Windscript Volume 26, 2009 - Saskatchewan Writers` Guild
Transcription
Windscript Volume 26, 2009 - Saskatchewan Writers` Guild
The Saskatchewan Writers’ Guild’s Magazine of Saskatchewan High School Writing Volume 26 2009/10 C ontributors Jennie Baginski, Melissa Bereti, Darick Bourassa, Andrea Hannaford, Kimberley Hartwig, Kelci Hopcraft, Brynn Krysa, Sophie Long, MJ, Nicole Nedilenka, Dexter Neufeld, Jessica Poncsak, Shea Poncsak, Paige Schuett, Megan Vogelsang The Magazine of Saskatchewan High School Writing contents F o r e wo r d Words from the Page 1 E d i to r Pam Bustin Page 2 Sophie Long Megan Vogelsang MJ Page 4 Page 6 Page 7 Kimberley Hartwig Jessica Poncsak Jennie Baginski Dexter Neufeld Megan Vogelsang Shea Poncsak Jessica Poncsak Page 8 Page 10 Page 10 Page 11 Page 11 Page 12 Page 13 Brynn Krysa Darick Bourassa Jennie Baginski Megan Vogelsang Darick Bourassa Shea Poncsak Page 14 Page 15 Page 16 Page 16 Page 17 Page 17 Paige Schuett Andrea Hannaford Kimberley Hartwig Melissa Bereti Sophie Long Page 18 Page 18 Page 19 Page 20 Page 22 Kelci Hopcraft Sophie Long Melissa Bereti Kimberley Hartwig Nicole Nedilenka Sophie Long Nicole Nedilenka Page 23 Page 23 Page 24 Page 25 Page 26 Page 27 Page 29 A wa r d W i n n e r s Daddy’s Girl, The Vampire Strings Highs and Lows “It’s m y m a s t e r p i e c e .” Jack’s Masterpiece The First Snow Based on Detective Dark Eyes Winter Digging a Hole Twins The Brindled Cat “I’ll b e o n m y m i l k y way … ” The Man in the Sun Is My Father Mirror Debating Your Own Personality My Monsters Find Me Released Through Music “It s p l a s h e s a n d da n c e s … ” The Rain You looked like you today Droplets of Life Chelsea Sparkles “The wo r l d a r o u n d u s … ” Honey Holly Motherly Love Heartthrob Dívínitás Abused Winter Heat Writer Biographies Page 30 volume 26 The Magazine of Saskatchewan High School Writing foreword Welcome to windScript, the Saskatchewan Writers’ Guild’s e-zine of high school writing. Volume Twenty-six of windScript is published on-line at http://www.skwriter.com. We hope you enjoy reading the remarkable poetry and stories from the high school students whose work was selected. Many thanks to editor Pam Bustin for her dedication and skill. Thanks to each and every student who sent in their work, and to Saskatchewan’s teachers and librarians who encourage student writing. For more information, please contact: Beth McLean Education & Publications Officer [email protected] Phone: (306)791-7746 Award Winners Sophie Long Megan Vogelsang MJ The Jerrett Enns Awards are awards of excellence named in honour of Victor Jerrett Enns, Executive Director of the Saskatchewan Writers’ Guild from 1982 to 1988. It was Victor who first presented the idea of windScript to the Board of the Guild in 1983. His enthusiasm and determination kept the magazine alive in its first two years until permanent funding could be found. The Currie-Hyland Prize was established as a tribute to Robert Currie and Gary Hyland in recognition of their literary excellence, commitment, and generosity to students and fellow writers. The prize is awarded for excellence in poetry to a high school writer living outside Regina or Saskatoon. 1 volume 26 The Magazine of Saskatchewan High School Writing editor’s foreword In the last issue of windScript, Ed Willet talked about the fact that all writing is an act of courage, and that sending your work out into the world is especially courageous. I couldn’t agree more. I want to send out a huge,“Way to go!” to all the students who submitted pieces for this issue and an equally huge, “Thank you” to the teachers who encouraged their students to submit. Encouragement and support is invaluable to writers at any stage of the game—but especially important when we are just starting out. I also need to say a big thanks to Beth McLean and the Saskatchewan Writers’ Guild for giving me the opportunity to read the work of so many talented young writers. The reading, as always, was a joy. Making my selections of what to include in this year’s issue was tough. I read and re-read. I made my piles—yes, no, maybe so. I gave myself time to think, to see which pieces stuck with me. The piles, as always, kept shifting with each day and each pass through the material. Maybe became Yes. Yes became Maybe. A few Nos even leapt up into the Yes pile after a few passes. Finally, I made my choices and I really hope that you enjoy them. These pieces are the ones that tickled me, made me think, or just wouldn’t get out of my head. To me, that equals interesting writing. My congratulations to all the contributors and my thanks for all the hard work you did in the editing process. That was my favourite part of working on windScript. It was an honour to “meet” you all and discuss your work. I think that is the most valuable thing that windScript offers—the chance for young writers to talk about their work with a more established writer; the chance for an older writer, like me, to hear some fresh new voices. The contributors and I did most of our work together online for this issue, which is why Beth and I chose the cover photo (a photo I took on the island of Zanzibar in 2009). Email chats and documents flew back and forth. A few late night phone calls helped as well. Overall, it was a joy for me. I hope I offered useful and constructive feedback and maybe even passed on a few “tips of the trade” to you all. My final duty as Editor is to choose the Award Winners. Again, it was tough—but here are my choices for this issue: The Jerrett Enns Award for Prose: Sophie Long of Regina for Daddy’s Girl,The Vampire The Jerrett Enns Award for Poetry: Megan Vogelsang of Regina for Strings The Currie-Hyland Prize (Poetry): MJ of Moose Jaw for Highs and Lows 2 volume 26 The Magazine of Saskatchewan High School Writing editor’s foreword One of the special joys of the way the selection process for windScript is set up is that it is a “blind” competition—meaning I didn’t know who wrote which piece. I was not, as is often the case, limited to accepting only one piece from each contributor. I was able to select the pieces that stood out for me and if there were four pieces by one writer then … so be it. This is what happened with Sophie Long. She has four pieces in this issue—three prose and one poem. My favourite piece is Daddy’s Girl. It’s all in the voice of the character. She is so clear and strong and so … annoyingly believable. She also made me laugh out loud—more than once. Megan Vogelsang is another contributor with multiple entries in this issue. She was also in last