nag, G7 C Somebody bet on the bay. C ​
​
G7 I came down South with my hat caved in, dooda, dooda C G7 C I come back North with a pocket full of tin, oh dooda day [​
Chorus​
] [​
Repeat entire song​
!​
]​
​
then end with… G7 C Oh ­ dooda ­ day 4. Coconut / Shortnin’ Bread Medley Artist: Harry Nilsson (1971) / James Whitcomb Riley​
(1900) ​
_____ ­ __________ ­ Sing: C7 ­ Strum Suggestion: _______________ Brother bought a coconut, he bought it for a dime His sister had another one, she paid it for a lime She put the lime in the coconut, she drank them both up 3x’s She put the lime in the coconut, called the doctor, woke him up And said, Doctor, ain't there nothin' I can take I say, doctor, to relieve this bellyache? I say, doctor, ain't there nothin' I can take I say, doctor, to relieve this bellyache? Now let me get this straight You put the lime in the coconut, you drank them both up You put the lime in the coconut, you drank them both up Put the lime in the coconut, you drank them both up Mama’s little baby love shortnin’ shortnin’ Mama’s little baby love shortnin’ bread 2x’s You put the lime in the coconut, you drink 'em both together Put the lime in the coconut, then you feel better Put the lime in the coconut, drink 'em both up Put the lime in the coconut, and call me in the morning Mama’s little baby love shortnin’ shortnin’ Mama’s little baby love shortnin’ bread 2x’s You put the lime in the coconut, you drink em both up You put the lime in the coconut, you drink em both up 2x’s Whoo­whoo­whoo, whoo­ooh­ooh, whoo­ooh­ooh Whoo­whoo­whoo, whoo­ooh­ooh, whoo­ooh­ooh Whoo­whoo­whoo, whoo­ooh­ooh, whoo­ooh­ooh Whoo­whoo­whoo, whoo­ooh­ooh, whoo­ooh­ooh 5. Country Roads Artist: John Denver (1971) 4/4 ­ 1…2…1234 ­ Sing: A ­ Strum Suggestion: _______________ D Bm A G D Almost heaven, West Virginia, ​
​
Blue Ridge Mountain, Shenandoah River D Bm A G D Life is old there, older than the trees, younger than the mountains, growin’ like a breeze [​
Chorus​
] D A Bm G Country roads, take me home, to the place, I be­long D A G D West Vir­gin­ia, mountain mama, take me home, country roads D Bm A G D All my mem’ries, gather 'round her. Miner’s lady, stranger to blue water. D Bm A G D Dark and dusky, painted on the sky. Misty taste of moonshine, teardrop in my eye. [​
Chorus​
] Bm A D I hear her voice, in the morning hour she calls me G D A The radio re­minds me of my home, far away Bm C G And driving down the road I get a feelin’ D A A7 That I should have been home yesterday, yester­day [​
Chorus​
] G D Take me home, country roads … 6. Day­O: The Banana Boat Song Singer: Harry Belafonte (1956) Traditional ​
4/4 ­ __________ ­ Sing: F ­ Strum Suggestion: _______________ [​
Chorus​
] F C7 F Daaay ­o, Day­ay­ay­o, day­light come an' me wan’ go home F C7 F Daaay ­o, Day­ay­ay­o, day­light come an' me wan’ go home F C7 F Work all night on a drink a’ rum, day­light come an’ me wan’ go home Stack ba­na­na till de morn­in’ come, day­light come an’ me wan’ go home Come, Mis­ter tally man an’ tally me ba­na­na, day­light come an’ me wan’ go home. Me say Come, Mister tally man an’ tally me ba­na­na, day­light come an’ me wan’ go home Lift six han’, seven han’, eight han’ bunch, day­light come an' me wan’ go home Six han’, sev­en han’, eight han’ bunch, day­light come an' me wan’ go home [​
Chorus​
] F C7 F Beau­ti­ful bunch of ripe ba­na­na, day­light come an’ me wan’ go home Hide the dead­ly, black ta­ranch­la, day­light come an’ me wan’ go home Lift six han’, seven han’, eight han’ bunch, day­light come an' me wan’ go home Six han’, sev­en han’, eight han’ bunch, day­light come an' me wan’ go home Come, Mis­ter tally man an’ tally me ba­na­na, day­light come an’ me wan’ go home. Me say Come, Mister tally man an’ tally me ba­na­na, day­light come an’ me wan’ go home [​
Chorus​
] ​
then end with ​
(sing slowly) ... F C7 F Day ­ light ­ come ­ an’ ­ me ­ wan’ ­ go ­ home ... 7. Deep In The Heart Of Texas ​
Singer: Perry Como (1942) Songwriters: ​
June Hershey​
& Don Swander ​
4/4​
​
­ 1234...123​
​
­​
​
Sing: F ­ Strum Suggestion: Driving country beat F C The stars at night, are big and bright, deep in the heart of Texas; C F The prairie sky, is wide and high, deep in the heart of Texas. F C The sage in bloom, is like perfume, deep in the heart of Texas; C F Reminds me of, the one I love, deep in the heart of Texas. F C The cowboy’s cry, ki­yip­pee­yi­yi, deep in the heart of Texas; C F The doggies bawl, and bawl Y’all, deep in the heart of Texas. F C The coyotes wail, along the trail, deep in the heart of Texas; C F The rabbits rush, around the brush, deep in the heart of Texas. [​
Repeat entire song​
!​
]​
​
then end with... F C The stars at night, are big and bright, deep in the heart of Texas, C F The prairie sky, is wide and high, ​
DEEP IN THE HEART OF TEXAS! 8. Dock Of The Bay Artist: Otis Redding (1967) 4/4 ­ 1...2...1234 ­ Sing: D ­ Strum Suggestion: _______________ G B7 C A Sittin' in the mor­nin' sun, I'll be sittin' when the ev­en­in' comes G B7 C A Watching the ships roll in, then I watch 'em roll a­way a­gain, yeah [​
Chorus​
] G E7 G E7 I'm ​
sittin​
' on the dock of the bay, watchin’ the tide roll a­way G A G E7 Ooo, I'm just sittin' on the dock of the bay, wast­in' ti___i ___i­i­i __ime G B7 C A I left my home in Georgi­a, headed for the 'Fri­s­co Bay G B7 C A 'Cuz I've had nothing to live for, and look like nothin's gonna come my way So, [​
Chorus​
] I'm ​
just gon’ sit​
on the dock of the bay... G D C Looks like, nothing's gonna change G D C Every­thing still re­mains the same G D C G I can't do what ten peo­ple tell me to do F D So I guess I'll re­main the same, yes G B7 C A Sittin' here resting my bones and this loneli­ness won't leave me a­lone G B7 C A It’s two thou­sand miles I roamed just to make this dock my home Now, [​
Chorus​
] I’m ​
just gon’ sit​
on the dock of … (End with harmonic whistling) 9. Don’t Worry, Be Happy ​
Artist: Bobby Mcferrin (1988) 4/4​
​
­ __________ ­ Sing: C ­ Strum Suggestion: _______________ INTRO: (whistling) 8 strums on each: ​
C – Dm – F – C C Dm Here’s a little song I wrote, you might want to sing it note for note, F C Don’t worry, Be happy C Dm In every life we have some trouble, but when you worry you make it double, ​
F C Don’t worry, Be happy don’t worry, be happy now [​