year’s windScript and she really is a writer to watch. I also want to let the world know that she is already a consummate professional in taking care of the business side of writing. She was always the first one to respond to any emails and calls I made along the way. I chose her poem Strings for the Jerrett Enns Award for Poetry because it simply would not leave my head. The idea at the core of the poem rang so true to me. MJ’s Highs and Lows was like that too. Here it was the rhymes and the rhythms that stuck in my brain—and the complicated conversation that the narrator is having with himself that seems so simple on the surface. I had a great time editing windScript. My thanks again to the contributors for their courage to write, their generosity in sharing their work with us, and their willingness to work on the craft of writing. I really hope that I meet you all face-to-face somewhere down the writing road. Keep Scribbling! ~ Pam Bustin 3 volume 26 The Magazine of Saskatchewan High School Writing Award Winners Sophie Long Daddy’s Girl, the Vampire The Journal of Casey-Lee Jones January 3rd. So some jerk totally attacked me last night and bit my neck! Then when I woke up he made me drink his blood. I mean, it tasted good, but still, how rude! He totally screwed my life over! I can’t get to my mani-pedi at the end of the week! This is so dumb. At least I found my way home before the sun came up. I don’t know what would have happened if I didn’t. January 4th. So today, a ridiculously important question popped into my mind, and I can’t find out the answer! How many calories are in blood? Like, seriously, I keep getting these cravings—it’s worse than wanting McDonalds food when you’re on Slimfast! Anyways, I totally got super cravings so I went out to find some blood. Did you know they don’t sell blood at the grocery store? I was almost more pissed off than Kate Gosselin was at Jon when he started dating that teenager! Whatever. I’m like, the quintessential dieter or something. I can totally persuade myself that I’m not hungry when I need to. God, this vampire thing is totally gonna get lame. January 5th. The girls called today. Ick, they’re so clingy. I guess I should tell them what happened the other night. Then they’ll want to be vampires, too. This is my thing. They always steal my trends! Whatever. I guess I can’t just ignore them. We could go clubbing one night. It’s like, the only time I can go out anyway. I heard that vampires like, fry if they go in the sunlight. January 6th. I’m totally going out clubbing with the girls in half an hour. It’s a good thing I bought that Vera Wang dress last week before that jackass bit my neck. Today, I learned that being a vampire makes you like, automatically bulimic or something. I’m glad, actually, because at least it’s not an ugly disease, like cancer or something. I always wanted to try bulimia. Anyway, I tried eating my Caesar salad (without the Caesar) and I was totally sick. I guess I can still drink blood though. I’m still seriously craving that. Oh, but I stopped wanting to smoke. I still will, though. It’s just cooler. 4 volume 26 The Magazine of Saskatchewan High School Writing Award Winners January 7th Oh my god. Last night was so crazy. I totally got super drunk ... and vampires and alcohol is a strange mix. I ended up dancing with this totally cute guy. The night was going, like, perfect. I wasn’t even getting that annoyed by the girls and their constant following. Anyways. This guy and I (Dominic, I think his name is), ended up heading to his place so we could ‘get to know each other better’. So, anyways, we got to his apartment and I was so relieved that he had a nice place—the night wasn’t going to be a total waste, after all. We were like, kissing and stuff, and I couldn’t help it, I ended up biting his neck! He was cool though, he thought it was kinky or something. Whatever. I think being a vampire makes me really good in bed. Whatever, it’s morning now. Donald, or whoever he is, hasn’t woken up yet, but I’m gonna leave before he does. I hate these ‘morning after’ situations. It’s only like, 9am. If I hurry, I might be able to make it to my mani-pedi. 5 volume 26 The Magazine of Saskatchewan High School Writing Award Winners Megan Vogelsang Strings the third kind. they’re funny little devils. they’re the ones that people cut. every person i know gets an end of a Thread. some people get thicker, stronger, Threads than others. it’s your choice what to do with it. it’s deliberate. and painful. cause what nobody knows is what these Threads are made of. when one gets cut, it doesn’t heal the same. it’s not easily wrapped up and it’s not easily covered. it requires careful attention, and sandpaper. i have to slowly, slowly, get rid of the horrible Thread. and oftentimes, take off a little too much and damage my heart just a little. then, when the sanding is done, there is still the root. planted firmly within the core of my heart. it tries to grow back towards the person who cut the Thread. to stop the sprout, i must find this person. i take their Scissors away and melt them into hot, liquid steel. pour the solution on the struggling root so a shiny new skin forms over the wound, and nothing can grow there. i take my ends and attach them to my heart. but. with each end, comes Scissors. when you’re done with me, you can cut the Thread. i’ve never cut one. not yet, anyway. some just snap. most just snap. the snapped Threads usually don’t matter, cause they were made of cheapish string. snapped ends, left to hang get pulled back inside. my heart of tangled string. is kept hidden and safe. other Threads get ripped out. these require careful nurturing band-aids and rubbing alcohol. the rubbing alcohol stings and the band-aids itch but they do the trick in the end. the torn out Threads leave a tiny scar. and it’s not long before i don’t notice them at all. 6 volume 26 The Magazine of Saskatchewan High School Writing Award Winners MJ Highs and Lows Between your lips, above my eyes, that size, and summarize surprise, beholds a bitter sweet surprise, between my lips, above your eyes. Between your lips, between your sighs, between your hips, between your cries, between your heart your passion flies, under my lows, over your highs. Between our hearth, above our skies, between your earth, above my rise, undone our love and done our lives, between your lips, above my eyes. Between your lips, between your thighs, between what’s said, between what shies, between the summer eyes surprise, between, our passion, slowly dies. Between our