Chorus​
] ​
(Ooh’s) C – Dm – F – C​
​
(x2) Oooooo oo oo oo oo oo­oo­oo­oo oo­oo­oooooooo oo­oo­oo­oo oo­oo­ooooooo oo­oo oo­oo oooooooooo C Dm Ain’t got no place to lay your head? Some­body came and took your bed. F C Don’t worry, Be happy C Dm The land­lord says your rent is late, he may have to li­­­­ti­­gate. F C Don’t worry, Be happy [​
Chorus​
] ​
(Ooh’s) C – Dm – F – C​
​
(x2) C Dm ​
Ain’t got no cash, but I’ve got style, playin’ my ​
ukulele​
really makes me smile. F C Don’t worry, Be happy C Dm ‘Cause when you worry, your face will frown, and that will bring every­body down F C So, Don’t worry, Be happy don’t worry, be happy now [​
Chorus​
] ​
(Ooh’s) C – Dm – F – C​
​
(x2) 10. ​
Five Foot Two Singers: ​
The California Ramblers​
(1925) Songwriters: Sam Lewis, Joe Young, Ray Henderson 4/4 ­ 1…2…1234 ­ Sing: E ­ Strum Suggestion: _______________ C E7 A7 Five foot two, eyes of blue, but, oh, what those five feet could do! D7 G7 C G7 Has any­body seen my gal? C E7 A7 Turned up nose, turned down hose, flap­per, yes sir, one of those! D7 G7 C Has any­body seen my gal? E7 A7 Now if you run in­to a five foot two, co­vered with fur, D7 G7 ​
STOP Dia­mond rings, and all those things, betcha life it isn't her! C E7 A7 But could she love, could she woo, could she, could she, could she coo! 1 D7 G7 C Has any­body seen my gal? ​
(​
REPEAT FAST, AFTER COUNT​
) 2 D7 G7 D7 G7 D7 G7 C Has any­body seen my, any­body seen my, any­body seen my ga­a­a­a­a­a­­al ? 11. ​
Hanalei Moon Artist: Robert Nelson (1974) Hanalei : Hah­nah­lay ​
&​
Kaua’i : Kah waa ­ aah eeeeeeee 4/4 ­ 1234...123​
​
­​
​
Sing: F ­ Strum Suggestion: Slow ­ This is a Hawaiian song! F Dm Gm7 C7 ­ F Dm Gm7 C7 F ​
​
G7 When you see­e­­e­­e­­e, Hana­lei by moo­oon­li­­i­­ight Bb C7 F C7 You will be­­e­­e, in heaven by the sea. F G7 Every bree­e­­e­­e­­eze, every wave will whi­is­per, Bb C7 F Gm7 C7 You are mi­­i­­ine, don’t ever go a­way. F G7 Ha­a­­a­­na­­lei, Hana­lei moon, C7 Bb F C7 Is lighting be­lov­ed, Kau­ai­ai­ai­ai­­i­­i­­i­­i F G7 Ha­a­­a­­na­­lei, Hana­lei moon, First time C7 F C7 [​
Repeat entire song​
!​
]​
​
then end with… A­­­lo­­o­ha, no wau­ i­ a­ o­ e Second time (​
slower tempo​
): C7 (​
pause​
) Bb F A­­­lo­­o­ha no wau­ i­ a­ o­ e Hana­­­­lei moon 12. Home On The Range Poem: Dr. Brewster M. Higley (1873) 3/4 ­ 123...12 ­ Sing: C ­ Strum Suggestion: Western waltz ­ emphasis on 1st beat C C7 F C D7 G7 Oh, give me a home, where the buffalo roam, where the deer and the antelope play C C7 F Fm C G7 C Where seldom is heard, a dis­couraging word, and the skies are not cloudy all day [​
Chorus​
] C G7 C Am D7 G7 Home, home on the range, where the deer and the antelope play C C7 F Fm C G7 C Where seldom is heard, a dis­couraging word, and the skies are not cloudy all day C C7 F C D7 G7 How often at night, when the heavens are bright, with the light of the glittering stars C C7 F Fm C G7 C Have I stood here a­mazed and asked as I gazed, if their glory ex­ceeds that of ours [​
Chorus​
] C C7 F C D7 G7 Oh, give me a land where the bright diamond sand, flows leisurely down the stream C C7 F Fm C G7 C Where the graceful white swan, goes gliding along, like a maid in a heavenly dream [​
Chorus​
] C C7 F Fm Am D7 G7 Oh, I would not ex­change my home on the range, where the deer and the antelope play C C7 F Fm Where seldom is heard, a dis­couraging word, C G7 C (slow)​
​
and the skies are not cloudy all day ... 13. Hukilau Song Artist: Jack Owens (1948) Hukilau: beach gathering for net fishing 2/2​
​
­ __________ ­ Sing: C ­ Strum Suggestion: _______________ D7 G7 C ­ D7 G7 C C G7 Oh, we’re goin’, to a huki­lau. A huki, huki, huki, huki, huki­lau. C Every­body loves a huki­lau, where the lau lau is the kau kau at the big lu­au. A7 D7 We throw our nets, out into the sea, and all the ama ama come a­swimmin’ to me C A7 G7 C Oh, we’re goin’ to a huki­lau. A huki, huki, huki, huki­lau ­­­­­­ C G7 What a beauti­ful day for fishin’, the old Ha­waii­an wa­­a­­­ay. D7 G7 The huki­lau nets are swishin’, down in old La­i­­e Ba­a­ay. C G7 Oh, we’re goin’, to a huki­lau. A huki, huki, huki, huki, huki­lau. C There’s ro­mance ‘neath Ha­waiian skies, where the lovely hula hula maidens roll their eyes A7 D7 With a silver­y moon shinin’ a­­bove, the kanes and wahinis sing a song a­bout love C A7 G7 C Para­dise now at the huki­lau. A huki, huki, huki huki­lau A7 D7 We throw our nets out into the sea, and all the ama ama come a­swimmin’ to me C A7 G7 Oh, we’re goin’ to a huki­lau. A huki, huki, huki, huki, huki, huki, C D7 G7 C ­ D7 G7 C A huki, huki, huki huki­lau­­­­­­­­­­ 14. I Can See Clearly Now Artist: Johnny Nash (1972) 4/4 ­ 1234...12 ­ Sing: D ­ Strum Suggestion: Calypso! D [​
Chorus​
] D G D I can see clear­ly now the rain is gone D G A I can see all ob­sta­cles in my way D G D Gone are the da­rk clouds that had me blind C G D It's gonna be a bright, bright, sun­shin­y day C G D It's gonna be a bright, bright, sun­shin­y day D G D I think I can make it now the pain is gone, D G A All of the bad feelings have dis­ap­peared. D G D Here is that rain­bow I’ve been wait­ing for. C G D It's gonna be a bright, bright, sun­shin­y day C G D It's gonna be a bright, bright, sun­shin­y day F C Look all a­round, there's nothing but blue skies F A D Look straight a­head, nothing but blue skies__ [​
Chorus​
] C G D Oh, what a bright, bright sun­shin­y day ... 15. I Hope You Dance Artist: Lee Ann Womack (2000) Songwriters: Tia Sillers & Mark Sanders 4/4 ­ __________ ­ Sing: F ­ Strum Suggestion: _______________ F Bb F I hope you never lose your sense of wonder Gm Bb F You get your fill to eat, but always keep that hunger Bb F May you never take one single breath for granted ​
Bb C God forbid love ever leave you empty­handed [​
Chorus​
] ​
Bb C F I hope you still feel small when you stand beside the ocean Bb C F Whenever one door closes, I hope one more opens Gm F Bb Promise me that you'll give faith a fighting chance C Bb C
​
Gm Bb F C Gm Bb C And when you get the choice to sit it out or dance­I hope you dance__­ I hope you dance__ F Bb F I hope you never fear those mountains in the distance Gm Bb F Never settle for the path of least resistance Bb C Bb Livin’ might mean takin’ chances, but they're worth takin’ C Bb C Bb Lovin’ might be a mistake, but it's worth makin’ Bb C F Don't let some hell­bent heart leave you bitter Bb C F When you come close to sellin’ out, reconsider ​