hearts, our minds and eyes, between our bodies, beds and lies, we shiver, and reflect unwise, between my lips, above your eyes. 7 volume 26 The Magazine of Saskatchewan High School Writing “it’s my masterpiece.” Kimberley Hartwig Jack’s Masterpiece Chalk, not oil or acrylic, is his medium of choice. He says the others are not “natural enough” for him. Does he use canvas? Oh gosh no. Too “pompous” he says, scoffing at the suggestion. He prefers the pavement. “Does he stay out there all day?” my friends ask. “Yup,” I reply, “and sometimes into the night.” Their eyes widen and they nod with respect of his commitment. He’s out there right now. His arms swooping and diving deliberately in every direction in perfect unison like the Snowbirds in the clear prairie sky. His bare knees and toes dig and scratch into the grey rock until raw, but he doesn’t mind. They say you have to suffer for art. The shades of blue and yellow he has chosen perfectly compliment the green of the plants bursting through the cracks in the pavement. His artwork is bursting. Bursting from the 2-D world into our three dimensional one. That’s what I tell him. He always asks me, “Where did my picture go?” and I tell him that it didn’t like being stepped on by stinky feet in sandals and run over by the wheels of bicycles so it decided to take a vacation. Sometimes, I say it went to California or Australia; other times, it’s to the French Riviera. I tell him that it came into the house when he was still asleep to say goodbye and thank you. Then he runs outside to start another picture. “This one will be better than the last,” he promises. I don’t have the heart to tell him what really happened to his picture. I can’t tell him that the rain washed away what he spent all day slaving over. That where his picture really went was down the drain— where it will be “vacationing” with the sewer rats and alligators. I figure it’s okay, to lie to him like that. Our mother lies to him all the time, tells him, “Yes, of course Santa is real” and, this one’s my favourite, “The hamster ran away to join the circus.” I know he’ll figure it out eventually: that there is no Santa, that the hamster didn’t join the circus and that his picture didn’t go on vacation—but I figure, if I can put off the suffering, even just for a little while, shouldn’t I? One time, this kid in his class told him the tooth fairy wasn’t real. I’d never seen anyone so distraught. I met him in the playground after school, to walk home with him, and he stumbled over to me—feet dragging in the dirt, Curious George backpack sagging off one shoulder, head down, his brown curls in his eyes. “What’s the matter?” I asked. “Timmy told me the tooth fairy isn’t real!” he wailed, throwing his arms around me and burrowing his head into my stomach. For the record, I’d never much liked this Timmy character and now that he’d made my brother cry, I really wasn’t a fan. 8 volume 26 The Magazine of Saskatchewan High School Writing “it’s my masterpiece.” “What?” I said, lowering myself to his level. His eyes were glistening behind his curls, and his lip was trembling. “Psh, Timmy knows nothing. See, I was talking to the tooth fairy just the other day, we had lunch, and she told me, no lie, that she doesn’t go to Timmy’s house because he’s such a mean little boy. She told me that he hid his tooth so she couldn’t find it and she hasn’t been back since.” “Really?” he asked, begging, needing for it to be true. “Oh yes,” I said. “I swear it.” He smiled, “I knew it! I knew Timmy was lying!” “Of course!” I wrapped my arm around his shoulder and we walked home together to the soundtrack of him telling me stories of why he should have never believed Timmy in the first place. I figure that if he wants to believe in that kind of thing, I should let him. Why initiate him into the world of harsh reality before absolutely necessary? Is it ever necessary? Grownups believe in love. Is that really any different? There is no physical evidence to support the existence of love; there have been no legitimate pictures of Cupid taken with his bow and arrow ready for action. Yet, no one tells them it isn’t real. All the movies and books end with proclamations of love, marriages or proposals. People, no matter what age, are always searching for love—going on blind dates, posting classifieds. So, this is what I figure—believing in love is the grownup version of believing in the tooth fairy, or Santa, or impromptu vacations. And those that don’t believe in love, the sinister, grumpy, loathing people, they’re the Timmy’s of the world. Outside, it’s getting dark. The sun is disappearing behind the suburban landscape. “Would you tell your brother it’s time for supper?” a voice calls from the kitchen. “Yup,” I reply, and make my way to the door. “And make sure he comes in this time!” The air is cool and I shove my hands into my pockets as I make my way down the driveway. “What we got today Jack?” I ask as I bend down to inspect his work. The colours swirl in every direction, colliding and blending into a perfect mess of rainbow. He stands up and wipes chalk-laden hands on his jeans, smearing the colour over the denim. “It’s my masterpiece,” he says. It sure is. 9 volume 26 The Magazine of Saskatchewan High School Writing “it’s my masterpiece.” Jessica Poncsak The First Snow The wind goes slowly Across the virgin white ground Mourning summer’s end Jennie Baginski Based on Detective Dark Eyes Watching inevitability come closer each step … Inhale Piled up trash complements the scent of raw fish, caved in by alley walls, our views of starlit skies are limited. Ravenous glow off an alienated street lamp. Smoke signals, trailing down towards a wide brimmed fedora. Raised collar; camouflage within a trench coat, desolate below the heels. Eyes confine lit shadows; dancing moon beams capturing mine. :::smoke and mirrors::: Imminent wrinkles are formed. Unable to overlook a man’s face, worn from the world’s reluctance to love. This thumping heart inherits another’s insecurities. Minding a rabid ¡Ba-Bum! A tabby cat is flirting with puddles. My reflection being summoned by a bright yellow taxi #303 - ads out the wazoo. It is 11:11; I am wishing she will guide detective dark eyes home. 10 volume 26 The Magazine of Saskatchewan High School Writing “it’s my masterpiece.” Dexter Neufeld Winter Winter comes on quick rabbit feet falling gently everywhere Megan Vogelsang Digging a Hole Finally I have filled in the hole and patched it with dirt and let the grass grow and I can’t even see it anymore. Though sometimes I get stupid and I go to my garden shed find a shovel go to the hole and dig. And basically put things back to where they were in the first place. 