Gm Bb F Bb Give the heavens above more than just a passing glance C Bb C
​
Gm Bb F C Gm Bb C And when you get the choice to sit it out or dance ­ Dance ­ I hope you dance__ [​
Chorus​
] 16. I've Been Working on the Railroad Traditional 4/4 ­ 1…2…1234 ­ Sing: C ­ Strum Suggestion: Steady beat, stronger on 2 and 4 C C7 F C I've been workin' on the rail­road, all the live­long day. D7 G7 I've been workin' on the railroad, just to pass the time a­way. C C7 F E7 Can't you hear the whistle blow­in'? Rise up so early in the morn’ F C G7 C Can’t you hear the captain shoutin'? "Dinah blow your horn!" C7 F
D7 Dinah, won't you blow, Dinah won't you blow, G7 C Dinah, won't you blow your horn? C7 F
D7 Dinah, won't you blow, Dinah won't you blow, G7 C Dinah, won't you blow your horn? Someone's in the kitchen with Dinah G7 Someone's in the kitchen I know­ow­ow­ow C C7
F Someone's in the kitchen with Di ­ nah G7 C G7 Strummin' on my ​
UKE​
… and singin’ C Fee fie fiddle­di­i­o G7 Fee fie fiddle­di­i­o­o­o­o C C7 F (​
HOLD​
) Fee fie fiddle­di­i­o­o­o­o G7 C Strummin' on my ​
UKE! [​
Repeat entire song​
!​
] 17. Irish Celebration Duo When Irish Eyes Are Smiling Songwriters: Olcott, Graff, Ball (1912) 3/4 ­ 123..12 ­ Sing: C ­ Strum Suggestion: D U U ­ waltz style C When Irish eyes are smiling, F C Sure, ‘tis like a morn in Spring. F C In the lilt of Irish laugh­ter, A7 D7 G7 You can hear the angels sing. C C7 When Irish hearts are happy, F C All the world seems bright and gay. F F7 C A7 And when Irish eyes are smiling _____, D7 G7 C Sure, they steal______ your heart a ­ way. [​
Repeat entire song​
!​
] I'm Looking Over A Four Leaf Clover Songwriters: M. Dixon & H. Woods (1927) 4/4 ­ 1…2…1234 ­ Sing: C ­ Strum Suggestion: accent 2 and 4 beats very strongly .​
..and then pick up the pace with... C I’m looking over ­ a four­leaf clover D7 That I over looked before; G7 C A7 One leaf is sunshine, the second is rain, D7 G G7 Third is the roses ­ that grow in the lane C No need explaining, the one remaining D7 Is somebody I adore. F C A7 I’m looking over a four­leaf clover D7 G7 C ​
turnaround​
G7 That I over looked before. [​
Repeat entire song​
!​
] 18. Jamaica Farewell ​
Singer: Harry Belafonte (1957) Songwriter: Irving Burgie (Lord Burgess) 4/4 ­ 1…2…1234 ­ Sing: C ­ Strum Suggestion: _______________ C F G7 C ­ F G7 C C F G7 C Down the way, where the nights are gay, and the sun shines daily on the mountain top F G7 C I took a trip on a sailing ship, and when I reached Jamaica I made a stop [​
Chorus​
] C F G7 C But I’m sad to say, I’m on my way, won’t be back for many a day, F G7 C My heart is down, my head is turning around, I had to leave a little girl in Kingston town C F G7 C Sounds of laughter everywhere, and the dancin’ girls swing to and fro, F G7 C I must declare, my heart is there, ‘though I’ve been from Maine to Mexico [​
Chorus​
] C F G7 C Down at the market, you can hear, ladies cry out while on their heads they bear, F G7 C Ackee, rice, salt fish are nice, and the rum is fine any time of year. [​
Chorus​
] *Ackee is a Jamaican fruit, originally from Africa 19. Keep on the Sunny Side Singers: Carter Family (1928) Songwriters: Ada Blenkhorn, J Howard Entwisle (1899) ​
​
4/4 ­ 1234...12 ­ Sing: G​
​
­ Strum Suggestion: Bluegrassy! G C G There's a dark and a trou­bled side of life ​
D But there's a bright and a sun­ny side, too ​
G Though you meet with the dark­ness and strife ​
D G The sun­ny side you al­so may view [​
Chorus​
] G C G Keep on the sun­ny side, al­ways on the sun­ny side D Keep on the sun­ny side of life G C G It will help us ev­ery day, it will bright­en all the way C G D G If we'll keep on the sun­ny side of life ​
G C G Though the storm and its fu­ries rage to­day D Crush­ing hope that we cher­ish so dear G The cloud and storm will in time pass a­way D G And the sun a­gain will shine bright and clear [​
Chorus​
] G C G Let us greet with a song of hope each day D Though the mo­ment be clou­dy or fair ​
G And let us trust in our ​
Uku­leles ​
D G And play them as often as we dare! 20. Leroy Brown Artist: Jim Croce (1973) ​
​
4/4 ­ 1…2…123 ­ ​
Sing: F ­ Strum Suggestion: Strong on counts 2 and 4 F G7 Well, the south side of Chicago, is the bad­dest part of town A7 Bb C7 F C7 And if you go down there, you better just be­ware, of a man named Le­roy Brown F G7 Now, Le­roy wanted tro­uble, you see, he stands about 6 foot 4 A7 Bb C7 F C7 All the down­town ladies call him “Tree­top Lover,” all the men just call him “Sir!” [​
Chorus​
] F G7 And he’s bad, bad Le­roy Brown, bad­dest man in the whole damn town A7 Bb C7 F C7 Badder than Old King Kong, and meaner than a junk­yard dog. F G7 Now Le­roy, he’s a gamb­ler, and he like his fan­cy clothes A7 Bb C7 F C7 And he like to wave a dozen dia­mond rings in front of ever­y­bo­dy’s nose. F G7 He got a cus­tom Con­ti­nen­tal, he got an El­dor­a­do too A7 Bb C7 F C7 He got a 32 gun in his pocket for fun, he got a ra­zor in his shoe. [​
Chorus​
] F G7 Well Fri­day, ‘bout a week ago, Le­roy, shootin’ dice A7 Bb C7 F C7 And at the edge of the bar sat a girl named Doris, and ooo, that girl looked nice! F G7 Well, he cast his eyes up­on her, and then the trou­ble soon be­gan A7 Bb C7 F C7 Ol’ Le­roy Brown learned his lesson ‘bout messin’ with the wife of a jea­lous man. [​
Chorus​
] F G7 Well, the two men took to fight­in’, and when they pulled them from the floor A7 Bb C7 F C7 Ol’ Leroy looked like a jig­saw puzzle, with a couple of pie­ces gone. A7 Bb C7 F [​
Chorus​
] ​
(t​
hen end ...)​
Yes, he was badder than Old King Kong, and meaner than the junkyard dog! 21. Life’s Been Good ​
Artist: Joe Walsh (1978) 4/4 ­ __________ ­ Sing: F ­ Strum Suggestion: _______________ F C F ­ F C F ­ Am G Am ­ Am G Am ­ Am Am F C Dm C F C Dm C I have a mansion, forget the price. Ain't never been there, they tell me it's nice F C Dm C F C Dm C I live in hotels, tear out the walls. I have accountants, pay for it all G F C G G F C G They say I'm crazy, but I have a good time. I'm just looking for clues, at the scene of the crime G C G A Life's been good to me so far... F C Dm C F C Dm C My Maserati does 185. I lost my license, now I don't drive F C Dm C F C Dm C I have a limo, ride in the back. I lock the doors, in case I'm attacked F C Dm C F C Dm C I'm making records, my fans they can't wait. They write me letters, tell me I'm great F C Dm C F C Dm C So I got me an office, gold records on the wall. Just leave a message, maybe I'll call G F C G G F C G F G Lucky I'm sane, after all I've been through. Everybody says I'm cool (He's cool) G F C G I can't complain, but sometimes I still do. G C G A Life's been good to me so far... F C Dm C F C Dm C I go to parties, sometimes until four. It's hard to leave, when you can't find the door F C Dm C F C Dm C It's tough to handle, this fortune and fame. Everybody's so different, I haven't changed G F C G G F G F G They say I'm lazy, but it takes all my time. Everybody says, Oh yeah (Oh yeah) G F C G I keep on going, guess I'll never know why G C G A Life's been good to me so far... 22. L ­ O ­ V ­ E Singer: Nat King Cole (1964) Songwriters: ​
Bert Kaempfert & ​
Milt Gabler 2/2 ­ __________ ­ Sing: C ­ Strum Suggestion: With a swing C Dm7 "L" is for the way you look... ...at me G C "O" is for the only one...I see C7​
​
F "V" is very, very......extra ­ ordinary D7 G ­ ​
STOP "E" is even more than anyone that you adore can ... C Dm7 Love...is all that I can give...to you; G C Love is more than just a game for two. C7 F Two... ...in love can make it; take my heart, and please don't break it G Dm7 G7 C Love...was made for me and you. [​
Repeat entire song​
!​
] G Dm7 G7 C Love...was made for me and you! 23. Lovely Hula Hands Traditional 4/4 ­ __________ ­ Sing: C ­ Strum Suggestion: _______________ C G7 Lovely hula hands, graceful as the birds in motion, Gliding like the gulls o ’er on the ocean, ​
C G7 C G7 Lovely hula hands, kouli manani e. C G7 Lovely hula hands, telling of the rain in the val­ley, And the swirling winds upon the pali, C G7 C Lovely hula hands, kouli manani e. C7 F I can feel the soft caresses of your hula hands, C7 F Your lovely hula hands, A7 D7 Every little move expresses, so I’ll understand, G7 All the tender meaning... C Of your hula hands ​
G7 Finger tips that say A­ lo ­ ha G7 Say it to me again, “ I love you!” ​
C G7 C Lovely hula hands, kouli manani e. [​
Repeat entire song​
!​
] 24. Margaritaville Artist: Jimmy Buffett (1977) 4/4 ­ 1234...12 ­ Sing: C ­ Strum Suggestion: _______________ C F G7 C C G7 ​
Nibblin' on sponge cake, watchin' the sun bake, all of those tour­ists covered with oil C C7 Strummin' my ​
4​
​
string,on my front porch swing,smell those shrimp, they're be­ginnin' to boil [​
Chorus​
] F G7 C C7 F G7 C C7 Wastin’ a­way a­gain in Marga­rita­ville, searchin' for my lost shaker of salt F G7 Some peo­ple claim that there's a [​
single strums​
] C G7 F wo­o­man to blame, G7 F C 1) But I know, it’s nobo­dy’s fault. 2) Now I think ­ hell, it could be my fault. 3) But I know, it’s my own damned fault. C
G7 Don't know the reason, stayed here all season, nothin' to show but this brand new tat­too ​
C C7 But it's a real beau­ty, a Mexican cutie, how it got here I haven’t a clue [​
Chorus​
] ​
(end with #2) C G7 I blew out my flip­flop, stepped on a pop­top, cut my heel, had to cruise on back home But there's booze in the blender, and soon it will render, C C7 that frozen con­coction that helps me hang on [​
Chorus​
] ​
(end with #3 ​
& ​
then finish song with…) F G7 [​
single strums​
] C G7 F Yes, and some peo­ple claim that there's a wo­o­man to blame, G7 F C and I know, it's my own damn fault 25. The Marvelous Toy Artist: Tom Paxton (1960) 4/4 ­ __________ ­ Sing: D ­ Strum Suggestion: _______________ D A D A G D E7 A When I was just a wee little lad,full of health and joy, ​
my father homeward came one night and gave to me a toy D A D G G D E7 A7 A wonder to behold it was, with many colors bright & the moment I laid eyes on it, it became my heart’s delight [​
Chorus​
] D A D G It went Zip when it moved, and Bop when it stopped, and Whirr when it stood still G D A D I never knew just what it was, and I guess I never will D A D A The first time that I picked it up, I had a big sur­prise G D E7 A For right on it's bottom were two big buttons, that looked like big green eyes D A D G I first pushed one, then the other, then I twisted it's lid G D E7 A7 and when I set it down a­gain, this is what it did [​
Chorus​
] D A D A It first marched left, then marched right, then marched under a chair G D E7 A And when I looked where it had gone,it wasn't even there D A D G I started to cry, and my daddy laughed,for he knew that I would find G D E7 A7 When I turned around my marvelous toy, chugging from be­hind [​
Chorus​
] D A D A Well, the years have gone by, too quickly it seems, I have my own little boy G D E7 A And yester­day I gave to him, my marvelous little toy D A D G His eyes nearly popped right out of his head, he gave a squeal of glee G D E7 A7 Neither one of us knows just what it is, but he loves it just like me D A D G It still goes Zip when it moves, and Bop when it stops, and Whirrr when it stands still G D A D Oh, ​
I never knew just what it was, and I guess I never will... 26. My Little Grass Shack ​
Singer: Don Ho Songwriters: Bill Cogswell, Tommy Harrison, Johnny Noble (1933) 4/4 ­ 1234...123 ­ Sing: F ­ Strum Suggestion: _______________ G7 C7 F ­ G7 C7 F F G7 I want to go back to my little grass shack in Ke­ala­ke­ku­a, Ha­wai­­­­i C7 F I want to be with all the ka­nes and wa­hin­es I knew long a­go…. A7 D7 I can hear the old ukes play­ing on the beach at Ho­nau­nau G7 C7 I can hear the old Ha­wai­ians sing­ing “ Komo mai no ka­u­a i ka ha­le we­la­ka­hau” F G7 It won’t be long till my ship will be sail­ing back to Ko­ na, C7 A7 A grand old place I al­ways long to see (you’re telling me) D7 G7 I’m just a little Hawaiian and a homesick island boy I want to go back to my fish and poi F G7 I want to go back to my little grass shack in Ke­ala­ke­ku­a, Ha­wai­­­­­i C7 F Where the humu­humu­nuku­nuku­ a­pu­a’ a go swimming by. [​
Repeat entire song​
!​
] C7 F F C7 F Where the humu­humu­nuku­nuku­ a­pu­a’ a go swimming by………….. 27. Octopus’s Garden Artist: The Beatles (1969) ​