11 volume 26 The Magazine of Saskatchewan High School Writing “it’s my masterpiece.” Shea Poncsak Twins Two snowflakes flutter greetings to my eyes. Startled hands festooned with wool rise up to meet my unexpected visitors. My eyes zoom in like microscopes, that bulge in surprise, when identifying them to be—incredibly alike. 12 volume 26 The Magazine of Saskatchewan High School Writing “it’s my masterpiece.” Jessica Poncsak The Brindled Cat The child wanders down the grassy slope in front of her uncle’s home, aiming for the fence at the bottom. She comes to a stop when she reaches it, and rests her arms on the ledge that juts out from underneath the decorative spikes. Gazing down the deserted lane stretching from somewhere to her right to somewhere beyond her left, the girl seems to be waiting for someone. Anyone watching her from one of the windows in the large house would think that she is reminiscing of the family she has lost, hoping they will miraculously come round one of the bends in the lanes. But that’s not what she is looking for; it is something far less remarkable. The bushes across the lane rustle almost imperceptibly—though it is enough to draw the child’s gaze. She watches a tabby cat, just barely out of kitten-hood, step cautiously out from under the branches. It looks up and down the lane before running over and squeezing through the narrow bars so that it can sit at the child’s feet. The child sits down, crossing her legs beneath her soft white dress, and the tabby climbs into her lap, curling up in it. The child reaches into her pocket for a piece of baked fish delicately wrapped in a handkerchief. She has smuggled it out of the house especially for the cat. The scrawny thing gobbles the morsel up as if it hasn’t eaten in days before it gives itself a quick wash and goes to sleep in the child’s lap. She first found the poor stray last week, crouching in front of the fence, when her uncle and aunt held a garden party. She had taken a piece of fish and held it at arm’s length for the kitten to eat. The tabby wolfed it down before disappearing into the bush across the lane. The child went to look for the kitten the next day, and it appeared again. The cat continued to visit the little girl at the same time of day after that, and the girl continued to feed it. No one came looking for her, for which she was thankful. The child wanted to spend every minute she could with another orphan like her, even if it was just a kitten that couldn’t talk back. It was her friend, and she was glad to have found someone to whom she could relate. The time is over too soon for her, though. Even now, when they have reached this time of trust, the tabby only stays for half an hour before it gets up, stretches, and runs back across the lane again to go on its way. The child feels a profound loneliness as she watches the cat disappear, wishing she could bring it into her uncle’s house to stay. She sits where she is, for a long while, before she gets up and makes her way back up to the large house on the hill. 13 volume 26 The Magazine of Saskatchewan High School Writing “i’ll be on my milky way ...” Brynn Krysa The Man in the Sun is My Father Satellites and comets orbit and collide In my spaced out mind Telescopes won’t find me now I’m too far gone Black holes take me and swallow me whole Rip me apart; I disintegrate into pieces of dust Or maybe I find a parallel universe Where the moon rises and the man in the sun Is my father Run around the rings of Saturn And count all of the stars I give them all names and have them send you a postcard If you want me back home I’ll be on my milky way Astronomers have got nothing on me They say you can’t survive in space Secluded and having no direction Well look at me, I’m headed straight to Pluto And I’ve heard it’s a nice place Gaze at the stars in the morning Watch the moon fall at night I drench myself in a meteor shower Let the stars fall in every direction Until an eclipse brings darkness And in the darkness, I count all the stars one more time To make sure I didn’t forget one I give them all names and have them send you a postcard If you want me back home I’m sorry, I can’t make it today 14 volume 26 The Magazine of Saskatchewan High School Writing “i’ll be on my milky way ...” Darick Bourassa Mirror “It hurts,” she said. Well now she’s dead I feel no guilt, my hands are red The blood is stained upon the bed The sinful deed fulfills me I stare into this hopeless mirror My mind is dark, it brings me fear And in the darkness shines a tear This torture nearly kills me Please do not reflect my pain What’s wrong with me? I can’t explain From thoughts like these I can’t refrain My days and nights are spent in vain The person looking back at me Is not the man he used to be There’s something wrong and I can see He needs his mind to set him free I turn away, from night came day From day to night, the light won’t stay I need the dark to go away My mind can’t take much more So here I go, again so low My twisted thoughts begin to flow My breaths are taken deep and slow Just like the night before They’re in my head The dreams I dread “It hurts,” she said Well now she’s dead 15 volume 26 The Magazine of Saskatchewan High School Writing “i’ll be on my milky way ...” Jennie Baginski Debating Your Own Personality While guileful governments discuss social graces, I’m tickling technological tendencies. Your random religions wring out rights and wrongs, as mischievous mannerisms molest multiculturalism. All we hear are forced apologies. All we need is fashion sense. Guts in! Grooves out. Megan Vogelsang My Monsters Sleep is a beautiful thing when I don’t dream. When the monsters aren’t under my bed. When my closet doesn’t groan. That’s the worst. When the closet starts talking. Murmurs. Scratches, sighs and screams, beckoning me to it. Pleading with me to open the door. So I do. Setting my skeletons free. 16 volume 26 The Magazine of Saskatchewan High School Writing “i’ll be on my milky way ...” Darick Bourassa Find Me The sun is high, my head is low The time ticks by, forever slow I always try so hard to go Where no one else will find me I feel at ease when no one’s home I seem to want to be alone I’ll just ignore my telephone So no one else will find me The more I hide, the less I hear From all the people I had near It’s very strange, but now I fear That no one else will find me Shea Poncsak Alone I sit here, tired and sad Scared and sick, weak and mad For now my mind is far from glad I need someone to find me Released Through Music Insert earbuds into the caves of my ears. Turn on my mini-juke box. Flip through the options. Stop. Select. A river is unleashed into my soul, And purges it of the dust Collected through my day 17 volume 26 The Magazine of Saskatchewan High School Writing “it splashes and dances ...” Paige Schuett The Rain The rain comes on tiny rain boots. It splashes and dances on unstable legs, then runs silently home. Andrea Hannaford You looked like you today You looked like you today. Sitting there with a blanket, and a book, and a cup of coffee at your side. Music playing in your head, songs of stars and legends. Whispering words to inspire, and help you understand. Sending tapping to your foot, freeing hum - soft from your voice. Wearing clothes, bought on sale, but never seeming so. With boots to make you 5’ 9”, and a green scarf to top it off. Those awkward glasses, slouching to the right, with a clashing bold necklace. The sarcastic tone of your words, The off centered act, crude, to those you distain The spaced out expression, deep in thought, just as before While you dream, your familiar dreams Of magic creations of culinary artworks, And a variety of clothes, blending in colours, unreal … or just unknown. Yes, you looked like you today. Regained from another. You are you again. It’s nice to have you back. 18 volume 26 The Magazine of Saskatchewan High School Writing “it splashes and dances ...” Kimberley Hartwig Droplets of Life Beads of water roll and ripple down the nylon of my orange umbrella and drop onto the glistening grass below. I watch the little dance the rain performs. My favourite part is when the raindrops hit the edge and, just for a second, the drop wonders whether it should fall. For a second, it’s scared. I see it shudder, and then decide—to let go—to fall into the unknown, oblivion perhaps. It doesn’t know where it’s going, but it lets go all the same. What if that raindrop just kept falling? And falling, and falling. Would it feel bad about its decision or would it say, “Well, at least now I know?” This is all if raindrops had thoughts and feelings, of course. Like you did, once. Sometimes, I think of falling off the face of the earth. Deciding that I don’t like gravity anymore and just falling. And falling and falling. I wonder where I’d end up. Maybe on Mars or Jupiter or the Planet of the Apes. Of course, it isn’t where I’d end up that would matter; it’s the letting go. The free fall into the unknown. I’m not sure I would be brave enough to let go. I guess you were, though. It’s like that game we played when I was young. The one where I held my arms out by my side and fell backwards, and you would always catch me. Except, this time, there’s no one there—just air, empty space and nothingness. Maybe when I fall I’ll be suspended in nothingness. I’d like to be suspended in nothingness. It would be very relaxing, give me time to clear my head, pluck out my thoughts to fill the nothingness around me. Maybe my thoughts would become stars and my good thoughts would shine brightly and my not so good thoughts would shine dully. Maybe that’s what the sun is, a giant thought. God’s giant thought, if you believe that kind of stuff. Or maybe it’s everybody’s thoughts all crammed and jumbled into a giant ball of thought. I think that’s why the sun will never burn out, because people will never stop thinking. The sun isn’t out today. It’s concealed by grey clouds. Wrapped in a baby’s blanket of soft fleece. Why was your last thought so dull? Is nothingness where you are now? Eternal nothingness? Well, I hope you’re enjoying it there. Is it warm this time of year? You could let me know sometime. Send me a message, any kind. A text message. One on my answering machine. It would be nice to hear from you again. A “hey, what’s up?” or anything like it. That’s the thing I miss the most—the little conversations, the so insignificant they’re significant conversations. I want to tell you I miss you. I squish my feet into the grass. Water oozes over my feet and in between my toes. I’m wearing purple flip-flops today, probably not the best choice considering the weather. I like the squishing sound the rubber makes against the wet grass. I keep stepping. Squish, squish, squish. I could stay here all day. Keep you company, if you wanted. I think you must get lonely. I am. I look up, into my umbrella, and watch the shadows of the rain. A single drop lands on the orange nylon, a perfect oval. I follow it with my eyes, watch it pirouette and glissade down the slope. Its movement quickens as it nears the edge. Now it’s moving at full speed, like a runner to the finish line. But once it gets to the edge, it halts. It hangs there, gripping. It twinkles in the dull light, reflects. I look at it, and it looks back. And then it falls. Oh brother, why did you have to fall? 19 volume 26 The Magazine of Saskatchewan High School Writing “it splashes and dances ...” Melissa Bereti Chelsea The cloth beneath my fingertips is cool; the stiff linen softens as I rub my hand over it. My head spins, but no thoughts whir within. The air outside is crisp and I shiver as someone opens the door. It’s cold for the tenth of October. Rather fitting, I feel, for this sort of event. Well, I don’t want to call it an event. That makes it sound as if this is fun, or wanted. But this isn’t wanted. A funeral is never wanted— especially for someone as young as Chelsea. Chelsea—twenty-one, newly engaged, with the rest of her life ahead of her. All she has ahead of her now is being buried in the half-frozen ground next to her grandmother with the cloth that sits before me. The cloth is already partially covered with colourful words and sad stories. This is how we get to say goodbye to Chelsea, seeing as her death was an accident. Everyone has the opportunity to sign the cloth with a story or memory of Chelsea, and then it will be buried with her, in the casket. I turn around, to look at Chelsea’s family. They’re standing behind me, thanking people for coming. Chelsea’s father and younger sister, my uncle Scott and his daughter Emilly, stand side-by-side, giving hugs and comfort to those who need it. Chelsea’s mother stands away from them with her new husband, tightly clutching his shoulder as she weeps. I feel my heart sink. I long to write something nice—something that will ease everyone’s pain, even though I know that isn’t possible. I turn back to the fabric and force myself to pick up a marker. Pink. I smile at this; it was