4/4 ­ __________ ­ Sing: C ­ Strum Suggestion: _______________ C Am F G C Am F G I’d like to be ___ un­der the sea, in an octo­pus’s garden, in the shade C Am F G He’d let us in ___ knows where we’ve been, in his octo­pus’s garden, in the shade Am F G I’d ask my friends to come and see­ee ___ an octo­pus­s gar­den with me C Am F G C I’d like to be ___ un­der the sea, in an octo­pus’s garden, in the shade C Am F G We would be warm ___ be­low the storm, in our little hide­a­way be­neath the waves C Am F G Rest­ing our head ___ on the sea bed, in an octo­pus’s garden, near a cave Am F G We would sing­ing and da­ance a­rou­ound ___ be­cause we know we can’t be found C Am F G C I’d like to be ___ un­der the sea, in an octo­pus’s garden, in the shade C Am F G We would shout ___ and swim a­bout the coral that lies be­neath the waves (lies be­neath the ocean waves) C Am F G Oh, what joy for every girl and boy, knowing they’re happy and they’re safe (hap­py and they’re safe) Am F G We would be so happy you and me, no­one there to tell us what to do C Am F G Am I’d like to be ___ un­der the sea, in an octo­pus’s garden, with you F G Am In an octo­pus’s garden, with you, F G C B C In an octo­pus’s garden, with you! 28. Ode To Uke Artist: Nancy J. Curfman _____ ­ __________ ­ Sing: C ­ Strum Suggestion: _______________ G Am C G Ukulele is good for you, but don’t forget to take your vitamins too. G Am C G Makes your heart happy, makes your toes dance too. Almost cures... the anything blues. [​
Chorus​
] G Am C G Yeah, we’re playin’ ... singing … making magic music on the Flea G Am C G Yeah, we’re playin’ ... singing … making magic music on the Flea G Am C G Ukulele will make you wanna sing, smile in traffic, even hug your enemy. G Am C G ‘Cause, ukulele brings Aloha, even in the desert with no water or a straw. [​
Chorus​
] G Am C G Friends may ask where you’ve been of late, don’t understand this four string fate G Am C G Guitar guru's say they wanna scream, next thing you know they'll be playin' this thing. [​
Chorus​
] G Am C G Ukulele is good for you, but don't forget to keep your day job too. G Am C G Before you know it you'll be up 'til 2, callin' in sick with the ukulele flu. [​
Chorus​
] 29. On The Road Again Artist: Willie Nelson (1979) 4/4 ­ 1234..12 ­ Sing: G ­ Strum Suggestion: Lively F G7 C ­ F G7 C C E7 On the road a­gain. Just can't wait to get on the road a­gain Dm The life I love is making music with my friends F G7 C And I can't wait to get on the road a­gain. C E7 On the road a­gain, goin' places that I've never been Dm Seeing things that I may never see a­gain F G7 C And I can't wait to get on the road a­gain. [​
Chorus​
] F C On the road a­gain, like a band of gypsies, we go down the high­way F C G7 We're the best of friends, in­sisting that the world keep turning our way ​
STOP­NO CHORDS and our way C E7 Is on the road a­gain. Just can't wait to get on the road again Dm The life I love is making music with my friends F G7 C And I can't wait to get on the road a­gain. [​
Chorus​
] F G7 C F G7 C G7 C And I can't wait to get on the road a­gain. 30. Pearly Shells Traditional English songwriters: ​
Webley Edwards​
& Leon Pober 4/4 ­ 1234..12 ­ Sing: G ­ Strum Suggestion: Hawaiian [​
Chorus​
] G C D7 Pearly Shells from the ocean, shining in the sun, covering the shore G C A7 When I see them my heart tells me that I love you G D7 G More than all the little pearly shells D7 For every grain of sand upon the beach G D7 I’ve got a kiss for you, and I've got more left over A7 D7 For each star that twinkles in the blue [​
Chorus​
] G C D7 Pearly Shells from the ocean, shining in the sun, covering the shore ​
G C When I see them my heart tells me that I love you G D7 G More than all the little pearly shells G D7 G More than all the little pearly shells 31. Ring Of Fire Singer: Johnny Cash (1963) Songwriters: June Carter & Merle Kilgore ​
2/2 ​
​
­ __________ ­ Sing: G ­ Strum Suggestion: Driving two­step beat G C G ­ G C G G C G Love is a burn­ing thing C G And it makes, a fir­ery ring C G Bound, by wild de­sire ​
C G I fell in­to a ring of fire [​
Chorus​
] D C G I fell in­to a burn­ing ring of fire D I went down, down, down C G And the flames went high­er And it burns, burns, burns C G The ring of fire C G The ring of fire [​
Chorus​
] C G The taste of love is sweet ​
C G When hearts, like ours meet ​
C G I fell for you like a child C G Ohh, but the fire went wild ​
D G [​
Chorus​
] ... The ring of fire … 32. Rock Around the Clock Singers: Bill Haley & His Comets (1954) Songwriters: M. Freeman & J. Myers 4/4 ­ ​
1…2…1234​
­ Sing: C ­ Strum Suggestion: _______________ C (​
hit​
) One, two, three o'clock, four o'clock rock C (​
hit​
) Five, six, seven o'clock, eight o'clock rock C (​
hit​
) Nine, ten, eleven o'clock, twelve o'clock rock C (​
strums​
) G7 We're gonna rock ­ a­round ­ the clock to­night. C C7 Put your glad rags on and join me hon', we'll have some fun when the clock strikes one [​
Chorus​
] F We're gonna rock around the clock tonight C We're gonna rock, rock, rock 'til broad daylight G7 F C G7 We're gonna rock, gonna rock, around the clock tonight C C7 When the clock strikes two and three and four, if the band slows down we'll yell for more [​
Chorus​
] C C7 When the clock chimes ring five and six and seven, we'll be rockin' up in 7th heaven [​
Chorus​
] C C7 When it's eight, nine, ten, eleven too, I'll be goin' strong and so will you [​
Chorus​
] C C7 When the clock strikes 12, we'll cool off, then start a­rockin' 'round the clock again [​
Chorus​
] 33. Rockin’ Robin Singer: ​
Bobby Day​
(1958) Songwriter: ​
Jimmie Thomas (Leon René​
) 4/4 ­ 1…2…1234 ­ Sing: C ­ Strum Suggestion: _______________ [​
Intro​
] G Am7 D7 G Am7 D7 Twiddly diddly dee, twiddly diddly dee, twiddly diddly dee, twiddly diddly dee, ​
G Am7 D7 G/ G/ G/ G/ Twiddly diddly dee, twiddly diddly dee, tweet, tweet ­ tweet, tweet. G ​
(or clap, clap, pause, clap beat) He rocks in the tree top, all day long, hoppin’ and a boppin’ and a­singin’ his song G G7 All the little birds on Jay Bird Street, love to hear the robin goin’ tweet, tweet, tweet [​
Chorus​
] C7 G Rockin’ robin, (tweet, tweet tweet) rock, rock, rockin’ robin ​
(tweet, twiddly dee) D7 C C7 G Blow rockin robin ‘cuz we’re really gonna rock to­night! ​
(tweet, tweet twiddly dee) G ​
(or clap,clap, pause, clap beat) Every little swallow, every chickadee, every little bird in the tall oak tree G G7 The wise old owl, the big black crow, flap their wings singin’ Go, bird, Go! [​
Chorus​
] [​
Bridge​