Chelsea’s favorite colour. I remove the lid and tap it lightly against the table. What can I say? What fond memories do I have of Chelsea and me together? I draw a blank. Well I must have a million; I’ve practically grown up with her. I stop tapping the pen as I realize that I don’t have any really strong memories of Chelsea. No happy, loving, fun memories of us together. Chelsea was never a huge part of my life, although her dad and sister are. This stops me for a moment. Chelsea was so much older than I that our paths rarely crossed. In that moment, I only remember two things about her—the band, Hanson, and pink. One day, when I was about eight, I accidentally taped over Chelsea’s video of her absolute-all-time-favorite band, Hanson, performing live. She was so mad that she refused to speak to me for months. Chelsea loved Hanson so much that her license plate read “Mmm Bop”, the lyrics to one of Hanson’s most popular song. The second thing I remember is that her favorite colour was pink—and everyone knew that. The funeral was pink—pink flowers, pink photos, the people who attended were even asked to wear pink. Pink has completely taken over. However, I can’t exactly write, “Hanson” or “you liked pink” on the cloth. I’m not going to put something meaningless on here. Chelsea’s family would think I’m inconsiderate for taking up space on the material. I put the lid back on the marker and set it down. I feel stupid for almost writing something so generic about Chelsea. 20 volume 26 The Magazine of Saskatchewan High School Writing “it splashes and dances ...” I turn my back to the table, and I feel a hand come to rest on my shoulder. I look up and I see my uncle Scott standing next to me. I see the brick wall beginning to crumble behind his eyes; His body begins to sag with sorrow. I wrap my arms around his waist and I pull him close for a hug. He wraps his arms around my shoulders firmly, and he rests his head on top of mine. “Thank you, my dear,” he says softly. “You’re welcome,” I say without hesitation. I feel a hot tear fall on my head and I gently rub his back. As if reading my mind, my uncle begins to speak. “You know, she might not have shown it, but Chelsea loved you. You two didn’t say much to each other, but I could tell.” Another drop falls on my head as I speak. “I know, Uncle. I just wish I knew what to say to her now.” “Tell her how you honestly feel. That’s the kind of girl my baby was. She would want your honesty.” I nod into his chest. I feel my face flush and hot tears blur my vision. My uncle kisses the top of my head, releases me, and nudges me back towards the cloth. I try my best to smile at him as I pick up the pink marker and uncap it. I bend over the table and search for an empty space. I pull the blank slate towards me, and I set the marker down, allowing the pink to bleed into the cloth. Chelsea, I begin—the words forming in my mind. Chelsea, We were different, and honestly not close. My biggest regret is not seeing you enough; not trying to get to know you. I’m sure you were wonderful, and if only I had been given more time to get to know you. But I guess we’re out of time. I’ll remember you Chels in my own way, and will continue to until I see you again. Love always. As I set the marker back onto the table, I find myself staring at what I’ve written. I don’t know where these words have come from, they just … found their way onto the cloth by themselves. The longer I stare at the words, the more I feel the forced grief that I was shoving upon myself lift. All I feel, now, is sadness for those around me who are heartbroken. The sorrow that has been tugging at my stomach for days subsides, and is slowly replaced with hunger. My words begin to swim before my eyes, so I close them. I keep thinking about what I’ve written, and how I know that I should feel sadder. Yet I can’t seem to push myself to feel anything more than … sympathetic to those around me. I look down, softly saying a “sorry” to Chelsea. As I look up, I see my uncle standing before me, watching, and smiling the best that he can. He doesn’t know how I feel. “Time to get some snacks, my dear?” I put a smile on my face and say, “You know it.” I take him by the hand and pray that my hollow emotion doesn’t show on my face. I don’t want to hurt him more than he already has been. He and Emilly have been my rock—it’s my turn to be theirs. As we walk toward the table of food, I gently squeeze his large fingers with my smaller ones, silently giving him my unneeded strength. His hand squeezes mine back, silently accepting. 21 volume 26 The Magazine of Saskatchewan High School Writing “it splashes and dances ...” Sophie Long Sparkles It’s cold, but I really can’t feel it. The silver sparkles are coming at me from every direction. I shouldn’t have worn a skirt. It’s only March. The trees sway, like birds ruffling their feathers. They bow to us as we walk by, dripping green glitter to the ground. The grass is damp beneath my flats. Last October’s leaves are piled at the bottom of the hill, still emitting the occasional brown spark. I love these moments. I can feel the pink gems floating off of every inch of my body. I can’t help it. It’s so amazing when everything just fits together perfectly. I always feel like that with Sara. We make our way through the park. It feels like nothing exists, except us. The trees float away and pop in the sky like bubbles. The play structure turns to dust and falls to the ground. I watch it all happen with a smirk. It’s just my best friend and I, walking through it all. We don’t talk, but it’s not like we have to stay silent. We reach the top of the hill and stop. Sara and I turn to one another. She stands out against the Nothing. Her hair is on fire, her skin is snow. How could I not smile at her? Her cherry lips reciprocate, and a few purple sparkles trickle up to the sky. I want to spend forever on this hill. Sara and I look at one another. She reaches for my hand. Tingles whisper along my arm as her sunshine fingers wrap around my wrist, then slide down to grasp my hand. Yellow glitter tumbles to the ground from my arm. Soon, every colour erupts from our joined hands. We are surrounded by rainbow sparkles that float around us like a veil, shielding us form the world. I look at Sara again, and I can tell she sees it too. She opens her mouth to talk, and little wisps of mist escape and swirl up to the sky. “I’m so glad we’re friends,” she says. I tell her I feel the same, and that I hope we never grow apart. Sara begins to talk again but she is interrupted by a dog, barking in the distance. It brings the trees back, and the play structure. I want the Nothing back. Our veil is broken, but our hands still give off sparkles. I pull her closer. Sara’s other hand finds mine. I look into her eyes once more. The sparkles are there, I just need to get them out. Our faces are inches apart. I gently touch my lips to hers, and I can feel the sparkles. The kiss grows, and she tastes just as sweet as I anticipated. We’re there for two minutes. We’re there for ten years. Finally, we break apart, and we turn and walk down the hill, hand-in-hand. The veil is back. We know, now we’ll always have the sparkles. 