] C G G7 A pretty little raven at the bird bath stand, taught him how to do the bop and it was grand ​
C D7/ (​
STOP­NO CHORDS​
­­­­­­­­­­­­­­) They started goin’ steady and bless my soul, he out bopped the buzzard and the oriole G​
​
(or clap, clap, pause, clap beat) He rocks in the tree top, all day long, hoppin’ and a boppin’ and a­singin’ his song G G7 All the little birds on Jay Bird Street, love to hear the robin goin’ tweet, tweet, tweet [​
Chorus​
] ​
then​
​
[​
Bridge​
] [​
Chorus​
] ​
then end with the​
​
[Intro] 34. Route 66 Artist: Nat King Cole (1946) Songwiter: ​
Bobby Troup ​
4/4 ­ __________ ­ Sing: G ­ Strum Suggestion: _______________ G D C G G C G C G If you, ever plan to mo­tor west. Tra­vel my way, take the high­way that's the best D C G D7 Get your kicks, on Route Six­ty Six G C G C G It winds from Chi­ca­go to L. A. More than two thou­sand miles all the way D C G D7 Get your kicks, on Route Six­ty Six [​
Chorus​
] G(​
STOP​
) C(​
STOP​
) Now you go thru St. Louie, Jop­lin, Mis­souri G(​
STOP​
) G7 Okla­homa City looks migh­ty pretty C G You'll see Ama­rillo, and Gallup, New Mex­i­co D C Flagstaff, Ari­zona, Don't for­get Wi­nona G D7 King­man, Bar­stow, San Berna­dino G C G C G Won't you get hip to this time­ly tip. When you take that Ca­li­forn­ia trip D C G D7 Get your kicks, on Route Six­ty Six [​
Chorus​
] D C G G7 Get your kicks on, Route Six­ty Six 35. Side by Side Singer: ​
Kay Starr​
(1953) Songwriters: ​
Gus Kahn & Harry Woods (1927) 4/4 ­ 1…2…123 ­ Sing: C ­ Strum Suggestion: _______________ C F C F C Oh, we ain’t got a barrel of mo­ney, maybe we’re ragged and fun­ny, C F C A7 D7 G7 C But we’ll travel a­long, singin’ a song, side by side. C F C F C Oh, we don’t know what’s comin’ to­mor­row, maybe it’s trouble and sor­row, C F C A7 D7 G7 C But we’ll travel the road, sharin’ our load, side by side. E7 A7 Through all kinds of weather, what if the sky should fall? D7 G7 Just as long as we’re together, it doesn’t matter at all. G7 C F C When they’ve all had their quarrels and par­ted, C F C We’ll be the same as we star­ted, Just F C A7 D7 G7 C a’travellin’ a­long, singin’ a song, side by side. [​
Repeat entire song​
!​
] D7 G7 C Side by side D7 G7 C Side…by…side 36. Singin’ In The Rain Songwriters: Arthur Freed & Nacio Herb Brown (1929) 4/4 ­ 1...2...123 ­ Sing: C ­ Strum Suggestion: _______________ F Am Gm6 C7 (4x) F Am F Am F Am F Am I’m sing­ ing in the rain, just sing­ing in the rain F Am F Am Gm6 C7 Gm6 C7 What a glor — i­­ous feel­ ing, I’m hap­ py a­ gain Gm6 C7 Gm6 C7 Gm6 C7 Gm6 C7 I’m laugh ­ing at clouds, so dark up a­bove Gm6 C7 Gm6 C7 F Am F​
​
Am The sun’s in my heart, and I’m read ­y for love F Am F Am F Am F Am Let the storm­ y clouds chase, every­one from the place F Am F Am Gm6 C7 Gm6 C7 Come on with the rain, there’s a smile on my face Gm6 C7 Gm6 C7 Gm6 C7 Gm6 C7 I walk down the lane, with a hap­ py re –frain ​
Gm6 C7 Gm6 C7 F F\C7\F\ Just singin’ just sing­ ing in the rain [​
Repeat entire song​
!​
] 37. Sloop John B Artist: Beach Boys (1966) 4/4 ­ 1…2…1234 ­ Sing: G ­ Strum Suggestion: _______________ ​
G We come on the Sloop John B, my grand­father and me ​
D7 ’Round Nas­sau town, we did roam ​
G G7 C Drinking all night, got into a fight G D7 G Well, I feel so broke­up, I wanna go home [​
Chorus​
] G So hoist up the John B's sail, see how the mainsail sets D7 Call for the Cap­tain ashore, let me go home, G G7 C Am Let me go home, I wanna go home, yeah, yeah G D7 G Well, I feel so broke­up, I wanna go home G The first mate he got drunk, and broke in the cap­tain's trunk D7 The consta­ble had to come and take him a­way G G7 C Sheriff John Stone, why don't you leave me a­lone, yeah, yeah G D7 G Well, I feel so broke­up, I wanna go home [​
Chorus​
] G The poor cook he caught the fits, and threw away all my grits D7 And then he took and he ate up all of my corn G G7 C Let me go home, why don't they let me go home G D7 G This is the worst trip, I've ever been on [​
Chorus​
] 38. Somewhere Over The Rainbow & What A Wonderful World Medley Singer: Israel Kamakawio’ole ​
(Note: his version with correct lyrics) ​
4/4 ­_________­Sing:C­Strum Suggestion: “double­time” Reggae beat 1­&a­2­&­3­&a­4­& Intro: ​
C Em ­ Am F ­ C Em ­ Am Am/G ­ F C Em F C F E7 Am F Oooo oooo ooooooooooo oooo oo ooooooo oooooooo oooooooooo oooooooo oooooo C Em F C So­ome­whe­re o­­­ver the rain­bow wa­ay up hi­­i­­igh F C G Am F There’s a land that I heard of, once in a lull­­­­a­­by­­­y­­y y­­­­y­­y C Em F C So­ome­whe­re o­­­ver the rain­bow ski­ies are blu­u­ue F C G Am F And the dreams that you dare to dream really do come true ­ o­ o o­ o­ o C G Am F Some­day I’ll wish u­pon a star and wake up where the clouds are far be­hind me­e­­e C G Where troubles melt like lemon drops, way a­bove the chimney tops, Am F that’s whe­re you’ll fi­ ind me C Em F C Oh, so­ome­whe­re o­­­ver the rain­bow blu­uebirds fly­y­­y F C G Am F Birds fly o­­­ver the rain­bow, why then, oh why, can’t I­­­­­­I­­­I I­I­I ? C Em F C I see trees of green, and red roses to­oo, F C E7 Am I watch them bloom, for me and you F G Am F And I think to my­self, what a won­derful wo­­o­­­orld. ​
(continued) 38. Somewhere Over The Rainbow & What A Wonderful World Medley ​
­ continued C Em F C I see skies of blue, and clouds of white, F C E7 Am The bright blessed day, the dark sacred night, F G C F C And I think to my­self, what a won­derful wo­­o­­­orld. Bridge​