22 volume 26 The Magazine of Saskatchewan High School Writing “the world around us ...” Kelci Hopcraft Honey the world around us is still asleep dim lights flickering above chewing burnt toast masked with honey I glance across the table He smiles, His face worn and creased with memory Lips, like leather, pull back to reveal a gummy smile. Sophie Long Holly straightjacket legs from twisted up sheets sticky skin cold feet lines of light breaking through his curtains dry mouth lemons in the back of your throat yellow brick road of crumpled clothes black smudges corrupting pale skin beneath lashes pile of brown bottles telling your tale stench of beer filling the air once more hit with the realization that Oz isn’t as pretty when he’s not shrouded by the night. stay where you are the world won’t find you. 23 volume 26 The Magazine of Saskatchewan High School Writing “the world around us ...” Melissa Bereti Motherly Love she stabs me once with her new little knife; this metal is foreign to me. the second stab is deeper her knife rakes down, opening me up; revealing my hurt. but she’s too busy to realize i’m bleeding; she enjoys the game too much. she stabs once more; the final blow. and her dirty, cold knife is now so familiar so welcomed and desired that i smile as she twists the knife because this time, it has gone so deep that my heart goes with when she pulls the knife out. she looks at her hands, now covered in my hurt and she smiles proudly at her masterpiece. my heart in her hands, with that fucking knife of hers sticking out the front. content with her work, she puts it back in place, satisfied with her victory. looking down at the handle, i pull on it—hard—and her trophy comes out of my chest, fully intact. i throw it in the garbage. i don’t need that heart and i don’t need my mother’s love. 24 volume 26 The Magazine of Saskatchewan High School Writing “the world around us ...” Kimberly Hartwig Heartthrob You carved your name into my heart long ago. Etched it on the arteries and veins like you did on the bark of a tree on a cloudy day in June with a key and a message, I love you. Scar tissue has filled in some of the craters your name created since I saw you last and others have tried to claim the territory of my heart by replacing your consonants with their own but your name remains. You left your signature on a cloudy day in June and ever since you left I’ve been trying to reclaim what used to be mine, but every time my heart pumps corresponding to my breath, my heart spills your name. 25 volume 26 The Magazine of Saskatchewan High School Writing “the world around us ...” Nicole Nedilenka Dívínitás There he stands, leaning back against the kitchen counter. His head rolls back, mouth agape, arms crossed. Body swaying like trying to walk after spinning. Around and around the carousel goes, where it stops nobody knows. “Has his liver rotted out yet?” I ask this not out loud, but to his black hearted daemons. Tomorrow will he join them in Hell? They are always close by, to whisper in his ear, “Drown your worries away.” That’s what demons say. And he listens to their seductive suggestion. I leave him in the kitchen Too far gone to listen to reason. I climb into bed with another nightmare. I say my bedtime prayer. But, unlike most, Who pray to a bearded man up high, I pray, to black heated daemons to take his sullied soul away. 26 volume 26 The Magazine of Saskatchewan High School Writing “the world around us ...” Sophie Long Abused “If you scored 11–15 out of twenty, you’re in the group we affectionately call Substance Abusers.” I look down at the bright piece of paper sitting on my desk in front of me. Fourteen. Suddenly, I’m afraid that I gave it away. Was it obvious that I looked? I think everyone hates these classes, except for that group of preps sitting in the front row who would run and hide if they saw so much as a beer bottle. I hate them. If this were a year ago, I’d be sitting beside them, with their shiny hair and their manicured nails and their perfectly arched eyebrows. Okay, that’s too much. I’ve been there; I know their lives aren’t perfect. Still, the rest of it’s true. They don’t know what it’s like to live outside a plastic bubble. They don’t understand what it’s like to not have to worry about what happens next. All they focus on is the future. I’d just rather live in the now. And be free. Those people don’t matter though, it’s not like I’ll ever see them again after June. It’s Friday. I think they plan it that way. They bring the drug counselors into Math on a Friday every now and then in the hopes that we’ll all listen to them and decide not to go to the party. Decide we won’t get drunk. Decide we won’t get high. Not likely. I look around at my friends, and I can tell they all have the exact same expression on their faces as I do, while this washed-up hippy goes over the characteristics of ‘Substance Abuse’. I call them friends for want of a better word. They’re all just like me—they’d choose the drugs over any person. That’s why we’re friends. We know what it’s like. We understand needs. We have the same priorities. Besides, who wants to get high alone? If you were to see me at school—not know me, just see me—I’m pretty sure you wouldn’t know about the ‘substance abuse’. That’s the way I like it. I like to think of it as having two lives. There’s the me that is seen from the outside: decent grades, no trouble, not gorgeous but not ugly, a bit shy, never loud, mediocre through and through. Then there’s the other me. The one you’d want to get to know. The funny, extraverted, happy, real me. 27 volume 26 The Magazine of Saskatchewan High School Writing “the world around us ...” So what if I need some help getting there? I know the risks. I know I could get hurt or do something terrible, but that’s why I do it. It’s dangerous, exciting. So much better than the other me. I try to keep the two sides of me as separate as possible. The hippy is still talking. I never understood why they call it substance abuse. When they say ‘child abuse’, the child is the one getting abused. I’m not abusing the substance. If that was true, I’d have the upper hand. I don’t. It should be called substance-user abuse. I’m being abused by my substance, and that’s how I like it. It’s so much easier. The pills have control, and I don’t mind it at all. When I get high, my boring, plain life is taken over, and all I have to do is sit there and enjoy it. I need those little pills. I don’t care about anything else. Because I’d rather be who I want to be than be who my parents want me to be or who I’m ‘supposed to be’. You can say I’m throwing my life away, or I’ll always be alone, or that I’ll never achieve anything, but that doesn’t matter. The pills matter. Getting high, to me, is getting home. Getting to where I like to be. If I have to spend my life as a slave to a ‘substance’ for that, that’s absolutely fine. I’m not quitting; no matter how many hippies they send my way. 28 volume 26 The Magazine of Saskatchewan High School Writing “the world around us ...” Nicole Nedilenka Winter Heat Winter will always be my eternal warm love. So many nights spent in the back of freezing cars. Waiting for the heat to kick in. Loud music. Silent snow, floats down from heaven like angel’s dreams. Black hoods pulled up, the irony of the white world beyond. These jackets are never warm enough. Midnight Tim Hortons run, that lasts into the witching hour. And always, back seats. Bands yelling from the radio fill us with electricity. Red, yellow and green lights streak past, barely visible in the winter fog. It will never be morning again. Spring will never come. The snow will never melt. We are frozen. This is where I belong. You know the feeling of nights, long past? They live as ghosts, grey in our mind. My winter nights are frosty snow globes with a small glow of warm light in their centers. 29 volume 26 The Magazine of Saskatchewan High School Writing bios Jennie Baginski’s most accomplished hobbies tend to include supporting her habits which are biting her fingernails and laziness; she is also an avid daydreamer. Her sense of humour isn’t so specific, and deep down she loves cake. She’s emotional; her deep thoughts easily coincide with a laid back conversation. Melissa Bereti is a 17-year-old student from Miller High School who loves writing while under the influence of creativity but dislikes capital letters. She likes to believe that if she stops using them, they will cease to exist. More than anything, she hopes her writing will someday mean something to someone. Darick Bourassa. This is the first time Darick has shared his poetry with an audience. Darick’s high school experiences inspire his poetry, although people of all ages can recognize life’s struggles in his words. Oh yes, Darick is a 16 year old student attending high school in Regina. Andrea Hannaford is in her final year of high school at Archbishop M.C. O’Neill and was taught creative writing by a lovely Miss Baudu. Simply said, she loves to write and will continue to do so. Kimberley Hartwig is 17 and a Grade 12 student at Campbell Collegiate. When not writing, eating or sleeping, she enjoys playing tennis and hopes to one day marry Russian tennis heartthrob Marat Safin. If this does not work out, a career in English would be a suitable and more plausible backup. Kelci Hopcraft was a Grade 12 student when she submitted Honey at Mount Royal Collegiate. She joined the Creative Writing class because all she did was write in her other classes so she figured she should be getting a grade for it. Brynn Krysa is a Grade 12 student who enjoys expressing herself creatively through art, photography, video, writing and music. She feels fortunate to have grown up amidst Saskatoon’s vibrant arts scene. Most importantly, she is grateful that the muses visit her on a regular basis. Sophie Long is a Grade 12 student at Miller High School. She is originally from Liverpool, England, but is thrilled to be in Saskatchewan and especially to be featured in windScript. Sophie’s favourite things include: writing poetry, Sunday afternoons curled up on her couch watching classic movies, Hello Kitty, the mall, Saturday nights, and traveling. After high school, she hopes to continue writing and eventually become an English and Drama teacher to high school students. Most importantly, Sophie hopes you enjoy her writing! 30 volume 26 The Magazine of Saskatchewan High School Writing bios MJ was born in Moose Jaw, but spent the majority of his childhood in Baker Lake, Nunavut. In 2007, he moved back to Moose Jaw, where he graduated. MJ now attends classes at the University of Saskatchewan, where he hopes to pursue a career that involves writing, such as journalism. Writing has always been a hobby for MJ, and he will continue to write in the coming years. Nicole Nedilenka spends her days daydreaming, drawing, and driving her standard car around Regina. Her passions include drinking coffee, reading books, and her friends. Nicole’s goal in life is to get her journeymen’s in welding, go skydiving, and visit the Wizarding World of Harry Potter. Dexter Neufeld is fifteen years old and in Grade 10 at Eastend School. He likes playing sports, mainly hockey. Jessica Poncsak is an alumnus of Miller Comprehensive High School and is currently enrolled in the University of Regina. In Grade 11, she took a Creative Writing class taught by Daniel McDonald. She enjoys reading, writing, listening to music, and playing her trombone or guitar in her spare time. Shea Poncsak has a twin sister, a younger sister, a (metaphorically speaking) crazy cat, a loving dog and two great parents. She is involved in Irish dancing, Mosaic and Tae Kwon Do. She also plays the flute, hates winter and adores Japanese anime and manga. Paige Schuett is 16 years old and attends Eastend School. She loves to cruise down Main Street in her mom’s Ford Focus and jam out with friends. Paige likes to be involved, stay busy and is currently SADD president, SRC vice president and Yearbook Editor. She loves sports and her favorite hobby is playing the guitar while singing her own songs. Paige dreams to one day make it with her music. Megan Vogelsang is, at the moment, 568 260 522 seconds old. Since not everyone is as math-geeky as she is, it means she is 18 years old. She attended Miller High School where she enjoyed many improv practices and found the love of her life, Team Handball. She also likes dancing in kitchens when no one is looking, and Swedish Berries. 31 volume 26