: G C The colours of the rainbow, so pretty in the sky G C Are also on the faces of people passing by F C F C I see friends shaking hands, saying “How do you do?” F C F/c G They're really saying, “I­­­­­­I I love yo­­o­­­ou.” C Em F C I hear ba­­bies cry, I watch them grow. F C E7 Am They'll learn much more than I'll ever know. F G Am F And I think to my­self, what a won­derful wor–or­­orld. or—or­­orld C G Am F Some­day I’ll wish u­pon a star and wake up where the clouds are far be­hind me­e­­e C G Where troubles melt like lemon drops, way a­bove the chimney tops, Am F that’s whe­re you’ll fi­ ind me C Em F C Oh, so­ome­whe­re o­­­ver the rain­bow blu­uebirds fly­y­­y F C G Am F Birds fly o­­­ver the rain­bow, why then, oh why, can’t I­­­­­­I­­­I I­I­I ? C Em F C F E7 Am F C\ Oooo oooooo oooooooooo ooooooooo ooooooo oo ooo ooo oooooooooo oooooooo ooooooo 39. Splish Splash Singer: Bobby Darin Songwriter: Bobby Darin & Murray Kaufman (1958) 4/4 ­ 1...2...1234 ­ Sing: G ­ Strum Suggestion: _______________ G Splish splash, I was takin' a bath, long about a Saturday night, yeah A7 D7 Rub­a­dub, just relaxin' in the tub, thinkin' everything was al­right G G7 Well, I stepped out the tub, put my feet on the floor, C C#dim I wrapped the towel around me, and I opened the door, and then G D7 G D7 Splish, splash! I jumped back in the bath, well how was I to know there was a party going on G They was a­splishin' and a­splashin', reelin' with the feelin', G7 C7 G D7 C7 G D7 Movin' and a­groovin, rockin' and a­rollin', yeah! G Bing bang, I saw the whole gang, dancing on my living room rug, A7 D7 Flip flop, they was doing the bop, all the teens had the dancin' bug G G7 C C#dim There was Lollipop with­a Peggy Sue, Good Golly, Miss Molly was­a even there, too! G D7 G D7 A­well­a, Splish splash, I for­got about the bath, I went and put my dancin' shoes on, G I was a rollin' and a strollin', reelin' with the feelin', G7 C7 G D7 C7 G D7 Movin' and a groovin', splishin' and a splashin', yeah! G G7 Yes, I was a­splishin' and a splashin', I was a­rollin' and a­strollin' C7 G Yeah, I was a­movin' and a­groovin'...woo! We was a­reelin' with the feelin'..ha! D7 C7 G D7 We was a­rollin' and a­strollin', movin' with the groovin', splish splash, yeah! G G7 I was a­splishin' and a splashin' one time, I was a­splishin' and a splashin'..woo­woo! C7 I was a­movin' and a­groovin'..... ​
(fade) 40. Stand By Me Artist: Ben E. King (1960) 4/4​
​
­ 1234, 123 ­ Sing: C ­ Strum Suggestion: Calypso (drag on 2nd “D”) C Am F G C C Am When the night has come, and the land is dark F G C And the moon is the on­ly light we'll see C Am No, I won't be a­fraid, Oh, I won't, be a­fraid F G C Just as long as you stand, stand by me [Chorus] C Am So dar­lin', dar­lin', stand by me, oh stand by me F G C Oh stand, stand by me, stand by me C Am If the sky, that we look u­pon, should tumble and fall F G C And the mountains should crumble to the sea C Am I won't cry, I won't cry, no I won't shed a tear F G C Just as long, as you stand, stand by me [Chorus] C Am When­ever you're in trouble won't you stand by me F G C Oh, stand by me, whoa, stand now, oh, stand, stand by me … 41. ​
Sway Singer: Dean Martin Songwriter: Pablo Ruiz & English lyrics by Norman Gimbel (1954) 4/4 ­1234 ­ Sing: E ­ Strum Suggestion: Spanish guitar style ­ heavy accent on 4th beat Am E7 Am E7 Am E7 Am When marimba rhythms start to play, dance with me, make me sway. E7 Am ​
(Break) Like the lazy ocean hugs the shore, hold me close, sway me more. E7 Am Like a flower bending in the breeze, bend with me, sway with me E7 Am ​
(Break) When you dance you have a way with me, stay with me, sway with me. [​
Bridge​
]​
​
G7 C Other dancers may be on the floor, dear, but my eyes will see only you ​
E7 Am ​
(Break) Only you have that magic technique, when we sway I go weak. E7 Am I can hear the sound of vio ­ lins, long be­fore it be­gins. E7 Am ​
(Break) Make me thrill as well as you know how, sway me smooth, sway me now. [​
Repeat entire song​
!​
] Am Sway me smooth………... sway me now. (​
end with​
cha­cha­cha) 42. These Boots Are Made For Walking Singer: Nancy Sinatra Songwriter: ​
Lee Hazlewood​
(1966) 4/4 ­ 1234​
​
­ Sing: A ­ Strum Suggestion: Basic Strum Descending line​
: ​
On 1st string ­ A ­ Walk down from the 12th fret to 5th fret (2 measures) then 4 measures of A​
. Easy alternative​
: ​
A chord for 6 measures, hit on 2 and 4 A You keep sayin’ you've got something for me ­ Somethin’ you call love, but con­fess D You been messin' where you shouldn't been messin' A And now, someone else is gettin’ all your best [​
Chorus​
] C A These boots were made for walking, C A and that's just what they'll do C A (​
break and mute​
) One of these days these boots... are gonna walk all over you * *​
On “you” (Descending line) ​
then​
4 measures of A A You keep lyin’ when you oughta be truthin' , and you keep losin’ when you oughta not bet D You keep samein' when you oughta be changin' A Now what's right is right, but you ain't been right yet [​
Chorus​
] A You keep playin' where you shouldn't be playin’ And you keep thinkin’ that you’ll never get burnt Ha! D I just found me a brand new box of matches Yeah! A And what he knows you ain't got time to learn [​
Chorus​
] ​
then​
(​
Descending line only​
) A Are you ready boots? …. ​
Start Walkin’! 43. This Land Is Your Land Artist: Woody Guthrie (1940) 4/4 ­ 1234….1 ­ Sing: C ­ Strum Suggestion: _______________ [​
Chorus​
] F C This land is your land, this land is my land G7 C From Cali­fornia, to the New York Island F C From the Redwood Forest, to the Gulf Stream waters _________ G7 C This land was made for you and me F ​
​
C As I went walking, that ribbon of high­way G7 C I saw a­bove me, that endless sky­way F C I saw be­low me, that golden val­ley G7 C This land was made for you and me [​
Chorus​
] F C I've roamed and rambled, and I follered my footsteps G7 C To the sparkling sands of, her diamond deserts F C All a­round me, a voice was sounding G7 C This land was made for you and me [​
Chorus​
] F C When the sun comes shining, then I was strolling G7 C and the wheat fields waving, and the dust clouds rolling F C and the fog was lifting, and a voice was chanting G7 C This land was made for you and me G7 C [​
Chorus​
] ​
then end with…​
This land was made for you and me ... 44. Three Little Birds Artist: ​
Bob Marley & the Wailers​
(1977) 4/4 ­ 1...2...123 ­ Sing: C ­ Strum Suggestion: _______________ C F C Don't worry, a­bout a thing, ‘cause every little thing ‘gonna be al__right. F C Singin' don't worry, a­bout a thing, ‘cause every little thing ‘gonna be al_ right. C G7 Rise up this morn’, smile with the risin’ sun. C F Three little birds, sit by my doorstep C G7 Singin’ sweet songs of melodies pure and true F C Sayin' ... this is my message to you­oo­oo. Sayin . . . C F C Don't worry, a­bout a thing, ‘cause every little thing ‘gonna be al__right. F C Singin' don't worry, a­bout a thing, ‘cause every little thing ‘gonna be al_ right. C G7 Rise up this morn’, smile with the risin’ sun. C F Three little birds, sit by my doorstep C G7 Singin’ sweet songs of melodies pure and true F C Sayin' ... this is my message to you­oo­oo. Sayin . . . C F C Don't worry, a­bout a thing, ‘cause every little thing ‘gonna be al__right. F C Singin' don't worry a­bout a thing, ‘cause every little thing ‘gonna be al__ right. ( __​
slow tempo​
_______________________) 45. ​
Under The Boardwalk Singers: The Drifters (1964) Songwriters: ​
Kenny Young​
& Arthur Resnick ​
4/4 ­ 1…2…123 ­ ​
Sing: C ­ Strum Suggestion: _______________ ​
C G7 Oh, when the sun beats down and burns the tar upon the roof C > C7 And your shoes get so hot you wish your tired feet were fire­proof F C Under the boardwalk, down by the sea…yeah G7 C On a blanket with my baby, is where I’ll be [​
Chorus​
] Am Under the boardwalk, …..​
out of the sun G Under the boardwalk, …..​
we’ll be havin’ some fun Am Under the boardwalk, …..​
people walkin’ above G Under the boardwalk, …..​
we’ll be fallin’ in love Am Am Am Am Under the board­ walk, board­ walk C G7 From the park you hear the happy sound of a carou­sel C > C7 You can almost taste the hot dogs and french fries they sell F C Under the boardwalk, down by the sea…yeah G7 C On a blanket with my baby, that’s where I’ll be [​
Chorus​
] 46. ​
Wake Up, Little Susie Singer: ​
The Everly Brothers Songwriters: Felice & Boudleaux Bryant (1957) 4/4 ­ 1…2…1234 ­ Sing: D ­ Strum Suggestion: _______________ D F G\ F\ ­ D F G\ F\ D F G\ F\ D F G\ F\ D Wake up, little Su­u­sie, wake up. ­­­­­­­­­­­­­­ Wake up, little Su­u­sie, wake up. ­­­­­­­­­­­­­­ G D G D G We both fell sound a­sleep, wake up, little Susie, and weep G D G D G D G The movie's over, it's four o'clock, and we're in trouble deep A G A Wake up, little Su­u­sie, ­­­­ wake up, little Su­u­sie [​
Chorus​
] A G A We­e­ell, what are we gonna tell your ma­am­ma? G A What are we gonna tell your pa? A G A A\ ​
STOP What are we gonna tell our friends when they say "ooh la la"? ­­­­­­­­­­­­­­­­­ D A D Wake up, little Su­u­sie, ­­­­ wake up, little Su­u­sie D We­e­ell, I told your momma that you'd be in by ten G We­e­ell, Susie baby looks like we goofed a­­ga­ain A G A A ​
STOP​
­­­­­ D F G\ F\ D F G\ F\ Wake up, little Su­u­sie, ­­­­ wake up, little Su­u­sie, ­­­­ we gotta go home D F G\ F\ D F G\ F\ D Wake up, little Su­u­sie, wake up. ­­­­­­­­­­­­­­­­­­­ Wake up,little Su­u­sie, wake up.­­­­­­­­­­­­­ G D G D G The movie wasn't so hot, it didn't have much of a plot G D G D G D G We fell a­sleep, our goose is cooked, our rep­u­tation is shot A G A Wake up, little Su­u­sie, ­­­­ wake up, little Su­u­sie [​
Chorus​
] ​
We gotta go home F G\ F\ D ­ F G\ F\ D ­ F G\ F\ D ­ F G\ F\ D 47. Wimoweh (The Lion Sleeps Tonight) ​
Singers: The Tokens (1961) Songwriter: Solomon Linda (1939) 4/4 ­ __________ ­ Sing: F ­ Strum Suggestion: _______________ Singing Intro ­ No chord ­ just singing: We­de­de­de, de­de­de­de­de de, we­um­um­a­way We­de­de­de, de­de­de­de­de de, we­um­um­a­way [​
Chorus​
] F Bb A wimoweh, a­wimoweh a­wimoweh, a wimoweh
F C
A wimoweh, a­wimoweh a­wimoweh, a wimoweh
F Bb
A wimoweh, a­wimoweh a­wimoweh, a wimoweh
F C
A wimoweh, a­wimoweh a­wimoweh, a wimoweh F Bb F C
In the jungle, the mighty jungle ... the lion sleeps to­night
F Bb F C
In the jungle, the quiet jungle … the lion sleeps to­night [​
Chorus​
] ​
Go crazy with it!! F Bb F C
Near the village, the peaceful village ... the lion sleeps to­night F Bb F C
Near the village, the quiet village … the lion sleeps to­night [Chorus] ​
Let loose ­ Sing loud!!
F Bb F C
Hush my darling, don't fear my darling ... The lion sleeps to­night F Bb F C Hush my darling, don't fear my darling … The lion sleeps to­night [Chorus] ​
By now you’re great at it!! Then ­ No chords ­ repeat the singing intro and fade out​
last line 48. Yellow Submarine Artist: The Beatles (1966) 4/4 ­ 1…2…123 ­ Sing: E ­ Strum Suggestion: _______________ G7 C Dm G7 In the town, where I was born, lived a man, who sailed to sea, C Dm G7 And he told us of his life, in the la­a­nd of sub­ma­rines. C Dm G7 So we sailed up to the sun, 'til we fou­ou­nd the sea of green. C Dm G7 And we lived, beneath the waves in our yellow sub­ma­rine. [Chorus] C G7 C We all live in a yellow submarine, yellow submarine, yellow submarine. G7 C We all live in a yellow submarine, yellow submarine, yellow submarine. G7 C Dm G7 1. And our friends, are all on board, many more of them, live next door C ​
(​
make submarine noises here while playing G7­ C back n' forth) And the band be­gins to play ​
(ba da da dum dada dum dada dum etc…………………..) [Chorus] G7 C Dm G7 2. As we live, a life of ease, every one of us, has all we need C Dm G7 Sky of blue, and sea of green, in our yellow sub­ma­rine. (a­ha!) [Chorus] 49. Zip­A­Dee­Doo­Dah ­ Song Of The South Singer: James Baskett (1946) Songwriters: A. Wrubel, R. Gilbert 4/4 ­ 1…2…1234 ­ Sing: C ­ Strum Suggestion: _______________ C C F C ­ F C G G (2x) C F C Zip – a­dee – doo – dah, zip – a­dee – ay, F C G G7 My oh my what a won­der­ful day! C F C Plen–ty of sun – shine, head – in’ my way, F C G C Zip – a­dee – doo – dah, zip – a­dee – ay! C G C Oh, Mis – ter Blue – bird’s on my shoul – der. ​
D It’s the truth, it’s “act – ch’ll,” G G7 Ev – ‘ry – thing is “sa – tis – fact – ch’ll.” C F C Zip – a­dee – doo – dah, zip – a­dee – ay! F C G C Won –der­ful feel–ing, won – der­ful day! [​
Repeat entire song​
!​
] ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ Happy Birthday D D A D Happy Birth–day to you, Happy Birth–day to you. G D A D Happy Birth–day, dear ___(name)_____, Happy Birth–day to you! And man­y more….! 50. ** ​
Happy Trails Singers: Roy Rogers & Dale Evans (1952) 4/4 ­ 1…2…123 ­ Sing: F ­ Strum Suggestion: _______________ F C7 Happy tra­a­ils to yo­o­ou, un­ti­­il we me­­eet a­gain. ​
F Happy tra­a­ils to yo­o­ou, keep smi­iling u­­un­til then. ​
Bb Who cares a­bout the clouds when we're to­ge­e­ther ? D7 G7 C7 Just sing a song and bring the sunny we­ea­ther. F D7 G7 C7 F Happy tra­a­ails to yo­o­ou, till we me­eet a­­a­­gain. [​
Repeat entire song​
!​
] According to Jumpin' Jim Beloff, when a room full of ukulele players of all levels of experience join together to play a song, you can expect a combination of well­measured chords along with off­key hacks, perfectly tuned ukes along with poorly tuned instruments, and vintage Kamakas along with $20 eBay specials. Somehow, this collection of sounds will always result in beautiful music ­­ which is part of the magic of the ukulele!